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Get your popcorn at the ready - it's Thursday's movie special. On | :00:08. | :00:11. | |
the bill tonight - Robbie Legs 11 Savage and his partner Ola drop in | :00:11. | :00:15. | |
for a chat. Chelsee and Pasha's Argentine tango got rave reviews, | :00:15. | :00:20. | |
but will their jive be the perfect sequel? They're here to tell all. | :00:20. | :00:23. | |
We get a premiere of this weekend's outfits. And the botafogo battle | :00:23. | :00:33. | |
:00:33. | :01:12. | ||
continues in our Pro Dance Live from television, this is | :01:12. | :01:20. | |
Strictly Come Dancing. Please, welcome your host, it's Zoe Ball. | :01:20. | :01:23. | |
Hello and welcome to It Takes Two. This Saturday our six remaining | :01:23. | :01:26. | |
couples are all hoping to put on a scene-stealing performance. In a | :01:26. | :01:30. | |
moment, I'll be chatting to Robbie and Ola, but first, here's how our | :01:30. | :01:40. | |
:01:40. | :01:41. | ||
matinee males are getting on in training. This is week we are doing | :01:41. | :01:47. | |
the American smooth. Great song, great theme. It's Singing In The | :01:47. | :01:53. | |
Rain. Jason is wonderful. He absolutely lives it. I have to say | :01:53. | :01:56. | |
the American smooth is smooth, rich and full of flavour. The things | :01:57. | :02:02. | |
that are probably the most difficult to come together and in | :02:02. | :02:05. | |
this type of dance is obviously hand placement. I'm trying to work | :02:06. | :02:10. | |
hard on that. The lifts are always difficult because it involves two | :02:10. | :02:15. | |
people and then I'm doing it for the first time, so sometimes it | :02:15. | :02:20. | |
feels awkward. We are chasing Harry. We are chasing Chelsee. This week I | :02:20. | :02:26. | |
am officially the oldest person in the competition. Now, that is a | :02:26. | :02:36. | |
:02:36. | :02:36. | ||
reason to dig deep and go hard. This week, it's Movie Week and we | :02:36. | :02:44. | |
are dancing the rumba. We are doing Robin Hood, Prince of Thieves. | :02:44. | :02:48. | |
precise and slow and technical as always, which makes it very tough. | :02:48. | :02:54. | |
I think my biggest challenge is to really lose myself in the dance. | :02:54. | :02:58. | |
That's going to be a big challenge, but I'm going to really try to | :02:58. | :03:03. | |
achieve that. And two, but you have to touch yourself. It's notoriously | :03:03. | :03:11. | |
a tough dance. To me, they are all pretty tough, so, so far it's going | :03:11. | :03:16. | |
OK. Take me with you each step that you do. Our aim every week is to | :03:16. | :03:20. | |
try to improve and keep getting better and trying to impress the | :03:20. | :03:24. | |
judges and the audience at home, so I would be gutted to be knocked out | :03:24. | :03:28. | |
this close to the final, but the competition's getting hotter every | :03:28. | :03:38. | |
:03:38. | :03:39. | ||
week. This week we are doing the quickstep. We are dancing to a song | :03:39. | :03:43. | |
from a movie, Reservoir Dogs. have to be light on the balls of | :03:43. | :03:47. | |
your feet and posture and you have to be quick. That is one thing I | :03:47. | :03:53. | |
never was on the pitch, was quick. Good, good, good. That was the | :03:53. | :03:59. | |
right hop. This is a tricky dance. It's not good. It is. Every dance | :03:59. | :04:05. | |
is tricky. No, no, no. I know. You move your feet quick, quick and | :04:05. | :04:12. | |
then a hop and jump and run. It's getting your brain into gear. | :04:12. | :04:15. | |
are you hopping there for? Your feet working with your brain. It's | :04:15. | :04:20. | |
going to be a long week. Good. Right steps. To be fair, some | :04:20. | :04:25. | |
people say I've never had a brain. The perfect happy ending to this | :04:25. | :04:35. | |
:04:35. | :04:38. | ||
dance for myself and Ola would be a high score. Please, welcome Robbie | :04:38. | :04:43. | |
and Ola. You've had a really tough week. How are you? It's been tough, | :04:43. | :04:48. | |
losing one of my best friends in Gary Speed. It's been hard, but Ola | :04:48. | :04:52. | |
has been great getting me through it. It just shows after what has | :04:52. | :04:55. | |
happened to Gary, this is a dance competition and it's fun and energy | :04:55. | :05:00. | |
and having fun and that's what we're doing. He was a really big | :05:00. | :05:04. | |
fan of the show? He was here the four weeks ago and that's the | :05:05. | :05:09. | |
lasting picture. I did the jive and I high-fiveed him. Our love and | :05:09. | :05:14. | |
thoughts go out to his family at this time. You caused quite a stir, | :05:14. | :05:20. | |
it could be said, on Saturday night. Any regrets about the infamous | :05:20. | :05:26. | |
trouser removal? No, not really, because for me and Ola for us to | :05:26. | :05:30. | |
stay, we are doing it for the public. I don't think we are the | :05:30. | :05:33. | |
judges' favourite and rightly so because technically I'm not the | :05:33. | :05:38. | |
best dancer left, but what I'm doing every time on the floor, I'm | :05:38. | :05:43. | |
having fun and enjoying myself. Ola is the best and she's great. She | :05:43. | :05:47. | |
hides my lack of dancing. I told him to say that. You are my | :05:47. | :05:52. | |
husband's favourite as well, but none of that! All the viewers on- | :05:52. | :05:59. | |
line have loved it. Kerry posted, "I must remember to curb my | :05:59. | :06:03. | |
enthusiasm when my husband is in the room. Who cares about Robbie's | :06:03. | :06:08. | |
dancing? That was hot." I would have left my Y-fronts on, but it's | :06:08. | :06:14. | |
a family show, so I needed shorts on, so Craig was talking nonsense. | :06:14. | :06:22. | |
It was the fully from the full montgy? -- The Full Monty? Yeah. | :06:22. | :06:26. | |
Did you think your time was up in the results show on Sunday? Yeah, | :06:26. | :06:29. | |
we so did. We were prepared to go and be in the bottom two and | :06:30. | :06:34. | |
prepared to go, but surprisingly we are still in the competition. | :06:35. | :06:38. | |
was, we have had a great time and we are having fun and that's what's | :06:38. | :06:42. | |
life is about. It's been a tragic week. It's about taking every day | :06:42. | :06:46. | |
as it comes. Saturday, we are going out there, if it's our last we'll | :06:46. | :06:53. | |
have fun. It will be great. Don't say that. We want to be in the | :06:53. | :06:57. | |
final. I know you do. Quickstep this week. In training the footage | :06:57. | :07:02. | |
we saw, you said you were finding it tricky to get your brain to | :07:02. | :07:06. | |
connect with your feet. Are you still finding that a challenge? | :07:06. | :07:11. | |
Yes. Very, very hard. As Harry said, every dance is so tricky, but it's | :07:12. | :07:16. | |
hop, step, move and people say when I play football I didn't have a | :07:16. | :07:20. | |
brain. It's hard finding it now. do know you have a brain. I know | :07:20. | :07:25. | |
where you keep it. This week, it's Movie Week and you are dancing to | :07:25. | :07:31. | |
Little Green Bag from Reservoir Dogs. Ola, can you say it for me? | :07:31. | :07:37. | |
No, I can't. That was six takes for me to say it. A great film all | :07:37. | :07:42. | |
about a bank rob and gangsters and everything that goes wrong. How are | :07:42. | :07:46. | |
you getting into character? have to be quite cool in the dance | :07:46. | :07:52. | |
and Robbie's struggled with it a little bit | :07:52. | :07:56. | |
LAUGHTER Tell it like it is. It is. You are | :07:56. | :08:01. | |
not cool yourself. She is so cool. Try these on. Some shades for you | :08:01. | :08:09. | |
to get you into character. Who will you be - Mr Blue or Mr Orange? Mr | :08:09. | :08:16. | |
Blonde? Who said I wasn't cool?! Wearing a cardigan!! We are getting | :08:16. | :08:21. | |
to the final stages. Ola, how tough are you getting? Robbie, I'll ask | :08:21. | :08:27. | |
you that? She is changing. For the first ten weeks it was yes, you are | :08:27. | :08:32. | |
funny and we'll get on with it. Now, it's that's wrong, sit down. Stop. | :08:32. | :08:38. | |
Move. Don't do that. She has been nasty and I don't like it. I'm not! | :08:38. | :08:43. | |
I'm just a bit tougher. Come on, it's getting to the semi-finals. | :08:43. | :08:48. | |
have got this far on having fun. If I try to compete against Harry and | :08:48. | :08:53. | |
Chelsee in the dancing, see you, I'm out. If I want to have fun and | :08:53. | :08:58. | |
enjoy it, yeah, we'll get to the final by doing that. I saw her turn. | :08:58. | :09:05. | |
It was during the swing-a-thon. That was wrong. Let's not bring | :09:05. | :09:09. | |
that up again. Craig again! Help me! Now, there is something that | :09:09. | :09:13. | |
you do struggle with in the training room. Whatever you do, | :09:13. | :09:20. | |
don't make him spin. Look at this. The moves I find scary is spinning. | :09:20. | :09:30. | |
:09:30. | :09:32. | ||
I get very, very dizzy. I'm dizzy, man. The tea -- the teacups on the | :09:32. | :09:40. | |
waltzers I could never go on them. It's a dizzy dance. One, two. Don't | :09:40. | :09:50. | |
:09:50. | :09:53. | ||
tell me you're dizzy. I am. Wow, that's dizzy. Keep going. So dizzy. | :09:53. | :10:01. | |
I know. LAUGHTER | :10:01. | :10:07. | |
I've heard it so many times. Spin as often as you can. You made it | :10:07. | :10:10. | |
through to Wembley. How much does the sportsman in you want to make | :10:10. | :10:17. | |
it to the semis? The most important thing for me now is to - I've got | :10:17. | :10:25. | |
this far through Ola and for me to get to the final would be great. I | :10:25. | :10:28. | |
think only Brendan has been there twice. If she was the first female | :10:28. | :10:33. | |
to get there has a dancer I've done my job and I would be proud. | :10:34. | :10:40. | |
work it. Even though she is nasty to me. I'm not. You are. I'll leave | :10:40. | :10:46. | |
these two to sort it out. Ola, we'll see you for the pro challenge | :10:46. | :10:49. | |
later on. Good luck this weekend, Mr Blonde. | :10:49. | :10:54. | |
APPLAUSE Unlike the Cardy. If you like Jason | :10:54. | :10:58. | |
and Alex then you are planning on doing an American smooth and you | :10:58. | :11:04. | |
are in luck, because super-pro is here with his guide to performing | :11:04. | :11:14. | |
:11:14. | :11:19. | ||
Welcome to the brend dand Cole guide to the American smooth. -- | :11:19. | :11:25. | |
Brendan Cole guide to the American smooth. It has this beautiful old- | :11:25. | :11:29. | |
school, almost Hollywood glamour about it and I think you can create | :11:29. | :11:35. | |
quite a magical piece when do you it. -- when doing it. Three main | :11:35. | :11:40. | |
steps. One, you have to stay on ballroom hold for 60%. You can do a | :11:40. | :11:45. | |
waltz, quickstep. Maybe even a tango. But if you want a tip from | :11:45. | :11:53. | |
me, stick to foxtrot, that's where the magic is. Number two, you are | :11:53. | :12:01. | |
allowed to throw in a couple of lifts. Number three, a little bit | :12:01. | :12:09. | |
of magic. You want to tell a story. If the music sell walk arm in arm | :12:09. | :12:12. | |
through a park, maybe sure you replicate that. American smooth is | :12:12. | :12:17. | |
all about the story. Two people dancing a magical piece and it | :12:17. | :12:20. | |
should almost feel like it's set in another world where the two people | :12:20. | :12:25. | |
are the only two people that are in it for me, there has only been one | :12:25. | :12:27. | |
American smooth in this little Strictly Come Dancing: It Takes Two | :12:27. | :12:35. | |
over the years and that is the lovely Kelly Brook. When we danced | :12:35. | :12:39. | |
it, we had a connection and when we finished it we had the same and it | :12:39. | :12:43. | |
didn't lose throughout and I think it's when you can create magic on a | :12:43. | :12:48. | |
show like this, that dancing takes a whole new meaning. That to me is | :12:48. | :12:55. | |
one outstanding performance. Thank you for joining me for my step-by- | :12:55. | :13:02. | |
step guide to the American smooth. I hope you enjoyed it. I want to do | :13:02. | :13:05. | |
it again. He keeps on giving. We love him. This weekend it's not | :13:05. | :13:09. | |
just the dancers that need to be fit for the silver screen. The | :13:09. | :13:13. | |
outfits also have to be red-carpet ready. Earlier on I went to the | :13:13. | :13:19. | |
department for a sneak look at this weekend's garments. I'm with head | :13:19. | :13:24. | |
costume designer, Vicky. It's Movie Week. Alex is dancing to something | :13:24. | :13:30. | |
from Pretty Woman. I'm mathing not the mini skirt look and boots. | :13:30. | :13:36. | |
we refrained. I'm sure she would give it a good. And look amazing -- | :13:36. | :13:41. | |
give it a go. And look amazing. have a long-line American smooth | :13:41. | :13:51. | |
:13:51. | :13:53. | ||
dress. Lots of crystals an jewels to is is Strictly-ed up. Absolutely | :13:53. | :14:01. | |
stunning. Jason and Kristina are dancing to Singing in The Rain. | :14:01. | :14:06. | |
What are they wearing? There is a piece in the movie where she is | :14:06. | :14:11. | |
wearing the yellow raincoat and lilac hat. We have used that in | :14:11. | :14:14. | |
terms of choosing the colours. Kristina's dress, again American | :14:14. | :14:24. | |
smooth, so a long-line and elegant. There is a lot of gaudets there. | :14:24. | :14:32. | |
Seven metres there. We may use this here in the skullcap. Jason, | :14:32. | :14:39. | |
looking like Gene Kelly? I'm sure he will behave like him. We are | :14:39. | :14:43. | |
using dark grey to reflect the piece in the movie, which is browns | :14:43. | :14:48. | |
and greys, to lift it and recreate a Strictly moment, we have lots of | :14:48. | :14:53. | |
crystals which will be like raindrops running down. Stunning. | :14:53. | :14:58. | |
Chelsee is jiving. The music is something from Shrek. Interesting | :14:58. | :15:02. | |
couple of elements to mix. challenge. Green possibly? | :15:02. | :15:08. | |
thought pink, but no, we are back to green. We are making sure she | :15:08. | :15:12. | |
has quite a traditional shape to the dress so she can perform the | :15:12. | :15:17. | |
piece and feel at ease, but yes, we are using green and gold. The gold | :15:17. | :15:24. | |
is for our princess element. Very opulent. Very pretty. Lace to make | :15:24. | :15:28. | |
it lighter. Speaking of green, Harry is doing the rumba to | :15:28. | :15:33. | |
something from Prince of Thieves. Will he be in tights? Please, | :15:33. | :15:38. | |
please. Absolutely not. I think he could carry it off. It was worth a | :15:38. | :15:48. | |
:15:48. | :15:48. | ||
shot. What is under the cold cloth this week? Are they Zs by any | :15:48. | :15:57. | |
chance and this that exairt slightly flamenco? It -- skirt | :15:57. | :16:01. | |
slightly flamenco? It shouldn't take it long to work out. We | :16:01. | :16:04. | |
worship at your costume temple. Have a great weekend. Thank you. | :16:04. | :16:09. | |
Back to me in the studio. Just thinking about Harry in tights. Yep, | :16:09. | :16:17. | |
stored that thought. This week's challenge is in full swing. Natalie, | :16:17. | :16:21. | |
Aliona and Erin have a-- attempted to set the botafogo world record. | :16:21. | :16:25. | |
Today, it's the turn of the pocket rock ert, Ola Jordan | :16:25. | :16:31. | |
APPLAUSE -- pocket rocket, Ola Jordan. | :16:31. | :16:39. | |
APPLAUSE This whole idea has gripped the | :16:39. | :16:48. | |
nation. Everybody is botafogo mad. I have been tweeted by many people. | :16:48. | :16:52. | |
Loads of people asking Craig to do it, but today it's your turn. How | :16:52. | :16:57. | |
nervous were you? Very. I want to do the best, so I was very nervous | :16:57. | :17:01. | |
to do it. Shall we see how you did. Yes. Come on, are you ready. Here | :17:01. | :17:10. | |
we go. We have the world record at stake. The most botafogos in 30 | :17:10. | :17:20. | |
:17:20. | :17:22. | ||
seconds. We want a world champion. It would mean a lot to win the | :17:22. | :17:27. | |
world record for me. To have my name in the record book, brilliant, | :17:27. | :17:32. | |
I would love that. Will the next challenger please make their way to | :17:32. | :17:40. | |
the floor! Hello. How are you feeling? Nervous, but excited? | :17:40. | :17:48. | |
I want to win and beat James. Please, take to the floor. Dancer, | :17:48. | :17:56. | |
ready? Ready. Richard, guru of all technique, ready? Very ready. | :17:56. | :18:06. | |
:18:06. | :18:35. | ||
you ready? Ready. For the record, three, two, one. Go. Stop. How do | :18:35. | :18:42. | |
you feel? My legs are burning. When she said 15 I thought I | :18:42. | :18:47. | |
wouldn't last and my legs were getting tangled. I thought it was | :18:47. | :18:52. | |
probably the cleanest we have seen yet. Thank you very much. Wow, that | :18:52. | :18:57. | |
was very tiring. My legs are so tired now. I was getting tangled up | :18:57. | :19:04. | |
just by the end. Another glitter ball, maybe?! | :19:04. | :19:11. | |
APPLAUSE Pretty nifty, Ola. At the moment, | :19:11. | :19:16. | |
top is Aliona with 64. Do you think you could beat her? I would like to | :19:16. | :19:24. | |
think I'm going to be on top, yes. OK, right. Keep that thought. Your | :19:24. | :19:27. | |
botafogos have been counted and verified and it's time to get your | :19:27. | :19:37. | |
:19:37. | :19:46. | ||
result... I can announce that you have received no disqualifications | :19:46. | :19:52. | |
and that you scored 64 botafogos. APPLAUSE | :19:52. | :20:00. | |
Go, Ola. We'll look at the leaderboard. There you are. | :20:00. | :20:03. | |
APPLAUSE Next week we'll see how your | :20:03. | :20:06. | |
husband, Mr James Jordan got on. Are you confident that you can beat | :20:06. | :20:13. | |
him? I don't know now. I hope so. I want to beat him, yes. We want to | :20:13. | :20:19. | |
see you beat him, please. Stay tuned to find out. Well done, Ola. | :20:19. | :20:22. | |
APPLAUSE Thank you. | :20:22. | :20:28. | |
It's so good. In just one moment Chelsee and Pasha will be here to | :20:28. | :20:33. | |
do some jive talking, but first the training rooms starting with our | :20:33. | :20:43. | |
:20:43. | :20:44. | ||
leading ladies. This week we have got the paso doble. The music is | :20:44. | :20:53. | |
Legend from Zorro. We are fighting to stay in the competition, so it's | :20:53. | :20:58. | |
a perfect dance. It's hard and aggressive, but I want to be so | :20:59. | :21:04. | |
good, because it could be our swan song. It's the style of dancing | :21:04. | :21:10. | |
that I like to do, so because I'm having fun it might read better. | :21:10. | :21:15. | |
Even though they are difficult moves, they feel good to do. I | :21:15. | :21:20. | |
think I just like stomping. It's the drummer in me getting to play | :21:20. | :21:25. | |
along to the beat with my feet. have to be character. It's very | :21:25. | :21:29. | |
aggressive and passionate. It's pretty full-on. Hopefully we'll be | :21:29. | :21:39. | |
:21:39. | :21:41. | ||
good to go on Saturday night. week it's the American smooth. | :21:42. | :21:47. | |
inspiration is Pretty Woman. Maybe oversold there. I'll have to become | :21:47. | :21:50. | |
elegant and refined. It's very clear what we are trying to achieve, | :21:51. | :21:56. | |
because we have seen the film. You more regularly than most people. | :21:56. | :22:00. | |
Hundreds of times. Once we have the steps I think that will make it | :22:00. | :22:04. | |
more enjoyable. It's a shame we couldn't act it out, because I know | :22:04. | :22:14. | |
:22:14. | :22:16. | ||
all the words. Wrong leg. I haven't quite nailed it. In fact, we are a | :22:16. | :22:20. | |
long way from nailing any of it. Let's know what we are doing now | :22:20. | :22:25. | |
instead of guessing. I know what I'm doing. Well, I don't. Slow, | :22:25. | :22:30. | |
quick. I don't know what we are doing. It's a tough dance, but she | :22:30. | :22:40. | |
:22:40. | :22:41. | ||
is going to be fine. This week it's movie week and I'm dancing the jive | :22:41. | :22:48. | |
to I'm A Believer. Yes, yes, yes. It's all about twisting and hopping | :22:48. | :22:53. | |
around and being super-fast and requires stamina and footwork and | :22:53. | :22:59. | |
technique. Not too much passion, but a lot of fun. Forward, side. | :22:59. | :23:03. | |
I'm getting mixed up. The hardest thing is the kicks. Five, six, | :23:04. | :23:09. | |
seven and eight and one. It's got a sort of a bounce to it and I'm not | :23:09. | :23:14. | |
getting the timing just yet. more time. It's hard. She needs to | :23:14. | :23:19. | |
push through to make it very energetic and although she is | :23:19. | :23:23. | |
bubbly and fun just like this dance, she needs an extra push to make it | :23:23. | :23:30. | |
look great. Walk, walk, walk. didn't lose my energy. Once it is | :23:30. | :23:36. | |
all straightened out, then it's going to be the perfect dance. | :23:36. | :23:39. | |
Please, welcome Chelsee and Pasha. APPLAUSE | :23:39. | :23:47. | |
Hello. Great performance last weekend. Well done. Thank you. | :23:47. | :23:51. | |
said he was a little confused because he didn't think that you | :23:51. | :23:54. | |
were acting as though you fancied Pasha. The thing is we know you are | :23:54. | :24:00. | |
a brilliant actress and we know Pasha is quite lovely, so is it | :24:01. | :24:06. | |
hard to do something like dance and act together? Combining the two | :24:06. | :24:10. | |
together. I'm not too bad at doing them separately, but putting them | :24:10. | :24:15. | |
together is a different story. There were still moments when I | :24:15. | :24:17. | |
thought you looked thoroughly wrapped in him. I thought I was in | :24:17. | :24:22. | |
the moment, but obviously not. There is passion there, isn't | :24:22. | :24:29. | |
there? Definitely passion. That bit. Quiet passion. Alesha said if you | :24:29. | :24:33. | |
get rid of your inhibitions you will go through the roof. Are you | :24:33. | :24:38. | |
ready to left yourself go? I am ready. I'm always ready to do | :24:38. | :24:47. | |
anything, but I don't know how to let go there. I don't know how to | :24:47. | :24:51. | |
do that. It's difficult, because a couple of weeks ago they were | :24:51. | :24:56. | |
saying rein it in and now they are saying let it go. I'm scared, | :24:56. | :25:01. | |
because if I let go I will think I won't have the technique and then | :25:01. | :25:06. | |
they'll call it disco. It is different, so sometimes you have to | :25:06. | :25:11. | |
be more passionate and sometimes you have to be more crazy. Pasha, | :25:11. | :25:21. | |
:25:21. | :25:24. | ||
how can she get to the next level? I have a secret technique! I have a | :25:24. | :25:34. | |
:25:34. | :25:38. | ||
whip in one hand and a cane in the other. You are dancing the jive | :25:38. | :25:40. | |
this week. You were saying in the training footage you were | :25:40. | :25:46. | |
struggling with the speed. How is it going? I'm still struggling. I | :25:46. | :25:51. | |
seem to always be struggling. I am good with fastness, but it's very, | :25:51. | :25:58. | |
very fast. It is. The first time we saw Pasha next to you, he's doing | :25:58. | :26:02. | |
it fully as the professional, but you believe in her? Absolutely. I | :26:02. | :26:07. | |
know she can do it. It's learning the steps, the first stage and now | :26:07. | :26:13. | |
she got them and she's up to speed. She asked me today, can we slow it | :26:13. | :26:17. | |
down? He said no. We had a discussion about that. They never | :26:17. | :26:24. | |
do. I remember begging Ian. This is what you are dancing to. | :26:24. | :26:30. | |
# And then I saw her face # Now I'm a believer... # | :26:30. | :26:34. | |
It's from Shrek, the Movie. You were saying to Claudia on the | :26:34. | :26:37. | |
results show last week that you had never seen it. Have you managed to | :26:37. | :26:44. | |
see it yet? No. If you want to know, this is what princess Fiona and | :26:44. | :26:51. | |
Shrek look like. That's not what I planned. Won't you be greening up? | :26:51. | :27:00. | |
We thought we would get you into the spirit. She is the princess. | :27:00. | :27:07. | |
I'm the princess. Does the role suit Chelsee, Pasha? Well, I think | :27:07. | :27:11. | |
she is kind of good at the role, because her mum called her princess | :27:11. | :27:18. | |
all the time. You do as well. Is that pretty or princess in a bit | :27:18. | :27:22. | |
of a madam? No, pretty, of course. She is quite comfortable there. | :27:22. | :27:26. | |
This dance will be perfect. going to keep the hat just in case, | :27:26. | :27:32. | |
you never know. Also, Chelsee, we think you are going to make a great | :27:32. | :27:37. | |
princess, because we have noticed all your characteristics are not | :27:37. | :27:41. | |
always lady-like. This is hilarious. When she laughs she snorts a little | :27:41. | :27:51. | |
:27:51. | :28:12. | ||
bit. SNORTS Come on little piggy. SNORTS | :28:12. | :28:15. | |
LAUGHTER That's gorgeous. I wasn't referring | :28:15. | :28:22. | |
to that. Bless you. The semi-finals are looming. Is there anything you | :28:22. | :28:27. | |
need to work on for the judges for Saturday night, because they'll be | :28:27. | :28:33. | |
really picky? I would kind of say everything. No, well, we have to | :28:33. | :28:37. | |
make sure that the judges will see the proper jive. They'll see kicks | :28:37. | :28:40. | |
and energy and proper arms placement and of course, character, | :28:40. | :28:47. | |
but she is got the character down. How gutted would you be not to make | :28:47. | :28:53. | |
the semi-finals? You know what, I would be devastated. But you never | :28:53. | :28:58. | |
know. It is scary. I find it really scary, but to make it would be | :28:58. | :29:01. | |
amazing. I thought I would have been out the first week, so to | :29:01. | :29:06. | |
still be here is something else. Every week she is like, "We're | :29:06. | :29:12. | |
out." You have to believe little princess. I am a believer. Good | :29:12. | :29:16. | |
luck this weekend. APPLAUSE | :29:16. | :29:22. |