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Previously on The Celebrity Apprentice, | 0:00:02 | 0:00:03 | |
the teams were tasked with creating a viral video. | 0:00:03 | 0:00:06 | |
This is all about a great company, O-Cedar. | 0:00:06 | 0:00:09 | |
Your task this week is promoting our latest innovation, | 0:00:09 | 0:00:12 | |
the ProMist Spray Mop. | 0:00:12 | 0:00:13 | |
Good luck. Go. | 0:00:13 | 0:00:15 | |
On the men's team, Clay Aiken thought Penn Jillette was | 0:00:15 | 0:00:18 | |
making things difficult for Project manager Lou Ferrigno. | 0:00:18 | 0:00:21 | |
I like the idea, a superhero. | 0:00:21 | 0:00:23 | |
It is hackneyed and it is a cliche. | 0:00:23 | 0:00:25 | |
Which pushed Clay to his limit. | 0:00:25 | 0:00:26 | |
I'm hearing a lot of, "This isn't going to work, | 0:00:26 | 0:00:28 | |
"this isn't going to work," and it's frustrating | 0:00:28 | 0:00:31 | |
-the hell out of me. -I thought I was trying to make it better. | 0:00:31 | 0:00:33 | |
No, you're being condescending, that's all you're doing. | 0:00:33 | 0:00:36 | |
And on the women's team, project manager Tia Carrere struggled | 0:00:36 | 0:00:39 | |
with strong personalities. | 0:00:39 | 0:00:41 | |
Do you want me to work as a director with you? | 0:00:41 | 0:00:43 | |
Imagine if all those cuts... | 0:00:43 | 0:00:44 | |
-I've directed music videos, too. -OK. | 0:00:44 | 0:00:47 | |
Me, Lisa and Debbie are the strongest players. | 0:00:47 | 0:00:49 | |
If you're not creative then just mind your place. | 0:00:49 | 0:00:53 | |
When the teams presented their videos, Lou showed off his moves. | 0:00:53 | 0:00:56 | |
I'm going to mop the floor with you. | 0:00:56 | 0:00:59 | |
The days of the filthy old mop bucket are over. | 0:00:59 | 0:01:02 | |
And the women took a risk. | 0:01:02 | 0:01:04 | |
You want... | 0:01:04 | 0:01:05 | |
My number? | 0:01:05 | 0:01:07 | |
Muchos! | 0:01:07 | 0:01:08 | |
I know a winner when I see one. | 0:01:08 | 0:01:11 | |
But in the boardroom, it didn't pay off. | 0:01:11 | 0:01:13 | |
Lou, you've won 50,000 for your charity. | 0:01:13 | 0:01:15 | |
-Applause. -Thank you. -Nicely done, Lou. | 0:01:15 | 0:01:18 | |
Left to face Mr Trump, Dayana Mendoza was targeted once again. | 0:01:18 | 0:01:22 | |
-Who's the least valuable? -The least valuable? Is Dayana. | 0:01:22 | 0:01:25 | |
And Patricia Velasquez called out Teresa Giudice. | 0:01:25 | 0:01:29 | |
Teresa tries very hard but I think when you assign her to do | 0:01:29 | 0:01:32 | |
many different things, the process is a little bit slower. | 0:01:32 | 0:01:36 | |
She's on the phone the whole time. | 0:01:36 | 0:01:38 | |
Teresa, behind the working there is a design... | 0:01:38 | 0:01:40 | |
I can make phone calls and get it all done. | 0:01:40 | 0:01:43 | |
But in the end it was Tia Carrere who held herself | 0:01:43 | 0:01:46 | |
accountable for the team's loss. | 0:01:46 | 0:01:47 | |
I approved everything. | 0:01:47 | 0:01:49 | |
-And I have to take responsibility. -OK. Then, Tia, you're fired. | 0:01:49 | 0:01:53 | |
-Oh. -Oh. -Oh, man! | 0:01:56 | 0:01:59 | |
I didn't think she would have been fired. | 0:01:59 | 0:02:01 | |
-I think she had a chance of keeping it if she had... -Absolutely. | 0:02:01 | 0:02:04 | |
What happened to Tia surprised me because she could have | 0:02:04 | 0:02:07 | |
fought in a different way and fought harder to stay. | 0:02:07 | 0:02:12 | |
-Ladies, welcome. -Wow. | 0:02:12 | 0:02:15 | |
Come on into the air conditioning, ladies, it's nice and cool in here. | 0:02:17 | 0:02:21 | |
This boardroom has completely divided our team. | 0:02:21 | 0:02:24 | |
We can't even look at each other. Half of us aren't talking. | 0:02:25 | 0:02:28 | |
There's a really ice-cold vibe in the room. | 0:02:28 | 0:02:31 | |
It really can't be good for any task coming up. | 0:02:31 | 0:02:35 | |
-(I'm glad somebody finally said Patricia was -BLEEP, | 0:02:35 | 0:02:37 | |
(cos she is and is on the phone all the time.) | 0:02:37 | 0:02:39 | |
And if she's going to throw me under the bus, | 0:02:39 | 0:02:42 | |
I'm going to throw her right back. | 0:02:42 | 0:02:43 | |
I don't believe you're slow in the friggin' least and I resented that. | 0:02:43 | 0:02:46 | |
You never question anything, you go, "Done, done", | 0:02:46 | 0:02:49 | |
-and then accusing you of being slow like they did is -BLEEP. | 0:02:49 | 0:02:52 | |
Cos she just wanted to stick up for her sister. | 0:02:52 | 0:02:54 | |
Patricia said I was slow. Maybe she's slow, | 0:02:54 | 0:02:57 | |
because anybody that knows me knows I'm... That's... | 0:02:57 | 0:03:01 | |
I'm the opposite of slow. | 0:03:01 | 0:03:03 | |
Thanks for defending yourself in there against her. | 0:03:03 | 0:03:05 | |
And as you can see, I can stand up for myself. | 0:03:05 | 0:03:08 | |
Yeah, I think we saw that today. | 0:03:08 | 0:03:10 | |
You know what? | 0:03:14 | 0:03:16 | |
I still have two people who are dead weight on my team. | 0:03:16 | 0:03:18 | |
I'm going to get rid of Patricia and Dayana. | 0:03:18 | 0:03:20 | |
You know, I'm sick of both of you braindeads. | 0:03:20 | 0:03:22 | |
We need to let the people who don't have ideas just | 0:03:22 | 0:03:25 | |
fade into the background a little bit. | 0:03:25 | 0:03:27 | |
Just go bye-bye. | 0:03:27 | 0:03:29 | |
Bye. | 0:03:29 | 0:03:30 | |
# Money, money, money, money | 0:03:35 | 0:03:38 | |
# Money | 0:03:38 | 0:03:40 | |
# Money, money, money, money | 0:03:40 | 0:03:43 | |
# Money | 0:03:43 | 0:03:45 | |
# Some people got to have it. | 0:03:45 | 0:03:48 | |
# Yeah...some people really need it | 0:03:48 | 0:03:53 | |
# Listen to me, y'all Do things | 0:03:53 | 0:03:55 | |
# Do things, do things, bad things with it | 0:03:55 | 0:03:59 | |
# Dollar bills, y'all Come on | 0:04:01 | 0:04:03 | |
# For that lean, mean, Mean green | 0:04:03 | 0:04:09 | |
# Almighty dollar, money | 0:04:10 | 0:04:13 | |
# For the love of money | 0:04:13 | 0:04:17 | |
# Give me a nickel Brother, can you spare a dime? | 0:04:17 | 0:04:21 | |
# Money can drive some people Out of their minds | 0:04:21 | 0:04:28 | |
# No good, no good | 0:04:28 | 0:04:30 | |
# Money | 0:04:30 | 0:04:31 | |
# Money, money, money, money | 0:04:31 | 0:04:35 | |
# Money. # | 0:04:35 | 0:04:36 | |
SHE LAUGHS | 0:04:44 | 0:04:47 | |
Hi. | 0:04:47 | 0:04:48 | |
Hi, Abbey. | 0:04:48 | 0:04:49 | |
I'm here today because I won my task at being project manager | 0:04:49 | 0:04:52 | |
and I'm here giving 50,000 that I won for my charity to Abbey. | 0:04:52 | 0:04:56 | |
She's living with muscular dystrophy | 0:04:56 | 0:04:57 | |
and the Muscular Dystrophy Association is my charity. | 0:04:57 | 0:05:00 | |
Tell me about yourself. | 0:05:00 | 0:05:01 | |
I travel around the country working with MDA spreading awareness, | 0:05:01 | 0:05:07 | |
raising money so we can find a cure. | 0:05:07 | 0:05:09 | |
Muscular dystrophy, there's over 43 different kinds of it. | 0:05:09 | 0:05:13 | |
For me it's in my legs and it affects my balance, but other people | 0:05:13 | 0:05:17 | |
they could have a hard time talking, or using their hands. | 0:05:17 | 0:05:22 | |
Close to birth, when I was born, I lost, like, 80% of my hearing. | 0:05:22 | 0:05:26 | |
And I have difficulty speaking, | 0:05:26 | 0:05:29 | |
and those were like a challenge for me, but as a kid | 0:05:29 | 0:05:32 | |
when I was growing up, you never want | 0:05:32 | 0:05:34 | |
to feel sorry for yourself ever. | 0:05:34 | 0:05:35 | |
And you never want to feel that you're handicapped. | 0:05:35 | 0:05:38 | |
There's no word, handicapped. | 0:05:38 | 0:05:39 | |
Every one of us is handicapped one ways - physically, | 0:05:39 | 0:05:42 | |
emotionally and mentally. | 0:05:42 | 0:05:44 | |
Everybody has something. | 0:05:44 | 0:05:45 | |
Whether you see it or whether you don't. | 0:05:45 | 0:05:47 | |
Exactly, you've got the best attitude. | 0:05:47 | 0:05:49 | |
Especially, especially... I'm sorry to be emotional, | 0:05:49 | 0:05:53 | |
but I'm just extremely proud to be here with you. | 0:05:53 | 0:05:56 | |
I felt like I... I went back in time | 0:05:58 | 0:06:00 | |
when I was a little child, that little boy inside of me | 0:06:00 | 0:06:02 | |
because she reminds me of what I had when I was young. | 0:06:02 | 0:06:05 | |
The proudness and the heart that she had. | 0:06:05 | 0:06:08 | |
And I have something to give you. | 0:06:08 | 0:06:09 | |
I have here a cheque... | 0:06:09 | 0:06:13 | |
Celebrity Apprentice... | 0:06:13 | 0:06:17 | |
for 50,000. | 0:06:17 | 0:06:18 | |
-Wow. -Wow. | 0:06:18 | 0:06:20 | |
To help you if you can find a cure, cos someday you will have a cure. | 0:06:20 | 0:06:24 | |
Thank you so much. | 0:06:24 | 0:06:25 | |
-You're welcome. -Wow. | 0:06:25 | 0:06:27 | |
I'm hoping for more wheelchairs, better equipment, technology | 0:06:29 | 0:06:32 | |
to find a cure. Someday we will have a cure for muscular dystrophy and I | 0:06:32 | 0:06:36 | |
think we're on the right track. And I'm really, really, | 0:06:36 | 0:06:39 | |
in my heart I'm proud of you because... | 0:06:39 | 0:06:41 | |
you know, adversity builds character, | 0:06:41 | 0:06:44 | |
and you're a perfect example. | 0:06:44 | 0:06:46 | |
-I know whenever I fall I just get right back up. -Exactly. | 0:06:46 | 0:06:50 | |
-Good morning. -ALL: -Good morning. -Is this the greatest city in the world? | 0:07:11 | 0:07:14 | |
Look at this view, look at the Hudson River, | 0:07:14 | 0:07:17 | |
-is there anything like it? -No. -No. | 0:07:17 | 0:07:20 | |
Nothing like it, not to me, | 0:07:20 | 0:07:21 | |
I'm a little bit prejudiced, but not to me. | 0:07:21 | 0:07:24 | |
OK... | 0:07:24 | 0:07:25 | |
Crystal Light is a fantastic brand that's done | 0:07:25 | 0:07:29 | |
really well for over 30 years. | 0:07:29 | 0:07:31 | |
What they've done is come up with a new line, it's called | 0:07:31 | 0:07:35 | |
the mocktail line of flavours. | 0:07:35 | 0:07:37 | |
It's really great. | 0:07:37 | 0:07:39 | |
Joining me today from Crystal Light are Doug and Melanie. | 0:07:39 | 0:07:44 | |
Melanie, what is the task? | 0:07:44 | 0:07:46 | |
Crystal Light is known for great tasting low-calorie beverages | 0:07:46 | 0:07:50 | |
and we've recently launched Crystal Light Mocktails. | 0:07:50 | 0:07:53 | |
These beverages are delicious low-calorie non-alcoholic | 0:07:53 | 0:07:58 | |
versions of famous cocktails. | 0:07:58 | 0:07:59 | |
Like Appletini, Margarita and Mojito. | 0:07:59 | 0:08:03 | |
Your task is to help us launch our two newest flavours by creating | 0:08:03 | 0:08:08 | |
and throwing a fabulous Crystal Light Mocktail launch party. | 0:08:08 | 0:08:13 | |
We'll be judging your launch party | 0:08:13 | 0:08:15 | |
and determining the winner based on three things... | 0:08:15 | 0:08:18 | |
creativity, brand messaging and the overall party atmosphere | 0:08:18 | 0:08:22 | |
you're able to create at your launch party. | 0:08:22 | 0:08:25 | |
My advisors will be Don and Ivanka. | 0:08:25 | 0:08:28 | |
Now, let me get a project manager first. Pick your project manager. | 0:08:28 | 0:08:32 | |
We'll help you, man. | 0:08:36 | 0:08:38 | |
Whatever speaks to you. | 0:08:40 | 0:08:41 | |
OK, ladies, who's your project manager? | 0:08:41 | 0:08:45 | |
I am the project manager and I would like to say I am a huge fan | 0:08:45 | 0:08:48 | |
of Crystal Light and I've lost a lot of weight drinking it, so thank you. | 0:08:48 | 0:08:51 | |
-Great. -Wow, sounds like you're going to win very easily. | 0:08:51 | 0:08:54 | |
THEY LAUGH | 0:08:54 | 0:08:55 | |
I definitely have done a lot of parties being a sorority sister | 0:08:55 | 0:08:58 | |
and a member of Danity Kane and I also have a very strong visual eye. | 0:08:58 | 0:09:04 | |
I immediately felt like I would be a great leader for this task. | 0:09:04 | 0:09:08 | |
-Gentlemen, who is your project manager? -I am. -OK, very good. Clay. | 0:09:08 | 0:09:12 | |
It seemed that it was my turn at bat, | 0:09:12 | 0:09:14 | |
but Aubrey has an advantage because Aubrey is a clubber. | 0:09:14 | 0:09:18 | |
Just look at that hair. | 0:09:18 | 0:09:19 | |
Aubrey popped right out of her momma's chotch... | 0:09:19 | 0:09:21 | |
HE LAUGHS | 0:09:21 | 0:09:23 | |
..and started grabbing onto the stripper pole! | 0:09:23 | 0:09:25 | |
How's that, can you use that? | 0:09:25 | 0:09:27 | |
Now, you're going to be choosing a flavour from mocktail. | 0:09:27 | 0:09:31 | |
Doug, what are the flavours? | 0:09:31 | 0:09:33 | |
There are two flavours, Mr Trump, Peach Bellini and Pomtini. | 0:09:33 | 0:09:38 | |
-Your choice. -Which flavour? Go ahead. | 0:09:38 | 0:09:41 | |
-We would like the Pomtini. -Clay? | 0:09:41 | 0:09:43 | |
We are happy, I'm a southern boy so we're going to do the Peach Bellini. | 0:09:43 | 0:09:46 | |
OK. | 0:09:46 | 0:09:47 | |
The project manager of the winning team will | 0:09:47 | 0:09:49 | |
receive 20,000 for his or her charity. | 0:09:49 | 0:09:54 | |
Mr Trump, Crystal Light would like to contribute an additional 30,000. | 0:09:54 | 0:09:57 | |
-GIRLS: -Wow. | 0:09:57 | 0:09:58 | |
That's great. So 50,000 to the project manager of the winning team. | 0:09:58 | 0:10:03 | |
Losers, somebody will meet me in the boardroom and, guess what - | 0:10:03 | 0:10:08 | |
what happens? | 0:10:08 | 0:10:09 | |
-Get fired. -Go home. -You're going to get fired! | 0:10:09 | 0:10:11 | |
-Good luck, thank you. -ALL: Thank you. | 0:10:11 | 0:10:13 | |
I think probably more than anything, first off, | 0:10:22 | 0:10:24 | |
we need to come up with some sort of theme to go with the party. | 0:10:24 | 0:10:27 | |
-I'm not really a party thrower. -All right, who has thrown a good party? | 0:10:27 | 0:10:30 | |
Arsenio? | 0:10:30 | 0:10:31 | |
You've had some good parties at your house? | 0:10:32 | 0:10:35 | |
-Yeah, yeah! -Yeah? | 0:10:35 | 0:10:37 | |
-I'm a recluse, no-one's even been to my house! -I was going to say! | 0:10:37 | 0:10:40 | |
'Our team, if you look at us on the surface, | 0:10:40 | 0:10:43 | |
'you might think that we are folks who go to a lot of parties.' | 0:10:43 | 0:10:46 | |
You've got Dee Snider, who's a rocker, and Paul, look at him. | 0:10:46 | 0:10:48 | |
But we're not people who go to parties, | 0:10:48 | 0:10:50 | |
and so the idea of coming up with the theme for a party was daunting. | 0:10:50 | 0:10:54 | |
A party. Let's not block because I'm not a party person. | 0:10:54 | 0:10:57 | |
You want to mix some with this so we can try it? | 0:11:07 | 0:11:10 | |
'Our task this week' | 0:11:10 | 0:11:12 | |
is to stage a "mocktail" party for Crystal Light. | 0:11:12 | 0:11:14 | |
We can do ice cubes made out of the pomegranate drink. | 0:11:14 | 0:11:17 | |
'Our team picked the pomegranate flavour, the Pomtini.' | 0:11:17 | 0:11:21 | |
What if we did something like the forbidden fruit? | 0:11:21 | 0:11:24 | |
That's nice, Garden of Eden type theme? Right. | 0:11:24 | 0:11:26 | |
So it's not the apple any more, it's the pomegranate. | 0:11:26 | 0:11:28 | |
Technically the Bible never states | 0:11:28 | 0:11:31 | |
what the forbidden fruit is, | 0:11:31 | 0:11:32 | |
but everyone's always assumed that it was an apple. | 0:11:32 | 0:11:35 | |
But in a lot of cultures, | 0:11:35 | 0:11:36 | |
the pomegranate is seen as the forbidden fruit. | 0:11:36 | 0:11:39 | |
How about the un-forbidden fruit? | 0:11:39 | 0:11:41 | |
Oh, that's good. | 0:11:41 | 0:11:42 | |
"This is allowed now," like, we're letting you have it. | 0:11:42 | 0:11:45 | |
'But now that Crystal Light allows it to be five calories...' | 0:11:45 | 0:11:49 | |
Oh, I like it! | 0:11:49 | 0:11:50 | |
'..it's not forbidden any more,' | 0:11:50 | 0:11:52 | |
so we're granting permission to indulge. | 0:11:52 | 0:11:54 | |
We have to have our phrase somewhere. | 0:11:54 | 0:11:57 | |
Stir your earthly desires. | 0:11:57 | 0:11:59 | |
Stir your healthy desire. | 0:11:59 | 0:12:01 | |
-Does everybody like that idea? -Yeah. -Yes? | 0:12:01 | 0:12:05 | |
-Hi! -Hi, ladies. | 0:12:05 | 0:12:07 | |
-Hey, how are you? -Hi, guys! | 0:12:07 | 0:12:09 | |
Lisa, how are you? | 0:12:09 | 0:12:10 | |
After we'd been brainstorming for a little bit, | 0:12:10 | 0:12:13 | |
the Crystal Light execs come in | 0:12:13 | 0:12:14 | |
to tell us what their brand is all about. | 0:12:14 | 0:12:16 | |
Literally, our brand personality is sassy. We're vibrant. | 0:12:16 | 0:12:21 | |
It's been a while since we've had anything out there | 0:12:21 | 0:12:24 | |
that is this fun and this unique and this is exotic. | 0:12:24 | 0:12:26 | |
Got it. | 0:12:26 | 0:12:28 | |
The executives used the keywords "sassy," "vibrant," and "fun." | 0:12:28 | 0:12:32 | |
Those three words make me... | 0:12:32 | 0:12:34 | |
a bit nervous about our original concept. | 0:12:34 | 0:12:37 | |
Knowing the positioning of the brand, being sassy and vibrant, | 0:12:37 | 0:12:41 | |
I would say, bring whatever you want into play to help illuminate that. | 0:12:41 | 0:12:45 | |
There are more obvious choices that feel a bit more sassy. | 0:12:45 | 0:12:50 | |
But I will say this - if you can't take on a challenge | 0:12:50 | 0:12:53 | |
and make it what you want it to be, | 0:12:53 | 0:12:55 | |
then how good are you creatively, really? | 0:12:55 | 0:12:58 | |
There is something distinct about Crystal Light, | 0:13:01 | 0:13:03 | |
the mocktails line, it is literally a party in a pack. | 0:13:03 | 0:13:06 | |
The way we have the colours, the confetti around it, | 0:13:06 | 0:13:09 | |
as well as the glass that we've selected, | 0:13:09 | 0:13:11 | |
this is about guilt-free fun and a party in a pack. | 0:13:11 | 0:13:14 | |
'The sense that we got from the executives' | 0:13:14 | 0:13:16 | |
was that this party really needed to introduce the flavour, | 0:13:16 | 0:13:19 | |
and really kind of embody the spirit of Crystal Light the brand. | 0:13:19 | 0:13:22 | |
If you talk about the objective of a great party, | 0:13:22 | 0:13:25 | |
there's some that are good, they're fun, you went to it, fine, | 0:13:25 | 0:13:28 | |
and some you actually want to talk about... | 0:13:28 | 0:13:30 | |
"I can't believe I went to this cool thing." | 0:13:30 | 0:13:32 | |
It's Crystal Light, and their brand is fun. | 0:13:32 | 0:13:34 | |
We need to probably think about fun things | 0:13:34 | 0:13:37 | |
and less about having a stuffy cocktail party. | 0:13:37 | 0:13:40 | |
Good luck, guys, thank you. Nice meeting you. | 0:13:40 | 0:13:42 | |
-Thank you very much, appreciated. -Thank you. | 0:13:42 | 0:13:44 | |
'Once Doug and Melanie left,' | 0:13:44 | 0:13:45 | |
we really started homing in on our concept. | 0:13:45 | 0:13:47 | |
I mean, we heard the message loud and clear. | 0:13:47 | 0:13:50 | |
They wanted a fun party. | 0:13:50 | 0:13:52 | |
Have you heard the phrase "life's a beach"? | 0:13:52 | 0:13:54 | |
What if we did something like "life's a peach", | 0:13:54 | 0:13:56 | |
and then made it like a beachy atmosphere. | 0:13:56 | 0:13:58 | |
Are you talking about coming into a party tomorrow morning | 0:13:58 | 0:14:02 | |
where this whole room looks beach-ish? | 0:14:02 | 0:14:05 | |
Are you going to go sand and surfboards, and...? | 0:14:05 | 0:14:08 | |
If we like the beach idea, I would think what we do | 0:14:08 | 0:14:11 | |
sand on the floor, the bar would be less a bar and more like a tiki bar. | 0:14:11 | 0:14:15 | |
Do you like the beach idea? | 0:14:15 | 0:14:16 | |
I'm with it. | 0:14:16 | 0:14:18 | |
'Last week, Clay called me condescending.' | 0:14:20 | 0:14:23 | |
So now, anything I volunteer, I think, | 0:14:23 | 0:14:25 | |
makes them feel like I think I'm superior, | 0:14:25 | 0:14:27 | |
and when I'm in a crisis situation, | 0:14:27 | 0:14:31 | |
I bow out. | 0:14:31 | 0:14:32 | |
Life's a peach. That's pretty good. | 0:14:32 | 0:14:35 | |
I think it's better than trying to do a party like a club. | 0:14:35 | 0:14:39 | |
You could have snow out there, | 0:14:39 | 0:14:40 | |
but if you got this, there's a beach party inside. | 0:14:40 | 0:14:43 | |
There's a beach party inside. | 0:14:43 | 0:14:44 | |
To feel like you're in a garden is the thing we need most, | 0:14:51 | 0:14:54 | |
without getting tacky. | 0:14:54 | 0:14:55 | |
We could say we could do popsicles, too. | 0:14:55 | 0:14:57 | |
I like the popsicles. | 0:14:57 | 0:14:59 | |
Do we have those things where you can make popsicles? | 0:14:59 | 0:15:01 | |
We'll freeze 'em tonight. | 0:15:01 | 0:15:02 | |
-We'll get a big freezer on hand. -'I love throwing parties.' | 0:15:02 | 0:15:05 | |
I have parties all the time, everyone knows that about me. | 0:15:05 | 0:15:08 | |
And I just love to entertain. | 0:15:08 | 0:15:10 | |
Now, I have a question, and this is a big thing | 0:15:10 | 0:15:12 | |
Teresa's going to handle. | 0:15:12 | 0:15:13 | |
What do we do as far as furniture? | 0:15:13 | 0:15:16 | |
'I have been told from my friends' | 0:15:16 | 0:15:18 | |
that I have exquisite taste, and that I throw the best parties. | 0:15:18 | 0:15:21 | |
Did your girlfriend say whether we've got the car coming? | 0:15:21 | 0:15:24 | |
I'm going to call right now. | 0:15:24 | 0:15:25 | |
And I was just like, "OK, honey, I'll show you how it's done." | 0:15:25 | 0:15:29 | |
This is... | 0:15:30 | 0:15:31 | |
# You know you want it | 0:15:31 | 0:15:33 | |
# Now you can have it | 0:15:33 | 0:15:35 | |
# Guilt-free pleasure | 0:15:35 | 0:15:37 | |
# Crystal Light. # | 0:15:37 | 0:15:38 | |
'With Debbie,' | 0:15:38 | 0:15:40 | |
I've asked her to write and produce an original Crystal Light song, | 0:15:40 | 0:15:44 | |
because now I don't have to hear any of her hits any more. | 0:15:44 | 0:15:47 | |
We are judged on brand messaging. | 0:15:47 | 0:15:49 | |
-OK. -So we're going to need... -So we will need to create some banners | 0:15:49 | 0:15:53 | |
with whatever slogan we come up with. | 0:15:53 | 0:15:55 | |
Right. OK. | 0:15:55 | 0:15:56 | |
'Aubrey wanted me to take the branding again,' | 0:15:56 | 0:15:58 | |
and I think maybe up until now I've been put in charge | 0:15:58 | 0:16:00 | |
of the branding because I showed at the beginning that I'm very visual. | 0:16:00 | 0:16:03 | |
So "Crystal Light," and then "Pomtini" right here in the flowers. | 0:16:03 | 0:16:07 | |
So it would take up this much space and be about this big. | 0:16:07 | 0:16:11 | |
I'm sending this out. | 0:16:12 | 0:16:14 | |
-Erm... -Wait, I don't think we have all our terms down, so... | 0:16:14 | 0:16:17 | |
I just want to... | 0:16:17 | 0:16:19 | |
Do you want me to have a look at it just for spelling? | 0:16:19 | 0:16:22 | |
I know it sounds stupid, but a second eye should check everything. | 0:16:22 | 0:16:26 | |
Want me to come over there or do you want to come over here? | 0:16:29 | 0:16:32 | |
'I proofread like crazy, | 0:16:35 | 0:16:36 | |
'I used to be an editor at Rolling Stone Magazine, | 0:16:36 | 0:16:39 | |
'so I know how to spell.' | 0:16:39 | 0:16:40 | |
I don't know if it's a defensive thing with her, but, like... | 0:16:40 | 0:16:43 | |
-HISPANIC ACCENT: -"No-one is going to correct | 0:16:43 | 0:16:45 | |
"the great Patricia's graphic abilities." | 0:16:45 | 0:16:49 | |
But it's like, "Come on, bitch, we all have to just proof each other." | 0:16:49 | 0:16:53 | |
Come here for one second. Just so we get everything clear. | 0:16:53 | 0:16:57 | |
So I don't know if she's sending him stuff to print and not telling you, | 0:17:00 | 0:17:04 | |
but we should go over now, | 0:17:04 | 0:17:05 | |
-all the words that we intend to print. -Got it. | 0:17:05 | 0:17:08 | |
Aubrey and Lisa have been micromanaging everybody | 0:17:08 | 0:17:11 | |
through this whole experience. | 0:17:11 | 0:17:13 | |
Probably between the two of them, the most damaging environment | 0:17:13 | 0:17:16 | |
I've ever seen in human behaviour in my entire life. | 0:17:16 | 0:17:20 | |
We're going to drape all the walls in white curtain, | 0:17:26 | 0:17:29 | |
-uplight them with peach. -Uh-huh. | 0:17:29 | 0:17:32 | |
Erm, we have these... | 0:17:32 | 0:17:35 | |
-cabanas going in each of these two corners, this one... -OK. | 0:17:35 | 0:17:38 | |
..and the one over there. | 0:17:38 | 0:17:39 | |
Our task this week is to create a Crystal Light mocktail party, | 0:17:39 | 0:17:45 | |
and roll out their new flavour, Peach Bellini. | 0:17:45 | 0:17:48 | |
'And we locked in on the concept of | 0:17:48 | 0:17:50 | |
'turning the storefront into a beach. | 0:17:50 | 0:17:52 | |
'In the winter, in New York.' | 0:17:52 | 0:17:55 | |
We're working on surfboards. Beach balls are handled. | 0:17:55 | 0:17:57 | |
-Beach balls are handled? -Well... are you going to order them? | 0:17:57 | 0:18:00 | |
I have to... You have to pull the trigger on that. | 0:18:00 | 0:18:02 | |
Oh, yeah, go for it. Four of them. | 0:18:02 | 0:18:04 | |
-How many? -Four's enough. -Four. | 0:18:04 | 0:18:05 | |
I see an extra effort coming from Penn | 0:18:05 | 0:18:08 | |
to work with Clay. | 0:18:08 | 0:18:10 | |
I see him going above and beyond to be a team-mate. | 0:18:10 | 0:18:14 | |
It's almost like domestic chemistry, sometimes | 0:18:14 | 0:18:16 | |
when there's a fight in your home, that next day is so beautiful, | 0:18:16 | 0:18:19 | |
cos everybody's trying harder. | 0:18:19 | 0:18:20 | |
-I need you to shop with me. -I'll shop with you. | 0:18:20 | 0:18:23 | |
I plan to find a place that has Hawaiian shirts, | 0:18:23 | 0:18:26 | |
which is not easy to find this time of year, | 0:18:26 | 0:18:28 | |
-and I think I've got 20 surfboards flying in. -Great. | 0:18:28 | 0:18:31 | |
'While most of the team stayed back at the storefront | 0:18:31 | 0:18:34 | |
'to figure out the set, | 0:18:34 | 0:18:35 | |
'Arsenio and Penn went out around town to go pick up some props. | 0:18:35 | 0:18:40 | |
'The truth is, it's very nice without Penn around, | 0:18:40 | 0:18:43 | |
'because Penn and I have had some issues.' | 0:18:43 | 0:18:46 | |
Aah! | 0:18:46 | 0:18:47 | |
Keep him out a long time, Arsenio! | 0:18:47 | 0:18:50 | |
HE LAUGHS | 0:18:50 | 0:18:51 | |
We could potentially split this into two... | 0:18:51 | 0:18:54 | |
Areas? | 0:18:54 | 0:18:55 | |
Do a tiki bar here, and a beach scene with some people | 0:18:55 | 0:18:58 | |
laying out on chairs. | 0:18:58 | 0:18:59 | |
Paul was going to take care of the fabricating, Lou was eager | 0:18:59 | 0:19:02 | |
to do whatever was necessary, so I said, "Lou, you help Paul." | 0:19:02 | 0:19:05 | |
Do you have any idea of what you want to do for signage? | 0:19:05 | 0:19:08 | |
Yeah, but I need to know what walls we've got covered | 0:19:08 | 0:19:10 | |
and what walls we don't have covered. | 0:19:10 | 0:19:11 | |
Every wall is covered with cloth. | 0:19:11 | 0:19:13 | |
Signage was very important this time. | 0:19:13 | 0:19:15 | |
Dee wanted to do that, so I put Dee with the graphic designer | 0:19:15 | 0:19:18 | |
to figure out what signage we wanted to have | 0:19:18 | 0:19:20 | |
and where we wanted to put it. | 0:19:20 | 0:19:21 | |
These would be glass, the glass flute on one side, you know, | 0:19:21 | 0:19:24 | |
-the glass on one side? -Yeah. | 0:19:24 | 0:19:26 | |
The other side would be the container, the crystal container. | 0:19:26 | 0:19:29 | |
So from most angles you're going to see both things at once. | 0:19:29 | 0:19:32 | |
'I volunteered to do the graphics because I've been | 0:19:32 | 0:19:34 | |
'working on the graphics bit before, and I felt that' | 0:19:34 | 0:19:37 | |
I could do a solid job. | 0:19:37 | 0:19:39 | |
So we're having a party tomorrow, | 0:19:39 | 0:19:41 | |
we've got a whole beach theme going on. | 0:19:41 | 0:19:43 | |
Our team not only had to put together this party, | 0:19:43 | 0:19:45 | |
but we were also responsible for driving the attendance. | 0:19:45 | 0:19:48 | |
'So a lot of us hopped on our phones | 0:19:48 | 0:19:49 | |
'to call friends we knew in New York.' | 0:19:49 | 0:19:51 | |
The atmosphere is supposed to be like a beach, know what I'm saying? | 0:19:51 | 0:19:53 | |
'We've told them to dress as if they were going to the beach,' | 0:19:53 | 0:19:56 | |
to really keep the beach theme going. | 0:19:56 | 0:19:58 | |
Hey, if we've got a chance of some girls in bikinis sitting | 0:19:58 | 0:20:01 | |
on those chairs, it would really make our party, you know, rock. | 0:20:01 | 0:20:04 | |
'We are over-inviting like crazy,' | 0:20:04 | 0:20:08 | |
because we needed some bodies to make this atmosphere festive. | 0:20:08 | 0:20:12 | |
-Hi, guys. -Hi. -Hello. -How's it going? | 0:20:12 | 0:20:14 | |
OK, so here we go. | 0:20:14 | 0:20:16 | |
We're trying to get girls for our party | 0:20:16 | 0:20:18 | |
and, as you're walking by, I said, | 0:20:18 | 0:20:19 | |
"Ooh, we should ask that girl to be in our party". | 0:20:19 | 0:20:22 | |
-SHE LAUGHS -And... -Flattery! | 0:20:22 | 0:20:24 | |
-It's true. It's true. -I love it. | 0:20:24 | 0:20:26 | |
So how's it going? | 0:20:26 | 0:20:27 | |
It's going well. I think we've got a unique theme. | 0:20:27 | 0:20:29 | |
Very nice. What's the theme? | 0:20:29 | 0:20:30 | |
We're doing "life's a peach", or "life's a beach". | 0:20:30 | 0:20:33 | |
The executives told us that this drink is | 0:20:33 | 0:20:35 | |
for people who want to have fun, | 0:20:35 | 0:20:37 | |
and what's more fun than the beach? | 0:20:37 | 0:20:39 | |
How do you feel about being project manager with this task? | 0:20:39 | 0:20:42 | |
-You know, I'm not a partyer. -Mm-hm. | 0:20:42 | 0:20:44 | |
I don't do parties. There are two people on this team who drink. | 0:20:44 | 0:20:47 | |
Oh, come on! You're not a partyer dude? | 0:20:47 | 0:20:49 | |
-I never did drugs, in fact, my entire life. -Interesting. | 0:20:49 | 0:20:52 | |
I would have never looked at the men's team | 0:20:52 | 0:20:54 | |
and said you were a bunch of stiffs. | 0:20:54 | 0:20:55 | |
-What's going on? -LAUGHTER | 0:20:55 | 0:20:57 | |
I'm totally shocked! | 0:20:57 | 0:20:59 | |
The men were very quick to tell me that none of them party. | 0:20:59 | 0:21:01 | |
'And I think they perceived that as putting them at a disadvantage | 0:21:01 | 0:21:04 | |
'but, truthfully, all of those guys are great entertainers.' | 0:21:04 | 0:21:07 | |
They know what it takes to entertain a room. | 0:21:07 | 0:21:09 | |
So enough with all the boring stuff. | 0:21:09 | 0:21:11 | |
Penn's not here. You and him got in in the boardroom. | 0:21:11 | 0:21:14 | |
My father is insisting that I ask you | 0:21:14 | 0:21:16 | |
if he's playing a back-seat in this task. | 0:21:16 | 0:21:19 | |
Penn has gotten involved quite a bit. | 0:21:19 | 0:21:21 | |
Can I interject here? I'm sorry. | 0:21:21 | 0:21:22 | |
Penn is awesome in small doses, | 0:21:22 | 0:21:25 | |
but, man, 20 hours a day of being corrected by Penn | 0:21:25 | 0:21:28 | |
was wearing out everybody. | 0:21:28 | 0:21:30 | |
But he is a smart guy. | 0:21:30 | 0:21:31 | |
-And he does bring value to the team. -I think he's toned it down. | 0:21:31 | 0:21:34 | |
When he is able to work and not be in charge. | 0:21:34 | 0:21:36 | |
Well, I'm looking forward to seeing it tomorrow. | 0:21:36 | 0:21:38 | |
-We are, too. -Good luck. | 0:21:38 | 0:21:40 | |
And just be like, | 0:21:44 | 0:21:45 | |
"Oh, you know my desire? I get Crystal Light." | 0:21:45 | 0:21:47 | |
-Take a seat. -What's happening? -Hey, big shot! | 0:21:47 | 0:21:50 | |
'Don Jr makes me nervous, because his opinion means a lot.' | 0:21:50 | 0:21:54 | |
He's done this for a very long time. | 0:21:54 | 0:21:55 | |
And, also, I have a very big crush on him. | 0:21:55 | 0:21:58 | |
So I don't want to disappoint him. | 0:21:58 | 0:22:00 | |
-So? -So you want to hear what we're doing? -Yeah. -It's exciting. | 0:22:00 | 0:22:02 | |
We're going with the idea of Adam and Eve, the apple | 0:22:02 | 0:22:06 | |
and the new forbidden fruit being the pomegranate, | 0:22:06 | 0:22:08 | |
except now it's not forbidden, it's something that you can have, | 0:22:08 | 0:22:11 | |
you can, like, play with your healthy desire. | 0:22:11 | 0:22:14 | |
And we call it the Garden of Crystal Delights. | 0:22:14 | 0:22:16 | |
Because you have to stir the drink, and it's an element of it etc, | 0:22:16 | 0:22:20 | |
we want to say "stir your healthy desire". | 0:22:20 | 0:22:22 | |
-OK. -So what we're going to do, | 0:22:22 | 0:22:24 | |
to make it a more forward and modern-thinking idea, | 0:22:24 | 0:22:27 | |
is we're taking photos of gardens, | 0:22:27 | 0:22:30 | |
instead of something that anyone can do, | 0:22:30 | 0:22:32 | |
which is put a lot of forestry and trees around. | 0:22:32 | 0:22:35 | |
Do you still have the kind of atmosphere of fun? | 0:22:35 | 0:22:37 | |
I think the fun element is something that we have to just... | 0:22:39 | 0:22:42 | |
creatively continue to push. | 0:22:42 | 0:22:45 | |
'It seems like they're missing one of the fundamental components | 0:22:45 | 0:22:47 | |
'of the criteria they were given,' | 0:22:47 | 0:22:49 | |
which is the fun component. You know, it's a party. | 0:22:49 | 0:22:51 | |
You can make it look as nice as the Garden of Eden as you want, | 0:22:51 | 0:22:54 | |
but if people, ultimately, don't have a good time, | 0:22:54 | 0:22:56 | |
they don't have a lot of fun, it's going to be hard to win. | 0:22:56 | 0:22:58 | |
Teresa, what do you think so far? What's going on? | 0:22:58 | 0:23:01 | |
Erm...everything sounds great. I'm just trying to think... | 0:23:01 | 0:23:03 | |
I don't know if I'm crazy about "stir your healthy desire". | 0:23:03 | 0:23:07 | |
What we're selling is Crystal Light Pomtini. | 0:23:09 | 0:23:11 | |
Not "stir your inner desire". | 0:23:11 | 0:23:13 | |
It's kind of confusing and especially coming off of a loss. | 0:23:13 | 0:23:18 | |
'We usually go with Aubrey and Lisa's idea right away. | 0:23:18 | 0:23:22 | |
'But we did lose a lot of tasks by going with their ideas.' | 0:23:22 | 0:23:26 | |
-I want to just make sure it's good. -Right. | 0:23:26 | 0:23:28 | |
-Just because of what happened in the last task. -Right. -You know, like... | 0:23:28 | 0:23:31 | |
No, I totally... If you can think of something better, | 0:23:31 | 0:23:33 | |
-I want you to. -So I just, yeah... | 0:23:33 | 0:23:35 | |
You know, that's the hardest part, I think, out of this whole thing. | 0:23:36 | 0:23:39 | |
-That we have to make sure that's right. -Right. | 0:23:39 | 0:23:41 | |
'Teresa comes up with nothing better.' | 0:23:41 | 0:23:44 | |
She's just doing this so, if we're in the boardroom and he says | 0:23:44 | 0:23:47 | |
they don't like the concept, she could say, | 0:23:47 | 0:23:49 | |
-MIMICS TERESA: -"Well, I said..." | 0:23:49 | 0:23:50 | |
SHE MURMURS | 0:23:50 | 0:23:51 | |
I don't know if she's 100% onboard, | 0:23:51 | 0:23:53 | |
but at that point it doesn't matter. | 0:23:53 | 0:23:54 | |
Cos if you can't think of something else, | 0:23:54 | 0:23:56 | |
then you've got to shut up about it. | 0:23:56 | 0:23:58 | |
Did they have squirrels back in the day of Adam and Eve? | 0:24:04 | 0:24:07 | |
Ooh, nice! | 0:24:07 | 0:24:08 | |
So we decided to do a modern Garden of Eden theme. | 0:24:08 | 0:24:12 | |
So Deb and I are at Madison Square Park to take photos | 0:24:12 | 0:24:15 | |
of the plants to hang on our walls. | 0:24:15 | 0:24:17 | |
'I felt like it was a great opportunity to get involved, | 0:24:18 | 0:24:21 | |
'somehow, in the creative.' | 0:24:21 | 0:24:22 | |
Nice, that's great! | 0:24:22 | 0:24:24 | |
'I'm very happy to do it. | 0:24:24 | 0:24:25 | |
'I know I can do it and I'm going to do it very well.' | 0:24:25 | 0:24:28 | |
Oh, that's a cool one! | 0:24:30 | 0:24:32 | |
CAMERA CLICKS | 0:24:32 | 0:24:33 | |
Love 'em. Thank you. | 0:24:36 | 0:24:38 | |
You guys did a really good job. | 0:24:38 | 0:24:39 | |
'I wasn't sure what kind of photos' | 0:24:39 | 0:24:41 | |
I would be getting back and I was super nervous about that. | 0:24:41 | 0:24:44 | |
But I'm really impressed. The photos that they took are beautiful. | 0:24:44 | 0:24:48 | |
-I'm going to be the quickest singer in the West. -OK. | 0:24:48 | 0:24:50 | |
'I sent Debbie and Diana to head over to the studio,' | 0:24:50 | 0:24:53 | |
so Debbie Gibson can record | 0:24:53 | 0:24:55 | |
an original Crystal Light Pomtini remix, | 0:24:55 | 0:24:57 | |
so that we can pass them out at the actual event. | 0:24:57 | 0:25:00 | |
We know she's out for her comeback tour. | 0:25:00 | 0:25:02 | |
Every single challenge, | 0:25:02 | 0:25:04 | |
she's found a way to get one of her songs in there. | 0:25:04 | 0:25:07 | |
Hi. I need a freezer for tomorrow. | 0:25:07 | 0:25:09 | |
Are we just kind of lining these up? | 0:25:09 | 0:25:11 | |
Yes. | 0:25:11 | 0:25:12 | |
Did you get everything sent in to the printers? | 0:25:13 | 0:25:16 | |
'It's a little difficult dealing with Patricia | 0:25:17 | 0:25:19 | |
'when you're in the task manager position,' | 0:25:19 | 0:25:21 | |
because she takes control and she doesn't really approve her ideas | 0:25:21 | 0:25:25 | |
through the task manager. | 0:25:25 | 0:25:26 | |
Do we have the graphics for those TVs? | 0:25:26 | 0:25:28 | |
-Yeah, I'm making those graphics right now. -OK. OK. | 0:25:28 | 0:25:31 | |
'If Aubrey puts me in charge of brand messaging, | 0:25:31 | 0:25:33 | |
'she should trust me as a leader.' | 0:25:33 | 0:25:35 | |
This clique that Aubrey and Lisa have has been | 0:25:35 | 0:25:38 | |
so damaging for the group. | 0:25:38 | 0:25:39 | |
And that's the reason why we've been losing and losing every time. | 0:25:39 | 0:25:42 | |
For the gardens, I got 20 posters. | 0:25:42 | 0:25:44 | |
-There was no more. -No, I know, but you got the poster that says | 0:25:44 | 0:25:47 | |
-"Pomtini" and a poster says "Crystal Light" to mix in? -Yeah. -Right. | 0:25:47 | 0:25:50 | |
Some of us don't get into that level of criticising | 0:25:50 | 0:25:53 | |
and backstabbing and saying bad things about people | 0:25:53 | 0:25:55 | |
and we just go and do the work. | 0:25:55 | 0:25:57 | |
'I hope people can see what's really going on in there, | 0:25:57 | 0:26:00 | |
'with Lisa and Aubrey,' | 0:26:00 | 0:26:01 | |
because it's just not fair. | 0:26:01 | 0:26:03 | |
So, but... You'll be able to work it out. | 0:26:03 | 0:26:05 | |
-It's planned. -OK. | 0:26:05 | 0:26:06 | |
Hey! Arsenio's back. | 0:26:12 | 0:26:15 | |
The bar is there. | 0:26:15 | 0:26:16 | |
The rail is here, so people can't come in | 0:26:16 | 0:26:18 | |
and I can walk through here or the bartender can walk through | 0:26:18 | 0:26:21 | |
and we're good to go. | 0:26:21 | 0:26:22 | |
'For the bars,' | 0:26:22 | 0:26:23 | |
I knew in my head what I'd like to see, | 0:26:23 | 0:26:25 | |
but I'm not a builder | 0:26:25 | 0:26:26 | |
and Paul, that's something that he's really good at. | 0:26:26 | 0:26:28 | |
-Do you like it? -It's beautiful. | 0:26:28 | 0:26:31 | |
So the first one is unison. The second one is two-part harmony | 0:26:31 | 0:26:34 | |
and the third one is three parts, right? | 0:26:34 | 0:26:36 | |
-Does that work? -Yeah. | 0:26:36 | 0:26:37 | |
'You need performers at a party, | 0:26:37 | 0:26:39 | |
'so I called up my music director and he came down with his keyboard' | 0:26:39 | 0:26:42 | |
and Arsenio and Dee and myself got a chance to sit down in the back | 0:26:42 | 0:26:46 | |
and kind of practise what songs we might be singing for the party. | 0:26:46 | 0:26:48 | |
A second time. | 0:26:48 | 0:26:49 | |
# Under the boardwalk | 0:26:49 | 0:26:51 | |
PIANO PLAYS | 0:26:51 | 0:26:52 | |
# Down by the sea | 0:26:52 | 0:26:55 | |
# Yeah. # | 0:26:55 | 0:26:57 | |
'I've always loved Clay's voice.' | 0:26:57 | 0:26:59 | |
I mean, this is a guy | 0:26:59 | 0:27:00 | |
who needs no effects, no production, | 0:27:00 | 0:27:02 | |
not even a microphone. | 0:27:02 | 0:27:04 | |
Just this pure gift. | 0:27:04 | 0:27:05 | |
# We'll be falling in love | 0:27:05 | 0:27:07 | |
ALL: # Under the boardwalk | 0:27:07 | 0:27:09 | |
# Boardwalk! # | 0:27:09 | 0:27:10 | |
-Deb! -Ernie! -What's up? -Hey, how are you? | 0:27:14 | 0:27:17 | |
-How you doing? -ALL TALK | 0:27:17 | 0:27:19 | |
-How are you? -Thank you for letting us | 0:27:19 | 0:27:20 | |
-invade your life. -I'm Diana. Nice to meet you. -Diana. | 0:27:20 | 0:27:23 | |
'Ernie Lake is' | 0:27:23 | 0:27:24 | |
an award-winning producer, has produced many a platinum album | 0:27:24 | 0:27:27 | |
and number one hit. And he agreed to help me out with the song today. | 0:27:27 | 0:27:30 | |
I get to use the studio. | 0:27:30 | 0:27:31 | |
RHYTHMIC MUSIC | 0:27:31 | 0:27:33 | |
OK. Here we go. | 0:27:35 | 0:27:36 | |
# You know you want it | 0:27:36 | 0:27:38 | |
# Now you shall have it | 0:27:38 | 0:27:40 | |
# Guilt-free pleasure | 0:27:40 | 0:27:42 | |
# Crystal Light. # | 0:27:42 | 0:27:43 | |
'Deb's in the studio recording and I think she's doing great. | 0:27:45 | 0:27:47 | |
'She sounds amazing.' | 0:27:47 | 0:27:49 | |
I'm sure it's going to be a hit! | 0:27:49 | 0:27:51 | |
# Yeah | 0:27:51 | 0:27:52 | |
# Flavour meets healthy... # | 0:27:52 | 0:27:54 | |
'I'm loving this song.' | 0:27:57 | 0:27:58 | |
I'm loving the song. It's going to stick in my head | 0:27:58 | 0:28:01 | |
for, like, a whole month. | 0:28:01 | 0:28:03 | |
# In the Garden of Crystal Delight... | 0:28:03 | 0:28:06 | |
# Your heart's desire | 0:28:08 | 0:28:11 | |
# In the Garden of Crystal Delight. # | 0:28:11 | 0:28:14 | |
-That's good. -I love it! | 0:28:15 | 0:28:17 | |
Men's team, we got 15 minutes. | 0:28:19 | 0:28:21 | |
We need to move this table and all this crap. | 0:28:21 | 0:28:24 | |
And we've got to get our surfboards inside. | 0:28:24 | 0:28:26 | |
-The ones we are going to use. -I'm not so good with surfboards. | 0:28:26 | 0:28:28 | |
'There's a lot to do.' | 0:28:28 | 0:28:29 | |
But I think it's all under control. | 0:28:29 | 0:28:31 | |
Maybe we're in big trouble. I don't know. | 0:28:31 | 0:28:34 | |
My world today is surfboards, Hawaiian shirts, prop shops | 0:28:34 | 0:28:37 | |
and little umbrellas that go in the drinks. | 0:28:37 | 0:28:40 | |
They do look good and they help, obviously, the motif. | 0:28:40 | 0:28:43 | |
And I also looked at... | 0:28:43 | 0:28:45 | |
-We got five minutes. -OK. | 0:28:45 | 0:28:46 | |
It's the end of the night | 0:28:46 | 0:28:48 | |
-and it is a -BLEEP -show | 0:28:48 | 0:28:49 | |
inside of our storefront. | 0:28:49 | 0:28:51 | |
The lights, I'll tell you where they go in just the second. | 0:28:51 | 0:28:53 | |
-You're doing stools. -Mm-hm. | 0:28:53 | 0:28:55 | |
-And you're doing this flooring. -The...? Yeah. | 0:28:55 | 0:28:58 | |
'There's sandbags everywhere. | 0:28:58 | 0:28:59 | |
'It looks like we're preparing for a flood of some kind. | 0:28:59 | 0:29:02 | |
'We've got tiki bars and curtains' | 0:29:02 | 0:29:05 | |
sort of hanging everywhere | 0:29:05 | 0:29:07 | |
and the pressure is extra on, | 0:29:07 | 0:29:09 | |
because now it's all my responsibility, | 0:29:09 | 0:29:12 | |
so, for the first time since we started this, | 0:29:12 | 0:29:15 | |
I'm a little stressed out. | 0:29:15 | 0:29:17 | |
I'm hoping we can pull this thing off tomorrow. | 0:29:17 | 0:29:19 | |
Teresa, can you call the carpet guys | 0:29:30 | 0:29:31 | |
-and make sure what time they're coming? -Yes. | 0:29:31 | 0:29:34 | |
It's the morning of the party and we get there, | 0:29:34 | 0:29:36 | |
we start putting the whole room together, | 0:29:36 | 0:29:38 | |
hanging up the photos, | 0:29:38 | 0:29:39 | |
cleaning the floor, putting up the furniture. | 0:29:39 | 0:29:42 | |
-I need one highboy back there. -OK. | 0:29:42 | 0:29:44 | |
And I need this to be on top of the highboy, if we can. | 0:29:44 | 0:29:47 | |
-TERESA: -I was in charge of getting the waterfalls | 0:29:47 | 0:29:49 | |
and making sure the carpet guy gets there, my ice pops get there. | 0:29:49 | 0:29:52 | |
-You'll plug that one in? -Yes. -There's another one on that side. | 0:29:52 | 0:29:55 | |
-WHIRRING -Yes. -OK. | 0:29:55 | 0:29:56 | |
'I throw parties all the time.' | 0:29:56 | 0:29:58 | |
This is how it is. You know? It's crazy. | 0:29:58 | 0:30:00 | |
-That one. -We need that, we need that. Does that have | 0:30:03 | 0:30:06 | |
-the Crystal Light logo on it? -This one here. -That's Pomtini. | 0:30:06 | 0:30:09 | |
-That one has the Crystal Light logo. -Oh, yeah. -On the left. | 0:30:09 | 0:30:13 | |
Those were the two logos, over there. | 0:30:13 | 0:30:16 | |
-OK. -OK? | 0:30:16 | 0:30:18 | |
-So there's no Crystal Light? -On the left side of here. -It's, er, small. | 0:30:18 | 0:30:22 | |
-OK. -Here, here, look. -Yeah, I saw. | 0:30:22 | 0:30:25 | |
'When the printing arrived, I started going through | 0:30:25 | 0:30:27 | |
'all the pictures, which looked amazing, and then I get through | 0:30:27 | 0:30:30 | |
'everything and realise that there are no Crystal Light posters. | 0:30:30 | 0:30:33 | |
'Had Patricia checked in with her project manager | 0:30:33 | 0:30:35 | |
'and approved her job, we would've had those there.' | 0:30:35 | 0:30:38 | |
However, there's nothing I can do about it now, | 0:30:38 | 0:30:40 | |
so I just have to make the best use of | 0:30:40 | 0:30:42 | |
putting the product in as many places as possible. | 0:30:42 | 0:30:44 | |
-Where's your carpeting guy? -All right, he's going to be here. | 0:30:44 | 0:30:47 | |
I just talked to him. 15 minutes. | 0:30:47 | 0:30:50 | |
'I'm so stressed about the carpet.' | 0:30:50 | 0:30:52 | |
The floors look disgusting right now and getting the carpet here | 0:30:52 | 0:30:55 | |
'and getting it in place in time for everything else to be | 0:30:55 | 0:30:58 | |
'set up around it is the most important factor. | 0:30:58 | 0:31:02 | |
'There's only so much time left.' | 0:31:02 | 0:31:04 | |
Where are you? | 0:31:04 | 0:31:06 | |
Come on! I mean, what's the deal? | 0:31:06 | 0:31:08 | |
What the...? The party starts at 11! | 0:31:08 | 0:31:11 | |
It's not just your carpet! | 0:31:11 | 0:31:13 | |
The floor is important and then everything else goes around it, | 0:31:13 | 0:31:16 | |
do you get it?! | 0:31:16 | 0:31:18 | |
So, you know, everything revolves around the carpet. | 0:31:18 | 0:31:20 | |
-CLAY: -'Yesterday, I was worried, but finally,' | 0:31:29 | 0:31:31 | |
things are coming together, we've got a lot of stuff going on. | 0:31:31 | 0:31:34 | |
'Lou and Paul are both setting up their bars, setting up the glasses.' | 0:31:34 | 0:31:38 | |
Dee is putting up the signs all over the building. | 0:31:38 | 0:31:41 | |
Um, well, they... We gave 18 inches was... | 0:31:45 | 0:31:49 | |
I suppose it was like 21.5. | 0:31:49 | 0:31:51 | |
-I guess we could've given them the exact amount. -'The signage!' | 0:31:51 | 0:31:54 | |
It didn't turn out exactly how I wanted it to turn out. | 0:31:54 | 0:31:57 | |
'But I really think we hit the branding | 0:31:57 | 0:31:59 | |
'and the messaging as well as we could.' | 0:31:59 | 0:32:02 | |
-Is that as high as you want? I think it should go higher. -Really? -Yeah. | 0:32:02 | 0:32:05 | |
-I mean, that way they're visible when you walk in. -OK, OK. | 0:32:05 | 0:32:08 | |
That way they're signage instead of, you know, baseboards. | 0:32:08 | 0:32:12 | |
I'm opening up the umbrellas. | 0:32:24 | 0:32:26 | |
This type of stuff is very foreign to me. | 0:32:26 | 0:32:29 | |
Honestly, I would rather put a bike together. | 0:32:29 | 0:32:32 | |
This is very tedious, when you've got big hands and fat fingers. | 0:32:32 | 0:32:37 | |
But...you do what you gotta do. | 0:32:37 | 0:32:40 | |
Freakin' umbrellas! | 0:32:40 | 0:32:42 | |
'I'm just sort of hoping that having a unique concept instead of | 0:32:42 | 0:32:45 | |
'just a club atmosphere concept will be good enough for us.' | 0:32:45 | 0:32:49 | |
We absolutely have a fun, vibrant atmosphere in there, | 0:32:49 | 0:32:51 | |
'which I imagine will be a lot different to what the ladies have.' | 0:32:51 | 0:32:54 | |
-DEE: -Who's the man? | 0:32:56 | 0:32:58 | |
-DEBBIE: -45 minutes, you guys, 45 minutes! | 0:33:02 | 0:33:05 | |
Yes, that's the colour I'm looking for. Can we have all three | 0:33:05 | 0:33:07 | |
of these panels lit up that bright green, please? | 0:33:07 | 0:33:10 | |
Oh, my God! | 0:33:11 | 0:33:12 | |
'Finally, the carpet guy shows up. I'm a woman of my word.' | 0:33:12 | 0:33:16 | |
If I say something's going to get done, it will. | 0:33:16 | 0:33:18 | |
If he can give me carpet right here. We only have a half-hour left. | 0:33:18 | 0:33:21 | |
-You don't want the whole piece? -No, we can't. | 0:33:21 | 0:33:23 | |
-Everything's set up already. -All right. | 0:33:23 | 0:33:25 | |
He put the carpet right in the front. | 0:33:25 | 0:33:27 | |
'It looked amazing, it really made an impact' | 0:33:27 | 0:33:29 | |
and it popped and you could see it. | 0:33:29 | 0:33:32 | |
-BLEEP! -These are going to be a mess! | 0:33:33 | 0:33:35 | |
We scrap 'em if it starts getting crazy. | 0:33:35 | 0:33:37 | |
Start taking them under, throwing them under this, wiping it and | 0:33:37 | 0:33:40 | |
-putting glasses... -Grab the glasses. -We'll Plan B it if we have to. | 0:33:40 | 0:33:43 | |
'When Teresa's popsicles arrived,' | 0:33:43 | 0:33:45 | |
they were so messy! | 0:33:45 | 0:33:47 | |
'And leaking all over the place! I'm a little nervous that | 0:33:47 | 0:33:50 | |
'it's going to take away from the chic-ness of our event.' | 0:33:50 | 0:33:54 | |
# You know you want it... # | 0:33:54 | 0:33:55 | |
Five minutes, everybody, five minutes. | 0:33:55 | 0:33:58 | |
'I think we did an amazing job. I don't know how we did it,' | 0:33:58 | 0:34:01 | |
because there was so much left undone this morning, | 0:34:01 | 0:34:05 | |
but we covered up a lot of last-minute problems | 0:34:05 | 0:34:07 | |
and we came up with an incredibly entertaining environment. | 0:34:07 | 0:34:11 | |
All right, cue the music, we're going to open the doors. | 0:34:11 | 0:34:14 | |
-Come on in, girls! Welcome! -Hi! Welcome! | 0:34:14 | 0:34:19 | |
Welcome to the Garden of Crystal Delight! | 0:34:19 | 0:34:22 | |
-LISA: -'There's a ton of people and the room looks really nice.' | 0:34:22 | 0:34:26 | |
Beautiful, draped fabric | 0:34:26 | 0:34:29 | |
'on the walls. These beautiful pictures that are blown up | 0:34:29 | 0:34:32 | |
'to poster size that are original photography. | 0:34:32 | 0:34:35 | |
'Nice lounge seating, so people could relax and chill.' | 0:34:35 | 0:34:38 | |
And, oh, that red drink and those glasses just lined up. | 0:34:38 | 0:34:41 | |
'I mean, it looked really elegant.' | 0:34:41 | 0:34:43 | |
Are you ready? You might just faint, it's so delicious! | 0:34:43 | 0:34:46 | |
-CLAY: -OK, Arsenio, open. Send them on in. -All right! | 0:34:48 | 0:34:51 | |
-Let's parta-a-a-a-ay! -Whoo! | 0:34:51 | 0:34:55 | |
-DEE: -Welcome, friends. -Come on in. -Come on in. | 0:34:55 | 0:34:58 | |
-Ladies and gentlemen! Hello, sir! -Get on in here! | 0:34:58 | 0:35:01 | |
-DEE: -The party started | 0:35:07 | 0:35:09 | |
and I'm wondering where all our guests are. | 0:35:09 | 0:35:11 | |
A lot of us had called folks and we're worried | 0:35:15 | 0:35:18 | |
that the people who we called | 0:35:18 | 0:35:20 | |
and invited to our party might be fashionably late. | 0:35:20 | 0:35:23 | |
-If you two want to be outside? -Er... | 0:35:23 | 0:35:25 | |
Being loud and kind of gathering people in? | 0:35:25 | 0:35:27 | |
We were so worried that we wouldn't fill up in fact that | 0:35:27 | 0:35:30 | |
'I asked Arsenio and Penn to stand on the sidewalk and bark a little | 0:35:30 | 0:35:34 | |
'and try to get people to come in.' | 0:35:34 | 0:35:36 | |
What's up, my man? | 0:35:36 | 0:35:37 | |
Yes, indeed! | 0:35:37 | 0:35:38 | |
Let me to it, let me touch it! Bam! | 0:35:38 | 0:35:41 | |
Come on in and hang with us! | 0:35:41 | 0:35:43 | |
Yo? Where are you going? | 0:35:43 | 0:35:45 | |
This is the most fun you'll ever have with your clothes on! | 0:35:45 | 0:35:49 | |
We need bodies and people in bathing suits and summer wear as well. | 0:35:49 | 0:35:53 | |
'You know, I do not want the execs walking in | 0:35:53 | 0:35:56 | |
'and seeing anything less than a full-blown party.' | 0:35:56 | 0:35:59 | |
It's not a party if you don't have people. | 0:35:59 | 0:36:01 | |
The party started and I'm wondering | 0:36:06 | 0:36:08 | |
where all our guests are, and I'm thinking, | 0:36:08 | 0:36:11 | |
"Crap!", cos a party with no people sucks! There's nothing worse! | 0:36:11 | 0:36:15 | |
BUZZ OF CONVERSATION | 0:36:15 | 0:36:17 | |
I turned around one second, there was nobody. | 0:36:17 | 0:36:20 | |
Turned back and the place is rocking! | 0:36:20 | 0:36:23 | |
They just poured in, which was awesome! | 0:36:23 | 0:36:24 | |
-ARSENIO: -Come on in. Oh, baby! Let me guess! | 0:36:24 | 0:36:29 | |
-Ray-Bans? Claymate? -Yes! -THEY LAUGH | 0:36:29 | 0:36:32 | |
-CLAY: -'A lot of Claymates showed up.' | 0:36:32 | 0:36:34 | |
Claymate is the colloquial term for a fan of mine. | 0:36:34 | 0:36:37 | |
They're very energetic people, you know. | 0:36:37 | 0:36:39 | |
The ones who found out about it were dressed like they were going | 0:36:39 | 0:36:42 | |
to the beach and ready to have fun and be supportive. | 0:36:42 | 0:36:44 | |
Would you like a Peach Bellini? | 0:36:44 | 0:36:45 | |
-I would love a Peach Bellini. -You've got it, baby! | 0:36:45 | 0:36:47 | |
Peach Bellini time! | 0:36:47 | 0:36:49 | |
-Party time! -'We really got a party atmosphere going right away.' | 0:36:49 | 0:36:52 | |
We had people in there trying the drink | 0:36:52 | 0:36:54 | |
'and mingling and talking. | 0:36:54 | 0:36:56 | |
'We had guys and girls who were disrobing | 0:36:56 | 0:36:59 | |
'into their bikinis and their swim trunks, | 0:36:59 | 0:37:01 | |
'because we called several of our friends and told them to come | 0:37:01 | 0:37:04 | |
'dressed in beach attire.' | 0:37:04 | 0:37:06 | |
We really wanted to give it a beach atmosphere. | 0:37:06 | 0:37:08 | |
It's time for Soul Train! | 0:37:08 | 0:37:11 | |
CHEERING | 0:37:11 | 0:37:13 | |
-DISCO MUSIC -Two, three, go! -Go, go, go! | 0:37:13 | 0:37:16 | |
Now you! You! Dance like lovers! Come on! Uh-huh! Dance! | 0:37:19 | 0:37:23 | |
Jive, jive! Uh, jive! | 0:37:23 | 0:37:25 | |
'I was trying to be' | 0:37:25 | 0:37:27 | |
the party starter, I was trying to keep | 0:37:27 | 0:37:29 | |
'everybody going, whether it's creating the Soul Train line, | 0:37:29 | 0:37:32 | |
'or do the limbo!' | 0:37:32 | 0:37:34 | |
My cup runneth over! | 0:37:34 | 0:37:36 | |
-Oh, yeah! -How low can you go? | 0:37:38 | 0:37:41 | |
-How low can you go? Yeah! -CHEERING | 0:37:41 | 0:37:43 | |
Go, go! Yo! | 0:37:43 | 0:37:46 | |
'I was incredibly impressed at how well' | 0:37:46 | 0:37:48 | |
some of these people did. I mean, | 0:37:48 | 0:37:50 | |
there were two guys there, who I would categorise | 0:37:50 | 0:37:53 | |
'as freaks, because they limbo'd all the way down to, like, | 0:37:53 | 0:37:56 | |
'a foot off the ground. It was pretty impressive.' | 0:37:56 | 0:37:59 | |
CHEERING | 0:37:59 | 0:38:01 | |
-DEE: -'This really was a dude's party.' | 0:38:01 | 0:38:03 | |
We didn't have tables for drinks, we didn't have racks for the coats. | 0:38:03 | 0:38:07 | |
We didn't have any of the amenities that women might think of, | 0:38:07 | 0:38:11 | |
cos we're dudes, we're primitive, we're cavemen, but... | 0:38:11 | 0:38:15 | |
women fall short at party, baby! | 0:38:15 | 0:38:17 | |
How low can you go? How low...? | 0:38:17 | 0:38:19 | |
CHEERING AND LAUGHTER | 0:38:19 | 0:38:21 | |
BUZZ OF CONVERSATION | 0:38:24 | 0:38:26 | |
Thank you for coming to our Pomtini party! Par-tay! | 0:38:26 | 0:38:30 | |
-LISA: -Our cocktail party's going pretty good. | 0:38:30 | 0:38:32 | |
I have to say, I was a little worried, | 0:38:32 | 0:38:34 | |
because, last-minute, a sign was still going up, | 0:38:34 | 0:38:36 | |
and then, like, the popsicles are melting | 0:38:36 | 0:38:38 | |
and we think that's a really cute idea, it's like, "Oh, my God!" | 0:38:38 | 0:38:41 | |
and, somehow, it got pulled off! | 0:38:41 | 0:38:43 | |
-Hello! -Thank you so much... | 0:38:43 | 0:38:44 | |
List your healthiest desire on the back of the card. | 0:38:44 | 0:38:47 | |
Jessie wants to live a life | 0:38:47 | 0:38:49 | |
"filled with happy memories of family and friends." | 0:38:49 | 0:38:53 | |
Isn't that sad? She's an orphan and no-one likes her. | 0:38:53 | 0:38:57 | |
-LAUGHTER -'We decided to pass out' | 0:38:57 | 0:38:58 | |
comment cards, so that everyone can feel interactive | 0:38:58 | 0:39:02 | |
in writing their healthiest desire, | 0:39:02 | 0:39:04 | |
and then Lisa would read them on the stage. | 0:39:04 | 0:39:07 | |
Oh, my goodness! | 0:39:07 | 0:39:08 | |
This one is probably the most touching one I've seen so far! | 0:39:08 | 0:39:11 | |
He wants "to weigh 180lb for the rest of his life" | 0:39:11 | 0:39:16 | |
and, to that, I say... | 0:39:16 | 0:39:18 | |
-so do I. -LAUGHTER | 0:39:18 | 0:39:20 | |
Thank you for coming out to support the Pomtini! | 0:39:20 | 0:39:23 | |
Crystal Light's best drink ever! | 0:39:23 | 0:39:26 | |
Hi, guys, how are you? Good to see you! Thank you so much for coming! | 0:39:26 | 0:39:30 | |
-Hello, chica! -How are you? | 0:39:30 | 0:39:32 | |
-DAYANA: -'In this task, I've been trying to step up my game, | 0:39:32 | 0:39:35 | |
'so I had models, friends of mine,' | 0:39:35 | 0:39:37 | |
from Miss USA, Miss Teen USA and Miss New York coming. | 0:39:37 | 0:39:40 | |
'In order to have a great party, it is a good idea to have | 0:39:40 | 0:39:43 | |
'great-looking people there and I took care of that.' | 0:39:43 | 0:39:45 | |
Hi, how are ya? | 0:39:45 | 0:39:47 | |
-Hi! -Hi. -Hey, how are you? -Welcome to the Garden of Crystal Delight! | 0:39:50 | 0:39:53 | |
-Very good. -Wonderful! -Thank you. | 0:39:53 | 0:39:55 | |
We'd love for you to go inside, we have pencils on every table, | 0:39:55 | 0:39:57 | |
-Let us know your healthiest desire. -Oh, very good! | 0:39:57 | 0:40:00 | |
-I love the water! -And enjoy your garden! -Thank you. -Thank you. | 0:40:00 | 0:40:02 | |
-And try our now Pomtini, we also have pom popsicles! -OK, very nice! | 0:40:02 | 0:40:06 | |
-Go ahead and try those as well. -OK! | 0:40:06 | 0:40:08 | |
Dayana, go tell them to do a performance now! | 0:40:08 | 0:40:10 | |
-Is it frozen? -Yeah, we've got frozen Pomtinis on the inside. -Thank you. | 0:40:10 | 0:40:14 | |
'When the executives arrived,' | 0:40:14 | 0:40:16 | |
I immediately rushed over to them | 0:40:16 | 0:40:18 | |
and wanted to show them around the room, | 0:40:18 | 0:40:20 | |
give them a complete tour | 0:40:20 | 0:40:22 | |
of everything that we had created. | 0:40:22 | 0:40:23 | |
We have the couches, the bonsai, because we wanted to give you | 0:40:23 | 0:40:27 | |
-the effect of a garden without throwing it in your face. -Yeah. | 0:40:27 | 0:40:29 | |
Kind of like the product - fresh, clean, innovative. | 0:40:29 | 0:40:32 | |
It doesn't feel like you're at a Playboy Mansion garden party. | 0:40:32 | 0:40:35 | |
And then, the use of the water | 0:40:35 | 0:40:36 | |
-and the waterfalls, I think it's just beautiful. -Yeah. -Thank you! | 0:40:36 | 0:40:39 | |
Clap it up for Miss Deborah Gibson! | 0:40:39 | 0:40:42 | |
CHEERING | 0:40:42 | 0:40:43 | |
-Debbie Gibson is singing a song for you guys! Enjoy it. -Is she? -Yes! | 0:40:43 | 0:40:48 | |
# ..guilt-free pleasure! | 0:40:48 | 0:40:50 | |
# Crystal Light! | 0:40:50 | 0:40:52 | |
# Brand-new Pomtini | 0:40:52 | 0:40:54 | |
# Healthy and dreamy! | 0:40:54 | 0:40:57 | |
# Drinks always tini! | 0:40:57 | 0:40:58 | |
# Crystal Light! # | 0:40:58 | 0:41:00 | |
Yes, we have the CDs that | 0:41:01 | 0:41:03 | |
I'm also going to give you guys that everybody can take as a keepsake. | 0:41:03 | 0:41:06 | |
-This is an original Pomtini Crystal Light remix. -Very nice! | 0:41:06 | 0:41:09 | |
SONG CONTINUES, DROWNED OUT BY CHATTER | 0:41:09 | 0:41:13 | |
# Pomtini! | 0:41:15 | 0:41:17 | |
# Crystal Light! # | 0:41:17 | 0:41:18 | |
CHEERING | 0:41:18 | 0:41:21 | |
-Thank you! -'If anyone can sing an annoying hook and make' | 0:41:21 | 0:41:25 | |
everybody drill it into their heads and leave home singing it | 0:41:25 | 0:41:28 | |
and being annoyed that they're singing it, it's Debbie Gibson! | 0:41:28 | 0:41:31 | |
-Do you guys remember the song we just sang? -Yes. -Could you sing | 0:41:31 | 0:41:34 | |
-a little if you had to right now? -Oh, gosh! -Let's put 'em on the spot! | 0:41:34 | 0:41:37 | |
'But actually, that's a good thing, | 0:41:37 | 0:41:38 | |
'because a great hook will stay in your head for ever | 0:41:38 | 0:41:41 | |
'and you can remember the Crystal Light Pomtini product.' | 0:41:41 | 0:41:44 | |
-# You know you want it! -BOTH: # Now you should have it | 0:41:44 | 0:41:48 | |
# Guilt-free pleasure | 0:41:48 | 0:41:50 | |
-ALL: # Crystal Light! # -Yeah! -CHEERING | 0:41:50 | 0:41:53 | |
Yay! | 0:41:53 | 0:41:54 | |
'The executives seemed to really enjoy our party. | 0:41:54 | 0:41:57 | |
'It was amazing and everyone was having' | 0:41:57 | 0:42:00 | |
an amazing time, it felt like | 0:42:00 | 0:42:02 | |
a really fun atmosphere. | 0:42:02 | 0:42:03 | |
Delicious! | 0:42:03 | 0:42:05 | |
I can't imagine how the boys will top that. | 0:42:05 | 0:42:08 | |
-Thank you. Bye-bye. -PATRICIA: -Thank you! | 0:42:08 | 0:42:10 | |
-DOUG: -Very, very nice. | 0:42:10 | 0:42:12 | |
CHEERING | 0:42:19 | 0:42:21 | |
-Nice party! -Yeah! Let's get you guys some drinks! | 0:42:21 | 0:42:24 | |
-Yeah, where's our mocktail? -Yeah, we gotta get you a mocktail! | 0:42:24 | 0:42:27 | |
'So, Kathie Lee and Hoda from the Today show walked in' | 0:42:27 | 0:42:30 | |
to be a part of the party and I'm extremely pumped up | 0:42:30 | 0:42:32 | |
'about that - they saw that everybody else was having | 0:42:32 | 0:42:35 | |
'a good time at the party. They got to taste some of our beverage.' | 0:42:35 | 0:42:38 | |
I feel like we're at a Bar Mitzvah! OK, here we go. | 0:42:38 | 0:42:41 | |
-DEE: -Here we go! -Cheers! -Cheers! -"Life's a peach"! | 0:42:41 | 0:42:44 | |
-Let's see! -Cheers! | 0:42:44 | 0:42:45 | |
-Delicious? -Nice! -It's actually very good! | 0:42:50 | 0:42:52 | |
-CLAY: -'I think they had a really nice time.' | 0:42:52 | 0:42:54 | |
The best part about the party was the fact that | 0:42:54 | 0:42:56 | |
'everybody who was there really participated in some way.' | 0:42:56 | 0:42:59 | |
-DEE: -Lou, that's illegal in some states! | 0:42:59 | 0:43:02 | |
Not just the people who were putting it on, not just our team, | 0:43:02 | 0:43:05 | |
'but guests at the party too. It was really a party atmosphere.' | 0:43:05 | 0:43:09 | |
CHEERING | 0:43:13 | 0:43:15 | |
Oh, my God, look at this! | 0:43:15 | 0:43:17 | |
How funny is this? Oh, my God! | 0:43:17 | 0:43:20 | |
DEE SHOUTS ENCOURAGEMENT, LAUGHTER | 0:43:21 | 0:43:24 | |
-Hi! -Welcome to our beach party! -Thank you! | 0:43:26 | 0:43:30 | |
'As the party was starting to come to its last half-hour,' | 0:43:30 | 0:43:34 | |
our executives from Crystal Light walked in. | 0:43:34 | 0:43:36 | |
The peach is a summer fruit, so we wanted to kind of bring that in. | 0:43:36 | 0:43:39 | |
You know, I know peach as a Southerner. | 0:43:39 | 0:43:42 | |
-My family grows peaches... -All right. | 0:43:42 | 0:43:43 | |
..so we decided, "What's more summer? | 0:43:43 | 0:43:45 | |
"You can have summer all year long if you drink Peach Bellini." | 0:43:45 | 0:43:48 | |
-Very good. -Have consumers given you any feedback about the product? | 0:43:48 | 0:43:51 | |
Everybody's loved it. We've had so many people going back for seconds. | 0:43:51 | 0:43:55 | |
-Everybody wants some more. -OK, great! | 0:43:55 | 0:43:57 | |
-DEE: -'The execs were all smiles.' | 0:43:57 | 0:43:59 | |
Because they were walking into a festive atmosphere. | 0:43:59 | 0:44:01 | |
We had gotten our guests to loosen up. | 0:44:01 | 0:44:03 | |
-Clay? -What, Arsenio? -Clay? -What, Arsenio? -What do I love? -I... | 0:44:03 | 0:44:07 | |
-I love your voice, Clay! -CHEERING | 0:44:07 | 0:44:10 | |
-Ben, what you got? -Hey, Ben, can I get some right here? | 0:44:10 | 0:44:13 | |
-We're all going to... -ARSENIO BEATBOXES | 0:44:13 | 0:44:15 | |
# Oh, when the sun beats down and burns the tar up on the roof | 0:44:15 | 0:44:21 | |
# And your shoes get so hot | 0:44:23 | 0:44:24 | |
-# You wish your tired feet were fireproof... # -Everybody! | 0:44:24 | 0:44:29 | |
-ALL: # Under the boardwalk... ARSENIO: -Yeah! Yeah! | 0:44:29 | 0:44:33 | |
# ..down by the se-e-ea, yeah! | 0:44:33 | 0:44:37 | |
# On a blanket with my baby | 0:44:37 | 0:44:41 | |
-# Is where I'll be... # -Dee and everybody, go! | 0:44:41 | 0:44:45 | |
-# Under the boardwalk! -Out of the sun | 0:44:45 | 0:44:49 | |
-# Under the boardwalk! -We'll be havin' some fun | 0:44:49 | 0:44:53 | |
-# Under the boardwalk! -People walking above | 0:44:53 | 0:44:56 | |
-# Under the boardwalk! -We'll be falling in love | 0:44:56 | 0:45:00 | |
# Under the boardwalk! | 0:45:00 | 0:45:02 | |
# Boardwalk! # | 0:45:02 | 0:45:03 | |
CHEERING | 0:45:03 | 0:45:05 | |
'This party came together' | 0:45:05 | 0:45:08 | |
in two days with six guys | 0:45:08 | 0:45:10 | |
'who don't throw parties and, somehow, we really pulled it off.' | 0:45:10 | 0:45:16 | |
-There you are. -Cheers! -Did you sing along? -Yeah, we did, we did! | 0:45:16 | 0:45:18 | |
The executives wanted a party that was lively and fun | 0:45:18 | 0:45:22 | |
and we had that in spades. | 0:45:22 | 0:45:24 | |
Guys, thank you so much for coming! We appreciate your help! | 0:45:24 | 0:45:27 | |
CHEERING | 0:45:27 | 0:45:29 | |
Very nice, very nice. Very nice! | 0:45:29 | 0:45:32 | |
-LISA: -Little Miss Aubrey O'Day! | 0:45:34 | 0:45:36 | |
-APPLAUSE AND CHEERING -She was calm and cool and collected | 0:45:36 | 0:45:40 | |
-and the complete opposite of me! -LAUGHTER | 0:45:40 | 0:45:42 | |
I'm so excited about the party that we created | 0:45:42 | 0:45:44 | |
'for Crystal Light - the first time we've actually' | 0:45:44 | 0:45:47 | |
unified as a group from a lot of tasks gone bad. | 0:45:47 | 0:45:50 | |
# In the Garden of Crystal Delight... # | 0:45:50 | 0:45:53 | |
'But I know you can only trust people as far as you can throw them | 0:45:53 | 0:45:56 | |
'on my team, and I'm used to girls wanting to stab me in the back | 0:45:56 | 0:45:59 | |
'when I do an amazing job and so, if this goes belly up, | 0:45:59 | 0:46:03 | |
'they're going down in flames.' | 0:46:03 | 0:46:05 | |
ALL: # Crystal Light! # CHEERING | 0:46:06 | 0:46:09 | |
-Hey, Doug, Melanie. -Mr Trump, how are you? | 0:46:22 | 0:46:25 | |
So, how did they do? | 0:46:25 | 0:46:26 | |
-Er, incredibly well, both. -Both teams? | 0:46:26 | 0:46:29 | |
We say that because they couldn't have interpreted the task | 0:46:29 | 0:46:32 | |
more differently. They went in completely different directions. | 0:46:32 | 0:46:34 | |
The overall atmosphere that the men's team was able to create, | 0:46:34 | 0:46:38 | |
you felt like you were going to a beach party with, you know, | 0:46:38 | 0:46:42 | |
-just a group of your friends. -Right. -It felt very approachable and easy. | 0:46:42 | 0:46:45 | |
The women's team turned it into much more of a sophisticated | 0:46:45 | 0:46:48 | |
New York City kind of event and it was wonderfully produced, | 0:46:48 | 0:46:52 | |
very high production value, and Debbie Gibson | 0:46:52 | 0:46:54 | |
actually did something really remarkable - she created her own | 0:46:54 | 0:46:57 | |
custom Crystal Light song, she recorded it, put it into a CD | 0:46:57 | 0:47:02 | |
and had it as a parting gift for every member who turned up | 0:47:02 | 0:47:06 | |
to their party, so it was very well done, they really hit the mark. | 0:47:06 | 0:47:09 | |
-And did you see any stars, of the men or the women? -Yes. | 0:47:09 | 0:47:13 | |
-Aubrey. -Aubrey? A lot of energy. | 0:47:13 | 0:47:15 | |
Not only because she was a great hostess and she was very engaging, | 0:47:15 | 0:47:19 | |
but she definitely showed a little | 0:47:19 | 0:47:20 | |
like she was a marketing executive, you know, that she was | 0:47:20 | 0:47:23 | |
-definitely thinking... -She's very smart. -She is. -Absolutely! | 0:47:23 | 0:47:26 | |
Melanie, what didn't you like about the men's team? | 0:47:26 | 0:47:29 | |
Um, I would've loved to see more branding. | 0:47:29 | 0:47:31 | |
I think they did a really nice job of making sure | 0:47:31 | 0:47:34 | |
that the Crystal Light signage was predominant. | 0:47:34 | 0:47:36 | |
However, it would've been great to see more of it. | 0:47:36 | 0:47:39 | |
What didn't you like about the women's team? | 0:47:39 | 0:47:41 | |
Our concern definitely had to do with brand messaging. | 0:47:41 | 0:47:44 | |
They really focused on the flavour, which was wonderful, | 0:47:44 | 0:47:47 | |
but Pomtini is a flavour that's offered | 0:47:47 | 0:47:50 | |
in a variety of places, so it was really important | 0:47:50 | 0:47:54 | |
to nail that this was coming from Crystal Light. | 0:47:54 | 0:47:56 | |
So, Melanie, both teams you thought were really outstanding. | 0:47:56 | 0:48:00 | |
It's always tough when we have to do this - which team won? | 0:48:00 | 0:48:04 | |
Mr Trump, this was a very difficult decision, | 0:48:04 | 0:48:06 | |
but we've decided the winner is... | 0:48:06 | 0:48:08 | |
-Hello, Aubrey. -Hi, Mr Trump. -Did you win? | 0:48:30 | 0:48:33 | |
-Yes. -You think so, huh? -Absolutely. -Why? -We were fantastic. | 0:48:33 | 0:48:37 | |
-Aubrey? -We were fantastic, can you believe that I'm saying that? -OK. | 0:48:39 | 0:48:43 | |
Teresa, what do you think? | 0:48:43 | 0:48:45 | |
-I think we won. -Why do you say that? | 0:48:45 | 0:48:47 | |
Cos it was unique, it was different and it was all a team effort. | 0:48:47 | 0:48:53 | |
How was Aubrey? | 0:48:53 | 0:48:55 | |
She was amazing. | 0:48:55 | 0:48:56 | |
-Patricia? -I feel the same way. I felt like the team came together | 0:48:56 | 0:49:00 | |
in a way that we never have come before. | 0:49:00 | 0:49:02 | |
-So everybody got along for a change? -Yes, and we all... | 0:49:02 | 0:49:04 | |
-We really were able to work as a team. -You think it'll stay that way? | 0:49:04 | 0:49:07 | |
It has to be, if we want to win every time. | 0:49:07 | 0:49:09 | |
We're living in the moment. | 0:49:09 | 0:49:10 | |
-So, if you lose, what do you think is going to happen, Patricia? -Oh... | 0:49:10 | 0:49:14 | |
There were no weak players... | 0:49:14 | 0:49:16 | |
-I think we'll have to fire you if we lose. -We have to win. | 0:49:16 | 0:49:18 | |
-It could happen. It could happen. -LAUGHTER | 0:49:18 | 0:49:20 | |
-It could happen, but I doubt it. -IVANKA: -Was it Aubrey's leadership? | 0:49:20 | 0:49:24 | |
Or would you just say that, as a group, | 0:49:24 | 0:49:26 | |
you've gelled more now than you did in previous tasks? | 0:49:26 | 0:49:29 | |
I think a little bit of both. I think she was a great leader | 0:49:29 | 0:49:32 | |
and I also think that it's coming to a point | 0:49:32 | 0:49:34 | |
where we realise that, if we don't get along, | 0:49:34 | 0:49:37 | |
and we don't just step up for each other, we're just not going to win. | 0:49:37 | 0:49:41 | |
OK... | 0:49:41 | 0:49:43 | |
Lisa, what do you think is going to happen tonight? | 0:49:43 | 0:49:46 | |
I really think, for the first time, I am 99% sure we won. | 0:49:46 | 0:49:52 | |
I just loved it. The party was really fun. | 0:49:52 | 0:49:55 | |
People were freaking out, having a good time. | 0:49:55 | 0:49:58 | |
People started dancing and laughing. I mean, it was really cool. | 0:49:58 | 0:50:01 | |
Debbie, I heard you wrote a song for Crystal Light? | 0:50:01 | 0:50:03 | |
-I did. -Would you sing it? I love your voice. -Oh, my God! | 0:50:03 | 0:50:06 | |
-I'm so hoarse from singing... -We couldn't get it out of our heads! | 0:50:06 | 0:50:09 | |
..but we could all probably sing it. | 0:50:09 | 0:50:10 | |
# You know you want it | 0:50:10 | 0:50:12 | |
-ALL: -# Now you can have it... # | 0:50:12 | 0:50:14 | |
Er, wait, what is it? | 0:50:14 | 0:50:16 | |
# ..guilt-free pleasure | 0:50:16 | 0:50:17 | |
# Crystal Light. # | 0:50:17 | 0:50:19 | |
I can't even remember it, I'm so delirious, of course. | 0:50:19 | 0:50:22 | |
-It was amazing. And we also... -It was good, Lisa? | 0:50:22 | 0:50:24 | |
People were singing it who had only been there a few minutes. | 0:50:24 | 0:50:27 | |
The test of a hit is if, after hearing it one time, | 0:50:27 | 0:50:29 | |
-you can recite the chorus. -But Deb can't even remember it! | 0:50:29 | 0:50:33 | |
-LAUGHTER And it's her song! -Thank you! | 0:50:33 | 0:50:35 | |
-Thank you! -No, she's just delirious. -Right... -But, in all actuality, | 0:50:35 | 0:50:39 | |
when the executives were there, I asked a random stranger | 0:50:39 | 0:50:42 | |
in the crowd could they recite and sing the hook? | 0:50:42 | 0:50:44 | |
And he sang it right away in front of the executives. | 0:50:44 | 0:50:47 | |
And we also gave her song as a keepsake to everyone that came in | 0:50:47 | 0:50:50 | |
and exited our party. We felt like a song that has a catchy hook would be | 0:50:50 | 0:50:53 | |
-something that... -She's got some mouthpiece, doesn't she? | 0:50:53 | 0:50:56 | |
-Lisa... -I love it. -Very well-spoken. | 0:50:56 | 0:50:58 | |
..as the ultimate mouthpiece, does she have a mouthpiece? | 0:50:58 | 0:51:00 | |
-Very much so, sir. -Really very good. | 0:51:00 | 0:51:03 | |
-I think it's great. -Thank you. -I can see how some people may not like it. | 0:51:03 | 0:51:06 | |
You might not want to marry me, but you'll hire me for business. | 0:51:06 | 0:51:09 | |
-Have you been married? -No, I'm tragically single. | 0:51:09 | 0:51:12 | |
-Do you have a boyfriend? -No. | 0:51:12 | 0:51:13 | |
-You will have after this show. -LISA LAUGHS | 0:51:13 | 0:51:16 | |
OK... | 0:51:16 | 0:51:18 | |
So, Teresa, tell me about your party? What was that? | 0:51:18 | 0:51:21 | |
Our party was, um... | 0:51:21 | 0:51:22 | |
-The Garden... -Yeah, the Garden of Crystal... | 0:51:22 | 0:51:25 | |
Why did you help her? She doesn't need any help! | 0:51:25 | 0:51:27 | |
Um, the Garden of Crystal... Crystal Delight. | 0:51:27 | 0:51:31 | |
-We were doing the Adam and Eve, like the forbidden fruit. -Right. | 0:51:31 | 0:51:35 | |
-So the Pom... -Did you like the concept? -I did. | 0:51:35 | 0:51:37 | |
-Whose concept was that? -Aubrey's. I liked the idea, it was different. | 0:51:37 | 0:51:41 | |
So, if your team loses, would you fire, if you were me, Aubrey? | 0:51:41 | 0:51:44 | |
-No. -Who would you fire? | 0:51:45 | 0:51:48 | |
TERESA SIGHS | 0:51:48 | 0:51:50 | |
I love her, but I would say, out of everyone, you know, | 0:51:50 | 0:51:55 | |
-but we all did... -Go ahead. Who? | 0:51:55 | 0:51:58 | |
Dayana. | 0:51:58 | 0:52:00 | |
I think you like Dayana the least on this team, everybody. | 0:52:00 | 0:52:03 | |
-We actually love her. -I really love her. | 0:52:03 | 0:52:05 | |
-You do? -We love her. -OK. -Yeah, she's amazing. -OK. | 0:52:05 | 0:52:07 | |
So, Dayana, who would you fire if you lose? | 0:52:07 | 0:52:10 | |
I'll say people have been taking | 0:52:10 | 0:52:12 | |
responsibilities of their actions lately and, um, if we lose, | 0:52:12 | 0:52:16 | |
-for whatever reason, it will be the project manager's fault. -OK. | 0:52:16 | 0:52:20 | |
What do you think, Lisa? Who would you fire? | 0:52:22 | 0:52:25 | |
-She wants to fire Dayana! -No, no, no! No, that's what weird! | 0:52:25 | 0:52:28 | |
It's like it kind of came around a bit, you know, | 0:52:28 | 0:52:30 | |
because I saw everybody kind of step up more and, um, again, with the | 0:52:30 | 0:52:34 | |
least ideas, I mean, as far as the main creative, was possibly Dayana, | 0:52:34 | 0:52:40 | |
but it's hard to say to fire her, cos she stepped up too, | 0:52:40 | 0:52:43 | |
so everyone stepped up, and you know I'm not kidding. | 0:52:43 | 0:52:46 | |
-I apologise... -It's all right. I understand. | 0:52:46 | 0:52:48 | |
-..for skating around the truth. -Dayana, what did you do on the task? | 0:52:48 | 0:52:51 | |
I did as much as possible, | 0:52:51 | 0:52:52 | |
because I've never thrown a party in my life. | 0:52:52 | 0:52:54 | |
-No! -Never, never, never! SOME LAUGHTER | 0:52:54 | 0:52:57 | |
I had really no idea what to do, so I just brought people, | 0:52:57 | 0:53:00 | |
beautiful people, that we needed for the party and famous people... | 0:53:00 | 0:53:03 | |
-Who did you bring? -I brought Miss USA in... -Right. | 0:53:03 | 0:53:05 | |
-..and Universe and New York. -That's good. That's very good, Lisa. | 0:53:05 | 0:53:09 | |
-And I took the photos that we hung on the walls. -Sounds good. | 0:53:09 | 0:53:12 | |
-Lisa, it sounds like she did a good job. -I know, that's why I'm here | 0:53:12 | 0:53:15 | |
-tongue-tied, for once in my life! -DEBBIE LAUGHS | 0:53:15 | 0:53:17 | |
I know! It's terrible. | 0:53:17 | 0:53:19 | |
Could part of that be because, now we're later in the game, | 0:53:19 | 0:53:21 | |
it's time to start eliminating the stronger players? | 0:53:21 | 0:53:23 | |
Yeah, I think that's the problem - we got rid of all the weak links. | 0:53:23 | 0:53:26 | |
-This is always tough for me... -I know. -..because the players now | 0:53:26 | 0:53:29 | |
are all strong, everybody's good, everybody's doing well, | 0:53:29 | 0:53:32 | |
we're at that point where it gets very tough. | 0:53:32 | 0:53:35 | |
I can tell you the executives really liked the job you did. | 0:53:35 | 0:53:38 | |
-That doesn't mean you won. -Right. | 0:53:38 | 0:53:40 | |
-Because they also liked the job they did. -Right. -OK? | 0:53:40 | 0:53:43 | |
So, let's see how it all works out. We will soon know. | 0:53:43 | 0:53:46 | |
All right, Clay, do you throw a lot of parties? | 0:53:47 | 0:53:51 | |
-I'm not really a partier, but I was today. -They loved you. | 0:53:51 | 0:53:54 | |
-Oh, good! -You know, the executives loved you! -Oh, well, that's great. | 0:53:54 | 0:53:57 | |
I think they should've loved everybody, | 0:53:57 | 0:53:59 | |
-because everybody on this team really stepped up. -Good. | 0:53:59 | 0:54:02 | |
-Arsenio, what do you think of Clay? -I thought he did a great job. | 0:54:02 | 0:54:05 | |
-He was a hands-on leader. -That's a nice tie you're wearing. | 0:54:05 | 0:54:08 | |
-Yeah, it's a DT special. -Is that a DT special? -Absolutely. | 0:54:08 | 0:54:10 | |
It's beautiful. No, I'm just saying! | 0:54:10 | 0:54:12 | |
-We know who's not being fired tonight. -That is a beautiful tie! | 0:54:12 | 0:54:15 | |
-LAUGHTER -That's very smart, Arsenio. | 0:54:15 | 0:54:18 | |
-Well, I just ran out of ties, sir, but I do love it. -Well, good. | 0:54:18 | 0:54:22 | |
And, Dee, your hand is OK now, I hear? | 0:54:22 | 0:54:24 | |
-I got the big cast... -Wow! I thought they were taking it off? -Yeah... | 0:54:24 | 0:54:27 | |
-This is worse than the previous one. -Three more weeks. -It got worse. | 0:54:27 | 0:54:31 | |
-That stitch is still in there, but I'm feeling fine. -You'll be good. | 0:54:31 | 0:54:33 | |
-What do you think of the job Clay did? -Clay did a great job | 0:54:33 | 0:54:37 | |
and I don't think the team was ever stronger than this week. | 0:54:37 | 0:54:40 | |
-You feel good? -I feel really good. -Good leader? -He was a great leader. | 0:54:40 | 0:54:43 | |
-Is he leader or did he just do a job here? -I'll be honest. | 0:54:43 | 0:54:47 | |
When I heard he was one of the competitors, | 0:54:47 | 0:54:50 | |
-I thought he would be bottom rung. He's definitely... -Why? Why? | 0:54:50 | 0:54:55 | |
I just... I just...just, you know, his style, he's kind of soft-spoken | 0:54:55 | 0:54:59 | |
and easy, and I thought he'd be easy. | 0:54:59 | 0:55:02 | |
He's a great player, he's a great businessman. | 0:55:02 | 0:55:05 | |
-He was lifting 40lb bags of sand today. -40lb? | 0:55:05 | 0:55:09 | |
-40lb, Lou? Not so much! -I'm just saying, he just totally... | 0:55:09 | 0:55:13 | |
-As a percentage of body weight, it's still pretty good! -It was a lot! | 0:55:13 | 0:55:16 | |
-You can see there's a very quiet intensity to Clay. -Yeah. | 0:55:16 | 0:55:19 | |
-It's very interesting. -He's blown me away, honestly. -That's great. | 0:55:19 | 0:55:22 | |
-Penn, what do you think? -I, er, I have no way of judging | 0:55:22 | 0:55:26 | |
what a good party is, but I thought Clay did a wonderful job. | 0:55:26 | 0:55:29 | |
-Tell me about your party, Penn? -Er, we did a, er, a beach theme. | 0:55:29 | 0:55:33 | |
We did a summer theme, that our, er... | 0:55:33 | 0:55:36 | |
life is a peach, life is a beach, the rhyming of that. | 0:55:36 | 0:55:40 | |
We put sand all over the floor, had a limbo party | 0:55:40 | 0:55:43 | |
and, most important, Clay sang. | 0:55:43 | 0:55:45 | |
-Oh, that was good! -Real good. | 0:55:45 | 0:55:47 | |
So what do you think? What you think of him as a singer? | 0:55:47 | 0:55:49 | |
You didn't hear it as well as other people, Lou? | 0:55:49 | 0:55:51 | |
He might've been the luckiest one in the room! | 0:55:51 | 0:55:53 | |
-LAUGHTER -Thank you! | 0:55:53 | 0:55:55 | |
But I heard his voice and everything, you know, | 0:55:55 | 0:55:57 | |
because of my hearing. I think he sounded beautiful. | 0:55:57 | 0:55:59 | |
And so, did you entertain? Used the voice and entertained? | 0:55:59 | 0:56:02 | |
-A lot of entertaining. Everybody did some. -Tough competition, Aub'. | 0:56:02 | 0:56:05 | |
I sang, Dee sang along with me. Actually, everybody sang | 0:56:05 | 0:56:09 | |
in the entire party, and Penn did some juggling. | 0:56:09 | 0:56:11 | |
-Arsenio... -Juggling peaches. -Peaches, of course. -Good touch. | 0:56:11 | 0:56:14 | |
-Juggling and eating peaches. -And eating peaches. | 0:56:14 | 0:56:17 | |
Arsenio got everybody to do a Soul Train line. | 0:56:17 | 0:56:20 | |
-We had a very interactive party. -OK, let me ask you this. | 0:56:20 | 0:56:23 | |
Were you insulted when Dee said he thought you'd be the worst | 0:56:23 | 0:56:26 | |
player on the team and now, all of sudden, you're, like, really great? | 0:56:26 | 0:56:30 | |
-Um, no. -Cos that can be looked at both ways. | 0:56:30 | 0:56:32 | |
-Well, I'll choose to look at the positive end of it. -Yeah. | 0:56:32 | 0:56:35 | |
And I actually like Dee a lot, I respect him an immense amount. | 0:56:35 | 0:56:38 | |
I didn't know too much about him outside of his persona, | 0:56:38 | 0:56:41 | |
when I signed up also, and I've been | 0:56:41 | 0:56:43 | |
-extremely pleasantly surprised myself. -Do you know his music? | 0:56:43 | 0:56:46 | |
-I know obviously some of his biggest songs, of course. -Right. | 0:56:46 | 0:56:49 | |
-They were big. -I was a little young back then. He definitely has some | 0:56:49 | 0:56:52 | |
-that have stood the test of time. -They were very big, and great too. | 0:56:52 | 0:56:55 | |
All right... | 0:56:55 | 0:56:56 | |
So, Clay... | 0:56:58 | 0:57:00 | |
If your team loses, who are you going to bring back? | 0:57:00 | 0:57:03 | |
Tell me. Give me two names. | 0:57:06 | 0:57:08 | |
Who are you going to bring back and why? | 0:57:08 | 0:57:10 | |
-LAUGHING: -Yes! | 0:57:11 | 0:57:14 | |
And, Aubrey, I'm going to be asking you the same question. | 0:57:14 | 0:57:16 | |
It's...it's much ha... It's much hard... | 0:57:16 | 0:57:19 | |
The stress of possibly being fired is completely secondary to the | 0:57:19 | 0:57:24 | |
stress of having to say something negative about people you like. | 0:57:24 | 0:57:27 | |
-Yet you know it happens every week. -Yet I know it happens every week. | 0:57:27 | 0:57:30 | |
All right, so who are they going to be? | 0:57:32 | 0:57:35 | |
HE SIGHS | 0:57:35 | 0:57:38 | |
Um... | 0:57:38 | 0:57:39 | |
Everyone did an incredible job this week. | 0:57:40 | 0:57:42 | |
Everyone stepped up to the plate. Everyone participated. | 0:57:42 | 0:57:46 | |
But... | 0:57:46 | 0:57:48 | |
I think there are people on this team who have | 0:57:48 | 0:57:51 | |
a lot of versatility in their strengths, | 0:57:51 | 0:57:54 | |
and do pretty much anything, and then there are people who... | 0:57:54 | 0:57:59 | |
are a bit more focused in what it is they can do. Um... | 0:57:59 | 0:58:02 | |
OK, look, just tell me - who are the two people that you'd bring back? | 0:58:02 | 0:58:05 | |
Am I basing it on only this task? | 0:58:05 | 0:58:07 | |
Don't go through a whole big long thing either. | 0:58:07 | 0:58:09 | |
Just who are the two people? Just tell me the names. | 0:58:09 | 0:58:11 | |
You've seen enough boardrooms, you should be able to know | 0:58:11 | 0:58:14 | |
-who the two people are... -Who are the two people? | 0:58:14 | 0:58:16 | |
If it was based only on this task, it would be... | 0:58:16 | 0:58:20 | |
..Dee... | 0:58:21 | 0:58:22 | |
-And? -..and... | 0:58:24 | 0:58:26 | |
I'd have to think - either Lou or Paul. | 0:58:30 | 0:58:33 | |
All right. So you've given me three names, not two, but that's OK. | 0:58:33 | 0:58:36 | |
-I'll leave you alone. -I made it worse for myself, I'm sure! | 0:58:36 | 0:58:39 | |
Now you made it worse, that's right. | 0:58:39 | 0:58:41 | |
Now you have three people that hate you. Not great. | 0:58:41 | 0:58:43 | |
So, Aubrey, who are the two people? | 0:58:45 | 0:58:49 | |
Because everyone did such a fantastic job, | 0:58:49 | 0:58:51 | |
I'm going to base my two people on two different things. | 0:58:51 | 0:58:55 | |
-Go ahead. -One being, if I have to move forward... | 0:58:55 | 0:58:59 | |
WHEN I am to move forward - I'm putting it in the atmosphere - | 0:58:59 | 0:59:02 | |
who I believe would consist | 0:59:02 | 0:59:04 | |
-of the strongest team... -Go ahead. -..I would want to keep around me. | 0:59:04 | 0:59:07 | |
So I could be one less with Dayana, but I do think that she is | 0:59:07 | 0:59:12 | |
-an incredibly amazing person that everyone holds... -Who else? | 0:59:12 | 0:59:18 | |
The second person I would have to pick would be... | 0:59:18 | 0:59:21 | |
-Patricia, because of problems... -Do you not like Venezuela? | 0:59:21 | 0:59:24 | |
LAUGHTER | 0:59:24 | 0:59:25 | |
-Love it, and... -Do you discriminate against people from Venezuela? | 0:59:25 | 0:59:28 | |
And Patricia was actually the most amazing and delicate | 0:59:28 | 0:59:31 | |
and kind with me today, and I loved her. | 0:59:31 | 0:59:33 | |
All right. | 0:59:36 | 0:59:38 | |
Don, tell me, what did the executives think | 0:59:38 | 0:59:40 | |
of the women's team? Good and bad? | 0:59:40 | 0:59:43 | |
Well, they really liked the Garden of Eden, of Delight theme. | 0:59:43 | 0:59:46 | |
I think they really thought that meshed well. | 0:59:46 | 0:59:48 | |
All the elements - the ice sculpture, the pictures, | 0:59:48 | 0:59:50 | |
the way the windows were done, really all blended well together. | 0:59:50 | 0:59:53 | |
They liked your, you know, "What's your healthy desire?" | 0:59:53 | 0:59:55 | |
and Lisa kind of bringing people out on the stage, asking them | 0:59:55 | 0:59:59 | |
what their guilty pleasure was, they thought that worked very well. | 0:59:59 | 1:00:01 | |
And they thought it was a very polished party, | 1:00:01 | 1:00:03 | |
very polished and hip, so they liked that. | 1:00:03 | 1:00:05 | |
I think the big negativity they had was in terms of the graphics | 1:00:05 | 1:00:08 | |
and there was too much focus on the Pomtini | 1:00:08 | 1:00:11 | |
-and not enough on Crystal Light in terms of brand messaging. -OK. | 1:00:11 | 1:00:14 | |
-Does that make sense to you? -Yes. | 1:00:14 | 1:00:16 | |
Who was in charge, then, of basically brand messaging? | 1:00:16 | 1:00:19 | |
I think I was in charge of doing the printing | 1:00:19 | 1:00:22 | |
and creating the logos and everything, | 1:00:22 | 1:00:23 | |
but I feel like every piece of artwork that went | 1:00:23 | 1:00:26 | |
to the printers were approved by the project manager and, | 1:00:26 | 1:00:29 | |
with all due respect, the logo was everywhere, the Crystal Light logo | 1:00:29 | 1:00:32 | |
-was everywhere. -Well, overall, they really liked it. | 1:00:32 | 1:00:35 | |
Ivanka, tell me about the men - what did the executives think? | 1:00:35 | 1:00:38 | |
-Good and bad? -OK. | 1:00:38 | 1:00:39 | |
They thought the men's team was very entertaining. | 1:00:39 | 1:00:42 | |
They loved the theme, they loved the action, the party environment, | 1:00:42 | 1:00:46 | |
the limbo and the use of celebrity, | 1:00:46 | 1:00:48 | |
so they thought that you were all very engaged. | 1:00:48 | 1:00:50 | |
They also liked the fact that there were two bars | 1:00:50 | 1:00:52 | |
and they liked the action behind the bars | 1:00:52 | 1:00:54 | |
and the bartenders specifically. | 1:00:54 | 1:00:56 | |
The negatives were the executives wanted to see more branding. | 1:00:56 | 1:01:00 | |
They thought that the exterior of the store was very well branded, | 1:01:00 | 1:01:04 | |
but once you got into the space, the signage was really drowned out | 1:01:04 | 1:01:07 | |
when the crowds of people were inside. | 1:01:07 | 1:01:10 | |
So, given the height of it, I guess she couldn't see the sign. | 1:01:10 | 1:01:13 | |
How do you feel about that, Clay? | 1:01:13 | 1:01:15 | |
I do believe we put things at a pretty high level, you know. | 1:01:15 | 1:01:19 | |
We actually pushed them higher than we thought we would. | 1:01:19 | 1:01:21 | |
I think, if anything, the reason they might not have seen it | 1:01:21 | 1:01:24 | |
is because we had such a party atmosphere. | 1:01:24 | 1:01:26 | |
Everybody stood the entire time and it was very lively in there. | 1:01:26 | 1:01:29 | |
No-one was sitting, everybody was walking around, | 1:01:29 | 1:01:31 | |
-mingling, doing the limbo. -Who was in charge of putting the signs up? | 1:01:31 | 1:01:35 | |
It was me, sir, with, um, with Clay's help, Clay's supervision. | 1:01:35 | 1:01:40 | |
But I was in charge of the signage and the printing | 1:01:40 | 1:01:43 | |
and putting the signs up. | 1:01:43 | 1:01:45 | |
OK... | 1:01:47 | 1:01:49 | |
let's find out who won. | 1:01:49 | 1:01:50 | |
I want to start by saying the executives loved both teams. | 1:01:53 | 1:01:58 | |
They really liked what you did. | 1:01:58 | 1:02:00 | |
-Very different, but they liked both teams. -Oh, great. -OK? -Yes. | 1:02:00 | 1:02:04 | |
Now, are you prepared to win, Aubrey? | 1:02:04 | 1:02:07 | |
Yes, you'll break my heart if you don't have me win. | 1:02:07 | 1:02:11 | |
All right, then your heart is broken, because you lost. | 1:02:14 | 1:02:17 | |
You lost, I'm sorry. | 1:02:18 | 1:02:20 | |
The executives loved the job you did, but they absolutely thought | 1:02:20 | 1:02:24 | |
the men were fantastic so you've got a total of 50,000 for your charity. | 1:02:24 | 1:02:29 | |
-What's your charity, Clay? -The National Inclusion Project. | 1:02:29 | 1:02:31 | |
That's fantastic. Well, congratulations. | 1:02:31 | 1:02:33 | |
Go out, you can watch on television and see what's happening. | 1:02:33 | 1:02:36 | |
Not bad for guys who say they don't party, right? | 1:02:36 | 1:02:39 | |
-Let me open the door for you. -No beating up on Clay. Congratulations. | 1:02:39 | 1:02:43 | |
Thank you. | 1:02:43 | 1:02:44 | |
Women, stay here. Somebody will be fired. | 1:02:45 | 1:02:49 | |
-Yes! -Dude! -Good job, dude. -Yeah, man. That was awesome. | 1:02:55 | 1:02:59 | |
What got you the most? What really almost brought the water? | 1:02:59 | 1:03:02 | |
The fact that I had said things about people that I like | 1:03:02 | 1:03:05 | |
and didn't have to. It was a very bittersweet moment | 1:03:05 | 1:03:08 | |
and a little bit heartbreaking to realise that I had to say things | 1:03:08 | 1:03:13 | |
to what turned out to be three people instead of two | 1:03:13 | 1:03:15 | |
'and I didn't need to. | 1:03:15 | 1:03:17 | |
'I was thrilled to have won.' | 1:03:17 | 1:03:19 | |
50,000 is great and will do wonderful things, | 1:03:19 | 1:03:22 | |
but I realise that I had... | 1:03:22 | 1:03:24 | |
But when you won, everything changed. | 1:03:24 | 1:03:26 | |
The organisation I'm playing for is the National Inclusion Project | 1:03:26 | 1:03:29 | |
'and it costs about 250 to send a kid with a disability' | 1:03:29 | 1:03:33 | |
to a summer camp, and so 50,000... | 1:03:33 | 1:03:37 | |
I can't do the math, but that's a lot of kids who are going to be able | 1:03:37 | 1:03:41 | |
to go to summer camp because of what we've been able to accomplish here. | 1:03:41 | 1:03:45 | |
Turn that TV on, turn that TV on. | 1:03:45 | 1:03:47 | |
-Aubrey's crying, for God's sake! -Is she crying? Is she crying? | 1:03:47 | 1:03:53 | |
-Her eyelashes are going to fall off. -That would be funny. | 1:03:53 | 1:03:57 | |
Why are you crying? | 1:03:57 | 1:03:58 | |
Because I'm so sad for my charity | 1:03:58 | 1:04:01 | |
and I think that it was the wrong choice. | 1:04:01 | 1:04:03 | |
Well, you didn't really see what the men did, | 1:04:03 | 1:04:05 | |
-though, Aubrey, in all fairness. -That's true. | 1:04:05 | 1:04:08 | |
What do you think of that, Teresa? | 1:04:08 | 1:04:10 | |
You sort of agree with that, I guess, right? | 1:04:10 | 1:04:12 | |
No, I agree with what you said. | 1:04:12 | 1:04:13 | |
We didn't see what they did and I'm sure they did a great job, too. | 1:04:13 | 1:04:17 | |
-It's just sad for us. -Lisa? | 1:04:17 | 1:04:20 | |
I'm shocked. This is very surprising. | 1:04:20 | 1:04:23 | |
-I was really confident. -And they thought you were outstanding. | 1:04:23 | 1:04:27 | |
I mean, they thought your command of their product, your energy, | 1:04:27 | 1:04:30 | |
your enthusiasm was great, | 1:04:30 | 1:04:31 | |
but they just didn't think the concept stood up. | 1:04:31 | 1:04:34 | |
Are you usually this emotional, Aubrey? | 1:04:34 | 1:04:37 | |
No, but I'm very competitive and I'm here fighting for something | 1:04:37 | 1:04:41 | |
that I really believe in and I don't want to lose for these people. | 1:04:41 | 1:04:44 | |
What is your charity? | 1:04:44 | 1:04:45 | |
My charity is GLSEN, | 1:04:45 | 1:04:47 | |
it's the Gay, Lesbian and Straight Education Network | 1:04:47 | 1:04:49 | |
and I'm specifically part of a campaign | 1:04:49 | 1:04:52 | |
that targets bullying in schools. | 1:04:52 | 1:04:54 | |
I think that's great. I'm going to give 10,000 to it, OK? | 1:04:54 | 1:04:57 | |
-So at least you get something out of this, right? -Thank you. | 1:04:57 | 1:05:00 | |
OK, I think it's great and I love your passion. | 1:05:00 | 1:05:03 | |
I think it's fantastic. | 1:05:03 | 1:05:05 | |
-Why are YOU crying? Lisa? -What's going on here? | 1:05:05 | 1:05:08 | |
You said you were going to give money, | 1:05:08 | 1:05:10 | |
-I thought that was really nice. -Oh, my God! -I just think that's... | 1:05:10 | 1:05:14 | |
Are we in the right room? | 1:05:14 | 1:05:16 | |
It takes you 30 seconds to make that amount so thank you. | 1:05:16 | 1:05:19 | |
You're a rich man and we appreciate it. | 1:05:19 | 1:05:22 | |
It's a great thing that you're doing, Aubrey. | 1:05:22 | 1:05:24 | |
Hey, look, I know you don't like to lose | 1:05:24 | 1:05:27 | |
and also you feel very passionately about your charity, is that right? | 1:05:27 | 1:05:30 | |
-Yes, and the job that I did. -Is it the charity or the losing? | 1:05:30 | 1:05:34 | |
The charity first, the job that I did second, losing third. | 1:05:34 | 1:05:38 | |
-And you felt you have a great team. -Absolutely. | 1:05:38 | 1:05:40 | |
And you hate to bring two people back, right? | 1:05:40 | 1:05:42 | |
No, I do not want to break up the energy of this team right now. | 1:05:42 | 1:05:45 | |
It was the first time that we had a successful synergy in our group. | 1:05:45 | 1:05:49 | |
You think you should be fired as the project manager? | 1:05:49 | 1:05:51 | |
-Absolutely not. -Who should be fired? | 1:05:51 | 1:05:53 | |
I hate to say this, | 1:05:54 | 1:05:56 | |
but someone will be fired today and I would choose Dayana. | 1:05:56 | 1:06:00 | |
And I love her to death | 1:06:00 | 1:06:02 | |
and I actually became much closer with her during this task | 1:06:02 | 1:06:05 | |
and I love who she is as a person and I feel her heart. | 1:06:05 | 1:06:09 | |
For the first time in this mission, I really got to get to know her | 1:06:09 | 1:06:12 | |
and I really like her a lot. | 1:06:12 | 1:06:14 | |
I really do, I have nothing bad to say about her. | 1:06:14 | 1:06:18 | |
It's just a matter of a bunch of really good people now | 1:06:18 | 1:06:20 | |
and people have to go. | 1:06:20 | 1:06:22 | |
How do you feel about that, Dayana? | 1:06:24 | 1:06:26 | |
I've been trying to do my best and if I'm so limited on maybe ideas | 1:06:28 | 1:06:35 | |
or execution or trying to get contacts on the phone, there's just | 1:06:35 | 1:06:39 | |
so much I can do, and again I don't want to keep... | 1:06:39 | 1:06:41 | |
Didn't she do a good job? | 1:06:41 | 1:06:42 | |
She brought models in, she brought Miss USA in, | 1:06:42 | 1:06:45 | |
she brought a lot of people in. | 1:06:45 | 1:06:46 | |
I would think, and I didn't really see what you did, but I think | 1:06:46 | 1:06:50 | |
that was more than what most other people on the team did, right? | 1:06:50 | 1:06:53 | |
-Everyone did a lot. -Debbie? | 1:06:53 | 1:06:55 | |
I mean, basically, | 1:06:55 | 1:06:56 | |
we did pretty much everything together the entire time | 1:06:56 | 1:07:00 | |
with the exception of the recording, | 1:07:00 | 1:07:01 | |
which I had to bring someone with me, | 1:07:01 | 1:07:03 | |
so Dayana couldn't be doing anything that particular one hour. | 1:07:03 | 1:07:06 | |
No, but she brought a lot of people with her. | 1:07:06 | 1:07:09 | |
-Did anybody else bring that many people? -Yes. | 1:07:09 | 1:07:12 | |
So, Teresa, why are you so surprised? | 1:07:12 | 1:07:14 | |
You looked like you were very surprised. Why? | 1:07:14 | 1:07:17 | |
Cos I thought the party was great. | 1:07:17 | 1:07:20 | |
I mean, we didn't miss a beat. | 1:07:20 | 1:07:23 | |
I thought the signage was great. | 1:07:23 | 1:07:24 | |
So, why do you think you lost, Teresa? | 1:07:24 | 1:07:26 | |
I guess they said we didn't show Crystal Light. | 1:07:26 | 1:07:29 | |
-Did you lose because of your project manager? -No, definitely not. | 1:07:29 | 1:07:33 | |
I mean, she's amazing. She's great in all the tasks. | 1:07:33 | 1:07:37 | |
Who would you fire? | 1:07:37 | 1:07:39 | |
-I already said it. -Who? -Dayana. | 1:07:40 | 1:07:42 | |
Who would you fire, Patricia? | 1:07:44 | 1:07:46 | |
Oh, I can't say that. | 1:07:46 | 1:07:50 | |
Mr Trump, I can't say that because I think, in this task, | 1:07:50 | 1:07:54 | |
everybody was a team player. | 1:07:54 | 1:07:56 | |
-Did Patricia do a good job, Aubrey? -Yes, she did. | 1:07:56 | 1:07:59 | |
-Are these lifelong friends, all of them, for you? -Absolutely. | 1:07:59 | 1:08:02 | |
If you get fired tonight, you'll still love them? | 1:08:02 | 1:08:05 | |
-I'm not getting fired tonight. -But will you still love them? | 1:08:05 | 1:08:09 | |
-Absolutely. -But if you really love them, | 1:08:09 | 1:08:11 | |
-wouldn't you take the bullet as the project manager? -No, | 1:08:11 | 1:08:13 | |
because I'm an invaluable member of this team. | 1:08:13 | 1:08:15 | |
I've been part of the creation or the leader of every | 1:08:15 | 1:08:18 | |
successful challenge we've had. I believe that today was amazing. | 1:08:18 | 1:08:22 | |
There was nothing that I could have done better and I gave 150%. | 1:08:22 | 1:08:27 | |
The team was unified. No-one up here has chosen me when you asked them. | 1:08:27 | 1:08:30 | |
But do you think you're better | 1:08:30 | 1:08:32 | |
-than the other members of the team? -No, I do not. | 1:08:32 | 1:08:35 | |
It's not about being better, it's just about... | 1:08:35 | 1:08:37 | |
But, as project manager, don't you think maybe | 1:08:37 | 1:08:39 | |
-you should be fired because you lost? -No. | 1:08:39 | 1:08:41 | |
There was no REAL loser here, | 1:08:41 | 1:08:44 | |
but your team lost and you're the project manager. | 1:08:44 | 1:08:46 | |
Right, but our task was successful. Everyone agreed on everything. | 1:08:46 | 1:08:50 | |
I made sure to ask everyone and everyone here did a great job, | 1:08:50 | 1:08:53 | |
so it has to become about something else, | 1:08:53 | 1:08:55 | |
which is who can be more efficient later on | 1:08:55 | 1:08:58 | |
for the specific goal of becoming Celebrity Apprentice. | 1:08:58 | 1:09:02 | |
Who would you fault for the signage issues? | 1:09:02 | 1:09:05 | |
That was really a criticism of the Crystal Light executives. | 1:09:07 | 1:09:10 | |
That was their only criticism, really. | 1:09:10 | 1:09:13 | |
They focused on the fact that it was called Pomtini | 1:09:13 | 1:09:16 | |
and that could be created by any brand, | 1:09:16 | 1:09:19 | |
that the Crystal Light really needed to be up there. | 1:09:19 | 1:09:22 | |
I made it very specific the signage that I wanted so Pomtini | 1:09:22 | 1:09:26 | |
and Crystal Light would be the equal same size on the poster | 1:09:26 | 1:09:30 | |
so we would have the same amount of branding per logo. | 1:09:30 | 1:09:32 | |
So, Debbie, who was in charge of the graphics? | 1:09:32 | 1:09:35 | |
Patricia was in charge of the graphics. | 1:09:35 | 1:09:37 | |
That's dangerous, Patricia, that's dangerous! | 1:09:37 | 1:09:39 | |
-Yes, it is, but every single... -For you, that's dangerous. | 1:09:39 | 1:09:43 | |
Yes, Mr Trump, but every single piece of artwork | 1:09:43 | 1:09:46 | |
that I created was shown. | 1:09:46 | 1:09:48 | |
-Did Aubrey approve it? Did Aubrey approve it? -Yes. | 1:09:48 | 1:09:51 | |
I politely disagree with that. | 1:09:51 | 1:09:53 | |
Well, you have to approve it cos you're the project manager. | 1:09:53 | 1:09:56 | |
She did not show me everything. | 1:09:56 | 1:09:58 | |
Not everything was exactly the way I would have liked it to be seen. | 1:09:58 | 1:10:01 | |
I did ask her to show me everything, but maybe she's just used | 1:10:01 | 1:10:04 | |
to working alone and she's not used to checking in with a boss. | 1:10:04 | 1:10:08 | |
All right, Deborah, if you were me, who would you fire? | 1:10:08 | 1:10:11 | |
Oh, my God... | 1:10:11 | 1:10:13 | |
You guys act so shocked that you're going to be asked this question! | 1:10:14 | 1:10:18 | |
I know, it's just a tough week for it. | 1:10:18 | 1:10:21 | |
Who would you fire, Deborah? | 1:10:21 | 1:10:22 | |
If it falls down to printing and checking the printing | 1:10:22 | 1:10:26 | |
and the logos, that would be Patricia. | 1:10:26 | 1:10:28 | |
If it comes down to the direction of it, for this week, | 1:10:28 | 1:10:32 | |
it would have to be Aubrey, | 1:10:32 | 1:10:34 | |
but I have to say Aubrey has been pretty much the creative force | 1:10:34 | 1:10:38 | |
behind the last four or five tasks. | 1:10:38 | 1:10:41 | |
I don't think this team can afford to lose her moving forward. | 1:10:41 | 1:10:44 | |
Wait a minute - they've lost four out of six under... | 1:10:44 | 1:10:47 | |
Aubrey's direction. | 1:10:47 | 1:10:48 | |
And Lisa's tutelage. What kind of track record is that? | 1:10:48 | 1:10:51 | |
But, you know what, the girls need to put that together. | 1:10:51 | 1:10:54 | |
Can someone text Donald Jr and just tell him | 1:10:54 | 1:10:57 | |
they've lost four out of six? | 1:10:57 | 1:11:00 | |
I'd also like to remind my team that, yes, | 1:11:00 | 1:11:03 | |
Aubrey is a fantastic creator and she has a great, loud voice, | 1:11:03 | 1:11:07 | |
but we just won two tasks and we've been losing most of them. | 1:11:07 | 1:11:10 | |
-Boom! -There we go! So it's not just me, thank you! | 1:11:10 | 1:11:14 | |
-And you lost this one. -And we lost this one. -Most importantly, right? | 1:11:16 | 1:11:20 | |
Lisa, what do you have to say? | 1:11:20 | 1:11:22 | |
I am sorry to be hardcore, but I hate mistakes so much. | 1:11:22 | 1:11:26 | |
-Does that mean Patricia? -Yes. | 1:11:26 | 1:11:29 | |
And I'm sorry, that's the only mistake | 1:11:29 | 1:11:31 | |
I can think of this team making, and if that's a problem, | 1:11:31 | 1:11:34 | |
then that's a problem. | 1:11:34 | 1:11:36 | |
So, Aubrey, I'm going to ask you to bring two people back. | 1:11:36 | 1:11:40 | |
Somebody of those three will be fired. Who is it going to be? | 1:11:40 | 1:11:45 | |
Patricia and Dayana. | 1:11:45 | 1:11:47 | |
OK, very good. Go outside. The three of you will come right back. | 1:11:47 | 1:11:52 | |
Thank you. | 1:11:52 | 1:11:53 | |
Men, turn off your TV. | 1:12:03 | 1:12:05 | |
-Wow! The two Venezuelans? -Patricia and Dayana. | 1:12:05 | 1:12:07 | |
-Wow! -She's taken out the country of Venezuela. -Wow! | 1:12:07 | 1:12:10 | |
-Sorry, you guys. -Don't cry. You're going to look ugly if you cry. | 1:12:14 | 1:12:19 | |
THEY LAUGH | 1:12:19 | 1:12:22 | |
You did a good job. | 1:12:23 | 1:12:25 | |
Thank you. | 1:12:25 | 1:12:27 | |
-What do you think? -I think it's tough. | 1:12:44 | 1:12:46 | |
Learning from you, I hate mistakes as well | 1:12:46 | 1:12:48 | |
-and that seems to go in one direction right now. -Ivanka? | 1:12:48 | 1:12:51 | |
I like all three of these women. | 1:12:51 | 1:12:52 | |
I think Aubrey's got an incredible fire, though, and I appreciate that. | 1:12:52 | 1:12:56 | |
That's true. Amanda, bring them in. | 1:12:56 | 1:12:59 | |
Yes, sir. Ladies, Mr Trump is ready for you now. | 1:12:59 | 1:13:02 | |
Aubrey, how do you feel? | 1:13:22 | 1:13:24 | |
-I'm extremely upset. -Why so upset? You lost. People lose. | 1:13:24 | 1:13:29 | |
I understand that, but I'm a very charitable person. | 1:13:29 | 1:13:33 | |
I really put 110% and have done that in every single task. | 1:13:33 | 1:13:36 | |
Don't you think you deserve to be here and don't you think maybe, | 1:13:36 | 1:13:40 | |
because you're the project manager, in fact you should be fired? | 1:13:40 | 1:13:43 | |
No. | 1:13:43 | 1:13:44 | |
-You've not always fired project managers, first of all. -That's true. | 1:13:44 | 1:13:48 | |
Second of all, I've been an invaluable player | 1:13:48 | 1:13:50 | |
in every single task. My work, my work ethic | 1:13:50 | 1:13:54 | |
and what I did today was fantastic | 1:13:54 | 1:13:57 | |
and everybody in my team has spoken for me. | 1:13:57 | 1:14:00 | |
Who would you fire? | 1:14:00 | 1:14:01 | |
I have to say Dayana, and I love her, and I have to say Dayana | 1:14:06 | 1:14:11 | |
because we have a team of strong people and, eventually, | 1:14:11 | 1:14:14 | |
everyone's going to have to be put in this position. | 1:14:14 | 1:14:17 | |
And the printing mistake that Patricia made, what about that? | 1:14:17 | 1:14:21 | |
I believe that Patricia contributed a lot. She always does. | 1:14:21 | 1:14:25 | |
I think that she's a stronger player moving forward than Dayana. | 1:14:25 | 1:14:28 | |
Again, I love Dayana. | 1:14:28 | 1:14:29 | |
But she made a bigger mistake on this particular task. | 1:14:29 | 1:14:32 | |
But she's a more useful player moving forward. | 1:14:32 | 1:14:34 | |
You're in the boardroom right now because of the loss on THIS task. | 1:14:34 | 1:14:37 | |
There's something to be said, "We don't want Dayana going forward," | 1:14:37 | 1:14:40 | |
but you're in the boardroom now for a specific reason | 1:14:40 | 1:14:43 | |
and that had to do with the brand messaging. | 1:14:43 | 1:14:45 | |
Dayana, let me ask you this. | 1:14:45 | 1:14:47 | |
You're a very strong person, we all know that, and yet, | 1:14:47 | 1:14:50 | |
every single time, they want to fire you. | 1:14:50 | 1:14:52 | |
In fact, I think this is your third time being brought back here. | 1:14:52 | 1:14:55 | |
-I'm always here! -And yet you're a very strong person. | 1:14:55 | 1:14:58 | |
How do you respond to this? | 1:14:58 | 1:14:59 | |
-I'm sorry again. -Don't worry, don't worry. | 1:14:59 | 1:15:02 | |
I don't take anything personally. We're here for other reasons. | 1:15:02 | 1:15:05 | |
I'm here for my charity, you guys are here for yours. | 1:15:05 | 1:15:07 | |
It is a bit personal, though, because, in some ways, | 1:15:07 | 1:15:10 | |
it's easier to stomach that you made a mistake on an isolated task, | 1:15:10 | 1:15:13 | |
but I think it's much harder to hear consistently | 1:15:13 | 1:15:15 | |
that you're the weakest link on a team. | 1:15:15 | 1:15:16 | |
It's just most of our tasks, we've been losing for our theme | 1:15:16 | 1:15:20 | |
and these are all theme creations where Aubrey has a hand... | 1:15:20 | 1:15:26 | |
-Can I address that? -Again, she is amazingly creative, | 1:15:26 | 1:15:28 | |
but we've been having this issue some other times. | 1:15:28 | 1:15:31 | |
So you're saying Aubrey has had a lot to do with all of your tasks | 1:15:31 | 1:15:33 | |
and you keep losing? That's a very interesting point. | 1:15:33 | 1:15:36 | |
To counterpoint, we're not losing every week. | 1:15:36 | 1:15:38 | |
In fact, her mission, where she won 50,000, it was my concept. | 1:15:38 | 1:15:42 | |
And if you look at Debbie's mission where she won 50,000, | 1:15:42 | 1:15:46 | |
it was MY concept. | 1:15:46 | 1:15:48 | |
If we had Dayana running the concepts | 1:15:48 | 1:15:50 | |
on the last four or five tasks, | 1:15:50 | 1:15:51 | |
we wouldn't have a concept. | 1:15:51 | 1:15:53 | |
You cannot fire creative people for being creative. | 1:15:53 | 1:15:56 | |
-I think Dayana's very creative, also. -She is amazing. | 1:15:56 | 1:15:59 | |
I'm not disrespecting her ability. | 1:15:59 | 1:16:01 | |
I'm sure in any other situation, her ability is fantastic. | 1:16:01 | 1:16:06 | |
-This is a different situation and... -Let me ask you this, Patricia. | 1:16:06 | 1:16:09 | |
A statement was made and it was very interesting - | 1:16:09 | 1:16:11 | |
-you have lost a lot, OK? -Yes, we have. | 1:16:11 | 1:16:13 | |
And yet Aubrey was involved in those losses. | 1:16:13 | 1:16:16 | |
She's always very much out there and that's good, but it also... | 1:16:16 | 1:16:19 | |
-And the wins. -How do you respond to that? | 1:16:19 | 1:16:23 | |
Well, I feel like, in this specific task, | 1:16:23 | 1:16:26 | |
we are saying there was a mistake and the mistake was the printing. | 1:16:26 | 1:16:29 | |
But that's your problem. That was your mistake. | 1:16:29 | 1:16:33 | |
Whether it's fully, who knows? Wasn't the printing your mistake? | 1:16:33 | 1:16:38 | |
-No, sir. -Well, they're all saying it was your mistake. -No, sir. | 1:16:38 | 1:16:40 | |
Why wasn't it your mistake? You were in charge of the printing. | 1:16:40 | 1:16:43 | |
-If you consider... -Aubrey, was she in charge of the printing? | 1:16:43 | 1:16:46 | |
She made the mistake. She printed things that I had not seen. | 1:16:46 | 1:16:49 | |
You were looking over a lot of things... | 1:16:49 | 1:16:50 | |
She's not a graphic designer... | 1:16:50 | 1:16:52 | |
I'm not a graphic designer, I'm not a party planner, | 1:16:52 | 1:16:56 | |
but I executed it, didn't I? | 1:16:56 | 1:16:57 | |
I have proved task after task after task that I have delivered. | 1:16:57 | 1:17:00 | |
Mr Trump, I was disappointed this morning | 1:17:00 | 1:17:02 | |
that the Crystal Light poster | 1:17:02 | 1:17:03 | |
wasn't executed the way I wanted it, | 1:17:03 | 1:17:05 | |
but instead of complaining about it | 1:17:05 | 1:17:07 | |
and making a bigger problem out of something... | 1:17:07 | 1:17:09 | |
Pomtini was bigger than Crystal Light | 1:17:09 | 1:17:11 | |
-and they hated that. -OK, well... | 1:17:11 | 1:17:13 | |
But whose fault was that? But whose fault is that? | 1:17:13 | 1:17:16 | |
You approved every single one of the main designs that I did, | 1:17:16 | 1:17:19 | |
-there were four or five. -I did not approve every design we did. | 1:17:19 | 1:17:22 | |
I approved Crystal Light posters that were bigger | 1:17:22 | 1:17:24 | |
than the Pomtini logo for the walls so Crystal Light would be present. | 1:17:24 | 1:17:27 | |
-That is the bottom line. -Patricia, why did you bring up printing? | 1:17:27 | 1:17:30 | |
My father had asked you very specifically about Aubrey | 1:17:30 | 1:17:33 | |
and how consistently her creativity is leading to a loss. | 1:17:33 | 1:17:36 | |
I was going somewhere. | 1:17:36 | 1:17:37 | |
It seems a little odd that you brought up | 1:17:37 | 1:17:39 | |
-your shortcoming in this particular situation. -I was going somewhere. | 1:17:39 | 1:17:43 | |
I believe you bring something to a team | 1:17:43 | 1:17:46 | |
and I have been in charge of the printing for this task | 1:17:46 | 1:17:49 | |
and some of the other tasks, | 1:17:49 | 1:17:50 | |
but when you think of everything that I've done, | 1:17:50 | 1:17:52 | |
I've probably been the person in this team | 1:17:52 | 1:17:54 | |
with the most resources, like even just for today. | 1:17:54 | 1:17:57 | |
I can get things donated, like the ice sculpture, | 1:17:57 | 1:18:00 | |
like bringing the flowers. | 1:18:00 | 1:18:01 | |
-You did a good job. -Patricia, at the same time, | 1:18:01 | 1:18:04 | |
wasn't it you also that highlighted the Pomtini | 1:18:04 | 1:18:06 | |
as opposed to Crystal Light? | 1:18:06 | 1:18:08 | |
-No, I created many... -Dayana just said yes. | 1:18:08 | 1:18:10 | |
This is interesting, | 1:18:10 | 1:18:11 | |
as the Latin connection usually sticks together very well. | 1:18:11 | 1:18:14 | |
I'm not disagreeing with her. | 1:18:14 | 1:18:16 | |
I created many logos. | 1:18:16 | 1:18:18 | |
The Pomtini, Crystal Light and Crystal Delight | 1:18:18 | 1:18:20 | |
and the Garden of Eden and the Garden of Crystal Delight in Eden, | 1:18:20 | 1:18:23 | |
it's just too many things to put | 1:18:23 | 1:18:26 | |
and hang on the walls and, at the end, | 1:18:26 | 1:18:28 | |
if we had to make a decision of why are we missing... | 1:18:28 | 1:18:30 | |
Right, whose fault was that? | 1:18:30 | 1:18:32 | |
All these ideas came from Aubrey. | 1:18:32 | 1:18:34 | |
And I would like to say my ideas | 1:18:34 | 1:18:35 | |
were complimented in everything that Donald Jr said. | 1:18:35 | 1:18:39 | |
They said, "We love the theme, we love the idea, | 1:18:39 | 1:18:41 | |
"we love that you guys had us talk about your healthy desires." | 1:18:41 | 1:18:44 | |
All of those were my ideas. | 1:18:44 | 1:18:46 | |
The printing and the way | 1:18:46 | 1:18:47 | |
that the graphics were displayed was Patricia's. | 1:18:47 | 1:18:49 | |
There were issues that she had and, other than that, Dayana... | 1:18:49 | 1:18:52 | |
That's a big "other than". You're saying "other than that", right? | 1:18:52 | 1:18:55 | |
-I mean, it was a mistake, Patricia, right? -Mr Trump... | 1:18:55 | 1:18:57 | |
-Would you say it was a mistake? -No, everything... | 1:18:57 | 1:19:00 | |
Everyone else said it was a mistake. | 1:19:00 | 1:19:02 | |
Everything that was designed, | 1:19:02 | 1:19:05 | |
the most important things were run by Aubrey. | 1:19:05 | 1:19:08 | |
She did not run everything by me, I'm sorry. | 1:19:08 | 1:19:10 | |
There were a lot of the graphics. | 1:19:10 | 1:19:14 | |
When I asked you this morning, | 1:19:14 | 1:19:15 | |
"Where are my Crystal Light posters?", | 1:19:15 | 1:19:18 | |
you said, "Oh, my God, I don't know." | 1:19:18 | 1:19:20 | |
Maybe we shouldn't have had so many themes in one party | 1:19:20 | 1:19:23 | |
and just focused on something. | 1:19:23 | 1:19:25 | |
Dayana, you agree with everything | 1:19:25 | 1:19:27 | |
and you've never had an opinion this entire time. | 1:19:27 | 1:19:29 | |
I thought it was all wonderful and I kept saying it to you outside. | 1:19:29 | 1:19:32 | |
I said you did a good job on that because we're all a team together. | 1:19:32 | 1:19:35 | |
You're saying something different now we're in the boardroom. | 1:19:35 | 1:19:38 | |
You're saying you're a strong player and, yes, we are all here | 1:19:38 | 1:19:41 | |
because we are strong players, but if we keep losing... | 1:19:41 | 1:19:44 | |
-Do you think you're a stronger player? -Can I finish talking? | 1:19:44 | 1:19:47 | |
If we keep losing, we just keep losing because of themes, ideas. | 1:19:47 | 1:19:50 | |
What concept have you had this entire time? Please, let us know. | 1:19:50 | 1:19:53 | |
Let us know how you are a useful player, please. | 1:19:53 | 1:19:56 | |
-Aubrey... -I'm waiting for you to show me, I really am. | 1:19:56 | 1:19:59 | |
Dayana, Aubrey actually asked an interesting question, | 1:19:59 | 1:20:03 | |
which is do you feel you're a stronger player | 1:20:03 | 1:20:05 | |
than the other two contestants that are here? | 1:20:05 | 1:20:07 | |
-I... -A lot of people have held you up for criticism. | 1:20:09 | 1:20:12 | |
You haven't contributed, you haven't come up with concepts, | 1:20:12 | 1:20:14 | |
you've been a worker bee, basically. | 1:20:14 | 1:20:16 | |
Do you think you're stronger than those two? | 1:20:16 | 1:20:19 | |
Even though I create slower | 1:20:19 | 1:20:20 | |
cos I have to think in two different languages at the same time... | 1:20:20 | 1:20:24 | |
That's not really it. | 1:20:24 | 1:20:25 | |
You think in one language, right? That's not really an excuse. | 1:20:25 | 1:20:28 | |
Correct, and then I have to translate it. | 1:20:28 | 1:20:30 | |
But if I take longer to speak up, I don't think that will be a problem. | 1:20:30 | 1:20:34 | |
-If we had a louder voice... -You just don't have the best ideas. | 1:20:34 | 1:20:38 | |
I think everybody has different strengths within the group. | 1:20:38 | 1:20:41 | |
Some people, their strength might be | 1:20:41 | 1:20:43 | |
to create the concept part of things and give the ideas. | 1:20:43 | 1:20:46 | |
Some people are the executors and that's what makes a team - | 1:20:46 | 1:20:49 | |
a little bit of everything. | 1:20:49 | 1:20:50 | |
I can be an executor and I can also be a creative. | 1:20:50 | 1:20:52 | |
Dayana can only be an executor. | 1:20:52 | 1:20:55 | |
And that is what has been proved so far. I'm not saying... | 1:20:55 | 1:20:58 | |
But you didn't lose this because of Dayana. | 1:20:58 | 1:21:02 | |
We lost because of Patricia | 1:21:02 | 1:21:04 | |
if the issue was the Crystal Light logos. | 1:21:04 | 1:21:06 | |
Look, the fact is that the executives loved the party, | 1:21:06 | 1:21:10 | |
but they didn't like the details. | 1:21:10 | 1:21:12 | |
Unfortunately, and I think she's the most elegant woman, | 1:21:12 | 1:21:16 | |
the details were done by Patricia. | 1:21:16 | 1:21:19 | |
Patricia, you're fired. | 1:21:19 | 1:21:20 | |
Thank you. Thank you. | 1:21:26 | 1:21:29 | |
Go ahead, go. | 1:21:29 | 1:21:31 | |
-Thank you, Mr Trump. -Thank you very much, Patricia. | 1:21:33 | 1:21:36 | |
It's OK, it's OK. You guys are gonna rock. | 1:21:39 | 1:21:42 | |
I hate this game! | 1:21:47 | 1:21:49 | |
Don't worry. | 1:21:51 | 1:21:53 | |
It amazes me that they can fight like that | 1:22:10 | 1:22:13 | |
and then somebody gets fired and they hold hands | 1:22:13 | 1:22:15 | |
and hold their waists and they walk out like they love each other. | 1:22:15 | 1:22:19 | |
-It's unbelievable. -It's pretty unusual. | 1:22:19 | 1:22:21 | |
My advice to the remaining contestants is to always be honest. | 1:22:55 | 1:22:59 | |
Backstabbing or lying, it's for me an example | 1:22:59 | 1:23:02 | |
of exactly what I don't want to do with my life. | 1:23:02 | 1:23:05 | |
I definitely don't think that Mr Trump made the right decision, | 1:23:06 | 1:23:10 | |
but I think that being here | 1:23:10 | 1:23:11 | |
and the opportunity to show The Wayuu Taya Foundation | 1:23:11 | 1:23:15 | |
and talk about what I've done with the creation of this charity | 1:23:15 | 1:23:18 | |
is such an incredible opportunity that I can be nothing but thankful. | 1:23:18 | 1:23:22 |