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Last time on All Star Celebrity Apprentice, | 0:00:02 | 0:00:03 | |
the teams were tasked with making a demonstrational video for LG. | 0:00:03 | 0:00:07 | |
Go out, do your job, good luck. | 0:00:07 | 0:00:10 | |
On Plan B, project manager Gary Busey was out of control... | 0:00:10 | 0:00:14 | |
I want you to move out of the set. | 0:00:14 | 0:00:16 | |
-Don't push him. -I didn't. -You did. | 0:00:16 | 0:00:18 | |
I'm sorry, you don't touch another person's body. | 0:00:18 | 0:00:21 | |
..and on Team Power, Marilu Henner got under Trace Adkins' skin. | 0:00:21 | 0:00:25 | |
Oh, my God, can we blow out my face a little? It looks so bad. | 0:00:25 | 0:00:29 | |
-Look how bad I look. -They're not going to see it. | 0:00:29 | 0:00:32 | |
The thing with Marilu, she comes pre-wound. | 0:00:32 | 0:00:34 | |
On the day of the presentation, Plan B was in trouble. | 0:00:36 | 0:00:39 | |
What will LG think of next? | 0:00:39 | 0:00:41 | |
A mechanical dog? | 0:00:41 | 0:00:43 | |
And Team Power came through... | 0:00:45 | 0:00:48 | |
..with my LG Intuition smartphone. | 0:00:48 | 0:00:50 | |
You guys look so cute! | 0:00:50 | 0:00:51 | |
..giving them a much needed win. | 0:00:51 | 0:00:53 | |
No contest. Lil Jon, congratulations. | 0:00:53 | 0:00:56 | |
-Trace, Marilu, congratulations. -Thank you. -Have a good time. | 0:00:56 | 0:00:59 | |
-Thank you. -Go. | 0:00:59 | 0:01:00 | |
Left in the boardroom, Gary went on the attack... | 0:01:00 | 0:01:02 | |
I was stopped in the front by Lisa, | 0:01:02 | 0:01:04 | |
with her yelling at me in front of everybody. | 0:01:04 | 0:01:07 | |
-I don't yell. -You did yell, because I heard you yell | 0:01:07 | 0:01:10 | |
and it was like this! | 0:01:10 | 0:01:11 | |
..but his time was up. | 0:01:11 | 0:01:12 | |
-Gary, you're the project manager. -Yeah. | 0:01:12 | 0:01:14 | |
You didn't highlight many of the products. | 0:01:14 | 0:01:16 | |
Gary, you're fired. | 0:01:16 | 0:01:17 | |
You see Gary just beating up on Lisa? | 0:01:24 | 0:01:26 | |
He was trying to throw it on Lisa. | 0:01:26 | 0:01:28 | |
-Mm-hm. It's not going to be Lisa. -It's not going to be... | 0:01:28 | 0:01:31 | |
It's going to be Gary. | 0:01:31 | 0:01:32 | |
-You showed a lot of restraint. -Yeah, you did. | 0:01:37 | 0:01:40 | |
Well, I did, I did. | 0:01:40 | 0:01:42 | |
'It was an exhausting ordeal to deal with Gary Busey | 0:01:42 | 0:01:44 | |
'for the amount of time we had to deal with him.' | 0:01:44 | 0:01:47 | |
I try not to take this whole thing personally, but... | 0:01:47 | 0:01:50 | |
you know, it was personal, he went right at me. | 0:01:50 | 0:01:53 | |
He would say, "I want you to absolutely tell me the truth | 0:01:53 | 0:01:57 | |
"and support me." | 0:01:57 | 0:01:58 | |
And I would say, "I don't think it's a good idea." | 0:01:58 | 0:02:00 | |
And he would say, "You're not supporting me." | 0:02:00 | 0:02:03 | |
But you know, I managed to get through this whole thing | 0:02:03 | 0:02:05 | |
still loving Gary. | 0:02:05 | 0:02:06 | |
'I was most excited about being with Gary Busey on this show,' | 0:02:06 | 0:02:09 | |
and I did enjoy that very much. | 0:02:09 | 0:02:12 | |
'Personally, I liked to be around him.' | 0:02:12 | 0:02:14 | |
-Now it's two to three. -Wow. | 0:02:14 | 0:02:15 | |
And there's one person left from Power. | 0:02:15 | 0:02:17 | |
Can I point that out? | 0:02:17 | 0:02:18 | |
It's Power with the dregs of Plan B. | 0:02:18 | 0:02:21 | |
-We got cut... -I'm seven out of nine, pal. | 0:02:21 | 0:02:24 | |
We got cut from Plan B, so... | 0:02:24 | 0:02:27 | |
'Any two of the five of us' | 0:02:27 | 0:02:28 | |
could be the final two people in this Celebrity Apprentice All Stars. | 0:02:28 | 0:02:33 | |
'It's powerhouse people.' | 0:02:33 | 0:02:35 | |
'We don't have a weak link. Let's see what happens | 0:02:35 | 0:02:37 | |
'with the task tomorrow.' | 0:02:37 | 0:02:38 | |
Bring it on. | 0:02:38 | 0:02:39 | |
-We all got a win, too, here, right? -Mm-hm. | 0:02:39 | 0:02:41 | |
-Oh, yeah, everybody here. -You, me, we all got a win. | 0:02:41 | 0:02:43 | |
-We all won. -Yeah. | 0:02:43 | 0:02:44 | |
'We're going into the home stretch.' | 0:02:44 | 0:02:46 | |
I mean, at the end of the day, you might love someone | 0:02:46 | 0:02:49 | |
but you got to fight it out with them to stay. | 0:02:49 | 0:02:52 | |
'And, for me, it's business. If you ain't handling what you're | 0:02:52 | 0:02:54 | |
'supposed to be handling, then your ass need to go.' | 0:02:54 | 0:02:58 | |
There's only five of us. | 0:02:58 | 0:02:59 | |
Y'all got to battle it out for that final fourth spot. | 0:02:59 | 0:03:03 | |
MUSIC: For The Love Of Money by The O'Jays | 0:03:03 | 0:03:08 | |
Today, I'm here to present a cheque for 40,000 | 0:04:15 | 0:04:21 | |
to the American Diabetes Association. | 0:04:21 | 0:04:23 | |
-Hey. -Hi, how are you? | 0:04:23 | 0:04:25 | |
-Good, good. -Lurelean Gaines. -Hey. | 0:04:25 | 0:04:27 | |
-Nice to meet you. -You too. | 0:04:28 | 0:04:30 | |
'I want to raise awareness for friends and family | 0:04:30 | 0:04:33 | |
'of people with diabetes, that we have to, you know,' | 0:04:33 | 0:04:36 | |
stay on top of your loved ones and make sure | 0:04:36 | 0:04:38 | |
that they're taking care of them. | 0:04:38 | 0:04:40 | |
What is your connection to ADA? | 0:04:40 | 0:04:42 | |
Well, my mom has had diabetes all her life. | 0:04:42 | 0:04:46 | |
So I grew up seeing her taking insulin, | 0:04:46 | 0:04:48 | |
and I thought she was in remission, | 0:04:48 | 0:04:51 | |
and she had a stroke a couple of months ago. | 0:04:51 | 0:04:54 | |
-I'm so sorry. -It's really hit me and made me say, you know, | 0:04:54 | 0:04:57 | |
"I want to represent ADA on Celebrity Apprentice." | 0:04:57 | 0:05:00 | |
I'm just truly thrilled that you want to help bring awareness, | 0:05:00 | 0:05:03 | |
because diabetes is one of those silent killers. | 0:05:03 | 0:05:06 | |
We know that 26 million people in this country | 0:05:06 | 0:05:09 | |
have diabetes and there are 79 million that are pre diabetics | 0:05:09 | 0:05:15 | |
-and have no clue that they're diabetics. -Yeah. | 0:05:15 | 0:05:17 | |
And we have to be very aware of that, | 0:05:17 | 0:05:19 | |
so awareness is our major concern. | 0:05:19 | 0:05:21 | |
Well, that's why I wanted to represent ADA on the show. | 0:05:21 | 0:05:24 | |
It's a great platform to definitely bring awareness | 0:05:24 | 0:05:27 | |
and, you know, maybe bring some money. | 0:05:27 | 0:05:30 | |
Speaking of money! | 0:05:30 | 0:05:31 | |
-Yes. -I was project manager in a task and I have a cheque here | 0:05:31 | 0:05:37 | |
-for 40,000. -Ah! | 0:05:37 | 0:05:40 | |
20,000 from LG and 20,000 from Mr Trump. | 0:05:40 | 0:05:44 | |
So hopefully this can go a long way for the ADA. | 0:05:44 | 0:05:48 | |
Thank you, wow. | 0:05:48 | 0:05:49 | |
'I think it would be amazing if we could finally find' | 0:05:49 | 0:05:52 | |
a cure for diabetes. | 0:05:52 | 0:05:54 | |
It affects so many people, | 0:05:54 | 0:05:56 | |
from every ethnicity, | 0:05:56 | 0:05:58 | |
and that would save millions of lives, | 0:05:58 | 0:06:00 | |
for generations. | 0:06:00 | 0:06:02 | |
We got to keep fighting and working hard | 0:06:02 | 0:06:04 | |
and, hopefully, we'll eventually find a cure. | 0:06:04 | 0:06:06 | |
All right, it was really great talking with you. | 0:06:06 | 0:06:08 | |
I'll keep your mother and your family in my prayers. | 0:06:08 | 0:06:11 | |
There he is. | 0:06:22 | 0:06:24 | |
They were hiding his ass. | 0:06:24 | 0:06:25 | |
Good morning. | 0:06:27 | 0:06:28 | |
-ALL: -Good morning. | 0:06:28 | 0:06:29 | |
John Rich, let me just ask you, you won Celebrity Apprentice, | 0:06:29 | 0:06:32 | |
your life has changed. Tell us about it. | 0:06:32 | 0:06:34 | |
One of the biggest thing's that's happened since I won | 0:06:34 | 0:06:37 | |
Celebrity Apprentice is Saint Jude's Children's Hospital | 0:06:37 | 0:06:39 | |
has raked in tens of millions of dollars | 0:06:39 | 0:06:41 | |
that otherwise would not have come in after the show was over. | 0:06:41 | 0:06:44 | |
That's fantastic. Hey, fellas, as executives, | 0:06:44 | 0:06:46 | |
I wish I got a piece of what these people are making, all of them. | 0:06:46 | 0:06:49 | |
How about him? I can't get tickets to his show in Las Vegas. | 0:06:49 | 0:06:51 | |
We have policies. | 0:06:51 | 0:06:52 | |
By the way, John, you've done a fantastic job. | 0:06:54 | 0:06:57 | |
You are one of our really great champions. | 0:06:57 | 0:06:59 | |
Lil Jon, good man, right? | 0:06:59 | 0:07:01 | |
That's my boy. | 0:07:01 | 0:07:02 | |
OK, we're standing in Barclays Center - | 0:07:02 | 0:07:06 | |
a truly luxurious, magnificent arena, | 0:07:06 | 0:07:09 | |
and the home to the Brooklyn Nets. | 0:07:09 | 0:07:11 | |
-You know all about that, right, Lil Jon? -Yes, sir. | 0:07:11 | 0:07:13 | |
How are they doing, the Brooklyn Nets? | 0:07:13 | 0:07:16 | |
-Um, I think they're doing OK. -I think they're doing terrifically. | 0:07:16 | 0:07:19 | |
It's a great team, it's a hot franchise in the NBA. | 0:07:19 | 0:07:22 | |
Now, with me are two great executives - Rodney Butler | 0:07:22 | 0:07:27 | |
and Scott Butera, he worked for me for years. | 0:07:27 | 0:07:30 | |
Great executive. | 0:07:30 | 0:07:32 | |
Scott, go ahead. | 0:07:32 | 0:07:33 | |
Foxwoods is one of the largest, most luxurious resorts in the world. | 0:07:33 | 0:07:37 | |
We're well-known for having incredible customer service | 0:07:37 | 0:07:39 | |
and entertainment venues that are unparalleled. | 0:07:39 | 0:07:42 | |
For your task this week, each team will be provided a suite | 0:07:42 | 0:07:45 | |
at this beautiful Barclays Center. | 0:07:45 | 0:07:47 | |
You will transform that suite with furnishings, decorations | 0:07:47 | 0:07:51 | |
and theming that best represents the Foxwoods brand. | 0:07:51 | 0:07:54 | |
In addition, each team will be responsible for hosting a party | 0:07:54 | 0:07:57 | |
in the respective suite and providing all aspects, | 0:07:57 | 0:07:59 | |
including service and the exceptional entertainment | 0:07:59 | 0:08:02 | |
that we've become known for at Foxwoods Resorts. | 0:08:02 | 0:08:04 | |
OK. My advisors are John Rich and Don. | 0:08:04 | 0:08:08 | |
-Don. -Tomorrow, Rodney and Scott will attend your parties | 0:08:08 | 0:08:12 | |
and judge you based on creativity, brand messaging | 0:08:12 | 0:08:14 | |
and the overall party atmosphere. | 0:08:14 | 0:08:16 | |
OK. The project manager of the winning team | 0:08:16 | 0:08:19 | |
for your charity | 0:08:19 | 0:08:21 | |
-will receive 50,000 from me. -Whoa. -Wow. | 0:08:21 | 0:08:25 | |
-Wow. -Donald, if I could, in addition to that, | 0:08:25 | 0:08:27 | |
on behalf of Foxwoods and the Mashantucket Pequot Tribe, | 0:08:27 | 0:08:30 | |
-we'd like to double that. -Wow, that's great. -Ooh! | 0:08:30 | 0:08:33 | |
Money's coming up now. | 0:08:33 | 0:08:34 | |
-Lisa, who's your project manager? -That would be me. -OK. | 0:08:34 | 0:08:37 | |
'This is a big one.' | 0:08:37 | 0:08:39 | |
If I win, I could have 100,000 for Saint Jude. | 0:08:39 | 0:08:42 | |
'That would take my total to 504,000.' | 0:08:42 | 0:08:46 | |
That's a half a million dollars. | 0:08:46 | 0:08:48 | |
-You'll do a beautiful suite, won't you? -Yes, I will. | 0:08:50 | 0:08:52 | |
I have a feeling. Who's your project manager? | 0:08:52 | 0:08:54 | |
-I am. -Good, Marilu. | 0:08:54 | 0:08:56 | |
I've been playing for Alzheimer's Association. | 0:08:56 | 0:08:58 | |
Lisa and I, I guess, are going to be squaring off. | 0:08:58 | 0:09:00 | |
We have a lot of the same skills, but I think I have a few more | 0:09:00 | 0:09:03 | |
than she does. | 0:09:03 | 0:09:04 | |
Go, do a beautiful job, have fun. | 0:09:04 | 0:09:06 | |
OK. Thank you. | 0:09:06 | 0:09:08 | |
Oh, my God, this is tiny. | 0:09:21 | 0:09:24 | |
This is going to be tight. | 0:09:24 | 0:09:26 | |
-OK, here, let's stay over here. -Hey. | 0:09:26 | 0:09:29 | |
I know, they're right there, I can see, I can see. | 0:09:29 | 0:09:32 | |
Let's just sit down and talk. | 0:09:32 | 0:09:33 | |
-Let's just sit down. -He kept saying, "Foxwoods Brand." -Mm-hm. | 0:09:33 | 0:09:37 | |
So we need to find out what the hell that is. | 0:09:37 | 0:09:39 | |
'The task this week is to design a signature suite' | 0:09:39 | 0:09:44 | |
at the Barclays Center, | 0:09:44 | 0:09:47 | |
promoting Foxwoods Resorts. | 0:09:47 | 0:09:50 | |
Here we go, brand guidelines. | 0:09:50 | 0:09:52 | |
And our war room is also the suite that we will be throwing our party. | 0:09:52 | 0:09:57 | |
We just need to find a cohesive theme. | 0:09:57 | 0:10:01 | |
This is not an easy task. | 0:10:01 | 0:10:03 | |
-Hello. -Hello. -Hello, hi. | 0:10:03 | 0:10:06 | |
Hey. Marilu, hi, I'm Scott Butera. | 0:10:06 | 0:10:08 | |
The superstar of the Trump team. | 0:10:08 | 0:10:11 | |
How are you? | 0:10:11 | 0:10:12 | |
'We have to meet with the CEO of Foxwoods, Scott Butera,' | 0:10:12 | 0:10:15 | |
and also the chairman of the Mashantucket Pequot Tribe, | 0:10:15 | 0:10:18 | |
Rodney Butler. | 0:10:18 | 0:10:21 | |
You know, Foxwoods is an amazing place. | 0:10:21 | 0:10:23 | |
It's one of the largest resorts in the world. | 0:10:23 | 0:10:25 | |
It's almost seven million square feet, | 0:10:25 | 0:10:27 | |
and we literally have something for everyone. | 0:10:27 | 0:10:29 | |
In these executive meetings, you learn so much. | 0:10:29 | 0:10:33 | |
All you have to do is listen and they tell you exactly | 0:10:33 | 0:10:36 | |
what you need to do in the task. | 0:10:36 | 0:10:38 | |
Yeah, our goal is to have something that really represents our resort. | 0:10:38 | 0:10:41 | |
-Yeah, yeah. -At the core, it's all about great entertainment. | 0:10:41 | 0:10:44 | |
Right. So you want this to be like a suite that somebody | 0:10:44 | 0:10:47 | |
comes to and says, "I've gotta go stay here." | 0:10:47 | 0:10:49 | |
-Exactly. -Absolutely. | 0:10:49 | 0:10:50 | |
How did you pick the five characters? I know it's cards. | 0:10:50 | 0:10:53 | |
Yeah, we have a very diverse customer base at Foxwoods, | 0:10:53 | 0:10:57 | |
and we think the characters kind of represent each one. | 0:10:57 | 0:11:00 | |
They have these five great characters at Foxwoods Resorts | 0:11:01 | 0:11:04 | |
and they've named them Ace, King, Queen, Jack and Joker. | 0:11:04 | 0:11:07 | |
The Ace is somebody who's, you know, very disciplined and focused | 0:11:07 | 0:11:11 | |
and calm, cool and collected. | 0:11:11 | 0:11:12 | |
You have the King, who's very majestic and is very distinguished. | 0:11:12 | 0:11:16 | |
Mm-hm. | 0:11:16 | 0:11:17 | |
The two teams were supposed to take one of those characters | 0:11:17 | 0:11:19 | |
and base their suite on it. | 0:11:19 | 0:11:21 | |
And then we have what we call Jokers | 0:11:23 | 0:11:25 | |
and, basically, they're also very adventurous and fun, | 0:11:25 | 0:11:28 | |
but very youthful and very contemporary. | 0:11:28 | 0:11:30 | |
Do you have a colour scheme at all at Foxwoods? | 0:11:30 | 0:11:33 | |
Foxwoods has the logo and maybe, Rodney, you can speak to that, | 0:11:33 | 0:11:35 | |
because it represents the Mashantucket Tribe, | 0:11:35 | 0:11:37 | |
which is our owner. | 0:11:37 | 0:11:38 | |
So it's owned, proudly, by my family, | 0:11:38 | 0:11:41 | |
the Mashantucket Pequot Tribal Nation, | 0:11:41 | 0:11:43 | |
and so we also have very subtle touches of Native American heritage | 0:11:43 | 0:11:46 | |
and culture throughout the resort as well. | 0:11:46 | 0:11:48 | |
So, as you walk along the concourse, | 0:11:48 | 0:11:50 | |
we'll have some Native flute music playing in different areas. | 0:11:50 | 0:11:53 | |
We do have a museum kiosk | 0:11:53 | 0:11:55 | |
that tells a little bit about the tribal history | 0:11:55 | 0:11:57 | |
and highlight some of the culture. | 0:11:57 | 0:11:58 | |
'I think, for this task, | 0:11:58 | 0:12:00 | |
'the smallest of smallest details are key.' | 0:12:00 | 0:12:05 | |
We want to make sure we really encompass and really get | 0:12:05 | 0:12:09 | |
the vibe and the feel and the essence of Foxwoods. | 0:12:09 | 0:12:14 | |
-I hope we do you proud. -All right, good luck to you. | 0:12:14 | 0:12:17 | |
-Thank you so very much. -Thank you. | 0:12:17 | 0:12:19 | |
The King is, "Distinguished, aspirational, gracious, | 0:12:19 | 0:12:23 | |
"gentlemanly, intelligent and mature." | 0:12:23 | 0:12:26 | |
The Joker is, "Fun, adventurous, youthful, hip, entertaining, | 0:12:26 | 0:12:30 | |
"contemporary." | 0:12:30 | 0:12:31 | |
I bet you Penn is going to pick Joker. | 0:12:31 | 0:12:33 | |
-Yeah. -I'm just looking at - to create an experience, | 0:12:33 | 0:12:36 | |
-it's easier to use this. -Let's see. | 0:12:36 | 0:12:38 | |
I like King, cos you can treat everybody special. | 0:12:38 | 0:12:41 | |
Trace, which of the characters do you feel that you're | 0:12:41 | 0:12:44 | |
connected to more? | 0:12:44 | 0:12:45 | |
-I say you go for Ace or Joker. -We have to figure this out. | 0:12:45 | 0:12:49 | |
'I was trying to make a decision. | 0:12:49 | 0:12:51 | |
'The Ace had certain advantages, the Joker, of course, | 0:12:51 | 0:12:54 | |
'and the King was definitely one of the more visual, to me, characters.' | 0:12:54 | 0:12:58 | |
I just want to make a strategic move | 0:12:58 | 0:13:00 | |
to do the best that I can. | 0:13:00 | 0:13:02 | |
We need to have an A choice and a B choice. | 0:13:02 | 0:13:05 | |
Yeah, exactly. | 0:13:05 | 0:13:07 | |
It's about brand messaging and overall party atmosphere. | 0:13:07 | 0:13:10 | |
It's all about Foxwood and it's all about King, Ace, Jack, Queen | 0:13:10 | 0:13:14 | |
or Joker. | 0:13:14 | 0:13:16 | |
Ooh, ooh. | 0:13:16 | 0:13:17 | |
Ooh, ooh! | 0:13:17 | 0:13:19 | |
"The Joker never turns down a chance to dance." | 0:13:19 | 0:13:21 | |
-OK. Done. That's our theme. -OK. | 0:13:21 | 0:13:24 | |
I wanted either Joker or Queen. | 0:13:24 | 0:13:26 | |
I know more jokers. The number of queens I know, | 0:13:26 | 0:13:28 | |
probably three dozen. | 0:13:28 | 0:13:30 | |
Number of jokers I know - hundreds. | 0:13:30 | 0:13:32 | |
-I will get Lisa Lampanelli. -I like that idea. | 0:13:32 | 0:13:35 | |
You want Teller? Cos Penn and Teller also headlined at Foxwoods. | 0:13:35 | 0:13:37 | |
I like... Yes, I want them all. | 0:13:37 | 0:13:39 | |
I think that having the comics - perfect. | 0:13:39 | 0:13:43 | |
'I was really hoping we would get Joker, | 0:13:43 | 0:13:45 | |
'because now Joker is really playing out' | 0:13:45 | 0:13:48 | |
to be a really good theme for us. | 0:13:48 | 0:13:51 | |
Look through here, this website, for me while I'm gone | 0:13:51 | 0:13:53 | |
and see if there's any furniture | 0:13:53 | 0:13:55 | |
that looks like it could work for us. | 0:13:55 | 0:13:57 | |
'But it is not a slam-dunk,' | 0:13:57 | 0:14:00 | |
because I have to go negotiate with Marilu. | 0:14:00 | 0:14:03 | |
And so I have second choices and a third choice, | 0:14:03 | 0:14:05 | |
but I just have to go negotiate, we'll see. | 0:14:05 | 0:14:09 | |
-OK, here goes. -OK! -Once, twice, twice. | 0:14:09 | 0:14:11 | |
All right. How do we do it? | 0:14:11 | 0:14:13 | |
Well, let's just say what we first want. | 0:14:13 | 0:14:15 | |
-BOTH: -One, two, three... | 0:14:15 | 0:14:18 | |
-BOTH: -Oh! -OK, we're good. | 0:14:18 | 0:14:19 | |
-OK, we're good. -Done. -Done. -Done. | 0:14:19 | 0:14:22 | |
'We did, like, a rock, paper, scissor, it was pretty good.' | 0:14:22 | 0:14:25 | |
And we showed our cards and she had King | 0:14:25 | 0:14:29 | |
and I put out the Joker, so we were done. | 0:14:29 | 0:14:33 | |
OK, that was so easy. They took the Joker, of course, we knew it. | 0:14:33 | 0:14:35 | |
-Of course. -But that's fine. | 0:14:35 | 0:14:37 | |
So we're doing the King. | 0:14:37 | 0:14:38 | |
'We knew Lisa was going to take the Joker, so I thought,' | 0:14:38 | 0:14:41 | |
"Instead of trying to thwart them, | 0:14:41 | 0:14:43 | |
"why don't we try to just pick the one that we like the most?" | 0:14:43 | 0:14:47 | |
And I realised that King was the colour | 0:14:47 | 0:14:49 | |
of my Alzheimer's Association. | 0:14:49 | 0:14:51 | |
So I thought, "OK, it's a sign from God." That was it. | 0:14:51 | 0:14:54 | |
I'm going to take care of mainly the decorations, | 0:14:54 | 0:14:57 | |
and I'll pick the food. I'm putting you guys in charge of entertainment. | 0:14:57 | 0:15:00 | |
Yeah, let's work on the entertainment. | 0:15:00 | 0:15:01 | |
The prop stuff is going to be easy. | 0:15:01 | 0:15:03 | |
No, I'm going to start doing that because I'm going to get... | 0:15:03 | 0:15:06 | |
-This is the best traffic time. -I got you. | 0:15:06 | 0:15:08 | |
-That's why I'm trying to keep you on track. -I'm always on track. | 0:15:08 | 0:15:11 | |
No, I'm just trying to, you know... | 0:15:11 | 0:15:13 | |
'Me and Marilu work totally different.' | 0:15:13 | 0:15:15 | |
If you want to throw a party, | 0:15:15 | 0:15:17 | |
you find out what your entertainment is going to be | 0:15:17 | 0:15:21 | |
before you start trying to decorate the place. | 0:15:21 | 0:15:23 | |
Whenever I'm PM, I try to knock out the hardest thing first, | 0:15:23 | 0:15:25 | |
I get our meat and potatoes done first. | 0:15:25 | 0:15:28 | |
And then I fix the side vegetables. | 0:15:28 | 0:15:30 | |
We're decorating a suite at the Barclays Center, | 0:15:30 | 0:15:33 | |
and we're going with a King theme. | 0:15:33 | 0:15:35 | |
A lot of purple, royalty, beautiful, thrones. | 0:15:35 | 0:15:38 | |
And I want to get something that looks the most royal, | 0:15:38 | 0:15:42 | |
in terms of, like, a beautiful mirror. | 0:15:42 | 0:15:44 | |
What the hell are you...? | 0:15:44 | 0:15:46 | |
-Hell are you getting? -And then... I'm getting a mirror. | 0:15:46 | 0:15:50 | |
-OK. -I am. -Where are you going to put a mirror? | 0:15:50 | 0:15:52 | |
I'm going to put a mirror in here. | 0:15:52 | 0:15:54 | |
-I want one. You guys, you take care of some of the stuff. -OK, OK. | 0:15:54 | 0:15:59 | |
'Her suite is the King Suite, all right.' | 0:15:59 | 0:16:02 | |
But do you really think that that means we're supposed to have | 0:16:02 | 0:16:06 | |
ladies-in-waiting and crowns? | 0:16:06 | 0:16:09 | |
I don't know what the right thing to do is, | 0:16:09 | 0:16:12 | |
but I'm pretty sure that ain't it. | 0:16:12 | 0:16:15 | |
I want a beautiful mirror because a King wants to look at himself. | 0:16:15 | 0:16:19 | |
Fun, adventurous, youthful, hip, entertaining, contemporary. | 0:16:30 | 0:16:33 | |
Those are the words of the Joker. | 0:16:33 | 0:16:35 | |
I think we say, "Jokers at Foxwoods," | 0:16:35 | 0:16:38 | |
and we have Lisa Lampanelli and Penn and Teller on a nice little poster. | 0:16:38 | 0:16:43 | |
The task this week is design a Foxwoods themed suite | 0:16:43 | 0:16:47 | |
at the Barclays Center, | 0:16:47 | 0:16:48 | |
and to host a party that is entertaining | 0:16:48 | 0:16:51 | |
and talks about Foxwoods. | 0:16:51 | 0:16:52 | |
And in decorating, I need pictures, I'd need furniture. | 0:16:52 | 0:16:55 | |
I want a bar. I'm getting a great caterer, too. | 0:16:55 | 0:16:58 | |
-Would you rather have a hip caterer? -Yeah. I mean, I think so. | 0:16:58 | 0:17:02 | |
OK, what I'm working on, just so you know, David Burke, | 0:17:02 | 0:17:06 | |
the celebrity chef. He has a restaurant up at Foxwoods. | 0:17:06 | 0:17:09 | |
-David Burke is really in line with jokers. -Oh! | 0:17:09 | 0:17:13 | |
David Burke is a celebrity chef, known as "the prankster", | 0:17:13 | 0:17:17 | |
"the joker of food". He has a restaurant at Foxwoods. | 0:17:17 | 0:17:21 | |
I mean, he will stand up and talk about his food and entertain. | 0:17:21 | 0:17:25 | |
You know, they are the Pequot Indian tribe. | 0:17:25 | 0:17:28 | |
And when you go to Foxwoods, | 0:17:28 | 0:17:30 | |
they do have a section of history and information on the tribe. | 0:17:30 | 0:17:35 | |
-You want some sort of background music? -I'd like music... | 0:17:35 | 0:17:39 | |
-of some kind, if we can get it. -OK. -Let's incorporate that in some way. | 0:17:39 | 0:17:43 | |
I'll find something. | 0:17:43 | 0:17:44 | |
One of the things that Rodney told us was they liked to have | 0:17:46 | 0:17:50 | |
a little bit of Native American flute music behind everything | 0:17:50 | 0:17:54 | |
at their resort. | 0:17:54 | 0:17:56 | |
So I figured, "Yeah, you tell me you want Native American flute music, | 0:17:56 | 0:17:59 | |
"we get Native American flute music." | 0:17:59 | 0:18:01 | |
I have found an actual Native American flautist. | 0:18:01 | 0:18:05 | |
How do you do this?! | 0:18:05 | 0:18:06 | |
She loves me, but she cannot travel three hours, so she said no. | 0:18:06 | 0:18:11 | |
'We had a Mashantucket Pequot flautist. | 0:18:11 | 0:18:14 | |
'She was three hours away, and we couldn't get her. | 0:18:14 | 0:18:17 | |
'We have to incorporate the tribe. | 0:18:17 | 0:18:20 | |
'That's one thing I took away from the meeting with the executives,' | 0:18:20 | 0:18:23 | |
-so fingers crossed. -Foxwoods is the Pequot tribe. | 0:18:23 | 0:18:27 | |
If she can think a little bit about Pequot flute music or that style, | 0:18:32 | 0:18:36 | |
if she can do that, that would be great. | 0:18:36 | 0:18:38 | |
I've found another flute player. | 0:18:38 | 0:18:40 | |
She's Native American - she's not Mashantucket Pequot. | 0:18:40 | 0:18:45 | |
If the thing is from a slightly different tribe, | 0:18:45 | 0:18:48 | |
-we are dead in the water. -Dead in the water. | 0:18:48 | 0:18:50 | |
'We have to be very careful to not offend,' | 0:18:50 | 0:18:53 | |
because it's important to show respect to the tribal nations, | 0:18:53 | 0:18:56 | |
so we're trying to do that. | 0:18:56 | 0:18:57 | |
Um... Look at that. | 0:18:57 | 0:19:01 | |
I have a professional flautist and she is trying right now | 0:19:01 | 0:19:04 | |
to learn Pequot music, she's trying to get music for that. | 0:19:04 | 0:19:08 | |
OK, you know what? | 0:19:08 | 0:19:09 | |
-I love you so much. -Remember that in the boardroom. | 0:19:09 | 0:19:13 | |
Penn and I complement each other, | 0:19:13 | 0:19:16 | |
where the other lacks. | 0:19:16 | 0:19:17 | |
He has connections up the wazoo. | 0:19:17 | 0:19:20 | |
On the other hand, I have an eye for decorating, I'm creative. | 0:19:20 | 0:19:25 | |
We're going to get it all done. | 0:19:25 | 0:19:27 | |
-Do you know what I've got for you? -What? -Mechanical dog. | 0:19:27 | 0:19:30 | |
HE BARKS | 0:19:30 | 0:19:33 | |
Forget I said it. | 0:19:33 | 0:19:34 | |
HE BARKS | 0:19:34 | 0:19:36 | |
HE LAUGHS | 0:19:36 | 0:19:38 | |
HE BARKS | 0:19:39 | 0:19:40 | |
HE LAUGHS | 0:19:42 | 0:19:44 | |
-I can definitely get a massage therapist. -No. | 0:19:44 | 0:19:47 | |
Complain all you want, Trace, I don't care. | 0:19:47 | 0:19:49 | |
What I really want you guys to focus on, the entertainment. | 0:19:49 | 0:19:51 | |
I've got a connect with the Brooklyn Nets. | 0:19:51 | 0:19:55 | |
So if I can try and get some of the players to show up... | 0:19:55 | 0:19:58 | |
I think we have to tie it in with our entertainment. | 0:19:58 | 0:20:01 | |
No, I'm just trying to, you know... | 0:20:01 | 0:20:03 | |
'I'm trying to help out Marilu as much as I can. | 0:20:03 | 0:20:05 | |
'I just feel like my hands are tied.' | 0:20:05 | 0:20:07 | |
You should think I might be someone you kind of use more | 0:20:07 | 0:20:10 | |
into planning the party. | 0:20:10 | 0:20:13 | |
-I think I'm one of the best party mother -BLEEP -on the planet. | 0:20:13 | 0:20:15 | |
Do I need to say that in my Rick James voice? | 0:20:16 | 0:20:19 | |
I'd love to have anything that reminds you of royalty, | 0:20:19 | 0:20:21 | |
anything that a King would love to be watching. | 0:20:21 | 0:20:24 | |
Whether it is a mandolin player. Maybe we can find a mime. | 0:20:24 | 0:20:27 | |
I'm trying to get that, as well. | 0:20:27 | 0:20:28 | |
And anything else you guys can think of that would be fit for a King. | 0:20:28 | 0:20:33 | |
-Look, I haven't stopped since I've sat down here. -I know that. | 0:20:33 | 0:20:38 | |
I've got a line on Hunter Hayes, and he's great. | 0:20:38 | 0:20:42 | |
He just won New Artist of the Year at the CMA Awards. | 0:20:42 | 0:20:45 | |
'Hunter Hayes was touring with Carrie Underwood.' | 0:20:45 | 0:20:48 | |
He's in town, so come on by, man, please. | 0:20:48 | 0:20:53 | |
I see how you operate now. | 0:20:53 | 0:20:55 | |
-Who? -You. -What? | 0:20:55 | 0:20:57 | |
You get real curmudgeonly until you know exactly what you want to do, | 0:20:57 | 0:21:00 | |
and then you get very enthusiastic and helpful. | 0:21:00 | 0:21:03 | |
That's what I'm known for. | 0:21:05 | 0:21:07 | |
Being very high-energy. | 0:21:07 | 0:21:09 | |
SHE LAUGHS | 0:21:09 | 0:21:10 | |
You operate at a notch above death. | 0:21:10 | 0:21:13 | |
HE LAUGHS | 0:21:13 | 0:21:14 | |
-Wow. -That's why we'd be a good combination. | 0:21:14 | 0:21:17 | |
I need to cover up this morning | 0:21:17 | 0:21:19 | |
-because you're just beating the hell out of me. -It's not true. | 0:21:19 | 0:21:22 | |
I just want the support from you that I've always given you. | 0:21:22 | 0:21:24 | |
I'm a curmudgeon that operates one step above death. | 0:21:24 | 0:21:27 | |
-One notch above death. -One notch above death, I'm sorry. | 0:21:27 | 0:21:30 | |
'I adore Trace.' | 0:21:30 | 0:21:31 | |
OK, I love him so much and I've always had his back for every task. | 0:21:31 | 0:21:34 | |
But I've got to say, he has turned into such a curmudgeon | 0:21:34 | 0:21:37 | |
the last couple of tasks. | 0:21:37 | 0:21:39 | |
He hasn't been himself, so I don't know what's happened to Trace, | 0:21:39 | 0:21:42 | |
but I'm kind of disappointed. He's not contributing enough. | 0:21:42 | 0:21:45 | |
-Got a possible Dolly Parton. Have you ever heard of her? -Yeah. | 0:21:46 | 0:21:51 | |
-Yeah, I know about her -BLEEP -very well. Hers were real, too, right? | 0:21:51 | 0:21:55 | |
-I swear, man. -Damn! | 0:21:55 | 0:21:58 | |
Is D as big as it goes? | 0:21:58 | 0:22:00 | |
THEY LAUGH | 0:22:00 | 0:22:01 | |
I know what they are, they're M. | 0:22:01 | 0:22:04 | |
LIL JON LAUGHS | 0:22:04 | 0:22:06 | |
'Lil Jon and I have started acting silly.' | 0:22:08 | 0:22:10 | |
The more frustrated she got with it, the funnier it was. | 0:22:10 | 0:22:14 | |
-SIGHS: -I'll probably have to sleep with her, | 0:22:14 | 0:22:16 | |
but I'll take one for the team. | 0:22:16 | 0:22:19 | |
-Just saying, I'm that kind of player. -OK. | 0:22:19 | 0:22:22 | |
The boys who are staying after school today, | 0:22:22 | 0:22:24 | |
please keep your mind on your work. | 0:22:24 | 0:22:26 | |
LIL JON LAUGHS | 0:22:26 | 0:22:28 | |
OK, when you get to the linen store, | 0:22:28 | 0:22:30 | |
I want to see pictures of the napkins, | 0:22:30 | 0:22:32 | |
and I also want purple tablecloths. | 0:22:32 | 0:22:34 | |
'I was glad to see her lighten up for just a second, | 0:22:34 | 0:22:37 | |
'but then she snapped right back to being the mayor of stress town.' | 0:22:37 | 0:22:41 | |
But's that's just her. | 0:22:41 | 0:22:43 | |
Hey, man, we've got the party planner from hell. | 0:22:43 | 0:22:46 | |
HE LAUGHS | 0:22:46 | 0:22:48 | |
David Burke himself is coming. | 0:22:52 | 0:22:55 | |
I got that picture of David Burke flying in, but set him up. | 0:22:55 | 0:22:59 | |
-OK, it is set up. Pretty much. -Of course it is. -Yeah. | 0:22:59 | 0:23:02 | |
-All you've got to do is type in David Burke. -Exactly. | 0:23:02 | 0:23:04 | |
And then we've got to work on my posters. | 0:23:04 | 0:23:06 | |
Give me your cell number and you can call Dr David Burke. | 0:23:06 | 0:23:09 | |
I got David Burke, I got Lisa Lampanelli, I got a flautist. | 0:23:09 | 0:23:13 | |
-I'm putting my feet up. -You can't. | 0:23:13 | 0:23:15 | |
'Our performers are not just random.' | 0:23:15 | 0:23:17 | |
They are all tied into Foxwoods. Lisa Lampanelli, Penn and Teller. | 0:23:17 | 0:23:20 | |
They all perform at Foxwoods. | 0:23:20 | 0:23:22 | |
David Burke has a restaurant at Foxwoods. | 0:23:22 | 0:23:25 | |
This could not be more perfect. | 0:23:25 | 0:23:28 | |
-15 inches of snow?! What the -BLEEP?! | 0:23:33 | 0:23:36 | |
First, the worst hurricane ever, | 0:23:37 | 0:23:39 | |
now the worst Easter - 15 inches of snow. | 0:23:39 | 0:23:41 | |
Unbelievable. Teller's getting to the airport. | 0:23:41 | 0:23:44 | |
They've got him on flights now. I'm just trying to get him out. | 0:23:44 | 0:23:47 | |
-They're delaying or cancelling. -The weather is really bad in New York. | 0:23:47 | 0:23:51 | |
And Teller is trying to come in from Las Vegas. | 0:23:51 | 0:23:54 | |
All the flights are cancelled. | 0:23:54 | 0:23:55 | |
I may have to fly Teller into Philly and make him drive, | 0:23:55 | 0:23:59 | |
-that's going to be tough. -'Penn is a magician in more ways than one.' | 0:23:59 | 0:24:03 | |
But I don't know if Teller is going to make it. | 0:24:03 | 0:24:06 | |
-I don't know exactly if anyone is going to make it. -Hello? | 0:24:06 | 0:24:10 | |
Hey, Teller, this is Penn. We're on TV. | 0:24:10 | 0:24:13 | |
We're still hoping to get you in, | 0:24:13 | 0:24:15 | |
do you still have hope, or are you giving up? | 0:24:15 | 0:24:17 | |
I'm at the airport and there are huge flight delays, | 0:24:17 | 0:24:20 | |
as you probably know. | 0:24:20 | 0:24:22 | |
They say the winds will die down at 4:30 in the morning, | 0:24:22 | 0:24:25 | |
but who knows? With any luck, we'll get out there somehow. | 0:24:25 | 0:24:29 | |
# A few Pequot survived | 0:24:47 | 0:24:49 | |
# When the Pilgrims attacked | 0:24:49 | 0:24:51 | |
# And they built a big place | 0:24:51 | 0:24:53 | |
# Where they deal blackjack. # | 0:24:53 | 0:24:56 | |
Marilu, you misspelt King. | 0:24:56 | 0:24:59 | |
Do you think you should be fired? | 0:24:59 | 0:25:01 | |
-It would be great to have sort of a massage chair set up. -OK. | 0:25:01 | 0:25:05 | |
I needed you to come to New York City tomorrow, | 0:25:05 | 0:25:08 | |
but I know you can't do that. Thanks for the help, asshead. | 0:25:08 | 0:25:11 | |
LIL JON LAUGHS | 0:25:11 | 0:25:13 | |
'Jon and I were kind of at our wits' end,' | 0:25:13 | 0:25:16 | |
we'd both run into dead-ends trying to get people. | 0:25:16 | 0:25:19 | |
It was a frustrating thing, and then we just started getting punch-drunk. | 0:25:19 | 0:25:24 | |
OK, I really need you guys to think about how we're going to add | 0:25:24 | 0:25:27 | |
to this, because this is our last chance to have something else | 0:25:27 | 0:25:31 | |
besides what we've got. | 0:25:31 | 0:25:34 | |
'I'm not feeling confident about my entertainment. | 0:25:34 | 0:25:36 | |
'Trace is making up songs, and he knows more about the tribe' | 0:25:36 | 0:25:40 | |
than he knows about what we are doing. | 0:25:40 | 0:25:42 | |
If we don't pull this off tomorrow, Trace should be fired, | 0:25:42 | 0:25:45 | |
because I feel like I've given 100% to this task, | 0:25:45 | 0:25:48 | |
and I don't feel that he has, at all. | 0:25:48 | 0:25:51 | |
-Calm down. -LIL JON LAUGHS | 0:25:51 | 0:25:53 | |
I think I'm being very calm. | 0:25:53 | 0:25:56 | |
You've got to have something in here that makes it look like royalty. | 0:25:56 | 0:25:59 | |
You should have beautiful maidens waiting on you. | 0:25:59 | 0:26:03 | |
I love beautiful maidens. I love beautiful maidens. | 0:26:03 | 0:26:07 | |
-I just want to throw that out there. -You've turned into Carrie. -Oh, wow. | 0:26:07 | 0:26:12 | |
-You have. -I'm going home, I'm not playing with you all any more. | 0:26:12 | 0:26:17 | |
-Ah! -We have seven more... | 0:26:17 | 0:26:19 | |
LIL JON LAUGHS | 0:26:19 | 0:26:20 | |
-We've got seven more hours here. -I can't do this any more. | 0:26:20 | 0:26:25 | |
I'm going to go jump off the top of this building. | 0:26:26 | 0:26:30 | |
I feel like the substitute teacher who has the detention class. | 0:26:30 | 0:26:34 | |
-You basically are. -I know. | 0:26:34 | 0:26:36 | |
-I can tell, you spiralled a couple of days ago. -I did. | 0:26:36 | 0:26:40 | |
'Trace is going crazy, ladies and gentlemen.' | 0:26:40 | 0:26:42 | |
I think he's been doing Celebrity Apprentice too long this time, | 0:26:42 | 0:26:46 | |
and Marilu just made him go over the edge. | 0:26:46 | 0:26:48 | |
I'm trying to keep focused, trying to keep working. | 0:26:48 | 0:26:51 | |
But my partner Trace is losing has damn mind. | 0:26:51 | 0:26:54 | |
# This has become a big pain in the ass | 0:26:54 | 0:26:57 | |
# I'm about ready to say to hell with this task... # | 0:26:57 | 0:27:00 | |
LIL JON LAUGHS | 0:27:00 | 0:27:02 | |
He's lost his mind. | 0:27:03 | 0:27:05 | |
-PENN AND LISA: -Mash-an-tucket. Mash-an-tucket. | 0:27:06 | 0:27:10 | |
Mashantucket Pequot. | 0:27:10 | 0:27:12 | |
Mashantucket... I just kind of rubbed against your ass | 0:27:12 | 0:27:14 | |
more than I probably should have. | 0:27:14 | 0:27:16 | |
-Mashantucket... -..Pequot. | 0:27:16 | 0:27:18 | |
You know what, I think I might paint my one nail red tomorrow. | 0:27:18 | 0:27:20 | |
I might go there, now that I see it. We're becoming one, I think. | 0:27:20 | 0:27:23 | |
-Yes, we are. -Aren't we? | 0:27:23 | 0:27:25 | |
THEY LAUGH | 0:27:25 | 0:27:27 | |
'On this task, we're taking it very, very seriously,' | 0:27:27 | 0:27:30 | |
but we're also having fun. | 0:27:30 | 0:27:32 | |
Lisa's just a pleasure to be around. | 0:27:32 | 0:27:35 | |
Bingo. | 0:27:35 | 0:27:36 | |
And there's only two of us, and Lisa does not want me fired, | 0:27:36 | 0:27:41 | |
-and I do not want her fired. So it's even more important to win. -Hello. | 0:27:41 | 0:27:46 | |
-Hello, it's David Burke, how are you? -Hi, David, | 0:27:46 | 0:27:48 | |
it's Lisa Rinna and Penn Jillette. | 0:27:48 | 0:27:50 | |
I'm right here, man. Good to hear from you again. | 0:27:50 | 0:27:52 | |
-How are you guys doing? -Great, how are you? | 0:27:52 | 0:27:54 | |
I'm doing great. A little weather-beaten up here. | 0:27:54 | 0:27:57 | |
I can't thank you enough for doing this, it means the world. | 0:27:57 | 0:28:01 | |
-I'm so excited. -I'm excited, too. | 0:28:01 | 0:28:03 | |
Tell me what my marching orders are and what you'd like to see. | 0:28:03 | 0:28:06 | |
-Well, the theme, you know, it's Foxwoods. -The Jokers of Foxwoods. | 0:28:06 | 0:28:10 | |
-The Jokers of Foxwoods. -The Jokers, yeah, OK. | 0:28:10 | 0:28:13 | |
The fun, joker style food, I've got the ideas brewing right now | 0:28:13 | 0:28:18 | |
and we're brainstorming right now with my chefs. | 0:28:18 | 0:28:21 | |
Wonderful. | 0:28:21 | 0:28:22 | |
We're going to have David Burke, | 0:28:22 | 0:28:24 | |
who is not just a chef, | 0:28:24 | 0:28:27 | |
he's a performer - and a chef at the same time. | 0:28:27 | 0:28:30 | |
So he's going to knock our socks off. | 0:28:30 | 0:28:34 | |
-Hi, John. -Hello. Good to see you. | 0:28:34 | 0:28:37 | |
Great to see you. | 0:28:37 | 0:28:39 | |
I love seeing John Rich, I love him, love him, love him. | 0:28:39 | 0:28:42 | |
He's one of those people, when you meet, you just fall in love. | 0:28:42 | 0:28:45 | |
He's just one of the coolest dudes ever. | 0:28:45 | 0:28:49 | |
How is it being down to two people on a team? | 0:28:49 | 0:28:51 | |
I know how many bases you all are covering, so how is that going? | 0:28:51 | 0:28:54 | |
I feel really good. I mean, Penn has been awesome. | 0:28:54 | 0:28:57 | |
We're having a party and it's going to be really sexy. | 0:28:57 | 0:28:59 | |
It's going to be really hip, it's going to be black and white. | 0:28:59 | 0:29:02 | |
Maybe a little red. It's leather. It's sexy. | 0:29:02 | 0:29:06 | |
-It's basically what I'm wearing right now. -It's you. | 0:29:06 | 0:29:08 | |
-It's just you as furniture. -Are you hitting on me? Because it's working. | 0:29:08 | 0:29:11 | |
Oh, good! I haven't seen my husband for a month, so be careful. | 0:29:11 | 0:29:16 | |
-So we're doing the Jokers of Foxwoods. -Perfect. | 0:29:16 | 0:29:18 | |
And we have Lisa Lampanelli. | 0:29:18 | 0:29:19 | |
She's going to come in and do a few minutes of stand-up. | 0:29:19 | 0:29:22 | |
David Burke is making a prankster, jokester menu especially for us. | 0:29:22 | 0:29:26 | |
And then we'll do a Penn and Teller thing. | 0:29:26 | 0:29:28 | |
And we have one Native American flautist | 0:29:28 | 0:29:31 | |
-who's going to have music going on in the background. -Wonderful. | 0:29:31 | 0:29:34 | |
-Because it's not a party without a flautist. -No. | 0:29:34 | 0:29:37 | |
I think we all know that. | 0:29:37 | 0:29:38 | |
'Lisa and Penn seem pretty calm.' | 0:29:38 | 0:29:40 | |
Lisa's a little frazzled, but that's to be expected, | 0:29:40 | 0:29:43 | |
she's tired, she's been here a long time, and it's down to two people, | 0:29:43 | 0:29:47 | |
'and it's about to be the final four, and then the final two. | 0:29:47 | 0:29:49 | |
'So there's a lot in the air.' | 0:29:49 | 0:29:51 | |
Well, thanks for letting me barge in. | 0:29:51 | 0:29:52 | |
-Are you kidding? Thanks for coming. -Oh, my goodness. | 0:29:52 | 0:29:55 | |
-So that means "put in a good word for us". -God bless you, take care. | 0:29:55 | 0:29:59 | |
-Oh, wow. My hand's disappearing! -Yeah, wow, whoo! | 0:29:59 | 0:30:02 | |
-There you go. All right, good luck. -Thanks, John. | 0:30:02 | 0:30:03 | |
-We'll see you. -We will. Peace, thank you. | 0:30:03 | 0:30:05 | |
All right, tell your boy, if I use that DJ setup, | 0:30:12 | 0:30:15 | |
I'm going to need it in the morning. | 0:30:15 | 0:30:17 | |
It will be a kick drum and a snare, that's all I need. Exactly. | 0:30:17 | 0:30:20 | |
Well, let me know ASAP. | 0:30:20 | 0:30:22 | |
'Marilu wanted me to DJ. | 0:30:22 | 0:30:24 | |
'I'm reaching out to some people to get this DJ set up, to rock.' | 0:30:24 | 0:30:28 | |
To do my thing for it. | 0:30:28 | 0:30:29 | |
I mean, you have your DJ thing coming, or you don't have it? | 0:30:29 | 0:30:32 | |
I won't know until later. | 0:30:32 | 0:30:34 | |
'I was excited that maybe Lil Jon | 0:30:34 | 0:30:36 | |
'would be able to stand in the corner,' | 0:30:36 | 0:30:38 | |
and even if it were just beats, | 0:30:38 | 0:30:39 | |
he'd be able to keep the party moving | 0:30:39 | 0:30:41 | |
and have a pulse to the party, | 0:30:41 | 0:30:42 | |
because I always think that's very important in party planning. | 0:30:42 | 0:30:45 | |
When you got through to me, | 0:30:45 | 0:30:46 | |
I was going to go through that with her. | 0:30:46 | 0:30:48 | |
-Greetings. -I've been waiting on you! -Nice to see you. -Hey, John! | 0:30:48 | 0:30:53 | |
-Get over here! -How are you doing, John? -I'm all right. | 0:30:53 | 0:30:55 | |
'It was weird seeing John,' | 0:30:55 | 0:30:57 | |
because me and him on the show were in the trenches together, boy. | 0:30:57 | 0:31:00 | |
You know, with dirt on our face | 0:31:00 | 0:31:01 | |
and in our fingernails - | 0:31:01 | 0:31:02 | |
and now he's living in the big house on the good side, | 0:31:02 | 0:31:05 | |
and I've still got to fight it out. | 0:31:05 | 0:31:06 | |
So, how's it working with these two guys? | 0:31:06 | 0:31:09 | |
You know, when you get down to two or three people on a team, | 0:31:09 | 0:31:12 | |
it's a lot going on. How's that working out with all of y'all? | 0:31:12 | 0:31:15 | |
-It's tough right now. -They're in charge of entertainment | 0:31:15 | 0:31:18 | |
and this has been the toughest thing of the day. | 0:31:18 | 0:31:20 | |
-Where do you see that bowling out? -I don't know. | 0:31:20 | 0:31:22 | |
It's going to be hard with this storm and everything. | 0:31:22 | 0:31:25 | |
Dolly might come up here. | 0:31:25 | 0:31:26 | |
-But if she can't fly in, she's not going to come. -Hm. | 0:31:26 | 0:31:30 | |
-Beyond that, I don't know. -That's the problem. | 0:31:30 | 0:31:34 | |
They're having trouble finding entertainment. | 0:31:34 | 0:31:36 | |
If they don't have that, | 0:31:36 | 0:31:37 | |
they're at a serious deficit against the other team. | 0:31:37 | 0:31:40 | |
What about Lil Jon? Some kind of royal beat up in here. King Jon. | 0:31:40 | 0:31:45 | |
-The King of Crunk. Wow. -Did you start working, John? | 0:31:45 | 0:31:49 | |
I'm not working, man. | 0:31:49 | 0:31:51 | |
Lil Jon is a king in the rap world. | 0:31:51 | 0:31:53 | |
He's got the grill, he's got the chains. | 0:31:53 | 0:31:55 | |
Put a crown on that man's head, set him up in a big throne, | 0:31:55 | 0:31:58 | |
have him welcome everybody, pouring shots. | 0:31:58 | 0:32:00 | |
They're tired, so I don't know | 0:32:00 | 0:32:01 | |
if they're thinking those kind of things or not. | 0:32:01 | 0:32:03 | |
If I was in there, that's what I would be pushing for. | 0:32:03 | 0:32:05 | |
I like that, though. He said King Jon. Do we have a king costume? | 0:32:05 | 0:32:09 | |
Remember, everybody thought I was being so silly | 0:32:09 | 0:32:11 | |
about kings and stuff like that? | 0:32:11 | 0:32:13 | |
-That was... -I know, but I didn't hear you piping up. | 0:32:13 | 0:32:16 | |
I don't know. I didn't... I don't know. | 0:32:16 | 0:32:19 | |
Well, good luck to you, guys, I'll see you tomorrow. | 0:32:19 | 0:32:21 | |
'I definitely felt like there were a lot of things hanging, | 0:32:21 | 0:32:24 | |
'loose ends all over the place. | 0:32:24 | 0:32:27 | |
'The Foxwoods people, they've seen it all.' | 0:32:27 | 0:32:29 | |
They want something to go, boom, right? Like a firework show. | 0:32:29 | 0:32:31 | |
And I don't know that they necessarily have that locked in yet. | 0:32:31 | 0:32:35 | |
Good luck to you all. Knock it out. See you. | 0:32:35 | 0:32:37 | |
What do you think about that hint John had | 0:32:37 | 0:32:41 | |
about me being the king and the chalice? | 0:32:41 | 0:32:44 | |
I just worry that we don't have enough king stuff. | 0:32:44 | 0:32:47 | |
Well, whatever you want me to do, I'll do it, | 0:32:47 | 0:32:49 | |
-you know what I'm saying? -I know. | 0:32:49 | 0:32:51 | |
There is a chance, Lisa, | 0:32:58 | 0:32:59 | |
no kidding, that we will not be able to get Teller. | 0:32:59 | 0:33:02 | |
He's in the air, his wheels are up already, | 0:33:02 | 0:33:05 | |
-but they may just not let him land. -I know. | 0:33:05 | 0:33:07 | |
-He tried... He went to San Francisco to fly to Philly. -Unbelievable. | 0:33:07 | 0:33:12 | |
'There's still so much riding on tomorrow morning,' | 0:33:12 | 0:33:14 | |
and it's snowing outside. I don't even know if we'll get Teller here. | 0:33:14 | 0:33:18 | |
Who knows if David Burke will show up? | 0:33:18 | 0:33:20 | |
Who knows if Lisa Lampanelli will show up? | 0:33:20 | 0:33:23 | |
We have them. Will they make it? | 0:33:23 | 0:33:25 | |
We have to think about worst-case scenario. | 0:33:25 | 0:33:27 | |
Is there any way I can look like Teller? Or dress up like Teller? | 0:33:27 | 0:33:30 | |
We could do a Penn and Teller bit. | 0:33:30 | 0:33:32 | |
-I think we should have that as a backup. -You might get hurt a little. | 0:33:32 | 0:33:35 | |
-Really? Will it disfigure me? -Well, temporarily. -Where? -Your lips. | 0:33:35 | 0:33:41 | |
My lips aren't real! I'm perfect for it. | 0:33:41 | 0:33:44 | |
-Does that make it better or worse? -It makes it better. -OK. | 0:33:44 | 0:33:47 | |
I can juggle three apples and I can feed you one. | 0:33:47 | 0:33:50 | |
It means if you move your head forward, | 0:33:50 | 0:33:53 | |
I will punch you in the face with an apple. | 0:33:53 | 0:33:55 | |
SHE LAUGHS | 0:33:55 | 0:33:57 | |
'We do have a plan B. If Teller doesn't get here,' | 0:33:57 | 0:34:00 | |
I will do the juggling apple trick with Penn. | 0:34:00 | 0:34:05 | |
My lips are bionic, so if I do get punched in the mouth, | 0:34:05 | 0:34:08 | |
is it really a big deal or will they just kind of get bigger, | 0:34:08 | 0:34:11 | |
and then that's fine? You know, all this is going through my head. | 0:34:11 | 0:34:15 | |
SHE LAUGHS | 0:34:15 | 0:34:16 | |
So I should wear a black suit, just in case I need to look like him? | 0:34:16 | 0:34:20 | |
I don't think you'll look like him. | 0:34:20 | 0:34:22 | |
He's an ugly little troll, and you're a beautiful woman. OK. | 0:34:22 | 0:34:26 | |
-SHE LAUGHS -Thanks. | 0:34:26 | 0:34:28 | |
-The Barclays Center, you said? -Yeah, the Barclays Center. | 0:34:30 | 0:34:32 | |
What time do you need me there? | 0:34:32 | 0:34:35 | |
-Anywhere between 11 and 12 o'clock. -No worries, man. | 0:34:35 | 0:34:37 | |
And we are looking forward to it. | 0:34:37 | 0:34:39 | |
Once again, congratulations on your CMA win. | 0:34:39 | 0:34:43 | |
-Thank you, I appreciate that, Trace, that means a lot. -All right, Hunter. | 0:34:43 | 0:34:46 | |
-Thank you, guys. All right. -Look forward to seeing you tomorrow. OK. | 0:34:46 | 0:34:49 | |
-I've got Hunter Hayes. -Oh! | 0:34:49 | 0:34:52 | |
Thank you. OK. | 0:34:53 | 0:34:54 | |
'I want to win, I really do. | 0:34:54 | 0:34:57 | |
'I didn't hold anything back.' | 0:34:57 | 0:34:59 | |
Hunter Hayes is the CMA New Artist of the Year. | 0:34:59 | 0:35:04 | |
This kid's hot, man. | 0:35:04 | 0:35:06 | |
He's got chops. | 0:35:06 | 0:35:08 | |
I got it. | 0:35:08 | 0:35:10 | |
This might be too big. Check me out, Trace. | 0:35:10 | 0:35:15 | |
King Jon in this bitch. Where's my wenches?! | 0:35:15 | 0:35:19 | |
You didn't pay your taxes? | 0:35:19 | 0:35:21 | |
Off with his head. | 0:35:21 | 0:35:23 | |
He stole your goat? Off with his head. | 0:35:23 | 0:35:25 | |
That's all I would ever say if I was a king. | 0:35:27 | 0:35:29 | |
King Jizzle. | 0:35:29 | 0:35:30 | |
Marilu ordered some kingly-looking chairs, | 0:35:32 | 0:35:36 | |
some king-like capes, sceptres, | 0:35:36 | 0:35:39 | |
crowns, | 0:35:39 | 0:35:41 | |
and I don't know how the hell she's going to use all this stuff | 0:35:41 | 0:35:44 | |
and how it's getting put together, | 0:35:44 | 0:35:45 | |
cos this is in Marilu's hands, it's all in her head. | 0:35:45 | 0:35:49 | |
And I'm not trying to get up in there, I might not come out. | 0:35:49 | 0:35:52 | |
-Can we go now, teacher? Can we get out of detention now? -Finally. | 0:35:52 | 0:35:56 | |
I feel like it's like Hairspray or something. OK. | 0:35:56 | 0:36:00 | |
Let me see. Do I have everything? No, my phone, let's see. | 0:36:00 | 0:36:03 | |
You could have 100 people in this suite. | 0:36:03 | 0:36:05 | |
You could have 50 people in this suite for a party, easily. | 0:36:05 | 0:36:08 | |
-All right. Um... -She's crazy. -Let me just... -Who? | 0:36:08 | 0:36:12 | |
She's not, like, Gary Busey crazy, but... | 0:36:12 | 0:36:16 | |
she's still crazy. | 0:36:16 | 0:36:18 | |
She's a little... She's got a lot going on. | 0:36:18 | 0:36:21 | |
If I had all that stuff stuck in my memory that she has... | 0:36:21 | 0:36:24 | |
-My mind would explode. -I'd be crazy, too. -Come on, human computer. -OK. | 0:36:24 | 0:36:29 | |
-Here? -I think over here. | 0:36:37 | 0:36:39 | |
-This is Lisa Rinna. -Hello, Teller. | 0:36:40 | 0:36:42 | |
You look absolutely unrecognisable. | 0:36:44 | 0:36:48 | |
I would have never known who you were. | 0:36:48 | 0:36:50 | |
'I guess my biggest worry last night was Teller not getting in.' | 0:36:50 | 0:36:54 | |
But the weather had cleared, fortunately, | 0:36:54 | 0:36:57 | |
and Teller was able to, with tremendous work, | 0:36:57 | 0:37:01 | |
get in and be right on time. | 0:37:01 | 0:37:03 | |
All right. Hi, guys. Hey, Blue and Jesse. | 0:37:03 | 0:37:06 | |
-OK. -Hello, Jesse, this is Teller. Teller, Blue, Jesse. Lisa? -Yes. | 0:37:06 | 0:37:11 | |
We're going to move all this cos this is all David Burke. | 0:37:11 | 0:37:13 | |
I mean, I could have David Burke set up over here | 0:37:13 | 0:37:16 | |
and then you've got the bar | 0:37:16 | 0:37:17 | |
and we put the furniture over here and people can sit down. | 0:37:17 | 0:37:19 | |
That's what we're doing. OK, guys, move all this furniture over here. | 0:37:19 | 0:37:23 | |
David Burke will set up here. | 0:37:23 | 0:37:24 | |
'There's so much to do in such a little amount of time | 0:37:24 | 0:37:27 | |
'and we are throwing a party.' | 0:37:27 | 0:37:28 | |
That alone really takes weeks to prepare. | 0:37:28 | 0:37:31 | |
-Hey, hello. -Hey, Lisa... | 0:37:31 | 0:37:34 | |
EXCITED CHATTER | 0:37:34 | 0:37:37 | |
'Lisa Lampanelli was on Celebrity Apprentice last season with me,' | 0:37:37 | 0:37:42 | |
she'll do five to ten minutes of stand-up | 0:37:42 | 0:37:45 | |
and also hobnob and talk about Foxwoods. | 0:37:45 | 0:37:47 | |
She's also a regular up there. | 0:37:47 | 0:37:49 | |
David Burke has a restaurant, | 0:37:49 | 0:37:51 | |
you really play there, we really play there, | 0:37:51 | 0:37:53 | |
if they don't like this entertainment, | 0:37:53 | 0:37:56 | |
-they should burn their resort down. -They really should. | 0:37:56 | 0:37:58 | |
They should know better than to hire us. | 0:37:58 | 0:38:00 | |
Damn! Things weighs a tonne, man. | 0:38:01 | 0:38:04 | |
HE GRUNTS | 0:38:04 | 0:38:06 | |
-Damn, this thing's heavy. -I'm so sorry. | 0:38:08 | 0:38:11 | |
-Let's move that in here. -You just going to slide it? -Yeah. | 0:38:11 | 0:38:15 | |
Damn! | 0:38:15 | 0:38:17 | |
'There was a eight-foot tall mirror in that room.' | 0:38:17 | 0:38:19 | |
I swear that thing weighed 300 pounds. | 0:38:19 | 0:38:22 | |
OK, and that should stand, no? | 0:38:22 | 0:38:23 | |
LIL JON LAUGHS | 0:38:23 | 0:38:25 | |
-We know it should stand. -I'm sorry, guys. | 0:38:25 | 0:38:27 | |
-Can you move it? -We're going to kill you. | 0:38:27 | 0:38:30 | |
I don't know what it was for. I really don't. | 0:38:30 | 0:38:34 | |
Let's just lean it against the wall. | 0:38:34 | 0:38:36 | |
Will that work? | 0:38:36 | 0:38:37 | |
The sumbitch weighs 400 pounds, I ain't moving it no more. | 0:38:37 | 0:38:40 | |
OK. | 0:38:40 | 0:38:41 | |
Where are you going to set up? | 0:38:41 | 0:38:43 | |
-I'm done, I can't set up. -You're not going to play anything? | 0:38:43 | 0:38:46 | |
I can't. The dude stopped returning calls last night. | 0:38:46 | 0:38:50 | |
'Lil Jon never worked out some kind of, like, DJ thing. | 0:38:50 | 0:38:53 | |
'All of a sudden he didn't have the equipment.' | 0:38:53 | 0:38:56 | |
He was supposed to be part of the experience | 0:38:56 | 0:38:58 | |
and create this beat to the atmosphere | 0:38:58 | 0:38:59 | |
which I think is very helpful to any kind of party. | 0:38:59 | 0:39:02 | |
And I definitely missed it. | 0:39:02 | 0:39:04 | |
OK. Hi, good morning! How are you? | 0:39:04 | 0:39:08 | |
-Nice to see you. -Nice to see you. | 0:39:08 | 0:39:10 | |
I think I want to change the two tables out. | 0:39:10 | 0:39:12 | |
-This table's going. -Going out? -Yeah. | 0:39:12 | 0:39:15 | |
Where's the bartender, is he here yet? | 0:39:15 | 0:39:17 | |
-They are here, yeah. -We got five minutes, guys. | 0:39:17 | 0:39:20 | |
OK. | 0:39:20 | 0:39:22 | |
I am pedal to the metal and I am raring to go. | 0:39:22 | 0:39:25 | |
Let's put a crown on each chair. | 0:39:25 | 0:39:26 | |
'There were a lot of elements to put together. | 0:39:26 | 0:39:28 | |
'The food was coming in fast and furiously.' | 0:39:28 | 0:39:31 | |
-Smells good in here! -We're almost there, guys, we're almost there. | 0:39:31 | 0:39:34 | |
So there were a lot of little pieces in a very small space. | 0:39:34 | 0:39:37 | |
And the clock is ticking. | 0:39:37 | 0:39:39 | |
OK, three minutes. | 0:39:39 | 0:39:41 | |
OK, you guys ready to greet your guests? | 0:39:43 | 0:39:45 | |
-Here we go! -Yeah! | 0:39:47 | 0:39:50 | |
Oh, my goodness! I know that guy! | 0:39:50 | 0:39:53 | |
-Hey. -Good, good, I'm doing good. | 0:39:53 | 0:39:55 | |
I'm going to drop this somewhere. | 0:39:55 | 0:39:57 | |
David Burke comes in the room | 0:39:57 | 0:39:58 | |
two minutes before the party starts. | 0:39:58 | 0:40:00 | |
But he's here and he brings in a show of food | 0:40:00 | 0:40:04 | |
like I've never seen in my life. | 0:40:04 | 0:40:06 | |
Oh! | 0:40:09 | 0:40:10 | |
Oh, that is gorgeous. | 0:40:12 | 0:40:14 | |
Oh, come on in! Hi, everybody! Welcome! | 0:40:14 | 0:40:17 | |
You got crab cakes to the left. | 0:40:17 | 0:40:18 | |
Hi, everybody. Hi, I'm Lisa. | 0:40:18 | 0:40:21 | |
Nice to meet you! | 0:40:21 | 0:40:23 | |
Oh, my goodness! | 0:40:23 | 0:40:24 | |
-I want to eat everything. -I know. | 0:40:24 | 0:40:27 | |
'When you taste David Burke's food, you've died and gone to heaven' | 0:40:27 | 0:40:30 | |
and it's almost as good as sex. Almost. | 0:40:30 | 0:40:33 | |
-Those are the calamari heads. -Oh! | 0:40:33 | 0:40:36 | |
Kind of like the clown hat. | 0:40:36 | 0:40:39 | |
Oh, I mean, it's so Joker-esque, isn't it? | 0:40:39 | 0:40:41 | |
'Everything is so specific to what we are doing. | 0:40:41 | 0:40:45 | |
'He has gone through 4,000 calamari to pick' | 0:40:45 | 0:40:50 | |
the ones that look most like the Joker's hat. | 0:40:50 | 0:40:53 | |
I'm in awe. Everyone's in awe. That's the word - awe. | 0:40:53 | 0:40:58 | |
All right, that deserves that. | 0:40:58 | 0:41:01 | |
Are you kidding?! | 0:41:01 | 0:41:02 | |
That is unbelievable. | 0:41:02 | 0:41:06 | |
Hi! You're here for our party. Welcome. | 0:41:06 | 0:41:10 | |
I'm Marilu Henner. This is our King Suite. | 0:41:10 | 0:41:12 | |
And the King has sophistication | 0:41:12 | 0:41:14 | |
and the finest things in life, | 0:41:14 | 0:41:16 | |
which is why we have caviar service and champagne. | 0:41:16 | 0:41:20 | |
Our guests are arriving, we got a lot of Foxwoods | 0:41:20 | 0:41:22 | |
season ticket holders and Foxwoods VIPs | 0:41:22 | 0:41:24 | |
and they're starting to show up now. | 0:41:24 | 0:41:26 | |
Do any of you play chess? | 0:41:26 | 0:41:28 | |
OK, well, we have a chess master here who is going to be giving | 0:41:32 | 0:41:35 | |
a little demo. | 0:41:35 | 0:41:37 | |
I actually can play very good checkers. | 0:41:37 | 0:41:39 | |
HE LAUGHS | 0:41:39 | 0:41:41 | |
The whole chess thing, | 0:41:41 | 0:41:42 | |
Lil Jon and I had no idea that was even going to happen. | 0:41:42 | 0:41:46 | |
That had not even been discussed yesterday. | 0:41:46 | 0:41:48 | |
I'mma beat her today. Watch. I ain't never played one day in my life. | 0:41:48 | 0:41:52 | |
All of a sudden there's going to be this chess champion | 0:41:52 | 0:41:55 | |
sitting in there. I'm sorry, but I just thought that playing chess | 0:41:55 | 0:41:59 | |
with somebody that you don't have a prayer of beating... | 0:41:59 | 0:42:02 | |
HE CHUCKLES | 0:42:02 | 0:42:03 | |
..was kind of ridiculous, to be honest with you. | 0:42:03 | 0:42:06 | |
-Hi. -Stellar timing. | 0:42:06 | 0:42:09 | |
-How are you? -I'm well, how are you? -Very well, thanks. -Good to see you. | 0:42:09 | 0:42:13 | |
-Yes, hi, welcome to... -How are you? -Very good. | 0:42:13 | 0:42:15 | |
-Welcome to the King Suite. -Jon was just talking about you. | 0:42:15 | 0:42:19 | |
-LJ! Good to see you, my friend. -Yes, sir. | 0:42:19 | 0:42:22 | |
OK, so, well, first of all, this is our King Suite. | 0:42:22 | 0:42:26 | |
We have an entire seafood bar. | 0:42:26 | 0:42:28 | |
So what's happening over here? We got a lazy king or...? | 0:42:28 | 0:42:31 | |
We have the royal, um, physical therapist. | 0:42:31 | 0:42:35 | |
And we have the royal cart of all the desserts fit for a king. | 0:42:35 | 0:42:40 | |
We picked up of course your motif of purple and the gold, | 0:42:40 | 0:42:44 | |
which is always very rich, | 0:42:44 | 0:42:45 | |
and we also have actual royalty here since we are in the King Suite. | 0:42:45 | 0:42:49 | |
The Countess from The Real Housewives Of New York. | 0:42:49 | 0:42:52 | |
-How are you? -Nice to meet you. -Nice to meet you, as well. | 0:42:52 | 0:42:54 | |
-And we also have someone who's teaching chess. -OK. | 0:42:54 | 0:42:58 | |
You know, what is better and more royal for a king than a chess game? | 0:42:58 | 0:43:03 | |
-Uh-huh. -I will whoop you in some checkers! | 0:43:03 | 0:43:09 | |
"Hey, let's have a drink and sit down and play some chess." | 0:43:09 | 0:43:12 | |
Yeah, you don't normally see that at a hot, happening party. | 0:43:12 | 0:43:16 | |
It kind of fit for the royal theme, but... | 0:43:16 | 0:43:19 | |
it's up to the executives at the end of the day. | 0:43:19 | 0:43:22 | |
Checkmate! | 0:43:22 | 0:43:23 | |
HE LAUGHS | 0:43:23 | 0:43:26 | |
OK, February 17th, 1972 | 0:43:34 | 0:43:36 | |
was a Thursday. | 0:43:36 | 0:43:37 | |
Lamb chop, crab cakes. Please eat the desserts. | 0:43:37 | 0:43:40 | |
Please eat the desserts. | 0:43:40 | 0:43:41 | |
-Are you enjoying the food? It's so good? -So good. -OK. | 0:43:41 | 0:43:44 | |
You can't be staying all day in the doggone massage chair. | 0:43:44 | 0:43:47 | |
You cannot get a massage for two hours in here. | 0:43:47 | 0:43:50 | |
It's like a La-Z-Boy, for real. It's awesome. | 0:43:50 | 0:43:53 | |
What have you been doing, young lady, | 0:43:53 | 0:43:56 | |
where you've been that stressed? | 0:43:56 | 0:43:58 | |
'The party, I guess, is pretty good. | 0:43:58 | 0:44:01 | |
'My guy counted on me for my sound system so I could DJ. | 0:44:01 | 0:44:04 | |
'So since I can't do music I'm just going to float around' | 0:44:04 | 0:44:07 | |
and just greet people, shake hands and kiss babies, basically. | 0:44:07 | 0:44:10 | |
I'm going to be, you know... | 0:44:10 | 0:44:11 | |
Just try to keep the atmosphere going and hype up Foxwoods | 0:44:11 | 0:44:14 | |
and so on and so forth. | 0:44:14 | 0:44:15 | |
Whoa, look at that. What is that? | 0:44:15 | 0:44:17 | |
-Is that carrot cake? -This is food fit for a king. | 0:44:17 | 0:44:20 | |
Is that red velvet? | 0:44:20 | 0:44:22 | |
-Is that velvet? -Yeah, yeah, yeah. | 0:44:22 | 0:44:24 | |
-Are you good? -Yeah. -You good? -Yeah. | 0:44:24 | 0:44:27 | |
'I don't know if the party's going good or not. | 0:44:27 | 0:44:29 | |
'I've never been to a party that had massages and chess' | 0:44:29 | 0:44:32 | |
where people had their clothes on. | 0:44:32 | 0:44:34 | |
I usually go to those wild parties where you get massages | 0:44:34 | 0:44:38 | |
and playing chess naked. | 0:44:38 | 0:44:40 | |
But I got a country music singer going to show up here | 0:44:40 | 0:44:43 | |
and I'm hoping he brings some spark. | 0:44:43 | 0:44:46 | |
Ladies and gentlemen, | 0:44:46 | 0:44:47 | |
THE Country Music Association New Artist Of The Year, Hunter Hayes. | 0:44:47 | 0:44:51 | |
CHEERING | 0:44:51 | 0:44:53 | |
This is my brand-new song. It's called Somebody's Heartbreak. | 0:44:53 | 0:44:56 | |
A one, two, three, four... | 0:44:56 | 0:44:59 | |
# I'd love to know just what you're thinkin' | 0:45:05 | 0:45:09 | |
# Every little river running through your mind... # | 0:45:11 | 0:45:15 | |
'I felt really fortunate that I was able to score Hunter Hayes | 0:45:15 | 0:45:19 | |
'and get him in there.' | 0:45:19 | 0:45:20 | |
He's just a great musician, great singer, great songwriter. | 0:45:20 | 0:45:23 | |
And those guys appreciated it, I could see it. | 0:45:23 | 0:45:26 | |
You can't fake that. | 0:45:26 | 0:45:28 | |
Yeah, man! | 0:45:28 | 0:45:30 | |
# If you're gonna be somebody's heartbreak | 0:45:30 | 0:45:33 | |
# If you're gonna be somebody's mistake | 0:45:33 | 0:45:36 | |
# If you're gonna be somebody's first time | 0:45:36 | 0:45:39 | |
# Somebody's last time | 0:45:39 | 0:45:40 | |
# Baby, be mine | 0:45:40 | 0:45:43 | |
# If you're lookin' to be somebody's just friends | 0:45:43 | 0:45:45 | |
# A little laughin', little lovin' never callin' again | 0:45:45 | 0:45:49 | |
# That's just fine | 0:45:49 | 0:45:51 | |
# If you're gonna be somebody's heartbreak | 0:45:51 | 0:45:55 | |
# Be mine | 0:45:55 | 0:46:00 | |
# Baby, won't you be mine? # | 0:46:00 | 0:46:03 | |
-Yeah! -Whoo! | 0:46:03 | 0:46:06 | |
All right, Hunter. | 0:46:06 | 0:46:07 | |
-You are the man. -Is that amazing? -You are the man! | 0:46:07 | 0:46:11 | |
You just converted me into a country fan. | 0:46:11 | 0:46:14 | |
In the beginning I feel like the party | 0:46:14 | 0:46:16 | |
could have come together better, | 0:46:16 | 0:46:18 | |
but Hunter Hayes, I thought he was fantastic. | 0:46:18 | 0:46:20 | |
-You were awesome, my friend. -Thank you. | 0:46:20 | 0:46:22 | |
-Congratulations on everything. -Thank you. | 0:46:22 | 0:46:25 | |
You know, I thought you was awesome a long time ago. | 0:46:25 | 0:46:27 | |
Trace did get wonderful entertainment | 0:46:27 | 0:46:29 | |
and I think the people had a great time at the party. | 0:46:29 | 0:46:32 | |
-Oh, my God, he's so good. -This is great. | 0:46:32 | 0:46:35 | |
Quail eggs benedict. | 0:46:37 | 0:46:39 | |
Yay, beautiful. | 0:46:39 | 0:46:41 | |
-Unbelievable. -You gotta taste one. | 0:46:41 | 0:46:43 | |
-Just put the whole thing in your mouth. -I will. Hello! | 0:46:43 | 0:46:47 | |
-Hi, boys. Welcome! -How are you? Nice to see you. | 0:46:47 | 0:46:50 | |
-Nice to see you. -Good to see you. How's everything, Lisa? | 0:46:50 | 0:46:53 | |
How's it going? Nice to see you again. | 0:46:53 | 0:46:55 | |
So, come in, have a drink. | 0:46:55 | 0:46:56 | |
'I am the project manager for this task. | 0:46:56 | 0:46:59 | |
'The stakes are really high' | 0:46:59 | 0:47:01 | |
and the Foxwoods executives came by | 0:47:01 | 0:47:04 | |
and I will be at a loss | 0:47:04 | 0:47:05 | |
if they say, "You know, I really just think you just didn't hit it." | 0:47:05 | 0:47:09 | |
I feel darn good, but anything can happen, | 0:47:09 | 0:47:13 | |
I'm not going to be cocky about it. Please! | 0:47:13 | 0:47:15 | |
Please, come in. | 0:47:17 | 0:47:19 | |
We have Lisa, we have Penn and Teller, | 0:47:19 | 0:47:21 | |
we have Andrea Smith playing some flute music for kind of an ambience. | 0:47:21 | 0:47:25 | |
Let's all come in here, make yourself comfortable here. | 0:47:25 | 0:47:28 | |
-Yes, please, have a seat. -Hello, everybody, | 0:47:28 | 0:47:30 | |
welcome to our...Foxwoods suite here at the Barclays Center. | 0:47:30 | 0:47:34 | |
We are going to have entertainment here. | 0:47:34 | 0:47:36 | |
I think you've all seen that Lisa Lampanelli is over there, | 0:47:36 | 0:47:39 | |
and my partner Teller. | 0:47:39 | 0:47:41 | |
I've got here an apple. | 0:47:41 | 0:47:42 | |
Stuck to this apple are 100 size number 6 embroidery needles. | 0:47:42 | 0:47:45 | |
Teller's choosing someone to watch this from onstage. | 0:47:47 | 0:47:51 | |
He'll need Rodney to watch him closely | 0:47:51 | 0:47:53 | |
cos the objects he'll be using are rather small. | 0:47:53 | 0:47:56 | |
They'll be these 100 needles and six feet of white thread. | 0:47:56 | 0:48:00 | |
Teller's East Indian Needle Mystery. | 0:48:00 | 0:48:03 | |
-All right. -Whoo! | 0:48:03 | 0:48:06 | |
'Teller's been doing Needle since before I met him. | 0:48:06 | 0:48:08 | |
'It's elegant and shocking and it is a head scratcher, | 0:48:08 | 0:48:13 | |
'a complete and utter fooler. | 0:48:13 | 0:48:15 | |
'And those things together in magic...' | 0:48:15 | 0:48:18 | |
pretty rare. | 0:48:18 | 0:48:19 | |
Oh! Oh! | 0:48:21 | 0:48:23 | |
HE MOUTHS | 0:48:29 | 0:48:32 | |
Oh! | 0:48:32 | 0:48:33 | |
I'll pass. | 0:48:40 | 0:48:41 | |
All gone. Looks great. | 0:48:54 | 0:48:55 | |
LAUGHTER | 0:48:55 | 0:48:57 | |
Oh, my gosh. | 0:49:11 | 0:49:13 | |
No. | 0:49:21 | 0:49:22 | |
No! | 0:49:22 | 0:49:25 | |
Are you kidding?! | 0:49:25 | 0:49:27 | |
Oooh! | 0:49:29 | 0:49:31 | |
Are you kidding me? Are kidding me? | 0:49:31 | 0:49:34 | |
-What a guy, huh? -Wow! -What a guy. | 0:49:36 | 0:49:39 | |
Ladies and gentlemen, | 0:49:42 | 0:49:43 | |
-Lisa Lampanelli! -Clap for me, clap for me! | 0:49:43 | 0:49:45 | |
I'm not even on this season and I show up to help my friends, | 0:49:45 | 0:49:48 | |
Penn and Lisa. First of all, big hand for David Burke! Good job. | 0:49:48 | 0:49:52 | |
You chubby bastard. | 0:49:52 | 0:49:55 | |
As you know, I make fun of people. | 0:49:55 | 0:49:57 | |
I have roasted every degenerate on the planet. | 0:49:57 | 0:50:00 | |
Well, let me tell you, I roasted Donald Trump. | 0:50:00 | 0:50:02 | |
First of all, what's going on right here? What's going on? | 0:50:02 | 0:50:06 | |
Let's just address that. Is that a ferret? | 0:50:06 | 0:50:09 | |
-I have seen better hair on Susan Boyle's -BLEEP. -OK? | 0:50:09 | 0:50:13 | |
Never sit poolside with that woman. | 0:50:13 | 0:50:15 | |
Talk about your 50 shades of grey. | 0:50:15 | 0:50:19 | |
But during the Donald Trump roast this guy gets up | 0:50:19 | 0:50:22 | |
and he's named The Situation. | 0:50:22 | 0:50:23 | |
Do you guys know who The Situation is? This guy is horrible. | 0:50:23 | 0:50:26 | |
He's at the roast and he's bombing and I said to him when he got off, | 0:50:26 | 0:50:30 | |
he comes over and he goes, "That was pretty good, right?" | 0:50:30 | 0:50:35 | |
And I go, "Were you in the same room with us?" | 0:50:35 | 0:50:38 | |
I mean, seriously, he got booed so loud, Marlee Matlin heard it. | 0:50:38 | 0:50:43 | |
Now, if you don't know who Marlee Matlin is, | 0:50:43 | 0:50:46 | |
she is the wonderful deaf bitch off of The Apprentice. | 0:50:46 | 0:50:50 | |
Not to be confused with the deaf bitch | 0:50:50 | 0:50:52 | |
from my year at Celebrity Apprentice, Lou Ferrigno. | 0:50:52 | 0:50:55 | |
Here's my impression of Lou Ferrigno in every single boardroom. | 0:50:55 | 0:50:59 | |
"Mr Trump, I...gave...110%." | 0:50:59 | 0:51:04 | |
Am I right?! | 0:51:04 | 0:51:05 | |
110%? Where'd he lose his hearing, in math class? | 0:51:05 | 0:51:09 | |
This is a preview of my show at the Foxwoods, so you can laugh. | 0:51:09 | 0:51:14 | |
'I was worried Lisa Lampanelli was shocking the Foxwoods people, | 0:51:14 | 0:51:18 | |
'so there is the chance' | 0:51:18 | 0:51:21 | |
that they're going to say this was inappropriate comedy for a suite. | 0:51:21 | 0:51:24 | |
"Lisa...I need the front seat." | 0:51:24 | 0:51:28 | |
And I'd be like, "I have no idea what you just said." | 0:51:28 | 0:51:32 | |
'But that's Lisa Lampanelli.' | 0:51:32 | 0:51:35 | |
I love her. | 0:51:35 | 0:51:37 | |
I'm here to support Penn and sort of Lisa. | 0:51:37 | 0:51:39 | |
LAUGHTER | 0:51:39 | 0:51:41 | |
I like Lisa but she's a little thin even for my taste at this point. | 0:51:41 | 0:51:45 | |
I can fart and blow her out of the room. | 0:51:45 | 0:51:47 | |
All right, guys, based on the criteria, you had creativity, | 0:51:57 | 0:52:01 | |
you had brand messaging and then the overall party atmosphere. | 0:52:01 | 0:52:04 | |
What do you think? | 0:52:04 | 0:52:06 | |
Well, I thought both teams did a good job with brand integration. | 0:52:06 | 0:52:08 | |
When we think about branding, it's really, | 0:52:08 | 0:52:11 | |
"What is it about this place that makes me think about Foxwoods? | 0:52:11 | 0:52:14 | |
"Can I create an experience that's truly different?" | 0:52:14 | 0:52:17 | |
First we saw Marilu's team, and you go in there and you clearly | 0:52:17 | 0:52:20 | |
get the feeling you're in a King's suite. | 0:52:20 | 0:52:22 | |
There was a great display of luxury in terms of the food product. | 0:52:22 | 0:52:26 | |
The King elements were, you know, different than what you might see | 0:52:26 | 0:52:30 | |
in Foxwoods but I thought there was a lot of creativity. | 0:52:30 | 0:52:33 | |
The massage chair was something I thought was really neat, | 0:52:33 | 0:52:36 | |
and if you're a customer that's an unexpected creative wow, | 0:52:36 | 0:52:39 | |
so I thought that played very well. | 0:52:39 | 0:52:41 | |
When you think about the King character and what it represents, | 0:52:41 | 0:52:45 | |
they went above and beyond and made it more theatrical, | 0:52:45 | 0:52:48 | |
you know, the chess table and the time and space | 0:52:48 | 0:52:50 | |
it took out of the suite itself, it went the other direction. | 0:52:50 | 0:52:53 | |
If you're asking somebody to sit down and learn chess | 0:52:53 | 0:52:55 | |
in the middle of a basketball game in an arena | 0:52:55 | 0:52:57 | |
whenever everybody's supposed to have fun, | 0:52:57 | 0:52:59 | |
I think that might be a little bit much. | 0:52:59 | 0:53:01 | |
-How did Lisa's team do with it? -I thought Lisa's team did a great job | 0:53:01 | 0:53:05 | |
with the Joker theme. | 0:53:05 | 0:53:06 | |
I thought they were incredibly creative in certain elements. | 0:53:06 | 0:53:09 | |
For example, they had David Burke, who's one of our signature chefs, | 0:53:09 | 0:53:12 | |
do the food and he's a great chef, | 0:53:12 | 0:53:14 | |
but very much a joker in his own regard. | 0:53:14 | 0:53:15 | |
So, you know, I thought that played very well. | 0:53:15 | 0:53:18 | |
What about the party atmosphere? | 0:53:18 | 0:53:20 | |
When I first walked in the Joker Suite | 0:53:20 | 0:53:21 | |
they had a flutist as the background, | 0:53:21 | 0:53:23 | |
which was supposed to put to the Native American culture, | 0:53:23 | 0:53:26 | |
and my initial response was, | 0:53:26 | 0:53:28 | |
"Jeez, that's different, I don't know how that's gonna work." | 0:53:28 | 0:53:30 | |
It was a little disjointed. | 0:53:30 | 0:53:32 | |
Whereas in Marilu's suite they had tremendous country entertainment. | 0:53:32 | 0:53:35 | |
We both think Hunter's going to be the next greatest thing | 0:53:35 | 0:53:38 | |
on the planet Earth. | 0:53:38 | 0:53:40 | |
We have a lot of country music fans and having Hunter come in | 0:53:40 | 0:53:43 | |
was a broad reach across our demographic, | 0:53:43 | 0:53:45 | |
so that was a really nice touch. | 0:53:45 | 0:53:47 | |
We have a little bit of a tough call. | 0:53:47 | 0:53:49 | |
If you had to pick one of the teams to win, | 0:53:49 | 0:53:51 | |
who do you think that would be? | 0:53:51 | 0:53:53 | |
Well, I thought both sides did a great job. It really was a toss-up. | 0:53:55 | 0:53:59 | |
Each suite was very fun, | 0:53:59 | 0:54:01 | |
had great entertainment and could be an enjoyable experience. | 0:54:01 | 0:54:04 | |
But based on party atmosphere, creativity and branding, | 0:54:04 | 0:54:08 | |
we really thought the winner was... | 0:54:08 | 0:54:10 | |
Lisa, what was better, your suite or your party? | 0:54:36 | 0:54:41 | |
SHE EXHALES | 0:54:41 | 0:54:42 | |
Gosh. The party. | 0:54:44 | 0:54:46 | |
-And the suite. I liked both. -Why? | 0:54:46 | 0:54:49 | |
Because we had headliners. | 0:54:49 | 0:54:53 | |
We had Penn and Teller. | 0:54:53 | 0:54:56 | |
It's a hard get. | 0:54:56 | 0:54:58 | |
We had Lisa Lampanelli. | 0:54:58 | 0:55:02 | |
-And we had David Burke. -That's pretty good. | 0:55:02 | 0:55:04 | |
-Marilu, that sounds pretty good. -That sounds very good. | 0:55:04 | 0:55:06 | |
Did you have anyone? | 0:55:06 | 0:55:08 | |
We had Hunter Hayes, who is the New Male Vocalist for the CMA awards, | 0:55:08 | 0:55:13 | |
we had the Countess from Real Housewives Of New York, | 0:55:13 | 0:55:17 | |
we also had a chess master who was teaching chess | 0:55:17 | 0:55:22 | |
because we figured we had the King. | 0:55:22 | 0:55:24 | |
How did that star power compare to their star power? | 0:55:24 | 0:55:27 | |
You know, you can't compete with the star power of Penn and Teller. | 0:55:27 | 0:55:29 | |
-Yes, pretty good, right? -Yes. -It's pretty good. It's impressive. -Yes. | 0:55:29 | 0:55:32 | |
So far so bad, right? | 0:55:32 | 0:55:34 | |
-Well... -I mean, you know, if you're going by that. -Right. | 0:55:35 | 0:55:38 | |
What do you think of your suite? | 0:55:38 | 0:55:40 | |
Um, you know, we chose King for a few different reasons, | 0:55:40 | 0:55:44 | |
and I liked, kind of, the range in terms of... | 0:55:44 | 0:55:46 | |
Do you think King has an advantage? | 0:55:46 | 0:55:48 | |
I think they all have their pluses and minuses. | 0:55:48 | 0:55:50 | |
No, but somehow, as a suite, I like the name King better | 0:55:50 | 0:55:52 | |
-than I like the name Joker. -The King Suite, yeah, for sure. | 0:55:52 | 0:55:54 | |
-Well, cos you're a king. -If you're staying in a suite, | 0:55:54 | 0:55:57 | |
you want to have the name King, so you have an advantage there. | 0:55:57 | 0:55:59 | |
-Yes, and also... -So now you're even. -..I felt connected to it | 0:55:59 | 0:56:02 | |
because the colour was purple, and that's my Alzheimer's colour, | 0:56:02 | 0:56:05 | |
-so I felt like... -Well, that's good. Lil Jon, what do you think? | 0:56:05 | 0:56:08 | |
I think we did good. I liked the party better. | 0:56:08 | 0:56:12 | |
You liked the party better than the suite? | 0:56:12 | 0:56:13 | |
Yeah, because it was a really good atmosphere | 0:56:13 | 0:56:16 | |
and the way Marilu staged the suite, | 0:56:16 | 0:56:19 | |
-even the food was a part of the look of the suite. -Incredible. | 0:56:19 | 0:56:22 | |
-And Hunter did an amazing job. -Good. He's supposed to be very good. | 0:56:22 | 0:56:26 | |
He had the room just... | 0:56:26 | 0:56:28 | |
Everybody was just applauding every time he performed. | 0:56:28 | 0:56:31 | |
How was Marilu as a project manager, Lil Jon? | 0:56:31 | 0:56:34 | |
It was interesting, | 0:56:34 | 0:56:36 | |
and, you know, everybody is different - I say that to start off. | 0:56:36 | 0:56:40 | |
Everybody has different personalities | 0:56:40 | 0:56:42 | |
and Marilu's personality, it's like the hamster is on the wheel | 0:56:42 | 0:56:48 | |
and he's running so fast his heart is about to explode. | 0:56:48 | 0:56:50 | |
Is she a good leader? | 0:56:50 | 0:56:52 | |
She's a good leader, but she just likes to do a lot. | 0:56:52 | 0:56:54 | |
-She likes to do most of the work. -Well, that's OK. | 0:56:54 | 0:56:56 | |
-And then she'll tell us what she wants. -So you're sort of hands-on? | 0:56:56 | 0:56:59 | |
-Me? -Yeah. | 0:56:59 | 0:57:01 | |
You know, I tend to see | 0:57:01 | 0:57:02 | |
what people's strengths and weaknesses are | 0:57:02 | 0:57:04 | |
and because I'm always, like, moving forward... | 0:57:04 | 0:57:06 | |
What is Lil Jon's weakness? | 0:57:06 | 0:57:08 | |
I... Lil Jon's weakness, OK, I would say that he... | 0:57:08 | 0:57:12 | |
-I didn't trust him in some ways to do kind of a visual thing. -Why? | 0:57:12 | 0:57:15 | |
..and I wanted to put him in charge of... | 0:57:15 | 0:57:17 | |
I think he's a visual person, actually. Why didn't you trust him? | 0:57:17 | 0:57:19 | |
Yes. Oh, no, as a director he has been unbelievable. | 0:57:19 | 0:57:21 | |
Why didn't you trust him? | 0:57:21 | 0:57:22 | |
Um, you know, I think I wanted him, I wanted both of them, | 0:57:22 | 0:57:25 | |
to work more on the entertainment, the wow factor, | 0:57:25 | 0:57:28 | |
the experience, those kinds of things, | 0:57:28 | 0:57:30 | |
-and I felt like, you know, I wanted to help them. -Did they leave you? | 0:57:30 | 0:57:34 | |
They didn't leave me, but I felt like the substitute teacher. | 0:57:34 | 0:57:37 | |
Remember the word abandoned from last week? | 0:57:37 | 0:57:39 | |
-Abandoned, did they abandon you? -No, I felt like... | 0:57:39 | 0:57:41 | |
I even said to them, I feel like the substitute teacher | 0:57:41 | 0:57:44 | |
that's now running the detention room. | 0:57:44 | 0:57:46 | |
Who did better between Lil Jon and Trace, would you say? | 0:57:46 | 0:57:49 | |
You know, I love Trace, Trace is one of my favourite people ever... | 0:57:49 | 0:57:53 | |
-And Lil Jon's not? -No, now he is, I adore him - | 0:57:53 | 0:57:55 | |
but Trace was having a bad day yesterday. | 0:57:55 | 0:57:58 | |
He was very curmudgeonly he was very dropped out most of the day. | 0:57:58 | 0:58:02 | |
You know what? | 0:58:02 | 0:58:05 | |
After I've had a chance to look back over this, | 0:58:05 | 0:58:07 | |
I think we messed up right from Jump Street. | 0:58:07 | 0:58:10 | |
I don't know why I didn't think of this before, | 0:58:10 | 0:58:13 | |
but we should have fought for Joker. | 0:58:13 | 0:58:15 | |
We should have fought for it. | 0:58:15 | 0:58:17 | |
I don't think that's necessarily going to be the difference. | 0:58:17 | 0:58:20 | |
-Well, I'm just saying... -I actually think King is a better. | 0:58:20 | 0:58:22 | |
-I like King better. -It's better. -Well... | 0:58:22 | 0:58:24 | |
You don't feel good about your result? | 0:58:24 | 0:58:26 | |
I think we would have... | 0:58:26 | 0:58:27 | |
If we could have taken Joker out of Penn's hands, | 0:58:27 | 0:58:31 | |
it probably wouldn't have hurt us. | 0:58:31 | 0:58:33 | |
-I think Joker for Penn may be better. -Yes, I do too. | 0:58:33 | 0:58:35 | |
That's what I'm saying, it would have been a strategic move. | 0:58:35 | 0:58:38 | |
I think for a lot of people, no, | 0:58:38 | 0:58:39 | |
but for Penn, being the great talent at what he does, I think Joker. | 0:58:39 | 0:58:42 | |
Penn, is that a better theme for you, Joker? | 0:58:42 | 0:58:45 | |
I thought so because we had entertainers from Foxwoods, | 0:58:45 | 0:58:49 | |
and we also had David Burke who, if you've got a celebrity chef... | 0:58:49 | 0:58:53 | |
-Great. -..he is the prankster. | 0:58:53 | 0:58:55 | |
Maybe whimsical is a better word, we cheated it towards Joker. | 0:58:55 | 0:58:58 | |
-You had a lot of good people, Lisa, didn't you? -David Burke... | 0:58:58 | 0:59:01 | |
We sure did. | 0:59:01 | 0:59:03 | |
When you ask David Burke to come and give you a little help... | 0:59:03 | 0:59:05 | |
-David is terrific. -..he doesn't do that, he gives you a lot of help. | 0:59:05 | 0:59:09 | |
-JOHN: -I mean, I've got to say, | 0:59:09 | 0:59:11 | |
not in a million years would I have let Penn have Joker. | 0:59:11 | 0:59:15 | |
Ever. | 0:59:15 | 0:59:16 | |
-Yes. -If you're looking at it like a chess match... | 0:59:16 | 0:59:19 | |
-Right. -..which is what this is at this point, | 0:59:19 | 0:59:20 | |
you don't give the man that piece. | 0:59:20 | 0:59:23 | |
-Mm-hm. -Just don't let him have it. | 0:59:23 | 0:59:24 | |
If you've got to fight tooth and nail, | 0:59:24 | 0:59:26 | |
don't let the man have that piece, you know? | 0:59:26 | 0:59:28 | |
-It seems like an obvious miss. -What do you think about that, Trace? | 0:59:28 | 0:59:31 | |
Do you agree? | 0:59:31 | 0:59:33 | |
Yeah, that's what I say now, in hindsight, | 0:59:33 | 0:59:35 | |
I just can't believe that I didn't even think about that. | 0:59:35 | 0:59:37 | |
-But what's wrong with King? Tell me. -King, no, I liked it. | 0:59:37 | 0:59:39 | |
I would rather have King, personally. What's wrong with King? | 0:59:39 | 0:59:42 | |
Nothing, if you nail it. | 0:59:42 | 0:59:45 | |
I don't hear the confidence in your voice that I normally hear. | 0:59:46 | 0:59:50 | |
-Do you not feel that you nailed it? -There was just one point in the day | 0:59:50 | 0:59:52 | |
where we were sitting around the table and I said, "Marilu," | 0:59:52 | 0:59:56 | |
I said, "Do you think really that crowns and jewels and stuff | 0:59:56 | 1:00:01 | |
"is what they're talking about? | 1:00:01 | 1:00:03 | |
"Or is it just more of a vibe, you know, kind of thing? | 1:00:03 | 1:00:06 | |
"Or a level of service? | 1:00:06 | 1:00:09 | |
"I mean, are we really going to go down the King road, you know?" | 1:00:09 | 1:00:11 | |
Well, we could have gone even further... | 1:00:11 | 1:00:13 | |
It was just set decoration, it wasn't... | 1:00:13 | 1:00:15 | |
It was little things every once in a while. | 1:00:15 | 1:00:17 | |
So, Trace, how did you use the King character in your suite? | 1:00:17 | 1:00:21 | |
Well, we tried to make an experience | 1:00:21 | 1:00:24 | |
where everybody that came in our suite was a king, | 1:00:24 | 1:00:28 | |
and they got the service that we thought a king should get. | 1:00:28 | 1:00:31 | |
They got the food, they got the massage, | 1:00:31 | 1:00:34 | |
they got the minstrels, you know? | 1:00:34 | 1:00:38 | |
-TRACE LAUGHS -Yes. | 1:00:38 | 1:00:40 | |
They got to play chess if they wanted to, or watch a chess game. | 1:00:40 | 1:00:42 | |
-The food was incredible. -Were you happy with it? | 1:00:42 | 1:00:45 | |
I was happy with a lot of it. | 1:00:45 | 1:00:46 | |
OK. | 1:00:46 | 1:00:47 | |
Do you know what they call this man in rap music? | 1:00:47 | 1:00:50 | |
-You know what his moniker is? -I don't. -The King of Crunk. -Oh. | 1:00:50 | 1:00:55 | |
-Did you know that about him? -I didn't know that. | 1:00:55 | 1:00:57 | |
But he was also supposed be doing a DJ thing and he promised... | 1:00:57 | 1:01:01 | |
I mean, he was saying that | 1:01:01 | 1:01:02 | |
he could have the DJ thing set up in the corner... | 1:01:02 | 1:01:04 | |
All I'm getting at is, like, that word is in his moniker in rap music, | 1:01:04 | 1:01:09 | |
so I kept thinking I might walk in and see the King of Crunk | 1:01:09 | 1:01:12 | |
sitting there having this thing going down, | 1:01:12 | 1:01:14 | |
you know, but if you didn't know that's what he was called... | 1:01:14 | 1:01:17 | |
Well, it doesn't matter that I don't know, he knows that, and... | 1:01:17 | 1:01:19 | |
No, but he brought it up and then... | 1:01:19 | 1:01:21 | |
-He brought it up when he came in... -Right. | 1:01:21 | 1:01:23 | |
..and then I started trying to get King stuff, | 1:01:23 | 1:01:24 | |
-and then it was never even... -No. | 1:01:24 | 1:01:26 | |
You said you were going to get the DJ equipment. | 1:01:26 | 1:01:29 | |
It was something from the very beginning | 1:01:29 | 1:01:31 | |
-that we talked about on our way up to the suite. -Yeah. | 1:01:31 | 1:01:33 | |
-But that's not what I'm talking about. -Lil Jon, what is crunk? | 1:01:33 | 1:01:35 | |
Crunk means, like, getting crazy, it means energy, | 1:01:35 | 1:01:38 | |
-so to have a lot of energy. -You have a lot of energy. | 1:01:38 | 1:01:40 | |
-He does have a lot of energy. -Yes, he does. | 1:01:40 | 1:01:41 | |
-DON: -Part of the criteria was obviously creating | 1:01:41 | 1:01:44 | |
a great party atmosphere. | 1:01:44 | 1:01:45 | |
For a King, wouldn't that be a great party atmosphere? | 1:01:45 | 1:01:48 | |
-I mean, when I think of parties, I think of DJs... -Yes. | 1:01:48 | 1:01:50 | |
..I think of a guy like Lil Jon | 1:01:50 | 1:01:51 | |
as opposed to, you know, a more relaxed vibe of having a masseuse... | 1:01:51 | 1:01:54 | |
-Right. -..going towards real royalty theme. -Right. It was like serving. | 1:01:54 | 1:01:57 | |
Right. But also he's the one who got the robe and the crown | 1:01:57 | 1:02:01 | |
and everything else, but he never put it on or never... | 1:02:01 | 1:02:04 | |
No, because you... I'm not going to step on your toes. | 1:02:04 | 1:02:06 | |
-No, come on, Jon. -If you're PM and you say, "Jon..." | 1:02:06 | 1:02:09 | |
No, but in other tasks people say, "I want you..." | 1:02:09 | 1:02:11 | |
We said, "Dennis, we want you to dress up." | 1:02:11 | 1:02:14 | |
We said, "Lil Jon, you can be..." | 1:02:14 | 1:02:15 | |
-You were the one who ordered the cape and the thing. -But you... | 1:02:15 | 1:02:19 | |
At the end of the night, you said, | 1:02:19 | 1:02:20 | |
"We're probably going to use this as set dressing." | 1:02:20 | 1:02:22 | |
-No, no, no, that's not true at all. -That's why I didn't put it on. | 1:02:22 | 1:02:25 | |
-No, that's not true at all, I remember. -Yes, you did. -No. | 1:02:25 | 1:02:27 | |
Did you hear that? All of that purple stuff, | 1:02:27 | 1:02:29 | |
-she said we're going to use it as... -No, that was the other purple stuff. | 1:02:29 | 1:02:32 | |
-Did you hear that, Trace? -I don't know if I was privy to that. | 1:02:32 | 1:02:34 | |
-She said, "We're probably going to use that." -That is not what I said. | 1:02:34 | 1:02:37 | |
No, I am sorry, Lil Jon, I did not say that. | 1:02:37 | 1:02:40 | |
Lil Jon, if you were me, | 1:02:40 | 1:02:42 | |
who would you fire? LIL JON LAUGHS | 1:02:42 | 1:02:44 | |
I know you're not going to say yourself. | 1:02:44 | 1:02:46 | |
Do you say Trace... | 1:02:46 | 1:02:47 | |
-Penn. -..or Marilu? LAUGHTER | 1:02:47 | 1:02:49 | |
Or Penn. PENN CHUCKLES | 1:02:49 | 1:02:51 | |
-Them, both of them. -Fire anybody but your side. | 1:02:51 | 1:02:55 | |
Who would you fire? | 1:02:55 | 1:02:56 | |
I mean, I think it falls back on the project manager, I mean, honestly, | 1:02:58 | 1:03:02 | |
and me and Trace were working all day | 1:03:02 | 1:03:05 | |
trying to get everything Marilu asked us to do. | 1:03:05 | 1:03:08 | |
-Yesterday? -Yes, we were. -No, yesterday... | 1:03:08 | 1:03:10 | |
Come on, Trace, you have to admit you were out of it yesterday. | 1:03:10 | 1:03:14 | |
-I wasn't out of it. -You were. -He was still working. -No, he was... | 1:03:14 | 1:03:16 | |
-He was making calls all day! -He was not working. He was sitting there. | 1:03:16 | 1:03:19 | |
We were looking both ways before we crossed the street | 1:03:19 | 1:03:21 | |
every time we got out of our chair | 1:03:21 | 1:03:23 | |
-because you were running through the room like, you know... -No. | 1:03:23 | 1:03:26 | |
Why was Trace out of it? | 1:03:26 | 1:03:27 | |
Trace was crabby all day yesterday. | 1:03:27 | 1:03:29 | |
I told him so many times that he was being a curmudgeon, | 1:03:29 | 1:03:32 | |
and you were just having a bad day. | 1:03:32 | 1:03:34 | |
And I said, you know, "Trace, I'm understanding you now, | 1:03:34 | 1:03:37 | |
"you're kind of a curmudgeon, and you hold back, | 1:03:37 | 1:03:39 | |
"and you don't do much, and you complain a lot." | 1:03:39 | 1:03:41 | |
Well, he never was, but it seems to be lately he is a little more. | 1:03:41 | 1:03:45 | |
-The last few tasks. -What you think of that, Trace? | 1:03:45 | 1:03:48 | |
-Yeah, that was what she was about to say. -The last two tasks. | 1:03:48 | 1:03:51 | |
-I think the last three tasks. -Three tasks, yeah. -Why? Why, Trace? | 1:03:51 | 1:03:54 | |
I didn't think we've had a really strong idea on the last three tasks. | 1:03:54 | 1:03:58 | |
Even though we won one of them, | 1:03:58 | 1:03:59 | |
I didn't really think that the idea was really that great. | 1:03:59 | 1:04:04 | |
OK. | 1:04:04 | 1:04:05 | |
So, Penn, tell me, were you happy with your team? | 1:04:05 | 1:04:08 | |
-I was really happy. -Were you happy with Lisa? -Very. | 1:04:08 | 1:04:12 | |
So, if you lose, would you say that maybe you should be fired | 1:04:12 | 1:04:15 | |
if you're so happy? | 1:04:15 | 1:04:16 | |
-You've asked me almost 20 times who should be fired... -Over the years. | 1:04:16 | 1:04:21 | |
I always like your advice. Go ahead. | 1:04:21 | 1:04:23 | |
..and I've answered every single time, | 1:04:23 | 1:04:25 | |
including when I was project manager. | 1:04:25 | 1:04:27 | |
I think that I ran everything by Lisa and she signed off on it, | 1:04:27 | 1:04:32 | |
but I don't think there's much chance we're going to lose. | 1:04:32 | 1:04:36 | |
I've never said that before. | 1:04:36 | 1:04:38 | |
Lisa... | 1:04:38 | 1:04:40 | |
how did Penn do? | 1:04:40 | 1:04:42 | |
-Awesome. -And if you lose, therefore, I assume you should be fired | 1:04:42 | 1:04:45 | |
because you're the project manager? | 1:04:45 | 1:04:47 | |
-Well, I think... -Because awesome is a tough word. | 1:04:47 | 1:04:49 | |
-You know, awesome is pretty good, right? -Well... It is. | 1:04:49 | 1:04:53 | |
And I will say that I have raised a lot of money. | 1:04:53 | 1:04:57 | |
I have raised the most money on the team, and... | 1:04:57 | 1:05:00 | |
-How much money have you raised? -I've raised 404,000. -Very good. | 1:05:00 | 1:05:05 | |
And I think I've proven myself as a very good player. | 1:05:05 | 1:05:09 | |
So you would say that you should not be fired | 1:05:09 | 1:05:11 | |
and Penn should be fired if your team loses? | 1:05:11 | 1:05:14 | |
Oh... | 1:05:14 | 1:05:15 | |
-SHE SIGHS -It's hard to say that. | 1:05:17 | 1:05:19 | |
I don't like to say that, but... | 1:05:19 | 1:05:20 | |
-Maybe we'll have to worry about that later. -We'll worry about that later. | 1:05:20 | 1:05:23 | |
So, Penn, what was your character when you used Joker for your suite? | 1:05:23 | 1:05:26 | |
-How did you use it? -We used it as "The Jokers of Foxwoods," | 1:05:26 | 1:05:30 | |
and I suggested to Lisa | 1:05:30 | 1:05:34 | |
that we not have anything there that wasn't actually from Foxwoods. | 1:05:34 | 1:05:37 | |
-That seemed important to me. So... -Why was that important? | 1:05:37 | 1:05:42 | |
Because we're representing Foxwoods, | 1:05:42 | 1:05:44 | |
and it seems like having people who are actually on the bill there, | 1:05:44 | 1:05:47 | |
and, you know, David Burke has a big restaurant there, | 1:05:47 | 1:05:49 | |
that gave it some authenticity. | 1:05:49 | 1:05:52 | |
Foxwoods, I didn't think, would want people that they don't have booked. | 1:05:52 | 1:05:56 | |
-So you arranged all of that? -Well, after clearing it with Lisa. | 1:05:56 | 1:06:00 | |
Of course. So, I mean, that's obviously a big part of the theme | 1:06:00 | 1:06:02 | |
and incorporating all of those things, | 1:06:02 | 1:06:04 | |
it's also about the entertainment and the party. | 1:06:04 | 1:06:06 | |
-Yes, the decor she took care of very much. -So you did the decor, | 1:06:06 | 1:06:08 | |
and Penn handled all the other aspects of that? | 1:06:08 | 1:06:10 | |
Well, I brought in the mixologist, | 1:06:10 | 1:06:12 | |
and I did the decor and all the graphics and posters. | 1:06:12 | 1:06:16 | |
-What's a mixologist? -Drinks and stuff. -A bartender? -Yes. | 1:06:16 | 1:06:19 | |
-LISA: -A bartender. -It's a barista for alcohol. | 1:06:19 | 1:06:21 | |
-Exactly. -That's right. | 1:06:21 | 1:06:22 | |
-That's what they call themselves now. -Starbucks with alcohol. | 1:06:22 | 1:06:25 | |
So, John, tell me what Scott and Rodney from Foxwoods | 1:06:25 | 1:06:28 | |
thought of Marilu's team. | 1:06:28 | 1:06:30 | |
The positives - the chair massage was a nice touch. | 1:06:30 | 1:06:33 | |
This is the kind of service that they provide at Foxwoods, | 1:06:33 | 1:06:36 | |
and it ties back in to the property, they loved that. | 1:06:36 | 1:06:38 | |
They thought that was really cool. | 1:06:38 | 1:06:40 | |
The negatives - the King-themed decor was a little too obvious | 1:06:40 | 1:06:44 | |
and a bit theatrical, | 1:06:44 | 1:06:46 | |
it didn't really mix well | 1:06:46 | 1:06:47 | |
with the Foxwoods imagery you had throughout the suite. | 1:06:47 | 1:06:51 | |
The chess master was a big miss. | 1:06:51 | 1:06:53 | |
It took up a lot of space, | 1:06:54 | 1:06:56 | |
it was too cerebral when you come there to relax and party. | 1:06:56 | 1:06:59 | |
That's funny, cos one of the King things is intellectual, | 1:06:59 | 1:07:02 | |
so I thought, "Oh, we definitely need something that's intellectual." | 1:07:02 | 1:07:05 | |
-Mm-hm. -You disagree with them? | 1:07:05 | 1:07:07 | |
Um, well, there's nothing more intellectual than chess - | 1:07:07 | 1:07:10 | |
well, I guess there are a few things - | 1:07:10 | 1:07:12 | |
but I felt like I do disagree with them about that | 1:07:12 | 1:07:15 | |
because I just felt like, you know, I wanted to make sure | 1:07:15 | 1:07:17 | |
-I got that intellectual element into the King brand. -I understand that. | 1:07:17 | 1:07:21 | |
All right. So, Don, what did they think of Lisa's team? Pros and cons. | 1:07:21 | 1:07:25 | |
They thought you did a great job integrating the theme, | 1:07:25 | 1:07:27 | |
I mean, the Joker theme, | 1:07:27 | 1:07:29 | |
all the way down to picking the heads of the calamari | 1:07:29 | 1:07:31 | |
because it looked like the crown on the joker's hat. | 1:07:31 | 1:07:34 | |
They just thought that was amazing, and that's the kind of thing | 1:07:34 | 1:07:36 | |
that would draw people back to the resort. | 1:07:36 | 1:07:38 | |
I think the attention to detail, again to that last point, | 1:07:38 | 1:07:41 | |
was just incredible, | 1:07:41 | 1:07:42 | |
bringing in the acts, obviously, very huge. | 1:07:42 | 1:07:45 | |
The negatives - the suite was very luxurious, | 1:07:45 | 1:07:48 | |
but you're missing perhaps some of the casual and more fun elements. | 1:07:48 | 1:07:51 | |
Obviously the Penn and Teller magic act was there, | 1:07:51 | 1:07:53 | |
but some of the elements of the decor a little bit stiff | 1:07:53 | 1:07:56 | |
for a party and fun type atmosphere. | 1:07:56 | 1:07:59 | |
OK. Marilu, what's your charity? | 1:07:59 | 1:08:02 | |
My charity is Alzheimer's, | 1:08:02 | 1:08:03 | |
and that's one of the reasons I really liked the... | 1:08:03 | 1:08:05 | |
-That is a great charity. -It is a great charity, it is. | 1:08:05 | 1:08:07 | |
And it's been great because we've done nine tasks so far, | 1:08:07 | 1:08:09 | |
I've had the most wins of every person on either side. | 1:08:09 | 1:08:12 | |
-How much have you won? -I've won... | 1:08:12 | 1:08:13 | |
Well, it's 50,000 so far, it could possibly go up to 100,000 | 1:08:13 | 1:08:17 | |
depending on how many likes they get on Facebook from the BioSilk, | 1:08:17 | 1:08:20 | |
the fourth challenge that we had. | 1:08:20 | 1:08:22 | |
And, Lisa, you've won over 400,000. | 1:08:22 | 1:08:24 | |
-404,000. -What is your charity, Lisa? | 1:08:24 | 1:08:27 | |
-St Jude. -That's a great charity. Great charity. | 1:08:27 | 1:08:31 | |
You know what, Lisa? | 1:08:31 | 1:08:32 | |
They're going to be very happy | 1:08:32 | 1:08:35 | |
because Scott and Rodney thought your team did a far better job, | 1:08:35 | 1:08:38 | |
-so I want to congratulate you. -Thank you. | 1:08:38 | 1:08:41 | |
Now, I'm going to give you 50,000, | 1:08:41 | 1:08:43 | |
and Foxwoods Resort is going to match it, | 1:08:43 | 1:08:45 | |
-so it's 100,000 for St Jude... -Yes! -Awesome! | 1:08:45 | 1:08:48 | |
-..and I think that's fantastic. -It's a good charity. | 1:08:48 | 1:08:50 | |
-Thank you. -Isn't that great? -Oh, it's... Oh! | 1:08:50 | 1:08:52 | |
-So that brings you up over 500,000, Lisa. -Wow. | 1:08:52 | 1:08:54 | |
-Wow. -Congratulations. -Thank you. -That's very good. | 1:08:54 | 1:08:57 | |
-Congratulations. -Let's get out of this hellhole. | 1:08:57 | 1:08:59 | |
LISA AND PENN LAUGH Go back to your Trump Tower Suite. | 1:08:59 | 1:09:01 | |
You can watch on television if you'd like. | 1:09:01 | 1:09:03 | |
-That's so -BLEEP -cool! | 1:09:03 | 1:09:05 | |
Marilu, you stay here with your team, somebody will be fired. | 1:09:06 | 1:09:09 | |
-LISA: -Yes! -PENN: -Yeah, darling! | 1:09:16 | 1:09:18 | |
-Baby, baby, bless you. -Oh! -Baby, baby, baby. -We did! | 1:09:19 | 1:09:23 | |
-We did it! -Baby, baby. | 1:09:23 | 1:09:24 | |
-Hey, we fought the power. -We fought the power! | 1:09:24 | 1:09:28 | |
We popped that bubble, baby! | 1:09:28 | 1:09:30 | |
My brain, right now, | 1:09:30 | 1:09:31 | |
it can't even comprehend it, it's so cool. | 1:09:31 | 1:09:33 | |
Not only did I just win 100,000 for St Jude, | 1:09:33 | 1:09:37 | |
I'm in the final four - wow. | 1:09:37 | 1:09:39 | |
-It was so clear from the beginning... -It was clear. | 1:09:39 | 1:09:41 | |
-..that we had won that I thought he was going to turn it around. -Me too. | 1:09:41 | 1:09:44 | |
They were tearing each other apart. | 1:09:44 | 1:09:46 | |
Let's turn it on. | 1:09:46 | 1:09:47 | |
Gladly. | 1:09:49 | 1:09:50 | |
So, Lil Jon, chess was a mistake. | 1:09:50 | 1:09:52 | |
Whose idea was it? What do you think? | 1:09:52 | 1:09:54 | |
-Uh, it was Marilu's idea. -Is that true, Marilu? | 1:09:56 | 1:09:59 | |
That was my idea, because I looked at the card again, | 1:09:59 | 1:10:01 | |
and I said, "We don't have an intellectual beat on here," | 1:10:01 | 1:10:04 | |
and it said intellectual about the King. | 1:10:04 | 1:10:07 | |
And I thought "Intellectual, King, intellectual," | 1:10:07 | 1:10:09 | |
and I thought, "Chess, that would be great." | 1:10:09 | 1:10:11 | |
I thought if it felt like an out-of-the-box, | 1:10:11 | 1:10:13 | |
you know, anything-but-ordinary kind of idea | 1:10:13 | 1:10:16 | |
and so I wanted to do that. | 1:10:16 | 1:10:18 | |
Chess! | 1:10:18 | 1:10:20 | |
Chess? | 1:10:20 | 1:10:22 | |
-Woohoo! -Chess? | 1:10:22 | 1:10:24 | |
Oh, mother, we're going to play chess! | 1:10:24 | 1:10:26 | |
What the heck? | 1:10:26 | 1:10:28 | |
But is chess a party theme, though? | 1:10:28 | 1:10:30 | |
I mean, it's not something I think of when I go to a party. | 1:10:30 | 1:10:32 | |
But if you're watching somebody, if you're watching people | 1:10:32 | 1:10:35 | |
and people were watching, | 1:10:35 | 1:10:36 | |
people were standing around watching this chess match going on, | 1:10:36 | 1:10:39 | |
-and they were also getting instruction if they wanted to. -OK. | 1:10:39 | 1:10:41 | |
So it was just another element. | 1:10:41 | 1:10:42 | |
You know, their theme is "Anything But Ordinary," | 1:10:42 | 1:10:45 | |
and so I just felt like | 1:10:45 | 1:10:46 | |
this is anything but ordinary, maybe it's not. | 1:10:46 | 1:10:49 | |
But why would you want to play chess if you were at a game or a concert? | 1:10:49 | 1:10:52 | |
Well, it's not just... | 1:10:52 | 1:10:53 | |
No, this was, you know, something when you're waiting | 1:10:53 | 1:10:56 | |
instead of just watching other television things. | 1:10:56 | 1:10:58 | |
I thought it was an interesting element | 1:10:58 | 1:11:00 | |
-to check off the intellectual side of it. -OK. -We knew... | 1:11:00 | 1:11:03 | |
Listen, we were going south | 1:11:03 | 1:11:05 | |
on the wow-factor entertainment all day long yesterday, | 1:11:05 | 1:11:08 | |
so, you know, I don't know how Penn was able to get people, | 1:11:08 | 1:11:10 | |
but it felt like, you know, if Trace knows the people... | 1:11:10 | 1:11:14 | |
-You had very good people, but he had big names. -He had unbelievable. | 1:11:14 | 1:11:16 | |
-It's unbelievable. -Well, they're all good, and they're all talented. | 1:11:16 | 1:11:19 | |
-They're all good. -But his names were big. -His names were big. | 1:11:19 | 1:11:22 | |
-That was a mistake. -That's the wow factor. | 1:11:22 | 1:11:23 | |
Do you blame yourself for that? | 1:11:23 | 1:11:25 | |
No, because I'm not connected to Foxwoods | 1:11:25 | 1:11:26 | |
and I was hoping that Trace would bring in the entertainment. | 1:11:26 | 1:11:29 | |
I mean, I think Hunter was incredible, | 1:11:29 | 1:11:32 | |
but it was not the wow factor that I personally was looking for | 1:11:32 | 1:11:35 | |
-in terms of entertainment. -Who were you looking for? | 1:11:35 | 1:11:37 | |
-Well, I mean, he had mentioned Dolly Parton... -Elvis? | 1:11:37 | 1:11:40 | |
-Yeah, Elvis. -We want Elvis. -That's the King. | 1:11:40 | 1:11:42 | |
But to not know that Lil Jon is called the King of Crunk | 1:11:42 | 1:11:45 | |
and you've got the King card, | 1:11:45 | 1:11:46 | |
-and you've got the biggest hype man in the world... -I know. | 1:11:46 | 1:11:49 | |
..you say, "Jon, put on the crown, sit in the chair, | 1:11:49 | 1:11:52 | |
"be the King of Crunk." | 1:11:52 | 1:11:53 | |
And he'll go, "You bet," and he'll go do it. | 1:11:53 | 1:11:55 | |
But why didn't he suggest it to me, why didn't he...? | 1:11:55 | 1:11:57 | |
-You're the project manager, Marilu. -I know. | 1:11:57 | 1:11:59 | |
If you're going for this refined kind of King-like, | 1:11:59 | 1:12:01 | |
but from the intellectual side, it doesn't really fit | 1:12:01 | 1:12:04 | |
-with the King of Crunk. -Well, that's on the list. | 1:12:04 | 1:12:06 | |
You know, you have to guide him that way sometimes as project manager. | 1:12:06 | 1:12:09 | |
If he offered it up and you overruled it... | 1:12:09 | 1:12:11 | |
It's not that he offered it up to do that, but believe me, | 1:12:11 | 1:12:13 | |
every single person would tell you | 1:12:13 | 1:12:15 | |
that I'm constantly coming up with ideas, | 1:12:15 | 1:12:17 | |
I've always got my project manager's back, | 1:12:17 | 1:12:19 | |
I'm always like their right hand. | 1:12:19 | 1:12:21 | |
If I thought I had something to offer, | 1:12:21 | 1:12:22 | |
I'd be like, "No, let me tell you something, | 1:12:22 | 1:12:24 | |
"I've got this fabulous thing that I can do, let me do this here." | 1:12:24 | 1:12:27 | |
But at the end of the day, | 1:12:27 | 1:12:29 | |
you're talking about going to a suite to have a blast. | 1:12:29 | 1:12:32 | |
And I keep going back to when I was competing in the show, | 1:12:32 | 1:12:36 | |
I made a point to know as much information | 1:12:36 | 1:12:38 | |
about everybody on my team as possible. | 1:12:38 | 1:12:41 | |
I mean, I knew about everything about them | 1:12:41 | 1:12:43 | |
cos they're tools in the tool box, | 1:12:43 | 1:12:45 | |
and at this level of the game when you get down to this part... | 1:12:45 | 1:12:47 | |
I know! So people should be offering up that kind of... | 1:12:47 | 1:12:49 | |
This is razor thin edges here, you know? | 1:12:49 | 1:12:51 | |
-He said in the room though, Marilu. -I know! But why didn't you... | 1:12:51 | 1:12:53 | |
Let me just say something. | 1:12:53 | 1:12:55 | |
He said it, and I immediately was like, | 1:12:55 | 1:12:57 | |
-"I didn't even think about that, that's a good idea." -I know. | 1:12:57 | 1:13:00 | |
And I started to get the King stuff... | 1:13:00 | 1:13:03 | |
-Right. -..and you never even commented. | 1:13:03 | 1:13:04 | |
You didn't even make a comment after John said that. He was still there. | 1:13:04 | 1:13:09 | |
Did you hear her mention anything about it? | 1:13:09 | 1:13:12 | |
No, all I said was, when I knew you had the King card, | 1:13:12 | 1:13:14 | |
-I went, "Oh, that's perfect, you're the King of Crunk." -Right. -Right. | 1:13:14 | 1:13:17 | |
-And you got the outfit and then... -But you never even said... | 1:13:17 | 1:13:19 | |
So how would you respond? | 1:13:19 | 1:13:21 | |
She's project manager, how would you respond? | 1:13:21 | 1:13:23 | |
I mean, if it was me and I heard that, | 1:13:23 | 1:13:26 | |
I would be like, "Get the costume." | 1:13:26 | 1:13:28 | |
I took it upon myself to call and get the costume anyway, | 1:13:28 | 1:13:32 | |
and the sceptre, and the crown. | 1:13:32 | 1:13:33 | |
And I made sure they could go and get it for you. | 1:13:33 | 1:13:35 | |
They was already out, though, Marilu. | 1:13:35 | 1:13:37 | |
I know they were out, but I said, "Leave Target, | 1:13:37 | 1:13:39 | |
"go to Party City so you can get Jon's costume." | 1:13:39 | 1:13:41 | |
I did. | 1:13:41 | 1:13:43 | |
Lil Jon, let me ask you this - | 1:13:43 | 1:13:44 | |
so you're not a huge fan of Marilu, | 1:13:44 | 1:13:47 | |
-at least as a project manager... -No, I'm a big fan of Marilu. -He is. | 1:13:47 | 1:13:50 | |
I just work differently than she does, you know, and... | 1:13:50 | 1:13:53 | |
And I want to just say in my defence as far as wow factor, | 1:13:53 | 1:13:57 | |
if you know anything about singers and musicians | 1:13:57 | 1:14:00 | |
and artists and writers, | 1:14:00 | 1:14:02 | |
and you weren't blown away by what that kid did in that suite... | 1:14:02 | 1:14:05 | |
-It was great. -..then sorry about your luck. | 1:14:05 | 1:14:08 | |
Would you have tried harder if you were project manager, Trace? | 1:14:08 | 1:14:11 | |
-No, I wouldn't have tried any harder. -You think you tried hard? | 1:14:11 | 1:14:13 | |
I did. I talked to Blake on the phone yesterday | 1:14:13 | 1:14:17 | |
and I was going to try and get Dolly in here this morning, | 1:14:17 | 1:14:19 | |
but she couldn't get out of Pigeon Forge this morning | 1:14:19 | 1:14:22 | |
-cos of the winds and stuff. -Dolly would have been great. | 1:14:22 | 1:14:24 | |
-I love Dolly. -I love Dolly. | 1:14:24 | 1:14:25 | |
-Dolly would have been winning. -Yeah, Dolly would have won. | 1:14:25 | 1:14:28 | |
Dolly beats Teller. | 1:14:28 | 1:14:29 | |
But also you knew that Blake wasn't going to be able to come. | 1:14:30 | 1:14:33 | |
You said there's no way that he would be able to come, | 1:14:33 | 1:14:35 | |
but you'd call him. | 1:14:35 | 1:14:36 | |
Well, when I found out he was shooting The Voice, | 1:14:36 | 1:14:38 | |
I knew he wasn't going to be able to do it. | 1:14:38 | 1:14:40 | |
Lil Jon, did you think Trace tried hard | 1:14:40 | 1:14:42 | |
or is he going under the radar? | 1:14:42 | 1:14:44 | |
I saw him on the phone making calls all day trying to get somebody. | 1:14:44 | 1:14:48 | |
And I actually even reached out to the Brooklyn Nets | 1:14:48 | 1:14:50 | |
cos I know some of the players, but they're in Florida, | 1:14:50 | 1:14:53 | |
-you know what I mean, playing games. -That's true. -OK. | 1:14:53 | 1:14:56 | |
Penn, turn off your television right now. | 1:14:56 | 1:14:58 | |
-LISA: -'Aw.' | 1:14:58 | 1:15:00 | |
She's got to fight for her life if she wants to stay. | 1:15:00 | 1:15:02 | |
It's going to be... | 1:15:02 | 1:15:03 | |
-Fight for her life. -It's not going to be pleasant in there. -No. | 1:15:03 | 1:15:06 | |
Boy, Trace saying, "I haven't had a good idea in three..." | 1:15:06 | 1:15:10 | |
-In three, I know. -And also just he was surly in there. -Yeah. | 1:15:10 | 1:15:14 | |
-What's wrong with him? -I don't know. | 1:15:14 | 1:15:16 | |
-So, Marilu, you're the project manager. -Yes. | 1:15:19 | 1:15:21 | |
-Chess was your idea, right? -Yes, it was. | 1:15:21 | 1:15:24 | |
-The entertainment was good, but, like, not crazy. -Right. -Right? | 1:15:24 | 1:15:27 | |
But I have not only won, you know, seven out of the nine tasks, | 1:15:27 | 1:15:31 | |
but I have worked so many different things | 1:15:31 | 1:15:33 | |
-in terms of a skill set. -I think you're great. I think you're great. | 1:15:33 | 1:15:36 | |
Who should I fire? | 1:15:36 | 1:15:37 | |
-You should fire Trace. -Why? | 1:15:40 | 1:15:41 | |
Because he dropped out three tasks ago. | 1:15:41 | 1:15:44 | |
And he... His... | 1:15:44 | 1:15:46 | |
You know, and believe me, I love Trace, it's that he... | 1:15:46 | 1:15:49 | |
Trace, did you drop out? | 1:15:49 | 1:15:51 | |
It's funny they've used my ideas on the last three tasks, | 1:15:51 | 1:15:55 | |
-I don't consider that dropping out. -Lil Jon, did he drop out? | 1:15:55 | 1:15:58 | |
-I don't think he dropped out. -But you said they weren't good ideas. | 1:15:58 | 1:16:00 | |
I think Trace was just... | 1:16:00 | 1:16:02 | |
I think Marilu was getting to Trace yesterday | 1:16:02 | 1:16:04 | |
because she moved so fast, | 1:16:04 | 1:16:06 | |
and I think it was just overwhelming for him. | 1:16:06 | 1:16:08 | |
No. Well... OK. | 1:16:08 | 1:16:10 | |
It can be an opinion, | 1:16:10 | 1:16:11 | |
but Trace is used to my kind of energy, | 1:16:11 | 1:16:15 | |
and I thought I was very subdued | 1:16:15 | 1:16:17 | |
because we were spending a lot of time sitting around | 1:16:17 | 1:16:19 | |
trying to figure out what the wow factor was... | 1:16:19 | 1:16:21 | |
-Well, Marilu, you do have great energy. -I do. | 1:16:21 | 1:16:23 | |
-I think you're an amazing woman. -Yeah. | 1:16:23 | 1:16:25 | |
It's like, you know, Joan Rivers, the way she is, | 1:16:25 | 1:16:27 | |
you appreciate people who are always in there. | 1:16:27 | 1:16:30 | |
I've always got your back. | 1:16:30 | 1:16:32 | |
Are you used to Marilu's type of energy, Trace? | 1:16:32 | 1:16:35 | |
Uh, yeah, I've got three kids in my house. | 1:16:35 | 1:16:38 | |
-Girls. -Yeah. -Three girls. -Yes. | 1:16:38 | 1:16:42 | |
I know that you want somebody who has a bigger skill set | 1:16:42 | 1:16:46 | |
than just a few things. | 1:16:46 | 1:16:47 | |
-Do you know who I want? -Who? | 1:16:47 | 1:16:49 | |
I want you. I think you're fantastic. | 1:16:49 | 1:16:52 | |
I am fantastic. I am. | 1:16:52 | 1:16:54 | |
I think you're fantastic, and you did incredibly well. | 1:16:54 | 1:16:57 | |
-Mm-hm. -But you did pick the chess, you did pick the entertainment. | 1:16:57 | 1:17:02 | |
-No, I didn't pick the entertainment. -Who did? -Trace. | 1:17:02 | 1:17:05 | |
But as the project manager, | 1:17:05 | 1:17:06 | |
wouldn't you ultimately be responsible for that? | 1:17:06 | 1:17:09 | |
Well, I think if you give somebody - | 1:17:10 | 1:17:12 | |
especially if they're connected to the venue - | 1:17:12 | 1:17:13 | |
that they should be the ones... | 1:17:13 | 1:17:15 | |
I mean, Lisa didn't bring in the entertainment, she gave it to Penn. | 1:17:15 | 1:17:18 | |
Let me just make this point. | 1:17:18 | 1:17:19 | |
If we had been doing this show in Nashville, Tennessee, | 1:17:19 | 1:17:22 | |
and I needed star power... | 1:17:22 | 1:17:24 | |
-JOHN: -You'd have called me. | 1:17:24 | 1:17:26 | |
..I'd have picked up the phone and I'd have had a herd of them. | 1:17:26 | 1:17:28 | |
This is her hometown. | 1:17:28 | 1:17:30 | |
-I don't know anybody... -But you are connected to the Foxwoods brand, | 1:17:30 | 1:17:33 | |
and Lisa put Penn in charge, Penn brought his people in, | 1:17:33 | 1:17:36 | |
he knew how to connect with the people that had been there. | 1:17:36 | 1:17:39 | |
I will say that the fact that it's Celebrity Apprentice | 1:17:39 | 1:17:41 | |
is such a huge thing | 1:17:41 | 1:17:43 | |
that even if you're not connected to Foxwoods or whatever else, | 1:17:43 | 1:17:46 | |
you can pick up the phone and call people. | 1:17:46 | 1:17:48 | |
I did this, people that I wasn't great friends with, | 1:17:48 | 1:17:50 | |
they didn't owe me a favour, but I said, "It's Celebrity Apprentice." | 1:17:50 | 1:17:53 | |
And that was the job that he had been given. | 1:17:53 | 1:17:54 | |
But I'm just saying, you all could have, | 1:17:54 | 1:17:56 | |
anybody can pick up a phone and go, | 1:17:56 | 1:17:57 | |
"You want to be on Celebrity Apprentice?" | 1:17:57 | 1:17:59 | |
They'll go, "Yeah!" And you go, "Come on down." | 1:17:59 | 1:18:01 | |
At this stage of the game, | 1:18:01 | 1:18:02 | |
everybody is supposed to be shoring up everybody else | 1:18:02 | 1:18:04 | |
-when there's brainstorming and stuff. -But John is right. | 1:18:04 | 1:18:06 | |
Celebrity Apprentice is so hot that no matter... | 1:18:06 | 1:18:09 | |
-I could call - forget about me... -Yes. -Anybody can call. | 1:18:09 | 1:18:11 | |
Say, "You want to be on?" You'll get anybody. | 1:18:11 | 1:18:13 | |
-Did you think of that? -I said - this is what I did say - | 1:18:13 | 1:18:16 | |
I said, "Let me tell you something, Penn is going to go all-out." | 1:18:16 | 1:18:18 | |
-I know Penn, I worked with him... -He went all-out. | 1:18:18 | 1:18:20 | |
-He's an unbelievable player. -He did a great job. -He is. | 1:18:20 | 1:18:23 | |
-He's a great player. -As project manager, Marilu, | 1:18:23 | 1:18:25 | |
don't you think you're at tremendous risk right now? | 1:18:25 | 1:18:27 | |
No. I think people are trying to get rid of me | 1:18:27 | 1:18:29 | |
because they know how strong I am. | 1:18:29 | 1:18:31 | |
There hasn't been one task | 1:18:31 | 1:18:32 | |
-where I haven't been the second person. -I don't think so. | 1:18:32 | 1:18:35 | |
I know how strong you are, I think you're great. | 1:18:35 | 1:18:36 | |
-I'm ultimately the one that makes the decision. -Yeah. | 1:18:36 | 1:18:39 | |
I'd love to keep you, but you're project manager, | 1:18:39 | 1:18:41 | |
you made the chess decision, | 1:18:41 | 1:18:43 | |
we didn't get the great entertainment, | 1:18:43 | 1:18:45 | |
so let's say maybe that's a combination | 1:18:45 | 1:18:46 | |
of you, Trace, and Lil Jon, it's everybody. | 1:18:46 | 1:18:48 | |
-Right. -But there were mistakes made as project manager, right? | 1:18:48 | 1:18:52 | |
Well, not as many if we had had the wow factor | 1:18:53 | 1:18:56 | |
-to build the theme around. -I know, but how do I fire Lil Jon? | 1:18:56 | 1:18:58 | |
How do I fire Trace? | 1:18:58 | 1:19:01 | |
You're the project manager, you lost, | 1:19:01 | 1:19:03 | |
and Rodney and Scott just didn't love what you did, | 1:19:03 | 1:19:06 | |
and most of it was picked by you. | 1:19:06 | 1:19:08 | |
And even the entertainment, | 1:19:08 | 1:19:10 | |
you could take the entertainment and choose whoever you want. | 1:19:10 | 1:19:12 | |
Well, you also came up with the decor, | 1:19:12 | 1:19:14 | |
which was something they didn't really think fit | 1:19:14 | 1:19:16 | |
with the Foxwoods theme and certainly not a party theme. | 1:19:16 | 1:19:19 | |
Those beautiful gold tables and stuff... Well, whatever, I mean, OK. | 1:19:19 | 1:19:21 | |
I mean, I'm looking at... | 1:19:21 | 1:19:23 | |
John read them, but I'm looking at one of the negatives right here, | 1:19:23 | 1:19:25 | |
and the decor was another aspect that they weren't in love with. | 1:19:25 | 1:19:28 | |
How about the food? It was unbelievable food. | 1:19:28 | 1:19:30 | |
They loved the food, they didn't like the suite, | 1:19:30 | 1:19:32 | |
they didn't like the chess, | 1:19:32 | 1:19:34 | |
they didn't like certain other things, | 1:19:34 | 1:19:35 | |
and they really liked their team much better | 1:19:35 | 1:19:37 | |
and you're the project manager. | 1:19:37 | 1:19:39 | |
Marilu, you're fired. | 1:19:39 | 1:19:40 | |
-You did a great job. Thank you. -Thank you. | 1:19:45 | 1:19:47 | |
-Thanks. -Thank you. -It's been a blast. Thank you. | 1:19:47 | 1:19:49 | |
I don't feel like getting up. | 1:19:54 | 1:19:56 | |
I'm getting the hell out of here. | 1:19:56 | 1:19:58 | |
Get out. Go ahead. | 1:19:58 | 1:20:00 | |
-She's mad at us, huh? -Hell, yeah, she's mad. | 1:20:03 | 1:20:05 | |
ELEVATOR DINGS | 1:20:07 | 1:20:10 | |
Bye! | 1:20:15 | 1:20:16 | |
-What do you think, John? -That was the only call to make. | 1:20:18 | 1:20:20 | |
She made some really critical errors there. It's razor thin. | 1:20:20 | 1:20:24 | |
I think she did a great job, | 1:20:24 | 1:20:25 | |
but she just missed the mark of what Foxwoods was looking for. | 1:20:25 | 1:20:27 | |
Good. Good job, fellas. | 1:20:27 | 1:20:29 | |
I really think that my two team-mates kind of checked out. | 1:21:02 | 1:21:05 | |
They felt like, "Oh, we did our project manager thing, | 1:21:05 | 1:21:07 | |
"we're going to be final four, it doesn't matter what happens." | 1:21:07 | 1:21:10 | |
Trace definitely checked out, he wasn't at his best. | 1:21:10 | 1:21:13 | |
His mother should have kept him home because I think he had the flu. | 1:21:13 | 1:21:17 |