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Previously on The Celebrity Apprentice... | 0:00:02 | 0:00:04 | |
the teams took the ultimate driving test. | 0:00:04 | 0:00:06 | |
Your task today is to help us introduce the all-new Buick Verano. | 0:00:06 | 0:00:10 | |
Mr Trump called the men's choice of project manager into question. | 0:00:10 | 0:00:14 | |
Why didn't you pick Michael Andretti? | 0:00:14 | 0:00:16 | |
I could probably execute this better. | 0:00:16 | 0:00:18 | |
And Debbie Gibson stepped up on the women's side. | 0:00:18 | 0:00:21 | |
But her team felt divided. | 0:00:21 | 0:00:23 | |
We wanted to be on speakerphone so we know what's going on. | 0:00:23 | 0:00:25 | |
I don't have anything to include her in yet. | 0:00:25 | 0:00:27 | |
-The uncool van is the leftovers. -So there's no team... | 0:00:27 | 0:00:33 | |
On the men's side, Lou Ferrigno once again volunteered to perform. | 0:00:33 | 0:00:37 | |
Lou's problem is, he just worries about Lou. | 0:00:38 | 0:00:41 | |
And Adam decided to take the comedic route | 0:00:41 | 0:00:44 | |
against the advice of his team. | 0:00:44 | 0:00:46 | |
If it plays, if it gets a laugh, if it's funny, then it works. | 0:00:46 | 0:00:50 | |
I think it's a really classy brand | 0:00:50 | 0:00:53 | |
and I think that we should go over it and not come under it. | 0:00:53 | 0:00:56 | |
On the day of the presentation, | 0:00:56 | 0:00:58 | |
the men worried about Michael Andretti's performance. | 0:00:58 | 0:01:01 | |
I think the car just looks beautiful. | 0:01:01 | 0:01:03 | |
He was just a little bit nervous. | 0:01:03 | 0:01:05 | |
And Aubrey O'Day's frustration with Debbie Gibson continued. | 0:01:05 | 0:01:09 | |
# I just can't shake your love... # | 0:01:09 | 0:01:11 | |
Whether you bought a ticket or not, you're going to hear her sing. | 0:01:11 | 0:01:14 | |
That night in the boardroom, Mr Trump called out Tia Carrere. | 0:01:14 | 0:01:17 | |
Have you actually been purposely going under the radar? | 0:01:17 | 0:01:21 | |
Not necessarily purposely... | 0:01:21 | 0:01:22 | |
And the women confronted each other. | 0:01:22 | 0:01:24 | |
-Some people... -You had your favourites. | 0:01:24 | 0:01:27 | |
-No, some people are more proactive... -Yes, you did, you did. -..forward-thinking... | 0:01:27 | 0:01:30 | |
Yeah, whatever, Debbie. Whatever. | 0:01:30 | 0:01:32 | |
When the winner was announced... | 0:01:32 | 0:01:34 | |
The executives felt that the women did a far better job. | 0:01:34 | 0:01:37 | |
-Are you kidding?! -..the men were devastated. -Wow. | 0:01:37 | 0:01:41 | |
Left to face Mr Trump, | 0:01:41 | 0:01:42 | |
project manager Adam Carolla wouldn't name names. | 0:01:42 | 0:01:45 | |
I'm not going to do that. | 0:01:45 | 0:01:47 | |
And he paid the price. | 0:01:47 | 0:01:48 | |
Adam, you're fired. | 0:01:48 | 0:01:50 | |
But Mr Trump wasn't done yet. | 0:01:50 | 0:01:52 | |
I'm going to fire two people tonight. | 0:01:52 | 0:01:54 | |
THEY GASP | 0:01:54 | 0:01:56 | |
-No! -While awaiting their fate... | 0:01:56 | 0:01:58 | |
They're doing two guys to punish Adam for his solidarity. | 0:01:58 | 0:02:02 | |
A lesson has been taught. | 0:02:02 | 0:02:03 | |
..the men went after Lou. | 0:02:03 | 0:02:05 | |
Lou, every one of the tasks we've had, you've offered the same thing - | 0:02:05 | 0:02:09 | |
"I will dress in a suit and I will flex my muscles." | 0:02:09 | 0:02:12 | |
If you're here next week, learning curve is over. | 0:02:12 | 0:02:15 | |
But back in the boardroom, Mr Trump had other plans. | 0:02:15 | 0:02:19 | |
Michael, you're fired. | 0:02:19 | 0:02:20 | |
-Dude, we have to keep winning, we just have to. -Yeah. | 0:02:32 | 0:02:35 | |
'It's very strange because we won this task, yet I was very sad. | 0:02:42 | 0:02:46 | |
'This clique that Aubrey and Lisa have has been | 0:02:46 | 0:02:48 | |
'so damaging for the group. | 0:02:48 | 0:02:50 | |
'The backstabbing, the lies, treating people with disrespect,' | 0:02:50 | 0:02:53 | |
that is the thing that has been broken in the women's team. | 0:02:53 | 0:02:56 | |
-Are they coming? -Yeah, the guys are coming. | 0:02:56 | 0:02:59 | |
THEY HUM DRAMATIC MUSIC | 0:02:59 | 0:03:01 | |
-What the...? -They fired two. -It was insane. | 0:03:04 | 0:03:06 | |
-I don't even know where to start. -What? -But congratulations. | 0:03:06 | 0:03:09 | |
-Great job. -WOMEN: Yay! | 0:03:09 | 0:03:12 | |
-Y'all beat us in the car world. -I know! -Hey, much respect. Yeah. | 0:03:12 | 0:03:18 | |
'Lou should be gone. | 0:03:18 | 0:03:20 | |
-'Every week, we have to hear Lou talk a lot of -BLEEP.' | 0:03:20 | 0:03:25 | |
I don't care if we're making Playtex products next week. | 0:03:25 | 0:03:29 | |
Lou has to leave. I'm sick of hearing. | 0:03:29 | 0:03:31 | |
I know, yeah. Got to step up. | 0:03:33 | 0:03:35 | |
Get in the middle of that. | 0:03:39 | 0:03:42 | |
Yup. | 0:03:42 | 0:03:44 | |
'After tonight, there's a lot of enmity towards me. | 0:03:44 | 0:03:47 | |
'Most of the team members feel that I should have been the one fired. | 0:03:47 | 0:03:50 | |
'I have to do more and step up to the plate.' | 0:03:50 | 0:03:52 | |
Because right now, it's at the point | 0:03:52 | 0:03:54 | |
if I don't take action now, I'm in trouble. | 0:03:54 | 0:03:56 | |
We're not feeling very talkative. We're happy for you guys, | 0:03:56 | 0:03:59 | |
but we're not happy for our team. | 0:03:59 | 0:04:01 | |
# Money, money, money, money | 0:04:10 | 0:04:14 | |
# Money! | 0:04:14 | 0:04:15 | |
# Money, money, money, money | 0:04:15 | 0:04:19 | |
# Money! | 0:04:19 | 0:04:20 | |
# Some people got to have it | 0:04:20 | 0:04:24 | |
# Ye-eah | 0:04:24 | 0:04:26 | |
# Some people really need it | 0:04:26 | 0:04:29 | |
# Hey, listen to me, y'all | 0:04:29 | 0:04:31 | |
# Do things, do things, do things Bad things with it | 0:04:31 | 0:04:35 | |
# Dollar bills, y'all Come on | 0:04:37 | 0:04:39 | |
# That mean, oh, mean | 0:04:39 | 0:04:44 | |
# Mean green | 0:04:44 | 0:04:46 | |
# Almighty dollar | 0:04:46 | 0:04:49 | |
# You know that money... | 0:04:49 | 0:04:52 | |
# Give me a nickel Brother, can you spare a dime? | 0:04:52 | 0:04:57 | |
# Money can drive some people out of their minds | 0:04:57 | 0:05:03 | |
# No good, no good | 0:05:04 | 0:05:06 | |
# Money | 0:05:06 | 0:05:07 | |
# Money, money, money | 0:05:07 | 0:05:11 | |
# Money. # | 0:05:11 | 0:05:13 | |
-DEBBIE: -Hello! -Hey! How are you? -Good, how are you? | 0:05:26 | 0:05:30 | |
'I'm here to surprise my representatives' | 0:05:30 | 0:05:33 | |
from Children International | 0:05:33 | 0:05:36 | |
with a cheque for 50,000. | 0:05:36 | 0:05:38 | |
I tell everyone I meet, give up your coffee every day | 0:05:38 | 0:05:41 | |
and transform these kids' lives. | 0:05:41 | 0:05:43 | |
'I have, over the years,' | 0:05:43 | 0:05:45 | |
seen three-year-old children climbing trash heaps and their feet | 0:05:45 | 0:05:52 | |
are bleeding and they're looking for bottles to recycle. | 0:05:52 | 0:05:55 | |
So, I've been playing this game and playing it pretty well | 0:05:55 | 0:05:59 | |
because somewhere along the way... | 0:05:59 | 0:06:02 | |
-I won you guys this! -Oh, my gosh! | 0:06:02 | 0:06:07 | |
-Oh, my goodness! -Holy cow, that is incredible. -20,000! | 0:06:08 | 0:06:12 | |
Not only 20,000 from Mr Trump and The Celebrity Apprentice, | 0:06:12 | 0:06:17 | |
General Motors donated another 30,000 for a total of 50,000. | 0:06:17 | 0:06:23 | |
-Oh, my gosh! -That is incredible. | 0:06:23 | 0:06:25 | |
Thank you so much. | 0:06:25 | 0:06:27 | |
Literally, for less than two dollars a day, these kids go | 0:06:27 | 0:06:30 | |
from wearing the same rags every day to having clean clothes, shoes... | 0:06:30 | 0:06:34 | |
-Fantastic. -Thank you so much, Debbie. This is awesome. | 0:06:34 | 0:06:37 | |
So, 50,000, just thinking about what it's going to do | 0:06:37 | 0:06:42 | |
for people who really, really need it. | 0:06:42 | 0:06:44 | |
is...really overwhelming me. | 0:06:44 | 0:06:46 | |
SHE SNIFFS | 0:06:46 | 0:06:47 | |
-Good morning. -ALL: Good morning. | 0:07:11 | 0:07:12 | |
Arsenio, Adam didn't want to bring anybody back. | 0:07:12 | 0:07:16 | |
What do you think of what Adam did? | 0:07:16 | 0:07:19 | |
-It was honourable. -It was. Not so smart, but it was honourable. | 0:07:19 | 0:07:24 | |
OK. We're standing in the New York Public Library, | 0:07:24 | 0:07:28 | |
one of the great, great buildings of New York. | 0:07:28 | 0:07:30 | |
Dayana, what do you see when you look down? | 0:07:30 | 0:07:33 | |
When I look down and up, it's beautiful. | 0:07:33 | 0:07:35 | |
-What do you see right there? -Squares and circles... -It's called a floor! | 0:07:35 | 0:07:39 | |
-That's a trick question. -A floor. | 0:07:40 | 0:07:42 | |
Now, this is all about a great company, O-Cedar. | 0:07:42 | 0:07:47 | |
They have been cleaning floors for over 100 years. | 0:07:47 | 0:07:52 | |
With me are two tremendous executives, Michelle Goldberg | 0:07:52 | 0:07:56 | |
and Mike Berg. | 0:07:56 | 0:07:57 | |
Mike, tell us about the task. | 0:07:57 | 0:08:00 | |
Thank you, Mr Trump. | 0:08:00 | 0:08:01 | |
Your task this week is to create an original theme | 0:08:01 | 0:08:04 | |
and to use your theme in a viral video promoting our latest | 0:08:04 | 0:08:08 | |
innovation, the ProMist spray mop. | 0:08:08 | 0:08:11 | |
We will be judging your original theme and viral video | 0:08:11 | 0:08:14 | |
and determining the project winner based on product integration, | 0:08:14 | 0:08:18 | |
entertainment value and brand messaging. | 0:08:18 | 0:08:20 | |
OK, who is going to be your project manager? | 0:08:21 | 0:08:24 | |
Go ahead, men, women, who are you picking? | 0:08:24 | 0:08:27 | |
-I'm doing it? -Yeah. | 0:08:32 | 0:08:33 | |
My ex is in the commercial business, | 0:08:33 | 0:08:36 | |
-so I've seen all the videos and all the... -I agree. | 0:08:36 | 0:08:39 | |
I'm not stepping up to be project manager this time | 0:08:39 | 0:08:42 | |
because this brand has been around for 100 years, just like Tia. | 0:08:42 | 0:08:45 | |
So I think that she would be best for this. | 0:08:45 | 0:08:48 | |
OK. Arsenio, who is your project manager? | 0:08:48 | 0:08:52 | |
Our project manager is | 0:08:52 | 0:08:54 | |
-the incredible Louis Ferrigno. -Ah. | 0:08:54 | 0:08:58 | |
(Good for him.) | 0:08:58 | 0:08:59 | |
-How do you feel about that, Lou? -I feel great. | 0:08:59 | 0:09:01 | |
As a matter of fact, I'm so motivated... | 0:09:01 | 0:09:04 | |
Go, come on, give them to me, Lou! Come on, baby! | 0:09:04 | 0:09:07 | |
LAUGHTER | 0:09:07 | 0:09:08 | |
-He's in good shape, huh? -Thank you. -Very good, Lou. I'm impressed. | 0:09:08 | 0:09:12 | |
-Ladies, who is your project manager? -I will be your project manager. | 0:09:12 | 0:09:16 | |
-Tia... -Yes, sir. -Good, Tia. You're finally getting it. | 0:09:16 | 0:09:20 | |
I didn't know what happened to you. | 0:09:20 | 0:09:21 | |
Perhaps I was flying under the radar. | 0:09:21 | 0:09:24 | |
Well, maybe you're not any more. | 0:09:24 | 0:09:26 | |
Now, the winning team's project manager will get 20,000 | 0:09:26 | 0:09:30 | |
plus, O-Cedar, they're going to increase that by 30. | 0:09:30 | 0:09:34 | |
So you will get 50,000. | 0:09:34 | 0:09:36 | |
-The project manager of the winning team... -Yes! -..for your charity. | 0:09:36 | 0:09:40 | |
Don and Eric will be my advisers in the boardroom. | 0:09:40 | 0:09:43 | |
One team will be very happy and one team, somebody will be fired. | 0:09:43 | 0:09:48 | |
Good luck, go. | 0:09:49 | 0:09:51 | |
ALL: Thank you. | 0:09:51 | 0:09:52 | |
What they really mean is a video that one person sends to another | 0:10:06 | 0:10:10 | |
and sends to another and goes on Facebook and Twitter. | 0:10:10 | 0:10:12 | |
And gets many millions of hits. | 0:10:12 | 0:10:14 | |
When someone says, "Check out this video, Paul, | 0:10:14 | 0:10:16 | |
-"you got to see this thing," that's a viral video. -Yeah, OK. I got it. | 0:10:16 | 0:10:19 | |
I want to make sure that everyone is on the same track. | 0:10:20 | 0:10:23 | |
Everyone has an ego here. | 0:10:23 | 0:10:24 | |
Forget about the ego, because all you guys are brilliant. | 0:10:24 | 0:10:27 | |
I think it is going to be a fun task to do... | 0:10:27 | 0:10:29 | |
I don't know about the "fun" part, but let's win. | 0:10:29 | 0:10:32 | |
'Lou tried to take control, | 0:10:32 | 0:10:34 | |
'but this is not the easiest group of guys to take charge of. | 0:10:34 | 0:10:38 | |
'And I doubt' | 0:10:38 | 0:10:40 | |
if anybody on my team has mopped in the last 20 years. | 0:10:40 | 0:10:43 | |
Do you have any ideas, Lou? | 0:10:46 | 0:10:48 | |
Every task so far, | 0:10:54 | 0:10:56 | |
Lou has said, "I will star and I will flex my muscles." | 0:10:56 | 0:10:59 | |
Lou has said that every single time. | 0:10:59 | 0:11:01 | |
But that doesn't mean that that is right for this. | 0:11:01 | 0:11:04 | |
-Yeah... -If we do something, we have a lot of celebrities here | 0:11:04 | 0:11:07 | |
we could do things with, but in this case we'll work around you. | 0:11:07 | 0:11:11 | |
Yeah. | 0:11:11 | 0:11:13 | |
TIA: So I got a couple of ideas... | 0:11:13 | 0:11:14 | |
Hey, why don't we make fun of beauty queen pageants, where you ask | 0:11:14 | 0:11:17 | |
the questions and maybe there could be a question about O-Cedar, | 0:11:17 | 0:11:21 | |
and she's like, "Well, I think that, um, cleaning..." | 0:11:21 | 0:11:26 | |
As Debbie and Lisa and I are coming up with good ideas, we had | 0:11:28 | 0:11:32 | |
Dayana in the back coming up with every bad idea I've ever heard. | 0:11:32 | 0:11:35 | |
What if we do something about, like, Cinderella? | 0:11:35 | 0:11:38 | |
You know how Cinderella used to mop... | 0:11:38 | 0:11:41 | |
-HISPANIC ACCENT: -Cinderella! | 0:11:41 | 0:11:43 | |
So why don't we just have a pregnant woman breaking her water | 0:11:43 | 0:11:46 | |
-and then before she goes to the hospital, she needs to wipe it up? -She needs to mop it up. | 0:11:46 | 0:11:50 | |
Pregnant woman! | 0:11:50 | 0:11:51 | |
We could have the lady going crazy, "I'm going to kill you," to the husband... | 0:11:51 | 0:11:56 | |
Dude, I can't even handle it. | 0:11:56 | 0:11:58 | |
I think I might be permanently deaf in this ear from Dayana's bad ideas. | 0:11:58 | 0:12:02 | |
Maybe we can have her following the trash truck... | 0:12:02 | 0:12:06 | |
For the first time, Debbie Gibson isn't getting on my nerves and the | 0:12:06 | 0:12:09 | |
truth is that me, Lisa and Debbie are the strongest players. | 0:12:09 | 0:12:13 | |
Dayana has been the least efficient | 0:12:13 | 0:12:15 | |
in every single task we've had, and that is just the truth. | 0:12:15 | 0:12:18 | |
OK, OK, wait, I have another one. | 0:12:18 | 0:12:21 | |
Cinderella cleaning with a sponge and lingerie | 0:12:21 | 0:12:23 | |
and then, like, 100 years later, | 0:12:23 | 0:12:26 | |
you can have Cinderella super-old, cleaning with a mop. | 0:12:26 | 0:12:29 | |
TIA: What if it's a weapon? | 0:12:40 | 0:12:41 | |
Look at this, you push the button... | 0:12:41 | 0:12:43 | |
I think they've done a lot of that stuff already. | 0:12:43 | 0:12:46 | |
Like, they do a lot of fighting with mops. Dancing with mops... | 0:12:46 | 0:12:49 | |
Our task is to create a viral video campaign for O-Cedar ProMist spray mop. | 0:12:49 | 0:12:53 | |
And we only have today to come up with our theme, | 0:12:53 | 0:12:56 | |
cast it, shoot it and edit it. | 0:12:56 | 0:12:58 | |
One day. | 0:12:58 | 0:12:59 | |
-Hello, hi. -Hello, ladies. How are you? | 0:12:59 | 0:13:02 | |
-Please sit down. -Hello, I'm Dayana, nice to meet you. -Good to meet you. | 0:13:02 | 0:13:05 | |
-Tia is our project manager. -How are you? | 0:13:05 | 0:13:07 | |
Fortunately, we had a meeting with Mike, our O-Cedar executive, | 0:13:07 | 0:13:11 | |
to see what they are looking for. | 0:13:11 | 0:13:13 | |
How do you make this category sexy? | 0:13:13 | 0:13:14 | |
Sexy? You like sexy? | 0:13:14 | 0:13:16 | |
OK, well, the job is to create a phrase for our next themed promotion. | 0:13:16 | 0:13:22 | |
Last year, our phrase was "dirty little secrets". | 0:13:22 | 0:13:26 | |
-So it was about, tell us your dirty little cleaning secrets. -That's... | 0:13:26 | 0:13:29 | |
So it has to be something that is fun, | 0:13:29 | 0:13:32 | |
-that somebody my age will want to pass around? -Fun. | 0:13:32 | 0:13:35 | |
-Make it fun. -How sexy can we get with it? | 0:13:35 | 0:13:37 | |
That's up to you guys, that's up to you. | 0:13:37 | 0:13:39 | |
As everybody knows, the best medium is viral, right? | 0:13:41 | 0:13:44 | |
Word-of-mouth. You can't buy it. | 0:13:44 | 0:13:47 | |
Do you guys like to do funny in your ads? | 0:13:47 | 0:13:49 | |
If you want to take that approach, with funny, | 0:13:49 | 0:13:51 | |
-as long as the product is hero... -The product is the hero. | 0:13:51 | 0:13:54 | |
-The product is the hero. -The product is the hero. | 0:13:54 | 0:13:57 | |
And you're doing a great job of educating on the product features | 0:13:57 | 0:14:02 | |
and you get the brand messaging across. | 0:14:02 | 0:14:04 | |
It's your choice in how you want to execute the creative. | 0:14:04 | 0:14:08 | |
We have eight ideas so far. In love with a mop... | 0:14:13 | 0:14:16 | |
Her water breaks... That's kind of gross, sorry, Dayana. | 0:14:16 | 0:14:20 | |
Listen, if it's a suggestive thing, like, what's your number? | 0:14:20 | 0:14:23 | |
Of course, we think you're talking about sex, | 0:14:23 | 0:14:26 | |
about how many sex partners you've had... | 0:14:26 | 0:14:28 | |
-Yeah, yeah. -We're really talking about the mop. -Ah! | 0:14:28 | 0:14:31 | |
'Lisa came up with what is your number? How many mops' | 0:14:33 | 0:14:36 | |
have you used in your life? I'm like, that's genius! | 0:14:36 | 0:14:40 | |
Boom, that was it. What is your number? That was our concept. | 0:14:40 | 0:14:44 | |
What's your number? Cool. I love the line that we're skating right now. | 0:14:44 | 0:14:48 | |
-It's risque, it's clever... -But not gross or anything. -Exactly. | 0:14:48 | 0:14:52 | |
I like this concept. | 0:14:52 | 0:14:54 | |
Now, do I agree with the concept? No. | 0:14:55 | 0:14:57 | |
No, I wasn't so sure about it. | 0:14:57 | 0:15:00 | |
But Tia approved it and if I agree or don't agree, it doesn't matter, | 0:15:00 | 0:15:04 | |
I have to commit to make the concept that was approved, the best. | 0:15:04 | 0:15:07 | |
Because it'll make it go more... | 0:15:12 | 0:15:14 | |
-You could shoot that up against one of the walls in here. -I like that. | 0:15:14 | 0:15:17 | |
I like that. | 0:15:17 | 0:15:18 | |
The first order of business was, we each wrote our own anecdotes | 0:15:18 | 0:15:22 | |
on our experience with our past "mop partners". | 0:15:22 | 0:15:25 | |
-I was a late bloomer but I made up for lost time in my 20s. -Right. | 0:15:25 | 0:15:29 | |
And Lisa took our ideas to put them all together | 0:15:29 | 0:15:32 | |
and make them make sense. | 0:15:32 | 0:15:34 | |
They told me it was easy... Or... | 0:15:34 | 0:15:36 | |
-Something about the mop being easy. -I got mine! | 0:15:36 | 0:15:39 | |
OK, OK, so... I remember my first time was terrible! | 0:15:41 | 0:15:46 | |
You're hired! | 0:15:46 | 0:15:47 | |
I didn't know what to do or how to do it. | 0:15:47 | 0:15:50 | |
Now I found the perfect one | 0:15:50 | 0:15:53 | |
and my hand doesn't hurt, because | 0:15:53 | 0:15:56 | |
I found the perfect, comfortable way to hold it, thanks to its shape... | 0:15:56 | 0:16:00 | |
OTHERS: Ooh...! | 0:16:00 | 0:16:02 | |
That's the dirty version! | 0:16:02 | 0:16:04 | |
-LISA: -Dayana comes up with this really racy monologue. | 0:16:04 | 0:16:08 | |
I'm a dirty comedian, but I know to not go off on some | 0:16:08 | 0:16:12 | |
sexual tangent when it comes to a mop and O-Cedar. | 0:16:12 | 0:16:14 | |
This is just not appropriate. | 0:16:14 | 0:16:17 | |
-Even I have my limits! -Oh, God! | 0:16:17 | 0:16:19 | |
Miss Universe, poised, beautiful, skinny... | 0:16:19 | 0:16:25 | |
So much to hate. | 0:16:25 | 0:16:27 | |
OK, I think we've got to come up with a theme. | 0:16:31 | 0:16:34 | |
I like the idea of superhero, | 0:16:34 | 0:16:36 | |
because this mop is considered as a hero. | 0:16:36 | 0:16:39 | |
Lou, the word "hero" is a slang term, | 0:16:39 | 0:16:42 | |
just meaning that the emphasis must be on the product. | 0:16:42 | 0:16:45 | |
That said, O-Cedar Man could save the day. | 0:16:46 | 0:16:50 | |
Right, but are you a '50s superhero? | 0:16:50 | 0:16:52 | |
Are you a person coming from the future? | 0:16:52 | 0:16:55 | |
2030 or... | 0:16:55 | 0:16:57 | |
I thought I would go back in time at the time of Leave It To Beaver. | 0:16:57 | 0:17:00 | |
It is hackneyed and it is a cliche. | 0:17:00 | 0:17:02 | |
I think Penn plays for the boardroom from the minute we get the task. | 0:17:03 | 0:17:07 | |
I think that may be strategy, but it's damaging to the team. | 0:17:07 | 0:17:10 | |
So you think, if you were able to go back 61 years in time, | 0:17:10 | 0:17:14 | |
the thing you would choose to bring back to our modern world is this, | 0:17:14 | 0:17:17 | |
with no irony whatsoever? | 0:17:17 | 0:17:20 | |
'Essentially, the way you always start a brainstorming session is | 0:17:20 | 0:17:25 | |
'by any idea that's thrown out,' | 0:17:25 | 0:17:27 | |
write it down, shoot it down. That's the rules. | 0:17:27 | 0:17:30 | |
And I don't think there's another way to do it. | 0:17:30 | 0:17:33 | |
Let him do it. It's a suspension of disbelief thing. | 0:17:34 | 0:17:37 | |
'Penn can be difficult and I'd have an easier time dealing | 0:17:37 | 0:17:40 | |
'with a Supreme Court judge...' | 0:17:40 | 0:17:42 | |
The intellectualising, the analysing, | 0:17:42 | 0:17:44 | |
-and you want to say shut the -BLEEP -up. | 0:17:44 | 0:17:46 | |
I think we'll have to go with the O-Cedar Man. | 0:17:46 | 0:17:49 | |
Is it O-Cedar Man and O-Cedar Woman, | 0:17:49 | 0:17:51 | |
or is it O-Cedar Man saving a citizen woman? | 0:17:51 | 0:17:54 | |
'Penn can be very condescending. | 0:17:54 | 0:17:56 | |
'It seems if it's not Penn's idea, | 0:17:56 | 0:17:58 | |
'all he wants to do is point out negatives.' | 0:17:58 | 0:18:00 | |
I was frustrated and I was getting really pent-up with anger. | 0:18:00 | 0:18:07 | |
OK, I feel like there are people in this room who are trying to | 0:18:07 | 0:18:10 | |
set Lou up to fail. | 0:18:10 | 0:18:11 | |
I'm hearing a lot of, this isn't going to work, | 0:18:11 | 0:18:14 | |
this isn't going to work and nothing new. | 0:18:14 | 0:18:16 | |
-And it's frustrating the hell out of me. -Agreed. | 0:18:16 | 0:18:19 | |
Because everybody is just saying no and letting us flounder | 0:18:19 | 0:18:23 | |
and it's bothering, it's really bothering me. | 0:18:23 | 0:18:25 | |
'I have a lot of respect for Clay now.' | 0:18:25 | 0:18:28 | |
Most people punk up in Penn's presence because they're afraid | 0:18:28 | 0:18:31 | |
of being verbally destroyed. Clay stepped up and handles his manager. | 0:18:31 | 0:18:37 | |
Do you believe there's been a good idea that's been shot down? | 0:18:37 | 0:18:39 | |
Again, overthinking. If we're going to go your way, that's... | 0:18:39 | 0:18:43 | |
-I do not have a way. -I noticed. We got that. You don't have a way. | 0:18:43 | 0:18:47 | |
But you have 100 "this is not the ways". | 0:18:47 | 0:18:50 | |
If it can work, | 0:18:50 | 0:18:52 | |
then let's work to make it work instead of working to tear it down. | 0:18:52 | 0:18:55 | |
I thought I was trying to make it better. | 0:18:55 | 0:18:56 | |
-No, you're being condescending, that's all you're doing. -OK. | 0:18:56 | 0:19:00 | |
OK, I'm sorry. | 0:19:00 | 0:19:01 | |
'Clay put Penn in his place. And I'm glad he was honest,' | 0:19:01 | 0:19:04 | |
because Penn is the raging bull in a china closet. | 0:19:04 | 0:19:07 | |
Almost like a devil. | 0:19:07 | 0:19:09 | |
We don't even have a concept. | 0:19:09 | 0:19:11 | |
-Somebody needs to grab the -BLEEP -bull by the horn. | 0:19:11 | 0:19:14 | |
Maybe we need to incorporate the saying, | 0:19:14 | 0:19:15 | |
-"I'll mop the floor with you"? -That's cute! -Mop the floor with you is a good phrase. | 0:19:15 | 0:19:19 | |
That's a cute phrase. | 0:19:19 | 0:19:20 | |
'You know, I grew up with that kind of cliche,' | 0:19:20 | 0:19:22 | |
so, when I put that out there, everybody was like, hmm. | 0:19:22 | 0:19:25 | |
Maybe there's an aggressive character who introduces this mop? | 0:19:26 | 0:19:30 | |
Maybe you don't see who that character is talking to? | 0:19:30 | 0:19:32 | |
And it's, "I'll mop the floor with you" in a cutaway | 0:19:32 | 0:19:34 | |
-and he's talking to this! -I like that! | 0:19:34 | 0:19:37 | |
OK, let's keep working with that, that's cute. | 0:19:37 | 0:19:40 | |
For the rest of the commercial, while Lou is in the background mopping... | 0:19:40 | 0:19:43 | |
'We quickly connected that idea to a couple of other pieces we had.' | 0:19:43 | 0:19:47 | |
Lou playing against type. He wants to be the person with the mop... | 0:19:47 | 0:19:50 | |
So we were off to the races. | 0:19:50 | 0:19:53 | |
-You like it? -I love it. -Blam! | 0:19:53 | 0:19:57 | |
Is there anything cute we could do for the presentation in the room? | 0:20:05 | 0:20:08 | |
Like some way that people can share their number. | 0:20:08 | 0:20:11 | |
Like, mine could be 32. | 0:20:11 | 0:20:12 | |
It's not, by the way. | 0:20:12 | 0:20:14 | |
I think it's a cool concept, | 0:20:14 | 0:20:16 | |
but is your number how many men you've slept with? | 0:20:16 | 0:20:18 | |
But we tried to make it how many mops you have bought. | 0:20:18 | 0:20:22 | |
Hopefully O-Cedar love it. | 0:20:22 | 0:20:24 | |
Why don't we get T-shirts made up with the "what's your number?" | 0:20:24 | 0:20:28 | |
and their logo? | 0:20:28 | 0:20:29 | |
-"What's your number?" -"What's your number?" | 0:20:29 | 0:20:32 | |
And their brand, their logo. | 0:20:32 | 0:20:35 | |
Tia is not really leading and pulling all the details together. | 0:20:35 | 0:20:39 | |
So I was a little bit confused as to what I was contributing, | 0:20:39 | 0:20:42 | |
where I was needed. | 0:20:42 | 0:20:43 | |
I thought, "OK, quick, what else can I do?" | 0:20:43 | 0:20:46 | |
I would freaking love to make these T-shirts for us, | 0:20:46 | 0:20:49 | |
but Patricia is going to do the logo for the T-shirts. | 0:20:49 | 0:20:53 | |
Patricia has been doing graphic design task after task. | 0:20:53 | 0:20:57 | |
I wanted to give her the opportunity to try something new. | 0:20:57 | 0:21:00 | |
But Patricia seemed a little possessive over | 0:21:00 | 0:21:03 | |
the graphic design thing. | 0:21:03 | 0:21:05 | |
Thank you, Aubrey. And I like the "Cedar" as the team logo. | 0:21:07 | 0:21:10 | |
Sorry, now we are going double. | 0:21:10 | 0:21:12 | |
I thought you were going to get the T-shirts that you want | 0:21:12 | 0:21:15 | |
and then I will work on the logo itself. | 0:21:15 | 0:21:17 | |
'The thing about Debbie is, she gets frustrated | 0:21:17 | 0:21:20 | |
'when things don't go her way. | 0:21:20 | 0:21:22 | |
'But Tia is the project manager, so I thought,' | 0:21:22 | 0:21:25 | |
"I need to step back a little bit and I need to make sure | 0:21:25 | 0:21:27 | |
"I am here with Tia and she does listen to me." | 0:21:27 | 0:21:30 | |
-And then the number right here. -On both sides? -Both sides. -OK. | 0:21:30 | 0:21:34 | |
-That sounds good. -Yeah, I like that. -OK. | 0:21:34 | 0:21:36 | |
-Howdy. -How are you? -Good, how are you? | 0:21:46 | 0:21:48 | |
The floodgates opened, and in poured our cameramen, our cast... | 0:21:48 | 0:21:53 | |
We've got a rough idea of the shots we want to get, | 0:21:53 | 0:21:55 | |
we will give you the general overview. | 0:21:55 | 0:21:58 | |
I was director, the jobs started to fall in place. | 0:21:58 | 0:22:01 | |
Lou needs a T-shirt, we can't shop blind though. | 0:22:01 | 0:22:04 | |
Arsenio and I can go shopping. | 0:22:04 | 0:22:06 | |
There's a bunch of stuff walking distance. | 0:22:06 | 0:22:08 | |
Arsenio, you ready? We got to get this and then we can get back. | 0:22:08 | 0:22:12 | |
We didn't come up with a catchphrase. | 0:22:12 | 0:22:14 | |
"We're going to mop the floor with you." | 0:22:14 | 0:22:17 | |
Oh, OK. So we are going to go with that? That's not bad. | 0:22:17 | 0:22:20 | |
-That's pretty good. -Yeah. | 0:22:20 | 0:22:22 | |
Clay said that I wanted Lou to fail, | 0:22:24 | 0:22:27 | |
and I'm still uncomfortable with that. | 0:22:27 | 0:22:29 | |
I tend to be individualistic and I believe | 0:22:29 | 0:22:32 | |
for the first time in my adult life, being put in a room with people | 0:22:32 | 0:22:36 | |
I did not choose to work with was a bad idea. | 0:22:36 | 0:22:39 | |
-How you feeling? -I am as happy as I have ever been in my life. | 0:22:40 | 0:22:43 | |
What's he saying? | 0:22:43 | 0:22:44 | |
He said he is as happy as he has ever been in his life. | 0:22:44 | 0:22:47 | |
He's not happy. | 0:22:47 | 0:22:48 | |
Why is he still pouting? | 0:22:53 | 0:22:55 | |
When you have had smoke blown up your ass to that degree, | 0:22:55 | 0:22:58 | |
the first time somebody looks at you | 0:22:58 | 0:23:00 | |
and even says, "Excuse me", it's like... | 0:23:00 | 0:23:03 | |
'Penn's been praised a whole bunch over the past few weeks.' | 0:23:03 | 0:23:06 | |
I think the idea that for the first time somebody didn't | 0:23:06 | 0:23:10 | |
kiss his butt, probably threw him for a loop. | 0:23:10 | 0:23:13 | |
I feel like he is saying, | 0:23:13 | 0:23:14 | |
"I don't think we are going to win, I want to cover my ass." | 0:23:14 | 0:23:19 | |
And then not help. | 0:23:19 | 0:23:21 | |
More than anything, I want to win so that Lou can win this. | 0:23:21 | 0:23:26 | |
We are here to play this game. | 0:23:26 | 0:23:28 | |
And if helping Lou is a part of that equation, that is what I do. | 0:23:28 | 0:23:32 | |
I got to win, man! I have to have it today. | 0:23:32 | 0:23:35 | |
And let's win for Lou. | 0:23:35 | 0:23:37 | |
Where's your lights? | 0:23:44 | 0:23:45 | |
Are you going to be able to | 0:23:45 | 0:23:47 | |
balance it so it's, like, nice and bright? | 0:23:47 | 0:23:49 | |
Let's have somebody sit there, and you can take a look | 0:23:49 | 0:23:51 | |
-and I can have you see what you like. -Okey doke. Awesome. | 0:23:51 | 0:23:54 | |
'I am very visual, I have shot and edited videos before, | 0:23:54 | 0:23:58 | |
'and I was excited' | 0:23:58 | 0:23:59 | |
because I knew that my vision would be the vision that was translated. | 0:23:59 | 0:24:03 | |
Do you want me to kind of work as a director with you and storyboard? | 0:24:05 | 0:24:08 | |
I have directed music videos too. | 0:24:08 | 0:24:09 | |
-OK, I'm just trying to offer my help. -Yeah, yeah, totally. | 0:24:09 | 0:24:12 | |
That's all I'm doing. | 0:24:12 | 0:24:14 | |
'Lisa and Aubrey, they're just a very tight clique, | 0:24:14 | 0:24:17 | |
'and it gets tighter every week.' | 0:24:17 | 0:24:19 | |
They are very creative, but if they are not in that | 0:24:19 | 0:24:24 | |
essential position up front, they get grumpy. | 0:24:24 | 0:24:27 | |
You'd want to shoot from different angles, one from one angle, | 0:24:27 | 0:24:30 | |
one from another angle, so if you visualise that before, | 0:24:30 | 0:24:33 | |
you can easily just go in and tell the director where to be. | 0:24:33 | 0:24:36 | |
But there is no different angle. | 0:24:36 | 0:24:38 | |
It is just straight on, just talking from straight on. | 0:24:38 | 0:24:41 | |
On every single task, I have either been the creator, | 0:24:41 | 0:24:44 | |
the director, the conceptual visionary or all three in general. | 0:24:44 | 0:24:49 | |
But Tia refuses to listen to me and I want to sock her in the face. | 0:24:49 | 0:24:55 | |
And then we are going to put the chair against that wall. | 0:24:55 | 0:24:58 | |
For her not to even consider a thought of mine | 0:24:58 | 0:25:01 | |
is absolutely ridiculous, | 0:25:01 | 0:25:03 | |
and I just don't know if it is because she has had | 0:25:03 | 0:25:05 | |
so much jealousy and anger towards me built up, or she is an idiot. | 0:25:05 | 0:25:09 | |
I am assuming that she is jealous and angry. | 0:25:09 | 0:25:12 | |
We need to decide which frame we are going to have her, so that when you | 0:25:12 | 0:25:15 | |
edit between them, there is always consistent angles editing-wise. | 0:25:15 | 0:25:18 | |
-Sure. -Because otherwise, you have two people at the same angle. | 0:25:18 | 0:25:22 | |
-Sounds... -Can you say that to her? | 0:25:22 | 0:25:24 | |
Because she doesn't listen to anything I say. | 0:25:24 | 0:25:26 | |
-Who? -The director. -Oh, OK. | 0:25:26 | 0:25:27 | |
Hey, Tia, you know what's a good idea maybe? | 0:25:27 | 0:25:30 | |
Have them shoot her from the front, and then also the side, | 0:25:30 | 0:25:33 | |
-so we can pick and choose. -Yeah. Yeah, yeah, yeah. | 0:25:33 | 0:25:36 | |
-Ohh, love it. -I am proud of you, Lou, you know how to put that on. | 0:25:50 | 0:25:54 | |
All right, get ready to shoot. | 0:25:54 | 0:25:56 | |
Paul Sr said, "I'm going to mop the floor with you", and so the idea | 0:25:56 | 0:25:59 | |
now is to take an aggressive figure in a tongue-in-cheek, funny way. | 0:25:59 | 0:26:03 | |
All right, and...we're rolling. | 0:26:03 | 0:26:06 | |
I'm going to mop... I'm sorry. | 0:26:06 | 0:26:09 | |
You find the dirt in your house an embarrass... I'm sorry. | 0:26:09 | 0:26:13 | |
-Am I going too fast? -You can slow up. | 0:26:13 | 0:26:15 | |
You find all the dirt in our house... | 0:26:16 | 0:26:19 | |
-I'm going to... -Cut. | 0:26:19 | 0:26:21 | |
Cut a second. | 0:26:21 | 0:26:22 | |
Lou struggled with his dialogue, but I have seen his movies. | 0:26:22 | 0:26:27 | |
I know he can speak. | 0:26:27 | 0:26:29 | |
Should we work with the word "dirt" to get that D? | 0:26:29 | 0:26:32 | |
-You find all the jert... -'Lou had trouble pronouncing.' | 0:26:32 | 0:26:35 | |
That is not Lou's fault, if you can't hear things, | 0:26:35 | 0:26:38 | |
you can't know how they are supposed to sound. | 0:26:38 | 0:26:40 | |
Put your tongue right there. | 0:26:40 | 0:26:42 | |
-You find all the jert... -Dirt. -Dirt. Put your tongue... | 0:26:42 | 0:26:46 | |
You are good with this. | 0:26:46 | 0:26:47 | |
My background has been in helping kids who need speech help, | 0:26:47 | 0:26:51 | |
so I had a little bit of experience in helping Lou. | 0:26:51 | 0:26:53 | |
Relax and don't be afraid to take it easy, slow down. | 0:26:53 | 0:26:57 | |
You are scarier when you are a little slower. | 0:26:57 | 0:27:00 | |
I love Arsenio and Clay because they are on my side. | 0:27:00 | 0:27:03 | |
They're not on my side because they are feeling sorry for me, | 0:27:03 | 0:27:05 | |
they are on my side because they know what I can do. | 0:27:05 | 0:27:08 | |
All right, Lou, go. | 0:27:08 | 0:27:10 | |
We've been through this 100 times. | 0:27:10 | 0:27:12 | |
You find all the dirt in a house. I have no idea what you do with it. | 0:27:12 | 0:27:16 | |
Cut! We're good, we're good. Next set-up. | 0:27:16 | 0:27:19 | |
-OK, nasty girl, what's your number? -My number? | 0:27:21 | 0:27:24 | |
Perfect, great. Great. | 0:27:26 | 0:27:28 | |
We have to shoot and edit this by the end of today, | 0:27:28 | 0:27:32 | |
so everybody has to bring it, we had one or two takes of each line. | 0:27:32 | 0:27:36 | |
As soon as somebody else was done, somebody else jumped in the chair. | 0:27:36 | 0:27:39 | |
My number is one! | 0:27:39 | 0:27:40 | |
TIA LAUGHS | 0:27:40 | 0:27:41 | |
That's awesome, and I like that little... | 0:27:41 | 0:27:44 | |
I have many, many, many... | 0:27:44 | 0:27:46 | |
Whoo, many, many, muchos! | 0:27:46 | 0:27:49 | |
That's great, do it again. | 0:27:49 | 0:27:51 | |
I was actually not agreeing with the theme. | 0:28:00 | 0:28:02 | |
It was too confusing | 0:28:02 | 0:28:03 | |
having to make people understand what you're talking about. | 0:28:03 | 0:28:06 | |
Talking about numbers | 0:28:06 | 0:28:07 | |
and anything else was not talking about the product. | 0:28:07 | 0:28:10 | |
But if you don't agree with the concept... Yeah, I'm ready. | 0:28:13 | 0:28:17 | |
I know. | 0:28:19 | 0:28:21 | |
I know. OK. | 0:28:22 | 0:28:26 | |
But it was too late for me to include myself | 0:28:26 | 0:28:28 | |
and have an opinion, because it was already happening. | 0:28:28 | 0:28:31 | |
So beautiful to look at, to touch her. | 0:28:31 | 0:28:34 | |
LAUGHTER | 0:28:34 | 0:28:36 | |
That's cute, that's cute. | 0:28:36 | 0:28:38 | |
This is really the worst I have ever felt in this competition. | 0:28:46 | 0:28:50 | |
I am not being utilised and every time during this task | 0:28:50 | 0:28:53 | |
I have looked around, | 0:28:53 | 0:28:54 | |
there have been at least three to four girls | 0:28:54 | 0:28:57 | |
sitting around with nothing to do. | 0:28:57 | 0:28:59 | |
That's a problem. | 0:28:59 | 0:29:01 | |
It's not just me that is unhappy with Tia. | 0:29:10 | 0:29:12 | |
You know a project manager is bad when Debbie Gibson | 0:29:12 | 0:29:15 | |
and I have taken the time to become BFFs. | 0:29:15 | 0:29:18 | |
We are working together very well as a team, I want to tell you. | 0:29:18 | 0:29:21 | |
Thank you very much. | 0:29:21 | 0:29:22 | |
OK, it is time for another shot. | 0:29:39 | 0:29:42 | |
One of the things that we were concerned about was | 0:29:42 | 0:29:45 | |
the difference between doing something like a viral video | 0:29:45 | 0:29:48 | |
and doing just a straight-up commercial. | 0:29:48 | 0:29:51 | |
Let me practise it. | 0:29:51 | 0:29:52 | |
Yeah, spin, yeah. | 0:29:52 | 0:29:55 | |
And we thought maybe it would be funny if Lou just went nuts | 0:29:55 | 0:29:58 | |
and started dancing really silly. | 0:29:58 | 0:30:00 | |
And action. | 0:30:00 | 0:30:02 | |
I have danced in the past, I am very flexible, | 0:30:05 | 0:30:07 | |
it is just like letting myself go. | 0:30:07 | 0:30:09 | |
Keep going, nice. | 0:30:09 | 0:30:10 | |
To have control of all the muscles in my body and show a big man, | 0:30:10 | 0:30:14 | |
how he can move his butt just like a woman. | 0:30:14 | 0:30:16 | |
-Cut. -LAUGHING: -Are you OK? | 0:30:25 | 0:30:27 | |
Did you really fall or was that an accident? | 0:30:27 | 0:30:29 | |
Both. | 0:30:29 | 0:30:31 | |
Moving, we're moving... | 0:30:31 | 0:30:33 | |
Freeze! Pop, pop, pop, pop, pop! | 0:30:33 | 0:30:37 | |
Moving. Mmm, yeah. | 0:30:37 | 0:30:39 | |
Lou delivered. | 0:30:41 | 0:30:42 | |
And when people type "Lou Ferrigno", this damn video is going | 0:30:42 | 0:30:46 | |
to come up of Lou cavorting in an apron, humping a damn mop. | 0:30:46 | 0:30:51 | |
Now that's a viral video. | 0:30:51 | 0:30:53 | |
-Hey, guys. -Hey, what's going on? | 0:30:53 | 0:30:55 | |
How's the morale after last night? I heard it was a little rough. | 0:30:55 | 0:30:57 | |
They were concerned about me stepping up to the plate, | 0:30:57 | 0:31:00 | |
because in the boardroom, I am very strong, | 0:31:00 | 0:31:02 | |
but outside the boardroom, they wanted me to take more action. | 0:31:02 | 0:31:04 | |
-So are you the one doing the mopping? -Yes. | 0:31:04 | 0:31:06 | |
-We think Lou playing against type... -Exactly. | 0:31:06 | 0:31:09 | |
..might light up the internet. | 0:31:09 | 0:31:11 | |
Well, there's a lot of energy in the room. | 0:31:11 | 0:31:13 | |
And Lou was optimistic, he's energetic, it almost seems like | 0:31:13 | 0:31:16 | |
a different Lou than we have been watching over the last couple weeks. | 0:31:16 | 0:31:19 | |
But the men's team has proven to not be afraid to go after Lou | 0:31:19 | 0:31:21 | |
in the boardroom, so it's going to be interesting to see what happens. | 0:31:21 | 0:31:24 | |
-Cut. -CLAY: -That's a wrap, thank you, guys. | 0:31:24 | 0:31:27 | |
And I think we need to get over to edit. | 0:31:27 | 0:31:29 | |
-So, let's see what we got. -This is the most time-consuming part. -Yeah. | 0:31:38 | 0:31:41 | |
Picking out the takes, and once we pick out the ones that we like... | 0:31:41 | 0:31:44 | |
-Then we cut it, OK. -Put it together. | 0:31:44 | 0:31:46 | |
It is all shot, I am all-in and sitting at the table. | 0:31:46 | 0:31:50 | |
But we have hours of footage and an hour and a half to edit. | 0:31:50 | 0:31:53 | |
That's going to take for ever. | 0:31:53 | 0:31:55 | |
-ON COMPUTER: -'..and again and again and again!' | 0:31:55 | 0:31:57 | |
-Like that one? -Well, let's see if the next one is better. | 0:31:57 | 0:32:00 | |
-How are you? -Good. -What's going on? -We're just... | 0:32:03 | 0:32:05 | |
-Debbie and I are friends now. -We're bonding over a mop. | 0:32:05 | 0:32:10 | |
-We're like BFFs. -Hello, Mr Trump. -How's everything? -Very good. | 0:32:10 | 0:32:14 | |
-Very nice. -It's all working. | 0:32:14 | 0:32:16 | |
'Don Jr came to visit, and no matter what tension is underlying' | 0:32:16 | 0:32:20 | |
among the girls, I am not going to let Donald Jr see that. | 0:32:20 | 0:32:24 | |
So tell me about your concept. | 0:32:24 | 0:32:25 | |
We wanted to be provocative, but we didn't want to step over the line. | 0:32:25 | 0:32:28 | |
It is making the mop the object of desire. | 0:32:28 | 0:32:32 | |
-OK. -How many you've had in your life. | 0:32:32 | 0:32:34 | |
So as in, a play on how many people you have slept with? | 0:32:34 | 0:32:37 | |
-Yes, which is... -What's your number, Donald? | 0:32:37 | 0:32:40 | |
-Mops? Zero. But, eh... -Zero? -Yeah, I don't do mopping. | 0:32:43 | 0:32:48 | |
I think the theme is interesting. | 0:32:48 | 0:32:49 | |
I think it is something that could go well for an older company. | 0:32:49 | 0:32:52 | |
And I assume that they are looking for something a little bit edgy. | 0:32:52 | 0:32:55 | |
These people can create edgy, they can do that, so I think they are | 0:32:55 | 0:32:58 | |
part of the way there, | 0:32:58 | 0:32:59 | |
I am really looking forward to seeing the execution. | 0:32:59 | 0:33:02 | |
-So you're writing it? -Yeah, it's gangster, it's really good. | 0:33:02 | 0:33:06 | |
I can't see this failing. | 0:33:06 | 0:33:07 | |
Yeah, that is always the kiss of death though, when you say... | 0:33:07 | 0:33:10 | |
It's very true, very true. No, this one, seriously. | 0:33:10 | 0:33:13 | |
I'm glad you stopped by on a calm day when nobody hates each other. | 0:33:13 | 0:33:16 | |
'My visit to Team Forte was rather interesting. | 0:33:16 | 0:33:19 | |
'They seem to be trying to get along, | 0:33:19 | 0:33:21 | |
'but there's definitely a lot of tension in there.' | 0:33:21 | 0:33:23 | |
I think someone is ready to explode. | 0:33:23 | 0:33:25 | |
"I just got my first place and failed to realise | 0:33:37 | 0:33:40 | |
"I'm going to be responsible for cleaning it..." | 0:33:40 | 0:33:43 | |
In the war room, Tia and Lisa were primarily handling the editing, | 0:33:43 | 0:33:47 | |
and Aubrey and I were brainstorming and ad-libbing ideas | 0:33:47 | 0:33:50 | |
and formulating the presentation. | 0:33:50 | 0:33:53 | |
I am trying to help the environment, | 0:33:53 | 0:33:55 | |
so tossing out mop after mop just feels plain wrong. | 0:33:55 | 0:33:58 | |
-Can't it just be easy? -Yeah, and efficient and effective. | 0:33:58 | 0:34:02 | |
-Right? -Right? Oh, sorry. | 0:34:02 | 0:34:04 | |
And easy and effective... | 0:34:04 | 0:34:05 | |
-BOTH: -..right? | 0:34:05 | 0:34:08 | |
I feel like our team has so much creativity to offer that | 0:34:08 | 0:34:11 | |
I wanted to present all of the facts that we needed to get out, | 0:34:11 | 0:34:15 | |
but in a clever way. | 0:34:15 | 0:34:17 | |
Oh, my God, I just remembered, my friend sent me | 0:34:17 | 0:34:20 | |
the most amazing video, it is so fun. | 0:34:20 | 0:34:22 | |
It actually makes a mop look sexy. | 0:34:22 | 0:34:24 | |
Listen, for tomorrow... | 0:34:24 | 0:34:27 | |
I can make the presentation. | 0:34:27 | 0:34:30 | |
Introduce you guys. | 0:34:30 | 0:34:32 | |
I understand Debbie | 0:34:32 | 0:34:33 | |
and Aubrey are writing a conversation between them for | 0:34:33 | 0:34:37 | |
the presentation, so how is the rest of the group going to do their part? | 0:34:37 | 0:34:41 | |
Have you thought about it, do you guys know already? | 0:34:41 | 0:34:45 | |
I know, uh... | 0:34:45 | 0:34:47 | |
Entertainment value... | 0:34:47 | 0:34:50 | |
Excuse me, are you going to write something to incorporate Dayana? | 0:34:50 | 0:34:53 | |
-We can if you want. -Yeah, do you mind doing that? | 0:34:53 | 0:34:57 | |
We'll write it, let's figure out a way... | 0:34:59 | 0:35:02 | |
Yeah, you do your thing and you can tag it on. | 0:35:02 | 0:35:04 | |
..incorporate it so it makes sense. | 0:35:04 | 0:35:05 | |
Here's the thing, you guys. | 0:35:05 | 0:35:08 | |
I am sorry, everybody does not have to be front and centre. | 0:35:08 | 0:35:13 | |
-Everyone does not have to be a -BLEEP -star. | 0:35:13 | 0:35:17 | |
It is not necessary to include everyone needing | 0:35:17 | 0:35:22 | |
face time out of ego. | 0:35:22 | 0:35:26 | |
-'OM-God. Dayana is as useful as a -BLEEP -on a bull.' | 0:35:26 | 0:35:31 | |
Just because somebody can speak... with their face... | 0:35:31 | 0:35:37 | |
doesn't mean they always need to be out front. | 0:35:37 | 0:35:41 | |
-This is -BLEEP. | 0:35:41 | 0:35:44 | |
-It's -BLEEP -that every person has to be a -BLEEP -star. | 0:35:44 | 0:35:48 | |
I am sick of the egos. | 0:35:48 | 0:35:50 | |
-It is annoying to have to have every task be so -BLEEP -precious. | 0:35:50 | 0:35:55 | |
Some people are just better at things than others. It is sickening. | 0:35:55 | 0:35:59 | |
Dayana keeps trying to step up for herself, | 0:36:01 | 0:36:03 | |
but she keeps being shot down. | 0:36:03 | 0:36:05 | |
It is going to come to a point where she is either going to have | 0:36:05 | 0:36:08 | |
to fight for herself - she'll have me | 0:36:08 | 0:36:10 | |
to support her 100% - or then she is going to be gone. | 0:36:10 | 0:36:12 | |
Go towards the second to last one and put that one in there. | 0:36:23 | 0:36:28 | |
I am really anxious to start editing this thing. | 0:36:28 | 0:36:30 | |
I haven't ever actually edited, officially. | 0:36:30 | 0:36:33 | |
But I have been around it a lot, | 0:36:33 | 0:36:35 | |
so I can probably do it better than most. | 0:36:35 | 0:36:38 | |
The word that bothers me the most in the English language, | 0:36:40 | 0:36:45 | |
my magic word... | 0:36:45 | 0:36:47 | |
is condescending. | 0:36:47 | 0:36:49 | |
There was a cloud still hanging over Penn's head. | 0:36:49 | 0:36:52 | |
My momma would not be proud of me | 0:36:52 | 0:36:53 | |
if I didn't try to massage this and make it work out. | 0:36:53 | 0:36:58 | |
I am enormous, I am a huge guy, which means everybody | 0:36:59 | 0:37:03 | |
treated me like I was a big kid that had stayed back | 0:37:03 | 0:37:06 | |
three or four years. | 0:37:06 | 0:37:07 | |
And people have always dealt with me in a slightly condescending way. | 0:37:07 | 0:37:13 | |
Clay specifically said "condescending". | 0:37:13 | 0:37:17 | |
What he really, I think, means | 0:37:17 | 0:37:19 | |
is that he doesn't particularly like me. | 0:37:19 | 0:37:23 | |
It looks like, when you are not in charge, you don't | 0:37:23 | 0:37:26 | |
want to do anything, unless people do it the way you want it. | 0:37:26 | 0:37:29 | |
You can't ask for my opinion and expect not to get it. | 0:37:29 | 0:37:34 | |
I have never felt more set up in my life, | 0:37:34 | 0:37:37 | |
and I am very worried about that. | 0:37:37 | 0:37:38 | |
Set up for what? | 0:37:38 | 0:37:40 | |
The women say, "Penn's this great smart guy", and then you | 0:37:40 | 0:37:44 | |
come in and say, essentially, | 0:37:44 | 0:37:46 | |
"You think you're so smart? You're condescending." | 0:37:46 | 0:37:50 | |
Don't be so melodramatic, Penn! | 0:37:50 | 0:37:53 | |
I never dislike anybody, but with Penn, | 0:37:53 | 0:37:56 | |
when I try to find a silver lining, I cannot. | 0:37:56 | 0:38:00 | |
How many comedy writers' rooms have you been in? | 0:38:01 | 0:38:04 | |
None, but... | 0:38:04 | 0:38:06 | |
That interaction of people is standard operating procedure. | 0:38:06 | 0:38:10 | |
But we are not a comedy team. | 0:38:10 | 0:38:12 | |
-CLAY LAUGHS -I don't... | 0:38:13 | 0:38:15 | |
OK, if you're just going to sit there and not say anything then... | 0:38:15 | 0:38:18 | |
I'm thinking! | 0:38:18 | 0:38:20 | |
This is supposed to be a conversation, | 0:38:20 | 0:38:22 | |
not you sitting there and just... | 0:38:22 | 0:38:25 | |
being superior to the whole thing. | 0:38:25 | 0:38:28 | |
After really trying to find some resolution with Penn, | 0:38:29 | 0:38:33 | |
we just ended nowhere. | 0:38:33 | 0:38:35 | |
I can really just tell myself I tried as hard as I could. Phew! | 0:38:35 | 0:38:39 | |
I don't feel like there is any solution to this at all. | 0:38:39 | 0:38:44 | |
And I don't feel like either one of us are getting anywhere. | 0:38:44 | 0:38:47 | |
Dayana, do you think it would be nice to have | 0:38:55 | 0:38:57 | |
vases of flowers over there? | 0:38:57 | 0:38:59 | |
-Yeah. -Can you call the florist and make some magic? | 0:38:59 | 0:39:02 | |
Yeah, but which type of flowers do you want to have? | 0:39:02 | 0:39:05 | |
-TIA: -Peonies, red peonies are beautiful and classy. | 0:39:05 | 0:39:08 | |
OK. | 0:39:08 | 0:39:10 | |
I wanted to know if you guys can help me get flowers for tonight. | 0:39:10 | 0:39:15 | |
Do you guys have peonies? | 0:39:15 | 0:39:17 | |
MUFFLED RESPONSE | 0:39:17 | 0:39:18 | |
Um, peonies, is that a type of flower? | 0:39:20 | 0:39:23 | |
I don't know, P-I-N... One second, I'm going to ask. | 0:39:26 | 0:39:30 | |
Tia, do you want peenies, you said? Peenies? | 0:39:30 | 0:39:34 | |
-What? -Just tell me. -Do I want what? -The flowers. | 0:39:34 | 0:39:38 | |
-What did you just say? -Which type of flowers... -Say it. | 0:39:38 | 0:39:41 | |
-What type of flowers. -No, she said, "Do you want penis?" | 0:39:41 | 0:39:44 | |
-Peonies. -"Pe-o-neese." -I think the answer's yes either way! | 0:39:44 | 0:39:49 | |
-Peonies. -How do you spell that? -P-E-O... -P-E-O... | 0:39:49 | 0:39:53 | |
-..N-I-E-S. -..N-I-E-S. | 0:39:53 | 0:39:55 | |
Oh, my God. And I was like... | 0:39:55 | 0:39:59 | |
What's your favourite flower that begins with P? | 0:40:00 | 0:40:03 | |
I love penises! | 0:40:03 | 0:40:05 | |
Peo-nies! Peo-nies! | 0:40:05 | 0:40:07 | |
-How are you? Nice to see you. -Nice to see you. | 0:40:22 | 0:40:25 | |
'Lou made a statement - "I can lead." | 0:40:25 | 0:40:28 | |
'So if we succeed, Lou is the star.' | 0:40:28 | 0:40:31 | |
If we fail, though, it is totally on his shoulders. | 0:40:31 | 0:40:34 | |
-Good morning. -ALL: Good morning. | 0:40:35 | 0:40:37 | |
I am here with my incredible team, Unanimous. | 0:40:37 | 0:40:40 | |
You know, I never thought in my lifetime | 0:40:40 | 0:40:43 | |
I would be filming a video with a mop. | 0:40:43 | 0:40:46 | |
We wanted it to be informative, instructive and funny. | 0:40:46 | 0:40:50 | |
We all believe that this video speaks for itself. | 0:40:50 | 0:40:55 | |
And we really hope that this video goes viral. So, please, enjoy it. | 0:40:55 | 0:41:00 | |
I'm going to mop the floor with you. | 0:41:02 | 0:41:04 | |
We've been through this 100 times, you're a lightweight! | 0:41:04 | 0:41:08 | |
You find all the dirt in a house. Get ready... | 0:41:08 | 0:41:10 | |
..I'm going to mop the floor with you. | 0:41:12 | 0:41:14 | |
The days of the filthy old mop bucket pushing the same dirt | 0:41:15 | 0:41:18 | |
and germs around our home are over. | 0:41:18 | 0:41:21 | |
The O-Cedar ProMist replaces the mop | 0:41:21 | 0:41:23 | |
and doesn't use a bucket at all. | 0:41:23 | 0:41:25 | |
The detachable, refillable plastic bottle uses just the spray | 0:41:25 | 0:41:29 | |
you need, so your floors aren't soaked with dirty, festering water. | 0:41:29 | 0:41:33 | |
Fill it with whatever fresh, eco-friendly cleaner | 0:41:33 | 0:41:37 | |
you feel is safe for your family and pets. | 0:41:37 | 0:41:39 | |
The microfibre head picks up all the dirt. | 0:41:39 | 0:41:41 | |
When you are done mopping, just toss the ProMist microfibre head | 0:41:41 | 0:41:44 | |
in the washing machine to start fresh up to 100 times. | 0:41:44 | 0:41:48 | |
ProMist also comes with a disposable microfibre head | 0:41:48 | 0:41:51 | |
for those really dirty jobs. | 0:41:51 | 0:41:54 | |
-O-Cedar ProMist. -I'm going to mop the floor with you. | 0:41:54 | 0:41:57 | |
All right. | 0:42:00 | 0:42:01 | |
Thank you, guys. | 0:42:03 | 0:42:05 | |
Lou has been selected as one of the weakest members of the team | 0:42:05 | 0:42:08 | |
every single week so far. | 0:42:08 | 0:42:09 | |
"I'm going to mop the floor with you." | 0:42:09 | 0:42:12 | |
But Lou was project manager this week, and he did a great job. | 0:42:12 | 0:42:17 | |
Welcome, we're so glad you're here. | 0:42:26 | 0:42:28 | |
We are thrilled to introduce you to O-Cedar's ProMist spray mop. | 0:42:28 | 0:42:32 | |
A product created by O-Cedar, an iconic American company. | 0:42:32 | 0:42:37 | |
We are pleased to introduce you to two of O-Cedar's consumer family | 0:42:37 | 0:42:42 | |
who can tell you more. | 0:42:42 | 0:42:44 | |
Ugh, the mop aisle gives me such a headache. | 0:42:45 | 0:42:48 | |
I never know what product to buy! I just need it to be easy. | 0:42:48 | 0:42:52 | |
-And efficient. -And effective. | 0:42:52 | 0:42:55 | |
-BOTH: -Right? | 0:42:55 | 0:42:57 | |
You know what? I just remembered | 0:42:57 | 0:42:58 | |
this amazing video that all my friends have been | 0:42:58 | 0:43:00 | |
spreading over the internet. It actually makes a mop look hot. | 0:43:00 | 0:43:04 | |
-Here, let me show it to you. -OK. | 0:43:04 | 0:43:06 | |
Let's check it out. | 0:43:06 | 0:43:08 | |
-What? -My number? | 0:43:08 | 0:43:11 | |
Hmm. | 0:43:11 | 0:43:12 | |
-Muchos! -I had two. | 0:43:12 | 0:43:14 | |
-I have a few. -I only have one, but I use it again and again and again! | 0:43:14 | 0:43:18 | |
I am SO happy I found my one and only. | 0:43:18 | 0:43:21 | |
But now I've found one that is everything I could ever want. | 0:43:21 | 0:43:25 | |
I know a winner when I see one. | 0:43:25 | 0:43:27 | |
Now I have one. | 0:43:27 | 0:43:28 | |
He's the one! | 0:43:28 | 0:43:29 | |
-Yes, mio. -My number is one. | 0:43:29 | 0:43:31 | |
Three and a half. | 0:43:31 | 0:43:33 | |
Sesenta y ocho. | 0:43:34 | 0:43:36 | |
The O-Cedar ProMist Microfiber Spray Mop. | 0:43:36 | 0:43:39 | |
Its bottle can be refilled with any cleaning solution or water, | 0:43:39 | 0:43:42 | |
and its nozzle sprays evenly for more controlled cleaning. | 0:43:42 | 0:43:45 | |
The ProMist swivels to make cleaning hard to reach places easy, | 0:43:45 | 0:43:49 | |
and its washable microfibre pad can be reused 100 times. | 0:43:49 | 0:43:53 | |
The O-Cedar ProMist Microfiber Spray Mop makes your life easier. | 0:43:53 | 0:43:58 | |
-I told you my number. -I told you my number. | 0:43:58 | 0:44:01 | |
Let O-Cedar know. | 0:44:01 | 0:44:03 | |
Thank you so much, | 0:44:04 | 0:44:05 | |
we hope you enjoyed our presentation on the O-Cedar ProMist spray mop. | 0:44:05 | 0:44:09 | |
So, Mike and Michelle, what did you think? | 0:44:17 | 0:44:19 | |
I think the women were very personable and adorable. | 0:44:19 | 0:44:23 | |
They had a beautiful set-up. | 0:44:23 | 0:44:25 | |
But when it got to the video, the product wasn't the hero. | 0:44:25 | 0:44:28 | |
I think the women nailed it on entertainment. | 0:44:28 | 0:44:31 | |
They nailed it on brand messaging. | 0:44:31 | 0:44:32 | |
And they did a great job with the star power element. | 0:44:32 | 0:44:35 | |
All participating in the video was nice, and I liked that element. | 0:44:35 | 0:44:38 | |
How about the men? Would you have liked more star power in that? | 0:44:38 | 0:44:41 | |
I was curious what each of the men did to contribute, since Lou | 0:44:41 | 0:44:46 | |
seemed to take centre stage on both the presentation and in the video. | 0:44:46 | 0:44:49 | |
What about the product integration? | 0:44:49 | 0:44:51 | |
Which is obviously key for any company like yours. | 0:44:51 | 0:44:53 | |
The women did a nice job of showing the mist, | 0:44:53 | 0:44:57 | |
but they didn't really use the product, whereas the men's team, | 0:44:57 | 0:45:02 | |
you got to see it in use and see the features and the benefits. | 0:45:02 | 0:45:05 | |
I think the men's video was | 0:45:05 | 0:45:07 | |
a bit of a hybrid between a traditional TV spot | 0:45:07 | 0:45:11 | |
-and a viral video, so it wasn't necessarily viral. -I agree. | 0:45:11 | 0:45:17 | |
So after seeing both videos, who do you think won this task? | 0:45:17 | 0:45:20 | |
So, Lou... | 0:45:44 | 0:45:46 | |
-you finally became project manager. -Hallelujah. -Hallelujah, right. | 0:45:46 | 0:45:51 | |
-I can't say it better. How did you do? -I think we did great. | 0:45:51 | 0:45:55 | |
-What does that mean, "great"? -It means that we were a great team. | 0:45:55 | 0:45:59 | |
Does it mean you won? | 0:45:59 | 0:46:01 | |
-I have a strong feeling we did extremely well. -Why? | 0:46:01 | 0:46:04 | |
Because I think we gave 110%, I feel good about the product, | 0:46:04 | 0:46:08 | |
I feel good about the branding, | 0:46:08 | 0:46:09 | |
I feel good about the whole presentation, | 0:46:09 | 0:46:11 | |
and most of all, the fact that I am here, fighting for my charity. | 0:46:11 | 0:46:14 | |
Do you feel good about your team, do they support you? | 0:46:14 | 0:46:17 | |
-Yes. -OK. | 0:46:17 | 0:46:18 | |
Dee, what do you think, did he do a good job? | 0:46:18 | 0:46:21 | |
He did a great job, Mr Trump. | 0:46:21 | 0:46:22 | |
It was very disorganised at the beginning though, wasn't it? | 0:46:22 | 0:46:25 | |
I wouldn't say that. | 0:46:25 | 0:46:27 | |
Lou has a handicap and people misunderstand his silence... | 0:46:27 | 0:46:30 | |
You know something? | 0:46:30 | 0:46:31 | |
Everyone is handicapped spiritually, emotionally, | 0:46:31 | 0:46:33 | |
physically and mentally. | 0:46:33 | 0:46:35 | |
Let me ask you a question - do they use the word | 0:46:35 | 0:46:37 | |
"handicapped" any more? I don't think so. | 0:46:37 | 0:46:39 | |
No, they just say you have a slight disability. | 0:46:39 | 0:46:41 | |
But handicapped is an excuse for hiding behind your handicap. | 0:46:41 | 0:46:45 | |
-See, Dee, you are not politically correct. -I'm sorry, sir. | 0:46:45 | 0:46:48 | |
But still, he needs to listen and pay attention, | 0:46:48 | 0:46:50 | |
when a lot of people are talking at a table he has to read mouths. | 0:46:50 | 0:46:53 | |
Well, that's OK. I think that is hard, I agree with you. | 0:46:53 | 0:46:55 | |
I'm glad they respect that. | 0:46:55 | 0:46:59 | |
-Paul, do you think you won? -Absolutely. -Why is that? | 0:46:59 | 0:47:02 | |
Because I just think that what we did was brilliant. | 0:47:02 | 0:47:05 | |
-Was Lou good? -I thought that Lou was the star. | 0:47:05 | 0:47:08 | |
Were you surprised that he was good? | 0:47:08 | 0:47:10 | |
You know, Lou is always saying that he is a fighter. | 0:47:11 | 0:47:15 | |
-He is a fighter, very competitive guy. -And he did it. | 0:47:15 | 0:47:18 | |
Lou, you are a very competitive guy, aren't you? | 0:47:18 | 0:47:20 | |
I am probably the most competitive person you ever met in your life. | 0:47:20 | 0:47:23 | |
No, I'm impressed by it. Every week... Is that correct? | 0:47:23 | 0:47:26 | |
Every week he comes out - "They didn't use me right, | 0:47:26 | 0:47:28 | |
"they didn't use me, they should have used me more!" | 0:47:28 | 0:47:30 | |
-I love that. -Thank you. -I want to tell you, you are doing great. | 0:47:30 | 0:47:33 | |
-Thank you, I appreciate that. -Good job. | 0:47:33 | 0:47:36 | |
All right. Clay, what did you think of Lou? | 0:47:36 | 0:47:39 | |
He is the most committed person to a task. | 0:47:39 | 0:47:41 | |
-He is totally committed. -He gave 120%, screw 110. | 0:47:41 | 0:47:46 | |
And he kind of blew me away with... | 0:47:46 | 0:47:49 | |
He had to do some dancing in this particular task, | 0:47:49 | 0:47:52 | |
and he got in there when he was in front of the camera and turned | 0:47:52 | 0:47:55 | |
it on, and he is really one of the hardest workers and very committed. | 0:47:55 | 0:47:59 | |
And I have had both knees and both hips replaced. | 0:47:59 | 0:48:02 | |
-Wow. -What happened, is that wear and tear, too much exercise? | 0:48:02 | 0:48:05 | |
Arthritis, it's wear and tear. | 0:48:05 | 0:48:07 | |
I always tell my friends, "Don't exercise too much." | 0:48:07 | 0:48:09 | |
I will never have a problem with my hips. | 0:48:09 | 0:48:11 | |
With my hips, with my knees... | 0:48:11 | 0:48:13 | |
They say it doesn't make any difference... | 0:48:13 | 0:48:15 | |
No, no, I have friends, they work out all day long, | 0:48:15 | 0:48:18 | |
they think they are in great shape, and then they turn like 55 | 0:48:18 | 0:48:22 | |
and they need knee replacements, back replacements, hip replacements, | 0:48:22 | 0:48:25 | |
and Trump keeps chugging along. | 0:48:25 | 0:48:27 | |
It's true. | 0:48:29 | 0:48:30 | |
So the bottom line, fellas, is you feel you did a good job, | 0:48:30 | 0:48:34 | |
you feel your project manager was great, and you feel you won. | 0:48:34 | 0:48:37 | |
-DEE: -Yes, sir. -But we have been wrong many times. | 0:48:37 | 0:48:40 | |
I can name 'em, each one. | 0:48:41 | 0:48:43 | |
-OK. Tia, my beautiful Tia, you look great. -Thank you. | 0:48:45 | 0:48:49 | |
-How did your team do? -I felt terrific, I think we did great. | 0:48:49 | 0:48:52 | |
I think everything was working and the creative was strong, | 0:48:52 | 0:48:55 | |
the presentation was all-inclusive. | 0:48:55 | 0:48:59 | |
Did you have a star in your team? Were you the star? | 0:48:59 | 0:49:02 | |
The star is always... | 0:49:02 | 0:49:04 | |
I mean, when we have to create these tasks and concepts, | 0:49:04 | 0:49:07 | |
the work of it mostly falls on Lisa's shoulders, | 0:49:07 | 0:49:11 | |
because she is a brilliant writer and she is fast. | 0:49:11 | 0:49:13 | |
She's very outstanding, I agree. Lisa, what do you think of Tia? | 0:49:13 | 0:49:16 | |
I think Tia is great. Although... | 0:49:16 | 0:49:19 | |
-But if you lose, tell me what happens. -I will tell you. | 0:49:19 | 0:49:22 | |
If you lose, would you blame her? | 0:49:22 | 0:49:24 | |
-Yes. -OK, why? | 0:49:24 | 0:49:26 | |
I never felt she had a true handle on the entire operation, | 0:49:26 | 0:49:29 | |
meaning I was in charge of creative, the concept, | 0:49:29 | 0:49:34 | |
it almost seemed like her hands were never truly around it. | 0:49:34 | 0:49:38 | |
That being said, she is an awesome person, but fell short at times. | 0:49:38 | 0:49:42 | |
Hmm, that's funny, because my approach to management is | 0:49:44 | 0:49:48 | |
to pick the right team and leave them autonomous. | 0:49:48 | 0:49:53 | |
I am not a micromanager, I know that Lisa brings it in | 0:49:53 | 0:49:57 | |
a short timeframe, I know Aubrey comes up with great concepts. | 0:49:57 | 0:49:59 | |
So what do you say about what Lisa said about you? | 0:49:59 | 0:50:02 | |
-I respectfully disagree, but that is OK. -OK. | 0:50:03 | 0:50:07 | |
My beautiful singer Deborah. How's Deborah doing, by the way, Dayana? | 0:50:08 | 0:50:12 | |
-Debbie? -How's Debbie, yeah? | 0:50:14 | 0:50:16 | |
-Oh, Debbie... -I always call her Deborah. | 0:50:16 | 0:50:18 | |
Years ago there was an article that you wanted to be called Deborah. | 0:50:18 | 0:50:22 | |
I remember the article, it was like 20 years ago. | 0:50:22 | 0:50:24 | |
I know, I finally went back to Debbie and now | 0:50:24 | 0:50:26 | |
-you're going to confuse people. -But I keep calling you Deborah. | 0:50:26 | 0:50:29 | |
-It's OK. -I like to respect what somebody wants you to call them. | 0:50:29 | 0:50:31 | |
It feels more personal, actually, so I like it. | 0:50:31 | 0:50:34 | |
So tell me, Dayana, how did she do? | 0:50:34 | 0:50:35 | |
-She was really stressed out. -Why? | 0:50:35 | 0:50:38 | |
I don't know why, I kept telling her to calm down, there were | 0:50:38 | 0:50:41 | |
situations that she didn't really need to be so emotional... | 0:50:41 | 0:50:45 | |
So, Deborah, why is that you are so stressed out? | 0:50:45 | 0:50:48 | |
-I was getting a little frustrated. -Why? | 0:50:48 | 0:50:51 | |
I think Tia took on the role of director, which was difficult, | 0:50:51 | 0:50:55 | |
because it is a hard thing to do double duty in that way, | 0:50:55 | 0:50:58 | |
so I was frustrated because I wasn't getting some answers I needed, | 0:50:58 | 0:51:02 | |
there was a lack of communication on several things - | 0:51:02 | 0:51:05 | |
-the graphic design, I just... -Do you think she was stressed? | 0:51:05 | 0:51:07 | |
-It's her personality, she is kind of high-strung. -She's uptight. | 0:51:07 | 0:51:10 | |
And she gets stressed. | 0:51:10 | 0:51:12 | |
My style is to be open and listen to people's concerns | 0:51:12 | 0:51:16 | |
and just sort of soothe it and say, "We're going to get through it." | 0:51:16 | 0:51:19 | |
So what would you say to Debbie? | 0:51:19 | 0:51:21 | |
-"Loosen up." -Yeah, yeah. -You know what, I also... | 0:51:21 | 0:51:25 | |
Do you think some of the stress was because the three of you, | 0:51:25 | 0:51:28 | |
meaning you, Lisa and Aubrey, | 0:51:28 | 0:51:30 | |
tend to actually have to take on most of these tasks? | 0:51:30 | 0:51:33 | |
Is it true that Lisa, Aubrey and Debbie do the tasks? | 0:51:33 | 0:51:36 | |
-I think... -That is not a good compliment as project manager. | 0:51:36 | 0:51:39 | |
-Did you see that, Don? -That is what I see. | 0:51:39 | 0:51:42 | |
No, no, no. You misunderstand. | 0:51:42 | 0:51:43 | |
They are the loudest voices in the room, that does not make them | 0:51:43 | 0:51:46 | |
in any way usurp the project manager, which is myself. | 0:51:46 | 0:51:50 | |
Lisa, is that true? | 0:51:50 | 0:51:52 | |
I am just always frustrated in this room a little bit, because | 0:51:52 | 0:51:55 | |
I consistently feel like the task to be creative | 0:51:55 | 0:51:59 | |
and have the ideas falls on the three most creative people here, | 0:51:59 | 0:52:02 | |
which is Debbie, Lisa and Aubrey. | 0:52:02 | 0:52:03 | |
And, sir, you know what, there are people here who don't have ideas. | 0:52:03 | 0:52:06 | |
Why do you say they are the three most creative? | 0:52:06 | 0:52:08 | |
Because every idea that happens... | 0:52:08 | 0:52:10 | |
-That is a little insulting to the rest. -I know. | 0:52:10 | 0:52:12 | |
Because I know the rest of them, and they are pretty creative people. | 0:52:12 | 0:52:15 | |
Not in these tasks, sir. I speak the truth. | 0:52:15 | 0:52:17 | |
The ideas generally come out and other people come through | 0:52:17 | 0:52:20 | |
in other ways, but when you have a creative mind... | 0:52:20 | 0:52:22 | |
OK, so you say you, you and you, you're the three that create? | 0:52:22 | 0:52:25 | |
I pretty much see that, and I see the rest as, they're great, | 0:52:25 | 0:52:29 | |
and have talents, but for these several tasks... | 0:52:29 | 0:52:31 | |
Teresa, are you insulted by that? | 0:52:31 | 0:52:33 | |
Because I think you're very creative. | 0:52:33 | 0:52:34 | |
-Teresa comes through in the clutch too. -Well, now you're adding... | 0:52:34 | 0:52:37 | |
No, I wasn't adding it to the list, | 0:52:37 | 0:52:39 | |
I'm saying she comes through with her talents. | 0:52:39 | 0:52:41 | |
-But is she less creative than the two you named? -Absolutely. | 0:52:41 | 0:52:44 | |
-Tough statement. -Who's the least valuable? | 0:52:45 | 0:52:48 | |
-The least valuable is Dayana. -Really? | 0:52:48 | 0:52:51 | |
-I think Dayana is a wonderful person. -She is a wonderful person. | 0:52:53 | 0:52:56 | |
I have never heard an idea out of her that was | 0:52:56 | 0:52:58 | |
-usable in the past five weeks. -And yet, in Venezuela, | 0:52:58 | 0:53:00 | |
by the way, she is like the queen, you know that? | 0:53:00 | 0:53:02 | |
-That's fantastic, but... -The queen, right? | 0:53:02 | 0:53:04 | |
-..this is not what's going on here. -That's right, very good point. | 0:53:04 | 0:53:08 | |
And I am brave enough to speak up. | 0:53:08 | 0:53:09 | |
You are, I am glad you spoke up. | 0:53:09 | 0:53:12 | |
I will verify, from what I have seen following you, | 0:53:12 | 0:53:15 | |
creative is really the three of them, everyone else is a worker bee. | 0:53:15 | 0:53:18 | |
-But... -Why do you say Dayana, as an example, is not creative? | 0:53:18 | 0:53:21 | |
Or why do you say Teresa is not as creative, | 0:53:21 | 0:53:24 | |
or why do you say Tia is not creative? | 0:53:24 | 0:53:27 | |
I know. I love Teresa... | 0:53:27 | 0:53:29 | |
-And actually, you are also adding Patricia into that. -Yes, I am. | 0:53:29 | 0:53:32 | |
And I would say she's very creative. | 0:53:32 | 0:53:33 | |
Because if you added up the ideas | 0:53:33 | 0:53:35 | |
in the past five tasks that worked... | 0:53:35 | 0:53:39 | |
they came from these three people, | 0:53:39 | 0:53:41 | |
so it's simply a matter of mathematics. | 0:53:41 | 0:53:44 | |
So, Tia, what do you think of what she's saying? | 0:53:47 | 0:53:50 | |
They are very creative and they come up with great ideas fast, but... | 0:53:50 | 0:53:53 | |
By the way, is that a clique? | 0:53:53 | 0:53:54 | |
-They are very much a clique. -They are. | 0:53:54 | 0:53:56 | |
-We didn't even like... AUBREY: -We didn't like each other! | 0:53:56 | 0:53:59 | |
I know, but anyway, we came up with great ideas. | 0:53:59 | 0:54:03 | |
My first idea was to do with dancing, a reality thing | 0:54:03 | 0:54:05 | |
where my professional dancer dances with me and drops me for the mop. | 0:54:05 | 0:54:08 | |
I thought it was a great idea, it got shot down. "We shouldn't do it." | 0:54:08 | 0:54:12 | |
-I actually liked that idea. -The idea has been done several times. | 0:54:12 | 0:54:16 | |
Why did you let anyone shoot it down? | 0:54:16 | 0:54:18 | |
The idea has been done several times before... | 0:54:18 | 0:54:20 | |
I know, but if she is the project manager, | 0:54:20 | 0:54:22 | |
and if you liked it, why would you let them talk you out of it? | 0:54:22 | 0:54:24 | |
-Cos I'm very open, I believe... -So what was your concept? | 0:54:24 | 0:54:27 | |
Teresa, what was the concept? | 0:54:27 | 0:54:30 | |
The concept was "what is your number?" | 0:54:30 | 0:54:33 | |
Meaning... | 0:54:33 | 0:54:36 | |
Yeah, "what is your number?" | 0:54:36 | 0:54:37 | |
is basically a play on how many boyfriends | 0:54:37 | 0:54:41 | |
have you had in your life? | 0:54:41 | 0:54:43 | |
I thought it was sexual. | 0:54:43 | 0:54:46 | |
Well, it could be, it was inferred very gently. | 0:54:46 | 0:54:49 | |
Inferred in what? I don't get it. | 0:54:49 | 0:54:50 | |
What is your number, how many guys...? | 0:54:50 | 0:54:52 | |
How many people have you actually slept with? | 0:54:52 | 0:54:54 | |
I never think about sex. OK, so... | 0:54:54 | 0:54:56 | |
How many women have you been with? | 0:54:56 | 0:54:58 | |
-Ooh-ho. -Come on, come on. | 0:54:58 | 0:55:00 | |
-Give it to us. -He's on the spot now. | 0:55:02 | 0:55:05 | |
But really, it is, "How many mops have you bought in your life?" | 0:55:05 | 0:55:08 | |
Yes, I've probably had a dozen mops that didn't work. | 0:55:08 | 0:55:11 | |
And is that the one you went with? | 0:55:11 | 0:55:13 | |
-Yes. -Is that the concept you liked? -Yes, it is. | 0:55:13 | 0:55:15 | |
-And did everyone agree on that? -Yes. | 0:55:15 | 0:55:17 | |
-And you think you won with it? -Yes, I think we... | 0:55:17 | 0:55:19 | |
I would love to think that we did, but I'm never cocky. | 0:55:19 | 0:55:21 | |
-Dayana, do you think you won with that concept? -I hope so. | 0:55:21 | 0:55:25 | |
-You feel good about it? -I am very proud of it. | 0:55:25 | 0:55:27 | |
-From top to bottom I am proud of it. -You don't love it. | 0:55:27 | 0:55:29 | |
No, I don't love the concept, but we are team players and... | 0:55:29 | 0:55:32 | |
Is it too risque for selling mops and cleaning floors? | 0:55:32 | 0:55:35 | |
After speaking with the executives, what I heard from them was | 0:55:35 | 0:55:38 | |
we have to make the consumer make shopping fun. Make cleaning fun. | 0:55:38 | 0:55:43 | |
And that is not really what I thought we were doing, | 0:55:43 | 0:55:47 | |
but as a team player - | 0:55:47 | 0:55:48 | |
and in response to Lisa - I do feel like I am extremely creative. | 0:55:48 | 0:55:52 | |
I also feel like we all have different strengths, | 0:55:52 | 0:55:54 | |
and sometimes you can be very creative, like you are | 0:55:54 | 0:55:57 | |
an amazing writer, but you may not be able to execute your idea if... | 0:55:57 | 0:56:01 | |
OK, bottom line, you didn't love the concept. | 0:56:01 | 0:56:03 | |
I wasn't crazy about it but... | 0:56:03 | 0:56:05 | |
It might not matter, because if you win, it doesn't matter. | 0:56:05 | 0:56:07 | |
-But I do think it was very well executed. -OK. | 0:56:07 | 0:56:11 | |
So, Penn, what was your concept? | 0:56:11 | 0:56:13 | |
Our concept was, "I'm going to mop the floor with you." | 0:56:13 | 0:56:16 | |
And it was Lou being a tough guy and threatening the camera, | 0:56:16 | 0:56:20 | |
and then having you not know who he was threatening, | 0:56:20 | 0:56:24 | |
and then, surprisingly, it was a mop he was threatening... | 0:56:24 | 0:56:27 | |
That's cute. | 0:56:27 | 0:56:28 | |
..and it was said pleasantly, "I'm going to mop the floor with you", | 0:56:28 | 0:56:32 | |
and then Lou danced with a mop like a crazy monkey. | 0:56:32 | 0:56:35 | |
-And I want to see... -And he did a good job? | 0:56:35 | 0:56:38 | |
Oh, he was way funnier than I expected him to be. | 0:56:38 | 0:56:41 | |
-Tia, do you like that? -It sounds very funny. | 0:56:41 | 0:56:43 | |
If it is very funny, you're going to probably lose. | 0:56:43 | 0:56:46 | |
He was wearing an apron! | 0:56:46 | 0:56:47 | |
So... That's very interesting. So you feel good about it? | 0:56:47 | 0:56:51 | |
I feel really good. | 0:56:51 | 0:56:53 | |
Very good, that's great. Arsenio, what did you think? | 0:56:53 | 0:56:56 | |
Concept. | 0:56:56 | 0:56:57 | |
I love the concept and I was really excited because it | 0:56:57 | 0:57:00 | |
came from Paul, and it was just a blurt, and we were all like... | 0:57:00 | 0:57:04 | |
-"That's it." -Yup. -OK, good. | 0:57:04 | 0:57:06 | |
Lou, was it a mistake not using more star power? | 0:57:07 | 0:57:10 | |
It was only you in the video, there was | 0:57:10 | 0:57:11 | |
a lot of them in the video, lot of star power. | 0:57:11 | 0:57:13 | |
Somebody could be a fan of Paul, somebody could be | 0:57:13 | 0:57:16 | |
a fan of Arsenio's, is that a mistake in a viral video? | 0:57:16 | 0:57:18 | |
No, because being project manager, I felt it was the best choice for me | 0:57:18 | 0:57:21 | |
to be in the video, because all week the finger has been pointing on me. | 0:57:21 | 0:57:24 | |
"Lou, Lou, Lou, blame Lou, he doesn't do enough." | 0:57:24 | 0:57:26 | |
-I respect that. -So I made the decision when it came time | 0:57:26 | 0:57:28 | |
to be project manager, I wanted to be | 0:57:28 | 0:57:30 | |
in the video to show what I can do because everybody underestimates me. | 0:57:30 | 0:57:33 | |
I can dance, I can do almost anything if I put my mind to it. | 0:57:33 | 0:57:36 | |
That's what I'm proving now, because I want to prove I have | 0:57:36 | 0:57:38 | |
all the odds against me, I get knocked down, but I get up again. | 0:57:38 | 0:57:41 | |
You do get up, don't you? | 0:57:41 | 0:57:42 | |
-I never get knocked down, I get up every time. -That's great. | 0:57:42 | 0:57:45 | |
OK. So the star of the show was Lou, but if you lose, does Lou lose, | 0:57:47 | 0:57:52 | |
is he the one that also is the star therefore he gets fired? | 0:57:52 | 0:57:55 | |
No, sir, it was a team effort. | 0:57:55 | 0:57:57 | |
OK, who do you think I should fire if you lose? | 0:57:57 | 0:57:59 | |
-Who do I think you should fire? -If you lose. | 0:57:59 | 0:58:01 | |
There was one person who was not able to contribute | 0:58:03 | 0:58:05 | |
because it didn't fall into his wheelhouse. | 0:58:05 | 0:58:07 | |
Who was that? | 0:58:07 | 0:58:09 | |
And that was Paul Sr, and that's not... | 0:58:09 | 0:58:11 | |
Paul has been such a contributor on everything, it was just, | 0:58:11 | 0:58:14 | |
oddly, there was nothing for him to do this task. | 0:58:14 | 0:58:17 | |
What do you think about that, Paul? | 0:58:17 | 0:58:19 | |
-Sorry, Paul. -It's OK. I'm good with that. I just think that... | 0:58:19 | 0:58:23 | |
It wasn't your thing? | 0:58:23 | 0:58:25 | |
No, not that it wasn't my thing, even though it is not, you know... | 0:58:25 | 0:58:30 | |
I'm a soldier, so whatever I am asked to do, I do. | 0:58:30 | 0:58:32 | |
And that is what I did. | 0:58:32 | 0:58:34 | |
-And you weren't asked to do anything? -Not too much. | 0:58:34 | 0:58:36 | |
Paul, didn't they say though that you came up with the | 0:58:36 | 0:58:38 | |
"I'm going to mop the floor with you" concept? | 0:58:38 | 0:58:40 | |
-DEE: -He did. -Yeah. -DON: -I mean, that's a pretty big component of it. | 0:58:40 | 0:58:43 | |
TEAM FORTE AGREE | 0:58:43 | 0:58:45 | |
That's huge! | 0:58:45 | 0:58:46 | |
-Yeah. -It's pretty big. -To me, that is like a... | 0:58:46 | 0:58:50 | |
That is a pretty big thing. | 0:58:50 | 0:58:53 | |
It is five seconds during the task, but it is a big five seconds | 0:58:53 | 0:58:56 | |
in a weighted average sense, right? | 0:58:56 | 0:58:57 | |
ARSENIO: Absolutely. | 0:58:57 | 0:59:00 | |
So, Arsenio, if you were me and your team loses, who would you fire? | 0:59:00 | 0:59:04 | |
I mean, I think sometimes if you lose, | 0:59:09 | 0:59:11 | |
the leader should take responsibility, but... | 0:59:11 | 0:59:14 | |
I agree with that. Sometimes. | 0:59:14 | 0:59:15 | |
I agree with Dee, I would say Paul, but this is really hard, | 0:59:15 | 0:59:20 | |
Mr Trump, because without him, we don't have a concept. | 0:59:20 | 0:59:24 | |
We are still at the table, pitching. | 0:59:24 | 0:59:26 | |
-PENN: -Yes, we are. | 0:59:26 | 0:59:28 | |
-Mr Trump, I do think that Paul... -Paul is a contributor all the time. | 0:59:28 | 0:59:32 | |
He is a big contributor to this group, and I do know that... | 0:59:32 | 0:59:34 | |
Watch it, that big, strong hand is right behind you. | 0:59:34 | 0:59:37 | |
He is not as mean as he might let you think he is. | 0:59:37 | 0:59:39 | |
-I don't think he is, no. -CLAY LAUGHS | 0:59:39 | 0:59:41 | |
-You know what, he's very smart and he's stable. -He's very valuable. | 0:59:41 | 0:59:45 | |
He's stable. And, Teresa, you're stable. | 0:59:45 | 0:59:48 | |
We're destroying these people. | 0:59:48 | 0:59:49 | |
LAUGHTER | 0:59:49 | 0:59:51 | |
So, Lou, if your team loses, | 0:59:52 | 0:59:55 | |
which two people are you going to bring back to the boardroom? | 0:59:55 | 0:59:59 | |
Paul and Penn. | 1:00:03 | 1:00:04 | |
Whoa. Paul and PENN - what did Penn do? | 1:00:04 | 1:00:07 | |
To be honest with you, | 1:00:07 | 1:00:08 | |
Penn is a bull in a china closet with a superior attitude. | 1:00:08 | 1:00:12 | |
Why? | 1:00:12 | 1:00:14 | |
Every time you talk to him, it is like he is not available to us, | 1:00:14 | 1:00:18 | |
he doesn't have enough compassion for people's feelings. | 1:00:18 | 1:00:21 | |
I believe you work as a team. | 1:00:21 | 1:00:23 | |
As a team, you don't want to have any negativity | 1:00:23 | 1:00:25 | |
and feel like you want to be in control of everything. | 1:00:25 | 1:00:28 | |
We're talking about teams, if you look in the dictionary, | 1:00:28 | 1:00:31 | |
"team" means collaborate, vent ideas, incorporate everything. | 1:00:31 | 1:00:34 | |
It's a team, one person cannot win. | 1:00:34 | 1:00:36 | |
-It's 100% full team effort. -OK. | 1:00:36 | 1:00:39 | |
Clay, what did you think? | 1:00:41 | 1:00:42 | |
Penn has admitted that he doesn't like not being in charge. | 1:00:43 | 1:00:50 | |
-And Penn has a real hard time... -I didn't see that with Penn. | 1:00:50 | 1:00:55 | |
When Penn is not in charge and it is not his decision, he does disengage. | 1:00:55 | 1:01:00 | |
And he does have a tendency to become, uh... | 1:01:00 | 1:01:03 | |
I don't know how to do it without saying the word that I know | 1:01:05 | 1:01:08 | |
he doesn't like. | 1:01:08 | 1:01:10 | |
He does have a tendency to become condescending | 1:01:10 | 1:01:13 | |
when it's not his idea and he's not in charge. | 1:01:13 | 1:01:15 | |
How do you think about that? | 1:01:15 | 1:01:16 | |
It is a question of whether the most important thing for the team | 1:01:16 | 1:01:20 | |
is to be an emotional team, or whether it is to get the job done. | 1:01:20 | 1:01:24 | |
In order to get the video done with the task that we were given, | 1:01:24 | 1:01:28 | |
which was very difficult, Lou had to star, | 1:01:28 | 1:01:31 | |
he wanted only him in it, and he wanted to speak. | 1:01:31 | 1:01:34 | |
There needed to be a lot of work done on that video | 1:01:34 | 1:01:38 | |
to get it to work. | 1:01:38 | 1:01:39 | |
I believe I did some writing and some typing, I did both. | 1:01:39 | 1:01:44 | |
Penn did work on this task, that's not in question. | 1:01:44 | 1:01:47 | |
Why is he condescending? | 1:01:47 | 1:01:48 | |
-I don't know why he is condescending. -I can explain. | 1:01:48 | 1:01:51 | |
He's not the only one who feels that, | 1:01:51 | 1:01:53 | |
-not necessarily condescending... -Do you feel that, Dee? | 1:01:53 | 1:01:55 | |
I call him "the fact-checker" | 1:01:57 | 1:01:58 | |
and "the most likeable know-it-all in the world." | 1:01:58 | 1:02:00 | |
You can't get a sentence out without him fact-checking | 1:02:00 | 1:02:03 | |
the information, your grammar, the history of it. | 1:02:03 | 1:02:06 | |
He is an encyclopaedia of knowledge. | 1:02:06 | 1:02:08 | |
-So does that make him like a bad team member? -No, it doesn't. | 1:02:08 | 1:02:11 | |
-Or a good team member? -No, it doesn't. He was a little... | 1:02:11 | 1:02:15 | |
Penn worked 100%, you could not criticise anything | 1:02:15 | 1:02:18 | |
about his effort, there just seemed to be an emotional disconnect. | 1:02:18 | 1:02:21 | |
Mr Trump, he wasn't really in agreement with | 1:02:21 | 1:02:23 | |
the project manager and he became very reserved and almost... | 1:02:23 | 1:02:27 | |
I'm going to use the word negative, | 1:02:27 | 1:02:29 | |
because I can't think of another one right this second, | 1:02:29 | 1:02:31 | |
but he brings about a little bit of a negative energy | 1:02:31 | 1:02:34 | |
when all of the rest of us are doing our best to support | 1:02:34 | 1:02:38 | |
our project manager, and Penn is doing pretty much the opposite. | 1:02:38 | 1:02:43 | |
And I did... | 1:02:43 | 1:02:44 | |
What's crazy about it to me | 1:02:44 | 1:02:46 | |
is that I am usually one of the last people to lose it, | 1:02:46 | 1:02:49 | |
and of the people on this team, | 1:02:49 | 1:02:51 | |
probably the person I think would be least expected to, | 1:02:51 | 1:02:55 | |
and I did yesterday, because I got so frustrated. | 1:02:55 | 1:02:57 | |
Which is tougher for you, Clay, this or American Idol? | 1:02:57 | 1:03:00 | |
-Which I think you should have won. -Oh, this. Oh, this. | 1:03:00 | 1:03:03 | |
I mean, for multiple reasons, but American Idol, I didn't | 1:03:03 | 1:03:08 | |
have to critique the other people who I was in the competition with. | 1:03:08 | 1:03:11 | |
And that was my wheelhouse. | 1:03:11 | 1:03:13 | |
This, I am learning new things, | 1:03:13 | 1:03:15 | |
I think I bring benefit to every single task. | 1:03:15 | 1:03:17 | |
I think you do too, I think you're doing great. | 1:03:17 | 1:03:20 | |
Arsenio, how do you feel about what Clay is saying, what Penn is saying? | 1:03:20 | 1:03:24 | |
You know, Penn and Clay have been butting heads, | 1:03:24 | 1:03:28 | |
and Clay kind of got sick of what he considers condescending | 1:03:28 | 1:03:32 | |
and insulting responses, and Clay stepped to him. | 1:03:32 | 1:03:36 | |
I was actually kind of proud of Clay, because instead of whispering | 1:03:36 | 1:03:41 | |
and running from it, he stepped to the man and told him | 1:03:41 | 1:03:44 | |
what he thought, and they - I thought - worked it out. | 1:03:44 | 1:03:47 | |
I got a lot of respect. | 1:03:47 | 1:03:48 | |
I got to say something to you, Arsenio - I loved your show. | 1:03:48 | 1:03:52 | |
-You were so good at that show. -WOMAN: So good. | 1:03:52 | 1:03:54 | |
-Isn't that right? -So good. -He was so great at that show. | 1:03:54 | 1:03:57 | |
-So I just want to tell you that. -Appreciate that. | 1:03:57 | 1:03:59 | |
Do you mind, are you upset with me? Is that a terrible thing to say? | 1:03:59 | 1:04:02 | |
-I am honoured you... -I thought that show was great. -Thank you, sir. | 1:04:02 | 1:04:06 | |
So, anyway. | 1:04:06 | 1:04:08 | |
Don, what did the executives think of the women? Both good and bad. | 1:04:08 | 1:04:12 | |
Well, they thought they nailed | 1:04:12 | 1:04:14 | |
the entertainment value and the brand. | 1:04:14 | 1:04:16 | |
They really got that message across well. | 1:04:16 | 1:04:18 | |
They did a great job working as a team, | 1:04:18 | 1:04:20 | |
and did a good job showing the mist sprayer. | 1:04:20 | 1:04:22 | |
What they didn't like was, they thought the concept of | 1:04:22 | 1:04:24 | |
"what's your number?" was a little bit confusing. | 1:04:24 | 1:04:27 | |
They didn't really get it, it took them a while. | 1:04:27 | 1:04:29 | |
And they focused too much perhaps on the presentation, | 1:04:29 | 1:04:31 | |
not enough on the viral video concept part. | 1:04:31 | 1:04:33 | |
What do you think, Dayana? You're nodding, do you agree? | 1:04:35 | 1:04:37 | |
-I totally agree with the executives. -Really? -Yes. | 1:04:37 | 1:04:41 | |
And, Mr Trump, I had no time to make people understand my thoughts. | 1:04:41 | 1:04:46 | |
As these ladies take over | 1:04:46 | 1:04:47 | |
and just decide to put their thoughts together. | 1:04:47 | 1:04:50 | |
Let's see, let's see what happens. | 1:04:50 | 1:04:53 | |
Eric, what did they think of the men? Both good and bad. | 1:04:53 | 1:04:56 | |
Well, they thought you were very entertaining, they really | 1:04:56 | 1:04:59 | |
liked Lou as the housewife, they just thought that was great. | 1:04:59 | 1:05:02 | |
They also really liked the tag line, "I'll mop the floor with you", | 1:05:02 | 1:05:05 | |
they just thought it was terrific, worked well for the brand. | 1:05:05 | 1:05:07 | |
They thought it was just very clear. | 1:05:07 | 1:05:09 | |
They also said that it really had all the | 1:05:09 | 1:05:11 | |
key features of the product, | 1:05:11 | 1:05:13 | |
they really like the way it was integrated. | 1:05:13 | 1:05:15 | |
The negatives. They thought the video needed to be more viral, | 1:05:15 | 1:05:18 | |
it was too close to a commercial. | 1:05:18 | 1:05:20 | |
They also didn't like the fact that you only spoke about how | 1:05:20 | 1:05:23 | |
the product was eco-friendly | 1:05:23 | 1:05:24 | |
when you can really use any type of cleaning solution in the product. | 1:05:24 | 1:05:27 | |
-So those were really the two negatives. -OK. So, Lou... | 1:05:27 | 1:05:33 | |
-Yes. -You want to know if you won? -Yes. | 1:05:33 | 1:05:36 | |
-Or lost? -Whatever, you're the boss. | 1:05:36 | 1:05:38 | |
I feel very badly for you, Lou, | 1:05:42 | 1:05:44 | |
because I know how hard you have worked. | 1:05:44 | 1:05:47 | |
And this is very hard for me to do. | 1:05:47 | 1:05:50 | |
Because... | 1:05:53 | 1:05:55 | |
I don't know how you're going to | 1:05:55 | 1:05:57 | |
spend all of this money on your charity. | 1:05:57 | 1:05:59 | |
Your team won. You have won 50,000 for your charity. | 1:05:59 | 1:06:03 | |
-And the women's team lost. -Thank you, all, thank you. | 1:06:04 | 1:06:07 | |
So O-Cedar is going to have give you an additional 30,000 to the 20, | 1:06:07 | 1:06:10 | |
so you have 50,000 for your charity. | 1:06:10 | 1:06:12 | |
Great job, Lou. | 1:06:12 | 1:06:13 | |
Thank you, I am so happy that the people | 1:06:13 | 1:06:16 | |
at the Muscular Dystrophy Association | 1:06:16 | 1:06:18 | |
can use the money to help technology and find a cure. | 1:06:18 | 1:06:20 | |
That's great. All right, | 1:06:20 | 1:06:22 | |
so you guys get out of here, you can | 1:06:22 | 1:06:24 | |
watch on television what is going to happen. | 1:06:24 | 1:06:26 | |
It is going to be very interesting. | 1:06:26 | 1:06:28 | |
-Have a good time. -Congratulations. -Nice job. | 1:06:28 | 1:06:32 | |
-ARSENIO: He faked me out for a minute. DEE: -Who? | 1:06:32 | 1:06:35 | |
-Trump. -Yeah, he did. | 1:06:35 | 1:06:36 | |
Women, stay here, somebody will be fired. | 1:06:36 | 1:06:39 | |
Yes! I need two low-fives, brother. | 1:06:48 | 1:06:51 | |
Bam, bam, bam! Yes! | 1:06:51 | 1:06:54 | |
I won 50,000 for my charity, | 1:06:54 | 1:06:55 | |
Muscular Dystrophy Association, and I am so excited. | 1:06:55 | 1:06:59 | |
-I thank everybody. -You did a great job. -Thank you. | 1:06:59 | 1:07:02 | |
You did great, Lou. | 1:07:02 | 1:07:03 | |
I am in shock, I am excited because I stepped up to the plate | 1:07:03 | 1:07:06 | |
and now I have gained the respect of everyone. | 1:07:06 | 1:07:09 | |
ARSENIO CHANTS: Lou...Lou...Lou... | 1:07:09 | 1:07:11 | |
Cabbage patch. | 1:07:11 | 1:07:14 | |
Hey, Arsenio. Let's watch them self-destruct. | 1:07:14 | 1:07:17 | |
Oh, turn that baby on. | 1:07:17 | 1:07:19 | |
Dayana, are you surprised? | 1:07:21 | 1:07:24 | |
-No, sadly I'm not. -Not really, right? I could see that. | 1:07:24 | 1:07:27 | |
-I am not surprised. -You didn't like it from the beginning. | 1:07:27 | 1:07:29 | |
You would not have done that. | 1:07:29 | 1:07:31 | |
I didn't like it from the beginning, though I worked with my team | 1:07:31 | 1:07:34 | |
and I wrote down my theme | 1:07:34 | 1:07:36 | |
and I believed they were happy with the theme I was writing. | 1:07:36 | 1:07:39 | |
No, Dayana, I humoured you, because it was dirty | 1:07:39 | 1:07:42 | |
and we wanted to draw a line between dirty and clean. | 1:07:42 | 1:07:46 | |
-What was dirty? -We were focusing... | 1:07:46 | 1:07:48 | |
-Hilarious to me. -Dirty for you? | 1:07:48 | 1:07:51 | |
-Exactly! -Yes, for O-Cedar. No, no, no, this isn't me on advertising. | 1:07:51 | 1:07:54 | |
When you say something is dirty... Why was it dirty? | 1:07:54 | 1:07:58 | |
Sir, it was boundary-less, it was adorable coming out of her, | 1:07:58 | 1:08:02 | |
it is not for O-Cedar to have graphic, sexual type of language. | 1:08:02 | 1:08:06 | |
So of course we laughed, I mean, we are | 1:08:06 | 1:08:08 | |
in a room with a bunch of women, we're dirty, we're going to laugh. | 1:08:08 | 1:08:12 | |
But it was inappropriate and it got thrown away. | 1:08:12 | 1:08:14 | |
You lost, do you think in retrospect | 1:08:14 | 1:08:16 | |
maybe that concept was better than yours? | 1:08:16 | 1:08:18 | |
Sir, I would love you to read it, | 1:08:18 | 1:08:19 | |
because it can't be read in mixed company. | 1:08:19 | 1:08:21 | |
What was so dirty about what you wrote? | 1:08:21 | 1:08:23 | |
We were leaning in a sexual way, | 1:08:23 | 1:08:24 | |
and I think it was about the fact it had double sense. | 1:08:24 | 1:08:28 | |
It was never about wording, everything just had double sense. | 1:08:28 | 1:08:31 | |
-It had two possible meanings. -Yeah. | 1:08:31 | 1:08:33 | |
-What were the meanings? -Double entendres. | 1:08:33 | 1:08:35 | |
Very, very strong double entendres. | 1:08:35 | 1:08:38 | |
It just took it a little too far. | 1:08:38 | 1:08:40 | |
A little too far for a 104-year-old company? | 1:08:40 | 1:08:42 | |
Way too far for a 104-year-old company who is an American icon. | 1:08:42 | 1:08:45 | |
But if I was writing in Spanish, I probably would pick | 1:08:45 | 1:08:47 | |
the wrong words too. | 1:08:47 | 1:08:48 | |
Oh... It wasn't wording. | 1:08:48 | 1:08:51 | |
-So, Lisa, if you were in charge of the concept and creative... -Mm-hmm. | 1:08:54 | 1:08:58 | |
..how can you defend yourself? | 1:08:58 | 1:09:00 | |
By saying that the minute somebody starts firing | 1:09:00 | 1:09:03 | |
creative people for getting ideas, when they approve them... | 1:09:03 | 1:09:07 | |
Well, that's true, she approved it. | 1:09:07 | 1:09:09 | |
She approved it. | 1:09:09 | 1:09:11 | |
A roar went up in the room and no-one dissented, | 1:09:11 | 1:09:14 | |
-and was thrilled... -Including Dayana? | 1:09:14 | 1:09:16 | |
Including everyone, sir. | 1:09:16 | 1:09:17 | |
So what you're saying is what Dayana said is wrong? | 1:09:17 | 1:09:20 | |
Absolutely, there was no dissension, she was thrilled to contribute. | 1:09:20 | 1:09:23 | |
-The minute you start... -Is that true? | 1:09:23 | 1:09:25 | |
..you stunt creativity and get people to shut down | 1:09:25 | 1:09:28 | |
and not give ideas, then you will have six people with no ideas. | 1:09:28 | 1:09:30 | |
So Dayana is blaming the team and the concept | 1:09:30 | 1:09:33 | |
but you say she went along with it? | 1:09:33 | 1:09:34 | |
Dayana is blaming me because I called her out in here. | 1:09:34 | 1:09:37 | |
It is easy to blame the bigmouth who actually has ideas, | 1:09:37 | 1:09:40 | |
implements them, and everybody says, | 1:09:40 | 1:09:42 | |
"That was terrific" after, during and before. | 1:09:42 | 1:09:45 | |
So factually, everybody gets to jump on the bandwagon | 1:09:45 | 1:09:48 | |
of the creative person because they take chances, and guess what? | 1:09:48 | 1:09:52 | |
-That is not the person at fault. -Dayana? | 1:09:52 | 1:09:54 | |
I don't know what she's talking about. | 1:09:54 | 1:09:56 | |
-If everybody supported the idea of... -Well, did you support it? | 1:09:56 | 1:09:59 | |
No, but I still worked with it and I did a great job | 1:09:59 | 1:10:02 | |
when I wrote my paragraph about it. | 1:10:02 | 1:10:04 | |
But did you say, "Let's do something different, | 1:10:04 | 1:10:06 | |
"that is not going to work"? | 1:10:06 | 1:10:07 | |
Don, every idea I give is never taken, so... | 1:10:07 | 1:10:10 | |
When the whole group and the majority said, | 1:10:10 | 1:10:13 | |
"This is the best thing we could do", I said, "OK, let's work on it." | 1:10:13 | 1:10:17 | |
-Dayana is fine, but may be finished. -Yeah. | 1:10:17 | 1:10:20 | |
What do you think, Aubrey? | 1:10:20 | 1:10:21 | |
Everybody quiet, Aubrey's speaking! | 1:10:21 | 1:10:23 | |
-What was she saying? -Something about herself. | 1:10:23 | 1:10:26 | |
OTHERS LAUGH | 1:10:26 | 1:10:28 | |
For me, personally, | 1:10:28 | 1:10:29 | |
this was the least enjoyable time I have had here. | 1:10:29 | 1:10:31 | |
-And I really love to be here. -This task? -Absolutely. -Why? | 1:10:31 | 1:10:35 | |
Because... | 1:10:37 | 1:10:38 | |
SHE SIGHS | 1:10:38 | 1:10:39 | |
I think that Tia decided to delegate based off emotion | 1:10:39 | 1:10:43 | |
versus smart business. | 1:10:43 | 1:10:45 | |
There were always at least three or four people that were | 1:10:45 | 1:10:47 | |
un-utilised during the entire task. | 1:10:47 | 1:10:50 | |
She took on a lot of responsibility | 1:10:50 | 1:10:52 | |
and one of those was not including overlooking the team. | 1:10:52 | 1:10:54 | |
At any given time, I saw three or four people sitting around. | 1:10:54 | 1:10:57 | |
Had they not been sitting around, we might not be here right now. | 1:10:57 | 1:11:00 | |
-Tia? -I disagree. | 1:11:00 | 1:11:03 | |
I think I pulled the trigger quite decisively, | 1:11:03 | 1:11:05 | |
and the tough part about this game is, | 1:11:05 | 1:11:08 | |
we are all meant to work together as a team, but there | 1:11:08 | 1:11:11 | |
are still very much individual interests that are being maintained. | 1:11:11 | 1:11:14 | |
So it makes for a very blurry line between being a team player | 1:11:14 | 1:11:18 | |
and protecting yourself in the boardroom. | 1:11:18 | 1:11:20 | |
-OK, forget that. -Yeah. | 1:11:20 | 1:11:23 | |
Patricia, who do you think I should fire? | 1:11:23 | 1:11:25 | |
-For me, it's very clear. -Go ahead. | 1:11:25 | 1:11:27 | |
I would think of moving forward, who would bring most to the team. | 1:11:27 | 1:11:31 | |
Who brings more to the team - Lisa or Tia? | 1:11:31 | 1:11:33 | |
Going forward. | 1:11:34 | 1:11:36 | |
-Lisa. -Lisa? | 1:11:39 | 1:11:42 | |
So, Lisa, let me ask you this. You came up with the concept... | 1:11:42 | 1:11:45 | |
Who produced the concept, by the way? | 1:11:45 | 1:11:47 | |
-Tia. -Tia. So you were the project manager and you produced it. | 1:11:47 | 1:11:50 | |
OK, that makes sense. | 1:11:50 | 1:11:52 | |
So you came up with the concept, the concept didn't work. | 1:11:52 | 1:11:55 | |
It was OK, but the men were better. | 1:11:55 | 1:11:57 | |
Who would you say I should fire? | 1:11:58 | 1:12:01 | |
-Um... -You came up with the concept. -Absolutely not me, of course not. | 1:12:01 | 1:12:04 | |
-She approved the concept. -Of course not, | 1:12:04 | 1:12:06 | |
or I would just sit mum in a meeting | 1:12:06 | 1:12:08 | |
for the rest of these weeks, afraid to | 1:12:08 | 1:12:10 | |
give an idea because I'm going under the bus for an idea that was great. | 1:12:10 | 1:12:14 | |
If the project manager has a task that she approved | 1:12:14 | 1:12:18 | |
and she fails at this, it is on her. | 1:12:18 | 1:12:20 | |
Or you could take the people who contributed the least | 1:12:20 | 1:12:23 | |
and who are the most distracting and derailing. | 1:12:23 | 1:12:26 | |
Who was most distracting? | 1:12:26 | 1:12:27 | |
Distracting and derailing is always Dayana. | 1:12:29 | 1:12:31 | |
-Dayana, I never knew this about you. -That is absolutely true. | 1:12:33 | 1:12:37 | |
One of our most solid Miss Universes ever, | 1:12:37 | 1:12:39 | |
and now I hear you are distracting, I am very surprised. | 1:12:39 | 1:12:43 | |
I can say something about that. | 1:12:43 | 1:12:44 | |
I think that we are judging who is better for the team | 1:12:44 | 1:12:48 | |
based on who might be coming with the ideas and the concepts, | 1:12:48 | 1:12:51 | |
and a team is formed by who can do many different things. | 1:12:51 | 1:12:54 | |
And that makes the team. | 1:12:54 | 1:12:56 | |
And I believe that Dayana, she may be, maybe her idea | 1:12:56 | 1:13:01 | |
wasn't the best idea, but when you give her a task, | 1:13:01 | 1:13:03 | |
she goes and executes it very well. | 1:13:03 | 1:13:05 | |
-So are you a Dayana fan? -Yes, I am. -So you disagree with Lisa? | 1:13:05 | 1:13:09 | |
Well, I agree with Lisa in terms of the idea, | 1:13:09 | 1:13:12 | |
that wasn't a good idea what Dayana wrote. | 1:13:12 | 1:13:14 | |
But I disagree in the sense that Dayana is very good | 1:13:14 | 1:13:17 | |
at doing other things. | 1:13:17 | 1:13:20 | |
-Aubrey. -Yes? -What do you think? | 1:13:20 | 1:13:23 | |
You are Donald Trump, which is too bad for you. You are Donald Trump... | 1:13:23 | 1:13:26 | |
I wish I could be you. I would like to be part of your family. | 1:13:26 | 1:13:29 | |
-OK, well... -He is married already. -OK, that would be my honour. | 1:13:29 | 1:13:32 | |
-So you're Donald Trump... -Me and you, kid. -All right. | 1:13:32 | 1:13:35 | |
..who should I fire? | 1:13:35 | 1:13:36 | |
You should fire Tia. And can I make one more comment? | 1:13:38 | 1:13:41 | |
-Tia because she's project manager? -Tia because she's project manager. | 1:13:41 | 1:13:44 | |
Because she was a good player, a weak player, OK player? | 1:13:44 | 1:13:47 | |
-I think there are weaker players than Tia, but... -Who, who's weaker? | 1:13:47 | 1:13:51 | |
-Dayana. -Really? I'm very surprised. | 1:13:51 | 1:13:53 | |
-Can I respond to what Patricia said about Dayana? -Go ahead. | 1:13:53 | 1:13:56 | |
Patricia said that you have to be able to do a lot of things. | 1:13:56 | 1:13:59 | |
I am sure Lisa could go out and buy some red T-shirts, | 1:13:59 | 1:14:02 | |
I am sure Lisa could pick up some roses | 1:14:02 | 1:14:04 | |
and I am sure Lisa could take some shots of some bottles | 1:14:04 | 1:14:07 | |
and a mop moving. | 1:14:07 | 1:14:09 | |
Could Dayana write the creative for this entire project? No. | 1:14:09 | 1:14:13 | |
No, I said that, we do need the creative. | 1:14:13 | 1:14:15 | |
But you don't think Dayana is a weak player, do you? | 1:14:15 | 1:14:18 | |
No, I don't think Dayana is a weak player. | 1:14:18 | 1:14:20 | |
-Is that because she comes from Venezuela? -Yes. | 1:14:20 | 1:14:22 | |
You've got to... | 1:14:22 | 1:14:23 | |
If she's going to write, you need somebody who can | 1:14:23 | 1:14:26 | |
-do this other stuff. -So who was your weakest player? | 1:14:26 | 1:14:29 | |
Eh... | 1:14:29 | 1:14:31 | |
I think our weakest player is Teresa. | 1:14:33 | 1:14:36 | |
Whoa-whoa-whoa, what have we here? | 1:14:36 | 1:14:38 | |
She is an incredible human being, I think she tries very hard, | 1:14:38 | 1:14:42 | |
but when you assign her to do many different things, | 1:14:42 | 1:14:46 | |
the process is a little slower. | 1:14:46 | 1:14:47 | |
-And... -Really? -What does that mean, Teresa? | 1:14:47 | 1:14:52 | |
I don't know, I can do printing too. A writer? | 1:14:52 | 1:14:55 | |
I could be a writer, I just finished my third book, | 1:14:55 | 1:14:57 | |
I have a ghost-writer. | 1:14:57 | 1:14:59 | |
So I can get my writing done, no problem. | 1:14:59 | 1:15:01 | |
Let me ask you, Teresa, who was the stronger player - | 1:15:01 | 1:15:04 | |
-Tia or Patricia? -Oh, Tia. | 1:15:04 | 1:15:07 | |
You're going to knock me down, I'm going to knock her right back down. | 1:15:07 | 1:15:10 | |
Are you just saying that because you're getting attacked? | 1:15:10 | 1:15:12 | |
Because it's one thing to say it when you are attacked. | 1:15:12 | 1:15:15 | |
What I have seen, only, she has been doing the printing. | 1:15:15 | 1:15:17 | |
-Teresa, I am not only the printing. -She has been doing the printing. | 1:15:17 | 1:15:20 | |
She is on the phone the whole time. | 1:15:20 | 1:15:22 | |
-Behind the printing, there is the design. -I could do branding too. | 1:15:22 | 1:15:27 | |
And I could design too, I could make phone calls and get it all done! | 1:15:27 | 1:15:31 | |
-I could get it done too. -This is the problem with our team. | 1:15:31 | 1:15:34 | |
We are not about business, it is embarrassing as a woman. | 1:15:34 | 1:15:38 | |
We should be here representing our charities, | 1:15:38 | 1:15:41 | |
we should be here moving business along. | 1:15:41 | 1:15:43 | |
It is a lot of catty side chatter, | 1:15:43 | 1:15:45 | |
calling each other up on the phone, text messaging each other. | 1:15:45 | 1:15:48 | |
There is three people that do the job, | 1:15:48 | 1:15:50 | |
three people do the creative, everybody else worker bees it | 1:15:50 | 1:15:53 | |
most of the time, and I'm sorry, that is the truth of the situation. | 1:15:53 | 1:15:56 | |
And sometimes when you're beige paint you need to own that | 1:15:56 | 1:15:58 | |
you're beige paint and keep it moving. | 1:15:58 | 1:16:01 | |
I feel like I'm not... I'm in the cheerleaders. | 1:16:01 | 1:16:03 | |
-It's sort of interesting. -Oh, really? | 1:16:03 | 1:16:05 | |
That is funny coming from you. | 1:16:05 | 1:16:07 | |
-Say it again. -I think that is funny coming from her. -Why? | 1:16:07 | 1:16:10 | |
First of all, one thing about business, | 1:16:10 | 1:16:12 | |
I don't respect people that don't look me in my eyes. | 1:16:12 | 1:16:14 | |
She looks to this side of me every time, there is awkwardness. | 1:16:14 | 1:16:17 | |
What I think happened, as a woman, I have been stepping up a lot, | 1:16:17 | 1:16:19 | |
she always thought in the beginning that | 1:16:19 | 1:16:21 | |
I was always loud and overstepping everybody. | 1:16:21 | 1:16:23 | |
I am sorry, at 50-something years old... | 1:16:23 | 1:16:26 | |
-50-something?! -However old you are. -40s. | 1:16:26 | 1:16:28 | |
-I'm 27 years old. -Wow. Tough statement. | 1:16:28 | 1:16:31 | |
MEN: Whoa! | 1:16:31 | 1:16:33 | |
-Holy -BLEEP. -No, she... | 1:16:33 | 1:16:36 | |
ARSENIO AND DEE: ..didn't! | 1:16:36 | 1:16:38 | |
-I'll be damned! -Why would you even go there? | 1:16:40 | 1:16:43 | |
Oh, that's a killer what you just said. | 1:16:43 | 1:16:45 | |
She plays that card because she thinks it polarises females. | 1:16:45 | 1:16:48 | |
It sounds like Lisa Lampanelli doing her act. | 1:16:48 | 1:16:51 | |
-You were never THAT nasty. -Donald, let me tell you why I say that. | 1:16:51 | 1:16:56 | |
-To me you look, I would have said 34. -Thank you. -She has 30 years... | 1:16:56 | 1:17:00 | |
20-something years of experience on me, | 1:17:00 | 1:17:02 | |
and if I am overshadowing her at 27 and she can't figure out | 1:17:02 | 1:17:05 | |
how to either get her ideas out or figure out how to... | 1:17:05 | 1:17:08 | |
No, no, no, excuse me... | 1:17:08 | 1:17:10 | |
Why are you going after her so much? | 1:17:10 | 1:17:11 | |
I didn't think she did anything so bad to you. | 1:17:11 | 1:17:13 | |
-Because she is talking about... -I was a fantastic manager. | 1:17:13 | 1:17:16 | |
..to me, she wouldn't let me do anything, | 1:17:16 | 1:17:18 | |
and I have to give you this example, please, and then you can... | 1:17:18 | 1:17:21 | |
She hates not being the centre of attention. | 1:17:21 | 1:17:24 | |
No, it has nothing to do with that. | 1:17:24 | 1:17:25 | |
She does have a little mouthpiece, I will say that. Go ahead. | 1:17:25 | 1:17:28 | |
Lisa, do I not work my butt off for every project manager? | 1:17:28 | 1:17:31 | |
-Everyone. -Is that true, Lisa? | 1:17:31 | 1:17:32 | |
-Oh, my God, absolutely. -No question. -But I want to tell you this. | 1:17:32 | 1:17:35 | |
I told Tia, "Let's move the camera", | 1:17:35 | 1:17:37 | |
because we had two cameras on the same thing, | 1:17:37 | 1:17:39 | |
which is inefficient use of time. | 1:17:39 | 1:17:40 | |
No, one was centred, one was slightly off. | 1:17:40 | 1:17:42 | |
-Can you let me finish, please? -Sure. -For someone who says | 1:17:42 | 1:17:44 | |
-I interrupt them all the time. -Cos you keep talking. | 1:17:44 | 1:17:47 | |
There was an angle on the safe camera, I said, | 1:17:47 | 1:17:49 | |
"Can we put the camera at an angle? | 1:17:49 | 1:17:51 | |
"It's a more efficient use of our cameras." | 1:17:51 | 1:17:53 | |
She ignored me and said, "I am the director." | 1:17:53 | 1:17:55 | |
And took off in a very condescending way. | 1:17:55 | 1:17:57 | |
I told Lisa, "Lisa, can we move the camera to the side?" | 1:17:57 | 1:18:01 | |
She said, "Great idea", | 1:18:01 | 1:18:02 | |
she told Tia, and Tia said, "Great idea, Lisa, let's do it." | 1:18:02 | 1:18:05 | |
-Is that not true, Lisa? -Absolutely 100% true. | 1:18:05 | 1:18:07 | |
That is catty. | 1:18:07 | 1:18:09 | |
She's so self-righteous, no wonder Diddy fired her. | 1:18:09 | 1:18:12 | |
Penn doesn't believe in God, but I do, | 1:18:12 | 1:18:14 | |
and if there's a God, Aubrey is out of here. | 1:18:14 | 1:18:17 | |
Tia, go ahead and defend yourself. | 1:18:18 | 1:18:21 | |
Aubrey has this, and I gave her props, I said, | 1:18:21 | 1:18:25 | |
"You come up with great ideas all the time, | 1:18:25 | 1:18:27 | |
"but you keep talking and talking and talking", | 1:18:27 | 1:18:29 | |
and the three of them gang up, and nobody else can wedge themselves in. | 1:18:29 | 1:18:33 | |
It becomes this tight clique, and this is what I felt in high school. | 1:18:33 | 1:18:36 | |
She was the head of a sorority. | 1:18:36 | 1:18:37 | |
When I heard that she was the head of a sorority, I thought, | 1:18:37 | 1:18:40 | |
"OK, that is where it comes from." | 1:18:40 | 1:18:41 | |
-I was actually fat and unpopular. -And you said what, | 1:18:41 | 1:18:44 | |
"Gimme a break, big deal"? | 1:18:44 | 1:18:46 | |
Yeah, but you understand how to come in and alpha dog it | 1:18:46 | 1:18:49 | |
-and make other people follow you... -Were you the head of a sorority? | 1:18:49 | 1:18:54 | |
I was, but so you know, I was the nerd who was picked on, | 1:18:54 | 1:18:56 | |
-beat up and fat. -Yeah, right! | 1:18:56 | 1:18:58 | |
-Oh, Tia... -You were the head of a sorority! | 1:18:58 | 1:19:00 | |
You have no idea what I have been through in my life. | 1:19:00 | 1:19:03 | |
Don't assume to know other people's struggles, | 1:19:03 | 1:19:05 | |
-that is where you go wrong. -Right(!) | 1:19:05 | 1:19:07 | |
-All right, Tia... -Sir. | 1:19:09 | 1:19:10 | |
You're going to bring two people back to the boardroom, | 1:19:10 | 1:19:13 | |
who are they going to be? | 1:19:13 | 1:19:14 | |
SHE SIGHS | 1:19:14 | 1:19:17 | |
Unfortunately, as project manager, | 1:19:22 | 1:19:25 | |
I know that my head is on the chopping block. | 1:19:25 | 1:19:28 | |
And if I were to stand up and take that responsibility on myself, | 1:19:28 | 1:19:31 | |
like Adam Carolla did last week, | 1:19:31 | 1:19:33 | |
-that... -Then you get fired, it is very simple. | 1:19:33 | 1:19:35 | |
But it is not just you that gets fired, | 1:19:35 | 1:19:37 | |
it is somebody else that gets fired. | 1:19:37 | 1:19:39 | |
Well, you are fighting for your charity. | 1:19:39 | 1:19:40 | |
-Fighting for yourself also. -Right. | 1:19:40 | 1:19:42 | |
But you are fighting for your charity, | 1:19:42 | 1:19:44 | |
so go ahead, who are you going to bring back? | 1:19:44 | 1:19:47 | |
If I throw myself on the knife, as it were, taking it for the team | 1:19:47 | 1:19:51 | |
because I was the clearing house for information, I was | 1:19:51 | 1:19:54 | |
the final say on everything, I approved everything | 1:19:54 | 1:19:57 | |
and I was the task leader, | 1:19:57 | 1:19:59 | |
if I do that, will you fire another person on the team as well? | 1:19:59 | 1:20:03 | |
No. | 1:20:04 | 1:20:05 | |
-OK, then I have to take responsibility. -OK. | 1:20:07 | 1:20:09 | |
Then, Tia, you're fired. | 1:20:11 | 1:20:12 | |
-Thank you, sir. -Thank you very much. Go ahead. | 1:20:18 | 1:20:21 | |
Get out. Thank you. | 1:20:21 | 1:20:22 | |
Oh, man. | 1:20:32 | 1:20:33 | |
That was bananas. It seems like she could have saved herself. | 1:20:33 | 1:20:36 | |
I don't think she would have been fired. | 1:20:36 | 1:20:38 | |
She definitely wouldn't have been. | 1:20:38 | 1:20:40 | |
-I think she might not have wanted to get chewed up. -Absolutely. | 1:20:40 | 1:20:44 | |
I'm glad I don't have to go up against you guys. | 1:20:44 | 1:20:46 | |
SHE LAUGHS | 1:20:46 | 1:20:47 | |
You're a powerful trifecta. Be careful. | 1:20:47 | 1:20:50 | |
LIFT DOOR DINGS | 1:20:53 | 1:20:55 | |
Good, thanks. | 1:20:57 | 1:20:59 | |
Wow. That was an amazing boardroom. | 1:21:03 | 1:21:06 | |
I must say that I am happy to leave now with my head held high. | 1:21:41 | 1:21:45 | |
I did a great job, I was a great project manager, | 1:21:45 | 1:21:48 | |
and the game is starting to get to a place where people get ugly | 1:21:48 | 1:21:51 | |
and cruel with each other, I don't want to be any part of that. | 1:21:51 | 1:21:55 | |
I just hope they don't say anything they're going to regret, | 1:21:55 | 1:21:59 | |
and I hope they don't do anything too cruel | 1:21:59 | 1:22:01 | |
that they can't sleep at night. | 1:22:01 | 1:22:02 |