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Previously, on a double episode of The Celebrity Apprentice, | 0:00:02 | 0:00:04 | |
the teams were tasked with creating New York City guidebooks | 0:00:04 | 0:00:08 | |
-to sell to the public. -10,259! | 0:00:08 | 0:00:13 | |
SHOUTING | 0:00:15 | 0:00:16 | |
And, with over 300,000 raised, | 0:00:16 | 0:00:19 | |
the outcome was the closest in Celebrity Apprentice history... | 0:00:19 | 0:00:23 | |
-The men won by 14. -APPLAUSE | 0:00:23 | 0:00:26 | |
Get out of here. | 0:00:26 | 0:00:27 | |
..leaving the women to face Mr Trump. | 0:00:27 | 0:00:29 | |
Teresa, you should have brought Aubrey back | 0:00:29 | 0:00:32 | |
because she raised by far the least amount of money. | 0:00:32 | 0:00:35 | |
But Deborah raised the least money of the people that you brought back. | 0:00:35 | 0:00:38 | |
-Deborah, you're fired. -Oh! | 0:00:38 | 0:00:41 | |
With the women having lost five out of seven tasks, | 0:00:42 | 0:00:45 | |
Mr Trump decided to switch up the teams. | 0:00:45 | 0:00:48 | |
Teresa and Aubrey, go to that team. | 0:00:48 | 0:00:51 | |
Lou, Penn and Dee, you go over here. Let's go. Switch. | 0:00:51 | 0:00:55 | |
The new teams in place, | 0:00:55 | 0:00:57 | |
the celebrities received their next task - | 0:00:57 | 0:00:59 | |
to create a live health segment | 0:00:59 | 0:01:01 | |
and a membership box for Walk With Walgreens. | 0:01:01 | 0:01:05 | |
50,000 to the project manager of the winning team. | 0:01:05 | 0:01:09 | |
On the new Unanimous, Arsenio Hall had a hard time | 0:01:09 | 0:01:13 | |
managing Aubrey O'Day. | 0:01:13 | 0:01:14 | |
Sorry, if I use your other picture, you're different than everybody... | 0:01:14 | 0:01:18 | |
But I'm the host and you guys are the contestants. | 0:01:18 | 0:01:20 | |
-You can fix anything you want right now. -No, I can't! Stop saying that! | 0:01:20 | 0:01:24 | |
Aubrey's been an impossible teammate. | 0:01:24 | 0:01:26 | |
I tell her to do something, she does the opposite. | 0:01:26 | 0:01:28 | |
She's undermined me at every step. | 0:01:28 | 0:01:30 | |
And on the new team Forte, old rivalries continued. | 0:01:30 | 0:01:35 | |
Dayana, once again, did not come up with one damn thing. | 0:01:35 | 0:01:38 | |
You and I and Penn carried this team. | 0:01:38 | 0:01:40 | |
If Lisa's frustrated for still being in the team with me, | 0:01:40 | 0:01:43 | |
too bad for her. | 0:01:43 | 0:01:44 | |
The next day, both teams gave their all for Walgreens. | 0:01:44 | 0:01:48 | |
-Pageant girls like me are always walking! -ALL: -Walk with Walgreens! | 0:01:48 | 0:01:53 | |
That night, in the boardroom, | 0:01:54 | 0:01:56 | |
-Arsenio felt Aubrey was taking all the credit. -Written by me. | 0:01:56 | 0:02:00 | |
-Aren't you proud of me, Lise? -You come in here and you tell a lie. | 0:02:00 | 0:02:02 | |
And Aubrey was left shaken. | 0:02:02 | 0:02:05 | |
Teresa, have I taught you everything you have ever asked? | 0:02:05 | 0:02:07 | |
-Now she's a teacher! -Can I...? | 0:02:07 | 0:02:09 | |
She can't say anything that's not selfish. | 0:02:09 | 0:02:11 | |
I can't say anything, period, with these two men. | 0:02:11 | 0:02:14 | |
Despite their feud, Arsenio's team carried the victory. | 0:02:14 | 0:02:17 | |
-Arsenio, congratulations. -Thank you, sir. | 0:02:17 | 0:02:19 | |
But Aubrey didn't feel like celebrating. | 0:02:19 | 0:02:22 | |
I just don't know if this is the right place for me. | 0:02:22 | 0:02:25 | |
Back in the boardroom, team Forte lost another celebrity. | 0:02:28 | 0:02:33 | |
-Now, you did do the box design. -Yes, sir. -The executives, they hated it. | 0:02:33 | 0:02:37 | |
Dee, you're fired. | 0:02:37 | 0:02:39 | |
In the War Room, Arsenio shared the reason behind his emotional win. | 0:02:41 | 0:02:45 | |
My cousin, who I grew up with, died of AIDS recently | 0:02:45 | 0:02:48 | |
and that's really what hit me. | 0:02:48 | 0:02:50 | |
And he vented his feelings in a rant against Aubrey. | 0:02:50 | 0:02:53 | |
How about what you did to ME? | 0:02:53 | 0:02:55 | |
-How about the -BLEEP -you put ME through? | 0:02:55 | 0:02:58 | |
Cos Donald Trump has worked all his life to be who he is | 0:02:58 | 0:03:02 | |
and he's not going to take his banner and put on her stank ass | 0:03:02 | 0:03:06 | |
to represent her as a celebrity apprentice. | 0:03:06 | 0:03:09 | |
-BLEEP -her! -BLEEP -her! | 0:03:09 | 0:03:11 | |
-So, how are we going to move forward with this? -Let me make a suggestion. | 0:03:24 | 0:03:28 | |
You may be the only person that can lead her | 0:03:28 | 0:03:31 | |
and we'll get behind you 100%, but she won't get behind us. | 0:03:31 | 0:03:34 | |
She's a smart girl. | 0:03:34 | 0:03:36 | |
She should just come in, raring to go, | 0:03:36 | 0:03:38 | |
cos that's what makes a team player. | 0:03:38 | 0:03:40 | |
I guess there were more fireworks out here. What happened? Where...? | 0:03:42 | 0:03:47 | |
She just never came back in here. She walked away. | 0:03:47 | 0:03:49 | |
'When I walked in, Aubrey had not come back,' | 0:03:49 | 0:03:54 | |
so I was really concerned. Honestly, it was freaking me out. | 0:03:54 | 0:03:57 | |
If I was on your team right now, I would be so worried. | 0:03:57 | 0:04:01 | |
-The bitch-ass -BLEEP -on your team | 0:04:01 | 0:04:03 | |
who cannot handle that people are smarter than they are. | 0:04:03 | 0:04:07 | |
They're threatened in general and they're little bitches. | 0:04:07 | 0:04:09 | |
'I wouldn't blame Aubrey if she quit' | 0:04:11 | 0:04:13 | |
because I cannot imagine what it's like | 0:04:13 | 0:04:16 | |
-to have those two guys gang up on me. -Congratulations. | 0:04:16 | 0:04:20 | |
Thank you, Penn. The thing I've been keeping inside... | 0:04:20 | 0:04:24 | |
My cousin died of AIDS recently. | 0:04:24 | 0:04:28 | |
I kind of haven't dealt with it, you know, | 0:04:28 | 0:04:32 | |
and I saw Aubrey between me and victory. | 0:04:32 | 0:04:35 | |
'It wasn't just a task for me. | 0:04:35 | 0:04:37 | |
'Winning to me was real serious' | 0:04:37 | 0:04:39 | |
and then I get in there and she's talking about what SHE did, | 0:04:39 | 0:04:43 | |
her I, I, I, I. | 0:04:43 | 0:04:45 | |
'You have no idea what I've been through, | 0:04:45 | 0:04:48 | |
'just trying to manage this chick and get to victory.' | 0:04:48 | 0:04:52 | |
I don't want to hear about how good you are. | 0:04:52 | 0:04:55 | |
-I've had to suck it all up and let a bitch treat me like -BLEEP. | 0:04:55 | 0:05:00 | |
-Don't you say -BLEEP -in the boardroom. -BLEEP. | 0:05:00 | 0:05:03 | |
-That whore. -BLEEP. -That whore! | 0:05:03 | 0:05:05 | |
You're going straight for "bitch" and "whore"? Really? | 0:05:05 | 0:05:08 | |
You'd better hope I'm never on your team, | 0:05:08 | 0:05:10 | |
because anybody calls ME a bitch or a whore, | 0:05:10 | 0:05:12 | |
-they're going to have way more problems when they -BLEEP -do it. | 0:05:12 | 0:05:15 | |
-It's just not right. -She was a bitch to me, Lisa. | 0:05:15 | 0:05:17 | |
-How can you defend her if you weren't here? -I'm not. | 0:05:17 | 0:05:20 | |
Anybody yelling these things out is not appropriate. | 0:05:20 | 0:05:22 | |
I'm telling you what she did to ME, Lisa. | 0:05:22 | 0:05:24 | |
-When you -BLEEP -with me and disrespect me, it's on! | 0:05:24 | 0:05:27 | |
'Lisa Lampanelli is the last human being' | 0:05:28 | 0:05:30 | |
on the planet that can tell me | 0:05:30 | 0:05:32 | |
what language I should use when I'm angry. | 0:05:32 | 0:05:35 | |
That's the pot calling the kettle black. | 0:05:35 | 0:05:38 | |
You can't decide that she didn't disrespect me because you like her. | 0:05:39 | 0:05:43 | |
I didn't say that! | 0:05:43 | 0:05:44 | |
-I just said, yelling "bitch" and "whore" about a -BLEEP -woman, | 0:05:44 | 0:05:47 | |
-it's -BLEEP -wrong! Don't be a -BLEEP! | 0:05:47 | 0:05:50 | |
-And don't ruin your -BLEEP -image and your -BLEEP -career! | 0:05:50 | 0:05:53 | |
Don't be "bitching" and "whoring". | 0:05:53 | 0:05:55 | |
-Every woman in America's going to -BLEEP -hate you! | 0:05:55 | 0:05:58 | |
'Lisa and Arsenio were very upset. It was like poking beehives. | 0:05:58 | 0:06:03 | |
'I sat in a chair,' | 0:06:03 | 0:06:05 | |
put the seatbelt on and held on. | 0:06:05 | 0:06:07 | |
But I don't know who got fired this week. | 0:06:07 | 0:06:09 | |
-Hey, Dayana. -You're kidding me! | 0:06:12 | 0:06:16 | |
-What the -BLEEP -happened? Lou? -You know... | 0:06:16 | 0:06:20 | |
-I don't know what to say. I just... It's tough, it's just tough. -Right. | 0:06:22 | 0:06:26 | |
'I had a mental breakdown when I saw Lou and Dayana,' | 0:06:28 | 0:06:34 | |
-with the five -BLEEP -brain cells in between them, | 0:06:34 | 0:06:38 | |
come into that room and Dee Snider gets the shaft. | 0:06:38 | 0:06:43 | |
-That's was -BLEEP -up, Lou. I don't give a -BLEEP -how bad you feel. | 0:06:43 | 0:06:47 | |
-That was -BLEEP. | 0:06:47 | 0:06:49 | |
And you were not an effective leader and you had no ideas, | 0:06:49 | 0:06:52 | |
-so you're both -BLEEP -useless! | 0:06:52 | 0:06:54 | |
Lisa pulled me down, called me an effing loser, | 0:06:55 | 0:06:58 | |
so now going to get ugly, get nasty, | 0:06:58 | 0:07:01 | |
-but I'm not going to let Lisa get away with her -BLEEP. | 0:07:01 | 0:07:03 | |
-Now I've got two -BLEEP -braindeads on my team - great(!) | 0:07:03 | 0:07:07 | |
Penn, get a lot of sleep, cos you're going to be doing 50% | 0:07:07 | 0:07:10 | |
-of the -BLEEP -work from now on - with me! | 0:07:10 | 0:07:13 | |
# Money, money, money, money | 0:07:22 | 0:07:24 | |
# Money | 0:07:26 | 0:07:27 | |
# Money, money, money, money | 0:07:27 | 0:07:29 | |
# Money | 0:07:30 | 0:07:32 | |
# Some people got to have it | 0:07:32 | 0:07:35 | |
# Yeah, yeah | 0:07:35 | 0:07:37 | |
# Some people really need it | 0:07:37 | 0:07:40 | |
# Hey, listen to me, y'all | 0:07:40 | 0:07:42 | |
# Do things, do things Do things, bad things with it | 0:07:42 | 0:07:46 | |
# Dollar bills, y'all, come on now | 0:07:49 | 0:07:51 | |
# That lean, mean | 0:07:51 | 0:07:55 | |
# Mean green | 0:07:55 | 0:07:57 | |
# Almighty dollar, I know that | 0:07:57 | 0:08:01 | |
# Money | 0:08:01 | 0:08:03 | |
# Give me a nickel Brother, can you spare a dime? | 0:08:04 | 0:08:08 | |
# Money can drive some people out of their minds | 0:08:09 | 0:08:14 | |
# Ah, no good, no good, money | 0:08:14 | 0:08:18 | |
# Money, money, money, money | 0:08:18 | 0:08:21 | |
# Money. # | 0:08:22 | 0:08:23 | |
'During my Walgreens task, | 0:08:36 | 0:08:38 | |
'I won 50,000 for the Magic Johnson Foundation | 0:08:38 | 0:08:41 | |
'and I'm going to present that' | 0:08:41 | 0:08:43 | |
to Magic Johnson. | 0:08:43 | 0:08:44 | |
I'm going to hit him up on Skype and he has no idea why I'm calling him. | 0:08:44 | 0:08:48 | |
-Hey. -How you doing, man? | 0:08:48 | 0:08:50 | |
I'm doing good, man, and thank you for always supporting us | 0:08:50 | 0:08:53 | |
in any way that you can | 0:08:53 | 0:08:55 | |
and I really appreciate everything, brother. | 0:08:55 | 0:08:57 | |
You know, Earvin, I have a cousin in Cleveland who passed. | 0:08:57 | 0:09:02 | |
She had AIDS and she didn't make it. | 0:09:03 | 0:09:05 | |
And if she had have had a situation where she could get tested, | 0:09:05 | 0:09:10 | |
my cousin might still be alive, so what you're doing is wonderful. | 0:09:10 | 0:09:14 | |
It's God's work and keep doing it, man. | 0:09:14 | 0:09:17 | |
'The Magic Johnson Foundation is stretching beyond research | 0:09:17 | 0:09:21 | |
'and help with HIV and AIDS.' | 0:09:21 | 0:09:24 | |
His new programme is to put mobile testing units | 0:09:24 | 0:09:27 | |
in areas where people who can't afford it | 0:09:27 | 0:09:30 | |
can go get free, discreet testing. | 0:09:30 | 0:09:32 | |
OK, I got some good news for you. | 0:09:34 | 0:09:35 | |
On Celebrity Apprentice, I won... I want to show it to you. Ha-ha! | 0:09:35 | 0:09:41 | |
-It's a 30,000 cheque from Walgreens. -Woo-hoo! -Yes, indeed! | 0:09:41 | 0:09:47 | |
OK, but check this out, dude. | 0:09:47 | 0:09:49 | |
When I won that, Mr Trump gave me | 0:09:49 | 0:09:53 | |
another 20,000 for the Magic Johnson Foundation. | 0:09:53 | 0:09:57 | |
-Oh, my goodness! -Isn't that crazy? | 0:09:57 | 0:09:59 | |
Thank you, Arsenio, brother. We're going to put it to great use. | 0:09:59 | 0:10:03 | |
And by the way, I'm not finished, brother. I may bring some more home. | 0:10:03 | 0:10:07 | |
'This situation with Aubrey, I was angry' | 0:10:08 | 0:10:11 | |
and I know I was angry and when you're angry, | 0:10:11 | 0:10:14 | |
you don't always handle things perfectly, | 0:10:14 | 0:10:16 | |
'but I'm going to put it all behind me. | 0:10:16 | 0:10:18 | |
'I got to focus on my charity cos that's what I'm here for. | 0:10:18 | 0:10:21 | |
'I'm here for my charity.' | 0:10:21 | 0:10:23 | |
How about a head bump before we go? | 0:10:23 | 0:10:25 | |
-Bam! I'll talk to you, man. -All right, see you later. -Bye-bye. | 0:10:25 | 0:10:31 | |
Sitting in the last boardroom, | 0:10:45 | 0:10:48 | |
I got bullied by Arsenio and Clay | 0:10:48 | 0:10:50 | |
but I came back for GLSEN, which is my charity. | 0:10:50 | 0:10:54 | |
I'm not here, just representing myself, | 0:10:54 | 0:10:56 | |
I'm representing GLSEN. | 0:10:56 | 0:10:58 | |
I'm representing kids who get bullied all the time, | 0:10:58 | 0:11:00 | |
so I really have to take a stand against these bullies. | 0:11:00 | 0:11:04 | |
-Good morning. -ALL: Good morning. -Lou, that was a tough one. | 0:11:05 | 0:11:08 | |
-Do you think I did the right thing? -Yes. | 0:11:08 | 0:11:10 | |
-I hope you prove me right. -It's business, not personal. | 0:11:10 | 0:11:14 | |
OK, we're standing in the R Lounge at the Renaissance Hotel, | 0:11:14 | 0:11:18 | |
overlooking Times Square. Times Square is an amazing place. | 0:11:18 | 0:11:23 | |
You eat, you shop, you do lots of different things in Times Square. | 0:11:23 | 0:11:29 | |
I've learned something over the years. | 0:11:29 | 0:11:31 | |
The smart people save money using entertainment.com. | 0:11:31 | 0:11:36 | |
It's a great company and with me today | 0:11:36 | 0:11:39 | |
are Dean and Melissa of entertainment.com. | 0:11:39 | 0:11:42 | |
Dean, tell them about the company and the task. | 0:11:42 | 0:11:44 | |
For 50 years, entertainment.com has had a win, win, win strategy | 0:11:44 | 0:11:49 | |
of helping consumers save, businesses grow | 0:11:49 | 0:11:52 | |
and communities benefit. Now, we've gone to the next level. | 0:11:52 | 0:11:55 | |
We have online memberships, mobile coupons | 0:11:55 | 0:11:57 | |
and really exclusive deals and we want you to tell the world about it. | 0:11:57 | 0:12:01 | |
Your task this week is to create a 60-second commercial, | 0:12:01 | 0:12:04 | |
promoting the benefits of entertainment.com, | 0:12:04 | 0:12:07 | |
which includes entertainment.com's savings membership, | 0:12:07 | 0:12:10 | |
as well as our mobile app, where consumers can go mobile and save. | 0:12:10 | 0:12:14 | |
Ivanka and Don will be my boardroom advisors. | 0:12:14 | 0:12:18 | |
Ivanka, how will they be judged? | 0:12:18 | 0:12:20 | |
You will be presenting the finished product to Dean and Melissa. | 0:12:20 | 0:12:23 | |
They will be judging these commercials, based on creativity, | 0:12:23 | 0:12:26 | |
product integration and overall brand messaging. | 0:12:26 | 0:12:29 | |
-OK, who's going to be your project manager? -I am. -Oh, Dayana, again? | 0:12:30 | 0:12:36 | |
I'm going to be the project manager. | 0:12:36 | 0:12:38 | |
'When we're in task delivery, instead of huddling up, | 0:12:38 | 0:12:42 | |
'Evita over here freaking yells she's going to be project manager.' | 0:12:42 | 0:12:45 | |
Really? I'll cry for YOU, Argentina, cos you're going to lose this for us | 0:12:45 | 0:12:49 | |
cos you've got no freaking idea in your head! | 0:12:49 | 0:12:51 | |
-If you're comfortable, we're going to work our ass for you. -OK. | 0:12:51 | 0:12:54 | |
-I would love to win some money for NephCure. -Good. | 0:12:54 | 0:12:57 | |
-OK, who's your project manager? -I am. -OK, very good. | 0:12:57 | 0:13:00 | |
'I really want to win for my charity | 0:13:00 | 0:13:02 | |
'because the last time I was project manager, I lost by 14. | 0:13:02 | 0:13:06 | |
'But I was nervous about taking it because of Arsenio and Aubrey.' | 0:13:06 | 0:13:10 | |
They're a ticking time bomb. You never know when they'll go off. | 0:13:10 | 0:13:13 | |
Now, the project manager of the winning team will receive 20,000. | 0:13:13 | 0:13:20 | |
-Donald, we'd like to triple that offer. -Wow. -Make it 60,000. | 0:13:20 | 0:13:23 | |
60,000, very good. Go out, do a great job. It's a great company. | 0:13:23 | 0:13:28 | |
-Show them what you can do. Good luck. Thank you. -Thank you. | 0:13:28 | 0:13:32 | |
I want you to understand something about me. | 0:13:50 | 0:13:53 | |
I did not want to come back to this group, | 0:13:53 | 0:13:56 | |
specifically because of the things that I heard that you said about me. | 0:13:56 | 0:14:00 | |
I know it's easy to go to the comments that were made | 0:14:00 | 0:14:03 | |
and I know that's not who you are. | 0:14:03 | 0:14:05 | |
Honestly, I'm a huge fan of what you've done | 0:14:05 | 0:14:08 | |
and I fell in love with who I grew up watching | 0:14:08 | 0:14:11 | |
and those things really hurt | 0:14:11 | 0:14:13 | |
that you, that you think those things of me. | 0:14:13 | 0:14:15 | |
'Last week's boardroom,' | 0:14:15 | 0:14:17 | |
I started thinking about everything, from the night Magic Johnson | 0:14:17 | 0:14:20 | |
made his announcement on my show 20 years ago... | 0:14:20 | 0:14:23 | |
..to the recent death of my cousin in Cleveland who died of AIDS. | 0:14:25 | 0:14:30 | |
And all that was just too much. | 0:14:31 | 0:14:33 | |
I was angry. Um... | 0:14:34 | 0:14:37 | |
No desire to hurt you and I'm sorry it went to that | 0:14:39 | 0:14:42 | |
and later on, if you're interested, | 0:14:42 | 0:14:44 | |
I'd love to tell you what was going on inside me | 0:14:44 | 0:14:48 | |
from the beginning of the day till that moment | 0:14:48 | 0:14:50 | |
and I think you'll understand it. | 0:14:50 | 0:14:52 | |
-Even if I'm wrong, I think you'll understand it. -OK. | 0:14:52 | 0:14:54 | |
-Even if I'm wrong. -OK. | 0:14:54 | 0:14:55 | |
'Sometimes, things get crazy. | 0:14:55 | 0:14:57 | |
'They get intense here, but it takes a man to say, "I did that wrong". | 0:14:57 | 0:15:02 | |
'The language wasn't necessary' | 0:15:02 | 0:15:05 | |
and I'm so glad that, instead of shutting down, she talked to me. | 0:15:05 | 0:15:10 | |
Let's get behind Teresa and I'm so glad that we could do this. | 0:15:10 | 0:15:16 | |
-Let's go in, get behind her, OK? -OK. | 0:15:16 | 0:15:18 | |
-So, we understand that Penn's going to leave us at 4. -What? | 0:15:25 | 0:15:29 | |
-He has a show to go to. -So, it's the three of us? -Yeah. | 0:15:29 | 0:15:32 | |
-And when's he coming back? -He'll be back for tomorrow's presentation. | 0:15:32 | 0:15:36 | |
'When I heard Penn was leaving early, | 0:15:37 | 0:15:39 | |
'I was freaking pissed, because Lou and Dayana' | 0:15:39 | 0:15:43 | |
have not a brain cell between them | 0:15:43 | 0:15:45 | |
and bring nothing to the table, when it comes to creativity. | 0:15:45 | 0:15:48 | |
So, where did these coupons use to come? In the newspapers? | 0:15:48 | 0:15:52 | |
No, usually they'd be sold by groups like schools or charity groups. | 0:15:52 | 0:15:57 | |
-Yeah. -It's a coupon book about that big. -All right. | 0:15:57 | 0:16:00 | |
And you have, in there, savings on all your local stuff. | 0:16:00 | 0:16:02 | |
It's for dining, shopping, travel, attractions. | 0:16:02 | 0:16:05 | |
You pay 30 and if you were to use all the coupons, | 0:16:05 | 0:16:09 | |
it would be thousands of dollars-worth. | 0:16:09 | 0:16:11 | |
-Just saving money is a big deal to people. -Yeah. -All right. | 0:16:11 | 0:16:14 | |
'I am the project manager for this task. | 0:16:16 | 0:16:18 | |
'I couldn't wait to step up because Lisa screams and curses and says,' | 0:16:18 | 0:16:22 | |
"You are beep useless, you are beep, beep, beep." | 0:16:22 | 0:16:26 | |
Do we want to talk about some kind of ideas? | 0:16:26 | 0:16:30 | |
'But if I'm the project manager, | 0:16:30 | 0:16:32 | |
'she's going to have to respect whatever I'm saying' | 0:16:32 | 0:16:34 | |
and, agree or not, she has to work with it. | 0:16:34 | 0:16:37 | |
I think, whatever we do, if you get to people's hearts, | 0:16:37 | 0:16:40 | |
they're going to love it. | 0:16:40 | 0:16:42 | |
Like, "I want to marry you and this is the restaurant | 0:16:42 | 0:16:46 | |
"that I need to take you and oh, my God, if I didn't have the coupons, | 0:16:46 | 0:16:49 | |
"she wouldn't say yes." | 0:16:49 | 0:16:51 | |
What do you guys think about that? | 0:16:51 | 0:16:53 | |
It's a real super-exaggeration which I think is a little bit funny. | 0:16:53 | 0:16:56 | |
-Right. -I like when everybody is involved | 0:16:56 | 0:16:59 | |
-and everybody agrees on what we're doing. -Well, we'll do that. | 0:16:59 | 0:17:02 | |
-We'll get behind the plough. -Why don't we get in the van? | 0:17:02 | 0:17:05 | |
We can think there, but at least we'll be on schedule. | 0:17:05 | 0:17:07 | |
-What shall we bring? -Bring everything. | 0:17:07 | 0:17:09 | |
-ARSENIO: -Quality, quantity and anywhere. | 0:17:09 | 0:17:12 | |
Any time, anywhere, any way. | 0:17:12 | 0:17:15 | |
-At home, mobile... -Save more, do more. -Something for everyone. | 0:17:15 | 0:17:19 | |
'I know Arsenio apologised but do I really like him?' | 0:17:22 | 0:17:25 | |
No. Will I ever really like him again? Probably not. | 0:17:25 | 0:17:28 | |
But I have to bite my tongue for a while and be a team player. | 0:17:28 | 0:17:32 | |
I would love to show the inferior competitor | 0:17:35 | 0:17:39 | |
and then one of us pulls that person's coattails | 0:17:39 | 0:17:41 | |
and says, "What are you doing?" | 0:17:41 | 0:17:43 | |
Like my grandpa used to sit at the kitchen table every Saturday morning | 0:17:43 | 0:17:47 | |
and cut out every single coupon in the newspaper. | 0:17:47 | 0:17:52 | |
Imagine this guy is that old-school person and he's doing it that way. | 0:17:52 | 0:17:58 | |
And maybe this lady and Aubrey are family in some way. | 0:17:58 | 0:18:02 | |
Yeah, she could pass for his wife. | 0:18:02 | 0:18:04 | |
Yeah, her and your daughter bring you forth into the future | 0:18:04 | 0:18:07 | |
and get you right | 0:18:07 | 0:18:09 | |
with what entertainment.com is all about right now. | 0:18:09 | 0:18:11 | |
I kind of like that. | 0:18:11 | 0:18:13 | |
'We had the opportunity to hire actors | 0:18:13 | 0:18:15 | |
'but I thought Paul was perfect' | 0:18:15 | 0:18:18 | |
and better than anyone that we could have hired. | 0:18:18 | 0:18:21 | |
He has a reputation for being cranky. | 0:18:21 | 0:18:24 | |
-Paul's favourite two words aren't "Paul Senior", they're -"BLEEP -you"! | 0:18:24 | 0:18:28 | |
-What do you guys think? -Shave his moustache. | 0:18:28 | 0:18:32 | |
Make us look like regular people but... | 0:18:32 | 0:18:35 | |
I think he's got to have sleeves on, lose the earring | 0:18:35 | 0:18:38 | |
and be more dowdy-looking than he is. | 0:18:38 | 0:18:40 | |
Yeah, he's a little too hip right now. We got to cover this. | 0:18:40 | 0:18:43 | |
Yeah, would you look like that, Paul? | 0:18:43 | 0:18:45 | |
Take off the earring and wear sleeves? | 0:18:45 | 0:18:48 | |
Yeah, that ain't no problem. Yeah. | 0:18:48 | 0:18:51 | |
-OK. -It's all about winning, right? -Absolutely. Absolutely. | 0:18:51 | 0:18:55 | |
So, we have our couple dating. | 0:19:02 | 0:19:04 | |
Yeah, meeting, proposal and then on their honeymoon, | 0:19:04 | 0:19:08 | |
deciding what restaurants to go to. | 0:19:08 | 0:19:11 | |
And then do the turnaround the other way. | 0:19:12 | 0:19:15 | |
She says, "What do you want to do now?" | 0:19:15 | 0:19:17 | |
And he goes, "Look, I've got baby carriages, nursery schools, | 0:19:17 | 0:19:20 | |
-"da,da,da..." -That's good, that's good. -Those are our four scenes. | 0:19:20 | 0:19:24 | |
There you go. | 0:19:24 | 0:19:25 | |
'We came up with a love story, facilitated by entertainment.com, | 0:19:25 | 0:19:29 | |
'from first date to proposal to honeymoon' | 0:19:29 | 0:19:33 | |
and then it takes a little switch at the end | 0:19:33 | 0:19:36 | |
and it's the man deciding that maybe it's time to procreate. | 0:19:36 | 0:19:39 | |
I think that's adorable. | 0:19:39 | 0:19:41 | |
That makes our casting really easy cos it's just two people. | 0:19:41 | 0:19:44 | |
-It's just different backdrops. -I like that. | 0:19:44 | 0:19:47 | |
These two have tons of improv experience | 0:19:47 | 0:19:50 | |
and I think that's a really important thing, | 0:19:50 | 0:19:53 | |
and these two do not. | 0:19:53 | 0:19:56 | |
-So, first options are taken. -Do you want these two? | 0:19:56 | 0:19:59 | |
-No, these two. -OK. -Great. | 0:19:59 | 0:20:01 | |
'I could have played anything in the commercial, | 0:20:02 | 0:20:04 | |
'Dayana could have been in the commercial.' | 0:20:04 | 0:20:06 | |
I could have played the older guy that wants to meet her | 0:20:06 | 0:20:09 | |
'and date her because I'm an actor. I can play any type.' | 0:20:09 | 0:20:13 | |
Lou, do you want to take care of putting some banners together | 0:20:13 | 0:20:16 | |
-for the presentation, so we can have it on the sides before we start? -OK. | 0:20:16 | 0:20:20 | |
-So, look at the logos and try to see if we can put some banners. -OK. | 0:20:20 | 0:20:24 | |
BLEEP. | 0:20:26 | 0:20:28 | |
It's like heaven. | 0:20:37 | 0:20:39 | |
I feel like Morgan Freeman's going to be here or something. | 0:20:39 | 0:20:41 | |
I'm going to write out a basic outline of the script. | 0:20:41 | 0:20:44 | |
'Once we got to the loft, we kind of brain schemed things | 0:20:44 | 0:20:48 | |
'and, for me, I definitely was in the dark' | 0:20:48 | 0:20:51 | |
because it definitely wasn't my forte. | 0:20:51 | 0:20:52 | |
So, we're going to open on dad in the kitchen, cutting out coupons. | 0:20:52 | 0:20:57 | |
-And in the adjacent bedroom, he'll hear Aubrey. -OK. | 0:20:57 | 0:21:01 | |
"You know, it's hard to find quality and quantity in the same place. | 0:21:02 | 0:21:08 | |
And then a zipper sound and he's going to go, | 0:21:08 | 0:21:11 | |
"And so easily accessible. | 0:21:11 | 0:21:12 | |
"Aren't you glad we don't do it like your parents do it?" | 0:21:12 | 0:21:15 | |
-And then you kick the door in. "Hey, Dad!" -Oh, man! | 0:21:15 | 0:21:21 | |
'Our concept is a man is listening outside his daughter's door | 0:21:21 | 0:21:24 | |
'and thinks they're about to have sex. | 0:21:24 | 0:21:26 | |
'He busts in the room and they're fully dressed' | 0:21:26 | 0:21:29 | |
and he feels an idiot | 0:21:29 | 0:21:30 | |
cos they're doing entertainment.com on the computer. | 0:21:30 | 0:21:33 | |
"Come over here, honey, and get behind me." Oh, my... | 0:21:33 | 0:21:36 | |
-Wait. "Here. Take it in your hand..." -That's me. | 0:21:37 | 0:21:39 | |
"Here, take it in your hand." | 0:21:39 | 0:21:41 | |
'I wanted a fun commercial' | 0:21:41 | 0:21:43 | |
cos everyone loves to watch a funny commercial | 0:21:43 | 0:21:46 | |
'but it was getting really dirty.' | 0:21:46 | 0:21:49 | |
-What do you think, Paul? -As far as what? | 0:21:49 | 0:21:52 | |
-Does it sound dirty or it sounds good? -It does sound dirty, yeah. | 0:21:52 | 0:21:56 | |
-Is it too...? -It's good, Teresa, and if it's too much, | 0:21:56 | 0:21:58 | |
we'll take one of those away. In editing, we can make it right. | 0:21:58 | 0:22:02 | |
-We have to remember, it's only 60 minutes. -60 seconds. | 0:22:02 | 0:22:05 | |
-I mean 60 seconds. Sorry, 60 seconds! -It's quick. | 0:22:05 | 0:22:08 | |
"How about this fun Mexican restaurant with 25% off? | 0:22:18 | 0:22:21 | |
"It's next to the movie theatre. We can buy one get one free. | 0:22:21 | 0:22:24 | |
-"How about Wednesday?" -How's Wednesday? -How's Wednesday? | 0:22:24 | 0:22:28 | |
You know how these people talk, don't you? | 0:22:29 | 0:22:32 | |
You mean girls who are trying desperately to get asked out? Yes. | 0:22:32 | 0:22:35 | |
I was trying to see if we could do this without backdrops | 0:22:36 | 0:22:39 | |
-and I couldn't find a way. -No, we can't do it without backdrops. | 0:22:39 | 0:22:42 | |
This is cute, with the honeymoon thing. Oh, that's cute! | 0:22:42 | 0:22:46 | |
Looks like somebody's in a restaurant, looking out to the city. | 0:22:46 | 0:22:49 | |
Yeah, I like that. We'll do 549 - restaurant. | 0:22:49 | 0:22:52 | |
'I think Dayana's less annoying when she's in charge | 0:22:52 | 0:22:55 | |
'cos she defers to other people as professionals.' | 0:22:55 | 0:22:58 | |
When she's not in charge, | 0:22:58 | 0:23:00 | |
she's always tended to squeeze in ideas, like an annoying kid. | 0:23:00 | 0:23:03 | |
Let her be project manager every freaking day. It's just easier. | 0:23:03 | 0:23:07 | |
-Actors, are you ready? -Let's see how it looks. We can see the light. | 0:23:08 | 0:23:12 | |
-We'll put it on the floor. We'll get rid of it. -Yeah, please. Thank you. | 0:23:12 | 0:23:16 | |
'The script is funny, the actors are here, | 0:23:16 | 0:23:18 | |
'the lights were set, everything was ready. My job, now,' | 0:23:18 | 0:23:22 | |
is to direct the actors and make them look good. | 0:23:22 | 0:23:24 | |
Everybody ready to start? Stop walking. Everybody quiet. | 0:23:24 | 0:23:28 | |
Ssh. | 0:23:28 | 0:23:30 | |
Lisa and Dayana were getting along, I thought, fabulously | 0:23:30 | 0:23:33 | |
and seemed to be respecting each other | 0:23:33 | 0:23:35 | |
and listening to each other very carefully, | 0:23:35 | 0:23:37 | |
which I saw as close as this atheist ever came to experiencing a miracle. | 0:23:37 | 0:23:43 | |
Action. | 0:23:43 | 0:23:45 | |
So, we've been dating for a few months now | 0:23:45 | 0:23:47 | |
-and I just want to tell you... -I love you too! | 0:23:47 | 0:23:51 | |
Oh, my gosh, this is so sudden. | 0:23:51 | 0:23:53 | |
I still have months left on my entertainment.com account! | 0:23:53 | 0:23:56 | |
If we use this jeweller's discount, we can save a bundle. I love you! | 0:23:56 | 0:24:00 | |
-I love you too. -Cut. | 0:24:00 | 0:24:03 | |
-That was great. -That was so cute. | 0:24:03 | 0:24:05 | |
Let's put water in those glasses. | 0:24:05 | 0:24:07 | |
Dayana, Dayana... | 0:24:09 | 0:24:11 | |
That's OK. We have to move. | 0:24:23 | 0:24:24 | |
'I really tried hard to tell Dayana about changing the camera angle | 0:24:24 | 0:24:28 | |
'to get more of a close-up. She said it wasn't necessary. | 0:24:28 | 0:24:32 | |
'She's young, she's never directed before.' | 0:24:32 | 0:24:34 | |
She wanted to do it her way. That was a concern of mine | 0:24:34 | 0:24:37 | |
because I knew it was a problem. | 0:24:37 | 0:24:39 | |
I need to book florists and find accommodation for our parents. | 0:24:39 | 0:24:42 | |
Ha, I'm so excited! | 0:24:42 | 0:24:43 | |
I need this hand. | 0:24:45 | 0:24:46 | |
Cut. Love it. | 0:24:46 | 0:24:49 | |
That was perfect. | 0:24:49 | 0:24:50 | |
-That was so cute. -I love it. | 0:24:50 | 0:24:54 | |
I still think you should have more of an angle on him. | 0:24:54 | 0:24:56 | |
If he's looking sideward they get more of a reaction | 0:24:56 | 0:24:59 | |
when he's trying to say he loves her. | 0:24:59 | 0:25:01 | |
-I think it's OK, Lou. -What? -I think it's fine. -OK. | 0:25:01 | 0:25:04 | |
-Hi, everybody. -Hi, how are you? -Josh. -Teresa. Nice to meet you. | 0:25:17 | 0:25:21 | |
-Arsenio. Pleasure. -Are you the director? | 0:25:21 | 0:25:23 | |
-I'm the director of photography, yes. -OK. | 0:25:23 | 0:25:26 | |
You figure out a concept and after that, | 0:25:26 | 0:25:29 | |
we meet our DP, Josh, | 0:25:29 | 0:25:30 | |
then the actors came, hair and make-up came. | 0:25:30 | 0:25:34 | |
Could you part his hair to the side, give him a part, | 0:25:34 | 0:25:37 | |
-push it to the side? -You want to do that now? | 0:25:37 | 0:25:39 | |
Yeah, you might as well. They can start doing you up. | 0:25:39 | 0:25:43 | |
We didn't want Paul to look like Paul. | 0:25:43 | 0:25:46 | |
Paul's not an actor but, hopefully, | 0:25:46 | 0:25:49 | |
he fits the part as being Aubrey's dad. | 0:25:49 | 0:25:52 | |
-SHE GASPS -Oh, my God, you look so good! | 0:25:53 | 0:25:56 | |
'Paul said he's never done something like this before. | 0:25:56 | 0:25:59 | |
'He's definitely doing it for the team, hopefully for me too,' | 0:25:59 | 0:26:03 | |
so, Paul, thank you. Mwah! | 0:26:03 | 0:26:04 | |
You look great. I keep looking at you. You look great. | 0:26:06 | 0:26:09 | |
Uh-oh. | 0:26:09 | 0:26:10 | |
LAUGHTER | 0:26:10 | 0:26:13 | |
'I thought the whole thing was funny, to be honest with you. | 0:26:14 | 0:26:17 | |
'I thought I was funny because I never thought' | 0:26:17 | 0:26:19 | |
I would be THAT guy, | 0:26:19 | 0:26:21 | |
which is the total 360 degree turnaround from the guy that I am. | 0:26:21 | 0:26:25 | |
-You look so... -Let me see you. | 0:26:25 | 0:26:27 | |
This one's going to be a tough one to live down, I think. | 0:26:27 | 0:26:30 | |
There is this big, tough guy, looking like Clark Griswold. | 0:26:30 | 0:26:35 | |
That hairstyle is popping, baby! | 0:26:35 | 0:26:39 | |
-That is the funniest -BLEEP -I've ever seen. | 0:26:39 | 0:26:41 | |
You guys have got to be closer. | 0:26:52 | 0:26:54 | |
Husband and wife, you love each other. | 0:26:54 | 0:26:56 | |
-Do you have a frying pan I could hit him over the head with? -Yeah! -Yeah. | 0:26:56 | 0:27:00 | |
This week's task is to do a commercial on entertainment.com | 0:27:00 | 0:27:03 | |
and we have one day to do it and we have a lot to do. | 0:27:03 | 0:27:06 | |
Paul, keep cutting. The way you're holding it is perfect. | 0:27:06 | 0:27:10 | |
It felt good having all these people work for me | 0:27:10 | 0:27:13 | |
and me directing them and telling them | 0:27:13 | 0:27:15 | |
how we wanted the commercial to come across | 0:27:15 | 0:27:18 | |
and what we were trying to do. | 0:27:18 | 0:27:19 | |
All right, close the book a bit more, Paul. | 0:27:19 | 0:27:22 | |
-You got to say, "Action," or some -BLEEP -like that. | 0:27:22 | 0:27:27 | |
Yeah, OK, yeah, we will. | 0:27:27 | 0:27:28 | |
-Just say, "Go!" -We will. Now, start cutting the coupons. Action. | 0:27:28 | 0:27:33 | |
Zpp! | 0:27:36 | 0:27:37 | |
Now get up, Paul. | 0:27:39 | 0:27:41 | |
'Watching Teresa direct is painful.' | 0:27:44 | 0:27:48 | |
She thinks saying "Action" makes her a director. | 0:27:48 | 0:27:51 | |
Action. | 0:27:51 | 0:27:53 | |
He wants action. | 0:27:54 | 0:27:55 | |
'Teresa's a Muppet baby. People put their hands in her | 0:27:56 | 0:28:00 | |
'and tell her where to go and what to do.' | 0:28:00 | 0:28:02 | |
"Do it again! Oh, cute! Oh!" | 0:28:02 | 0:28:07 | |
Oh, how cute. What a nice married couple. | 0:28:07 | 0:28:09 | |
-Don't get -BLEEP -crazy now, all right? -All right, camera's ready. | 0:28:09 | 0:28:14 | |
Action. | 0:28:15 | 0:28:17 | |
CHAIR BANGS RHYMICALLY ON FLOOR | 0:28:17 | 0:28:19 | |
TERESA LAUGHS | 0:28:19 | 0:28:21 | |
That was great. | 0:28:23 | 0:28:25 | |
-Don't act like you didn't know it was going to fall down! -Who, me? | 0:28:25 | 0:28:28 | |
-Yeah, old man! -LAUGHTER | 0:28:28 | 0:28:32 | |
Quiet! | 0:28:36 | 0:28:37 | |
-Action! -So, what do you want to do now? | 0:28:37 | 0:28:41 | |
Let's find a coupon for...a baby carriage. | 0:28:41 | 0:28:45 | |
-OK, cut. Cute. Cut. -I love it! | 0:28:47 | 0:28:50 | |
That was adorable. Let's move along, folks. | 0:28:50 | 0:28:55 | |
-Nice. -Thank you, sir. | 0:28:55 | 0:28:56 | |
OK, guys, dress for when you meet for the first time. | 0:28:56 | 0:29:00 | |
-I'm very happy with what we're doing. -Me too. | 0:29:00 | 0:29:02 | |
-You guys wrote a very good script. -Oh, thank you. | 0:29:02 | 0:29:05 | |
'I would have been happy to have been in the commercial,' | 0:29:05 | 0:29:08 | |
to play an older man, a younger man, I've done it before. | 0:29:08 | 0:29:11 | |
But Dayana wanted to do it her way. | 0:29:11 | 0:29:14 | |
OK, I am leaving about now. | 0:29:14 | 0:29:16 | |
Lou, I'm leaving about now. Same phone numbers, everything. | 0:29:18 | 0:29:21 | |
-It looks good. I'm out of here. -Bye, man. | 0:29:21 | 0:29:25 | |
I think Penn to leave was wrong | 0:29:25 | 0:29:27 | |
because I came here to fight for one thing - my charity. | 0:29:27 | 0:29:30 | |
-Thank you, Penn. -Bye-bye. | 0:29:30 | 0:29:32 | |
You don't leave one half to do a job, | 0:29:32 | 0:29:34 | |
come back the next morning. It's wrong. | 0:29:34 | 0:29:35 | |
-Hey, buddy. -Hello, ladies. -Hi. -How's it going? -Good. Yourself? | 0:29:35 | 0:29:41 | |
-Good, good. -How's it coming? -We're doing a very cute video. | 0:29:41 | 0:29:44 | |
How you doing, Lou? | 0:29:44 | 0:29:46 | |
-What happened to Penn? -He went to a show. -He had to go to Princeton. | 0:29:47 | 0:29:50 | |
-Did you get enough out of him to get it rolling at least? -Oh, yeah, yeah. | 0:29:50 | 0:29:54 | |
Definitely, yeah. We did the script, so he served a purpose. | 0:29:54 | 0:29:58 | |
-So, you guys did creative again then? -Yeah. -What's the concept? | 0:29:58 | 0:30:01 | |
We have this couple that are doing everything in their relationship | 0:30:01 | 0:30:05 | |
-using the app. -Very good. | 0:30:05 | 0:30:07 | |
Dayana seems to be relatively in control. | 0:30:07 | 0:30:09 | |
That said, the major components of the task were still delegated | 0:30:09 | 0:30:12 | |
to Lisa and Penn early on. | 0:30:12 | 0:30:14 | |
We follow them as they talk and we do that as rehearsal | 0:30:14 | 0:30:17 | |
-and see how that works. -So it's going well? -Mmm-hmm. -Good team? | 0:30:17 | 0:30:21 | |
Yeah, everybody's been so great. Everybody's been amazing. | 0:30:21 | 0:30:24 | |
Which is both good and bad, as a project manager. | 0:30:24 | 0:30:26 | |
If you win, you win. If you lose, you have someone to blame, | 0:30:26 | 0:30:29 | |
so it could be a good tactic on Dayana's part. | 0:30:29 | 0:30:31 | |
That first line, Aubrey. | 0:30:45 | 0:30:47 | |
-Yeah. -You can trash it up, just the first one. -OK. | 0:30:47 | 0:30:50 | |
'Arsenio had some words with Aubrey in the boardroom last week | 0:30:50 | 0:30:54 | |
'and that may have knocked things into alignment | 0:30:54 | 0:30:58 | |
'just the way they needed to be knocked. | 0:30:58 | 0:31:00 | |
'And it's been a really healthy environment. | 0:31:00 | 0:31:03 | |
'But Aubrey's a lose cannon.' | 0:31:03 | 0:31:05 | |
It's hard to know what Aubrey will do from one minute to the next. | 0:31:05 | 0:31:10 | |
Action. | 0:31:10 | 0:31:11 | |
Oh, my! You know how hard it is | 0:31:11 | 0:31:14 | |
to find quality and quantity in the same place. | 0:31:14 | 0:31:17 | |
And so easily accessible. | 0:31:17 | 0:31:20 | |
-Is that the spot? -Oh, my God, babe, that's the perfect spot! | 0:31:21 | 0:31:25 | |
AUBREY ROARS WITH LAUGHTER | 0:31:26 | 0:31:29 | |
Very nice! Very nice! That was pretty hot! | 0:31:31 | 0:31:36 | |
-I don't know what you're going with but... -Now you do. -Now you know. | 0:31:36 | 0:31:41 | |
-And look at Paul. -Interesting. -That's the dad. | 0:31:41 | 0:31:44 | |
I don't know. This may be the true Paul. When Paul goes home, | 0:31:46 | 0:31:50 | |
when he leaves the shop... LAUGHTER | 0:31:50 | 0:31:53 | |
The highlight of today, for me, the highlight of my week, perhaps, | 0:31:53 | 0:31:57 | |
was seeing Paul dressed like a dweeb. | 0:31:57 | 0:32:00 | |
I respect that. I think he actually carried it quite well. | 0:32:00 | 0:32:04 | |
-So, how's it going? -It's going good. -Yeah? | 0:32:04 | 0:32:07 | |
Do you like the fresh perspective of the men, | 0:32:07 | 0:32:11 | |
-a little less oestrogen on the team? -Yes, I do. | 0:32:11 | 0:32:14 | |
They're all amazing and I was worried at first, | 0:32:14 | 0:32:18 | |
cos of what happened with Arsenio and Aubrey, but everything's good. | 0:32:18 | 0:32:21 | |
-Yeah, how are you getting along? -Everything's good. -Good? -Yeah. | 0:32:21 | 0:32:26 | |
I wish it had never happened. | 0:32:26 | 0:32:27 | |
I wish there was another way to have gotten to where we are now, | 0:32:27 | 0:32:30 | |
-but we're in a perfect place. -Everything's amazing, yeah. | 0:32:30 | 0:32:32 | |
-So, you feel good about this? -Very good. | 0:32:32 | 0:32:34 | |
What we're doing, it makes you laugh. | 0:32:34 | 0:32:36 | |
-Ivanka... -The whole time, we want the viewers... | 0:32:36 | 0:32:39 | |
We were nervous about being too risque, | 0:32:39 | 0:32:41 | |
which is why we're editing it in the way we're editing it, | 0:32:41 | 0:32:44 | |
which is that the audience is in on the joke the entire time. | 0:32:44 | 0:32:47 | |
So, it's a lighter way | 0:32:47 | 0:32:49 | |
of doing something risque because the audience knows, | 0:32:49 | 0:32:51 | |
the entire time, that nothing bad is happening. | 0:32:51 | 0:32:54 | |
Last week got pretty nasty in the boardroom | 0:32:54 | 0:32:57 | |
and, while everyone seems to be at least pretending | 0:32:57 | 0:33:01 | |
to put the drama behind them, | 0:33:01 | 0:33:03 | |
you could see Aubrey pretty openly trying to take control | 0:33:03 | 0:33:06 | |
of presenting their creative vision to me | 0:33:06 | 0:33:09 | |
and I think the right thing to do, | 0:33:09 | 0:33:11 | |
especially after the criticism she got last week in the boardroom, | 0:33:11 | 0:33:14 | |
would have been to defer to Teresa, as project manager, | 0:33:14 | 0:33:17 | |
and allow Teresa to articulate the vision for me. | 0:33:17 | 0:33:20 | |
This was worth schlepping all the way downtown for, in and of itself. | 0:33:20 | 0:33:24 | |
-Lisa. -Yes? -Ready? -Ready, OK. | 0:33:33 | 0:33:35 | |
Settle, everybody. | 0:33:35 | 0:33:37 | |
Remember that entertainment.com saved your lives, | 0:33:37 | 0:33:40 | |
your marriage, your vacations, your future. | 0:33:40 | 0:33:43 | |
-You couldn't live without it. -OK. Action. | 0:33:43 | 0:33:45 | |
I don't know if you're busy, but if you're not doing anything, | 0:33:45 | 0:33:49 | |
-I was thinking we could... -I would love to! | 0:33:49 | 0:33:51 | |
This is perfect cos I just joined entertainment.com | 0:33:51 | 0:33:54 | |
for only 30 bucks and they gave me a year's worth of valuable coupons. | 0:33:54 | 0:33:57 | |
-This is so great! How's Wednesday? -Wednesday's awesome. | 0:33:57 | 0:34:01 | |
-Cut. Very cute. -Great. Let's move. -OK, move it on. | 0:34:01 | 0:34:05 | |
-Let's change that backdrop real quick. -Good job, Lisa. | 0:34:05 | 0:34:07 | |
Good job, Lisa. Good job, Lisa. | 0:34:07 | 0:34:09 | |
-This was cute! -I know. -They were adorable. | 0:34:09 | 0:34:12 | |
Trust me, nobody likes to be annoyed and angry more than I do | 0:34:12 | 0:34:15 | |
because it's fun. | 0:34:15 | 0:34:16 | |
And I know everybody's going to faint that I'm saying this, | 0:34:16 | 0:34:19 | |
but maybe Dayana's more than just a pretty face. | 0:34:19 | 0:34:22 | |
I think today, Dayana brought more to the table than Lou did. | 0:34:22 | 0:34:25 | |
Hey, so I told Lou that he could take care of some banners | 0:34:25 | 0:34:30 | |
for the presentation. | 0:34:30 | 0:34:31 | |
OK, did he start working on it because it's 3.30? | 0:34:31 | 0:34:35 | |
Lou, are you taking care of the banners, just to have something, | 0:34:35 | 0:34:38 | |
a back-up plan, in case they don't have branding in the presentation? | 0:34:38 | 0:34:41 | |
What kind of presentation do you want? What kind of branding? | 0:34:41 | 0:34:44 | |
-You want like a logo? -Yeah, like the logo. | 0:34:44 | 0:34:47 | |
Can you check on the computer and the CD | 0:34:47 | 0:34:49 | |
what type of logos they have, see if you can print them? | 0:34:49 | 0:34:52 | |
'Dayana had assigned Lou to be in charge of posters | 0:34:52 | 0:34:55 | |
'for the presentation itself.' | 0:34:55 | 0:34:57 | |
He was acting all, like, bumbly about it and like, da-dum, da-dum. | 0:34:57 | 0:35:02 | |
-The CD must be here in the finder. -Yeah, here. It's all this stuff. | 0:35:02 | 0:35:07 | |
-There you go. -One of each - two by eight and then two by six. | 0:35:07 | 0:35:11 | |
Two by eight and two by four by seven. | 0:35:11 | 0:35:14 | |
-Two of these, four by seven. -No. -Two of these poster size. | 0:35:14 | 0:35:19 | |
-Then this is one, two by six and one, two by eight. -Banner. | 0:35:19 | 0:35:24 | |
-Yes, movie posters. -Right, movie posters. -OK? | 0:35:24 | 0:35:27 | |
-You have to send him by email this. -You want to try it again? | 0:35:27 | 0:35:31 | |
-OK. -'Dude, what do you bring to the table, you know? | 0:35:34 | 0:35:37 | |
'I get it. You're strong.' | 0:35:37 | 0:35:39 | |
What else you got, dude, what else? | 0:35:39 | 0:35:42 | |
-Do you know how to send this to him? -No. -No, he doesn't. OK, I'll do it. | 0:35:42 | 0:35:46 | |
Action. | 0:35:59 | 0:36:01 | |
Oh, the happy family! I love it! | 0:36:02 | 0:36:06 | |
-You two are so cute together. -That was good. That was awesome! Now... | 0:36:06 | 0:36:11 | |
-I need those tapes. -And you're going to leave? OK. | 0:36:11 | 0:36:14 | |
So, after that, he's going to go. | 0:36:14 | 0:36:16 | |
I delegated to Clay and Arsenio to do the editing | 0:36:16 | 0:36:18 | |
because I couldn't do both. | 0:36:18 | 0:36:21 | |
'I want to get these shots done | 0:36:21 | 0:36:23 | |
'and, looking at the time, it's getting late.' | 0:36:23 | 0:36:26 | |
Arsenio, let's go. | 0:36:26 | 0:36:27 | |
OK, so we did that. | 0:36:29 | 0:36:31 | |
Now we're going to get over the shoulder shot | 0:36:31 | 0:36:34 | |
of Aubrey with the cellphone, laptop and iPad. | 0:36:34 | 0:36:36 | |
-That's what we're going to do. -So, I'm out of this? | 0:36:36 | 0:36:38 | |
-You're out, Paul. -Yeah, you're out. Take a break. | 0:36:38 | 0:36:41 | |
'I was getting a little worried. | 0:36:42 | 0:36:44 | |
'Time is always the most important thing you need to look at.' | 0:36:44 | 0:36:48 | |
You think you have all this time | 0:36:48 | 0:36:50 | |
and then it ends up creeping up on you. | 0:36:50 | 0:36:52 | |
Um, Aubrey... | 0:36:53 | 0:36:54 | |
-And then are you going to point at it, Aubrey? -Huh? | 0:36:54 | 0:36:58 | |
-Are you going to point at it? -Yeah, I can point at it. | 0:36:58 | 0:37:01 | |
-Do you want me to do that? -Yeah. Are you guys ready? | 0:37:01 | 0:37:05 | |
'We have a lot to shoot' | 0:37:05 | 0:37:06 | |
after Clay and Arsenio leave and I'm really nervous | 0:37:06 | 0:37:10 | |
because Teresa does not know how to direct | 0:37:10 | 0:37:12 | |
and Paul's just sitting in the back, doing nothing. | 0:37:12 | 0:37:15 | |
-Am I making you happy, Paul? -I'm happy. I'm always happy. | 0:37:15 | 0:37:19 | |
This is a competition | 0:37:19 | 0:37:21 | |
about who's going to be the most efficient business leader | 0:37:21 | 0:37:24 | |
and I don't think that anyone in their right mind | 0:37:24 | 0:37:27 | |
would define that person as Teresa or Paul. | 0:37:27 | 0:37:31 | |
Let's see how it looks strung together. | 0:37:42 | 0:37:46 | |
'We arrive at the editing suite and we start picking out' | 0:37:46 | 0:37:49 | |
which takes of the scenes would work best. | 0:37:49 | 0:37:52 | |
That's the one! I love it, I love, I love it! Can we take the fish out? | 0:37:52 | 0:37:57 | |
-Do you even need the scuba diving? -'Lisa and I are working well today. | 0:37:57 | 0:38:00 | |
'She still has her loud voice but at the end of the day,' | 0:38:00 | 0:38:04 | |
while we were working she was fine. So... | 0:38:04 | 0:38:07 | |
..I'm surprised. | 0:38:08 | 0:38:10 | |
Don't you think every time she holds the iPhone, | 0:38:10 | 0:38:13 | |
you should have that logo in the left-hand corner? | 0:38:13 | 0:38:16 | |
You can try it but it's also going to pull focus from the action. | 0:38:18 | 0:38:23 | |
'Dayana and I are really working hard to edit this thing | 0:38:24 | 0:38:27 | |
'and all of a sudden, Lou starts piping up because, you know, | 0:38:27 | 0:38:32 | |
he had to get his chops in. | 0:38:32 | 0:38:34 | |
Move that to the left-hand corner. | 0:38:34 | 0:38:36 | |
-No. -No, it's corny. When you watch commercials on TV, | 0:38:37 | 0:38:41 | |
you don't see Nabisco in the right-hand, | 0:38:41 | 0:38:43 | |
you don't see Walmart in the right-hand... | 0:38:43 | 0:38:46 | |
It's just... It's a really good idea, Lou, but not really. | 0:38:46 | 0:38:49 | |
'Lou's idea is stupid. | 0:38:49 | 0:38:51 | |
'He has brought nothing to the table, once again.' | 0:38:51 | 0:38:55 | |
He was kind of like eye candy. We were just looking at him. | 0:38:55 | 0:38:59 | |
-It's a minute. -Exact? Wow! -We got 60 seconds, huh? | 0:38:59 | 0:39:03 | |
You and your tough heart, you love it! | 0:39:03 | 0:39:05 | |
Of course. If I didn't like it, I would tell you. | 0:39:05 | 0:39:08 | |
'I don't like the commercial. They didn't focus enough on the branding. | 0:39:09 | 0:39:12 | |
'They were too involved' | 0:39:12 | 0:39:13 | |
with how cute the actors were, | 0:39:13 | 0:39:16 | |
but it's the branding and they didn't listen to me. | 0:39:16 | 0:39:18 | |
Creativity, product integration and brand messaging. | 0:39:18 | 0:39:22 | |
I say we get A+ on all those. | 0:39:22 | 0:39:24 | |
ZIP NOISE | 0:39:25 | 0:39:27 | |
It's to make a father think it's a pants zipper | 0:39:27 | 0:39:30 | |
-but it's really a computer bag. -OK. | 0:39:30 | 0:39:32 | |
-Oh, the -BLEEP -got -BLEEP -stuck. | 0:39:32 | 0:39:34 | |
THEY LAUGH | 0:39:34 | 0:39:36 | |
'Arsenio and I have become' | 0:39:36 | 0:39:38 | |
very good friends over the process of this. | 0:39:38 | 0:39:40 | |
'We just really work well together.' | 0:39:40 | 0:39:42 | |
-Damn. -Wilt Chamberlain's pants. | 0:39:42 | 0:39:45 | |
THEY LAUGH | 0:39:45 | 0:39:47 | |
If only everything were as reliable as a discount. | 0:39:47 | 0:39:49 | |
Entertainment.com online. | 0:39:49 | 0:39:51 | |
The most convenient way to save more and do more. | 0:39:51 | 0:39:55 | |
Hi, guys. Did you guys get those other tapes? I sent two other tapes. | 0:39:55 | 0:39:59 | |
-We haven't had chance to look at that yet. -And branding? | 0:39:59 | 0:40:02 | |
-You've picked out the logos? -We're going to do that very last. -OK. | 0:40:02 | 0:40:05 | |
We got to start thinking about time now. | 0:40:05 | 0:40:07 | |
We're going to be maybe cutting it close here. | 0:40:07 | 0:40:09 | |
When I came in, Clay and Arsenio were feet up, | 0:40:09 | 0:40:12 | |
acting all chill, | 0:40:12 | 0:40:14 | |
then in the last 30 minutes, they changed their tune | 0:40:14 | 0:40:17 | |
and were like, "We don't have enough time." | 0:40:17 | 0:40:19 | |
However, I'm sure they'll find a nice sneaky way | 0:40:19 | 0:40:21 | |
to put it back on, probably, Teresa's shoulders. | 0:40:21 | 0:40:24 | |
Give me him at the door and then we'll have him barge in. | 0:40:24 | 0:40:28 | |
-VIDEO: 'You're so old-fashioned. -Simply turn...' | 0:40:28 | 0:40:30 | |
Listen. It's all just a last-minute freak-out. | 0:40:30 | 0:40:35 | |
Is old-fashioned the wrong word cos it puts down the older books? | 0:40:35 | 0:40:40 | |
-How do we change it? We don't have any time. -A voiceover right now? | 0:40:40 | 0:40:43 | |
-We... -"Old school". | 0:40:43 | 0:40:45 | |
I don't know if "old school"' is much better than "old-fashioned" | 0:40:47 | 0:40:50 | |
but, either way, we had five minutes left. | 0:40:50 | 0:40:52 | |
Aubrey is a very smart and talented person | 0:40:52 | 0:40:54 | |
but, for all of her talents, | 0:40:54 | 0:40:56 | |
Aubrey's biggest talent is covering her ass. | 0:40:56 | 0:40:58 | |
I don't know that we can do anything right now. | 0:40:58 | 0:41:01 | |
Realistically, I think it IS their older method. | 0:41:01 | 0:41:05 | |
'I definitely, of course, would have loved more time. | 0:41:05 | 0:41:07 | |
'There's things that could have been polished a bit more. If we do lose,' | 0:41:07 | 0:41:11 | |
based on how the commercial was edited, | 0:41:11 | 0:41:13 | |
then Clay and Arsenio are the two going down. | 0:41:13 | 0:41:16 | |
Let's live with it, guys. With one play, they shouldn't catch it. | 0:41:16 | 0:41:19 | |
It's the morning of the presentation | 0:41:30 | 0:41:33 | |
and I really, really, really want to win. | 0:41:33 | 0:41:35 | |
But I'm nervous about the whole thing. | 0:41:35 | 0:41:38 | |
Thank you, entertainment.com. | 0:41:38 | 0:41:40 | |
I'm a mother of four and in this economy, it's really hard | 0:41:40 | 0:41:44 | |
to find affordable things to do with your family, but you make it easier. | 0:41:44 | 0:41:48 | |
We want to thank you guys so much for taking the time out of your day | 0:41:48 | 0:41:51 | |
to watch our video. We love entertainment.com. | 0:41:51 | 0:41:54 | |
-Thank you for bringing us such a quality product. Enjoy. -Thank you. | 0:41:54 | 0:41:58 | |
Oh, babe, you know how hard it is | 0:42:00 | 0:42:03 | |
to find quality and quantity in the same place. | 0:42:03 | 0:42:06 | |
ZIP NOISE | 0:42:06 | 0:42:08 | |
And so easily accessible. | 0:42:08 | 0:42:09 | |
This is so much better than the way your parents do it. | 0:42:09 | 0:42:12 | |
We can do it any time, any way, anywhere. | 0:42:12 | 0:42:15 | |
Here, take it in your hand. | 0:42:15 | 0:42:17 | |
So, all I have to do is move my fingers up and down like this? | 0:42:17 | 0:42:21 | |
-Oh, my God. -Grrr! -That's the perfect spot! | 0:42:21 | 0:42:24 | |
-What's going on here?! -Hey, Dad. -Huh? -You're so old-fashioned. | 0:42:25 | 0:42:29 | |
I don't even know why you spend | 0:42:29 | 0:42:31 | |
so much time cutting out all those coupons. | 0:42:31 | 0:42:33 | |
You could get thousands of savings online or on a mobile app. | 0:42:33 | 0:42:36 | |
If only everything were as reliable as a discount. | 0:42:36 | 0:42:39 | |
Entertainment.com online - | 0:42:39 | 0:42:41 | |
the most convenient way to save more and do more. | 0:42:41 | 0:42:44 | |
APPLAUSE | 0:42:46 | 0:42:48 | |
'Teresa thinks that everybody is great friends | 0:42:48 | 0:42:51 | |
'and that they all love her but the second that we lose,' | 0:42:51 | 0:42:54 | |
Clay and Arsenio will start the gang-bang on her | 0:42:54 | 0:42:57 | |
and she'll see what I went through the other night. | 0:42:57 | 0:42:59 | |
I absolutely do not trust Arsenio or Clay. | 0:42:59 | 0:43:01 | |
'Walking into the presentation, I felt really good. | 0:43:03 | 0:43:07 | |
'I was like, this is such a cute video' | 0:43:07 | 0:43:09 | |
and either they like it or they don't. | 0:43:09 | 0:43:13 | |
We definitely couldn't have done any better. | 0:43:13 | 0:43:15 | |
-Good morning, everyone. -Good morning. | 0:43:15 | 0:43:18 | |
We are team Forte | 0:43:18 | 0:43:20 | |
and we are thrilled to present our entertainment.com commercial. | 0:43:20 | 0:43:23 | |
-I hope you guys enjoy it. -Thank you. | 0:43:23 | 0:43:26 | |
If you're not doing anything, I was thinking maybe we could... | 0:43:28 | 0:43:31 | |
I would love to! This is perfect | 0:43:31 | 0:43:33 | |
cos I just joined entertainment.com for only 30 bucks. | 0:43:33 | 0:43:36 | |
-How's Wednesday? -Wednesday's awesome! | 0:43:36 | 0:43:39 | |
-I want to tell you that I... -I love you too! | 0:43:40 | 0:43:43 | |
Oh, this is so sudden! | 0:43:43 | 0:43:46 | |
I still have months left on my entertainment.com account | 0:43:46 | 0:43:48 | |
and if we use this jeweller's discount, we can save a bundle. | 0:43:48 | 0:43:51 | |
This is amazing! I love you! | 0:43:51 | 0:43:53 | |
Our entertainment.com app works here too. | 0:43:53 | 0:43:56 | |
What about the discounts on art museums, | 0:43:56 | 0:43:58 | |
scuba diving, all the restaurants? | 0:43:58 | 0:44:00 | |
So, what do you want to do now? | 0:44:00 | 0:44:02 | |
Let's find a coupon for...a baby carriage. | 0:44:03 | 0:44:08 | |
APPLAUSE | 0:44:13 | 0:44:16 | |
'Going back in the boardroom tonight, I expect fireworks.' | 0:44:16 | 0:44:18 | |
-But you never know what's going to happen. -Thank you. -Thank you. | 0:44:18 | 0:44:22 | |
She's negative, she's mean, she's abrasive. | 0:44:26 | 0:44:29 | |
I think I'm going to make my point | 0:44:29 | 0:44:31 | |
-that I don't like to be called a -BLANK -loser. | 0:44:31 | 0:44:34 | |
-Hello, Dean and Melissa. -Good afternoon. -Mr Trump. | 0:44:40 | 0:44:43 | |
So, what did you think of Teresa as a project manager? | 0:44:43 | 0:44:46 | |
They really came together as a team. When they came out on that stage, | 0:44:46 | 0:44:50 | |
they presented as a team from the beginning to the end. | 0:44:50 | 0:44:53 | |
Who was the star of that team? | 0:44:53 | 0:44:55 | |
Paul Teutul Sr was out of character. | 0:44:55 | 0:44:58 | |
-When you see it, you might not recognise him. -Ah. | 0:44:58 | 0:45:01 | |
-As well as Aubrey. -They were all stars - creative, bold, gutsy | 0:45:01 | 0:45:03 | |
and they got their message through. | 0:45:03 | 0:45:05 | |
So, what were the negatives on Teresa's team? | 0:45:05 | 0:45:07 | |
We were a little concerned about calling the dad old-fashioned. | 0:45:07 | 0:45:10 | |
A lot of consumers still love to use print coupons. | 0:45:10 | 0:45:12 | |
We also thought it might be a bit TOO risque, TOO over the edge. | 0:45:12 | 0:45:16 | |
They didn't mention some of the pieces of the things that, normally, | 0:45:16 | 0:45:19 | |
we like to see in a commercial, maybe like how much it is. | 0:45:19 | 0:45:21 | |
-And Dayana's team? -It was very creative, great storyline. | 0:45:21 | 0:45:25 | |
They mentioned parts of the products that are important, | 0:45:25 | 0:45:28 | |
like how much it costs, simple things like that. | 0:45:28 | 0:45:30 | |
They showed the wide variety of savings | 0:45:30 | 0:45:33 | |
that you can do with entertainment, | 0:45:33 | 0:45:34 | |
so all the different ways that you can use our product | 0:45:34 | 0:45:37 | |
were represented quite well in their commercial. | 0:45:37 | 0:45:39 | |
What about the bad part of Dayana's team? | 0:45:39 | 0:45:41 | |
It wasn't as exciting. It was a little...not as much fun. | 0:45:41 | 0:45:44 | |
They used two characters which was probably not as zippy. | 0:45:44 | 0:45:47 | |
So, you think they're both really good. Who is the winner? | 0:45:47 | 0:45:51 | |
We think the winner is... | 0:45:51 | 0:45:53 | |
-Dayana. -Mr Trump. -I hope you did well. -Oh, my God, I do too. | 0:46:19 | 0:46:24 | |
But if you didn't, and you're project manager, | 0:46:24 | 0:46:26 | |
-are you going to be fired? -I don't think so. -Should you be? | 0:46:26 | 0:46:30 | |
-No, I shouldn't. -Who should be, if you lose? | 0:46:30 | 0:46:34 | |
Um, well, everybody worked very hard, | 0:46:36 | 0:46:38 | |
though I don't want to call out any name | 0:46:38 | 0:46:41 | |
and get into a situation, if it's not necessary. I'll... | 0:46:41 | 0:46:45 | |
-Did you have a weak player on the team? -I did. -Who was it? | 0:46:45 | 0:46:49 | |
-Lou. -It was Lou? | 0:46:51 | 0:46:54 | |
Lou. Why Lou? Tell me. | 0:46:54 | 0:46:57 | |
Um, Lou helped a lot on taking care of picking up things | 0:46:57 | 0:47:03 | |
and helping me with the props and everything | 0:47:03 | 0:47:05 | |
-but, with the creating part, Lou was very quiet. -OK. | 0:47:05 | 0:47:09 | |
Lisa, did you think Lou was not so good? | 0:47:10 | 0:47:13 | |
Yeah, he brought very little to the table | 0:47:13 | 0:47:16 | |
and I actually was very impressed with Dayana. We got along great. | 0:47:16 | 0:47:20 | |
-Whoa, what have we here? Dayana! -I know. It was crazy. | 0:47:20 | 0:47:23 | |
-What have we here, Dayana? -We had so much fun and I think Dayana... | 0:47:23 | 0:47:27 | |
You thought Dayana did a good job as project manager? | 0:47:27 | 0:47:29 | |
Yeah, I realised halfway through, | 0:47:29 | 0:47:31 | |
thinking about it today, Dayana is fierce | 0:47:31 | 0:47:34 | |
when it comes to keeping organised. She's a great project manager, | 0:47:34 | 0:47:38 | |
as far as delegating and keeping on top of people | 0:47:38 | 0:47:40 | |
and, yes, maybe she's not the most creative person, | 0:47:40 | 0:47:43 | |
but she was really cool and we had a lot of fun. | 0:47:43 | 0:47:46 | |
-So, did you find Lou to be your weak link? -Yes. -Wow. | 0:47:46 | 0:47:50 | |
-Can I say something? -Go ahead, Lou. | 0:47:50 | 0:47:52 | |
Lisa's lucky not to be a man tonight | 0:47:52 | 0:47:54 | |
-because I would throw her right through that wall. -Really? | 0:47:54 | 0:47:57 | |
-After the last boardroom, you called me a -BLEEP -loser. -You kidding me? | 0:47:57 | 0:48:00 | |
-You called me -BLEEP -loser, both Dayana and I, | 0:48:00 | 0:48:03 | |
and I think you're very negative. | 0:48:03 | 0:48:05 | |
You're negative and mean and I want to say that to your face. | 0:48:05 | 0:48:08 | |
Nobody calls Lou Ferrigno a loser. | 0:48:08 | 0:48:10 | |
Listen, Lou, that's for outside the boardroom | 0:48:10 | 0:48:12 | |
and I don't curse in the boardroom and you know that. No-one did. | 0:48:12 | 0:48:15 | |
-You did say to my face, "You're a -BLEEP -loser." You did say that. | 0:48:15 | 0:48:19 | |
-Lou, you know what? -BLEEP. -Did you say that? | 0:48:19 | 0:48:22 | |
And by the way, if you physically threaten me again, | 0:48:22 | 0:48:25 | |
-there's going to be a problem. -I don't fight with women. | 0:48:25 | 0:48:27 | |
-I just gave you honest opinion. -Lisa, I'll protect you. | 0:48:27 | 0:48:30 | |
Yeah, I am sure you will, thank you very much. You are out of line. | 0:48:30 | 0:48:34 | |
-I think. -Again. -Did you say that, Lisa? | 0:48:34 | 0:48:37 | |
Did you say that to Lou? Did you say that to Lou? | 0:48:37 | 0:48:41 | |
I think my exact words, when they walked into the room | 0:48:41 | 0:48:44 | |
without Dee Snider, I said, "Are you F-ing kidding me?" | 0:48:44 | 0:48:47 | |
We lost a strong player, I'm stuck with these two, so I said, | 0:48:47 | 0:48:51 | |
"Penn, get a lot of sleep cos you're going to be doing half the task | 0:48:51 | 0:48:55 | |
"and I am going to do the other half, as usual." | 0:48:55 | 0:48:57 | |
So, yes, I was angry to be left with two weak players. | 0:48:57 | 0:49:00 | |
But the difference is, Dayana stepped up, | 0:49:00 | 0:49:03 | |
was completely professional this time. | 0:49:03 | 0:49:05 | |
We had no fights in the whole group. | 0:49:05 | 0:49:07 | |
It was only trying to find some busy work for him to do. | 0:49:07 | 0:49:09 | |
-Did you call Lou a loser though? -I really don't remember, sir. | 0:49:09 | 0:49:12 | |
-Ask the team. -If he says I did, I'm sure he's right and it was in anger | 0:49:12 | 0:49:15 | |
and I apologise, but don't threaten anybody. | 0:49:15 | 0:49:18 | |
I said you're disrespectful in front of a bunch of people... | 0:49:18 | 0:49:20 | |
And you were kissing my ass for the last two days. | 0:49:20 | 0:49:23 | |
-BLEEP -on your best behaviour. -BLEEP. | 0:49:23 | 0:49:25 | |
In the boardroom you're a phoney, you have a filthy mouth. | 0:49:25 | 0:49:28 | |
I tell nothing but the truth. Oh, Lou. | 0:49:28 | 0:49:30 | |
You're constantly negative and I say it right to your face. | 0:49:30 | 0:49:33 | |
I do the job, honey, and you don't, | 0:49:33 | 0:49:36 | |
so get ready for an elevator ride, Lou. | 0:49:36 | 0:49:38 | |
That's big stuff. | 0:49:42 | 0:49:44 | |
And he did say, "If you were a MAN, he would attack you." | 0:49:44 | 0:49:46 | |
-There's a difference. -It's still out of order, Mr Trump. | 0:49:46 | 0:49:48 | |
He could have brought this up nicely and we could have discussed it | 0:49:48 | 0:49:51 | |
but he had to wait and try to blind-side me. | 0:49:51 | 0:49:53 | |
It didn't work, it doesn't ruffle MY feathers | 0:49:53 | 0:49:55 | |
and I'll still tell the truth to the Trumps | 0:49:55 | 0:49:58 | |
-cos that's what they deserve, OK? -Wow. | 0:49:58 | 0:50:01 | |
-I don't fight with women. -You just did. | 0:50:01 | 0:50:04 | |
-I told you honestly, in a nice way. -Oh, that was really nice(!) | 0:50:04 | 0:50:07 | |
You're not a man. | 0:50:07 | 0:50:08 | |
If you were a man, you'd go straight through that wall in two seconds, | 0:50:08 | 0:50:12 | |
-before you could blink. -Lou, it doesn't worry me at all. | 0:50:12 | 0:50:14 | |
Your threats are empty because you brought | 0:50:14 | 0:50:17 | |
nothing to the table on this task, so let's stick with that. | 0:50:17 | 0:50:19 | |
-You never call anybody a loser in front of a bunch of people. -Shut up! | 0:50:19 | 0:50:22 | |
-You're disrespectful and I'll say it to your face. -Wa! Wa! | 0:50:22 | 0:50:26 | |
Teresa, did you hear her say that to Lou? | 0:50:26 | 0:50:28 | |
Um... I heard the other part, I didn't hear the loser, to be honest. | 0:50:28 | 0:50:32 | |
-Paul, did you hear it? -You know what? | 0:50:32 | 0:50:34 | |
It was so crazy in that room, there was crossfire all over the place | 0:50:34 | 0:50:37 | |
and I just tried to get out of the way and I don't remember. | 0:50:37 | 0:50:41 | |
That was the least of it. The biggest problem was Aubrey. | 0:50:41 | 0:50:43 | |
-Are you OK? -Yeah. I'm done snivelling. | 0:50:43 | 0:50:46 | |
-What happened to you, by the way? -I'm done snivelling. | 0:50:46 | 0:50:49 | |
What happened to you? I didn't see that out of you. | 0:50:49 | 0:50:52 | |
Yeah, you know, I'm trying to find the perfect balance, | 0:50:52 | 0:50:55 | |
as a woman who, just biologically, is more emotional, | 0:50:55 | 0:50:58 | |
to keep the strength in me but also... | 0:50:58 | 0:51:00 | |
What happened with you and Arsenio? | 0:51:00 | 0:51:02 | |
Are you back to being friends, Arsenio, or not really? | 0:51:02 | 0:51:05 | |
-We talked... -Talking doesn't mean anything. Are you friends? | 0:51:05 | 0:51:09 | |
Yeah, and we all had a great time. | 0:51:09 | 0:51:12 | |
Arsenio, do you think that Aubrey was responsive | 0:51:12 | 0:51:14 | |
to your criticisms of her on this task, | 0:51:14 | 0:51:17 | |
in terms of taking charge | 0:51:17 | 0:51:20 | |
and taking ownership of all the creative and decisions? | 0:51:20 | 0:51:23 | |
Yeah, I thought... | 0:51:26 | 0:51:27 | |
There was peace in our room | 0:51:27 | 0:51:31 | |
and during our work | 0:51:31 | 0:51:33 | |
and I probably got the right result with the wrong language. | 0:51:33 | 0:51:38 | |
OK, I think you're right. | 0:51:38 | 0:51:40 | |
And I didn't know you were so emotional. I'm impressed. | 0:51:41 | 0:51:44 | |
-That's a whole different thing. -That's OK. | 0:51:44 | 0:51:46 | |
You were emotional cos you won a lot of money for a great charity | 0:51:46 | 0:51:49 | |
-and a great person. -Yes. -Right? -Yes. -I understand. | 0:51:49 | 0:51:53 | |
Clay, do you think these two are patched up? | 0:51:53 | 0:51:55 | |
I have to say he's absolutely right. | 0:51:55 | 0:51:58 | |
The tone today and throughout this task has been very healthy | 0:51:58 | 0:52:02 | |
-and everyone's gotten along really well. -Do you think you won? | 0:52:02 | 0:52:04 | |
-I do believe we won. -Do you like your end product? -I do. | 0:52:04 | 0:52:07 | |
How did you like Teresa as a project manager? | 0:52:07 | 0:52:09 | |
I liked Teresa quite a bit. | 0:52:09 | 0:52:11 | |
She is probably the nicest woman on this side of the table. | 0:52:11 | 0:52:16 | |
Not anything against the other ones! | 0:52:16 | 0:52:18 | |
But she really is the sweetest girl here. | 0:52:18 | 0:52:20 | |
-You know, that could be job threatening. -Right. | 0:52:20 | 0:52:22 | |
-This is not her image. -And she really took on a task that she... | 0:52:22 | 0:52:28 | |
She'd never directed before and she stepped up to do it | 0:52:28 | 0:52:31 | |
and in a really strong way. | 0:52:31 | 0:52:35 | |
OK, good. Great job. | 0:52:35 | 0:52:38 | |
-So, Paul, how do you think you did? Did you like it? -I did. | 0:52:38 | 0:52:42 | |
-I enjoyed it. It was a complete flip-around. -Yeah. | 0:52:42 | 0:52:45 | |
-I think you were surprised when you walked in. -It was amazing. | 0:52:45 | 0:52:49 | |
I think I walked right by you and then did a loop back around, | 0:52:49 | 0:52:52 | |
so I very much appreciated the look. | 0:52:52 | 0:52:55 | |
-He put sleeves on for me - can you believe it? -Really? About time. | 0:52:55 | 0:53:00 | |
OK. So, Teresa, who was the weak link in your team? | 0:53:02 | 0:53:07 | |
-Oh, my God. Um...I didn't have a weak link. -You don't think so? | 0:53:08 | 0:53:13 | |
So, you're going to have a hard time if you lose this. | 0:53:13 | 0:53:15 | |
If we go into the boardroom, I think all five of us need to go in. | 0:53:15 | 0:53:18 | |
-Who will you bring in the boardroom if you lose? -All five of us. -Really? | 0:53:18 | 0:53:21 | |
-I'd have to do that. -You just don't know? | 0:53:21 | 0:53:23 | |
-I really... -Aubrey, who do you think, honestly, was the weak link? | 0:53:23 | 0:53:26 | |
-Everyone was great. -Really? -I have to commend... | 0:53:26 | 0:53:29 | |
The last time this happened, | 0:53:29 | 0:53:31 | |
two people got fired, you know that, don't you? | 0:53:31 | 0:53:33 | |
-Oh! -Just tell me, who would you bring back? | 0:53:33 | 0:53:38 | |
Um... | 0:53:38 | 0:53:39 | |
All right, so I'll have to... | 0:53:39 | 0:53:41 | |
It's a bit precarious to say you're not going to bring | 0:53:41 | 0:53:44 | |
-anyone into the boardroom. -No, I said all five of us. | 0:53:44 | 0:53:47 | |
When I came to visit you while you were filming, | 0:53:47 | 0:53:49 | |
when I asked, specifically, what the creative vision was for the task, | 0:53:49 | 0:53:53 | |
Aubrey was telling me what the vision is | 0:53:53 | 0:53:55 | |
and you, Teresa, kept saying, | 0:53:55 | 0:53:57 | |
"I was saying that, but I was saying that...", in my ear, to the side. | 0:53:57 | 0:54:01 | |
Were you able to control Aubrey? | 0:54:03 | 0:54:05 | |
-Well, I didn't like that she did that. -You felt that, right? -Yes. | 0:54:05 | 0:54:09 | |
I was a bit surprised and I kept looking to you, | 0:54:09 | 0:54:11 | |
as project manager, to tell me the vision and Aubrey kept answering. | 0:54:11 | 0:54:15 | |
I don't think she meant to be disrespectful | 0:54:15 | 0:54:18 | |
but I wanted to tell you cos I was the project manager. | 0:54:18 | 0:54:20 | |
Aubrey, I've grown to have | 0:54:20 | 0:54:22 | |
a tremendous amount of respect for you, | 0:54:22 | 0:54:24 | |
but you are very polarising, in a certain way, | 0:54:24 | 0:54:27 | |
and I think, largely, what I've observed | 0:54:27 | 0:54:28 | |
when I've been out in the field with you, | 0:54:28 | 0:54:31 | |
is that you tend to speak more often | 0:54:31 | 0:54:33 | |
than the person who maybe should be speaking | 0:54:33 | 0:54:36 | |
and I think that's the type of thing | 0:54:36 | 0:54:38 | |
that alienates the rest of your team. | 0:54:38 | 0:54:40 | |
Right. Paul, who was the star of your team? | 0:54:41 | 0:54:45 | |
You know, I got to say Clay's always a hitter. He's very versatile. | 0:54:49 | 0:54:52 | |
-He's a big shock to you? -I'm telling you, the guy is so well-rounded. | 0:54:52 | 0:54:56 | |
How would Clay get along with your rough guys cos I see | 0:54:57 | 0:55:00 | |
some of the guys you work with. They're seriously rough, right? | 0:55:00 | 0:55:03 | |
-Yeah. -These are rough guys. -He'd have a hard time. | 0:55:03 | 0:55:05 | |
-They love being on a bike. -I don't think he'd want to. | 0:55:05 | 0:55:08 | |
-Would he survive in that world? -I put up with YOU OK. -Yeah, he does. | 0:55:08 | 0:55:13 | |
-He might. -If he was project manager in your shop, | 0:55:13 | 0:55:16 | |
-would he get anything done? -No. No. -LAUGHTER | 0:55:16 | 0:55:19 | |
-That would be a good test. -Try me! | 0:55:19 | 0:55:21 | |
It's different but he might do better than you think. Who knows? | 0:55:21 | 0:55:24 | |
OK. We're going to show your videos right now | 0:55:24 | 0:55:28 | |
and, I have to tell you, | 0:55:28 | 0:55:29 | |
entertainment.com, the executives, liked them both a lot. | 0:55:29 | 0:55:33 | |
But you know what that means. | 0:55:33 | 0:55:35 | |
That means they liked one more than the other, | 0:55:35 | 0:55:37 | |
so we'll find out what that is. | 0:55:37 | 0:55:39 | |
-OK, let's see, Teresa, your team's video. -OK. | 0:55:39 | 0:55:43 | |
-I'm never going to live this down! -OK. Let's see what we have. | 0:55:43 | 0:55:47 | |
-VIDEO: -Oh, babe, you know how hard it is | 0:55:52 | 0:55:54 | |
to find quality and quantity in the same place. | 0:55:54 | 0:55:57 | |
ZIP NOISE | 0:55:57 | 0:55:59 | |
And so easily accessible. | 0:55:59 | 0:56:00 | |
Here, take it in your hand. | 0:56:00 | 0:56:02 | |
So, all I have to do is move my fingers up and down, like this? | 0:56:02 | 0:56:06 | |
-Grrr! -Oh, my God, that's the perfect spot! | 0:56:06 | 0:56:09 | |
-What's going on here? -Hey, Dad. -Huh? -You're so old-fashioned. | 0:56:10 | 0:56:14 | |
You could get thousands of savings online. | 0:56:14 | 0:56:17 | |
If only everything were as reliable as a discount. | 0:56:17 | 0:56:20 | |
entertainment.com has gone mobile. | 0:56:20 | 0:56:22 | |
Check for participating retailers, print out coupons | 0:56:22 | 0:56:25 | |
or simply turn your mobile phone into a portable savings device. | 0:56:25 | 0:56:28 | |
Entertainment.com online - | 0:56:28 | 0:56:30 | |
the most convenient way to save more and do more. | 0:56:30 | 0:56:34 | |
Very good. Very good. | 0:56:35 | 0:56:38 | |
Dayana, what did you think of Teresa's video? | 0:56:38 | 0:56:40 | |
-They did a good job. -Did you like it? -It was entertaining, yeah. | 0:56:40 | 0:56:44 | |
It was fun to see Paul like that. I like, "Huh?" | 0:56:44 | 0:56:47 | |
I didn't recognise Paul. So, better than yours or not? | 0:56:47 | 0:56:51 | |
Um, I think ours is more entertaining. | 0:56:52 | 0:56:55 | |
-It's funnier and cuter, so... -OK. What do you think, Lisa? | 0:56:55 | 0:56:59 | |
Mr Trump, I have to say, I think their video was very good. | 0:56:59 | 0:57:03 | |
Do you like theirs better than yours? | 0:57:03 | 0:57:05 | |
No, I don't. It's apples and oranges, but it was adorable | 0:57:05 | 0:57:08 | |
and I thought Paul was really cool, Aubrey was cute. It was great. | 0:57:08 | 0:57:11 | |
-Penn, what did you think? -I liked it. | 0:57:11 | 0:57:13 | |
I'm not a big fan of double entendres, as a rule, | 0:57:13 | 0:57:16 | |
on the start there, but I liked it very much and I... | 0:57:16 | 0:57:19 | |
-Did you like Paul? -I loved Paul. -Who else did you like in the commercial? | 0:57:19 | 0:57:24 | |
-I thought everybody was great. -Mmm-hmm. | 0:57:24 | 0:57:26 | |
OK, I want to see the other commercial right now. | 0:57:26 | 0:57:31 | |
Dayana, let's see your commercial. | 0:57:31 | 0:57:32 | |
-VIDEO: -If you're not doing anything, I was thinking maybe we could... | 0:57:37 | 0:57:40 | |
I would love to! This is perfect | 0:57:40 | 0:57:42 | |
cos I just joined entertainment.com for only 30 bucks | 0:57:42 | 0:57:44 | |
and they gave me a year's worth of valuable coupons, | 0:57:44 | 0:57:47 | |
so we could try this Mexican place, 25% off. | 0:57:47 | 0:57:50 | |
I want to tell you that I... | 0:57:50 | 0:57:53 | |
I love you too! Oh, this is so sudden! | 0:57:53 | 0:57:56 | |
I still have months left on my entertainment.com account | 0:57:56 | 0:57:59 | |
and if we use this jeweller's discount, we can save a bundle. | 0:57:59 | 0:58:01 | |
So, what do you want to do now? | 0:58:01 | 0:58:04 | |
Let's find a coupon for...a baby carriage. | 0:58:04 | 0:58:09 | |
Entertainment.com. Save more, do more. | 0:58:11 | 0:58:15 | |
OK. So, Dayana, let me ask you this. | 0:58:15 | 0:58:18 | |
Why didn't you put yourself or Lou or Lisa or Penn - | 0:58:18 | 0:58:22 | |
all well-known people - why didn't you put yourselves in that video? | 0:58:22 | 0:58:26 | |
Um, it just wouldn't fit with the story that we had planned, so... | 0:58:27 | 0:58:31 | |
I wanted to but you said no. I think star power is very important. | 0:58:31 | 0:58:35 | |
When you have a team, you want to use what you can from your own team. | 0:58:35 | 0:58:38 | |
It always helps to hear these great ideas | 0:58:38 | 0:58:41 | |
when you're working on it, as opposed to in the boardroom after, | 0:58:41 | 0:58:44 | |
so it would have helped if you'd said something - which you didn't. | 0:58:44 | 0:58:47 | |
All right. Teresa, what did you think of Dayana's team's commercial? | 0:58:48 | 0:58:53 | |
Um, it was good. I mean, I could have saw Dayana playing her part. | 0:58:54 | 0:58:58 | |
-I could have too. -And Penn being that guy. -I agree. I could have too. | 0:58:58 | 0:59:02 | |
I thought she was great, actually, | 0:59:02 | 0:59:04 | |
but you could have really used your team for that commercial. | 0:59:04 | 0:59:07 | |
-Penn. -Yeah. -Penn would have been good. | 0:59:07 | 0:59:11 | |
-I consider myself to be too old for that. -For a young woman, you mean? | 0:59:11 | 0:59:15 | |
-For that plot. -I agree. | 0:59:15 | 0:59:17 | |
-I think you're much too old for a young woman. -Thank you. | 0:59:17 | 0:59:20 | |
LAUGHTER | 0:59:20 | 0:59:21 | |
-I agree. -I'm going to even reserve my comments here. | 0:59:21 | 0:59:24 | |
-It's too easy. -I hate those people. | 0:59:24 | 0:59:27 | |
Clay, which commercial did you like better? | 0:59:28 | 0:59:31 | |
-I definitely think ours was better. -Why? | 0:59:31 | 0:59:34 | |
I have seen ours 100 times and I still smile and enjoy it | 0:59:34 | 0:59:39 | |
and, seeing theirs the first time, I think it was good. | 0:59:39 | 0:59:43 | |
-OK. -But I didn't get that joy from it that I got from ours. | 0:59:43 | 0:59:46 | |
Lou, what do you think? Their commercial or this commercial? | 0:59:46 | 0:59:49 | |
I like their commercial. | 0:59:51 | 0:59:52 | |
The fact that they used more star power, | 0:59:52 | 0:59:54 | |
I basically like their commercial. | 0:59:54 | 0:59:56 | |
Really? Your team can't be thrilled when you say that, you know that. | 0:59:58 | 1:00:03 | |
-Well... -Even if it's so - and I don't want anyone to ever lie | 1:00:03 | 1:00:06 | |
or misrepresent or anything else - | 1:00:06 | 1:00:07 | |
but I'm sitting here, watching Lisa seethe, | 1:00:07 | 1:00:11 | |
as you're saying you like the opposing team's commercial better. | 1:00:11 | 1:00:14 | |
-It's my opinion. -How do you feel about that, Lisa? | 1:00:14 | 1:00:17 | |
I think it's a Benedict Arnold, turncoat thing to do. | 1:00:17 | 1:00:21 | |
I think it's easier to say he didn't like what we did | 1:00:21 | 1:00:24 | |
cos the three of us did it and he did nothing | 1:00:24 | 1:00:27 | |
so, basically, it's pretty easy to put your name out of the game, | 1:00:27 | 1:00:30 | |
when you haven't had anything to do with the product. | 1:00:30 | 1:00:34 | |
-Penn left at four o'clock. -I don't care if Penn left at four o'clock. | 1:00:34 | 1:00:37 | |
He did a hell of a lot more than you did the whole time. | 1:00:37 | 1:00:39 | |
So, Penn, brain power-wise and just pure endurance | 1:00:39 | 1:00:42 | |
and being available and accessible, put you to shame. | 1:00:42 | 1:00:46 | |
Sorry, once again. | 1:00:46 | 1:00:48 | |
-That's tough. -So I did nothing right? I just sat around, right? | 1:00:51 | 1:00:54 | |
-Pretty much. -You're wrong. | 1:00:54 | 1:00:56 | |
I would love the list because you were supposed to do the printing, | 1:00:56 | 1:00:59 | |
yet it somehow fell to me again and Dayana to pick up the ball. | 1:00:59 | 1:01:02 | |
-You were supposed to... Hmm, nothing else. -Oh, really? -Yeah. | 1:01:02 | 1:01:06 | |
And, by the way, if you have ideas, | 1:01:06 | 1:01:08 | |
it's a real good idea to give them before it's edited and done. | 1:01:08 | 1:01:12 | |
You didn't say you wanted anyone in it, you now have a mouth that roars. | 1:01:12 | 1:01:17 | |
-I said before... -Grow up, Lou! This is not the way you conduct business. | 1:01:17 | 1:01:20 | |
-You suggested nothing. -Well, when you're cussing all day... | 1:01:20 | 1:01:23 | |
When Dayana is backing ME up, you know that you're wrong, | 1:01:23 | 1:01:27 | |
because we don't agree on anything and that's something we agreed on. | 1:01:27 | 1:01:30 | |
-So, you know what? This. -She's the project manager. | 1:01:30 | 1:01:34 | |
I know, and she agrees with ME. | 1:01:34 | 1:01:36 | |
I would help every way I can and she said... | 1:01:36 | 1:01:38 | |
-You did nothing, Lou. -I was focussed on listening. | 1:01:38 | 1:01:40 | |
Yes, you listened but to not have any results? | 1:01:40 | 1:01:43 | |
I told you, I gave Dayana some tips, | 1:01:43 | 1:01:45 | |
the point about using different camera angles... | 1:01:45 | 1:01:47 | |
-Which she completely ignored because she was right! -Oh, really? OK. | 1:01:47 | 1:01:51 | |
-I have my opinion. -Lou, you added nothing. | 1:01:51 | 1:01:54 | |
You added muscle. You carried some props... | 1:01:54 | 1:01:56 | |
-You're always angry, always negative. -Guess what I'm angry at. | 1:01:56 | 1:01:59 | |
People sliding in this game | 1:01:59 | 1:02:01 | |
when it's supposed to be about a team effort, | 1:02:01 | 1:02:03 | |
when it's supposed to be about people working together, | 1:02:03 | 1:02:05 | |
having ideas and you didn't have any | 1:02:05 | 1:02:07 | |
and you went after me first here, honey, so don't even start. | 1:02:07 | 1:02:10 | |
Because you're very negative and you affect everybody around you. | 1:02:10 | 1:02:14 | |
Well, if I'm negative, I sure get the job done! | 1:02:14 | 1:02:16 | |
But you're negative all the time.. | 1:02:16 | 1:02:18 | |
That's unfortunate because, guess what? I get the job done. | 1:02:18 | 1:02:20 | |
-Point is we work as a team. -I get the job done on every task. | 1:02:20 | 1:02:23 | |
You've never, by the way, heard anyone in this room say | 1:02:23 | 1:02:25 | |
I wasn't the star of the team so, guess what? | 1:02:25 | 1:02:28 | |
It's unfortunate you feel that way, that's personal, it's not business. | 1:02:28 | 1:02:32 | |
-This is a team. -Lou, again, your argument does not stand up | 1:02:32 | 1:02:35 | |
and I can't even believe I'm dignifying it with a response. | 1:02:35 | 1:02:38 | |
He didn't do anything, she did, I did and he did. | 1:02:38 | 1:02:42 | |
That's the bottom line. | 1:02:42 | 1:02:43 | |
-Lisa, were you surprised? -Let's move on, shall we? -Let me ask you this. | 1:02:43 | 1:02:48 | |
Were you surprised when Lou said he liked the other team's better? | 1:02:48 | 1:02:51 | |
I was horrified because you just don't do that. | 1:02:51 | 1:02:53 | |
But, again, it's easy to do that | 1:02:53 | 1:02:55 | |
when you've put no heart and soul into it the way we have. | 1:02:55 | 1:02:57 | |
It's an opinion. You see two movies. Which one do you like better? | 1:02:57 | 1:03:00 | |
You have to give an opinion. I gave an honest opinion. | 1:03:00 | 1:03:03 | |
It's hardly the same as seeing two different movies, | 1:03:03 | 1:03:05 | |
one of which you didn't direct. | 1:03:05 | 1:03:07 | |
I mean, in this case, you worked on one those "movies", | 1:03:07 | 1:03:11 | |
if you will, one of the commercials. How is that the same? | 1:03:11 | 1:03:13 | |
I just gave a different opinion. | 1:03:13 | 1:03:16 | |
I liked their video slightly more than our team's. | 1:03:16 | 1:03:18 | |
But do you think you should be saying that, Lou? | 1:03:18 | 1:03:20 | |
Do you really think you should be saying that? | 1:03:20 | 1:03:23 | |
Er, to be honest with you, I... | 1:03:23 | 1:03:24 | |
You want to be honest and I want everybody to be honest always, | 1:03:24 | 1:03:27 | |
-but... -I support my team. | 1:03:27 | 1:03:30 | |
But that's not supporting your team cos, basically, | 1:03:30 | 1:03:32 | |
-you're saying you think your team lost. -No. | 1:03:32 | 1:03:35 | |
And that has a very negative impact and, ultimately, | 1:03:35 | 1:03:38 | |
-that's very important. -I don't think my team lost. It's tough. | 1:03:38 | 1:03:41 | |
-I just gave my opinion about... -No, you said your team should lose. | 1:03:41 | 1:03:44 | |
You said you liked the other video. It's very simple. | 1:03:44 | 1:03:47 | |
-If their video's better, they win. -I disagree. I just think... | 1:03:47 | 1:03:50 | |
Teresa, don't you think it's bad that somebody in the other team | 1:03:50 | 1:03:52 | |
says that they like your video better? | 1:03:52 | 1:03:55 | |
I'm sure you were very happy to hear it | 1:03:55 | 1:03:57 | |
but don't you think that was a little bit bad? | 1:03:57 | 1:04:00 | |
I think you're supposed to support your team. | 1:04:00 | 1:04:02 | |
OK. Don, what did the executives think of Dayana's team? | 1:04:05 | 1:04:09 | |
They really liked that you showed the app, | 1:04:09 | 1:04:11 | |
that you showed it could be used on a computer, on a tablet, | 1:04:11 | 1:04:14 | |
all of the variations of how you could use entertainment.com. | 1:04:14 | 1:04:18 | |
They also liked the commercial appeal to the broader audience. | 1:04:18 | 1:04:21 | |
What they didn't like, they thought the story was a bit stale | 1:04:21 | 1:04:24 | |
and predictable. It was a little typical love story. | 1:04:24 | 1:04:27 | |
They thought the direction was a bit poor and it looked a bit flat. | 1:04:27 | 1:04:30 | |
All the scenes were the same, they were shot in the same manner, | 1:04:30 | 1:04:33 | |
just the background changed. | 1:04:33 | 1:04:34 | |
And it didn't really show how the app worked. | 1:04:34 | 1:04:36 | |
It just showed the back of a computer or an iPhone. | 1:04:36 | 1:04:39 | |
It didn't do what the other team did when they showed it - | 1:04:39 | 1:04:42 | |
here's the map, here's this. | 1:04:42 | 1:04:44 | |
-You understand? -Mmm-hmm. -Do you agree? | 1:04:45 | 1:04:47 | |
Um, with the last one, I absolutely do. | 1:04:47 | 1:04:51 | |
What do you think, Lou? | 1:04:51 | 1:04:53 | |
-Um, he said... -You liked theirs better, so... | 1:04:53 | 1:04:57 | |
I spoke to Dayana about changing the camera angle | 1:04:57 | 1:04:59 | |
to get a different close-up. Also the app... | 1:04:59 | 1:05:02 | |
-It should have been more on the logo... -Did he say that, Dayana? | 1:05:02 | 1:05:05 | |
-Yes, he said that. He suggested... -But you disagreed with him? | 1:05:05 | 1:05:09 | |
Yeah, he suggested that. I say no, | 1:05:09 | 1:05:11 | |
because we wouldn't have time to move the cameras. | 1:05:11 | 1:05:13 | |
-The cameras were set and we needed to shoot as soon as possible. -OK. | 1:05:13 | 1:05:16 | |
So, Ivanka, what did they think of Teresa's team? | 1:05:16 | 1:05:21 | |
They thought it was very creative, they thought it was a lot of fun | 1:05:21 | 1:05:24 | |
and they liked that you really showed | 1:05:24 | 1:05:26 | |
how the app actually worked by zooming in and out. | 1:05:26 | 1:05:28 | |
They were concerned about how risque the commercial was | 1:05:28 | 1:05:32 | |
because they appeal to schools | 1:05:32 | 1:05:34 | |
and they work a lot with community groups, | 1:05:34 | 1:05:36 | |
so they thought it may have been a little borderline. | 1:05:36 | 1:05:39 | |
They also weren't sure about calling Paul old-fashioned | 1:05:39 | 1:05:42 | |
and that that would alienate a big consumer base of theirs | 1:05:42 | 1:05:45 | |
who really clip traditional coupons. | 1:05:45 | 1:05:47 | |
All right. Let's get down to decision time. | 1:05:49 | 1:05:53 | |
The executives from entertainment.com, | 1:05:53 | 1:05:56 | |
who are terrific and talented and it's a great company, | 1:05:56 | 1:06:00 | |
loved both commercials. | 1:06:00 | 1:06:02 | |
OK. | 1:06:03 | 1:06:04 | |
They thought both teams really did a very good job | 1:06:06 | 1:06:10 | |
but, Teresa, | 1:06:10 | 1:06:12 | |
-they liked yours more. -Oh, God. | 1:06:12 | 1:06:15 | |
That means you're going to win, with their beautiful donation, | 1:06:15 | 1:06:19 | |
-60,000 for your charity. -Right, good job. | 1:06:19 | 1:06:22 | |
-Congratulations. -Thank you. -What is the charity? | 1:06:22 | 1:06:25 | |
It's The NephCure Foundation | 1:06:25 | 1:06:26 | |
and I'm fighting for this little boy named Matthew. | 1:06:26 | 1:06:30 | |
-He's eight years old and... -We love him. | 1:06:30 | 1:06:32 | |
His parents were at my last task that I was project manager | 1:06:32 | 1:06:36 | |
and the reason why I stepped up to be project manager again, | 1:06:36 | 1:06:39 | |
because I felt like I let them down, | 1:06:39 | 1:06:41 | |
so I wanted to really win this for him. | 1:06:41 | 1:06:44 | |
Well, that's fantastic. You did a great job. Your team is fantastic. | 1:06:44 | 1:06:48 | |
Paul, I never knew you could act like a stiff | 1:06:48 | 1:06:50 | |
-and you were, indeed, a stiff.. -Will I ever live that down? | 1:06:50 | 1:06:53 | |
-You're obviously a good actor. -Once this airs, I know I won't. | 1:06:53 | 1:06:56 | |
-You know that's going up on the shop wall, right? -Teresa... -It is! | 1:06:56 | 1:06:59 | |
-Congratulations. -Thank you. -And congratulations to your charity. | 1:06:59 | 1:07:02 | |
-Thanks, Don, Ivanka. -Go up to your beautiful Trump Tower suite. | 1:07:02 | 1:07:05 | |
You can watch on television, if you would like. | 1:07:05 | 1:07:07 | |
-I have a feeling you will be. Get out of here. Go! -Thank you. | 1:07:07 | 1:07:11 | |
-Teresa, great job. -Thanks. | 1:07:11 | 1:07:14 | |
-Daddy! -Thank you. -Listen, Daddy's going to spank you! | 1:07:14 | 1:07:17 | |
THEY LAUGH | 1:07:17 | 1:07:19 | |
Dayana, your team will stay here. Somebody will be fired. | 1:07:19 | 1:07:22 | |
-Yay! -I'm so happy! | 1:07:29 | 1:07:31 | |
-I'm so happy! -There's that voice! | 1:07:31 | 1:07:33 | |
-I'm so happy! -I'm so happy! | 1:07:33 | 1:07:36 | |
'I won 60,000 for my charity, NephCure Foundation.' | 1:07:36 | 1:07:41 | |
I'm super excited. I was fighting for this little boy, named Matthew. | 1:07:41 | 1:07:45 | |
He has this incurable kidney disease, | 1:07:45 | 1:07:48 | |
so that's why I want to raise awareness for it | 1:07:48 | 1:07:51 | |
and, hopefully, they can find a cure. | 1:07:51 | 1:07:53 | |
-I'm so happy! -I knew it, baby. -We did it! | 1:07:53 | 1:07:58 | |
'And I have to say everybody on my team | 1:07:58 | 1:08:00 | |
'really were backing me up on this' | 1:08:00 | 1:08:03 | |
cos they knew how much it meant to me, so they're amazing | 1:08:03 | 1:08:06 | |
and, you know, thank you, guys. | 1:08:06 | 1:08:09 | |
-Oh. -Here it goes. -This is not going to be pretty. | 1:08:09 | 1:08:12 | |
-Dayana, are you surprised? -Yes, definitely. | 1:08:15 | 1:08:17 | |
-Are you surprised you lost? -It's heartbreaking. | 1:08:17 | 1:08:19 | |
You work hard on something, you believe in it | 1:08:19 | 1:08:21 | |
and this happens. They did a good job too, obviously, though. | 1:08:21 | 1:08:25 | |
-Lisa, are you surprised? -Very. -Lou, you're not surprised. | 1:08:25 | 1:08:29 | |
I thought we had a phenomenal chance of winning | 1:08:29 | 1:08:31 | |
but when I looked at the two, I gave my separate opinion. | 1:08:31 | 1:08:35 | |
Nothing to do with the team. I thought the team was fantastic. | 1:08:35 | 1:08:38 | |
I thought the video was cute and everything | 1:08:38 | 1:08:40 | |
but I just gave my opinion which I thought was better. | 1:08:40 | 1:08:42 | |
Sometimes I'm very blatant with my opinion. | 1:08:42 | 1:08:45 | |
Lisa, what do you say about that? | 1:08:45 | 1:08:48 | |
I've already stated I think it's a traitor mentality. | 1:08:49 | 1:08:52 | |
I think it's easy to say which you like better | 1:08:52 | 1:08:54 | |
when you had nothing to do with it. So, enjoy it. Go to the other team. | 1:08:54 | 1:08:58 | |
-You keep saying that because you want to save your ass. -Save MY ass? | 1:08:58 | 1:09:01 | |
Honey, I'm the only one who's completely safe because guess what? | 1:09:01 | 1:09:04 | |
I did the job completely and utterly and Dayana will back me up. | 1:09:04 | 1:09:07 | |
-I did everything asked of me plus some. -But you lost. But you lost. | 1:09:07 | 1:09:12 | |
I did everything I was asked. | 1:09:12 | 1:09:13 | |
-I don't want to -BLEEP -with her, I tell you that right now. -Not at all! | 1:09:13 | 1:09:16 | |
I also don't want to be on her team cos she keeps losing. | 1:09:16 | 1:09:20 | |
Dayana, would you back Lisa up on that? Did Lisa do a good job? | 1:09:20 | 1:09:24 | |
Everybody did a good job. Everybody did a good job. | 1:09:24 | 1:09:28 | |
But Lou did nothing. Or is that wrong? | 1:09:28 | 1:09:30 | |
Lou wasn't as helpful creating and he has all these opinions, | 1:09:32 | 1:09:35 | |
but when we were brainstorming, | 1:09:35 | 1:09:37 | |
those opinions were not out there for us to work with. | 1:09:37 | 1:09:39 | |
OK. Penn, how do you feel? You've been very quiet. | 1:09:39 | 1:09:43 | |
Well, I'm very confused by the definition of team player. | 1:09:43 | 1:09:47 | |
Lou accuses everyone else of not being a team player | 1:09:47 | 1:09:50 | |
and then says our team should lose. It seems odd. And he didn't do much. | 1:09:50 | 1:09:54 | |
If he suggested that we star in it, I didn't hear it, | 1:09:54 | 1:09:59 | |
and he did not suggest any way for us to star in it. | 1:09:59 | 1:10:03 | |
You can't just say we should be in it, you also need an idea. | 1:10:03 | 1:10:07 | |
I think that's important. | 1:10:07 | 1:10:08 | |
But, Penn, do you think you or Lou could have been cast well in this, | 1:10:08 | 1:10:12 | |
instead of going out and getting an actor? | 1:10:12 | 1:10:14 | |
In this particular thing, I don't think so. I just didn't feel... | 1:10:14 | 1:10:18 | |
Don't you think you could have done just as well, if not better, | 1:10:18 | 1:10:21 | |
-than the male actor, and maybe Lou also? -I don't think... | 1:10:21 | 1:10:26 | |
Maybe not Lou for this particular... I think... | 1:10:26 | 1:10:30 | |
Penn would have been good, don't you think so? | 1:10:30 | 1:10:32 | |
I think I could have done it but not as good. | 1:10:32 | 1:10:34 | |
-So you like the actor better than Penn? -Not as a person. | 1:10:34 | 1:10:36 | |
-I don't know him. But I... -As an actor, you liked him better. | 1:10:36 | 1:10:40 | |
-This script indicates in this situation... -OK. | 1:10:40 | 1:10:42 | |
I think it would have been creepy to have someone who's 56 years old | 1:10:42 | 1:10:45 | |
with a 20-year-old girl, in this context. | 1:10:45 | 1:10:48 | |
-You're safe, you're safe! -You're getting very close to home. | 1:10:48 | 1:10:52 | |
-Lisa, you're fired! -That wasn't the reason they criticised us. | 1:10:52 | 1:10:55 | |
They didn't say anything about putting us in the video. | 1:10:55 | 1:10:58 | |
They did mention to me, though, that it would have been nice | 1:10:58 | 1:11:01 | |
-because it adds a different element to it. -OK. | 1:11:01 | 1:11:03 | |
It's not part of the task, but in terms of getting it out there. | 1:11:03 | 1:11:06 | |
We could have done something | 1:11:06 | 1:11:08 | |
but it would have been a different commercial. | 1:11:08 | 1:11:10 | |
Now, here's a biggie. Here's a biggie, Dayana. | 1:11:10 | 1:11:12 | |
You're going to bring two people back. | 1:11:12 | 1:11:14 | |
That means one person is going to escape. | 1:11:14 | 1:11:17 | |
Who is the person that's going to escape? | 1:11:17 | 1:11:19 | |
I don't know. | 1:11:21 | 1:11:23 | |
Um, Penn was away for the afternoon, | 1:11:25 | 1:11:29 | |
and he did a lot of work before he left, | 1:11:29 | 1:11:31 | |
and it wouldn't be fair to bring him | 1:11:31 | 1:11:33 | |
when he wasn't there to, maybe, speak up if one of the mistakes... | 1:11:33 | 1:11:37 | |
So, who's not going to be brought back? | 1:11:37 | 1:11:39 | |
I think Penn. | 1:11:39 | 1:11:41 | |
And Lisa did such an amazing great job | 1:11:41 | 1:11:44 | |
and she has this amazing skill of writer and she's such an artist. | 1:11:44 | 1:11:48 | |
It's interesting you say that because, in past weeks - | 1:11:48 | 1:11:51 | |
this week she's a big fan of yours - but in past weeks, she hasn't been. | 1:11:51 | 1:11:55 | |
You've changed your mind about her a little bit. | 1:11:55 | 1:11:58 | |
This task was an eye-opener about Dayana. She was incredibly capable. | 1:11:58 | 1:12:02 | |
Dayana, do you think Penn should get a pass for being gone? | 1:12:02 | 1:12:05 | |
-He did so much work before. -That's fine. | 1:12:06 | 1:12:09 | |
As Lisa said, he worked more than Lou. | 1:12:09 | 1:12:10 | |
Are you saying that Penn is not coming back? | 1:12:10 | 1:12:12 | |
Yeah. | 1:12:14 | 1:12:16 | |
OK. Penn, congratulations, you're not coming back. | 1:12:16 | 1:12:20 | |
The three of you go outside. You'll be back in a minute. | 1:12:20 | 1:12:22 | |
One of you will be fired. Thank you. | 1:12:22 | 1:12:26 | |
Teresa, turn off your TV right now. | 1:12:35 | 1:12:38 | |
There's a duality about liking Lou. because you can like the person, | 1:12:38 | 1:12:42 | |
-but then he'll do something like your crazy little brother. -Yeah. | 1:12:42 | 1:12:46 | |
There are times we've said, "Lou, here's what we're doing, | 1:12:46 | 1:12:49 | |
"blah, blah, blah." We go in there and Lou will say, "Mr Trump..." | 1:12:49 | 1:12:51 | |
-It was almost like... -We all went... | 1:12:51 | 1:12:53 | |
He wasn't sure we'd win, so he went in and separated himself from us. | 1:12:53 | 1:12:56 | |
Well, whatever happens, it's been a pleasure, you guys. | 1:12:57 | 1:13:00 | |
-I have no shame. -Really? | 1:13:02 | 1:13:04 | |
-Yep. -Interesting. -I'm who I am. | 1:13:04 | 1:13:06 | |
I think every guy out there in America, | 1:13:06 | 1:13:08 | |
who's never threatened a woman, would differ. | 1:13:08 | 1:13:11 | |
You're a real gentleman, Lou. | 1:13:11 | 1:13:13 | |
-I know, but the profanity the other night... -Lou, guess what? | 1:13:13 | 1:13:16 | |
-I meant every -BLEEP -word. How does THAT sound? | 1:13:16 | 1:13:19 | |
-Don, what do you think? -To me, it's really between Dayana and Lou. | 1:13:30 | 1:13:34 | |
Obviously, I hate the insubordination. | 1:13:34 | 1:13:36 | |
Going against your team goes against my natural grain, | 1:13:36 | 1:13:38 | |
but at the same time, Dayana was in charge of direction, | 1:13:38 | 1:13:41 | |
-she was in charge of some of the things that they lost for. -Ivanka? | 1:13:41 | 1:13:44 | |
I never really understand Lou's arguments | 1:13:44 | 1:13:46 | |
for...really anything that happens in here, | 1:13:46 | 1:13:50 | |
so it's a problem and he's probably the weaker player, going forward. | 1:13:50 | 1:13:53 | |
With that said, Dayana was the project manager. | 1:13:53 | 1:13:56 | |
And Lisa came up with many of the ideas which lost. | 1:13:56 | 1:13:58 | |
-Right. -So we can't really leave her out either. -No. | 1:13:58 | 1:14:02 | |
Amanda, let them in. | 1:14:02 | 1:14:04 | |
-Yes, Mr Trump. You can all go back into the boardroom now. -Thank you. | 1:14:04 | 1:14:08 | |
Please sit down. | 1:14:18 | 1:14:20 | |
So, Dayana, you won big as a project manager before | 1:14:24 | 1:14:26 | |
-but it's also your fifth time in the boardroom. -Hmm. | 1:14:26 | 1:14:29 | |
Why shouldn't I fire you? | 1:14:29 | 1:14:32 | |
Cos, again, I said always, every time I was here, | 1:14:32 | 1:14:34 | |
I was never given the opportunity to work as hard | 1:14:34 | 1:14:37 | |
and to really show what I could do and my ideas were not heard. | 1:14:37 | 1:14:40 | |
Finally, now, as project manager, I tried to do as much as possible | 1:14:40 | 1:14:43 | |
and involve my team as much as I could so... | 1:14:43 | 1:14:46 | |
Were you bothered by the fact that Lou went against your team? | 1:14:46 | 1:14:50 | |
Yeah, he was very supportive before. | 1:14:52 | 1:14:54 | |
He was, "I thought we won this, I'm very confident." | 1:14:54 | 1:14:59 | |
-I understand he has... -Cos now he said he wasn't supportive | 1:14:59 | 1:15:02 | |
and he disagreed with what you were doing. How do you respond to that? | 1:15:02 | 1:15:05 | |
He was never speaking up when we were brainstorming. | 1:15:05 | 1:15:08 | |
He was never telling us if he liked it or not or what he thought. | 1:15:08 | 1:15:11 | |
He was just listening and not creating. | 1:15:11 | 1:15:13 | |
Lisa, what do you think Lou adds? | 1:15:15 | 1:15:17 | |
Do you think he sits in the boardroom | 1:15:17 | 1:15:18 | |
-and critiques after the fact? -Yes! | 1:15:18 | 1:15:20 | |
Or has he been thinking this throughout the task | 1:15:20 | 1:15:22 | |
-and just doesn't articulate himself? -No, I think Lou likes to lay low | 1:15:22 | 1:15:25 | |
and then skate under. | 1:15:25 | 1:15:27 | |
-I... -So, you think it's a strategy? -I thought she asked ME a question. | 1:15:27 | 1:15:31 | |
So, you think this is a strategy? | 1:15:32 | 1:15:34 | |
No, to be honest, I don't think Lou is a vicious, vindictive person. | 1:15:34 | 1:15:37 | |
I just don't think he has much to add, other than brawn. | 1:15:37 | 1:15:40 | |
At this point, I don't think that's what's needed. | 1:15:40 | 1:15:42 | |
If you got us someone with some muscle and it was just me and Dayana | 1:15:42 | 1:15:46 | |
and some guy who could carry stuff, we would have done just as well. | 1:15:46 | 1:15:49 | |
That's pretty tough. | 1:15:49 | 1:15:52 | |
I can't help having a slight hearing loss... | 1:15:52 | 1:15:54 | |
-It's always there when it's... -Let me finish. | 1:15:54 | 1:15:56 | |
You're constantly interrupting me. Thank God you're not my wife! | 1:15:56 | 1:15:59 | |
-Yes, I feel exactly the same way, Lou. -I know. | 1:15:59 | 1:16:02 | |
But the fact it's a little slow for me to catch on, | 1:16:02 | 1:16:04 | |
I don't want it to interfere. | 1:16:04 | 1:16:06 | |
I'm there, giving 100% and I can't help it. | 1:16:06 | 1:16:10 | |
I do the best, I give 110%. | 1:16:10 | 1:16:12 | |
I'm very open, I'm very honest and I'm going to say it again. | 1:16:12 | 1:16:15 | |
I gave an honest opinion which one I thought was better, | 1:16:15 | 1:16:17 | |
nothing to do with you guys and I was right. | 1:16:17 | 1:16:19 | |
Had a lot to do with us guys cos you loved it last night. | 1:16:19 | 1:16:22 | |
I'm an honest opinion and I'm not going to fight and get angry | 1:16:22 | 1:16:25 | |
cos the way you act, as a good team member, you need to get along, | 1:16:25 | 1:16:29 | |
-not use the F word, mouth off all day long, constantly. -Lou... | 1:16:29 | 1:16:32 | |
That's my opinion. You can say whatever you want. | 1:16:32 | 1:16:34 | |
Just cos you're talking louder doesn't make you right. | 1:16:34 | 1:16:36 | |
Just cos you're talking louder doesn't make you right. | 1:16:36 | 1:16:39 | |
But, Lou, when you say a negative attitude affects the whole team, | 1:16:39 | 1:16:42 | |
by saying that you think your video and commercial is worse, | 1:16:42 | 1:16:45 | |
doesn't that affect the whole team? | 1:16:45 | 1:16:47 | |
-I... I... -That's a pretty negative attitude. | 1:16:49 | 1:16:52 | |
Well, I have to say that | 1:16:52 | 1:16:54 | |
because I need to take a little longer digesting information. | 1:16:54 | 1:16:58 | |
Why does it take you longer to digest? | 1:16:58 | 1:17:00 | |
Because when you hear three or four people talking, | 1:17:00 | 1:17:03 | |
I have to turn to see who's talking and then, once I digest... | 1:17:03 | 1:17:06 | |
-I can understand that. That's tough. -It's a little slower for me. | 1:17:06 | 1:17:09 | |
-That's why Dayana... -She's got a problem also. | 1:17:09 | 1:17:11 | |
-This is not her language. -She said I was very quiet. | 1:17:11 | 1:17:14 | |
I'm quiet because I'm listening very carefully to what everyone's saying. | 1:17:14 | 1:17:17 | |
I can't help it. I do the best I can. I was born like this. | 1:17:17 | 1:17:21 | |
But then it would be nice if, after hearing and digesting it, | 1:17:21 | 1:17:24 | |
he would offer ideas, which we got none. | 1:17:24 | 1:17:26 | |
-He uses the hearing as an excuse when he needs it. -You're wrong. | 1:17:27 | 1:17:30 | |
And he says, "Don't focus on my hearing" when he doesn't need it. | 1:17:30 | 1:17:33 | |
-You're wrong. -It's absolutely manipulation. | 1:17:33 | 1:17:37 | |
-It's manipulation. -You're wrong. -He offered no ideas, bottom line. | 1:17:37 | 1:17:40 | |
-Lisa, you called me a no-good -BLEEP -loser. | 1:17:40 | 1:17:42 | |
That's not manipulation, I was telling you the truth. | 1:17:42 | 1:17:45 | |
That's disrespectful to me and my disability. | 1:17:45 | 1:17:47 | |
Lou, you've been disrespectful since we got in here today. | 1:17:47 | 1:17:50 | |
-I would never say that to anyone. -You're yelling. | 1:17:50 | 1:17:52 | |
-I would never say that to anyone, "You're a -BLEEP -loser". | 1:17:52 | 1:17:55 | |
I'm torn here. I hate the fact that he went against his team. | 1:17:55 | 1:17:58 | |
In a certain respect, though, I like that he didn't lie to my father, | 1:17:58 | 1:18:01 | |
who's the executive who has to make a decision. | 1:18:01 | 1:18:03 | |
He said, "I really do think it's better." I'm a bit torn. | 1:18:03 | 1:18:06 | |
Obviously, the insubordination part, I don't like, | 1:18:06 | 1:18:08 | |
but there is something to be said | 1:18:08 | 1:18:10 | |
about my father asking him a direct question | 1:18:10 | 1:18:12 | |
-and he gave him his real opinion, instead of -BLEEP. | 1:18:12 | 1:18:15 | |
Lou, if you were me, could the case be made that Lisa should be fired? | 1:18:16 | 1:18:20 | |
-Yes. -Why? -I would say... No, I'm wrong. | 1:18:20 | 1:18:24 | |
See, you said something quick. No, let's stop right there. No, Dayana. | 1:18:24 | 1:18:28 | |
OK, I digested information. | 1:18:28 | 1:18:31 | |
Dayana, because she's the project manager | 1:18:31 | 1:18:33 | |
and she's taken on the responsibility. Dayana. | 1:18:33 | 1:18:35 | |
-Think about it. -So, Lisa, if you were me, what would you do? | 1:18:35 | 1:18:40 | |
-I would fire Lou. -Why exactly? | 1:18:42 | 1:18:44 | |
Because he not only brought no ideas to the table, | 1:18:44 | 1:18:48 | |
he turned on his own team in the boardroom | 1:18:48 | 1:18:51 | |
and he absolutely creates dissent in that manner. | 1:18:51 | 1:18:54 | |
Did he really cost you the win though? | 1:18:54 | 1:18:57 | |
-I mean, is he reason you lost? -Well, he didn't do anything. | 1:18:57 | 1:19:00 | |
But other people have gotten by through the boardroom... | 1:19:00 | 1:19:03 | |
-That's true. -..with that same excuse. | 1:19:03 | 1:19:05 | |
They really didn't do anything, | 1:19:05 | 1:19:06 | |
so it didn't have a significant factor | 1:19:06 | 1:19:08 | |
to contributing to the win or the loss, frankly. | 1:19:08 | 1:19:11 | |
-The fact is... -Dayana survived a few times on that same argument. | 1:19:11 | 1:19:14 | |
Certainly, but I did see her step up. | 1:19:14 | 1:19:16 | |
But my case hasn't been that I'm just sitting around doing nothing. | 1:19:16 | 1:19:19 | |
I've always worked as much as I can, | 1:19:19 | 1:19:21 | |
even regarding the fact that I've been pushed away. | 1:19:21 | 1:19:24 | |
-Dayana, you're the project manager. Your team lost. -Mmm-hmm. | 1:19:24 | 1:19:28 | |
Why should you be saved? Why should you not be fired? | 1:19:28 | 1:19:31 | |
Because they liked the video as much as the other one, | 1:19:32 | 1:19:35 | |
though the other one won for a different reason. | 1:19:35 | 1:19:37 | |
I don't think I should be fired. | 1:19:37 | 1:19:39 | |
By the way, Lou, the truth is, they liked both of them a lot. | 1:19:39 | 1:19:42 | |
It was not an easy decision. It wasn't a walkaway. | 1:19:42 | 1:19:45 | |
This is a very close contest, extremely close. | 1:19:45 | 1:19:49 | |
I thought they were both great, but I gave my opinion. I... | 1:19:49 | 1:19:51 | |
But don't you think...? That's probably what bothers me the most. | 1:19:51 | 1:19:55 | |
Don't you think that maybe you shouldn't have given that opinion? | 1:19:55 | 1:19:58 | |
I'm a very truthful person. I like telling the truth. | 1:19:58 | 1:20:02 | |
But I'm also somebody that's very loyal | 1:20:02 | 1:20:04 | |
and I hate to go against my team. | 1:20:04 | 1:20:07 | |
When you came and said that, the other team couldn't believe it. | 1:20:07 | 1:20:10 | |
They were very happy. | 1:20:10 | 1:20:11 | |
And your team couldn't believe it, | 1:20:11 | 1:20:13 | |
except for Lisa, who expected it out of you, I think. | 1:20:13 | 1:20:15 | |
You sort of expected that, didn't you? | 1:20:15 | 1:20:17 | |
Yes, I've seen it happen before with him. | 1:20:17 | 1:20:19 | |
Well, maybe I jumped to conclusions but I gave my opinion. | 1:20:20 | 1:20:24 | |
-It's not disloyal. -You didn't work very hard on this one, right? | 1:20:24 | 1:20:28 | |
I did everything I could. | 1:20:28 | 1:20:30 | |
How come everybody on your team, including Penn, who's not here, | 1:20:30 | 1:20:33 | |
said you really didn't work? | 1:20:33 | 1:20:35 | |
And you really didn't. You were very critical after the fact. | 1:20:35 | 1:20:38 | |
I guess YOU would say that's correct, Lisa. | 1:20:38 | 1:20:41 | |
But, most importantly, there was a great disloyalty to your team. | 1:20:41 | 1:20:45 | |
Lou, you're fired. | 1:20:46 | 1:20:48 | |
Take it back. I don't want to be fired. I don't want to be fired. | 1:20:53 | 1:20:56 | |
-Lou, there's nothing I can do. -You know something? | 1:20:59 | 1:21:02 | |
Thank you, I appreciate everything. | 1:21:02 | 1:21:04 | |
I think you're terrific, Lou, I really do. I think you're terrific. | 1:21:04 | 1:21:07 | |
-Go ahead. -Thank you, sir. -Thank you. | 1:21:07 | 1:21:10 | |
-Just didn't like the disloyalty to his team. -I agree. | 1:21:30 | 1:21:34 | |
I think Lou really dug his own grave in here. | 1:21:34 | 1:21:36 | |
We've always heard that for you, growing up. Loyalty is everything. | 1:21:36 | 1:21:39 | |
I feel like there's no shame. | 1:22:12 | 1:22:14 | |
I feel pretty good because I walked away, | 1:22:14 | 1:22:16 | |
knowing that I couldn't give any more. | 1:22:16 | 1:22:17 | |
There's the game, I played the game honestly | 1:22:17 | 1:22:20 | |
and there's consequences. | 1:22:20 | 1:22:21 | |
The consequences tonight was that Mr trump didn't like it | 1:22:21 | 1:22:24 | |
but at least I had fairness from my heart, | 1:22:24 | 1:22:27 | |
I gave my honest, God-thought opinion | 1:22:27 | 1:22:29 | |
and I'm proud of it because the other team won. I was right. | 1:22:29 | 1:22:32 | |
I did know because I have a camera angle, how to film, | 1:22:32 | 1:22:35 | |
and they didn't listen to my critique and everything, | 1:22:35 | 1:22:37 | |
because you've got to be open to criticism. | 1:22:37 | 1:22:40 |