Browse content similar to Failure to Launch. Check below for episodes and series from the same categories and more!
Line | From | To | |
---|---|---|---|
NARRATOR: 'Previously: | 0:00:02 | 0:00:03 | |
'Mr Trump put each team's style sense to the test, | 0:00:03 | 0:00:06 | |
'designing for the Ivanka Trump collection.' | 0:00:06 | 0:00:09 | |
You'll be designing a living window display, you know what that is? | 0:00:09 | 0:00:13 | |
Oh, yeah. | 0:00:13 | 0:00:15 | |
'From the start, the men questioned | 0:00:15 | 0:00:17 | |
'project manager George Takei's focus.' | 0:00:17 | 0:00:19 | |
-We have four windows. -Oh, really? I thought we were doing two windows. | 0:00:19 | 0:00:23 | |
I'm not sure that George is aware of what's going on. | 0:00:23 | 0:00:26 | |
'On the women's team, | 0:00:26 | 0:00:28 | |
'project manager Dayana Mendoza had a chance to prove herself.' | 0:00:28 | 0:00:32 | |
We're going to need some of Ivanka's outfits. | 0:00:32 | 0:00:34 | |
'But Debbie Gibson felt Aubrey O'Day was taking over.' | 0:00:34 | 0:00:38 | |
Or we split it, if they're smaller, | 0:00:38 | 0:00:40 | |
depending on whatever you guys decide. | 0:00:40 | 0:00:42 | |
It was the Aubrey show. | 0:00:42 | 0:00:43 | |
'As presentation time grew near, | 0:00:43 | 0:00:45 | |
'Lou Ferrigno struggled to fit in on the men's team.' | 0:00:45 | 0:00:48 | |
Lou, I don't want to be rude, but... | 0:00:48 | 0:00:50 | |
There were too many cooks in the kitchen. | 0:00:50 | 0:00:53 | |
No problem. OK. | 0:00:53 | 0:00:54 | |
'While on the women's team, | 0:00:54 | 0:00:55 | |
'a mishap threatened to derail everything.' | 0:00:55 | 0:00:58 | |
Aubrey, the photos are not here. | 0:00:58 | 0:01:00 | |
'But Aubrey came up with a quick fix to put them back on track.' | 0:01:00 | 0:01:03 | |
The models walk out and then she's like, "Thank you so much, | 0:01:03 | 0:01:06 | |
-"these are my designs." -That's a good idea. -Can we do that? | 0:01:06 | 0:01:09 | |
'On the men's team, Dee Snider returned from surgery...' | 0:01:09 | 0:01:11 | |
Whoa! | 0:01:11 | 0:01:13 | |
'..just in time for the presentation.' | 0:01:13 | 0:01:15 | |
Ivanka Trump by day. | 0:01:15 | 0:01:17 | |
We wanted to show the whole spectrum. | 0:01:17 | 0:01:19 | |
'While on the women's team, Dayana was in her element. | 0:01:19 | 0:01:23 | |
'That night, the women had their first taste of victory.' | 0:01:23 | 0:01:27 | |
The women's team did a better job. | 0:01:27 | 0:01:29 | |
-Yes! -Yeah! | 0:01:29 | 0:01:30 | |
'Left to face Mr Trump...' | 0:01:31 | 0:01:33 | |
Lou misunderstands directions often. | 0:01:33 | 0:01:36 | |
'..Lou fought to stay in the game.' | 0:01:36 | 0:01:37 | |
You're not aggressive enough to be a project manager. | 0:01:37 | 0:01:40 | |
'In the end, Mr Trump had to make a difficult decision.' | 0:01:40 | 0:01:43 | |
You know who else has respect for you, George? Donald Trump. | 0:01:43 | 0:01:46 | |
But George, you're fired. Thank you. Thank you very much. | 0:01:46 | 0:01:50 | |
'Leaving Arsenio and Lou shaken | 0:01:50 | 0:01:52 | |
'from seeing their first team member fired.' | 0:01:52 | 0:01:55 | |
Very impressive to see you girls pull together the way you did. | 0:02:04 | 0:02:07 | |
-Thank you. -Congratulations, girls. -Cheers. | 0:02:07 | 0:02:10 | |
-To fallopian tubing! -Cheers! | 0:02:10 | 0:02:13 | |
-DAYANA: -'This is a win that we really needed. | 0:02:13 | 0:02:15 | |
'We already lost the first two tasks,' | 0:02:15 | 0:02:17 | |
and being the first project manager winning for my team, | 0:02:17 | 0:02:21 | |
it just means, not for me | 0:02:21 | 0:02:23 | |
but for all of us, finally, now we understand each other. | 0:02:23 | 0:02:26 | |
And now we listen to each other. | 0:02:26 | 0:02:28 | |
We are finally a team, so we're ready, we're ready to go, | 0:02:28 | 0:02:31 | |
we're ready to keep on winning. | 0:02:31 | 0:02:33 | |
Now you've got seven people who are strong, unified, focused. | 0:02:33 | 0:02:39 | |
You can see it, the change. It was such a difference. | 0:02:39 | 0:02:43 | |
-Uh-oh. -Yay! -Oh, boy. | 0:02:46 | 0:02:49 | |
Well, we're glad you're here. | 0:02:49 | 0:02:50 | |
-LOU: -'I feel bad because it's tough.' | 0:02:50 | 0:02:53 | |
-Wow. -Isn't it horrible to be in that room? | 0:02:53 | 0:02:56 | |
Other than someone dying, I can't tell you a time when I felt bad... | 0:02:56 | 0:03:00 | |
I mean, I watched Mr Universe start to well up. | 0:03:00 | 0:03:05 | |
'Being in the room when George got fired' | 0:03:05 | 0:03:07 | |
was one of the most painful experiences I've ever had. | 0:03:07 | 0:03:11 | |
I never thought I'd ever be in a situation where I'd be | 0:03:11 | 0:03:15 | |
sitting next to Lou Ferrigno who's crying. | 0:03:15 | 0:03:18 | |
That lets you know how tough it was. | 0:03:18 | 0:03:21 | |
He's a dignified guy, he took it very well. | 0:03:21 | 0:03:24 | |
Lou was more torn up than he was. | 0:03:24 | 0:03:25 | |
-Oh, Lou. -Oh, Arsenio. | 0:03:25 | 0:03:28 | |
LAUGHTER | 0:03:28 | 0:03:32 | |
-Let it all out! -Thank God for comedy. | 0:03:32 | 0:03:36 | |
Guys, whether you like it or not, I'm going to keep asking questions. | 0:03:36 | 0:03:39 | |
If I get in the way, I'm going to fight and fight and be helpful. | 0:03:39 | 0:03:42 | |
-DEE: -'The Trumps only know what's presented in the boardroom | 0:03:45 | 0:03:48 | |
'and Lou has presented some go-getter,' | 0:03:48 | 0:03:53 | |
chip on his shoulder, nobody gives me a chance to show what I can do, | 0:03:53 | 0:03:56 | |
I'm 110% guy, and he's not. | 0:03:56 | 0:04:00 | |
So, in the big picture, they did not get rid of the right guy, | 0:04:00 | 0:04:03 | |
and Lou is going to fall by the wayside | 0:04:03 | 0:04:05 | |
because his team-mates are not going to cover for him any more. | 0:04:05 | 0:04:09 | |
# Money, money, money, money | 0:04:18 | 0:04:21 | |
# Money! | 0:04:21 | 0:04:24 | |
# Money, money, money, money | 0:04:24 | 0:04:26 | |
# Money! | 0:04:26 | 0:04:28 | |
# Some people got to have it | 0:04:28 | 0:04:31 | |
# Some people really need it | 0:04:33 | 0:04:36 | |
# Listen to me, y'all | 0:04:36 | 0:04:38 | |
# Do things, do things, do things | 0:04:38 | 0:04:41 | |
# Bad things with it | 0:04:41 | 0:04:43 | |
# Dollar bills, y'all, come on | 0:04:45 | 0:04:48 | |
# For that mean, oh, mean | 0:04:48 | 0:04:51 | |
# Mean green | 0:04:51 | 0:04:53 | |
# Almighty dollar | 0:04:53 | 0:04:56 | |
# You know that money | 0:04:56 | 0:04:59 | |
# Give me a nickel | 0:04:59 | 0:05:02 | |
# Brother, can you spare a dime? | 0:05:02 | 0:05:05 | |
# Money can drive some people out of their minds | 0:05:05 | 0:05:10 | |
# No good, no good | 0:05:12 | 0:05:14 | |
# Money! | 0:05:14 | 0:05:15 | |
# Money, money, money, money | 0:05:15 | 0:05:18 | |
# Money! # | 0:05:18 | 0:05:20 | |
-So, here we are. -Hi! Hi, guys! | 0:05:32 | 0:05:36 | |
'I won my task as project manager,' | 0:05:36 | 0:05:39 | |
and I'm here now in the Latino Commission On Aids offices. | 0:05:39 | 0:05:42 | |
Thank you so much for coming. | 0:05:42 | 0:05:44 | |
'The Latino Commission On Aids helps raise awareness | 0:05:44 | 0:05:46 | |
'in Latino communities, letting them know that they are not alone.' | 0:05:46 | 0:05:50 | |
They have testing in the Latino community so that people can be | 0:05:50 | 0:05:52 | |
tested, without being scared, and they have support groups. | 0:05:52 | 0:05:55 | |
Hi, my name is Raphael. | 0:05:55 | 0:05:57 | |
'I know The Celebrity Apprentice is tough, | 0:06:25 | 0:06:27 | |
'I know there is a lot of work, | 0:06:27 | 0:06:29 | |
'I know that you deal with a lot of situations, | 0:06:29 | 0:06:32 | |
'but the point is to finally get here and help.' | 0:06:32 | 0:06:35 | |
And you have your arguments or whatever it is with others, | 0:06:35 | 0:06:38 | |
but this is all for charity, so... That's why we're here. | 0:06:38 | 0:06:42 | |
You guys are very brave. | 0:06:43 | 0:06:45 | |
And I want you to know that I've been praying for you guys, | 0:06:45 | 0:06:49 | |
and this is something that, in the name of Celebrity Apprentice | 0:06:49 | 0:06:52 | |
and Mr Trump, we will give the Latino Commission On Aids. | 0:06:52 | 0:06:57 | |
You are amazing, you guys. This is 20,000 for us. | 0:07:01 | 0:07:05 | |
This is amazing, so thank you very much, Dayana. | 0:07:07 | 0:07:10 | |
-Good morning. ALL: -Good morning. | 0:07:29 | 0:07:31 | |
We're standing in Grand Army Plaza, a very, very famous place. | 0:07:31 | 0:07:36 | |
And if you look at all the buildings around on Fifth Avenue etc, | 0:07:36 | 0:07:40 | |
all of my friends right now are watching me. | 0:07:40 | 0:07:42 | |
They're rich, some are good people and some are scum. | 0:07:42 | 0:07:46 | |
Believe me, scum. | 0:07:46 | 0:07:48 | |
Now, it used to be, we'd ride around in a horse and buggy, | 0:07:48 | 0:07:53 | |
but we're in a modern age and we use cars. | 0:07:53 | 0:07:57 | |
And a great car, one of my favourite cars, is Buick. | 0:07:57 | 0:08:00 | |
Buick is one of the fastest-growing brands anywhere in the world. | 0:08:00 | 0:08:05 | |
With me is Craig from Buick and Steve from Leo Burnett. | 0:08:05 | 0:08:10 | |
-Craig, tell them about the task. -Thanks, Mr Trump. | 0:08:10 | 0:08:13 | |
You know, at Buick, we're all about changing | 0:08:13 | 0:08:15 | |
consumer perceptions of this brand. One of the ways that we've done that | 0:08:15 | 0:08:18 | |
is through a number of new product introductions over the years | 0:08:18 | 0:08:21 | |
that have really broken the mould for Buick. | 0:08:21 | 0:08:23 | |
Your task today is to help us introduce the all-new Buick Verano, | 0:08:23 | 0:08:27 | |
a new vehicle and a new customer segment for us, | 0:08:27 | 0:08:30 | |
to the public, to consumers. | 0:08:30 | 0:08:31 | |
Today's task is a ten-minute presentation, | 0:08:31 | 0:08:34 | |
and a ten-minute question-and-answer segment, | 0:08:34 | 0:08:37 | |
to introduce the Buick Verano | 0:08:37 | 0:08:39 | |
to both a live audience and online viewers. | 0:08:39 | 0:08:42 | |
The presentation needs to be both informative and entertaining, | 0:08:42 | 0:08:45 | |
while highlighting four key features of the Buick Verano. | 0:08:45 | 0:08:48 | |
Right, Don, how will they be judged? | 0:08:48 | 0:08:51 | |
Craig and Steve are going to judge your launch presentation | 0:08:51 | 0:08:54 | |
and determine the overall winner based on three criteria. | 0:08:54 | 0:08:57 | |
Informational content, brand messaging, and overall creativity. | 0:08:57 | 0:09:01 | |
OK? Now, do you have any questions as to how you're going to be judged? | 0:09:01 | 0:09:05 | |
-Adam? -Just a comment. I lost my virginity in a Regal. | 0:09:05 | 0:09:10 | |
Nice! | 0:09:10 | 0:09:13 | |
Your team is doing very well. | 0:09:13 | 0:09:14 | |
Two weeks ago, hotshot! | 0:09:14 | 0:09:16 | |
Now, you're going to have to make a choice - | 0:09:16 | 0:09:19 | |
who is going to be your captain? | 0:09:19 | 0:09:20 | |
You have Michael Andretti, the son of Mario Andretti, | 0:09:20 | 0:09:23 | |
in his own right, an unbelievable racer. | 0:09:23 | 0:09:26 | |
-DEBBIE: -'Hello? Michael Andretti on the team?' | 0:09:26 | 0:09:30 | |
I was like, we're a bunch of chicks who know nothing about cars. | 0:09:30 | 0:09:35 | |
I have a feeling I know who you're going to do, but we'll see. | 0:09:35 | 0:09:38 | |
Oh, wow. | 0:09:38 | 0:09:39 | |
-How you feeling about this one, Adam? -I feel good. | 0:09:41 | 0:09:44 | |
Gentlemen, who is your project manager? | 0:09:44 | 0:09:46 | |
Adam, now, why didn't you pick Michael Andretti for a car thing? | 0:09:46 | 0:09:50 | |
Because he looked at me and said, "You do it." | 0:09:50 | 0:09:53 | |
'What a lot of people may not know about me | 0:09:53 | 0:09:56 | |
'is that I race vintage cars | 0:09:56 | 0:09:59 | |
'and I do a car show on the Speed Channel.' | 0:09:59 | 0:10:03 | |
So I realised I could probably execute this better than he could. | 0:10:03 | 0:10:06 | |
-Who is your project manager? -I'm going to be the project manager. | 0:10:06 | 0:10:09 | |
OK, Deborah, that's very good. | 0:10:09 | 0:10:11 | |
'I decided to step up as project manager | 0:10:11 | 0:10:14 | |
'because it was about live presentation. | 0:10:14 | 0:10:17 | |
'I perform all the time, so I thought,' | 0:10:17 | 0:10:20 | |
"How hard could this be?" | 0:10:20 | 0:10:23 | |
The winning team's project manager will get 20,000 | 0:10:23 | 0:10:28 | |
for his or her charity. What is your charity? | 0:10:28 | 0:10:31 | |
My charity is Children International, Mr Trump. | 0:10:31 | 0:10:33 | |
-Good, Deborah. Adam, what's your charity? -Catholic Big Brothers. | 0:10:33 | 0:10:38 | |
-OK, very good. -Mr Trump, I think we can help there. | 0:10:38 | 0:10:40 | |
-I think we can add to that 20,000 with another 30,000. -Whoa! | 0:10:40 | 0:10:44 | |
-Thank you very much, Craig. -Oh, we've got to win, we've got to win! | 0:10:44 | 0:10:47 | |
So, the winning team's project manager gets 50,000. | 0:10:47 | 0:10:52 | |
-Oh, awesome. -All right, have a good time, do a great job for Buick. | 0:10:52 | 0:10:56 | |
-Thank you, thank you. -Go ahead. -All right. Whoo-hoo! | 0:10:56 | 0:10:59 | |
Ooh! We've got swag from Buick. All right, guys. | 0:11:05 | 0:11:09 | |
I am very excited. We're going to ride the wave | 0:11:09 | 0:11:12 | |
that started on the last task with our win. | 0:11:12 | 0:11:14 | |
-TIA: -'Our task this week is to do a consumer launch' | 0:11:14 | 0:11:18 | |
presentation for the Buick Verano, | 0:11:18 | 0:11:22 | |
and it's to include a ten-minute presentation and a ten-minute Q&A. | 0:11:22 | 0:11:26 | |
I think we should tell a story that's sincere, | 0:11:26 | 0:11:29 | |
makes people feel that this was really genuine, | 0:11:29 | 0:11:32 | |
and if I were in that situation, I would want that car. | 0:11:32 | 0:11:35 | |
That's a great thing. | 0:11:35 | 0:11:36 | |
'Aubrey is a brainstormer, which is great, but... | 0:11:36 | 0:11:42 | |
'It can be overbearing.' | 0:11:42 | 0:11:46 | |
So my job as project manager is to recognise | 0:11:46 | 0:11:49 | |
when it's the idea, take it, run with it. | 0:11:49 | 0:11:52 | |
One of them can be a serious story about getting in an accident | 0:11:52 | 0:11:54 | |
and being stranded with nobody to help, | 0:11:54 | 0:11:56 | |
so that's an emotional, dramatic story | 0:11:56 | 0:11:58 | |
and it's got to be someone that can tear up an audience. | 0:11:58 | 0:12:00 | |
'I think the entire team knows what a strong player I am.' | 0:12:00 | 0:12:03 | |
I don't think any of them would have a creative bone in their body | 0:12:03 | 0:12:07 | |
to continue on without me. | 0:12:07 | 0:12:08 | |
-Hello. -Hello! -How is everybody? -Great. | 0:12:08 | 0:12:11 | |
-Hi, how are you? -Good, how are you? | 0:12:11 | 0:12:14 | |
-Hi. Steve Chavez. -OK, why don't we have the guys sit over here? | 0:12:15 | 0:12:19 | |
My first question is, when you do these presentations, | 0:12:19 | 0:12:22 | |
what is the overall purpose? | 0:12:22 | 0:12:25 | |
For us in the Verano, | 0:12:25 | 0:12:26 | |
it's really about a more thoughtful take on luxury. | 0:12:26 | 0:12:28 | |
Our key proof point in that is a system called IntelliLink. | 0:12:28 | 0:12:32 | |
It's also about the thoughtfulness | 0:12:32 | 0:12:33 | |
of what we call recording studio quiet. | 0:12:33 | 0:12:35 | |
The third one is efficient use of space. | 0:12:35 | 0:12:38 | |
And the final one is the safety of ten airbags. | 0:12:38 | 0:12:40 | |
The four features that we have to highlight are a quiet environment, | 0:12:40 | 0:12:44 | |
safety-ness, space and especially IntelliLink. | 0:12:44 | 0:12:47 | |
We want to deliver on thoughtful design. | 0:12:47 | 0:12:49 | |
You'll have an opportunity this morning, out on Pier 54, | 0:12:49 | 0:12:52 | |
to drive the cars with some product specialists. | 0:12:52 | 0:12:55 | |
-AUBREY: -'During the brainstorming with the executives,' | 0:12:55 | 0:12:57 | |
a lot of the words that they were using were heavily feminine. | 0:12:57 | 0:13:00 | |
They were talking about the voice of the car, the thoughtfulness of it, | 0:13:00 | 0:13:04 | |
so I think that we really need to talk about the heart of this car. | 0:13:04 | 0:13:08 | |
-Good luck. -Thank you. -Try not to drive into the Hudson River. | 0:13:08 | 0:13:12 | |
-Thank you so much. -Thank you. | 0:13:12 | 0:13:14 | |
I'm going to come out, welcome everybody, kiss some Buick ass. | 0:13:16 | 0:13:20 | |
I think that one of the most important parts is a face | 0:13:20 | 0:13:23 | |
that knows the product inside out. I mean, that is Michael. | 0:13:23 | 0:13:27 | |
The Q&A part, I'm built for. | 0:13:27 | 0:13:30 | |
Improv, car knowledge, I'll have all the specs downloaded. | 0:13:30 | 0:13:34 | |
I mean, I do think we're really missing something big | 0:13:34 | 0:13:36 | |
-if we don't get his ass on stage talking. -Sure. | 0:13:36 | 0:13:39 | |
-Hey, guys. -Hey. | 0:13:39 | 0:13:41 | |
-Here comes our guys. -How are you? | 0:13:41 | 0:13:43 | |
Craig Bierley. Nice to meet you. | 0:13:43 | 0:13:45 | |
Adam? How are you? Nice to meet you. Arsenio. Pleased to meet you. | 0:13:45 | 0:13:49 | |
You know what? What we want to do today is we want to have you guys | 0:13:49 | 0:13:52 | |
create a consumer-focused event to introduce the all-new Buick Verano. | 0:13:52 | 0:13:56 | |
The inspiration behind how we developed the car was about being thoughtful. | 0:13:56 | 0:13:59 | |
OK? It's about thoughtful technology. | 0:13:59 | 0:14:02 | |
-ADAM: -'Thoughtful is some fat person you work with | 0:14:02 | 0:14:05 | |
'who remembers your birthday' | 0:14:05 | 0:14:06 | |
and gets you one of those edible arrangements. | 0:14:06 | 0:14:09 | |
It's nothing to do with a car. | 0:14:09 | 0:14:11 | |
In terms of tone, you know... Fun? | 0:14:11 | 0:14:15 | |
Funny? I mean, obviously, you don't want to be boring. | 0:14:15 | 0:14:18 | |
There's a wit and charm to the way we communicate this brand. | 0:14:18 | 0:14:22 | |
We like a sense of humour, but it's not beer advertising. | 0:14:22 | 0:14:25 | |
These guys were reserved in the box executives, | 0:14:25 | 0:14:31 | |
and I was a little afraid | 0:14:31 | 0:14:32 | |
because Adam is a comic. | 0:14:32 | 0:14:34 | |
So are we making a mistake with Adam being the project manager? | 0:14:34 | 0:14:39 | |
Steve and I have spent a lot of time crafting what is | 0:14:39 | 0:14:42 | |
essentially the voice for this brand. | 0:14:42 | 0:14:45 | |
Right? In terms of tonality. | 0:14:45 | 0:14:48 | |
Well, that's Tiger Woods, right? | 0:14:48 | 0:14:50 | |
Or is it...? We don't talk about him any more? | 0:14:50 | 0:14:52 | |
-Most things that come from him will be jokes. -Don't make that call. | 0:14:52 | 0:14:56 | |
'Tiger Woods used to be a spokesperson for Buick', | 0:14:56 | 0:14:59 | |
but after all his, ahem, controversy, | 0:14:59 | 0:15:01 | |
his name is probably the last thing they want to hear. | 0:15:01 | 0:15:05 | |
So, as project manager, Adam's going to have to figure out how to | 0:15:05 | 0:15:08 | |
turn the dial back on his comedy a little bit | 0:15:08 | 0:15:11 | |
if he's going to be able to lead us in a Buick-themed task. | 0:15:11 | 0:15:14 | |
Let's just work at the beginning. | 0:15:23 | 0:15:25 | |
I would like a little kapow | 0:15:25 | 0:15:29 | |
with the reveal of the car. | 0:15:29 | 0:15:31 | |
-ARSENIO: -'Our task this week is to present | 0:15:31 | 0:15:33 | |
'the Buick Verano to a live audience,' | 0:15:33 | 0:15:36 | |
and an internet audience on Twitter, | 0:15:36 | 0:15:39 | |
and present a ten-minute show and a ten-minute Q&A. | 0:15:39 | 0:15:44 | |
You know I'm saying? | 0:15:49 | 0:15:51 | |
I could come out with a suit and have difficulty tearing it apart. | 0:15:51 | 0:15:54 | |
I... Maybe. | 0:15:54 | 0:15:56 | |
In order to go Hulk, we have to get the wig | 0:15:56 | 0:15:58 | |
and we have to get a certain kind of make-up to match. | 0:15:58 | 0:16:00 | |
You know, the Hulk's a little campy. | 0:16:00 | 0:16:03 | |
Lou, you've been saying that you're capable of doing more. | 0:16:03 | 0:16:05 | |
I think you need to show you can do more. | 0:16:05 | 0:16:07 | |
MICHAEL: 'Lou's problem is that he just worries about Lou.' | 0:16:07 | 0:16:10 | |
He's not really caring about the task - | 0:16:10 | 0:16:13 | |
he's just worrying about his part in the task. | 0:16:13 | 0:16:15 | |
And the only job he really wants is to pull his shirt off | 0:16:15 | 0:16:19 | |
and act like he's the Hulk. | 0:16:19 | 0:16:21 | |
Let's go. We're going to go test drive the car. | 0:16:21 | 0:16:23 | |
The car's silver. Do you want a silver suit torn with a green tie? | 0:16:23 | 0:16:27 | |
I don't know that I want to get green make-up all over. | 0:16:27 | 0:16:30 | |
'Adam was very adamant about what he wanted to do,' | 0:16:30 | 0:16:33 | |
and some of us were nervous because we were feeling that | 0:16:33 | 0:16:36 | |
he wasn't on the right path. | 0:16:36 | 0:16:37 | |
-Adam? -Yes. -I'm trying to show you something. Here. -Yeah. | 0:16:37 | 0:16:41 | |
-Take this with you. -No, we're good. | 0:16:41 | 0:16:43 | |
'Adam had in the back of his mind what he wanted to do,' | 0:16:43 | 0:16:46 | |
and how could it be delivered, | 0:16:46 | 0:16:47 | |
whether anybody else likes it or not. | 0:16:47 | 0:16:49 | |
This is a casting call for the Buick spokesman or something? | 0:16:51 | 0:16:55 | |
That's why it would give people an excuse to come out of the audience. | 0:16:55 | 0:16:58 | |
That is a fantastic idea, | 0:16:58 | 0:16:59 | |
such a great way to relay all that information. | 0:16:59 | 0:17:01 | |
You can say, "OK, you." | 0:17:01 | 0:17:03 | |
Then somebody can get up and do their little vignette. | 0:17:03 | 0:17:05 | |
So she's about the space. You're about the safety. | 0:17:05 | 0:17:09 | |
I'm about the gadgets. And you're about the recording... | 0:17:09 | 0:17:13 | |
The soundproofing as the loudmouth. And Tia's the host. | 0:17:13 | 0:17:15 | |
-AUBREY: -'Lisa and I are allies | 0:17:15 | 0:17:18 | |
'because we both know how valuable each other are.' | 0:17:18 | 0:17:20 | |
Until I started to get the ball rolling with the creativity side, | 0:17:20 | 0:17:23 | |
and Lisa started formulating the concept, | 0:17:23 | 0:17:25 | |
nothing was getting done creatively on this task. | 0:17:25 | 0:17:28 | |
I have a really huge mission for you, Teresa. | 0:17:28 | 0:17:30 | |
Is your husband available to do the scenario with you and the kids? | 0:17:30 | 0:17:34 | |
'Debbie suggested bringing my husband and my children, | 0:17:34 | 0:17:37 | |
'and I was like, "No problem." ' | 0:17:37 | 0:17:38 | |
If they want to make me centre of attention, I'll take it. | 0:17:38 | 0:17:41 | |
The introduction to the thing is, like, we're all a world community - | 0:17:41 | 0:17:44 | |
that sort of thing. | 0:17:44 | 0:17:46 | |
Sort of like the overriding theme connecting it is, like, humanity. | 0:17:46 | 0:17:49 | |
Any better ideas or any other ideas? | 0:17:49 | 0:17:52 | |
The whole back wall of it, an image of Ivanka, | 0:17:52 | 0:17:54 | |
what do you think about that? | 0:17:54 | 0:17:56 | |
No, I don't thing we should do that. | 0:17:56 | 0:17:58 | |
What's the order of what you want to do, | 0:17:58 | 0:18:00 | |
-which type of music you want to use? -We don't know yet, so... | 0:18:00 | 0:18:03 | |
'Some people come up with ideas that are so far off course, | 0:18:04 | 0:18:08 | |
'or a day late and a dollar short,' | 0:18:08 | 0:18:10 | |
it's a detriment and a distraction | 0:18:10 | 0:18:12 | |
and it holds us back from meeting our deadlines. | 0:18:12 | 0:18:15 | |
What if you had each person get a Buick after their story | 0:18:15 | 0:18:17 | |
and, at the end, they're all in the car together, | 0:18:17 | 0:18:20 | |
and it's like, "I am Buick" or "We are Buick?" | 0:18:20 | 0:18:22 | |
We are all Buick. | 0:18:22 | 0:18:25 | |
-PENN: -I believe that a presentation needs to be somebody | 0:18:31 | 0:18:33 | |
with eye contact, from the heart, talking to the audience. | 0:18:33 | 0:18:36 | |
Do we need to say that again to Adam | 0:18:36 | 0:18:38 | |
or do you think he's heard it already? | 0:18:38 | 0:18:40 | |
We don't want to later say | 0:18:40 | 0:18:42 | |
we shouldn't have given up trying to communicate. | 0:18:42 | 0:18:45 | |
'Adam, Paul and Michael Andretti' | 0:18:45 | 0:18:47 | |
have gone for a test drive. | 0:18:47 | 0:18:49 | |
We're back at the war room and we have nothing. | 0:18:49 | 0:18:52 | |
PHONE RINGS | 0:18:52 | 0:18:54 | |
-Hello? -Hey, Adam. -Clay. | 0:18:54 | 0:18:58 | |
If you give me some idea of what you're thinking of and looking at. | 0:18:58 | 0:19:01 | |
I'm thinking maybe just to do our sketch | 0:19:01 | 0:19:05 | |
-and then get to the Q&A. -'Yeah.' | 0:19:05 | 0:19:08 | |
We also don't know what the sketch is yet, Adam, of course. | 0:19:08 | 0:19:12 | |
-What if you guys are hecklers? -And it would happen during the Q&A? | 0:19:12 | 0:19:16 | |
-'No, it would happen during my presentation.' -Oh! | 0:19:16 | 0:19:19 | |
I think it would be funny if we spread you guys around the audience | 0:19:19 | 0:19:24 | |
and, you know, you guys heckle me. | 0:19:24 | 0:19:27 | |
Not... Doesn't seem like a good idea to me. | 0:19:27 | 0:19:30 | |
I think it's a really classy brand | 0:19:30 | 0:19:34 | |
and I think we should go over it, not come under it. | 0:19:34 | 0:19:37 | |
It's all going to be there, like, we may want to play ourselves. | 0:19:37 | 0:19:41 | |
-Penn, I'm a big man, I need plenty... -I like braking power. | 0:19:41 | 0:19:46 | |
-I'm Dee Snider, I want to rock? -'Yeah.' | 0:19:46 | 0:19:49 | |
Adam had this idea for hecklers in the audience | 0:19:49 | 0:19:53 | |
and he wanted each celebrity heckler | 0:19:53 | 0:19:55 | |
to have a different concern about the car. | 0:19:55 | 0:19:58 | |
-OK, thanks, guys. -OK, call us if you need us. -OK. | 0:19:58 | 0:20:02 | |
We all have made comments that we don't think | 0:20:02 | 0:20:05 | |
so much humour is important. | 0:20:05 | 0:20:07 | |
The question was asked directly, do you want funny? And they said no. | 0:20:07 | 0:20:10 | |
Yeah. That means something about tone. | 0:20:10 | 0:20:12 | |
A lot of the team members are concerned about the beer | 0:20:12 | 0:20:15 | |
commercialness of it because that was literally | 0:20:15 | 0:20:17 | |
said by the executives, "We don't want a beer commercial." | 0:20:17 | 0:20:20 | |
But Adam has decided he wants to go straight against that, | 0:20:20 | 0:20:24 | |
so we really have no choice but to follow his lead | 0:20:24 | 0:20:27 | |
and to hope he's right. | 0:20:27 | 0:20:28 | |
We've said it, we've said it, "Who's the boss?" Do it. | 0:20:28 | 0:20:32 | |
You're absolutely right. | 0:20:32 | 0:20:34 | |
If I'm going to buy a car, I just want to feel special in it, | 0:20:37 | 0:20:41 | |
just like the way I pick a man and an outfit. | 0:20:41 | 0:20:44 | |
-Right, that's what I mean, it's a reflection. Reflection. -Reflects... | 0:20:44 | 0:20:47 | |
Reflect. Love your reflection! | 0:20:47 | 0:20:50 | |
Love is perfect. Thank you. | 0:20:50 | 0:20:53 | |
It's clear that Debbie has put the people she thinks | 0:20:53 | 0:20:55 | |
will be most efficient in the cool van. | 0:20:55 | 0:20:58 | |
I've always been one of the members of the cool van. | 0:20:58 | 0:21:02 | |
We're usually the ones that move the task along, | 0:21:02 | 0:21:05 | |
really make the entire thing happen. | 0:21:05 | 0:21:08 | |
The uncool van is the leftovers. | 0:21:08 | 0:21:11 | |
-Does anybody have Advil? -No. Sorry. | 0:21:13 | 0:21:18 | |
Being put in a separate van | 0:21:18 | 0:21:20 | |
and knowing they are coming up with a concept that is going to be | 0:21:20 | 0:21:23 | |
solidified by the time you get to your destination, | 0:21:23 | 0:21:26 | |
it was frustrating. | 0:21:26 | 0:21:28 | |
-DAYANA: -I don't know what I'm doing, nobody has told me anything. | 0:21:28 | 0:21:30 | |
Why couldn't they just have us on speakerphone so we could listen? | 0:21:30 | 0:21:33 | |
-Is that so hard? -Yeah, I know, I know. | 0:21:33 | 0:21:37 | |
Debbie could have done a better job in delegating. | 0:21:37 | 0:21:39 | |
She doesn't have to like me, | 0:21:39 | 0:21:41 | |
but we're in a challenge together and I wanted to be more involved. | 0:21:41 | 0:21:46 | |
Sorry, yep. Tia. | 0:21:46 | 0:21:51 | |
We wanted to be on speakerphone | 0:21:51 | 0:21:52 | |
-so we could be in the conversation, so we know what's going on. -Hold on. | 0:21:52 | 0:21:56 | |
-Can you hold this, please? -Sure. | 0:21:56 | 0:21:57 | |
I don't have anything to include her in yet. I just want to review this. | 0:21:57 | 0:22:01 | |
Debbie is reviewing her notes and then we'll call you right back. | 0:22:01 | 0:22:06 | |
She said she'll call back when she has it all fleshed out. | 0:22:06 | 0:22:08 | |
She will call you back. | 0:22:08 | 0:22:09 | |
-Yeah, when SHE has it all fleshed out. -Right. -So there is no team. | 0:22:09 | 0:22:15 | |
Hi. I'm Adam Carolla. | 0:22:22 | 0:22:24 | |
Nice to meet you. I'm Jennifer Nardicchio. | 0:22:24 | 0:22:25 | |
We needed to meet with our Buick product specialist, | 0:22:25 | 0:22:28 | |
so I decided to take Michael with me, and Paul, | 0:22:28 | 0:22:32 | |
and go out and drive the car for ourselves. | 0:22:32 | 0:22:35 | |
-Do you want to hop in the passenger? -Sure. | 0:22:35 | 0:22:37 | |
Michael Andretti's job was to test drive the car | 0:22:37 | 0:22:40 | |
and be the sort of technical expert. | 0:22:40 | 0:22:44 | |
CAR STARTS | 0:22:44 | 0:22:46 | |
-Can we go? -I think you're ready to go. | 0:22:46 | 0:22:48 | |
HE REVS ENGINE | 0:22:48 | 0:22:50 | |
-TYRES SCREECH -Slow down! | 0:22:50 | 0:22:52 | |
Michael Andretti is a legend, | 0:22:53 | 0:22:55 | |
everybody knows that, so, you know, to see him | 0:22:55 | 0:22:58 | |
getting that new Buick to rip around that track was pretty impressive. | 0:22:58 | 0:23:03 | |
'I'm a race car driver and I know what a car should feel like | 0:23:07 | 0:23:11 | |
'when you drive it. I like the Verano.' | 0:23:11 | 0:23:13 | |
It felt really good, I was real happy with the way it responded. | 0:23:13 | 0:23:16 | |
It was a perfect car. | 0:23:16 | 0:23:18 | |
-How do you like that? -Wow! | 0:23:23 | 0:23:24 | |
Hey. He will take you on your drive. | 0:23:28 | 0:23:29 | |
-Nice to meet you. -You as well. -Thank you. | 0:23:29 | 0:23:31 | |
So we arrive at Chelsea Pier to meet up with our Buick product | 0:23:31 | 0:23:34 | |
specialist, who is going to take us on a test drive. | 0:23:34 | 0:23:37 | |
How much do you girls trust me? | 0:23:37 | 0:23:39 | |
-It's very comfortable. -Step on it a little. | 0:23:39 | 0:23:42 | |
Step on it? No problem. | 0:23:42 | 0:23:43 | |
TYRES SCREECH | 0:23:43 | 0:23:45 | |
THUD! | 0:23:45 | 0:23:46 | |
Ohhhh! It's like my driving test all over again. | 0:23:46 | 0:23:48 | |
Oooh, this is fun. | 0:23:48 | 0:23:50 | |
Oh, going to knock some cones over but that's all right. OK. | 0:23:50 | 0:23:53 | |
Stop, stop! | 0:23:53 | 0:23:54 | |
TYRES SCREECH | 0:23:54 | 0:23:57 | |
That's great. Sold! | 0:23:57 | 0:23:59 | |
You want to start with safety? Ten airbags? | 0:24:06 | 0:24:10 | |
Hey. | 0:24:10 | 0:24:12 | |
I'm going to run the beats here through you guys. | 0:24:12 | 0:24:14 | |
I'm going to start, welcome everybody. | 0:24:14 | 0:24:17 | |
Michael is going to discuss the experience of driving the car | 0:24:17 | 0:24:22 | |
and how it felt, and then the heckle will begin. | 0:24:22 | 0:24:25 | |
'As a project manager, I wanted a mixture of' | 0:24:25 | 0:24:29 | |
information and laughs. | 0:24:29 | 0:24:32 | |
The team doesn't have 11 quarterbacks, | 0:24:32 | 0:24:35 | |
it has a quarterback and some guys have to block. | 0:24:35 | 0:24:39 | |
The button will be Paul chiming in, | 0:24:39 | 0:24:41 | |
-just saying, "You suck." -Oh! | 0:24:41 | 0:24:44 | |
I don't know if the "you suck" stuff is going to work for these guys. | 0:24:48 | 0:24:52 | |
If it plays, if it gets a laugh, if it's funny, then it works. | 0:24:52 | 0:24:55 | |
They said they want witty, not a beer commercial. | 0:24:55 | 0:24:59 | |
-We can, we can... -Just asking. -No. | 0:24:59 | 0:25:01 | |
The downside to Adam is, once he's made up his mind | 0:25:01 | 0:25:05 | |
as to what he wants to do, | 0:25:05 | 0:25:06 | |
it's really hard to get him to see another side. | 0:25:06 | 0:25:09 | |
I don't feel like he doesn't hear us, | 0:25:09 | 0:25:11 | |
I just don't necessarily think he...cares. | 0:25:11 | 0:25:16 | |
I feel like, as long as we're getting it out there, | 0:25:16 | 0:25:19 | |
we'll be in good shape. | 0:25:19 | 0:25:21 | |
I need to just recap with everybody. | 0:25:27 | 0:25:30 | |
We're going with the - love your reflection. | 0:25:30 | 0:25:32 | |
We came up with the idea potentially of doing some mirrors. | 0:25:32 | 0:25:36 | |
I don't know how quite it's going to work. | 0:25:36 | 0:25:38 | |
Each character basically is going to reflect upon | 0:25:38 | 0:25:42 | |
a way in which a Buick helped them in their lives, helped save the day. | 0:25:42 | 0:25:47 | |
Is there any way to decide on that, | 0:25:47 | 0:25:49 | |
-just so we know how to start writing it? -Erm... | 0:25:49 | 0:25:51 | |
So we got back to the war room after test driving the car, | 0:25:51 | 0:25:54 | |
and realised that we had a huge deadline to meet but no script yet. | 0:25:54 | 0:25:58 | |
-Can I read something? I wrote like three short things. -Absolutely. | 0:25:58 | 0:26:01 | |
OK. One woman - "I need a car I can count on, a safe space to | 0:26:01 | 0:26:04 | |
"transport my family and a stylish car that reflects who I am." | 0:26:04 | 0:26:08 | |
You take pictures of the people that look like they've got | 0:26:08 | 0:26:11 | |
the Buick style. | 0:26:11 | 0:26:12 | |
Not to knock it down, it's away from where we're going, | 0:26:12 | 0:26:16 | |
only because you weren't in our van. | 0:26:16 | 0:26:18 | |
'I had envisioned photos of everyday people, which fell on deaf ears. | 0:26:18 | 0:26:23 | |
'It's kind of like, wow, you don't have to be so dismissive of me' | 0:26:23 | 0:26:27 | |
or condescending. | 0:26:27 | 0:26:28 | |
It doesn't feel nice and it makes you feel like, well, | 0:26:28 | 0:26:31 | |
OK, I'll just sit here and let you do what you're going to do. | 0:26:31 | 0:26:33 | |
Oh, my God, our hero! | 0:26:35 | 0:26:37 | |
-Hello. -Flattery will get you everything with me. | 0:26:37 | 0:26:40 | |
-Sit down, this is empty. -How's it going so far? | 0:26:40 | 0:26:44 | |
Things are unfolding and we're taking things in. | 0:26:44 | 0:26:47 | |
We're a little wired and nervous watching the timing cos we've | 0:26:47 | 0:26:50 | |
run into issues with that in the past. | 0:26:50 | 0:26:52 | |
I think my biggest concern about the women's team, frankly, is | 0:26:52 | 0:26:55 | |
they have a lot to do in a very finite amount of time. | 0:26:55 | 0:26:57 | |
I think, if Debbie doesn't crack down and get pen on paper and | 0:26:57 | 0:27:00 | |
start delivering this task, she's going to be in trouble | 0:27:00 | 0:27:03 | |
when she gets up in front of hundreds of people. | 0:27:03 | 0:27:05 | |
-I look forward to seeing it. -Us, too. | 0:27:05 | 0:27:07 | |
Why don't you explain to her what that idea was? | 0:27:09 | 0:27:11 | |
This would be the reveal inside. | 0:27:11 | 0:27:13 | |
We want the logo and we want to put three words. | 0:27:13 | 0:27:17 | |
What if we did thoughtful something, thoughtful something | 0:27:17 | 0:27:19 | |
and then thoughtful? | 0:27:19 | 0:27:20 | |
-Hi, guys. -Hey. -Good to see you, Adam. Paul, how's it going? | 0:27:20 | 0:27:23 | |
-Hi, nice to see you. -How's it going so far? | 0:27:23 | 0:27:26 | |
-Do you want all the gags? -Yes, give it to me. | 0:27:26 | 0:27:29 | |
I think we're going to do it in a way that's a little more | 0:27:29 | 0:27:32 | |
humorous and more interesting, where our guys yell | 0:27:32 | 0:27:35 | |
out their concerns and I say, "Good point". | 0:27:35 | 0:27:39 | |
Obviously the questions are based on the marketing. | 0:27:39 | 0:27:42 | |
You know about the cars. | 0:27:42 | 0:27:44 | |
Yeah, I'm not a mechanic or anything, but I know how they operate. | 0:27:44 | 0:27:47 | |
I was surprised you weren't project manager on this one. | 0:27:47 | 0:27:49 | |
This is more a marketing thing than a driving thing. | 0:27:49 | 0:27:53 | |
Yeah, but you can bring in all your driver friends... | 0:27:53 | 0:27:56 | |
Given that the Andretti family is almost synonymous with cars | 0:27:56 | 0:27:59 | |
and racing, I was a little bit surprised that Michael didn't step | 0:27:59 | 0:28:03 | |
'up on a task that is more tailored to his particular skill set.' | 0:28:03 | 0:28:06 | |
I think he'll do a better job of presenting | 0:28:06 | 0:28:08 | |
the actual presentation cos that's his thing. | 0:28:08 | 0:28:10 | |
I don't know. This struck me as a total natural for you. | 0:28:10 | 0:28:13 | |
I felt like, if we wanted to win the task, Adam had a better shot at it, | 0:28:13 | 0:28:17 | |
but I was starting to get worried that my point wasn't getting across. | 0:28:17 | 0:28:20 | |
Well, guys, enjoy and I will see you all at the presentation. Good luck, Adam. | 0:28:20 | 0:28:25 | |
Thank you. | 0:28:25 | 0:28:26 | |
Hey, what's going on? | 0:28:31 | 0:28:33 | |
Our task this week is to produce a presentation for the new | 0:28:33 | 0:28:36 | |
Buick Verano, so we got to rehearsal | 0:28:36 | 0:28:39 | |
and started to run through the show for the first time. | 0:28:39 | 0:28:42 | |
Let's give up for IndyCar great Michael Andretti. | 0:28:42 | 0:28:46 | |
-Thanks, Michael. -Great to be here. | 0:28:46 | 0:28:48 | |
'The creative for our presentation was basically Adam gets up there,' | 0:28:48 | 0:28:52 | |
starts talking, brings me up on stage to give my spiel. | 0:28:52 | 0:28:56 | |
Then the hecklers would start. | 0:28:56 | 0:28:57 | |
Hey, you, if you could shut your pie-hole for a minute, I have a question. | 0:28:57 | 0:29:01 | |
'And the idea of a heckler was for them' | 0:29:01 | 0:29:03 | |
to bring out the points of the car that the Buick execs wanted. | 0:29:03 | 0:29:07 | |
-What can you do for me? -Bluetooth technology, kapow! | 0:29:07 | 0:29:11 | |
Look at me! I'm 6'7", | 0:29:11 | 0:29:14 | |
would I even fit in there with my children? | 0:29:14 | 0:29:16 | |
So it started with Arsenio and then it went to Penn, | 0:29:16 | 0:29:19 | |
-and then Penn gets in the trunk, which was great. -Action. | 0:29:19 | 0:29:23 | |
This trunk is big enough to fit Penn Jillette. | 0:29:27 | 0:29:29 | |
Can I go back to sleep? Night-night, Adam. | 0:29:29 | 0:29:32 | |
That's kind of funny. Lou, you are the security. | 0:29:33 | 0:29:36 | |
Can you pick him up and bear hug him out of here? | 0:29:36 | 0:29:39 | |
I can choke him but I can't pick him up. 'They should utilise me more. | 0:29:39 | 0:29:43 | |
'I keep fighting, I keep bringing up ideas. | 0:29:43 | 0:29:46 | |
'I can contribute because everybody loves Lou Ferrigno. | 0:29:46 | 0:29:49 | |
'You know, anything I do creates attention.' | 0:29:49 | 0:29:51 | |
All right, as I was saying, ten air bags. | 0:29:51 | 0:29:54 | |
I can't even count that high - that's how many airbags there are. | 0:29:54 | 0:29:57 | |
During the performance, | 0:29:57 | 0:29:59 | |
I'm not going to be surprised that Adam gets laughs. | 0:29:59 | 0:30:02 | |
I'm not surprised that he knows cars, he knows cars. | 0:30:02 | 0:30:05 | |
But I was a little surprised that, of the 20-minute-show, | 0:30:05 | 0:30:10 | |
'I believe that Adam was responsible for 19 and a half.' | 0:30:10 | 0:30:14 | |
-This is going to be up to me to -BLEEP -basically. | 0:30:14 | 0:30:18 | |
We got lots to do. | 0:30:21 | 0:30:23 | |
Let's welcome the star of our show, you lead the clapping. | 0:30:23 | 0:30:27 | |
Then in your official position as cast director, | 0:30:27 | 0:30:29 | |
that's when you walk here and assume that character. | 0:30:29 | 0:30:33 | |
'For the presentation, we thought it'd be a really cool idea' | 0:30:33 | 0:30:36 | |
if each one of us, who were telling our own story about the car, | 0:30:36 | 0:30:39 | |
represented a feature of the Buick Verona. | 0:30:39 | 0:30:42 | |
I like to shop, but, guess what, I'm on a budget too | 0:30:42 | 0:30:45 | |
and I need a lot space. | 0:30:45 | 0:30:47 | |
Aubrey, myself, Lisa and Teresa are all going to act in the show, | 0:30:47 | 0:30:52 | |
and Tia will host. | 0:30:52 | 0:30:55 | |
Tia goes, envelops the audience and says, "We are all Buick." | 0:30:55 | 0:30:58 | |
Love your reflection and you have the thing too, | 0:30:58 | 0:31:01 | |
and that's the ending. | 0:31:01 | 0:31:02 | |
Yes. But first I just need to talk it through with Lisa. | 0:31:06 | 0:31:09 | |
We are going to present in less than 12 hours and, to be honest, | 0:31:09 | 0:31:12 | |
I don't know what we're doing. | 0:31:12 | 0:31:15 | |
I don't think they are still understanding | 0:31:15 | 0:31:18 | |
that I can help as much as I can. | 0:31:18 | 0:31:20 | |
So... OK, we start, Tia, the reveal. | 0:31:20 | 0:31:25 | |
I would say, maybe... | 0:31:25 | 0:31:27 | |
-AUBREY: -I think Debbie is maybe very overwhelmed. | 0:31:27 | 0:31:31 | |
We have yet to have run through the show one time in a clean fashion. | 0:31:31 | 0:31:35 | |
You! | 0:31:35 | 0:31:37 | |
Blah, blah, blah. Blah, blah, blah. | 0:31:37 | 0:31:40 | |
'As I'm watching the rehearsal, | 0:31:40 | 0:31:41 | |
'I realise that it looks very gimmicky.' | 0:31:41 | 0:31:44 | |
We have Lisa being a comedian, | 0:31:44 | 0:31:46 | |
then we have Debbie Gibson having her comeback tour. | 0:31:46 | 0:31:49 | |
HORN TOOTS | 0:31:49 | 0:31:51 | |
MUSIC PLAYS | 0:31:51 | 0:31:53 | |
I think Debbie should just go on stage and sing In Her Dreams, | 0:31:54 | 0:31:58 | |
-or whatever the -BLEEP -song that she says is so amazing. | 0:31:58 | 0:32:01 | |
I honestly wasn't into any of her stuff, | 0:32:01 | 0:32:03 | |
I was more of a Tiffany fan, | 0:32:03 | 0:32:05 | |
but whether you bought a ticket or not, you're going to hear her sing. | 0:32:05 | 0:32:09 | |
My only concern with that, to vocalise it, is just I think | 0:32:09 | 0:32:13 | |
it's becoming into a comedy hour instead of focusing on a | 0:32:13 | 0:32:19 | |
detailed presentation of product, | 0:32:19 | 0:32:21 | |
so if we can just come back a little bit. | 0:32:21 | 0:32:23 | |
-I'm so deliriously tired. -I know. -I feel the tone is going to take | 0:32:23 | 0:32:26 | |
-shape tomorrow and it's going to be right, I won't let it be wrong. -OK. | 0:32:26 | 0:32:29 | |
'It's the end of the night and I'm feeling a little out of it.' | 0:32:29 | 0:32:33 | |
There's definitely a lot of loose ends at this point. | 0:32:33 | 0:32:36 | |
One of my biggest things is the facts for the Q&A. | 0:32:36 | 0:32:39 | |
I don't know that we'll have time to memorise every single fact. | 0:32:39 | 0:32:42 | |
I want 50,000 for my charity and I want to present well. | 0:32:42 | 0:32:46 | |
I want to rock it, so I really hope that some magic fairy dust gets | 0:32:46 | 0:32:52 | |
sprinkled on us tomorrow and we're able to pull it out of the hat. | 0:32:52 | 0:32:55 | |
We didn't actually get to go through a rehearsal. | 0:32:55 | 0:32:58 | |
All right. Guys, we have 45 minutes. | 0:33:05 | 0:33:06 | |
We're just going to hit the ground running. Everybody, get into place. | 0:33:06 | 0:33:09 | |
'Our task today is to introduce the new Buick Verano in a ten-minute' | 0:33:09 | 0:33:13 | |
live presentation and a ten-minute question-and-answer segment. | 0:33:13 | 0:33:17 | |
Check, one, two. | 0:33:17 | 0:33:19 | |
We're giving this presentation for a live audience and Twitter followers. | 0:33:19 | 0:33:23 | |
-DEBBIE: -It's moments before the performance and I'm a little bit | 0:33:26 | 0:33:29 | |
nervous because I'm not overly familiar with the material, | 0:33:29 | 0:33:32 | |
but I thought, you know what? It's show time, there was | 0:33:32 | 0:33:35 | |
nothing else we could do to prepare, so on we went. | 0:33:35 | 0:33:39 | |
Ladies and gentlemen, Team Forte. | 0:33:39 | 0:33:42 | |
Hello, everyone. Welcome to Buick. But first, | 0:33:42 | 0:33:46 | |
the star of our show, the all-new 2012 Buick Verano. | 0:33:46 | 0:33:53 | |
Ah, yes. | 0:33:57 | 0:33:58 | |
We are conducting a casting call to choose | 0:33:58 | 0:34:01 | |
a spokesperson for the new Buick Verano. | 0:34:01 | 0:34:04 | |
-Do we have anyone that...? -Oh, I'd like to audition. | 0:34:04 | 0:34:07 | |
-Sure, absolutely. -Hi, everyone. I'm Debbie Gibson. | 0:34:07 | 0:34:10 | |
Yes, THE Debbie Gibson. | 0:34:10 | 0:34:11 | |
CHEERING | 0:34:11 | 0:34:13 | |
Anyway, with all of this hands-free connectivity, | 0:34:16 | 0:34:19 | |
with just one touch of a button and using my voice and my smartphone, | 0:34:19 | 0:34:23 | |
it was like, "Get me agent, get my manager" - | 0:34:23 | 0:34:25 | |
who, by the way, happens to be my mother, yes. | 0:34:25 | 0:34:28 | |
LAUGHTER | 0:34:28 | 0:34:29 | |
Y'all may remember this little ditty. | 0:34:29 | 0:34:31 | |
Play Debbie Gibson, Shake Your Love! | 0:34:31 | 0:34:34 | |
-ON STEREO: -# Your love | 0:34:34 | 0:34:35 | |
# I just can't shake your love... # | 0:34:35 | 0:34:38 | |
I hope I got the part. Thank you! | 0:34:38 | 0:34:40 | |
CHEERING | 0:34:40 | 0:34:41 | |
I'm ready for my close-up. | 0:34:41 | 0:34:43 | |
I am Lisa Lampanelli | 0:34:43 | 0:34:45 | |
and I yell a lot. | 0:34:45 | 0:34:47 | |
So the best thing about my Buick Verano | 0:34:47 | 0:34:50 | |
is it has a recording-studio-quiet environment. | 0:34:50 | 0:34:54 | |
Cos I'm the quiet one in the family, all right? | 0:34:54 | 0:34:57 | |
But that's like being the poorest member of the Trump family - | 0:34:57 | 0:35:00 | |
-it don't mean much! -LAUGHTER | 0:35:00 | 0:35:02 | |
So I get up there, I'm HILARIOUS, | 0:35:02 | 0:35:05 | |
and I caught a look at the executives, | 0:35:05 | 0:35:07 | |
laughing and having a good time, so I'm feeling pretty good. | 0:35:07 | 0:35:10 | |
Thank you! | 0:35:10 | 0:35:11 | |
CHEERING | 0:35:11 | 0:35:13 | |
-Oh, no! -# I just can't shake your love... # | 0:35:13 | 0:35:14 | |
I'm trapped in Debbie Gibson's car! | 0:35:14 | 0:35:17 | |
HELP! | 0:35:17 | 0:35:18 | |
LAUGHTER | 0:35:18 | 0:35:20 | |
I have a reflection about the Buick Verano | 0:35:20 | 0:35:23 | |
that will make me the winning spokesperson. | 0:35:23 | 0:35:25 | |
'It's my turn to go on the stage,' | 0:35:25 | 0:35:27 | |
and, in order to be an efficient presenter, | 0:35:27 | 0:35:29 | |
you have to emotionally connect with the crowd. | 0:35:29 | 0:35:31 | |
Everything was amazing... | 0:35:31 | 0:35:33 | |
..except from when I got a call that my mum had been in a car accident. | 0:35:34 | 0:35:38 | |
I don't know if any of you have been through this position, | 0:35:39 | 0:35:42 | |
but it is one of the toughest things that you will ever face. | 0:35:42 | 0:35:44 | |
And, for me, as an only child, | 0:35:44 | 0:35:46 | |
I have never felt what it felt like to know that I could lose my mum. | 0:35:46 | 0:35:50 | |
And had my mum been driving a Buick Verano, | 0:35:56 | 0:35:59 | |
she would have had the ten standard airbags. | 0:35:59 | 0:36:02 | |
She would have had the on-demand emergency system. | 0:36:02 | 0:36:06 | |
'I definitely lied about it.' | 0:36:07 | 0:36:09 | |
I feel like I did amazing. | 0:36:09 | 0:36:11 | |
I saw people tearing up in the audience. | 0:36:11 | 0:36:13 | |
'I got a couple of amens. | 0:36:13 | 0:36:15 | |
'I was like a pastor at church.' | 0:36:15 | 0:36:17 | |
I was just feeding my disciples all my energy. It was amazing. | 0:36:17 | 0:36:20 | |
My Buick Verona has kept my family... | 0:36:20 | 0:36:24 | |
'Lisa and I are sitting in the car' | 0:36:24 | 0:36:25 | |
and Aubrey calls the Verano... | 0:36:25 | 0:36:28 | |
a Verona. | 0:36:28 | 0:36:29 | |
But I have my own Buick Verona now, too. | 0:36:29 | 0:36:31 | |
I have the red and she has the silver. | 0:36:31 | 0:36:33 | |
(Twice!) | 0:36:33 | 0:36:35 | |
'At this point, I'm thinking, "That could be a problem." ' | 0:36:35 | 0:36:38 | |
So now it is Teresa's turn to come on stage | 0:36:38 | 0:36:40 | |
and I was a little concerned Teresa's vignette | 0:36:40 | 0:36:44 | |
could just totally tank. | 0:36:44 | 0:36:45 | |
After an afternoon of shopping, | 0:36:45 | 0:36:47 | |
my juicy husband Joe and my beautiful daughters... | 0:36:47 | 0:36:50 | |
Joe, where are you? You're always late! | 0:36:52 | 0:36:54 | |
We all fit in the Buick Verano - all of us in one car. | 0:36:54 | 0:36:58 | |
CHEERING | 0:36:58 | 0:37:01 | |
You forgot your dog! | 0:37:07 | 0:37:09 | |
LAUGHTER | 0:37:09 | 0:37:11 | |
'My role was to bring in my family | 0:37:13 | 0:37:14 | |
'and to show the efficient use of space. | 0:37:14 | 0:37:17 | |
'So, you know, it was nice that my husband Joe' | 0:37:17 | 0:37:19 | |
and my daughters came in, you know, to help us do the presentation. | 0:37:19 | 0:37:23 | |
Love your reflection. | 0:37:23 | 0:37:25 | |
We're going to be taking some questions from the audience, | 0:37:26 | 0:37:29 | |
as well as our online community that is following us on Twitter. | 0:37:29 | 0:37:32 | |
Hi, Lisa. | 0:37:32 | 0:37:33 | |
I was just curious to know what the rating would be | 0:37:33 | 0:37:36 | |
with the Insurance Institute Of Highway Safety, | 0:37:36 | 0:37:39 | |
-as far as what ratings they got? -OK. | 0:37:39 | 0:37:41 | |
Safety ratings? Er... | 0:37:42 | 0:37:43 | |
LAUGHTER | 0:37:43 | 0:37:45 | |
Are you the stumper here in the audience? | 0:37:45 | 0:37:47 | |
LAUGHTER | 0:37:47 | 0:37:49 | |
It's safe enough for my family with the Latch System. | 0:37:49 | 0:37:51 | |
'The Q&A starts' | 0:37:51 | 0:37:52 | |
and the very first question is a zinger. | 0:37:52 | 0:37:54 | |
It's about safety ratings. | 0:37:54 | 0:37:56 | |
'None of us have that stat. What a way to start.' | 0:37:56 | 0:38:00 | |
Buick went the extra mile. | 0:38:00 | 0:38:01 | |
The industry standard is six airbags, | 0:38:01 | 0:38:04 | |
they have ten in this vehicle, and the anti-lock brakes, | 0:38:04 | 0:38:08 | |
and that's good enough for me. | 0:38:08 | 0:38:09 | |
It is definitely one of the safest vehicles on the road. | 0:38:09 | 0:38:12 | |
-We're only required to have eight airbags - it's got ten. -Yes, sir? | 0:38:12 | 0:38:16 | |
Whoo! | 0:38:17 | 0:38:18 | |
It cranks, biatch! | 0:38:18 | 0:38:20 | |
-LAUGHTER -I like it! I like it! | 0:38:20 | 0:38:21 | |
That's right! | 0:38:21 | 0:38:22 | |
Yes, we do have a question from a tweeter. | 0:38:22 | 0:38:24 | |
"Which feature of the car complements you the most?" | 0:38:24 | 0:38:27 | |
For, I'd say, Debbie and I, it would be able | 0:38:27 | 0:38:29 | |
to play any artist you want, hands-free. | 0:38:29 | 0:38:31 | |
And all you have to do is give the voice command | 0:38:31 | 0:38:33 | |
and the car will continuously go through any artist... | 0:38:33 | 0:38:36 | |
-Request your favourite Debbie Gibson song. -Or not! | 0:38:36 | 0:38:38 | |
LAUGHTER AND APPLAUSE | 0:38:38 | 0:38:40 | |
OK, looks like we have time for one more question. Any questions? | 0:38:40 | 0:38:44 | |
-I have a question. -Yes, Teresa? | 0:38:44 | 0:38:46 | |
Does it come in hot pink and leopard? | 0:38:46 | 0:38:48 | |
Ba-dum-bum. | 0:38:50 | 0:38:51 | |
Thank you! Thanks, everybody. | 0:38:51 | 0:38:53 | |
Thank you, everyone! | 0:38:53 | 0:38:55 | |
Yeah. | 0:38:56 | 0:38:58 | |
If these Buick guys wanted a simpler presentation, | 0:38:58 | 0:39:01 | |
Adam's going to get it. | 0:39:01 | 0:39:03 | |
If they were judging on creativity and capturing the heart and soul | 0:39:03 | 0:39:07 | |
of their product, the girls have it. | 0:39:07 | 0:39:10 | |
That was so fun! | 0:39:10 | 0:39:11 | |
I was just trying to figure that out, too. | 0:39:18 | 0:39:20 | |
'Today is the day of our performance' | 0:39:20 | 0:39:22 | |
and I'm feeling pretty anxious. The team's feeling anxious. | 0:39:22 | 0:39:25 | |
OK, Adam has made some choices as the team leader | 0:39:25 | 0:39:28 | |
that we didn't necessarily agree with | 0:39:28 | 0:39:30 | |
and we're hoping he's right. | 0:39:30 | 0:39:31 | |
Please welcome...Adam Carolla! | 0:39:31 | 0:39:35 | |
APPLAUSE | 0:39:35 | 0:39:37 | |
Thank you for that pathetic smattering of applause. | 0:39:37 | 0:39:40 | |
Thank you very much. Yes, don't let the... | 0:39:40 | 0:39:43 | |
LAUGHING: My hand's shaking, I'm so nervous here! | 0:39:43 | 0:39:45 | |
I came out and, for the first time in 15 years, | 0:39:48 | 0:39:52 | |
I had so much adrenaline and so much energy, I was nervous. | 0:39:52 | 0:39:56 | |
I can't believe it. I stand up on stage for a living | 0:39:56 | 0:39:59 | |
and I'm actually flustered talking about the car - | 0:39:59 | 0:40:02 | |
it is that spectacular. | 0:40:02 | 0:40:04 | |
180 horsepower, 171 foot-pounds of torque | 0:40:04 | 0:40:08 | |
and, most importantly, four valves, two cams, | 0:40:08 | 0:40:12 | |
all the bells and whistles. | 0:40:12 | 0:40:13 | |
31 on the highway, 21 in the city, so great mileage, | 0:40:13 | 0:40:17 | |
also great punch, great power, great performance. All right. | 0:40:17 | 0:40:22 | |
Here's Michael Andretti, IndyCar champion. Michael. | 0:40:22 | 0:40:25 | |
APPLAUSE | 0:40:25 | 0:40:27 | |
We had a chance to drive the car yesterday. | 0:40:29 | 0:40:31 | |
What were your impressions? | 0:40:31 | 0:40:32 | |
The first thing that got me was the look. | 0:40:32 | 0:40:34 | |
I think the car just looks beautiful. | 0:40:34 | 0:40:36 | |
I think they've done a fantastic job... | 0:40:36 | 0:40:38 | |
-The fit and finish is unbelievable. -Yeah, it really is. | 0:40:38 | 0:40:40 | |
'I was watching Michael Andretti on stage' | 0:40:40 | 0:40:43 | |
and he's not a performer, | 0:40:43 | 0:40:46 | |
and he was a little bit nervous, | 0:40:46 | 0:40:47 | |
but I don't think anybody will hold that against him. | 0:40:47 | 0:40:50 | |
His endorsement is the best thing | 0:40:50 | 0:40:52 | |
the Buick executives could possibly have. | 0:40:52 | 0:40:54 | |
Well, his last name's Andretti and he likes the car. | 0:40:54 | 0:40:57 | |
Good enough for me. Yes, ladies and gentlemen? | 0:40:57 | 0:41:00 | |
Thank you, Michael. Appreciate it. | 0:41:00 | 0:41:03 | |
Buick again has sent a new benchmark for quality... | 0:41:03 | 0:41:07 | |
Hey, hey, hey, yo, motormouth! | 0:41:07 | 0:41:09 | |
Oh. Oh, we got a heckler. | 0:41:09 | 0:41:10 | |
-I got three words for you. -Mm-hm? | 0:41:10 | 0:41:12 | |
Tech...nolo...gy. | 0:41:12 | 0:41:14 | |
-That's what I need. What can you do for me? -Three words, for you, | 0:41:14 | 0:41:17 | |
IntelliLink, Bluetooth, MP3, USB ports, iPod, Sirius Radio... | 0:41:17 | 0:41:23 | |
All there. | 0:41:23 | 0:41:24 | |
'We took a risk in doing the comedic thing, but I believe, | 0:41:24 | 0:41:29 | |
by audience reaction, that it paid off. | 0:41:29 | 0:41:30 | |
As I was saying, the lines speak for themselves. | 0:41:30 | 0:41:34 | |
MacPherson struts suspension, hydraulic ride bushings - | 0:41:34 | 0:41:38 | |
I'm a car guy, I don't even know what that is. It's that advanced! | 0:41:38 | 0:41:41 | |
-Hey, Jabberjaw! -Yes? | 0:41:41 | 0:41:43 | |
I'm 6'7", I'm 300 pounds. | 0:41:43 | 0:41:46 | |
Doesn't matter how good the car is, I will not fit. I'm too big! | 0:41:46 | 0:41:50 | |
You don't think you could fit in this car? | 0:41:50 | 0:41:51 | |
I say you fit comfortably in this car. | 0:41:51 | 0:41:54 | |
Hop behind the steering wheel. | 0:41:54 | 0:41:56 | |
-Hop was the verb? -All right. | 0:41:56 | 0:41:58 | |
Wow. Plenty of room, plenty of room! | 0:41:58 | 0:42:00 | |
-And headroom too, look at this! -Not only that. | 0:42:00 | 0:42:03 | |
With huge space in the trunk, | 0:42:03 | 0:42:05 | |
you can keep two sets of golf clubs in the trunk. It's a massive trunk. | 0:42:05 | 0:42:08 | |
-It's a huge trunk. -I bet you could fit in that trunk. | 0:42:08 | 0:42:10 | |
I don't think I could fit in the trunk. | 0:42:10 | 0:42:12 | |
I think you could fit in that trunk. | 0:42:12 | 0:42:14 | |
-I can fit in the trunk? -CHEERING AND APPLAUSE | 0:42:14 | 0:42:16 | |
I think the audience would like to see | 0:42:16 | 0:42:17 | |
if Penn Gillette could fit in the trunk. | 0:42:17 | 0:42:20 | |
And will it close? | 0:42:21 | 0:42:22 | |
Yes! | 0:42:23 | 0:42:24 | |
'I was very happy with people cheering me getting in the trunk.' | 0:42:24 | 0:42:27 | |
And that's... You know, you take turns in your life | 0:42:27 | 0:42:29 | |
and you end up in weird places. | 0:42:29 | 0:42:31 | |
I end up in New York City in the trunk of a car... | 0:42:31 | 0:42:33 | |
HE CHUCKLES | 0:42:33 | 0:42:35 | |
..which is surprising since Gotti is off the show! | 0:42:35 | 0:42:37 | |
HE LAUGHS | 0:42:37 | 0:42:39 | |
I really like this car, but I think you suck. | 0:42:39 | 0:42:43 | |
Paul, we get the heckling bit now, just spit out the question. | 0:42:48 | 0:42:51 | |
No, I really think you suck. | 0:42:51 | 0:42:53 | |
We don't have a question about the car? | 0:42:57 | 0:43:00 | |
You suck! | 0:43:00 | 0:43:01 | |
Oh, get him out of here, Lou, would ya? | 0:43:01 | 0:43:03 | |
APPLAUSE | 0:43:03 | 0:43:06 | |
We're going to do some Q&A. | 0:43:06 | 0:43:07 | |
-We have Michael Andretti. Want to join me for this? -Absolutely. | 0:43:07 | 0:43:11 | |
'I thought I should bring Michael Andretti back on stage | 0:43:11 | 0:43:14 | |
'because I could hear Trump going, | 0:43:14 | 0:43:16 | |
' "You had Michael Andretti' | 0:43:16 | 0:43:19 | |
"for a Q&A segment about cars | 0:43:19 | 0:43:22 | |
"and you chose to have him stand backstage, | 0:43:22 | 0:43:24 | |
"with his thumb in his butt?" | 0:43:24 | 0:43:26 | |
Got another one here from Twitter. | 0:43:26 | 0:43:28 | |
A woman writes in and says, "Men love to drive fast. | 0:43:28 | 0:43:32 | |
"Does that mean someone driving this won't hear me honking | 0:43:32 | 0:43:36 | |
"when they cut me off on the highway?" | 0:43:36 | 0:43:38 | |
LAUGHTER | 0:43:38 | 0:43:40 | |
No, you can hear the honking, but you won't need it | 0:43:40 | 0:43:43 | |
cos you'll be able to miss 'em because that car handles... | 0:43:43 | 0:43:46 | |
You'll be passing them so fast. | 0:43:46 | 0:43:47 | |
That honk will be just like a distant fart in the wind that you | 0:43:47 | 0:43:50 | |
remember from your childhood. LAUGHTER | 0:43:50 | 0:43:53 | |
I know, I really paint a picture, don't I? | 0:43:53 | 0:43:55 | |
Adam, this probably should be the last question. | 0:43:55 | 0:43:57 | |
And how better to end than with Tracy? | 0:43:57 | 0:44:00 | |
How do you feel when you're driving in this great car? | 0:44:00 | 0:44:04 | |
I feel like a beautiful, beautiful blonde in a tight, blue dress. | 0:44:04 | 0:44:08 | |
LAUGHTER | 0:44:08 | 0:44:10 | |
Windows down, my hair flowing in the breeze... | 0:44:10 | 0:44:14 | |
APPLAUSE | 0:44:14 | 0:44:15 | |
..and a little Sinatra | 0:44:15 | 0:44:16 | |
being pushed through the seven-speaker Bose system. | 0:44:16 | 0:44:19 | |
I... | 0:44:19 | 0:44:20 | |
-You feel like a lady, too? -No, no. | 0:44:20 | 0:44:22 | |
LAUGHTER | 0:44:22 | 0:44:24 | |
Well, then it's just me. | 0:44:24 | 0:44:25 | |
Well, there you have it. The 2012 Buick Verano, everybody. | 0:44:25 | 0:44:29 | |
Thank you very much. APPLAUSE | 0:44:29 | 0:44:32 | |
When the presentation was over, I felt very good. | 0:44:32 | 0:44:35 | |
We got a lot of laughs. | 0:44:35 | 0:44:37 | |
I felt like I answered all of the technical questions, | 0:44:37 | 0:44:40 | |
and it was just smiles all the way round, | 0:44:40 | 0:44:43 | |
so we were extremely confident. | 0:44:43 | 0:44:45 | |
Adam. | 0:44:45 | 0:44:47 | |
Are you nervous? | 0:45:07 | 0:45:08 | |
A little bit, but I also feel great about what we did. | 0:45:08 | 0:45:13 | |
Why? | 0:45:13 | 0:45:14 | |
I think we brought a lot of heart to our project. | 0:45:14 | 0:45:17 | |
I think we really listened | 0:45:17 | 0:45:19 | |
when Craig and Steve talked to us about the brand | 0:45:19 | 0:45:22 | |
and what Buick represents. | 0:45:22 | 0:45:23 | |
And I really think that... | 0:45:23 | 0:45:25 | |
we really kind of felt a connection to the product and... | 0:45:25 | 0:45:29 | |
How did you like the car? | 0:45:29 | 0:45:31 | |
I love it. I'm actually looking for a new car and now I want it. | 0:45:31 | 0:45:34 | |
-Yeah, but do you like it? -I like it a lot. | 0:45:34 | 0:45:36 | |
-Great product? -Great product. | 0:45:36 | 0:45:38 | |
OK, good. | 0:45:38 | 0:45:39 | |
So, Lisa, how was your project manager? | 0:45:39 | 0:45:41 | |
I think she did pretty well. She... | 0:45:41 | 0:45:44 | |
You know, I liked most of the way things ran. | 0:45:44 | 0:45:47 | |
That's not exactly a ringing in endorsement, Deborah, is it? | 0:45:47 | 0:45:49 | |
It is what it is. You're going to ask for the truth. | 0:45:49 | 0:45:52 | |
As project managers, we all have different styles. | 0:45:52 | 0:45:54 | |
-What didn't she do well? -Um... | 0:45:54 | 0:45:55 | |
I think she was great at creative | 0:45:55 | 0:45:59 | |
and I think, unfortunately, every project manager | 0:45:59 | 0:46:02 | |
gets a little frazzled and disjointed. | 0:46:02 | 0:46:03 | |
Was she frazzled? | 0:46:03 | 0:46:05 | |
A little bit. But, you know what, at the end of the day, who wasn't? | 0:46:05 | 0:46:09 | |
Anyone who says they sat in that seat... | 0:46:09 | 0:46:11 | |
She was not frazzled on opening night on Broadway, right? | 0:46:11 | 0:46:14 | |
-I was on the inside. -On Les Miserables. -I know. | 0:46:14 | 0:46:17 | |
-Well, you know what? -I was there. She wasn't frazzled. | 0:46:17 | 0:46:19 | |
-She sang so unbelievably. -Thank you. | 0:46:19 | 0:46:21 | |
But she's saying you were frazzled on this event. | 0:46:21 | 0:46:24 | |
This is definitely, I think, out of all of our comfort zones. | 0:46:24 | 0:46:26 | |
-It is a very unique experience. -It's a unique experience. It's tough. | 0:46:26 | 0:46:29 | |
-And I'm glad, though, because... -Look at Lisa. | 0:46:29 | 0:46:31 | |
She destroys men for a living. | 0:46:31 | 0:46:33 | |
-And it's been tough, right? -Physically, too. | 0:46:33 | 0:46:35 | |
Leave her personal life out of this...please. | 0:46:35 | 0:46:40 | |
Let me ask you this - who is not comfortable in this environment? | 0:46:40 | 0:46:43 | |
Any of you guys not comfortable? | 0:46:43 | 0:46:45 | |
You're getting more comfortable? Adam? | 0:46:45 | 0:46:47 | |
No, I don't think anyone's comfortable...literally. | 0:46:47 | 0:46:51 | |
Comfortable's drinking rum out of a coconut somewhere. | 0:46:51 | 0:46:54 | |
It's a whole different experience. It's not easy. Look at my man. | 0:46:54 | 0:46:58 | |
-You look good. -Thank you, sir. -You look good. | 0:46:58 | 0:47:01 | |
Sometimes I think I'm going to just shave my hair | 0:47:01 | 0:47:03 | |
and say, "To hell with it." What do you think? It's easier. | 0:47:03 | 0:47:05 | |
I think you don't shave it until God decides. | 0:47:05 | 0:47:08 | |
Yeah, maybe that's right. Maybe that's right. All right. | 0:47:08 | 0:47:11 | |
So, Dee, how was Adam? | 0:47:11 | 0:47:14 | |
Adam was amazing. I mean, he was in his element | 0:47:14 | 0:47:18 | |
and he knew what he wanted to do. | 0:47:18 | 0:47:20 | |
Did he use Michael? | 0:47:20 | 0:47:21 | |
Oh, yeah, he used Michael. Michael, I mean... | 0:47:21 | 0:47:24 | |
I was surprised Michael didn't take this job as project manager. | 0:47:24 | 0:47:28 | |
-He was the perfect guy. I mean... -No, YOU'RE the perfect guy. | 0:47:28 | 0:47:30 | |
-You're the perfect guy. -Your name's Andretti. -You know what, though? | 0:47:30 | 0:47:33 | |
On paper, yes, but I don't think so... | 0:47:33 | 0:47:35 | |
Is there a task that you could have been better for, though? | 0:47:35 | 0:47:38 | |
-I mean, just thinking about... -Formula One driving. | 0:47:38 | 0:47:41 | |
-..the weeks to come. -LAUGHTER | 0:47:41 | 0:47:42 | |
I don't think you're ever going to | 0:47:42 | 0:47:43 | |
get anything closer to your wheelhouse than this. | 0:47:43 | 0:47:46 | |
Maybe not perfect, but this is about as close | 0:47:46 | 0:47:48 | |
-as I can imagine it's going to get. -I was there. | 0:47:48 | 0:47:50 | |
If he wasn't there, I would have taken it in a second. | 0:47:50 | 0:47:52 | |
Paul, let me ask you a question. You're into this world, too, right? | 0:47:52 | 0:47:55 | |
-Somewhat. -The automotive world. | 0:47:55 | 0:47:56 | |
I was sure that they were going to choose Michael. | 0:47:56 | 0:47:59 | |
And I understand, Adam, | 0:47:59 | 0:48:00 | |
you really knew a lot about the car and about cars. | 0:48:00 | 0:48:03 | |
But who knows more than Michael Andretti, right? | 0:48:03 | 0:48:05 | |
Other than Mario Andretti. Then it's a tie. | 0:48:05 | 0:48:08 | |
Were you surprised that Michael didn't take project manager? | 0:48:08 | 0:48:11 | |
No, not really. | 0:48:11 | 0:48:12 | |
Cos I think there was more involved than just, you know, cars. | 0:48:12 | 0:48:15 | |
-You know, there was a presentation. -That's interesting. -Can I...? -Yes? | 0:48:15 | 0:48:19 | |
Can I make something clear? | 0:48:19 | 0:48:20 | |
In fantasy football, there's the jocks who play on the field, | 0:48:20 | 0:48:24 | |
who actually hit each other and make millions of dollars | 0:48:24 | 0:48:27 | |
and actually play the game, | 0:48:27 | 0:48:29 | |
and then there's the nerds at home that follow all the stats | 0:48:29 | 0:48:32 | |
and know all the teams and know all the players. | 0:48:32 | 0:48:35 | |
They know more about the guys who are playing | 0:48:35 | 0:48:38 | |
than are guys who are actually playing. | 0:48:38 | 0:48:39 | |
He's a jock. | 0:48:39 | 0:48:41 | |
-He's out on the field, I'm the big nerd at home. -It's OK. | 0:48:41 | 0:48:44 | |
Interesting definition. | 0:48:44 | 0:48:47 | |
-OK. So, Lou... -Yeah? -..what did you do? | 0:48:47 | 0:48:51 | |
I did whatever Adam wanted. | 0:48:51 | 0:48:52 | |
I wanted to do more because... | 0:48:52 | 0:48:54 | |
everybody thinks I'm the Hulk. | 0:48:54 | 0:48:56 | |
I've done over 40 feature films, | 0:48:56 | 0:48:58 | |
I'm a world-class motivational speaker, | 0:48:58 | 0:49:00 | |
and I wanted to get more involved with the dialogue. | 0:49:00 | 0:49:02 | |
You do motivational speaking? | 0:49:02 | 0:49:04 | |
-Yeah, for the National Achievement Council. -Very good. | 0:49:04 | 0:49:06 | |
Yeah, I speak about ways of overcoming fear | 0:49:06 | 0:49:08 | |
and motivating people. | 0:49:08 | 0:49:09 | |
-Maybe I will see you some day. -Lou, it feels... | 0:49:09 | 0:49:11 | |
When you talk and the team talks about you, | 0:49:11 | 0:49:13 | |
it feels like you think you've been marginalised, | 0:49:13 | 0:49:15 | |
at least in the tasks. | 0:49:15 | 0:49:17 | |
I mean, is that true? Did that continue on in this task? | 0:49:17 | 0:49:19 | |
I think I should have been utilised more. | 0:49:19 | 0:49:22 | |
-Almost every week, you've felt that. -It's just a recurring theme. | 0:49:22 | 0:49:25 | |
That's right. | 0:49:25 | 0:49:26 | |
It always seems that you're not using Lou maybe to his potential. | 0:49:26 | 0:49:30 | |
What do you think about that? | 0:49:30 | 0:49:32 | |
Well, when you talk about potential, | 0:49:32 | 0:49:34 | |
we don't know the answer to that is, cos who knows...? | 0:49:34 | 0:49:38 | |
-Potential is a very tricky word. -Yeah. -Right. | 0:49:38 | 0:49:41 | |
I think, in this particular instance, | 0:49:41 | 0:49:43 | |
I had a couple of guys doing technical stuff, | 0:49:43 | 0:49:47 | |
which they volunteered for, | 0:49:47 | 0:49:49 | |
and I had a couple of guys who were yelling out from the crowd. | 0:49:49 | 0:49:52 | |
And Lou has an impairment. | 0:49:52 | 0:49:55 | |
Lou can be understood quite easily when you're sitting next to him, | 0:49:55 | 0:49:59 | |
but I didn't know if Lou, from the back of the audience, | 0:49:59 | 0:50:03 | |
yelling out on the stage, would be understood as clearly as... | 0:50:03 | 0:50:07 | |
Can you do that, Lou? Can you do that? | 0:50:07 | 0:50:09 | |
-I would think so. -Yeah, I've done theatre stage plays. | 0:50:09 | 0:50:12 | |
Very simple, I could have been closer to him. | 0:50:12 | 0:50:14 | |
I think you should have used him. | 0:50:14 | 0:50:16 | |
By the way, I didn't understand a word you just said. | 0:50:16 | 0:50:18 | |
THEY ALL LAUGH | 0:50:18 | 0:50:19 | |
I'm only kidding. | 0:50:19 | 0:50:21 | |
OK. So, Penn, what did you do? | 0:50:22 | 0:50:26 | |
I argued with Adam and disagreed with him on some stuff. | 0:50:26 | 0:50:31 | |
And then he prevailed and, other than that, | 0:50:31 | 0:50:33 | |
I got into a car and I got into the trunk of a car. | 0:50:33 | 0:50:36 | |
Where were your disagreements with him? | 0:50:36 | 0:50:37 | |
I listened very carefully to what the gentlemen from Buick said, | 0:50:37 | 0:50:41 | |
and I thought, from what they said, | 0:50:41 | 0:50:44 | |
that our presentation should have been a little different. | 0:50:44 | 0:50:47 | |
When we asked them a question about "funny", they said "witty". | 0:50:47 | 0:50:51 | |
And I believe, in corporate code, "witty" means, | 0:50:51 | 0:50:55 | |
"No, let's not really do funny." | 0:50:55 | 0:50:57 | |
And I knew that Adam was going to get big laughs, | 0:50:57 | 0:51:01 | |
but I was a little worried that the gentlemen from Buick | 0:51:01 | 0:51:05 | |
would feel that the humour was more funny and less witty. | 0:51:05 | 0:51:09 | |
I expressed that and Adam said, very clearly, | 0:51:09 | 0:51:13 | |
that he thought, if those 70 people in the room | 0:51:13 | 0:51:18 | |
were laughing and having a wonderful time, | 0:51:18 | 0:51:20 | |
that that would be the most important part. | 0:51:20 | 0:51:21 | |
Do you think that you followed the executives' order? | 0:51:21 | 0:51:24 | |
I know you got laughs from the audience, but do you think | 0:51:24 | 0:51:26 | |
you did what the executives really wanted in this task? | 0:51:26 | 0:51:29 | |
A number of us had the same concerns that Penn had | 0:51:29 | 0:51:33 | |
and we voiced them to Adam. | 0:51:33 | 0:51:36 | |
And Adam, you know - it was his task, he was in charge - | 0:51:36 | 0:51:40 | |
and he's listened to what we had to say, he modified some of the stuff. | 0:51:40 | 0:51:44 | |
In the end, he still felt that the comedy was important. | 0:51:44 | 0:51:48 | |
-And, you know, he's the leader and we backed him 100%. -OK. | 0:51:48 | 0:51:53 | |
So, Adam, tell me about your group. | 0:51:53 | 0:51:55 | |
-Were you happy? -Very happy. -Why? | 0:51:55 | 0:51:58 | |
It just came off the way we wanted it to come off. | 0:51:58 | 0:52:00 | |
If you lose, do you know who you're going to be bringing back? | 0:52:00 | 0:52:05 | |
-Yes. -Who? | 0:52:05 | 0:52:06 | |
No-one. | 0:52:08 | 0:52:09 | |
In other words, if you lose, you think you're going to be fired. | 0:52:09 | 0:52:12 | |
Yeah, but we're not losing. | 0:52:12 | 0:52:13 | |
-You think it was that good? -Yes. | 0:52:15 | 0:52:17 | |
That's a big statement. | 0:52:19 | 0:52:21 | |
And, by the way, I heard great things from the executives | 0:52:23 | 0:52:26 | |
about Adam and about Deborah. | 0:52:26 | 0:52:29 | |
-Great. -Like, they both did a good job. OK? | 0:52:29 | 0:52:31 | |
This wasn't, like...an easy one. | 0:52:31 | 0:52:33 | |
Unfortunately, one team won, one team lost. | 0:52:33 | 0:52:37 | |
Somebody will be fired. See what happens. | 0:52:37 | 0:52:40 | |
So tell me, Teresa, how was your project manager? | 0:52:42 | 0:52:45 | |
Debbie's great. You know... | 0:52:46 | 0:52:49 | |
-She is, I agree. -Yeah. -She is great. | 0:52:49 | 0:52:51 | |
But, you know, I felt like... | 0:52:51 | 0:52:52 | |
You know, Tia and I, we were in the other van | 0:52:52 | 0:52:56 | |
and we really didn't know what was going on. | 0:52:56 | 0:52:58 | |
Is Debbie not a good communicator? | 0:52:58 | 0:53:01 | |
Um, no. I mean, afterwards, she told us what she was doing. You know? | 0:53:01 | 0:53:05 | |
But we just felt a little jaded. Like, you know... We were, like... | 0:53:05 | 0:53:08 | |
A little left out? | 0:53:08 | 0:53:09 | |
Unfortunately, we were playing beat the clock. | 0:53:09 | 0:53:12 | |
I know these two to be the quickest idea people | 0:53:12 | 0:53:15 | |
and sometimes, in the situation... | 0:53:15 | 0:53:17 | |
I was very much listening, whether they realised it or not, | 0:53:17 | 0:53:21 | |
to every idea that came up. | 0:53:21 | 0:53:23 | |
And I felt like I ran everything by everyone and said, | 0:53:23 | 0:53:26 | |
-"Does everyone like this?" -Aubrey, | 0:53:26 | 0:53:27 | |
was Deborah decisive, would you say, as a project manager or not? | 0:53:27 | 0:53:31 | |
Decisive isn't the word. | 0:53:31 | 0:53:33 | |
She wasn't all the way a complete opposite of that word, | 0:53:33 | 0:53:36 | |
but decisive is clear and concise... | 0:53:36 | 0:53:39 | |
-So you would say she was OK, not great? -She was good, not great. | 0:53:39 | 0:53:43 | |
OK. Tia, you've been very much under the radar | 0:53:45 | 0:53:48 | |
and yet I see people respect you greatly, | 0:53:48 | 0:53:50 | |
but I don't know anything about you. What did you do on this task? | 0:53:50 | 0:53:53 | |
On this task, I was the moderator of the proceedings. | 0:53:53 | 0:53:57 | |
They were forced into a vignette. | 0:53:57 | 0:53:58 | |
And have you actually been purposely going under the radar, | 0:53:58 | 0:54:01 | |
-would you say? -I'm learning the game. | 0:54:01 | 0:54:04 | |
I'm very mindful of learning people and trying to be, you know... | 0:54:04 | 0:54:09 | |
Approach it with a caring, you know... | 0:54:09 | 0:54:12 | |
OK, forget it. Don't worry about it. | 0:54:12 | 0:54:14 | |
So, Deborah, if you lose, | 0:54:16 | 0:54:18 | |
-who are you going to bring back to the boardroom? -Oh, God. | 0:54:18 | 0:54:23 | |
-I do have two people I can name. -Go ahead, who are they? | 0:54:23 | 0:54:26 | |
And it's based on, not only this task, but what I think they might | 0:54:26 | 0:54:30 | |
-bring or not bring moving forward. -It's OK, it's based on history also. | 0:54:30 | 0:54:33 | |
-It's all right. -And that's Tia and Teresa. | 0:54:33 | 0:54:37 | |
OK. Tell me why. | 0:54:37 | 0:54:39 | |
Maybe they just haven't, much like Lou's frustration, maybe | 0:54:39 | 0:54:42 | |
they haven't gotten to show all they can do. I think Teresa's... | 0:54:42 | 0:54:44 | |
I don't think Teresa's shown what she can do, I will say that. | 0:54:44 | 0:54:48 | |
-She's very creative. -Do you agree with that, Lisa? | 0:54:48 | 0:54:50 | |
Yes, I think there's un-mined territory there, I just don't know | 0:54:50 | 0:54:53 | |
-how much. -Yeah, I think so, especially with regards to Teresa. | 0:54:53 | 0:54:55 | |
-Yeah. -It's just more about the owning who she is and I think that's | 0:54:55 | 0:54:58 | |
part of leadership, and I think there's a lot | 0:54:58 | 0:55:00 | |
of creativity in there. But what happens is, and I think | 0:55:00 | 0:55:03 | |
why we sometimes plough ahead with ideas without her is, | 0:55:03 | 0:55:06 | |
because there's a hesitation. And in that hesitation, it's like... | 0:55:06 | 0:55:10 | |
-So, you're saying Teresa hesitates? -Doesn't own who she is. | 0:55:10 | 0:55:14 | |
-I...I think... -I don't think she knows who she is. | 0:55:14 | 0:55:16 | |
-I disagree, very much. -Go ahead, Teresa. | 0:55:16 | 0:55:19 | |
No, I... Obviously, she doesn't know me, so I disagree with that. | 0:55:19 | 0:55:22 | |
I will say your persona to date is very different from that which, | 0:55:22 | 0:55:26 | |
perhaps, you're associated with. | 0:55:26 | 0:55:28 | |
Do you think you are being overly reserved and cautious, | 0:55:28 | 0:55:31 | |
in the context of this show? | 0:55:31 | 0:55:32 | |
Not at all, no. I mean... | 0:55:32 | 0:55:34 | |
I can constructively criticise myself as much as I am with her. | 0:55:34 | 0:55:38 | |
Well, Deborah, do you think that Teresa is very smart? | 0:55:38 | 0:55:41 | |
I do think she's smart, I do think she's smart, but she doesn't own it. | 0:55:43 | 0:55:46 | |
-I think that if she did, she'd be unstoppable. -I can see that | 0:55:46 | 0:55:49 | |
-though, Teresa. You know, you're different. -If I'm not the project | 0:55:49 | 0:55:52 | |
-manager, I'm not going to own it. -In the boardroom, if you're being | 0:55:52 | 0:55:55 | |
criticised and being attacked, you can't just disagree. | 0:55:55 | 0:55:57 | |
That's nice to disagree, but you need to have a thesis to back it up. | 0:55:57 | 0:56:00 | |
-Well, when we come back... -Why do you disagree? | 0:56:00 | 0:56:02 | |
-How are you going to prove that to her? -If we come back, then, you know, | 0:56:02 | 0:56:05 | |
I guess that'll be for Mr Trump to answer, you know. | 0:56:05 | 0:56:07 | |
Well, shouldn't you do that now? | 0:56:07 | 0:56:09 | |
The more defensive I would think you get now, the better you stand up for yourself, | 0:56:09 | 0:56:12 | |
-the less likely you are to be put in that situation... -Well, I disagree. | 0:56:12 | 0:56:15 | |
-..cos she doesn't want to go against someone who's going to not be meek. -Teresa, can I cut to the chase here? | 0:56:15 | 0:56:20 | |
-Yes. -Just flip the boardroom table over, so we can move on here, please. -Well, I'm not there. | 0:56:20 | 0:56:23 | |
Can't you see where this is heading? | 0:56:23 | 0:56:25 | |
Well, Mr Trump, she's trying to say I don't step up. I did step up. | 0:56:25 | 0:56:30 | |
A lot of things in the first task, second task | 0:56:30 | 0:56:32 | |
and third task were from my doing, from my saying | 0:56:32 | 0:56:35 | |
and the project manager listening. | 0:56:35 | 0:56:36 | |
-Well, no-one task could've gotten done without everybody's help. -Correct. | 0:56:36 | 0:56:40 | |
-But some people are more proactive... -Well, this one you had your favourites. | 0:56:40 | 0:56:43 | |
-No, some people are more proactive and forward thinking than others. -Yes, you did. | 0:56:43 | 0:56:46 | |
-Yeah, whatever, Debbie. -I don't really care who gets the credit in a team. | 0:56:46 | 0:56:50 | |
-Well, cos you're trying... -I really don't care whose idea something was. | 0:56:50 | 0:56:53 | |
That's a very good statement, Deborah. | 0:56:53 | 0:56:55 | |
I mean, that's all about winning. | 0:56:55 | 0:56:56 | |
It gets to the end of the day and I go, "I don't know..." | 0:56:56 | 0:56:59 | |
That's a Derrick Jeter-type statement, right? That's Derrick. | 0:56:59 | 0:57:02 | |
-Number two. -Is he great? -He's the one. -We love Derrick. | 0:57:02 | 0:57:04 | |
-It's not an A-Rod statement, it's a Derrick statement. -Absolutely. | 0:57:04 | 0:57:08 | |
All right. So, Tia, she also wants to bring you back in, | 0:57:08 | 0:57:12 | |
-if your team loses. -Mm-hm. -How do you feel about that? | 0:57:12 | 0:57:14 | |
-I fully expected that because... -Why? | 0:57:14 | 0:57:16 | |
..by design, we were marginalised. We were put in the other van. | 0:57:16 | 0:57:19 | |
-The two of you? -Yes. | 0:57:19 | 0:57:20 | |
This is her, you know, this is her dream team here | 0:57:20 | 0:57:23 | |
-and they come up with ideas and... -Oh, really? And what about Patricia? | 0:57:23 | 0:57:26 | |
-Oh, and Patricia, of course. -When you have less than 24 hours... | 0:57:26 | 0:57:29 | |
But I did come up with very good ideas... | 0:57:29 | 0:57:30 | |
-Really, you're saying that everybody is her pet, except the two of you? -Well, in this task and... | 0:57:30 | 0:57:34 | |
The photo idea was a great idea on its own. | 0:57:34 | 0:57:36 | |
It didn't ultimately feed the concept and I really felt like... | 0:57:36 | 0:57:39 | |
It didn't feed your concept. I had a fully fleshed out concept. | 0:57:39 | 0:57:42 | |
Well, ultimately, I thought that was not our best use of time | 0:57:42 | 0:57:45 | |
because I felt like, at the heart of what we were doing, | 0:57:45 | 0:57:47 | |
we had characters and anecdotes and it didn't fit. | 0:57:47 | 0:57:49 | |
OK, Tia, what did you think of Deborah as your project manager, therefore? | 0:57:49 | 0:57:53 | |
I find Deborah's style to be very off-putting. | 0:57:53 | 0:57:57 | |
She has a way of, if you come up with an idea, | 0:57:57 | 0:57:59 | |
"I don't have time for that, right now." | 0:57:59 | 0:58:02 | |
I don't remember saying that. | 0:58:02 | 0:58:03 | |
But you shut people down in a way that's very dismissive | 0:58:03 | 0:58:06 | |
and very condescending. | 0:58:06 | 0:58:09 | |
"OK?" That kind of thing, and it's like, wow, really? | 0:58:09 | 0:58:12 | |
You've done that to me too. | 0:58:12 | 0:58:15 | |
Unfortunately, you did that to everybody in this room. | 0:58:15 | 0:58:18 | |
-Teresa, how do you feel? -She's done that to me, too. | 0:58:18 | 0:58:20 | |
And why is that? | 0:58:20 | 0:58:22 | |
You need to ask her. | 0:58:24 | 0:58:26 | |
Lack of respect. | 0:58:26 | 0:58:28 | |
So, Don, tell me what the executives thought of the women's team. | 0:58:38 | 0:58:43 | |
Well, they really liked how they integrated the four key | 0:58:43 | 0:58:46 | |
features that they spoke about with the executives, | 0:58:46 | 0:58:48 | |
like the thoughtful banner that you...you really heard that. | 0:58:48 | 0:58:51 | |
That was probably something they thought a lot of people would miss. | 0:58:51 | 0:58:54 | |
You heard that and delivered that. | 0:58:54 | 0:58:56 | |
They liked Lisa's role and they liked Aubrey's passion. | 0:58:56 | 0:58:59 | |
The negatives were that they didn't get a great sense of the brand, | 0:58:59 | 0:59:02 | |
they didn't get a great sense of Buick from the presentation. | 0:59:02 | 0:59:05 | |
They weren't sure what Tia's role was and Aubrey called the | 0:59:05 | 0:59:08 | |
car a Verona, instead of the Verano, | 0:59:08 | 0:59:10 | |
so that was a little bit of a slip up. | 0:59:10 | 0:59:13 | |
That was after me tearing up about my mum's car accident. | 0:59:13 | 0:59:15 | |
-They did like your passion. -Just twice. -That was exhaustion. | 0:59:15 | 0:59:18 | |
-It was, but I could just... -Well, it might be, but that's pretty bad. | 0:59:18 | 0:59:21 | |
No, I agree, but I had just cried about my mum | 0:59:21 | 0:59:23 | |
being in a car accident. | 0:59:23 | 0:59:25 | |
-That could be a firing problem. -Oh, God. -No, no, that's a bad one. | 0:59:25 | 0:59:27 | |
-She got it right three times. -It was once that I said it wrong. | 0:59:27 | 0:59:30 | |
But we could never say Donald Tramp. | 0:59:30 | 0:59:32 | |
But they remembered the one time she didn't get it right, very well. | 0:59:32 | 0:59:35 | |
-That sounds like a bad one. -Oh. -OK, go ahead. | 0:59:35 | 0:59:37 | |
One more thing, they didn't fully understand the reflection theme. | 0:59:37 | 0:59:40 | |
They didn't? OK. It was really about how your car | 0:59:40 | 0:59:43 | |
is a statement on who you are. | 0:59:43 | 0:59:45 | |
Did you get that, did you get it? | 0:59:45 | 0:59:46 | |
Do you understand why they didn't understand? | 0:59:46 | 0:59:49 | |
No, I actually thought we portrayed it, | 0:59:49 | 0:59:51 | |
so I don't understand where we went wrong. | 0:59:51 | 0:59:53 | |
Teresa, did you like the concept? | 0:59:53 | 0:59:55 | |
Well, at first, the concept was supposed to be reflection | 0:59:55 | 0:59:57 | |
-and then we changed it to... -No, it was, it was love your reflection. | 0:59:57 | 1:00:01 | |
But the whole thing, remember, was supposed to be all about that. | 1:00:01 | 1:00:03 | |
Then we changed it to the casting. | 1:00:03 | 1:00:05 | |
That was just the through-line, | 1:00:05 | 1:00:06 | |
it was a creative way of integrating... | 1:00:06 | 1:00:08 | |
But it was still about reflection, is it not? | 1:00:08 | 1:00:10 | |
-Absolutely, yes. -Well, it troubles me that your team doesn't even know that the | 1:00:10 | 1:00:13 | |
-concept was reflection, Debbie. -It's not so good. | 1:00:13 | 1:00:17 | |
Adam, you must be drooling over this. | 1:00:17 | 1:00:19 | |
-You listen to this you now think you won, right? -I'm tumescent. -Huh? | 1:00:19 | 1:00:24 | |
It's a big word - people can Google it when they get home. | 1:00:24 | 1:00:28 | |
So, Ivanka, what did the executives think of the men's team? | 1:00:28 | 1:00:32 | |
They thought they did a very good job. | 1:00:32 | 1:00:35 | |
They thought, Adam, you were extremely engaging | 1:00:35 | 1:00:38 | |
and you had a tremendous command of the product and the car, from | 1:00:38 | 1:00:42 | |
the technical elements to, really, everything about the vehicle. | 1:00:42 | 1:00:45 | |
They also thought that the Q&A was very good, that you answered | 1:00:45 | 1:00:48 | |
all the questions very well and they loved Penn getting out of the car. | 1:00:48 | 1:00:52 | |
In terms of some of the negatives, | 1:00:52 | 1:00:54 | |
they felt that Michael was such an asset and yet | 1:00:54 | 1:00:57 | |
you didn't have the kind of presence they wanted from you on the stage. | 1:00:57 | 1:01:00 | |
-You were a little too reserved, despite the fact that... -They were very surprised by that, Michael, | 1:01:00 | 1:01:04 | |
the presence, the lack of presence. It's not your thing, but... | 1:01:04 | 1:01:08 | |
No, that's not my thing, but it's hard to when you have a guy, like this, I start to talk and then it... | 1:01:08 | 1:01:13 | |
They really felt that your word carried a lot of weight. | 1:01:13 | 1:01:15 | |
But the guy's not Al Jolson, he's a race car driver. | 1:01:15 | 1:01:17 | |
He wears a helmet, so people don't hear it. | 1:01:17 | 1:01:21 | |
They're car people and they expected something different. And that's OK, it's OK. | 1:01:21 | 1:01:24 | |
Well, they really thought that your word carried a lot of weight, | 1:01:24 | 1:01:27 | |
so they wanted you to sell a little bit more. | 1:01:27 | 1:01:30 | |
They also didn't really get a sense of Buick's voice. | 1:01:30 | 1:01:33 | |
So, they thought the brand messaging was very good, in terms | 1:01:33 | 1:01:36 | |
of Buick the car, but not really the voice of this particular vehicle. | 1:01:36 | 1:01:41 | |
They also felt that many of the other players had too | 1:01:41 | 1:01:43 | |
marginal of a role, so there were a few stars and then everyone else | 1:01:43 | 1:01:46 | |
was a bit in the background. | 1:01:46 | 1:01:47 | |
But they did love you getting into the trunk, and getting out of it | 1:01:47 | 1:01:50 | |
-in one piece, they couldn't believe it. -Well, I'm a big guy. | 1:01:50 | 1:01:53 | |
Their last comment really dovetails into that, which is that they | 1:01:53 | 1:01:56 | |
felt that there wasn't a real sense of community on the team | 1:01:56 | 1:01:59 | |
and that was felt through the presentation. | 1:01:59 | 1:02:03 | |
OK, does anybody have anything to say? | 1:02:03 | 1:02:06 | |
Because we're about to pick the winning team. | 1:02:06 | 1:02:08 | |
-Does anybody, Lisa, anybody? -I'm proud of my team. | 1:02:08 | 1:02:12 | |
I think they did a great job. | 1:02:12 | 1:02:13 | |
I think Adam did an amazing job and, if they were going to hire | 1:02:13 | 1:02:16 | |
someone to talk about cars, it would be Adam. | 1:02:16 | 1:02:18 | |
I wouldn't be surprised if we see Adam presenting a Buick in a few months. | 1:02:18 | 1:02:22 | |
That could happen, Arsenio, I must tell you, it could happen, | 1:02:22 | 1:02:25 | |
but it won't | 1:02:25 | 1:02:26 | |
because the executives felt that the women did a far better job. | 1:02:26 | 1:02:29 | |
They thought the men were good, | 1:02:29 | 1:02:30 | |
-but they thought the women were amazing. -What! -Are you kidding? | 1:02:30 | 1:02:33 | |
That means you're going to get 20,000, | 1:02:33 | 1:02:35 | |
-plus 30,000 for your charity. -Wow. -So, a total of 50,000. | 1:02:35 | 1:02:39 | |
Buick is contributing, as you know, 30,000. What is your charity? | 1:02:39 | 1:02:42 | |
-It's Children International. -Look at you, all of a sudden, there's tears. | 1:02:42 | 1:02:47 | |
I kept pushing that aside doing the task | 1:02:47 | 1:02:49 | |
because I was in Manila a year ago and these women and their | 1:02:49 | 1:02:52 | |
two-year-old, three-year-old children are combing | 1:02:52 | 1:02:54 | |
through the trash heaps to recycle glass to feed | 1:02:54 | 1:02:58 | |
the rest of the family, and 50,000 would go such a long way. | 1:02:58 | 1:03:01 | |
-That's true, that's true. -I'm so happy. -Well, congratulations. | 1:03:01 | 1:03:04 | |
-Thank you. -That's really fantastic. You did a great job. | 1:03:04 | 1:03:06 | |
-Congratulations. -Wow. | 1:03:06 | 1:03:08 | |
OK, ladies, go back to your suite, enjoy it. | 1:03:12 | 1:03:16 | |
You can watch these guys on television, if you want. | 1:03:16 | 1:03:19 | |
Great job. | 1:03:19 | 1:03:21 | |
-Oh, my gosh. -Congratulations. -You won! | 1:03:21 | 1:03:26 | |
Men, stay here, somebody will be fired. | 1:03:26 | 1:03:29 | |
I heard what you said and if I was being snippy, I didn't even know it. | 1:03:37 | 1:03:40 | |
-I was so stressed that I couldn't breathe. -No, I know, believe me. | 1:03:40 | 1:03:43 | |
But I learned from that. I don't want to talk to people like that | 1:03:43 | 1:03:46 | |
because I respect you guys so much. | 1:03:46 | 1:03:47 | |
I came into this not knowing anything about you | 1:03:47 | 1:03:49 | |
and I've been telling everybody what a lovely person I think you are. | 1:03:49 | 1:03:52 | |
When Debbie pulled me aside in the room | 1:03:52 | 1:03:54 | |
and wanted to make up for what she did, I felt like it was so fake. | 1:03:54 | 1:03:58 | |
From any picture I've seen in a tabloid or anything, | 1:03:58 | 1:04:00 | |
you're not that and I...I'm glad to know you. | 1:04:00 | 1:04:03 | |
Well, that's why you can't judge a book by its cover, | 1:04:03 | 1:04:05 | |
-you've got to open it up and read it. -I know. | 1:04:05 | 1:04:07 | |
I can tell calculated people when I meet them, she's one of them. | 1:04:07 | 1:04:10 | |
Like, she'll be nice to your face, | 1:04:10 | 1:04:11 | |
but then she'll talk behind your back as soon as you turn around. | 1:04:11 | 1:04:14 | |
-WHISPERS: -I didn't want to say anything bad about anybody. | 1:04:14 | 1:04:17 | |
No, I know. I get it. | 1:04:17 | 1:04:18 | |
I know, so... | 1:04:18 | 1:04:21 | |
I love you guys, but I also want to listen to what they have to say. | 1:04:21 | 1:04:24 | |
-OK, OK. -Oh, oh, let's see. | 1:04:24 | 1:04:26 | |
Penn, are you surprised that you lost? | 1:04:26 | 1:04:28 | |
I'm shocked and I'm shocked because I think that, if you were talking | 1:04:28 | 1:04:35 | |
about real car buyers sitting there trying to learn about a car, | 1:04:35 | 1:04:39 | |
I can't imagine doing better than that. | 1:04:39 | 1:04:42 | |
-Could be, but that's what they thought. -I know. | 1:04:42 | 1:04:45 | |
How do you feel about this, Lou? | 1:04:45 | 1:04:47 | |
Well, I kind of expected it because I felt that everyone should be... | 1:04:47 | 1:04:50 | |
-Wow, look at this, Adam, he's throwing you under the bus. -Wow. | 1:04:50 | 1:04:53 | |
-..everyone should be utilised in the front. -Can I say this, quickly? | 1:04:53 | 1:04:56 | |
-I don't want to argue. -You should have everybody... | 1:04:56 | 1:04:59 | |
I'm not going to argue with you. | 1:04:59 | 1:05:01 | |
..maybe four people in the car getting out together, relating more to the brand name. | 1:05:01 | 1:05:04 | |
-I'm not criticising you. -Did you recommend that? -No. | 1:05:04 | 1:05:07 | |
Let me see something, your hand's up, Adam. | 1:05:07 | 1:05:09 | |
-Yeah. -Your hand's up, Lou. Let me see your hand compared to his hand. | 1:05:09 | 1:05:13 | |
Don't fight him, Adam, don't fight him. | 1:05:13 | 1:05:15 | |
There's a big difference. Go ahead. | 1:05:15 | 1:05:17 | |
No, here's the deal. I do want to say this, I didn't know we were | 1:05:17 | 1:05:21 | |
being judged on who was being utilised and to what extent. | 1:05:21 | 1:05:25 | |
I thought it was the best presentation for their product. | 1:05:25 | 1:05:29 | |
And if I was in that audience, | 1:05:29 | 1:05:31 | |
I wouldn't have been interested in who was being utilised, | 1:05:31 | 1:05:34 | |
I'd be interested in how the product was shown and the knowledge of the product. | 1:05:34 | 1:05:37 | |
Well, you're 100% right, but, in all fairness, | 1:05:37 | 1:05:40 | |
they felt the women just did a better job. | 1:05:40 | 1:05:42 | |
-In the Q&A, which was half of the... -They liked it. | 1:05:42 | 1:05:44 | |
-Hey, what can I tell you? they liked it. -OK. | 1:05:44 | 1:05:46 | |
Well, no, but they loved your Q&A as well. | 1:05:46 | 1:05:47 | |
I mean, they thought that you did a great job. | 1:05:47 | 1:05:49 | |
So, where did it fall apart, is the question. | 1:05:49 | 1:05:51 | |
It didn't fall apart. They were going under... | 1:05:51 | 1:05:54 | |
The women used four celebrities and they did a good job. | 1:05:54 | 1:05:57 | |
And I will tell you, the executives felt strongly. | 1:05:57 | 1:06:00 | |
They thought you also did a good job, | 1:06:00 | 1:06:02 | |
they thought the women did a great job. | 1:06:02 | 1:06:04 | |
All right, well, it did not fall apart for us. | 1:06:04 | 1:06:06 | |
I'm sorry to be cross. | 1:06:06 | 1:06:08 | |
So, Paul, who was the weakest player on your team? | 1:06:12 | 1:06:15 | |
You know, I'm going to say Lou. | 1:06:17 | 1:06:20 | |
Why? Why Lou? | 1:06:20 | 1:06:21 | |
Adam put us in a position where he felt was best and I think that, | 1:06:21 | 1:06:27 | |
as a team, we had the time to say, "Well, we don't like that" | 1:06:27 | 1:06:33 | |
or "We do like it." | 1:06:33 | 1:06:35 | |
Everybody had a voice in everything that was done, from the get go. | 1:06:35 | 1:06:38 | |
-Absolutely. -So, I love Lou and you have to love Lou because... | 1:06:38 | 1:06:44 | |
You didn't like the way he was complaining about | 1:06:44 | 1:06:46 | |
not being used enough, right? | 1:06:46 | 1:06:48 | |
-Well, I just don't think it was the way it was, that's all. -OK. | 1:06:48 | 1:06:51 | |
How do you respond to that, Lou? | 1:06:51 | 1:06:53 | |
Well, I agree at the fact that I spoke up and I went by what the | 1:06:53 | 1:06:56 | |
project manager had to say, because I gave my ideas, my opinions... | 1:06:56 | 1:06:59 | |
All right, that's OK, Lou, I understand. | 1:06:59 | 1:07:02 | |
Who, in your opinion, Lou, is the weakest player in your team? | 1:07:02 | 1:07:05 | |
-Michael Andretti. -Really? You didn't take a long time to think about that. -Wow, yeah. | 1:07:05 | 1:07:09 | |
He's very knowledgeable about cars. | 1:07:09 | 1:07:11 | |
-You could have switched roles, had Michael do... -No, no. -Let me finish. | 1:07:11 | 1:07:14 | |
He could have done a small presentation, | 1:07:14 | 1:07:16 | |
you would have brought the comedy side of you. | 1:07:16 | 1:07:18 | |
That's my opinion, I feel Michael Andretti. | 1:07:18 | 1:07:20 | |
Especially, everyone expected to see a guy with his background | 1:07:20 | 1:07:23 | |
-taking the risk... -Well, I did, I have to say that. | 1:07:23 | 1:07:25 | |
All right, but, Michael, let me defend you. | 1:07:25 | 1:07:27 | |
And I know you did a good job. Adam, I know you did a good job, | 1:07:27 | 1:07:30 | |
but I really expected Michael to take that position. | 1:07:30 | 1:07:33 | |
Michael was on stage half the presentation, | 1:07:33 | 1:07:36 | |
more than half of the presentation. | 1:07:36 | 1:07:37 | |
But they criticised his presence on stage. | 1:07:37 | 1:07:39 | |
Lou, do you mean Michael for this task or do you mean Michael overall? | 1:07:39 | 1:07:42 | |
-Michael for this task. -Yeah, that's, I think we're... -OK. | 1:07:42 | 1:07:45 | |
How can they criticise him? He's a race car driver, | 1:07:45 | 1:07:47 | |
he's not a performer, he's not a live performer. | 1:07:47 | 1:07:49 | |
I think they wanted that name. | 1:07:49 | 1:07:51 | |
I mean, some of you aren't performers and, | 1:07:51 | 1:07:52 | |
when you're on stage, you have this presence. | 1:07:52 | 1:07:54 | |
You know, Arsenio said it better than anybody, including Don | 1:07:54 | 1:07:57 | |
and Ivanka and the executives, they wanted that name. | 1:07:57 | 1:08:00 | |
The Andretti name is unbelievable. | 1:08:00 | 1:08:03 | |
But I disagree because he is a driver, | 1:08:03 | 1:08:07 | |
-he has name that's associated. -I know he's got a name, | 1:08:07 | 1:08:09 | |
-it's a brand... -I was thinking of, I know he actually does | 1:08:09 | 1:08:12 | |
but the perception of the world. | 1:08:12 | 1:08:14 | |
But what would you suggest that he do as it pertains to this task? | 1:08:14 | 1:08:17 | |
Well, no, I'm... | 1:08:17 | 1:08:19 | |
Look, I said it before, I don't want to say it again. I will say, | 1:08:19 | 1:08:22 | |
one last time, I was shocked when he wasn't the project manager. | 1:08:22 | 1:08:25 | |
-Michael, go ahead. -Well, I think, being... | 1:08:25 | 1:08:27 | |
They didn't think you had a lot of energy either, by the way. | 1:08:27 | 1:08:30 | |
You were up there and they didn't think you had a lot of energy. | 1:08:30 | 1:08:32 | |
But I'm not a performer and, when you're sitting next to a guy that is one of the best in the business... | 1:08:32 | 1:08:37 | |
Yeah, but you're talking about cars and you understand that. | 1:08:37 | 1:08:40 | |
Arsenio is the only one that gets it. | 1:08:40 | 1:08:42 | |
Clay, tell me, what do you think? | 1:08:42 | 1:08:45 | |
Erm...a lot. | 1:08:45 | 1:08:48 | |
About the Andretti thing, I'm sitting here thinking, | 1:08:48 | 1:08:51 | |
if it were a singing task, who would you have do it, me or Dee? | 1:08:51 | 1:08:54 | |
We have two people on our team who are singers. | 1:08:54 | 1:08:56 | |
-Yeah, but it's not a good example... -But... -You're a singer, | 1:08:56 | 1:08:59 | |
he's a singer, everybody knows it. | 1:08:59 | 1:09:00 | |
He's a great comedian and a great guy, | 1:09:00 | 1:09:02 | |
-and he may know a lot about cars. -And a great host. | 1:09:02 | 1:09:05 | |
-OK, I know a lot about cars too. -And a great host, we used him as a host. | 1:09:05 | 1:09:08 | |
I don't want to be...I'm not going to be speaking over Andretti | 1:09:08 | 1:09:11 | |
and the Andretti family. | 1:09:11 | 1:09:12 | |
He hosted Andretti and he allowed Michael to be the expert. | 1:09:12 | 1:09:15 | |
Maybe that's the point, which is that Adam could be more versatile. | 1:09:15 | 1:09:19 | |
If I'm Michael and I maybe don't have that versatility, | 1:09:19 | 1:09:21 | |
I step up now because this is the one place I can definitely shine. | 1:09:21 | 1:09:24 | |
There's no ambiguity there. | 1:09:24 | 1:09:25 | |
I know cars and I assume Buick wants me to be part of that. | 1:09:25 | 1:09:29 | |
Arsenio, if you were me | 1:09:30 | 1:09:32 | |
and I have to fire somebody, and I don't like doing it, | 1:09:32 | 1:09:35 | |
especially in this case, cos you did pretty well, who would you fire? | 1:09:35 | 1:09:39 | |
Lou and I have a great relationship, he's like a brother to me, | 1:09:41 | 1:09:45 | |
but we are having a hard time placing Lou. That's his own words. | 1:09:45 | 1:09:50 | |
-He's been very unhappy. -Very unhappy. | 1:09:50 | 1:09:52 | |
Cos he's a worker, he's a hard worker, he's always been. | 1:09:52 | 1:09:55 | |
He's overcome tremendous difficulty | 1:09:55 | 1:09:57 | |
and he's always been a hard worker, and somehow you're not using him. | 1:09:57 | 1:10:02 | |
And maybe you should be the project manager, next time, Lou, | 1:10:02 | 1:10:05 | |
if you make it. | 1:10:05 | 1:10:07 | |
-OK. -No, maybe. -Mr Trump, I like Lou, too. I like all these guys. | 1:10:07 | 1:10:11 | |
I didn't know any of these guys before this, | 1:10:11 | 1:10:14 | |
I didn't know what their abilities were. | 1:10:14 | 1:10:17 | |
It became very apparent, very quickly, | 1:10:17 | 1:10:19 | |
who had strengths in what areas. | 1:10:19 | 1:10:22 | |
Clay is very strong in many areas. Penn is very strong in many areas. | 1:10:22 | 1:10:28 | |
Everybody has their own strengths and the way people judge | 1:10:28 | 1:10:31 | |
you in this competition is exactly how you should be judged. | 1:10:31 | 1:10:36 | |
We all formed an opinion based on performance, | 1:10:36 | 1:10:39 | |
so whatever it is, I include myself in this, | 1:10:39 | 1:10:42 | |
whatever they think of you, that's what you've earned. | 1:10:42 | 1:10:47 | |
And you need to own it. | 1:10:47 | 1:10:49 | |
-Good. -Very well said. | 1:10:49 | 1:10:51 | |
-Wow, good statement. -Mm. -I feel so bad for Lou. -I know, I know. | 1:10:51 | 1:10:55 | |
Yeah, Lou's going. It's sad, but true, cos he just wants to do stuff. | 1:10:55 | 1:10:58 | |
-No. -Mm-hm. | 1:10:58 | 1:10:59 | |
So, Dee, who is the weakest player on your team? | 1:10:59 | 1:11:02 | |
By what he's shown to date... | 1:11:04 | 1:11:07 | |
And I do believe, Lou, you have abilities | 1:11:07 | 1:11:09 | |
and I've said to you straight out, you're not showing them. | 1:11:09 | 1:11:12 | |
-Lou is the weakest at this point. -Who should be fired? | 1:11:12 | 1:11:15 | |
I did not see the women's performance, it probably was | 1:11:15 | 1:11:18 | |
amazing, but I do not agree with their assessment of what we did. | 1:11:18 | 1:11:23 | |
This was a team effort and I don't know what they wanted us all to do. | 1:11:23 | 1:11:28 | |
You know, it was a great job, but it was Adam's show and he should... | 1:11:28 | 1:11:33 | |
-So, as project manager... -So, if you said to me... -But Buick loved Adam. | 1:11:33 | 1:11:37 | |
Let me finish! If you said to me, "Who's the star?" Adam. | 1:11:37 | 1:11:40 | |
Who should be fired, if it fails? It's Adam. | 1:11:40 | 1:11:45 | |
OK. So, Michael, who would you fire? | 1:11:45 | 1:11:49 | |
Lou. | 1:11:51 | 1:11:53 | |
-Why? -Because there's a reason why there's never a place for him | 1:11:53 | 1:11:57 | |
because, right away, all he wants to do is beat something up or | 1:11:57 | 1:12:00 | |
whatever, but he never offers to bring anything business-wise... | 1:12:00 | 1:12:04 | |
I notice, Lou, you're complaining a lot. | 1:12:04 | 1:12:07 | |
You've got to sometimes go in and get it done, you understand that. | 1:12:07 | 1:12:09 | |
-Definitely. -But what's worse is the complaints are only here. | 1:12:09 | 1:12:13 | |
He never complains when we're back there. | 1:12:13 | 1:12:15 | |
Lou does flip the script when we come through the door. | 1:12:15 | 1:12:18 | |
Yeah, because I'm shocked to hear what he's saying, | 1:12:18 | 1:12:20 | |
-because back there he's totally different. -Different guy. | 1:12:20 | 1:12:24 | |
If he's got those concerns, why isn't he bringing them up | 1:12:24 | 1:12:27 | |
-when we're back there? -Do you understand that, Lou? | 1:12:27 | 1:12:30 | |
Yes. | 1:12:30 | 1:12:31 | |
So, Adam, you're going to pick two people, you're going to go outside, | 1:12:31 | 1:12:37 | |
the three of you are going to come back, somebody will be fired. | 1:12:37 | 1:12:41 | |
-Who's it going to be? -I'm not going to do that. | 1:12:41 | 1:12:44 | |
-You're not going to do it? -No. | 1:12:44 | 1:12:46 | |
I was the project leader, I made the decisions, | 1:12:46 | 1:12:49 | |
I did the presentation and, you know, if we lost... | 1:12:49 | 1:12:55 | |
So you wouldn't pick Lou or you wouldn't pick Michael, | 1:12:55 | 1:12:58 | |
-or you wouldn't pick Paul? -It's not their fault. This is on me. | 1:12:58 | 1:13:02 | |
All right, then here's what I'm going to do. | 1:13:02 | 1:13:06 | |
Everybody go outside, I'm going to bring you back in, I'm going | 1:13:06 | 1:13:09 | |
to fire two people tonight. | 1:13:09 | 1:13:11 | |
GASPING | 1:13:11 | 1:13:13 | |
-Oh! -No! -Holy crap! Oh, my gosh. Let's listen. | 1:13:13 | 1:13:18 | |
I don't like doing it, I don't want to do it, | 1:13:18 | 1:13:21 | |
but the bottom line is you didn't give me a choice. | 1:13:21 | 1:13:24 | |
Go ahead, Adam, go. | 1:13:25 | 1:13:28 | |
Women, turn off your television, right now. Thank you. | 1:13:38 | 1:13:41 | |
-Oh, BLEEP. -Oh, God. -Whoa. | 1:13:41 | 1:13:44 | |
He's probably mad that Adam did that, | 1:13:44 | 1:13:47 | |
-he doesn't like that, he hates that. -Oh, my God. -Yeah. | 1:13:47 | 1:13:50 | |
Wow, when he said, "I'm going to fire two people" - that's hardcore. | 1:13:50 | 1:13:55 | |
-Nice shot, Oswald. -This is ridiculous. | 1:13:55 | 1:13:58 | |
They're doing two guys to punish Adam for his solidarity. | 1:13:58 | 1:14:01 | |
If you had cracked and brought two people back, | 1:14:01 | 1:14:04 | |
only one would've been fired. | 1:14:04 | 1:14:07 | |
A lesson has been taught. | 1:14:07 | 1:14:08 | |
Yeah. | 1:14:08 | 1:14:10 | |
You know, guys, I respect all your opinions, | 1:14:18 | 1:14:21 | |
to be honest at the table, it's a tough situation. | 1:14:21 | 1:14:24 | |
I have no change of feelings for any of you. | 1:14:24 | 1:14:26 | |
But, Lou, there are times when, and this is honest, | 1:14:26 | 1:14:28 | |
-we're in that room... -Yeah, you don't say anything. | 1:14:28 | 1:14:30 | |
-..you're a different character. -Yeah, you don't tell us that. | 1:14:30 | 1:14:33 | |
You go in there and you flip the script on us, | 1:14:33 | 1:14:35 | |
-and I don't know who you are. -And, Lou, all you offered to do, | 1:14:35 | 1:14:39 | |
every one of the tasks we've had, you have offered the same thing, | 1:14:39 | 1:14:42 | |
"I will dress in a suit and I will flex my muscles." | 1:14:42 | 1:14:45 | |
You have offered one thing and, when we don't use that one thing, | 1:14:45 | 1:14:49 | |
we are under-utilising you. You need to offer two things. | 1:14:49 | 1:14:52 | |
Well, it's a learning experience and it's a fact I've learned more... | 1:14:52 | 1:14:55 | |
I'm learning, too. We're all learning. | 1:14:55 | 1:14:57 | |
We've all had a lot of weeks to learn it and, | 1:14:57 | 1:15:00 | |
if you're here next week, learning curve's over. | 1:15:00 | 1:15:03 | |
So, Don, this has never happened before on The Apprentice. | 1:15:06 | 1:15:08 | |
It's a little interesting twist, it kind of surprised me, | 1:15:08 | 1:15:11 | |
-so I'm curious myself now. -Little bit tough. What do you think? | 1:15:11 | 1:15:14 | |
I think it's interesting how the weak links are finally emerging, | 1:15:14 | 1:15:17 | |
so I think you see it very clearly tonight in the boardroom. | 1:15:17 | 1:15:20 | |
-Amanda, bring them in. -Yes, sir. | 1:15:20 | 1:15:23 | |
Excuse me, gentlemen, you can go back in now. | 1:15:23 | 1:15:26 | |
-All right. -OK. -All of us? -Yes. -OK. | 1:15:26 | 1:15:29 | |
So, Adam, because you didn't bring two people back, | 1:15:43 | 1:15:47 | |
I'm going to fire two people tonight. | 1:15:47 | 1:15:50 | |
I was surprised you didn't bring Lou back or Michael back or somebody. | 1:15:51 | 1:15:55 | |
I mean, you're not going to bring Paul, you're not going to bring Arsenio. | 1:15:55 | 1:15:58 | |
I can see you're not bringing certain people back. | 1:15:58 | 1:16:00 | |
You're not going to bring Penn, he did a great job, but why didn't you | 1:16:00 | 1:16:05 | |
want to bring two people back that really could have been brought back? | 1:16:05 | 1:16:09 | |
Well, because I felt like I was responsible for the win | 1:16:09 | 1:16:14 | |
and or, in this case, the loss. | 1:16:14 | 1:16:18 | |
I was project manager, I made most of the decisions and, you know, | 1:16:18 | 1:16:23 | |
when a soldier gets out of line, they blame the general. | 1:16:23 | 1:16:28 | |
In this case, I was the general. | 1:16:28 | 1:16:31 | |
I have great respect for that and you're right, | 1:16:31 | 1:16:34 | |
you were the project manager. | 1:16:34 | 1:16:36 | |
You also did a great job. | 1:16:36 | 1:16:37 | |
But, Adam, you're fired. | 1:16:39 | 1:16:41 | |
-You go ahead, thank you. -Thank you. | 1:16:46 | 1:16:49 | |
I was the project manager and we lost. | 1:17:01 | 1:17:05 | |
Not only was I the project manager, | 1:17:05 | 1:17:07 | |
I was the guy that was on stage the whole time and we lost, | 1:17:07 | 1:17:10 | |
so I will definitely take the bullet. | 1:17:10 | 1:17:13 | |
I think this one was very much like this, | 1:17:16 | 1:17:19 | |
and somebody's got to win and somebody's got to lose. | 1:17:19 | 1:17:23 | |
And the charity my charity lost to is a pretty worthy charity, | 1:17:23 | 1:17:29 | |
so that's fine. | 1:17:29 | 1:17:31 | |
So, Lou, Michael, | 1:17:34 | 1:17:38 | |
your team just about unanimously said you were the weakest link. | 1:17:38 | 1:17:42 | |
How do you respond to that? | 1:17:42 | 1:17:44 | |
-I didn't feel that. -Well, I think they did. | 1:17:44 | 1:17:47 | |
-They felt that I was a weak link? -I can tell you who did feel it. -Who? | 1:17:47 | 1:17:51 | |
Arsenio felt that you should've stepped forward. | 1:17:51 | 1:17:53 | |
I wish he would have said... I mean, I... | 1:17:53 | 1:17:56 | |
He's not supposed to say it, Michael, you're supposed to say it. | 1:17:56 | 1:17:59 | |
Arsenio said, better than anybody else, he said, | 1:17:59 | 1:18:02 | |
"If I'm selling a car, I want an Andretti to sell that car." | 1:18:02 | 1:18:06 | |
-I'm not a salesman. -Yeah, but you're a brand, you're a great brand. | 1:18:06 | 1:18:09 | |
Yeah, I know I'm a brand and I went and... | 1:18:09 | 1:18:12 | |
You're probably, to me, you're like the ultimate brand for a car. | 1:18:12 | 1:18:14 | |
I understand that, but I thought, to sell this project, | 1:18:14 | 1:18:18 | |
he was the best guy for the job. | 1:18:18 | 1:18:21 | |
Arsenio, who do you think I should fire? | 1:18:21 | 1:18:23 | |
In Michael's defence, he was on stage and I think the Buick | 1:18:23 | 1:18:28 | |
people saw why he felt that wasn't the place for him. | 1:18:28 | 1:18:31 | |
But you were talking before about his defence, you were saying, | 1:18:31 | 1:18:34 | |
"Why didn't he step up to be project manager | 1:18:34 | 1:18:36 | |
"and demand to be project manager?" | 1:18:36 | 1:18:38 | |
I thought I heard you almost lead us in that direction in the park. | 1:18:38 | 1:18:41 | |
I told him to be project manager. I wanted that. | 1:18:41 | 1:18:43 | |
There are certain things in this country, when you think of | 1:18:43 | 1:18:46 | |
-basketball or Jordan, it's synonymous. -Right. | 1:18:46 | 1:18:48 | |
The Andretti name is synonymous with cars and I bet a company | 1:18:48 | 1:18:51 | |
that sells cars wanted Andretti. | 1:18:51 | 1:18:53 | |
They couldn't believe that he wasn't used in a different capacity. | 1:18:53 | 1:18:58 | |
I told your team, "I know who's going to be project manager, | 1:18:58 | 1:19:02 | |
"this is a no-brainer." | 1:19:02 | 1:19:04 | |
And then, out of nowhere, Adam raises his hand, | 1:19:04 | 1:19:06 | |
who's a comedian and a great guy, he knows a lot about cars, | 1:19:06 | 1:19:10 | |
but he doesn't have any brand value for a car. | 1:19:10 | 1:19:13 | |
If I had known that I was being picked for...that | 1:19:13 | 1:19:15 | |
-I had to be the brand value of it... -Well, I think I sort of picked you. | 1:19:15 | 1:19:18 | |
..but I thought, being part of a team, they could use my brand. | 1:19:18 | 1:19:22 | |
I was part of the brand, I was up there, I was... | 1:19:22 | 1:19:24 | |
And yet, they didn't think you had great presence. | 1:19:24 | 1:19:27 | |
Now, that's not really insulting. | 1:19:27 | 1:19:28 | |
They thought you were very quiet and very reserved, | 1:19:28 | 1:19:31 | |
and they were a little surprised. | 1:19:31 | 1:19:33 | |
Well, being up there with Adam is pretty difficult. | 1:19:33 | 1:19:35 | |
-You know, that's not my personality. -Well, I don't think it's difficult. | 1:19:35 | 1:19:38 | |
And you are on your territory, in one way, because it is cars. | 1:19:38 | 1:19:41 | |
I understand, you're on stage, it's different, but you've | 1:19:41 | 1:19:43 | |
sort of been on stage all your life, a different stage, but a stage. | 1:19:43 | 1:19:48 | |
A stage with a helmet on, yeah. | 1:19:48 | 1:19:51 | |
Well, OK. | 1:19:51 | 1:19:54 | |
Dee, who would you fire? | 1:19:54 | 1:19:55 | |
Out of those two? | 1:19:58 | 1:20:00 | |
Sorry, Lou. Lou. | 1:20:02 | 1:20:05 | |
I mean, the one thing I like about Lou, | 1:20:06 | 1:20:08 | |
he really wants to get in there and pitch, | 1:20:08 | 1:20:11 | |
but Lou doesn't have the name to sell a car. | 1:20:11 | 1:20:13 | |
How do you feel about that, Lou? | 1:20:15 | 1:20:17 | |
I totally agree. | 1:20:17 | 1:20:19 | |
I know they feel they want to jump on me | 1:20:19 | 1:20:21 | |
because I'm eager to do this and that, but the truth is I'm | 1:20:21 | 1:20:23 | |
an extremely honest person and sometimes I give honest answers... | 1:20:23 | 1:20:26 | |
Sometimes you're too honest. He is honest. | 1:20:26 | 1:20:28 | |
He's getting himself in trouble. | 1:20:28 | 1:20:29 | |
The difference is, for me, he wants the ball. | 1:20:29 | 1:20:31 | |
-No, he doesn't. -No, he doesn't. | 1:20:31 | 1:20:33 | |
I don't see that, I don't know that I see that from Michael. | 1:20:33 | 1:20:35 | |
-I'm out for the fight. -That's simply not true. | 1:20:35 | 1:20:37 | |
-I haven't seen it yet from Michael. -I...that's my... | 1:20:37 | 1:20:40 | |
That's my business, I'm the guy in charge and if... | 1:20:40 | 1:20:42 | |
In that business, but do you have a comfort zone outside of that business? | 1:20:42 | 1:20:46 | |
Yeah, I like being in charge. | 1:20:46 | 1:20:47 | |
But, Michael, Michael, here's the problem, | 1:20:47 | 1:20:49 | |
you didn't lose this task because of Lou. | 1:20:49 | 1:20:53 | |
Whether Lou is in the background or | 1:20:53 | 1:20:55 | |
whether he thought he should have been there - doesn't matter. | 1:20:55 | 1:20:58 | |
You didn't lose because of Lou, you lost because of you and Adam, | 1:20:58 | 1:21:02 | |
to a certain extent. | 1:21:02 | 1:21:04 | |
But the executives felt that you should've stepped up. | 1:21:04 | 1:21:06 | |
They wanted to see your name used at the highest level, | 1:21:06 | 1:21:09 | |
not at the secondary level. | 1:21:09 | 1:21:11 | |
And they thought you didn't have the presence for the task. | 1:21:11 | 1:21:15 | |
Michael, you're fired. | 1:21:15 | 1:21:17 | |
Thank you, thank you. | 1:21:21 | 1:21:23 | |
Go ahead, fellas, get out of here. | 1:21:23 | 1:21:25 | |
You knew where you belonged. | 1:21:40 | 1:21:42 | |
OK, I'll talk to you later. | 1:21:42 | 1:21:44 | |
So what do you think, Ivanka? | 1:21:54 | 1:21:56 | |
I think you did the right thing. | 1:21:56 | 1:21:58 | |
I think there was never a task more suited to Michael. | 1:21:58 | 1:22:00 | |
Yeah, I mean, we know brand. It's a no-brainer for us as well. | 1:22:00 | 1:22:03 | |
Well, I thought he was very good, | 1:22:03 | 1:22:05 | |
but not for this particular task, and he should've been great. | 1:22:05 | 1:22:08 | |
It's not a fun thing to be fired, especially, you know, | 1:22:41 | 1:22:43 | |
on those merits. | 1:22:43 | 1:22:45 | |
I think I would have accepted it had I really done something wrong, | 1:22:45 | 1:22:48 | |
you know. So I'm a little disappointed in this, for sure, | 1:22:48 | 1:22:52 | |
especially when I feel like Lou is really the weak link there. | 1:22:52 | 1:22:56 | |
He didn't really do anything, he hasn't done anything on any | 1:22:56 | 1:22:58 | |
of the tasks and, so, it was definitely a disappointment. | 1:22:58 | 1:23:02 |