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Yes, Mr Mayor. | 0:00:02 | 0:00:04 | |
No, I totally agree 100%. | 0:00:04 | 0:00:06 | |
Mr Trump, you're going to be late for the finale. | 0:00:06 | 0:00:08 | |
-Get me the fastest driver anywhere in the world. -Yes, Mr Trump. | 0:00:08 | 0:00:13 | |
I have to go now. We're doing a live finale of Celebrity Apprentice. | 0:00:13 | 0:00:16 | |
I think it's going to be amazing. You take care of yourself. Bye. | 0:00:16 | 0:00:20 | |
CHEERING AND APPLAUSE | 0:00:22 | 0:00:26 | |
15 weeks, 18 celebrities and it all comes down to this very big moment. | 0:00:28 | 0:00:34 | |
Who will become the next Celebrity Apprentice, | 0:00:34 | 0:00:37 | |
pop star Clay Aiken or late-night artist Arsenio Hall? | 0:00:37 | 0:00:42 | |
It's going to be a tough decision. | 0:00:45 | 0:00:48 | |
Mario Andretti, I'm really glad it's you. Let's go! | 0:00:55 | 0:00:59 | |
Hop in, Mr Trump. Don't worry, I won't mess up your hair. | 0:00:59 | 0:01:03 | |
MOTOR REVS | 0:01:03 | 0:01:06 | |
Step on it, we're late. | 0:01:07 | 0:01:09 | |
HE LAUGHS Thanks, Mario. Oh! | 0:01:44 | 0:01:47 | |
Wow. | 0:01:48 | 0:01:49 | |
-Holy -BLEEP! | 0:01:49 | 0:01:50 | |
Any time, boss. Good luck with the show. | 0:01:50 | 0:01:53 | |
Live from the American Museum of Natural History | 0:02:13 | 0:02:17 | |
in New York City, | 0:02:17 | 0:02:18 | |
it's the season finale of The Celebrity Apprentice. | 0:02:18 | 0:02:22 | |
Wow! Whoa! | 0:02:23 | 0:02:26 | |
Thank you. | 0:02:30 | 0:02:32 | |
Hello, man. | 0:02:32 | 0:02:34 | |
Here he is, right on time, Mr Donald Trump. | 0:02:45 | 0:02:51 | |
CHEERING AND APPLAUSE | 0:02:51 | 0:02:53 | |
Thank you. Thank you. | 0:02:53 | 0:02:57 | |
Thank you. | 0:03:00 | 0:03:01 | |
This season was amazing. | 0:03:03 | 0:03:05 | |
Once again, we raised a tremendous amount of money, | 0:03:05 | 0:03:09 | |
over 2 million for charity. | 0:03:09 | 0:03:12 | |
What other show does that? Nobody! | 0:03:12 | 0:03:14 | |
We had an incredible cast. | 0:03:17 | 0:03:19 | |
And tonight, we're down to the final two - | 0:03:19 | 0:03:22 | |
pop star Clay Aiken | 0:03:22 | 0:03:24 | |
and late-night legend... CHEERING AND APPLAUSE | 0:03:24 | 0:03:27 | |
..Arsenio Hall. CHEERING AND APPLAUSE | 0:03:27 | 0:03:31 | |
One of them will become the Celebrity Apprentice | 0:03:32 | 0:03:36 | |
and make a lot of money for charity. | 0:03:36 | 0:03:38 | |
Right now, it's anyone's game. Take a look. | 0:03:38 | 0:03:42 | |
This season on The Celebrity Apprentice, | 0:03:47 | 0:03:50 | |
Mr Trump invited the most celebrities ever - | 0:03:50 | 0:03:53 | |
18 of the biggest names in the business came to New York City, | 0:03:53 | 0:03:57 | |
ready to fight hard in the name of charity. | 0:03:57 | 0:04:00 | |
-Come here, little one. -Aw. | 0:04:00 | 0:04:02 | |
I'm sorry if I'm being emotional, | 0:04:02 | 0:04:04 | |
but I'm just extremely proud to be here with you. | 0:04:04 | 0:04:06 | |
You have your arguments with others, but this is all for charity, | 0:04:06 | 0:04:09 | |
and so that's why we're here. | 0:04:09 | 0:04:11 | |
It was the most explosive season ever. | 0:04:15 | 0:04:17 | |
It's for charity! | 0:04:17 | 0:04:19 | |
Slow down! | 0:04:19 | 0:04:21 | |
This is your fault, Trump. | 0:04:21 | 0:04:23 | |
Along the way, emotions hit rock bottom. | 0:04:23 | 0:04:26 | |
How old are we? | 0:04:26 | 0:04:28 | |
Lisa's lucky because I would throw her right through that wall. | 0:04:28 | 0:04:31 | |
Every last one of yous are bitches. | 0:04:31 | 0:04:33 | |
-I'm sorry, at 50-something years old... -50-something?! | 0:04:33 | 0:04:35 | |
BOTH: No, she didn't! | 0:04:35 | 0:04:37 | |
But also soared to new heights. | 0:04:37 | 0:04:40 | |
-Live long and prosper. -ALL: Woo! | 0:04:40 | 0:04:42 | |
-I love Celebrity Apprentice. -Thank you. | 0:04:42 | 0:04:45 | |
20,000! CHEERING | 0:04:45 | 0:04:48 | |
Each week, a celebrity heard Mr Trump's dreaded words. | 0:04:48 | 0:04:52 | |
You're fired. You're fired. You're fire. | 0:04:52 | 0:04:54 | |
But two showed they have everything it takes to become | 0:04:54 | 0:04:58 | |
the Celebrity Apprentice - late-night legend Arsenio Hall... | 0:04:58 | 0:05:01 | |
Woof, woof, woof! | 0:05:01 | 0:05:03 | |
..and American Idol superstar Clay Aiken. | 0:05:03 | 0:05:06 | |
You tell her that I don't want to come in second on another TV show. | 0:05:06 | 0:05:08 | |
They both gave it all for their charity. | 0:05:08 | 0:05:11 | |
It's a 30,000 check. | 0:05:11 | 0:05:14 | |
-'Oh, my goodness!' -Bam! | 0:05:14 | 0:05:16 | |
I wanted to win it for Magic so bad, you have no idea. You have no idea. | 0:05:16 | 0:05:20 | |
You've got a total of 50,000 for your charity. | 0:05:20 | 0:05:23 | |
Knowing how many kids it's going to help | 0:05:23 | 0:05:25 | |
really made me want that 250,000. | 0:05:25 | 0:05:27 | |
They battled hard to make it to the end. | 0:05:27 | 0:05:29 | |
I was trying to make it better. | 0:05:29 | 0:05:30 | |
No, you're being condescending, that's all. | 0:05:30 | 0:05:32 | |
-When you're -BLEEP -with me and disrespect me, it's on. | 0:05:32 | 0:05:35 | |
Throughout the journey, | 0:05:35 | 0:05:36 | |
they proved that in the face of competition, friendships can form. | 0:05:36 | 0:05:39 | |
Arsenio and I, we think a lot alike. | 0:05:39 | 0:05:41 | |
And for that reason, we work well together. | 0:05:41 | 0:05:43 | |
You find all the "jirt" in the house. | 0:05:43 | 0:05:45 | |
Cut. Cut a second. Should we work with the word dirt to get that D? | 0:05:45 | 0:05:49 | |
-Put your tongue right there. Dirt. Put your tongue... -Dirt. | 0:05:49 | 0:05:51 | |
You're good with this. | 0:05:51 | 0:05:53 | |
Now they must set their friendship aside... | 0:05:53 | 0:05:56 | |
The pressure is extra on. | 0:05:56 | 0:05:58 | |
I'm going to kick Clay's butt. | 0:05:58 | 0:06:00 | |
..and go head-to-head. | 0:06:00 | 0:06:01 | |
-You're finalists. -I'm having a little deja vu. | 0:06:01 | 0:06:04 | |
-I am not that heavy. -CLAY LAUGHS | 0:06:04 | 0:06:06 | |
It's going to be a shame to have to beat him, | 0:06:06 | 0:06:08 | |
but I have been a runner-up before, | 0:06:08 | 0:06:10 | |
so I'll make sure it doesn't happen again. | 0:06:10 | 0:06:11 | |
For their final task, | 0:06:11 | 0:06:13 | |
Clay and Arsenio were given their biggest and toughest challenge. | 0:06:13 | 0:06:17 | |
You're going to sell tickets to raise money for your charity. | 0:06:17 | 0:06:20 | |
You're going to create a 30-second charity awareness ad and | 0:06:20 | 0:06:23 | |
you're going to produce a variety show to entertain your guests. | 0:06:23 | 0:06:26 | |
The entertainment will be you. | 0:06:26 | 0:06:28 | |
And eight celebrities return to help them get the job done. | 0:06:28 | 0:06:32 | |
Good luck. Make lots of money for your charities. Thank you. | 0:06:32 | 0:06:35 | |
Both project managers played to their strengths. | 0:06:35 | 0:06:38 | |
The plan is to do a comedy show, | 0:06:38 | 0:06:40 | |
probably a lot of stand-up but a lot of funny. | 0:06:40 | 0:06:42 | |
Every single person on this team is a performer. | 0:06:42 | 0:06:45 | |
So we're very music heavy. | 0:06:45 | 0:06:46 | |
The event itself is a fancy carnival. | 0:06:46 | 0:06:49 | |
For their charity act, Team Arsenio went back in time... | 0:06:49 | 0:06:52 | |
Fortunately, we got rid of all the fashion and the hair | 0:06:52 | 0:06:55 | |
from the '80s. But unfortunately, we still have HIV and AIDS. | 0:06:55 | 0:06:59 | |
..while Clay kept it all about the kids. | 0:06:59 | 0:07:02 | |
You ready? Go. | 0:07:02 | 0:07:03 | |
Don't let it come up on your side. | 0:07:03 | 0:07:05 | |
In the cutting room, | 0:07:05 | 0:07:06 | |
missing footage threatened to derail Arsenio's charity ad. | 0:07:06 | 0:07:10 | |
-'The Magic Johnson foundation...' -They better move that camera. | 0:07:10 | 0:07:12 | |
This is impossible to cut. 'I was scared to death. | 0:07:12 | 0:07:15 | |
'Adam might have messed this up for me.' | 0:07:15 | 0:07:17 | |
There is no way I can use this. | 0:07:17 | 0:07:19 | |
And Team Clay hit a wall planning their party. | 0:07:19 | 0:07:21 | |
My cousin is feverishly working. | 0:07:21 | 0:07:23 | |
I'm not going to paint a wall that I'm being judged on | 0:07:23 | 0:07:25 | |
If I don't know what's being painted. | 0:07:25 | 0:07:28 | |
It's the comedians... | 0:07:28 | 0:07:30 | |
-Are you ready to laugh? -AUDIENCE: -Yes! | 0:07:30 | 0:07:32 | |
..versus the musicians. | 0:07:32 | 0:07:33 | |
# We're not going to take it... # Come on! | 0:07:33 | 0:07:36 | |
As these two fierce competitors face off in their final match. | 0:07:36 | 0:07:42 | |
Because tonight, only one will be named the Celebrity Apprentice. | 0:07:42 | 0:07:47 | |
Yes! | 0:07:47 | 0:07:48 | |
# Money, money, money, money | 0:07:52 | 0:07:55 | |
# Money! | 0:07:55 | 0:07:57 | |
# Money, money, money, money | 0:07:57 | 0:08:00 | |
# Money! | 0:08:00 | 0:08:01 | |
# Some people got to have it | 0:08:01 | 0:08:05 | |
# Ye-eah | 0:08:05 | 0:08:07 | |
# Some people really need it | 0:08:07 | 0:08:10 | |
# Hey, listen to me, y'all | 0:08:10 | 0:08:12 | |
# Do things, do things, do things | 0:08:12 | 0:08:15 | |
# Bad things with it | 0:08:15 | 0:08:17 | |
# Dollar bills, y'all Come on | 0:08:19 | 0:08:21 | |
# That mean, oh, mean | 0:08:21 | 0:08:25 | |
# Mean green | 0:08:25 | 0:08:27 | |
# Almighty dollar | 0:08:27 | 0:08:30 | |
# You know that money... | 0:08:30 | 0:08:33 | |
# Give me a nickel, brother Can you spare a dime? | 0:08:34 | 0:08:38 | |
# Money can drive some people | 0:08:38 | 0:08:41 | |
# Out of their minds | 0:08:41 | 0:08:45 | |
# No good, no good | 0:08:45 | 0:08:48 | |
# Money | 0:08:48 | 0:08:49 | |
# Money, money, money, money | 0:08:49 | 0:08:51 | |
# Money! # | 0:08:51 | 0:08:54 | |
'Fortunately, we got rid of the hair and the fashion from the '80s. | 0:09:03 | 0:09:07 | |
'Unfortunately, we still have HIV and AIDS. | 0:09:07 | 0:09:10 | |
'Here's a man who knows a lot more about it than I do. Earv?' | 0:09:10 | 0:09:14 | |
'Hey, Arsenio. Not a bad pass for a comedian. | 0:09:14 | 0:09:18 | |
'The Magic Johnson Foundation, we'll address the social...' | 0:09:18 | 0:09:22 | |
'We're here at the editing facility working on the charity awareness ad | 0:09:22 | 0:09:26 | |
'and when I saw' | 0:09:26 | 0:09:27 | |
Magic standing like this, talking... | 0:09:27 | 0:09:30 | |
'..I was worried, I was very, very worried.' | 0:09:32 | 0:09:34 | |
'The Magic Johnson Foundation...' | 0:09:34 | 0:09:36 | |
-ARSENIO GROANS -We said camera left. | 0:09:36 | 0:09:38 | |
We didn't say turn him to the left. | 0:09:38 | 0:09:41 | |
-No. -As long as where he's looking there's a camera... | 0:09:41 | 0:09:44 | |
There better be a camera. | 0:09:44 | 0:09:46 | |
He said there's two more clips coming in. | 0:09:46 | 0:09:48 | |
One just... Oh! One just finished downloading. | 0:09:48 | 0:09:51 | |
-Yeah, this is like eight minutes long. -Oh. | 0:09:51 | 0:09:54 | |
OK, well, let's watch the whole eight minutes and then cry. | 0:09:54 | 0:09:57 | |
'We have 150 kids on scholarship, college of their choice.' | 0:09:57 | 0:10:01 | |
'While the footage wasn't what I'd wanted, | 0:10:01 | 0:10:04 | |
'I had my guys out in LA film the Magic Johnson footage, | 0:10:04 | 0:10:08 | |
'and they are not a professional crew. | 0:10:08 | 0:10:10 | |
'If you get into that edit bay' | 0:10:10 | 0:10:12 | |
and you don't have choices, you're screwed. | 0:10:12 | 0:10:15 | |
'And I'm feeling concerned that my guys let down Arsenio.' | 0:10:15 | 0:10:21 | |
'We'll address the health, social, education | 0:10:25 | 0:10:29 | |
'and technology needs of minorities across the country.' | 0:10:29 | 0:10:32 | |
'And action.' | 0:10:33 | 0:10:35 | |
'Arsenio, thank you for being my close friend...' | 0:10:36 | 0:10:39 | |
We got his other angle. | 0:10:39 | 0:10:41 | |
-We're good, we're good. -That's good. | 0:10:42 | 0:10:44 | |
-This'll work. -Yeah, that's good. -Cool. | 0:10:44 | 0:10:48 | |
-We're all right. -'Not a bad pass for a comedian.' | 0:10:49 | 0:10:52 | |
'There's a God somewhere because we found a piece where he's looking | 0:10:52 | 0:10:55 | |
'forward, so that problem is all right now, we're going to be fine. | 0:10:55 | 0:10:58 | |
'I see two of Magic's eyes.' | 0:10:58 | 0:11:01 | |
Phew! That's all I want, | 0:11:01 | 0:11:03 | |
I just wanted to see both of his eyes at one time. | 0:11:03 | 0:11:05 | |
That's magical to me. | 0:11:05 | 0:11:07 | |
-This is good. -Yeah, it's fine. | 0:11:07 | 0:11:09 | |
I think he just wants a sampling of work that shows something | 0:11:12 | 0:11:15 | |
kind of elegant and somewhere along the same lines of what we're doing. | 0:11:15 | 0:11:19 | |
'Aubrey had a vision of painting the walls for our party tomorrow. | 0:11:19 | 0:11:23 | |
'And in the midst of calling my cousin Christine, | 0:11:23 | 0:11:26 | |
'who's a mural painter, trying to pull people together' | 0:11:26 | 0:11:29 | |
and get everything set | 0:11:29 | 0:11:31 | |
to start painting in the morning, | 0:11:31 | 0:11:33 | |
Clay brings up the fact that he needs to see sketches | 0:11:33 | 0:11:36 | |
before anything can happen. | 0:11:36 | 0:11:38 | |
Listen, I like the idea of a mural. | 0:11:38 | 0:11:40 | |
I'm for it, I think it's a great idea. | 0:11:40 | 0:11:41 | |
It does make the walls look great. | 0:11:41 | 0:11:43 | |
But until I know what the murals are going to be... You know, | 0:11:43 | 0:11:46 | |
if it looks like graffiti, I don't want it up on the walls. | 0:11:46 | 0:11:49 | |
'It had nothing to do with me not trusting Debbie. | 0:11:49 | 0:11:52 | |
'I'm responsible for this room' | 0:11:52 | 0:11:53 | |
and I need more than just Debbie's word in order to feel | 0:11:53 | 0:11:56 | |
'comfortable with having someone paint all over my walls.' | 0:11:56 | 0:12:00 | |
At the end of the day, the axe can only fall on my neck. | 0:12:00 | 0:12:03 | |
I'm pissed, to be honest. | 0:12:06 | 0:12:08 | |
Because it's me actually calling you, who's in my family, | 0:12:08 | 0:12:11 | |
who does this for a living, | 0:12:11 | 0:12:12 | |
and I'm being doubted and I'm being micromanaged as to even what | 0:12:12 | 0:12:16 | |
I say to you on the phone, and I'm like... I'm just pissed now. | 0:12:16 | 0:12:19 | |
'This is not' | 0:12:19 | 0:12:20 | |
how I want to end the night before the event, | 0:12:20 | 0:12:23 | |
'with all this uncertainty, lack of trust. | 0:12:23 | 0:12:25 | |
'On top of all of this,' | 0:12:25 | 0:12:26 | |
I've got to get the music done. | 0:12:26 | 0:12:28 | |
I want to be in good voice, which requires some calm | 0:12:28 | 0:12:30 | |
and some centring. | 0:12:30 | 0:12:31 | |
And right now, I'm like a basket case. | 0:12:31 | 0:12:33 | |
And I'm really stressed. | 0:12:33 | 0:12:35 | |
What can we do to now give him peace of mind to execute what | 0:12:35 | 0:12:39 | |
he asked me to execute without him now freaking out | 0:12:39 | 0:12:42 | |
and going with dirty white walls, which would be a huge mistake? | 0:12:42 | 0:12:46 | |
We'll bring out our celebrities in just a moment. | 0:12:50 | 0:12:53 | |
First, everyone knows I'm a businessman. | 0:12:53 | 0:12:56 | |
But I've always thought there's one thing even more | 0:12:56 | 0:12:59 | |
important than business, and that's family. | 0:12:59 | 0:13:01 | |
Ivanka, Eric and Don, who's away, I'll tell you something, | 0:13:01 | 0:13:05 | |
they've really done a great job, don't you think? | 0:13:05 | 0:13:08 | |
CHEERING AND APPLAUSE | 0:13:08 | 0:13:10 | |
All right, let's get back to business. | 0:13:13 | 0:13:16 | |
CLAY: OK, so when we get in here, hopefully, | 0:13:22 | 0:13:24 | |
the Astroturf will be close to going down | 0:13:24 | 0:13:26 | |
and we'll just need all hands to just be willing | 0:13:26 | 0:13:28 | |
and ready to do whatever is necessary. | 0:13:28 | 0:13:30 | |
'So it's the morning of our event and we're headed over to the venue. | 0:13:30 | 0:13:33 | |
'Our final task is to create a charity awareness ad, | 0:13:33 | 0:13:36 | |
'to plan and host a charity event, to produce' | 0:13:36 | 0:13:39 | |
a variety show and to raise as much money as possible | 0:13:39 | 0:13:42 | |
by selling tickets to our event. | 0:13:42 | 0:13:43 | |
I'm, like, so stressed I forgot to be excited. | 0:13:43 | 0:13:45 | |
-I always stress, though. -I do too. | 0:13:45 | 0:13:47 | |
I'm very serious about everything being perfect, so... | 0:13:47 | 0:13:49 | |
We had the time of our lives, and you know what? | 0:13:49 | 0:13:52 | |
You've never felt like this before. | 0:13:52 | 0:13:55 | |
'That mural situation really upset me. And I just needed' | 0:13:55 | 0:13:59 | |
to find out a way to put Clay at ease. | 0:13:59 | 0:14:03 | |
'So my cousin e-mails me pictures of her work' | 0:14:03 | 0:14:06 | |
and I have my fingers crossed that Clay's going to love it. | 0:14:06 | 0:14:10 | |
-So let me see pictures of... -OK. -..what she's done in the past. | 0:14:10 | 0:14:14 | |
See how she did a dimension of the canopy? | 0:14:18 | 0:14:21 | |
-It's amazing. -To look like the feeling has depth. | 0:14:21 | 0:14:23 | |
Listen, that's all I wanted to know. | 0:14:23 | 0:14:25 | |
All I wanted to know is that... I wanted to see that she wasn't | 0:14:25 | 0:14:28 | |
drawing with a pencil and coloured pencils. | 0:14:28 | 0:14:30 | |
I understand. | 0:14:30 | 0:14:31 | |
'We had to take this crazy journey to get to something brilliant.' | 0:14:31 | 0:14:35 | |
Trust goes a long way when you're trying to get something done | 0:14:35 | 0:14:38 | |
'in a time crunch. And thank God Clay' | 0:14:38 | 0:14:41 | |
likes what he sees. | 0:14:41 | 0:14:43 | |
She might be able to do the "Let's all play" in that lettering. | 0:14:43 | 0:14:46 | |
-What about that as an idea? -Yeah. | 0:14:46 | 0:14:47 | |
-Oh, Magic Johnson! -Yay! | 0:14:53 | 0:14:56 | |
That looks so great. | 0:14:56 | 0:14:58 | |
'This venue is really great. | 0:14:58 | 0:15:00 | |
'There's a performance area in the centre of it | 0:15:00 | 0:15:02 | |
'and there's a curtain blocking me from the performance area | 0:15:02 | 0:15:05 | |
'and there's a curtain blocking Clay from the performance area | 0:15:05 | 0:15:08 | |
'and our separate parties will be going on | 0:15:08 | 0:15:10 | |
'and at a certain point, our parties will merge' | 0:15:10 | 0:15:12 | |
and go to the performance area and the show will begin. | 0:15:12 | 0:15:15 | |
Now, the question with Teresa and Paul, | 0:15:16 | 0:15:20 | |
I just want to give these guys some business. | 0:15:20 | 0:15:23 | |
-Yeah, that's good. -And I'll play off them | 0:15:23 | 0:15:25 | |
and I'll talk to them and I'll have fun. | 0:15:25 | 0:15:27 | |
'We've got to put on a variety show | 0:15:27 | 0:15:29 | |
'and we've got to figure out how to incorporate' | 0:15:29 | 0:15:31 | |
Paul and Teresa. | 0:15:31 | 0:15:33 | |
I was thinking about coming up with a joke for you, Paul. | 0:15:33 | 0:15:36 | |
"You know, Adam, I didn't like you at first but, you know, | 0:15:36 | 0:15:39 | |
"now that we've been working together for a while, | 0:15:39 | 0:15:41 | |
"I'm starting to look at you as a son, | 0:15:41 | 0:15:44 | |
"which means you're going to get hit with a wrench in about ten minutes." | 0:15:44 | 0:15:47 | |
-That was funny, dude. -Everybody will get that. | 0:15:49 | 0:15:53 | |
'Adam's going to write lines for Paul and Teresa and I'm like, "OK,' | 0:15:53 | 0:15:56 | |
"write something for them," cos believe me, | 0:15:56 | 0:15:58 | |
none of them two could ad-lib. | 0:15:58 | 0:15:59 | |
I've been on the end of that and it doesn't work out. | 0:15:59 | 0:16:02 | |
Arsenio, you and I are great together. | 0:16:03 | 0:16:06 | |
I feel like we've got a great chemistry | 0:16:06 | 0:16:09 | |
and I want to do a couple of jokes with you, | 0:16:09 | 0:16:12 | |
I want to roast you a little bit. | 0:16:12 | 0:16:14 | |
-But I want you to... -Adam, how about what I want? | 0:16:14 | 0:16:16 | |
What do you want? | 0:16:16 | 0:16:18 | |
We've been through this a lot of times, man. | 0:16:18 | 0:16:20 | |
Can I have a little bit of what I want? | 0:16:20 | 0:16:22 | |
-Can you just meet me halfway? -This is a little bit. -No, absolutely not. | 0:16:22 | 0:16:25 | |
'Adam's a very strong personality and' | 0:16:25 | 0:16:27 | |
no matter what you lock in on, Adam will say, "I got an idea." | 0:16:27 | 0:16:31 | |
'And he wanted to change it to a roast but I don't want a roast,' | 0:16:31 | 0:16:36 | |
I don't want Clay to have this wonderful, feel-good event | 0:16:36 | 0:16:40 | |
and mine is one where you don't even want to be around. | 0:16:40 | 0:16:43 | |
'I want the room to have a tone that reflects me.' | 0:16:43 | 0:16:47 | |
-You just bring me out... -OK, and you'll handle this. | 0:16:47 | 0:16:49 | |
-..and I'll say, "Hold on, Arsenio, don't go anywhere..." -OK. | 0:16:49 | 0:16:52 | |
-"..you're the man of the hour." -OK. | 0:16:52 | 0:16:53 | |
But I'm not and it's just...it's changed a lot since you left, Adam. | 0:16:53 | 0:16:56 | |
It's this... | 0:16:56 | 0:16:58 | |
I'm trying to create this team thing but I don't want a roast. | 0:16:58 | 0:17:02 | |
'Arsenio chose me because he thought I would have ideas | 0:17:02 | 0:17:07 | |
'but he sort of shot it down. | 0:17:07 | 0:17:10 | |
'It was unclear what he wanted' | 0:17:10 | 0:17:12 | |
and I was honestly sort of confused. | 0:17:12 | 0:17:15 | |
-But we all can't lead, it gets -BLEEP -up. | 0:17:15 | 0:17:19 | |
Heads up, folks. | 0:17:29 | 0:17:30 | |
Hey, good to see you. | 0:17:32 | 0:17:34 | |
'We were going with a carnival theme' | 0:17:34 | 0:17:36 | |
because the National Inclusion Project | 0:17:36 | 0:17:38 | |
'is a children's charity | 0:17:38 | 0:17:39 | |
'and when we got to the event space, things were already in motion. | 0:17:39 | 0:17:42 | |
'The Astroturf arrives, our carnival booths have arrived, | 0:17:42 | 0:17:45 | |
'they're being set up and the muralist shows up...' | 0:17:45 | 0:17:48 | |
This is the basic sketch, drawn to scale. | 0:17:48 | 0:17:50 | |
'..and shows me the full sketch of what she wants to put on the wall. | 0:17:50 | 0:17:54 | |
'At that point, I realise this is a lot of work | 0:17:54 | 0:17:57 | |
'and we're going to really' | 0:17:57 | 0:17:59 | |
be cutting it close on time | 0:17:59 | 0:18:00 | |
if we want to make sure | 0:18:00 | 0:18:02 | |
'this whole thing gets done.' | 0:18:02 | 0:18:03 | |
Hello, sir. How are you? | 0:18:15 | 0:18:17 | |
I'm Clay, nice to see you. | 0:18:17 | 0:18:19 | |
-Thank you very much for... -Hi, how are you? | 0:18:19 | 0:18:22 | |
-You want me to tell you what you're going to be doing? -Hm-hm. -OK. | 0:18:23 | 0:18:26 | |
You want to let me... You want to let me do this since it's my show? | 0:18:28 | 0:18:30 | |
-Go for it. -I just... | 0:18:30 | 0:18:32 | |
I just need to have a grasp of this, as you know. | 0:18:32 | 0:18:35 | |
'Clay asked me to do this entire job' | 0:18:35 | 0:18:38 | |
and if you ask somebody to do it, you have to trust that they'll do it | 0:18:38 | 0:18:40 | |
'but he's trying to step on everyone's toes | 0:18:40 | 0:18:42 | |
'so he feels like he's the man in charge. | 0:18:42 | 0:18:45 | |
'While all the rest of us are working our asses off for him,' | 0:18:45 | 0:18:48 | |
in his words, "We all need to remember that it's Clay's show." | 0:18:48 | 0:18:51 | |
'But if I wasn't here,' | 0:18:51 | 0:18:53 | |
he wouldn't have a show. | 0:18:53 | 0:18:54 | |
When they walk in, this is the first wall they see, | 0:18:54 | 0:18:56 | |
-so as impressive as we can make it. -OK. | 0:18:56 | 0:18:59 | |
I don't want them to start that though until they know | 0:18:59 | 0:19:01 | |
that they're going to be finished with this. I'd rather that be white. | 0:19:01 | 0:19:04 | |
-We got it. -OK. | 0:19:04 | 0:19:05 | |
'I've got to have my hand in everything because it is my project. | 0:19:05 | 0:19:08 | |
'Plus, I'm playing for money' | 0:19:08 | 0:19:09 | |
for the National Inclusion Project. This is a charity that I set up | 0:19:09 | 0:19:12 | |
'nine years ago, so winning is extremely important to me | 0:19:12 | 0:19:15 | |
'because it's not just any charity, it is my charity.' | 0:19:15 | 0:19:18 | |
I'm trying to do the bar in Los Angeles, | 0:19:27 | 0:19:29 | |
you know, white with blue accents | 0:19:29 | 0:19:31 | |
and I wanted to make the foundation the star. | 0:19:31 | 0:19:34 | |
I'm going to be getting into some of this after the show. | 0:19:36 | 0:19:39 | |
Oh, God, you don't have to tell me. | 0:19:39 | 0:19:42 | |
I know where we're going after the show. | 0:19:42 | 0:19:44 | |
'It's time to set up the party | 0:19:44 | 0:19:45 | |
'and I'm really trying to keep it clean and simple. | 0:19:45 | 0:19:49 | |
'Every time in this game it's gotten complicated and fancy, | 0:19:49 | 0:19:54 | |
'it spirals out of control. | 0:19:54 | 0:19:56 | |
'So, I'm trying to play into what people really love.' | 0:19:56 | 0:19:59 | |
It's a party. We're going to have a good time, get drunk | 0:19:59 | 0:20:02 | |
and then we're going to make them laugh. | 0:20:02 | 0:20:03 | |
-See, I wouldn't have known to order this -BLEEP. | 0:20:03 | 0:20:06 | |
-Do you like them? -I thought it was a skirt hanging in the truck. | 0:20:06 | 0:20:09 | |
-I thought it was like some freaky skirt or some -BLEEP. | 0:20:09 | 0:20:12 | |
'For the event, Arsenio put me in charge of decorating the room | 0:20:12 | 0:20:15 | |
'because I throw parties all the time.' | 0:20:15 | 0:20:18 | |
And the food, you're basically going to be passing it around | 0:20:18 | 0:20:20 | |
-the oeufs durs. -Yes. -OK. | 0:20:20 | 0:20:21 | |
'When I throw parties,' | 0:20:21 | 0:20:22 | |
I like that people keep talking about them | 0:20:22 | 0:20:24 | |
for months and months and months. | 0:20:24 | 0:20:26 | |
'That means you've definitely accomplished something good.' | 0:20:26 | 0:20:29 | |
So then 5.30 we'll meet with the caterers. | 0:20:29 | 0:20:31 | |
We need to have that one moved. | 0:20:37 | 0:20:39 | |
We could do it this way. | 0:20:39 | 0:20:41 | |
-Keep painting faster, faster, faster. -Keep painting faster, yeah. | 0:20:43 | 0:20:45 | |
What can be done with painting? Can I help with painting in any way? | 0:20:45 | 0:20:49 | |
'This is a massive task. | 0:20:49 | 0:20:52 | |
'There's a lot of things that need to be happening at one time | 0:20:52 | 0:20:55 | |
'and not much time to do all of them in, | 0:20:55 | 0:20:57 | |
'so it's a little bit overwhelming.' | 0:20:57 | 0:21:00 | |
Can you get me a trash bag, a big trash bag? I'm going to put it on. | 0:21:00 | 0:21:03 | |
After all the stress that I've been through | 0:21:03 | 0:21:04 | |
to get this mural on the wall, | 0:21:04 | 0:21:06 | |
'it's the mural that's not finished at the end of the day.' | 0:21:06 | 0:21:10 | |
I can always put my jacket over my sleeves. | 0:21:10 | 0:21:13 | |
So I got everybody involved, I had | 0:21:13 | 0:21:14 | |
'Penn painting, Aubrey was painting, | 0:21:14 | 0:21:17 | |
'Teller shows up' | 0:21:17 | 0:21:18 | |
to help out with the magic show with Penn | 0:21:18 | 0:21:20 | |
'and I had him with a paintbrush too.' | 0:21:20 | 0:21:23 | |
Teller has a really good eye and a really steady hand. | 0:21:23 | 0:21:26 | |
'There's a whole bunch of money on the line and I worried' | 0:21:26 | 0:21:28 | |
we were going to have to open the doors and we were going | 0:21:28 | 0:21:31 | |
'to have wet paint everywhere. | 0:21:31 | 0:21:33 | |
'This mural was going to be finished before these doors opened' | 0:21:33 | 0:21:36 | |
and I didn't care what it took. | 0:21:36 | 0:21:38 | |
OK, I'm sweating in this bag. | 0:21:46 | 0:21:48 | |
CHEERING AND APPLAUSE | 0:21:51 | 0:21:53 | |
They were a fiery bunch right up until I fired them. | 0:21:57 | 0:22:01 | |
Please welcome Victoria Gotti... | 0:22:01 | 0:22:03 | |
CHEERING | 0:22:03 | 0:22:06 | |
..George Takei... | 0:22:06 | 0:22:07 | |
..Tia Carrere... | 0:22:09 | 0:22:10 | |
..Patricia Velasquez... | 0:22:12 | 0:22:14 | |
..Lou Ferrigno... | 0:22:16 | 0:22:17 | |
..Dayana Mendoza. | 0:22:18 | 0:22:20 | |
Lou, you're a very competitive guy, aren't you? | 0:22:36 | 0:22:38 | |
One thing about myself I've learnt as I go along, | 0:22:38 | 0:22:41 | |
I give 110% to the team effort. | 0:22:41 | 0:22:42 | |
110%... | 0:22:42 | 0:22:43 | |
110%... | 0:22:43 | 0:22:44 | |
He gave 120%. Screw 110. He really did. | 0:22:44 | 0:22:47 | |
'One of Lou's strengths' | 0:22:47 | 0:22:48 | |
-is intensity. -You know, I can't help it. | 0:22:48 | 0:22:50 | |
I just do the best... I give 110%. | 0:22:50 | 0:22:52 | |
110% and... He says that a lot. | 0:22:52 | 0:22:54 | |
You have to give 110%. | 0:22:54 | 0:22:56 | |
110%. | 0:22:56 | 0:22:57 | |
110%... | 0:22:57 | 0:22:58 | |
110%. | 0:22:58 | 0:22:59 | |
When you start to have 87%, 50%, even 80%, it's not good enough. | 0:22:59 | 0:23:03 | |
In my opinion, it's got to be 110%. | 0:23:03 | 0:23:06 | |
-Should you be fired? -No, no way. | 0:23:06 | 0:23:08 | |
-Why? -Because I gave 110%. | 0:23:08 | 0:23:10 | |
Did everyone not give 110%? | 0:23:10 | 0:23:12 | |
Who didn't give 110%? | 0:23:12 | 0:23:13 | |
-If that's even mathematically possible. -Well, | 0:23:13 | 0:23:15 | |
-it's a tough decision... -But 110% of what? -..cos you... | 0:23:15 | 0:23:18 | |
-It's not even mathematically possible. -Yeah. | 0:23:18 | 0:23:20 | |
Everyone keeps saying 110%, it drives me crazy | 0:23:20 | 0:23:22 | |
as a mathematical kind of guy. | 0:23:22 | 0:23:23 | |
So, Lou... | 0:23:33 | 0:23:34 | |
all kidding aside, | 0:23:34 | 0:23:36 | |
you just had some really remarkable surgery for the hearing. | 0:23:36 | 0:23:40 | |
-How did it turn out? -Yeah, I had surgery six weeks ago. | 0:23:40 | 0:23:43 | |
It was an Esteem implant from Envoy Medical. | 0:23:43 | 0:23:45 | |
For the first time in my life, I can hear without a hearing aid. | 0:23:45 | 0:23:48 | |
CHEERING AND APPLAUSE | 0:23:48 | 0:23:50 | |
Now, everybody makes fun of me 110%... | 0:23:54 | 0:23:57 | |
-LAUGHTER -I have here, 110%, | 0:23:57 | 0:23:59 | |
I've raised 41,000 for my charity. | 0:23:59 | 0:24:02 | |
-Good, Lou, thank you. -Muscular dystrophy. | 0:24:02 | 0:24:04 | |
Good, Lou, thank you. Thank you, Lou. Beautiful. | 0:24:04 | 0:24:07 | |
LOUD CHEERING Beautiful. | 0:24:07 | 0:24:09 | |
Beautiful. | 0:24:10 | 0:24:12 | |
You know... | 0:24:14 | 0:24:16 | |
I got a little nervous. | 0:24:16 | 0:24:17 | |
I thought he was coming over to fight me. | 0:24:18 | 0:24:21 | |
I didn't know what was happening there. | 0:24:21 | 0:24:23 | |
That's great, Lou, thank you. | 0:24:23 | 0:24:24 | |
So, Dayana, you had a problem with Lisa. | 0:24:24 | 0:24:27 | |
How do you feel about Lisa now? | 0:24:27 | 0:24:28 | |
Erm... In my opinion, I think she showed | 0:24:29 | 0:24:32 | |
no respect for herself, so I, unfortunately, | 0:24:32 | 0:24:36 | |
have nothing positive to say about her after the show. | 0:24:36 | 0:24:40 | |
APPLAUSE | 0:24:40 | 0:24:42 | |
But as Miss Universe, you had a great time on the show, right? | 0:24:44 | 0:24:48 | |
Thank you for the opportunity, yes. Thank you so much. | 0:24:48 | 0:24:50 | |
Well, it's great to have you, thank you. | 0:24:50 | 0:24:52 | |
Victoria, you come from a tough, smart family. | 0:24:52 | 0:24:55 | |
Did that help, all of that - whatever it is - | 0:24:55 | 0:24:57 | |
that background you have? | 0:24:57 | 0:24:59 | |
Did that help in terms of doing so well on Celebrity Apprentice? | 0:24:59 | 0:25:02 | |
-With this crowd? No. -Ah. | 0:25:02 | 0:25:04 | |
LAUGHTER | 0:25:04 | 0:25:05 | |
Seriously, Donald... | 0:25:05 | 0:25:07 | |
Er, sorry, Mr Trump. | 0:25:07 | 0:25:08 | |
Really it's the whole, do you want to be feared because... | 0:25:09 | 0:25:13 | |
Do you want to be respected because you're feared? | 0:25:13 | 0:25:15 | |
Feared because you're respected? | 0:25:15 | 0:25:17 | |
To be perfectly honest, the guys were great | 0:25:17 | 0:25:19 | |
and I would give anything to have played on their team, really. | 0:25:19 | 0:25:22 | |
I would say with the exception of two or three women | 0:25:22 | 0:25:24 | |
that were true women... | 0:25:24 | 0:25:26 | |
..one...and I'll be blunt, | 0:25:27 | 0:25:29 | |
I'm not the type of person where you say something behind my back. | 0:25:29 | 0:25:32 | |
You say it to my face and I will say the same, that's just who I am. | 0:25:32 | 0:25:35 | |
It doesn't mean we don't have to like each other, | 0:25:35 | 0:25:37 | |
it doesn't mean we don't... | 0:25:37 | 0:25:38 | |
One is a cartoon character and behaved as such | 0:25:38 | 0:25:41 | |
and the other just crude, rude and classless. | 0:25:41 | 0:25:43 | |
Who are they? | 0:25:43 | 0:25:45 | |
Aubrey and Lisa. | 0:25:45 | 0:25:47 | |
APPLAUSE OK. | 0:25:47 | 0:25:49 | |
Patricia, your heart was broken, you said, | 0:25:53 | 0:25:56 | |
when you lost money for your charity. | 0:25:56 | 0:25:57 | |
You thought you were going to raise a lot and you did fine. | 0:25:57 | 0:26:00 | |
How do you feel about that now? | 0:26:00 | 0:26:02 | |
Mr Trump, I am having a really, | 0:26:02 | 0:26:03 | |
really hard time | 0:26:03 | 0:26:05 | |
because the Wayuu Taya Foundation | 0:26:05 | 0:26:07 | |
I started to save the lives of an area where one kid was dying a day, | 0:26:07 | 0:26:11 | |
I've saved hundreds of lives | 0:26:11 | 0:26:13 | |
and because of the money going to the other team, | 0:26:13 | 0:26:16 | |
this is money that I personally raised myself, | 0:26:16 | 0:26:18 | |
90% of the money went to the other team. | 0:26:18 | 0:26:21 | |
I was going to finish a school where the kids could have two meals a day. | 0:26:21 | 0:26:25 | |
Not only I haven't been able to finish the school, | 0:26:25 | 0:26:27 | |
but at the same time, I haven't been able to raise the money that I lost, | 0:26:27 | 0:26:30 | |
-so it's been a challenge. -Well, you're doing well. I know | 0:26:30 | 0:26:32 | |
you're doing well. I know how much you have raised and it's an amazing | 0:26:32 | 0:26:35 | |
-job you've done. And you've done great on Celebrity Apprentice. -Yes. | 0:26:35 | 0:26:39 | |
Tia... | 0:26:39 | 0:26:40 | |
..you were complaining about the clicks, the groups, | 0:26:44 | 0:26:46 | |
that were sort of after you. How do you feel about it now? | 0:26:46 | 0:26:49 | |
I didn't think it was a complaint, more than an observation. | 0:26:49 | 0:26:52 | |
Unfortunately, I think it was very divisive and obviously | 0:26:52 | 0:26:55 | |
we only have two men in the finale, so that speaks volumes. | 0:26:55 | 0:26:59 | |
Unfortunately, people's insecurities and biases | 0:26:59 | 0:27:03 | |
-and vying for their attention on camera... -Like who in particular? | 0:27:03 | 0:27:06 | |
Oh, I think it's pretty apparent. | 0:27:06 | 0:27:08 | |
-Go ahead. -I think it speaks for itself. Who do you think, crowd? | 0:27:08 | 0:27:11 | |
Who do you think was a problem on the women's team? | 0:27:11 | 0:27:13 | |
-AUDIENCE MEMBERS: -Aubrey. | 0:27:13 | 0:27:16 | |
Yeah, I'm hearing a lot of... | 0:27:16 | 0:27:18 | |
Anyway, I will leave it unsaid. Everyone understands. | 0:27:18 | 0:27:21 | |
-But it's been a great experience for you? -Oh, yeah, absolutely. | 0:27:21 | 0:27:24 | |
-It was educational, if nothing else. -Well, we loved having you. | 0:27:24 | 0:27:26 | |
-Thank you. -So, George, Star Trek. Great guy, great guy. | 0:27:26 | 0:27:30 | |
We love George. CHEERING AND APPLAUSE | 0:27:30 | 0:27:33 | |
The fact that you're such a gentleman... | 0:27:37 | 0:27:39 | |
..did that help you, do you think, or hurt you on Celebrity Apprentice? | 0:27:40 | 0:27:44 | |
You really are a great gentleman. | 0:27:44 | 0:27:45 | |
Well, what really helped, | 0:27:45 | 0:27:47 | |
I think, was the very graceful | 0:27:47 | 0:27:51 | |
and generous way in which you handled my leave-taking | 0:27:51 | 0:27:55 | |
because that resulted in dozens of people | 0:27:55 | 0:27:59 | |
who sent in contributions to my charity | 0:27:59 | 0:28:04 | |
for which I could not raise a cent. | 0:28:04 | 0:28:06 | |
They sent in generous contributions, | 0:28:06 | 0:28:09 | |
which totalled something like 10,000 | 0:28:09 | 0:28:12 | |
to the Japanese-American National Museum. | 0:28:12 | 0:28:14 | |
APPLAUSE Good. | 0:28:14 | 0:28:15 | |
Good, George. Great job. | 0:28:15 | 0:28:18 | |
OK, thank you, George, really great job. | 0:28:18 | 0:28:21 | |
And I augmented that personally with 50,000. | 0:28:21 | 0:28:24 | |
Very... Wow. Very good, very good. | 0:28:24 | 0:28:26 | |
APPLAUSE | 0:28:26 | 0:28:27 | |
OK, I want to get back to the final task to see what Clay and Arsenio | 0:28:27 | 0:28:33 | |
are doing for their charities. | 0:28:33 | 0:28:34 | |
They have great charities, let's see what they're doing. | 0:28:34 | 0:28:36 | |
Hello! Hello! Hello! | 0:28:49 | 0:28:51 | |
Hey guys, how are you? | 0:28:51 | 0:28:53 | |
'On top of' | 0:28:53 | 0:28:54 | |
the event, the ad, the variety show, | 0:28:54 | 0:28:57 | |
we also have to raise money. | 0:28:57 | 0:28:58 | |
'Will Call is open and it is time for ticket sales to start. | 0:28:58 | 0:29:02 | |
'When we walked outside, there were two lines - | 0:29:04 | 0:29:06 | |
'one that was set aside' | 0:29:06 | 0:29:07 | |
for people coming to my party and one | 0:29:07 | 0:29:09 | |
'for people coming to Arsenio's party.' | 0:29:09 | 0:29:11 | |
Raise your hand if you're here for Arsenio. | 0:29:11 | 0:29:13 | |
-Raise your hand if you're here for Clay. -That was a kick in the ass. | 0:29:15 | 0:29:18 | |
-Here we go! -That's the Clay line. | 0:29:18 | 0:29:20 | |
ARSENIO: 'There are Clay-mates everywhere.' | 0:29:21 | 0:29:24 | |
'You know, chicks with Clay shirts on and, you know,' | 0:29:24 | 0:29:26 | |
Clay tattoos on their arms | 0:29:26 | 0:29:28 | |
'and I look over and see like six people in line for me.' | 0:29:28 | 0:29:32 | |
I'm a little nervous. | 0:29:32 | 0:29:33 | |
OK, everybody, we need our 10,000 givers right here. | 0:29:35 | 0:29:39 | |
Right here, everybody. | 0:29:39 | 0:29:41 | |
Who? I know there's a couple of you. | 0:29:41 | 0:29:43 | |
'I yelled, "Who's here for Arsenio?' | 0:29:43 | 0:29:46 | |
"We're here to collect money." | 0:29:46 | 0:29:47 | |
I go, "10,000." | 0:29:47 | 0:29:49 | |
'And it's like crickets. | 0:29:50 | 0:29:52 | |
'And I'm like, "OK, this is freaking horrible," | 0:29:52 | 0:29:54 | |
'because guess what?' | 0:29:54 | 0:29:56 | |
We only have till 6.45, bitches. We need your dough. | 0:29:56 | 0:29:58 | |
How about this guy? What about this guy? | 0:29:58 | 0:30:00 | |
-He's waiting for his wife. -OK, you waiting? -Yeah. | 0:30:00 | 0:30:02 | |
'There are people lined up' | 0:30:02 | 0:30:03 | |
but I don't see no familiar faces. | 0:30:03 | 0:30:05 | |
'It turns out that all my people are on CP time. | 0:30:05 | 0:30:08 | |
'All my people are on' | 0:30:08 | 0:30:09 | |
coloured people time, they're going to be a little late. | 0:30:09 | 0:30:11 | |
Even my white friends are on CP time, you know. | 0:30:11 | 0:30:14 | |
'The more important you are, the more you think, | 0:30:14 | 0:30:16 | |
"It starts at seven? See you at 9.30!" | 0:30:16 | 0:30:19 | |
CLAY: Listen up, here we go. | 0:30:21 | 0:30:22 | |
Anybody who has big money we're going to let in first. | 0:30:22 | 0:30:25 | |
So the bigger the cheque, the better. | 0:30:25 | 0:30:26 | |
Anybody got money for Clay here? | 0:30:26 | 0:30:28 | |
There's only 75 people who are going to get in. | 0:30:28 | 0:30:31 | |
'We only have 75 tickets.' | 0:30:31 | 0:30:33 | |
So I've made a list of all the large cheques | 0:30:33 | 0:30:35 | |
and credit card donations that we're planning on receiving. | 0:30:35 | 0:30:38 | |
'And I know that I need to save a ticket | 0:30:38 | 0:30:39 | |
'for each one of those donations.' | 0:30:39 | 0:30:41 | |
What have we got? | 0:30:42 | 0:30:43 | |
Anybody think they've got a really big cheque they can toss this way? | 0:30:43 | 0:30:47 | |
Anybody higher than 13 for the first one in? | 0:30:47 | 0:30:49 | |
-A 20,000 right here. -20,000! -OTHERS CHEER | 0:30:49 | 0:30:52 | |
-Anybody higher than 20,000? -20,000? | 0:30:52 | 0:30:54 | |
Take my hand, please. And come with me. | 0:30:54 | 0:30:56 | |
'There was a fan of mine in line' | 0:30:56 | 0:30:58 | |
who had bundled 20,000 worth of | 0:30:58 | 0:31:00 | |
donations from other fans together into one cheque | 0:31:00 | 0:31:03 | |
'to buy one ticket. | 0:31:03 | 0:31:04 | |
'So, Penn and I let her be the first person in the door | 0:31:04 | 0:31:06 | |
'for the whole night.' | 0:31:06 | 0:31:07 | |
-Debbie Gibson, Dee Snider. -Hey, how are you? | 0:31:07 | 0:31:09 | |
They'll help you guys get set up | 0:31:09 | 0:31:11 | |
-and then you'll get your ticket. -How are you? | 0:31:11 | 0:31:12 | |
'Claymates are amazing.' | 0:31:12 | 0:31:14 | |
They lined up and laid down big cheques, I thank them for that. | 0:31:14 | 0:31:16 | |
-20,000! -THEY WHOOP | 0:31:16 | 0:31:19 | |
'For the first person' | 0:31:19 | 0:31:20 | |
through the door, 20,000. | 0:31:20 | 0:31:22 | |
Bam! We're off to the races. | 0:31:22 | 0:31:24 | |
-Kelly Clarkson is giving us 10,000. -Wow! | 0:31:24 | 0:31:27 | |
Very nice of you to bring that in for Kelly. | 0:31:27 | 0:31:30 | |
-10,000. -Excellent. | 0:31:30 | 0:31:31 | |
This lady bringing it in for David Foster. | 0:31:31 | 0:31:33 | |
-Thank you so much. -Give her a ticket. | 0:31:33 | 0:31:35 | |
Hello! Hey, I'm Clay. | 0:31:35 | 0:31:37 | |
-Oh, yes! Absolutely! -How you doing? | 0:31:38 | 0:31:41 | |
'I was really excited when famed pitcher Orel Hershiser arrived. | 0:31:41 | 0:31:45 | |
'He's an American icon,' | 0:31:45 | 0:31:47 | |
he's a perfect person to have at our carnival-themed event. | 0:31:47 | 0:31:49 | |
-Well, I think Orel has something for us. -We have a 20,000 cheque. -What? | 0:31:49 | 0:31:53 | |
That's incredible. | 0:31:53 | 0:31:55 | |
'And he came bearing a 20,000 cheque. | 0:31:55 | 0:31:57 | |
So, the evening was off to a flying start. | 0:31:57 | 0:32:00 | |
Thank you so much for being here, you guys. | 0:32:00 | 0:32:02 | |
-Hello, sir. What do you have? -I have a cheque for 5,000 from Jay Leno. | 0:32:05 | 0:32:09 | |
5,000 from Jay Leno, everybody. | 0:32:09 | 0:32:12 | |
Let's hear you! | 0:32:12 | 0:32:14 | |
Hurry, Lisa! Hurry back! | 0:32:14 | 0:32:16 | |
-I've got... My bunions is acting up. -Yeah, you got a... It happens! | 0:32:16 | 0:32:20 | |
-Wait, a friend of ours, a stand-up comic. -Who? | 0:32:20 | 0:32:23 | |
-Chris Rock said, "Take this five grand." -Get out of here! -Yes! | 0:32:23 | 0:32:27 | |
'Before you knew it, it started to pick up' | 0:32:27 | 0:32:29 | |
and I'm happy. | 0:32:29 | 0:32:30 | |
-Oh, no, I see. It's Eddie Murphy. -Yeah. | 0:32:30 | 0:32:33 | |
This... Damn! | 0:32:33 | 0:32:36 | |
Come with me. | 0:32:36 | 0:32:37 | |
'I was feeling good because' | 0:32:37 | 0:32:39 | |
I see this huge cheque from Eddie Murphy for 10,000. | 0:32:39 | 0:32:42 | |
-Mr George Lopez sent us five grand. -Oh, my God, George! | 0:32:42 | 0:32:45 | |
-Oh, my God, how many pesos is that? -Oh, boy! | 0:32:45 | 0:32:48 | |
'I mean, all my boys were stepping up.' | 0:32:48 | 0:32:50 | |
Jay Leno, another Jay... This is the second Jay Leno cheque. | 0:32:50 | 0:32:53 | |
The second Jay Leno? Oh, my God! | 0:32:53 | 0:32:54 | |
Jay Leno just writes a bunch of cheques and gives them | 0:32:54 | 0:32:56 | |
-to white people he don't even know. -God bless him. -He's insane! | 0:32:56 | 0:32:59 | |
'You know, I'm happy. | 0:32:59 | 0:33:00 | |
'Cos the fund raising thing looks like' | 0:33:00 | 0:33:03 | |
it's going to be all right. | 0:33:03 | 0:33:05 | |
-This is from the one and only Jimmy Kimmel. -For how much? | 0:33:05 | 0:33:10 | |
-10,000. -Oh, yeah! Jimmy Kimmel up in this bitch. -All right! | 0:33:10 | 0:33:15 | |
Thank you so much, honey. | 0:33:15 | 0:33:17 | |
Lisa? | 0:33:17 | 0:33:19 | |
This is a Marco Andretti. | 0:33:19 | 0:33:21 | |
The Andretti family! Thank you. | 0:33:21 | 0:33:23 | |
Ah! | 0:33:24 | 0:33:27 | |
-Oh, my God! -Oh! | 0:33:27 | 0:33:29 | |
-Make it rain! -Player! Do it like a player! | 0:33:29 | 0:33:32 | |
-That's strip club! -Ah! Ah! Ah! Yes! | 0:33:32 | 0:33:37 | |
'Michael and Marco Andretti really came through' | 0:33:37 | 0:33:40 | |
for the Magic Johnson Foundation. That was really sweet. | 0:33:40 | 0:33:43 | |
'Classy, classy family.' | 0:33:43 | 0:33:45 | |
Ah! Ah! Ah! Ah! Yes! | 0:33:45 | 0:33:49 | |
-Oh, my God, it's my alter ego! -How's it going, Lisa? | 0:33:52 | 0:33:56 | |
'I had this really good idea | 0:33:56 | 0:33:57 | |
'because I honestly wanted to make a donation to Clay's charity.' | 0:33:57 | 0:34:01 | |
So I said what would be cute to do would be if I hired a drag queen, | 0:34:01 | 0:34:04 | |
had them wear one of my dresses | 0:34:04 | 0:34:06 | |
'and we went over | 0:34:06 | 0:34:08 | |
'and donated this money together.' | 0:34:08 | 0:34:09 | |
I want to give you 10,000 for being so nice. | 0:34:09 | 0:34:12 | |
10,000 from the Lisa Lampanelli! | 0:34:12 | 0:34:14 | |
THEY CHEER | 0:34:14 | 0:34:16 | |
-Thank you very much. -No problem! | 0:34:16 | 0:34:19 | |
'Somehow, Lisa had snuck away from Arsenio's party,' | 0:34:19 | 0:34:21 | |
which she's supposed to be working, to walk all the way down | 0:34:21 | 0:34:24 | |
to where we were and donate 10,000 to the cause. | 0:34:24 | 0:34:27 | |
-Lisa's on the other team. -I'm on the other team. | 0:34:27 | 0:34:29 | |
And she's still giving 10,000 to us. | 0:34:29 | 0:34:32 | |
Because Clay Aiken made my life happy here. | 0:34:32 | 0:34:35 | |
'It's pretty brave on her part to do that,' | 0:34:35 | 0:34:38 | |
but I'm really touched by her heart and her willingness to help out. | 0:34:38 | 0:34:41 | |
Lisa Lampanelli! | 0:34:41 | 0:34:43 | |
We're going to open up the doors, folks. Here we go! | 0:34:47 | 0:34:49 | |
Let's all play! | 0:34:49 | 0:34:51 | |
THEY CHEER | 0:34:51 | 0:34:52 | |
'Now that we've finished selling tickets, the party has opened.' | 0:34:52 | 0:34:55 | |
And at this point, the main priority is to get people in there | 0:34:55 | 0:34:59 | |
doing the activities and enjoying themselves. | 0:34:59 | 0:35:01 | |
Hi! Welcome to the carnival. Let's all play. | 0:35:02 | 0:35:06 | |
Now, you guys have to get up and go play some of these games, OK? | 0:35:06 | 0:35:08 | |
'We had chosen a carnival atmosphere specifically to' | 0:35:08 | 0:35:11 | |
highlight the fact that the National Inclusion Project | 0:35:11 | 0:35:14 | |
'is a children's charity and it's about having fun | 0:35:14 | 0:35:17 | |
'and let's all play together.' | 0:35:17 | 0:35:19 | |
-You guys playing every game possible? -Yes. | 0:35:19 | 0:35:21 | |
'After a lot of work,' | 0:35:23 | 0:35:25 | |
it looks incredible inside the party. | 0:35:25 | 0:35:27 | |
'It was a beautiful carnival. The mural came out really, really well.' | 0:35:27 | 0:35:32 | |
The tent booths looked incredible, | 0:35:32 | 0:35:33 | |
'the games were fun, the signage was perfect.' | 0:35:33 | 0:35:36 | |
And people seem to be having fun. | 0:35:36 | 0:35:37 | |
-Woo! -I got it! | 0:35:37 | 0:35:40 | |
ARSENIO: Come on! Come on! | 0:35:40 | 0:35:42 | |
Get some liquor, so that it's much quicker! | 0:35:42 | 0:35:45 | |
'So it's time for the party to begin. | 0:35:45 | 0:35:46 | |
'I open the curtains and say,' | 0:35:46 | 0:35:48 | |
"Let's get busy." | 0:35:48 | 0:35:50 | |
And everybody comes in and | 0:35:50 | 0:35:52 | |
'hits the bar, we start taking pictures. | 0:35:52 | 0:35:54 | |
'I have magicians in there to entertain people | 0:35:54 | 0:35:57 | |
'while they're just hanging out, walking around.' | 0:35:57 | 0:35:59 | |
The party's on and popping! | 0:35:59 | 0:36:01 | |
Hi, guys! How are you? | 0:36:02 | 0:36:04 | |
Oh, thank you! | 0:36:07 | 0:36:08 | |
'Everything's going really well, we have a lot of people here. | 0:36:08 | 0:36:11 | |
'Everyone seems to be having' | 0:36:11 | 0:36:12 | |
a great time and I'm super excited. | 0:36:12 | 0:36:14 | |
I can't wait to get the show started. | 0:36:14 | 0:36:15 | |
We should have a cow bell or something. | 0:36:15 | 0:36:17 | |
-OK, it's six minutes to seven. -OK. | 0:36:17 | 0:36:19 | |
'I keep my phone on silent, and I feel this.' | 0:36:19 | 0:36:22 | |
Take my phone out. | 0:36:22 | 0:36:24 | |
And it's Whoopi Goldberg saying, | 0:36:24 | 0:36:26 | |
' "I'm on my way." | 0:36:26 | 0:36:28 | |
'I'm real, real excited cos' | 0:36:28 | 0:36:30 | |
I got a date. | 0:36:30 | 0:36:31 | |
THEY CHEER | 0:36:35 | 0:36:38 | |
Whoa! Whoa! | 0:36:43 | 0:36:45 | |
-Oh! Hello, sir. How are you? -How are you, man? | 0:36:45 | 0:36:48 | |
-Good to see you. -Oh, look! | 0:36:48 | 0:36:49 | |
-Debbie is spinning, doing a hula-hoop! -Oi! | 0:36:49 | 0:36:52 | |
-She's looking good. -Good to see you. | 0:36:52 | 0:36:54 | |
Hello, sir. How are you? | 0:36:54 | 0:36:56 | |
'For this final task, we'll be judged by Mr Trump himself. | 0:36:56 | 0:36:59 | |
'And as soon as Mr Trump walks in,' | 0:36:59 | 0:37:00 | |
here's Debbie Gibson right in front of him hula-hooping | 0:37:00 | 0:37:04 | |
and balancing spinning plates on sticks. | 0:37:04 | 0:37:07 | |
So, it was quite the introduction to our carnival atmosphere. | 0:37:07 | 0:37:11 | |
-Look at you, look at that. Very good job! -Do you want to do it? Hold it. | 0:37:11 | 0:37:14 | |
-Here we go. Come on, Mr Trump. -Very good job. -Yay! | 0:37:14 | 0:37:17 | |
'It was a really important for me to be there when Mr Trump | 0:37:17 | 0:37:20 | |
'was being led around to all the different booths because | 0:37:20 | 0:37:22 | |
'Clay put me in charge of designing the entire party,' | 0:37:22 | 0:37:25 | |
and I'm not letting it go down bad. | 0:37:25 | 0:37:27 | |
Kids actually play this when they do camps with Clay's charity - | 0:37:28 | 0:37:31 | |
the kids with disabilities and the kids without come together. | 0:37:31 | 0:37:34 | |
And it actually helps them learn rhythm | 0:37:34 | 0:37:36 | |
and creative space exploration. | 0:37:36 | 0:37:37 | |
'Aubrey jumps in and starts walking forward with Mr Trump | 0:37:37 | 0:37:40 | |
'as if I'm not there. | 0:37:40 | 0:37:42 | |
'Aubrey likes to' | 0:37:42 | 0:37:43 | |
take things over. | 0:37:43 | 0:37:44 | |
She's very passionate about the stuff that she does | 0:37:44 | 0:37:47 | |
'but I'm going to do my very best to show Mr Trump that I'm in charge.' | 0:37:47 | 0:37:50 | |
-Are you going to try this one? -Yeah. | 0:37:50 | 0:37:52 | |
Oh, come on! | 0:37:56 | 0:37:57 | |
-Just for that, I get to win. -OK. | 0:37:57 | 0:37:59 | |
Hello, everybody. | 0:38:04 | 0:38:05 | |
Hello, everybody. How are you? How are you? | 0:38:06 | 0:38:09 | |
'Donald Trump, his posse' | 0:38:09 | 0:38:11 | |
and his entire family arrived. | 0:38:11 | 0:38:13 | |
Come here. Come on! Great guy. | 0:38:13 | 0:38:16 | |
-Great job. -I'll go get Whoopi. -OK. Yeah, go get Whoopi. | 0:38:16 | 0:38:21 | |
'The thing that makes this task hard is while I'm doing this,' | 0:38:21 | 0:38:24 | |
there's five other things I should be doing. | 0:38:24 | 0:38:27 | |
And the show is about to start. | 0:38:27 | 0:38:29 | |
Well, hey! My date is here. | 0:38:29 | 0:38:32 | |
I love Whoopi. I love Whoopi! | 0:38:35 | 0:38:38 | |
'I'm looking around and I see the Trump family smile. | 0:38:38 | 0:38:41 | |
'And I see my friends smile. I see Whoopi Goldberg smile.' | 0:38:41 | 0:38:45 | |
And I'm happy, because all that hell is worthwhile. | 0:38:45 | 0:38:48 | |
Just as soon as this happens, I'll come right back. | 0:38:51 | 0:38:54 | |
'It's time to pull the big cord that will make the curtains drop. | 0:38:54 | 0:38:58 | |
'And at that point,' | 0:38:58 | 0:38:59 | |
Team Clay and Team Arsenio | 0:38:59 | 0:39:02 | |
will mix together and occupy the room as one. | 0:39:02 | 0:39:05 | |
One... | 0:39:05 | 0:39:06 | |
Two, three! | 0:39:06 | 0:39:08 | |
THEY CHEER | 0:39:09 | 0:39:12 | |
-CLAY: -'It's showtime and Arsenio's party,' | 0:39:12 | 0:39:14 | |
across the way we can see and he can see us. | 0:39:14 | 0:39:17 | |
'Everybody cheers and the walls are down.' | 0:39:17 | 0:39:20 | |
It's like the Berlin Wall had fallen between our parties. | 0:39:20 | 0:39:23 | |
-Shall we just do this together? -Yes. | 0:39:23 | 0:39:25 | |
'I haven't done stand-up in about ten years and so, | 0:39:25 | 0:39:27 | |
'I'm a nervous wreck. | 0:39:27 | 0:39:29 | |
'I've never wanted anything so bad in my life.' | 0:39:29 | 0:39:32 | |
I really want to be the Celebrity Apprentice. | 0:39:32 | 0:39:35 | |
APPLAUSE | 0:39:39 | 0:39:42 | |
They were really big talkers, but sadly, | 0:39:46 | 0:39:49 | |
I fired every last one of them. | 0:39:49 | 0:39:52 | |
Please welcome Adam Carolla... | 0:39:52 | 0:39:54 | |
..Debbie Gibson... | 0:39:57 | 0:39:58 | |
..Dee Snider... | 0:40:01 | 0:40:02 | |
..Paul Teutel Snr... | 0:40:04 | 0:40:06 | |
..Penn Jillette... | 0:40:08 | 0:40:10 | |
..Teresa Giudice... | 0:40:11 | 0:40:13 | |
..Lisa Lampanelli... | 0:40:15 | 0:40:17 | |
..and Aubrey O'Day. | 0:40:19 | 0:40:21 | |
Great job, great job, everybody. Really good. Great! Great job. | 0:40:35 | 0:40:40 | |
So, Aubrey, how did you make them so angry at you? All of them. | 0:40:40 | 0:40:44 | |
I mean, you just drove him crazy. | 0:40:44 | 0:40:45 | |
They sound like they love me right now. | 0:40:45 | 0:40:47 | |
SOME CHEER | 0:40:47 | 0:40:48 | |
Um, you know, here's the thing. | 0:40:48 | 0:40:50 | |
I'm a fierce competitor. | 0:40:50 | 0:40:51 | |
I suffer from a young, passionate, competitive heart. | 0:40:51 | 0:40:54 | |
I've been doubted and under-recognised a lot in my career | 0:40:54 | 0:40:58 | |
and so I have a certain amount of anxiety when it comes to | 0:40:58 | 0:41:02 | |
proving myself and standing out and really showing what I'm capable of. | 0:41:02 | 0:41:06 | |
And what I want to say is you can't combat bad with bad. | 0:41:06 | 0:41:12 | |
You have to turn it into a good, and I didn't always do that. | 0:41:12 | 0:41:15 | |
And I apologise for any time that anyone took it personally | 0:41:15 | 0:41:18 | |
cos I absolutely do not want to offend anyone. | 0:41:18 | 0:41:20 | |
I'm competitive and I want to win, but I don't want to hurt anyone. | 0:41:20 | 0:41:23 | |
I want people to feel better about themselves after leaving me, | 0:41:23 | 0:41:26 | |
and that's one thing that I will take from this show. | 0:41:26 | 0:41:28 | |
It's a teachable moment and I'm so happy that you gave me | 0:41:28 | 0:41:31 | |
the opportunity for that. | 0:41:31 | 0:41:32 | |
-Thank you very much, Aubrey. Thank you. -Woo! | 0:41:32 | 0:41:35 | |
Lisa? My Lisa. | 0:41:36 | 0:41:38 | |
SHE LAUGHS Oh, has your stock gone up, right? | 0:41:38 | 0:41:41 | |
-We want 25%, Lisa. -You got it. | 0:41:41 | 0:41:43 | |
So, I have something to ask you, but I want you to look at this first. | 0:41:43 | 0:41:47 | |
OK. | 0:41:47 | 0:41:48 | |
We're not going to be the typical woman's team who just is all catty | 0:41:49 | 0:41:52 | |
and mean and bitchy to each other. | 0:41:52 | 0:41:54 | |
-Right. -OK, cool. Perfect. | 0:41:54 | 0:41:56 | |
-God, you -BLEEP -guys, seriously? | 0:41:58 | 0:41:59 | |
Come on! How old are we? | 0:41:59 | 0:42:02 | |
-This is -BLEEP. | 0:42:02 | 0:42:03 | |
I'm not arguing with you because you have lies made up in your head. | 0:42:03 | 0:42:06 | |
Oh, God. Please, Lisa, please. | 0:42:06 | 0:42:07 | |
-So, enjoy the delusion of your life. -Yeah. | 0:42:07 | 0:42:09 | |
-I do the job and you don't. -I said how I felt. | 0:42:09 | 0:42:11 | |
So get ready for an elevator ride, Lou. | 0:42:11 | 0:42:14 | |
-If you want loud, honey, you -BLEEP -got it! | 0:42:14 | 0:42:17 | |
You are out of line, as usual, again. | 0:42:17 | 0:42:20 | |
With all due respect, she is the female Lou Ferrigno, | 0:42:20 | 0:42:23 | |
-and I object to that. -Whoa! | 0:42:23 | 0:42:25 | |
-That was -BLEEP -up, Lou. | 0:42:25 | 0:42:27 | |
-I don't give a -BLEEP -how bad you feel. | 0:42:27 | 0:42:29 | |
-You're a -BLEEP -pain in the ass. | 0:42:29 | 0:42:30 | |
-I -BLEEP -hate you! | 0:42:30 | 0:42:32 | |
-BLEEP -shut up! | 0:42:32 | 0:42:33 | |
-Don't be a -BLEEP! | 0:42:33 | 0:42:34 | |
-The profanity the other night was... -Well, guess what? | 0:42:34 | 0:42:37 | |
-I meant every -BLEEP -word. How's that sound? | 0:42:37 | 0:42:40 | |
APPLAUSE | 0:42:42 | 0:42:43 | |
-I'm funny! -SHE LAUGHS | 0:42:46 | 0:42:48 | |
So, Lisa. Exactly what happened to you? | 0:42:49 | 0:42:52 | |
I'm a freaking mental case, Mr Trump. What can I tell you? | 0:42:52 | 0:42:56 | |
Never invite a 50-year-old | 0:42:56 | 0:42:57 | |
menopausal bee-atch on a show. | 0:42:57 | 0:42:59 | |
At this point, I need more hormone therapy than Chaz Bono. | 0:43:00 | 0:43:04 | |
Help me! | 0:43:04 | 0:43:05 | |
Lisa, watch this. | 0:43:08 | 0:43:11 | |
SHE LAUGHS | 0:43:11 | 0:43:12 | |
I'm not going to be a villain because I have strong opinions. | 0:43:14 | 0:43:19 | |
And I did not get into this business to make girls cry. | 0:43:19 | 0:43:22 | |
-"Eugh! Mr Trump! Eugh! -AUDIENCE LAUGHS | 0:43:24 | 0:43:27 | |
"I do everything! Eugh!" | 0:43:27 | 0:43:30 | |
Dayana? | 0:43:34 | 0:43:36 | |
I love it, I love it! | 0:43:36 | 0:43:37 | |
Stand up, Dayana. | 0:43:41 | 0:43:42 | |
Stand up. You know, go ahead. Stand up. | 0:43:43 | 0:43:47 | |
She has been so great! THEY CHEER | 0:43:47 | 0:43:49 | |
-So, what are you doing to Lisa? -Say again? | 0:43:52 | 0:43:55 | |
-What are you doing to Lisa? -Um... | 0:43:55 | 0:43:57 | |
You're making her crazy. | 0:43:57 | 0:44:00 | |
After we've all watched it so much, | 0:44:00 | 0:44:02 | |
I figured I could do an exact imitation of Lisa Lampanelli. | 0:44:02 | 0:44:05 | |
-I think it was very successful. -It was very good, very good. | 0:44:05 | 0:44:09 | |
And are you now...? Do you feel differently about Dayana, Lisa? | 0:44:09 | 0:44:12 | |
I think she's great. You know what? I love being made fun of. | 0:44:12 | 0:44:14 | |
I do though roasts on TV, and I dish it out | 0:44:14 | 0:44:16 | |
and I can definitely take it, so I'll laugh my A off at that moment. | 0:44:16 | 0:44:20 | |
-I thought it was great. -Very good, I like that. | 0:44:20 | 0:44:22 | |
Good. So, Adam. | 0:44:22 | 0:44:24 | |
You're a funny guy. | 0:44:26 | 0:44:27 | |
Do you think that helped you do so well in Celebrity Apprentice? | 0:44:27 | 0:44:30 | |
-Talking to me, Mr Trump? -I'm talking to you. -Oh, yeah. | 0:44:30 | 0:44:33 | |
Uh, no. | 0:44:33 | 0:44:34 | |
It helps about as much as it helps in golf and porn. | 0:44:34 | 0:44:38 | |
LAUGHTER | 0:44:38 | 0:44:42 | |
Not a lot. But as Penn and I were discussing, there's two games. | 0:44:42 | 0:44:47 | |
There's Celebrity Apprentice that you're trying to win | 0:44:47 | 0:44:50 | |
for your charity and then there's the game | 0:44:50 | 0:44:52 | |
you're trying to win at home in front of the viewers, | 0:44:52 | 0:44:54 | |
and being funny and winning that game couldn't hurt your career. | 0:44:54 | 0:44:57 | |
Well, you did very well. Teresa, Adam called you naive. | 0:44:57 | 0:45:00 | |
You think you're naive? | 0:45:00 | 0:45:01 | |
-Um, you did? -She thinks that's a brand of douche. | 0:45:03 | 0:45:05 | |
LAUGHTER | 0:45:05 | 0:45:09 | |
-Can I answer now? -Yes, go ahead. -OK. | 0:45:15 | 0:45:17 | |
Not at all. Um... | 0:45:17 | 0:45:19 | |
-AUDIENCE WHOOPS -Definitely not. If anything, | 0:45:19 | 0:45:23 | |
I'm a little too trusting | 0:45:23 | 0:45:24 | |
and I try to see the good in all people. | 0:45:24 | 0:45:27 | |
All right, good. Good. | 0:45:27 | 0:45:29 | |
Dee. My Dee! | 0:45:29 | 0:45:31 | |
-You went through a lot. -Yeah. | 0:45:32 | 0:45:33 | |
You broke your finger, | 0:45:33 | 0:45:35 | |
it didn't stop you for one hour. | 0:45:35 | 0:45:37 | |
He really did, he showed a lot of... | 0:45:37 | 0:45:38 | |
A lot of people would have left. So... | 0:45:38 | 0:45:41 | |
How are you doing? How are you doing now? | 0:45:41 | 0:45:44 | |
Well, it's a little bit, it's a little bit funky. | 0:45:44 | 0:45:47 | |
I've had two surgeries, they're talking about a third. | 0:45:47 | 0:45:50 | |
But I can still sign all of my new books | 0:45:50 | 0:45:52 | |
-and CDs that just came out last week. -And you know what? | 0:45:52 | 0:45:55 | |
-You can still sing, and that's good. -I can still sing. -Great job. | 0:45:55 | 0:45:58 | |
Hey, Paul. You're a much different guy on Celebrity Apprentice | 0:45:58 | 0:46:01 | |
than I've seen you over the years. | 0:46:01 | 0:46:03 | |
A lot softer and actually nicer. | 0:46:03 | 0:46:06 | |
I'm surprised. | 0:46:06 | 0:46:08 | |
What's the real Paul? Tell me, Paul. | 0:46:08 | 0:46:10 | |
That actually is the real Paul. | 0:46:10 | 0:46:12 | |
You know, our show has been on for ten years and you know, | 0:46:12 | 0:46:15 | |
the beginning of the show showed a lot of throwing wrenches | 0:46:15 | 0:46:18 | |
and a lot of bleeps and stuff like that. | 0:46:18 | 0:46:20 | |
And that stuff still goes on sometimes. | 0:46:20 | 0:46:22 | |
But I think that, you know, this show really showed a part of me | 0:46:22 | 0:46:27 | |
that people don't really realise that's really who I am. | 0:46:27 | 0:46:31 | |
Good job, and I think that is who you are too. Very good job. | 0:46:31 | 0:46:34 | |
So, Penn. | 0:46:38 | 0:46:40 | |
You were outstanding, but you had a problem with Clay, | 0:46:40 | 0:46:43 | |
and then he picked you to be in his team. Were you surprised by that? | 0:46:43 | 0:46:46 | |
-No, cos I think he really wanted to win. -Mm-hm. | 0:46:46 | 0:46:49 | |
HE LAUGHS That's a good answer. OK. | 0:46:49 | 0:46:51 | |
I think he wicked wanted to win. | 0:46:51 | 0:46:52 | |
You think he did a good job? | 0:46:52 | 0:46:53 | |
Yeah, he did a great job. | 0:46:53 | 0:46:55 | |
And the one thing that's true about Clay is | 0:46:55 | 0:46:57 | |
although I don't think our personalities mesh enough | 0:46:57 | 0:47:00 | |
that we can move in together, I think he appreciated | 0:47:00 | 0:47:02 | |
from the beginning that I...I tried to do my best. | 0:47:02 | 0:47:05 | |
Well, you did have a problem, and he had a problem with you, | 0:47:05 | 0:47:08 | |
and then he picks you for the team. | 0:47:08 | 0:47:10 | |
Who do you like? Arsenio or Clay? | 0:47:10 | 0:47:12 | |
-Who do you like me to choose? You tell me. -I mean, who...? | 0:47:12 | 0:47:16 | |
-Who do you think should win? -Yeah, yeah. -I think that Clay should win. | 0:47:16 | 0:47:19 | |
Oh, that's very interesting. Yeah. THEY CHEER | 0:47:19 | 0:47:21 | |
And I think... | 0:47:21 | 0:47:23 | |
He worked, he worked wicked hard and he did, | 0:47:23 | 0:47:26 | |
I think he did a really good job and we did a really good show. | 0:47:26 | 0:47:28 | |
And although Arsenio... | 0:47:28 | 0:47:29 | |
-I think you did a really good job. -Arsenio's a great friend. | 0:47:29 | 0:47:32 | |
Clay and Arsenio did an outstanding job. Do we agree? | 0:47:32 | 0:47:34 | |
-Yes. -Great. -OK. | 0:47:34 | 0:47:35 | |
Ladies and gentlemen, that is Clay Aiken. | 0:47:37 | 0:47:40 | |
THEY CHEER | 0:47:40 | 0:47:43 | |
-And that, I believe, is Arsenio Hall! -Yes, indeed. | 0:47:43 | 0:47:46 | |
'Clay and I get on the stage,' | 0:47:46 | 0:47:48 | |
and everybody floods to that area. | 0:47:48 | 0:47:51 | |
'So at this point, I'm getting really nervous. | 0:47:51 | 0:47:54 | |
'But if you want to be the Celebrity Apprentice, | 0:47:54 | 0:47:56 | |
'you have to prove yourself, so...' | 0:47:56 | 0:47:58 | |
HE BREATHES DEEPLY Here we go. | 0:47:58 | 0:48:00 | |
-Arsenio, we're both here for charity. -Yes. | 0:48:00 | 0:48:04 | |
My charity is the Magic Johnson Foundation. | 0:48:04 | 0:48:07 | |
I've been on board since day one when Earvin Magic Johnson | 0:48:08 | 0:48:12 | |
made his announcement to the public | 0:48:12 | 0:48:14 | |
and became our symbol of this battle. | 0:48:14 | 0:48:17 | |
-Why don't you tell my folks about your charity? -Well, we... | 0:48:18 | 0:48:22 | |
we work with children at the National Inclusion Project. | 0:48:22 | 0:48:25 | |
And for us, it's a challenge to be able to explain | 0:48:25 | 0:48:28 | |
what it is that the National Inclusion Project does. | 0:48:28 | 0:48:30 | |
So we had the opportunity tonight to put together some awareness ads | 0:48:30 | 0:48:35 | |
to explain to you guys what it is that our organisations do. | 0:48:35 | 0:48:38 | |
Arsenio and I arm wrestled and decided who would go first. | 0:48:38 | 0:48:42 | |
-And he whipped my ass. -I did. | 0:48:42 | 0:48:44 | |
So, here's our ad for the National Inclusion Project. | 0:48:46 | 0:48:49 | |
'Can you tell which of these children has a disability? | 0:48:52 | 0:48:55 | |
'Neither can they. | 0:48:55 | 0:48:57 | |
'The National Inclusion Project wants to leave | 0:48:57 | 0:48:59 | |
'the disabilities on the sidelines and let all children play together. | 0:48:59 | 0:49:02 | |
'I'm Clay Aiken and we need your help to make it easier for children | 0:49:02 | 0:49:05 | |
'with disabilities to belong. | 0:49:05 | 0:49:07 | |
'Summer camps, after-school programmes, | 0:49:07 | 0:49:09 | |
'we all want to be included, | 0:49:09 | 0:49:10 | |
'children with disabilities and children without disabilities. | 0:49:10 | 0:49:13 | |
'When everyone plays together, everyone has more fun. | 0:49:13 | 0:49:16 | |
'The National Inclusion Project. Let's all play...together.' | 0:49:16 | 0:49:19 | |
THEY CHEER | 0:49:19 | 0:49:22 | |
'This has been a long, long journey. | 0:49:22 | 0:49:25 | |
'The National Inclusion Project is' | 0:49:25 | 0:49:26 | |
an organisation that I started and have worked with | 0:49:26 | 0:49:29 | |
for almost a decade now. | 0:49:29 | 0:49:31 | |
'And being able to teach people about inclusion | 0:49:31 | 0:49:33 | |
'and the benefits of inclusion is extremely important to me.' | 0:49:33 | 0:49:36 | |
And I think at the same time, | 0:49:36 | 0:49:38 | |
it makes it even more important to me to win this. | 0:49:38 | 0:49:40 | |
-You put together an ad too, right? -Yes indeed, sir. | 0:49:40 | 0:49:44 | |
Magic Johnson Foundation. Check this out, Clay. | 0:49:44 | 0:49:46 | |
'This was me in the '80s. | 0:49:49 | 0:49:51 | |
'This is me in the '80s. | 0:49:51 | 0:49:52 | |
'I'm not proud of my past. | 0:49:52 | 0:49:54 | |
THEY LAUGH | 0:49:54 | 0:49:56 | |
'Fortunately, we got rid of the hair and the clothes from the '80s. | 0:49:56 | 0:49:59 | |
'Unfortunately, we still have AIDS and HIV. Earv? | 0:49:59 | 0:50:03 | |
'Hey, Arsenio. Not a bad pass for a comedian. | 0:50:03 | 0:50:06 | |
'We addressed the health, social, education | 0:50:06 | 0:50:09 | |
'and technology needs of minorities across the country. | 0:50:09 | 0:50:13 | |
'Arsenio, thank you for being my close friend | 0:50:13 | 0:50:16 | |
'and a friend to the Magic Johnson Foundation.' | 0:50:16 | 0:50:18 | |
THEY CHEER | 0:50:18 | 0:50:20 | |
'The bottom line is if Clay were to win' | 0:50:20 | 0:50:23 | |
through some strange happening, | 0:50:23 | 0:50:25 | |
'I'd be happy because he has a wonderful charity | 0:50:25 | 0:50:27 | |
'that he is the founder of.' | 0:50:27 | 0:50:29 | |
But it would make me the second-happiest I can be, | 0:50:29 | 0:50:32 | |
so I can't have it that way. | 0:50:32 | 0:50:34 | |
I'm going to win! I'm going to win! | 0:50:34 | 0:50:36 | |
I have a comedy presentation | 0:50:38 | 0:50:39 | |
for you tonight. Are you ready to laugh? | 0:50:39 | 0:50:41 | |
THEY CHEER | 0:50:41 | 0:50:42 | |
Ladies and gentlemen, put your hands together. | 0:50:42 | 0:50:45 | |
This is Adam Carolla. | 0:50:45 | 0:50:48 | |
THEY CHEER | 0:50:48 | 0:50:49 | |
Uh, Donald Trump. | 0:50:51 | 0:50:53 | |
People ask me now that I'm doing the Celebrity Apprentice, | 0:50:53 | 0:50:56 | |
"What's Mr Trump really like?" | 0:50:56 | 0:50:58 | |
And I say, "Just imagine Don King but with creepier hair | 0:50:58 | 0:51:03 | |
"and a broken moral compass." And I... | 0:51:03 | 0:51:06 | |
He knows it's for charity, ladies and gentlemen. | 0:51:07 | 0:51:10 | |
All right, let me bring out a couple of our co-stars | 0:51:10 | 0:51:14 | |
from Celebrity Apprentice. | 0:51:14 | 0:51:16 | |
-Over here, we've got Paulie Sr! -THEY CHEER | 0:51:16 | 0:51:19 | |
And a woman I've barely had the pleasure to work with, | 0:51:21 | 0:51:24 | |
Teresa Giudice. Come on out here. | 0:51:24 | 0:51:26 | |
I met this guy some years ago. | 0:51:30 | 0:51:32 | |
-As a matter of fact, I think I was on your talk show twice. -Sure, sure. | 0:51:32 | 0:51:36 | |
And both times that I left there, | 0:51:36 | 0:51:38 | |
the thing that came to my mind is, "This guy is a real dick." | 0:51:38 | 0:51:42 | |
THEY LAUGH | 0:51:42 | 0:51:43 | |
Now, when I seen him on The Apprentice. | 0:51:43 | 0:51:46 | |
I don't remember this in rehearsal, Paulie Sr. | 0:51:46 | 0:51:49 | |
And I'm pretty sure I was here. | 0:51:50 | 0:51:52 | |
'You know, it's like,' | 0:51:52 | 0:51:53 | |
I'm not a script guy and you know, | 0:51:53 | 0:51:56 | |
'so I figured that changing it up a little bit would throw him off. | 0:51:56 | 0:52:01 | |
'I thought it would get more laughs' | 0:52:01 | 0:52:02 | |
out of the audience and I think it worked real well. | 0:52:02 | 0:52:05 | |
You guys are so great. But also, give it up for Clay Aiken. Come on! | 0:52:05 | 0:52:09 | |
That is so fantastic! | 0:52:09 | 0:52:11 | |
That we finally have a gay finalist in The Celebrity Apprentice. | 0:52:11 | 0:52:15 | |
When Clay came out of the closet three years ago, I was shocked. | 0:52:16 | 0:52:22 | |
THEY LAUGH | 0:52:22 | 0:52:23 | |
-Oh, please! Who the -BLEEP -are we kidding? | 0:52:23 | 0:52:25 | |
-The only thing that's aching is Clay's -BLEEP. | 0:52:25 | 0:52:28 | |
LAUGHTER | 0:52:28 | 0:52:31 | |
And I have been honoured for the last several weeks | 0:52:31 | 0:52:34 | |
to work for Mr Donald Trump. | 0:52:34 | 0:52:36 | |
And he has the best sense of humour on the planet, it's true. | 0:52:36 | 0:52:40 | |
-When you have -BLEEP -hair like it's growing on his head... | 0:52:40 | 0:52:44 | |
Come on, Mr Trump. | 0:52:44 | 0:52:46 | |
What do you say to get a barber to get you that haircut, | 0:52:46 | 0:52:48 | |
-"I -BLEEP -your daughter"? Come on! | 0:52:48 | 0:52:50 | |
'My team nailed it, they did great. But...' | 0:52:52 | 0:52:55 | |
Phew! I'm really nervous. I just want to get it over with. | 0:52:55 | 0:52:57 | |
I want to get out there and do my thing. | 0:52:57 | 0:52:59 | |
It's good to see you all. | 0:52:59 | 0:53:01 | |
One more... | 0:53:01 | 0:53:02 | |
Thank you very much. | 0:53:02 | 0:53:04 | |
You see, I love hearing that | 0:53:04 | 0:53:05 | |
because there's some people looking at me like, "I thought he was dead." | 0:53:05 | 0:53:08 | |
You know. | 0:53:08 | 0:53:09 | |
'It was a great crowd' | 0:53:09 | 0:53:11 | |
and it all came back. | 0:53:11 | 0:53:12 | |
'They talk about it's like riding a bike.' | 0:53:12 | 0:53:14 | |
It all came back. | 0:53:14 | 0:53:16 | |
When I was a kid, I wanted to be an astronaut. | 0:53:16 | 0:53:18 | |
That was my dream, but as I got older, I realised a black man | 0:53:18 | 0:53:21 | |
doesn't want to have to call back to Earth and say, | 0:53:21 | 0:53:24 | |
"Yes, NASA. No, NASA." You know, that's... | 0:53:24 | 0:53:26 | |
LAUGHTER | 0:53:26 | 0:53:28 | |
ARSENIO LAUGHS | 0:53:28 | 0:53:30 | |
Uh-huh, even Clay had to laugh. | 0:53:30 | 0:53:31 | |
That's a good joke, man. That's a good joke. | 0:53:31 | 0:53:34 | |
Ladies and gentlemen, thank you for being here. | 0:53:36 | 0:53:38 | |
Thanks for your generosity! | 0:53:38 | 0:53:39 | |
Yeah! We love you! | 0:53:41 | 0:53:43 | |
Goodnight! Goodnight! | 0:53:43 | 0:53:45 | |
CLAY: 'You know, I have a lot of respect for Arsenio already.' | 0:53:45 | 0:53:49 | |
But it was really impressive to watch | 0:53:49 | 0:53:51 | |
'his show and for every strength that I have, | 0:53:51 | 0:53:54 | |
'Arsenio and I are really well matched. | 0:53:54 | 0:53:56 | |
'So I have to really bring it this performance.' | 0:53:56 | 0:53:58 | |
-PENN: -Clay, ready? -Yes. | 0:54:01 | 0:54:03 | |
Penn, you ready? | 0:54:03 | 0:54:05 | |
Ready now. | 0:54:05 | 0:54:06 | |
'It's showtime and all the hard work this past 13 weeks | 0:54:06 | 0:54:10 | |
'has amounted to this. | 0:54:10 | 0:54:12 | |
'You know, I've been known as' | 0:54:12 | 0:54:13 | |
Clay Aiken, American Idol runner-up for years now. | 0:54:13 | 0:54:17 | |
'And so, I'm tired of being the runner-up' | 0:54:17 | 0:54:19 | |
and I really don't want to lose. | 0:54:19 | 0:54:20 | |
Go! MUSIC PLAYS | 0:54:22 | 0:54:24 | |
Ladies and gentlemen... | 0:54:24 | 0:54:26 | |
Debbie Gibson and Dee Stiner! | 0:54:26 | 0:54:29 | |
-BOTH: -# Ooh! Ooh! | 0:54:34 | 0:54:37 | |
# Baby love! My baby love! | 0:54:37 | 0:54:40 | |
# I need you | 0:54:40 | 0:54:41 | |
# Oh, I need you... # | 0:54:41 | 0:54:43 | |
'If you had told me 30 years ago that one day I'd be on stage | 0:54:43 | 0:54:47 | |
'doing steps' | 0:54:47 | 0:54:48 | |
with Debbie Gibson, I would have punched you in the nose. | 0:54:48 | 0:54:51 | |
# Baby! # | 0:54:51 | 0:54:53 | |
Ladies and gentlemen, Miss Aubrey O'Day! | 0:54:53 | 0:54:56 | |
# First I was afraid I was petrified | 0:54:59 | 0:55:03 | |
# Kept thinking I could never live without you by my side | 0:55:03 | 0:55:08 | |
# And I spent so many nights thinking how you did me wrong | 0:55:08 | 0:55:12 | |
# And I moved on... # | 0:55:12 | 0:55:14 | |
'As I was performing, when I hit the line about you did me wrong, | 0:55:14 | 0:55:17 | |
'I looked directly at Mr Trump cos everybody knows | 0:55:17 | 0:55:20 | |
'I should have been in the final too and so,' | 0:55:20 | 0:55:22 | |
that was my little musical way of checking Mr Trump! | 0:55:22 | 0:55:25 | |
# I've got all my life to live I've got all my love to give | 0:55:25 | 0:55:28 | |
# I will survive | 0:55:28 | 0:55:30 | |
# I will survive | 0:55:30 | 0:55:32 | |
# I will survive. # | 0:55:32 | 0:55:35 | |
Ladies and gentlemen, | 0:55:36 | 0:55:40 | |
my lovely stalker, Penn. | 0:55:40 | 0:55:42 | |
How you doing? | 0:55:44 | 0:55:46 | |
My name is Penn Jillette, this is my partner, Teller. | 0:55:46 | 0:55:49 | |
You know, several years ago, | 0:55:49 | 0:55:51 | |
we travelled all over the world seeing street magic. | 0:55:51 | 0:55:54 | |
'In order to make it variety and not just music,' | 0:55:54 | 0:55:56 | |
Penn and Teller went in and just brought it up a little bit. | 0:55:56 | 0:55:59 | |
'And we did one of the bits that is most requested of Penn and Teller.' | 0:55:59 | 0:56:03 | |
We take the ball, we place it in our hands, we vanish it. | 0:56:03 | 0:56:06 | |
It appears underneath the cup. | 0:56:06 | 0:56:08 | |
But we take that centre ball, place it in the centre cup. | 0:56:09 | 0:56:12 | |
The two side balls, and they still gather again | 0:56:12 | 0:56:14 | |
underneath the centre cup. | 0:56:14 | 0:56:16 | |
And we have three balls over here, I throw them down like that. | 0:56:16 | 0:56:19 | |
Underneath the centre cup, we have a giant ball. | 0:56:19 | 0:56:21 | |
One more giant ball on either side. And of course, | 0:56:21 | 0:56:24 | |
for the finish, it's a potato! | 0:56:24 | 0:56:26 | |
Give it up for Penn and Teller, please! | 0:56:28 | 0:56:31 | |
-And now it's my time to introduce the greatest era of music... -Yeah. | 0:56:33 | 0:56:38 | |
-My era of music... -Hit it! | 0:56:38 | 0:56:40 | |
MUSIC PLAYS | 0:56:40 | 0:56:42 | |
# Shake your love | 0:56:42 | 0:56:44 | |
# I just can't shake your love | 0:56:44 | 0:56:46 | |
# Shake your love | 0:56:46 | 0:56:48 | |
# I just can't shake...your love. # | 0:56:48 | 0:56:50 | |
Step aside, kid. Let me show you how it's done. | 0:56:50 | 0:56:52 | |
# We're not gonna take it Come on! | 0:56:54 | 0:56:57 | |
# Oh, no, we ain't going take it | 0:56:57 | 0:56:59 | |
# We're not gonna take it any more. # | 0:57:00 | 0:57:04 | |
Show-off! | 0:57:04 | 0:57:05 | |
-BOTH: -# Oh, we're not gonna take it any more | 0:57:07 | 0:57:11 | |
# Yeah, yeah! # | 0:57:13 | 0:57:15 | |
Debbie Gibson and Dee Snider. | 0:57:19 | 0:57:21 | |
Good Lord! | 0:57:23 | 0:57:24 | |
This has really been, really been a special experience. | 0:57:25 | 0:57:28 | |
# Now, I've | 0:57:32 | 0:57:33 | |
# Had the time of my life | 0:57:35 | 0:57:40 | |
# No, I've never felt this way before | 0:57:40 | 0:57:45 | |
# Yes, I swear, it's the truth | 0:57:45 | 0:57:50 | |
# And I owe it all to you | 0:57:50 | 0:57:53 | |
# Now, I've had the time of my life | 0:57:53 | 0:58:00 | |
# And I owe it all to you | 0:58:00 | 0:58:05 | |
Woo! | 0:58:08 | 0:58:09 | |
I think I've been underestimated a lot in my life. | 0:58:09 | 0:58:12 | |
'But I will prove people wrong and show them | 0:58:12 | 0:58:15 | |
'that I've got a lot more to me than just singing. | 0:58:15 | 0:58:17 | |
'I do think I'm going to win. I will be the Celebrity Apprentice.' | 0:58:17 | 0:58:21 | |
-ALL: -# I've had the time of my life | 0:58:21 | 0:58:26 | |
# And I owe it all to you! # | 0:58:26 | 0:58:30 | |
Goodnight. Thank you, guys, so much for coming out. | 0:58:30 | 0:58:32 | |
'It's so much easier' | 0:58:38 | 0:58:39 | |
to face off against someone you don't like, you know? | 0:58:39 | 0:58:42 | |
'But it's Team Clay, and that makes it very hard. | 0:58:42 | 0:58:46 | |
'But in the end,' | 0:58:46 | 0:58:47 | |
I am the Celebrity Apprentice. | 0:58:47 | 0:58:49 | |
-Thank you. -Welcome back, guys. | 0:59:00 | 0:59:03 | |
-Hello. -How are you? -Good, thanks. | 0:59:06 | 0:59:08 | |
So, we're coming to an end. It's almost over. | 0:59:15 | 0:59:19 | |
Lisa, what did you think of your project manager? | 0:59:20 | 0:59:23 | |
-What did you think of Arsenio? -I'll be honest with you. | 0:59:23 | 0:59:25 | |
He was fantastic. He really was. | 0:59:25 | 0:59:27 | |
He let us be ourselves, he let us do our thing. | 0:59:27 | 0:59:29 | |
He gave us free rein, he was really cool. | 0:59:29 | 0:59:32 | |
-He was a good host. -Really. -Very professional. | 0:59:32 | 0:59:35 | |
He's done that before, in all fairness. | 0:59:35 | 0:59:37 | |
You did have... He had a little experience at that. | 0:59:37 | 0:59:39 | |
Let me ask you, though, Lisa, didn't you make a contribution to Clay? | 0:59:39 | 0:59:42 | |
-Well, yes, I did. I... -Did you know about that, Arsenio? | 0:59:43 | 0:59:47 | |
-I heard through the grapevine. -How do you feel about that? | 0:59:47 | 0:59:50 | |
Well, you know what? | 0:59:50 | 0:59:51 | |
I think for the game it may be unorthodox, | 0:59:51 | 0:59:54 | |
but it shows you who she is. | 0:59:54 | 0:59:56 | |
Clay had really helped me win that 100,000 | 0:59:56 | 0:59:59 | |
for the Gay Men's Health Crisis | 0:59:59 | 1:00:00 | |
and also Clay has a special place in my heart | 1:00:00 | 1:00:03 | |
cos he made this so pleasant towards the end. | 1:00:03 | 1:00:05 | |
And I said, "You know what? | 1:00:05 | 1:00:06 | |
"It's the least I could do, from Lisa Lampanelli, | 1:00:06 | 1:00:08 | |
"give him some money." | 1:00:08 | 1:00:09 | |
-How much was your contribution? -10,000. All right. | 1:00:09 | 1:00:12 | |
-You made a 10,000 Claytribution? -SHE LAUGHS | 1:00:12 | 1:00:17 | |
-While you were on our team? -Because, I... | 1:00:17 | 1:00:20 | |
-Adam, how do you feel about that? -Wow! -How do you feel about that? | 1:00:20 | 1:00:23 | |
I thought she was going to say it was like, you know, 70. | 1:00:23 | 1:00:26 | |
That wouldn't have made a difference. | 1:00:26 | 1:00:28 | |
Adam, what do you think of that? | 1:00:28 | 1:00:29 | |
Her making a contribution to Clay's team? | 1:00:29 | 1:00:31 | |
Oh, really... I think it just shows her character. | 1:00:31 | 1:00:35 | |
-Is that good or bad? -It's good. -Ah, it's good. | 1:00:35 | 1:00:37 | |
-I don't mean that in a bad way. -Lisa, I think it's good too. | 1:00:37 | 1:00:40 | |
-Lisa has got a lot of character. -I think it's fine, I think it's good. | 1:00:40 | 1:00:43 | |
-So, what do you think, Adam? Did you have a good time? -Yeah, I did. | 1:00:43 | 1:00:46 | |
How did you like your project manager? Meaning Arsenio. | 1:00:46 | 1:00:50 | |
-I love Arsenio cos A, we got along well. -Did you know him before? | 1:00:50 | 1:00:54 | |
Yeah, well, you know, there's showbiz know and then there's... | 1:00:54 | 1:00:58 | |
-Right, yeah, so you know... -..we had sex know. | 1:00:58 | 1:01:01 | |
Arsenio and I were we had sex... No. | 1:01:01 | 1:01:04 | |
We knew each other, but I never got to spend this kind of time with... | 1:01:04 | 1:01:08 | |
-You don't spend this kind of time with your family. -It's tough. | 1:01:08 | 1:01:11 | |
It's tough. And Arsenio and I got along real well | 1:01:11 | 1:01:14 | |
-and I was flattered that he picked me. -OK. | 1:01:14 | 1:01:17 | |
What were Arsenio's weaknesses, would you say, Teresa? | 1:01:17 | 1:01:20 | |
Um, he really didn't have any. | 1:01:20 | 1:01:22 | |
I mean, everything was smooth sailing. You know, he was amazing. | 1:01:22 | 1:01:26 | |
-Aubrey? -Mm-hm. -What would you say Arsenio's weakness is? | 1:01:26 | 1:01:29 | |
-Oh, I don't have enough time. -I know what this is! I know what's coming. | 1:01:29 | 1:01:34 | |
I'm breathing. | 1:01:34 | 1:01:35 | |
That's fine, I think it's fine. He has no weaknesses, right? It's cool. | 1:01:35 | 1:01:40 | |
-Oh, no, he does. -Oh, he does? What are they? | 1:01:40 | 1:01:42 | |
I don't know, I don't know him as a man. | 1:01:42 | 1:01:45 | |
I don't care to know him as a man. I hope Clay wins. | 1:01:45 | 1:01:47 | |
-Wow. OK, well that's loyalty. -Yes. | 1:01:49 | 1:01:51 | |
-And you gave her a hard time, in all fairness. -Absolutely. | 1:01:51 | 1:01:54 | |
You gave her a pretty hard time. | 1:01:54 | 1:01:55 | |
-She gave me a donation though, privately. -Oh, is that true? | 1:01:55 | 1:01:58 | |
-No, I'm just kidding. -Oh. | 1:01:58 | 1:01:59 | |
LAUGHTER | 1:01:59 | 1:02:03 | |
STUDIO AUDIENCE WHOOPS So, Arsenio. | 1:02:03 | 1:02:05 | |
I heard that Magic Johnson is very, very happy | 1:02:05 | 1:02:08 | |
with everything you've done, | 1:02:08 | 1:02:09 | |
-including awareness but also the money that was raised. -Yeah, he's... | 1:02:09 | 1:02:13 | |
But the awareness was very important to him. | 1:02:13 | 1:02:15 | |
He is very happy and he got up at 6am | 1:02:15 | 1:02:17 | |
so we could get some footage from San Diego to New York in time. | 1:02:17 | 1:02:23 | |
-Yes, very good. -The execution of that was really incredible. | 1:02:23 | 1:02:25 | |
Because when you were talking about it in concept | 1:02:25 | 1:02:28 | |
and throwing the ball from one frame to the other, | 1:02:28 | 1:02:30 | |
that could have worked or it could have been a total disaster | 1:02:30 | 1:02:32 | |
just from the seamlessness standpoint. | 1:02:32 | 1:02:34 | |
-But I think it came together very, very well. -That's true. | 1:02:34 | 1:02:37 | |
OK. So, I have to say. Dee, I thought you were fantastic. | 1:02:38 | 1:02:42 | |
-I loved that song. -Thank you. | 1:02:42 | 1:02:43 | |
You must have a lot of money in the bank, huh? | 1:02:43 | 1:02:45 | |
-Yeah, that's done really well for me. -Did you save your money? | 1:02:45 | 1:02:48 | |
-I wrote it and it's had an amazing life. -No, I'm telling you. | 1:02:48 | 1:02:50 | |
That song is big. It's a biggie. | 1:02:50 | 1:02:52 | |
And the energy was incredible. | 1:02:52 | 1:02:54 | |
-The second you started singing, the whole room went crazy. -Oh, thanks. | 1:02:54 | 1:02:57 | |
I finally got to do what I do on the show. | 1:02:57 | 1:02:58 | |
When you did that with Deborah... | 1:02:58 | 1:03:00 | |
I tell you, the four of you are singers, fantastic. So, great job. | 1:03:00 | 1:03:04 | |
Clay, what was your thought process in terms of the songs you chose? | 1:03:04 | 1:03:07 | |
Well we... You know, this was a variety show | 1:03:07 | 1:03:09 | |
and we wanted to pick songs that were big hits that people | 1:03:09 | 1:03:11 | |
recognised immediately and that they would get involved in | 1:03:11 | 1:03:14 | |
in the audience. | 1:03:14 | 1:03:15 | |
-I have to say Debbie and Dee singing together was amazing. -Yeah. | 1:03:15 | 1:03:18 | |
It was amazing, I thought it was great. | 1:03:18 | 1:03:20 | |
So, this is not the sole criteria, how much you raise. | 1:03:20 | 1:03:25 | |
It's going to be the show, the party, the charity awareness ad | 1:03:25 | 1:03:30 | |
and who did the best overall. OK? | 1:03:30 | 1:03:32 | |
Ivanka, with that being said, how much did Arsenio's team raise? | 1:03:33 | 1:03:37 | |
Arsenio's team raised 167,100. | 1:03:39 | 1:03:43 | |
Very good. AUDIENCE CHEERS | 1:03:43 | 1:03:44 | |
And that's money that goes to you. | 1:03:44 | 1:03:46 | |
-Very good job. -Thank you, all. -Great job. | 1:03:46 | 1:03:48 | |
Arsenio, that money goes to you no matter, winning or losing. | 1:03:48 | 1:03:51 | |
That money all close to the Magic Johnson Foundation, | 1:03:51 | 1:03:54 | |
and that's great. OK? Win or lose. | 1:03:54 | 1:03:56 | |
-Great. -Now, you could add 250,000 to it. | 1:03:56 | 1:03:58 | |
-We'll see what happens. We will soon know, OK? -Thank you. -Good going. | 1:03:58 | 1:04:02 | |
-Don, tell me about Clay's team. -Clay raised a total... | 1:04:04 | 1:04:08 | |
..of 301,500. | 1:04:10 | 1:04:12 | |
AUDIENCE WHOOPS Wow! | 1:04:12 | 1:04:14 | |
-Clay! -Congratulations. -Well done. | 1:04:14 | 1:04:15 | |
-That doesn't mean you win, Clay, but that's a good start. -You know what? | 1:04:17 | 1:04:20 | |
We got a lot of money for both of our charities | 1:04:20 | 1:04:22 | |
and that's what we, both came here for. | 1:04:22 | 1:04:24 | |
A tremendous amount of money, and there's another | 1:04:24 | 1:04:26 | |
quarter of a million that we're talking about, | 1:04:26 | 1:04:28 | |
so that'll be very interesting. | 1:04:28 | 1:04:29 | |
I want to thank everybody. You were absolutely amazing. | 1:04:29 | 1:04:32 | |
You played the game well, you played the game hard, | 1:04:32 | 1:04:35 | |
you played the game tough and smart. | 1:04:35 | 1:04:37 | |
So, thank you all very much, and... | 1:04:37 | 1:04:40 | |
get out of here. | 1:04:40 | 1:04:41 | |
-OK. Thank you. -Thank you. -Thank you. -See you, guys. | 1:04:41 | 1:04:44 | |
Arsenio and Clay, you stay where you are. | 1:04:44 | 1:04:46 | |
Thank you, guys. Thank you. | 1:04:46 | 1:04:49 | |
-Great job, everybody. -I'll talk to you, Adam. | 1:04:49 | 1:04:51 | |
Take care, Penn. | 1:04:55 | 1:04:57 | |
-Good to see you. -You too. -OK. | 1:05:00 | 1:05:02 | |
Clay, Arsenio. You've both been absolutely amazing. | 1:05:04 | 1:05:09 | |
This will be a very, very tough decision. | 1:05:09 | 1:05:12 | |
Let's bring out our finalists. | 1:05:26 | 1:05:28 | |
You first knew him as a late-night host, | 1:05:29 | 1:05:32 | |
star of Coming To America and as a comedian. | 1:05:32 | 1:05:35 | |
But this season, he was all about business. | 1:05:35 | 1:05:38 | |
So far, he's undefeated as a project manager. | 1:05:38 | 1:05:42 | |
Please welcome Arsenio Hall. | 1:05:42 | 1:05:45 | |
Thank you, thank you. | 1:05:52 | 1:05:53 | |
Hey, y'all. | 1:05:58 | 1:05:59 | |
Carolla! | 1:05:59 | 1:06:01 | |
Thank you. | 1:06:01 | 1:06:02 | |
Thank you very much, thank you. | 1:06:06 | 1:06:07 | |
-Hello. Hey, Eric! -He was the runner-up in American Idol. | 1:06:11 | 1:06:15 | |
But will he be the winner here on Celebrity Apprentice? | 1:06:15 | 1:06:19 | |
His creativity and hard work this season proved that he's | 1:06:19 | 1:06:22 | |
much more than just a singer. | 1:06:22 | 1:06:25 | |
Say hello to Clay Aiken. | 1:06:25 | 1:06:27 | |
Congratulations, fellas. Great going. | 1:06:46 | 1:06:49 | |
So, Clay. I love Simon Cowell, he's a friend of mine. | 1:06:50 | 1:06:53 | |
-Who's tougher? Him or me? -Ooh! | 1:06:53 | 1:06:55 | |
It's tough, you know. | 1:06:55 | 1:06:57 | |
I think Simon has a certain degree of knowledge on the music business, | 1:06:57 | 1:07:02 | |
but his knowledge of the music business compared to your knowledge | 1:07:02 | 1:07:05 | |
of the business world business is much more minimal. | 1:07:05 | 1:07:08 | |
So there's a certain degree of nervousness we get around you | 1:07:08 | 1:07:11 | |
because there's kind of that level of respect. | 1:07:11 | 1:07:13 | |
All right, you gave the right answer. That's good. | 1:07:13 | 1:07:16 | |
Arsenio? | 1:07:16 | 1:07:17 | |
You broke down a couple of times, tears came to your eyes | 1:07:17 | 1:07:20 | |
because of your charity. | 1:07:20 | 1:07:22 | |
What was that all about? | 1:07:22 | 1:07:23 | |
Yeah, it was... | 1:07:23 | 1:07:25 | |
Unfortunately, right when I decided to do the show, | 1:07:26 | 1:07:30 | |
I had a cousin who was suffering from AIDS for many years. | 1:07:30 | 1:07:36 | |
And she died right before I called NBC and said I'm in. Um... | 1:07:36 | 1:07:40 | |
I'll be fighting for the rest of my life in her memory. | 1:07:41 | 1:07:45 | |
-That's great. -Sharon, I love you. -That's great. | 1:07:45 | 1:07:48 | |
Very nice. Dee, who do you like better? Who should win? | 1:07:49 | 1:07:53 | |
Who should be the Celebrity Apprentice? | 1:07:53 | 1:07:56 | |
Clay Aiken. | 1:07:56 | 1:07:58 | |
THEY CHEER Good. | 1:07:58 | 1:08:00 | |
He does it all - he's creative, he's got... | 1:08:01 | 1:08:04 | |
he's a force to reckon with, | 1:08:04 | 1:08:06 | |
he's a great leader | 1:08:06 | 1:08:08 | |
and he's a cool guy. | 1:08:08 | 1:08:09 | |
OK, good. Lisa? How do you feel? | 1:08:09 | 1:08:11 | |
You know, I love them both, I think I would love to see Clay win | 1:08:11 | 1:08:15 | |
because of all the things Dee said, but I want to see | 1:08:15 | 1:08:17 | |
Arsenio with his own show on late-night next fall. | 1:08:17 | 1:08:20 | |
-All right. I do too. -That's what I want. -I do too. | 1:08:20 | 1:08:22 | |
Debbie Gibson, who do you like? Who should be the Celebrity Apprentice? | 1:08:25 | 1:08:30 | |
I do love them both, but I'm on Team Clay, | 1:08:30 | 1:08:32 | |
but not just because of that. | 1:08:32 | 1:08:33 | |
Clay was decisive, he was calm, | 1:08:33 | 1:08:35 | |
even when I was being really annoying. | 1:08:35 | 1:08:37 | |
-Thank you. -THEY LAUGH | 1:08:37 | 1:08:39 | |
And you know what? | 1:08:39 | 1:08:40 | |
I think he killed it in the performance he put together | 1:08:40 | 1:08:43 | |
and the whole, the presentation had so many details. | 1:08:43 | 1:08:45 | |
I just think overall, I think...I think Clay. | 1:08:45 | 1:08:48 | |
All right, Dayana Mendoza? | 1:08:48 | 1:08:50 | |
You're Miss Universe, but frankly, more importantly, | 1:08:52 | 1:08:54 | |
you did great on Celebrity Apprentice, | 1:08:54 | 1:08:56 | |
-and we appreciate that. -Thank you. | 1:08:56 | 1:08:59 | |
-Thank you. I really appreciate it. -Dayana, who do you like? | 1:08:59 | 1:09:03 | |
Arsenio or Clay? | 1:09:03 | 1:09:04 | |
I think they both have amazing charities. | 1:09:06 | 1:09:08 | |
I think they... | 1:09:08 | 1:09:09 | |
It wouldn't make sense to choose either charity, | 1:09:09 | 1:09:12 | |
but from my own experience on working with Clay, | 1:09:12 | 1:09:15 | |
I will go for Arsenio. | 1:09:15 | 1:09:17 | |
WOMAN SHOUTS | 1:09:17 | 1:09:18 | |
Teresa, how do you feel? | 1:09:20 | 1:09:22 | |
I think they're both amazing, I worked with both of them. | 1:09:24 | 1:09:27 | |
I have loyalty to Arsenio cos I'm on his team, | 1:09:27 | 1:09:30 | |
but I've also worked with Clay Aiken. He's professional... | 1:09:30 | 1:09:33 | |
-Who do you like? -He was a leader. -Who do you like? -Arsenio. -All right! | 1:09:33 | 1:09:36 | |
Ladies and gentlemen, Clay Aiken and Arsenio Hall. | 1:09:40 | 1:09:44 | |
# Sometimes in our lives | 1:09:54 | 1:09:58 | |
# We all have pain | 1:09:58 | 1:10:02 | |
# We all have sorrow | 1:10:02 | 1:10:06 | |
# But | 1:10:06 | 1:10:07 | |
# If we are wise | 1:10:08 | 1:10:10 | |
# We know that there's | 1:10:10 | 1:10:14 | |
# Always tomorrow | 1:10:14 | 1:10:18 | |
# Lean on me | 1:10:18 | 1:10:20 | |
# When you're not strong | 1:10:20 | 1:10:23 | |
# And I'll be your friend | 1:10:23 | 1:10:26 | |
# I'll help you carry on | 1:10:26 | 1:10:30 | |
# For it won't be long | 1:10:30 | 1:10:35 | |
# Till I'm gonna need somebody to lean on | 1:10:35 | 1:10:42 | |
# You can call on me, brother | 1:10:48 | 1:10:51 | |
# When you need a hand | 1:10:51 | 1:10:53 | |
# We all need somebody to lean on | 1:10:53 | 1:10:58 | |
# Now, I might have a problem | 1:10:58 | 1:11:01 | |
# That you'll understand | 1:11:01 | 1:11:03 | |
-BOTH: -# We all need somebody to lean on | 1:11:03 | 1:11:08 | |
# Lean on me | 1:11:08 | 1:11:10 | |
# When you're not strong | 1:11:10 | 1:11:13 | |
# And I'll be your friend | 1:11:13 | 1:11:16 | |
# I'll help you carry on | 1:11:16 | 1:11:19 | |
# For it won't be long | 1:11:19 | 1:11:23 | |
# Till I'm gonna need somebody to lean on | 1:11:23 | 1:11:30 | |
# If there is a load | 1:11:30 | 1:11:34 | |
# You have to bear | 1:11:34 | 1:11:37 | |
# And you can't carry | 1:11:37 | 1:11:40 | |
# Oh, I'm...I'm right up the road | 1:11:40 | 1:11:44 | |
# I'll bear your load | 1:11:44 | 1:11:47 | |
# If you just call me | 1:11:47 | 1:11:51 | |
-# Call me -If you need a friend | 1:11:51 | 1:11:54 | |
-# Call me -Yeah | 1:11:54 | 1:11:56 | |
-# Call me -Call me | 1:11:56 | 1:11:59 | |
-# Call me -Sing it, y'all | 1:11:59 | 1:12:01 | |
-ALL: -# Lean on me | 1:12:01 | 1:12:03 | |
# When you're not strong | 1:12:03 | 1:12:05 | |
# And I'll be your friend | 1:12:05 | 1:12:08 | |
# I'll help you carry on | 1:12:08 | 1:12:12 | |
# For it won't be long | 1:12:12 | 1:12:16 | |
# Till I'm gonna need | 1:12:16 | 1:12:18 | |
# Somebody to lean on | 1:12:18 | 1:12:21 | |
# Lean on me | 1:12:21 | 1:12:24 | |
# When you're not strong | 1:12:24 | 1:12:26 | |
# And I'll be your friend | 1:12:26 | 1:12:29 | |
# I'll help you carry on | 1:12:29 | 1:12:33 | |
# For it won't be long | 1:12:33 | 1:12:36 | |
# Till I'm gonna need... # | 1:12:36 | 1:12:40 | |
-Bring it. -# Somebody to lean... # | 1:12:40 | 1:12:45 | |
-Come on, Clay. -BOTH: -# On | 1:12:45 | 1:12:51 | |
CLAY HOLDS NOTE | 1:12:51 | 1:12:55 | |
-ARSENIO COUGHS -# On. # | 1:12:56 | 1:12:59 | |
Here's a look at some of our previous winners. | 1:12:59 | 1:13:02 | |
Piers Morgan. | 1:13:04 | 1:13:05 | |
Every part of me is desperate to be Celebrity Apprentice. | 1:13:05 | 1:13:09 | |
Richard Branson just called me, he's giving us 10,000. Yeah! | 1:13:09 | 1:13:12 | |
May the best man win, and I will. | 1:13:12 | 1:13:13 | |
Entertainment icon Joan Rivers. | 1:13:13 | 1:13:15 | |
I will do everything I can to win. | 1:13:15 | 1:13:19 | |
You won 126,000. | 1:13:19 | 1:13:22 | |
Rock star Bret Michaels. | 1:13:22 | 1:13:25 | |
I passionately want to win, | 1:13:25 | 1:13:26 | |
and I'm going to do whatever it takes to get a cure for diabetes. | 1:13:26 | 1:13:30 | |
Once I go in, I'm in. | 1:13:30 | 1:13:31 | |
We're going to make it happen. | 1:13:31 | 1:13:32 | |
Superstar John Rich. | 1:13:32 | 1:13:34 | |
Country done come to town, brother! | 1:13:34 | 1:13:37 | |
470,000. | 1:13:37 | 1:13:39 | |
The winner of The Celebrity Apprentice is... | 1:13:41 | 1:13:44 | |
John Rich. CHEERING | 1:13:44 | 1:13:47 | |
Piers, you're the Celebrity Apprentice. | 1:13:49 | 1:13:51 | |
Joan, you are the winner. | 1:13:51 | 1:13:54 | |
Bret, you're hired. CHEERING | 1:13:54 | 1:13:56 | |
Woo! | 1:13:56 | 1:13:58 | |
CHEERING AND APPLAUSE | 1:14:00 | 1:14:03 | |
Clay, tell me why you should become the Celebrity Apprentice. | 1:14:04 | 1:14:10 | |
Um, I think I came here with sort of low expectations. | 1:14:10 | 1:14:14 | |
And I think I exceeded them | 1:14:14 | 1:14:16 | |
and raised the bar a little bit for myself. I came in | 1:14:16 | 1:14:19 | |
with people not knowing that I could be productive | 1:14:19 | 1:14:22 | |
and be a creative and be a leader. | 1:14:22 | 1:14:23 | |
And I think that I showed that I can be. | 1:14:23 | 1:14:27 | |
And if nothing else, my mother's here tonight, | 1:14:27 | 1:14:29 | |
and she sat through me losing one time before. | 1:14:29 | 1:14:31 | |
-ARSENIO LAUGHS -And I really don't want her | 1:14:31 | 1:14:33 | |
to have to sit through it again, so... | 1:14:33 | 1:14:35 | |
LAUGHTER, APPLAUSE | 1:14:35 | 1:14:38 | |
The fact that you lost as a project manager, does that bother you, | 1:14:38 | 1:14:43 | |
and is that supposed to bother me? | 1:14:43 | 1:14:45 | |
Um, I don't think so. I think that the last task... | 1:14:45 | 1:14:48 | |
I have a feeling that the last task was a strong showing | 1:14:48 | 1:14:51 | |
of all the different parts, | 1:14:51 | 1:14:53 | |
of all the different components of everything we've done. | 1:14:53 | 1:14:55 | |
It's really a comprehensive exam. | 1:14:55 | 1:14:57 | |
And I think I excelled at that. | 1:14:57 | 1:15:00 | |
Arsenio, you said very strongly, and I was honoured by it, | 1:15:00 | 1:15:04 | |
that, "If I got the Donald Trump seal of approval," | 1:15:04 | 1:15:07 | |
you'd never forget it for the rest of your life, you'd go around | 1:15:07 | 1:15:10 | |
raising money for charities, doing all sorts of things. | 1:15:10 | 1:15:12 | |
Do you mean that or is that just something that's very | 1:15:12 | 1:15:15 | |
nice for my ego, Arsenio? ARSENIO LAUGHS | 1:15:15 | 1:15:18 | |
-What do you mean by that? -You know, I absolutely meant it. | 1:15:18 | 1:15:21 | |
I was brought to Hollywood by jazz singer Nancy Wilson | 1:15:21 | 1:15:23 | |
and her manager, John Lee. | 1:15:23 | 1:15:24 | |
He's in heaven now, but every chance I get, | 1:15:24 | 1:15:27 | |
I always let people know | 1:15:27 | 1:15:29 | |
how I got here. | 1:15:29 | 1:15:30 | |
I've been taking care of my son for a while | 1:15:30 | 1:15:33 | |
and I'm about to re-emerge and try to get a late-night talk show. | 1:15:33 | 1:15:37 | |
You are re-emerging, by the way. | 1:15:37 | 1:15:39 | |
-Yes. -You are, I think so. Right? -Yes. | 1:15:39 | 1:15:40 | |
CHEERING AND APPLAUSE | 1:15:40 | 1:15:44 | |
The most... | 1:15:44 | 1:15:45 | |
The most important aspect of that statement is there are people | 1:15:45 | 1:15:49 | |
out there like Joan Rivers and Piers Morgan, | 1:15:49 | 1:15:52 | |
all of their success shines a light on the banner that you gave them. | 1:15:52 | 1:15:58 | |
And I'll be out there too, giving it 100%, fighting. | 1:15:58 | 1:16:01 | |
I'm a guy who's been on the cover of Time magazine, Rolling Stone, | 1:16:01 | 1:16:04 | |
but not only that, I've been on the cover of Wall Street Journal. | 1:16:04 | 1:16:07 | |
I have lived the life of the Apprentice, | 1:16:07 | 1:16:09 | |
I just need the title now. | 1:16:09 | 1:16:11 | |
All right. Well, that's very nice. CHEERING AND APPLAUSE | 1:16:11 | 1:16:14 | |
Very nice. | 1:16:16 | 1:16:17 | |
Clay, I have a lot of respect for Penn. | 1:16:21 | 1:16:23 | |
You and Penn weren't getting along | 1:16:23 | 1:16:25 | |
and then you chose him for your team. | 1:16:25 | 1:16:26 | |
Do you think that was a good decision or not necessarily? | 1:16:26 | 1:16:29 | |
Oh, absolutely. I mean, I have a lot of respect for Penn also. | 1:16:29 | 1:16:31 | |
He's a brilliant mind. | 1:16:31 | 1:16:33 | |
You know, I think sometimes, you know, oil and vinegar don't | 1:16:33 | 1:16:36 | |
always mix, but they sure do work well together. | 1:16:36 | 1:16:38 | |
And Penn is brilliant. | 1:16:38 | 1:16:39 | |
I also wanted to show you that I can work with anyone, | 1:16:39 | 1:16:41 | |
-and I thought that was important. -All right. | 1:16:41 | 1:16:43 | |
I certainly wanted Penn on my team | 1:16:43 | 1:16:45 | |
and I wanted to show I could work with him. | 1:16:45 | 1:16:47 | |
-And he did a great job. -Yes, he did. -Lisa. | 1:16:47 | 1:16:48 | |
Ask a question of Arsenio. | 1:16:48 | 1:16:50 | |
Oh, my gosh! | 1:16:50 | 1:16:52 | |
-Arsenio. -Yes? | 1:16:53 | 1:16:55 | |
Do you find me attractive? | 1:16:55 | 1:16:57 | |
LAUGHTER | 1:16:57 | 1:16:59 | |
I don't know! | 1:17:01 | 1:17:02 | |
-You better say yes! -The answer is yes. | 1:17:02 | 1:17:05 | |
-I'll answer that, he does find you attractive. -Thank you, Arsenio. | 1:17:05 | 1:17:08 | |
Not only are you visually beautiful, | 1:17:08 | 1:17:10 | |
but a great mind is the sexiest thing in the world on a woman. | 1:17:10 | 1:17:13 | |
Hell yeah! Thank you. | 1:17:13 | 1:17:16 | |
And you know what? | 1:17:16 | 1:17:17 | |
He does find you attractive and he doesn't find Dayana attractive. | 1:17:17 | 1:17:21 | |
Dayana, ask a question. | 1:17:21 | 1:17:23 | |
Arsenio. | 1:17:23 | 1:17:24 | |
Do you find Lisa attractive? | 1:17:25 | 1:17:27 | |
LAUGHTER | 1:17:27 | 1:17:29 | |
What do you think, Dayana? | 1:17:32 | 1:17:35 | |
You know what? | 1:17:35 | 1:17:37 | |
I stand by that previous statement and I think if she had | 1:17:37 | 1:17:41 | |
started on the mission earlier, she could've been Miss Universe. | 1:17:41 | 1:17:44 | |
Very good. | 1:17:44 | 1:17:46 | |
Yes. Do they have a talent competition in Miss Universe? | 1:17:46 | 1:17:50 | |
She would be very good at it. | 1:17:50 | 1:17:51 | |
-Thanks. -And they are getting along right now. | 1:17:51 | 1:17:54 | |
So, Arsenio, how important is this for you to win? How important? | 1:17:54 | 1:17:58 | |
It's very important. Um, I want to be number one. | 1:17:58 | 1:18:03 | |
I know that we've heard about Idol many times. | 1:18:03 | 1:18:07 | |
Um... | 1:18:07 | 1:18:09 | |
But you know, when I was battling | 1:18:09 | 1:18:10 | |
against Johnny Carson, I was number two. | 1:18:10 | 1:18:12 | |
When I was a magician as a kid, I entered a magic contest, | 1:18:12 | 1:18:15 | |
Penn and I talked about it, I was number two. | 1:18:15 | 1:18:18 | |
I NEED to be number one. | 1:18:18 | 1:18:20 | |
And, uh... Did I tell you? | 1:18:21 | 1:18:23 | |
When I was little, they called me Skinny Ruben. | 1:18:23 | 1:18:25 | |
-I don't even know why. -CLAY LAUGHS | 1:18:25 | 1:18:29 | |
Gentlemen, it's time to make a decision. | 1:18:29 | 1:18:34 | |
Ivanka, what do you think? | 1:18:34 | 1:18:35 | |
Well, first of all, I want to congratulate you both. | 1:18:35 | 1:18:38 | |
I learned a tremendous amount watching you. | 1:18:38 | 1:18:41 | |
Clay, you were loved by almost, almost everybody. | 1:18:41 | 1:18:44 | |
You were strategically refined, assertive when you needed to be, | 1:18:44 | 1:18:49 | |
and just a really, really strong player all around. | 1:18:49 | 1:18:52 | |
Arsenio, you had a different style. | 1:18:52 | 1:18:54 | |
You're a bit more passive as a leader, | 1:18:54 | 1:18:56 | |
but you were highly effective. | 1:18:56 | 1:18:58 | |
You made a few more enemies, | 1:18:58 | 1:18:59 | |
but I don't think anyone would blame you for that. | 1:18:59 | 1:19:02 | |
And everyone ultimately saw your great heart. | 1:19:02 | 1:19:04 | |
I think it's a tough choice, Dad. | 1:19:04 | 1:19:06 | |
-Eric? -Well, guys, this is very difficult. On one hand, | 1:19:06 | 1:19:08 | |
you raised an incredible amount of money for your charity. | 1:19:08 | 1:19:11 | |
On the other hand, you were undefeated, and that says a lot. | 1:19:11 | 1:19:15 | |
You know, Dad, this is ultimately up to you. | 1:19:15 | 1:19:18 | |
Well, I just want to say, I've never been so torn. | 1:19:18 | 1:19:23 | |
This is a very, very tough decision. | 1:19:23 | 1:19:27 | |
You're both amazing people. | 1:19:27 | 1:19:29 | |
There is no loser tonight. | 1:19:29 | 1:19:31 | |
But the winner of Celebrity Apprentice | 1:19:32 | 1:19:38 | |
and a quarter of 1 million to your charity in addition to | 1:19:38 | 1:19:41 | |
all of the money that you've won is... | 1:19:41 | 1:19:45 | |
..Arsenio Hall. CHEERING AND APPLAUSE | 1:19:50 | 1:19:54 | |
Congratulations. | 1:20:03 | 1:20:05 | |
Way to go. | 1:20:06 | 1:20:07 | |
Thank you. Thank you. | 1:20:15 | 1:20:17 | |
Oh, my gosh! Oh, my gosh! | 1:20:21 | 1:20:24 | |
-Nicely done, buddy! -Congratulations. | 1:20:24 | 1:20:27 | |
Arsenio! Arsenio. | 1:20:27 | 1:20:32 | |
Arsenio, congratulations! | 1:20:34 | 1:20:37 | |
Arr, give me a hug! | 1:20:37 | 1:20:39 | |
Wow! | 1:20:39 | 1:20:41 | |
Wow, wow, wow, wow, wow! | 1:20:41 | 1:20:45 | |
ARSENIO SHOUTS EXCITEDLY | 1:20:47 | 1:20:49 | |
-Oooh! -We love you. | 1:20:51 | 1:20:53 | |
Congratulations. | 1:20:54 | 1:20:57 | |
I know you wanted it. | 1:20:57 | 1:20:58 | |
# Money, money, money | 1:20:58 | 1:21:00 | |
# Money! # | 1:21:00 | 1:21:02 |