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Previously, on the Celebrity Apprentice, | 0:00:02 | 0:00:03 | |
the teams were tasked with throwing launch parties for Crystal Light's | 0:00:03 | 0:00:06 | |
-new flavours. -50,000 to the project manager of the winning team. | 0:00:06 | 0:00:10 | |
Good Luck. Thank you. | 0:00:10 | 0:00:11 | |
Project manager Aubrey O'Day and Teresa Giudice | 0:00:11 | 0:00:15 | |
didn't see eye to eye. | 0:00:15 | 0:00:16 | |
We're going with the idea of you can, like, | 0:00:16 | 0:00:19 | |
play with your healthy desire. | 0:00:19 | 0:00:21 | |
I don't know if I'm crazy about stir your healthy desire. | 0:00:21 | 0:00:23 | |
If you can think of something better, I want you to. | 0:00:23 | 0:00:26 | |
On team Unanimous, projects manager Clay Aiken | 0:00:26 | 0:00:29 | |
sent away rival, Penn Jillette. | 0:00:29 | 0:00:31 | |
It's very nice without Penn around, | 0:00:31 | 0:00:34 | |
because Penn and I have had some issues. | 0:00:34 | 0:00:36 | |
-Let's party! -When it was time for the event, both teams went all out. | 0:00:36 | 0:00:42 | |
-In the boardroom, the women were unified. -We were fantastic. | 0:00:46 | 0:00:50 | |
But that wasn't enough. | 0:00:50 | 0:00:52 | |
Women, stay here, because you lost. | 0:00:52 | 0:00:54 | |
Left to face Mr Trump, Aubrey attacked Dayana. | 0:00:56 | 0:01:00 | |
What concept have you had this entire time? Please let us know! | 0:01:00 | 0:01:02 | |
-You showed the window to me, open it. -Let us know how | 0:01:02 | 0:01:05 | |
-you're a useful player, please. -They've lost four out of six | 0:01:05 | 0:01:07 | |
under Aubrey's tutelage. | 0:01:07 | 0:01:09 | |
What kind of track record is that? | 0:01:09 | 0:01:10 | |
But in the end, the blame was placed on Patricia. | 0:01:10 | 0:01:13 | |
The executives didn't like the details. | 0:01:13 | 0:01:16 | |
Patricia, you're fired! | 0:01:16 | 0:01:18 | |
Dayana's more of a team player. | 0:01:30 | 0:01:32 | |
Patricia's all into herself and all into, like, her connections. | 0:01:32 | 0:01:35 | |
I think she's gone. | 0:01:35 | 0:01:36 | |
I'm praying that Aubrey walks in the room | 0:01:36 | 0:01:39 | |
and one of the others will have to take a bullet. | 0:01:39 | 0:01:41 | |
Ah, here we go, here we go, here we go. | 0:01:41 | 0:01:43 | |
Ah. | 0:01:46 | 0:01:47 | |
Here, sit down. | 0:01:49 | 0:01:51 | |
Do you want to talk or do you not want to talk? | 0:01:51 | 0:01:53 | |
-Would you like a drink? -Just some water. | 0:01:53 | 0:01:55 | |
'The right person did not get fired tonight. | 0:01:55 | 0:01:57 | |
'The person that should have gotten fired tonight is Dayana.' | 0:01:57 | 0:02:00 | |
Dayana is the weakest member | 0:02:00 | 0:02:02 | |
of our team, | 0:02:02 | 0:02:03 | |
'and Dayana's next to go.' | 0:02:03 | 0:02:06 | |
-You're doing great. -Lou, please don't break her ribs. | 0:02:06 | 0:02:09 | |
Oh, my God, Lou, be careful. Be careful. | 0:02:09 | 0:02:11 | |
I can't believe it. I can't believe what happened. | 0:02:14 | 0:02:17 | |
Patricia and I have been supporting each other emotionally | 0:02:17 | 0:02:20 | |
and professionally. | 0:02:20 | 0:02:21 | |
It's hard to see somebody go, | 0:02:21 | 0:02:23 | |
especially such an amazing, | 0:02:23 | 0:02:25 | |
wonderful, wonderful woman. | 0:02:25 | 0:02:27 | |
How much did he give you? | 0:02:27 | 0:02:28 | |
-10,000. -That's very special. | 0:02:28 | 0:02:30 | |
And you will never be criticised | 0:02:30 | 0:02:32 | |
for being choked up over something like that. | 0:02:32 | 0:02:34 | |
'At this point, the guys show up and just are ready to work. | 0:02:34 | 0:02:38 | |
'But we still have a more' | 0:02:38 | 0:02:40 | |
emotionally-charged, | 0:02:40 | 0:02:41 | |
dysfunctional team. | 0:02:41 | 0:02:43 | |
'The team's not unified, people are out to get other people. | 0:02:43 | 0:02:47 | |
'If we have angst among us,' | 0:02:47 | 0:02:49 | |
we're going to continue to lose. | 0:02:49 | 0:02:51 | |
# Money, money, money, money | 0:02:56 | 0:02:58 | |
# Money! | 0:02:59 | 0:03:00 | |
# Money, money, money, money | 0:03:00 | 0:03:03 | |
-# Money! -# | 0:03:04 | 0:03:05 | |
All right. | 0:03:13 | 0:03:14 | |
-Hello. -Hi. -How are you? Good to see you. -Nice to see you. | 0:03:15 | 0:03:18 | |
Hey, guys, what are we playing? 'Today I'm meeting | 0:03:18 | 0:03:21 | |
Kristy White. She's the Director of Marketing for the | 0:03:21 | 0:03:23 | |
National Inclusion Project, | 0:03:23 | 0:03:25 | |
and a friend of mine for years and years. | 0:03:25 | 0:03:27 | |
'The National Inclusion Project works | 0:03:27 | 0:03:28 | |
'to include kids with disabilities in the programmes with | 0:03:28 | 0:03:31 | |
'kids without disabilities, so that you really don't notice | 0:03:31 | 0:03:33 | |
'disabilities or abilities.' Shake it! | 0:03:33 | 0:03:36 | |
It's an organisation that I helped start about eight years ago. | 0:03:36 | 0:03:39 | |
OK, well, I got something I want to tell you about, OK? | 0:03:39 | 0:03:41 | |
I've been playing this other game called the Celebrity Apprentice, | 0:03:41 | 0:03:44 | |
so I won my challenge, | 0:03:44 | 0:03:46 | |
-and as a result... -Awesome. -..I got a cheque to give | 0:03:46 | 0:03:48 | |
to the National Inclusion Project, | 0:03:48 | 0:03:50 | |
so take a look at it and you'll see what we got. | 0:03:50 | 0:03:52 | |
-This is amazing! -20,000. -Thank you so much. | 0:03:52 | 0:03:56 | |
Since we put together a party for Crystal Light, | 0:03:56 | 0:03:59 | |
-they also gave us a cheque... -Oh, my goodness. | 0:03:59 | 0:04:01 | |
-Wow. -30,000. -You have really surprised me. | 0:04:03 | 0:04:07 | |
It's pretty exciting to be able to surprise Kristy and | 0:04:07 | 0:04:09 | |
to present a cheque to continue the work that | 0:04:09 | 0:04:11 | |
we've been doing for a while. Winning was incredible, | 0:04:11 | 0:04:13 | |
but getting that 50,000 and knowing how many kids it's going to help | 0:04:13 | 0:04:17 | |
really made me want that 250,000, so I'm going to play harder | 0:04:17 | 0:04:20 | |
and stay around as long as I can. | 0:04:20 | 0:04:22 | |
Are we inside? | 0:04:22 | 0:04:23 | |
-Good morning. -ALL: -Good morning. | 0:04:43 | 0:04:44 | |
OK, we're standing in Trump Tower. | 0:04:44 | 0:04:47 | |
This is the heart and soul of New York for Donald Trump, | 0:04:47 | 0:04:50 | |
but we have a whole different New York. | 0:04:50 | 0:04:53 | |
You folks are going to create | 0:04:53 | 0:04:55 | |
a great New York celebrity guidebook, and then | 0:04:55 | 0:04:59 | |
you're going to sell the book, | 0:04:59 | 0:05:01 | |
you're going to make a lot of money. | 0:05:01 | 0:05:02 | |
All of that money is going to charity. | 0:05:02 | 0:05:05 | |
Ivanka, give us the task. | 0:05:05 | 0:05:07 | |
Each team will photograph, write and | 0:05:07 | 0:05:09 | |
design their own My New York celebrity guidebook, | 0:05:09 | 0:05:13 | |
using the Toshiba tablet. | 0:05:13 | 0:05:14 | |
They will feature their own personal experiences here, in New York City. | 0:05:14 | 0:05:18 | |
Tomorrow, you're going to be selling your books. The team that makes the | 0:05:18 | 0:05:21 | |
most amount of money from the sale of their celebrity guidebook wins. | 0:05:21 | 0:05:25 | |
OK, ladies, who's your project manager? | 0:05:25 | 0:05:27 | |
-I am. -Ah, Teresa, finally. | 0:05:27 | 0:05:31 | |
Teresa immediately volunteered to | 0:05:31 | 0:05:33 | |
be project manager and the only | 0:05:33 | 0:05:35 | |
'thing I'm thinking about is, this is the potential for disaster.' | 0:05:35 | 0:05:39 | |
I want to raise as much money as I can, | 0:05:39 | 0:05:41 | |
and my charity is NephCure Foundation. | 0:05:41 | 0:05:43 | |
I'm trying to save this little boy named Matthew. | 0:05:43 | 0:05:46 | |
-He has a rare kidney disease. -I think that's great. | 0:05:46 | 0:05:49 | |
The whole team morale is down. | 0:05:49 | 0:05:50 | |
Someone strong really needs to | 0:05:50 | 0:05:52 | |
step up, and hopefully, turn this team around. | 0:05:52 | 0:05:54 | |
It's going to be me. | 0:05:54 | 0:05:56 | |
Who is your project manager, Arsenio? | 0:05:56 | 0:05:59 | |
-Dee? -Me, sir. Yes. -OK, good. | 0:05:59 | 0:06:01 | |
'I've been working with the March Of Dimes' | 0:06:01 | 0:06:02 | |
for 12 years now. | 0:06:02 | 0:06:04 | |
I would really love to give them a big cheque. | 0:06:04 | 0:06:07 | |
OK, the team that creates the best book will get an added bonus | 0:06:07 | 0:06:12 | |
to your total. | 0:06:12 | 0:06:14 | |
The bonus will be paid by Toshiba, | 0:06:14 | 0:06:17 | |
and it will be judged by a great friend of mine, | 0:06:17 | 0:06:20 | |
and a great celebrity. Wait till you see who it is. | 0:06:20 | 0:06:24 | |
And again, the winning project manager will get all of that | 0:06:24 | 0:06:28 | |
money from both teams plus the Toshiba bonus. | 0:06:28 | 0:06:31 | |
-OK, Teresa, good luck. -Thank you. -Dee, good luck. Go get 'em! | 0:06:31 | 0:06:35 | |
How do you guys feel about getting in money? | 0:06:39 | 0:06:41 | |
Money is the most important thing. We need to raise a lot of money. | 0:06:41 | 0:06:44 | |
-Do you have...? -I have people that are willing to give money. Yeah. | 0:06:44 | 0:06:47 | |
-OK, good. -We're all doing that. We all know to do that. | 0:06:47 | 0:06:50 | |
'Teresa tries to take control of the meeting. She goes,' | 0:06:50 | 0:06:54 | |
"OK, guys, now, you know we just have to raise a lot of money." | 0:06:54 | 0:06:57 | |
And we're, like, "Yeah, we know that." | 0:06:57 | 0:06:59 | |
'This is Teresa's charity. | 0:06:59 | 0:07:01 | |
'She's the project manager, it's her responsibility to bring' | 0:07:01 | 0:07:04 | |
the most amount of money, as far as I'm concerned. | 0:07:04 | 0:07:07 | |
Can I give an idea before anybody says that I'm not creative? | 0:07:07 | 0:07:10 | |
OK, so whoever comes to the city, they want to go to a Broadway show. | 0:07:10 | 0:07:14 | |
Whoever comes to the city, they want to go to the comedy show, so they | 0:07:14 | 0:07:17 | |
would like to be in your favourite place, in your favourite place. | 0:07:17 | 0:07:20 | |
'I had to be more aggressive and speak up' | 0:07:20 | 0:07:21 | |
sooner. Just for them not to say, "Oh, she | 0:07:21 | 0:07:24 | |
"never creates anything. She never | 0:07:24 | 0:07:25 | |
"does anything. She never says anything." Well, you never let me | 0:07:25 | 0:07:28 | |
say anything. So, shut up! | 0:07:28 | 0:07:30 | |
I think we do, like, a few hour photo mission and then | 0:07:30 | 0:07:33 | |
we congregate back, we get on the calls and we get on the layout. | 0:07:33 | 0:07:36 | |
Guys, this is a fundraising task. | 0:07:38 | 0:07:42 | |
I don't care if we lose the best book competition. | 0:07:42 | 0:07:45 | |
I'd like to get the extra money, but I'd rather have you guys | 0:07:45 | 0:07:48 | |
reaching out to our significant donors. | 0:07:48 | 0:07:50 | |
'When you're doing your fundraising task, | 0:07:50 | 0:07:52 | |
'you got to keep your eye on the prize. | 0:07:52 | 0:07:55 | |
'And the primary prize is winning,' | 0:07:55 | 0:07:57 | |
and you win by raising | 0:07:57 | 0:07:58 | |
the most money. | 0:07:58 | 0:07:59 | |
The secondary prize | 0:07:59 | 0:08:01 | |
is a prize for the best guidebook, | 0:08:01 | 0:08:03 | |
'but that best book is not going to win the task.' | 0:08:03 | 0:08:07 | |
-We need to have one of us in every picture. -This is just one idea. | 0:08:07 | 0:08:11 | |
If we went up on one roof, and we shot me over Broadway, | 0:08:11 | 0:08:15 | |
I could then write, here's where I saw the Book Of Mormon, | 0:08:15 | 0:08:19 | |
here's where I saw Penn And Teller play, da, da, da, da, da. | 0:08:19 | 0:08:22 | |
And you could turn the other way and do Dave with downtown behind him. | 0:08:22 | 0:08:26 | |
I like it. How do you guys feel about it? | 0:08:26 | 0:08:28 | |
The only other side, I think, would be that | 0:08:28 | 0:08:30 | |
every picture's going to essentially be the same. | 0:08:30 | 0:08:33 | |
OK. I think we go with this idea. | 0:08:34 | 0:08:38 | |
'It was probably not the best idea. | 0:08:38 | 0:08:40 | |
'I don't know if it's his entire head, but at least' | 0:08:40 | 0:08:43 | |
Dee's forehead is up Penn's ass. | 0:08:43 | 0:08:46 | |
And the money that's being given for this guidebook really could | 0:08:46 | 0:08:49 | |
tip the balance on who wins and who loses. | 0:08:49 | 0:08:52 | |
-What about the Chrysler building? -We should see what's up here. | 0:08:52 | 0:08:55 | |
Yeah, we should. | 0:08:55 | 0:08:56 | |
Ray, thank you so much. Thank you a million times. Bye-bye. | 0:09:02 | 0:09:06 | |
I have a friend that wants to donate anonymously, 10,000. | 0:09:06 | 0:09:10 | |
-I've so far got 17,5. Go ahead. -Get a hand to me, man. | 0:09:10 | 0:09:15 | |
'Our task this week is to' | 0:09:15 | 0:09:16 | |
create and sell a New York city guidebook. | 0:09:16 | 0:09:18 | |
And whichever team raises the most money for charity wins. | 0:09:18 | 0:09:22 | |
We're just going to jump out, we'll take the picture and jump back in. | 0:09:22 | 0:09:25 | |
-Yep. -'We decided to split up the places that we were picking to | 0:09:25 | 0:09:28 | |
'photograph and then' | 0:09:28 | 0:09:29 | |
we can get back by three, | 0:09:29 | 0:09:31 | |
and actually work on this | 0:09:31 | 0:09:32 | |
graphic design. | 0:09:32 | 0:09:33 | |
-One, two, three, beautiful. -Yeah? | 0:09:33 | 0:09:37 | |
One, two, three. | 0:09:39 | 0:09:42 | |
-Yes? -OK, let's go. -All right, thank you. | 0:09:42 | 0:09:45 | |
-A little bit more down. -Do it, take it the other way. | 0:09:45 | 0:09:48 | |
Can you cross your legs the other side so I don't crop that leg off? | 0:09:48 | 0:09:51 | |
-Thank you. -And then, move over. -No, she's good there. | 0:09:51 | 0:09:55 | |
'It was like two blondes trying to be nuclear physicists.' | 0:09:55 | 0:10:00 | |
I feel stranded. | 0:10:00 | 0:10:02 | |
I'm in prison with these two. | 0:10:02 | 0:10:03 | |
I am not used to working this slow and this ineffectively. | 0:10:03 | 0:10:07 | |
All right, Therese, let's move, girl. | 0:10:07 | 0:10:09 | |
Do you want to just get in front of the case, like you're looking? | 0:10:12 | 0:10:15 | |
-Adorable. -OK. One in a booth, maybe? -Yeah, the booth. -Oh, thank you. | 0:10:16 | 0:10:20 | |
Dayana, we're shooting against light. | 0:10:23 | 0:10:25 | |
So, let's try to get off of this idea | 0:10:25 | 0:10:27 | |
and maybe go to something else you love that we can film. | 0:10:27 | 0:10:30 | |
Dayana literally made me shoot her in one location, | 0:10:30 | 0:10:34 | |
36 photos backlit by the sun. | 0:10:34 | 0:10:37 | |
Oh, my God, Aubrey, take a shot here. Aubrey. | 0:10:37 | 0:10:40 | |
'Aubrey, just do me this favour' | 0:10:40 | 0:10:42 | |
and try what I said! Aubrey, Aubrey. | 0:10:42 | 0:10:44 | |
-Again, we're shooting against light. -Just to have it. Just to have it. | 0:10:44 | 0:10:47 | |
Literally, it's quarter of three and the graphics guy's going to | 0:10:48 | 0:10:51 | |
be there at three. | 0:10:51 | 0:10:53 | |
I feel good, we're in good shape. | 0:10:53 | 0:10:55 | |
Graphic guy hopefully will be here soon. | 0:10:58 | 0:11:00 | |
-Oh, my goodness. This is going to work! -Oh, hell, yeah. | 0:11:03 | 0:11:07 | |
-Central Park, thank you. -Oh, man! Woo! | 0:11:07 | 0:11:11 | |
-Mother -BLEEP. -Oh, yeah. | 0:11:11 | 0:11:14 | |
'The idea to go to the top of Trump Tower, | 0:11:14 | 0:11:17 | |
'take pictures of the New York City skyline, | 0:11:17 | 0:11:19 | |
'and we couldn't have asked for a better location.' | 0:11:19 | 0:11:22 | |
Oh, my God, it's like the view of the world! | 0:11:22 | 0:11:25 | |
I'd move in a little bit, Lou. Gun show! | 0:11:26 | 0:11:30 | |
'So, we started taking pictures and we all were going to | 0:11:30 | 0:11:33 | |
'tap into neighbourhoods that' | 0:11:33 | 0:11:35 | |
we had a connection with. | 0:11:35 | 0:11:36 | |
We have Broadway. | 0:11:39 | 0:11:40 | |
I took the Upper West Side and | 0:11:42 | 0:11:44 | |
Paul took the East Side. | 0:11:44 | 0:11:45 | |
Paul knew no neighbourhood in Manhattan. | 0:11:45 | 0:11:48 | |
I'm sure he's never gone to the East Side. | 0:11:48 | 0:11:52 | |
How's it look, Lou? | 0:11:52 | 0:11:54 | |
One, two... 'When he's above, | 0:11:54 | 0:11:55 | |
'I'm laughing because I'm thinking that' | 0:11:55 | 0:11:57 | |
somebody I didn't like I had my | 0:11:57 | 0:11:59 | |
chance to throw him off the roof. | 0:11:59 | 0:12:01 | |
Hey, Penn. Do you want to say goodbye to the boardroom, OK? | 0:12:01 | 0:12:04 | |
Have a nice trip, boom! Bye-bye. | 0:12:04 | 0:12:07 | |
-Let's go. -That's a wrap. | 0:12:07 | 0:12:09 | |
-We need this done really quick. -Now we need to roll quickly. | 0:12:10 | 0:12:15 | |
-'Hi.' -Hey, listen, you guys, seriously, the graphics designer is | 0:12:15 | 0:12:19 | |
here and it's already 3.30 | 0:12:19 | 0:12:20 | |
'and so, you guys need to get back here with the pictures, like, | 0:12:20 | 0:12:23 | |
-'tell them to get a move on.' -Well, there's three more places | 0:12:23 | 0:12:26 | |
-that they want to go to. -'We're not going to have a book' | 0:12:26 | 0:12:28 | |
if you guys continue running around. | 0:12:28 | 0:12:30 | |
At this point if Teresa, | 0:12:30 | 0:12:31 | |
Dayana and Aubrey don't make it | 0:12:31 | 0:12:33 | |
back in time, we're not even going | 0:12:33 | 0:12:34 | |
to have a chance to finish this book. | 0:12:34 | 0:12:36 | |
-We're rushing, we're not dilly-dallying. -'Yeah, but you're | 0:12:36 | 0:12:39 | |
'getting all precious about how pretty everybody looks.' | 0:12:39 | 0:12:41 | |
-It's no big deal. -'If we have nothing to sell,' | 0:12:41 | 0:12:43 | |
we can't raise any money. | 0:12:43 | 0:12:45 | |
There's no way they know how much I hate them right now. Right? | 0:12:45 | 0:12:49 | |
Mine's not as fricking over the top as yours. | 0:12:55 | 0:12:57 | |
Mine's, like, nice then a redeemable bit at the end. | 0:12:57 | 0:13:00 | |
'Paul is a man of few words, so Penn said,' | 0:13:00 | 0:13:04 | |
"I think I can channel Paul Senior. | 0:13:04 | 0:13:06 | |
"I really captured his feelings." | 0:13:06 | 0:13:07 | |
So, Penn wrote for Paul Senior | 0:13:07 | 0:13:10 | |
the most negative description of the Upper East Side you can imagine. | 0:13:10 | 0:13:15 | |
This is brilliant. | 0:13:25 | 0:13:27 | |
This is good, Penn. It's so me. | 0:13:27 | 0:13:29 | |
'I'm not a New York City guy. I moved to the' | 0:13:29 | 0:13:32 | |
country 100 years ago | 0:13:32 | 0:13:34 | |
and that's where I like it. | 0:13:34 | 0:13:35 | |
Did you read the last thing, are you OK with it? That was a joke. | 0:13:35 | 0:13:38 | |
I'm, well, you know how when you're not funny, jokes don't appear | 0:13:38 | 0:13:41 | |
to be jokes to people who actually do them? | 0:13:41 | 0:13:44 | |
-I swear to God, I'll rip it all up and you can start it -BLEEP -over. | 0:13:45 | 0:13:49 | |
I swear to God. | 0:13:49 | 0:13:50 | |
BLEEP. | 0:13:50 | 0:13:51 | |
You know in a fight, you're going to lose. | 0:13:53 | 0:13:55 | |
If we sing, you'll win, but in a fight, you'll lose. | 0:13:55 | 0:13:57 | |
HE LAUGHS | 0:13:57 | 0:14:00 | |
-OK, we're back, girls. -How are you guys doing? | 0:14:00 | 0:14:03 | |
The girls came back | 0:14:05 | 0:14:06 | |
to the war room, and it was, like, | 0:14:06 | 0:14:08 | |
an hour and a half too late. | 0:14:08 | 0:14:09 | |
I didn't even really say anything because I was, like, let us | 0:14:09 | 0:14:12 | |
not distract from the chick doing the graphic arts | 0:14:12 | 0:14:14 | |
because she really needs to get this done. | 0:14:14 | 0:14:17 | |
Anything else we're forgetting? Are we doing signage for the site? | 0:14:21 | 0:14:24 | |
Yes, we need that, a.s.a.p. We always do signage every time. | 0:14:24 | 0:14:28 | |
'Nobody had brought up the idea of signage, or the aesthetics | 0:14:28 | 0:14:32 | |
'of the kiosk that we were going to be' | 0:14:32 | 0:14:34 | |
selling these books at. | 0:14:34 | 0:14:36 | |
And Teresa did not present us her visual concept. | 0:14:36 | 0:14:40 | |
We will be doing signage everyone. Thank you. Yeah. | 0:14:40 | 0:14:43 | |
All right, we're hearing it. Let's stop talking about the mistake | 0:14:43 | 0:14:46 | |
and let's fix it, OK? | 0:14:46 | 0:14:47 | |
All right, so we need to, like, jeuje up the kiosk. | 0:14:47 | 0:14:50 | |
Can you write down ideas of what you want us to buy? | 0:14:50 | 0:14:52 | |
'Teresa was serving at that point as a distraction from getting' | 0:14:52 | 0:14:55 | |
the work done, and I resent that. | 0:14:55 | 0:14:57 | |
But, nonetheless, Aubrey and I were getting ready to go and power shop, | 0:14:57 | 0:15:02 | |
just, you know, to make our kiosk look like something at this point. | 0:15:02 | 0:15:05 | |
-We have to go. -We have no time. OK. | 0:15:05 | 0:15:09 | |
'I'm definitely not a huge fan of Debbie. | 0:15:09 | 0:15:11 | |
'I felt like she was setting me up at the last minute | 0:15:11 | 0:15:13 | |
'saying, "Oh, my God, we have to get the printing done."' | 0:15:13 | 0:15:16 | |
She hasn't done that to Lisa or Aubrey. | 0:15:16 | 0:15:18 | |
She's been kissing their butt. | 0:15:18 | 0:15:20 | |
Now that I'm project manager, I felt like she was trying to set me up. | 0:15:20 | 0:15:24 | |
And you know what? I don't take that lightly. | 0:15:24 | 0:15:26 | |
Geller is here now. He told me he really feels like | 0:15:36 | 0:15:39 | |
-buying a really expensive guidebook. -There you go. -That would be awesome. | 0:15:39 | 0:15:42 | |
And the Blue Man Group and all their drummers said | 0:15:42 | 0:15:44 | |
they really feel like buying a guidebook. | 0:15:44 | 0:15:46 | |
'The Blue Man Group came about because they're buddies of mine. | 0:15:46 | 0:15:49 | |
'I think Blue Man Group' | 0:15:49 | 0:15:50 | |
is one of the greatest | 0:15:50 | 0:15:52 | |
performance arts | 0:15:52 | 0:15:54 | |
groups we've ever had. So I offered them to Dee. He loved it. | 0:15:54 | 0:15:59 | |
Dave, I'm doing this charity fundraising thing | 0:16:00 | 0:16:04 | |
-and we need to raise some serious money. -Yeah, how you doing? | 0:16:04 | 0:16:07 | |
Lou Ferrigno, I'm calling for Vince McMahon and I'd be very happy | 0:16:07 | 0:16:10 | |
if he could bring the donation down. | 0:16:10 | 0:16:12 | |
I'm sort of in a pinch here and I got to raise as much | 0:16:12 | 0:16:15 | |
money as I can and I thought, maybe, you'd be able to help me out. | 0:16:15 | 0:16:18 | |
'Everybody simultaneously is on the phone, trying to get money.' | 0:16:18 | 0:16:22 | |
I'm looking for my friends, a lot of which | 0:16:22 | 0:16:25 | |
avoided me, | 0:16:25 | 0:16:27 | |
'cos when you don't actually have a talk show, | 0:16:27 | 0:16:30 | |
'a lot of people,' | 0:16:30 | 0:16:31 | |
who you think are your friends, are not your friends. | 0:16:31 | 0:16:35 | |
If I had a talk show, Oh, my God! | 0:16:35 | 0:16:37 | |
-It's Jay Leno. Hey, Jay. -'Hey, what's up?' | 0:16:38 | 0:16:42 | |
You got my text, man. | 0:16:42 | 0:16:43 | |
The deal is, take a couple of grand from under the couch cushion, | 0:16:43 | 0:16:48 | |
-where the bobby pins and old popcorn... -'Do you need some help?' | 0:16:48 | 0:16:51 | |
I need some help, man. It's all for charity. | 0:16:51 | 0:16:54 | |
'OK, well, I am going to FedEx you a blank cheque.' | 0:16:54 | 0:16:57 | |
Wait a minute. Whoa, whoa, whoa, whoa. | 0:16:57 | 0:16:59 | |
'You fill in the amount for what you need. Don't go crazy!' | 0:16:59 | 0:17:02 | |
Thanks, dude, I appreciate it. 'Jay Leno's a friend of mine.' | 0:17:03 | 0:17:07 | |
Jay's the guy that saw me in Chicago and said, | 0:17:07 | 0:17:10 | |
"You're funny, you should come to LA. | 0:17:10 | 0:17:11 | |
"What are you doing in Chicago? You come out to LA." | 0:17:11 | 0:17:13 | |
You know, and it's, like, Jay's like a big brother to me. | 0:17:13 | 0:17:17 | |
What a class act. I have found out today who my friends are, you know? | 0:17:17 | 0:17:20 | |
Do you girls really think it's at all helpful to | 0:17:20 | 0:17:23 | |
take 100 pictures instead of five? I mean, this is ridiculous. | 0:17:23 | 0:17:27 | |
Didn't anybody have a specific task about the book? | 0:17:27 | 0:17:29 | |
No, but somehow it falls to me always to save everybody's ass. | 0:17:29 | 0:17:33 | |
Fine. | 0:17:33 | 0:17:34 | |
'This book was not about looking perfect | 0:17:37 | 0:17:39 | |
'and creating beautiful scenarios.' | 0:17:39 | 0:17:41 | |
How about we sell this thing | 0:17:41 | 0:17:43 | |
for charity, have a product, | 0:17:43 | 0:17:45 | |
and then get cheques in? | 0:17:45 | 0:17:46 | |
Sound good? | 0:17:46 | 0:17:48 | |
Hey, Lisa, are we writing how to get there? | 0:17:48 | 0:17:50 | |
Dude, I swear to God, if you were | 0:17:50 | 0:17:52 | |
so intent on addresses, you could have gotten them for everybody. | 0:17:52 | 0:17:55 | |
-I can't do everybody's work. -That's why I asked you | 0:17:55 | 0:17:58 | |
if you needed something else. | 0:17:58 | 0:17:59 | |
I can't even stress how you guys | 0:17:59 | 0:18:01 | |
somehow managed to focus on the least important stuff | 0:18:01 | 0:18:04 | |
-in this whole -BLEEP -task. | 0:18:04 | 0:18:06 | |
Who has focused on the least important? | 0:18:06 | 0:18:08 | |
Oh, come on, will you shut up? I swear, can we get this done? | 0:18:08 | 0:18:12 | |
There had been the suggestion from the genius, Dayana, | 0:18:13 | 0:18:18 | |
to have subway directions in the book. | 0:18:18 | 0:18:21 | |
I am not about to have some eleventh hour Yappy McYapster | 0:18:21 | 0:18:26 | |
-step in and try to derail the book. -Don't stress right now. | 0:18:26 | 0:18:29 | |
-We're trying to get this done now. -Really, can you just get her out of here? | 0:18:29 | 0:18:32 | |
-I asked you if you needed anything else? -Oh, my God. | 0:18:32 | 0:18:34 | |
-BLEEP -shut up. -BLEEP -shut up. -BLEEP -shut up. -So, don't stress. | 0:18:34 | 0:18:40 | |
Oh, my God, don't stress cos all the responsibility's me. | 0:18:40 | 0:18:43 | |
Why would you ever stress? | 0:18:43 | 0:18:45 | |
'I think Lisa's confused. | 0:18:45 | 0:18:47 | |
'She doesn't even know what's the' | 0:18:47 | 0:18:49 | |
right place or situation to get emotional. | 0:18:49 | 0:18:52 | |
I'm sure Mr Trump's | 0:18:52 | 0:18:53 | |
not going to choose the winner that's going to be shouting and | 0:18:53 | 0:18:55 | |
yelling and screaming and crying. | 0:18:55 | 0:18:57 | |
If we lose, and it's because we don't have subway directions, | 0:18:57 | 0:19:01 | |
-then I'll go home. -Lisa... | 0:19:01 | 0:19:03 | |
Can someone just shut up while this girl works? | 0:19:03 | 0:19:06 | |
Can the yapping never stop? | 0:19:06 | 0:19:08 | |
'I'm, like, blown away by the stupidity' | 0:19:08 | 0:19:12 | |
in parts of our group. | 0:19:12 | 0:19:14 | |
I just sweated | 0:19:14 | 0:19:16 | |
my ass off putting this book together. | 0:19:16 | 0:19:19 | |
'I am sick of this pressure from women who all they do is' | 0:19:19 | 0:19:24 | |
-look in a -BLEEP -mirror. -BLEEP -you! | 0:19:24 | 0:19:28 | |
Develop a talent and a brain, and then, | 0:19:28 | 0:19:31 | |
maybe the world will take you seriously. | 0:19:31 | 0:19:34 | |
-Lisa, stop screaming. -Oh, my God. | 0:19:34 | 0:19:35 | |
It never, never, never, never, never ends. | 0:19:35 | 0:19:39 | |
Celebrity guidebooks, people! | 0:19:45 | 0:19:47 | |
Come right up here and buy yourself a guidebook for charity. | 0:19:48 | 0:19:51 | |
Celebrity guidebooks. Step up. Be generous, people. | 0:19:51 | 0:19:54 | |
The money's going to charity. 'Am I going to bring in some money? | 0:19:54 | 0:19:57 | |
'You know? Hopefully, | 0:19:57 | 0:19:58 | |
'everybody's going to bring in some money as well.' | 0:19:58 | 0:20:00 | |
-We've got some well-heeled mother -BLEEP -in our team. | 0:20:00 | 0:20:03 | |
'We're here to get the big money people in.' | 0:20:03 | 0:20:05 | |
Buy yourself a guidebook. | 0:20:05 | 0:20:07 | |
-Do you want a guidebook? You'd better buy it now. -How much? | 0:20:07 | 0:20:09 | |
-They're 5. -5? -Yeah, help yourself. Get -online. Thank you. | 0:20:09 | 0:20:12 | |
The fact that people were paying 5 for the books was worrisome, | 0:20:20 | 0:20:24 | |
but the reality is we still needed our big donors to make a difference. | 0:20:24 | 0:20:28 | |
I'm hoping that the Blue Man Group | 0:20:28 | 0:20:30 | |
are willing to bring money in a big way. | 0:20:30 | 0:20:32 | |
Make a donation! If you don't donate money I am burning in hell. | 0:20:32 | 0:20:36 | |
Hello, everybody, welcome to our celebrity guidebook sale. | 0:20:41 | 0:20:44 | |
WHISTLER BLOWS | 0:20:44 | 0:20:46 | |
We're selling celebrity guidebooks for charity. | 0:20:46 | 0:20:49 | |
I'm going to give you a kiss if you buy one of our handbooks. Mwak. | 0:20:49 | 0:20:52 | |
Thank you so much. 'You know what? Today's a new day.' | 0:20:52 | 0:20:55 | |
I'm not going to focus on the drama from yesterday. | 0:20:55 | 0:20:58 | |
'Now it's time to start selling our books. We've got to just' | 0:20:58 | 0:21:01 | |
think money, money, money, money. | 0:21:01 | 0:21:02 | |
Would you like to come help us? Make a donation. We're selling our full | 0:21:02 | 0:21:05 | |
guidebook for just 5. It's for charity. | 0:21:05 | 0:21:08 | |
-Thank you. -SHE SIGHS | 0:21:10 | 0:21:12 | |
We're selling these charity handbooks. | 0:21:12 | 0:21:14 | |
It would help us so much | 0:21:14 | 0:21:15 | |
if you could just take a little bit of your time to donate to us today. | 0:21:15 | 0:21:18 | |
-Do you take credit cards? -Yes. -OK. -Yes, you're my man! | 0:21:18 | 0:21:21 | |
Can't say no to you. | 0:21:21 | 0:21:22 | |
If you donate 5, you can really, really help. | 0:21:22 | 0:21:25 | |
I've just wasted all my saliva. | 0:21:29 | 0:21:31 | |
Look who we've got here. | 0:21:35 | 0:21:37 | |
We have got Michael Andretti. | 0:21:37 | 0:21:40 | |
-Do you want to buy a book? -I do. What can I buy for 20 grand? | 0:21:40 | 0:21:44 | |
-20,000! You can get one whole book. -All right. -Yes. | 0:21:44 | 0:21:49 | |
Holy crap, Michael! | 0:21:49 | 0:21:51 | |
Michael Andretti was fired, | 0:21:51 | 0:21:53 | |
but here he is, helping the team out | 0:21:53 | 0:21:55 | |
in a significant way, which is pretty damn cool. | 0:21:55 | 0:21:59 | |
-Everybody listen! -Lou has a number for you. What's the number, Lou? | 0:21:59 | 0:22:02 | |
25,000. | 0:22:02 | 0:22:05 | |
CHEERING | 0:22:05 | 0:22:06 | |
-You know, you're just in time. -Do you have two left? | 0:22:06 | 0:22:09 | |
-That would be 10. -I got 15,000. Can I have two? | 0:22:09 | 0:22:13 | |
15,000 for two books! | 0:22:13 | 0:22:16 | |
One of my 15,000 guys showed up, | 0:22:16 | 0:22:18 | |
and Ferrigno had somebody that showed up, | 0:22:18 | 0:22:21 | |
and Clay had somebody, | 0:22:21 | 0:22:23 | |
you never heard Arsenio make an announcement. | 0:22:23 | 0:22:26 | |
Ah, oh, she's on her way. Did Leno's thing come? | 0:22:26 | 0:22:30 | |
-Oh, it got lost -BLEEP. | 0:22:33 | 0:22:36 | |
'Jay Leno's cheque came to my New York office at 7am.' | 0:22:36 | 0:22:40 | |
My office opened at 10, | 0:22:40 | 0:22:41 | |
so they take it on the truck, | 0:22:41 | 0:22:43 | |
and then you have to track it. | 0:22:43 | 0:22:44 | |
Oh. | 0:22:44 | 0:22:46 | |
Everybody raised money. | 0:22:46 | 0:22:48 | |
Mine is someplace in a truck somewhere. | 0:22:48 | 0:22:51 | |
'I've never failed at anything. And today,' | 0:22:51 | 0:22:54 | |
I knew I was in trouble. | 0:22:54 | 0:22:55 | |
OK, so, um, I don't know. | 0:22:55 | 0:22:58 | |
All right, Lisa Lampanelli has | 0:23:04 | 0:23:07 | |
10,250. | 0:23:07 | 0:23:10 | |
All right, guys, we just got 8,000 from a fan in Canada! | 0:23:10 | 0:23:15 | |
-Get out of here! -'At the beginning of the day, things were slow.' | 0:23:15 | 0:23:20 | |
We were having to work for, like, every 20. | 0:23:20 | 0:23:23 | |
'And then, some big money started to come in, | 0:23:23 | 0:23:25 | |
-'so, we were off and running.' -I have a 1,500 donation. | 0:23:25 | 0:23:31 | |
1,500, do-do-ro, so there you go. So 1,800 we got, we got some money. | 0:23:31 | 0:23:37 | |
'People do not realise. I'm a hard worker.' | 0:23:37 | 0:23:39 | |
I've been working since I'm very young. | 0:23:39 | 0:23:41 | |
And I'm here to get this done, | 0:23:41 | 0:23:43 | |
and I'm here to work for my charity | 0:23:43 | 0:23:44 | |
and to win the Celebrity Apprentice, and do it with my whole heart. | 0:23:44 | 0:23:48 | |
We got 5,000 from Jeff Foxworthy! | 0:23:48 | 0:23:54 | |
Jeff Foxworthy, | 0:23:57 | 0:23:58 | |
who is, by the way, | 0:23:58 | 0:24:00 | |
the most gentlemanly | 0:24:00 | 0:24:01 | |
of all the comedians on earth, | 0:24:01 | 0:24:02 | |
sends me five grand, and then a couple more dribbled in, | 0:24:02 | 0:24:05 | |
'and I go, "Hey, I think I'm cool."' | 0:24:05 | 0:24:07 | |
This is great. OK. | 0:24:07 | 0:24:11 | |
-OVER PHONE: -'Are you there?' -Yeah, I'm here. What's up, honey? | 0:24:11 | 0:24:14 | |
All right. Before, we got to get here, Joe, don't be late | 0:24:16 | 0:24:19 | |
cos you're always late. All right, goodbye. | 0:24:19 | 0:24:22 | |
Teresa's big money people are not showing up yet | 0:24:22 | 0:24:25 | |
and she's on the phone trying to track them down. | 0:24:25 | 0:24:27 | |
'I mean, the pressure's definitely on Teresa to bring in more money, | 0:24:27 | 0:24:30 | |
'because ultimately, she's project manager, man.' | 0:24:30 | 0:24:33 | |
She has to come through for herself. | 0:24:33 | 0:24:35 | |
I'm hearing something. Take a look. I hear something. | 0:24:46 | 0:24:50 | |
-I see a giant Blue Man in the distance. -Oh, hell. | 0:24:50 | 0:24:55 | |
-That's the biggest Blue Man I've ever seen. -Yeah. | 0:24:55 | 0:24:59 | |
Oh, hell, yeah! | 0:24:59 | 0:25:02 | |
Look, Clay. Tell them you want to give a donation here. | 0:25:06 | 0:25:09 | |
20,000! | 0:25:12 | 0:25:15 | |
'Teller gave us 20,000. Just out of his pocket. Boom.' | 0:25:15 | 0:25:19 | |
It was a day | 0:25:19 | 0:25:20 | |
that my little gringe heart | 0:25:20 | 0:25:22 | |
grew three times in size. | 0:25:22 | 0:25:24 | |
Make a donation. Get a book. | 0:25:24 | 0:25:26 | |
It's all for charity, and I'm going to shut up right now | 0:25:26 | 0:25:29 | |
and watch the show. | 0:25:29 | 0:25:31 | |
'The Blue Man Group are New York.' | 0:25:31 | 0:25:33 | |
When you do something with the Blue Man Group, it is an event. | 0:25:33 | 0:25:37 | |
'If you've ever seen their show, you know | 0:25:37 | 0:25:39 | |
'the intensity that you're getting with Blue Man Group. | 0:25:39 | 0:25:42 | |
'It's very hard to know what the exact situation's going to be.' | 0:25:42 | 0:25:47 | |
Oh, oh! | 0:25:47 | 0:25:49 | |
Grab the money! | 0:25:50 | 0:25:52 | |
It's for charity! It's for charity! | 0:25:52 | 0:25:55 | |
Grab the money, it's for charity! | 0:25:55 | 0:25:57 | |
That money, don't put in your pocket, it's for charity. | 0:25:57 | 0:26:00 | |
If anyone has money, it's for charity. | 0:26:06 | 0:26:08 | |
-BLEEP. -Look, look, look, | 0:26:08 | 0:26:10 | |
that lady was trying to put money in her pants. | 0:26:10 | 0:26:12 | |
'Within seconds there were 50 people on the ground, | 0:26:12 | 0:26:16 | |
'yanking things out of my hand, Arsenio grabbed money out of the' | 0:26:16 | 0:26:19 | |
crack of some lady's butt, because | 0:26:19 | 0:26:21 | |
she was sticking it in her pants. | 0:26:21 | 0:26:22 | |
-That was a mob scene. That was unbelievable. -Clay, are you OK, son? | 0:26:22 | 0:26:27 | |
That was not OK. | 0:26:27 | 0:26:29 | |
OK, if we got half of what they gave us, I'll be surprised. | 0:26:29 | 0:26:32 | |
Blue Man Group, thank you! Goodbye! | 0:26:32 | 0:26:35 | |
Did we get all the money for charity? | 0:26:35 | 0:26:37 | |
I don't know what percentage we got | 0:26:37 | 0:26:39 | |
of Blue Man money, but I think | 0:26:39 | 0:26:40 | |
anybody that caught the money and ran away, I consider that charity. | 0:26:40 | 0:26:44 | |
So, I thought it was great. | 0:26:44 | 0:26:45 | |
-Mr Aiken. -Yeah. I got kicked, I got hit andI don't like it. | 0:26:45 | 0:26:50 | |
-I'm not talking about it right now. -I know. OK. | 0:26:50 | 0:26:52 | |
'This was another example of Penn having an idea | 0:26:52 | 0:26:55 | |
'and not necessarily caring how it affected other people.' | 0:26:55 | 0:26:58 | |
I don't even get it. It made no damn sense to me at all. | 0:26:58 | 0:27:02 | |
It was literally blowing money. | 0:27:02 | 0:27:03 | |
Come on, everyone. Give money to charity. | 0:27:10 | 0:27:13 | |
Yeah, Barry's Bootcamp again? | 0:27:13 | 0:27:15 | |
-Let me give you a receipt. -Lisa, I have another donation. | 0:27:16 | 0:27:20 | |
2,000! | 0:27:20 | 0:27:23 | |
'I may not have brought in as much money as the other women, | 0:27:23 | 0:27:26 | |
'but I had the most people coming and bringing money.' | 0:27:26 | 0:27:29 | |
Every person that I directly came up to | 0:27:29 | 0:27:30 | |
and addressed, I found a way | 0:27:30 | 0:27:32 | |
to find something in common with them, | 0:27:32 | 0:27:34 | |
and bring them up to the booth to donate money. | 0:27:34 | 0:27:36 | |
Guys, I got a huge donation. 17,500. | 0:27:36 | 0:27:41 | |
-Wow. -'I was the one bringing the most money. | 0:27:53 | 0:27:55 | |
'My big cheque was from Venezuela.' | 0:27:55 | 0:27:57 | |
These guys have friends | 0:27:57 | 0:27:59 | |
in New York around the block. | 0:27:59 | 0:28:01 | |
Like, that's how much, that's how much they try. Thank you. | 0:28:01 | 0:28:05 | |
Hi, sweetheart. How you doing? | 0:28:05 | 0:28:09 | |
Well, I'm glad you made it. | 0:28:09 | 0:28:11 | |
Another cheque for 5,000! | 0:28:11 | 0:28:15 | |
'My husband ended up coming' | 0:28:15 | 0:28:16 | |
and bringing cheques from our friends, | 0:28:16 | 0:28:18 | |
and it ended up being over 20,000, | 0:28:18 | 0:28:20 | |
'so I feel like now | 0:28:20 | 0:28:22 | |
'there's no way that I'm going to be thrown out of the bus cos | 0:28:22 | 0:28:25 | |
'I definitely stepped up to the plate and did what I had to do.' | 0:28:25 | 0:28:29 | |
Everybody, five more | 0:28:33 | 0:28:34 | |
minutes of selling. | 0:28:34 | 0:28:35 | |
-Once the bell rings, we can't sell any more. -Can you sign that? -No. | 0:28:35 | 0:28:41 | |
-Please? In pink, really? -That's what they gave me. | 0:28:41 | 0:28:44 | |
-Isn't that redundant? -Jess. I'm here in the park at 23 Broadway. | 0:28:44 | 0:28:50 | |
'I'm being told on my phone' | 0:28:50 | 0:28:52 | |
that one of the ladies from my office | 0:28:52 | 0:28:55 | |
is moments away, stuck in traffic. | 0:28:55 | 0:28:58 | |
Look for her, she has a bright red coat on. | 0:28:58 | 0:29:00 | |
And she has my cheque from Jay Leno. | 0:29:00 | 0:29:03 | |
60 seconds left to get a | 0:29:04 | 0:29:06 | |
-celebrity guidebook. -Uh-oh. | 0:29:06 | 0:29:09 | |
-Hey, Jess... -Who's got the most money? Who's got the most money? | 0:29:09 | 0:29:14 | |
All right, we're done. I can't take any more, sorry. | 0:29:15 | 0:29:18 | |
-I can't, I'm not allowed to take any more. -We're done. | 0:29:18 | 0:29:22 | |
-Thank you very much guys. -Good luck, guys. -All right. | 0:29:22 | 0:29:25 | |
-Hi. -Hello. Oh, God. And so, the Leno... | 0:29:25 | 0:29:28 | |
I know, the early delivery and all that kind of stuff... | 0:29:28 | 0:29:31 | |
-Seven in the morning! -Yeah, I know, I know. OK, this is, Oh, my God. | 0:29:31 | 0:29:36 | |
'I got burned by New York traffic | 0:29:36 | 0:29:39 | |
'because my money didn't make it in time,' | 0:29:39 | 0:29:42 | |
and if we lose... | 0:29:42 | 0:29:44 | |
..it doesn't matter why my money didn't come. | 0:29:47 | 0:29:49 | |
What matters is that my money didn't come. | 0:29:49 | 0:29:53 | |
That was the last book. | 0:29:53 | 0:29:54 | |
-We always take the money. We can't take it. -Take your | 0:29:54 | 0:29:57 | |
-money back. -Thanks a lot. | 0:29:57 | 0:29:59 | |
'This was a fundraiser. | 0:29:59 | 0:30:01 | |
'The object was to raise funds, | 0:30:01 | 0:30:03 | |
'and Arsenio Hall' | 0:30:03 | 0:30:05 | |
raised zero dollars. | 0:30:05 | 0:30:08 | |
Goose egg. | 0:30:08 | 0:30:09 | |
'So, winning the best booklet challenge could be a game changer.' | 0:30:09 | 0:30:14 | |
I want to bring in Regis. | 0:30:23 | 0:30:24 | |
Trumpster, we've got a lot to talk about here. | 0:30:24 | 0:30:26 | |
-OK, let's go. -Absolutely. Good to see you again. You look terrific. | 0:30:26 | 0:30:29 | |
Thank you, you do too. | 0:30:29 | 0:30:30 | |
Oh, my gosh, Trumpster, how did I get involved? But I'm telling you, | 0:30:30 | 0:30:34 | |
it's an all. I can't make a decision here. | 0:30:34 | 0:30:36 | |
-Let me point out what you've got going here. -Go ahead. | 0:30:36 | 0:30:38 | |
First of all, you look at the cover. Now, do you see the cover here? | 0:30:38 | 0:30:41 | |
-Right. -I think these girls would be having more colourful cover. | 0:30:41 | 0:30:46 | |
I agree with that. | 0:30:46 | 0:30:47 | |
But over here the guys have got some good stuff inside. | 0:30:47 | 0:30:50 | |
Now, these are six friends from the top of the tower. | 0:30:50 | 0:30:53 | |
-Harlem, Central Park... -And that's Lou. | 0:30:53 | 0:30:56 | |
Do you think he's proud of his muscles? | 0:30:56 | 0:30:57 | |
Look at this. I haven't seen arms like these | 0:30:57 | 0:30:59 | |
since you were a small boy. | 0:30:59 | 0:31:01 | |
But, anyway, there it is. | 0:31:01 | 0:31:02 | |
I am truly impressed with what they have picked here. | 0:31:02 | 0:31:05 | |
East Side of New York, all of these are great, | 0:31:05 | 0:31:07 | |
-great neighbourhoods of New York. I've been around. -OK. | 0:31:07 | 0:31:09 | |
But, you know, what makes them attracted to what they recommend? | 0:31:09 | 0:31:13 | |
Right. | 0:31:13 | 0:31:14 | |
Now, here's what the girls did. Here's Lisa Lampanelli. | 0:31:14 | 0:31:17 | |
-She roasted me, it was brutal. -Did you handle it OK? | 0:31:17 | 0:31:20 | |
-I handled it, dude, I handled it. -You're tougher than she is! | 0:31:20 | 0:31:22 | |
-It was pretty brutal. -Now here's what she recommends. | 0:31:22 | 0:31:25 | |
-Artie's Delicatessen. -Right. -She's getting personal about this. | 0:31:25 | 0:31:29 | |
This is where this woman, Lisa Lampanelli, eats every day. | 0:31:29 | 0:31:32 | |
So, now we got a problem. | 0:31:32 | 0:31:34 | |
-I like their cover and I like the personal treatment. -OK. | 0:31:34 | 0:31:36 | |
I like these guys because they picked out big neighbourhoods. | 0:31:36 | 0:31:40 | |
So, Reg, who's the winner? | 0:31:40 | 0:31:42 | |
OK. | 0:31:43 | 0:31:44 | |
The winner is... | 0:31:46 | 0:31:47 | |
How did you do, Teresa? Do you think you won? | 0:32:10 | 0:32:13 | |
Um, I have no idea. I mean, I hope we won... | 0:32:13 | 0:32:16 | |
Were you happy with your team? | 0:32:16 | 0:32:17 | |
At the end of today, I was really happy with my team. | 0:32:17 | 0:32:20 | |
So, you had a difficult time last week, Dayana. How was it this week? | 0:32:20 | 0:32:23 | |
-Better? -I have a difficult time every week. -I don't know why you | 0:32:23 | 0:32:26 | |
-have a difficult, you do seem to have a difficult... -I'm just going | 0:32:26 | 0:32:29 | |
to write down my name in one of these chairs. On the chair. | 0:32:29 | 0:32:33 | |
-Why do you have a difficult time? -Um, I don't know. | 0:32:33 | 0:32:36 | |
I'd like to have my team answer that question. | 0:32:36 | 0:32:39 | |
Um, it might be not part of my personality, | 0:32:39 | 0:32:42 | |
the fact that I'm not that direct or...aggressive is the word. | 0:32:42 | 0:32:47 | |
But when I still give them, it's too hard for them to listen. | 0:32:47 | 0:32:50 | |
OK. | 0:32:50 | 0:32:52 | |
So, Aubrey, what did you think of Dayana this week? | 0:32:52 | 0:32:56 | |
She brought in money, which is what the task was about, | 0:32:56 | 0:32:59 | |
she derailed the team in other ways. She got into a huge fight with Lisa. | 0:32:59 | 0:33:04 | |
A lot of people are finding it very difficult to communicate with | 0:33:04 | 0:33:07 | |
her, and it's not just a language barrier problem. | 0:33:07 | 0:33:10 | |
-What was the fight with Lisa? -Um, I'll tell you. | 0:33:10 | 0:33:13 | |
I took on the whole task for the book, | 0:33:13 | 0:33:15 | |
so as I was doing it at the eleventh hour, Dayana came over and said, | 0:33:15 | 0:33:19 | |
"Why didn't you put in subway directions to all the places?" | 0:33:19 | 0:33:23 | |
I said, "There's no time for that." We had to cut out other far more | 0:33:23 | 0:33:26 | |
important things. Cos if it was up to Dayana, and her delays yesterday, | 0:33:26 | 0:33:29 | |
both in picture taking and in task... | 0:33:29 | 0:33:31 | |
-Up to Dayana? -Excuse me. | 0:33:31 | 0:33:33 | |
If it was up to you, we would have had no product | 0:33:33 | 0:33:35 | |
because no cheques could have come in if we had nothing to sell. | 0:33:35 | 0:33:39 | |
Mr Trump, I went to the graphic designer, | 0:33:39 | 0:33:41 | |
I saw her computer and she had the bus stops | 0:33:41 | 0:33:44 | |
and some of the things that you guys were working on. | 0:33:44 | 0:33:46 | |
She already had it on the computer. So I assumed, OK, | 0:33:46 | 0:33:48 | |
everybody's doing it, everybody's doing their job. | 0:33:48 | 0:33:51 | |
I did mine and I hand her how to get to my locations. At the end... | 0:33:51 | 0:33:55 | |
If it was that important to you, you should have done | 0:33:55 | 0:33:57 | |
it for the whole team instead of just yourself. | 0:33:57 | 0:34:00 | |
-I thought we were all doing for ourselves... -No-one did for themselves! | 0:34:00 | 0:34:03 | |
..as everybody did their own paragraph. | 0:34:03 | 0:34:04 | |
Guess who, Mr Trump, I wrote the copy for everyone except Aubrey... | 0:34:04 | 0:34:07 | |
-Lisa, I was still talking... -..and Debbie. | 0:34:07 | 0:34:09 | |
Everyone else called me to save their ass once again. | 0:34:09 | 0:34:13 | |
But I'm telling you right now, this team is driven by me, I do 90% of | 0:34:13 | 0:34:18 | |
the work with Aubrey, and I resent people going under the radar... | 0:34:18 | 0:34:21 | |
-So you think Teresa was not a great project manager. -That wasn't what I | 0:34:21 | 0:34:24 | |
-was addressing right now. -That's what you did say. You basically said | 0:34:24 | 0:34:27 | |
you and Aubrey are doing all the work. | 0:34:27 | 0:34:29 | |
Um, Debbie did a lot yesterday too. | 0:34:29 | 0:34:30 | |
She stepped up once again. I think something happened a couple of weeks | 0:34:30 | 0:34:33 | |
ago, something clicked for Debbie and she went like crazy. | 0:34:33 | 0:34:36 | |
Mr Trump, a lot of people aren't proactive. | 0:34:37 | 0:34:40 | |
We got a call, we're sitting there, we rushed through | 0:34:40 | 0:34:42 | |
to take our pictures because we didn't care how we looked. | 0:34:42 | 0:34:45 | |
We took three, we got in the van, we got back, | 0:34:45 | 0:34:47 | |
we decided to get on getting the book together with | 0:34:47 | 0:34:49 | |
the graphic designer, like people can be a little more proactive | 0:34:49 | 0:34:52 | |
and not dump everything on Lisa just because she can do it. | 0:34:52 | 0:34:54 | |
Debbie, that was, I didn't even go to my spots. | 0:34:54 | 0:34:57 | |
But we didn't got to our spots either. | 0:34:57 | 0:34:58 | |
It wasn't about us being precious about our real favourite spots. We had to... | 0:34:58 | 0:35:02 | |
-Let me tell you... -So, Deborah, who are you blaming? | 0:35:02 | 0:35:04 | |
Who are you blaming? | 0:35:04 | 0:35:06 | |
I don't think Teresa was very... | 0:35:06 | 0:35:07 | |
Are you referring to Teresa or are you referring to Dayana? | 0:35:07 | 0:35:11 | |
-I'm referring to Teresa's organisation. -Well, you know what? | 0:35:11 | 0:35:14 | |
We're on task number seven. By now, we know what we have to do. | 0:35:14 | 0:35:17 | |
-I didn't think I had to baby-sit any of them. -It's not baby-sitting, | 0:35:17 | 0:35:20 | |
-it's delegating and being specific. -I told Debbie to take care of printing. | 0:35:20 | 0:35:23 | |
-But never told me her vision, what she wanted... -A half hour. | 0:35:23 | 0:35:26 | |
We've been doing printing every single week. | 0:35:26 | 0:35:29 | |
-Are you kidding me? -No, no, no. -Are you kidding me? | 0:35:29 | 0:35:31 | |
We're not talking about printing, we're talking about graphic design... | 0:35:31 | 0:35:34 | |
-Are you kidding me? Are you kidding me? -I'm going to let her keep saying | 0:35:34 | 0:35:37 | |
-that and then I'll talk. -Miss Wishy-Washy that you are. OK? | 0:35:37 | 0:35:40 | |
Anyway, I told her to take care of the printing, a half hour before... | 0:35:40 | 0:35:43 | |
Can I go on the other team? | 0:35:43 | 0:35:45 | |
-DEE: -No. | 0:35:45 | 0:35:46 | |
I want to go on the other team. | 0:35:46 | 0:35:48 | |
-I don't think you guys want any of them. -Oh, no. -They don't want you. | 0:35:48 | 0:35:51 | |
Teresa, do you think Debbie should be fired, then, if you lose? | 0:35:51 | 0:35:54 | |
Either Debbie or Dayana. | 0:35:55 | 0:35:57 | |
She doesn't like anybody that speaks out against her. | 0:35:59 | 0:36:02 | |
-She starts taking pot shots. -Speak up, baby, speak up. | 0:36:02 | 0:36:04 | |
-It's not professional. -Look what you're wearing! | 0:36:04 | 0:36:07 | |
-Are you professional? Your -BLEEP -are hanging out. | 0:36:07 | 0:36:10 | |
-I'm a singer, pop singer. -I don't think so. | 0:36:10 | 0:36:12 | |
What, it's like, the apprentice. You don't dress like that. | 0:36:12 | 0:36:15 | |
-I'm real and I'm authentic and I feel great. -Thank you. | 0:36:15 | 0:36:18 | |
-Professional, you don't stick your -BLEEP -out. Thank you. -Wow. | 0:36:18 | 0:36:22 | |
Hard to believe, fellas, eh? That's a tough evening. | 0:36:22 | 0:36:25 | |
All right, enough of this. Let me get back on track. | 0:36:27 | 0:36:30 | |
-So, who loves Regis Philbin? -Everybody. -Isn't he a great guy? | 0:36:32 | 0:36:36 | |
-Regis is a great guy. -So, Regis did me a favour. | 0:36:36 | 0:36:39 | |
And he came in, and he looked at both books. All right? | 0:36:39 | 0:36:44 | |
And do you know which book he liked better? | 0:36:45 | 0:36:48 | |
And I will tell you he liked them both a lot. | 0:36:48 | 0:36:51 | |
But the book he liked better... | 0:36:51 | 0:36:53 | |
-..is the women's book. -Thank God! -Yeah! -Congratulations. | 0:36:56 | 0:37:00 | |
Now, Toshiba, great company, | 0:37:00 | 0:37:02 | |
is giving 35,000 to the women's team to add onto your total. | 0:37:02 | 0:37:08 | |
Now, if you lose, the men get the 35, | 0:37:09 | 0:37:11 | |
-and everything you make. -They do? | 0:37:11 | 0:37:13 | |
But if you win, you pick up 35 in addition to what you made | 0:37:13 | 0:37:17 | |
and what the men made, OK? | 0:37:17 | 0:37:18 | |
So the women have a 35,000 head start on you, Dee, | 0:37:18 | 0:37:22 | |
-that's not so bad, right? -Not bad at all, sir. | 0:37:22 | 0:37:25 | |
We'll see what happens. | 0:37:25 | 0:37:26 | |
-So, Dee, do you think you did a good job? -I think I did a good job, sir. | 0:37:29 | 0:37:32 | |
What happened with the bursting balloon. What was that all about? | 0:37:32 | 0:37:35 | |
I invited the Blue Man Group to come in, | 0:37:35 | 0:37:38 | |
-and the Blue Man Group are known in New York. -Were they good? | 0:37:38 | 0:37:41 | |
I thought they were great. | 0:37:41 | 0:37:42 | |
But they will not, because of their characters, deal with money. | 0:37:42 | 0:37:46 | |
So they decided to fill up balloons with money and blow them up. | 0:37:46 | 0:37:51 | |
So we didn't get a lot of the money | 0:37:51 | 0:37:53 | |
that was blowing around the area, and... | 0:37:53 | 0:37:56 | |
-8,000 in 10 bills. -IVANKA: -Must have been pretty | 0:37:56 | 0:37:58 | |
amusing to see you try to gather it. | 0:37:58 | 0:38:00 | |
Psychedelic pandemonium, there's no doubt about that. | 0:38:00 | 0:38:02 | |
So what happened? Lou, what happened with the money from the balloons? | 0:38:02 | 0:38:05 | |
I was trying to barricade, everybody was going crazy, trying to | 0:38:05 | 0:38:08 | |
-stop the public. It was amazing how everybody became piranhas. -Yeah. | 0:38:08 | 0:38:12 | |
Fighting for 10. | 0:38:12 | 0:38:13 | |
Poor Clay, I think he got knocked over, and got kicked. | 0:38:13 | 0:38:16 | |
-Clay, what happened? -It was, it was a disaster. -Why? | 0:38:16 | 0:38:19 | |
-It was a horrible idea. -Dee, do you think it was a horrible idea? | 0:38:19 | 0:38:22 | |
No, I don't, sir. The Blue Man Group were bringing 8,000. | 0:38:22 | 0:38:26 | |
We got 2,000 of those dollars, though, because the rest of them | 0:38:26 | 0:38:29 | |
-flew around... -Is that a fact? | 0:38:29 | 0:38:30 | |
No, I don't, but what we got was probably all torn in half. | 0:38:30 | 0:38:34 | |
-Did you get it all? -No! -You didn't get it all, right? | 0:38:34 | 0:38:36 | |
No. | 0:38:36 | 0:38:37 | |
This statement that it wasn't our money, it wasn't our money. | 0:38:37 | 0:38:40 | |
It was going to be our money and if they had handed it to us | 0:38:40 | 0:38:42 | |
-another way. Yes, it would have... -Penn, you're shaking your head. | 0:38:42 | 0:38:45 | |
-You're shaking your head. Ah, I think he's right. -I respect... | 0:38:45 | 0:38:48 | |
No, but I think he's right. It was your money until you blew it up. | 0:38:48 | 0:38:51 | |
-No, that's not true. -They were going to give us 8,000, Penn. | 0:38:51 | 0:38:54 | |
-No, they were not. -You could have kept that 8,000. | 0:38:54 | 0:38:57 | |
Then why did they bring 8,000? | 0:38:57 | 0:38:58 | |
-They brought 8,000 as part of the spectacle. -Well, that was stupid. | 0:38:58 | 0:39:01 | |
Dee, who brought in the least amount of money? | 0:39:03 | 0:39:07 | |
-Not for lack of trying, but Arsenio did. -Why is that, Arsenio? | 0:39:07 | 0:39:11 | |
I tried to send everything to my office here in New York. | 0:39:13 | 0:39:17 | |
A cheque arrived from Jay Leno, at 7am, the office wasn't open, | 0:39:17 | 0:39:20 | |
chased FedEx all day with that, | 0:39:20 | 0:39:22 | |
-and he's right, as a result of that, none of my money was counted. -Well, | 0:39:22 | 0:39:26 | |
I'm going to tell you something, | 0:39:26 | 0:39:27 | |
because there's never been anything like this on this show | 0:39:27 | 0:39:30 | |
since it opened. You raised, as a | 0:39:30 | 0:39:33 | |
combination, hundreds of thousands of dollars. | 0:39:33 | 0:39:36 | |
And do you know what the difference is between winning and losing? | 0:39:37 | 0:39:41 | |
No, sir. | 0:39:41 | 0:39:42 | |
14. It's amazing. | 0:39:42 | 0:39:44 | |
We've never had anything so close. | 0:39:44 | 0:39:46 | |
That means one team won, or one team lost, by 14. | 0:39:46 | 0:39:51 | |
It would be pretty sad if you lost by 14 | 0:39:51 | 0:39:53 | |
and you threw thousands of dollars away. | 0:39:53 | 0:39:55 | |
-Is that what you're saying, Clay? -If I'm raising money for charity, | 0:39:55 | 0:39:59 | |
and the March Of Dimes is a very important cause, | 0:39:59 | 0:40:01 | |
I don't want to lose anything. | 0:40:01 | 0:40:03 | |
OK. Are you ready? | 0:40:05 | 0:40:07 | |
Let's find out who won. | 0:40:09 | 0:40:11 | |
Don, how did the women do? | 0:40:12 | 0:40:14 | |
The women raised 127,855, | 0:40:14 | 0:40:20 | |
plus the 35,000 bonus from Toshiba | 0:40:20 | 0:40:23 | |
for a grand total of 162,855. | 0:40:23 | 0:40:26 | |
-Wow. I'm proud of myself. -Not bad. -I'm proud of the team. | 0:40:27 | 0:40:31 | |
-Well, let's see if you get it, plus more. -We did a good job. | 0:40:31 | 0:40:34 | |
Ivanka, how did the men do? | 0:40:34 | 0:40:36 | |
The men raised a total of 162... | 0:40:38 | 0:40:42 | |
..869. | 0:40:43 | 0:40:46 | |
-Did we win? -They won. | 0:40:46 | 0:40:48 | |
-They won by 14. -It was the men who won by 14. | 0:40:48 | 0:40:51 | |
APPLAUSE | 0:40:51 | 0:40:52 | |
So, Dee, congratulations. | 0:40:52 | 0:40:55 | |
Tell me, what's your charity? | 0:40:55 | 0:40:57 | |
Sir, two of my four children were born prematurely, | 0:40:57 | 0:41:00 | |
and the March Of Dimes... | 0:41:00 | 0:41:02 | |
My children were healthy, but the March Of Dimes helps families | 0:41:02 | 0:41:04 | |
whose children aren't healthy, | 0:41:04 | 0:41:06 | |
and I've been working with the March Of Dimes for 12 years | 0:41:06 | 0:41:09 | |
-and they will very gladly receive this money. -That's fantastic. | 0:41:09 | 0:41:13 | |
That's a lot of money. So, say the amount. | 0:41:13 | 0:41:15 | |
Total amount... I was told there'd be no math! | 0:41:15 | 0:41:17 | |
326,000. Isn't that great? | 0:41:17 | 0:41:19 | |
March Of Dimes are going to get 326,000. | 0:41:19 | 0:41:23 | |
-Congratulations. -Thank you. | 0:41:23 | 0:41:25 | |
As a group, men and women, congratulations, | 0:41:25 | 0:41:29 | |
you've now raised over one million dollars for charity. | 0:41:29 | 0:41:33 | |
You should be very proud of that. | 0:41:35 | 0:41:37 | |
Now, men, go back to your suite - you can watch it on television. | 0:41:37 | 0:41:41 | |
-I hope you enjoy it. Gentlemen, great job. -Thank you. | 0:41:41 | 0:41:44 | |
-Good job, guys. -It was so close. | 0:41:45 | 0:41:47 | |
I couldn't tell, I couldn't tell... | 0:41:47 | 0:41:49 | |
-I thought their number was bigger than ours. -I couldn't tell. | 0:41:49 | 0:41:52 | |
Women, stay here. Unfortunately, one of you will be fired. | 0:41:52 | 0:41:55 | |
DRAMATIC MUSIC PLAYS | 0:41:55 | 0:41:57 | |
-Why did you lose, Deborah? -SHE SIGHS | 0:42:05 | 0:42:08 | |
It was not for a lack of trying. Everybody hustled. | 0:42:08 | 0:42:12 | |
I didn't see anybody not on the phones and... | 0:42:12 | 0:42:14 | |
But you thought from the beginning | 0:42:14 | 0:42:16 | |
that Teresa did not do a very good job as project manager? | 0:42:16 | 0:42:20 | |
It didn't have to do with the fundraising, though. | 0:42:20 | 0:42:22 | |
So, if it just came down to money, | 0:42:22 | 0:42:23 | |
I mean, look, she technically won the book part of the competition. | 0:42:23 | 0:42:28 | |
-Who raised the most money, Teresa? -Lisa, the most, and I was second, | 0:42:28 | 0:42:32 | |
-but we were, like, neck and neck. -What about Dayana? | 0:42:32 | 0:42:34 | |
Erm, Dayana was... | 0:42:34 | 0:42:36 | |
-I brought about 25,500. -That's not bad. That's pretty good. | 0:42:36 | 0:42:40 | |
-Like, everyone did really amazing. -It's pretty amazing. | 0:42:40 | 0:42:43 | |
So, Teresa, Lisa basically wrote the book and raised the most money. | 0:42:43 | 0:42:46 | |
Was she effectively the project manager on this? | 0:42:46 | 0:42:48 | |
She was like my right hand, yeah. | 0:42:48 | 0:42:50 | |
Lisa's amazing with the writing, and that's really important. | 0:42:50 | 0:42:54 | |
-With the mouth. -With everything. -The mouth, too, sir. | 0:42:54 | 0:42:57 | |
That mouth. That mouth is brutal. Do you know that? | 0:42:57 | 0:42:59 | |
In front of millions of people, I suffered with her fresh mouth. | 0:42:59 | 0:43:03 | |
So, Teresa, who raised the least money? | 0:43:04 | 0:43:07 | |
Erm...Aubrey, but, you know, it was... | 0:43:07 | 0:43:10 | |
-Aubrey raised the least? -Yeah, but it was a good amount also. | 0:43:10 | 0:43:12 | |
Why is that, Aubrey? You know, you do so much talking, | 0:43:12 | 0:43:15 | |
-but you raised the least amount of money. Why? -I raised 20,000... | 0:43:15 | 0:43:18 | |
-But is that the least? -Yes. -Yeah. | 0:43:18 | 0:43:20 | |
So, Teresa, when you said you had to baby-sit Deborah, | 0:43:20 | 0:43:24 | |
what did you mean by that? | 0:43:24 | 0:43:26 | |
Because I told her to take care of the printing. | 0:43:26 | 0:43:29 | |
-I don't think she knows what that means. -We're... Yes, I do. | 0:43:29 | 0:43:33 | |
We're in the seventh week, | 0:43:33 | 0:43:35 | |
we all know what we're supposed to do, | 0:43:35 | 0:43:37 | |
-and when she was project manager, I gave her 110%. -And I did, too. | 0:43:37 | 0:43:41 | |
-No, you did not. -I worked my... -No, you did not, | 0:43:41 | 0:43:44 | |
because a half hour before... I delegated... | 0:43:44 | 0:43:46 | |
She didn't realise there was nothing aesthetic for the kiosk. | 0:43:46 | 0:43:49 | |
-Aubrey and I ran out... -Mr Trump... 'Hello, I'm speaking!' | 0:43:49 | 0:43:52 | |
-Oh! Teresa went Teresa on a -BLEEP -this week. -Yeah, yeah. | 0:43:52 | 0:43:56 | |
Put away sharp objects. | 0:43:56 | 0:43:58 | |
-Hello! -What? I'm all ears. | 0:43:58 | 0:44:01 | |
-She's speaking. -Oh! | 0:44:01 | 0:44:03 | |
Go ahead. | 0:44:05 | 0:44:06 | |
Just like you're the boss, and you tell what people what to do, | 0:44:06 | 0:44:09 | |
I couldn't do everything, so I delegated people, | 0:44:09 | 0:44:12 | |
you know, I told people what to do - I delegated. | 0:44:12 | 0:44:14 | |
You know, if they don't listen to me, what am I supposed to do? | 0:44:14 | 0:44:17 | |
Deborah, what do you say about that? | 0:44:17 | 0:44:19 | |
There was no direction, | 0:44:19 | 0:44:20 | |
and the graphic designer was being monopolised till the eleventh hour, | 0:44:20 | 0:44:25 | |
so, at that point, I said, "We still need to get matters done. | 0:44:25 | 0:44:28 | |
"What is the name of the book, for God's sake? What's the tone? | 0:44:28 | 0:44:30 | |
"What's the visual on the kiosk?" She said, "I don't even know." | 0:44:30 | 0:44:33 | |
And Aubrey and I looked at each other and said, | 0:44:33 | 0:44:35 | |
"Shoot, we better pull together a show." | 0:44:35 | 0:44:37 | |
We got in the van, we ran out, we created the entire visual. | 0:44:37 | 0:44:40 | |
-That's baby-sitting? It's not baby... -Yes... | 0:44:40 | 0:44:42 | |
Who else did you have to baby-sit? Who else did? You're saying Deborah? | 0:44:42 | 0:44:46 | |
-And Dayana. -And Dayana. Why Dayana? -You're asking me for two... | 0:44:46 | 0:44:49 | |
-Do you think you lost because of Dayana? -Or me? -No... | 0:44:49 | 0:44:52 | |
Do you think you lost because of Deborah? | 0:44:52 | 0:44:53 | |
Let me ask you this - did you lose because of Deborah? | 0:44:53 | 0:44:56 | |
I feel... You know, if you're asking me... I was project manager... | 0:44:56 | 0:44:59 | |
You could say you lost because of Aubrey | 0:44:59 | 0:45:01 | |
cos she raised the least amount of money. | 0:45:01 | 0:45:03 | |
For 14, it breaks my heart. | 0:45:03 | 0:45:05 | |
-OK, so, Lisa, you're a big Aubrey fan, right? -The best. | 0:45:05 | 0:45:07 | |
-But she raised to the least money? -I don't care... | 0:45:07 | 0:45:10 | |
-Well, I know you don't care. -Well, no, I mean... | 0:45:10 | 0:45:12 | |
Except if she would've raised 15 more, you would've won. | 0:45:12 | 0:45:14 | |
I did raise 15 more, actually, cos I was out on the street, | 0:45:14 | 0:45:17 | |
and every single person that I spoke to on that street came in, | 0:45:17 | 0:45:20 | |
and every single one of those people gave at least 100 to 500... | 0:45:20 | 0:45:23 | |
But you still raised the least amount of money. | 0:45:23 | 0:45:26 | |
But I still raised a lot of money. | 0:45:26 | 0:45:27 | |
Well, I know, but you still raised the least money. | 0:45:27 | 0:45:29 | |
Deborah, who should I fire? | 0:45:32 | 0:45:33 | |
I think it should be Teresa, | 0:45:38 | 0:45:40 | |
and I know I'm going to pay for saying that. | 0:45:40 | 0:45:41 | |
I feel like for Lisa to out-fundraise her, | 0:45:41 | 0:45:45 | |
and it wasn't even her charity, | 0:45:45 | 0:45:47 | |
and for the disorganisation as well. | 0:45:47 | 0:45:49 | |
By a couple of thousand dollars, thank you very much. | 0:45:49 | 0:45:52 | |
Well, let me ask you this - who is your weakest link, Deborah? | 0:45:52 | 0:45:56 | |
Despite everything I said about Teresa on this task, | 0:46:00 | 0:46:03 | |
Teresa is right in saying she's a team player | 0:46:03 | 0:46:05 | |
and not that Dayana is not, | 0:46:05 | 0:46:08 | |
but I do think, possibly, Dayana is... | 0:46:08 | 0:46:11 | |
the weakest, in terms of ideas. | 0:46:11 | 0:46:15 | |
Dayana, how do you respond to that? | 0:46:15 | 0:46:16 | |
Mr Trump, I already explained how hard it's been for me to be heard, | 0:46:16 | 0:46:20 | |
and have already explained how many ideas I've put on the table, | 0:46:20 | 0:46:23 | |
that in every boardroom we've been losing, | 0:46:23 | 0:46:26 | |
I said it, I said it, I said it. | 0:46:26 | 0:46:28 | |
You've never offered anything else. | 0:46:28 | 0:46:29 | |
Can I finish and not interrupt me any more, please? | 0:46:29 | 0:46:32 | |
Yeah, well, it's getting a little hard. | 0:46:32 | 0:46:35 | |
Lisa, we're all here for business, professional. | 0:46:35 | 0:46:37 | |
You can sit and listen, | 0:46:37 | 0:46:39 | |
and then when it's your turn, you can continue. Please, thank you. | 0:46:39 | 0:46:42 | |
See, like, there you were able to articulate yourself | 0:46:42 | 0:46:44 | |
in a way that other people would listen, | 0:46:44 | 0:46:47 | |
so what's happening out in the field during the task? | 0:46:47 | 0:46:49 | |
Here she's not screaming at me and telling me to shut up... | 0:46:49 | 0:46:51 | |
Oh, because you're not in my ear distracting the graphic designer. | 0:46:51 | 0:46:54 | |
All the ideas I've always put on the table are never heard, and again... | 0:46:54 | 0:46:58 | |
We hear them. Everyone. | 0:46:58 | 0:46:59 | |
..we've been losing most of the tasks following Aubrey's theories... | 0:46:59 | 0:47:03 | |
But, Dayana, why is it that week after week | 0:47:03 | 0:47:05 | |
your team just doesn't seem to respect you? | 0:47:05 | 0:47:08 | |
You're asking us who the weakest player is, | 0:47:08 | 0:47:10 | |
and it's getting difficult. | 0:47:10 | 0:47:11 | |
We said last week we had a strong team, | 0:47:11 | 0:47:13 | |
so now it's the weakest. | 0:47:13 | 0:47:15 | |
It's not... I don't have anything personal against Dayana, | 0:47:15 | 0:47:17 | |
but the ideas are not always focused at the task at hand - | 0:47:17 | 0:47:20 | |
they don't always make sense for what we're trying to do. | 0:47:20 | 0:47:23 | |
Dayana, who's the weakest player in your team? | 0:47:23 | 0:47:26 | |
This task was specifically about raising money, | 0:47:27 | 0:47:30 | |
and I believe that | 0:47:30 | 0:47:31 | |
the one that brought the less money will be the weakest. | 0:47:31 | 0:47:34 | |
-Which is Aubrey? -Yes. | 0:47:34 | 0:47:35 | |
Teresa, here's what I want you to do - | 0:47:37 | 0:47:39 | |
you're going to pick two people, | 0:47:39 | 0:47:41 | |
you're going to come back into the boardroom with those two people. | 0:47:41 | 0:47:44 | |
One of the three of you will be fired, | 0:47:44 | 0:47:46 | |
and that's very sad because you were all very talented. | 0:47:46 | 0:47:49 | |
The other two, you escape to the magnificent Trump Tower, | 0:47:49 | 0:47:53 | |
you live for another week. OK? | 0:47:53 | 0:47:55 | |
Who are the two that you want to bring back into the boardroom? | 0:47:55 | 0:47:58 | |
Dayana and Debbie. | 0:48:01 | 0:48:02 | |
Dayana and Debbie. That's interesting. | 0:48:02 | 0:48:05 | |
OK. Go out. | 0:48:05 | 0:48:06 | |
The three of you will come right back. Thank you. | 0:48:06 | 0:48:08 | |
Men, turn off your television right now, please. | 0:48:19 | 0:48:21 | |
-Wow. -I thought Audrey would be the weakest member. -Yeah. | 0:48:21 | 0:48:24 | |
I think Teresa's going to get fired for not picking Aubrey. | 0:48:24 | 0:48:27 | |
-I believe that's true. -Yeah, for sure. | 0:48:27 | 0:48:28 | |
Because Aubrey raised the least amount. | 0:48:28 | 0:48:30 | |
I don't think I lost us this task - that's for sure. | 0:48:32 | 0:48:35 | |
No, definitely. This was about fundraising. | 0:48:35 | 0:48:38 | |
It's sad. 14. | 0:48:38 | 0:48:39 | |
And if it was about fundraising, | 0:48:40 | 0:48:42 | |
why didn't you bring in who raised the least amount of money? | 0:48:42 | 0:48:44 | |
Exactly. | 0:48:44 | 0:48:46 | |
-THROUGH INTERCOM: -'Amanda, let 'em in.' | 0:48:55 | 0:48:57 | |
Yes, sir. | 0:48:57 | 0:48:58 | |
Mr Trump is ready for you now. | 0:49:00 | 0:49:02 | |
-OK. -Thank you. -Thank you. | 0:49:02 | 0:49:03 | |
Sit down, please. | 0:49:10 | 0:49:12 | |
Teresa, who brought in more money... | 0:49:15 | 0:49:17 | |
..Deborah or Dayana? | 0:49:18 | 0:49:19 | |
Dayana. | 0:49:21 | 0:49:22 | |
And did you bring in more money than both? | 0:49:22 | 0:49:25 | |
-Yes. -You did? All right. | 0:49:25 | 0:49:26 | |
But you were project manager, so you sort of should. | 0:49:26 | 0:49:29 | |
-It probably means a little bit more to you, right? -Yes. | 0:49:29 | 0:49:32 | |
Don't you think so? | 0:49:32 | 0:49:33 | |
So, Dayana, let me ask you a question. | 0:49:35 | 0:49:36 | |
Third time back in the boardroom - | 0:49:36 | 0:49:38 | |
why shouldn't I be firing you tonight? | 0:49:38 | 0:49:40 | |
Well, very easy. | 0:49:40 | 0:49:42 | |
In my team, | 0:49:42 | 0:49:43 | |
I'm the one who's been raising most money for charity in total. | 0:49:43 | 0:49:46 | |
I won 20,000 for my charity, | 0:49:46 | 0:49:48 | |
I brought 50,000 for my team's charity. | 0:49:48 | 0:49:51 | |
-50? -Yeah. -Today? | 0:49:51 | 0:49:53 | |
-I brought 25,500 for you and 25,000 for Patricia. -That's true. | 0:49:53 | 0:49:58 | |
-Not bad. -I know. -Right? | 0:49:58 | 0:50:01 | |
Teresa, do you have a personal problem with Debbie, | 0:50:03 | 0:50:06 | |
would you say or not? | 0:50:06 | 0:50:07 | |
-A personal problem? -Personal. -No. | 0:50:07 | 0:50:08 | |
I mean, the way you went after her before with the baby-sitting | 0:50:08 | 0:50:11 | |
-and all the problems. -No... | 0:50:11 | 0:50:12 | |
Why would I fire Debbie as opposed to you? | 0:50:12 | 0:50:15 | |
Every week, I've delivered. She hasn't. | 0:50:15 | 0:50:18 | |
-I... -She picks her weeks when to deliver and when not to. | 0:50:18 | 0:50:21 | |
-Really? -Yes. -OK, in the eleventh hour, like I said... | 0:50:21 | 0:50:24 | |
You were trying to set me up with the printing, and thank God... | 0:50:24 | 0:50:27 | |
I don't set anybody up, Mr Trump. | 0:50:27 | 0:50:28 | |
-Explain the printing. -I had no reason to want anybody out. | 0:50:28 | 0:50:31 | |
What was it with the printing? | 0:50:31 | 0:50:32 | |
I told her she was in charge of the printing, meaning doing banners. | 0:50:32 | 0:50:35 | |
-That was not clearly delegated. -Yes, it was. -No. | 0:50:35 | 0:50:37 | |
I didn't know I had to baby-sit you AGAIN. We're in the seventh week. | 0:50:37 | 0:50:40 | |
-Are you serious, Debbie? -I keep saying... | 0:50:40 | 0:50:42 | |
How old are you? Are you serious? You're older than me. | 0:50:42 | 0:50:45 | |
-The how old are you stuff... -No, but I'm serious. | 0:50:45 | 0:50:47 | |
Like, you know what we have to do. | 0:50:47 | 0:50:49 | |
Oh, Dayana's loving this. Look. Look at Dayana. | 0:50:49 | 0:50:51 | |
She's just loving... | 0:50:51 | 0:50:53 | |
She's watching, having a good time. | 0:50:53 | 0:50:56 | |
-And smartly not speaking right now. -And she's being very smart. | 0:50:56 | 0:50:59 | |
She's not saying anything. All right, go ahead. | 0:50:59 | 0:51:01 | |
-There was poor leadership. -Do you think she's hard to manage? | 0:51:01 | 0:51:04 | |
-Is Debbie hard to manage? -Yes. -..when nobody's managing? | 0:51:04 | 0:51:06 | |
-Very hard to manage. -Is she talented? | 0:51:06 | 0:51:08 | |
I guess, if you want to say in singing, maybe. But I mean... | 0:51:08 | 0:51:13 | |
Maybe in singing? So, you won't even give her singing? | 0:51:13 | 0:51:15 | |
Well, in the '80s she was big. I mean... | 0:51:15 | 0:51:18 | |
As Debbie would say, you're the project manager... | 0:51:18 | 0:51:20 | |
Wait a minute, Debbie. | 0:51:20 | 0:51:21 | |
-..and manage my own business, Teresa. -Whatever. | 0:51:21 | 0:51:24 | |
Teresa, let me ask you this. | 0:51:24 | 0:51:25 | |
You're the project manager, you lost - | 0:51:25 | 0:51:27 | |
-why shouldn't I fire you? -Why? | 0:51:27 | 0:51:29 | |
Because I deliver every single week, I raise the most money on my team. | 0:51:29 | 0:51:33 | |
Look, you know, me and Lisa, we're neck and neck, and... | 0:51:33 | 0:51:36 | |
Are you impressed that Dayana raised so much money? Over 25,000. | 0:51:36 | 0:51:40 | |
No. Not surprised. | 0:51:40 | 0:51:41 | |
I mean, I think we all could do it if we put our mind to it. | 0:51:41 | 0:51:44 | |
But Debbie didn't do that. | 0:51:45 | 0:51:46 | |
-Well, maybe cos... -And by the way, Aubrey didn't do it. | 0:51:48 | 0:51:50 | |
Why didn't you bring Aubrey back? | 0:51:50 | 0:51:52 | |
-You know Aubrey raised the least. -Here we go again. | 0:51:52 | 0:51:54 | |
Because going forward, I think we need key players, | 0:51:54 | 0:51:57 | |
you know, especially going against the men. | 0:51:57 | 0:51:59 | |
But you have to worry about today - not going forward. | 0:51:59 | 0:52:01 | |
It should've been Aubrey and me if we raised the least, honestly, | 0:52:01 | 0:52:04 | |
and not Dayana. I don't see that Dayana was this big problem... | 0:52:04 | 0:52:07 | |
-So you don't really see Dayana...? -She's been in the boardroom... | 0:52:07 | 0:52:10 | |
She's been coming back to the boardroom three times, | 0:52:10 | 0:52:12 | |
so obviously there's a problem there. | 0:52:12 | 0:52:14 | |
Debbie, is that a smart strategic statement to make? | 0:52:14 | 0:52:17 | |
You just took the hot seat from three people to two people... | 0:52:17 | 0:52:19 | |
-You being one of these people. -I don't strategise. | 0:52:19 | 0:52:21 | |
If I go home tonight for no reason in particular | 0:52:21 | 0:52:24 | |
-other than the fact that... -You raised the least money. | 0:52:24 | 0:52:26 | |
..I'm not jumping on a bandwagon to throw somebody under the bus... | 0:52:26 | 0:52:30 | |
Why do they want to throw her under the bus? | 0:52:30 | 0:52:32 | |
I... I don't know exactly. I really don't. | 0:52:33 | 0:52:36 | |
Mr Trump, she lays low-key, under the radar... | 0:52:36 | 0:52:39 | |
That could be a strategy and it could be very smart. | 0:52:39 | 0:52:41 | |
But you know what? There's... | 0:52:41 | 0:52:42 | |
Deborah just said she shouldn't be in the boardroom. | 0:52:42 | 0:52:45 | |
I think she was sort of implying that Aubrey should be. | 0:52:45 | 0:52:47 | |
I think it should be Aubrey and I. If this is a fundraising task... | 0:52:47 | 0:52:50 | |
Well, it largely it is. Deborah, moving forward, | 0:52:50 | 0:52:52 | |
what do you have to offer your team? | 0:52:52 | 0:52:54 | |
What I have to offer is ideas, creativity, pro-activity | 0:52:54 | 0:52:58 | |
and being a team player when needed and hustling. | 0:52:58 | 0:53:00 | |
-Whenever you want to be a team player. -That's what I have to offer. | 0:53:00 | 0:53:03 | |
What about you, Teresa? What do you have to offer? | 0:53:03 | 0:53:06 | |
I disagree with what she just said. | 0:53:06 | 0:53:08 | |
Only when she wants to be a team player. So... | 0:53:08 | 0:53:12 | |
She did say, "When needed," | 0:53:12 | 0:53:13 | |
which was an interesting way to qualify your statement... | 0:53:13 | 0:53:16 | |
There are times when being a best player is getting out of the way. | 0:53:16 | 0:53:19 | |
Me and Lisa have a great dialogue. | 0:53:19 | 0:53:20 | |
I say, "Do need me to shut the F up now?" | 0:53:20 | 0:53:22 | |
You know who does that really well? You know, I'm learning. | 0:53:22 | 0:53:25 | |
You know who does that very well? | 0:53:25 | 0:53:26 | |
You said being the best player, sometimes you get out of the way. | 0:53:26 | 0:53:29 | |
Maybe Dayana. | 0:53:29 | 0:53:30 | |
She's watching you two go at it, | 0:53:30 | 0:53:33 | |
and I just see, in her own little way, | 0:53:33 | 0:53:35 | |
and maybe there's sarcasm to it or something, | 0:53:35 | 0:53:38 | |
but she's just watching you two and you sort of don't believe it. | 0:53:38 | 0:53:41 | |
You don't even believe what you're seeing, or is that wrong, Dayana? | 0:53:41 | 0:53:44 | |
I don't believe why I'm here...still. | 0:53:44 | 0:53:47 | |
Because you raised a lot of money? | 0:53:47 | 0:53:49 | |
It's because I raised a lot of money, | 0:53:49 | 0:53:50 | |
because I worked a lot for her charity | 0:53:50 | 0:53:53 | |
and because I've been always working for the rest of my team, | 0:53:53 | 0:53:55 | |
-and they somehow try to sneak me in a situation. -No. | 0:53:55 | 0:53:58 | |
Mr Trump, there was also a book involved - | 0:53:58 | 0:54:00 | |
it wasn't just the money. | 0:54:00 | 0:54:02 | |
-But this task was about raising money. -It was... | 0:54:02 | 0:54:05 | |
Whether you did a good book or a terrible book, | 0:54:05 | 0:54:07 | |
and you did a good book, and Regis was very nice. | 0:54:07 | 0:54:09 | |
He said your book was better, and you won 35,000. | 0:54:09 | 0:54:11 | |
Unfortunately, the 35,000 didn't do it. | 0:54:11 | 0:54:15 | |
Now, when you get right down to it, | 0:54:15 | 0:54:17 | |
this was ultimately about raising money | 0:54:17 | 0:54:20 | |
and who raised the most money. | 0:54:20 | 0:54:22 | |
I happen to think you should've brought Aubrey back, | 0:54:22 | 0:54:25 | |
and I think Aubrey might've been fired for this task | 0:54:25 | 0:54:29 | |
because she raised by far the least amount of money. | 0:54:29 | 0:54:31 | |
Dayana raised a good deal of money, | 0:54:33 | 0:54:36 | |
you raised a lot of money, | 0:54:36 | 0:54:38 | |
and Deborah raised the least money of the people that you brought back. | 0:54:38 | 0:54:41 | |
Deborah, you're fired. | 0:54:43 | 0:54:45 | |
Oh... | 0:54:45 | 0:54:46 | |
-Thank you. -I'm comfortable with that, based on the way this went. | 0:54:50 | 0:54:53 | |
-I understand. Thank you. -Thank you. | 0:54:53 | 0:54:54 | |
And I think you're right, Deborah. She should've brought back Aubrey - | 0:54:54 | 0:54:57 | |
she raised the least amount of money. Go ahead. Thank you. | 0:54:57 | 0:55:00 | |
-Good luck to you, guys. -Go ahead. -Thank you. | 0:55:00 | 0:55:02 | |
-Bye. Good luck. -Bye. | 0:55:17 | 0:55:21 | |
Could I...? Would you give me a hug or no? | 0:55:21 | 0:55:23 | |
Goodbye. | 0:55:24 | 0:55:25 | |
'The worst thing about this experience for me | 0:55:25 | 0:55:27 | |
'has been seeing how shrewd and dishonest people can be | 0:55:27 | 0:55:31 | |
'for very self-serving purposes,' | 0:55:31 | 0:55:33 | |
and to sit inches away from people | 0:55:33 | 0:55:36 | |
and to know that they're blatantly lying | 0:55:36 | 0:55:39 | |
'leaves me feeling a little unsettled. | 0:55:39 | 0:55:43 | |
'Does my ego like that I was fired? No.' | 0:55:43 | 0:55:47 | |
But Mr Trump can't fire me from being Debbie Gibson, | 0:55:47 | 0:55:51 | |
so nothing is lost. | 0:55:51 | 0:55:52 | |
Thank you for supporting me, and you guys were great. | 0:55:59 | 0:56:01 | |
-Congratulations, Dee. -Congratulations, guys. -Thank you. | 0:56:01 | 0:56:05 | |
-This was a tough one. -Well, of course. -To have to do... | 0:56:05 | 0:56:07 | |
-No, but the fundraising simultaneously... -Plus that. | 0:56:07 | 0:56:09 | |
Who do you guys think's leaving? | 0:56:09 | 0:56:11 | |
-What happened? -Ew, that's an ugly comment. | 0:56:14 | 0:56:17 | |
Dee, we know you want to send me home, | 0:56:17 | 0:56:18 | |
and you tell everyone behind my back. | 0:56:18 | 0:56:20 | |
It's OK, you can just say it to my face. | 0:56:20 | 0:56:22 | |
-You're shady as. -I don't want to send you home. | 0:56:22 | 0:56:24 | |
Dee comes and kisses my ass every day and is so nice. | 0:56:24 | 0:56:26 | |
One thing I know is I don't kiss your ass. | 0:56:26 | 0:56:28 | |
Trust me, I've heard everything you have to say. | 0:56:28 | 0:56:30 | |
-Well, I'll talk -BLEEP -about you to your face. -You're fake. | 0:56:30 | 0:56:33 | |
-What's going on? -He's so phoney. I can't stand... | 0:56:33 | 0:56:35 | |
Let's not fight with the men, too. | 0:56:35 | 0:56:37 | |
-ARSENIO: -'Aubrey plays this game well. | 0:56:37 | 0:56:39 | |
'She's the ultimate troublemaker. Thank God' | 0:56:39 | 0:56:42 | |
I don't have to be on a team with her. | 0:56:42 | 0:56:44 | |
I don't want no parts of Aubrey. | 0:56:44 | 0:56:45 | |
Keep her over in that other room. | 0:56:45 | 0:56:47 | |
Lock the door, throw away the key. | 0:56:47 | 0:56:48 | |
-What just happened? -I think Aubrey's evil. | 0:56:48 | 0:56:50 | |
-She's trying to stir up -BLEEP, -which she does a lot. | 0:56:50 | 0:56:53 | |
She's trying to do it over on our team now. | 0:56:53 | 0:56:54 | |
-She's done it on your team already. -She's running out of victims. | 0:56:54 | 0:56:57 | |
'Aubrey's a vixen who uses her womanliness to her advantage' | 0:56:57 | 0:57:03 | |
when she can. | 0:57:03 | 0:57:05 | |
I see her tail and horns. | 0:57:05 | 0:57:07 | |
'There's an old saying - | 0:57:07 | 0:57:08 | |
'age and ruthlessness will always beat youth and enthusiasm.' | 0:57:08 | 0:57:13 | |
So, you know...bring it, kid. | 0:57:13 | 0:57:16 | |
You don't like Dayana? | 0:57:18 | 0:57:19 | |
I can't deal with her. I deal with her every day. | 0:57:19 | 0:57:21 | |
If you guys did, I think you'd need a gun. | 0:57:21 | 0:57:23 | |
Are you sure it's going to be Dayana? | 0:57:23 | 0:57:25 | |
We have the answer. It's... | 0:57:25 | 0:57:26 | |
-THEY GASP -Yay! -Hi, guys. | 0:57:28 | 0:57:30 | |
-How are you? -Oh, my... | 0:57:30 | 0:57:32 | |
-Wait, wait. Oh, Debbie?! -Whoa. | 0:57:32 | 0:57:35 | |
'Teresa walks in, and freaking Dayana comes in after her, | 0:57:36 | 0:57:40 | |
'and I'm like,' | 0:57:40 | 0:57:41 | |
"God has it in for me." | 0:57:41 | 0:57:42 | |
I must've murdered someone | 0:57:42 | 0:57:43 | |
in a previous life | 0:57:43 | 0:57:45 | |
cos I am stuck with these two numbnut bitches once again | 0:57:45 | 0:57:49 | |
who couldn't have an idea if it hit them in the face. | 0:57:49 | 0:57:52 | |
-You want to hear the story? -Yeah, kind of. | 0:57:52 | 0:57:54 | |
Debbie brought less than me, so it wasn't fair to have... | 0:57:54 | 0:57:58 | |
So, if Aubrey had been back in there, she would've been fired. | 0:57:58 | 0:58:01 | |
Aubrey was, at the table, mentioned several times. | 0:58:01 | 0:58:03 | |
So, not a smart decision from our project manager. | 0:58:03 | 0:58:06 | |
Oh, is that what you think? | 0:58:06 | 0:58:08 | |
You won your task cos we were all team players. | 0:58:08 | 0:58:10 | |
-That's the reason... -Thank you so much to my team... | 0:58:10 | 0:58:13 | |
to work so hard, and I'm proud of it, | 0:58:13 | 0:58:16 | |
and I'm so happy that everybody worked so hard for that. | 0:58:16 | 0:58:18 | |
And I didn't say you didn't work hard, so just don't... | 0:58:18 | 0:58:21 | |
-Thank you. We all worked very hard today. -And I said that. | 0:58:21 | 0:58:23 | |
That's it. That's it. | 0:58:23 | 0:58:25 | |
I feel sorry for us tomorrow | 0:58:28 | 0:58:29 | |
-just trying to figure out who can project manage and all that -BLEEP. | 0:58:29 | 0:58:33 | |
We'll just have to see. | 0:58:33 | 0:58:34 | |
Come in. I want to introduce you. | 0:58:48 | 0:58:50 | |
-Hi! -Hey, what's going on, guys? | 0:58:50 | 0:58:52 | |
-How are you? -Pia, Anthony. Dee Snider. -It's OK. | 0:58:52 | 0:58:56 | |
-Anthony. -Hi. -Pia. -Pia, nice to meet you. | 0:58:56 | 0:58:58 | |
-And this is Sophia. -Aw, Sophia. | 0:58:58 | 0:59:01 | |
Oh, my God. She's beautiful. | 0:59:01 | 0:59:02 | |
'I'm the winning project manager,' | 0:59:02 | 0:59:04 | |
and I think I'm going to surprise the March Of Dimes with | 0:59:04 | 0:59:07 | |
a really huge cheque. | 0:59:07 | 0:59:09 | |
Two of my four kids were born prematurely, | 0:59:09 | 0:59:11 | |
and we've sat in this room - not as long as you guys have. | 0:59:11 | 0:59:15 | |
-How many days are you? -With Sophia, this is 89 days. | 0:59:15 | 0:59:18 | |
-Wow. -With my son, it was 116 days. | 0:59:18 | 0:59:21 | |
How much did they weigh? | 0:59:21 | 0:59:22 | |
He was one pound, eight ounces, and she was one pound, 12 ounces. | 0:59:22 | 0:59:25 | |
Well, the March Of Dimes' research helps these babies | 0:59:25 | 0:59:28 | |
to live long and relatively healthy lives. | 0:59:28 | 0:59:31 | |
It's people like Dee who has taken it on to do... | 0:59:31 | 0:59:35 | |
You know, to give back, | 0:59:35 | 0:59:36 | |
and so he's helped us with awareness and raising money and... | 0:59:36 | 0:59:39 | |
Well, speaking of money, | 0:59:39 | 0:59:40 | |
I was project manager... | 0:59:40 | 0:59:43 | |
-and my team won... -Oh, my gosh. -Yes. | 0:59:43 | 0:59:45 | |
-Oh, my gosh. -Congratulations. | 0:59:45 | 0:59:47 | |
So, that's for the March Of Dimes. | 0:59:47 | 0:59:49 | |
Not for you - for the March Of Dimes. | 0:59:49 | 0:59:51 | |
-325,000. -Congratulations. | 0:59:52 | 0:59:54 | |
-Oh, my God. -Oh, my gosh. Thank you, Dee. | 0:59:54 | 0:59:57 | |
She's smiling. She's smiling. Yeah, see, that's her. | 0:59:57 | 1:00:00 | |
-(That's a lot of money.) -Yeah! | 1:00:00 | 1:00:02 | |
-Would you like to hold her? -Oh, yeah. | 1:00:02 | 1:00:04 | |
'You know, when you're on the show, | 1:00:04 | 1:00:06 | |
'it's easy to forget why you're there.' | 1:00:06 | 1:00:08 | |
Come here, little one. | 1:00:08 | 1:00:10 | |
'You know, you get caught up in | 1:00:10 | 1:00:11 | |
'the craziness of the show and the challenges, | 1:00:11 | 1:00:13 | |
'but you need to remember it's about the charity first, | 1:00:13 | 1:00:16 | |
'and I find that working with' | 1:00:16 | 1:00:18 | |
March Of Dimes really helps me give back. | 1:00:18 | 1:00:20 | |
-Pretty exciting. -I guess! Thank you, Dee. This is great. | 1:00:20 | 1:00:24 | |
-Good morning. -Good morning. | 1:00:44 | 1:00:46 | |
Now, women, honestly... | 1:00:46 | 1:00:50 | |
you've lost five out of the seven tasks. Not good. | 1:00:50 | 1:00:54 | |
Lisa, what do you say about that? | 1:00:54 | 1:00:55 | |
Oh, it's sad, but we'll win the next one. | 1:00:55 | 1:00:58 | |
-Well, you may not get the chance. -Uh-oh. | 1:00:58 | 1:01:00 | |
Now, you've lost five out of seven, women, | 1:01:03 | 1:01:06 | |
so I'm going to switch up the teams. | 1:01:06 | 1:01:07 | |
-Aubrey, do you like the idea? -Yeah. | 1:01:10 | 1:01:12 | |
-I have to break you and Lisa up. -No! -You're too friendly. -Come on! | 1:01:14 | 1:01:18 | |
So, Teresa and Aubrey, go to that team. | 1:01:18 | 1:01:22 | |
Lou, Penn and Dee, you go over here. | 1:01:22 | 1:01:25 | |
Let's go. Switch. | 1:01:25 | 1:01:26 | |
-THEY CHUCKLE -Hi, guys! | 1:01:28 | 1:01:31 | |
Oh, no! | 1:01:32 | 1:01:33 | |
Oh, my God. | 1:01:35 | 1:01:37 | |
Have fun, Arsenio. | 1:01:37 | 1:01:39 | |
Holy crap. | 1:01:39 | 1:01:41 | |
'So, Mr Trump puts Aubrey on my team. I can't see nothing else.' | 1:01:41 | 1:01:44 | |
Everything else is a blur. Aubrey's on my team, | 1:01:44 | 1:01:47 | |
and you know she's going to be dropping banana peels | 1:01:47 | 1:01:50 | |
everywhere you walk. | 1:01:50 | 1:01:51 | |
How do you feel about your new team? Lou? | 1:01:51 | 1:01:53 | |
Well, I have been married 31 years - I can tolerate women. | 1:01:53 | 1:01:55 | |
-"Tolerate!" -Just tolerate? | 1:01:55 | 1:01:58 | |
"I don't really like them, but I can tolerate them." | 1:01:58 | 1:02:01 | |
'I am very happy with my new team.' | 1:02:01 | 1:02:03 | |
So, if Lisa's frustrated for still being in a team with me, | 1:02:03 | 1:02:06 | |
'too bad for her.' | 1:02:06 | 1:02:07 | |
All right, we're standing in the East 54 Street Rec Center. | 1:02:07 | 1:02:12 | |
It's a beautiful place where people come to work out. | 1:02:12 | 1:02:16 | |
Now, next to me are Joe and Mark, from Walgreens. | 1:02:16 | 1:02:20 | |
It's the largest drugstore chain | 1:02:20 | 1:02:22 | |
anywhere in the United States by far. | 1:02:22 | 1:02:25 | |
A great company. | 1:02:25 | 1:02:27 | |
Joe, tell us about the task. | 1:02:27 | 1:02:29 | |
Today's task, we're trying to encourage people | 1:02:29 | 1:02:31 | |
to walk 30 minutes a day. | 1:02:31 | 1:02:33 | |
We're going to do that for a programme | 1:02:33 | 1:02:34 | |
that we call Walk with Walgreens. | 1:02:34 | 1:02:37 | |
So, a very simple programme - walk, blog, get rewards. | 1:02:37 | 1:02:41 | |
This online programme allows people to track their time | 1:02:41 | 1:02:44 | |
and encourage them to spend time | 1:02:44 | 1:02:46 | |
competing with other people in the programme. | 1:02:46 | 1:02:48 | |
So, for today's task, | 1:02:48 | 1:02:50 | |
you will be creating a live interactive health segment | 1:02:50 | 1:02:55 | |
that promotes the benefits of walking | 1:02:55 | 1:02:57 | |
and the ease of the Walk with Walgreens programme | 1:02:57 | 1:02:59 | |
to a live audience. | 1:02:59 | 1:03:01 | |
In addition, your team will be creating a new design | 1:03:01 | 1:03:03 | |
for the Walk with Walgreens membership kit. | 1:03:03 | 1:03:05 | |
Eric, what's the criteria? | 1:03:05 | 1:03:07 | |
You're going to be judged on brand messaging, | 1:03:07 | 1:03:09 | |
your Walk with Walgreens kit design and your overall presentation. | 1:03:09 | 1:03:13 | |
Mark, Joe and Walk with Walgreens spokesperson | 1:03:13 | 1:03:16 | |
and host of The Biggest Loser Alison Sweeney | 1:03:16 | 1:03:19 | |
-is going to judge your live health segment. -Wow. | 1:03:19 | 1:03:22 | |
OK. Pick your project manager. | 1:03:22 | 1:03:25 | |
He's a physical guy, he hasn't done leader yet - | 1:03:30 | 1:03:33 | |
I think he'd be a good leader. | 1:03:33 | 1:03:35 | |
Who is your project manager? | 1:03:35 | 1:03:36 | |
Ah, Lou! | 1:03:36 | 1:03:38 | |
'I decided to step up to the plate again | 1:03:38 | 1:03:39 | |
'because I knew that if I took the lead,' | 1:03:39 | 1:03:41 | |
then we have a good chance to win because that's basically | 1:03:41 | 1:03:44 | |
close to home with me | 1:03:44 | 1:03:45 | |
and my charity Muscular Dystrophy Association | 1:03:45 | 1:03:48 | |
is all about walking with heart, | 1:03:48 | 1:03:50 | |
so it's really great because it connected beautifully. | 1:03:50 | 1:03:52 | |
-Are you still good with push-ups? -Yes, walking... -Do a push-up. | 1:03:52 | 1:03:55 | |
-Let me see you do a push-up. -Can I compete with him? | 1:03:55 | 1:03:58 | |
-Go ahead. -Make it count! Get down! -Let's see who goes longer. Go ahead. | 1:03:58 | 1:04:02 | |
Let's go. Get down. | 1:04:02 | 1:04:03 | |
Lou, come on, you're fighting for men. Come on, Lou. | 1:04:03 | 1:04:05 | |
-Kind of crazy. -Oh, I think you're going to beat her, Lou. | 1:04:05 | 1:04:08 | |
Oh, no, straight down thing. | 1:04:08 | 1:04:10 | |
-ALL: -Oh, my God! -Whoa! | 1:04:10 | 1:04:11 | |
He wins! | 1:04:11 | 1:04:12 | |
All right, Lou. You win that one. | 1:04:12 | 1:04:14 | |
-Lou's going to be 60 on Wednesday. -Wow. You're in great shape. | 1:04:16 | 1:04:19 | |
-I'm proud of you. -Thank you. | 1:04:19 | 1:04:20 | |
All right, so Lou is your project manager. | 1:04:20 | 1:04:22 | |
Who is your project manager? | 1:04:22 | 1:04:23 | |
-I am, sir. -Arsenio. Finally! | 1:04:23 | 1:04:26 | |
'I'm playing for the Magic Johnson Foundation, | 1:04:26 | 1:04:28 | |
'I've been involved with them for 20 years, | 1:04:28 | 1:04:30 | |
'but I'm also playing' | 1:04:30 | 1:04:31 | |
for my cousin who died of AIDS - | 1:04:31 | 1:04:33 | |
she's in heaven. | 1:04:33 | 1:04:35 | |
I'm really playing for her. | 1:04:35 | 1:04:36 | |
OK, the winning team's project manager will get 20,000. | 1:04:36 | 1:04:42 | |
Mr Trump. | 1:04:42 | 1:04:43 | |
Walgreens would like to donate an additional 30,000 | 1:04:43 | 1:04:46 | |
to the winning team's charity. | 1:04:46 | 1:04:48 | |
Wow, thank you very much. | 1:04:48 | 1:04:50 | |
50,000 to the project manager of the winning team - | 1:04:50 | 1:04:54 | |
a lot of money. | 1:04:54 | 1:04:55 | |
All right, do a great job for Walgreens. Go ahead. | 1:04:55 | 1:04:58 | |
'So, of course, Mr Trump leaves me and Dayana together | 1:04:58 | 1:05:01 | |
'and throws in Lou, | 1:05:01 | 1:05:02 | |
'who I knew is going to bring nothing to the table.' | 1:05:02 | 1:05:05 | |
I'm literally in what's my version of hell, | 1:05:05 | 1:05:07 | |
'and I'm going to have to deal with these idiots' | 1:05:07 | 1:05:09 | |
the rest of my eternity. Thank you, God. | 1:05:09 | 1:05:11 | |
-Wow. -HE SPEAKS INDISTINCTLY | 1:05:16 | 1:05:18 | |
Is there assigned seating? | 1:05:18 | 1:05:20 | |
-No. We usually just wing it. -OK. -That's how we roll. | 1:05:20 | 1:05:23 | |
How do you guys like to work? | 1:05:23 | 1:05:24 | |
Why don't we try your style because clearly ours does not work. | 1:05:24 | 1:05:28 | |
OK. | 1:05:28 | 1:05:29 | |
'Coming to Team Forte, it definitely seemed like Lisa knew we had a' | 1:05:29 | 1:05:33 | |
winning formula and wanted to... | 1:05:33 | 1:05:36 | |
be a part of that. | 1:05:36 | 1:05:37 | |
I have to fly out for a show at two in the afternoon, | 1:05:37 | 1:05:41 | |
and I will be back tomorrow morning. | 1:05:41 | 1:05:43 | |
Penn said he was leaving to do a show, | 1:05:43 | 1:05:45 | |
so I knew I had to utilise as much as can till two o'clock. | 1:05:45 | 1:05:47 | |
The only thing that concerns me is that | 1:05:47 | 1:05:50 | |
will Penn be able to come back the next morning | 1:05:50 | 1:05:52 | |
and not make any mistakes on stage | 1:05:52 | 1:05:54 | |
because he didn't have enough time to rehearse? | 1:05:54 | 1:05:57 | |
-Hey. -Hello. How are you, gentlemen? | 1:05:57 | 1:05:59 | |
How are you? Nice to see you. | 1:05:59 | 1:06:00 | |
How have you been? You guys look great... | 1:06:00 | 1:06:03 | |
'We're brainstorming in the war room, | 1:06:03 | 1:06:05 | |
'and the two Walgreens executives come in' | 1:06:05 | 1:06:07 | |
to talk with us about the Walk with Walgreens programme. | 1:06:07 | 1:06:10 | |
We're a health care company, | 1:06:10 | 1:06:11 | |
and we want to focus on proactive health, | 1:06:11 | 1:06:13 | |
and one of the things we think we need to do | 1:06:13 | 1:06:15 | |
is encourage people to bring back exercise back into the routine. | 1:06:15 | 1:06:19 | |
I am a firm believer in doing as little as possible physically. | 1:06:19 | 1:06:23 | |
I am like every person they're trying to reach - | 1:06:23 | 1:06:26 | |
the couch potato who hates to move, | 1:06:26 | 1:06:28 | |
who would rather be wheeled around in a wheelchair all day | 1:06:28 | 1:06:31 | |
when they're not even handicapped. | 1:06:31 | 1:06:32 | |
Your team will be creating a new design for the membership kit. | 1:06:32 | 1:06:35 | |
We want you to focus on what it looks like, the brand identity - | 1:06:35 | 1:06:38 | |
-that's really what we're looking at. -OK. | 1:06:38 | 1:06:40 | |
The membership kit is a four-by-four inch box | 1:06:40 | 1:06:42 | |
for the people who's joined the Walk with Walgreens programme, | 1:06:42 | 1:06:46 | |
and it's our job to design the outside part of it. | 1:06:46 | 1:06:49 | |
Oh, I didn't know that. | 1:06:51 | 1:06:53 | |
I was laying in bed for four weeks, | 1:06:53 | 1:06:54 | |
and when I started to walk, I realised the value of walking | 1:06:54 | 1:06:57 | |
because I never really walked that much | 1:06:57 | 1:06:59 | |
prior to having my knees replaced, | 1:06:59 | 1:07:01 | |
but it made me really appreciate the value of walking. | 1:07:01 | 1:07:03 | |
-That is a great story. -Yeah, it's a great story. | 1:07:03 | 1:07:05 | |
'These executives, they were so excited when I told them my story.' | 1:07:05 | 1:07:08 | |
That made me feel like we're on the road | 1:07:08 | 1:07:11 | |
to have a good chance of winning. | 1:07:11 | 1:07:13 | |
-Thank you, guys. Very nice to meet you. -Thank you, sir. | 1:07:13 | 1:07:15 | |
Do you guys want to talk creative first? | 1:07:18 | 1:07:20 | |
Your reputation precedes you as the creative one, Aubrey. | 1:07:20 | 1:07:23 | |
'We have two new team members - Aubrey and Teresa - | 1:07:23 | 1:07:26 | |
'and what we see in the boardroom of those two' | 1:07:26 | 1:07:28 | |
is not hardly enticing to want to work with, | 1:07:28 | 1:07:32 | |
but there was a little bit of a ray of hope | 1:07:32 | 1:07:34 | |
because Arsenio and I, we're still on the same team. | 1:07:34 | 1:07:36 | |
OK, so here were my ideas. Whatever this box has to be | 1:07:36 | 1:07:40 | |
is something that grabs your eye in Walgreens, | 1:07:40 | 1:07:42 | |
and it's got to be something that's bold, bright, | 1:07:42 | 1:07:44 | |
and has a strong creative behind it because there are a lot of things | 1:07:44 | 1:07:48 | |
that grab your attention at Walgreens, | 1:07:48 | 1:07:49 | |
there's a lot of products and a lot of displays. | 1:07:49 | 1:07:52 | |
And the creative that we have behind this should fit the creative | 1:07:52 | 1:07:54 | |
that we conceptualise our entire performance about | 1:07:54 | 1:07:58 | |
because, at the end of the day, | 1:07:58 | 1:07:59 | |
the fact that we tie the entire brand into one idea | 1:07:59 | 1:08:02 | |
will really sell to Walgreens, I think. | 1:08:02 | 1:08:05 | |
What do you think, Arsenio? | 1:08:05 | 1:08:08 | |
Erm... I'd love to hear the executives sometime | 1:08:08 | 1:08:12 | |
-before I start locking in on stuff. -Right. | 1:08:12 | 1:08:14 | |
'I felt like Arsenio was such a strong player' | 1:08:14 | 1:08:16 | |
when I was on the other side, but now that I'm seeing him in action, | 1:08:16 | 1:08:19 | |
I'm not impressed. | 1:08:19 | 1:08:20 | |
-Hey. -Hello. How are you, guys? | 1:08:21 | 1:08:23 | |
-Hello. -Hi, guys. | 1:08:23 | 1:08:25 | |
-Hi, nice to meet you. -Arsenio. -Pleasure, buddy. | 1:08:25 | 1:08:28 | |
-How is everybody? -Good. -Very good. Come on in. | 1:08:28 | 1:08:30 | |
The first thing we want to make sure that you guys understand | 1:08:30 | 1:08:33 | |
is that obviously there's the presentation and the package design | 1:08:33 | 1:08:36 | |
that you guys are going to work on. | 1:08:36 | 1:08:38 | |
Graphically, this will represent your brand, | 1:08:38 | 1:08:40 | |
it'll represent the initiative. | 1:08:40 | 1:08:42 | |
The directive is to promote the Walk with Walgreens programme, | 1:08:42 | 1:08:45 | |
-and this is a membership kit into that programme. -Right. | 1:08:45 | 1:08:49 | |
-Yeah, and how important... -You guys want this to be fun? | 1:08:49 | 1:08:51 | |
You want this to make people love to walk, right? | 1:08:51 | 1:08:53 | |
You want it to be something that they're engaged in | 1:08:53 | 1:08:55 | |
and give it a new twist | 1:08:55 | 1:08:57 | |
-and relate it back to the product, correct? -Correct. -OK. | 1:08:57 | 1:08:59 | |
'Usually the project manager' | 1:08:59 | 1:09:02 | |
takes the lead, you know? | 1:09:02 | 1:09:03 | |
I'm doing everything I need to do to keep peace | 1:09:03 | 1:09:06 | |
and saying, "You go on and talk. No, it's cool. I'm fine." | 1:09:06 | 1:09:09 | |
I'm not really fine. | 1:09:09 | 1:09:11 | |
'She's a narcissistic piece of work.' | 1:09:11 | 1:09:13 | |
Wow. | 1:09:13 | 1:09:15 | |
-I was thinking that we could do What Can You Do While Walking? -Hmm! | 1:09:21 | 1:09:26 | |
'Our task today is to create' | 1:09:26 | 1:09:28 | |
and produce a live health segment | 1:09:28 | 1:09:31 | |
for Walk with Walgreens. | 1:09:31 | 1:09:33 | |
We also have to design the outside packaging | 1:09:33 | 1:09:36 | |
for a Walk with Walgreens membership kit. | 1:09:36 | 1:09:39 | |
You can flirt while walking, you can date while walking, | 1:09:39 | 1:09:42 | |
you can talk, you can make phone calls, you can listen to music. | 1:09:42 | 1:09:45 | |
'Penn said, "Think of all the stuff you can do while you're walking."' | 1:09:45 | 1:09:48 | |
I mean, if you said, "Yeah, you've got to walk for 30 minutes, | 1:09:48 | 1:09:51 | |
"but guess what? You can do all this other stuff on your list," | 1:09:51 | 1:09:54 | |
I'd be more up to do it. | 1:09:54 | 1:09:55 | |
So, we started rolling with that idea. | 1:09:55 | 1:09:57 | |
-We haven't used all of our celebrity. -All of our talent. | 1:09:57 | 1:09:59 | |
So, you could roast somebody, | 1:09:59 | 1:10:01 | |
you can juggle, you can strut. | 1:10:01 | 1:10:03 | |
Shall we get, like, a walking machine? One of those...? | 1:10:03 | 1:10:06 | |
They're the most important things about walking when you walk. | 1:10:06 | 1:10:09 | |
-You know what? Whoa, she just said something. -Right. I know. | 1:10:09 | 1:10:11 | |
She just said about bringing people on stage and having them walk. | 1:10:11 | 1:10:14 | |
-PENN: -'I know very little about Dayana, but so far' | 1:10:14 | 1:10:18 | |
she's wicked hard working, | 1:10:18 | 1:10:20 | |
'and it's good to have her on our team, | 1:10:20 | 1:10:22 | |
'I'm very happy about it.' | 1:10:22 | 1:10:24 | |
The only issue right now is how do we walk on the stage? | 1:10:24 | 1:10:29 | |
But if each person does a lap, that's pretty terrific. | 1:10:29 | 1:10:32 | |
'Penn is kicking ass. | 1:10:32 | 1:10:33 | |
'He's definitely the most brilliant person here. | 1:10:33 | 1:10:36 | |
'He and I are doing things project managers should.' | 1:10:36 | 1:10:39 | |
I'm kind of concerned | 1:10:39 | 1:10:40 | |
because Lou really isn't | 1:10:40 | 1:10:42 | |
contributing anything. | 1:10:42 | 1:10:43 | |
..and she can help Penn do the writing and everyone can cooperate. | 1:10:46 | 1:10:49 | |
We need somebody else on stage. | 1:10:49 | 1:10:50 | |
In the presentation I'm going to be the host. | 1:10:50 | 1:10:52 | |
I'm very worried about you will get to be Mr Universe if you walk. | 1:10:52 | 1:10:57 | |
'Lou said, which was the same thing' | 1:10:57 | 1:10:59 | |
he said last time he was project manager, was that he was going | 1:10:59 | 1:11:02 | |
to be on stage and he was going to do the talking. | 1:11:02 | 1:11:04 | |
And I did push back | 1:11:04 | 1:11:06 | |
because we have three professional speakers on our team. | 1:11:06 | 1:11:10 | |
I'd much rather go with you can do business... | 1:11:10 | 1:11:14 | |
I'm the project manager - I'm going to be the host. | 1:11:14 | 1:11:16 | |
'Penn questioned my decision, which he's done it before.' | 1:11:18 | 1:11:21 | |
I wanted to be the host | 1:11:21 | 1:11:22 | |
because I know I could deliver a heartfelt message | 1:11:22 | 1:11:25 | |
better than anybody on the team. | 1:11:25 | 1:11:26 | |
'If I was not project manager, | 1:11:26 | 1:11:28 | |
'they would not have utilised my strength.' | 1:11:28 | 1:11:30 | |
They want to run the whole show, | 1:11:30 | 1:11:31 | |
but I knew all the important things I needed to get from them, | 1:11:31 | 1:11:35 | |
and I made a final decision. | 1:11:35 | 1:11:37 | |
Presentation. What's a clever way to spin it? | 1:11:41 | 1:11:43 | |
So, we're doing something super cool | 1:11:43 | 1:11:46 | |
where people are going to be like, "That's cool." | 1:11:46 | 1:11:48 | |
Does anybody like Putting The Talk Show On Its Feet? | 1:11:48 | 1:11:50 | |
We've got to encourage people to be a part of this programme, | 1:11:50 | 1:11:53 | |
-not just to... -To go online. | 1:11:53 | 1:11:54 | |
What if instead of a talk show it's a game show? | 1:11:54 | 1:11:57 | |
And then that includes the audience | 1:11:57 | 1:11:58 | |
and it's fun because they can answer some questions. | 1:11:58 | 1:12:00 | |
And we should give them something | 1:12:00 | 1:12:02 | |
to focus on the reward aspect of this programme. | 1:12:02 | 1:12:05 | |
We should do the wheel sign, though. We should... | 1:12:05 | 1:12:07 | |
Are we going to do a wheel? | 1:12:07 | 1:12:08 | |
Yeah, but you still do Walk with Walgreens. | 1:12:08 | 1:12:10 | |
It's to give it the idea that we're at a game show. | 1:12:10 | 1:12:13 | |
-IN ANNOUNCER'S VOICE: -Welcome to Walk with Walgreens. Hey! | 1:12:13 | 1:12:16 | |
And your host, Arsenio-o-o Hall! | 1:12:16 | 1:12:19 | |
'The concept for the presentation is to kind of do a game show. | 1:12:19 | 1:12:23 | |
'Aubrey, Teresa' | 1:12:23 | 1:12:24 | |
and Paul are going to be team | 1:12:24 | 1:12:25 | |
captains who spin the wheel | 1:12:25 | 1:12:27 | |
and answer questions on stage. | 1:12:27 | 1:12:29 | |
'Arsenio is the game show host,' | 1:12:29 | 1:12:31 | |
and I am the announcer calling up contestants | 1:12:31 | 1:12:33 | |
and telling them what they've won. | 1:12:33 | 1:12:35 | |
On this box, we go shoot our pictures in the Walgreens store. | 1:12:35 | 1:12:39 | |
Each of us is a face, a face, a face, a face, | 1:12:39 | 1:12:42 | |
incorporating the quote by us, | 1:12:42 | 1:12:43 | |
"I walk to stay healthy, | 1:12:43 | 1:12:45 | |
"I walk to keep my lungs..." or whatever about singing. | 1:12:45 | 1:12:47 | |
"I walk to..." whatever, "..to keep up with my girls," | 1:12:47 | 1:12:50 | |
"I walk so I can stay hot." | 1:12:50 | 1:12:52 | |
Arsenio, you could be the person | 1:12:52 | 1:12:54 | |
that took a walk away from...the industry for a while. | 1:12:54 | 1:12:59 | |
What? | 1:12:59 | 1:13:01 | |
Not necessarily in a negative way, but just you needed to take a walk. | 1:13:01 | 1:13:04 | |
'This girl is ruthless. She's manipulative. | 1:13:04 | 1:13:07 | |
'She threw some garb at me about me walking away from my career.' | 1:13:07 | 1:13:10 | |
I know her intent with the comment. The comment was meant to be a diss. | 1:13:10 | 1:13:14 | |
The bottom line is she's getting on my nerves, | 1:13:14 | 1:13:17 | |
and I don't know how much more I can take. | 1:13:17 | 1:13:19 | |
We've got to get there. | 1:13:19 | 1:13:21 | |
What if on everybody's chair | 1:13:21 | 1:13:23 | |
we put red shirts, green shirts, blue shirts and yellow shirts | 1:13:23 | 1:13:25 | |
cos everybody in the audience always is with the certain team. | 1:13:25 | 1:13:28 | |
-Oh, that's fun. -And then it also says Walk with Walgreens. | 1:13:28 | 1:13:31 | |
Aubrey decided that all of our faces should be on | 1:13:31 | 1:13:33 | |
the membership kit, | 1:13:33 | 1:13:34 | |
so we decided to head down to the Walgreens store | 1:13:34 | 1:13:36 | |
and take our pictures there. | 1:13:36 | 1:13:38 | |
OK. Pull your arm back a little bit so I can get that Eat Well. | 1:13:43 | 1:13:46 | |
Yeah, that's cute. Let's find a good spot in the store. | 1:13:46 | 1:13:49 | |
I think we should go against that white wall | 1:13:49 | 1:13:51 | |
cos we're going to edit the background out anyway. | 1:13:51 | 1:13:53 | |
Oh, Clay, you look so pretty. Look at me. | 1:13:53 | 1:13:56 | |
Good. OK, let's get you, Mr Sexy. | 1:13:57 | 1:14:00 | |
Do your Teresa face. Yeah. | 1:14:02 | 1:14:04 | |
OK, let me get you, Arsenio. | 1:14:04 | 1:14:06 | |
Let me get that mug. | 1:14:06 | 1:14:07 | |
-That is so close. Let me see that. -Hold on. Let me take one more. | 1:14:08 | 1:14:11 | |
I knew this white background was going to kill me. | 1:14:11 | 1:14:13 | |
You look amazing. Stop. | 1:14:13 | 1:14:15 | |
'Aubrey is a very controlling personality, | 1:14:15 | 1:14:18 | |
'and I'm sure Arsenio didn't like' | 1:14:18 | 1:14:20 | |
the fact that she was taking over and doing things on her own. | 1:14:20 | 1:14:24 | |
-All right, guys, let's bounce. -What? Let me see. | 1:14:24 | 1:14:27 | |
I'm not letting you see the photo cos you're crazy. | 1:14:27 | 1:14:30 | |
Lou comes out, does a good hunk - | 1:14:37 | 1:14:39 | |
two, three minutes, heartfelt. | 1:14:39 | 1:14:42 | |
Throws it to me with Lou. | 1:14:42 | 1:14:43 | |
I set up the computer, I do all the stuff they really want said. | 1:14:43 | 1:14:47 | |
'Penn's the idea guy. He's going crazy with it. | 1:14:47 | 1:14:50 | |
'He's going to have the outline of the script and some of the dialogue | 1:14:50 | 1:14:53 | |
'even before he leaves to go do a gig in Toronto.' | 1:14:53 | 1:14:55 | |
Throw it in to Miss Universe and just have her in a swim...suit. | 1:14:55 | 1:15:00 | |
'One of our strongest players' | 1:15:00 | 1:15:01 | |
is walking out the door, | 1:15:01 | 1:15:03 | |
and it's like seeing Dad go off to work | 1:15:03 | 1:15:05 | |
when you know you have to watch the young 'uns. | 1:15:05 | 1:15:07 | |
-Say bye to Penn. -Love you like a brother. | 1:15:07 | 1:15:09 | |
All right, let's start with the box. | 1:15:11 | 1:15:12 | |
We've got a cube box that we have to create. | 1:15:12 | 1:15:16 | |
It's going to be a big one. | 1:15:16 | 1:15:18 | |
-OK. -Four feet by four feet. -Four feet by four feet. | 1:15:18 | 1:15:21 | |
This is the prototype. | 1:15:21 | 1:15:23 | |
I was overseeing the graphic design work | 1:15:23 | 1:15:25 | |
and the brandings aspects of the creation of the membership kit. | 1:15:25 | 1:15:28 | |
Let's go with the red-and-white Walgreens on front four. | 1:15:28 | 1:15:31 | |
Go back two. | 1:15:31 | 1:15:33 | |
Give me a Walgreens again. | 1:15:33 | 1:15:34 | |
'I know Walgreens wants their logos,' | 1:15:34 | 1:15:37 | |
so I took their designs | 1:15:37 | 1:15:38 | |
and without screwing with them, | 1:15:38 | 1:15:40 | |
I incorporated them into the kit. | 1:15:40 | 1:15:42 | |
Give me the red-and-white Walgreens again. | 1:15:42 | 1:15:44 | |
With the kit sign, Dee didn't want | 1:15:44 | 1:15:45 | |
to go too over the top. | 1:15:45 | 1:15:47 | |
He wanted to go safe | 1:15:47 | 1:15:49 | |
and just put logos on every face of the cube, | 1:15:49 | 1:15:51 | |
but I would've loved to do something more. | 1:15:51 | 1:15:53 | |
Oh, my God. Hi. Oh, my God. | 1:15:56 | 1:15:57 | |
Snuck in our new guys, did I? | 1:15:57 | 1:15:58 | |
-I was like... -On cat feet. -..holy crap. | 1:15:58 | 1:16:00 | |
What's going on? | 1:16:00 | 1:16:01 | |
We wrote this whole script based on | 1:16:01 | 1:16:03 | |
you can do anything, almost, while you're walking. | 1:16:03 | 1:16:05 | |
'I think Lisa recognises that she's still one of the strong players over here,' | 1:16:05 | 1:16:08 | |
that Lou, very in-line with perhaps the other comments | 1:16:08 | 1:16:11 | |
from his team in the past, needs to be controlled a little bit. | 1:16:11 | 1:16:14 | |
'So, if she, as a number two, can do that and keep him on track,' | 1:16:14 | 1:16:18 | |
you know, it's not so insubordinate if it gets you the win. | 1:16:18 | 1:16:20 | |
-Where is the disc? -Dee, this is the disc. Go to JPEGs. | 1:16:20 | 1:16:23 | |
It must be the one by one that we were trying out. | 1:16:23 | 1:16:25 | |
All right. One second. | 1:16:25 | 1:16:26 | |
-Are you cutting them already? -No, no, no. I'm just... | 1:16:26 | 1:16:29 | |
See, Dee, she's not nearly as useless | 1:16:29 | 1:16:31 | |
-as everyone was saying in the boardroom. -Oh, come on... | 1:16:31 | 1:16:33 | |
No, I've talked with Dayana a lot, | 1:16:33 | 1:16:35 | |
and she's impressed the hell out of me. | 1:16:35 | 1:16:37 | |
A 25-year-old girl, a level of maturity. | 1:16:37 | 1:16:40 | |
You can tell she's artistic, she's got an eye, | 1:16:40 | 1:16:43 | |
she's got intelligence. | 1:16:43 | 1:16:44 | |
-'When Dee started with his Dayana's so smart -BLEEP,' | 1:16:44 | 1:16:47 | |
and I was like, | 1:16:47 | 1:16:48 | |
"Could I get the puke bucket now? | 1:16:48 | 1:16:49 | |
-"Because what's she -BLEEP -said?" | 1:16:49 | 1:16:51 | |
I'm so sick of dealing with people who are not contributing anything. | 1:16:51 | 1:16:56 | |
And then you have team-mates going, "Did you hear that fabulous idea?" | 1:16:56 | 1:17:01 | |
It's like, no, nobody else did either, delusional. | 1:17:01 | 1:17:03 | |
I feel very more fatherly than anything else towards Dayana. | 1:17:03 | 1:17:07 | |
It looks so good. | 1:17:14 | 1:17:16 | |
It looks so good! | 1:17:16 | 1:17:18 | |
'The creative I came up with' | 1:17:18 | 1:17:19 | |
for the box is Face Reality - | 1:17:19 | 1:17:21 | |
Walk with Walgreens, | 1:17:21 | 1:17:22 | |
and I thought it would be amazing to give | 1:17:22 | 1:17:25 | |
a clear, focused picture of each of our faces | 1:17:25 | 1:17:28 | |
with a quote about why we love walking. | 1:17:28 | 1:17:31 | |
Wait, wait. Aubrey, you're using my other picture, right? | 1:17:31 | 1:17:34 | |
-We're going to see how it looks. -Aubrey! | 1:17:34 | 1:17:36 | |
We're going to see how it looks. If it doesn't go... | 1:17:36 | 1:17:38 | |
I'm not good to argue with you about me. | 1:17:38 | 1:17:40 | |
We have to make the best product. Doesn't matter how we look. | 1:17:40 | 1:17:43 | |
'Arsenio's whining about how he looks.' | 1:17:43 | 1:17:45 | |
Boo, you look how you look. | 1:17:45 | 1:17:46 | |
If you don't like that photo, then you must not like yourself | 1:17:46 | 1:17:49 | |
cos that's what you look like everyday. | 1:17:49 | 1:17:51 | |
'To have a long shot of Arsenio next to four tight faces | 1:17:51 | 1:17:55 | |
'would make no sense and almost destroy the appeal of the product. | 1:17:55 | 1:17:59 | |
'I know it might be a harsh reality,' | 1:17:59 | 1:18:01 | |
but those wrinkles really did happen to your face. | 1:18:01 | 1:18:04 | |
You've got to... You really have to... | 1:18:04 | 1:18:06 | |
Everyone go sit down cos you guys are driving me crazy. | 1:18:06 | 1:18:08 | |
If you don't like how you look we'll not put it on the product, | 1:18:08 | 1:18:11 | |
but let us make you look good first. | 1:18:11 | 1:18:12 | |
But I think it just needs to be your face, but we'll figure it out. | 1:18:12 | 1:18:15 | |
You all are the contestants, I'm the host - | 1:18:15 | 1:18:17 | |
I get a little poetic licence. | 1:18:17 | 1:18:19 | |
'I felt like Aubrey was starting to take over | 1:18:19 | 1:18:22 | |
'more than she should have,' | 1:18:22 | 1:18:23 | |
and Arsenio's handling this task, | 1:18:23 | 1:18:25 | |
and so, it was a little | 1:18:25 | 1:18:27 | |
unsettling to see Aubrey start making decisions | 1:18:27 | 1:18:30 | |
and moving forward with things without permission. | 1:18:30 | 1:18:32 | |
-Go sit your -BLEEP -cover girl ass down. | 1:18:32 | 1:18:34 | |
I don't know how you're going to edit that picture I hate | 1:18:34 | 1:18:36 | |
from not being a picture I hate. | 1:18:36 | 1:18:38 | |
-Oh, hey, Eric. How are you? -What's up, E-Dog? | 1:18:38 | 1:18:41 | |
-How are you? -You know, I always enter the arena | 1:18:41 | 1:18:45 | |
-with the plan of winning. -That's great. | 1:18:45 | 1:18:47 | |
So, right now we're working more on the concept | 1:18:47 | 1:18:49 | |
and try to figure out how to flesh it out as well as we can. | 1:18:49 | 1:18:51 | |
Each of us are representing a different thing on the box. | 1:18:51 | 1:18:54 | |
So, we are doing, basically, like, faces | 1:18:54 | 1:18:57 | |
because that's an illuminating aspect of our team immediately, | 1:18:57 | 1:19:00 | |
and it's also something that will make us stand out in a Walgreens. | 1:19:00 | 1:19:03 | |
'Aubrey is really taking charge, | 1:19:03 | 1:19:05 | |
'and Arsenio is project manager, | 1:19:05 | 1:19:08 | |
'and I think he was really humouring her.' | 1:19:08 | 1:19:10 | |
But I was surprised to hear all of that come out of Aubrey | 1:19:10 | 1:19:13 | |
given it was Arsenio's task. | 1:19:13 | 1:19:15 | |
I go to Walgreens all the time, | 1:19:15 | 1:19:16 | |
and there are many products that catch my attention. | 1:19:16 | 1:19:19 | |
And each of us, we discussed... | 1:19:19 | 1:19:20 | |
-Am I taking over? -Erm, yeah. | 1:19:20 | 1:19:23 | |
'Aubrey's being Aubrey. She's running game' | 1:19:25 | 1:19:27 | |
right in my face, trying to make it look like it's all about Aubrey, | 1:19:27 | 1:19:30 | |
and it ain't. | 1:19:30 | 1:19:31 | |
She's diametrically opposed to anything that's team. | 1:19:31 | 1:19:34 | |
I'm sick of her. | 1:19:34 | 1:19:35 | |
Sorry, I was just over there doing the box. | 1:19:35 | 1:19:37 | |
I thought it'd be easiest if I... | 1:19:37 | 1:19:38 | |
The aim of the script and the presentation is do it while walking. | 1:19:49 | 1:19:54 | |
-Walk and do it all. -That's a great idea. | 1:19:54 | 1:19:56 | |
'On the way to the rehearsal space, we came up with our slogan' | 1:19:56 | 1:20:00 | |
walk and do it all, | 1:20:00 | 1:20:01 | |
and it just seems to make sense. | 1:20:01 | 1:20:03 | |
Any better ideas of what we should put on this box? | 1:20:03 | 1:20:05 | |
If I had my way, it's done. | 1:20:05 | 1:20:07 | |
What if you have, like, all I-N-G words | 1:20:07 | 1:20:08 | |
of stuff you can do while you're doing it. | 1:20:08 | 1:20:10 | |
Very, like, grey in the background just as a graphic element. | 1:20:10 | 1:20:14 | |
That's kind of slick. | 1:20:14 | 1:20:15 | |
OK, give them to me, but not too fast. Hold on. | 1:20:15 | 1:20:18 | |
Talking, eating, flirting, itching... | 1:20:18 | 1:20:22 | |
-Like, what are you guys...? -..scratching. | 1:20:22 | 1:20:24 | |
'So, in the little -ings on there,' | 1:20:25 | 1:20:28 | |
I put things like itching, scratching... | 1:20:28 | 1:20:30 | |
'You know, ridiculous -ings that you' | 1:20:30 | 1:20:32 | |
technically could do while you were walking. | 1:20:32 | 1:20:34 | |
Insulting. | 1:20:34 | 1:20:36 | |
Yelling. | 1:20:36 | 1:20:37 | |
No, but it's funny. | 1:20:38 | 1:20:39 | |
'Dee came up with the idea of the action verbs' | 1:20:39 | 1:20:41 | |
that we could do while you're walking. | 1:20:41 | 1:20:43 | |
'And I'm worried that some of those words' | 1:20:43 | 1:20:46 | |
might confuse the idea that we are trying to project. | 1:20:46 | 1:20:49 | |
Ladies and gentlemen, please welcome the incredible Lou Ferrigno. | 1:20:54 | 1:20:57 | |
From there... | 1:20:57 | 1:20:58 | |
"Blah, blah, blah, blah, blah, blah..." Stay there. | 1:20:58 | 1:21:01 | |
"Blah, blah, blah..." | 1:21:01 | 1:21:03 | |
'In the presentation, I'm going to be the host.' | 1:21:03 | 1:21:05 | |
And each member of my team will walk and demonstrate | 1:21:05 | 1:21:07 | |
that you can do anything while you walk. | 1:21:07 | 1:21:09 | |
-You can even go on a date while you're walking. -That's possible. | 1:21:09 | 1:21:12 | |
Right, and then you say to the audience, | 1:21:12 | 1:21:14 | |
"Who'd like to go on a date?" | 1:21:14 | 1:21:16 | |
-Who would like to go on a date with Miss Universe? -No! -No? | 1:21:16 | 1:21:19 | |
Who's going to go on a date? Who'd like to go on a date, period. | 1:21:19 | 1:21:22 | |
Who'd like to go on a date? | 1:21:22 | 1:21:24 | |
'I'm concerned about Lou going off track in the presentation,' | 1:21:24 | 1:21:28 | |
even though I think he can be wrangled, you now? | 1:21:28 | 1:21:30 | |
Although, I have no idea | 1:21:30 | 1:21:31 | |
why it's my job to wrangle him. | 1:21:31 | 1:21:33 | |
And you go, "Dayana, how many steps did you burn?" | 1:21:33 | 1:21:35 | |
-I should maybe put a very stupid number. -OK. | 1:21:35 | 1:21:38 | |
-370,205. -Oh, no, we have to be real. | 1:21:38 | 1:21:42 | |
-We have to look at the thing and pretend it's real. -Oh. -Yeah. | 1:21:42 | 1:21:45 | |
'Penn left and I don't have backup now.' | 1:21:45 | 1:21:48 | |
I am always carrying the weaker people on my team, | 1:21:48 | 1:21:50 | |
but what am I supposed to do? | 1:21:50 | 1:21:52 | |
'Should I let Lou go out and ramble like an incoherent idiot' | 1:21:52 | 1:21:56 | |
and lose the task for us? | 1:21:56 | 1:21:58 | |
Lou. | 1:21:58 | 1:21:59 | |
-Write more. -I'm thinking. -SHE CHUCKLES | 1:21:59 | 1:22:03 | |
I can't take these people. I can't. | 1:22:03 | 1:22:06 | |
Um... | 1:22:06 | 1:22:08 | |
It's going to be so sad when he goes home tomorrow(!) | 1:22:08 | 1:22:11 | |
-How long is our dress rehearsal? -An hour. | 1:22:15 | 1:22:18 | |
Can I stay here and keep working on this and pounding this out? | 1:22:18 | 1:22:21 | |
There's nothing we can do there that we can't just stand here and do. | 1:22:21 | 1:22:24 | |
-Yeah. -Sorry, just for the box, do you guys like where I am going with this? | 1:22:24 | 1:22:27 | |
Like, Clay would be, "Walking gives me the stamina to face the music." | 1:22:27 | 1:22:30 | |
-That's good. -And then for Teresa, I have, | 1:22:30 | 1:22:32 | |
"I must see TV, but walking gives my family and I must-have bonding." | 1:22:32 | 1:22:36 | |
Yeah, yeah. Is that long? | 1:22:36 | 1:22:38 | |
No, no, we'll be able to fit it in. | 1:22:38 | 1:22:40 | |
But I think that these quotes are very important to the concept. | 1:22:40 | 1:22:44 | |
Arsenio, should I say wife or my girl? | 1:22:44 | 1:22:46 | |
Yeah, I want to express that when you walk in the morning | 1:22:46 | 1:22:49 | |
with the one you love, it makes your whole day better. | 1:22:49 | 1:22:52 | |
So a couple that walks together stays together. | 1:22:52 | 1:22:55 | |
"A couple that walks together stays together." | 1:22:55 | 1:22:57 | |
'The pictures we're going to get,' | 1:22:57 | 1:22:59 | |
little quotes or testimonials | 1:22:59 | 1:23:01 | |
from us to go with our pictures. | 1:23:01 | 1:23:04 | |
I feel like, in this, unless you really heard all | 1:23:04 | 1:23:07 | |
the conversation, you don't know that I am walking with somebody. | 1:23:07 | 1:23:10 | |
'Aubrey kept trying to talk me out of my quote.' | 1:23:10 | 1:23:14 | |
And she kept trying to get me to use her quote for me. | 1:23:14 | 1:23:17 | |
'I'm going to write my quote. That's why they call it a quote.' | 1:23:17 | 1:23:20 | |
Make it happen. | 1:23:20 | 1:23:21 | |
OK, our first question, Paul. | 1:23:21 | 1:23:23 | |
Walking at a moderate pace, and this is a true or false question, | 1:23:23 | 1:23:26 | |
-for 30 to 60 minutes can burn up to 500 calories. -True! | 1:23:26 | 1:23:31 | |
Clay, come here, look at this. | 1:23:31 | 1:23:33 | |
-Keep going. -It looks cool, right, Clay? | 1:23:33 | 1:23:35 | |
'Aubrey is very,' | 1:23:35 | 1:23:37 | |
very good at making sure | 1:23:37 | 1:23:39 | |
she gets everyone to say, | 1:23:39 | 1:23:41 | |
"I love this, I approve of this." | 1:23:41 | 1:23:43 | |
And I don't think she does anything better than | 1:23:43 | 1:23:46 | |
she covers her ass. | 1:23:46 | 1:23:47 | |
Did you check out your picture? | 1:23:47 | 1:23:50 | |
I'm afraid to go over there cos I know Aubrey. | 1:23:50 | 1:23:52 | |
Come on, this is what it looks like. I need you to sign off on it. | 1:23:52 | 1:23:55 | |
I don't know that there's going to be time, but... | 1:23:55 | 1:23:57 | |
Aubrey, are you going to let me have the picture I want? | 1:23:57 | 1:23:59 | |
You look so good, stop. Sorry, Arsenio, if I use | 1:23:59 | 1:24:01 | |
your other picture, you're different than everybody and it ruins... | 1:24:01 | 1:24:04 | |
But I'm the host and you guys are the contestants. | 1:24:04 | 1:24:07 | |
-You can fix anything you want right now. -No, I can't, stop saying that. | 1:24:07 | 1:24:10 | |
'There's a deadline. I've got two minutes I can't really change it.' | 1:24:10 | 1:24:13 | |
Aubrey's been an impossible team-mate to work with. | 1:24:13 | 1:24:16 | |
'I tell her to do something, she does the opposite. | 1:24:16 | 1:24:18 | |
'She has undermined me at every step. I can't choose' | 1:24:18 | 1:24:21 | |
the picture of me that I want?! | 1:24:21 | 1:24:23 | |
Come on! It's getting crazy. | 1:24:23 | 1:24:26 | |
How do you guys like having us? | 1:24:26 | 1:24:28 | |
Are you guys happy with us? | 1:24:28 | 1:24:30 | |
Yeah, do you guys like us? I love my new team. | 1:24:30 | 1:24:34 | |
I know this will be unpopular with both of you, | 1:24:46 | 1:24:49 | |
but I honestly think having Dayana in a bikini is a big mistake. | 1:24:49 | 1:24:53 | |
-OK. -It should be a really classy one-piece, elegant. | 1:24:53 | 1:24:57 | |
Lisa, I don't have a one-piece bathing suit. All I wear are thongs. | 1:24:57 | 1:25:01 | |
We could always go to, like, a sporting goods store | 1:25:01 | 1:25:05 | |
and buy something. | 1:25:05 | 1:25:06 | |
-Do you guys have bathing suits? -'Yes.' -OK, great. Thank you. | 1:25:06 | 1:25:11 | |
-Everything under control. Thank you. Lisa, you OK? -Yep. | 1:25:11 | 1:25:15 | |
-I'll see you later, Lisa. -Bye, buddy. | 1:25:15 | 1:25:17 | |
'Thank God there was a store open, so we send them out...' | 1:25:17 | 1:25:20 | |
I was like, "Bye, bye, bye." | 1:25:20 | 1:25:22 | |
Go ahead. | 1:25:22 | 1:25:23 | |
Each of them has two brain cells fighting with each other. | 1:25:25 | 1:25:28 | |
-I am very depressed about how today went. -Why? | 1:25:28 | 1:25:30 | |
Dayana, once again, did not come up with one damn thing. | 1:25:30 | 1:25:33 | |
You and I and Penn carried this team. | 1:25:33 | 1:25:35 | |
'You could have knocked me over with a feather' | 1:25:35 | 1:25:37 | |
when Lisa Lampanelli turned to me | 1:25:37 | 1:25:39 | |
and started talking about feelings. | 1:25:39 | 1:25:41 | |
Why did you keep saying, | 1:25:41 | 1:25:43 | |
"Oh, your team said you had no ideas, | 1:25:43 | 1:25:45 | |
"you're doing great"? | 1:25:45 | 1:25:47 | |
I just give a listen. Sometimes, people come up with ideas. | 1:25:47 | 1:25:49 | |
It doesn't matter. Do you like carrying people? | 1:25:49 | 1:25:51 | |
'I had no problem working with Dayana.' | 1:25:51 | 1:25:53 | |
I did not think she was vacuous or dumb. | 1:25:53 | 1:25:56 | |
'I find her to be very bright and mature.' | 1:25:56 | 1:26:00 | |
I have trouble... I don't have trouble telling the truth, | 1:26:00 | 1:26:02 | |
just I don't see it. You know? She wasn't... | 1:26:02 | 1:26:05 | |
You didn't see she was stupid? | 1:26:05 | 1:26:06 | |
'I think the perspective Lisa has on Dayana is terribly unfair.' | 1:26:06 | 1:26:12 | |
In recent years, I tried to pull back and be less...vicious. | 1:26:12 | 1:26:17 | |
'Dee is so far' | 1:26:17 | 1:26:18 | |
-up Dayana's -BLEEP, | 1:26:18 | 1:26:20 | |
'it's like as if he's sitting there, | 1:26:20 | 1:26:22 | |
'watching her as a two-year-old,' | 1:26:22 | 1:26:24 | |
getting potty trained and has to pretend every dump is beautiful. | 1:26:24 | 1:26:28 | |
Guess what, we just end up flushing it, like all of her ideas. | 1:26:28 | 1:26:31 | |
And I am just in hell | 1:26:31 | 1:26:34 | |
'cos no-one will freaking talk about it.' | 1:26:34 | 1:26:36 | |
A little more, Penn. | 1:26:47 | 1:26:48 | |
-There. Perfect, thank you. -Here. OK, it's good. | 1:26:48 | 1:26:51 | |
'Penn is a real team player. | 1:26:51 | 1:26:54 | |
'He had to leave to do a show, but flew back' | 1:26:54 | 1:26:57 | |
in the middle of the night. | 1:26:57 | 1:26:59 | |
And on one hour's sleep, | 1:26:59 | 1:27:00 | |
he was up for the performance. | 1:27:00 | 1:27:02 | |
-Which way? -A little more counterclockwise. | 1:27:02 | 1:27:04 | |
'So we're just hoping he's going to pull it together | 1:27:04 | 1:27:07 | |
'and be able to kick ass.' | 1:27:07 | 1:27:08 | |
OK, done. | 1:27:08 | 1:27:10 | |
-LISA: -'It's time for the presentation | 1:27:20 | 1:27:22 | |
'and it will be judged by health and fitness specialist | 1:27:22 | 1:27:25 | |
'Alison Sweeney, star of The Biggest Loser on NBC,' | 1:27:25 | 1:27:29 | |
and Walgreens executives. | 1:27:29 | 1:27:30 | |
Ladies and gentlemen, please welcome the incredible Lou Ferrigno! | 1:27:31 | 1:27:37 | |
Good morning, everyone. | 1:27:41 | 1:27:44 | |
I'm here to talk about the Walk with Walgreens programme. | 1:27:44 | 1:27:47 | |
You know, I've been active in fitness my whole life. | 1:27:47 | 1:27:50 | |
And I want to tell you, due to severe arthritis, | 1:27:50 | 1:27:53 | |
six years ago, I had double knee and double hip replacement. | 1:27:53 | 1:27:57 | |
I had to actually learn how to walk again, take the first step, | 1:27:57 | 1:28:01 | |
the second stop, eventually build up to two or three miles a day. | 1:28:01 | 1:28:06 | |
To me, this was the greatest gift in life - walking - | 1:28:06 | 1:28:08 | |
and I want to tell you, if I can do it, you can do it. | 1:28:08 | 1:28:12 | |
Let's start on a road to better health, Walk with Walgreens. | 1:28:12 | 1:28:17 | |
'I've got to admit, Lou did his heartfelt monologue. | 1:28:17 | 1:28:20 | |
'The whole thing came off well. | 1:28:20 | 1:28:22 | |
'His motivational stuff kicked in and I'm so proud of him' | 1:28:22 | 1:28:25 | |
because he stuck to the damn script. | 1:28:25 | 1:28:27 | |
I just want to make it very clear to you, Lou, | 1:28:27 | 1:28:29 | |
that although I guess I would love to look like this, | 1:28:29 | 1:28:32 | |
I am not the Hulk, I'm barely even incredible. | 1:28:32 | 1:28:35 | |
LAUGHTER | 1:28:35 | 1:28:37 | |
Listen, there's a lot of things you can do walking. | 1:28:37 | 1:28:39 | |
Like for example, what are some the things you do during the day? | 1:28:39 | 1:28:42 | |
Every day I have to, you know, practise juggling. | 1:28:42 | 1:28:44 | |
I'll tell you what, I want you to take a walk and juggle. | 1:28:44 | 1:28:47 | |
OK, I'll give it a try. | 1:28:47 | 1:28:49 | |
Can I borrow these that happen to be here by a strange | 1:28:49 | 1:28:52 | |
and somewhat contrived coincidence? | 1:28:52 | 1:28:54 | |
I'll just walk over here and do some juggling and walking. | 1:28:54 | 1:28:57 | |
-Hi! How are you? -How are you? -I'm good, I'm good. I'm Dayana Mendoza. | 1:28:59 | 1:29:03 | |
How are you? | 1:29:03 | 1:29:05 | |
I'm Miss Universe 2008. | 1:29:05 | 1:29:08 | |
Thank you. Thank you. | 1:29:08 | 1:29:10 | |
As you'll notice in beauty pageants, pageant girls like me | 1:29:10 | 1:29:13 | |
are always walking. | 1:29:13 | 1:29:15 | |
-That is great. -Can I try? -Sure! -PENN MUMBLES | 1:29:15 | 1:29:18 | |
Thank you. Thank you. | 1:29:18 | 1:29:20 | |
Give it a little walk and go to the Walgreens website | 1:29:20 | 1:29:23 | |
and you will get rewards and coupons for every step you take. | 1:29:23 | 1:29:27 | |
You can interact with your family. With just a half hour a day | 1:29:27 | 1:29:30 | |
in Walk with Walmart, we could increase all our health, | 1:29:30 | 1:29:34 | |
increase our life expectancy. | 1:29:34 | 1:29:36 | |
Walgreens, what did I just say? | 1:29:36 | 1:29:37 | |
Walgreens! | 1:29:37 | 1:29:38 | |
'When Penn misnamed Walgreens,' | 1:29:41 | 1:29:45 | |
it was the equivalent of calling | 1:29:45 | 1:29:47 | |
a woman by another name | 1:29:47 | 1:29:48 | |
'when you're in bed with her.' | 1:29:48 | 1:29:50 | |
Walgreens... | 1:29:50 | 1:29:51 | |
LAUGHTER | 1:29:53 | 1:29:55 | |
'But Dayana Mendoza came to the rescue, incredibly. | 1:29:57 | 1:30:01 | |
'So, bravo, Dayana. The best of us couldn't have done better.' | 1:30:01 | 1:30:05 | |
We need someone to demonstrate dating and flirting while walking. | 1:30:05 | 1:30:10 | |
How about you, sir? Right over here. | 1:30:10 | 1:30:12 | |
We'll demonstrate dating and flirting. | 1:30:12 | 1:30:14 | |
Step aside, beauty queen! Some guys like a little cushion, OK? | 1:30:14 | 1:30:18 | |
LAUGHTER AND CHEERING | 1:30:18 | 1:30:20 | |
Come on, where are you from? What do you do for a living? | 1:30:20 | 1:30:22 | |
-I do a lot. -You do a lot? | 1:30:22 | 1:30:24 | |
You better do a lot later, that's all I'm telling you. | 1:30:24 | 1:30:26 | |
Get to Walgreens. Sign on, get coupons, log on. | 1:30:29 | 1:30:33 | |
Walk with Walgreens. Remember, walk, do it all. | 1:30:33 | 1:30:37 | |
'I feel very confident that I pulled it off again. | 1:30:40 | 1:30:42 | |
'I got the team to give 110% | 1:30:42 | 1:30:45 | |
and the rest is remained to be seen. | 1:30:45 | 1:30:47 | |
Good job, Dayana. You were funny. And... | 1:30:47 | 1:30:49 | |
..she said, "My crown!" | 1:30:51 | 1:30:52 | |
-Like, "Oh, you can take my crown." -Yeah, yeah. | 1:30:52 | 1:30:54 | |
That was really very good. | 1:30:54 | 1:30:56 | |
So what do you think of, like, the words sort of behind the Walgreens? | 1:30:58 | 1:31:03 | |
I just wonder, like, some of the words that come out to me | 1:31:03 | 1:31:05 | |
are itching, yelling, scratching... | 1:31:05 | 1:31:09 | |
Well, and then joking. | 1:31:09 | 1:31:11 | |
You want it to be fun. | 1:31:11 | 1:31:12 | |
But it still has to reflect the brand and the overall image, right? | 1:31:12 | 1:31:15 | |
And clearly the packaging is probably not the best | 1:31:15 | 1:31:18 | |
piece of their work. | 1:31:18 | 1:31:19 | |
So, I noticed at one point he did mention a competitor. | 1:31:19 | 1:31:22 | |
-Penn kind of messed up on that one. -Yeah. | 1:31:22 | 1:31:24 | |
But overall, I mean, I think everybody kind of got | 1:31:24 | 1:31:26 | |
have fun, get that engagement, inspire people. | 1:31:26 | 1:31:28 | |
Lou started off with a very inspirational story. | 1:31:28 | 1:31:31 | |
Yeah, it was great. | 1:31:31 | 1:31:32 | |
As a leader, I think Lou did a great job. | 1:31:32 | 1:31:34 | |
I think he set it up well and he closed it well. | 1:31:34 | 1:31:36 | |
I think they all rallied around it in a very personal way. | 1:31:36 | 1:31:38 | |
Now I can't wait to see what the next team has to offer. | 1:31:38 | 1:31:41 | |
Yeah, they have some big shoes to fill. | 1:31:41 | 1:31:43 | |
Eek! Do you guys want to do a quick prayer? | 1:31:46 | 1:31:49 | |
Arsenio, do you want to lead it or do me want me to? | 1:31:49 | 1:31:51 | |
'It was moments before the presentation' | 1:31:51 | 1:31:54 | |
and there's 50,000 on the line for my charity. | 1:31:54 | 1:31:57 | |
And I want to get out there, get the mic in my hand and do my thing. | 1:31:57 | 1:32:00 | |
Here we go. Red team, you're my team. Let's go, red team! | 1:32:03 | 1:32:07 | |
'In our presentation, we've decided to do a game show concept | 1:32:07 | 1:32:11 | |
'and everyone is going to be able to hear why walking is so beneficial.' | 1:32:11 | 1:32:15 | |
-ALISON: -Thank you. | 1:32:18 | 1:32:19 | |
Oh, that's great. | 1:32:19 | 1:32:21 | |
'The creative for the membership kit is Face Reality.' | 1:32:21 | 1:32:24 | |
The concept behind it is to show the faces | 1:32:24 | 1:32:27 | |
of all of the reality stars on our team. | 1:32:27 | 1:32:29 | |
Ladies and gentlemen, here's your host, | 1:32:29 | 1:32:33 | |
Arsenioooo... | 1:32:33 | 1:32:39 | |
Hall! | 1:32:39 | 1:32:40 | |
How is everybody? | 1:32:40 | 1:32:43 | |
Hey, by the way, normally that's appropriate but today | 1:32:43 | 1:32:45 | |
I want you to crank your arms and say, "Walk with Walgreens!" | 1:32:45 | 1:32:49 | |
ALL: Walk with Walgreens! | 1:32:49 | 1:32:51 | |
Yes. Now, let's play the game. Who is my first contestant? | 1:32:51 | 1:32:54 | |
-Paul Teutul Sr! -Come on down! | 1:32:54 | 1:32:57 | |
-Come on up here. How are you? -I'm feeling good. | 1:32:59 | 1:33:02 | |
OK. You know how the game is played. | 1:33:02 | 1:33:04 | |
You'll spin the wheel, it will land someplace and give us | 1:33:04 | 1:33:07 | |
a category of questions. | 1:33:07 | 1:33:09 | |
This is a true or false question. | 1:33:11 | 1:33:13 | |
Walking at a moderate pace for 30 to 60 minutes can burn | 1:33:13 | 1:33:17 | |
up to 500 calories. | 1:33:17 | 1:33:18 | |
Absolutely. | 1:33:18 | 1:33:20 | |
-Ah! True? -I started walking about four years ago. | 1:33:20 | 1:33:23 | |
I was 263lbs. My cholesterol was 310. | 1:33:23 | 1:33:28 | |
I weigh 198lbs and my cholesterol is 170. | 1:33:28 | 1:33:31 | |
Now, that's amazing. | 1:33:34 | 1:33:36 | |
'During the performance I was feeling good | 1:33:36 | 1:33:38 | |
'because, you know, I really believe in' | 1:33:38 | 1:33:40 | |
the benefits of walking. | 1:33:40 | 1:33:42 | |
And that I really am a living testimony. | 1:33:42 | 1:33:45 | |
So, you know, it was easy for me. | 1:33:45 | 1:33:47 | |
From the hit TV show Making The Band, | 1:33:47 | 1:33:49 | |
-Aubrey O'Day, come on down! -Oh, yes! | 1:33:49 | 1:33:53 | |
-Hello, Aubrey. -Hi! I'm so excited! -Take a bow. -Hi, guys! | 1:33:53 | 1:33:55 | |
Red team, let me hear you guys scream! Whoo! | 1:33:55 | 1:33:59 | |
'I'm a natural performer, so I knew that it was really important to' | 1:33:59 | 1:34:02 | |
use the audience and interact with them | 1:34:02 | 1:34:05 | |
'and make them feel included.' | 1:34:05 | 1:34:07 | |
Here's your question. | 1:34:07 | 1:34:08 | |
Research has shown that walking for an hour a day | 1:34:08 | 1:34:12 | |
can improve your mood. | 1:34:12 | 1:34:14 | |
I'm going to say false. | 1:34:14 | 1:34:16 | |
-OK. -And here's why. | 1:34:16 | 1:34:18 | |
I walk the park every morning and I don't walk for an hour. | 1:34:18 | 1:34:21 | |
I only walk for 30 minutes, and I have the focus | 1:34:21 | 1:34:25 | |
and clarity that I need to spot all the good-looking men. | 1:34:25 | 1:34:28 | |
And it improves your love life, for me. | 1:34:30 | 1:34:33 | |
OK, sounds like there's a running theme here other than | 1:34:33 | 1:34:36 | |
Walking with Walgreens. | 1:34:36 | 1:34:37 | |
From The Real Housewives Of New Jersey, | 1:34:38 | 1:34:40 | |
-Teresa Giudice! -Whoa! | 1:34:40 | 1:34:44 | |
-Hello, Teresa. -Hi, Arsenio. | 1:34:45 | 1:34:47 | |
Now, here's the pink elephant in the room. | 1:34:47 | 1:34:50 | |
We all have seen her flip a table. | 1:34:50 | 1:34:52 | |
LAUGHTER | 1:34:52 | 1:34:53 | |
Let's spin the wheel and try to find a question for you. | 1:34:53 | 1:34:56 | |
This is a true or false question. | 1:35:00 | 1:35:02 | |
In the past 40 years, childhood obesity has doubled in kids 6 to 11. | 1:35:02 | 1:35:08 | |
-I have to say false. -Gasp! | 1:35:08 | 1:35:10 | |
-It's five times for children. -Oh, it's worse? -Yes. | 1:35:10 | 1:35:15 | |
Now, do you walk with your children? I've seen your children on the show. | 1:35:15 | 1:35:18 | |
Yes. I walk my children to school in the morning. | 1:35:18 | 1:35:20 | |
And also we have three German shepherds and we walk them | 1:35:20 | 1:35:23 | |
every night after dinner. | 1:35:23 | 1:35:25 | |
Do you know that kids have a reduced risk of getting diabetes | 1:35:25 | 1:35:30 | |
-if they walk? -Yes, I have done my research on that. -40% less. | 1:35:30 | 1:35:34 | |
-Absolutely. -No diabetes in my family, thank God! | 1:35:34 | 1:35:37 | |
-Keep walking, baby. -Thank you. | 1:35:37 | 1:35:39 | |
Everybody say, "Walk with Walgreens!" | 1:35:39 | 1:35:41 | |
ALL: Walk with Walgreens! | 1:35:41 | 1:35:42 | |
Yes, indeed. We thank you all. God bless you and go walk it out. | 1:35:42 | 1:35:46 | |
Goodnight. Thanks for playing Walk with Walgreens! | 1:35:47 | 1:35:52 | |
Goodnight. | 1:35:52 | 1:35:53 | |
'As the project manager, I succeeded at the hardest job - | 1:35:53 | 1:35:57 | |
'putting up with a lot of BS in dealing with Aubrey. | 1:35:57 | 1:36:01 | |
'But if we get in the boardroom | 1:36:01 | 1:36:03 | |
'and it don't go down honestly the way it should...' | 1:36:03 | 1:36:06 | |
Yes! | 1:36:06 | 1:36:08 | |
..then I'm going to be like a caged animal in a corner fighting | 1:36:08 | 1:36:11 | |
to get to a cheque for his charity. | 1:36:11 | 1:36:13 | |
-I'm really proud of what we did. OK? -So am I. -OK. | 1:36:13 | 1:36:17 | |
-Let's rock and roll and go find some food. -ALL: Yeah! | 1:36:17 | 1:36:20 | |
-Wow. So, I thought overall it was a great presentation. -Yeah. | 1:36:22 | 1:36:25 | |
What did you think about the Face Reality slogan? | 1:36:25 | 1:36:27 | |
I think they really embraced the idea that they are all | 1:36:27 | 1:36:30 | |
-reality stars. -I think they did a great job of connecting it | 1:36:30 | 1:36:32 | |
to themselves and putting their personalities on the box. | 1:36:32 | 1:36:35 | |
I thought that was a great thing to do. | 1:36:35 | 1:36:37 | |
-So, I felt like it was really informational. -Sure, yeah. | 1:36:37 | 1:36:40 | |
-I think it came a little bit intensely fact-based. -Yes. | 1:36:40 | 1:36:42 | |
I'm not sure we really understood the programme from the beginning. | 1:36:42 | 1:36:45 | |
There were a lot of great facts, but the programme was never really... | 1:36:45 | 1:36:48 | |
-Spelled out. -..spelled out at the beginning. | 1:36:48 | 1:36:50 | |
I think we have a tough decision ahead of us. | 1:36:50 | 1:36:52 | |
I look forward to talking to Mr Trump about it. | 1:36:52 | 1:36:54 | |
-Right, let's go. -All right. -Let's go. | 1:36:54 | 1:36:56 | |
-Lou. -Yes. -Did you win? | 1:37:20 | 1:37:22 | |
I'm very optimistic, I think we have a very, very good chance... | 1:37:22 | 1:37:25 | |
-Why? -I feel the executives wanted to see | 1:37:25 | 1:37:28 | |
as far as the branding, as far as the presentation, | 1:37:28 | 1:37:30 | |
as far as, like, the Walgreens membership kit, | 1:37:30 | 1:37:32 | |
the design, everything, we did in a very simple way | 1:37:32 | 1:37:35 | |
-to deliver what they, basically, wanted from us. -OK. | 1:37:35 | 1:37:38 | |
Lisa, what did you think of Lou as a project manager? | 1:37:38 | 1:37:42 | |
-I thought he was all right. -Not great? -No. -Why? | 1:37:42 | 1:37:47 | |
He seemed to fall on me for most of the organisation, | 1:37:47 | 1:37:52 | |
fell on me and Penn for the writing, Dee for the printing | 1:37:52 | 1:37:55 | |
and without it even being sort of spoken out loud. | 1:37:55 | 1:37:58 | |
It wasn't really delegated. | 1:37:58 | 1:38:00 | |
Um...I think Lou is really nice, but finds it hard to be tough and... | 1:38:00 | 1:38:04 | |
I think he's pretty tough, I don't think he finds it hard to be tough. | 1:38:04 | 1:38:07 | |
-I think he does in... -I think he fights a lot of people. | 1:38:07 | 1:38:11 | |
Lou, what do you think? | 1:38:11 | 1:38:12 | |
My attitude is that as the project manager, | 1:38:12 | 1:38:15 | |
I utilised everyone's strengths. | 1:38:15 | 1:38:16 | |
I let them speak, I make a decision, | 1:38:16 | 1:38:18 | |
I assigned different things for them to do. | 1:38:18 | 1:38:21 | |
I do not want to break the mood, | 1:38:21 | 1:38:22 | |
because we had to do a live 15-minute presentation. | 1:38:22 | 1:38:25 | |
I didn't want any conflict, | 1:38:25 | 1:38:26 | |
because it would affect the performance. | 1:38:26 | 1:38:28 | |
Penn, do you agree with Lou or with Lisa? | 1:38:28 | 1:38:31 | |
Well, I wasn't there for a lot of it. | 1:38:31 | 1:38:34 | |
I had a Penn and Teller date that could not be gotten out of, | 1:38:34 | 1:38:37 | |
-all the other ones could. -Ooh. Really? | 1:38:37 | 1:38:39 | |
So, I left at 2pm... | 1:38:39 | 1:38:40 | |
Maybe we should fire Penn, because he wasn't there? | 1:38:40 | 1:38:43 | |
Mr Trump, I will tell you, he did more in two hours than | 1:38:43 | 1:38:45 | |
-I've seen people do in eight hours. -All right, OK. | 1:38:45 | 1:38:48 | |
Penn performed this morning on one hour's sleep, | 1:38:48 | 1:38:50 | |
he flew in last night to be on the team. | 1:38:50 | 1:38:51 | |
That's very good, I think that's great and you've done very well. | 1:38:51 | 1:38:55 | |
-All right, Arsenio. -Yes, sir. | 1:38:57 | 1:38:59 | |
How did you like having Teresa and Aubrey on your team? | 1:38:59 | 1:39:02 | |
-I was totally fine with it. -How did you like it, Clay? | 1:39:02 | 1:39:05 | |
It's a very nice, new dynamic, you know, | 1:39:05 | 1:39:08 | |
and I have to give Arsenio a lot of the credit. | 1:39:08 | 1:39:11 | |
Arsenio really made the mood yesterday. | 1:39:11 | 1:39:14 | |
You thought he was a good project manager? | 1:39:14 | 1:39:16 | |
-No, he was a great project manager. -OK. | 1:39:16 | 1:39:18 | |
Clay, who was more valuable of the two women? | 1:39:18 | 1:39:21 | |
I think that they are very different. | 1:39:21 | 1:39:22 | |
You know, Aubrey definitely brought a lot of ideas to the table, | 1:39:22 | 1:39:26 | |
but Teresa was by far the better team player. | 1:39:26 | 1:39:32 | |
Was Aubrey ever overbearing? | 1:39:32 | 1:39:34 | |
You know, I remember walking into the room to witness you guys | 1:39:34 | 1:39:36 | |
and it seemed like Aubrey really carried a lot of the ideas | 1:39:36 | 1:39:39 | |
she was kind of throwing it out and I know, Arsenio, | 1:39:39 | 1:39:41 | |
I looked at you at one point and you were almost like, | 1:39:41 | 1:39:43 | |
"Let me explain the task, I'm team manager." | 1:39:43 | 1:39:46 | |
Was it ever overbearing? | 1:39:46 | 1:39:49 | |
Managing Aubrey, you have to customise your style for her. | 1:39:51 | 1:39:57 | |
That's very cool. | 1:39:57 | 1:39:58 | |
What's really important is that you accept that and figure out a way | 1:39:58 | 1:40:01 | |
to deal with her being on a different speed than others | 1:40:01 | 1:40:04 | |
because you don't want to shut her down and stop that creative process, | 1:40:04 | 1:40:09 | |
you just want to try to channel it, control it a little bit. | 1:40:09 | 1:40:12 | |
She's just different than everybody else... | 1:40:12 | 1:40:14 | |
She's a mile and minute where Paul trims the fat, listens, | 1:40:14 | 1:40:19 | |
observes and he may say one thing, but it's a nugget of gold. | 1:40:19 | 1:40:23 | |
That's right, I see it with Paul. | 1:40:23 | 1:40:25 | |
Aubrey, I think if you analysed what Clay was saying, | 1:40:26 | 1:40:30 | |
in a word, or a couple of words, he said you're not a team player. | 1:40:30 | 1:40:34 | |
-How do you respond to that? -It's just his opinion. | 1:40:34 | 1:40:37 | |
Is that a correct statement, Clay? | 1:40:37 | 1:40:39 | |
Did I get it right, cos you didn't quite say that, | 1:40:39 | 1:40:41 | |
but did I get that right? | 1:40:41 | 1:40:42 | |
I wouldn't say she's not a team player, | 1:40:42 | 1:40:44 | |
I think that Aubrey is so full of ideas and sometimes... | 1:40:44 | 1:40:47 | |
You said ideas? | 1:40:47 | 1:40:49 | |
Yeah, I think she does have ideas... | 1:40:49 | 1:40:50 | |
I just didn't know what came after "full of." | 1:40:50 | 1:40:53 | |
-CLAY LAUGHS -And she sometimes can be. | 1:40:53 | 1:40:55 | |
She's so full of ideas that there are times | 1:40:55 | 1:41:00 | |
when she forges ahead without waiting for anyone else, | 1:41:00 | 1:41:04 | |
without getting approval from Arsenio. | 1:41:04 | 1:41:07 | |
There were times that I think she forged ahead with ideas | 1:41:07 | 1:41:10 | |
that she was asked not to forge ahead with | 1:41:10 | 1:41:12 | |
and I think that there are definitely situations | 1:41:12 | 1:41:15 | |
where that could be harmful. | 1:41:15 | 1:41:17 | |
OK, I think you're right. | 1:41:17 | 1:41:18 | |
All right, let me see, Don, Eric, I want to see the boxes, | 1:41:19 | 1:41:24 | |
switch them over, each team look at each other's box, | 1:41:24 | 1:41:27 | |
as the expression goes, and tell me what you think. | 1:41:27 | 1:41:31 | |
What do you think of this box, Clay? | 1:41:50 | 1:41:53 | |
-I do think the box is boring. -Yes. -Boring? -Boring to tears. | 1:41:53 | 1:41:56 | |
You feel boring, what do you think of that box, Lisa? | 1:41:56 | 1:41:59 | |
The design is very cool, very impressive design | 1:41:59 | 1:42:02 | |
and I love the quotes, it's adorable. | 1:42:02 | 1:42:05 | |
-Written by me, aren't you proud of me, Lise? -Get out... All right. | 1:42:05 | 1:42:09 | |
That's not true. | 1:42:09 | 1:42:11 | |
-What? -That's... -Say it again. | 1:42:11 | 1:42:13 | |
-What she just said is not true. -The quotes were... | 1:42:13 | 1:42:15 | |
Typing is not writing. See, and I... | 1:42:15 | 1:42:19 | |
-Wait, what do you mean? -Moving on. | 1:42:19 | 1:42:21 | |
-What does that mean? -Yeah, I'm confused. -She said, "By me." | 1:42:21 | 1:42:25 | |
It's another word that puts the I in team. | 1:42:25 | 1:42:29 | |
-I was just saying to Lisa cos she's proud of me as a writer. -Well, she's a very... | 1:42:29 | 1:42:33 | |
But you didn't write it, typing is not writing. | 1:42:33 | 1:42:35 | |
-What you're saying about Aubrey... -Wait, I didn't make those up? | 1:42:35 | 1:42:38 | |
..she's a good player, but not really a team player? | 1:42:38 | 1:42:40 | |
-I didn't make those quotes up? -"I walk with my girl in the morning." | 1:42:40 | 1:42:43 | |
Yours, but I made all the rest of the quotes up, did I not? | 1:42:43 | 1:42:45 | |
This gentleman lost 65lbs walking. | 1:42:45 | 1:42:47 | |
Read his quote on the box, Arsenio, I made it up, | 1:42:47 | 1:42:50 | |
it's about his personality being better and a better mood, read it. | 1:42:50 | 1:42:53 | |
You didn't write mine. You didn't write mine, you didn't write mine. | 1:42:53 | 1:42:56 | |
So the totality of your statement right here is untrue. | 1:42:58 | 1:43:01 | |
Mr Trump, I wrote everyone's except Arsenio's | 1:43:01 | 1:43:04 | |
and I put his together but he said, "My girlfriend..." | 1:43:04 | 1:43:07 | |
What do you mean you put it together? What does that mean? | 1:43:07 | 1:43:10 | |
-Why are you screaming? -What does that mean? | 1:43:10 | 1:43:12 | |
You're coming here and you tell a lie. | 1:43:12 | 1:43:14 | |
That's not a lie, Arsenio, I wrote... | 1:43:14 | 1:43:17 | |
Teresa, did I write everybody's? | 1:43:17 | 1:43:18 | |
Yeah, but I mean, it incorporates all of us. | 1:43:18 | 1:43:21 | |
It's not a quote if you wrote it. | 1:43:21 | 1:43:22 | |
I wrote it about everybody and I incorporated their personalities, | 1:43:22 | 1:43:25 | |
-he added, "My girlfriend and I." -What I think he's complaining about | 1:43:25 | 1:43:28 | |
-is that you're sort of taking credit... -Me saying, "I did it." | 1:43:28 | 1:43:31 | |
-..using the I as opposed to the team... -I totally... | 1:43:31 | 1:43:33 | |
-Is that what you're saying? -That's absolutely what I'm saying. | 1:43:33 | 1:43:36 | |
You don't like that about Aubrey and I've seen that. | 1:43:36 | 1:43:38 | |
There's a chemistry you can observe. She looked at the box, | 1:43:38 | 1:43:41 | |
instead of thinking of showing her | 1:43:41 | 1:43:42 | |
team-mates, she sent it that way. | 1:43:42 | 1:43:44 | |
Her whole personality is about Aubrey. | 1:43:44 | 1:43:47 | |
That's not good. | 1:43:47 | 1:43:48 | |
OK, Eric, what do the executives think of Arsenio's team? | 1:43:50 | 1:43:57 | |
We thought there were a lot of positives. | 1:43:57 | 1:43:58 | |
First of all, they thought the presentation was full of energy, | 1:43:58 | 1:44:01 | |
Arsenio, when you got up there and you started chanting, | 1:44:01 | 1:44:04 | |
"Walgreens, Walgreens, Walgreens," they really loved that. | 1:44:04 | 1:44:06 | |
They loved the theme, Face Reality. | 1:44:06 | 1:44:08 | |
They really thought that hit the nail on the head | 1:44:08 | 1:44:10 | |
and they loved the design of the kit. | 1:44:10 | 1:44:12 | |
The big negative - | 1:44:12 | 1:44:14 | |
they thought the game show was just too informational, | 1:44:14 | 1:44:17 | |
they thought it was too packed | 1:44:17 | 1:44:18 | |
and it just had too many facts and figures, | 1:44:18 | 1:44:21 | |
it didn't really motivate the audience | 1:44:21 | 1:44:22 | |
to actually go out and walk. | 1:44:22 | 1:44:24 | |
Aubrey, whose idea was it to come up with a game show? | 1:44:26 | 1:44:29 | |
-I think one of the guys. -Who? | 1:44:29 | 1:44:31 | |
It was Clay or Arsenio. | 1:44:31 | 1:44:33 | |
-She won't remember, cos if it's not her idea, she don't give a -BLEEP. | 1:44:33 | 1:44:36 | |
-Ooh, listen to him. -Arsenio, stop, it's so ugly, I hate this -BLEEP. | 1:44:36 | 1:44:40 | |
I'm not saying anything that's not true. | 1:44:40 | 1:44:43 | |
If the truth is ugly, you've got to deal with it. | 1:44:43 | 1:44:45 | |
This is a lady who just told you she don't even remember | 1:44:45 | 1:44:48 | |
whose idea it was, but when it was her idea, | 1:44:48 | 1:44:50 | |
she knew exactly where it came from. | 1:44:50 | 1:44:51 | |
I hate the selfishness. | 1:44:51 | 1:44:53 | |
-Donald, I was working on the box... -I'm still talking. | 1:44:53 | 1:44:56 | |
..that's why I don't know. | 1:44:56 | 1:44:57 | |
I hate to lead a team and have such a complicated time | 1:44:57 | 1:45:00 | |
massaging her personality and her ego to make it fit in with the rest. | 1:45:00 | 1:45:05 | |
-It was really hard. -Clay, let me ask you this question, | 1:45:05 | 1:45:08 | |
I've really gained a lot of respect for you, I think you're terrific, | 1:45:08 | 1:45:11 | |
do you agree with Arsenio about Aubrey? | 1:45:11 | 1:45:13 | |
-Yes, oh, yes. -You do? -Yes. | 1:45:13 | 1:45:15 | |
And I think that Arsenio's frustration | 1:45:15 | 1:45:17 | |
comes from the fact that we did do a lot of massaging. | 1:45:17 | 1:45:20 | |
I think...I wish I knew sports well enough | 1:45:20 | 1:45:22 | |
to come up with a great coach reference for him | 1:45:22 | 1:45:25 | |
because yesterday he blew me away with how he made sure | 1:45:25 | 1:45:28 | |
that the mood and the tone was great, | 1:45:28 | 1:45:31 | |
but a lot of that was a result of having to kind of massage | 1:45:31 | 1:45:34 | |
Aubrey into the group. | 1:45:34 | 1:45:37 | |
-Teresa... -Yes. -As far as me being a game player, | 1:45:39 | 1:45:43 | |
have I taught you everything you've ever asked...? | 1:45:43 | 1:45:45 | |
-Now she's a teacher. -No, can I... | 1:45:45 | 1:45:47 | |
She can't say anything that's not selfish. | 1:45:47 | 1:45:49 | |
I can't say anything period with these two men, | 1:45:49 | 1:45:51 | |
-clearly we see what's going on here. -Mostly that man. | 1:45:51 | 1:45:53 | |
-What's going on? -Teresa, I just want to address you... | 1:45:53 | 1:45:55 | |
-Yes. -Have I been a team player to you? -Yes. -Taught you things that you didn't know? -Yes. | 1:45:55 | 1:45:59 | |
Yeah, but wait a minute, that's such a negative statement, you're asking... | 1:45:59 | 1:46:02 | |
You're talking to a grown woman who really is a television star... | 1:46:02 | 1:46:05 | |
-She wants to learn though... -You start off by saying, | 1:46:05 | 1:46:07 | |
"Teresa, isn't it true that I taught you everything you know?" | 1:46:07 | 1:46:10 | |
-I don't think you've taught her everything she knows... -Yes. -I didn't say that. Did I say that? | 1:46:10 | 1:46:14 | |
-Wait, Teresa, did she say that? -Oh, my God. -Yes. | 1:46:14 | 1:46:18 | |
Is she selfish? | 1:46:18 | 1:46:20 | |
No, it's like she speaks very fast and it's like... | 1:46:20 | 1:46:25 | |
-Very quickly... Like a machinegun? -Yeah. | 1:46:25 | 1:46:27 | |
Why are you crying, Aubrey? | 1:46:29 | 1:46:30 | |
-I don't, I don't... -There's no reason to cry. -You're right. | 1:46:33 | 1:46:36 | |
So don't cry. | 1:46:36 | 1:46:38 | |
No problem, right? | 1:46:40 | 1:46:41 | |
Do you like him? | 1:46:41 | 1:46:43 | |
No, not after hearing everything he's just said, absolutely not. | 1:46:43 | 1:46:47 | |
Well, he's rough, I mean, he's that way on television | 1:46:47 | 1:46:50 | |
-and he was that way... -I actually admired him on television, | 1:46:50 | 1:46:53 | |
-I don't admire him any more. -Ooh, listen to this. | 1:46:53 | 1:46:55 | |
Because I have to kiss your ass for you to admire me, | 1:46:55 | 1:46:57 | |
if I have anything that doesn't agree... | 1:46:57 | 1:46:59 | |
-I'm sorry, that's not my truth. It's not my truth. -Your truth again. | 1:46:59 | 1:47:02 | |
There's only your truth, I don't get an opinion. | 1:47:02 | 1:47:04 | |
-He's putting words in my mouth... -You didn't say your truth? | 1:47:04 | 1:47:06 | |
Everything is you and I. | 1:47:06 | 1:47:07 | |
So, Arsenio, if you lose, who are you going to fire? | 1:47:09 | 1:47:11 | |
If I lose, I'd probably fire Aubrey. | 1:47:11 | 1:47:14 | |
I think so. I think in your case, I'm not sure everybody else. | 1:47:14 | 1:47:17 | |
-Paul. You're me, your team loses... -Aubrey. | 1:47:17 | 1:47:20 | |
You're going to fire Aubrey? | 1:47:20 | 1:47:22 | |
Clay? | 1:47:24 | 1:47:26 | |
I think we have to look at it going forward | 1:47:26 | 1:47:28 | |
and going forward, there are four people on this team | 1:47:28 | 1:47:30 | |
who really are team players and one who works for herself... | 1:47:30 | 1:47:33 | |
-Who's a great player, but not a team player. -Absolutely right. | 1:47:33 | 1:47:36 | |
-I think she's a great player, not a team player. -Smart, but | 1:47:36 | 1:47:38 | |
-not a team player. -Very creative. -I know many people like that | 1:47:38 | 1:47:41 | |
and some do well and some burn and crash and go down like dogs. | 1:47:41 | 1:47:44 | |
You've got to be very careful, Aubrey. | 1:47:44 | 1:47:46 | |
OK. Don, what did the executives say about Lou's team? | 1:47:47 | 1:47:53 | |
Well, they really loved Lou's testimonial. | 1:47:53 | 1:47:55 | |
They thought it came right from the heart, it was really relevant, it was really good. | 1:47:55 | 1:47:59 | |
The negatives were instead of saying Walgreens, Penn, | 1:47:59 | 1:48:01 | |
-you actually mentioned a competitor's name... -Yes, I did. | 1:48:01 | 1:48:04 | |
..which was a huge no-no in their minds, obviously. | 1:48:04 | 1:48:06 | |
I did and I was exhausted and I didn't even know when I did it. | 1:48:06 | 1:48:10 | |
Not so good. | 1:48:10 | 1:48:12 | |
And then, the walking kit, the design and signage, | 1:48:12 | 1:48:14 | |
they didn't like the use of negative words - | 1:48:14 | 1:48:16 | |
-itching, scratching, yelling. -Uh-oh. | 1:48:16 | 1:48:17 | |
They thought that was just kind of inappropriate | 1:48:17 | 1:48:20 | |
and kind of took away from the message. | 1:48:20 | 1:48:21 | |
-Who came up with that idea? Dee? -Yes, I did. | 1:48:21 | 1:48:24 | |
That's a big one. Doesn't sound good. | 1:48:24 | 1:48:26 | |
The concept was Lisa's but we were having a comedic presentation | 1:48:26 | 1:48:29 | |
and people were doing some comedic things they could do | 1:48:29 | 1:48:32 | |
like juggling and there was all other kinds of words on there... | 1:48:32 | 1:48:35 | |
The word scratch is a pretty negative word, though, don't you think? | 1:48:35 | 1:48:38 | |
Well, if you scratch, you go to Walgreens | 1:48:38 | 1:48:39 | |
and buy some freaking salve, so they should be happy people are itching. | 1:48:39 | 1:48:43 | |
That's actually a pretty good point. | 1:48:43 | 1:48:45 | |
OK, do you want to find out what happened? | 1:48:46 | 1:48:48 | |
-LISA: -Please. -We'd love to know. | 1:48:48 | 1:48:50 | |
-Lou, you want to find out what happened? -Yeah, please. | 1:48:50 | 1:48:52 | |
OK. Now, Joe and Mark and Alison Sweeney, | 1:48:52 | 1:48:57 | |
who I think is terrific, loved both teams. | 1:48:57 | 1:49:01 | |
They liked one box, they liked... | 1:49:01 | 1:49:03 | |
but they liked, overall, they liked both teams, | 1:49:03 | 1:49:05 | |
-you get that, Lisa, right? -Yes, sir. | 1:49:05 | 1:49:07 | |
They thought you did a great job. | 1:49:07 | 1:49:09 | |
But the bottom line is that Magic Johnson is going to be very, | 1:49:09 | 1:49:14 | |
very happy, because they loved what Arsenio's team did. | 1:49:14 | 1:49:18 | |
They really loved what your team did and Arsenio, | 1:49:20 | 1:49:22 | |
they thought you were a total star... | 1:49:22 | 1:49:24 | |
Look at Arsenio crying, look at my man. | 1:49:24 | 1:49:26 | |
-He's our man. -Yes. | 1:49:26 | 1:49:28 | |
But they loved the job you did, in particular, | 1:49:28 | 1:49:31 | |
they loved the job you did, Arsenio. | 1:49:31 | 1:49:33 | |
It was really cool. | 1:49:33 | 1:49:35 | |
So, what do you have to say? I'm proud of you. | 1:49:35 | 1:49:38 | |
You stepped up, man, I tell you, he stepped up! | 1:49:38 | 1:49:40 | |
This is the Arsenio Hall that I know, Paul. | 1:49:40 | 1:49:43 | |
-Hoo-hoo. -When am I going to see Paul? | 1:49:43 | 1:49:46 | |
-Arsenio, I'm proud of you, man. -Thank you, sir. | 1:49:46 | 1:49:48 | |
So, tell me about the charity, go ahead. | 1:49:48 | 1:49:50 | |
The Magic Johnson Foundation, it's research and education, | 1:49:50 | 1:49:53 | |
-mobile testing all over the inner city. -That's cool. | 1:49:53 | 1:49:56 | |
He's a great guy. | 1:49:56 | 1:49:57 | |
You're going to make me cry, Arsenio. | 1:49:57 | 1:49:59 | |
I'm sorry, I'm sorry. | 1:49:59 | 1:50:01 | |
-Arsenio, congratulations. -Thank you, sir. -Fantastic. | 1:50:01 | 1:50:04 | |
You guys go ahead, have a good time, watch it on television, | 1:50:04 | 1:50:07 | |
it's going to be very interesting. | 1:50:07 | 1:50:08 | |
Sorry, Lou, your team has to stay here. Somebody will be fired. | 1:50:19 | 1:50:24 | |
I don't want to be around all the negativity any more, | 1:50:42 | 1:50:45 | |
it's not the reason why I came here, | 1:50:45 | 1:50:47 | |
the environment is so unhealthy and ugly. | 1:50:47 | 1:50:50 | |
I just don't know if this is the right place for me. | 1:50:52 | 1:50:55 | |
-Thank you. -Oh, you're welcome. -Dude. | 1:51:06 | 1:51:09 | |
Oh, man. I wanted to win it for Magic so bad, you have no idea. | 1:51:11 | 1:51:16 | |
You have no idea. | 1:51:16 | 1:51:18 | |
It's been a long 20 years | 1:51:18 | 1:51:20 | |
and this organisation really does a lot of good things | 1:51:20 | 1:51:22 | |
and what I didn't tell Mr Trump | 1:51:22 | 1:51:25 | |
is my cousin who I grew up with died of AIDS recently... | 1:51:25 | 1:51:27 | |
-..and that's really what hit me. -Yeah, that's... | 1:51:29 | 1:51:32 | |
You know? | 1:51:32 | 1:51:33 | |
She grew up in my house and her boyfriend gave her AIDS, you know, | 1:51:34 | 1:51:41 | |
and she died. | 1:51:41 | 1:51:43 | |
This is for Sharon, this is for my cousin Sharon. | 1:51:43 | 1:51:47 | |
So, Lou, what do you have to say? | 1:51:51 | 1:51:53 | |
I'm kind of surprised, I think we did a great job | 1:51:53 | 1:51:57 | |
and if we had a week...do everything, | 1:51:57 | 1:51:58 | |
we could not have done any better. | 1:51:58 | 1:52:00 | |
-As project manager, Lou, should you be fired? You lost. -No way. -Why? | 1:52:00 | 1:52:03 | |
Because I gave 110%, I went on stage, I did all the rehearsal, | 1:52:03 | 1:52:07 | |
I did not make any mistake, I kept the mood with the team... | 1:52:07 | 1:52:10 | |
But you were project manager, Lou. | 1:52:10 | 1:52:12 | |
Penn, should Lou be fired? | 1:52:14 | 1:52:17 | |
I have, I believe, every time you've asked me, | 1:52:17 | 1:52:19 | |
-I've mentioned the project manager. -A lot of times. | 1:52:19 | 1:52:21 | |
It's a weakness, there's no question about it. | 1:52:21 | 1:52:23 | |
It's a strength - you win, and it's a weakness if you lose. | 1:52:23 | 1:52:26 | |
-I think it's a gamble, so... -It's called life. | 1:52:26 | 1:52:29 | |
Lou, you just said you couldn't do any better, but yet you lost, | 1:52:29 | 1:52:31 | |
is that a smart thing to say in the position you're in right now? | 1:52:31 | 1:52:35 | |
Well, I feel as project manager I did everything I could, | 1:52:35 | 1:52:38 | |
I felt we were on the right track, we had very little time, | 1:52:38 | 1:52:40 | |
we had good strategy, everyone worked nicely. | 1:52:40 | 1:52:42 | |
So, does a lot of that weight then fall on your shoulders as PM, | 1:52:42 | 1:52:45 | |
cos it's kind of contrary to saying you shouldn't be fired...? | 1:52:45 | 1:52:48 | |
No, I shouldn't be fired, because I gave 110%. | 1:52:48 | 1:52:50 | |
Who didn't give 110%, if that's even mathematically possible? | 1:52:50 | 1:52:53 | |
Dee Snider. | 1:52:53 | 1:52:54 | |
Dee, wow, why? | 1:52:55 | 1:52:58 | |
Because a lot of time he wanted to be in control | 1:53:00 | 1:53:02 | |
and I'm trying to get his attention | 1:53:02 | 1:53:04 | |
and he was constantly wooing and praising Dayana. | 1:53:04 | 1:53:06 | |
-Dee, what do you think of what he has to say? -I think it's untrue. | 1:53:08 | 1:53:12 | |
I think I busted my ass nonstop, unrelenting for the gentleman | 1:53:12 | 1:53:16 | |
and he approved every single thing, any single...any of us did. | 1:53:16 | 1:53:20 | |
What did you do in the task? | 1:53:20 | 1:53:22 | |
I worked on the branding, I worked on the box. | 1:53:22 | 1:53:25 | |
But you designed the box and the executives | 1:53:25 | 1:53:28 | |
sort of hated the box and so, who do you think should be fired? | 1:53:28 | 1:53:33 | |
-It falls on his shoulders, sir. -As project manager? | 1:53:33 | 1:53:36 | |
Absolutely. | 1:53:36 | 1:53:37 | |
But he was the big positive from the executives so... | 1:53:37 | 1:53:40 | |
True, and we thought he was great. | 1:53:40 | 1:53:41 | |
While he took some of that risk, he was also the only person | 1:53:41 | 1:53:44 | |
that they brought up as being outstanding. So, it goes both ways. | 1:53:44 | 1:53:48 | |
Dayana, what do you have to say? | 1:53:49 | 1:53:51 | |
I'll say that we didn't have a task from Lou | 1:53:51 | 1:53:54 | |
and I had to find myself a little bit in-between everything. | 1:53:54 | 1:53:57 | |
So, Dayana, if you were me, who would you fire? | 1:53:57 | 1:53:59 | |
The project manager, I've always said it in every task. | 1:53:59 | 1:54:03 | |
Lisa, who would you fire? | 1:54:03 | 1:54:05 | |
It wouldn't be a boardroom if I didn't say I'd bring in Dayana. | 1:54:05 | 1:54:08 | |
-Yeah, I know, that's standard. -It's like, let's go... | 1:54:08 | 1:54:10 | |
No, no, I was not finished, I was going to say | 1:54:10 | 1:54:12 | |
I would bring both Lou and Dayana in, because Dayana, again, | 1:54:12 | 1:54:17 | |
saying I... | 1:54:17 | 1:54:18 | |
Well, there's a third person you'd have to bring in too, who's the third person? | 1:54:18 | 1:54:22 | |
-Why would I have to bring in somebody else? -Cos if it's Lou and Dayana, | 1:54:22 | 1:54:25 | |
-you can bring three people. -I think he should just bring her in. | 1:54:25 | 1:54:28 | |
Dayana, should I fire you? | 1:54:28 | 1:54:30 | |
Oh, Mr Trump, I try so hard every time and in this task | 1:54:30 | 1:54:34 | |
specifically, I was not delegated anything, I just had to work | 1:54:34 | 1:54:38 | |
a little bit everywhere just so I could still keep myself busy, so... | 1:54:38 | 1:54:42 | |
-For me it's been like this... -But you would fire the project manager, not Dee? | 1:54:42 | 1:54:45 | |
It's been like this every week and I have my own... | 1:54:45 | 1:54:47 | |
-Why do you think it is like that? -I don't know. | 1:54:47 | 1:54:49 | |
All these people right here are incredible smart, | 1:54:49 | 1:54:53 | |
they double my age, they have their own careers, | 1:54:53 | 1:54:55 | |
I don't know if I work in a different way for them, | 1:54:55 | 1:54:58 | |
I don't know if I'm so quick... | 1:54:58 | 1:55:00 | |
And yet you do just as well as they do in your own way, I guess, right? | 1:55:00 | 1:55:02 | |
You're doing very well? | 1:55:02 | 1:55:04 | |
And I'm still sitting with them, next to them right here, | 1:55:04 | 1:55:06 | |
so whatever I'm doing, I'm doing it right. | 1:55:06 | 1:55:08 | |
Well, Dee didn't say fire you, Lou didn't say fire you, | 1:55:08 | 1:55:10 | |
the only one that said fire you is Lisa. | 1:55:10 | 1:55:12 | |
I didn't, I said I would bring both of them back. | 1:55:12 | 1:55:14 | |
Because their version of 110% equals, possibly, my 50%. | 1:55:14 | 1:55:20 | |
And that means that if you work 50%... | 1:55:20 | 1:55:22 | |
-They have to work double as hard? -Yeah, because they're limited... | 1:55:22 | 1:55:25 | |
-So, do you think you're superior to Lou... -I don't think I'm superior... | 1:55:25 | 1:55:28 | |
-..and you think you're superior to Dayana? -In this game... | 1:55:28 | 1:55:31 | |
But she could say she's superior to you too. | 1:55:31 | 1:55:33 | |
Of course, she's...feel free to do so. | 1:55:33 | 1:55:36 | |
-Lou. -Yeah. | 1:55:36 | 1:55:37 | |
-Should you be fired because you're the project manager? -No. | 1:55:37 | 1:55:40 | |
-You really don't think so? -No. -OK. | 1:55:40 | 1:55:42 | |
What two people are you bringing back? | 1:55:42 | 1:55:45 | |
Dayana and I will say it's either between Penn and Dee Snider. | 1:55:47 | 1:55:52 | |
It's a tough decision, but I think I'm going to have to say Dee Snider. | 1:55:53 | 1:55:57 | |
-And I'll tell you right now... -And let me ask you this, | 1:55:57 | 1:55:59 | |
why are you bringing Dayana back over Penn? | 1:55:59 | 1:56:01 | |
And I'm a big fan of Penn, | 1:56:01 | 1:56:03 | |
but Penn made a very crucial mistake. | 1:56:03 | 1:56:05 | |
Well, it's tough, because even though Penn was gone, even though | 1:56:05 | 1:56:09 | |
Penn could've rehearsed more, he worked on the script, | 1:56:09 | 1:56:11 | |
the writing and everything, he helped to guide us | 1:56:11 | 1:56:14 | |
in the right direction and I think he's a stronger team player. | 1:56:14 | 1:56:17 | |
But he made a big mistake on this particular test. | 1:56:17 | 1:56:20 | |
OK, people make mistakes, he made a mistake, he goes, | 1:56:20 | 1:56:22 | |
"Oops, I'm sorry, it's Walgreens." | 1:56:22 | 1:56:23 | |
-People make mistakes and correct themselves. -OK, very good. | 1:56:23 | 1:56:26 | |
Everybody, go out. | 1:56:26 | 1:56:28 | |
Unfortunately, you'll be coming back, somebody's going to be fired. | 1:56:28 | 1:56:32 | |
-DAYANA: -Dee, welcome to my lobby. | 1:56:36 | 1:56:38 | |
-DEE: -Show me how to do it, how it works. | 1:56:38 | 1:56:40 | |
-LISA: -Good luck, you guys. -All right, thanks. | 1:56:40 | 1:56:42 | |
Is she back? Oh. | 1:56:47 | 1:56:50 | |
-You OK? -Yes. | 1:56:50 | 1:56:52 | |
'When things got back to the war room, | 1:56:53 | 1:56:55 | |
'Arsenio was really upset and Aubrey' | 1:56:55 | 1:56:58 | |
never made it back to the war room and I know | 1:56:58 | 1:57:01 | |
she was very upset and, honestly, in my mind, | 1:57:01 | 1:57:04 | |
I didn't think she was coming back and I could understand it, | 1:57:04 | 1:57:08 | |
you know, she got pretty smacked around... | 1:57:08 | 1:57:10 | |
I tried to keep my ego, my feelings, my problems, | 1:57:10 | 1:57:14 | |
my disagreements, everything inside, I let it go. I mean... | 1:57:14 | 1:57:18 | |
'Arsenio really has an emotional connection | 1:57:18 | 1:57:22 | |
'to his charity and Aubrey' | 1:57:22 | 1:57:24 | |
really sort of pushed against him as much as she could | 1:57:24 | 1:57:27 | |
and, I think, really stressed him out | 1:57:27 | 1:57:30 | |
and with Arsenio, once the dam breaks, it is on. | 1:57:30 | 1:57:33 | |
Even an idea, an idea is not one person's idea, | 1:57:34 | 1:57:37 | |
we did this as a team. She didn't do it by herself. | 1:57:37 | 1:57:41 | |
No-one did it by themselves. Her first blurt is so arrogant, | 1:57:41 | 1:57:46 | |
her response to you and to you and to me was to go to her | 1:57:46 | 1:57:51 | |
-and ask Teresa to co-sign for her bull -BLEEP. | 1:57:51 | 1:57:55 | |
How about what you did to me? | 1:57:55 | 1:57:57 | |
-How about the -BLEEP -you put me through? | 1:57:57 | 1:58:00 | |
Talk to us, don't go to somebody else about what you did to me. | 1:58:00 | 1:58:03 | |
Why don't you punch me in my face and ask Teresa if it hurts? | 1:58:03 | 1:58:06 | |
'Arsenio does look like a wild card now, because, you know,' | 1:58:06 | 1:58:08 | |
it's like, wow, he was so sweet and to turn like that into... | 1:58:08 | 1:58:13 | |
I mean, it was scary. I was like, | 1:58:13 | 1:58:15 | |
"I just want to get out of this room." | 1:58:15 | 1:58:17 | |
-She's not going nowhere in this mother -BLEEP, | 1:58:17 | 1:58:20 | |
cos Donald Trump has worked all his life to be who he is | 1:58:20 | 1:58:22 | |
and he's not going to take his banner and put it on her stank ass | 1:58:22 | 1:58:27 | |
-to represent her as a celebrity apprentice. -I agree. | 1:58:27 | 1:58:29 | |
When I googled you to find out what you were about, | 1:58:29 | 1:58:32 | |
tell me about your show, your culinary desires, | 1:58:32 | 1:58:34 | |
your fashion background, | 1:58:34 | 1:58:35 | |
I googled her and a naked picture of her with her gut popped up. | 1:58:35 | 1:58:39 | |
-BLEEP -her. -BLEEP -her. | 1:58:39 | 1:58:41 | |
So, now how are we going to move forward with this? | 1:58:41 | 1:58:43 | |
It must be interesting to see people here before they go back | 1:58:52 | 1:58:55 | |
in the boardroom, all the anxiety and everything. | 1:58:55 | 1:58:57 | |
Yes, I've seen a lot in the lobby. | 1:58:57 | 1:58:59 | |
-It's unfortunate we have to do this, but it's... -Yeah. -Right? | 1:58:59 | 1:59:03 | |
You know? I mean, not for the reasons that Lou gave, | 1:59:03 | 1:59:07 | |
if he's saying they didn't like the box or the branding | 1:59:07 | 1:59:11 | |
or something, that's one thing but to say they didn't give 110%... | 1:59:11 | 1:59:15 | |
-THROUGH INTERCOM: -'Amanda, let them in.' | 1:59:16 | 1:59:18 | |
Yes, Mr Trump. | 1:59:18 | 1:59:20 | |
You can all go back into the boardroom now. | 1:59:20 | 1:59:22 | |
Please sit down. | 1:59:32 | 1:59:34 | |
Dayana, why do people keep bringing you back? | 1:59:41 | 1:59:43 | |
-I don't know... -Now we're talking about men bringing you back, | 1:59:44 | 1:59:47 | |
before, the women...maybe they don't like the way you look, | 1:59:47 | 1:59:50 | |
meaning you look too good, who knows? | 1:59:50 | 1:59:52 | |
Why do they bring you back? | 1:59:52 | 1:59:54 | |
Well, I wasn't, again, in this specific task, | 1:59:54 | 1:59:57 | |
I wasn't assigned something, so I was lost, | 1:59:57 | 2:00:00 | |
I was lost on what I was going to do and I tried to help him... | 2:00:00 | 2:00:03 | |
-You did. -And I tried to help Lisa and I wrote my own part | 2:00:03 | 2:00:06 | |
-and I tried to help... -Is Dayana a hard worker? | 2:00:06 | 2:00:08 | |
Yes, she is and she did a lot of things, | 2:00:08 | 2:00:10 | |
maybe nothing specific, maybe she didn't write, | 2:00:10 | 2:00:12 | |
maybe she didn't design, but she helped out in every area. | 2:00:12 | 2:00:16 | |
Dayana, if you were me, who would you fire? | 2:00:16 | 2:00:19 | |
The project manager. | 2:00:19 | 2:00:21 | |
The project manager, because everybody had to find | 2:00:21 | 2:00:24 | |
their own way and we put ideas all together | 2:00:24 | 2:00:26 | |
but Lou was not as creative, Lou was not giving the ideas. | 2:00:26 | 2:00:30 | |
He was listening, accepting and nodding, | 2:00:30 | 2:00:32 | |
but he wasn't creating much. | 2:00:32 | 2:00:33 | |
Lou, should I fire you because you're the project manager? | 2:00:33 | 2:00:36 | |
No, because I stepped up to the play and I gave it all | 2:00:36 | 2:00:39 | |
and made sure that the whole team would give 110%. | 2:00:39 | 2:00:41 | |
But what did you do? | 2:00:41 | 2:00:42 | |
You let Lisa and Penn just take over the writing, | 2:00:42 | 2:00:45 | |
-you let me handle the box... -It's like I said before... | 2:00:45 | 2:00:47 | |
And you approved everything, you went out shopping | 2:00:47 | 2:00:50 | |
when we needed bathing suits and gym clothes, | 2:00:50 | 2:00:52 | |
while the rest of us were there busting our balls giving, sir, 120%. | 2:00:52 | 2:00:59 | |
At 110%...that accusation kills me. | 2:00:59 | 2:01:01 | |
I was in charge of branding, I was in charge of the box... | 2:01:01 | 2:01:03 | |
Dee, some of those things were the points you lost on, | 2:01:03 | 2:01:06 | |
I mean, is that a positive or a negative for you? | 2:01:06 | 2:01:08 | |
Sir, everything I did was approved by the project manager, | 2:01:08 | 2:01:11 | |
I would never do anything without his authority. | 2:01:11 | 2:01:14 | |
So, Dee, you designed the box. | 2:01:14 | 2:01:17 | |
-Yes. -And the box was, let's say, no good, OK, Dee? | 2:01:17 | 2:01:20 | |
-I didn't like it... -Fair enough. -..to be honest, | 2:01:20 | 2:01:22 | |
I didn't like it, OK? | 2:01:22 | 2:01:23 | |
Now, I didn't make the choice, it wasn't me, but they hated it. | 2:01:23 | 2:01:26 | |
That's why you lost because of the box and you designed it. | 2:01:26 | 2:01:29 | |
Lou, did you like the box he designed? | 2:01:29 | 2:01:33 | |
-It could have been better... -Sir, we were all around... | 2:01:33 | 2:01:35 | |
The three of us were gathered around the computer... | 2:01:35 | 2:01:38 | |
But you did design it, though? | 2:01:38 | 2:01:39 | |
Sir, I take credit for being the lead on it, | 2:01:39 | 2:01:42 | |
but my project manager oversaw everything. | 2:01:42 | 2:01:46 | |
And we worked as hard as we can to fill in the void | 2:01:46 | 2:01:49 | |
but if he didn't have a writer, he'd be hamstrung. | 2:01:49 | 2:01:53 | |
He cannot write or create anything. | 2:01:53 | 2:01:56 | |
-You're wrong. -OK? | 2:01:56 | 2:01:58 | |
I am not wrong, sir. You know, we've got things that we call, | 2:01:58 | 2:02:00 | |
I'm sorry, this is the truth, it's the Lou whisperers - | 2:02:00 | 2:02:04 | |
Arsenio, me, Clay, we work with Lou because he understands... | 2:02:04 | 2:02:07 | |
-Were you impressed by Arsenio? -..he has a limitation. | 2:02:07 | 2:02:10 | |
-Were you impressed by Arsenio? -Yes, but... -It was amazing. | 2:02:10 | 2:02:12 | |
-I never saw that personality in Arsenio. -No, I never saw it. | 2:02:12 | 2:02:15 | |
-Aubrey really brought out a... -I never saw the emotion, | 2:02:15 | 2:02:18 | |
so it was tough, tough stuff. | 2:02:18 | 2:02:20 | |
OK, Dee, do you think Lou is responsible for your loss? | 2:02:20 | 2:02:25 | |
-Yes, I do, sir. -I mean, in all fairness, in all fairness, | 2:02:25 | 2:02:29 | |
-it wasn't Dayana. -No. | 2:02:29 | 2:02:31 | |
She probably shouldn't be here, probably Penn should be here. | 2:02:31 | 2:02:34 | |
Mr Trump, the only thing Lou cites that he does every week is, | 2:02:34 | 2:02:38 | |
"I got up and performed, I got up and rehearsed, | 2:02:38 | 2:02:41 | |
"I got up and gave the speech," | 2:02:41 | 2:02:42 | |
and granted he does a great job, but he's a one-note horn. | 2:02:42 | 2:02:46 | |
-I have yet to perform, that's my best thing, but I do... -But I... | 2:02:46 | 2:02:49 | |
-Excuse me, sir. -But you know what? Dee, I will say this. | 2:02:49 | 2:02:51 | |
The executives really liked his testimonial... | 2:02:51 | 2:02:54 | |
-And it's how it felt... -They thought it was great. | 2:02:54 | 2:02:56 | |
So, you may have the problem with the hearing | 2:02:56 | 2:02:58 | |
and a little bit of hard time with the speech, | 2:02:58 | 2:03:00 | |
but they really loved... | 2:03:00 | 2:03:01 | |
I think it was a great example for a lot of people that do have that problem. | 2:03:01 | 2:03:04 | |
They really liked his testimonial a lot. | 2:03:04 | 2:03:07 | |
That's why I knew that, like you said, because of the hearing, | 2:03:07 | 2:03:10 | |
I stepped up, I took on the job, | 2:03:10 | 2:03:13 | |
I had the guts to do the testimonial, | 2:03:13 | 2:03:14 | |
I went out there, I delivered. | 2:03:14 | 2:03:16 | |
That's something that's unheard of, all the other team members, | 2:03:16 | 2:03:18 | |
they feel that way. | 2:03:18 | 2:03:19 | |
I proved myself and I feel it in my heart | 2:03:19 | 2:03:22 | |
the fact that I should not be the one to be fired, | 2:03:22 | 2:03:24 | |
because I, basically, took the risk | 2:03:24 | 2:03:26 | |
-and I did the -BLEEP -job and I delivered. | 2:03:26 | 2:03:28 | |
Do you think Lou really has a chip on his shoulder, | 2:03:28 | 2:03:30 | |
is that why he's sort of like...? | 2:03:30 | 2:03:31 | |
-He sort of thinks everyone's out to get him. -Look... | 2:03:31 | 2:03:33 | |
That's been a constant theme of yours for three or four weeks. | 2:03:33 | 2:03:36 | |
I speak fondly about Lou, I'm a fan from childhood, OK, | 2:03:36 | 2:03:39 | |
I mean, you know, he's a great man, he has taken a bodybuilding trophy | 2:03:39 | 2:03:43 | |
and turned it into a lifelong career | 2:03:43 | 2:03:45 | |
and there is few people who can say that | 2:03:45 | 2:03:47 | |
and it's an amazing job, | 2:03:47 | 2:03:49 | |
but he does have a bit of a chip on his shoulder. | 2:03:49 | 2:03:52 | |
He's been told he can't and he's fought against his disability... | 2:03:52 | 2:03:55 | |
Which is an amazing thing. | 2:03:55 | 2:03:57 | |
It's so tough, you know, people think I like this. | 2:03:57 | 2:04:00 | |
I get credit for loving to fire people | 2:04:00 | 2:04:03 | |
and I hate to fire people, especially really good people | 2:04:03 | 2:04:07 | |
and you're all good people. | 2:04:07 | 2:04:08 | |
We have a lot of good people, some of them I don't like as much, | 2:04:08 | 2:04:11 | |
I'll be honest with you, you know, and some I like a lot. | 2:04:11 | 2:04:14 | |
This group of three and especially you two guys, I mean, | 2:04:14 | 2:04:17 | |
-I think you're great. -Thank you, sir. | 2:04:17 | 2:04:19 | |
I think you're both great, but this was, Dee, about presentation, | 2:04:19 | 2:04:23 | |
which the executives liked and it was about box design. | 2:04:23 | 2:04:29 | |
-Now, you did do the box design? -With help, yes, sir. | 2:04:29 | 2:04:32 | |
Dee, you're fired. | 2:04:34 | 2:04:35 | |
Thank you very much and you are going to be big, | 2:04:40 | 2:04:42 | |
bigger than ever before. | 2:04:42 | 2:04:43 | |
-Thank you, sir. -OK, thank you very much, go ahead, please. -Thank you. | 2:04:43 | 2:04:46 | |
Thank you. | 2:04:46 | 2:04:48 | |
-Great job, Dee. -Thank you. | 2:04:49 | 2:04:51 | |
Appreciate it. | 2:05:03 | 2:05:04 | |
-Lou. -Nothing changes. | 2:05:04 | 2:05:07 | |
-It was very nice meeting you, Dee. -Thank you. | 2:05:07 | 2:05:10 | |
How are ya? | 2:05:16 | 2:05:17 | |
That was tough, he's a good guy but... | 2:05:21 | 2:05:24 | |
he made the two mistakes. | 2:05:24 | 2:05:25 | |
My advice to the remaining contestants, | 2:05:59 | 2:06:01 | |
is to not prop up Lou Ferrigno any more. | 2:06:01 | 2:06:05 | |
The Trumps do not have a clear picture of who he is | 2:06:05 | 2:06:08 | |
and what he is and his abilities and, you know, | 2:06:08 | 2:06:11 | |
if he didn't have my support, he would've been off a long time ago | 2:06:11 | 2:06:15 | |
and wouldn't have been able to throw me under the bus. | 2:06:15 | 2:06:17 |