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-Last time on All-Star Celebrity Apprentice... -That's Bret! -Hello, everybody. | 0:00:02 | 0:00:05 | |
..the teams were tasked with creating an interactive travel expo | 0:00:05 | 0:00:08 | |
-for South Africa. -Good luck. Go ahead. | 0:00:08 | 0:00:11 | |
On Plan B, Gary Busey got on Lisa Rinna's last nerve. | 0:00:11 | 0:00:15 | |
Gary, can you call this prop house? | 0:00:15 | 0:00:16 | |
-I don't know how to do this -BLEEP, -man. | 0:00:16 | 0:00:18 | |
I do think it's time for Gary to go home. We need people that work. | 0:00:18 | 0:00:21 | |
But project manager Penn Jillette | 0:00:21 | 0:00:23 | |
still succeeded in pulling off their event. | 0:00:23 | 0:00:25 | |
We've tried to cover all of your senses here. | 0:00:25 | 0:00:27 | |
Could you kick it for us? | 0:00:27 | 0:00:29 | |
While on Team Power, project manager Brande Roderick lacked creativity. | 0:00:29 | 0:00:33 | |
What am I going to do for zip line? | 0:00:33 | 0:00:35 | |
-It sure is hard! -Why don't you just put them in a chair, | 0:00:35 | 0:00:37 | |
-then you push them in a chair to the other side of the room. -Yeah. | 0:00:37 | 0:00:40 | |
And at the presentation, they missed the mark... | 0:00:40 | 0:00:43 | |
I thought some of the stuff we were doing was getting a little juvenile. | 0:00:43 | 0:00:47 | |
..which led to the team's sixth loss. | 0:00:47 | 0:00:49 | |
-Penn, congratulations. -Thank you so much. | 0:00:49 | 0:00:51 | |
Backed into a corner, Brande let Lil Jon off the hook... | 0:00:51 | 0:00:54 | |
But it was his idea and yet, you're going to let him go? | 0:00:54 | 0:00:57 | |
Jon, I felt, did a good job and I felt a sense of loyalty to him. | 0:00:57 | 0:01:02 | |
We've been on Team Power from day one. | 0:01:02 | 0:01:05 | |
..leaving her with nowhere to run. | 0:01:05 | 0:01:06 | |
As project manager, this was your baby. Brande, you're fired. | 0:01:06 | 0:01:11 | |
We were like, "Now, close your eyes. | 0:01:19 | 0:01:21 | |
"Imagine that you were 900 feet in the air." | 0:01:21 | 0:01:25 | |
-Then she pushed them down the... -Stop it! -It's nice, you know? | 0:01:25 | 0:01:29 | |
We won. I'm really, really proud of my team. | 0:01:29 | 0:01:32 | |
As I said in the boardroom, | 0:01:32 | 0:01:34 | |
Lisa's true, like ice, like fire, and Gary got through. | 0:01:34 | 0:01:39 | |
HE TALKS NONSENSICALLY | 0:01:39 | 0:01:44 | |
Oh! | 0:01:44 | 0:01:46 | |
-I know! -I knew it. | 0:01:46 | 0:01:48 | |
What happened? What did he say? | 0:01:48 | 0:01:49 | |
He said, "You think there's any reason these two should be fired?" | 0:01:49 | 0:01:52 | |
And she said, "No." He said, "You know what that means, right?" | 0:01:52 | 0:01:55 | |
She goes, "Yeah," and he goes, "Brande, you're fired." | 0:01:55 | 0:01:57 | |
When she didn't say my name, I was shocked. | 0:01:57 | 0:01:59 | |
Brande didn't want to bring me back. It touched my heart. | 0:01:59 | 0:02:03 | |
I'm going to get emotional right now. | 0:02:03 | 0:02:05 | |
My little sister's gone, man. | 0:02:05 | 0:02:06 | |
Like, I'm all alone. | 0:02:06 | 0:02:08 | |
How does it feel to be the only person left on Power, | 0:02:08 | 0:02:11 | |
-the original Power? -Oh, are you the final...? -The original Power. | 0:02:11 | 0:02:14 | |
I feel like the black guy in the horror movie! | 0:02:14 | 0:02:16 | |
THEY LAUGH | 0:02:16 | 0:02:18 | |
Yeah, I'm the last person from Team Power left. | 0:02:18 | 0:02:20 | |
I'm going to try and pull in the win for Team Power. | 0:02:20 | 0:02:22 | |
Would that not be a great underdog story? | 0:02:22 | 0:02:24 | |
-Let's make that happen. -Final six. | 0:02:24 | 0:02:27 | |
-Are we the final six? -So, we're still uneven. | 0:02:27 | 0:02:31 | |
You know, it's three against three | 0:02:31 | 0:02:33 | |
and I feel that Penn and I are going to have to work at least three, | 0:02:33 | 0:02:37 | |
four times as hard and really pick up the slack... | 0:02:37 | 0:02:40 | |
for Gary. He's got to step up now. | 0:02:40 | 0:02:43 | |
We're All-Stars. We're the top six. Time to step up. | 0:02:43 | 0:02:47 | |
Yay! | 0:02:47 | 0:02:49 | |
MUSIC: For The Love Of The Money by The O'Jays | 0:02:49 | 0:02:54 | |
# Money, money, money, money | 0:02:54 | 0:02:57 | |
# Money | 0:02:57 | 0:02:59 | |
# Money, money, money, money | 0:02:59 | 0:03:02 | |
# Money | 0:03:02 | 0:03:04 | |
# Some people got to have it | 0:03:04 | 0:03:07 | |
# Some people really need it | 0:03:09 | 0:03:12 | |
# Listen to me, y'all | 0:03:12 | 0:03:14 | |
# Do things, do things, do things, | 0:03:14 | 0:03:16 | |
# Bad things with it | 0:03:16 | 0:03:18 | |
# Dollar bills, y'all | 0:03:21 | 0:03:22 | |
# Come on, that mean | 0:03:22 | 0:03:25 | |
# Oh, mean | 0:03:25 | 0:03:27 | |
# Mean green | 0:03:27 | 0:03:30 | |
# Almighty dollar | 0:03:30 | 0:03:31 | |
# I don't know that | 0:03:31 | 0:03:33 | |
# Money | 0:03:33 | 0:03:36 | |
# Give me a nickel, brother | 0:03:36 | 0:03:38 | |
# Can you spare a dime? | 0:03:38 | 0:03:40 | |
# Money can drive some people | 0:03:40 | 0:03:43 | |
# Out of their minds | 0:03:43 | 0:03:48 | |
# No good, no good | 0:03:48 | 0:03:50 | |
# Money | 0:03:50 | 0:03:51 | |
# Money, money, money, money | 0:03:51 | 0:03:54 | |
# Money. # | 0:03:54 | 0:03:56 | |
Joan's here. Oh, yay! | 0:04:06 | 0:04:09 | |
-Good morning. -ALL: -Good morning. | 0:04:11 | 0:04:13 | |
My advisors are Ivanka and the great Joan Rivers, who won, as you know. | 0:04:13 | 0:04:19 | |
Joan, how has it been since winning Celebrity Apprentice? | 0:04:19 | 0:04:22 | |
I'm bankrupt! | 0:04:22 | 0:04:23 | |
LAUGHTER | 0:04:23 | 0:04:25 | |
No, it's been amazing. Amazing, so thank you. | 0:04:25 | 0:04:28 | |
-Well, we love having you, Joan. -It's been amazing. -OK. | 0:04:28 | 0:04:30 | |
We're in Times Square, a place that's known not only for | 0:04:30 | 0:04:34 | |
entertainment but for great technology. | 0:04:34 | 0:04:37 | |
Behind me is the LG billboard. | 0:04:37 | 0:04:41 | |
LG is a great company. | 0:04:41 | 0:04:43 | |
They make televisions, appliances, phones - everything. | 0:04:43 | 0:04:47 | |
You're going to be making a tremendous... | 0:04:47 | 0:04:50 | |
I hope tremendous, right, Marilu? | 0:04:50 | 0:04:53 | |
-Of course. -..video for LG, | 0:04:53 | 0:04:55 | |
displaying how great their products are. | 0:04:55 | 0:04:57 | |
With me is James Fishler, | 0:04:57 | 0:05:00 | |
senior vice president of marketing for LG. | 0:05:00 | 0:05:03 | |
Tell us about the task, James. | 0:05:03 | 0:05:04 | |
Today, you will see products that incorporate LG's smart technology, | 0:05:04 | 0:05:08 | |
our line of interactive, web-connected appliances | 0:05:08 | 0:05:12 | |
and home electronics, | 0:05:12 | 0:05:13 | |
all that can be controlled with your mobile device. | 0:05:13 | 0:05:16 | |
We want your video to excite, | 0:05:16 | 0:05:18 | |
explore and demonstrate to consumers | 0:05:18 | 0:05:21 | |
how LG's smart technology can enhance their everyday lives, | 0:05:21 | 0:05:26 | |
delivering on our brand promise - Life's Good. | 0:05:26 | 0:05:29 | |
Ivanka, tell us about the task. | 0:05:29 | 0:05:31 | |
Tomorrow, you will present your video to James. | 0:05:31 | 0:05:34 | |
He'll judge you based on the following criteria - creativity, | 0:05:34 | 0:05:37 | |
integration of product knowledge and overall presentation. | 0:05:37 | 0:05:41 | |
-Good luck. -OK. Pick your project managers. | 0:05:41 | 0:05:45 | |
-I'll do it. -OK. | 0:05:45 | 0:05:47 | |
Gary, you want to take it, since you're an actor? | 0:05:47 | 0:05:50 | |
Yeah, absolutely. | 0:05:52 | 0:05:54 | |
-Marilu, who is your project manager? -Lil Jon. -Lil Jon? | 0:05:54 | 0:05:57 | |
It was my strong suit, marketing, so I think it's an easy one for me. | 0:05:57 | 0:06:01 | |
I want to bring some money in for the American Diabetes Association, | 0:06:01 | 0:06:04 | |
as well. I haven't won yet. | 0:06:04 | 0:06:05 | |
Penn, who is your project manager? | 0:06:05 | 0:06:07 | |
-Gary Busey. -Well, I know I'm going to have to work hard anyway. | 0:06:07 | 0:06:10 | |
At least with Gary being project manager, | 0:06:10 | 0:06:13 | |
maybe he'll actually have to step up and work. | 0:06:13 | 0:06:16 | |
James, tell them what they're going to be getting for their charity. | 0:06:16 | 0:06:18 | |
The winning project manager will win 40,000 for their charity. | 0:06:18 | 0:06:22 | |
In addition to that, LG would like to donate 1 for every share of the | 0:06:22 | 0:06:26 | |
winning project manager's video on LG's Facebook page, up to 35,000. | 0:06:26 | 0:06:32 | |
All right. Go out, do your job. | 0:06:32 | 0:06:35 | |
I hope you like them, James. Good luck. | 0:06:35 | 0:06:38 | |
Yay! | 0:06:38 | 0:06:39 | |
The idea is, this thing will run everything in your home. | 0:06:46 | 0:06:50 | |
-Everything in your home right here. -It'd be nice to have someone like... | 0:06:50 | 0:06:54 | |
We've also got something really cool here. | 0:06:54 | 0:06:57 | |
I was not worried about Gary being project manager | 0:06:57 | 0:06:59 | |
on a tech task because he has me. | 0:06:59 | 0:07:01 | |
You have such a knowledge of phones... | 0:07:01 | 0:07:03 | |
-Unbelievable! -..electronic gear you hold in your hand. | 0:07:03 | 0:07:05 | |
-I am wise in the ways of electronic gear. -Yeah, I heard that. | 0:07:05 | 0:07:09 | |
I am a cheerleader for technology, | 0:07:09 | 0:07:11 | |
which is precisely what this task needed. | 0:07:11 | 0:07:15 | |
-You want to be in this one? You want to be in this? -Yeah, I do. | 0:07:15 | 0:07:18 | |
-I do very much. -OK. | 0:07:18 | 0:07:20 | |
I like the idea of knowing my voice can move mountains. | 0:07:20 | 0:07:23 | |
The project managership is a gift and I'm here to win for my charity. | 0:07:23 | 0:07:29 | |
That's why I'm here. And my charity | 0:07:29 | 0:07:30 | |
is called the Busey Foundation For Children's Kawasaki Disease. | 0:07:30 | 0:07:34 | |
Where to? Where to? | 0:07:34 | 0:07:36 | |
'A lot of people don't know about this disease. | 0:07:36 | 0:07:39 | |
'It happens often and it comes without warning,' | 0:07:39 | 0:07:41 | |
so now I'm fighting for money to win for that charity. | 0:07:41 | 0:07:46 | |
Oh, this is nice! | 0:07:46 | 0:07:48 | |
We have a kitchen and we have a living room. Nice! | 0:07:48 | 0:07:52 | |
'We head over to the studio to get to work and this task is wonderful | 0:07:52 | 0:07:55 | |
'for me. This was creativity, production.' | 0:07:55 | 0:07:59 | |
Imagine what we can do with LG technology. Boom, bang, boom. | 0:07:59 | 0:08:03 | |
-How's it going today? -Hello. -We're LG product specialists. | 0:08:03 | 0:08:07 | |
-Hello. -Hi, I'm Gary. -Mike. -Hi, nice to meet you. | 0:08:07 | 0:08:10 | |
Hi, Lisa. Mike? Nice to meet you. | 0:08:10 | 0:08:14 | |
So what we're here for today is to kind of go through our mobile phones | 0:08:14 | 0:08:18 | |
and then appliances. | 0:08:18 | 0:08:19 | |
'So the three tech guys come to give us a tutorial on all the appliances' | 0:08:19 | 0:08:24 | |
and they're serious. You know, they're techies. | 0:08:24 | 0:08:27 | |
This is our 55-inch Cinema 3D Smart TV, full HD, 1080p. | 0:08:27 | 0:08:34 | |
-3D cinema what? -3D. Cinema 3D. | 0:08:34 | 0:08:38 | |
A 55-inch cinema 3D? | 0:08:38 | 0:08:41 | |
Yep. So, this is 2D, and with one click of the 3D button... | 0:08:41 | 0:08:44 | |
-..it was converted to 3D but still... -That's pretty good! | 0:08:46 | 0:08:49 | |
-It's pretty good! -Oh, look at the bees! | 0:08:49 | 0:08:52 | |
They're giant bees. | 0:08:52 | 0:08:53 | |
Any site you can get on a computer, | 0:08:53 | 0:08:55 | |
you can get on through the LG web browser. | 0:08:55 | 0:08:57 | |
You just click on the microphone function. | 0:08:57 | 0:09:00 | |
Celebrity Apprentice All-Stars. | 0:09:00 | 0:09:02 | |
And it's as simple as that. | 0:09:02 | 0:09:05 | |
It doesn't seem like he's here any more! | 0:09:05 | 0:09:08 | |
'Really, it blows your mind in so many ways, that TV. | 0:09:08 | 0:09:11 | |
'It has everything under the sun.' | 0:09:11 | 0:09:14 | |
-It could practically -BLEEP -you. | 0:09:14 | 0:09:16 | |
-How you guys doing? -Hi. -Good. My name's Chadigan. | 0:09:18 | 0:09:21 | |
I'm going to be here to support you guys as far as mobile goes. | 0:09:21 | 0:09:25 | |
The device itself is a perfect combination between an e-reader, | 0:09:25 | 0:09:30 | |
a smartphone and a tablet | 0:09:30 | 0:09:33 | |
in the one simple device that is thin and light. | 0:09:33 | 0:09:38 | |
What was that? | 0:09:38 | 0:09:39 | |
-I... -That's OK. It's actually a combination of an e-reader, | 0:09:39 | 0:09:43 | |
a smartphone and a tablet. | 0:09:43 | 0:09:45 | |
An e-reader, a smartphone... | 0:09:45 | 0:09:49 | |
And a tablet. | 0:09:49 | 0:09:50 | |
'I have a real simple cellphone.' | 0:09:50 | 0:09:52 | |
All I need to do on my cellphone | 0:09:52 | 0:09:54 | |
is call the number and talk or... | 0:09:54 | 0:09:57 | |
-HE MIMICS BEEPING -"Hi, who's there?" That's it. | 0:09:57 | 0:10:01 | |
-So all I did is I simply went into my... -Hey, slow down a little bit. | 0:10:01 | 0:10:04 | |
-I'm not getting you. -OK. -You go real fast. -OK. | 0:10:04 | 0:10:08 | |
All right. | 0:10:08 | 0:10:10 | |
But this LG phone is like going to another planet without instructions. | 0:10:10 | 0:10:14 | |
So, your options are either to receive it or to send it so we're | 0:10:14 | 0:10:18 | |
going to load from the phone. So we're taking it in. | 0:10:18 | 0:10:21 | |
So it goes out into our server and the internet world... | 0:10:21 | 0:10:25 | |
There's no chance that Gary can understand it. | 0:10:27 | 0:10:29 | |
No chance. There was three experts who could have taught him about what | 0:10:29 | 0:10:33 | |
was going on and he walked away. | 0:10:33 | 0:10:37 | |
He walked away from the tutorial. | 0:10:37 | 0:10:39 | |
So I'm going to take all those items and here are my options. | 0:10:39 | 0:10:41 | |
-Right. -I'm going to send them to the refrigerator. | 0:10:41 | 0:10:44 | |
'I'm not a technician and Penn showed his genius at that. | 0:10:44 | 0:10:48 | |
'And so I'm just sitting here thinking about what I'm doing. | 0:10:48 | 0:10:51 | |
'To be accepted on the show and go as far as I did and be still on the show,' | 0:10:51 | 0:10:55 | |
it's like I feel like a cat coming out of the closet on Halloween | 0:10:55 | 0:10:59 | |
and that's this. | 0:10:59 | 0:11:00 | |
HE HISSES | 0:11:00 | 0:11:01 | |
You know, they're scary. Those guys are scary, especially on Halloween. | 0:11:01 | 0:11:05 | |
But if you want to, you know, surprise somebody, | 0:11:05 | 0:11:08 | |
that's a good way to do it. When they come in the door, be on just | 0:11:08 | 0:11:10 | |
-the other side and they come in... -HE HISSES | 0:11:10 | 0:11:13 | |
And they'll probably leave | 0:11:13 | 0:11:16 | |
or they'll come in and find some kitty litter. I don't know. | 0:11:16 | 0:11:19 | |
I wasn't there! | 0:11:19 | 0:11:20 | |
HE LAUGHS | 0:11:20 | 0:11:22 | |
Welcome to nerd heaven! | 0:11:29 | 0:11:31 | |
So cool! It's nice. | 0:11:31 | 0:11:33 | |
Our task this week is to create a 90-second demonstrational video | 0:11:33 | 0:11:38 | |
highlighting LG products. | 0:11:38 | 0:11:41 | |
This is so fun! | 0:11:41 | 0:11:42 | |
We definitely need to win so we can get some free LG. | 0:11:42 | 0:11:46 | |
Hello. Welcome. I'm Jon. | 0:11:48 | 0:11:51 | |
'Three LG representatives come' | 0:11:51 | 0:11:54 | |
and walk us through each one of the LG products. | 0:11:54 | 0:11:59 | |
LG prides itself on innovation, | 0:11:59 | 0:12:01 | |
so the first thing you'll notice when we talk about innovation is the | 0:12:01 | 0:12:05 | |
-stylish design of the set. -It's just a screen. | 0:12:05 | 0:12:08 | |
-Looks good, right? -Yeah, there's no border. -Yeah. -More TV. | 0:12:08 | 0:12:12 | |
Looks as good as it does turned on as it does turned off, | 0:12:12 | 0:12:15 | |
but it's not just a pretty face. | 0:12:15 | 0:12:17 | |
It's a 55-inch LED Cinema 3D Smart TV, so it's not just good-looking, | 0:12:17 | 0:12:24 | |
-it's smart. -I need one of these TVs! | 0:12:24 | 0:12:27 | |
The TV is amazing because this TV is like all TV and the TV can make 2D | 0:12:27 | 0:12:33 | |
stuff into 3D. It's like, I want one of these TVs, LG. | 0:12:33 | 0:12:37 | |
LG, can you please hook a brother up with a TV? | 0:12:37 | 0:12:40 | |
You now have the ability to link your phone to everything that's | 0:12:40 | 0:12:43 | |
in your house - your dishwasher, refrigerator and your TV. | 0:12:43 | 0:12:47 | |
And this phone might disappear. | 0:12:47 | 0:12:49 | |
This phone might disappear. | 0:12:49 | 0:12:51 | |
If I lose it, I don't know what happened to it. | 0:12:51 | 0:12:54 | |
The other thing that's really cool about this phone is the camera | 0:12:54 | 0:12:56 | |
features. What this camera does is, we have a cheese shutter. | 0:12:56 | 0:12:59 | |
You say "cheese", it's going to take a picture. CLICK | 0:12:59 | 0:13:02 | |
-It just took my picture. -What? -So, if you guys would like... | 0:13:02 | 0:13:06 | |
-Cheese. -CAMERA SHUTTER CLICKS | 0:13:06 | 0:13:08 | |
And then you can share that with the world. | 0:13:08 | 0:13:10 | |
I want one of these phones, LG. | 0:13:10 | 0:13:13 | |
The oven can tell you when it's done. Bomb! | 0:13:13 | 0:13:16 | |
Washer and dryer, you can see it on your phone. | 0:13:16 | 0:13:18 | |
Oh, I got three minutes left on that cycle! | 0:13:18 | 0:13:22 | |
The refrigerator has Wi-Fi, Trace. | 0:13:22 | 0:13:24 | |
The refrigerator with a grocery list? I want all this stuff! | 0:13:24 | 0:13:27 | |
You can actually create a grocery list either on the refrigerator | 0:13:27 | 0:13:30 | |
or on the phone. Most people write it down but what you can actually | 0:13:30 | 0:13:33 | |
do here is add new food. It will now be on my phone. | 0:13:33 | 0:13:36 | |
When I go to the grocery store, I can go, "Boom, boom, boom, | 0:13:36 | 0:13:39 | |
"this is what I need." Once you get home and load up your refrigerator, | 0:13:39 | 0:13:42 | |
if I click on "food in refrigerator", | 0:13:42 | 0:13:45 | |
here's everything you can make with that. So, again, it's all about | 0:13:45 | 0:13:48 | |
convenience with the smart appliance. | 0:13:48 | 0:13:50 | |
The refrigerator - that was the Holy Grail. I mean, that refrigerator was | 0:13:50 | 0:13:53 | |
something so remarkable it would be like having another family member. | 0:13:53 | 0:13:57 | |
If I had that refrigerator, | 0:13:57 | 0:13:59 | |
I would want to have a Christmas stocking for it. | 0:13:59 | 0:14:01 | |
Milk, eggs, something that expires, | 0:14:01 | 0:14:03 | |
you can actually set it to have a warning go off the day it expires. | 0:14:03 | 0:14:05 | |
"Hey, your chocolate milk's expired. Would you like to add that to your grocery list?" | 0:14:05 | 0:14:09 | |
Smart refrigerator. | 0:14:09 | 0:14:10 | |
I want mine to just say, "Go away - you're too fat. | 0:14:10 | 0:14:13 | |
"I thought you were on a diet! | 0:14:13 | 0:14:15 | |
HE LAUGHS | 0:14:15 | 0:14:16 | |
"The ice cream's not for you, fat ass." | 0:14:16 | 0:14:20 | |
-Good morning. -Hey. -Lil Jon, how are you, sir? | 0:14:20 | 0:14:22 | |
Pleasure to meet you. Trace, James. | 0:14:22 | 0:14:24 | |
-Pleasure to meet you. -Sit on the couch. -Marilu. -Pleasure to meet you. | 0:14:24 | 0:14:27 | |
We have an executive meeting with James Fishler from LG | 0:14:27 | 0:14:31 | |
and he basically will tell us about the LG brand and some of the things | 0:14:31 | 0:14:36 | |
he might want to see in our video. | 0:14:36 | 0:14:40 | |
We were very impressed with the... with what we saw. | 0:14:40 | 0:14:43 | |
What are some things that you would like us to pinpoint | 0:14:43 | 0:14:46 | |
from your company standpoint that you think the world should know? | 0:14:46 | 0:14:50 | |
A key message is that LG makes life good, | 0:14:50 | 0:14:54 | |
so we look at what consumers want, challenges they deal with, | 0:14:54 | 0:14:57 | |
how to make their lives better. | 0:14:57 | 0:14:59 | |
There are certainly some hero products. | 0:14:59 | 0:15:01 | |
When you do 90-second demonstrations, | 0:15:01 | 0:15:03 | |
I mean, that's pretty fast, with four products especially. | 0:15:03 | 0:15:07 | |
If we're doing a telephone, refrigerator, a TV and laundry, | 0:15:07 | 0:15:12 | |
can the demos be less detailed or is it actually a how-to kind of thing? | 0:15:12 | 0:15:18 | |
A key message that must be delivered is that LG delivers great products, | 0:15:18 | 0:15:22 | |
smart technology, | 0:15:22 | 0:15:24 | |
but that it's also easy-to-use and maybe even fun to use. | 0:15:24 | 0:15:28 | |
LG is a warm and friendly brand. | 0:15:28 | 0:15:31 | |
Life's good. That is our brand moniker, no doubt about it. | 0:15:31 | 0:15:35 | |
But it's important for consumers to understand it can be really easy to | 0:15:35 | 0:15:39 | |
incorporate technology in your life | 0:15:39 | 0:15:41 | |
and it gives time back so they can do more things with their life. | 0:15:41 | 0:15:45 | |
Spend time with friends, family and loved ones. | 0:15:45 | 0:15:48 | |
'What I took away was,' | 0:15:48 | 0:15:50 | |
it's a feel-good company, it's nothing too wacky. | 0:15:50 | 0:15:54 | |
And your target range is 25 to 54? | 0:15:54 | 0:15:58 | |
Our demographic is men and women, | 0:15:58 | 0:16:00 | |
split about 50/50, ages 25 to 54, | 0:16:00 | 0:16:03 | |
income 70,000 or more. | 0:16:03 | 0:16:06 | |
But early adopters, people that want the latest technology. | 0:16:06 | 0:16:10 | |
It was very good. We understood what he wanted. | 0:16:10 | 0:16:13 | |
-Enjoy your day. It was a pleasure to meet you all. -Thank you. | 0:16:13 | 0:16:15 | |
-I look forward to the presentation. -Thank you so very much. | 0:16:15 | 0:16:18 | |
'And I let my thoughts rise up to the occasion.' | 0:16:18 | 0:16:21 | |
Spontaneity comes from an invisible idea, before the creation begins. | 0:16:21 | 0:16:27 | |
And there's three things you have to be to have that spontaneity come | 0:16:27 | 0:16:31 | |
naturally - clear, vulnerable and yet open. | 0:16:31 | 0:16:35 | |
What are you thinking, guys? | 0:16:35 | 0:16:37 | |
Maybe you can start out talking to the appliances. | 0:16:37 | 0:16:41 | |
And that wouldn't go well. | 0:16:41 | 0:16:43 | |
Maybe something like they do all the housework from the couch. | 0:16:43 | 0:16:47 | |
I don't think that'll work. | 0:16:47 | 0:16:49 | |
What if Dad is doing nothing | 0:16:49 | 0:16:51 | |
and then she demos everything she's doing with the phone... | 0:16:51 | 0:16:54 | |
OK, hold it right there. Let's not go any farther. | 0:16:54 | 0:16:57 | |
'I had three, admittedly half-baked, concepts, | 0:16:57 | 0:17:02 | |
'but Gary had surprisingly little interest.' | 0:17:02 | 0:17:06 | |
He didn't let me get out any of my ideas. None of them. | 0:17:06 | 0:17:10 | |
What if it was like a '50s family | 0:17:10 | 0:17:12 | |
-that has just come into this world? -Sh, sh. Be quiet. | 0:17:12 | 0:17:16 | |
-But I'm just telling you... -Hey, honey, slow down with your words. | 0:17:17 | 0:17:20 | |
-Don't talk, right? It'd be good just to... -OK, I'm not talking. | 0:17:20 | 0:17:23 | |
All right, I won't talk. | 0:17:23 | 0:17:26 | |
'It was hard coming up with a concept. | 0:17:26 | 0:17:28 | |
-'Gary didn't want to hear our ideas.' -Sh, sh. | 0:17:28 | 0:17:31 | |
We would start and then Gary would be like, "No..." | 0:17:31 | 0:17:34 | |
So it is challenging. | 0:17:34 | 0:17:36 | |
Here's what I feel. This is the smartest stuff I've seen. | 0:17:36 | 0:17:40 | |
What will LG do next? | 0:17:40 | 0:17:42 | |
You'll hear Dad say, "They're going to create a mechanical dog." | 0:17:42 | 0:17:46 | |
-OK. -A mechanical dog is the next thing LG's going to make. | 0:17:46 | 0:17:51 | |
Do you act like a dog after you say "mechanical dog"? | 0:17:51 | 0:17:54 | |
Oh, yeah. | 0:17:54 | 0:17:56 | |
HE BARKS | 0:17:56 | 0:17:57 | |
And I'm going to go down on all fours. | 0:17:57 | 0:17:59 | |
HE BARKS | 0:17:59 | 0:18:02 | |
HE GROWLS AND SPLUTTERS | 0:18:02 | 0:18:07 | |
And you start moving around crazy and maybe humping the coffee table. | 0:18:07 | 0:18:13 | |
'Gary wants to play a crazy person who turns into a mechanical dog. | 0:18:13 | 0:18:17 | |
'It is nothing to do with the product.' | 0:18:17 | 0:18:20 | |
He is literally barking mad. | 0:18:20 | 0:18:23 | |
I don't know what to do. | 0:18:23 | 0:18:25 | |
He certainly doesn't want to hear from us. | 0:18:25 | 0:18:27 | |
I've tried to put my two cents in | 0:18:27 | 0:18:28 | |
many a time and he's really been very disrespectful to me. | 0:18:28 | 0:18:31 | |
I'm just trying to help, I'm just trying to give my two cents but he | 0:18:31 | 0:18:34 | |
does not want to hear it, so... | 0:18:34 | 0:18:36 | |
-The problems are deeper than his respect for you. -It's deeper than that. | 0:18:36 | 0:18:40 | |
-Mechanical dog's a bigger problem than telling you to shut up. -I know. | 0:18:40 | 0:18:44 | |
Oh, man, oh, man, oh, man. | 0:18:44 | 0:18:47 | |
-Hi, are you the crew? -I'm Paul, the director of photography. -Hi, Paul. | 0:18:51 | 0:18:55 | |
Lisa, Penn, are you guys satisfied, happy? | 0:18:59 | 0:19:02 | |
Well, the mechanical dog certainly made me laugh but I'm worried about | 0:19:02 | 0:19:06 | |
the overall idea. | 0:19:06 | 0:19:08 | |
'Our task was to make a demonstrational video | 0:19:08 | 0:19:10 | |
'but Gary latched on to the mechanical dog idea. | 0:19:10 | 0:19:14 | |
'He is project manager | 0:19:14 | 0:19:16 | |
'but his vision and LG's vision' | 0:19:16 | 0:19:20 | |
do not overlap in any way, shape or form. | 0:19:20 | 0:19:23 | |
I would love to be wrong on this. | 0:19:23 | 0:19:25 | |
I'm completely behind you, and no way undermines my commitment. | 0:19:25 | 0:19:29 | |
I want you to feel in agreement, your heart with mine. | 0:19:29 | 0:19:33 | |
I am feeling you don't have complete confidence in me. | 0:19:33 | 0:19:36 | |
I don't. Is it possible when I see it, I'll understand it better? | 0:19:36 | 0:19:40 | |
-Yeah. -If that's what you see, I'm behind you. | 0:19:40 | 0:19:43 | |
'There is a chance that what Gary is seeing is brilliant | 0:19:43 | 0:19:46 | |
'and they're going to love it. But I think we're hunting Moby Dick.' | 0:19:46 | 0:19:50 | |
It's a bad idea and Ahab's in charge and he's gone mad. | 0:19:50 | 0:19:55 | |
-Lisa, do you not like the script? -You don't really want my input. | 0:19:55 | 0:19:58 | |
-That's the truth. -Yes, I do. | 0:19:58 | 0:20:00 | |
-You said that we're going with the mechanical dog. -I know. I like that. | 0:20:00 | 0:20:03 | |
Well, exactly. So we accepted that. | 0:20:03 | 0:20:05 | |
And if you ask me if that's my favourite thing, then no. | 0:20:05 | 0:20:08 | |
-Slow down, guys. Don't be angry with me. -We're not, we're just saying... | 0:20:08 | 0:20:11 | |
Well, you're yelling and you're talking to me like I'm an idiot | 0:20:11 | 0:20:13 | |
-and I'm not. -No. | 0:20:13 | 0:20:15 | |
'Penn and Lisa don't want to be a part of what I'm doing | 0:20:15 | 0:20:17 | |
'as project manager. You're given the ingredients to make a cake | 0:20:17 | 0:20:21 | |
'and some of the ingredients' | 0:20:21 | 0:20:23 | |
refuse to come into the cake, | 0:20:23 | 0:20:25 | |
you won't have a good cake. | 0:20:25 | 0:20:26 | |
When you know the team has abandoned you in that way, it hurts. | 0:20:26 | 0:20:30 | |
I come out with people talking to me like they're talking down to me... | 0:20:30 | 0:20:33 | |
Gary, I never felt like I was talking down to you. | 0:20:33 | 0:20:36 | |
-If... -Those are my feelings. | 0:20:36 | 0:20:38 | |
I know, and I'm saying I'm sorry if you thought that. | 0:20:38 | 0:20:41 | |
-Gary... -Well, don't interrupt... Please don't interrupt me. | 0:20:41 | 0:20:44 | |
Gary, you have to be... OK, if you don't want to talk to me, | 0:20:44 | 0:20:46 | |
you have to be really honest. You've shushed me a lot today. | 0:20:46 | 0:20:49 | |
-I can't even talk to you with you. -You can talk to me. | 0:20:49 | 0:20:52 | |
But you're not listening. | 0:20:52 | 0:20:53 | |
'I feel like a salmon swimming upstream sometimes, | 0:20:53 | 0:20:56 | |
'working with Lisa.' | 0:20:56 | 0:20:58 | |
I feel moved out of the way, | 0:20:58 | 0:21:00 | |
the same way I felt two years ago | 0:21:00 | 0:21:01 | |
with Meat Loaf and John Rich and Mark McGrath, | 0:21:01 | 0:21:04 | |
that they didn't want me a part of it. | 0:21:04 | 0:21:07 | |
-What would you like me to listen to? -Just that... -We have work to do. | 0:21:07 | 0:21:10 | |
You see? There you go again. | 0:21:10 | 0:21:12 | |
I just would like to have sensitive cooperation, and the tone of voice | 0:21:12 | 0:21:17 | |
you use to me and not criticise me. | 0:21:17 | 0:21:19 | |
I'm sorry that you felt that, I really am, | 0:21:19 | 0:21:22 | |
because I was really feeling like I was supporting you, saying, | 0:21:22 | 0:21:24 | |
"This is what you do best." | 0:21:24 | 0:21:26 | |
But you confrontated me very viciously. | 0:21:26 | 0:21:29 | |
I'm sorry that you felt that. | 0:21:29 | 0:21:30 | |
-That was very hard on me. -OK, then let's start afresh. | 0:21:30 | 0:21:32 | |
-You know I love you. -Apologise... -And I support you... -And don't do... | 0:21:32 | 0:21:35 | |
-I will not do that to you, don't do it to me any more. -I hear you. | 0:21:35 | 0:21:38 | |
I want to be here and support you. Let's get to work. | 0:21:38 | 0:21:42 | |
I want to work. I want to make this the best we can make it. | 0:21:42 | 0:21:46 | |
-'Gary is -bat BLEEP -crazy, period, end of story. | 0:21:46 | 0:21:48 | |
'You know, I don't like being shushed but we're a team.' | 0:21:48 | 0:21:52 | |
I'm just going to stand up there | 0:21:52 | 0:21:54 | |
and support him and let him share his vision. It's all I can do. | 0:21:54 | 0:21:59 | |
-Let me help you, whatever you need. -Well, thanks for listening to me. | 0:21:59 | 0:22:03 | |
Any time. Let's go forward. | 0:22:03 | 0:22:05 | |
Marilu, I think this is for you. | 0:22:07 | 0:22:09 | |
I know it's not for me! | 0:22:09 | 0:22:11 | |
You eat what food eats! | 0:22:13 | 0:22:15 | |
OK, so this is what I'm thinking. | 0:22:15 | 0:22:17 | |
It's a lot of stuff to display. | 0:22:17 | 0:22:19 | |
We might just need to keep it simple as hell, | 0:22:19 | 0:22:21 | |
cos there's going to be a lot to show. | 0:22:21 | 0:22:23 | |
'The executive meeting highlighted a bunch of points.' | 0:22:23 | 0:22:26 | |
It's about demonstrating the use of the products. | 0:22:26 | 0:22:29 | |
We got products we've got to highlight. | 0:22:29 | 0:22:32 | |
I got to figure out how to incorporate the product slogans. | 0:22:32 | 0:22:34 | |
Come up to the table, everybody, sit your asses down, | 0:22:34 | 0:22:37 | |
let's get this script done. | 0:22:37 | 0:22:38 | |
I think an old lady telling her college student grandkids about | 0:22:38 | 0:22:42 | |
all the new-fangled gadgets that she's learned how to operate. | 0:22:42 | 0:22:46 | |
-Yeah, yeah, yeah. -It's fast, it's easy. -In my real world, my son, | 0:22:46 | 0:22:49 | |
who's the real techie in the family, just left for college. | 0:22:49 | 0:22:52 | |
So I'm, like, in the dark. | 0:22:52 | 0:22:53 | |
And so now... Let's say he's coming home for the first time, | 0:22:53 | 0:22:56 | |
it's like the mislead of, you think that she's missed him | 0:22:56 | 0:22:59 | |
-because of that but he... You know. -He comes home | 0:22:59 | 0:23:02 | |
and he has no idea... | 0:23:02 | 0:23:03 | |
..how to work anything and she's like, "Oh, this, this and this." | 0:23:03 | 0:23:06 | |
She's like, "Boom, boom, boom." | 0:23:06 | 0:23:07 | |
That's what I think. You just do that twist, you know, | 0:23:07 | 0:23:10 | |
where the shoe is on the other foot. | 0:23:10 | 0:23:13 | |
-I definitely agree with that. -And you could do it. -Yeah. | 0:23:13 | 0:23:17 | |
-Commercials. Yeah. -We've got an award-winning actress sitting here. | 0:23:17 | 0:23:21 | |
'I've been an actress for so many years.' | 0:23:21 | 0:23:25 | |
I've done 78 different commercials, | 0:23:25 | 0:23:27 | |
so I'm very good with product and stuff. | 0:23:27 | 0:23:29 | |
You know, I'm a mom of two teenage boys, so it's perfectly cast. | 0:23:29 | 0:23:33 | |
You've got to think, is Gary... I know they're going to be a mess! | 0:23:33 | 0:23:37 | |
THEY LAUGH | 0:23:37 | 0:23:39 | |
OK, lay it on us, chief. | 0:23:43 | 0:23:45 | |
Housewife is here and then she stops at the stove and have her say to her | 0:23:45 | 0:23:50 | |
daughter, "Remember what life was without this." | 0:23:50 | 0:23:54 | |
'I have a very creative imagination.' | 0:23:54 | 0:23:56 | |
It seems hard for my team-mates | 0:23:56 | 0:23:58 | |
to be on the same page of creativity with me but I went ahead | 0:23:58 | 0:24:02 | |
with my idea and I did it myself, without support from them. | 0:24:02 | 0:24:05 | |
The daughter and mother will go through there, | 0:24:05 | 0:24:08 | |
the camera will follow them here. | 0:24:08 | 0:24:09 | |
I would like to have the camera do a whip pan and then at the end of the | 0:24:09 | 0:24:15 | |
whip pan, "They're going to create a mechanical dog." | 0:24:15 | 0:24:19 | |
OK. Gary just spewed out images. | 0:24:19 | 0:24:23 | |
'The energy to just understand' | 0:24:23 | 0:24:26 | |
is much more energy than writing 15 scripts | 0:24:26 | 0:24:30 | |
from scratch by myself for LG. | 0:24:30 | 0:24:32 | |
"They're going to create a mechanical dog" | 0:24:32 | 0:24:34 | |
-is sort of the joke punchline of that first section? -Yeah. | 0:24:34 | 0:24:38 | |
OK. And then it's going to go... | 0:24:38 | 0:24:41 | |
It also gives people to think... | 0:24:41 | 0:24:44 | |
"LG could probably do that." | 0:24:44 | 0:24:46 | |
'We were trying to really be there for Gary. We really were.' | 0:24:46 | 0:24:49 | |
'He is an Academy Award-nominated actor and he's a mad genius.' | 0:24:49 | 0:24:55 | |
Maybe this is so creative | 0:24:55 | 0:24:58 | |
and outside the box that the LG executives will go, | 0:24:58 | 0:25:02 | |
"This is fabulous!" | 0:25:02 | 0:25:03 | |
Do you want me to type up what you just said here? | 0:25:03 | 0:25:06 | |
Yeah. I just want us all to be able to catch what I'm saying | 0:25:06 | 0:25:10 | |
-in a basket, so that we can put it together like a good puzzle. -I'm listening. | 0:25:10 | 0:25:13 | |
'I was an unwilling typist. | 0:25:15 | 0:25:16 | |
'I had nothing to do with the idea, I did no writing whatsoever.' | 0:25:16 | 0:25:20 | |
There was not a sentence in there that I created. | 0:25:20 | 0:25:24 | |
Danielle's in the other room. | 0:25:24 | 0:25:26 | |
"They're going to create a mechanical dog. | 0:25:26 | 0:25:28 | |
"He barks, gets on all fours. | 0:25:28 | 0:25:30 | |
"Thank God for LG. | 0:25:30 | 0:25:33 | |
"If it wasn't for LG, I'd be a mechanical dog..." | 0:25:33 | 0:25:36 | |
-HE LAUGHS -"..for the rest of my life!" | 0:25:36 | 0:25:40 | |
There was no mission statement for what the 90 seconds was going to be. | 0:25:40 | 0:25:44 | |
There was no idea. There was no tone. | 0:25:44 | 0:25:48 | |
That's where we are. That's where the wheels come off and burned. | 0:25:48 | 0:25:51 | |
I don't understand! I don't understand it at all! | 0:25:51 | 0:25:55 | |
-Jeremy and... -Justin. -Justin. So you guys are our actors. | 0:26:05 | 0:26:08 | |
You're going to be playing my son you're going to be playing his friend. | 0:26:08 | 0:26:12 | |
-What I thought it would be cool to be like... -OK. | 0:26:12 | 0:26:16 | |
So this is probably a good shot, so you can get that in the background. | 0:26:16 | 0:26:19 | |
'I'm the guy that makes music,' | 0:26:19 | 0:26:22 | |
but I've been on a lot of video sets. | 0:26:22 | 0:26:25 | |
You can do an over-the-shoulder shot here of the mom and the son here. | 0:26:25 | 0:26:29 | |
'We know Gary might fall apart on this one.' | 0:26:29 | 0:26:32 | |
But I'm not counting on that. | 0:26:32 | 0:26:34 | |
I'm going to still try to create the best product I can create. | 0:26:34 | 0:26:37 | |
Twist your body just a little bit to the right. | 0:26:37 | 0:26:40 | |
Marilu out of focus on the beat, yeah, let's split the difference. | 0:26:40 | 0:26:43 | |
-Hello, hello, hello. Good to see you. -Hello, how are you? | 0:26:53 | 0:26:56 | |
Very, very good, very good. | 0:26:56 | 0:26:58 | |
'It was good to see Joan. | 0:26:58 | 0:26:59 | |
'People can see whatever they want to say about Joan Rivers,' | 0:26:59 | 0:27:02 | |
but it's been my experience with her that she's just been a gem. | 0:27:02 | 0:27:06 | |
-Who's playing Mamma? -Who do you think? | 0:27:06 | 0:27:08 | |
-Too young. Too young. -I have a son in college. | 0:27:08 | 0:27:12 | |
-Wait. Do you want to know something? -You don't look tired. | 0:27:12 | 0:27:15 | |
You look too good. | 0:27:15 | 0:27:16 | |
-Come on over here, I'll let you know what's going on. -OK, OK. | 0:27:16 | 0:27:20 | |
We're getting ready to start shooting now. | 0:27:20 | 0:27:22 | |
-We've got the other filter in? You want to step in? -OK. | 0:27:22 | 0:27:25 | |
Let me see what it is brighter, and if not, we can settle right here. | 0:27:25 | 0:27:29 | |
A little brighter, just to see. | 0:27:29 | 0:27:31 | |
Better. | 0:27:31 | 0:27:33 | |
All right, let's shoot it. Settle all around, please. | 0:27:33 | 0:27:36 | |
-Action. -What's up with the glasses? | 0:27:36 | 0:27:38 | |
-They are 3D glasses. -Wait, wait, wait, cut. | 0:27:38 | 0:27:41 | |
You've got to go half on that light, that's a little bright. | 0:27:41 | 0:27:44 | |
-Let's do it again. -I think they are using their talents very well. | 0:27:44 | 0:27:48 | |
I love that they put Marilu in it. | 0:27:48 | 0:27:50 | |
Cut. One thing I need is a light right here on this side of his face. | 0:27:50 | 0:27:54 | |
But they are wasting so much time on little things. | 0:27:54 | 0:27:59 | |
I mean, it's not Lawrence Of Arabia that they're doing. | 0:27:59 | 0:28:02 | |
Let me see that filter in it. | 0:28:02 | 0:28:03 | |
Turn the light back on. Yeah, I don't know about this. Too dark now. | 0:28:03 | 0:28:08 | |
I want to say, "Lil Jon, you're not Alfred Hitchcock, | 0:28:08 | 0:28:11 | |
"get it in the can." | 0:28:11 | 0:28:13 | |
Let's hurry up. We gotta move. | 0:28:13 | 0:28:14 | |
HE SIGHS | 0:28:14 | 0:28:16 | |
-Our actors are here. -I'm Gary Busey. -Gary, nice to meet you. | 0:28:22 | 0:28:25 | |
I'm playing your father. | 0:28:25 | 0:28:28 | |
'The actors showed up. | 0:28:28 | 0:28:30 | |
'Gary had surprisingly picked two women of the same age | 0:28:30 | 0:28:35 | |
'to play his wife and his daughter.' | 0:28:35 | 0:28:37 | |
Some sort of weird Mormon sister-wife thing, which was creepy. | 0:28:37 | 0:28:41 | |
Acting is the absence of acting. | 0:28:41 | 0:28:44 | |
I've been doing this 42 years, professionally. | 0:28:44 | 0:28:48 | |
So I'm just so happy I chose you. | 0:28:48 | 0:28:52 | |
I don't choose you. | 0:28:52 | 0:28:54 | |
The spirit of the word chooses you. | 0:28:54 | 0:28:56 | |
And I know the performances | 0:28:56 | 0:28:58 | |
and the joy of your emotions you will give to this little short film | 0:28:58 | 0:29:03 | |
lives 5,000 miles past heaven. | 0:29:03 | 0:29:06 | |
And that's a beautiful place they have. | 0:29:06 | 0:29:09 | |
I sat the actors down and talked to them about what I learned | 0:29:09 | 0:29:13 | |
in my 43-year experience. | 0:29:13 | 0:29:14 | |
'I gave them an advanced adventure and we had clarity,' | 0:29:14 | 0:29:18 | |
their vulnerability and openness, and I've been very nice, | 0:29:18 | 0:29:21 | |
I've been very nice. | 0:29:21 | 0:29:23 | |
I've been out of my body twice. | 0:29:23 | 0:29:25 | |
And I stopped breathing for eight minutes. | 0:29:25 | 0:29:29 | |
I was told by Henry Crow Dog, a Brule medicine man, years ago, | 0:29:29 | 0:29:33 | |
"When you leave your body, don't get too far away from it, | 0:29:33 | 0:29:37 | |
"cos you might not find a way back." | 0:29:37 | 0:29:41 | |
Sat up in my bed, out of a chest of drawers sitting against the wall, | 0:29:41 | 0:29:44 | |
shot three silver arrows right by my right ear, | 0:29:44 | 0:29:48 | |
three times in five seconds. | 0:29:48 | 0:29:51 | |
So...that's a story about freedom, being vulnerable and open | 0:29:51 | 0:29:55 | |
the power of your heart shocker. | 0:29:55 | 0:29:58 | |
OK! This is Lisa Rinna. | 0:29:58 | 0:30:01 | |
She's brilliant. Brilliant in every way. | 0:30:01 | 0:30:03 | |
Lisa used to be about as smart as a bag of hair, | 0:30:03 | 0:30:06 | |
but she's so educated now, she's so brilliant now. | 0:30:06 | 0:30:10 | |
-That's a very high compliment from Mr Busey. -Yes, I'd surely mean it. | 0:30:10 | 0:30:14 | |
So God knows what will happen to you today. | 0:30:14 | 0:30:17 | |
'I think Gary has a lack of respect for me. | 0:30:17 | 0:30:20 | |
'I didn't take it personally.' | 0:30:20 | 0:30:23 | |
I think Gary is Gary. | 0:30:23 | 0:30:26 | |
What you say is like, "Oh, this is great, I have so much freedom, | 0:30:26 | 0:30:30 | |
"I can spend more time with my fiance, Johnny, | 0:30:30 | 0:30:33 | |
-"with Johnny, my fiance." -I'm guessing you're my fiance. | 0:30:33 | 0:30:35 | |
-He's your fiance, really? -No, no. -What did you say? -I'm sorry. | 0:30:35 | 0:30:40 | |
The beautiful thing about LG is it brings the family together | 0:30:40 | 0:30:43 | |
and stops chaos, and I used the family - mother, dad, daughter, | 0:30:43 | 0:30:48 | |
'son, so it shows a family integrating with the LG smartphone.' | 0:30:48 | 0:30:52 | |
If you have to fart, fart quick, but keep your energy up. | 0:30:52 | 0:30:56 | |
-Scene one alpha, take one, marker. -Action. | 0:30:56 | 0:30:59 | |
Honey, tonight is TV night for the family, | 0:30:59 | 0:31:02 | |
and I want to know when I can turn the Blu-ray on. | 0:31:02 | 0:31:05 | |
'I persevered and I went ahead | 0:31:05 | 0:31:07 | |
'with my idea, and I did feel alone' | 0:31:07 | 0:31:10 | |
but it's not bad being alone, cos I'm never alone, | 0:31:10 | 0:31:14 | |
I have a lot of love and support, so I'm fine. | 0:31:14 | 0:31:20 | |
Eh. | 0:31:20 | 0:31:21 | |
Filming a product is very important. | 0:31:21 | 0:31:23 | |
You guys, can you move? | 0:31:23 | 0:31:25 | |
I love you to death. Make sure you move out of the set. | 0:31:25 | 0:31:28 | |
-Don't push him. -I didn't. -You did. | 0:31:28 | 0:31:30 | |
'Gary started to get aggressive with the crew.' | 0:31:30 | 0:31:33 | |
You don't push someone out of the way. | 0:31:33 | 0:31:36 | |
I'm sorry, don't touch another person's body. | 0:31:36 | 0:31:39 | |
When you have something to say to me like that, say it to me in private. | 0:31:39 | 0:31:42 | |
-OK. -Because I just took his hand and moved it. | 0:31:42 | 0:31:45 | |
-Just say to me privately. -I will. | 0:31:45 | 0:31:47 | |
-Gary? -What? | 0:31:49 | 0:31:51 | |
Three minutes, we've got to do this. | 0:31:56 | 0:31:57 | |
-Is everybody ready? -Yeah. -Roll camera, action. | 0:31:57 | 0:32:01 | |
Mom, I'm home. | 0:32:01 | 0:32:03 | |
My baby is home! Hey! | 0:32:03 | 0:32:07 | |
-Let's try when he just comes in and sit down and you just pinch his cheeks. -Yeah. -Say, "My baby's home." | 0:32:07 | 0:32:11 | |
Yeah, that might be better for you. | 0:32:11 | 0:32:13 | |
My baby's home from college! | 0:32:13 | 0:32:15 | |
One more, let's do it again. | 0:32:15 | 0:32:17 | |
The first shot I think took most of the day to get. | 0:32:17 | 0:32:21 | |
-My baby's home! Hey! -What's with the glasses? | 0:32:21 | 0:32:24 | |
-They're 3D. -All right, let's do one for safety. | 0:32:24 | 0:32:28 | |
'Because we had to showcase the TV, as well as the phone, | 0:32:28 | 0:32:32 | |
'you've got to get different angles.' | 0:32:32 | 0:32:34 | |
We'll just shoot it from here. Just move the camera right here. | 0:32:34 | 0:32:37 | |
-Sure thing. -But that sets up divide in the main part of the commercial. | 0:32:37 | 0:32:42 | |
-We've got a lot of stuff to shoot. -Trace, give that to me again. | 0:32:42 | 0:32:45 | |
New LG. It's the next-generation 3D TV. | 0:32:45 | 0:32:48 | |
Oh, that's easier to remember. | 0:32:48 | 0:32:49 | |
Marilu can look at a script and she has that memory where she can just | 0:32:49 | 0:32:53 | |
read through a line a couple of times and then nail it in the scene. | 0:32:53 | 0:32:58 | |
It's really uncanny. | 0:32:58 | 0:32:59 | |
Duh, they're for our new LG Cinema 3D Smart TV, | 0:32:59 | 0:33:03 | |
the next-generation 3D TV. | 0:33:03 | 0:33:06 | |
That was great. Cut. | 0:33:06 | 0:33:08 | |
-She's so good. -That was great. | 0:33:08 | 0:33:10 | |
It's like you've done this before. | 0:33:10 | 0:33:12 | |
Not my first time at the rodeo. | 0:33:12 | 0:33:14 | |
Experience. | 0:33:14 | 0:33:16 | |
'Directing Marilu was awesome.' | 0:33:16 | 0:33:18 | |
She was so good, I feel like it was no other actors we could have hired | 0:33:18 | 0:33:22 | |
that would have done that role as good as she did. | 0:33:22 | 0:33:24 | |
This is the most tedious part, is this first section. | 0:33:24 | 0:33:27 | |
Jon, he and I both have made a lot of music videos, you know, | 0:33:31 | 0:33:35 | |
I've probably made 30-plus, I don't know how many Jon has made, | 0:33:35 | 0:33:38 | |
but I've had some experience doing this stuff. | 0:33:38 | 0:33:41 | |
If you go and start editing them together, we'll be damn near done. | 0:33:45 | 0:33:49 | |
But by the time we get away we'll probably be finished. | 0:33:49 | 0:33:52 | |
I think it sounds real good. | 0:33:52 | 0:33:55 | |
-Yeah. Go ahead. -OK. -Approved. | 0:33:55 | 0:33:57 | |
In these type of tests, you generally... | 0:33:57 | 0:33:59 | |
We don't have much time. | 0:33:59 | 0:34:01 | |
All right, I'm going to go start editing. | 0:34:01 | 0:34:03 | |
-That way we'll be ahead of the game. -Excellent, OK. | 0:34:03 | 0:34:05 | |
-Yeah. -Thanks, hon. -Yeah. | 0:34:05 | 0:34:07 | |
A lot of directors make mistakes in these type of tasks, | 0:34:07 | 0:34:09 | |
where you shoot too long and don't get your ass to the edit, | 0:34:09 | 0:34:12 | |
so we're going to send Trace along early to get started on the video. | 0:34:12 | 0:34:16 | |
Figure out this next angle. | 0:34:16 | 0:34:18 | |
Just make a grocery list that you can connect with your phone. | 0:34:18 | 0:34:22 | |
Yeah! | 0:34:22 | 0:34:23 | |
Awesome. Let's get one shot of her just holding the phone up. | 0:34:23 | 0:34:26 | |
I've just got to get one little close-up of that again. Boom. | 0:34:26 | 0:34:29 | |
We just need the washer and dryer names and the refrigerator name. | 0:34:29 | 0:34:33 | |
A lot of product shots, a lot of close-up of the products, | 0:34:33 | 0:34:36 | |
a lot of showing the products used. | 0:34:36 | 0:34:39 | |
You can never have too much branding and I want to do a good job | 0:34:39 | 0:34:44 | |
and impress the executives. Who knows, they might give me a job | 0:34:44 | 0:34:47 | |
at LG doing marketing. | 0:34:47 | 0:34:49 | |
Hint, hint. | 0:34:49 | 0:34:51 | |
That was great, let's do, like, two more of those. | 0:34:51 | 0:34:53 | |
The next thing LG is going to create is a mechanical dog. | 0:34:56 | 0:35:00 | |
HE YELPS AND GROWLS | 0:35:00 | 0:35:03 | |
You get me, you get me quick. | 0:35:03 | 0:35:05 | |
HE YELPS AND GROWLS | 0:35:05 | 0:35:06 | |
You get me, physically, push me back in the chair. | 0:35:06 | 0:35:09 | |
"Anything associated with LG should have a sense of warm optimism, | 0:35:09 | 0:35:12 | |
"confidence and a sophisticated premium quality tone." | 0:35:12 | 0:35:17 | |
Well, wow, we're hitting that on the nose, aren't we(?) | 0:35:17 | 0:35:20 | |
Not even slightly. | 0:35:20 | 0:35:23 | |
'You know, at this point it's hard to be positive.' | 0:35:23 | 0:35:27 | |
You know, like I have this little bit of hope that | 0:35:27 | 0:35:31 | |
because it's so out of this world, | 0:35:31 | 0:35:35 | |
creatively cuckoo bird crazy, | 0:35:35 | 0:35:38 | |
like maybe... | 0:35:38 | 0:35:40 | |
But we've lost so much time. | 0:35:40 | 0:35:43 | |
You both laughed. Don't want to embarrass yourself laughing. | 0:35:43 | 0:35:46 | |
-It's like... -OK. | 0:35:46 | 0:35:49 | |
We have an otherworldly being in our team and he is hard to harness. | 0:35:49 | 0:35:55 | |
-5:05. -So we have exactly two hours. | 0:35:55 | 0:35:58 | |
-Gary, let's shoot. -Who yelled? -Let's shoot, let's shoot. | 0:35:58 | 0:36:01 | |
-Let me decide that. -OK. -Absolutely. -Yes, sir. | 0:36:01 | 0:36:05 | |
I know how to deal with crazy. I'm not sure I know how to deal with THIS right now. | 0:36:05 | 0:36:09 | |
Gary, you've got to go. Gary, you've got to go. | 0:36:09 | 0:36:11 | |
Gary, you've got to shoot. | 0:36:11 | 0:36:13 | |
Penn and I, we kept to our job and we tried to stay focused. | 0:36:13 | 0:36:17 | |
At that time he's not right for them picking each other up down there by | 0:36:17 | 0:36:20 | |
-the washing machine. -OK. | 0:36:20 | 0:36:22 | |
I want it to go flow, flow, so it's all... Like seaweed. | 0:36:22 | 0:36:27 | |
But it was a losing battle. There was just nothing you could do. | 0:36:27 | 0:36:31 | |
-How's it going? -How are you? -How's the commercial going, guys? | 0:36:35 | 0:36:39 | |
Penn looks seriously concerned. What's going on? | 0:36:39 | 0:36:42 | |
We may not have any video at all tomorrow. | 0:36:42 | 0:36:45 | |
-Why? -We have half an hour | 0:36:45 | 0:36:48 | |
-and we haven't shot much of what we need to shoot. -Do you have | 0:36:48 | 0:36:51 | |
a storyline, a cohesive storyline? | 0:36:51 | 0:36:53 | |
We have a storyline that is odd. | 0:36:53 | 0:36:57 | |
'The minute I walked in the room, | 0:36:57 | 0:36:59 | |
'they just couldn't wait to tell me about the experience that they were | 0:36:59 | 0:37:02 | |
'currently suffering through with Gary.' | 0:37:02 | 0:37:05 | |
Plan B seems to have descended into a state of total chaos. | 0:37:05 | 0:37:09 | |
-What will LG come up with next? -A mechanical dog! | 0:37:09 | 0:37:12 | |
-HE BARKS -Dad, stop! | 0:37:12 | 0:37:15 | |
HE YELPS AND GROWLS | 0:37:15 | 0:37:17 | |
Cut. | 0:37:20 | 0:37:21 | |
So was the mechanical dog barking or throwing up? | 0:37:21 | 0:37:24 | |
HE YELPS AND GROWLS | 0:37:24 | 0:37:26 | |
They'll have something on tape. It may be a vomiting dog. | 0:37:26 | 0:37:30 | |
With that said, I think Penn and Lisa have checked out, | 0:37:30 | 0:37:33 | |
they've just taken a back-seat. | 0:37:33 | 0:37:35 | |
I think it's a bit of a risky strategy, cos they'll all be in | 0:37:35 | 0:37:38 | |
the boardroom at the end of the day if they lose. | 0:37:38 | 0:37:40 | |
-I'm going to have the mechanical dog in the boardroom. -Perfect. | 0:37:40 | 0:37:43 | |
-It'll be me. -Perfect, I look forward to it. -OK. | 0:37:43 | 0:37:47 | |
You did great. I'm so glad we got to work together. | 0:37:53 | 0:37:56 | |
We got a lot of pushing the buttons and showing how to use the product. | 0:37:56 | 0:38:01 | |
We're done with the video, | 0:38:01 | 0:38:02 | |
it's time for myself and Marilu to jet-set over to the edit. | 0:38:02 | 0:38:06 | |
Ping, ping, ping. | 0:38:06 | 0:38:08 | |
-OK. -Let's use the other one to just pop in the very beginning. | 0:38:10 | 0:38:15 | |
-OK. -'..the LG Cinema 3D Smart TV.' | 0:38:15 | 0:38:19 | |
-That was a good one right there. -OK. | 0:38:19 | 0:38:22 | |
-We're here now. -I might need my shot list. | 0:38:22 | 0:38:25 | |
I got it, I got all that stuff in the back. | 0:38:25 | 0:38:28 | |
So, Ron, you just do it real good and make it look like I did it. | 0:38:29 | 0:38:33 | |
OK. | 0:38:33 | 0:38:34 | |
-Hello. -Here we go. | 0:38:35 | 0:38:37 | |
-How is it looking, guys? -Looks good. -Looking good. -It does? | 0:38:37 | 0:38:41 | |
Trace coming over here early, it saved me probably an hour or two, | 0:38:41 | 0:38:45 | |
cos when we got there they were loading up the last bit of footage. | 0:38:45 | 0:38:49 | |
'Your dad and I have discovered LG. Life's good. | 0:38:49 | 0:38:52 | |
'Want to see what else it does?' | 0:38:52 | 0:38:54 | |
Oh, that was good! | 0:38:54 | 0:38:57 | |
'We are in a good place, because the parts that Trace actually laid out | 0:38:57 | 0:39:01 | |
'was part of the meat and potatoes of the commercial,' | 0:39:01 | 0:39:04 | |
so it was great it had been done. | 0:39:04 | 0:39:06 | |
'And with our new LG refrigerator...' | 0:39:06 | 0:39:08 | |
Oh, my God, can we blow out my face a little? It looks so bad. | 0:39:08 | 0:39:11 | |
-Look how bad I look. -They're not going to see it. -Yes, they are. | 0:39:11 | 0:39:15 | |
-They are not going to see that. -Oh, Lord. | 0:39:15 | 0:39:19 | |
Marilu, come on, really? | 0:39:19 | 0:39:21 | |
You can see I was using my right hand and I did it, | 0:39:21 | 0:39:23 | |
I thought I took my glasses off before that. | 0:39:23 | 0:39:25 | |
Well, we aren't even there right now, we're just lining it up. | 0:39:25 | 0:39:28 | |
-OK. -She was paying attention to too much stuff that didn't even | 0:39:28 | 0:39:31 | |
doggone matter. | 0:39:31 | 0:39:32 | |
-As soon as she started to turn that phone, cut right to the phone. -OK. | 0:39:32 | 0:39:36 | |
'..that you can connect with your phone.' | 0:39:36 | 0:39:39 | |
'I don't stress over the details. Like, all of the details, | 0:39:39 | 0:39:43 | |
'to me it's all about the branding, marketing.' | 0:39:43 | 0:39:45 | |
MUSICAL JINGLE ON VIDEO | 0:39:45 | 0:39:46 | |
Yeah, let's make sure that that's the right sound, though. | 0:39:46 | 0:39:49 | |
You've got to do a reaction while you're hearing it. Or something. | 0:39:49 | 0:39:53 | |
The thing with Marilu, she comes pre-wound. | 0:39:53 | 0:39:56 | |
'She'll get obsessed with something.' | 0:39:56 | 0:39:58 | |
You know what it is? | 0:39:58 | 0:39:59 | |
-Oh, never mind. -What? -Nothing. | 0:39:59 | 0:40:02 | |
You almost have to give her that old spy slap across the face, you know, | 0:40:02 | 0:40:06 | |
-to get her out of it. -The logo at the end. | 0:40:06 | 0:40:09 | |
That was already done... We're not that far yet. | 0:40:09 | 0:40:13 | |
"Why don't you send me a text with your brand-new LG smartphone?" | 0:40:13 | 0:40:19 | |
Slow down, Marilu. | 0:40:19 | 0:40:21 | |
'The producer had to deal with all types of people, personalities, | 0:40:21 | 0:40:24 | |
'energies. I think, Marilu,' | 0:40:24 | 0:40:25 | |
you can just tell her brain is going, going, going. | 0:40:25 | 0:40:28 | |
You've just got to roll with it. | 0:40:28 | 0:40:30 | |
-All right, let's throw this music in. -'A grocery list... | 0:40:30 | 0:40:34 | |
'that you can connect with your phone. Say cheese. Life's good.' | 0:40:34 | 0:40:40 | |
No, look at that on the LG. | 0:40:40 | 0:40:41 | |
Dude, this is Lil Jon Spielberg. | 0:40:41 | 0:40:44 | |
Lil Jon Spielberg. | 0:40:44 | 0:40:47 | |
I feel really good, I really do. | 0:40:47 | 0:40:48 | |
'I feel Lil Jon has done a good job | 0:40:48 | 0:40:50 | |
'keeping everybody focused and moving in the right direction.' | 0:40:50 | 0:40:53 | |
Ladies and gentlemen, we are good. | 0:40:53 | 0:40:55 | |
I can't wait to see it. | 0:40:55 | 0:40:57 | |
That's a wrap on LG, life's good. Ha-ha! | 0:40:57 | 0:41:01 | |
LG's SmartThinQ gives me so much time. | 0:41:05 | 0:41:08 | |
I can work longer on my PhD, spend more time with my fiance. | 0:41:08 | 0:41:11 | |
Did you put the inserts in? | 0:41:11 | 0:41:12 | |
You have to have the cellphone, you have to have the fridge. | 0:41:12 | 0:41:15 | |
Insert? | 0:41:15 | 0:41:17 | |
# Di-di-di-di-di-di-di. # I don't know if I like that. | 0:41:17 | 0:41:20 | |
It does not fit with my calibration properly, in a tuning way. | 0:41:20 | 0:41:24 | |
I don't know what that means. | 0:41:24 | 0:41:26 | |
The editing process, because Gary didn't really do coverage, | 0:41:26 | 0:41:29 | |
there was no editing to do. | 0:41:29 | 0:41:32 | |
'But mostly what was happening was I was going further up the river of | 0:41:32 | 0:41:36 | |
'darkness than anyone ever has on Celebrity Apprentice.' | 0:41:36 | 0:41:39 | |
-What will LG think of next? -A mechanical dog! | 0:41:41 | 0:41:44 | |
GARY YELPS AND GROWLS | 0:41:44 | 0:41:47 | |
When I said I didn't like it, he said I'm not being supportive. | 0:41:49 | 0:41:52 | |
-But he's happy with it. -I know, he loves it. -And that's the problem. | 0:41:52 | 0:41:56 | |
If he thought we were in trouble, we could maybe fix it. | 0:41:56 | 0:41:59 | |
I don't know what's up and what's down | 0:41:59 | 0:42:01 | |
and what's left and what's right. | 0:42:01 | 0:42:04 | |
To put it together is as crazy as watching it being filmed. | 0:42:04 | 0:42:07 | |
You just want to go... | 0:42:07 | 0:42:09 | |
THEY LAUGH | 0:42:12 | 0:42:15 | |
If we were playing Russian roulette, at least we'd have a chance. | 0:42:15 | 0:42:20 | |
I don't think there's any chance LG will understand we did our best. | 0:42:20 | 0:42:22 | |
I wouldn't. I'd be pissed. | 0:42:22 | 0:42:25 | |
'But I gave my word to Gary | 0:42:25 | 0:42:28 | |
'that I would see his vision through to the end,' | 0:42:28 | 0:42:31 | |
and let the record show that Lisa and I made a promise | 0:42:31 | 0:42:36 | |
to our project manager that was kept 100%. | 0:42:36 | 0:42:41 | |
How do you like it? | 0:42:44 | 0:42:46 | |
It's crazy, it's just out. | 0:42:46 | 0:42:49 | |
I hope they find it funny. | 0:42:49 | 0:42:51 | |
Yeah. | 0:42:51 | 0:42:53 | |
I think and feel and know they will. | 0:42:53 | 0:42:56 | |
-OK. -There's some turns in that story. | 0:42:56 | 0:42:59 | |
It's going to be completely unexpected to them. | 0:42:59 | 0:43:01 | |
It IS unexpected. | 0:43:01 | 0:43:04 | |
There's no doubt about that. | 0:43:04 | 0:43:06 | |
I love what we did in every way. | 0:43:06 | 0:43:08 | |
I'm very happy with it. | 0:43:08 | 0:43:10 | |
Well, it was very hard for us to imagine what you are trying for, | 0:43:10 | 0:43:13 | |
and that's it, we helped you get it, right? | 0:43:13 | 0:43:15 | |
Yes. It was just hard | 0:43:15 | 0:43:18 | |
to get us all on the same page, but we're done with it. | 0:43:18 | 0:43:21 | |
I did the best I could in a way... | 0:43:21 | 0:43:25 | |
that honoured my truth | 0:43:25 | 0:43:27 | |
and my artistic completion of this situation. | 0:43:27 | 0:43:31 | |
-I'm very happy. -Good. That's what matters. -Yay. | 0:43:31 | 0:43:35 | |
I think we've put together a great, fun demonstrational video, | 0:43:51 | 0:43:55 | |
so hopefully the executive will love our presentation. | 0:43:55 | 0:44:00 | |
-Good morning! -Good morning. | 0:44:00 | 0:44:04 | |
First of all, I'm Jon. | 0:44:04 | 0:44:06 | |
Say your name. | 0:44:06 | 0:44:09 | |
-Marilu. -Trace. | 0:44:09 | 0:44:10 | |
We are all Team Power. | 0:44:10 | 0:44:12 | |
We had a great, great time creating this video for you guys. | 0:44:12 | 0:44:16 | |
I kept thinking, oh, my gosh, my son just left for college | 0:44:16 | 0:44:19 | |
and I'm so tech stupid I'm constantly calling him and saying, | 0:44:19 | 0:44:22 | |
"Will you teach me how to do this?" | 0:44:22 | 0:44:23 | |
I thought, I have to learn how to do this, | 0:44:23 | 0:44:25 | |
and this is what I want in my home. | 0:44:25 | 0:44:28 | |
And here we are. | 0:44:28 | 0:44:30 | |
-Mom, I'm home. -My baby's home from college! | 0:44:30 | 0:44:34 | |
What's up with the glasses? | 0:44:34 | 0:44:36 | |
They're 3D glasses for our new LG Cinema 3D Smart TV. | 0:44:36 | 0:44:40 | |
The next-generation 3D TV. | 0:44:40 | 0:44:42 | |
Yeah, a lot's changed since you went to school. | 0:44:42 | 0:44:45 | |
Your dad and I have discovered LG. Life's good. | 0:44:45 | 0:44:48 | |
I can send an e-mail or even peep your Facebook status. | 0:44:48 | 0:44:52 | |
Nice party last Friday night. | 0:44:52 | 0:44:54 | |
The executive did not make any facial expression. | 0:44:54 | 0:44:57 | |
He gave me nothing. | 0:44:57 | 0:44:59 | |
I didn't even want to look at him no more. I was like, | 0:44:59 | 0:45:02 | |
"Let me just look at the video. Oh!" | 0:45:02 | 0:45:06 | |
And with our new LG refrigerator, no more of you and Dad | 0:45:06 | 0:45:10 | |
standing in front with the door wide open to see what's inside. | 0:45:10 | 0:45:13 | |
All you have to do is press that, and you see what's in there. | 0:45:13 | 0:45:16 | |
And you can even see what recipes you can make from it. | 0:45:16 | 0:45:19 | |
And if you're missing anything, you just make a grocery list... | 0:45:19 | 0:45:24 | |
that you can connect with your phone. | 0:45:24 | 0:45:27 | |
And with our new LG washer and dryer, | 0:45:27 | 0:45:29 | |
I can monitor it with my LG Intuition smartphone. | 0:45:29 | 0:45:33 | |
Oh, you guys look so cute. | 0:45:33 | 0:45:35 | |
Say cheese. | 0:45:35 | 0:45:37 | |
Life's good. | 0:45:37 | 0:45:39 | |
We showed how it makes your life easier, using these LG products, | 0:45:39 | 0:45:43 | |
and we show that anybody in the family can use these LG products. | 0:45:43 | 0:45:46 | |
-That's our presentation for you. -Thank you. | 0:45:46 | 0:45:49 | |
I really believe we won this. | 0:45:49 | 0:45:52 | |
'But always with Gary you think there's a chance that he comes with' | 0:45:52 | 0:45:55 | |
something that's so out of the box, which is Gary's reality... | 0:45:55 | 0:46:02 | |
that the executives might just... It might just blow their minds. | 0:46:02 | 0:46:06 | |
'He may have bull's-eyed it, you know. Who knows?' | 0:46:06 | 0:46:09 | |
I feel great. We all worked together, | 0:46:20 | 0:46:23 | |
regardless of the confrontations that happened during the task. | 0:46:23 | 0:46:27 | |
'We did not lose.' | 0:46:27 | 0:46:29 | |
And that's a fact in my heart. | 0:46:29 | 0:46:31 | |
Good afternoon. The LG smartphone, I'd never heard of before, | 0:46:31 | 0:46:37 | |
and when we got the task | 0:46:37 | 0:46:39 | |
it opened my life to many ranges of expressions and achievements | 0:46:39 | 0:46:43 | |
you could make with that little phone. It can deliver messages | 0:46:43 | 0:46:46 | |
and create work in appliances in your home or out of your home | 0:46:46 | 0:46:50 | |
or the next city, and it's small enough to fit in your pocket. | 0:46:50 | 0:46:53 | |
I'm an early adopter. | 0:46:53 | 0:46:55 | |
I buy all the stuff as it comes out. | 0:46:55 | 0:46:56 | |
I was really intrigued by playing with this. | 0:46:56 | 0:46:59 | |
It's a really wonderful device and also runs everything in your house, | 0:46:59 | 0:47:04 | |
it will even run this TV. Here we go. | 0:47:04 | 0:47:07 | |
Tonight's family TV night. When am I going to be able to turn | 0:47:08 | 0:47:11 | |
-on the Blu-ray? -Go sit in your chair, honey. | 0:47:11 | 0:47:13 | |
This won't take long with my SmartThinQ appliances. | 0:47:13 | 0:47:16 | |
-I don't even have to write a grocery list. -Oh, my God, I love you. | 0:47:16 | 0:47:20 | |
I love you, too. | 0:47:20 | 0:47:22 | |
It's either the most horrific thing, | 0:47:22 | 0:47:24 | |
or maybe possibly a stroke of genius. | 0:47:24 | 0:47:28 | |
I hold out some little tiny speck of hope. | 0:47:28 | 0:47:32 | |
Now I know what smart is. This is amazing. | 0:47:32 | 0:47:35 | |
-How did we live without this? -LG SmartThinQ gives me so much time. | 0:47:35 | 0:47:38 | |
I can work longer on my PhD | 0:47:38 | 0:47:40 | |
and spend more time with my fiance in every way. | 0:47:40 | 0:47:43 | |
-That's smart. -I can programme the washer and dryer with my LG phone. | 0:47:43 | 0:47:46 | |
What will LG think of next? | 0:47:46 | 0:47:48 | |
A mechanical dog! | 0:47:48 | 0:47:50 | |
HE YELPS AND GROWLS | 0:47:50 | 0:47:52 | |
Dad, stop! Last time you became a mechanical dog | 0:47:52 | 0:47:54 | |
it lasted for two and a half days. Take this, take this. | 0:47:54 | 0:47:57 | |
It'll make you smarter. | 0:47:57 | 0:47:59 | |
'They enjoyed, especially Ivanka, the mechanical dog.' | 0:48:04 | 0:48:08 | |
The reaction was very good in my heart, the way I felt it. | 0:48:08 | 0:48:11 | |
Thanks to LG smartphone, if I didn't have this, | 0:48:11 | 0:48:14 | |
I'd be a mechanical dog for the rest of my life. | 0:48:14 | 0:48:17 | |
But I can tell you this, it makes me smarter when I don't think, | 0:48:17 | 0:48:22 | |
so I say thank you, LG. Kate, what do you want to watch on TV? | 0:48:22 | 0:48:25 | |
-Oh, 3D, something scary. -We did that this morning. | 0:48:25 | 0:48:28 | |
Bob, what do you want to watch? | 0:48:28 | 0:48:30 | |
I'd like to take it slow and let nature take me. That's smart. | 0:48:30 | 0:48:33 | |
GARY IMITATES BEEPING | 0:48:39 | 0:48:42 | |
Life's good when you live smart with LG. | 0:48:42 | 0:48:46 | |
It's good and it's smart. | 0:48:47 | 0:48:49 | |
LG with a smile. | 0:48:49 | 0:48:51 | |
-Thank you very much. -Thank you. -Thank you. | 0:48:51 | 0:48:55 | |
'I have no hope whatsoever of us winning the task. We're going down,' | 0:48:55 | 0:48:59 | |
down, down, down, down, down, down, down, down, down, down, down, down. | 0:48:59 | 0:49:02 | |
So, James, we saw two presentations. Tell me, | 0:49:14 | 0:49:16 | |
what do you think generally, perhaps starting with Gary's team? | 0:49:16 | 0:49:19 | |
I think their overall presentation was strong. | 0:49:19 | 0:49:22 | |
-Mm-hm. -Their brand integration on the phone was very good. | 0:49:22 | 0:49:26 | |
I think they maybe missed on some of the other categories. | 0:49:26 | 0:49:30 | |
How did you feel about Gary's electronic dog | 0:49:30 | 0:49:32 | |
-and the whole barking thing? -I really didn't understand what that | 0:49:32 | 0:49:35 | |
-had to do with the video or any of the products. -I didn't know | 0:49:35 | 0:49:38 | |
what he was talking about, the mechanical dog. | 0:49:38 | 0:49:40 | |
To me, it sounded like the dog was vomiting, not barking. | 0:49:40 | 0:49:43 | |
I was very confused by the whole thing. A sick mechanical dog! | 0:49:43 | 0:49:46 | |
Including humour would have been great, if it would have landed. | 0:49:46 | 0:49:50 | |
-I see, so you didn't think it was very funny. -I did not. | 0:49:50 | 0:49:52 | |
The three speeches before they show us their video, | 0:49:52 | 0:49:56 | |
does that count at all? | 0:49:56 | 0:49:58 | |
Gary sold me when he spoke. | 0:49:58 | 0:50:00 | |
Absolutely, I went, "I want one of those." | 0:50:00 | 0:50:02 | |
-He talked... -He has an energy and passion. | 0:50:02 | 0:50:05 | |
Very unusual. This technology is obviously life-changing for him. | 0:50:05 | 0:50:10 | |
-Yes. -Did you feel that was sincere, though? | 0:50:10 | 0:50:12 | |
-I felt it was sincere from Gary. -Mm-mm. -However, | 0:50:12 | 0:50:16 | |
as they move through and some of the other celebrities began to speak, | 0:50:16 | 0:50:19 | |
Penn's delivery and understanding of the technology, | 0:50:19 | 0:50:23 | |
his reveal of the product, were all spot-on there. | 0:50:23 | 0:50:26 | |
Who do you think was the star of Lil Jon's team, from interaction, | 0:50:26 | 0:50:30 | |
both when they were meeting with you separately and here today? | 0:50:30 | 0:50:33 | |
Yes, so during the briefing, Trace only said hello and goodbye to me. | 0:50:33 | 0:50:37 | |
Marilu drove a lot of the questions. | 0:50:37 | 0:50:40 | |
Lil Jon understood the product very well, but really, | 0:50:40 | 0:50:43 | |
in terms of the presentation, I think Marilu's delivery was | 0:50:43 | 0:50:46 | |
-the winner of the team. -So you think Penn and Marilu stood out? | 0:50:46 | 0:50:50 | |
Neither of the project managers, | 0:50:51 | 0:50:52 | |
just in terms of your interaction with them and what we saw today? | 0:50:52 | 0:50:55 | |
Yeah, I think so. I think Lil Jon clearly is the guy that can make videos | 0:50:55 | 0:50:58 | |
and things like that, but relative to the task, I would agree with that. | 0:50:58 | 0:51:02 | |
-Do we have a clear winner? -I think we have a lot to talk about. | 0:51:02 | 0:51:05 | |
I think both teams had some strong pros and cons. | 0:51:05 | 0:51:08 | |
Great, we're looking forward to hearing the rest of your feedback. | 0:51:08 | 0:51:11 | |
Great, thank you. | 0:51:11 | 0:51:13 | |
Well, I want to tell you something. | 0:51:36 | 0:51:38 | |
LG was really, really impressed with both teams and the job you did. | 0:51:38 | 0:51:43 | |
And because of that, LG is going to be giving each and every one of your | 0:51:43 | 0:51:48 | |
charities a full suite of LG smart appliances. | 0:51:48 | 0:51:53 | |
Now, what does that mean? That means cumulatively, together, | 0:51:53 | 0:51:56 | |
well over 100,000 worth of stuff. | 0:51:56 | 0:51:59 | |
-Oh, my God. Wow. -That's pretty good. | 0:51:59 | 0:52:00 | |
-That's amazing. -I wanted one, they refused to give it to me, OK? | 0:52:00 | 0:52:04 | |
-That's unbelievable. -That is incredible. | 0:52:05 | 0:52:07 | |
Now, with us tonight we have a legend and a friend and a winner, | 0:52:07 | 0:52:13 | |
great champion, Joan Rivers. | 0:52:13 | 0:52:15 | |
-Yes. -Joan, do you have anything to say to these people? | 0:52:15 | 0:52:17 | |
You won. They are trying to win. What would you say? | 0:52:17 | 0:52:21 | |
My heart was with them every minute. | 0:52:21 | 0:52:24 | |
I know how difficult it is, how hard it is, to get in a room, | 0:52:24 | 0:52:27 | |
three strong personalities, because in this business, | 0:52:27 | 0:52:31 | |
if you're not strong, you're not a star. | 0:52:31 | 0:52:33 | |
-Right. -And you're able to mesh ideas and work as a team. | 0:52:33 | 0:52:38 | |
-It's incredible. -Well, you were amazing. | 0:52:38 | 0:52:40 | |
She beat out athletes, the strongest guys you've ever seen, | 0:52:40 | 0:52:43 | |
and they were exhausted after two weeks and there was Joan, | 0:52:43 | 0:52:46 | |
-right, Ivanka? -Remarkable. -She just didn't stop. | 0:52:46 | 0:52:49 | |
So, I give her a lot of credit, she's an amazing woman. | 0:52:49 | 0:52:52 | |
OK, Lil Jon, how did your team do? | 0:52:52 | 0:52:55 | |
We did great. | 0:52:55 | 0:52:56 | |
I think we went above and beyond what was asked of us | 0:52:56 | 0:53:00 | |
and really marketed and showcased the products, you know, | 0:53:00 | 0:53:06 | |
and the executive meeting expressed that LG is a company | 0:53:06 | 0:53:10 | |
that wants to make life easier through innovation for everyone. | 0:53:10 | 0:53:14 | |
I'm a gadget guy anyway, so I picked it up super-quick and even Marilu. | 0:53:14 | 0:53:19 | |
Oh. Usually I'm so, you know, tech challenged | 0:53:19 | 0:53:21 | |
and I found this so much easier. | 0:53:21 | 0:53:24 | |
I'm calling, literally calling my son in college saying, | 0:53:24 | 0:53:26 | |
"How does the remote control work?" | 0:53:26 | 0:53:28 | |
You know, I have to push the buttons. This remote, | 0:53:28 | 0:53:30 | |
the magic remote, was amazing. | 0:53:30 | 0:53:32 | |
That was part of your script, so apparently that's actually true. | 0:53:32 | 0:53:36 | |
-It's totally true. Yeah, it's true. We started with the truth. -Good. | 0:53:36 | 0:53:39 | |
Marilu, when was the first time you met Joan Rivers? | 0:53:39 | 0:53:41 | |
Actually, I first met her... | 0:53:41 | 0:53:44 | |
This is very funny. You're not going to believe when I tell you when we | 0:53:44 | 0:53:48 | |
first met. We met in 1973 at Ye Little Club on August... | 0:53:48 | 0:53:53 | |
It was August the 25th. It was a Sunday night. | 0:53:53 | 0:53:57 | |
No, it was August the 26th, it was a Sunday night, and you were performing. | 0:53:57 | 0:54:01 | |
And you knew Mike Clifford, who was in the first national company of Grease with me, and so... | 0:54:01 | 0:54:05 | |
You know what's funny is that she came to visit us and I told her that I was | 0:54:05 | 0:54:09 | |
nominated for a Clio, but I lost to her. | 0:54:09 | 0:54:13 | |
So let me ask you, you know, when Joan was on the show, | 0:54:13 | 0:54:15 | |
she beat a very talented player - great card player, right? | 0:54:15 | 0:54:18 | |
Great card player. | 0:54:18 | 0:54:21 | |
-Named... -Evil woman. -You thought so, right? But very talented. | 0:54:21 | 0:54:25 | |
Very talented. I don't want to discuss her name. | 0:54:25 | 0:54:27 | |
Annie Duke. Annie is a special woman. | 0:54:27 | 0:54:29 | |
I thought she was really good and nice, but Joan and her didn't get along too well. | 0:54:29 | 0:54:34 | |
With your memory, could I take you with me to Las Vegas and you be a card counter? | 0:54:34 | 0:54:38 | |
-Erm... -And I'm serious about this. I know card counters that have made a fortune. | 0:54:38 | 0:54:42 | |
You have a better memory than all of them put together. | 0:54:42 | 0:54:45 | |
Have you ever thought of being a card counter? | 0:54:45 | 0:54:48 | |
Well, it's more autobiographical, so it's firing on all senses. | 0:54:48 | 0:54:51 | |
Oh, I see. So you might not do as well with numbers? | 0:54:51 | 0:54:53 | |
I probably wouldn't, but I'm very good at counting cards, but I never would do that. | 0:54:53 | 0:54:57 | |
No, but have you ever thought of it? | 0:54:57 | 0:54:59 | |
It's not illegal or anything, although many casinos won't allow you to play. | 0:54:59 | 0:55:02 | |
-Right. -But it's not illegal. What do you think about that, Penn? | 0:55:02 | 0:55:05 | |
-I want to bring her to Las Vegas. -OK. -The problem is... -I want her to sit with me. Make a fortune! | 0:55:05 | 0:55:10 | |
The problem is the spread. They've limited the spreads at the table. | 0:55:10 | 0:55:13 | |
Well, now they're flipping it and now they're using 37 hands of cards. | 0:55:13 | 0:55:16 | |
-They also use... -And more decks. -They're using a lot of different... -There's better ways to cheat. -Yeah. | 0:55:16 | 0:55:20 | |
Well, that's not cheating, actually. | 0:55:20 | 0:55:23 | |
OK, Trace. How did Lil Jon do? | 0:55:23 | 0:55:25 | |
-Oh, he was great. -He was good? -Yeah. | 0:55:28 | 0:55:30 | |
I think we had a really succinct, cohesive, informative little video. | 0:55:30 | 0:55:36 | |
We walked people through the appliances and we hit the highlights that | 0:55:36 | 0:55:40 | |
they wanted us to hit. We highlighted the television and the phone and the refrigerator. | 0:55:40 | 0:55:44 | |
We also were able to work the washer dryer in there. | 0:55:44 | 0:55:48 | |
-The stove. -I thought we did really well. | 0:55:48 | 0:55:50 | |
Trace, the executive actually said they thought that Marilu was a star, | 0:55:50 | 0:55:54 | |
both in her capacity as an actress in the video, but also in the | 0:55:54 | 0:55:58 | |
discussion, you know, really asking and enquiring about the product. | 0:55:58 | 0:56:02 | |
He did say that you were a little under the radar, | 0:56:02 | 0:56:05 | |
both at the formal presentation and in the executive meeting, | 0:56:05 | 0:56:08 | |
so how would you respond to that? | 0:56:08 | 0:56:10 | |
I mean, do you feel that's true? | 0:56:10 | 0:56:12 | |
Do you feel like you were a little less involved? | 0:56:12 | 0:56:14 | |
And you have been under the radar, I would say, for a number of weeks, Trace, in all fairness. | 0:56:14 | 0:56:20 | |
-Well, they keep using my... -You're still here. -They keep using my ideas. | 0:56:20 | 0:56:24 | |
Let me ask you this, Trace - if your team loses, | 0:56:24 | 0:56:26 | |
which is a very distinct possibility, | 0:56:26 | 0:56:28 | |
you're down now to just a few people. | 0:56:28 | 0:56:31 | |
Amazing, you've all done well. | 0:56:31 | 0:56:32 | |
But if your team loses, who would I fire? | 0:56:32 | 0:56:34 | |
Both of them. | 0:56:36 | 0:56:37 | |
Would you fire the project manager? | 0:56:38 | 0:56:40 | |
I'd fire them both. | 0:56:42 | 0:56:44 | |
-Who would you fire, Trace? -I was the only one with any talent. | 0:56:44 | 0:56:47 | |
OK, who would you fire? Of the two, who would you fire? | 0:56:47 | 0:56:49 | |
Well, it'd probably rest on Jon's shoulders. | 0:56:51 | 0:56:56 | |
Marilu was the star of the video and she learned those lines | 0:56:56 | 0:56:59 | |
-just like that. It was amazing. -Why did you use Marilu? | 0:56:59 | 0:57:03 | |
Why was Marilu the star, as opposed to Trace or yourself? | 0:57:03 | 0:57:07 | |
I mean, Marilu is a... a legend in this business. | 0:57:07 | 0:57:10 | |
And when we were just playing around with our lines, | 0:57:10 | 0:57:13 | |
she nailed it. It was not even a question of using anybody else. | 0:57:13 | 0:57:17 | |
Just going through the script, coming up with the lines, | 0:57:17 | 0:57:19 | |
-we all sat down at... -Right. | 0:57:19 | 0:57:21 | |
I made us all sit down at a table and input and Marilu was reciting some of the stuff and she was, | 0:57:21 | 0:57:26 | |
-like, amazing. -How did you like your performance, Marilu? | 0:57:26 | 0:57:29 | |
Well, you know, I've done 78 commercials, so I'm used to having to do products and getting | 0:57:29 | 0:57:33 | |
-the glarers out and stuff like that. I felt good about it. -Good. | 0:57:33 | 0:57:37 | |
So, Gary, how did your team do? | 0:57:37 | 0:57:39 | |
Well, my reason for being here is my charity foundation for children's | 0:57:39 | 0:57:44 | |
Kawasaki disease, which operates on children five months to five years, | 0:57:44 | 0:57:50 | |
and my son Luke had that two years ago and that's why I'm here, | 0:57:50 | 0:57:54 | |
to develop the awareness of the children's Kawasaki disease. | 0:57:54 | 0:57:57 | |
-How old is Luke now? -Luke is two years and eight months. | 0:57:57 | 0:58:01 | |
Wow, that's great, Gary, I'm proud of you. | 0:58:01 | 0:58:03 | |
-I'm very proud of... -How did you do as project manager? | 0:58:03 | 0:58:06 | |
Well, I did the best I could, but I felt abandoned. | 0:58:06 | 0:58:09 | |
I directed, I helped write it and I blocked it. | 0:58:10 | 0:58:13 | |
I had no positive reinforcement from Penn or Lisa, and Lisa... | 0:58:13 | 0:58:19 | |
That's a strong word, you felt abandoned. | 0:58:19 | 0:58:22 | |
-That's a very strong word. -Well, that's what I was. | 0:58:22 | 0:58:24 | |
I was alone on the floor, but I'm not really alone, because I have me, | 0:58:24 | 0:58:28 | |
my best friend, with me. | 0:58:28 | 0:58:29 | |
So you would say they did not help you? | 0:58:29 | 0:58:31 | |
No, not to the full extent of the management of my product. | 0:58:31 | 0:58:35 | |
Who would you fire on this task, if you lose? | 0:58:35 | 0:58:37 | |
-Lisa. -You would fire Lisa? Why Lisa? -Because she would yell at me | 0:58:37 | 0:58:41 | |
and confrontate me when the three of us were sitting, working out what we were going to do and, | 0:58:41 | 0:58:45 | |
for instance, I said, "Do you have an idea?" | 0:58:45 | 0:58:48 | |
And I'm not going to repeat her voice. | 0:58:48 | 0:58:49 | |
The way she said it was very loud and critical. | 0:58:49 | 0:58:52 | |
"I gave you an idea and you told me to shut up." | 0:58:52 | 0:58:55 | |
I said, "I didn't tell you to shut up." | 0:58:55 | 0:58:57 | |
I said, "I have a lot of things in my mind. | 0:58:57 | 0:58:59 | |
-"What is your idea?" -I don't see Lisa as loud and critical. | 0:58:59 | 0:59:02 | |
-She's very loud. -Maybe I'm seeing a different Lisa. Lisa, how do you respond to that? | 0:59:02 | 0:59:06 | |
Well, I think people have their own ideas of things and Gary certainly has an idea of this. | 0:59:06 | 0:59:13 | |
I don't believe that it's correct. | 0:59:13 | 0:59:16 | |
Well, it is correct, because it happened to me | 0:59:16 | 0:59:18 | |
and I speak the truth and the truth requires no questions. | 0:59:18 | 0:59:21 | |
-Penn, how do you respond to this? -Gary did shush her and he did... | 0:59:23 | 0:59:27 | |
-Did he use the words "shut up"? -Yes, he did. I believe so. | 0:59:27 | 0:59:30 | |
-Hey, guys, come on. -It's tough to talk to a lady like that, but that's OK. | 0:59:30 | 0:59:34 | |
-Er... I... -Look, did you use that word or not? -No. -You're saying you didn't? -No. | 0:59:34 | 0:59:37 | |
-So, go ahead, Penn. -I said, "Stop. Please stop." | 0:59:37 | 0:59:41 | |
Er, you know, you're not sure. You hear a tone of voice, you hear it differently. | 0:59:41 | 0:59:46 | |
My memory could be wrong. I'm just telling you what I remember. | 0:59:46 | 0:59:49 | |
-I was alone. -You were very fed up, though. When I arrived, you had checked out | 0:59:49 | 0:59:52 | |
and I think you were just exhausted from the dynamic. | 0:59:52 | 0:59:55 | |
Well, I... I don't think we checked out. | 0:59:55 | 0:59:57 | |
I think we were really trying to make this happen. | 0:59:57 | 1:00:00 | |
Well, it was a check-out for me, cos I was alone on the floor. | 1:00:00 | 1:00:03 | |
Not necessarily in a negative way. I think you were doing your roles, but I don't think you were thinking | 1:00:04 | 1:00:09 | |
about how to contribute any more, because I think you were a bit lost in terms of what the task was | 1:00:09 | 1:00:14 | |
and what was happening. Is that...? I mean, is that right, Penn? | 1:00:14 | 1:00:17 | |
You arrived at a time when it was an Italian air show. | 1:00:17 | 1:00:23 | |
-The wings were coming off the plane. -She's always had good timing. It's true. -Earlier in the day, | 1:00:23 | 1:00:29 | |
there was no brainstorming, really. | 1:00:29 | 1:00:32 | |
I tried to pitch three ideas, which I don't think were stunning, | 1:00:32 | 1:00:38 | |
but the first time you say an idea, unless you're Joan Rivers, | 1:00:38 | 1:00:41 | |
it's usually not stunning. And Gary did not let me finish any one of them. | 1:00:41 | 1:00:47 | |
Lisa, we have a complete black box. | 1:00:47 | 1:00:50 | |
-She was never allowed to say an idea at any time during the day. -Yes, she was. | 1:00:50 | 1:00:56 | |
I beg to differ, because yes, she was. | 1:00:56 | 1:00:59 | |
I'm not the... I'm not the criminal here and if it's jealousy that is | 1:00:59 | 1:01:02 | |
causing this or some kind of fear, I'm not to be jealous of her, | 1:01:02 | 1:01:07 | |
to be fair. I need a team that works with me, like I said at the beginning. | 1:01:07 | 1:01:11 | |
Each one of us is 33 and a third. That equals 100. That's an | 1:01:11 | 1:01:14 | |
even playing field, with everybody supporting everybody else. | 1:01:14 | 1:01:17 | |
Gary, you don't like these two people very much, do you? | 1:01:17 | 1:01:21 | |
Tell me. | 1:01:21 | 1:01:23 | |
No, I respect them and love them. I'm just talking about the task. | 1:01:23 | 1:01:26 | |
-It doesn't sound like it. -I don't have feelings of anger. | 1:01:26 | 1:01:31 | |
I love them both with all my heart. | 1:01:31 | 1:01:32 | |
It's just, at the task time, I was alone. | 1:01:32 | 1:01:35 | |
Lisa, what was wrong with Gary's concept? | 1:01:38 | 1:01:41 | |
Maybe it was a great concept. We're going to let you know very soon. | 1:01:41 | 1:01:44 | |
What was wrong with Gary's concept? | 1:01:44 | 1:01:45 | |
Well, I didn't quite understand the mechanical dog. | 1:01:46 | 1:01:49 | |
I liked the family concept - I thought it was nice. | 1:01:49 | 1:01:52 | |
I thought what he started with was good, but he was so focused | 1:01:52 | 1:01:57 | |
-on having this mechanical dog. -Excuse me. Mechanical dog was... | 1:01:57 | 1:02:01 | |
The wife came out and said, "What are they going to create next?" | 1:02:01 | 1:02:06 | |
And I said, "A mechanical dog," and I barked once and I had my son sit me back down and say, | 1:02:06 | 1:02:11 | |
"Dad, take this. If you don't have this, you're going to be a mechanical dog the rest | 1:02:11 | 1:02:14 | |
"of your life." And I went... There was a great segue and turn around. | 1:02:14 | 1:02:17 | |
"Oh, this is great. Now I have this smartphone, | 1:02:17 | 1:02:19 | |
"I don't have to be able to think so much, because I can use this. | 1:02:19 | 1:02:23 | |
-"Thank you, LG." -Penn, do you think it's great? | 1:02:23 | 1:02:26 | |
Well, I... I was going to address, if I may... | 1:02:26 | 1:02:29 | |
I was doing... Keeping track of all the takes. | 1:02:32 | 1:02:34 | |
I was timing everything and trying to get it in at 90 seconds and Lisa was keeping everything clean. | 1:02:34 | 1:02:38 | |
We were not involved in the creative process. | 1:02:38 | 1:02:41 | |
Early in the day, Gary came up with something that I thought had very | 1:02:41 | 1:02:45 | |
little to do with the product, I thought was funny in, kind of, a shocking way. | 1:02:45 | 1:02:52 | |
Gary came to me and said two things which I found mutually exclusive. | 1:02:52 | 1:02:57 | |
He said, "I want your honest opinion and you must support me." | 1:02:57 | 1:03:01 | |
I said, "My honest opinion is, I don't think this showcases the project. | 1:03:01 | 1:03:05 | |
"If you want my opinion, I'll lay it on you. | 1:03:05 | 1:03:07 | |
"If you want me to support you..." He said, | 1:03:07 | 1:03:09 | |
"I need your support," and from then on, | 1:03:09 | 1:03:11 | |
I supported you and did not argue again. | 1:03:11 | 1:03:13 | |
No. During the task, I was alone and you guys were sitting back there | 1:03:13 | 1:03:16 | |
-doing what you were doing. -Well, why didn't you tell me that? | 1:03:16 | 1:03:19 | |
-I told you. -You said, "Would you support me?" And I supported you 100%. | 1:03:19 | 1:03:22 | |
Supporting me is coming out with me and watching and giving your feelings on the direction of it | 1:03:22 | 1:03:27 | |
-and how it goes, and we had the... We paid a lot of attention to this. -And every time I gave you my | 1:03:27 | 1:03:32 | |
-feelings... -No, no. -But I didn't feel you should be on all fours barking. | 1:03:32 | 1:03:35 | |
-You didn't give me the feelings. -I didn't give you the feelings you wanted. | 1:03:35 | 1:03:39 | |
No, you didn't give me the feelings I was asking for. | 1:03:39 | 1:03:42 | |
-Yes, exactly. -I was asking for the feelings of help with the project of the task | 1:03:42 | 1:03:47 | |
with the LG smartphone and how well we can put it in. | 1:03:47 | 1:03:50 | |
He asked my opinion many times on what I thought about him saying, | 1:03:51 | 1:03:54 | |
"I turned into a mechanical dog." | 1:03:54 | 1:03:57 | |
You asked... I believe your exact words were, "Are you barking or vomiting?" | 1:03:57 | 1:04:01 | |
Wasn't that exactly what you said? | 1:04:01 | 1:04:03 | |
-I couldn't quite tell. -Yeah, that's what you said and I said, "Barking." | 1:04:03 | 1:04:06 | |
-There was only one bark. -And then a vomit. | 1:04:06 | 1:04:08 | |
-No, it wasn't a vomit. -OK. -There wasn't a vomit, at all. | 1:04:08 | 1:04:12 | |
-There was no vomit, at all. -Clear it up... -There was no vomit. -Please, for the sake of us. | 1:04:12 | 1:04:15 | |
-Gary did not... -For the sake of you. -Gary did not vomit. -You know what? I want to see what you did. | 1:04:15 | 1:04:20 | |
Let's see it. | 1:04:20 | 1:04:21 | |
Tonight's family TV night. | 1:04:24 | 1:04:26 | |
When am I going to be able to turn on Blu-ray? | 1:04:26 | 1:04:28 | |
Go and sit in your chair, honey. | 1:04:28 | 1:04:29 | |
This won't take long, with my smart think appliances. | 1:04:29 | 1:04:32 | |
-I don't even have to write a grocery list. -Oh, my God! | 1:04:32 | 1:04:35 | |
-I love you. -I love you, too. And time and temperature... | 1:04:35 | 1:04:39 | |
..set. I can programme the washer and dryer with my LG phone. | 1:04:41 | 1:04:44 | |
What will LG think of next? | 1:04:44 | 1:04:45 | |
A mechanical dog? | 1:04:45 | 1:04:46 | |
VOMITY-SOUNDING BARK | 1:04:46 | 1:04:47 | |
Last time you became a mechanical dog, it lasted for two and a half days. | 1:04:47 | 1:04:51 | |
Take this. It'll make you smarter. | 1:04:51 | 1:04:53 | |
Well, thanks to LG smartphone. If I didn't have this, | 1:04:57 | 1:05:00 | |
I'd be a mechanical dog for the rest of my life. | 1:05:00 | 1:05:03 | |
-So, I say, thank you, LG. OK, what do you want to watch? -Oh, 3D. | 1:05:03 | 1:05:08 | |
-Something scary. -No, we did that this morning. | 1:05:08 | 1:05:10 | |
-Mom, what do you want to watch? -I like to take it slow and let nature take me. That's smart. | 1:05:10 | 1:05:15 | |
Life's good, when you live smart, with LG. | 1:05:20 | 1:05:23 | |
-What do you think of that, Lil Jon? -It's cool. -Did you think so? | 1:05:27 | 1:05:30 | |
-I thought you were throwing up, actually. I sort of agree with Penn. -It was actually Ivanka. | 1:05:30 | 1:05:35 | |
-What was that? Were you laughing or throwing up, seriously? -I wasn't laughing or throwing up. | 1:05:35 | 1:05:39 | |
Woof, woof. It was a mechanical dog. | 1:05:39 | 1:05:42 | |
OK. I didn't know what it was. | 1:05:42 | 1:05:45 | |
-What did you think, Lil Jon? -Yeah, I think it was all right. I think it was good. -Really? | 1:05:45 | 1:05:49 | |
They hit on some points that we didn't hit on, which is really... | 1:05:49 | 1:05:52 | |
-I thought that was good. -Talking about Academy Award calibre, right over here and I don't know. | 1:05:52 | 1:05:56 | |
-What did you think, Joan? -Er, I was confused. -Yeah, I was, too. | 1:05:56 | 1:05:59 | |
Especially when she said, "Let nature take its course." I'm trying to... | 1:05:59 | 1:06:04 | |
-I thought she had to go to the bathroom. -That's what I thought. | 1:06:04 | 1:06:06 | |
She said, "I like to go slow and let nature take me." | 1:06:06 | 1:06:10 | |
That's even worse. "Nature, take me." The word "take me" is a very dangerous word for a woman. | 1:06:10 | 1:06:15 | |
And then you crossed over to her, so I thought they were going to go off | 1:06:15 | 1:06:19 | |
to the bedroom. I thought she was going to the bathroom. | 1:06:19 | 1:06:21 | |
-First, I thought bathroom, then I thought bedroom. -Me, too. -The last thing I thought about was LG. | 1:06:21 | 1:06:25 | |
"I like to go slow and let nature take me" is the realisation that | 1:06:25 | 1:06:29 | |
everything you see in nature is a reflection of yourself. | 1:06:29 | 1:06:32 | |
OK. Lil Jon, what do you think of that? | 1:06:32 | 1:06:34 | |
I don't know what the hell he talking about. | 1:06:34 | 1:06:36 | |
-Gary... -Yes. -Would you like to see Lil Jon's video? | 1:06:39 | 1:06:41 | |
-I would love it. -Let's see it. | 1:06:41 | 1:06:44 | |
-Mom, I'm home. -My baby's home from college! | 1:06:46 | 1:06:49 | |
-What's up with the glasses? -They're 3D glasses. | 1:06:51 | 1:06:53 | |
Yeah, a lot's changed since you went to school. | 1:06:53 | 1:06:56 | |
Your dad and I have discovered LG. "Life's good". Want to see what else it does? | 1:06:56 | 1:07:01 | |
Check out this magic remote. | 1:07:01 | 1:07:03 | |
I can send an e-mail or even peep your Facebook status. | 1:07:03 | 1:07:07 | |
Nice party last Friday night! | 1:07:07 | 1:07:08 | |
And guess what else! I can do all that and control the TV with my new | 1:07:08 | 1:07:13 | |
smartphone. It's the Intuition by LG. | 1:07:13 | 1:07:16 | |
ALERT TONE | 1:07:16 | 1:07:17 | |
Are you guys hungry? Because it just told me, dinner is ready. | 1:07:17 | 1:07:21 | |
And with our new LG washer and dryer, | 1:07:22 | 1:07:24 | |
I can monitor it with my LG Intuition smartphone. | 1:07:24 | 1:07:28 | |
Oh, you guys look so cute! | 1:07:28 | 1:07:30 | |
I have to take your picture. | 1:07:31 | 1:07:32 | |
Say cheese! | 1:07:33 | 1:07:35 | |
Life's good. | 1:07:37 | 1:07:38 | |
-Joan, what did you think of that? -I like it. | 1:07:42 | 1:07:44 | |
I am not a mechanical person. | 1:07:44 | 1:07:48 | |
I understood it. | 1:07:48 | 1:07:49 | |
It's told me what it could do and I want one! | 1:07:49 | 1:07:53 | |
Which one do you think was better, Gary? | 1:07:53 | 1:07:55 | |
Wow! Even. | 1:07:55 | 1:07:57 | |
Well, that's not very good. | 1:07:57 | 1:07:59 | |
No, I feel like ours was just as good as it was, as theirs is just as good as it was. | 1:07:59 | 1:08:03 | |
But when you say "even" that means you think, basically, | 1:08:03 | 1:08:07 | |
you're the project manager and you don't necessarily think you won. | 1:08:07 | 1:08:10 | |
-No, I do. -So, why do you think you won if it was even? | 1:08:10 | 1:08:13 | |
Because it was simple, it was with the family. | 1:08:13 | 1:08:15 | |
No, but you just said, "Even," so why do you think...? | 1:08:15 | 1:08:17 | |
No, no, I don't think it's even. I think we won, because... | 1:08:17 | 1:08:20 | |
-You just said you thought it was even. -I'm taking that back. | 1:08:20 | 1:08:23 | |
-I'm rebuking that. -All right. | 1:08:23 | 1:08:24 | |
I think we're allowed to do that, right, Joan? | 1:08:24 | 1:08:27 | |
What do you think? All right, go ahead. | 1:08:27 | 1:08:28 | |
OK. We had the family. | 1:08:28 | 1:08:30 | |
So you think you won? | 1:08:30 | 1:08:32 | |
Yes! | 1:08:32 | 1:08:33 | |
I feel it in my heart. | 1:08:36 | 1:08:38 | |
For what that was and what we were given to do and what I had to work with, we did the best. | 1:08:38 | 1:08:42 | |
OK. Let's find out who won. | 1:08:42 | 1:08:45 | |
So, LG... | 1:08:48 | 1:08:49 | |
James, great executive, disagrees with you. | 1:08:50 | 1:08:53 | |
He liked Lil Jon's better. | 1:08:56 | 1:08:57 | |
No contest. Lil Jon, congratulations. | 1:09:00 | 1:09:02 | |
Through LG, you won a tremendous amount of money for your charity. | 1:09:02 | 1:09:05 | |
Go back to your Trump Tower suite. You can watch on television if you'd like. | 1:09:05 | 1:09:09 | |
Trace, Marilu, congratulations. Have a good time. Go. | 1:09:09 | 1:09:13 | |
-It's great to see. -Congrats. Congrats. | 1:09:13 | 1:09:16 | |
Congratulations. | 1:09:16 | 1:09:17 | |
Gary, you and your team stay here. | 1:09:21 | 1:09:23 | |
Somebody will be fired. | 1:09:23 | 1:09:24 | |
All right, let's have a drink. | 1:09:34 | 1:09:35 | |
-American Diabetes Association got a win. -Yes! | 1:09:35 | 1:09:38 | |
I finally got a win as PM, | 1:09:41 | 1:09:42 | |
won 40,000 for my charity, American Diabetes Association. | 1:09:42 | 1:09:47 | |
-Thank you all. -You're a rock star, you are. | 1:09:47 | 1:09:51 | |
-Thanks, baby. -I can also get up to an additional 35,000 for the shares | 1:09:51 | 1:09:55 | |
that my video gets on Facebook. | 1:09:55 | 1:09:57 | |
Oh, man! I can't wait to let my mom know. | 1:09:57 | 1:10:01 | |
My mom has had diabetes all her life. | 1:10:01 | 1:10:02 | |
It means a lot to win and I wanted to win for her. | 1:10:02 | 1:10:06 | |
-Let's turn it on. -Did you see Gary just beating up on Lisa? | 1:10:06 | 1:10:08 | |
-I know. I was shocked. -That was starting to border on bullying. | 1:10:08 | 1:10:12 | |
Oh, man, it's going to be ugly in there. | 1:10:12 | 1:10:14 | |
Ivanka, what were the positives and negatives for Gary's team? | 1:10:14 | 1:10:18 | |
Well, James felt that you were all very authentic during the | 1:10:18 | 1:10:21 | |
presentation, in your appreciation for the product and he loved that. | 1:10:21 | 1:10:24 | |
He also liked Penn saying that he was an early adopter of this type | 1:10:24 | 1:10:28 | |
of technology. He thought that was very appealing to their target | 1:10:28 | 1:10:31 | |
demographic, which is also early adopters. | 1:10:31 | 1:10:34 | |
In terms of negatives, | 1:10:34 | 1:10:35 | |
he liked the fact that the Intuition smartphone was so prominently | 1:10:35 | 1:10:39 | |
featured, but felt like many of the other products weren't really showcased | 1:10:39 | 1:10:43 | |
and it was a 90-second video, with the point of really showing the other products, as well. | 1:10:43 | 1:10:48 | |
Lastly, he didn't like the mechanical dog reference and that was a big part of the skit. | 1:10:48 | 1:10:53 | |
He felt like it could have been funny, | 1:10:53 | 1:10:55 | |
but the joke just didn't land. | 1:10:55 | 1:10:57 | |
-What do you think, Gary? -I think that... | 1:10:57 | 1:11:01 | |
That's good information to know. | 1:11:01 | 1:11:02 | |
-Who's responsible? -The mechanical dog was my responsibility, but I didn't have any support from | 1:11:02 | 1:11:08 | |
-my team-mates on the mechanical dog. -So, Ivanka, the mechanical dog was Gary's responsibility. | 1:11:08 | 1:11:13 | |
-James from LG felt that was a real negative, did not like it. -Yes, correct. | 1:11:13 | 1:11:18 | |
-That's pretty tough, isn't it, Gary? -It's tough, it's learning, | 1:11:18 | 1:11:22 | |
but it didn't spoil the overall content of what we were doing. | 1:11:22 | 1:11:25 | |
But why shouldn't you be fired, if it was your responsibility? | 1:11:25 | 1:11:28 | |
-Your specific point was the reason you lost and it's very hard to fire Penn or Lisa, isn't it? -No. | 1:11:28 | 1:11:35 | |
-Why would I fire Lisa? -I was stopped on the front by Lisa, | 1:11:35 | 1:11:38 | |
with her yelling at me in front of everybody. | 1:11:38 | 1:11:41 | |
-I don't yell. I just have to say, I don't yell. -But you were yelling at me. | 1:11:41 | 1:11:44 | |
OK. I don't yell. I didn't yell at you, so I'm going to just stop you right there and tell you | 1:11:44 | 1:11:50 | |
-that I didn't yell. -No, you're never going to stop me. You did yell, because I heard you yell... | 1:11:50 | 1:11:53 | |
-RAISES VOICE: -..and it was like this. -So, are you yelling at me now? | 1:11:53 | 1:11:57 | |
-No, I'm not, I'm showing you what you did. -Whoo! | 1:11:57 | 1:11:59 | |
He will not, like, own up to his stuff, ever. | 1:11:59 | 1:12:03 | |
-Are you kidding me? -He's outnumbered. Ain't got enough guns. | 1:12:03 | 1:12:06 | |
You guys are against me, I know that, but I'm telling the truth. | 1:12:06 | 1:12:09 | |
-You said it like that. -Are you going to tell me to shush now? | 1:12:09 | 1:12:12 | |
No, I'm just asking you to let me finish. | 1:12:12 | 1:12:14 | |
Are you going to interrupt me and tell me to shush? | 1:12:14 | 1:12:16 | |
This is what I'm talking about, right here, right here. | 1:12:16 | 1:12:19 | |
-Well, you're being very aggressive, though, Gary. -Well, I'm explaining | 1:12:19 | 1:12:23 | |
-to you in the vernacular she gave me. -Why would I fire Lisa instead of you, | 1:12:23 | 1:12:27 | |
-when you were the project manager? -Well, Lisa did not allow me to put mine forth in a good way, | 1:12:27 | 1:12:32 | |
-because of the yelling and the screaming. Not screaming. -The yelling stopped you? | 1:12:32 | 1:12:38 | |
Just raising your voice in a criticisical way. | 1:12:38 | 1:12:40 | |
And another time, a Celebrity Apprentice photographer was on the edge of the table, | 1:12:40 | 1:12:45 | |
where the set was, and I put my hand out on his hand to move him. | 1:12:45 | 1:12:51 | |
Lisa yelled, "That was very rude, that was a bad thing to do. You must apologise to him." | 1:12:51 | 1:12:57 | |
-So, I went and apologised. -Why did you do that? | 1:12:57 | 1:13:00 | |
-Why did I do what? -Why did you touch his hand? | 1:13:00 | 1:13:02 | |
Because he was in the middle of the pathway where the actresses were going to come down and sing. | 1:13:02 | 1:13:08 | |
So why did you find that so rude, Lisa? | 1:13:08 | 1:13:09 | |
Well, we were at crunch time and we were trying to get | 1:13:09 | 1:13:12 | |
all the shots done and my view of it was he pushed... | 1:13:12 | 1:13:16 | |
-No, I didn't. I did not push. -..a cameraman out of the way and I don't think that that's right. | 1:13:16 | 1:13:21 | |
Here's what happened - I did not... That's a lie. I did not push the cameraman out of the way. | 1:13:21 | 1:13:25 | |
I put my hand on his hand. I went to apologise to him, as you requested. I went to Lisa | 1:13:25 | 1:13:30 | |
and I said, "I apologised to him," and she looked down and she said, | 1:13:30 | 1:13:34 | |
"Well, that's good. Don't do it again." | 1:13:34 | 1:13:36 | |
I saw the exact cameraman incident and I felt that the way... | 1:13:36 | 1:13:42 | |
I don't see it as just touching him on the hands. | 1:13:42 | 1:13:45 | |
-It was kind of a push. -No, it wasn't kind of a push. | 1:13:45 | 1:13:49 | |
-I put my hand on his hands. -Was he offended? -No, he was not. | 1:13:49 | 1:13:52 | |
-Not at all. -This is a dynamic I actually observed in real-time, | 1:13:52 | 1:13:56 | |
because it was crunch time. I showed up 30 minutes before you were supposed to have the video | 1:13:56 | 1:14:00 | |
finalised and there was alienation on both sides. | 1:14:00 | 1:14:03 | |
I think, Gary, you were working in isolation. | 1:14:03 | 1:14:06 | |
-I was. -I don't think you were getting the support of your team, | 1:14:06 | 1:14:10 | |
but in part, I think, because your team felt like they had been precluded from the bigger picture | 1:14:10 | 1:14:14 | |
and didn't seem to understand what it was that they were supposed to be doing. | 1:14:14 | 1:14:17 | |
No, I asked them for their help and what they would like to see and Penn would say... | 1:14:17 | 1:14:21 | |
-They didn't understand the script, though. -Hang on. | 1:14:21 | 1:14:23 | |
When I was there, they really didn't understand the purpose of what you were trying to film. | 1:14:23 | 1:14:27 | |
So, I did notice you asking them questions, but I think they missed the bigger picture. | 1:14:27 | 1:14:30 | |
I did tell them the purpose of what I was filming and I asked for their help. | 1:14:30 | 1:14:33 | |
"Do you have an idea? Do you have anything to do?" | 1:14:33 | 1:14:36 | |
Penn said, "You're the project manager, it's your deal, I'll go with you." | 1:14:36 | 1:14:39 | |
I loved what Gary was doing, artistically - I always do. | 1:14:39 | 1:14:44 | |
I did not think it had anything to do with the project and I think there | 1:14:44 | 1:14:49 | |
was a bit of a misunderstanding... No, no, we had a different understanding of the task. | 1:14:49 | 1:14:54 | |
-I thought it was to explain LG's products... -Too long. | 1:14:54 | 1:14:57 | |
..which, incidentally, are wicked good, and I'm an early adopter, so I really dug them. | 1:14:57 | 1:15:03 | |
During the technicians explaining how the products work, Gary split. | 1:15:03 | 1:15:10 | |
-I didn't split. -Went over to the other side of the room. | 1:15:10 | 1:15:12 | |
I did not split, I did not leave the focus of where we were. | 1:15:12 | 1:15:16 | |
-I never split. I was always there. -You walked away to the other side of the room... | 1:15:16 | 1:15:22 | |
..while they were explaining the refrigerator. | 1:15:23 | 1:15:25 | |
-You couldn't possibly... -No, no, no, no, I was there. | 1:15:25 | 1:15:27 | |
-He couldn't possibly have heard them. -I did! | 1:15:27 | 1:15:31 | |
You were over... OK. He has astonishing hearing. | 1:15:31 | 1:15:35 | |
What does that have to do with the teamwork, | 1:15:35 | 1:15:37 | |
-which there wasn't any, and yelling at me and confronting me? -No-one raised their voices to you. | 1:15:37 | 1:15:42 | |
Hang on. Excuse me. Lisa raised her voice very much to me | 1:15:42 | 1:15:44 | |
and you can say no, but you're lying and you're supporting her. | 1:15:44 | 1:15:48 | |
I'm not... I'm not trying to tear you down but when you get yelled at, | 1:15:48 | 1:15:54 | |
"That was very rude!" I'm not going to yell like that. | 1:15:54 | 1:15:56 | |
-I was... -You yelled at me and then you... | 1:15:56 | 1:15:59 | |
You confronted me and team-mates don't do that when they're working | 1:15:59 | 1:16:03 | |
together as a triplicate, a trinity. | 1:16:03 | 1:16:06 | |
Gary, I didn't observe them actually undermining you in any way. | 1:16:06 | 1:16:09 | |
I felt like you were a bit fed up, truthfully, both of you, | 1:16:09 | 1:16:12 | |
that you were trying to be supportive, but you didn't really know how to do it, | 1:16:12 | 1:16:16 | |
because you didn't understand the bigger picture. | 1:16:16 | 1:16:19 | |
They got it, because they understood it, and Penn Jillette said, "I understand what you're doing." | 1:16:19 | 1:16:24 | |
-Do you...? -No, I never said that. -You guys, come on. | 1:16:24 | 1:16:26 | |
I never said I understood what you were doing. I never did understand what you were doing and I said I | 1:16:26 | 1:16:30 | |
-would be supportive of you. -You said as I'm project manager, whatever... | 1:16:30 | 1:16:35 | |
Penn, did you disagree with what Gary was doing? | 1:16:35 | 1:16:37 | |
-Tremendously. I thought that we should... -I didn't... I asked that. | 1:16:37 | 1:16:40 | |
What could you do to help this project? | 1:16:40 | 1:16:43 | |
-No, no, you didn't... -And you didn't say anything to help me. | 1:16:43 | 1:16:47 | |
You were just abandoning. | 1:16:47 | 1:16:49 | |
-I did say something. -I felt isolated and alone on the floor without the team... | 1:16:49 | 1:16:52 | |
-I did say something to help you, Gary. -..without my team-mates working with me. | 1:16:52 | 1:16:56 | |
Gary, what you said was, "I will be a mechanical dog and I will keep | 1:16:56 | 1:16:59 | |
"barking and go on all fours," and I talked you back from that. | 1:16:59 | 1:17:02 | |
Oh, no, I got that, I got that. Mechanical dog was out. | 1:17:02 | 1:17:05 | |
-But I gave you that note. -So, Gary, why should I fire Penn? | 1:17:05 | 1:17:07 | |
He wasn't with me on this. I was abandoned. I wasn't... I didn't have a team with me. | 1:17:10 | 1:17:15 | |
Why should I fire Lisa? | 1:17:15 | 1:17:17 | |
Lisa, her confrontation and criticism, | 1:17:20 | 1:17:21 | |
raising your voice in front of the crew | 1:17:21 | 1:17:24 | |
and at the tables where we were fixing the project to put together, | 1:17:24 | 1:17:28 | |
it was hurtful to me, but I kept going and didn't take it personally. | 1:17:28 | 1:17:31 | |
Lisa, how do you respond to that? | 1:17:31 | 1:17:33 | |
It's absolute and utter non-truth and I won't stand for it. | 1:17:33 | 1:17:38 | |
So, Lisa, if you won't stand for it, do you want to leave right now? | 1:17:38 | 1:17:41 | |
-No. No. -No? OK. -No, absolutely not. I just won't let him go on... | 1:17:43 | 1:17:47 | |
-I've seen that before - if people won't stand for it, they leave. -No, no, I just will not... | 1:17:47 | 1:17:51 | |
-I guess she's not one of them. -I would like to say... -Go ahead. | 1:17:51 | 1:17:54 | |
..that our most frustrated... The time that I was...the most | 1:17:54 | 1:18:00 | |
despondent and the time that Lisa was the most lost was the time | 1:18:00 | 1:18:06 | |
when you arrived, so if there was yelling taking place, | 1:18:06 | 1:18:10 | |
I think you would have heard it. | 1:18:10 | 1:18:11 | |
-No. -But I would say that Gary was correct in a certain sense, that... | 1:18:11 | 1:18:15 | |
Maybe it's because you had tried so hard to be heard and weren't being | 1:18:15 | 1:18:18 | |
heard, you had taken a step back. | 1:18:18 | 1:18:21 | |
You were running around, doing whatever you were doing... | 1:18:21 | 1:18:23 | |
-We were trying to get... -I mean, you guys were, sort of, just going along with it, | 1:18:23 | 1:18:27 | |
-but... -Usually, when I'm asked for an idea, | 1:18:27 | 1:18:30 | |
the idea can be dismissed very quickly. | 1:18:30 | 1:18:32 | |
I never got to finish one of the ideas I had | 1:18:32 | 1:18:35 | |
-and Lisa did not get to start. -I asked you to do that in my team. | 1:18:35 | 1:18:39 | |
Lisa and Penn spent all the time talking to each other, | 1:18:39 | 1:18:43 | |
-without including me. -QED. -Penn, what suggestions did you make? | 1:18:43 | 1:18:47 | |
I suggested that we start out with, maybe, a father | 1:18:47 | 1:18:52 | |
-who was a little bit... -Ignorant. Ignorant of the... | 1:18:52 | 1:18:57 | |
That's what I did and you changed that to not being ignorant. | 1:18:57 | 1:19:02 | |
Well, this is exactly the way I was explaining my idea | 1:19:02 | 1:19:05 | |
and that's about as far as I got. | 1:19:05 | 1:19:07 | |
But, Gary, do you think you should be listening | 1:19:07 | 1:19:09 | |
-to your team, as project manager? -That's what I was doing. | 1:19:09 | 1:19:12 | |
-Asking for support, asking for help. -And, Penn, you disagree with that? | 1:19:12 | 1:19:16 | |
He was asking me to say, "This is a great idea." | 1:19:16 | 1:19:18 | |
No, I wasn't asking you to say this was a great idea. | 1:19:18 | 1:19:23 | |
That's not my purpose here. My purpose is to utilise you for | 1:19:23 | 1:19:28 | |
the support you can give me in what I was doing and support that | 1:19:28 | 1:19:32 | |
and tell me your feelings about something you didn't think matched | 1:19:32 | 1:19:37 | |
the sequence of our film, cos I'm asking for your input, | 1:19:37 | 1:19:41 | |
-to help the whole task. -You never asked for input. -Yes, I did. | 1:19:41 | 1:19:44 | |
-Never once. -Yes, I did. -Not in a way... | 1:19:44 | 1:19:46 | |
Gary, you're so much different from the last time you were on the show. | 1:19:46 | 1:19:52 | |
First of all, you're much more solid - you're like a rock. | 1:19:52 | 1:19:55 | |
-Yeah. -Has something changed in your life? | 1:19:55 | 1:19:58 | |
You were a flake the last time. Now, you're like this tough guy. | 1:19:58 | 1:20:01 | |
I'm impressed by it. I think it's... To me, it's tremendous, really. | 1:20:01 | 1:20:05 | |
-What happened? -The great thing about three years ago was I had a team | 1:20:05 | 1:20:09 | |
that hated me. The education I received from doing this show | 1:20:09 | 1:20:13 | |
was very powerful | 1:20:13 | 1:20:14 | |
and I got an education from that and that's not going to happen again. | 1:20:14 | 1:20:18 | |
Well, I think you're really terrific and you're really solid. | 1:20:18 | 1:20:21 | |
But James did not like the mechanical dog. | 1:20:21 | 1:20:23 | |
That was your idea, is that right? | 1:20:25 | 1:20:26 | |
-Yeah. -He didn't like the fact that you didn't highlight | 1:20:26 | 1:20:29 | |
many of the great LG products. Whose fault is that? | 1:20:29 | 1:20:33 | |
Well, it's the fault of the whole team. | 1:20:33 | 1:20:35 | |
-Well, but you're the project manager. -I'm project manager. | 1:20:35 | 1:20:37 | |
Lisa did inserts with the... | 1:20:37 | 1:20:39 | |
But, Gary, you're the project manager, in all fairness. | 1:20:39 | 1:20:41 | |
You didn't highlight many of the products | 1:20:41 | 1:20:44 | |
and they're fantastic products. Gary, you're fired. | 1:20:44 | 1:20:47 | |
Go ahead. Thank you. | 1:20:51 | 1:20:52 | |
Go back to your suite. | 1:20:56 | 1:20:57 | |
-Not easy, Joan. -Very, very tough. | 1:21:19 | 1:21:22 | |
You made the right decision. | 1:21:23 | 1:21:25 | |
When you don't have your team-mates working with you | 1:21:59 | 1:22:02 | |
when you're project manager, that means your team-mates want you out. | 1:22:02 | 1:22:05 | |
And that's what happened tonight. | 1:22:05 | 1:22:06 | |
But so what? I don't care! | 1:22:06 | 1:22:10 | |
I'm going home! | 1:22:10 | 1:22:12 | |
Yay! | 1:22:13 | 1:22:14 |