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We're back. | 0:00:24 | 0:00:26 | |
Last season, we raised millions of dollars for charity, | 0:00:26 | 0:00:29 | |
more than ever before. | 0:00:29 | 0:00:31 | |
And over the past four years, | 0:00:31 | 0:00:33 | |
we've helped to raise tens of millions of dollars. | 0:00:33 | 0:00:36 | |
This time we're even bigger and better. | 0:00:39 | 0:00:43 | |
18 celebrities, 18 egos, | 0:00:43 | 0:00:46 | |
all fighting to become the Celebrity Apprentice. | 0:00:46 | 0:00:50 | |
Master illusionist and Vegas superstar, Penn Jillette. | 0:00:54 | 0:00:58 | |
Pop icon, Debbie Gibson. | 0:00:58 | 0:01:01 | |
Comedian and internet trailblazer, Adam Carolla. | 0:01:01 | 0:01:04 | |
I lost my virginity in a Regal. | 0:01:04 | 0:01:07 | |
Miss Universe, Dayana Mendoza. | 0:01:07 | 0:01:09 | |
Late-night legend, Arsenio Hall. | 0:01:09 | 0:01:12 | |
Oooh-oooh-oooh! | 0:01:12 | 0:01:14 | |
Movie star and Grammy Award winner, Tia Carrere. | 0:01:14 | 0:01:17 | |
Rock star and Twisted Sister frontman, Dee Snider. | 0:01:17 | 0:01:21 | |
The funniest woman in America, the queen of mean, Lisa Lampanelli. | 0:01:21 | 0:01:26 | |
You're fired! You're fired! | 0:01:26 | 0:01:28 | |
Star of American Chopper, Paul Teutul Sr. | 0:01:28 | 0:01:31 | |
International actress and philanthropist, Patricia Velasquez. | 0:01:31 | 0:01:35 | |
Bestselling author and first daughter of the Mob, Victoria Gotti. | 0:01:35 | 0:01:39 | |
Firing you is going to be very scary for me, Victoria. | 0:01:39 | 0:01:43 | |
IndyCar legend, Michael Andretti. | 0:01:43 | 0:01:46 | |
The original supermodel, Cheryl Tiegs. | 0:01:46 | 0:01:49 | |
American Idol superstar, Clay Aiken. | 0:01:49 | 0:01:52 | |
I've been runner-up before, so I'm going to make sure it doesn't happen again. | 0:01:52 | 0:01:55 | |
Pop star, Aubrey O'Day. | 0:01:55 | 0:01:57 | |
The Incredible Hulk, Lou Ferrigno. | 0:01:57 | 0:02:00 | |
New Jersey's favourite housewife, Teresa Giudice. | 0:02:00 | 0:02:04 | |
And television icon, Star Trek's George Takei. | 0:02:04 | 0:02:08 | |
Live long and prosper! | 0:02:08 | 0:02:10 | |
The gauntlet has been thrown | 0:02:11 | 0:02:12 | |
and the celebrities are fighting with everything they've got. | 0:02:12 | 0:02:16 | |
10,000... | 0:02:16 | 0:02:17 | |
£20,000! | 0:02:17 | 0:02:19 | |
10,000! | 0:02:19 | 0:02:20 | |
And the money is rolling in. | 0:02:20 | 0:02:22 | |
That's more money than ever raised for a first test before. | 0:02:22 | 0:02:26 | |
'All in the name of charity.' | 0:02:26 | 0:02:29 | |
My cousin died of Aids. Her death reminded me we cannot stop. | 0:02:29 | 0:02:33 | |
-Come here, little one. -Awww... | 0:02:33 | 0:02:36 | |
I'm so sorry to be emotional, but... | 0:02:36 | 0:02:39 | |
I just extremely proud to be here with you. | 0:02:39 | 0:02:42 | |
This is all for charity, and so that's why we here. | 0:02:42 | 0:02:46 | |
When you get to come and see the children who this money will | 0:02:46 | 0:02:50 | |
affect, it really makes it real. | 0:02:50 | 0:02:52 | |
With everything on the line, it's going to get personal. | 0:02:59 | 0:03:04 | |
This is your fault, Trump. | 0:03:04 | 0:03:05 | |
I've never felt more set up in my life. | 0:03:05 | 0:03:07 | |
I'm going to fire two people tonight. SHRIEKING | 0:03:07 | 0:03:10 | |
-Don't ruin your -BLEEP -image and your -BLEEP -career! | 0:03:10 | 0:03:13 | |
-When you -BLEEP -with me and disrespect me, it's on! | 0:03:13 | 0:03:15 | |
SHE YELLS INDISTINCTLY | 0:03:15 | 0:03:18 | |
SHE SHRIEKS | 0:03:18 | 0:03:19 | |
-The whole day was -BLEEP -this, -BLEEP -that, -BLEEP -this, -BLEEP -that. | 0:03:21 | 0:03:26 | |
Quiet! | 0:03:26 | 0:03:27 | |
With 18 celebrities, it's going | 0:03:37 | 0:03:39 | |
to be tougher than ever to rise above the rest. | 0:03:39 | 0:03:42 | |
In late-night, I always approached it striving to be number one. | 0:03:42 | 0:03:46 | |
Losing is not an option. | 0:03:46 | 0:03:47 | |
I'm not afraid of anyone, so watch out. | 0:03:47 | 0:03:49 | |
If you attack me, I'll attack you right back. | 0:03:49 | 0:03:52 | |
I run an incredibly successful business, teamed up with Teller, | 0:03:52 | 0:03:56 | |
and I will be the next Celebrity Apprentice! | 0:03:56 | 0:03:59 | |
You know you have to watch your back. I can make you disappear. | 0:03:59 | 0:04:02 | |
I am going to win. By George, I'm George Takei, dammit! | 0:04:02 | 0:04:06 | |
It's going to be cut-throat, it's going to be crazy, | 0:04:16 | 0:04:18 | |
it's going to be fun. | 0:04:18 | 0:04:19 | |
It's time to face the music. | 0:04:19 | 0:04:22 | |
ORCHESTRA PLAYS APPRENTICE THEME TUNE | 0:04:22 | 0:04:25 | |
Thank you, Maestro. Beautifully done. | 0:04:45 | 0:04:48 | |
Welcome to the world's great, in my opinion, Lincoln Center, | 0:04:48 | 0:04:53 | |
cultural heart of New York City. | 0:04:53 | 0:04:57 | |
The largest performing arts centre anywhere in the world. | 0:04:57 | 0:05:00 | |
John D Rockefeller III raised over 90 million to get it | 0:05:00 | 0:05:06 | |
started many years ago. | 0:05:06 | 0:05:08 | |
Recently, they raised over 1 billion to renovate | 0:05:08 | 0:05:12 | |
and make it even more spectacular. | 0:05:12 | 0:05:14 | |
So it's all about giving back, | 0:05:14 | 0:05:17 | |
it's all about the things we love to do, and that's what we're here for. | 0:05:17 | 0:05:21 | |
You're going to make a lot of money for your charities. | 0:05:21 | 0:05:24 | |
It's going to be fantastic. | 0:05:24 | 0:05:25 | |
Arsenio, I loved your show. I watched that show every night. | 0:05:25 | 0:05:29 | |
What have you been doing lately? | 0:05:29 | 0:05:32 | |
Taking care of my son and doing stand-up here and there. | 0:05:32 | 0:05:35 | |
I ran into Ruben Studdard at an NAACP meeting. | 0:05:35 | 0:05:38 | |
And he said, "Brother, don't be the first black man to lose to clay." | 0:05:38 | 0:05:42 | |
LAUGHTER | 0:05:42 | 0:05:44 | |
'I am forever considered American Idol runner-up. What my goal is,' | 0:05:44 | 0:05:48 | |
for people to introduce me | 0:05:48 | 0:05:50 | |
from now on as Celebrity Apprentice, Clay Aiken. | 0:05:50 | 0:05:53 | |
So, Teresa, we had a really good housewife last time, NeNe. | 0:05:53 | 0:05:57 | |
-Yes, you get the fiery Italian one. -Yeah, definitely a fiery Italian. | 0:05:57 | 0:06:00 | |
-Go ahead. -I'm Teresa Giudice from The Real Housewives Of New Jersey. | 0:06:00 | 0:06:05 | |
I have two cookbooks, I'm a bestseller. | 0:06:05 | 0:06:08 | |
And I'm going to win. | 0:06:08 | 0:06:09 | |
-DEE: -'There's certain expectations of certain people. | 0:06:09 | 0:06:12 | |
'I fully expect Teresa to flip a table at some time.' | 0:06:12 | 0:06:15 | |
"What the hell was that for? "I don't know. | 0:06:15 | 0:06:17 | |
"I just felt I had to flip a table." | 0:06:17 | 0:06:20 | |
Lisa, I was roasted by Comedy Central. Lisa killed me! | 0:06:20 | 0:06:24 | |
So now I can get back! | 0:06:24 | 0:06:26 | |
I know! I'm totally scared of you! | 0:06:26 | 0:06:29 | |
Thank you for having me. | 0:06:30 | 0:06:31 | |
It's great to be the only black woman on the dais. | 0:06:31 | 0:06:34 | |
I'm very thrilled to holler! | 0:06:34 | 0:06:36 | |
I'm representing the Gay Men's Health Crisis, | 0:06:36 | 0:06:39 | |
-here in the city... -Great! -..and I'm just so happy to be here. | 0:06:39 | 0:06:42 | |
-This is going to be so much fun! -We love to have you. Adam? | 0:06:42 | 0:06:45 | |
I'm playing for a charity called White Kids Without iPads, | 0:06:45 | 0:06:49 | |
-which is... -LAUGHTER | 0:06:49 | 0:06:53 | |
Well, that's the thing, people laugh, but they don't realise the pain... | 0:06:53 | 0:06:56 | |
No, er... Catholic Big Brothers. | 0:06:56 | 0:06:59 | |
-I was a Catholic Big Brother many years ago. -Good! | 0:06:59 | 0:07:02 | |
-And I just want to get back to those people. -We love having you. | 0:07:02 | 0:07:06 | |
-My Victoria? -How are you? | 0:07:06 | 0:07:08 | |
You know, firing you is going to be pretty scary for me, Victoria. | 0:07:08 | 0:07:11 | |
-I'm going to be very nice if that time happens. -Hopefully, it won't. | 0:07:11 | 0:07:15 | |
Anybody here you don't like? | 0:07:15 | 0:07:17 | |
Or anybody that you think you're going to go to war with? | 0:07:17 | 0:07:20 | |
-There's one or two people. -Who? -I can't... | 0:07:20 | 0:07:24 | |
You'll see soon enough. | 0:07:24 | 0:07:26 | |
'I'm still sizing up, but I've heard Debbie Gibson is demanding, | 0:07:26 | 0:07:31 | |
'difficult, so I'm seeing some friction. | 0:07:31 | 0:07:35 | |
'And Lisa Lampanelli,' | 0:07:35 | 0:07:36 | |
'I think she really is in this to win this.' | 0:07:36 | 0:07:38 | |
So I think she will take no prisoners. | 0:07:38 | 0:07:41 | |
-I don't like the Gotti woman already! -LAUGHTER | 0:07:41 | 0:07:45 | |
I think Takei's got it coming. | 0:07:45 | 0:07:48 | |
I think George Takei is nothing but trouble. | 0:07:48 | 0:07:51 | |
-And I'm gunning for you, bitch! -I've got my eyes on you too. | 0:07:51 | 0:07:56 | |
My loins are girded. | 0:07:56 | 0:07:58 | |
I don't even know what that meant, but it's very scary. | 0:07:58 | 0:08:02 | |
Now, there are many ways of doing this, | 0:08:02 | 0:08:05 | |
but the way I like best, men versus women. Men versus women just works. | 0:08:05 | 0:08:11 | |
So what I want you to do is, you'll go back to Trump Tower. | 0:08:11 | 0:08:15 | |
You're going to pick a project manager. | 0:08:15 | 0:08:18 | |
Men, a project manager, women, a project manager. | 0:08:18 | 0:08:23 | |
You're going to name your team. | 0:08:23 | 0:08:25 | |
Then you're going to meet me in the boardroom | 0:08:25 | 0:08:28 | |
and I'm going to give you the first test. OK? | 0:08:28 | 0:08:31 | |
All right, Maestro, a little music. | 0:08:31 | 0:08:34 | |
Three, four... | 0:08:34 | 0:08:36 | |
FUNKY INTRO | 0:08:36 | 0:08:39 | |
# Money, money, money | 0:08:40 | 0:08:43 | |
# Money! | 0:08:43 | 0:08:45 | |
# Money, money, money | 0:08:45 | 0:08:48 | |
# Money! # | 0:08:48 | 0:08:50 | |
-Here we go. -Here we are. -Nice! This is beautiful. | 0:09:04 | 0:09:08 | |
Want to sit around the table here? | 0:09:08 | 0:09:10 | |
-I think we've got to talk about a name for the team. -Sure. | 0:09:10 | 0:09:15 | |
I wrote a bunch down on my phone. I got Team Back Hair. | 0:09:15 | 0:09:18 | |
-Back Hair? -Yeah. | 0:09:18 | 0:09:20 | |
This is a little ass-kissy, but how about this - Trumpeteers? | 0:09:20 | 0:09:24 | |
LAUGHTER | 0:09:24 | 0:09:25 | |
All right, hang on. But the one I like better, the Honey Badgers. | 0:09:25 | 0:09:30 | |
SILENCE | 0:09:30 | 0:09:32 | |
Honey badgers are the toughest animals in the world. | 0:09:32 | 0:09:35 | |
They're one of the only animals that will kill for sport. | 0:09:35 | 0:09:38 | |
There is some guys at the William Morris Agency like that. | 0:09:38 | 0:09:42 | |
-CLAY: -'Oh, my God, honey badgers? Are you kidding me? That's horrible. | 0:09:42 | 0:09:46 | |
'I don't care how tough the damn animal is. | 0:09:46 | 0:09:48 | |
'Adam is funny, but Mr Trump does not suffer childishness,' | 0:09:48 | 0:09:53 | |
and we have a lot of frat boys on our team. | 0:09:53 | 0:09:57 | |
-How about the Urinal Cakes? -LAUGHTER | 0:09:57 | 0:10:00 | |
-I like Urinal Cakes! -This is going nowhere. | 0:10:00 | 0:10:03 | |
What about Galactic Force? | 0:10:03 | 0:10:05 | |
-Or Galactic Power? -How about Enterprise? | 0:10:05 | 0:10:09 | |
No, no, no, that's too obvious. | 0:10:09 | 0:10:13 | |
ADAM: 'I like George Takei, | 0:10:13 | 0:10:15 | |
'but come on, we have to pretend that we like Star Trek?!' | 0:10:15 | 0:10:19 | |
I had neighbours who were Trekkies. | 0:10:19 | 0:10:22 | |
They were alcoholics. | 0:10:22 | 0:10:24 | |
-If we're going to be unanimous... -We don't have to be unanimous. | 0:10:24 | 0:10:28 | |
Right, but the only chance we have for... How about Unanimous? | 0:10:28 | 0:10:32 | |
It's not bad. | 0:10:32 | 0:10:34 | |
-Unanimous is pretty good. -Unanimous is pretty good. -It is good. | 0:10:34 | 0:10:37 | |
-I like it. -Everybody just say OK to Unanimous? -ALL AGREE | 0:10:37 | 0:10:42 | |
-It's Unanimous. -Unanimous. -Hold on... | 0:10:42 | 0:10:46 | |
45 minutes ago, none of us would have liked it, but at this point... | 0:10:46 | 0:10:51 | |
It's definitely the last chick in the bar at the end of the night. | 0:10:51 | 0:10:55 | |
Ooh! I want this decorator! | 0:10:56 | 0:10:59 | |
-Anybody else have any ideas for the name? -I have Bone Crushers. | 0:10:59 | 0:11:04 | |
'We have a very strong team.' | 0:11:04 | 0:11:07 | |
It'll be interesting to work with other celebrities, | 0:11:07 | 0:11:09 | |
cos I'm very much a loner. | 0:11:09 | 0:11:11 | |
'I'm definitely a little scared, but here I am. | 0:11:11 | 0:11:14 | |
Being scared has never stops me in life. | 0:11:14 | 0:11:17 | |
The Badass Bears? Badass Babes? | 0:11:17 | 0:11:20 | |
How do you guys feel about an Italian name? Vincitore? | 0:11:20 | 0:11:23 | |
-No. -LAUGHTER | 0:11:23 | 0:11:25 | |
Vincitore means "winner". I thought you would like that one. | 0:11:25 | 0:11:27 | |
I love it! But we're the only ones that are going to understand it. | 0:11:27 | 0:11:30 | |
After meeting you guys, I got a lot of almost feline | 0:11:30 | 0:11:33 | |
energy from this group, like primal, and I thought Prowess. | 0:11:33 | 0:11:37 | |
'The most ridiculous things are coming out, like Prowess.' | 0:11:37 | 0:11:41 | |
Debbie is going...grrrr! And I'm like, "This is not happening." | 0:11:41 | 0:11:45 | |
'People won't even take her serious.' | 0:11:45 | 0:11:47 | |
-We all have fabulous hair. Can we do something with that? -You guys, I have an idea. | 0:11:47 | 0:11:51 | |
-I have an idea. Listen to me. -CHATTER CONTINUES | 0:11:51 | 0:11:53 | |
-Listen, guys... Guys? -CHATTER | 0:11:53 | 0:11:56 | |
'I'm used to people talking one at a time and saying what they want,' | 0:11:56 | 0:12:00 | |
-but this was eight people at once going like... -SHE BABBLES | 0:12:00 | 0:12:03 | |
I think we should pick a name to show we're not going to be | 0:12:03 | 0:12:06 | |
that team who is catty and mean and bitchy to each other. | 0:12:06 | 0:12:09 | |
-What about Forte? -Is that what that means? -It means loud, strong. | 0:12:09 | 0:12:13 | |
'Forte came to mind,' | 0:12:13 | 0:12:16 | |
because it's a bunch of strong women that you don't want to mess with. | 0:12:16 | 0:12:19 | |
-OK, who likes Forte? -I like it. -I think it's great. -Forte is the name. | 0:12:19 | 0:12:25 | |
ALL: Yes! | 0:12:25 | 0:12:26 | |
I love it. | 0:12:26 | 0:12:28 | |
We want to decide project manager too. | 0:12:28 | 0:12:32 | |
I would like to be project manager, | 0:12:32 | 0:12:34 | |
because I've run a foundation for ten years. | 0:12:34 | 0:12:37 | |
I'm used to putting events together in New York. | 0:12:37 | 0:12:40 | |
'I know how to run teams. My charity's the Wayu Taya Foundation.' | 0:12:40 | 0:12:44 | |
'It's a foundation I started ten years ago' | 0:12:44 | 0:12:46 | |
to help Latin American indigenous people. | 0:12:46 | 0:12:49 | |
'In those times, one kid was dying a day.' | 0:12:49 | 0:12:52 | |
I was one of those kids and I was able to get out, | 0:12:52 | 0:12:55 | |
but many of those kids didn't get out. | 0:12:55 | 0:12:57 | |
'I am a Wayu kid. I grew up in poverty. | 0:12:57 | 0:13:00 | |
'Right now, I'm here because I have almost 500 kids that are' | 0:13:00 | 0:13:04 | |
literally sleeping under the trees, waiting for me to finish a school, | 0:13:04 | 0:13:08 | |
to build it, to finish it. | 0:13:08 | 0:13:09 | |
And if I have a school, I can get two meals a day for them | 0:13:09 | 0:13:12 | |
and medical attention. I can't turn them back. | 0:13:12 | 0:13:15 | |
I have to build the school. | 0:13:15 | 0:13:18 | |
They are going to come and say, these kids, thank you, when we win this task, because I have no | 0:13:18 | 0:13:22 | |
doubt in my head that if we work together we are going to win it. | 0:13:22 | 0:13:25 | |
Before we go on, I have a hearing problem. I read lips. | 0:13:29 | 0:13:32 | |
So don't think I'm being rude, as long as you know that... | 0:13:32 | 0:13:35 | |
Get my attention. | 0:13:35 | 0:13:37 | |
Close to birth I lost 75% of my hearing. | 0:13:37 | 0:13:41 | |
'I was told at a young age, "You're not going to be able to speak," | 0:13:41 | 0:13:44 | |
'but I changed all that. | 0:13:44 | 0:13:46 | |
'Everything I've wanted to become, I've done it.' | 0:13:46 | 0:13:48 | |
Can you have some signal that if you are being rude... | 0:13:48 | 0:13:51 | |
-LAUGHTER -Is that OK? | 0:13:51 | 0:13:53 | |
I would hate to have you showing me disrespect and think it was just a hearing problem. | 0:13:53 | 0:13:57 | |
Thank you, thank you so much. | 0:13:57 | 0:14:00 | |
Why don't we figure out who our project manager is going to be? | 0:14:00 | 0:14:03 | |
All right, who wants to be the project manager? | 0:14:03 | 0:14:06 | |
Does anybody want to be project manager? | 0:14:06 | 0:14:07 | |
'It's the only time' | 0:14:07 | 0:14:10 | |
there was silence at that table. | 0:14:10 | 0:14:12 | |
All right, so nobody WANTS to be the project manager. | 0:14:12 | 0:14:16 | |
Maybe there are three or four people universally qualified to | 0:14:16 | 0:14:21 | |
do whatever this task is going to be. | 0:14:21 | 0:14:24 | |
I don't mean to offend you - Paul would be better at a specific one | 0:14:24 | 0:14:29 | |
but not at a universal one. | 0:14:29 | 0:14:31 | |
-ALL TALK AT ONCE -Plus I ran a business for 40 years. | 0:14:31 | 0:14:34 | |
All right, then, you're in. | 0:14:34 | 0:14:36 | |
I'll tell you the truth, I really don't care. I'll do it. | 0:14:36 | 0:14:40 | |
At some point I'll have to do it anyhow. | 0:14:40 | 0:14:42 | |
'Paul Sr, who hadn't spoken, all of a sudden,' | 0:14:42 | 0:14:46 | |
-through the moustache, he said... -HE MUMBLES GRUFFLY | 0:14:46 | 0:14:50 | |
MUMBLING CONTINUES | 0:14:50 | 0:14:51 | |
And I'm like... "Right on, brother, take it!" | 0:14:51 | 0:14:55 | |
I'm going to expect a lot of input from you guys, which... | 0:14:55 | 0:14:59 | |
but ultimately I don't care. | 0:14:59 | 0:15:03 | |
I think that I was the last person that they | 0:15:03 | 0:15:06 | |
thought about as project manager, | 0:15:06 | 0:15:08 | |
'but I was 28 years running a steel business, | 0:15:08 | 0:15:11 | |
'so there's a lot of background that I have in business.' | 0:15:11 | 0:15:14 | |
OK. | 0:15:14 | 0:15:16 | |
-Trump wants us in the boardroom. -OK. Let's go. | 0:15:16 | 0:15:19 | |
Welcome to the boardroom. | 0:15:42 | 0:15:44 | |
This will be, for all of you, a very interesting experience. | 0:15:44 | 0:15:48 | |
Ivanka and Don will be my boardroom advisers. | 0:15:48 | 0:15:53 | |
They'll be following you around. | 0:15:53 | 0:15:55 | |
They're two great people and they really do give me some very | 0:15:55 | 0:15:58 | |
good advice, so I'm going to rely on them very heavily. | 0:15:58 | 0:16:01 | |
So, women's team, have you picked a project manager? | 0:16:01 | 0:16:05 | |
ALL: Yes, we have. | 0:16:05 | 0:16:07 | |
-Who is it? -Patricia. -Patricia. Why Patricia? | 0:16:07 | 0:16:10 | |
-She volunteered, for one. She stepped up. -Well, that's good. | 0:16:10 | 0:16:13 | |
Why did you do that, Patricia? | 0:16:13 | 0:16:15 | |
I know how to put together fundraisers or events | 0:16:15 | 0:16:18 | |
very quickly. I know how to act under pressure. | 0:16:18 | 0:16:20 | |
-And yet you don't know what the task is. -I have no clue. | 0:16:20 | 0:16:24 | |
What is your team name? | 0:16:24 | 0:16:25 | |
ALL: Forte. | 0:16:25 | 0:16:27 | |
-Why? -Because it means "strength". -OK. | 0:16:27 | 0:16:30 | |
Men's team, who is your project manager? | 0:16:30 | 0:16:34 | |
-Paul. -Paul! Why did you choose Paul, first of all? | 0:16:34 | 0:16:39 | |
-He has the biggest arms. -I don't know, Lou's pretty big, too. | 0:16:39 | 0:16:44 | |
What is your team name? | 0:16:44 | 0:16:45 | |
ALL: Unanimous. | 0:16:45 | 0:16:47 | |
Ah! So, the answer is because you all get along? | 0:16:47 | 0:16:49 | |
-Yes. -Now, you're missing one member of the men's team | 0:16:49 | 0:16:54 | |
and that member is Marco Andretti. | 0:16:54 | 0:16:57 | |
The reason is that one of his close friends was | 0:16:57 | 0:17:01 | |
killed in a horrible racing accident, | 0:17:01 | 0:17:04 | |
and they have such a great | 0:17:04 | 0:17:08 | |
affinity and feeling for their charity, Racing For Cancer, that | 0:17:08 | 0:17:11 | |
his father, Michael, who is a tremendous racer, | 0:17:11 | 0:17:14 | |
is coming in very shortly | 0:17:14 | 0:17:16 | |
-to take Marco's place. -Wow. | 0:17:16 | 0:17:19 | |
All right, here's what we're going to be doing. | 0:17:19 | 0:17:23 | |
You're going to be making | 0:17:23 | 0:17:25 | |
and selling celebrity sandwiches for your charity. | 0:17:25 | 0:17:29 | |
Now, the winning team will be the team that makes the most | 0:17:29 | 0:17:34 | |
money in terms of sales and tips. | 0:17:34 | 0:17:36 | |
We're including tips. OK? | 0:17:36 | 0:17:39 | |
The project manager of the winning team is going to win | 0:17:39 | 0:17:42 | |
a lot of money for his or her charity. | 0:17:42 | 0:17:46 | |
-Paul, your charity? -Make A Wish Foundation. -It's a great charity. | 0:17:46 | 0:17:50 | |
-Patricia, your charity? -The Wayuu Taya Foundation. -Very good. | 0:17:50 | 0:17:55 | |
The losing team, sadly, somebody will be fired and, I have to say, | 0:17:55 | 0:18:01 | |
it's always really bad to be the first one fired. | 0:18:01 | 0:18:05 | |
LAUGHTER | 0:18:05 | 0:18:07 | |
Make the sandwiches delicious, make lots of money. Thank you. | 0:18:07 | 0:18:11 | |
ALL: Thank you. | 0:18:11 | 0:18:12 | |
Go ahead. | 0:18:12 | 0:18:14 | |
Thank you. | 0:18:14 | 0:18:16 | |
-Unanimous! -Paul, you're the boss, man. | 0:18:33 | 0:18:36 | |
You want to create excitement out there and this guy with | 0:18:36 | 0:18:40 | |
sleeveless shirts, he's going to draw attention, for one. | 0:18:40 | 0:18:43 | |
Our test is to make sandwiches in a delicatessen | 0:18:43 | 0:18:46 | |
'and sell as many that we can.' | 0:18:46 | 0:18:49 | |
What do you say I get hold of my shop and bring down ten bikes | 0:18:49 | 0:18:53 | |
-and just roll up on... -Sure. -..crazy-ass bikes? | 0:18:53 | 0:18:56 | |
Do we need signs outside or do we need just your three bodies? | 0:18:56 | 0:19:01 | |
I mean, you guys are giants! And this guy is a carnival barker. | 0:19:01 | 0:19:04 | |
I can talk, I can juggle. I've got fire-eating equipment with me. | 0:19:04 | 0:19:07 | |
We were going for the carnival barker, three-ring circus, | 0:19:07 | 0:19:10 | |
'let people see Lou Ferrigno flex some muscles. | 0:19:10 | 0:19:14 | |
'Let them see Paul Sr. But when you have Penn Jillette, | 0:19:14 | 0:19:16 | |
'you have a professional carnival barker.' | 0:19:16 | 0:19:20 | |
He was perfect for this task. | 0:19:20 | 0:19:22 | |
So let's agree conceptually on one thing - | 0:19:22 | 0:19:26 | |
-volume doesn't matter to us. -No. | 0:19:26 | 0:19:27 | |
We could sell 1,000 sandwiches at five bucks a pop and | 0:19:27 | 0:19:33 | |
Victoria could get one whale in to buy one sandwich and it is nullified. | 0:19:33 | 0:19:38 | |
So I don't think the mass production thing is the way to go. | 0:19:38 | 0:19:41 | |
But I would like to know who can bring in what, | 0:19:41 | 0:19:44 | |
so we know how much money we're looking at. | 0:19:44 | 0:19:47 | |
If we're not looking at that much, we have to sell a lot more. | 0:19:47 | 0:19:49 | |
-How much can you bring in? -5,000, 10,000. -I got way more than that. | 0:19:49 | 0:19:55 | |
How much can you bring in? | 0:19:55 | 0:19:56 | |
-What did you say? -Can we hear that again? | 0:19:59 | 0:20:02 | |
-Half a mill. -Half a million dollars? | 0:20:02 | 0:20:04 | |
All right, I'm going back to the hotel, I'm going to crack a beer. | 0:20:04 | 0:20:07 | |
Anyone wants one... | 0:20:07 | 0:20:09 | |
-You can bring that in? -I think so. -Fantastic! | 0:20:09 | 0:20:12 | |
I said a half a million dollars | 0:20:12 | 0:20:14 | |
and everybody's jaw dropped right down to the ground. | 0:20:14 | 0:20:17 | |
'But, you know, there was a handful of people that always come through for me. | 0:20:17 | 0:20:21 | |
'So, you know, I'm more than confident. | 0:20:21 | 0:20:23 | |
'And if I have to do it myself, then I'll do it myself.' | 0:20:23 | 0:20:26 | |
-Even in New York, you can pull it like that? -Yeah! -He lives in New York. | 0:20:26 | 0:20:30 | |
-He's from New York, Orange County, New York. -This is not The OC. | 0:20:30 | 0:20:33 | |
That's a different show. That's good-looking kids. | 0:20:33 | 0:20:36 | |
Arsenio, you gotta get cable, man. | 0:20:36 | 0:20:39 | |
Paul said he could raise 500,000. | 0:20:39 | 0:20:42 | |
'I would have asked everyone, "How much can you raise?" ' | 0:20:42 | 0:20:45 | |
But we heard 500,000 and thought, | 0:20:45 | 0:20:47 | |
-' "I'm going to save my guns for later." -' | 0:20:47 | 0:20:50 | |
Now, there's no harm in making good sandwiches | 0:20:52 | 0:20:55 | |
-and selling a lot of 'em. -I agree. -Absolutely. | 0:20:55 | 0:20:57 | |
We should also do that, so that we're not only winning by the letter but also by the spirit. | 0:20:57 | 0:21:02 | |
And the sandwiches themselves should be basic and simple and easy | 0:21:02 | 0:21:06 | |
and fast to make. | 0:21:06 | 0:21:08 | |
Um, after whom are we naming the sandwich? | 0:21:08 | 0:21:10 | |
The Twisted Sister, The Hulk, The Chopper. | 0:21:10 | 0:21:13 | |
-I mean, you got names in there that are just recognisable. -I... | 0:21:13 | 0:21:17 | |
I just want to suggest this. | 0:21:17 | 0:21:19 | |
We might want to consider putting it all around Chopper. | 0:21:19 | 0:21:24 | |
So, we can have one sandwich that's just The Chopper. | 0:21:24 | 0:21:27 | |
And you can change to a Turkey Chopper. | 0:21:27 | 0:21:29 | |
You can change it to a Veggie Chopper. Branding matters. | 0:21:29 | 0:21:33 | |
And maybe taking over that deli | 0:21:33 | 0:21:35 | |
and making it all Chopper is a good thing to do. | 0:21:35 | 0:21:38 | |
We decided to keep it focused around Paul Sr and Choppers. | 0:21:39 | 0:21:43 | |
He's the project manager. It's his task. | 0:21:43 | 0:21:46 | |
He's going to be the huge fundraiser. | 0:21:46 | 0:21:49 | |
There's definitely a lot riding on Paul. | 0:21:49 | 0:21:51 | |
I say let's get our asses over there now. | 0:21:51 | 0:21:53 | |
Seeing what it looks like is good. | 0:21:53 | 0:21:56 | |
PATRICIA: I am so excited about this task. | 0:21:56 | 0:21:58 | |
-I think it's perfect for us. -Oh, my God. I have a bunch of ideas. | 0:21:58 | 0:22:02 | |
Our project manager is Patricia. She's a big deal in Minnesota. | 0:22:02 | 0:22:04 | |
When I was just doing my modelling thing, | 0:22:04 | 0:22:06 | |
when I was 15 years old, she was my idol. | 0:22:06 | 0:22:09 | |
I can't believe that we're working together in this. | 0:22:09 | 0:22:12 | |
I mean, easy... | 0:22:13 | 0:22:15 | |
Why don't we do celebrity carnival? | 0:22:15 | 0:22:17 | |
LATIN MUSIC PLAYS | 0:22:17 | 0:22:19 | |
Wait, wait, wait. One thing, Patricia, you know | 0:22:19 | 0:22:21 | |
-we need permits for that in New York, right? -Let the police come. | 0:22:21 | 0:22:24 | |
Let the police come? No, it doesn't work that way in New York! | 0:22:24 | 0:22:28 | |
This is insane. I've grown up in New York my whole life. | 0:22:28 | 0:22:31 | |
I'm a native New Yorker. I've never lived anywhere else. | 0:22:31 | 0:22:34 | |
It's not foreign to me. | 0:22:34 | 0:22:36 | |
People are going to say, "What's the connection between sandwiches | 0:22:36 | 0:22:39 | |
"and carnivals?" That's the only problem. | 0:22:39 | 0:22:41 | |
People know me as my father's daughter. | 0:22:41 | 0:22:44 | |
And my father was John Gotti. I can be a force to be reckoned with. | 0:22:44 | 0:22:49 | |
I won't give up. And I certainly don't quit. | 0:22:49 | 0:22:53 | |
How about a takeoff on that idea, | 0:22:53 | 0:22:55 | |
-but have, like, a red carpet arrival to the deli? -Yeah! | 0:22:55 | 0:22:58 | |
Guys, you know what? You're right. Let's go with, I love the red carpet idea. | 0:22:58 | 0:23:02 | |
-So, we need red carpet, we need paparazzis. -Can we get rope? | 0:23:02 | 0:23:06 | |
Yeah, like a velvet rope. | 0:23:06 | 0:23:07 | |
I could take one of my songs, Only In My Dreams, or whatever, | 0:23:07 | 0:23:10 | |
one of those, and sing out front. | 0:23:10 | 0:23:12 | |
'People want to belong to a club.' | 0:23:12 | 0:23:13 | |
So, I thought the whole concept was really cool. | 0:23:13 | 0:23:17 | |
And I like to use my gift of music. | 0:23:17 | 0:23:20 | |
Because that's my thing, that's my element. | 0:23:20 | 0:23:23 | |
Wait, everybody is doing everything outside. | 0:23:23 | 0:23:26 | |
Did anybody stop to think, who's making these sandwiches inside? | 0:23:26 | 0:23:30 | |
Victoria Gotti, I will not screw with in the least. | 0:23:30 | 0:23:33 | |
-And I think you know why. -Mm-kay? | 0:23:34 | 0:23:36 | |
No horse's head in my bed. I don't care if she doesn't show up for work. | 0:23:36 | 0:23:41 | |
She's getting an A+ from me. | 0:23:41 | 0:23:43 | |
PATRICIA: So, let's come up with how many sandwiches. | 0:23:43 | 0:23:45 | |
It would be nice to have three super recognisable people. | 0:23:45 | 0:23:48 | |
-Who's the most recognisable face here? -Teresa. -Teresa is one. | 0:23:48 | 0:23:53 | |
Then, I mean, Cheryl Tiegs is a freaking Supermodel. | 0:23:53 | 0:23:55 | |
So, what about something... Teresa's going to be very Italian. | 0:23:55 | 0:23:58 | |
And hers could be more sort of diet conscious. | 0:23:58 | 0:24:01 | |
When we first started deciding who was the most recognisable, | 0:24:01 | 0:24:05 | |
I wasn't discussed. | 0:24:05 | 0:24:06 | |
I've been part of double platinum girl group Danity Kane | 0:24:06 | 0:24:10 | |
and the reality is I can run circles around most people here. | 0:24:10 | 0:24:14 | |
So, them underestimating me probably isn't the best idea. | 0:24:14 | 0:24:18 | |
Because out of all the women on this team, | 0:24:18 | 0:24:19 | |
I have the most Twitter followers. | 0:24:19 | 0:24:21 | |
Something with Debbie Gibson, because she's all-American. | 0:24:21 | 0:24:25 | |
Burger, BLT, um, club sandwich, just stuff like, you're America, | 0:24:25 | 0:24:29 | |
you know what I mean? | 0:24:29 | 0:24:31 | |
-PAUL: -All right, I'm just going to tell you what I want | 0:24:40 | 0:24:43 | |
-and we're going to slap it up here, OK? -All right. -Are you ready? | 0:24:43 | 0:24:46 | |
-I want ham and prosciutto. -OK, we got ham. Roast beef. | 0:24:46 | 0:24:50 | |
-Same thickness as the ham? -Mozzarella. We need mozzarella. | 0:24:50 | 0:24:53 | |
-You write it down, cos I can't even write good. -Uh, tomatoes. | 0:24:53 | 0:24:56 | |
Sweet peppers. Oil and vinegar. | 0:24:56 | 0:24:58 | |
Who's got the oil and vinegar? Salt and pepper. | 0:24:58 | 0:25:01 | |
-Who's writing this -BLEEP -down? Cos I ain't gonna remember. | 0:25:01 | 0:25:04 | |
-It's right here. -Star Trek! -We're adding... | 0:25:04 | 0:25:07 | |
'I think George is a pretty quiet guy.' | 0:25:07 | 0:25:09 | |
A very smart guy. But I like to be around aggressive people. | 0:25:09 | 0:25:13 | |
I think aggressive people gets the adrenaline going | 0:25:13 | 0:25:16 | |
and it pushes you into a higher energy mode. | 0:25:16 | 0:25:20 | |
And George is just not that person. | 0:25:20 | 0:25:23 | |
Let me go over this... | 0:25:23 | 0:25:25 | |
-Ham, prosciutto, mozzarella, lettuce, tomato, sweet peppers. -Yes. | 0:25:25 | 0:25:30 | |
-And this is The Senior Chopper? -Yes. | 0:25:30 | 0:25:32 | |
'Paul is a Hell's Angel guy, you know?' | 0:25:32 | 0:25:37 | |
'Tattoos all the way up to the shoulder blades, | 0:25:37 | 0:25:39 | |
'I don't know where else on his body!' | 0:25:39 | 0:25:41 | |
He's not kind of person that inspires you to get out there | 0:25:41 | 0:25:46 | |
and do your best, you know? | 0:25:46 | 0:25:47 | |
-He's just... -HE GRUNTS | 0:25:47 | 0:25:49 | |
Where's the veggie? Where's my man, Star Trek, he disappeared over there. | 0:25:51 | 0:25:54 | |
Went into space or something? George? George? What are you doing? | 0:25:54 | 0:25:57 | |
-Let's do The Veggie. I'm not taking no -BLEEP. | 0:25:57 | 0:26:00 | |
-I'm going to slice some roast beef, OK? -Don't cut yourself, all right? | 0:26:08 | 0:26:13 | |
Our task this week was to make sandwiches and sell them | 0:26:13 | 0:26:18 | |
to make money for charity. | 0:26:18 | 0:26:20 | |
All this neon and all the stuff on the front of the store... | 0:26:20 | 0:26:23 | |
I had a lot of pressure on myself because I was the project manager. | 0:26:23 | 0:26:27 | |
So, I took the burden of fundraising. | 0:26:27 | 0:26:29 | |
But I really didn't have much time to even spend | 0:26:29 | 0:26:33 | |
talking on the phone, so, actually, while I was working, I was text messaging. | 0:26:33 | 0:26:37 | |
-Give me the location here. -Um, we're at 5th and 42nd. | 0:26:37 | 0:26:42 | |
'Time's a-ticking.' | 0:26:42 | 0:26:45 | |
I might have bit off a little bit more than I can chew here. | 0:26:45 | 0:26:48 | |
We'll see tomorrow. | 0:26:48 | 0:26:50 | |
-So, all right, we're going to put our sticker on the box. -OK. | 0:26:51 | 0:26:55 | |
All right? And I can't remember if it's going to say The Chopper or not on it. | 0:26:55 | 0:26:59 | |
-We'll figure that out. -Hi, guys! How's it going? -It's going great. | 0:26:59 | 0:27:03 | |
Just getting started, huh? | 0:27:03 | 0:27:05 | |
When Ivanka came to visit the deli, we were really | 0:27:05 | 0:27:08 | |
kind of caught up in what we were doing and really felt pressured. | 0:27:08 | 0:27:11 | |
-So, she was kind of interrupting the flow. -What are your sandwiches? | 0:27:11 | 0:27:16 | |
Blam! | 0:27:16 | 0:27:18 | |
Paul is hard to read. And I'm not sure whether he was ready to lead. | 0:27:18 | 0:27:21 | |
Because I don't understand talking to a grown woman like that. | 0:27:21 | 0:27:25 | |
What about fundraising? | 0:27:26 | 0:27:27 | |
Have you guys done anything on that front yet? | 0:27:27 | 0:27:30 | |
That's, that's a given. That's easy for me. | 0:27:30 | 0:27:32 | |
-Do have a bunch of people in your pocket that you'll call? -I do. -OK. | 0:27:32 | 0:27:35 | |
So, do you guys have a goal, in terms of fundraising, or...? | 0:27:35 | 0:27:38 | |
-Yeah, we do. -What is it? -A lot of money. -How much? -Let it go. -Come on! | 0:27:38 | 0:27:44 | |
-Somebody's got to hold your feet to the fire, you know? -Yeah. | 0:27:44 | 0:27:47 | |
At least five. | 0:27:47 | 0:27:50 | |
-That's an aggressive one. That's great. -I'm aggressive. | 0:27:50 | 0:27:53 | |
500,000 is an aggressive goal, but I like that. | 0:27:53 | 0:27:56 | |
That's exactly what everyone should be striving for. | 0:27:56 | 0:27:58 | |
But Paul's a little rough around the edges. | 0:27:58 | 0:28:00 | |
It's hard to believe he can bring in that type of money. | 0:28:00 | 0:28:03 | |
We'll see what happens. | 0:28:03 | 0:28:06 | |
TELEPHONE RINGS | 0:28:11 | 0:28:13 | |
-Hello? -Carol! It's Patricia Velasquez. | 0:28:13 | 0:28:16 | |
-Hey, how are you, Patricia? -Are you in New York? | 0:28:16 | 0:28:19 | |
Don't tell me you're in Russia. | 0:28:19 | 0:28:20 | |
'We only had 24 hours, so, I thought, OK,' | 0:28:20 | 0:28:22 | |
now I got to start worrying about bringing in the money. | 0:28:22 | 0:28:25 | |
I've not talked to you in, like, about 100 years, | 0:28:25 | 0:28:28 | |
since we were 18 years old, walking in the catwalk. | 0:28:28 | 0:28:30 | |
'I was calling every single person in my phone book. | 0:28:30 | 0:28:34 | |
'I called ex-lovers, I called everybody. | 0:28:34 | 0:28:37 | |
'I definitely was concerned about the other team.' | 0:28:37 | 0:28:40 | |
They are super powerful, famous people. | 0:28:40 | 0:28:45 | |
-Where are you? -I'm in Tennessee. -Aha... | 0:28:45 | 0:28:49 | |
'But I'm also telling my team, please make all the phone calls they can.' | 0:28:49 | 0:28:53 | |
We're going to be tomorrow in Cafe Metro, in New York City. | 0:28:53 | 0:28:57 | |
'People might take me as just, "OK, she's pretty, let's just let her stand there," | 0:28:57 | 0:29:01 | |
'but I will do everything I can to help Patricia.' | 0:29:01 | 0:29:04 | |
I'm here to work for my charity. I'm here to help other charities. | 0:29:04 | 0:29:08 | |
I'm here to win Celebrity Apprentice. | 0:29:08 | 0:29:11 | |
-Hey, Karen, it's Tia. -Hi, honey. How are you? | 0:29:11 | 0:29:13 | |
It's going to be so much fun. | 0:29:13 | 0:29:15 | |
Tonnes of people are coming by. Woohoo! | 0:29:15 | 0:29:18 | |
Yeah, yeah, yeah, whatever they want to spend, they just have to show up. | 0:29:18 | 0:29:21 | |
We were all trying to get people to show up. | 0:29:21 | 0:29:25 | |
But I have to admit, I'm saving my big donors, big, big | 0:29:25 | 0:29:29 | |
donors, for myself. | 0:29:29 | 0:29:32 | |
Uh, we're selling sandwiches tomorrow. | 0:29:32 | 0:29:35 | |
It's our first day on the task. | 0:29:36 | 0:29:39 | |
And I'm like, "Victoria is on the phone a lot." | 0:29:39 | 0:29:41 | |
My son would like to get a price quote for his car, | 0:29:41 | 0:29:44 | |
to add to the policy. | 0:29:44 | 0:29:46 | |
Then she was talking about something with her house and her kid... | 0:29:46 | 0:29:49 | |
And she sold the rights to her life story... | 0:29:49 | 0:29:52 | |
What happened with that other thing? Anything? That project? | 0:29:52 | 0:29:55 | |
-What does he say? -'What's going on THERE?' | 0:29:55 | 0:29:58 | |
Hot women and food. I mean, who can resist? | 0:29:59 | 0:30:02 | |
'We were all so focused on calling people to show up at the deli.' | 0:30:02 | 0:30:05 | |
But we're calling people to show up | 0:30:05 | 0:30:07 | |
at this deli that we haven't even seen yet! | 0:30:07 | 0:30:09 | |
To buy sandwiches that we've not yet started to prepare. | 0:30:09 | 0:30:12 | |
I think we should get down there right away. | 0:30:12 | 0:30:14 | |
Put everything together and prep the kitchen and make lots of sandwiches. | 0:30:14 | 0:30:18 | |
Time to make the sandwiches! | 0:30:18 | 0:30:20 | |
I've already made 70 sandwiches. | 0:30:25 | 0:30:27 | |
I'm going to go back there and make another few hundred. | 0:30:27 | 0:30:30 | |
We're going to up our ante. But are we gonna go from 300 to 1,000 or are we going to 500? | 0:30:30 | 0:30:37 | |
-Hey, guys! -Michael! -How you doing? | 0:30:37 | 0:30:39 | |
-Hey, how are ya? How's it going? -Hiya. -How you doing? | 0:30:39 | 0:30:42 | |
Nice to see you. I'm Michael Andretti. | 0:30:42 | 0:30:45 | |
Michael Andretti came in and replaced Marco Andretti. | 0:30:45 | 0:30:47 | |
-First things first, how's your son? -He's doing all right. | 0:30:47 | 0:30:50 | |
He's a bit of a mess right now. We lost a great, great friend. | 0:30:50 | 0:30:54 | |
Marco was supposed to be here as part of Celebrity Apprentice | 0:30:54 | 0:30:57 | |
but he's been going through a tough time. | 0:30:57 | 0:30:59 | |
He lost a great friend who crashed in Las Vegas. | 0:30:59 | 0:31:02 | |
So, I'm here to take his place. | 0:31:02 | 0:31:04 | |
We're selling sandwiches tomorrow. | 0:31:04 | 0:31:06 | |
-You want to explain...? -You buy a 10 sandwich and pay a 10,000 tip. | 0:31:06 | 0:31:10 | |
-Yeah. -On everyone. -All right. | 0:31:10 | 0:31:12 | |
'I hope they were happy to see me.' | 0:31:12 | 0:31:14 | |
I'll be an extra set of hands there to try to help them. | 0:31:14 | 0:31:17 | |
And not let the other team win. | 0:31:17 | 0:31:20 | |
-Well, Michael, we got some meat for you to slice. Come on! -Let's go! | 0:31:20 | 0:31:25 | |
Thanks. OK, bye. | 0:31:32 | 0:31:33 | |
'When we got to cafe Metro, I thought, "This is great." ' | 0:31:33 | 0:31:37 | |
We can definitely create the VIP lounge, the celebrity club. | 0:31:37 | 0:31:41 | |
You know what's funny? | 0:31:41 | 0:31:43 | |
I started my career singing on milk crates in Brooklyn at street fairs. | 0:31:43 | 0:31:47 | |
-So, this is like, you know, going back to my roots. -HE LAUGHS | 0:31:47 | 0:31:50 | |
ACCORDION MUSIC PLAYS | 0:31:50 | 0:31:53 | |
We have garlic, it's, you know, it's tedious, it takes a while. | 0:31:53 | 0:31:57 | |
There was a lot of prep work that we needed to do for the next day. | 0:31:57 | 0:32:00 | |
And we sliced and sliced and sliced, a lot of meats and a lot of cheeses. | 0:32:00 | 0:32:05 | |
-This is my secret recipe. My red roasted peppers. -Oh, my God! | 0:32:06 | 0:32:11 | |
That smells so good! | 0:32:11 | 0:32:13 | |
'Despite everything I've heard about Teresa | 0:32:13 | 0:32:16 | |
'and something about her knocking the table over,' | 0:32:16 | 0:32:18 | |
she strikes me as being incredibly vulnerable and insecure. | 0:32:18 | 0:32:22 | |
Which is its own kind of unpredictable thing. | 0:32:22 | 0:32:26 | |
-I think I expect the unexpected from Teresa. -Thank you! | 0:32:26 | 0:32:30 | |
Cheryl is a sweetheart but definitely has a lower, | 0:32:34 | 0:32:38 | |
more laid-back energy about her. | 0:32:38 | 0:32:41 | |
I'm separating cheese and it looks easy. | 0:32:43 | 0:32:48 | |
But it's rather, it has a mind of its own. I'm trying to tame it. | 0:32:48 | 0:32:53 | |
That doesn't really fly in the kitchen | 0:32:54 | 0:32:57 | |
when you've got to chop 800 pieces of cheese! | 0:32:57 | 0:33:00 | |
Everybody, we have 20 more minutes. | 0:33:00 | 0:33:03 | |
Good morning! Victoria's not here. | 0:33:17 | 0:33:19 | |
We're supposed to be leaving in one minute! | 0:33:19 | 0:33:21 | |
Today is the day of our task. We all get into two vans. | 0:33:21 | 0:33:24 | |
Victoria's not there. | 0:33:24 | 0:33:26 | |
Which doesn't surprise me, because she hates waking up | 0:33:26 | 0:33:29 | |
and she doesn't want anyone telling her what to do. | 0:33:29 | 0:33:32 | |
So, it's really not a surprise to me at all that she just decided | 0:33:32 | 0:33:35 | |
-not to show up for her team. -What happened to Victoria? | 0:33:35 | 0:33:38 | |
I didn't see Victoria... | 0:33:38 | 0:33:40 | |
We've got to make as many sandwiches as we can. | 0:33:42 | 0:33:45 | |
We want to make this a VIP celebrity club lounge. | 0:33:45 | 0:33:48 | |
And this is the VIP of the VIPs. | 0:33:48 | 0:33:51 | |
-There. I would say we can take it about there. -It looks really good! -Amazing, right? | 0:33:53 | 0:33:58 | |
The celebrity club is great. | 0:34:00 | 0:34:01 | |
It looks like a VIP, red-carpet, exclusive party event. | 0:34:01 | 0:34:06 | |
And that's exactly what we're going for. | 0:34:06 | 0:34:08 | |
For everyone to be part of the celebrity club today. | 0:34:08 | 0:34:10 | |
Check 1-2, check, check, check. I think that's fine for my deli debut. | 0:34:10 | 0:34:14 | |
Everything looks better than even I expected. | 0:34:16 | 0:34:20 | |
Now let's just pray that the fundraisers come and everything works out. | 0:34:20 | 0:34:23 | |
This looks hot, you guys! | 0:34:23 | 0:34:26 | |
-Victoria? Honey, are you OK? -We had an accident last night. -What? | 0:34:27 | 0:34:31 | |
Tore the cornea. | 0:34:31 | 0:34:33 | |
'I had some trouble last night with my eye. | 0:34:33 | 0:34:36 | |
'It just started tearing and tearing and I finally got the doctor.' | 0:34:36 | 0:34:40 | |
He assumes that I tore either the cornea or the retina. | 0:34:40 | 0:34:43 | |
I had a dream you won. So, don't worry about it. | 0:34:43 | 0:34:46 | |
Everybody in the kitchen, let's go! Pay attention, George. | 0:34:54 | 0:34:58 | |
-Pay attention to what? -Everything! | 0:34:58 | 0:35:00 | |
You think I have not been attentive? | 0:35:00 | 0:35:02 | |
Paul is full of his strong and unmoving opinions | 0:35:02 | 0:35:07 | |
and I see through him and I'm sure that the others can as well. | 0:35:07 | 0:35:11 | |
Hey, Lou. You need to do some push-ups or something? | 0:35:11 | 0:35:14 | |
-Before you go out there? -What do you think? -No, I don't think so! You're fine. | 0:35:14 | 0:35:19 | |
-You look fine! -Time to get ready to go out. | 0:35:19 | 0:35:22 | |
'I don't know how old Lou is now. But what a treat! | 0:35:24 | 0:35:29 | |
'It was impressive.' | 0:35:29 | 0:35:32 | |
If I were that shape, I would be taking my shirt off all the time! | 0:35:32 | 0:35:37 | |
That's you, bro. That's you. | 0:35:37 | 0:35:41 | |
Open the door! We're open! | 0:35:43 | 0:35:45 | |
Ladies and gentlemen, there's Paul Sr! Show us the guns! That is absolutely Paul! | 0:35:45 | 0:35:51 | |
You don't want to say you walked by! You want to say you're a part of it! | 0:35:51 | 0:35:56 | |
Oh, my goodness! Look what's happening here! We've got the Orange County Choppers in the house! | 0:35:56 | 0:36:02 | |
It definitely was like a carnival out there. | 0:36:02 | 0:36:05 | |
MOTOR CYCLE ENGINE REVS | 0:36:05 | 0:36:07 | |
We have got George Takei, of Star Trek! | 0:36:07 | 0:36:10 | |
Penn got out there straight away, juggling, spitting fire, yelling | 0:36:10 | 0:36:13 | |
and screaming and, you know, making a big spectacle. | 0:36:13 | 0:36:16 | |
Don't you miss them! They're all in there. They're all live! | 0:36:16 | 0:36:19 | |
Once people started gathering around, then that was my place | 0:36:19 | 0:36:22 | |
-to go out there to start bringing people to the store. -Yo, Paul! | 0:36:22 | 0:36:26 | |
-How good are those sandwiches? -They're -BLEEP -good sandwiches! | 0:36:26 | 0:36:31 | |
-THEY CHANT: BLEEP -good sandwich! -BLEEP -good sandwich! | 0:36:31 | 0:36:34 | |
-BLEEP -good sandwich! | 0:36:34 | 0:36:37 | |
This way! Follow me to the promised land! | 0:36:37 | 0:36:40 | |
We were drawing people to the restaurant. We made it exciting. | 0:36:40 | 0:36:44 | |
I think we were breaking several local ordinances. | 0:36:44 | 0:36:47 | |
I was having a blast! | 0:36:47 | 0:36:49 | |
How good is this sandwich? | 0:36:49 | 0:36:51 | |
-Fantastic! We made it! -Let's buy some sandwiches in there! | 0:36:51 | 0:36:56 | |
FUNKY MUSIC PLAYS | 0:36:56 | 0:37:00 | |
Buy the most expensive thing on the menu, baby! | 0:37:03 | 0:37:06 | |
'We were open for business, felt amazing.' | 0:37:06 | 0:37:10 | |
Hi, ma'am. How are you today? | 0:37:10 | 0:37:11 | |
-I'm hungry! How are you? -Welcome to Celebrity Club! -Thank you. | 0:37:11 | 0:37:15 | |
It's so much better when there's no pressure! This is, like, so much fun. | 0:37:15 | 0:37:18 | |
Carol Alt, who was on a past Celebrity Apprentice, came to help out. | 0:37:18 | 0:37:21 | |
We're having a charity event, so it's for a good cause. | 0:37:21 | 0:37:24 | |
Teresa has the show on television, | 0:37:24 | 0:37:26 | |
so she is the one that is most recognisable. | 0:37:26 | 0:37:29 | |
-And she was in front, bringing people in. -Thank you! | 0:37:29 | 0:37:33 | |
And I have a tendency to be heavily charming. | 0:37:34 | 0:37:38 | |
So, I am an amazing candidate for being out on the streets | 0:37:38 | 0:37:41 | |
and getting people into the restaurant. It was so fantastic. | 0:37:41 | 0:37:44 | |
Wyclef! What's up? How are you? | 0:37:46 | 0:37:48 | |
Wyclef walking in was so super cool. | 0:37:54 | 0:37:57 | |
-Hey, how are you? -Are you good? | 0:37:57 | 0:38:00 | |
And I definitely felt Wyclef's connection to Patricia | 0:38:00 | 0:38:04 | |
and The Wayuu Taya Foundation. | 0:38:04 | 0:38:06 | |
-And I'm going to donate 15,000. -15? | 0:38:06 | 0:38:09 | |
Yeah, it's for the kids! Cos we could have been one of them. | 0:38:09 | 0:38:12 | |
-And we are one of them. -We are one of them. -That's right. -We're over here -That's right. | 0:38:12 | 0:38:16 | |
My friend showing up is an incredible sign of trust. | 0:38:16 | 0:38:21 | |
The universe is telling me that I have to keep going. | 0:38:21 | 0:38:23 | |
It's such a responsibility. | 0:38:23 | 0:38:26 | |
Wyclef just taught us all a song | 0:38:26 | 0:38:28 | |
and we're going to do it for the first time for you now. | 0:38:28 | 0:38:31 | |
'It was really magical, having him.' | 0:38:31 | 0:38:33 | |
He brings a whole other musical element. | 0:38:33 | 0:38:36 | |
-I love that we were jamming. -A minor. | 0:38:36 | 0:38:38 | |
# Patricia, hold my hand. # | 0:38:38 | 0:38:42 | |
-DEBBIE: -# Save a life Save a life. # | 0:38:42 | 0:38:45 | |
'Debbie is really good at singing every five minutes. | 0:38:45 | 0:38:47 | |
'She definitely loves her voice and her music.' | 0:38:47 | 0:38:50 | |
But I loved being able to snatch that mic and sing my little | 0:38:50 | 0:38:54 | |
freestyle with Wyclef. | 0:38:54 | 0:38:56 | |
# Say goodbye Save a life. # | 0:38:56 | 0:39:00 | |
# Take a bite Save a life. # | 0:39:00 | 0:39:04 | |
Wyclef! | 0:39:04 | 0:39:06 | |
ROCK MUSIC PLAYS | 0:39:07 | 0:39:10 | |
It's right over there! Paul Sr's Chopper Sandwich. | 0:39:16 | 0:39:19 | |
The greatest sandwich you'll ever experience. | 0:39:19 | 0:39:22 | |
Paul, why are those people standing there and not walking inside? | 0:39:22 | 0:39:26 | |
-Come in and buy a sandwich! -Get 'em in there! I'm the nice one! | 0:39:26 | 0:39:30 | |
Paul is meaner than a snake! Carny trash is what I really am. | 0:39:30 | 0:39:33 | |
That's why my voice is like this. From years of carny talking. | 0:39:33 | 0:39:38 | |
-Clay! -Yes? -This is my friend, Richard Konigsberg. | 0:39:38 | 0:39:40 | |
-He wants to buy some sandwiches and tip you 500 bucks. -I'll take it! | 0:39:40 | 0:39:44 | |
-500 bucks over here! -Is this a platinum card? | 0:39:44 | 0:39:47 | |
I think you can do more than 500. What about 1000? | 0:39:47 | 0:39:51 | |
-We haven't had dinner yet. -Make it 1000. -All right, 1000. -1000! | 0:39:51 | 0:39:55 | |
-Penn, you are a wimp! -You know how to hustle! You did good, Clay. Thank you! | 0:39:57 | 0:40:01 | |
I thought that I would be doing most of the upselling. Turns out | 0:40:01 | 0:40:05 | |
it was Clay's job and Clay was wonderful at it. | 0:40:05 | 0:40:08 | |
My carny blood was running proud. | 0:40:08 | 0:40:11 | |
-Clay? -Yes, sir? | 0:40:11 | 0:40:13 | |
These women are working so hard out there. They want a very special deal. | 0:40:13 | 0:40:17 | |
Can they have 'em for just 5,000? | 0:40:17 | 0:40:21 | |
-5,000. -5,000. | 0:40:21 | 0:40:23 | |
CHEERING | 0:40:23 | 0:40:26 | |
Penn had a very clever idea to have this female dance troupe | 0:40:26 | 0:40:30 | |
come out and, at the same time, | 0:40:30 | 0:40:31 | |
he told them, "You all have to bring 1,000 in order to do it." | 0:40:31 | 0:40:35 | |
Can I make it rain on Clay Aiken? | 0:40:35 | 0:40:37 | |
5,000 is great, but where's the big money? | 0:40:38 | 0:40:41 | |
Making it rain for charity. | 0:40:44 | 0:40:46 | |
We've got two 500 Celebrity Club Internationales. | 0:40:54 | 0:40:58 | |
10,000. | 0:40:58 | 0:41:00 | |
12,000. | 0:41:00 | 0:41:03 | |
My fingers are shaking, putting all these numbers in. | 0:41:03 | 0:41:05 | |
Our big donors came in and bought a tonne of sandwiches. | 0:41:05 | 0:41:08 | |
I couldn't believe the numbers that I was running today. | 0:41:08 | 0:41:11 | |
It was really heartening. | 0:41:11 | 0:41:13 | |
-Can we get some sandwiches? -Yes. -Yes, sandwiches, right? | 0:41:15 | 0:41:19 | |
I put a call out to Andy Cowen | 0:41:19 | 0:41:20 | |
and he's one of the big head honchos at Bravo and he did show up | 0:41:20 | 0:41:24 | |
and it was great. | 0:41:24 | 0:41:26 | |
Patricia had major hook-ups. Like Carol Ott, Russell Simmons... | 0:41:32 | 0:41:37 | |
She knows a lot of people, Patricia. | 0:41:38 | 0:41:40 | |
For ten grand, I should have a sandwich I like. | 0:41:49 | 0:41:51 | |
10,000 is riding on this | 0:41:51 | 0:41:53 | |
but we don't really have anything vegan here. | 0:41:53 | 0:41:55 | |
Two minutes. | 0:41:55 | 0:41:57 | |
Garlic, oil, red beans, OK, that'll work. | 0:41:57 | 0:42:01 | |
We were frantic. I was cutting up tofu, spread some cranberry sauce... | 0:42:01 | 0:42:05 | |
Why would anyone want to be a vegan? | 0:42:05 | 0:42:08 | |
..and we just slapped that thing together. | 0:42:08 | 0:42:10 | |
-So this is vegan? -It's vegan, all vegan. -No animal. -No animal. | 0:42:10 | 0:42:14 | |
-No mayonnaise? -No cheese. No nothing. Nothing. | 0:42:14 | 0:42:17 | |
-We did it only for you. -He's actually going to eat it. | 0:42:17 | 0:42:19 | |
-Oh, my God. -He opens it up and you hear Cheryl Tiegs say out loud, | 0:42:19 | 0:42:23 | |
"Oh, my God, he's going to taste it." I'm just like, "Shut up." | 0:42:23 | 0:42:27 | |
It's good, right? | 0:42:27 | 0:42:28 | |
-Thank you. -Thank YOU. | 0:42:29 | 0:42:31 | |
We were thrilled. You know, we got the 10,000 and we needed it. | 0:42:31 | 0:42:35 | |
-Welcome to Celebrity Club. So dapper, so handsome. -Thank you. | 0:42:35 | 0:42:39 | |
Thank you, thank you very much. | 0:42:39 | 0:42:41 | |
I don't know. | 0:42:41 | 0:42:42 | |
Welcome to our celebrity club. We've created a club environment. | 0:42:42 | 0:42:45 | |
We want to have a red carpet, we want everyone to come in here | 0:42:45 | 0:42:47 | |
and enjoy it, have a party. | 0:42:47 | 0:42:49 | |
Very nice, tell me about the sandwiches and the selection. | 0:42:49 | 0:42:51 | |
There is a grilled cheese sandwich, which is what we call | 0:42:51 | 0:42:54 | |
the All-American sandwich that, you know, everybody can relate to. | 0:42:54 | 0:42:57 | |
Was going with the grilled cheese the right decision? | 0:42:57 | 0:42:59 | |
1,000%. You look over there, these things are coming out like... | 0:42:59 | 0:43:02 | |
-I think we made over 500 of those sandwiches already. -All right. | 0:43:02 | 0:43:05 | |
I think so far Patricia has done a pretty good job. | 0:43:05 | 0:43:07 | |
She's called in some friends, | 0:43:07 | 0:43:09 | |
she's raised quite a bit of money from those people. | 0:43:09 | 0:43:11 | |
I think there are a couple of decisions that might | 0:43:11 | 0:43:14 | |
hurt them. Grilled cheese takes a little bit longer to prep. | 0:43:14 | 0:43:16 | |
I think that's probably going to slow them down | 0:43:16 | 0:43:18 | |
a little bit, we'll see. | 0:43:18 | 0:43:20 | |
Get in there. It's all for charity, it's all happening right now. | 0:43:25 | 0:43:29 | |
I will keep jumping if you buy a sandwich. | 0:43:29 | 0:43:33 | |
What is going on out here? We need bodies inside. | 0:43:34 | 0:43:38 | |
Since it was lunch hour, the restaurant was too empty. | 0:43:38 | 0:43:42 | |
There was so much going on outside, | 0:43:42 | 0:43:43 | |
they were being distracted from getting inside. | 0:43:43 | 0:43:47 | |
Here you are, sir. Thank you very much. | 0:43:47 | 0:43:49 | |
-You pay over there and we appreciate your support for charity. -Thank you. | 0:43:49 | 0:43:53 | |
We have another one. | 0:43:53 | 0:43:54 | |
We were selling sandwiches but then the store was literally empty. | 0:43:54 | 0:44:00 | |
Here we have all these sandwiches to move and no people. | 0:44:00 | 0:44:03 | |
This is not the way we're going to win. | 0:44:03 | 0:44:06 | |
How are you doing, sir? 100. | 0:44:06 | 0:44:08 | |
-I'll give you 20. -20 is good, we'll take it. | 0:44:08 | 0:44:10 | |
I was able to get several people to give me 100, we had some 500s | 0:44:10 | 0:44:13 | |
come in and we might have got in another few thousand-dollar cheques | 0:44:13 | 0:44:17 | |
and this entire time I'm sitting thinking, | 0:44:17 | 0:44:19 | |
"OK, now, where is this 500,000?" | 0:44:19 | 0:44:22 | |
And what we need is guys coming through the door now. | 0:44:22 | 0:44:24 | |
OK, so then I need to get out there. | 0:44:24 | 0:44:26 | |
I think I would. | 0:44:26 | 0:44:27 | |
How you doing? How're you guys doing? | 0:44:27 | 0:44:30 | |
The thought of Paul not delivering went through my head | 0:44:30 | 0:44:34 | |
but I thought if Paul | 0:44:34 | 0:44:35 | |
fell short on the heavy hitters, then that was kind of on Paul. | 0:44:35 | 0:44:39 | |
Are you hungry? | 0:44:40 | 0:44:41 | |
Will you call Paul and Patricia Velasquez for me, please? | 0:44:54 | 0:44:58 | |
Yes, Mr Trump. | 0:44:58 | 0:44:59 | |
-Hello. -Yes, Mr Trump? -Patricia? -Yes? -How are you? | 0:45:01 | 0:45:06 | |
Good, good, working away. | 0:45:06 | 0:45:08 | |
-Paul? -These guys labour like I labour and it's unbelievable. | 0:45:08 | 0:45:12 | |
Very good. Here's what I want you to do. | 0:45:12 | 0:45:15 | |
You got to bring your best sandwich, | 0:45:15 | 0:45:17 | |
your best celebrity sandwich to the Rachael Ray Show and Rachael | 0:45:17 | 0:45:21 | |
is going to make a determination which is the better sandwich. | 0:45:21 | 0:45:26 | |
And, at the end, | 0:45:26 | 0:45:27 | |
somebody's going to get a very large bonus for the one that Rachael picks. | 0:45:27 | 0:45:31 | |
-OK. -OK. | 0:45:31 | 0:45:32 | |
Good, well, have a good time, say hello to Rachael Ray for me. | 0:45:32 | 0:45:35 | |
-Will do. -OK. -And good luck and we'll see you in the boardroom very soon. | 0:45:35 | 0:45:39 | |
-You got it, thank you, sir. -Thank you, Mr Trump. | 0:45:39 | 0:45:41 | |
-So long. -Bye-bye. | 0:45:41 | 0:45:42 | |
They want us to go on Rachael Ray. | 0:45:45 | 0:45:47 | |
Mr Trump called and said bring your best sandwich | 0:45:47 | 0:45:50 | |
and he said there would be a considerable amount of money. | 0:45:50 | 0:45:53 | |
APPLAUSE | 0:46:02 | 0:46:05 | |
Please welcome, from Team Forte, | 0:46:07 | 0:46:10 | |
Lisa Lampanelli and Victoria Gotti. | 0:46:10 | 0:46:13 | |
And, from Team Unanimous, Arsenio Hall and Adam Carolla. | 0:46:14 | 0:46:19 | |
APPLAUSE | 0:46:19 | 0:46:22 | |
Girls, you want to go first? Ladies first in this house. | 0:46:22 | 0:46:24 | |
OK, we'll do it. | 0:46:24 | 0:46:26 | |
Well, we made several different types of sandwiches but this was | 0:46:26 | 0:46:28 | |
our really big-shot sandwich called the Celebrity Club Internationale. | 0:46:28 | 0:46:34 | |
Internationale. | 0:46:34 | 0:46:35 | |
Guys, what did you bring? | 0:46:36 | 0:46:37 | |
Ours is named after the great poet, Maya Angelou. | 0:46:37 | 0:46:41 | |
It's called I Rise. | 0:46:41 | 0:46:44 | |
I Rise. | 0:46:44 | 0:46:46 | |
Please don't clap, I'm lying. | 0:46:46 | 0:46:48 | |
No, this is named after our team leader for this task, | 0:46:48 | 0:46:52 | |
Paulie Sr from Orange County Choppers and it's called | 0:46:52 | 0:46:56 | |
The Chopper. Show 'em the box, Rachael. | 0:46:56 | 0:46:58 | |
-Oh, the Chopper box. I mean, first of all... -Look at that, look at that. | 0:46:58 | 0:47:02 | |
I don't see Lisa Lampanelli's arm on they box. | 0:47:02 | 0:47:05 | |
Yeah, they are showing off the gun show on the box. | 0:47:05 | 0:47:09 | |
OK, I let the ladies describe first, I'm going to taste the guys' first. | 0:47:09 | 0:47:13 | |
Total silence. | 0:47:13 | 0:47:14 | |
Drumroll. | 0:47:14 | 0:47:15 | |
Mmm. | 0:47:15 | 0:47:17 | |
Mmm. | 0:47:17 | 0:47:20 | |
It's a very well-balanced sandwich | 0:47:20 | 0:47:22 | |
and I appreciate the ratio of cheese to meat to bread. | 0:47:22 | 0:47:25 | |
Yes! | 0:47:25 | 0:47:26 | |
OK, ladies. | 0:47:28 | 0:47:29 | |
I like the chew of this bread. I like the texture. The texture is lovely. | 0:47:33 | 0:47:38 | |
These are both really good contenders. | 0:47:38 | 0:47:40 | |
Both sandwiches looked great | 0:47:40 | 0:47:42 | |
but there is money on the line for that sandwich. | 0:47:42 | 0:47:45 | |
So I'm going to hope that Rachael likes our sammich! | 0:47:45 | 0:47:47 | |
And, by the way, a sammich is better than a sandwich. | 0:47:47 | 0:47:51 | |
I'm going to get back to Donald in a little bit. | 0:47:52 | 0:47:55 | |
You guys get back to the streets, get back to selling. | 0:47:55 | 0:47:58 | |
Yo, yo! We got sandwiches. | 0:48:07 | 0:48:08 | |
They're in New York. | 0:48:08 | 0:48:10 | |
How are you doing? How much are you going to give me for that? | 0:48:10 | 0:48:13 | |
-15. -50? -15. -50? | 0:48:13 | 0:48:16 | |
-That's... -All right, five. | 0:48:16 | 0:48:19 | |
Time's a-ticking and I was thinking, "We're getting some donations but | 0:48:19 | 0:48:22 | |
"we have not had any big cheques coming out at all." | 0:48:22 | 0:48:24 | |
-Give me 100 for it? -Yeah, right(!) | 0:48:24 | 0:48:28 | |
What you got? 50, 50. | 0:48:28 | 0:48:29 | |
Eh...just 20. | 0:48:29 | 0:48:31 | |
Paul has promised big donations, | 0:48:31 | 0:48:33 | |
so no-one else has made any efforts to fundraise, | 0:48:33 | 0:48:37 | |
which makes it easy for us but, at the same time, we could be screwed. | 0:48:37 | 0:48:42 | |
I need some attention, we're celebrating. | 0:48:50 | 0:48:52 | |
My good Venezuelan friend right here has given us 20,000. | 0:48:52 | 0:48:56 | |
CHEERING | 0:48:56 | 0:48:59 | |
When Dayana got the 20,000 cheque, | 0:48:59 | 0:49:01 | |
I felt such a connection with her. | 0:49:01 | 0:49:04 | |
She's wonderful, she's truly wonderful. | 0:49:04 | 0:49:07 | |
20,000! We're going to beat the guys! | 0:49:08 | 0:49:10 | |
OK, time is up. We are officially closed. | 0:49:11 | 0:49:14 | |
I am really confident that we're going to win but I'm taking | 0:49:16 | 0:49:19 | |
a big risk, because if I don't win this task, I don't get the money. | 0:49:19 | 0:49:24 | |
And if I lose all the money... | 0:49:24 | 0:49:26 | |
..I don't know what I'm going to do. It's very scary. | 0:49:28 | 0:49:30 | |
I have to thank you from the bottom of my heart. | 0:49:30 | 0:49:32 | |
I'm never going to forget what you guys did. Thank you, thank you. | 0:49:32 | 0:49:36 | |
-Patricia. -Yes. -How did you do? | 0:49:59 | 0:50:02 | |
We did great. | 0:50:02 | 0:50:03 | |
-Think you won? -Yes. -Why? | 0:50:03 | 0:50:05 | |
We raised a lot of money, I think | 0:50:05 | 0:50:08 | |
there's no question in my mind that we won. | 0:50:08 | 0:50:10 | |
No question in your mind? | 0:50:10 | 0:50:12 | |
We worked together as a team incredibly. | 0:50:12 | 0:50:14 | |
Who was your biggest star, Patricia? | 0:50:14 | 0:50:16 | |
I would say that it was... | 0:50:17 | 0:50:21 | |
-Dayana. -Dayana? -Yes. | 0:50:21 | 0:50:24 | |
-She brought in money. -Dayana, I'm very proud of you. | 0:50:24 | 0:50:28 | |
-She brought in people. -I'm not surprised. -Thank you, Mr Trump. | 0:50:28 | 0:50:32 | |
That's great. | 0:50:32 | 0:50:33 | |
-So, Tia, what did you do? -I worked my butt off both days. | 0:50:33 | 0:50:37 | |
-Is that correct, yes? -No question about it. | 0:50:37 | 0:50:40 | |
Tia kind of had a thankless job | 0:50:40 | 0:50:41 | |
because she was at that register, it was very tedious. | 0:50:41 | 0:50:43 | |
-It was, like, all day. -It was incredible. | 0:50:43 | 0:50:46 | |
Every single person that came to the register, | 0:50:46 | 0:50:48 | |
she made them have an experience. | 0:50:48 | 0:50:50 | |
-She said welcome, thank you so much... -Good. | 0:50:50 | 0:50:52 | |
Helping about waiting... | 0:50:52 | 0:50:54 | |
-So you liked the job she did? -So much. | 0:50:54 | 0:50:56 | |
-In other words, if you lose, you're not bringing her back. -No question. | 0:50:56 | 0:50:59 | |
-You can bring me back, it's OK. -Whoa! Tia. | 0:50:59 | 0:51:01 | |
That doesn't make you very smart. | 0:51:01 | 0:51:03 | |
All right. So, Patricia, who was your weakest player? | 0:51:06 | 0:51:10 | |
I think if we were to lose, | 0:51:10 | 0:51:13 | |
then I would have to bring the one that brought the least | 0:51:13 | 0:51:16 | |
amount of money and the one that would've been the least team player. | 0:51:16 | 0:51:19 | |
-Who is that, though, Patricia? -I don't think there is anybody. | 0:51:21 | 0:51:24 | |
No, but assuming you lost, let's assume you lose, you might. | 0:51:24 | 0:51:27 | |
I would say... | 0:51:28 | 0:51:30 | |
Cheryl. | 0:51:30 | 0:51:32 | |
And Victoria. | 0:51:32 | 0:51:34 | |
And Victoria. Why Cheryl? | 0:51:34 | 0:51:37 | |
I think Cheryl is a great team player, she worked really, | 0:51:37 | 0:51:41 | |
really hard, but she didn't bring in any money. | 0:51:41 | 0:51:44 | |
Cheryl, how do you feel about that? Are you surprised? | 0:51:44 | 0:51:46 | |
Well, I am surprised because I worked so hard yesterday | 0:51:46 | 0:51:49 | |
behind the counter and I actually brought quite a few people in. | 0:51:49 | 0:51:53 | |
She's just saying that she would bring you and Victoria. | 0:51:53 | 0:51:56 | |
Victoria, what do you think of that? | 0:51:56 | 0:51:59 | |
I think it's because I disagreed with a lot of the planning. | 0:51:59 | 0:52:03 | |
I mean, I was left in the kitchen at one point to do all | 0:52:03 | 0:52:06 | |
the sandwiches and that was hours. | 0:52:06 | 0:52:08 | |
All the girls were outside doing red carpets and photographs | 0:52:08 | 0:52:12 | |
and I didn't feel that that was important. | 0:52:12 | 0:52:14 | |
I felt that product was more important than... | 0:52:14 | 0:52:18 | |
anything else. | 0:52:18 | 0:52:20 | |
The reason why I didn't think that Victoria was a team player is | 0:52:20 | 0:52:25 | |
because she had an issue with her eye and I kept calling | 0:52:25 | 0:52:30 | |
and calling and calling, just to make sure that she was OK. | 0:52:30 | 0:52:34 | |
Because I have a whole team that is concerned. | 0:52:34 | 0:52:37 | |
Was she OK? | 0:52:38 | 0:52:39 | |
-She was OK. -Are you OK now? | 0:52:39 | 0:52:41 | |
-She had an issue, she had an issue. -I am now, yes. | 0:52:41 | 0:52:44 | |
And I thought, we are all concerned, we're working as a group. | 0:52:44 | 0:52:48 | |
OK. Let's get to the men. First of all, Michael. Hello. | 0:52:48 | 0:52:54 | |
-How are you, Mr Trump? -Nice to meet you... -Nice to see you. | 0:52:54 | 0:52:56 | |
-..again, right? -Yeah. -Welcome to the show, Michael. -Thank you. | 0:52:56 | 0:52:59 | |
You've had a great career and your father is a friend of mine | 0:52:59 | 0:53:02 | |
-and he is an amazing guy. -Thank you. -I still use... | 0:53:02 | 0:53:05 | |
I say, you know, I'm going to a certain place, | 0:53:05 | 0:53:07 | |
"And if I drive like Mario Andretti, I'll be there pretty quickly." | 0:53:07 | 0:53:11 | |
-He's a great man and a great guy. Say hello to him. -I will do that. | 0:53:11 | 0:53:15 | |
So, Paul, how do you think your team did? | 0:53:15 | 0:53:19 | |
I think that, for me, | 0:53:19 | 0:53:22 | |
to get a group of guys like this to come together and to | 0:53:22 | 0:53:25 | |
work as hard as these guys did is, to me, I'm just blown away by it. | 0:53:25 | 0:53:30 | |
Who was your biggest star, Paul, when you were out on the street? | 0:53:30 | 0:53:34 | |
Like with Trump, they go totally crazy, right? Crazy. | 0:53:34 | 0:53:37 | |
The biggest star in the room by far. | 0:53:37 | 0:53:39 | |
Who was your biggest star? Who's the one that really attracted the crowd? | 0:53:39 | 0:53:43 | |
-Because you have a number of them that are all big, all iconic. -Penn. | 0:53:45 | 0:53:49 | |
Penn? Oh, really? Most recognisable? | 0:53:49 | 0:53:52 | |
I don't believe that's true, I believe it was Paul. | 0:53:52 | 0:53:55 | |
-I believe it was you. -Why Penn? | 0:53:55 | 0:53:57 | |
Anybody that will get out and stand on a podium and spit fire | 0:53:57 | 0:54:02 | |
and juggle in front of people, I don't think you could find anyone... | 0:54:02 | 0:54:06 | |
And give up millions of dollars in bookings in order to do the show. | 0:54:06 | 0:54:09 | |
-And bring a lot of nice looking women too. -Oh, he does? | 0:54:09 | 0:54:12 | |
Most importantly. | 0:54:12 | 0:54:13 | |
That donated money. That donated money. | 0:54:13 | 0:54:15 | |
Arsenio, we like that, don't we? Look at Arsenio. | 0:54:15 | 0:54:18 | |
-Er, yes. -But that's OK. | 0:54:18 | 0:54:21 | |
So, tell me, who was your weak link? | 0:54:21 | 0:54:24 | |
-I didn't have any weak players. -None? -None. -And this is you talking. | 0:54:24 | 0:54:27 | |
-That's me. -You always have weak players. | 0:54:27 | 0:54:30 | |
I've been watching you for a long time. | 0:54:30 | 0:54:32 | |
You always have somebody. | 0:54:32 | 0:54:34 | |
Don't forget, Patricia had the courage | 0:54:37 | 0:54:39 | |
or the guts to name two people. | 0:54:39 | 0:54:41 | |
I know, it's just something that I've been thinking about. | 0:54:41 | 0:54:44 | |
I know you don't like doing it. But just tell me. | 0:54:44 | 0:54:46 | |
I think George. | 0:54:47 | 0:54:49 | |
And... | 0:54:50 | 0:54:51 | |
-..maybe Arsenio. -Oh... | 0:54:57 | 0:54:58 | |
Why George? | 0:55:00 | 0:55:01 | |
I think there's a lot of strong personalities here | 0:55:03 | 0:55:07 | |
and I just... You know, I think he's just a meeker person by nature. | 0:55:07 | 0:55:12 | |
And I think, at some point, that might be overwhelming for him. | 0:55:12 | 0:55:16 | |
And yet I've watched George over the years | 0:55:16 | 0:55:19 | |
and I think he's a very tough guy. | 0:55:19 | 0:55:21 | |
I've watched him with respect to the gay movement, as an example, | 0:55:21 | 0:55:24 | |
and he was a leader. | 0:55:24 | 0:55:26 | |
I give him a lot of credit for that, he was a leader. | 0:55:26 | 0:55:29 | |
George, would you consider yourself meek or just perhaps more reserved? | 0:55:31 | 0:55:34 | |
I was a little taken aback when he used that word meek. | 0:55:34 | 0:55:38 | |
I have had to fight for a lot of things throughout my life. | 0:55:38 | 0:55:41 | |
-I grew up in barbed-wire interment camps, you know. -Right. | 0:55:41 | 0:55:44 | |
And from the time I was a child, you know, | 0:55:45 | 0:55:48 | |
I've learned how to survive and to overcome. | 0:55:48 | 0:55:52 | |
And I don't know where he got the word meek. | 0:55:54 | 0:55:56 | |
No, I think it's an inappropriate word. | 0:55:56 | 0:55:58 | |
-I apologise. -Yeah, it's an inappropriate word for George. | 0:55:58 | 0:56:02 | |
He might be a little bit quiet, | 0:56:02 | 0:56:04 | |
but some of the toughest people I know are quiet. | 0:56:04 | 0:56:06 | |
OK. | 0:56:08 | 0:56:10 | |
Now, why Arsenio? | 0:56:10 | 0:56:11 | |
Erm... | 0:56:13 | 0:56:14 | |
..Arsenio was just a random pick. He did nothing wrong. | 0:56:17 | 0:56:20 | |
I think you're putting Paul on the spot and I'm just laughing | 0:56:20 | 0:56:24 | |
because you told Paul to pick two guys to bring back to the boardroom | 0:56:24 | 0:56:27 | |
and he picked three minority groups to kick off the show. | 0:56:27 | 0:56:30 | |
LAUGHTER | 0:56:30 | 0:56:33 | |
-Nice going, Paul(!) -Very good. | 0:56:34 | 0:56:38 | |
All right. So, Paul, what sandwich did you bring to Rachael Ray? | 0:56:40 | 0:56:44 | |
-The Senior Chopper sandwich. -Why? | 0:56:45 | 0:56:47 | |
Because it was the biggest and I think it looked good also. | 0:56:47 | 0:56:50 | |
Very good. Patricia, what sandwich did your team take to Rachael Ray? | 0:56:50 | 0:56:56 | |
We took the special celebrity sandwich created by Teresa | 0:56:56 | 0:57:00 | |
-and Victoria. -OK. | 0:57:00 | 0:57:02 | |
Would you like to hear the sandwich that Rachael thought was fantastic? | 0:57:02 | 0:57:06 | |
Of course. | 0:57:06 | 0:57:08 | |
And, just so you understand that the Cafe Metro, | 0:57:08 | 0:57:11 | |
they are donating 35,000 to the winner of this particular pick. | 0:57:11 | 0:57:18 | |
And that will add to your total. | 0:57:18 | 0:57:20 | |
Rachael Ray... | 0:57:23 | 0:57:24 | |
..liked... | 0:57:25 | 0:57:26 | |
..Paul, your sandwich. | 0:57:31 | 0:57:34 | |
APPLAUSE | 0:57:34 | 0:57:36 | |
She thought your presentation was better. | 0:57:38 | 0:57:40 | |
Importantly, she thought the sandwich was more beautiful to look at, | 0:57:40 | 0:57:44 | |
had better taste, had better tang. | 0:57:44 | 0:57:47 | |
She used words that I don't use when I describe food, | 0:57:47 | 0:57:50 | |
but, the bottom line, 35,000 goes toward your total. | 0:57:50 | 0:57:53 | |
And, in fact, it could be the difference | 0:57:53 | 0:57:56 | |
between winning and losing. | 0:57:56 | 0:57:57 | |
So, congratulations. Really a great job. OK, | 0:57:57 | 0:58:01 | |
Lou, tell me about the gun show. | 0:58:01 | 0:58:03 | |
-What do you mean by the gun show? -Your arms, Lou. -Oh. | 0:58:06 | 0:58:10 | |
Which way to the beach, Lou, which way to the beach? | 0:58:10 | 0:58:13 | |
That makes sense now. | 0:58:13 | 0:58:14 | |
Anyway, Paul wanted me to wear a T-shirt, sleeveless. | 0:58:14 | 0:58:17 | |
-And, as a team member... -Are you still in great shape? | 0:58:17 | 0:58:20 | |
I mean, you were Mr Universe, right? | 0:58:20 | 0:58:21 | |
He is in fantastic shape. | 0:58:21 | 0:58:23 | |
And I own Miss Universe, which I'd much prefer over Mr Universe. | 0:58:23 | 0:58:27 | |
I have no interest in Mr Universe, I never did. | 0:58:27 | 0:58:30 | |
But, see that, George? It's just not my thing. | 0:58:30 | 0:58:33 | |
-I've seen him with his shirt off. -No, no, no, he's in great shape. | 0:58:33 | 0:58:36 | |
Just out of curiosity, are you in the kind of shape | 0:58:36 | 0:58:39 | |
that you used to be? | 0:58:39 | 0:58:40 | |
-What's the difference? -I'm smaller. The difference is I'm 260. | 0:58:40 | 0:58:43 | |
When I was competing, I was over 300lbs. | 0:58:43 | 0:58:45 | |
You were over 300? What do you weigh now? | 0:58:45 | 0:58:47 | |
-325, 2% body fat. -325?! | 0:58:47 | 0:58:49 | |
2% body fat?! | 0:58:49 | 0:58:52 | |
-325lbs, 2% body fat. -What do you weigh now? -260. | 0:58:52 | 0:58:55 | |
-Oh, you're 260? -Yeah. -By the way, Paul's in pretty good shape too. -Great shape. | 0:58:55 | 0:58:59 | |
-Those arms are pretty serious. -That's why I'm sitting next to him. | 0:58:59 | 0:59:02 | |
He's a couple of years older than you too. Those arms are very serious. | 0:59:02 | 0:59:05 | |
These guys, I mean, they don't want to mess around with Paul, right? | 0:59:05 | 0:59:08 | |
-But I think... -Do you consider yourself a great leader? | 0:59:08 | 0:59:11 | |
Absolutely. Positively. | 0:59:11 | 0:59:12 | |
And you're not going to take crap from anybody? | 0:59:12 | 0:59:14 | |
-No, I'm not, no, I'm not. -Mr Trump, he got no crap from anybody. | 0:59:14 | 0:59:17 | |
We never found out how tough he was because he led beautifully | 0:59:17 | 0:59:21 | |
and wonderfully. It was a very different style | 0:59:21 | 0:59:23 | |
-that I've never seen before. -Got a great style. I like his style. | 0:59:23 | 0:59:26 | |
I also think that one of the most important things about being | 0:59:26 | 0:59:29 | |
a tough guy is no-one ever finding out that you're a tough guy. | 0:59:29 | 0:59:32 | |
Well, I actually think he's a tough guy but he's a smart guy too. | 0:59:32 | 0:59:35 | |
I mean, I've watched him. | 0:59:35 | 0:59:36 | |
You don't build a business like that by being just tough. | 0:59:36 | 0:59:39 | |
I know a lot of tough guys, but they're stupid. | 0:59:39 | 0:59:41 | |
He's a tough guy, but he's a smart guy. | 0:59:41 | 0:59:43 | |
And it's easier to yell at family, right? | 0:59:43 | 0:59:45 | |
That's it, yeah. | 0:59:45 | 0:59:47 | |
Trust me, I know about this. | 0:59:47 | 0:59:48 | |
All right, let's now get down to the biggie. | 0:59:50 | 0:59:54 | |
The biggie is what we're here for. | 0:59:54 | 0:59:56 | |
And I can tell you this, both teams have done an amazing job. | 0:59:56 | 1:00:00 | |
Wonderful. | 1:00:00 | 1:00:01 | |
Right, so, Don, let me ask you, how did the women's team do? | 1:00:01 | 1:00:04 | |
Well, Patricia and Forte actually set a record for the first task | 1:00:04 | 1:00:08 | |
of an Apprentice, raising 126,962. | 1:00:08 | 1:00:13 | |
Which, by the way, is fantastic, because no first episode of | 1:00:14 | 1:00:19 | |
Celebrity Apprentice or Apprentice - we are into the 12th season - | 1:00:19 | 1:00:24 | |
has ever raised that much money. | 1:00:24 | 1:00:26 | |
So, that is a fantastic amount of money, OK? | 1:00:26 | 1:00:29 | |
So, congratulations. | 1:00:29 | 1:00:31 | |
Ivanka, how did the men's team do? | 1:00:31 | 1:00:35 | |
The men's team did very well. They raised a total | 1:00:35 | 1:00:38 | |
of 332,120. | 1:00:38 | 1:00:41 | |
Yeah! | 1:00:41 | 1:00:42 | |
If you add the 35,000, that is a grand total | 1:00:45 | 1:00:49 | |
of 367,120. | 1:00:49 | 1:00:50 | |
-You know what that means. -I sure do. -Not bad for the first night! | 1:00:50 | 1:00:55 | |
That's not bad, is it, huh? | 1:00:55 | 1:00:56 | |
Amazing, yes. | 1:00:56 | 1:00:58 | |
They did an amazing job. | 1:00:58 | 1:01:00 | |
-Amazing. -Now, he did something that was a little bit...different. | 1:01:00 | 1:01:05 | |
Why don't you tell me what that was? | 1:01:05 | 1:01:08 | |
I raised 305,000 from one person. | 1:01:08 | 1:01:10 | |
-Pretty impressive. -Yes. -Paul, I have to give you a lot of credit. | 1:01:12 | 1:01:16 | |
That is fantastic. And a great tribute to your friend, | 1:01:16 | 1:01:20 | |
whoever they may be. So, that means a total of 494,000-plus | 1:01:20 | 1:01:25 | |
-goes to Paul and your charity. Your charity is? -Make A Wish Foundation. | 1:01:25 | 1:01:29 | |
-That's a fantastic charity. So, congratulations. -Thank you. -OK. | 1:01:29 | 1:01:33 | |
Men, go to your suite. You can watch, if you'd like. | 1:01:33 | 1:01:35 | |
It's not going to be pleasant, | 1:01:35 | 1:01:37 | |
but unfortunately, that's the way it goes. | 1:01:37 | 1:01:40 | |
Paul, thank you. Congratulations. | 1:01:40 | 1:01:42 | |
Go ahead. Gentlemen - great job. | 1:01:42 | 1:01:44 | |
Good job, men. | 1:01:46 | 1:01:47 | |
-A sandwich! We've won the sandwich! -Good job, guys. | 1:01:47 | 1:01:50 | |
So, ladies, stay here. | 1:01:50 | 1:01:52 | |
Sadly, one of you will be fired. | 1:01:52 | 1:01:54 | |
I want to say, good job, guys! | 1:02:02 | 1:02:03 | |
-Good job! -No problem. -Nicely done, Paul. | 1:02:03 | 1:02:06 | |
-You're a great leader! -'It always feel great to win,' | 1:02:06 | 1:02:09 | |
especially when it's for charity. | 1:02:09 | 1:02:12 | |
'I can't believe that I just made' | 1:02:12 | 1:02:14 | |
'494,082 for the Make A Wish Foundation, | 1:02:14 | 1:02:19 | |
'which has been my charity' | 1:02:19 | 1:02:21 | |
for the last eight years. | 1:02:21 | 1:02:22 | |
First of all, I'd like to say, | 1:02:22 | 1:02:24 | |
I've never, ever been with a group of guys | 1:02:24 | 1:02:26 | |
that not one person complained. Did anybody complain? No bitches here. | 1:02:26 | 1:02:31 | |
LAUGHTER | 1:02:31 | 1:02:33 | |
-Honestly, and I mean this truly - thank you. -There we go. -There it is. | 1:02:33 | 1:02:38 | |
Oh, whoa. | 1:02:38 | 1:02:39 | |
-Patricia, that was a surprise? -Yes. | 1:02:43 | 1:02:44 | |
-Cos you did so well. -Yes. | 1:02:44 | 1:02:46 | |
We brought in a lot of people, we brought a lot of money. | 1:02:46 | 1:02:50 | |
I think the team worked so well, but one person showed up to his team | 1:02:50 | 1:02:53 | |
-and gave them... -Well, you have to give them credit. -100%. | 1:02:53 | 1:02:57 | |
How do you feel about that, Dayana? | 1:02:57 | 1:03:00 | |
It is a big surprise. I don't know... | 1:03:00 | 1:03:02 | |
I don't know anybody that can give a 300,000 cheque for a sandwich. | 1:03:02 | 1:03:06 | |
-Mr Trump? -Yes. -I've worked with many charities for years | 1:03:06 | 1:03:11 | |
and Patricia is a woman that has done so much | 1:03:11 | 1:03:14 | |
and that has so much backing | 1:03:14 | 1:03:16 | |
and so many people that came there to support her. I think it would be | 1:03:16 | 1:03:20 | |
-amazing if her charity could raise the amount she made... -No, no. | 1:03:20 | 1:03:23 | |
I know what you are going to say. Sometimes, if you know what someone's | 1:03:23 | 1:03:27 | |
going to say, there is no reason to listen to the whole thing. | 1:03:27 | 1:03:30 | |
You have to give it to Paul and a great charity, Make A Wish. | 1:03:30 | 1:03:33 | |
I do understand that, in the case of our team, | 1:03:33 | 1:03:37 | |
everybody worked really hard. | 1:03:37 | 1:03:39 | |
I put in, probably, 90-95%, of the money that came in | 1:03:39 | 1:03:45 | |
and it is a big risk that we take. | 1:03:45 | 1:03:46 | |
These are my donors. They showed up for me. | 1:03:46 | 1:03:50 | |
-I brought in... -In one way it's bad because they came for you | 1:03:50 | 1:03:53 | |
and somebody else gets the money. | 1:03:53 | 1:03:55 | |
-But you raised tremendous awareness for your charity, as well. -True. | 1:03:55 | 1:03:59 | |
So, Patricia, who brought in the money, other than yourself? | 1:03:59 | 1:04:02 | |
-Uh, Dayana did. -Dayana. | 1:04:06 | 1:04:08 | |
Boyfriends? Lots of boyfriends? They lined up around the corner? | 1:04:08 | 1:04:11 | |
One boyfriend! His friends, my friends - lots of people. | 1:04:11 | 1:04:15 | |
-Is your boyfriend rich or not? -No, he's not. He's rich in his heart! | 1:04:15 | 1:04:20 | |
OK, he has got no chance with you, believe me! I guarantee you. | 1:04:20 | 1:04:23 | |
-No, but... -Does he have an aeroplane? No. He's finished. | 1:04:23 | 1:04:26 | |
LAUGHTER | 1:04:26 | 1:04:28 | |
I wanted a specific donor that came, Raul, who's a lawyer in Venezuela. | 1:04:28 | 1:04:31 | |
-He is an amazing man. He has a great heart and... -Good. -..that helped us. | 1:04:31 | 1:04:36 | |
-So, Dayana really did a great job? -Dayana did a great job and I do have | 1:04:36 | 1:04:39 | |
to say, Teresa and Aubrey also brought in a lot of people. | 1:04:39 | 1:04:43 | |
There might not have been these big cheques, but a lot of people | 1:04:43 | 1:04:46 | |
-showed up for them. -OK. Good. | 1:04:46 | 1:04:48 | |
So, Debbie, what do you think? | 1:04:48 | 1:04:50 | |
I took on a lot, because I thought we should use my musical abilities, | 1:04:52 | 1:04:55 | |
-I feel like, from watching the show. -Debbie, who cares? | 1:04:55 | 1:04:59 | |
-Who should be fired? -Oh, that's what you're asking?! | 1:04:59 | 1:05:02 | |
OK, um...this is really tough, because I didn't necessarily agree | 1:05:02 | 1:05:06 | |
with saying Victoria, cos when she got called out | 1:05:06 | 1:05:09 | |
to do the Rachael Ray Show, I missed her. | 1:05:09 | 1:05:11 | |
I don't think people realised what she was doing. | 1:05:11 | 1:05:14 | |
Victoria was hustling and she was a little low-key... | 1:05:14 | 1:05:17 | |
She is very good at dealing with unions, you know that(!) | 1:05:17 | 1:05:20 | |
So, go ahead. | 1:05:20 | 1:05:22 | |
Who would you bring in? | 1:05:22 | 1:05:24 | |
SIGHING | 1:05:26 | 1:05:27 | |
I hate to say it, because she is such a sweet woman, but I did feel | 1:05:27 | 1:05:31 | |
like there are times where Cheryl didn't move as quick | 1:05:31 | 1:05:35 | |
as everybody else. | 1:05:35 | 1:05:36 | |
-How do you feel about that, Cheryl? -Well, I think that I probably | 1:05:38 | 1:05:42 | |
brought in 10,000 to 15,000, I think, in... My friends who... | 1:05:42 | 1:05:46 | |
-You disagree, Patricia? -Yes. -Why? | 1:05:46 | 1:05:50 | |
Because I was on the register and I was next to her. | 1:05:50 | 1:05:53 | |
Everybody, when they come in, they say, "I'm here for..." this person | 1:05:53 | 1:05:56 | |
or this person and I saw what was being sold. | 1:05:56 | 1:05:59 | |
-Oh, well, um... -We asked. | 1:06:01 | 1:06:02 | |
-Go ahead, Cheryl. -As I was saying... -Don't let her interrupt you! -Ha-ha! | 1:06:04 | 1:06:08 | |
-Go ahead. -I actually have a friend in the police department, | 1:06:08 | 1:06:13 | |
the NYPD, and I called him and I said, "Can you come?" | 1:06:13 | 1:06:17 | |
and he just spread the word like wildfire and there were so many | 1:06:17 | 1:06:21 | |
-guys there... -Patricia, you may not know how many people | 1:06:21 | 1:06:25 | |
-she contributed. -I don't know exactly, but I know, definitely, | 1:06:25 | 1:06:29 | |
she did not make that amount. I also have the numbers. | 1:06:29 | 1:06:32 | |
I know how much I brought and I know how much Dayana brought. | 1:06:32 | 1:06:36 | |
And there is no space for that. | 1:06:36 | 1:06:38 | |
So, Aubrey, who would you say, if you were me, should be fired? | 1:06:40 | 1:06:43 | |
Again, like everyone else, I'll start off by saying | 1:06:45 | 1:06:49 | |
it's nothing personal. I appreciate this woman's gumption, | 1:06:49 | 1:06:52 | |
but, absolutely, Victoria Gotti. | 1:06:52 | 1:06:54 | |
Victoria. | 1:06:54 | 1:06:56 | |
-Wow. -And I know I am probably taking a bullet for going against | 1:06:56 | 1:07:00 | |
-a very strong player... -You may take a bullet. | 1:07:00 | 1:07:03 | |
You'd not even know about it! | 1:07:03 | 1:07:05 | |
LAUGHTER | 1:07:05 | 1:07:06 | |
Victoria, do you think she's afraid of you? | 1:07:06 | 1:07:09 | |
No, not at all. | 1:07:09 | 1:07:10 | |
-A landfill somewhere in Jersey...? -Come on! No, not at all! | 1:07:10 | 1:07:13 | |
But I have to say, I am a very strict and focused businesswoman, | 1:07:13 | 1:07:18 | |
because working for Diddy for six years | 1:07:18 | 1:07:20 | |
-trained me to have to be perfect. -Working for Diddy? | 1:07:20 | 1:07:24 | |
-Absolutely. -I love Diddy. | 1:07:24 | 1:07:26 | |
Ha! | 1:07:26 | 1:07:27 | |
-Don's never been whiter. -DT! | 1:07:27 | 1:07:29 | |
"I love Diddy." | 1:07:29 | 1:07:30 | |
LAUGHTER | 1:07:30 | 1:07:32 | |
"I love Dinky and all of them... folks who do that kind of..." | 1:07:32 | 1:07:37 | |
"Fo' shizzle, my nizzle." | 1:07:37 | 1:07:38 | |
-You know he's a good friend of mine, he's a good guy. -He expects... | 1:07:38 | 1:07:41 | |
-Is -he a good guy? -I don't want to answer that question. | 1:07:41 | 1:07:44 | |
I think he's a good guy, I'm going to stick up for him. | 1:07:44 | 1:07:47 | |
All right. | 1:07:47 | 1:07:48 | |
So, bottom line, you choose Victoria, | 1:07:48 | 1:07:51 | |
you were a little disappointed in her. | 1:07:51 | 1:07:53 | |
-Yeah... -What about Cheryl Tiegs? | 1:07:53 | 1:07:56 | |
What about Cheryl? | 1:07:56 | 1:07:57 | |
Erm... | 1:07:57 | 1:07:59 | |
Cheryl, I agree with Debbie, is slower than a lot of us. | 1:07:59 | 1:08:03 | |
But I adore her and I think she brings a positive energy. | 1:08:03 | 1:08:06 | |
And at the end of the day, | 1:08:06 | 1:08:07 | |
I believe her positive energy in a room is much more powerful | 1:08:07 | 1:08:10 | |
than a negative energy, or somebody who doesn't work as hard when | 1:08:10 | 1:08:13 | |
they are able to, or makes excuses, or things like that. | 1:08:13 | 1:08:16 | |
All right. | 1:08:16 | 1:08:17 | |
Tia, let me ask you this question, you said before, | 1:08:18 | 1:08:21 | |
-"I don't mind being brought back." -Because I can defend myself. | 1:08:21 | 1:08:25 | |
Yeah, but it's not a smart thing to say, right? | 1:08:25 | 1:08:29 | |
-OK, well... -You understand? -Maybe I don't strategise... | 1:08:29 | 1:08:32 | |
But you were actually being complimented | 1:08:32 | 1:08:35 | |
for how well you had done during the task. | 1:08:35 | 1:08:37 | |
-Oh, yeah, because I'm solid in that. -It was a little flippant. | 1:08:37 | 1:08:40 | |
-Ooh! She -BLEEP -up, right there. | 1:08:40 | 1:08:42 | |
-I think Tia told you the reason she didn't mind being brought back. -Yeah. | 1:08:42 | 1:08:46 | |
She just said, "I can defend myself." | 1:08:46 | 1:08:48 | |
Yeah, and that smile said, I will chew you up. | 1:08:48 | 1:08:51 | |
Well, Tia's in for a surprise, because she's in my chair, | 1:08:51 | 1:08:54 | |
and I pissed on myself. | 1:08:54 | 1:08:55 | |
You should see her face changing soon. | 1:08:57 | 1:09:00 | |
All right, so, Tia, if you were me, who would you fire? | 1:09:00 | 1:09:04 | |
Well, I could never imagine what's in your mind, Mr Trump. | 1:09:04 | 1:09:08 | |
You have a different vantage point. | 1:09:08 | 1:09:09 | |
Being in it, it's very difficult to do that. | 1:09:09 | 1:09:13 | |
-Patricia's in a very difficult position. -Say her name again? | 1:09:13 | 1:09:17 | |
-STRONG HISPANIC PRONUNCIATION: -Patricia. | 1:09:17 | 1:09:20 | |
-I love the way you say that, I can't do it. -I do too. -Go ahead. | 1:09:20 | 1:09:22 | |
The one thing from me is... | 1:09:22 | 1:09:25 | |
Victoria, I love you as a human being and as a woman, | 1:09:25 | 1:09:29 | |
but being an hour late for the task day, | 1:09:29 | 1:09:32 | |
maybe that's why she would bring her back into the boardroom. | 1:09:32 | 1:09:37 | |
OK. | 1:09:37 | 1:09:38 | |
Does anyone think the project manager should be the one to go in this case? | 1:09:38 | 1:09:41 | |
-ALL: No. -Definitely not. | 1:09:41 | 1:09:44 | |
-She did well with the resources she had. -Except she lost. | 1:09:44 | 1:09:48 | |
-What you going to do? -Can't win 'em all. | 1:09:48 | 1:09:50 | |
So, Dayana, who would you fire? | 1:09:50 | 1:09:53 | |
This task was about raising money, and trying to make things happen. | 1:09:55 | 1:09:59 | |
And, obviously, there's a lot of people, they're more famous, | 1:09:59 | 1:10:03 | |
more recognisable than I am. | 1:10:03 | 1:10:05 | |
I don't understand how there's so many recognisable faces here, | 1:10:05 | 1:10:08 | |
we shouldn't be here. We should've raised more money. | 1:10:08 | 1:10:10 | |
-You shouldn't be here. -I expected more money, for sure. | 1:10:10 | 1:10:14 | |
Why didn't you call some of your really big clients, | 1:10:14 | 1:10:16 | |
that are paying you a fortune to model? | 1:10:16 | 1:10:18 | |
-I can say something about that... -I called everybody. -Yes. | 1:10:18 | 1:10:21 | |
-I called everybody. -People are cheap. | 1:10:21 | 1:10:24 | |
Yeah. | 1:10:24 | 1:10:26 | |
-Lisa. -Yes. | 1:10:26 | 1:10:27 | |
-I can't believe how nice you are. You're really a nice person! -I'm the opposite! | 1:10:27 | 1:10:31 | |
The meaner you are onstage, you have to be nicer off. | 1:10:31 | 1:10:33 | |
Your reputation's going to change, Lisa. That'd be terrible! | 1:10:33 | 1:10:36 | |
OK, so, who would you fire? | 1:10:36 | 1:10:38 | |
Who was the weakest member of your team, in your opinion? | 1:10:38 | 1:10:41 | |
I will not lie, I think you like the truth. | 1:10:41 | 1:10:44 | |
-I want the truth. -I know. | 1:10:44 | 1:10:46 | |
And it's difficult to say. | 1:10:46 | 1:10:48 | |
I love Victoria, | 1:10:48 | 1:10:49 | |
but she was on her phone for personal business part of day one. | 1:10:49 | 1:10:53 | |
-Was that true? Did you do a lot of things...? -There were a lot of calls that were overheard. | 1:10:53 | 1:10:57 | |
-Did you do a lot of calls? -I was calling people. | 1:10:57 | 1:10:59 | |
-Outside of what you're doing? -Oh, no. | 1:10:59 | 1:11:01 | |
I would check in to my children, as any mother would, | 1:11:01 | 1:11:04 | |
but no, other than that, absolutely not. | 1:11:04 | 1:11:06 | |
What you're saying is that Victoria was making a lot of personal calls? | 1:11:06 | 1:11:09 | |
That's what it appeared to be from what was overheard. | 1:11:09 | 1:11:12 | |
And also, I felt Cheryl was very unfocused. | 1:11:12 | 1:11:17 | |
So would you say that you would then fire | 1:11:17 | 1:11:20 | |
one of either Victoria or Cheryl? | 1:11:20 | 1:11:24 | |
Yeah, I would have to say, if you put my feet to the fire, | 1:11:24 | 1:11:27 | |
yes, I would. | 1:11:27 | 1:11:28 | |
All right. | 1:11:28 | 1:11:29 | |
Patricia, it's that time, it's a nasty time, | 1:11:30 | 1:11:34 | |
it's a terrible thing. | 1:11:34 | 1:11:36 | |
But that's just the way the game is played. | 1:11:36 | 1:11:38 | |
So, tell me, who are you going to bring back to the boardroom with you? | 1:11:38 | 1:11:42 | |
Cheryl. | 1:11:47 | 1:11:49 | |
-And? -With all my heart, I hate to say this, because... | 1:11:49 | 1:11:51 | |
-She's a wonderful woman. -She is one of my icons. | 1:11:51 | 1:11:54 | |
-I started as a model, and I was the first Latina model, so... -And? | 1:11:54 | 1:12:00 | |
And Victoria. | 1:12:00 | 1:12:01 | |
All right, everyone else, go back to the suite. | 1:12:03 | 1:12:06 | |
Patricia, Cheryl Tiegs, Victoria Gotti, you three go head out, | 1:12:06 | 1:12:11 | |
you're going to be coming right back in. | 1:12:11 | 1:12:13 | |
Somebody will be fired. | 1:12:13 | 1:12:15 | |
-CAROLLA: -She's the most sincere person on the planet, isn't she? | 1:12:21 | 1:12:24 | |
-PAUL: -She don't quit. She's a tough lady, right there. | 1:12:24 | 1:12:27 | |
Men, you've seen enough, turn off the television. | 1:12:28 | 1:12:31 | |
Ladies are coming in. | 1:12:31 | 1:12:32 | |
Say nothing to them, please. | 1:12:32 | 1:12:33 | |
I mean, certainly, all pleasantries, but nothing else. | 1:12:33 | 1:12:37 | |
-ARSENIO: -When they walk in here, we're playing the game. | 1:12:37 | 1:12:39 | |
When they walk in here, punch them in the throat. | 1:12:39 | 1:12:41 | |
-Hey! -This is where it all happens. -PENN: -Would you like to sit down? | 1:12:43 | 1:12:46 | |
-LISA: The two gay guys jump up to give seats, but none of you straight -BLEEP -do. | 1:12:46 | 1:12:49 | |
-I was up the second... -OK, all right, all right. | 1:12:49 | 1:12:52 | |
-That was harsh, man. -It's sad! -Yes, it is, it is sad. | 1:12:52 | 1:12:56 | |
For me, I feel like Mr Trump has a really great BS meter. | 1:12:56 | 1:12:59 | |
So, there's a way to be diplomatic, | 1:12:59 | 1:13:01 | |
but not shy away from really saying what you feel. | 1:13:01 | 1:13:04 | |
I can't look at Cheryl. | 1:13:04 | 1:13:07 | |
Because I know she's... I know she's hurt. | 1:13:07 | 1:13:09 | |
I think she's really hurt. | 1:13:09 | 1:13:10 | |
I'm sorry about your charity. | 1:13:12 | 1:13:14 | |
I really, really hate to do this to you. | 1:13:15 | 1:13:19 | |
You know what? | 1:13:20 | 1:13:22 | |
Don't do that, because you're going to get it. Don't do that. | 1:13:22 | 1:13:24 | |
No, no, I will. We're survivors, we're fighters. | 1:13:24 | 1:13:27 | |
You're better than that. | 1:13:27 | 1:13:29 | |
Be fine. | 1:13:29 | 1:13:30 | |
It's sort of sad that they did so well, and I have to fire somebody. | 1:13:42 | 1:13:46 | |
This one's never easy, when they really perform and you have to let someone go. | 1:13:46 | 1:13:49 | |
And I know you feel that Cheryl Tiegs, | 1:13:49 | 1:13:51 | |
you used to watch her, growing up? | 1:13:51 | 1:13:54 | |
Oh, she's amazing. Truly an inspiration. | 1:13:54 | 1:13:56 | |
-I don't know that she goes, but... -She's just a very good person. | 1:13:56 | 1:13:59 | |
She is a good person. | 1:13:59 | 1:14:01 | |
'Amanda, let 'em in.' | 1:14:01 | 1:14:02 | |
Yes, Mr Trump. | 1:14:02 | 1:14:04 | |
You can head back into the boardroom now. | 1:14:04 | 1:14:07 | |
Sit down, please. | 1:14:18 | 1:14:20 | |
Cheryl, do you deserve to be here in the boardroom? | 1:14:25 | 1:14:28 | |
No, not in the boardroom. I did so much behind the scenes. | 1:14:29 | 1:14:33 | |
I was making, I would say, | 1:14:33 | 1:14:34 | |
about a quarter of Debbie Gibson's grilled cheese sandwiches. | 1:14:34 | 1:14:38 | |
And, also, because I'm recognisable, a lot of people came up to me, | 1:14:38 | 1:14:42 | |
and I was talking and laughing and joking and buy and buy and buy. | 1:14:42 | 1:14:45 | |
And I also tried to get them to buy the club sandwich, and they did. | 1:14:45 | 1:14:49 | |
We sold - oh, gosh, I don't know - how many of those? And those were 500. | 1:14:49 | 1:14:52 | |
But Patricia really disagrees with you. | 1:14:52 | 1:14:55 | |
She doesn't think you did that good a job in terms of selling. | 1:14:55 | 1:14:58 | |
-Is that a correct statement, Patricia? -Yes. | 1:14:58 | 1:15:01 | |
I was asking at the cashiers, I was specifically hearing what | 1:15:01 | 1:15:04 | |
Tia was saying to all the customers. | 1:15:04 | 1:15:07 | |
I asked, "Are you here because...?" "Are you here for...?" | 1:15:07 | 1:15:10 | |
Do you think she was holding back for when she was project manager? | 1:15:10 | 1:15:13 | |
Or do you think that perhaps she doesn't have the wealth of contacts? | 1:15:13 | 1:15:16 | |
I think everybody hold back. | 1:15:16 | 1:15:18 | |
That is true. That is a true statement. | 1:15:18 | 1:15:21 | |
-What does that mean, Victoria? What does that mean? -I will admit it. | 1:15:21 | 1:15:24 | |
-For instance... -Are you waiting maybe until you're project manager? | 1:15:24 | 1:15:27 | |
Well, I would have. To be honest with you, I would have. | 1:15:27 | 1:15:30 | |
Because I'm fighting for my charity, you know? | 1:15:30 | 1:15:32 | |
But I would help Patricia, | 1:15:32 | 1:15:34 | |
because Patricia's charity got to me, on a personal level. | 1:15:34 | 1:15:37 | |
-So, I said... -But, Victoria, you travel in the circles that we do. | 1:15:37 | 1:15:40 | |
-I know you know a lot of people that we know, that could have brought in... -Exactly. | 1:15:40 | 1:15:43 | |
-..so how come you didn't call in those favours? -It was a different system. | 1:15:43 | 1:15:47 | |
We had three sandwiches, or four sandwiches made, | 1:15:47 | 1:15:49 | |
and it was after certain people. | 1:15:49 | 1:15:52 | |
They watch you really sell their sandwiches, and my job, | 1:15:52 | 1:15:56 | |
that was given to me, my task, from the beginning, was the kitchen. | 1:15:56 | 1:16:00 | |
And I didn't mind. | 1:16:00 | 1:16:01 | |
I didn't care if they wanted me to scrub floors, that's fine with me. | 1:16:01 | 1:16:05 | |
Are you annoyed, Patricia, to hear that people were holding back? | 1:16:05 | 1:16:08 | |
I'm sure you're not surprised, but are you...? | 1:16:08 | 1:16:10 | |
I expected people to hold back. I think, as a leader, | 1:16:10 | 1:16:12 | |
what I try to do is to make them feel a part of my charity. | 1:16:12 | 1:16:15 | |
If it would have been me, I would have make sure I brought in money like Dayana did. | 1:16:15 | 1:16:18 | |
So it's a gesture of a team player, to bring in money. | 1:16:18 | 1:16:22 | |
Because, basically, 90% of the money that came in was my money. | 1:16:22 | 1:16:25 | |
Cheryl, did you hold back in terms of donations? | 1:16:25 | 1:16:29 | |
-Yes, I did. -Why? -Erm... | 1:16:29 | 1:16:33 | |
Because I don't live in New York, | 1:16:33 | 1:16:35 | |
and I do have some contacts here in New York... | 1:16:35 | 1:16:39 | |
I don't live in New York. | 1:16:39 | 1:16:40 | |
With all due respect, I don't live in New York either. | 1:16:40 | 1:16:43 | |
I live in Los Angeles. I also worked in New York as a model, | 1:16:43 | 1:16:45 | |
just like you did. | 1:16:45 | 1:16:47 | |
I feel like if it would have been me... | 1:16:47 | 1:16:49 | |
So do you feel that Cheryl held back? | 1:16:49 | 1:16:51 | |
I think everybody did. | 1:16:53 | 1:16:54 | |
-I feel... -In all fairness, I think she did... | 1:16:54 | 1:16:57 | |
Do you think she held back the most? | 1:16:57 | 1:16:59 | |
No, no, no - I think everybody did. | 1:16:59 | 1:17:01 | |
This always comes up in the first boardroom, there's someone holding back. | 1:17:01 | 1:17:04 | |
And the person who ultimately gets fired always then regrets it. | 1:17:04 | 1:17:09 | |
Patricia, forget that for a second, I just want ask you this question. | 1:17:09 | 1:17:12 | |
-You know there's a big risk in becoming a project manager? -Sure. | 1:17:12 | 1:17:16 | |
-But she took it. -You lost. She took it. -I lost. | 1:17:16 | 1:17:18 | |
But in retrospect, are you disappointed that you accepted the role of project manager? | 1:17:18 | 1:17:22 | |
-No, not at all. -Knowing that you could be fired? -Absolutely not. | 1:17:22 | 1:17:25 | |
-That was a risk I needed to take. -OK. | 1:17:25 | 1:17:28 | |
-So you've brought these two ladies in with you. -Yes. | 1:17:28 | 1:17:32 | |
Who would you fire if you were me? | 1:17:32 | 1:17:33 | |
If I can get Victoria to focus, and really act for everybody | 1:17:35 | 1:17:41 | |
and not just for herself, then, with all the pain in my heart, | 1:17:41 | 1:17:45 | |
I would have to get rid of Cheryl. | 1:17:45 | 1:17:47 | |
Because I felt that she was a little bit scattered. | 1:17:47 | 1:17:51 | |
And if we want to make it as a team, | 1:17:51 | 1:17:53 | |
then we have to bring Victoria to focus and use her resources, | 1:17:53 | 1:17:57 | |
and work with everybody. | 1:17:57 | 1:17:59 | |
-Victoria, if you were me...? -I agree. -..who would you fire? | 1:17:59 | 1:18:02 | |
Well, I wouldn't fire me, because she's right, Patricia is right. | 1:18:04 | 1:18:08 | |
I do have many resources. And I can use them, utilise them. | 1:18:08 | 1:18:13 | |
But would you fire the project manager? | 1:18:13 | 1:18:15 | |
No, I would not. | 1:18:17 | 1:18:19 | |
That means you'd fire Cheryl. | 1:18:19 | 1:18:20 | |
I wouldn't fire Patricia, no. | 1:18:23 | 1:18:26 | |
-Meaning, you hate to say it, but you'd fire Cheryl? -Yeah... | 1:18:26 | 1:18:29 | |
-So, Cheryl... -..I know that if I stay here, I'd want her on my team. | 1:18:29 | 1:18:34 | |
Cheryl, who would you fire? | 1:18:34 | 1:18:36 | |
Would you fire the project manager? | 1:18:36 | 1:18:38 | |
No, she did a good job. She did a good job. | 1:18:40 | 1:18:43 | |
And I'm proud of her for doing that. So... | 1:18:43 | 1:18:47 | |
It just seems though, that Victoria does have a very strong energy, | 1:18:47 | 1:18:51 | |
but she's always had a strong energy. | 1:18:51 | 1:18:53 | |
But do you feel you have the energy, Cheryl, to go on and just kick ass? | 1:18:53 | 1:18:58 | |
I don't know if this is right for me. | 1:18:59 | 1:19:02 | |
To be honest with you. | 1:19:02 | 1:19:05 | |
-Cheryl, don't say that... -I understand what you're saying. | 1:19:05 | 1:19:07 | |
I'm actually more of a quiet person... | 1:19:07 | 1:19:10 | |
Have you always been that way? Have you always been a quiet person? | 1:19:10 | 1:19:13 | |
-Yeah, shy and quiet... -But have you always been? -Yes. But a hard worker. | 1:19:13 | 1:19:17 | |
I've built up 12 companies and I've worked since I was a teenager, | 1:19:17 | 1:19:22 | |
-so I know about hard work. -I have such respect. | 1:19:22 | 1:19:25 | |
This young lady grew up looking at your pictures, all over her room. | 1:19:25 | 1:19:31 | |
The biggest and the best, ever. | 1:19:31 | 1:19:33 | |
I mean, nobody better. | 1:19:33 | 1:19:35 | |
But I don't think you feel comfortable in this environment, do you? | 1:19:35 | 1:19:39 | |
I don't know if I fit into this group. | 1:19:39 | 1:19:42 | |
You know, I respect you for saying that. | 1:19:44 | 1:19:46 | |
And you're dealing with some very strong personalities. | 1:19:46 | 1:19:49 | |
And you're just as strong as they are, Cheryl, | 1:19:49 | 1:19:51 | |
maybe stronger, in your own way. | 1:19:51 | 1:19:53 | |
But everyone on your team felt that you didn't step up. | 1:19:53 | 1:19:58 | |
You yourself admitted that you held back money. | 1:19:58 | 1:20:01 | |
The fact is, Cheryl, you are an amazing success story, | 1:20:02 | 1:20:05 | |
you're an amazing woman, | 1:20:05 | 1:20:07 | |
but for the purposes of what we have to do here, | 1:20:07 | 1:20:11 | |
Cheryl, you're fired. | 1:20:11 | 1:20:13 | |
-OK, thank you, Mr Trump. -Thank you very much, you're a fantastic woman. | 1:20:18 | 1:20:21 | |
Now get out of here! Go ahead. Good job. | 1:20:21 | 1:20:24 | |
All of you did a great job. | 1:20:24 | 1:20:25 | |
-Cheryl, you did a great job. -Thank you. -Thank you. | 1:20:25 | 1:20:29 | |
Victoria, you got to focus. You have to focus, Victoria! | 1:20:29 | 1:20:31 | |
-I know you, Victoria! -You're right, you're right, you're right. | 1:20:31 | 1:20:34 | |
-If you focus, you're going to do well, if you don't focus, we're going to fire you. -Can I talk? | 1:20:34 | 1:20:38 | |
-You didn't get fired. -I know! -What are you fighting for?! | 1:20:38 | 1:20:41 | |
-Victoria, here's what I'm telling you... -Stop selling after the close. -..you've got great energy, | 1:20:41 | 1:20:46 | |
-you've got to use it. -You're right... -So get out of here. | 1:20:46 | 1:20:48 | |
-Victoria! Get out of here! -Great to see you guys too. | 1:20:48 | 1:20:51 | |
Victoria does not lack passion! | 1:20:53 | 1:20:56 | |
You got to show that passion, Victoria. | 1:20:56 | 1:20:58 | |
-You are very sweet. -You are incredible. | 1:20:59 | 1:21:02 | |
Thanks. Well, good luck! | 1:21:02 | 1:21:03 | |
-Good luck to you guys, work hard. -Thank you, Cheryl. -Thank you. | 1:21:06 | 1:21:09 | |
Well, it was a very interesting one, it was a tough one, | 1:21:17 | 1:21:20 | |
but I think I did the right thing. And she's not quitting at all. | 1:21:20 | 1:21:23 | |
She felt she didn't really fit in, and I just think it's great, | 1:21:23 | 1:21:26 | |
I think she's terrific. | 1:21:26 | 1:21:28 | |
To be honest with you, I think I did as good a job as I could. | 1:22:01 | 1:22:05 | |
I'm telling you, I did a lot of things behind the scenes that | 1:22:05 | 1:22:08 | |
nobody recognised or acknowledged. | 1:22:08 | 1:22:11 | |
Even though I'm little teary-eyed, I am actually happy, | 1:22:11 | 1:22:14 | |
because I don't think that this environment was right for me. | 1:22:14 | 1:22:18 | |
I'm certainly as intelligent as any of the women, | 1:22:18 | 1:22:22 | |
but there's a toughness there that I don't have. | 1:22:22 | 1:22:25 | |
And don't ever want to have. | 1:22:25 | 1:22:28 |