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Last time, on All-Star Celebrity Apprentice... | 0:00:02 | 0:00:04 | |
the teams were tasked with making a silent movie promoting Australian Gold. | 0:00:04 | 0:00:07 | |
Trace, your team is being decimated. Marilu, go to that team. | 0:00:07 | 0:00:10 | |
Good luck. Have fun. | 0:00:10 | 0:00:12 | |
On Plan B, Penn Jillette was excited to have Gary Busey in charge. | 0:00:12 | 0:00:17 | |
OK! All right. | 0:00:17 | 0:00:18 | |
I wanted to feel what that roller-coaster would feel like, | 0:00:18 | 0:00:22 | |
to be riding that train with Gary Busey in charge. | 0:00:22 | 0:00:25 | |
"Yeah!" I wanted to hear that a lot. | 0:00:25 | 0:00:27 | |
-Yay! Yay! -But Stephen Baldwin disagreed... | 0:00:27 | 0:00:30 | |
I think the idea of making a silent film, | 0:00:30 | 0:00:32 | |
with Gary Busey as your Project Manager is terrifying. | 0:00:32 | 0:00:35 | |
Hubba, hubba, hubba. | 0:00:35 | 0:00:37 | |
..and he took the reins out of Gary's hands. | 0:00:37 | 0:00:39 | |
Whatever changes he may make, I will do my very best | 0:00:39 | 0:00:43 | |
to manage that with him. | 0:00:43 | 0:00:45 | |
Stephen's now running the show, clearly. | 0:00:45 | 0:00:48 | |
Meanwhile, Team Power hoped to end their losing streak, | 0:00:48 | 0:00:50 | |
with the addition of Marilu Henner. | 0:00:50 | 0:00:52 | |
I have to, like, set up my environment to win. | 0:00:52 | 0:00:54 | |
How great would it be if they won, now that I'm on their team? | 0:00:54 | 0:00:57 | |
I feel like, right now, finally, the teams are evenly matched. | 0:00:57 | 0:01:01 | |
I love my team right now. | 0:01:01 | 0:01:03 | |
And it paid off in the boardroom. | 0:01:03 | 0:01:04 | |
You're going to be very happy, because your team won, Trace. | 0:01:04 | 0:01:08 | |
In the final round, Gary held Stephen accountable. | 0:01:08 | 0:01:11 | |
The director of the show | 0:01:11 | 0:01:12 | |
is responsible for what is seen in the show. | 0:01:12 | 0:01:16 | |
And Mr Trump agreed. | 0:01:16 | 0:01:18 | |
We probably made a bad decision in incorporating all the products. | 0:01:18 | 0:01:21 | |
You're directing. You should have put the product in. | 0:01:21 | 0:01:23 | |
Stephen, you're fired. | 0:01:23 | 0:01:24 | |
That shows how strong a team we are right there. | 0:01:33 | 0:01:36 | |
-To winning. -Cheers! -To winning three in a row now. -To winning. | 0:01:36 | 0:01:39 | |
-We'll win three in a row. -What I will add is, when you don't have | 0:01:39 | 0:01:42 | |
a strong leader, a lot of stuff gets chaotic. | 0:01:42 | 0:01:46 | |
-Yeah. -You know? And that's all I can really explain. | 0:01:46 | 0:01:49 | |
'I do think it's time for Gary to go home.' | 0:01:49 | 0:01:51 | |
He's creative, yes. He's funny. | 0:01:51 | 0:01:55 | |
He's a beautiful spirit. We need people that work, | 0:01:55 | 0:01:58 | |
not just be funny and a talented actor. | 0:01:58 | 0:02:01 | |
It goes way beyond that now and that's just the way it is | 0:02:01 | 0:02:04 | |
at this juncture of the game. | 0:02:04 | 0:02:07 | |
-Whoa! -I knew it. I knew it. -Oh! -What happened? -I knew it. | 0:02:10 | 0:02:13 | |
-What happened? -What happened? | 0:02:13 | 0:02:15 | |
-Whoa. -Now it's just the three of us. | 0:02:17 | 0:02:19 | |
-Damn. -Thank you. -Congratulations, Gary. | 0:02:19 | 0:02:21 | |
-Thanks. -Man, oh, man, oh, man, oh, man. -Congratulations. | 0:02:21 | 0:02:25 | |
'I was pretty surprised when Gary game back' | 0:02:25 | 0:02:27 | |
and now we're down to three. | 0:02:27 | 0:02:29 | |
It's three to four. It's the first time we've been outgunned. | 0:02:29 | 0:02:32 | |
They have four really strong players. | 0:02:32 | 0:02:36 | |
Oh, Lord have mercy. | 0:02:36 | 0:02:38 | |
(I just thank God you're here!) | 0:02:40 | 0:02:42 | |
Thank God you're still here. | 0:02:42 | 0:02:43 | |
-OK, guys. Here we are. -We are so heavily outgunned. | 0:02:43 | 0:02:48 | |
We have got Lisa, who is true, like ice, like fire, | 0:02:48 | 0:02:52 | |
and then, we have someone who is ethereal and poetic | 0:02:52 | 0:02:57 | |
and sometimes right here and sometimes out there. | 0:02:57 | 0:03:00 | |
We lost and you were Project Manager and you survived. | 0:03:00 | 0:03:03 | |
High five. That doesn't happen very often. | 0:03:03 | 0:03:06 | |
'I wanted to be working' | 0:03:06 | 0:03:08 | |
with Gary Busey and, for my sins, I am! | 0:03:08 | 0:03:12 | |
# Money, money, money, money | 0:03:22 | 0:03:25 | |
# Money! | 0:03:25 | 0:03:26 | |
# Money, money, money, money | 0:03:26 | 0:03:29 | |
# Money! | 0:03:29 | 0:03:31 | |
# Some people got to have it | 0:03:31 | 0:03:34 | |
# Ye-eah | 0:03:34 | 0:03:36 | |
# Some people really need it | 0:03:36 | 0:03:39 | |
# Hey, listen to me, y'all | 0:03:39 | 0:03:41 | |
# Do things, do things, do things Bad things with it | 0:03:41 | 0:03:46 | |
# Dollar bills, y'all Come on | 0:03:48 | 0:03:50 | |
# That mean, oh, mean | 0:03:50 | 0:03:54 | |
# Mean green | 0:03:54 | 0:03:57 | |
# Almighty dollar | 0:03:57 | 0:04:00 | |
# You know that money... | 0:04:00 | 0:04:03 | |
# Give me a nickel, brother Can you spare a dime? | 0:04:03 | 0:04:07 | |
# Money can drive some people out of their minds | 0:04:07 | 0:04:15 | |
# Money, money, money, money | 0:04:15 | 0:04:21 | |
# Money # | 0:04:21 | 0:04:22 | |
-Hi, Trace. -Are you Jackie? | 0:04:45 | 0:04:46 | |
-I'm Jackie. -You're the lady I was looking for. | 0:04:46 | 0:04:48 | |
Good to see you. | 0:04:48 | 0:04:49 | |
'This year I'm on All-Star' | 0:04:49 | 0:04:51 | |
Celebrity Apprentice on behalf of the American Red Cross, | 0:04:51 | 0:04:54 | |
and today we are at the staging area for the Superstorm Sandy | 0:04:54 | 0:05:00 | |
-relief effort. -Thank you for everything. -You take care. -OK. | 0:05:00 | 0:05:03 | |
So I came by today just to lend a hand, if I could, | 0:05:03 | 0:05:05 | |
and say thanks and hand them a cheque. | 0:05:05 | 0:05:08 | |
I know what you're doing, but I didn't expect to see this scale. | 0:05:08 | 0:05:12 | |
-It's unbelievable. -Yeah. -Getting food out in New York and New Jersey | 0:05:12 | 0:05:15 | |
is a really complex effort, so we have these staging areas, | 0:05:15 | 0:05:20 | |
where we work with partners, to get the food cooked, | 0:05:20 | 0:05:23 | |
get it loaded onto emergency response vehicles | 0:05:23 | 0:05:25 | |
and get it out to the people who need it. | 0:05:25 | 0:05:27 | |
Thank you, guys, for what you're doing, you know? | 0:05:27 | 0:05:30 | |
And most of the people you'll see here today are volunteers, | 0:05:30 | 0:05:33 | |
which is, I think, one of the coolest things about what happens at the Red Cross. | 0:05:33 | 0:05:37 | |
It's really amazing to see the country is represented in the | 0:05:37 | 0:05:40 | |
volunteers that come out to help American Red Cross. | 0:05:40 | 0:05:43 | |
I mean, people have been coming in here from all over the country to help in this effort. | 0:05:43 | 0:05:48 | |
-One, two, three. -They're just tireless. | 0:05:48 | 0:05:51 | |
They just keep going and going and going. | 0:05:51 | 0:05:53 | |
And they don't stop. It's pretty amazing to see. | 0:05:53 | 0:05:56 | |
There are still selfless people in this world - | 0:05:56 | 0:06:00 | |
people that just make it their mission, on a daily basis, to try | 0:06:00 | 0:06:04 | |
to help somebody else. And this parking lot's full | 0:06:04 | 0:06:08 | |
of those kind of people. | 0:06:08 | 0:06:09 | |
Very proud of these people. | 0:06:09 | 0:06:11 | |
Red Cross needs help. It needs funds every day. | 0:06:11 | 0:06:15 | |
I'm very proud to be on Celebrity Apprentice | 0:06:15 | 0:06:18 | |
and trying to make sure that they have the funds | 0:06:18 | 0:06:21 | |
that they need to keep doing what they're doing. | 0:06:21 | 0:06:23 | |
-Dave? -Yes, sir. -How are you, sir? -Just fine. | 0:06:24 | 0:06:28 | |
Hey, I came down here today on behalf of The Celebrity Apprentice | 0:06:28 | 0:06:33 | |
and Australian Gold. I wanted to present you with a cheque for 40,000. | 0:06:33 | 0:06:37 | |
Oh, why, thank you. That's great. I sure appreciate that. | 0:06:37 | 0:06:40 | |
It's been... It's been a privilege | 0:06:40 | 0:06:42 | |
to represent the Red Cross on Celebrity Apprentice this year. | 0:06:42 | 0:06:46 | |
-And I hope this helps a little bit. -It sure will. | 0:06:46 | 0:06:49 | |
-I hope I come back with another big cheque later on. -OK. | 0:06:49 | 0:06:52 | |
-That's my intention, anyway. -You're always welcome here. | 0:06:52 | 0:06:54 | |
'The first task, I presented the American Red Cross | 0:06:54 | 0:06:57 | |
'with a cheque for 670 grand, so this puts me at over 700,000.' | 0:06:57 | 0:07:02 | |
I'm just going to do the best I can do and raise as much money | 0:07:02 | 0:07:06 | |
as I can. That's... That's all I can do. | 0:07:06 | 0:07:11 | |
Thank you for what you're doing. | 0:07:11 | 0:07:13 | |
OK. Thank you. Win that show! | 0:07:13 | 0:07:14 | |
-All right. Thanks. Have a good day. -Bye. | 0:07:14 | 0:07:16 | |
-Oh, it's Bret. -It's Bret! -Hello, everybody! | 0:07:37 | 0:07:40 | |
-Yay! -Hey, hey. -Bret and George! | 0:07:40 | 0:07:43 | |
How are you guys doing? Nice to see everybody. | 0:07:43 | 0:07:46 | |
-Nice to see you. -Good to see you all. | 0:07:46 | 0:07:48 | |
-It's nice to have Bret back, right? -Yay! -Thank you. Thank you. | 0:07:48 | 0:07:51 | |
Everybody loves Bret. He's a great, great champion. | 0:07:51 | 0:07:54 | |
-This is where you should be, Bret, right? -Thank you. | 0:07:54 | 0:07:58 | |
It's nice to be hired instead of fired. | 0:07:58 | 0:07:59 | |
-It is, indeed. -We're standing in the middle of Times Square. | 0:07:59 | 0:08:04 | |
Millions of people each year come to New York City | 0:08:04 | 0:08:08 | |
and they come for Times Square. Now, there's another very special place. | 0:08:08 | 0:08:13 | |
It's called South Africa - | 0:08:13 | 0:08:15 | |
one of the most beautiful countries in the world. | 0:08:15 | 0:08:18 | |
For your task, you'll be doing an interactive South Africa travel expo | 0:08:18 | 0:08:25 | |
in order to bring additional tourism to South Africa. | 0:08:25 | 0:08:30 | |
With me today, from South African Tourism, | 0:08:30 | 0:08:33 | |
are Sthu and Evelyn. | 0:08:33 | 0:08:35 | |
We at South African Tourism are launching a campaign | 0:08:35 | 0:08:38 | |
to increase the awareness of our travel experiences, | 0:08:38 | 0:08:42 | |
called What's Your Big 5? | 0:08:42 | 0:08:44 | |
So, to bring South Africa to life, you'll each create an interactive | 0:08:44 | 0:08:48 | |
travel expo, that will showcase your Big 5 South African experiences. | 0:08:48 | 0:08:53 | |
All right. Pick your Project Managers. | 0:08:55 | 0:08:57 | |
-Don't be scared. -We got your back. We got your back. -OK. | 0:08:59 | 0:09:02 | |
-I think you should take it. -Oh, well, I'll do what I got to do. | 0:09:02 | 0:09:07 | |
Gary, who's your Project Manager? | 0:09:07 | 0:09:08 | |
-Penn Jillette. -Penn Jillette. OK. | 0:09:08 | 0:09:10 | |
As the only one on our team who's not been to Africa, | 0:09:10 | 0:09:13 | |
-they chose me, mysteriously. -OK. Who's your Project Manager? | 0:09:13 | 0:09:16 | |
It's going to be Brande. | 0:09:16 | 0:09:18 | |
'I wanted to step up as Project Manager' | 0:09:18 | 0:09:20 | |
because I had been it on the first task | 0:09:20 | 0:09:22 | |
and we lost. So, it gives me motivation to move on, | 0:09:22 | 0:09:25 | |
so that my charity can win something. | 0:09:25 | 0:09:27 | |
So, I was happy to do it. | 0:09:27 | 0:09:29 | |
-So, it's Brande and it's Penn. -Yep. -Very good. | 0:09:29 | 0:09:32 | |
My advisors are George, who's been with me a long time, | 0:09:32 | 0:09:36 | |
and, in fact, many evenings of number one on television, | 0:09:36 | 0:09:40 | |
and Bret. | 0:09:40 | 0:09:41 | |
George, tell us about it. | 0:09:41 | 0:09:43 | |
As far as the task is concerned, you have two scenarios. | 0:09:43 | 0:09:46 | |
One is called the Romance Package, | 0:09:46 | 0:09:49 | |
the other is called the Adventure Package. | 0:09:49 | 0:09:51 | |
-So, you have your choice. What do you want? -Go ahead. | 0:09:53 | 0:09:56 | |
-We would like the Adventure Package. -Oh, the Adventure. | 0:09:56 | 0:09:58 | |
I would like the Adventure Package. | 0:09:58 | 0:10:00 | |
Well, in that case, if you both want the same thing, | 0:10:00 | 0:10:02 | |
-there's only one way to solve it. -Can we use my coin? | 0:10:02 | 0:10:04 | |
-No, we won't use your coin. -Why not try? | 0:10:04 | 0:10:06 | |
I always carry a double-headed and a double-tailed coin with me. | 0:10:06 | 0:10:09 | |
I can win any of these coin flips, | 0:10:09 | 0:10:11 | |
but, no, they can't use Penn's coin. | 0:10:11 | 0:10:13 | |
Like, they think I would cheat? I'm insulted by that. | 0:10:13 | 0:10:15 | |
I would, but I'm insulted that they think that. | 0:10:15 | 0:10:18 | |
-Go ahead, George. Give it a flip. -Tails, please. | 0:10:18 | 0:10:20 | |
-OK. It is heads. -Yes! -And we will take Adventure. | 0:10:20 | 0:10:24 | |
-Romance, it is. -Actually, I like romance better. | 0:10:24 | 0:10:27 | |
-You know, people don't know that. -So do I, sir. -Shut up, Penn! | 0:10:27 | 0:10:30 | |
You got to go on a safari, if you go to South Africa. | 0:10:31 | 0:10:34 | |
Come on! 'When the task was given to us,' | 0:10:34 | 0:10:37 | |
I immediately thought of Adventure, because it's more excitement, | 0:10:37 | 0:10:41 | |
and I just thought, creatively, Adventure would be easier to do | 0:10:41 | 0:10:46 | |
than Romance. | 0:10:46 | 0:10:47 | |
-Bret, go ahead. -Tomorrow, you've got to present your whole expo | 0:10:47 | 0:10:51 | |
to Sthu and Evelyn. They will judge your expo | 0:10:51 | 0:10:55 | |
and determine the winner on the following criteria - | 0:10:55 | 0:10:58 | |
your creativity, feedback from travel professionals, | 0:10:58 | 0:11:00 | |
and, most of all, your overall presentation. | 0:11:00 | 0:11:03 | |
-So, get it rocking. -Got it? -Yeah. | 0:11:03 | 0:11:05 | |
The Project Manager of the winning team will get 20,000 | 0:11:05 | 0:11:08 | |
for your charity, OK? | 0:11:08 | 0:11:11 | |
-So, good luck. Go ahead. Do a job. -Thank you. | 0:11:11 | 0:11:14 | |
-Good luck, everybody. -Thank you. -Nice to see you all again. | 0:11:16 | 0:11:18 | |
Thank you so much. | 0:11:18 | 0:11:20 | |
-Oh, that's nice. -Ooh! | 0:11:27 | 0:11:30 | |
Are we on, like, the Harry Potter set? | 0:11:30 | 0:11:31 | |
'As soon as Mr Trump announced' | 0:11:33 | 0:11:35 | |
that we are going to be doing a task for South African Tourism, | 0:11:35 | 0:11:38 | |
I was excited and apprehensive all at the same time, | 0:11:38 | 0:11:43 | |
because we're not just taking on a product, | 0:11:43 | 0:11:46 | |
we're taking on a country, OK?! | 0:11:46 | 0:11:48 | |
So, it's a huge task. | 0:11:48 | 0:11:51 | |
OK, so, for the Adventure Theme Package, | 0:11:51 | 0:11:54 | |
"Number one, face your deepest fears | 0:11:54 | 0:11:56 | |
"and meet the storied great white shark you've only read | 0:11:56 | 0:11:59 | |
"or watched on TV." "Learn to surf." | 0:11:59 | 0:12:01 | |
"Three, get your adrenaline pumping | 0:12:01 | 0:12:03 | |
"with Sun City's notorious zip line." | 0:12:03 | 0:12:04 | |
"Four, practice your swing at the golf course." | 0:12:04 | 0:12:07 | |
"Five, a luxury camping experience." So, we're not even doing safari. | 0:12:07 | 0:12:10 | |
-That's... -We're not? -Safari's not on there. | 0:12:10 | 0:12:12 | |
Yeah, they're trying to advertise the things that people | 0:12:14 | 0:12:16 | |
-don't really know about. -We're at a distinct disadvantage here. | 0:12:16 | 0:12:19 | |
The coolest thing they have, we can't talk about. | 0:12:19 | 0:12:21 | |
It's like the farmer who's got these six daughters, | 0:12:21 | 0:12:25 | |
and one of them is really hot and the five are really ugly, | 0:12:25 | 0:12:28 | |
and you just really want to see the hot one, but he won't let you. | 0:12:28 | 0:12:31 | |
-Hello! -Hey. -Hello. -Hi. | 0:12:31 | 0:12:34 | |
-Marilu. -Sthu is my name. -Sthu. -Lovely to meet you. | 0:12:35 | 0:12:38 | |
-Sthu? -Yes. -Brande. Very nice to meet you. | 0:12:38 | 0:12:39 | |
-Brande. Lovely to meet you, Brande. -If you guys would like a seat. | 0:12:39 | 0:12:43 | |
So, if we win, do we get to go?! | 0:12:43 | 0:12:45 | |
-Is that part of the deal here? -You could. | 0:12:45 | 0:12:47 | |
Can you tell me a little bit about this glamping experience? | 0:12:47 | 0:12:51 | |
It really is the idea that you are in the bush, | 0:12:51 | 0:12:53 | |
in the middle of the bush, but in this five-star, luxury tent. | 0:12:53 | 0:12:59 | |
Glamping is for sissies that want to go camping. | 0:12:59 | 0:13:04 | |
That's the kind of camping that my old lady would probably enjoy. | 0:13:04 | 0:13:08 | |
So, I have a question. | 0:13:08 | 0:13:09 | |
Why these five for the Adventure Package? | 0:13:09 | 0:13:12 | |
As you know, a whole lot of people don't know much about South Africa, | 0:13:12 | 0:13:16 | |
except the fabulous safari that we have. | 0:13:16 | 0:13:19 | |
So, we thought, in terms of focusing the adventure experiences, | 0:13:19 | 0:13:22 | |
it's better to start off with these ones. | 0:13:22 | 0:13:24 | |
-Ah. -Yes, we are known for safari, but people want to know, | 0:13:24 | 0:13:28 | |
"What really will I do when I'm there? | 0:13:28 | 0:13:29 | |
"I know that I'll see animals, but what else will I do?" | 0:13:29 | 0:13:33 | |
You begin to get people who are golfing. | 0:13:33 | 0:13:36 | |
"Oh, I didn't realise South Africa is a golf destination." | 0:13:36 | 0:13:39 | |
"Oh, there is zip lining. I can surf. Shark-cage diving." | 0:13:39 | 0:13:43 | |
'There's a huge challenge that we have to face,' | 0:13:43 | 0:13:46 | |
and that is the fact that we have to make adventures | 0:13:46 | 0:13:50 | |
interactive in a small room. | 0:13:50 | 0:13:51 | |
So, we might have tried to bite off more than we can chew. | 0:13:51 | 0:13:55 | |
-Thank you so much. -Thank you. | 0:13:55 | 0:13:56 | |
You know what? I think we might have got the harder thing. | 0:13:56 | 0:14:00 | |
-We did. -Romance might have been easier to do. | 0:14:00 | 0:14:03 | |
OK, we're doing five areas - | 0:14:11 | 0:14:13 | |
-wine, art, food, dance and spa. -OK. | 0:14:13 | 0:14:19 | |
Our task is an interactive travel expo for South Africa | 0:14:20 | 0:14:23 | |
and the five that we're supposed to focus on for the Romance Package | 0:14:23 | 0:14:28 | |
are wine land, art, food, dance and spa. | 0:14:28 | 0:14:33 | |
That's challenging. We're not just talking about romance. | 0:14:33 | 0:14:36 | |
We're talking about the romantic elements of a beautiful country. | 0:14:36 | 0:14:41 | |
OK, let me read you this. They do vinotherapy, | 0:14:41 | 0:14:45 | |
which is with a grape. | 0:14:45 | 0:14:47 | |
"Bush massages." | 0:14:49 | 0:14:50 | |
Uh-oh. | 0:14:50 | 0:14:52 | |
Never had a bush massage! | 0:14:54 | 0:14:56 | |
Be careful, Lisa. | 0:14:56 | 0:14:58 | |
Sorry. Um... | 0:14:58 | 0:15:00 | |
-Hello! -Hey. -Hello. I'm Lisa Rinna. | 0:15:00 | 0:15:03 | |
-Hi, Lisa. -It's a pleasure! -Hello. Sthu is my name. | 0:15:03 | 0:15:05 | |
-Please, have a seat. -Thank you. | 0:15:05 | 0:15:07 | |
I've had such a good time in your country... | 0:15:07 | 0:15:10 | |
-Oh, you've been? -..making film. -Oh, fantastic. | 0:15:10 | 0:15:14 | |
Tell us a little bit about romance in South Africa. | 0:15:14 | 0:15:17 | |
Different people go to South Africa | 0:15:17 | 0:15:19 | |
to experience romance in different ways. | 0:15:19 | 0:15:21 | |
Experience romance in DIFFERENT ways? | 0:15:21 | 0:15:24 | |
In different ways, absolutely. The feel to it is of luxury. | 0:15:24 | 0:15:27 | |
-It's what? -Luxury. | 0:15:27 | 0:15:29 | |
"Luxury." Is that a high-dollar luxury? | 0:15:29 | 0:15:32 | |
Not necessarily high-dollar, | 0:15:32 | 0:15:34 | |
but it's just what you experience is good value. | 0:15:34 | 0:15:37 | |
Gary asked a lot of questions, and I will tell you, at one point, | 0:15:37 | 0:15:40 | |
it was making me a nervous wreck, | 0:15:40 | 0:15:42 | |
so, you know, you always kind of keep an eye | 0:15:42 | 0:15:45 | |
just to make sure, you know, he was under control. | 0:15:45 | 0:15:47 | |
What about some of the other culture stuff, | 0:15:47 | 0:15:50 | |
like music and the dancing and so on? Can you talk to us about that? | 0:15:50 | 0:15:53 | |
We have 11 official languages, so wherever you are, | 0:15:53 | 0:15:56 | |
the people are different from each of the areas, | 0:15:56 | 0:15:59 | |
the food is different, the entertainment is different. | 0:15:59 | 0:16:02 | |
What other South African cultures | 0:16:02 | 0:16:04 | |
do you want to experience and delve into? | 0:16:04 | 0:16:06 | |
Because they are deep cultures that have stories that are incredible. | 0:16:06 | 0:16:10 | |
Another romantic thing I saw was the art. | 0:16:10 | 0:16:14 | |
I mean, the funniest little things made out of something you | 0:16:14 | 0:16:17 | |
would never think of making it out of, like a kitty-cat with | 0:16:17 | 0:16:20 | |
a wire, and using the product of the land and making that work, | 0:16:20 | 0:16:26 | |
-with wood and the wire, and... -'Gary cannot be controlled. | 0:16:26 | 0:16:31 | |
'He cannot be levelled with.' | 0:16:31 | 0:16:32 | |
And you have to kind of build your world around Gary. | 0:16:32 | 0:16:36 | |
So, to be honest, it's a little frustrating. | 0:16:36 | 0:16:38 | |
-And good luck. We look forward to it. -I'll escort you out. | 0:16:38 | 0:16:42 | |
I think our problem is going to be we have so many things. | 0:16:45 | 0:16:49 | |
So, for zip lining, what are you thinking | 0:16:49 | 0:16:52 | |
as far as putting in the experience? | 0:16:52 | 0:16:54 | |
I wish we could, like, create something, but you can't. | 0:16:54 | 0:16:57 | |
-Yeah, you're not going to be able to do that. -We can't. | 0:16:57 | 0:17:00 | |
This week's task is even more complicated than last week's task, | 0:17:00 | 0:17:04 | |
because we have to create an interactive experience, | 0:17:04 | 0:17:06 | |
create a hand-out and come up with a slogan. | 0:17:06 | 0:17:09 | |
If we could get a huge sign so that it was like "Wow!"... | 0:17:09 | 0:17:12 | |
You walk into this, and then there's the five stations. | 0:17:12 | 0:17:14 | |
The big five that we had to focus on | 0:17:14 | 0:17:16 | |
was a golf experience, surfing, zip lining, | 0:17:16 | 0:17:20 | |
a shark cage, | 0:17:20 | 0:17:22 | |
and glamping, which is kind of glamorous camping. | 0:17:22 | 0:17:24 | |
As a person that has been, | 0:17:24 | 0:17:26 | |
I think we need to serve rooibos tea. | 0:17:26 | 0:17:28 | |
It's the tea of South Africa. | 0:17:28 | 0:17:31 | |
We should serve tea to everybody walking in that door. | 0:17:31 | 0:17:33 | |
Yeah, I definitely want you to be a big part | 0:17:33 | 0:17:35 | |
of the presentation, for sure. | 0:17:35 | 0:17:37 | |
I feel loyalty to Jon | 0:17:37 | 0:17:38 | |
because we are the remaining two people of Team Power. | 0:17:38 | 0:17:43 | |
And the fact that he's been to South Africa a couple times, | 0:17:43 | 0:17:47 | |
I'm hoping he comes up with amazing ideas. | 0:17:47 | 0:17:49 | |
You guys, we need to make a quick decision on our slogan. | 0:17:49 | 0:17:53 | |
"Making adventure your holiday reality"? | 0:17:53 | 0:17:55 | |
Mm-mm. | 0:17:55 | 0:17:56 | |
"Turn your holiday into an adventure"? | 0:17:56 | 0:17:58 | |
-Too soft. -You guys don't like "Once you know, you'll be here"? | 0:17:58 | 0:18:02 | |
Hell, no. | 0:18:02 | 0:18:03 | |
'To me, it's the role of the Project Manager | 0:18:03 | 0:18:06 | |
'to control that creativity.' | 0:18:06 | 0:18:09 | |
And when you don't have a clear objective, | 0:18:09 | 0:18:11 | |
it's going to seem scattered. | 0:18:11 | 0:18:13 | |
-OK, so, what do you guys think's the best? -What if you put | 0:18:13 | 0:18:17 | |
"You Plus South Africa Equals Adventure"? | 0:18:17 | 0:18:20 | |
-It's a B plus. -Thanks a lot. | 0:18:20 | 0:18:23 | |
-I'm sorry! -I like it. | 0:18:23 | 0:18:24 | |
I agree with you. It's not that great. | 0:18:24 | 0:18:26 | |
But I think that's the statement that they want. | 0:18:26 | 0:18:29 | |
-So we're going with this slogan? -Yeah. | 0:18:29 | 0:18:31 | |
'In the absence of another idea, you got to go with something, | 0:18:31 | 0:18:34 | |
'you know?' | 0:18:34 | 0:18:35 | |
You polish your turd, I'll polish my turd, | 0:18:35 | 0:18:38 | |
-and we'll all end up with shiny -BLEEP. | 0:18:38 | 0:18:41 | |
That ought to be a song. | 0:18:41 | 0:18:44 | |
Would this be cool? If we had a pamphlet like this, | 0:18:44 | 0:18:46 | |
and you flip that open, and it's a point, you know, | 0:18:46 | 0:18:49 | |
and then it's got one thing, and it's got | 0:18:49 | 0:18:51 | |
each of our five adventures so that each one was a page? | 0:18:51 | 0:18:54 | |
Yeah. | 0:18:54 | 0:18:56 | |
Just looking at that logo, I was so in love with it, | 0:18:56 | 0:18:58 | |
I thought this would make a great little brochure hand-out | 0:18:58 | 0:19:02 | |
kind of giving people a souvenir of their experience with us. | 0:19:02 | 0:19:05 | |
-That would be cool. -It's perfect, perfect, perfect. | 0:19:05 | 0:19:09 | |
-We need a name. -We need some sort of name for this whole thing. | 0:19:09 | 0:19:11 | |
-Safari is their major thing. -Yep. | 0:19:11 | 0:19:14 | |
So I'm thinking "Romance after the safari"? | 0:19:14 | 0:19:17 | |
-"Romance beyond..."? -"Romance beyond safari"? | 0:19:17 | 0:19:20 | |
"Beyond safari romance." | 0:19:20 | 0:19:22 | |
Oh, yeah, that's... That's the idea. | 0:19:22 | 0:19:25 | |
"Romantic safari beyond." | 0:19:25 | 0:19:28 | |
# Romance, romance, romance | 0:19:28 | 0:19:30 | |
# Oh, I can't get enough of that romance | 0:19:30 | 0:19:35 | |
# Romance in the African sky... # Thank you! | 0:19:35 | 0:19:40 | |
"Beyond safari: an exotic world of romance under African skies." | 0:19:40 | 0:19:44 | |
-You like that, Gary? -No. Here's how you do it. | 0:19:44 | 0:19:47 | |
You spell the word. | 0:19:47 | 0:19:48 | |
So, you see "romance" right there, and then you read it. | 0:19:48 | 0:19:51 | |
"Relying On Magnificent And Necessary Compatible Energy | 0:19:51 | 0:19:55 | |
"spells ROMANCE." | 0:19:55 | 0:19:57 | |
And that's better than this? | 0:19:57 | 0:20:00 | |
I think it's pretty exceptional. | 0:20:00 | 0:20:02 | |
Penn just doesn't know the depth of my power | 0:20:02 | 0:20:05 | |
and artisticness and creativeness in ideas... | 0:20:05 | 0:20:11 | |
HE BURPS | 0:20:11 | 0:20:12 | |
..with no sign of fear or doubt. | 0:20:12 | 0:20:15 | |
And that little burp you heard in there that was excitement. | 0:20:15 | 0:20:18 | |
I'm not being biased, because this is my "Buseyism" for romance. | 0:20:18 | 0:20:23 | |
"Bacronym." | 0:20:23 | 0:20:24 | |
'There's a word for what Gary does.' | 0:20:24 | 0:20:26 | |
It's a bacronym. It's not a "Buseyism". | 0:20:26 | 0:20:28 | |
And, yes, I will confess | 0:20:28 | 0:20:31 | |
that I was not going to use his bacronym for "romance". | 0:20:31 | 0:20:35 | |
We can serve Amarula Cream, which is a unique South African liquor. | 0:20:35 | 0:20:40 | |
-Yeah. -OK. -You got any angle on bunny chow? | 0:20:40 | 0:20:42 | |
-I'm working. -I am, too. | 0:20:42 | 0:20:45 | |
Gary, can you call this prop house and try to get a hold of them? | 0:20:45 | 0:20:48 | |
-I don't know how to do this -BLEEP, -man. | 0:20:48 | 0:20:51 | |
You know... | 0:20:51 | 0:20:52 | |
SHE IMITATES GUNSHOT | 0:20:52 | 0:20:53 | |
-SHE LAUGHS -That's all I'm saying. | 0:20:53 | 0:20:56 | |
-I think we should serve the exotic. -Yes. | 0:20:56 | 0:20:59 | |
Try to find us some Amarula Cream, OK? | 0:20:59 | 0:21:03 | |
-Where am I going to do that? -Use your phone. | 0:21:03 | 0:21:05 | |
Who am I going to call? | 0:21:05 | 0:21:07 | |
-I don't know. -I don't, either. | 0:21:07 | 0:21:10 | |
'Gary says he will do anything assigned to him, | 0:21:10 | 0:21:12 | |
'and it's simply not true.' | 0:21:12 | 0:21:14 | |
I don't think he should just sit there | 0:21:14 | 0:21:16 | |
and say, "I don't know how to do it." | 0:21:16 | 0:21:18 | |
-I mean, mother -BLEEP. | 0:21:18 | 0:21:20 | |
You can pick up a phone and call a liquor store! | 0:21:20 | 0:21:23 | |
Wait, wait, wait, wait, wait, wait, wait, wait, wait. | 0:21:23 | 0:21:26 | |
Stop. OK. Say that again, sir. | 0:21:26 | 0:21:28 | |
You're a what? | 0:21:28 | 0:21:30 | |
OK, you don't...you don't... Shh. | 0:21:30 | 0:21:33 | |
-OK, hold those for us. -Some plates. See if they have plates. | 0:21:33 | 0:21:37 | |
-Guys, pay attention to me, cos I'm talking to him. -Right. | 0:21:37 | 0:21:39 | |
-When do we want to go by there? -That's what we're trying to answer. | 0:21:39 | 0:21:43 | |
-We're trying to figure that out, so... -OK, we're figuring that out. | 0:21:43 | 0:21:46 | |
-This is open all -BLEEP. | 0:21:46 | 0:21:47 | |
Lisa, damn! | 0:21:47 | 0:21:48 | |
-Say that again. -I'm sorry, Gary. I have to do two things at once... | 0:21:48 | 0:21:51 | |
We have to be able to answer you, Gary. | 0:21:51 | 0:21:53 | |
You guys, I'm trying to hear him. He's giving me a time frame. | 0:21:53 | 0:21:56 | |
OK, well, I got a time frame of seven. | 0:21:56 | 0:21:58 | |
OK, please, sir, please repeat that time. | 0:21:58 | 0:22:01 | |
This is actually a task where the number of people makes a difference, | 0:22:01 | 0:22:05 | |
and Gary is doing, um... | 0:22:05 | 0:22:07 | |
-HE SIGHS -..almost nothing. | 0:22:07 | 0:22:10 | |
Hello? He hung up quick. | 0:22:10 | 0:22:12 | |
-OK, so, I can get a bar at Eclectic. -'I needed help. | 0:22:12 | 0:22:16 | |
'We simply don't have enough people.' | 0:22:16 | 0:22:18 | |
For all intents and purposes, | 0:22:18 | 0:22:20 | |
we are doing this with a two-person team. | 0:22:20 | 0:22:22 | |
-You OK? -Yes. We need help. | 0:22:22 | 0:22:25 | |
-Can we look up each one of these adventures? -Yeah. | 0:22:33 | 0:22:36 | |
-Let's each take a thing so we can really, like, talk about it. -Got it. | 0:22:36 | 0:22:39 | |
This week, we are creating | 0:22:39 | 0:22:41 | |
an interactive travel expo for South Africa. | 0:22:41 | 0:22:44 | |
-Well, I like the shark thing. -OK. | 0:22:44 | 0:22:47 | |
-So I'll do the zip line. -I'll do the camping. | 0:22:47 | 0:22:50 | |
-Trace, what you want to do? -'This is a tough task.' | 0:22:50 | 0:22:53 | |
It might as well have been, "We would like for you | 0:22:53 | 0:22:55 | |
"to simulate the surface of the Moon." | 0:22:55 | 0:22:59 | |
-I'll do the golf and the surf. -Are you a golfer? -Yeah. | 0:22:59 | 0:23:02 | |
Oh, well, OK. There we go. Perfect. | 0:23:02 | 0:23:04 | |
I need to try to locate world-famous golfers from South Africa. | 0:23:06 | 0:23:11 | |
If I could get Ernie Els or Trevor Immelman... | 0:23:11 | 0:23:15 | |
One of them may be in the New York area. | 0:23:15 | 0:23:17 | |
The first thing I did was to reach out to a connection that I have | 0:23:17 | 0:23:22 | |
to try to bring famous South African golfers. | 0:23:22 | 0:23:25 | |
I thought Trump would eat that up. He loves golf. | 0:23:25 | 0:23:28 | |
It's not going to happen. | 0:23:31 | 0:23:32 | |
I'm just saying it would have been really cool. | 0:23:32 | 0:23:35 | |
Jon, what are you thinking, as far as putting in the experience? | 0:23:35 | 0:23:39 | |
Do you want to create some kind of video presentation thing? | 0:23:39 | 0:23:43 | |
Right, but, I mean, as far as the shark. | 0:23:43 | 0:23:44 | |
Are you in a cage? Are you, like...? | 0:23:44 | 0:23:46 | |
-I'm still trying to figure it out. -'It sure is hard.' | 0:23:46 | 0:23:49 | |
This was a beast of a challenge to take on. | 0:23:49 | 0:23:52 | |
You have five experiences and you only have four people to do it all, | 0:23:52 | 0:23:57 | |
so as Project Manager, | 0:23:57 | 0:23:59 | |
I am definitely carrying the mother lode on my shoulders! | 0:23:59 | 0:24:03 | |
We just need something to stand in front of in our experiences. | 0:24:03 | 0:24:06 | |
I wouldn't even go too crazy and stress over all this crap. | 0:24:06 | 0:24:10 | |
We'll figure it out. Let's keep rolling. | 0:24:10 | 0:24:12 | |
'Brande's always nervous.' | 0:24:12 | 0:24:14 | |
That's just Brande's personality, to worry about stuff. | 0:24:14 | 0:24:17 | |
'But Brande's a good friend, so I got her back, | 0:24:17 | 0:24:20 | |
'and I just want her to do good.' | 0:24:20 | 0:24:22 | |
So that's why I keep telling her to relax and don't stress out. | 0:24:22 | 0:24:25 | |
I think the most important thing is the experience, Brande, | 0:24:25 | 0:24:28 | |
so don't stress too much. | 0:24:28 | 0:24:30 | |
-OK, we're doing five areas. -OK. | 0:24:33 | 0:24:36 | |
Um, I'd be good to talk about spa and dance. | 0:24:36 | 0:24:40 | |
I have to say I was a little bit nervous, | 0:24:40 | 0:24:43 | |
because, you know, we got a limited amount of time. | 0:24:43 | 0:24:45 | |
We're talking about hours here, and there's a lot to do. | 0:24:45 | 0:24:47 | |
-I want to find that bunny chow. -Yes. | 0:24:47 | 0:24:50 | |
Zulu dancers would be great to have. | 0:24:50 | 0:24:52 | |
-Yeah. -You know? -It's necessary. -We do. | 0:24:52 | 0:24:54 | |
-You have a Zulu dancer? -I don't yet. | 0:24:54 | 0:24:57 | |
-Maybe I'll talk to them. -You talk to them. | 0:24:57 | 0:24:58 | |
'I will be honest and straightforward.' | 0:24:58 | 0:25:00 | |
Gary made no attempt | 0:25:00 | 0:25:03 | |
to get the alcohol or the dancers or anything. | 0:25:03 | 0:25:06 | |
'So I decided to call connections that I had.' | 0:25:06 | 0:25:09 | |
We have to promote tourism for South Africa. | 0:25:09 | 0:25:13 | |
One of the things they push hard for is for Zulu dancing. | 0:25:13 | 0:25:19 | |
Are you my Zulu dancing man? | 0:25:19 | 0:25:20 | |
I want to win this game as much as anybody here, | 0:25:20 | 0:25:23 | |
and, you know, one of the things Mr Trump says all the time | 0:25:23 | 0:25:25 | |
is, you know, "You have connections. Use them." | 0:25:25 | 0:25:28 | |
Yeah, well, Paul Simon's bass player and African drummer | 0:25:28 | 0:25:32 | |
-are the best there are. -That would be great. | 0:25:32 | 0:25:34 | |
-That's great. -And they'll come by. -They will? -Yeah. -That's great. | 0:25:34 | 0:25:38 | |
-SHE GASPS -That's genius! | 0:25:38 | 0:25:39 | |
He's got... He says two male Zulu dancers are great. | 0:25:39 | 0:25:43 | |
Penn was able to come up with, in no time at all, | 0:25:43 | 0:25:47 | |
Zulu dancers, the drum player | 0:25:47 | 0:25:49 | |
on the Grammy Award-winning Paul Simon Graceland album. | 0:25:49 | 0:25:54 | |
-"Get ready to dance yourself." -Yeah! | 0:25:54 | 0:25:57 | |
"You might be very happy." | 0:25:57 | 0:25:59 | |
Mark, the owner of the restaurant, | 0:25:59 | 0:26:01 | |
will bring several different kinds of South African food. | 0:26:01 | 0:26:04 | |
He will have it all cooked and ready, | 0:26:04 | 0:26:06 | |
and he will plate it and talk about South African food. | 0:26:06 | 0:26:10 | |
-He'd love to do that. -Brilliant. Brilliant! | 0:26:10 | 0:26:12 | |
He got the South African five-star food chef | 0:26:12 | 0:26:15 | |
with one of the best five-star South African restaurants in the country. | 0:26:15 | 0:26:20 | |
-So... -Oh, that's brilliant. | 0:26:20 | 0:26:21 | |
-..our food becomes very important. -That's awesome. | 0:26:21 | 0:26:24 | |
I feel like I am with a rock star. | 0:26:24 | 0:26:26 | |
-We got liquor, music, dancing and food. -That's all we need! | 0:26:26 | 0:26:30 | |
-What else do you need?! -I know! | 0:26:30 | 0:26:32 | |
'I'll tell you what, I would not want to go up against Penn. | 0:26:32 | 0:26:35 | |
'He's so smart.' | 0:26:35 | 0:26:37 | |
You know, he's been in this business for so long. | 0:26:37 | 0:26:40 | |
'I'd rather go up against anyone else. Penn is too strong.' | 0:26:40 | 0:26:44 | |
I don't know why I'm thinking this weird, stupid thing | 0:26:47 | 0:26:50 | |
of somebody acting like they're the shark. | 0:26:50 | 0:26:52 | |
-Like a shark costume? -Yeah, maybe we hire somebody to be a shark. | 0:26:52 | 0:26:56 | |
-Yeah. -SHE CHUCKLES | 0:26:56 | 0:26:58 | |
I don't know. We could make a fake cage. | 0:26:58 | 0:26:59 | |
I don't know, but I just kept thinking in my head, | 0:26:59 | 0:27:02 | |
"What if somebody was the shark when they come in my experience?" | 0:27:02 | 0:27:05 | |
We act like you're in the cage, | 0:27:05 | 0:27:06 | |
and the shark is talking crap to you like, | 0:27:06 | 0:27:08 | |
"You better be glad you're in that cage! | 0:27:08 | 0:27:10 | |
"If you wasn't in that cage, I'd get you!" | 0:27:10 | 0:27:13 | |
It just popped in my head it would be funny | 0:27:13 | 0:27:15 | |
for someone to be in the cage | 0:27:15 | 0:27:16 | |
and someone in a shark suit is saying, | 0:27:16 | 0:27:19 | |
"Come on out here! Let me bite you! Ooh!" | 0:27:19 | 0:27:21 | |
'I guess I'm just silly as hell, | 0:27:21 | 0:27:23 | |
'but I want to do a good job and impress the executives.' | 0:27:23 | 0:27:27 | |
If you haven't stepped up or you haven't shown how strong you are, | 0:27:27 | 0:27:31 | |
now is the time to show that. | 0:27:31 | 0:27:32 | |
Trace, you should probably get a little putting green | 0:27:32 | 0:27:35 | |
where people can actually putt a little bit in here. | 0:27:35 | 0:27:38 | |
I thought some of the stuff that we were doing | 0:27:38 | 0:27:40 | |
was getting a little juvenile, to be honest with you. | 0:27:40 | 0:27:42 | |
I thought it was a little silly. | 0:27:42 | 0:27:45 | |
Let's all brainstorm. What am I going to do for zip line? | 0:27:45 | 0:27:48 | |
Why don't you just put them in a chair, | 0:27:48 | 0:27:49 | |
then you push them in a chair to the other side of the room? | 0:27:49 | 0:27:51 | |
"Whoa!" | 0:27:51 | 0:27:53 | |
Oh, yeah. I think it's the closest thing to it. | 0:27:53 | 0:27:56 | |
I wasn't, like, totally sold on it, | 0:27:56 | 0:27:59 | |
but nobody was posing anything that sounded better, | 0:27:59 | 0:28:01 | |
so I thought, "Sure, why not?" | 0:28:01 | 0:28:03 | |
If we can pull this off, we'll just strap them in there, | 0:28:03 | 0:28:05 | |
get a helmet and take them for a ride. | 0:28:05 | 0:28:07 | |
-I'm ready. -Ready for the experience of your life in South Africa?! | 0:28:07 | 0:28:11 | |
Close your eyes! Hands up! | 0:28:11 | 0:28:13 | |
-You ready to zip-line?! -SHE SQUEALS | 0:28:13 | 0:28:17 | |
-HE SIGHS -'This is bad.' | 0:28:17 | 0:28:20 | |
OK, now Marilu is going to put you in a chair | 0:28:20 | 0:28:23 | |
and shove you across the room, | 0:28:23 | 0:28:24 | |
and you're going to end up in the fireplace. | 0:28:24 | 0:28:27 | |
Have a good day. | 0:28:27 | 0:28:29 | |
You tell me. Is that not an awesome expo? | 0:28:29 | 0:28:33 | |
That is brilliant. | 0:28:33 | 0:28:36 | |
And then she brings them here. | 0:28:36 | 0:28:37 | |
Aah! | 0:28:37 | 0:28:39 | |
-That is cool. -Yeah. | 0:28:39 | 0:28:40 | |
If we lose, it would have to be the Project Manager | 0:28:40 | 0:28:43 | |
who got fired for approving all of that crap. | 0:28:43 | 0:28:46 | |
HE LAUGHS | 0:28:46 | 0:28:48 | |
I don't even want to watch you any more. | 0:28:48 | 0:28:50 | |
-LISA: -Do we want any surfing? Not really. That's action. | 0:28:54 | 0:28:58 | |
Yeah. | 0:28:58 | 0:29:00 | |
-Well, hello! -Hi there! -Hi there! | 0:29:00 | 0:29:02 | |
-How we doing? -How are you? -Hey. -Hi. Good to see you. | 0:29:02 | 0:29:05 | |
-It's a pleasure. -So, what do we got? | 0:29:05 | 0:29:07 | |
We have a slogan called "Beyond safaris: | 0:29:07 | 0:29:09 | |
"an exotic world of romance under South African skies." | 0:29:09 | 0:29:12 | |
'We have two of the musicians from Paul Simon's Graceland tour, | 0:29:12 | 0:29:16 | |
'and then we'll have two Zulu dancers.' | 0:29:16 | 0:29:20 | |
We're going to bring the romance of South Africa. | 0:29:20 | 0:29:23 | |
It'll be an exotic love affair under South African skies. | 0:29:23 | 0:29:27 | |
It's when the boyfriend carries two Zulu lion-killing spears, | 0:29:27 | 0:29:32 | |
and when a lion comes out... | 0:29:32 | 0:29:33 | |
Huahyah! | 0:29:33 | 0:29:35 | |
..and the lion's dead, he's a hero, | 0:29:35 | 0:29:37 | |
and then right from that, they go to honeymoon. | 0:29:37 | 0:29:40 | |
-Oh, yeah? -That's romance. -I guess, in your eyes. | 0:29:40 | 0:29:44 | |
-Well, come on. -What? -Don't you feel that vision | 0:29:44 | 0:29:46 | |
-of harmony and love? -Uh... | 0:29:46 | 0:29:48 | |
Not killing lions, no. | 0:29:48 | 0:29:50 | |
'Gary's off a little bit in his own world. | 0:29:51 | 0:29:53 | |
'I think he'd be better in the adventure end than the romance end.' | 0:29:53 | 0:29:55 | |
Personally, I think they got the harder of the two tasks. | 0:29:55 | 0:29:59 | |
It's harder to talk romance than it is to talk adventure. | 0:29:59 | 0:30:02 | |
-Bye, George. -Bye. -Thank you once again. -Have a good time. -Thank you! | 0:30:02 | 0:30:05 | |
-Hey, Tim. It's Brande. -'Hi, Brande.' | 0:30:09 | 0:30:12 | |
Hey. OK, so, I need to get some prices. | 0:30:12 | 0:30:14 | |
-'OK.' -OK? | 0:30:14 | 0:30:15 | |
So, um, what we're going to do is do three of the 8x10 vinyls. | 0:30:15 | 0:30:22 | |
'The 8x10s are 1,600.' | 0:30:22 | 0:30:24 | |
That's not even right. | 0:30:24 | 0:30:26 | |
'The problem is, is that the 8x10s, they got to be tiled together.' | 0:30:26 | 0:30:31 | |
Tell me what sizes we need to make it. | 0:30:31 | 0:30:33 | |
-Hello, everybody. -Hey! | 0:30:33 | 0:30:36 | |
How you doing? How you been, man? | 0:30:36 | 0:30:39 | |
Well, I'm still here, man. I'm trying to keep going. | 0:30:39 | 0:30:41 | |
-Hi, honey. -When I walked in to see Team Power, | 0:30:41 | 0:30:44 | |
it was a bittersweet moment for me because, obviously, | 0:30:44 | 0:30:46 | |
I felt like I was let go unjustly. I'm just throwing that out there. | 0:30:46 | 0:30:50 | |
-It's a great project. We're having a lot of fun. -That's awesome. | 0:30:50 | 0:30:52 | |
We're just having a printing price issue. So if you'll excuse me... | 0:30:52 | 0:30:56 | |
'I walked in on a pretty chaotic moment.' | 0:30:56 | 0:30:58 | |
They were trying to put stuff together, stressing out a bit | 0:30:58 | 0:31:00 | |
about the printer not working. | 0:31:00 | 0:31:02 | |
We just found out we don't have enough money to do what we need to, | 0:31:02 | 0:31:04 | |
and we have 20 minutes to resize everything. | 0:31:04 | 0:31:07 | |
-Absolutely. -Can I take you through everything? | 0:31:07 | 0:31:09 | |
-I would love you to. -OK, let me give this to her. Let me get her started | 0:31:09 | 0:31:12 | |
and then I'm going to take you through everything. | 0:31:12 | 0:31:14 | |
'Brande was flying around doing her thing, which is what she's done.' | 0:31:14 | 0:31:17 | |
She's trying to... As a Project Manager, | 0:31:17 | 0:31:19 | |
it all lays on her shoulders. | 0:31:19 | 0:31:21 | |
First adventure you're going to come to is going to be your golfing | 0:31:21 | 0:31:24 | |
-adventure, which Trace is here. -Right. -So that's the first. -OK. | 0:31:24 | 0:31:28 | |
I think there was an element of wanting to impress Bret... | 0:31:28 | 0:31:31 | |
Right here is the surfing adventure. | 0:31:31 | 0:31:33 | |
OK. So we'll have the surfing images here. | 0:31:33 | 0:31:36 | |
..you know, cos maybe there would be some animosity | 0:31:36 | 0:31:38 | |
because I stayed and he went home. | 0:31:38 | 0:31:40 | |
Then you come over here to the zip line adventure. | 0:31:40 | 0:31:44 | |
-In theory, this is going to be great! -Yeah! When it's all done, | 0:31:44 | 0:31:46 | |
-I hope it works. -Exactly. | 0:31:46 | 0:31:48 | |
-Shark videos here. -Gotcha. | 0:31:48 | 0:31:50 | |
We actually have a cage we're going to put you into. | 0:31:50 | 0:31:52 | |
And then when you're done with the shark experience, | 0:31:52 | 0:31:54 | |
you're going to come over here to our tent experience. | 0:31:54 | 0:31:57 | |
There's going to be a bed, | 0:31:57 | 0:31:58 | |
-and someone's going to be massaging you. -Go on. | 0:31:58 | 0:32:01 | |
And it's a beautiful woman. | 0:32:01 | 0:32:02 | |
-I need that right now. -Yes. -Yes, go on. | 0:32:02 | 0:32:04 | |
Brande and her team seemed a little discombobulated at the moment. | 0:32:04 | 0:32:09 | |
-Mwah. -You have a great night. -Thanks. | 0:32:09 | 0:32:11 | |
She's going to have to fight hard to stay focused, | 0:32:11 | 0:32:13 | |
because now is when you really got to dig deep and find it to win. | 0:32:13 | 0:32:16 | |
I'll see you all later. You guys have a great day. | 0:32:16 | 0:32:18 | |
-I'll let you get back to it. -Thank you! | 0:32:18 | 0:32:22 | |
So, it is 5:10. | 0:32:22 | 0:32:24 | |
We need to order our posters and our prints. | 0:32:24 | 0:32:27 | |
Bananos. | 0:32:27 | 0:32:29 | |
OK, we got bananos here. Here are the bananos. | 0:32:31 | 0:32:35 | |
There we go. | 0:32:35 | 0:32:36 | |
-It's Tarzan with a -BLEEP. | 0:32:36 | 0:32:38 | |
Penn and I were dealing with a graphic designer, | 0:32:38 | 0:32:41 | |
trying to come up with concepts, | 0:32:41 | 0:32:43 | |
really focused, and Gary is off being Gary. | 0:32:43 | 0:32:48 | |
I don't really know what he's doing. | 0:32:49 | 0:32:51 | |
HE IMITATES CHICKEN CLUCKING | 0:32:56 | 0:32:58 | |
Oh, look at that. Now, this is something. | 0:32:58 | 0:33:01 | |
You can pull the bone right out of the meat. | 0:33:01 | 0:33:03 | |
OK! | 0:33:03 | 0:33:05 | |
-Missed. -Did you just throw a bone? | 0:33:06 | 0:33:09 | |
Yeah, I'm from Texas. You throw bones. | 0:33:09 | 0:33:11 | |
Are you from Texas or Oklahoma? | 0:33:11 | 0:33:13 | |
-Born in Texas. Raised in both states. -I see. -Proud of it. | 0:33:13 | 0:33:17 | |
'Working with Gary is like, | 0:33:17 | 0:33:19 | |
'basically, working with a three-year-old. | 0:33:19 | 0:33:21 | |
'Just no focus, no direction, no nothing.' | 0:33:21 | 0:33:23 | |
I mean, he was probably more focused on eating his chicken. | 0:33:23 | 0:33:27 | |
Are you doing something right now? | 0:33:30 | 0:33:32 | |
OK. | 0:33:35 | 0:33:38 | |
Gary is an inspiration and Gary's beautiful, | 0:33:38 | 0:33:40 | |
but it's like, "Gary, get the stuff done | 0:33:40 | 0:33:43 | |
-"and then -BLEEP -around later." | 0:33:43 | 0:33:47 | |
If I'm going to be judged... | 0:33:47 | 0:33:50 | |
Hey! Thank you. | 0:33:50 | 0:33:51 | |
..on how well I can keep Gary Busey in line, | 0:33:51 | 0:33:54 | |
then I would be fired instantly. | 0:33:54 | 0:33:56 | |
This is Gary Busey's one-woman show on Broadway. | 0:33:56 | 0:34:00 | |
South Africa brings out romance in you | 0:34:00 | 0:34:02 | |
without you even thinking about it or trying. | 0:34:02 | 0:34:05 | |
You won't be able to stop touching each other | 0:34:05 | 0:34:08 | |
under the lovely, romantic skies in the exotic land of South Africa. | 0:34:08 | 0:34:15 | |
Yay! | 0:34:15 | 0:34:17 | |
You know the most deadly thing in the water? | 0:34:17 | 0:34:21 | |
A shark fart. | 0:34:21 | 0:34:23 | |
-Ready, Jon? -Let's do it. | 0:34:31 | 0:34:33 | |
All right, when you need us, call us. | 0:34:33 | 0:34:35 | |
-OK. -OK. | 0:34:35 | 0:34:37 | |
Trace and I go off to buy golf supplies, a putting green, | 0:34:37 | 0:34:41 | |
a putter and golf balls, and Marilu and Brande stay behind | 0:34:41 | 0:34:47 | |
to tie up all the other loose ends and finish our creative. | 0:34:47 | 0:34:51 | |
We can stop. You want to get | 0:34:51 | 0:34:53 | |
some little clear plastic cups or something? | 0:34:53 | 0:34:55 | |
Well, I don't want to get them, | 0:34:55 | 0:34:57 | |
and she's like, "I don't want those. I want this." | 0:34:57 | 0:34:59 | |
You know how women are particular about stuff like teacups and crap. | 0:34:59 | 0:35:04 | |
We'll let them worry about that. We should be through before eight. | 0:35:04 | 0:35:09 | |
Brande will make us stay there till nine. | 0:35:09 | 0:35:11 | |
JON LAUGHS | 0:35:11 | 0:35:13 | |
Brande, she just gets caught up on some of the smaller things, | 0:35:13 | 0:35:16 | |
and time is always a major factor. | 0:35:16 | 0:35:19 | |
If you just focus on the little things, | 0:35:19 | 0:35:21 | |
you'll get caught up and you won't finish the task. | 0:35:21 | 0:35:24 | |
"Push." | 0:35:26 | 0:35:28 | |
-All right! -How you doing, man? | 0:35:29 | 0:35:31 | |
-Zach. -Jon. | 0:35:31 | 0:35:33 | |
I need one of those little putting greens. | 0:35:33 | 0:35:35 | |
This is how men shop. | 0:35:35 | 0:35:37 | |
'There are over a million items in this golf store. | 0:35:37 | 0:35:41 | |
'There's shirts and pants and balls and clubs and...' | 0:35:41 | 0:35:45 | |
You know. I know what I need. | 0:35:45 | 0:35:48 | |
-How much is that? -That's 50. The other one's 30. | 0:35:48 | 0:35:51 | |
I'll take this one. | 0:35:51 | 0:35:52 | |
'"Do you have a putting green?" "Yes."' | 0:35:52 | 0:35:55 | |
"I'll take it." | 0:35:55 | 0:35:57 | |
Also got kind of the newer Dart putter. That's also 100 right there. | 0:35:57 | 0:36:00 | |
-You better get Callaways. -Yeah. | 0:36:00 | 0:36:03 | |
'"Do you have a putting-type device?' | 0:36:03 | 0:36:04 | |
"I'll take that one. | 0:36:04 | 0:36:06 | |
'"Do you have balls in your establishment? Give me three.' | 0:36:06 | 0:36:10 | |
"Goodbye." | 0:36:10 | 0:36:12 | |
-Good luck, all right? -Appreciate it. -Have fun, man. Take care. -OK. | 0:36:12 | 0:36:16 | |
'That's how you shop.' | 0:36:16 | 0:36:18 | |
That's for free. | 0:36:18 | 0:36:21 | |
We're done. | 0:36:21 | 0:36:23 | |
OK, so, we have five areas to make. | 0:36:30 | 0:36:34 | |
I think we should take this off. Let's... | 0:36:34 | 0:36:36 | |
-Yes, yes. -It'll be mucha mucho better. | 0:36:36 | 0:36:39 | |
-Take this off. -Take-a that off. Beautiful table. | 0:36:39 | 0:36:41 | |
-What are these for? -The TVs. | 0:36:41 | 0:36:44 | |
That looks like a massage table. | 0:36:44 | 0:36:46 | |
Just don't make it look like a coffin. | 0:36:46 | 0:36:48 | |
-Does it look like a coffin? -A little bit. | 0:36:48 | 0:36:50 | |
-SHE SIGHS -I know! | 0:36:50 | 0:36:54 | |
I am feeling like a new person, I have to tell you. | 0:36:54 | 0:36:58 | |
'I decorated the room and made the spa happen. | 0:36:58 | 0:37:01 | |
'I know Penn made so many things happen. | 0:37:01 | 0:37:04 | |
'We together have made magic, I believe, | 0:37:04 | 0:37:07 | |
'and I am so excited.' | 0:37:07 | 0:37:08 | |
Whew! | 0:37:08 | 0:37:10 | |
How am I doing in the midst of the 66% cray-cray? | 0:37:10 | 0:37:15 | |
Cray-cray you've got going. Cray-cray. | 0:37:15 | 0:37:17 | |
-"Crinkly"? -Cray-cray. Do you know what "cray-cray" means? | 0:37:17 | 0:37:20 | |
-It's your middle name. -No. | 0:37:20 | 0:37:22 | |
-THEY LAUGH -I love it. | 0:37:22 | 0:37:24 | |
What's "crick-crick" mean? Does that mean your clothes don't fit? | 0:37:24 | 0:37:27 | |
We are all three on the same level | 0:37:27 | 0:37:29 | |
of humour, surprise and events that have happened in this world | 0:37:29 | 0:37:33 | |
for hundreds of years, | 0:37:33 | 0:37:35 | |
and having a team all work together evenly, | 0:37:35 | 0:37:38 | |
it was happy, it was joyful and it was exciting. | 0:37:38 | 0:37:41 | |
OK, so, we have this if you want to use it...at all. | 0:37:41 | 0:37:45 | |
-We have this. -What do we need...? For something diaphanous? | 0:37:45 | 0:37:48 | |
-Mm-hm. I could just... -That's nice. You could just float around. | 0:37:48 | 0:37:51 | |
Maybe this is the piece of art. I just... | 0:37:51 | 0:37:54 | |
Maybe we've gone... Maybe we've gone to 75% crazy. | 0:37:54 | 0:37:56 | |
-LAUGHING: -Maybe! | 0:37:56 | 0:37:58 | |
I'll just stand over here and do this the whole time! | 0:37:58 | 0:38:02 | |
Lisa and I had an episode. It was an important episode. | 0:38:02 | 0:38:05 | |
It was an episode for all the times that we wanted to yell at Gary. | 0:38:05 | 0:38:09 | |
That laughter was not joyous laughter. It was a laughter release. | 0:38:09 | 0:38:13 | |
You know what they're going to say, Lisa? | 0:38:13 | 0:38:15 | |
They're going to say that drums and Zulu dancing | 0:38:15 | 0:38:18 | |
-is not romantic. -SHE LAUGHS | 0:38:18 | 0:38:19 | |
They're going to say it would be better if we had people making out. | 0:38:19 | 0:38:23 | |
I will not make out with Gary. | 0:38:23 | 0:38:25 | |
-I draw the line there! -SHE LAUGHS | 0:38:25 | 0:38:27 | |
-I'm sorry. -That's a lot of teeth to get through. | 0:38:27 | 0:38:29 | |
-I won't do it. -I don't know if you could... | 0:38:29 | 0:38:32 | |
I think it may be impossible to French-kiss him. | 0:38:32 | 0:38:35 | |
It's just like there's, you know, four inches of tooth | 0:38:35 | 0:38:37 | |
to go by before you get into actual mouth. | 0:38:37 | 0:38:40 | |
I can't do it! | 0:38:40 | 0:38:41 | |
There's a lot of space from the beginning of the mouth | 0:38:41 | 0:38:45 | |
-to the actual "mouth" mouth. -I can't do it any more! | 0:38:45 | 0:38:47 | |
-Isn't there? Let's find out! -No, I won't. | 0:38:47 | 0:38:51 | |
OK, so, we should start setting this up. | 0:39:00 | 0:39:02 | |
We're going to have a table here for their tea. | 0:39:02 | 0:39:05 | |
So they walk in, they've got a beautiful set-up here of tea. | 0:39:05 | 0:39:08 | |
-Grab a pole. -OK. | 0:39:09 | 0:39:11 | |
I know you've done that before. Get on the damn thing. | 0:39:11 | 0:39:13 | |
Whoa! | 0:39:13 | 0:39:15 | |
OK, here comes our stuff. | 0:39:15 | 0:39:16 | |
Now that we have props for the experience, I'm not nervous. | 0:39:16 | 0:39:20 | |
We did an awesome job today, | 0:39:20 | 0:39:23 | |
and I feel like tomorrow's going to go great. | 0:39:23 | 0:39:24 | |
That monkey looks disgusting. That monkey backing his ass up. | 0:39:24 | 0:39:29 | |
It's really important that I win this task more than ever, | 0:39:29 | 0:39:34 | |
because I haven't won any money for my charity yet. | 0:39:34 | 0:39:37 | |
It's my turn to win money for my charity. | 0:39:37 | 0:39:40 | |
Hi, tiger! Hi. Good boy! | 0:39:40 | 0:39:44 | |
-It's a leopard. -Leopard. | 0:39:44 | 0:39:47 | |
JON LAUGHS | 0:39:48 | 0:39:50 | |
I think that's going to be hilarious. | 0:39:53 | 0:39:55 | |
We hired a comedic person to play the shark, | 0:39:55 | 0:40:00 | |
and we're excited that the guests | 0:40:00 | 0:40:01 | |
will be able to leave this experience laughing. | 0:40:01 | 0:40:04 | |
Your character's, like, real, like, dry, just really corny. | 0:40:04 | 0:40:09 | |
-SHARK: -Argh. Come out of the cage. I'm going to eat you. | 0:40:09 | 0:40:14 | |
I'm c... I'm coming over there. | 0:40:14 | 0:40:17 | |
-I'm swimming over. -That's kind of cool. | 0:40:17 | 0:40:19 | |
I'm swimming right over! I'm going to get you. I'm on my way. | 0:40:19 | 0:40:24 | |
-That's good, right? -TRACE: -Mm... | 0:40:24 | 0:40:26 | |
'At the end of the day, | 0:40:26 | 0:40:28 | |
'I just don't really know what we have.' | 0:40:28 | 0:40:30 | |
I don't know if it's good or if it's silly | 0:40:30 | 0:40:34 | |
or if it's... I don't know what we've got. | 0:40:34 | 0:40:37 | |
-SHARK: -Rawr! | 0:40:37 | 0:40:39 | |
-TRACE: -I've put singles out like that before where I'll think, | 0:40:39 | 0:40:42 | |
"OK, this could really be big or it could really be bad." | 0:40:42 | 0:40:48 | |
-Uh-oh. -That's OK. -My bad! | 0:40:48 | 0:40:52 | |
I'm going to be as curious as everybody else going in here | 0:40:52 | 0:40:55 | |
to see how this thing pans out. | 0:40:55 | 0:40:56 | |
We did 112 shows on Taxi, and before each show, the cast would line up, | 0:41:08 | 0:41:13 | |
-and we'd all say "Good show" to each other. -Right. | 0:41:13 | 0:41:15 | |
This is what we'd say. Good show, good show, good show. | 0:41:15 | 0:41:17 | |
-Oh! -LAUGHTER | 0:41:17 | 0:41:20 | |
I've been violated by Marilu! | 0:41:20 | 0:41:22 | |
BRANDE LAUGHS | 0:41:22 | 0:41:23 | |
It's the day for our presentation, and our big five are golfing... | 0:41:23 | 0:41:28 | |
surfing, zip lining... | 0:41:28 | 0:41:30 | |
Aah! | 0:41:30 | 0:41:31 | |
..glamping and shark-cage diving. | 0:41:31 | 0:41:35 | |
Let's tape it up. Tight as we can. Perfect. | 0:41:35 | 0:41:37 | |
SHE WHISTLES A TUNE | 0:41:41 | 0:41:42 | |
RATTLING | 0:41:42 | 0:41:46 | |
Watch this. Oh! See? Cool. | 0:41:46 | 0:41:50 | |
Today is the day of our expo, "Beyond safari: | 0:41:50 | 0:41:52 | |
"an exotic world of romance under South African skies." | 0:41:52 | 0:41:58 | |
-This is Mark, who's the food guy. -Mark! -Hi. -Welcome! | 0:41:58 | 0:42:01 | |
Lisa Rinna. Thank you so much for coming. | 0:42:01 | 0:42:03 | |
-I'm so happy. -Can't wait to get my mouth around the bunny chow. | 0:42:03 | 0:42:06 | |
Oh, don't worry about it. | 0:42:06 | 0:42:07 | |
-I'm not worried about a thing with you here. -It smells so good! | 0:42:07 | 0:42:11 | |
Look at this bread. | 0:42:11 | 0:42:12 | |
Ohhh! This is brilliant, you guys. Thank you so much. | 0:42:12 | 0:42:15 | |
-It's going to be a great display. -This is absolutely brilliant. | 0:42:15 | 0:42:20 | |
So, we have alcohol, we have spas, we have food. | 0:42:20 | 0:42:24 | |
This is romance right here, | 0:42:24 | 0:42:26 | |
when the full moon in the South African skies | 0:42:26 | 0:42:29 | |
becomes the heart of the birth mother of love. | 0:42:29 | 0:42:32 | |
-South Africa. -Yes, South Africa. | 0:42:32 | 0:42:34 | |
We have Zulu dancing, we have drumming. | 0:42:34 | 0:42:36 | |
THEY SPEAK IN THEIR OWN LANGUAGE | 0:42:36 | 0:42:38 | |
I believe I met you with Paul Simon. | 0:42:38 | 0:42:40 | |
-Yes. -I met you with Paul then. | 0:42:40 | 0:42:42 | |
'We have Paul Simon's actual drummer from the Graceland album.' | 0:42:42 | 0:42:46 | |
It all came together, and we're talking authentic. | 0:42:46 | 0:42:49 | |
Like, we have South Africa in that room. | 0:42:49 | 0:42:51 | |
And Bakhiti can do traditional Zulu click welcome. Give them a taste. | 0:42:51 | 0:42:54 | |
HE SINGS IN OWN LANGUAGE | 0:42:54 | 0:42:56 | |
LAUGHTER AND APPLAUSE | 0:43:01 | 0:43:03 | |
Ahh, my brother! | 0:43:03 | 0:43:05 | |
-Ohh, beautiful! -That is beautiful! | 0:43:05 | 0:43:07 | |
Hey, hey, hey, hey! | 0:43:09 | 0:43:11 | |
-Welcome! How are you? -Come on in! | 0:43:11 | 0:43:14 | |
Welcome to our "What's Your BIG 5?" Expo, | 0:43:14 | 0:43:17 | |
where You Plus South Africa Equals Adventure. | 0:43:17 | 0:43:21 | |
We will have 15 travel professionals | 0:43:21 | 0:43:23 | |
come through our experience, as well as the executives, | 0:43:23 | 0:43:26 | |
so we have to really, really impress them, | 0:43:26 | 0:43:29 | |
cos they'll be part of the judging. | 0:43:29 | 0:43:32 | |
-Hello! Good morning, ladies! -Hello. Good morning. | 0:43:32 | 0:43:35 | |
-Oh, how are you? -We're good. We're good. | 0:43:35 | 0:43:37 | |
Welcome, welcome. Would you like some rooibos tea? | 0:43:37 | 0:43:40 | |
-Yes, please. -Absolutely! -Here we are, my dear. | 0:43:40 | 0:43:44 | |
The executives from South Africa Tourism came in, | 0:43:44 | 0:43:47 | |
and we offered them the South African tea, | 0:43:47 | 0:43:50 | |
and they really loved that. | 0:43:50 | 0:43:52 | |
The smell and the taste is of home. | 0:43:52 | 0:43:55 | |
Yes. | 0:43:55 | 0:43:56 | |
And let me give you a pamphlet here and show you what we did. | 0:43:56 | 0:44:00 | |
It's each and every one of our experiences | 0:44:00 | 0:44:02 | |
that we have here, and it tells you a little about each one. | 0:44:02 | 0:44:05 | |
Oh, my God. That is amazing. | 0:44:05 | 0:44:08 | |
And then, on the back here, we have a QR code, | 0:44:08 | 0:44:11 | |
where it will take you right to the website. | 0:44:11 | 0:44:13 | |
-This is so good. -Great. -This is lovely. | 0:44:13 | 0:44:15 | |
The hand-out was very, very well done. | 0:44:15 | 0:44:19 | |
It's going to give us definitely bonus points. | 0:44:19 | 0:44:22 | |
Are you familiar with this golf course? | 0:44:22 | 0:44:24 | |
-Our famous golf course! -I play golf, and, I mean, | 0:44:24 | 0:44:27 | |
just the thought of having to take a helicopter up | 0:44:27 | 0:44:31 | |
to hit a tee shot is just incredible. | 0:44:31 | 0:44:34 | |
395 yards, which is the longest par-3 in the world. | 0:44:34 | 0:44:37 | |
I'm going to have to go do that. | 0:44:37 | 0:44:39 | |
-Hole in one. -Go ahead. | 0:44:39 | 0:44:41 | |
-We'll give you extra points if you make it. -Ohh! | 0:44:41 | 0:44:43 | |
The executives had a great time. | 0:44:43 | 0:44:47 | |
Wait, wait, wait! You got to close your eyes. | 0:44:47 | 0:44:48 | |
-Close your eyes. Close your eyes. -Ready? | 0:44:48 | 0:44:51 | |
Whoo! | 0:44:51 | 0:44:55 | |
Quite exciting! | 0:44:55 | 0:44:57 | |
With the experiences we had and the room that we had, | 0:44:57 | 0:45:01 | |
we made the best possible use of that space | 0:45:01 | 0:45:04 | |
that we could have. | 0:45:04 | 0:45:06 | |
Ohh! She... She's got the adrenaline pumping. | 0:45:06 | 0:45:10 | |
Let me take that for you. You're going to need a glass of wine after that. Yes. | 0:45:10 | 0:45:13 | |
-That is quite exciting, I must say. -Hello, George. | 0:45:13 | 0:45:15 | |
-Hey, Trace. How's my man? -How are you, sir? -I'm doing good. -All right. | 0:45:15 | 0:45:18 | |
-How are you doing, man? -I'm doing well, Bret. | 0:45:18 | 0:45:20 | |
-Good to see you. Good to see you, man. -Look at this girl. | 0:45:20 | 0:45:23 | |
-Hello! I'm here to take you on your zip-line experience. -OK. -OK, would you like | 0:45:23 | 0:45:26 | |
-to wear a helmet? -Sure. | 0:45:26 | 0:45:29 | |
OK. You're going to get the full | 0:45:29 | 0:45:30 | |
zip-lining experience. First of all, George | 0:45:30 | 0:45:33 | |
has a real twinkle about him. | 0:45:33 | 0:45:35 | |
He was having so much fun, and I strapped him in, | 0:45:35 | 0:45:37 | |
and I gave him a great ride. | 0:45:37 | 0:45:39 | |
Whee! | 0:45:39 | 0:45:40 | |
Whoo! | 0:45:40 | 0:45:43 | |
-Hey, George! -That's great. | 0:45:43 | 0:45:45 | |
-Watch out for the shark! -And that Bret Michaels - | 0:45:45 | 0:45:48 | |
I just adore him. | 0:45:48 | 0:45:50 | |
Whee! Whoo! | 0:45:50 | 0:45:53 | |
Whoo! You know, here I had | 0:45:53 | 0:45:55 | |
a rock star with his - you know, tied to a chair. | 0:45:55 | 0:45:57 | |
It was a lot of fun. I have a rock star tied up. | 0:45:57 | 0:46:01 | |
-How cool is that? -You know, this adventure is one | 0:46:01 | 0:46:05 | |
of the most thrilling and exciting adventures | 0:46:05 | 0:46:07 | |
in South Africa - cage diving with the sharks. | 0:46:07 | 0:46:09 | |
-Awesome. -So this is part of your | 0:46:09 | 0:46:10 | |
experience in the cage, and the shark is just swimming along... | 0:46:10 | 0:46:15 | |
-Let's go. Come on. -Ohh! | 0:46:15 | 0:46:18 | |
-That guy's ferocious! -In music, you want | 0:46:18 | 0:46:21 | |
to give people memories. You want them to identify | 0:46:21 | 0:46:24 | |
-your song with a time of life. -Whoa! | 0:46:24 | 0:46:27 | |
-It's a doggone shark! -Come out of the cage. | 0:46:27 | 0:46:29 | |
So that's what we want to do. We want to give these people a memory. | 0:46:29 | 0:46:32 | |
So they got a memory from today. So that's how | 0:46:32 | 0:46:35 | |
-a Great White... -Wow. -That's part | 0:46:35 | 0:46:36 | |
of the experience, and our shark is extremely scary. | 0:46:36 | 0:46:40 | |
It is very scary. | 0:46:40 | 0:46:42 | |
Fantastic. Just seeing the executives | 0:46:42 | 0:46:44 | |
and the travel professionals | 0:46:44 | 0:46:46 | |
smile and have a good time, it doesn't mean that | 0:46:46 | 0:46:49 | |
they're going to like ours better, but what I do know | 0:46:49 | 0:46:52 | |
-is that they enjoyed themselves. -It's a lot to see. | 0:46:52 | 0:46:54 | |
-Yeah. -Thank you, Brande. | 0:46:54 | 0:46:57 | |
That's good. Really, really. | 0:46:57 | 0:46:59 | |
Mwah. Mwah. | 0:46:59 | 0:47:01 | |
Hi. | 0:47:17 | 0:47:18 | |
This is the food we have. | 0:47:18 | 0:47:20 | |
South African food. | 0:47:20 | 0:47:21 | |
What do you got here? | 0:47:21 | 0:47:23 | |
We have boerewors, and we have Durban | 0:47:23 | 0:47:25 | |
bunny chow. You can have vegetable, | 0:47:25 | 0:47:28 | |
lamb, oxtail, or chicken. | 0:47:28 | 0:47:31 | |
-Help yourself. -We have the Zulu dancers. | 0:47:31 | 0:47:36 | |
It is the day of our interactive travel expo | 0:47:36 | 0:47:39 | |
for South Africa, and we're going to be judged on | 0:47:39 | 0:47:43 | |
creativity, overall experience, and critiqued by | 0:47:43 | 0:47:47 | |
-the South African executives and travel experts. -The first time | 0:47:47 | 0:47:51 | |
I heard about bunny chow was from y'all, and now I'm serving it. | 0:47:51 | 0:47:57 | |
I think that coming to our little shindig here, I think, is almost as good | 0:47:57 | 0:48:00 | |
as going to South Africa, and I hope that the Zulu dancers | 0:48:00 | 0:48:04 | |
and the great food | 0:48:04 | 0:48:06 | |
are just enough to make it wonderful, wonderful, wonderful. | 0:48:06 | 0:48:10 | |
The idea of romance | 0:48:10 | 0:48:12 | |
in the US tends to be candlelight and two | 0:48:12 | 0:48:15 | |
people, and that's beautiful, | 0:48:15 | 0:48:16 | |
but the idea in South Africa is a little more | 0:48:16 | 0:48:18 | |
sharing of the world, sharing the culture, | 0:48:18 | 0:48:22 | |
sharing the nature, and sharing | 0:48:22 | 0:48:25 | |
the experience of life. We've tried to cover - | 0:48:25 | 0:48:28 | |
and we hope we've done it - | 0:48:28 | 0:48:29 | |
all of your senses here. | 0:48:29 | 0:48:31 | |
We have a masseuse over here. Be able to get a massage | 0:48:31 | 0:48:33 | |
out in the bush. | 0:48:33 | 0:48:35 | |
We have wonderful food here, including my new favourite food, | 0:48:35 | 0:48:37 | |
which is bunny chow, and you've got to try | 0:48:37 | 0:48:41 | |
some bunny chow. It is a loaf of bread | 0:48:41 | 0:48:43 | |
hollowed out with then some sort of curry | 0:48:43 | 0:48:45 | |
in it. Of course the wines, which Lisa knows a little bit about. | 0:48:45 | 0:48:48 | |
We have some liqueurs here. Grab handfuls of food, grab | 0:48:48 | 0:48:51 | |
wine, grab whatever you want. | 0:48:51 | 0:48:54 | |
-Welcome! -Thank you. | 0:48:54 | 0:48:56 | |
-Thank you very much. How are you doing? -Hello. Welcome to our romantic, | 0:48:56 | 0:49:00 | |
-beautiful South Africa. -So beautiful. -What would you like? | 0:49:00 | 0:49:03 | |
-I have Amarula. -Amarula? I'll have an Amarula. Are you going to have the same? | 0:49:03 | 0:49:07 | |
-Yes. -Would you like an Amarula, also? | 0:49:07 | 0:49:08 | |
-Please. -I have to say, I feel really | 0:49:08 | 0:49:10 | |
good about what we created. | 0:49:10 | 0:49:13 | |
-We've covered all of the senses. -When you don't know | 0:49:13 | 0:49:15 | |
the romance that lives in everything | 0:49:15 | 0:49:18 | |
of South Africa - the nature, the culture, | 0:49:18 | 0:49:20 | |
the shared experiences - When you don't know that, | 0:49:20 | 0:49:23 | |
you're a virgin to that, and when you go | 0:49:23 | 0:49:25 | |
experience it... Wow! You can't believe what you're | 0:49:25 | 0:49:28 | |
feeling and seeing and breathing and tasting and hearing | 0:49:28 | 0:49:31 | |
and feeling. It's... | 0:49:31 | 0:49:33 | |
Every one of your senses | 0:49:33 | 0:49:35 | |
feels the romance from South Africa. When you feel that, | 0:49:35 | 0:49:38 | |
you're home free. | 0:49:38 | 0:49:40 | |
I feel very good | 0:49:40 | 0:49:42 | |
because... Guess what. I have nothing but romance | 0:49:42 | 0:49:44 | |
-in me now. -I've been to South Africa | 0:49:44 | 0:49:47 | |
a couple times, uh, so I'm not a virgin... | 0:49:47 | 0:49:50 | |
to South Africa. | 0:49:50 | 0:49:52 | |
-You're what? -I said I've been to South Africa | 0:49:52 | 0:49:54 | |
a few times, so I'm not a virgin | 0:49:54 | 0:49:56 | |
-to South Africa, so... -I'm not talking | 0:49:56 | 0:49:59 | |
about South Africa. I'm talking about | 0:49:59 | 0:50:01 | |
the "whoo" sense of romance. OK, so, I'll say, "I love... | 0:50:01 | 0:50:04 | |
"Whoo," which means romance. | 0:50:04 | 0:50:08 | |
You're bad. Ah, but you love it, don't you? Cos I'm telling you | 0:50:08 | 0:50:11 | |
the truth. Romance in South Africa | 0:50:11 | 0:50:14 | |
is not about kissing. | 0:50:14 | 0:50:17 | |
It's about sharing the nature and the culture | 0:50:17 | 0:50:19 | |
and the environment, an experience that will | 0:50:19 | 0:50:22 | |
forever be in your memory. Isn't that great? | 0:50:22 | 0:50:25 | |
And that's the truth. | 0:50:25 | 0:50:27 | |
Could you kick it for us? | 0:50:27 | 0:50:30 | |
MAN TRILLING | 0:50:35 | 0:50:38 | |
Oh! Oh! Whoa, whoa, | 0:50:38 | 0:50:40 | |
whoa, whoa, whoa! | 0:50:40 | 0:50:42 | |
TRILLING | 0:50:42 | 0:50:43 | |
Ho, ho, ho! | 0:50:43 | 0:50:45 | |
-Ha-ha ha! -It means a lot to me | 0:50:45 | 0:50:48 | |
to be in the game. I brought world-class | 0:50:48 | 0:50:52 | |
South African food, world-class Zulu dancers, | 0:50:52 | 0:50:55 | |
world-class musicians. These are people who've played | 0:50:55 | 0:51:00 | |
stadiums for 50,000 people, | 0:51:00 | 0:51:03 | |
and they're in a room for 15. | 0:51:03 | 0:51:04 | |
I mean, if you want to talk about using multiple | 0:51:04 | 0:51:07 | |
atomic bombs on a mosquito - I mean, it was like seeing | 0:51:07 | 0:51:11 | |
-The Stones with 15 people. -What? -We never had Zulus | 0:51:11 | 0:51:15 | |
-with blond hair! -All right, | 0:51:15 | 0:51:17 | |
we're going to do it now. | 0:51:17 | 0:51:19 | |
Go, Bret! Go! | 0:51:19 | 0:51:20 | |
SINGERS VOCALIZING | 0:51:20 | 0:51:24 | |
Go! | 0:51:24 | 0:51:25 | |
Go. You go. You go. | 0:51:25 | 0:51:28 | |
RHYTHMIC CLAPPING | 0:51:28 | 0:51:31 | |
Oh, ho ho! | 0:51:31 | 0:51:33 | |
Tell you one thing. The people in our room | 0:51:33 | 0:51:36 | |
had a blast. And they got a real taste of a | 0:51:36 | 0:51:38 | |
little tiny bit of South Africa. I don't know if we won, | 0:51:38 | 0:51:41 | |
-but we had a good time. -Hey! | 0:51:41 | 0:51:44 | |
-Ta-da. -Ba-ba, ba-ba, | 0:51:44 | 0:51:46 | |
-ba-ba-da-da-da... -At my age, how come I kick higher? -It's unbeliev... | 0:51:46 | 0:51:50 | |
-I was just - I didn't want to show off. I didn't want to show you up. -Oh, OK. | 0:51:50 | 0:51:54 | |
Thank you so much for presenting our country in this manner. | 0:51:54 | 0:51:57 | |
I want to confess - one of our Zulu dancers | 0:51:57 | 0:51:59 | |
is from Brooklyn. | 0:51:59 | 0:52:01 | |
Sorry to say. Everybody else - | 0:52:01 | 0:52:03 | |
-South Africa. -It's Zulu dancing, | 0:52:03 | 0:52:05 | |
-but everybody can do it. -Can do it, yes. | 0:52:05 | 0:52:07 | |
-Awesome. -Thanks so much for teaching me | 0:52:07 | 0:52:09 | |
-all about that. -Thank you. Absolute pleasure. Thank you. -All right. | 0:52:09 | 0:52:12 | |
-Let's go. -Let's go down to O'Malley's and get a drink. | 0:52:12 | 0:52:15 | |
-Hello, Brande. -Hello, Mr Trump. | 0:52:37 | 0:52:40 | |
-How did you do? -Well, I feel that we did | 0:52:40 | 0:52:43 | |
an excellent job. I'm very proud | 0:52:43 | 0:52:45 | |
of my team. I feel that I have | 0:52:45 | 0:52:47 | |
a strong team. And I have | 0:52:47 | 0:52:50 | |
-no complaints. -Good. | 0:52:50 | 0:52:53 | |
So, do you think you won? | 0:52:53 | 0:52:56 | |
I certainly hope we won, and I know that I don't think, | 0:52:56 | 0:52:58 | |
personally, we could have done any better | 0:52:58 | 0:53:01 | |
-with what we had. -I think | 0:53:01 | 0:53:03 | |
that we did a great job, and I'm proud of what we did, | 0:53:03 | 0:53:06 | |
-and I hope that we won. -OK. Do you think | 0:53:06 | 0:53:10 | |
you had an advantage because you have four people, | 0:53:10 | 0:53:12 | |
-they have three? -For me, I loved | 0:53:12 | 0:53:15 | |
having the extra person, so I feel it was | 0:53:15 | 0:53:19 | |
an advantage for me, but sometimes people work better | 0:53:19 | 0:53:22 | |
in smaller groups. | 0:53:22 | 0:53:23 | |
OK. So, what do you think, Trace? | 0:53:23 | 0:53:26 | |
How'd she do? | 0:53:26 | 0:53:28 | |
She did pretty good. | 0:53:28 | 0:53:30 | |
This was... This was challenging, I thought. | 0:53:30 | 0:53:34 | |
-Why? Tough? -It seemed like | 0:53:34 | 0:53:36 | |
it turned out to be tougher than we anticipated. | 0:53:36 | 0:53:39 | |
That's not a good sign. Brande, that's not a good sign, | 0:53:39 | 0:53:41 | |
-do you think, for your team? -Um, no, it was a beast | 0:53:41 | 0:53:43 | |
-of a task to take on. -Why is that? | 0:53:43 | 0:53:45 | |
You're promoting South Africa. That shouldn't be tough. | 0:53:45 | 0:53:48 | |
Sure. There were a lot of elements to it, and creating five different | 0:53:48 | 0:53:52 | |
interactive adventures in a small room | 0:53:52 | 0:53:55 | |
is a tough task to take on. | 0:53:55 | 0:53:58 | |
-What were your five? -We had golfing, surfing, | 0:53:58 | 0:54:00 | |
zip-lining, luxury camping, | 0:54:00 | 0:54:03 | |
-and a shark-tank experience. -What about golf? | 0:54:03 | 0:54:06 | |
I play golf. What did you do | 0:54:06 | 0:54:08 | |
about the golf aspect? | 0:54:08 | 0:54:10 | |
-How did you do it? -As a golfer, | 0:54:10 | 0:54:12 | |
you should see - There's this hole | 0:54:12 | 0:54:14 | |
on this course up there that - It's the longest par 3 | 0:54:14 | 0:54:16 | |
in the world. It's 395 yards. | 0:54:16 | 0:54:18 | |
-Eeh. -You tee off from | 0:54:18 | 0:54:20 | |
a 1,300-foot-high elevation. The tee box is 1,300 feet up. As a golfer, now this | 0:54:20 | 0:54:24 | |
-is on my bucket list. -So you are a golfer? | 0:54:24 | 0:54:26 | |
-Yeah. -I didn't know that. You know, I never knew that about you. | 0:54:26 | 0:54:29 | |
-What's your handicap? -I call it a 16. | 0:54:29 | 0:54:31 | |
-Most days it's a little better. -That's good. OK, that's fine. -I cheat a little bit. | 0:54:31 | 0:54:35 | |
That's all right. Did you find | 0:54:35 | 0:54:36 | |
the word "adventure" as opposed to "romance" | 0:54:36 | 0:54:38 | |
-good or negative? -No, well, that's what we were tasked with. We were tasked | 0:54:38 | 0:54:41 | |
-with "adventure," so... -Well, no, you wanted it. That's what your team wanted. -Yeah, we wanted it. | 0:54:41 | 0:54:44 | |
-Yeah. You wanted it, you won. -Yeah. -They wanted it, too, but they didn't get it. | 0:54:44 | 0:54:48 | |
-Yeah. -I like romance better. | 0:54:48 | 0:54:49 | |
I'm a romantic. I... | 0:54:49 | 0:54:51 | |
"Adventure" is a very big... you know, it has a lot of | 0:54:51 | 0:54:53 | |
different moving parts to it, and romance is more intimate. | 0:54:53 | 0:54:57 | |
What did you think, Lil Jon? Did you like romance, | 0:54:57 | 0:54:59 | |
-or did you like adventure? -I liked adventure | 0:54:59 | 0:55:01 | |
because I like energy. I like fun stuff and, you know, | 0:55:01 | 0:55:05 | |
-something energetic. -OK. So, tell me. | 0:55:05 | 0:55:09 | |
-Did you like doing it, Lil Jon? -Uh, I mean, South Africa, | 0:55:09 | 0:55:14 | |
I really like the country. The people are very nice. | 0:55:14 | 0:55:16 | |
-It's true. -I had a really good time there when I went | 0:55:16 | 0:55:19 | |
-a couple of weeks ago. -Did you sell it well? -I hope I did. | 0:55:19 | 0:55:23 | |
-I think I did. -The whole team, I mean. | 0:55:23 | 0:55:24 | |
Yeah. When I say "you," I'm talking about the whole team. Did you sell it well? | 0:55:24 | 0:55:28 | |
I think we did a good job. We created an experience that everybody | 0:55:28 | 0:55:30 | |
that came through our experience is going to remember. | 0:55:30 | 0:55:33 | |
All right, good. So, do you find Brande | 0:55:33 | 0:55:36 | |
to be a leader? | 0:55:36 | 0:55:37 | |
I think Brande's good. | 0:55:37 | 0:55:40 | |
I try to always... Since I've been with her | 0:55:40 | 0:55:43 | |
since the first task - we're the only two left | 0:55:43 | 0:55:45 | |
-on Power... I know her better than everybody here, and I... -It's true. It's true. | 0:55:45 | 0:55:49 | |
I always try to get her to relax and stop being stressed and stop worrying. | 0:55:49 | 0:55:52 | |
-Is she a leader or just a stressed-out bitch? -Oh! | 0:55:52 | 0:55:55 | |
-LAUGHTER -God. | 0:55:55 | 0:55:58 | |
-I'm kidding. -You're so funny. | 0:55:58 | 0:56:01 | |
OK. | 0:56:01 | 0:56:03 | |
-Anyway...do you worry about things? -I do | 0:56:03 | 0:56:06 | |
cos I want things to be somewhat perfect, | 0:56:06 | 0:56:08 | |
I guess, or as good as they | 0:56:08 | 0:56:10 | |
-possibly can be, so... -OK. Are you proud of the fact that you've done | 0:56:10 | 0:56:13 | |
-so well this season? -Very proud. | 0:56:13 | 0:56:15 | |
-Very good. You've done well. Everyone's done well. -Thank you. -So, Bret, you may have | 0:56:15 | 0:56:18 | |
a couple of questions. George, you may have a couple of questions. | 0:56:18 | 0:56:21 | |
Sure. Yes. | 0:56:21 | 0:56:23 | |
OK. Bret, go ahead. | 0:56:23 | 0:56:24 | |
First of all, big question. I thought you guys did a really great job. I know one of your | 0:56:24 | 0:56:28 | |
biggest assets is you are a "sweat the details" person. I know from working with you | 0:56:28 | 0:56:31 | |
the first time. Do you feel | 0:56:31 | 0:56:33 | |
sweating the details may lose a little focus | 0:56:33 | 0:56:36 | |
-on the overall project? -Um, I hope not | 0:56:36 | 0:56:39 | |
because, for me, a lot of the great things | 0:56:39 | 0:56:41 | |
are in the details, like serving the rooibos tea | 0:56:41 | 0:56:43 | |
when people walk in | 0:56:43 | 0:56:45 | |
to make them feel welcome and serving wine when they go | 0:56:45 | 0:56:48 | |
and get massaged. Also, like, the thing | 0:56:48 | 0:56:50 | |
with the hand-out, I had to have | 0:56:50 | 0:56:52 | |
a hand-out. I want somebody | 0:56:52 | 0:56:54 | |
to leave with something. I never want someone to leave | 0:56:54 | 0:56:56 | |
a party empty-handed. So, for me, things like that are super-important. | 0:56:56 | 0:56:59 | |
-Absolutely. -So I hope it doesn't hurt me in the long run. | 0:56:59 | 0:57:02 | |
-I hope it helps me. -Got you. OK. | 0:57:02 | 0:57:05 | |
-Whose idea was the hand-out? -Um, it was my idea | 0:57:05 | 0:57:07 | |
to come up with a hand-out. It's important to me | 0:57:07 | 0:57:10 | |
-to have a hand-out. -They liked it. | 0:57:10 | 0:57:12 | |
-But Marilu... -And I said, "That logo so lends itself to a hand-out. | 0:57:12 | 0:57:15 | |
-"If you do it like this..." -Good. -And the South African Tourism | 0:57:15 | 0:57:18 | |
board came to me and said, "We're going to be using that idea." | 0:57:18 | 0:57:20 | |
-They really liked it. -She had a wonderful idea creating - yeah. | 0:57:20 | 0:57:23 | |
-That was brilliant. -By the way, I just - | 0:57:23 | 0:57:25 | |
-They really liked both teams. -Yes. -They really liked both teams. OK? | 0:57:25 | 0:57:29 | |
All right. | 0:57:29 | 0:57:31 | |
-So, Penn... -Yes? | 0:57:31 | 0:57:33 | |
-How'd your team do? -I think we gave a great expo | 0:57:33 | 0:57:35 | |
about South Africa. I think people | 0:57:35 | 0:57:38 | |
had a stone-solid blast. | 0:57:38 | 0:57:40 | |
-OK. Why? -We had a lot of South Africa | 0:57:40 | 0:57:43 | |
in that room. | 0:57:43 | 0:57:45 | |
We had wonderful food, and we had Zulu dancers, Zulu drummers. | 0:57:45 | 0:57:48 | |
-Wow. Sounds good. -We had the drummer from | 0:57:48 | 0:57:51 | |
-Paul Simon's "Graceland" tour. -Wow. I saw that tour. | 0:57:51 | 0:57:54 | |
And we had a spa set up, and we had alcohol, | 0:57:54 | 0:57:56 | |
which was odd for me - the first time in my life | 0:57:56 | 0:57:58 | |
I've ever bought alcohol, ever, | 0:57:58 | 0:58:00 | |
-and I bought it for you. -Do you not drink? -Never had a drink | 0:58:00 | 0:58:02 | |
-in my life, sir. -Really? Me too. I never had a drink in my life. | 0:58:02 | 0:58:05 | |
-Never a sip? -I had a zip, a zip. -Not me. -Well, then, you're | 0:58:05 | 0:58:08 | |
one better than me. I've never met anyone | 0:58:08 | 0:58:10 | |
who only had a zip. I've had a zip twice. | 0:58:10 | 0:58:12 | |
And I should also add - no recreational drugs, either, | 0:58:12 | 0:58:15 | |
-cos that's... -Me too. I have other problems, | 0:58:15 | 0:58:17 | |
-but not that. -But I had... | 0:58:17 | 0:58:19 | |
I bought liquor. I bought... Which I am not | 0:58:19 | 0:58:22 | |
qualified to talk about. | 0:58:22 | 0:58:24 | |
That's interesting. So, Penn, | 0:58:24 | 0:58:26 | |
-you think you won? -Uh, it sure seems... | 0:58:26 | 0:58:30 | |
It sure seems likely. | 0:58:30 | 0:58:32 | |
-Lisa, what'd you think? -Awesome. | 0:58:32 | 0:58:35 | |
I just had a great time. I think Penn, as the | 0:58:35 | 0:58:38 | |
Project Manager, rocked it. What a great experience. | 0:58:38 | 0:58:44 | |
Penn, was managing Gary easy, hard, | 0:58:44 | 0:58:47 | |
-or sort of indifferent? -I don't think you try | 0:58:47 | 0:58:50 | |
to manage Gary. I mean, | 0:58:50 | 0:58:53 | |
Gary's an adult. There's no handling | 0:58:53 | 0:58:55 | |
or managing, but you do | 0:58:55 | 0:58:57 | |
have to be very aware of what he wants to do | 0:58:57 | 0:59:00 | |
-and what he's going to do. -What do you think, Lisa? | 0:59:00 | 0:59:04 | |
How did Gary do? | 0:59:04 | 0:59:07 | |
You already answered the question. | 0:59:09 | 0:59:11 | |
Go ahead. Tell me. What do you think? | 0:59:11 | 0:59:14 | |
I think Gary, um, did well. | 0:59:14 | 0:59:18 | |
-I think Gary did well. -Well, it doesn't sound too good. | 0:59:18 | 0:59:20 | |
How did Gary do? | 0:59:20 | 0:59:21 | |
Uh, Mr Trump, our opinion of Gary | 0:59:21 | 0:59:24 | |
-is all the same. -Seems to never change. -He's wonderful, | 0:59:24 | 0:59:28 | |
he's a genius, and, in terms | 0:59:28 | 0:59:30 | |
of getting a task done, he is - he's very enthusiastic | 0:59:30 | 0:59:34 | |
and very full of love. | 0:59:34 | 0:59:36 | |
OK. | 0:59:36 | 0:59:37 | |
-Gary? -Yes, sir. | 0:59:37 | 0:59:39 | |
-What do you think? -I think that was | 0:59:39 | 0:59:41 | |
a nice thing to say, | 0:59:41 | 0:59:42 | |
and I thank you for that. But what I did, | 0:59:42 | 0:59:44 | |
-I expressed... -I'm not sure if it was that nice, | 0:59:44 | 0:59:47 | |
to be honest with you. | 0:59:47 | 0:59:48 | |
I expressed to them that standing on the plains of South Africa | 0:59:48 | 0:59:51 | |
and seeing a mountain range and seeing the full moon over it, | 0:59:51 | 0:59:56 | |
the Moon represents the power of love a woman carries, | 0:59:56 | 0:59:59 | |
and pretty soon, with the clouds and the feeling you have of a woman, | 0:59:59 | 1:00:04 | |
that moon turns into a heart, and that heart integrates | 1:00:04 | 1:00:08 | |
with your heart, and you're sharing culture | 1:00:08 | 1:00:10 | |
and nature, and the significance of sharing | 1:00:10 | 1:00:13 | |
a love with each other that comes from the beginning | 1:00:13 | 1:00:16 | |
of romance - and the word "romance" - | 1:00:16 | 1:00:20 | |
R-O-M-A-N-C-E - | 1:00:20 | 1:00:23 | |
stands for Relying On Magnificent And Necessary Compatible Energy, | 1:00:23 | 1:00:31 | |
and it's forever flowing in South Africa. | 1:00:31 | 1:00:34 | |
-Did you just make that up? -No, sir. | 1:00:35 | 1:00:37 | |
I mean, is that something you've thought about a lot? | 1:00:37 | 1:00:39 | |
No, sir. Some of my thinking | 1:00:39 | 1:00:41 | |
comes from out of the box, and it comes with the... | 1:00:41 | 1:00:43 | |
No, no, but is this something you just made up relative to my question, | 1:00:43 | 1:00:46 | |
or have you said this before over the years? | 1:00:46 | 1:00:48 | |
I've felt it before, but I never... | 1:00:48 | 1:00:50 | |
-Have you said it before? -I've never said it. -That's pretty smart. | 1:00:50 | 1:00:51 | |
-BRANDE: -Wow. -There is a certain genius to all that. | 1:00:51 | 1:00:52 | |
-Absolutely. -You're a poet. | 1:00:52 | 1:00:54 | |
-MARILU: -Yeah. -Have you ever thought of being a poet? | 1:00:54 | 1:00:57 | |
Yes. | 1:00:57 | 1:00:58 | |
You are a poet. | 1:00:58 | 1:01:00 | |
I'm putting some books together in that formation of "Busey-isms" and the autobiography... | 1:01:00 | 1:01:04 | |
-Well, I think it's great. -Why, thank you. | 1:01:04 | 1:01:06 | |
I think it's great, and whether we like or don't like | 1:01:06 | 1:01:09 | |
or whether he's a leader or not, you've got something a little bit special, OK? | 1:01:09 | 1:01:12 | |
-I will tell you that. -Thank you, Donald. | 1:01:12 | 1:01:14 | |
-PENN: -No doubt about that. | 1:01:14 | 1:01:15 | |
-Penn, did Gary do everything that you asked him to do? -No. | 1:01:15 | 1:01:19 | |
Ah. What didn't he do? What...? What do you mean by that? | 1:01:19 | 1:01:23 | |
We said we need to find Zulu dancers. | 1:01:23 | 1:01:27 | |
I said, "Can you do that?" | 1:01:27 | 1:01:28 | |
And he said, "No, that's not what I'm good at." | 1:01:28 | 1:01:30 | |
I said, "Well, this is where you can buy the alcohol. Can you get that?" | 1:01:30 | 1:01:34 | |
No, I said Zulu dancers are needed right off the bat. | 1:01:34 | 1:01:36 | |
Well, it's on the... it's on the... | 1:01:36 | 1:01:38 | |
And the way to get the Zulu dancers is to call their agent. | 1:01:38 | 1:01:39 | |
Where did you get them? Where did you find them? | 1:01:39 | 1:01:41 | |
I don't know anything about South Africa. | 1:01:41 | 1:01:43 | |
No, but where did you get the Zulu dancers? | 1:01:43 | 1:01:45 | |
-They came from an agency, and the man that came with him... -No. | 1:01:45 | 1:01:50 | |
-..was their manager. -Were they good? | 1:01:50 | 1:01:52 | |
That's actually not true. I called some friends. | 1:01:52 | 1:01:53 | |
-LISA: -Yeah. They came from Penn. -It wasn't an agency. | 1:01:53 | 1:01:55 | |
-TRUMP: Were they beautiful? LISA: -Ohh! | 1:01:55 | 1:01:56 | |
-Huh? -Gorgeous! -Lisa? -Gorgeous! Stunning. | 1:01:56 | 1:01:58 | |
-Wow. Good. Good. -Magnificent. | 1:01:58 | 1:02:02 | |
-PENN: -They were very good-looking, and they were both male. | 1:02:02 | 1:02:04 | |
-Both of the dancers... -They were male dancers? | 1:02:04 | 1:02:06 | |
-LISA: -Yeah. -It's more common in traditional Zulu for the men to dance. | 1:02:06 | 1:02:09 | |
-Both of the dancers told me... -TRUMP: I wouldn't have liked it. | 1:02:09 | 1:02:11 | |
-Both of the dancers told me... -They were pretty good. | 1:02:11 | 1:02:13 | |
-TRUMP: They were? They were. LISA: -Ohh. -Oh, really? | 1:02:13 | 1:02:16 | |
That's great. | 1:02:16 | 1:02:18 | |
Wasn't one of them from Brooklyn? | 1:02:18 | 1:02:20 | |
-PENN: -We had three from South Africa | 1:02:20 | 1:02:22 | |
and one who calls himself the Brooklyn Zulu. | 1:02:22 | 1:02:23 | |
-LISA: -Yes. -And he was the lead. | 1:02:23 | 1:02:24 | |
-ROSS: -Yeah, he was good. | 1:02:24 | 1:02:26 | |
Was he originally from South Africa? | 1:02:26 | 1:02:27 | |
No, the others are originally from South Africa. | 1:02:27 | 1:02:29 | |
And then, strangely, Lisa and I called | 1:02:29 | 1:02:33 | |
a South African restaurant to get the food, | 1:02:33 | 1:02:35 | |
but by the time we talked to the drummer and the dancer, | 1:02:35 | 1:02:38 | |
-they all knew each other, anyway. -Great. | 1:02:38 | 1:02:40 | |
So we had the South Africa... | 1:02:40 | 1:02:41 | |
-It's a community within New York. -Yeah, yeah. | 1:02:41 | 1:02:43 | |
I guess it's, you know, expat community, and they were very helpful | 1:02:43 | 1:02:44 | |
and, really, you know... I think you know I was a fish out of water on this task, | 1:02:44 | 1:02:51 | |
and they taught me so much about South Africa. | 1:02:51 | 1:02:54 | |
Yeah, yeah. That's really great. | 1:02:54 | 1:02:56 | |
-That's really great. ROSS: -That's great. | 1:02:56 | 1:02:57 | |
-Gary, how did you like working for Penn? GARY: -I liked it very much. | 1:02:57 | 1:03:00 | |
It was an honour to work with him. | 1:03:00 | 1:03:02 | |
-His focus, his single-mindedness... -That's true. | 1:03:02 | 1:03:05 | |
..his operation in developing the shape of the room, | 1:03:05 | 1:03:09 | |
the size of the room, and what he gave me to do and what I did on my own | 1:03:09 | 1:03:13 | |
several times with the South African travel executives | 1:03:13 | 1:03:18 | |
to explain to them the power of romance in the South African skies. | 1:03:18 | 1:03:24 | |
OK, you don't have to say it again. Once is... | 1:03:24 | 1:03:27 | |
-LAUGHTER MARILU: -It's his speech today. | 1:03:27 | 1:03:28 | |
-Thank you. -ROSS: -And that was the task. | 1:03:28 | 1:03:30 | |
TRUMP: George, go ahead. | 1:03:30 | 1:03:32 | |
-ROSS: -Yeah, as far as talking about Penn's team, | 1:03:32 | 1:03:34 | |
what impressed me right away was the atmosphere | 1:03:34 | 1:03:35 | |
that you had when you walked in the door. | 1:03:35 | 1:03:38 | |
You had the music, you had the drummer, | 1:03:38 | 1:03:39 | |
you had the Zulu dancers - you WERE there. | 1:03:39 | 1:03:42 | |
That's an experience which you don't have anywhere else in the world. | 1:03:42 | 1:03:45 | |
So you immediately made it different, | 1:03:45 | 1:03:47 | |
and the food was different, and it was real food. | 1:03:47 | 1:03:50 | |
I mean, there was a chef there from there, you know. | 1:03:50 | 1:03:53 | |
-PENN: -Yeah, yeah, yeah. | 1:03:53 | 1:03:55 | |
When you served the stuff in the bread at that point... | 1:03:55 | 1:03:57 | |
-You liked that bunny chow? -LISA: -Bunny chow. | 1:03:57 | 1:03:58 | |
-ROSS: -Yeah. Bunny chow. -GARY: -Bunny chow. | 1:03:58 | 1:04:00 | |
Yeah, all of it had to do with, really, South Africa, | 1:04:00 | 1:04:02 | |
and I was impressed. I think, you know, it was great. | 1:04:02 | 1:04:05 | |
TRUMP: You know, I've never said this before in the boardroom, | 1:04:05 | 1:04:09 | |
but do you know this man is a great, great lawyer? | 1:04:09 | 1:04:11 | |
And we have made many great real-estate deals together, | 1:04:11 | 1:04:14 | |
him representing me. Is that right, George? | 1:04:14 | 1:04:16 | |
-ROSS: -Many, many. That's for sure. | 1:04:16 | 1:04:18 | |
Would you say that people don't even know the extent of it? | 1:04:18 | 1:04:20 | |
-Do you agree with that? -I agree with that. | 1:04:20 | 1:04:22 | |
We've made many great deals. | 1:04:22 | 1:04:23 | |
There's no better real-estate lawyer than this guy. | 1:04:23 | 1:04:25 | |
He's seen it. | 1:04:25 | 1:04:26 | |
My kids are fantastic, but he's been around the mill, | 1:04:26 | 1:04:30 | |
and there's something that's very nice about that. | 1:04:30 | 1:04:32 | |
-BRANDE: -Mm-hmm. -But he has seen it all. | 1:04:32 | 1:04:33 | |
-You've seen the worst scum in the world... -Without a doubt. | 1:04:33 | 1:04:36 | |
..and you've seen some nice people - not too many of them. | 1:04:36 | 1:04:38 | |
And you got a lot of them in the industry. | 1:04:38 | 1:04:40 | |
We have seen some real tough, brilliant garbage, | 1:04:40 | 1:04:43 | |
and we've beaten them every time that I know of, George, right? | 1:04:43 | 1:04:46 | |
-Every time. -Every time. | 1:04:46 | 1:04:47 | |
We've beat garbage. | 1:04:47 | 1:04:48 | |
OK. Just, you know, New York real estate. | 1:04:48 | 1:04:50 | |
I love real estate. What can I tell you? | 1:04:50 | 1:04:53 | |
OK, George, what did Sthu and Evelyn and the travel experts | 1:04:53 | 1:04:57 | |
think of Penn's team? | 1:04:57 | 1:04:59 | |
-ROSS: -Their positives were, they felt transported back to South Africa, | 1:04:59 | 1:05:03 | |
having it appeal to all five senses, | 1:05:03 | 1:05:05 | |
and you brought authenticity and legitimacy to your experience | 1:05:05 | 1:05:10 | |
with genuine Zulu dancers and imported wines. | 1:05:10 | 1:05:13 | |
The negatives - | 1:05:13 | 1:05:15 | |
while it created a genuine feeling, | 1:05:15 | 1:05:18 | |
it didn't offer specific locations | 1:05:18 | 1:05:20 | |
or travel information required to sell South Africa | 1:05:20 | 1:05:24 | |
as a travel destination. | 1:05:24 | 1:05:26 | |
And, "They failed to capture the individual experiences | 1:05:26 | 1:05:29 | |
"that would move me to explore the land." | 1:05:29 | 1:05:32 | |
TRUMP: OK. | 1:05:34 | 1:05:35 | |
Bret, what did Sthu and Evelyn and the travel experts | 1:05:35 | 1:05:38 | |
think of Brande's team? | 1:05:38 | 1:05:39 | |
-BRET: -The execs love that you went above and beyond | 1:05:39 | 1:05:41 | |
your BIG 5 and included more aspects | 1:05:41 | 1:05:43 | |
like welcoming them with rooibos tea | 1:05:43 | 1:05:45 | |
and including South Africa's wine and spas. | 1:05:45 | 1:05:47 | |
They loved your brochure and felt it was a really great takeaway | 1:05:47 | 1:05:51 | |
to make you remember the BIG 5. | 1:05:51 | 1:05:52 | |
Their negatives, however, were, you had great spirit | 1:05:55 | 1:05:58 | |
and enthusiasm but seriously lacked unique experiences. | 1:05:58 | 1:06:02 | |
-That was one of the negative comments. -BRANDE: -"Unique experiences." | 1:06:02 | 1:06:04 | |
And they also felt as if... One was pretty harsh. | 1:06:04 | 1:06:08 | |
"It felt as if it was a juvenile exhibit at an amusement park." | 1:06:08 | 1:06:11 | |
-TRUMP: That can be a little bit harsh. BRANDE: -Hmm. | 1:06:14 | 1:06:16 | |
OK. Brande, you ready? | 1:06:16 | 1:06:19 | |
-SIGHS -Sure. | 1:06:19 | 1:06:21 | |
Penn, you're ready? | 1:06:21 | 1:06:23 | |
Sure. | 1:06:23 | 1:06:24 | |
OK. | 1:06:24 | 1:06:26 | |
I have to tell you, | 1:06:26 | 1:06:28 | |
Brande, you are going to be... | 1:06:28 | 1:06:30 | |
SUSPENSEFUL MUSIC PLAYS | 1:06:30 | 1:06:32 | |
-..not very happy. -Mm. | 1:06:32 | 1:06:35 | |
They just didn't feel you were quite up to par. | 1:06:35 | 1:06:38 | |
Your team lost. | 1:06:38 | 1:06:40 | |
Penn, as Project Manager, | 1:06:44 | 1:06:46 | |
you're winning a lot of money for your charity. | 1:06:46 | 1:06:48 | |
-Congratulations. -Thank you so much. -What's the name of your charity? | 1:06:48 | 1:06:51 | |
It's called Opportunity Village, | 1:06:51 | 1:06:52 | |
and it's for people with intellectual disabilities - | 1:06:52 | 1:06:54 | |
to get them back into the workforce in Vegas. | 1:06:54 | 1:06:55 | |
-I think it's fantastic. -I love it. | 1:06:55 | 1:06:57 | |
-Congratulations. -Thank you so much. | 1:06:57 | 1:06:58 | |
Go back to your Trump Tower suite. Enjoy yourselves. | 1:06:58 | 1:06:59 | |
-BRANDE: -Congratulations. -PENN: -Oh, thank you so much. | 1:06:59 | 1:07:01 | |
Thank you. | 1:07:01 | 1:07:02 | |
TRUMP: Brande, you and your team stay still. | 1:07:02 | 1:07:05 | |
Sadly, somebody will be fired. | 1:07:05 | 1:07:08 | |
DRAMATIC MUSIC PLAYS | 1:07:08 | 1:07:10 | |
DRAMATIC MUSIC PLAYS | 1:07:12 | 1:07:13 | |
-LISA: -Yay! | 1:07:13 | 1:07:14 | |
-SIGHING: -Oh! | 1:07:14 | 1:07:15 | |
We fought the power. We won. | 1:07:15 | 1:07:18 | |
I'm really, really proud of my team. | 1:07:18 | 1:07:20 | |
Lisa's true like ice, like fire, and Gary got through. | 1:07:20 | 1:07:23 | |
LAUGHS | 1:07:23 | 1:07:26 | |
SPEAKING GIBBERISH | 1:07:26 | 1:07:28 | |
Wow! I wasn't sure which way it was gonna go. | 1:07:28 | 1:07:32 | |
I wasn't sure. | 1:07:32 | 1:07:33 | |
-I really wasn't. Were you? -Yeah. | 1:07:33 | 1:07:35 | |
-Oh. -LAUGHS | 1:07:35 | 1:07:37 | |
Yeah. Can we turn it on? | 1:07:37 | 1:07:38 | |
-Oh, we should turn on the TV. -Yeah, turn on the TV! | 1:07:38 | 1:07:41 | |
Let me turn on the TV, please. | 1:07:41 | 1:07:43 | |
Let's see what goes on in there, | 1:07:43 | 1:07:44 | |
cos they're all good players. | 1:07:44 | 1:07:45 | |
So, Trace, do you find Brande to be a leader? | 1:07:48 | 1:07:50 | |
-TRACE: -Uh... I think when she has a...a direction | 1:07:50 | 1:07:55 | |
and a target that she...she focuses on it | 1:07:55 | 1:07:58 | |
and gets people motivated and directed toward that goal. | 1:07:58 | 1:08:03 | |
It took us a little while on this task | 1:08:03 | 1:08:05 | |
to finally, uh, find that target. | 1:08:05 | 1:08:08 | |
It was... It was challenging. | 1:08:08 | 1:08:10 | |
-We... We kind of stayed scattered. -What do you think, Marilu? | 1:08:10 | 1:08:14 | |
-MARILU: -You know, everybody's got a different way of working, | 1:08:15 | 1:08:18 | |
and some people, especially when they're Project Manager, | 1:08:18 | 1:08:19 | |
have a way of letting things sort of circulate in their mind, | 1:08:19 | 1:08:23 | |
kind of foment in a way, | 1:08:23 | 1:08:24 | |
and try to figure out what do I want to do, | 1:08:24 | 1:08:26 | |
and then they go. | 1:08:26 | 1:08:27 | |
So, I think that Brande's the kind of person | 1:08:27 | 1:08:29 | |
-that takes a lot of information in, and then when she makes a decision... -Is she a leader? | 1:08:29 | 1:08:33 | |
-She's definitely a leader. -Oh, really? That's interesting. | 1:08:34 | 1:08:37 | |
So, Lil Jon, you seem to think | 1:08:37 | 1:08:39 | |
that this season is much harder than the season you were on. | 1:08:39 | 1:08:41 | |
-LIL JON: -Yes, it is. -Why? | 1:08:41 | 1:08:43 | |
It's just more intense, like... and we're losing. | 1:08:43 | 1:08:46 | |
-LAUGHTER MARILU: -No, you won last week. | 1:08:46 | 1:08:48 | |
-LIL JON: -That was two...two weeks. | 1:08:48 | 1:08:50 | |
-TRUMP: When Lil Jon was on, he was winning every week... -Yeah. -..his team. | 1:08:50 | 1:08:52 | |
-BRANDE: -Mm-hmm. | 1:08:52 | 1:08:53 | |
And this time, you're losing a lot. | 1:08:53 | 1:08:55 | |
Bret, it's your fault, man. | 1:08:55 | 1:08:56 | |
-LAUGHTER -You picked the team. | 1:08:56 | 1:08:58 | |
-BRET: -I picked, didn't I? -Yeah, you picked the team. | 1:08:58 | 1:09:00 | |
-Yeah. -LAUGHS | 1:09:00 | 1:09:01 | |
Yeah, that grenade exploded in my hand. | 1:09:01 | 1:09:03 | |
That did not pan out for me. | 1:09:03 | 1:09:04 | |
TRUMP: So, Lil Jon, why did you lose? | 1:09:04 | 1:09:06 | |
I think, uh... I mean, we had two totally different experiences. | 1:09:06 | 1:09:12 | |
If you bring some food and some Zulu dancers, | 1:09:12 | 1:09:16 | |
-you're gonna win. -BRANDE: -Yeah. | 1:09:16 | 1:09:17 | |
I mean, it's hard to... | 1:09:17 | 1:09:19 | |
And we had the same experience, and we both had to do... come up with something creative. | 1:09:19 | 1:09:22 | |
But you could have brought somebody to dance, right? | 1:09:22 | 1:09:26 | |
-ROSS: -Yeah. -We tried. It was tough. | 1:09:26 | 1:09:29 | |
And it's hard to... | 1:09:29 | 1:09:31 | |
I mean, we got zip lining. | 1:09:31 | 1:09:32 | |
We can't bring no zip line in there. | 1:09:32 | 1:09:34 | |
I had shark-tank diving. | 1:09:34 | 1:09:36 | |
What am I gonna do? Bring a real shark in there? | 1:09:36 | 1:09:38 | |
-No. -No, you can't do that. | 1:09:38 | 1:09:39 | |
-It was hard. -BRANDE: -It was hard. | 1:09:39 | 1:09:41 | |
I mean, we did the best that we could, | 1:09:41 | 1:09:43 | |
and we got creative with trying to create | 1:09:43 | 1:09:44 | |
some kind of interactive experience with what we had. | 1:09:44 | 1:09:46 | |
But you have to say Penn had one less person, Brande, | 1:09:46 | 1:09:48 | |
-and he pulled it off, and he got all these people... -Mm-hmm. -..and he got the dancers, | 1:09:48 | 1:09:51 | |
-and he got everything. -Romance is easy. | 1:09:51 | 1:09:54 | |
You got to give him credit for that, right? What do you think, Lil Jon? | 1:09:54 | 1:09:56 | |
I'll give him credit for winning, but romance is easy. | 1:09:56 | 1:09:58 | |
-LISA: -Ours was not easy! -PENN: -Easy?! | 1:09:58 | 1:10:00 | |
-SCOFFS: -It was hard! | 1:10:00 | 1:10:01 | |
They fought for it. They fought for it. | 1:10:01 | 1:10:03 | |
We had to flip for it. | 1:10:03 | 1:10:04 | |
-Oh, my God. -They wanted Adventure, too. | 1:10:04 | 1:10:07 | |
-LIL JON: -Yeah, but we... -You wanted Adventure. | 1:10:07 | 1:10:09 | |
-You didn't want Romance. You specifically. -No, I... | 1:10:09 | 1:10:11 | |
I thought Adventure would be easy to do, but the way... | 1:10:11 | 1:10:13 | |
Yeah, but now you're saying Romance is easier. Should you be fired? | 1:10:13 | 1:10:16 | |
I definitely shouldn't be fired, um, but I think... | 1:10:16 | 1:10:18 | |
But, Lil Jon, you thought that Adventure was the right word. | 1:10:18 | 1:10:21 | |
You were the first one to stand up and say, "I want 'Adventure.'" | 1:10:21 | 1:10:24 | |
-Because it's energy. People like energy. -Now you're... | 1:10:24 | 1:10:26 | |
Yeah, but now you're complaining about Adventure. | 1:10:26 | 1:10:27 | |
-You should have chosen Romance. -No, I'm... | 1:10:27 | 1:10:29 | |
No, I still like Adventure. | 1:10:29 | 1:10:31 | |
I'm just saying if you... | 1:10:31 | 1:10:32 | |
It's... It's a difference, man. It's just totally different. | 1:10:32 | 1:10:34 | |
Marilu, should Lil Jon be fired, maybe, for being the instigator | 1:10:34 | 1:10:36 | |
-of the word Adventure... MARILU: -No. -..and now saying... | 1:10:36 | 1:10:39 | |
And by the way, and now saying he shouldn't have chosen it? | 1:10:39 | 1:10:41 | |
-MARILU: Uh, no. LIL JON: -I didn't say that. I just said theirs was easy. | 1:10:42 | 1:10:45 | |
Hey, Bret, you were there. Lil Jon wanted Adventure, right? | 1:10:45 | 1:10:48 | |
That is correct. He did want it. | 1:10:48 | 1:10:50 | |
Now he's saying they had an easier thing, Romance. | 1:10:50 | 1:10:52 | |
Like, in other words, we made a mistake. | 1:10:52 | 1:10:54 | |
Should he be fired? | 1:10:54 | 1:10:56 | |
DRAMATIC MUSIC CONTINUES | 1:10:56 | 1:10:57 | |
I don't think so. | 1:10:58 | 1:11:00 | |
I think it was just a choice, and Adventure, personally, | 1:11:00 | 1:11:02 | |
-I'd have probably picked it, too. -Who should be fired, Bret? | 1:11:02 | 1:11:05 | |
That's a tough one. | 1:11:05 | 1:11:06 | |
I mean, obviously, you know, when you go into a situation like this, | 1:11:06 | 1:11:10 | |
being a Project Manager, you got all the weight on your shoulders. | 1:11:10 | 1:11:13 | |
And, er... but again, what I think about Brande, | 1:11:13 | 1:11:15 | |
when I walked in that room, I thought she was doing a good job. | 1:11:15 | 1:11:18 | |
I liked the slogan. | 1:11:18 | 1:11:19 | |
But she was doing what you do as a Project Manager. | 1:11:19 | 1:11:22 | |
You sweat the details. | 1:11:22 | 1:11:23 | |
What was the slogan? | 1:11:23 | 1:11:25 | |
We tried to come up with something that we hoped would, er.... | 1:11:25 | 1:11:29 | |
would catch their eye. | 1:11:29 | 1:11:30 | |
We struggled with it and had a few ideas, | 1:11:30 | 1:11:33 | |
and we finally settled on "You Plus South Africa Equals Adventure." | 1:11:33 | 1:11:38 | |
-OK, not bad. -No. | 1:11:38 | 1:11:40 | |
So, Brande, who should be fired? | 1:11:40 | 1:11:43 | |
Oh. | 1:11:43 | 1:11:45 | |
Jeez. | 1:11:45 | 1:11:46 | |
I-I-I honestly can't say who I think should be fired. | 1:11:47 | 1:11:50 | |
I think that that's... | 1:11:50 | 1:11:52 | |
That's your decision. I don't feel... | 1:11:52 | 1:11:54 | |
Well, who SHOULDN'T be fired? | 1:11:54 | 1:11:56 | |
You're going to have to bring somebody back. | 1:11:56 | 1:11:57 | |
You're going to bring two people back. Who are you going to let go? | 1:11:57 | 1:12:01 | |
Well... | 1:12:02 | 1:12:04 | |
I'm going to let go... | 1:12:05 | 1:12:07 | |
..Jon, because I feel... | 1:12:08 | 1:12:10 | |
Sometimes referred to as Lil Jon. | 1:12:10 | 1:12:12 | |
Do you like "Jon" better than "Lil Jon"? I've never asked you that. | 1:12:12 | 1:12:15 | |
It doesn't matter. Whatever people prefer. | 1:12:15 | 1:12:17 | |
-I think, you know, Lil Jon, I like "Jon" better. -"Jon" is good. | 1:12:17 | 1:12:20 | |
I like "Jon." I've never thought of him as "Jon". | 1:12:20 | 1:12:22 | |
-Jon. -Lil Jon. He's Lil Jon. He's famous. | 1:12:22 | 1:12:24 | |
Well, and the reason why is because I feel a sense of loyalty to him. | 1:12:24 | 1:12:29 | |
-OK, why? -Because we've been on Team Power from day one. | 1:12:29 | 1:12:33 | |
We've been together since day one. | 1:12:33 | 1:12:34 | |
And yet he said very specifically, "We want Adventure." Right, Marilu? | 1:12:34 | 1:12:39 | |
-He did. -"We want Adventure." And I just went through it, Brande. | 1:12:39 | 1:12:42 | |
I said, "Why wouldn't you be fired?" | 1:12:42 | 1:12:44 | |
And I'm not saying he should be fired, | 1:12:44 | 1:12:46 | |
but he wanted Adventure, and now he just said, | 1:12:46 | 1:12:48 | |
"Oh, they had Romance, and we had Adventure, | 1:12:48 | 1:12:50 | |
"and Romance is easier than Adventure," but it was his idea, | 1:12:50 | 1:12:53 | |
and he was the one that most strongly wanted Adventure. | 1:12:53 | 1:12:56 | |
And yet you're going to let him go. | 1:12:57 | 1:12:59 | |
SHE SIGHS You want to change your mind? | 1:13:01 | 1:13:03 | |
Um... | 1:13:06 | 1:13:07 | |
-I don't. -OK, fine. Lil Jon, congratulations. | 1:13:07 | 1:13:11 | |
Go back to your suite. Brande, wait for us outside. | 1:13:11 | 1:13:14 | |
-You'll come back soon. Somebody will be fired. Thank you. -OK. Thank you. | 1:13:14 | 1:13:19 | |
BRANDE SIGHS | 1:13:22 | 1:13:23 | |
Penn, turn off your television right now, please. Thank you. | 1:13:25 | 1:13:29 | |
Well, there you have it, ladies and gentlemen. | 1:13:29 | 1:13:31 | |
-That's it. That's all we get to see. -Ohh. | 1:13:31 | 1:13:34 | |
-I believe that's goodbye, Brande. -Yeah, me too. | 1:13:34 | 1:13:36 | |
Well, I knew it was a... | 1:13:40 | 1:13:43 | |
-beast of a challenge. -Yeah. | 1:13:43 | 1:13:45 | |
Man! It sucks that I didn't get to win anything for my charity. | 1:13:45 | 1:13:51 | |
-I raised a -BLEEP -load of money. -Mm. | 1:13:51 | 1:13:54 | |
What do you think, George? | 1:14:05 | 1:14:06 | |
Well, this is tough. When you get down this far, | 1:14:06 | 1:14:08 | |
they're all talented and they all do a tremendous job. | 1:14:08 | 1:14:10 | |
-So it's hard, really, to make a decision. -Bret, what do you think? | 1:14:10 | 1:14:13 | |
I think that it lies on the Project Manager's shoulders | 1:14:13 | 1:14:16 | |
to bring this in and land this and delegate properly. | 1:14:16 | 1:14:19 | |
-Mm-hmm. And they had more people. -Yes, absolutely. | 1:14:19 | 1:14:23 | |
Amanda, let them in, please. | 1:14:23 | 1:14:25 | |
Yes, Mr Trump. | 1:14:25 | 1:14:27 | |
You can all go back in now. OK. Thank you. | 1:14:27 | 1:14:31 | |
-TRACE GRUNTS -All right, ladies. | 1:14:31 | 1:14:32 | |
-I'm going to hold the door open for both of you. -OK. Thank you. | 1:14:32 | 1:14:37 | |
Make the big guy get in the middle. | 1:14:43 | 1:14:46 | |
So, Trace, what could your team have done better in order to win? | 1:14:49 | 1:14:54 | |
Wow. Um, what could we have done better? | 1:14:54 | 1:14:58 | |
Well, we could have come up with a better slogan. | 1:14:58 | 1:15:01 | |
I mean, we wrestled with that for some time, | 1:15:01 | 1:15:05 | |
and I think that kind of hampered us because without, you know, | 1:15:05 | 1:15:09 | |
real focus, without a campaign, | 1:15:09 | 1:15:12 | |
you know, without really nailing down the direction | 1:15:12 | 1:15:15 | |
you're going to go in, then you're just going to be | 1:15:15 | 1:15:17 | |
going in all different directions, but, er... | 1:15:17 | 1:15:19 | |
But they felt it wasn't unique. | 1:15:19 | 1:15:21 | |
They liked it, but they felt it wasn't unique, | 1:15:21 | 1:15:23 | |
and even mentioned the word "juvenile" to a certain extent. | 1:15:23 | 1:15:26 | |
You know, and I'm just going to go ahead and own up to it now | 1:15:26 | 1:15:29 | |
cos that was the word I used. | 1:15:29 | 1:15:30 | |
I thought it was a little juvenile, you know? | 1:15:30 | 1:15:32 | |
It just you know, the pushing people in the chair | 1:15:32 | 1:15:35 | |
and the guy in the shark suit and all that kind of stuff, | 1:15:35 | 1:15:37 | |
it was just... Lil Jon. But that's a personal taste thing. | 1:15:37 | 1:15:40 | |
So let me ask you - "You Plus South Africa Equals Adventure". | 1:15:40 | 1:15:43 | |
-Who came up with that? -I did. | 1:15:43 | 1:15:45 | |
-And I looked immediately at Marilu. -I don't think it's bad. | 1:15:45 | 1:15:48 | |
You know what she said? She said, "B+." | 1:15:48 | 1:15:51 | |
-You know, and I said, "I agree. I agree." -But not bad. Not bad. | 1:15:51 | 1:15:55 | |
-"I don't think it's great." -You didn't lose for that reason. | 1:15:55 | 1:15:57 | |
And then I tried to come up with something else. | 1:15:57 | 1:15:59 | |
You didn't lose for that reason. | 1:15:59 | 1:16:00 | |
I couldn't come up with anything else. | 1:16:00 | 1:16:02 | |
So, you came up with the slogan, | 1:16:02 | 1:16:03 | |
but you didn't lose because of the slogan. | 1:16:03 | 1:16:05 | |
But it didn't grab anybody's attention, either. | 1:16:05 | 1:16:07 | |
Brande, why did you bring Marilu back? | 1:16:07 | 1:16:11 | |
Um, it wasn't necessarily bringing wanting to bring Marilu back. | 1:16:11 | 1:16:15 | |
Honestly, it was Jon, I felt, did a great job. | 1:16:15 | 1:16:20 | |
He is the one who came up with the rooibos tea. | 1:16:20 | 1:16:22 | |
He'd been to South Africa. | 1:16:22 | 1:16:24 | |
He came up with the idea for the zip lining, um, came... | 1:16:24 | 1:16:27 | |
He also came up with the word Adventure, and then he... | 1:16:27 | 1:16:30 | |
He chose it over Romance, and then he complained that | 1:16:30 | 1:16:32 | |
that's the one they chose. They should have chosen Romance. | 1:16:32 | 1:16:35 | |
That's why I thought you should have brought him back | 1:16:35 | 1:16:37 | |
instead of maybe one of these two. | 1:16:37 | 1:16:40 | |
Does that make sense to you? | 1:16:40 | 1:16:41 | |
Um, well, only because, like I said, there were a lot of things | 1:16:41 | 1:16:44 | |
that he contributed that were great, that they liked. | 1:16:44 | 1:16:48 | |
Marilu, who came up with the brochure, | 1:16:48 | 1:16:50 | |
which really was their favourite part of your team's work? | 1:16:50 | 1:16:53 | |
Um, Brande said that she wanted a hand-out, | 1:16:53 | 1:16:55 | |
and I looked at the logo, and this is one of my favourite things to do. | 1:16:55 | 1:16:58 | |
And I said, "This is going to be a great hand-out | 1:16:58 | 1:17:00 | |
"because of the design." | 1:17:00 | 1:17:02 | |
-So, was it you? -It was me. | 1:17:02 | 1:17:03 | |
And how do you feel about it? | 1:17:03 | 1:17:05 | |
-Pretty good, right? -I loved it. -Well, they thought... -I did, too. | 1:17:05 | 1:17:08 | |
-Lil Jon said it's... -It is an awesome hand-out. | 1:17:08 | 1:17:10 | |
It's the best hand-out he'd ever seen on it. | 1:17:10 | 1:17:12 | |
-And I just felt like it was... -I have to agree. -They loved it. | 1:17:12 | 1:17:14 | |
-So that was you? -Somebody else asked me... | 1:17:14 | 1:17:16 | |
Sounds like Marilu is not going to be fired. Do you agree with that? | 1:17:16 | 1:17:19 | |
-The die-cut idea was great. -OK. | 1:17:19 | 1:17:23 | |
Trace, would you say that Brande, as oftentimes happens, | 1:17:23 | 1:17:26 | |
has a big disadvantage because she's Project Manager? | 1:17:26 | 1:17:30 | |
-Yeah, sure. -Yeah. What do you think, Marilu? | 1:17:30 | 1:17:32 | |
I... You know, definitely I think that it's a... | 1:17:32 | 1:17:34 | |
Who would you fire, Marilu? | 1:17:34 | 1:17:36 | |
Oh, boy. Um... | 1:17:36 | 1:17:39 | |
I... You know, it's very hard to always say who should be fired, | 1:17:39 | 1:17:43 | |
but I... You know, I think that there was an overall lack of design, | 1:17:43 | 1:17:49 | |
that maybe we were hindered by having | 1:17:49 | 1:17:52 | |
so many different types of experiences. | 1:17:52 | 1:17:54 | |
Well, the experts felt very strongly - | 1:17:54 | 1:17:56 | |
in fact, three to one - that Penn's team did much better. | 1:17:56 | 1:17:58 | |
-Mm-hmm. -They used the word "juvenile," which was terrible. | 1:17:58 | 1:18:01 | |
-Right. Yeah. -When I hear that word, that, to me, is terrible. | 1:18:01 | 1:18:04 | |
-Right, of course. But we were just... -So who should be fired? | 1:18:04 | 1:18:07 | |
-Um... -LAUGHING: -Lil Jon! | 1:18:07 | 1:18:09 | |
-No, um... -Honestly, I think Lil Jon should be here before you | 1:18:09 | 1:18:14 | |
and maybe before Trace. | 1:18:14 | 1:18:15 | |
And I gave you a second chance on that one, right? | 1:18:17 | 1:18:20 | |
You did, but the comments that they said, | 1:18:20 | 1:18:22 | |
one of the things they liked was the rooibos tea, | 1:18:22 | 1:18:24 | |
and that was only one of the two comments that they liked, so I.... | 1:18:24 | 1:18:29 | |
-Jon's the only one of us that'd ever been to South Africa. -Right. | 1:18:29 | 1:18:32 | |
-Mm-hmm. -Let me ask you this, Brande. | 1:18:32 | 1:18:34 | |
As Project Manager, though, don't you think, | 1:18:34 | 1:18:36 | |
in this particular case, you're in awfully serious jeopardy? | 1:18:36 | 1:18:39 | |
-Absolutely. It's always... -This was your baby. | 1:18:39 | 1:18:41 | |
-I mean, this is your baby. -Yeah. | 1:18:41 | 1:18:43 | |
-Certain things they just didn't like. -Mm-hmm. | 1:18:43 | 1:18:46 | |
-At the same time, they thought you did a wonderful job. -Mm-hmm. | 1:18:46 | 1:18:50 | |
It's tough. It's tough being the Project Manager, | 1:18:50 | 1:18:53 | |
because it always falls on your shoulders. | 1:18:53 | 1:18:55 | |
-Do you find it's tough to defend yourself in this case? -Yes. | 1:18:55 | 1:18:57 | |
You're with two people that probably don't deserve to be fired. | 1:18:57 | 1:19:00 | |
-Do you agree? -Absolutely. | 1:19:00 | 1:19:01 | |
-You know what that means, right? -Yeah. | 1:19:04 | 1:19:06 | |
Brande, you're fired. | 1:19:06 | 1:19:09 | |
-Great job. -Thank you. -Thank you very much. | 1:19:13 | 1:19:15 | |
-Give her some money. -Yeah, you... -Thank you. | 1:19:15 | 1:19:17 | |
-She didn't win nothing. -You didn't win? -And I raised so much money. | 1:19:17 | 1:19:20 | |
-She raised a lot of money on that first task. -What is your charity? | 1:19:20 | 1:19:22 | |
Promises 2 Kids. It's for severely abused and neglected children | 1:19:22 | 1:19:26 | |
in foster programmes. | 1:19:26 | 1:19:27 | |
OK, I'm going to give you 20,000, OK? | 1:19:27 | 1:19:29 | |
-Well, I appreciate that. Thank you. -All right? | 1:19:29 | 1:19:31 | |
-And I think you've done really well. -Thank you very much. -Good luck. | 1:19:31 | 1:19:34 | |
-Thank you. I appreciate that. -Thank you, Mr Trump. That was cool. | 1:19:34 | 1:19:37 | |
-Bye, George. Bye, Bret. -That's good. Good. | 1:19:37 | 1:19:39 | |
-I'm glad you said that, Trace, actually. -Thank you, Trace. | 1:19:39 | 1:19:42 | |
-Go ahead. -And by the way, so you all know, I thought you did a great job. | 1:19:42 | 1:19:44 | |
-You're fired. Get the hell out. -I've already been there. | 1:19:44 | 1:19:47 | |
-Good job. -Thank you. Thank you, George. Great to see you. | 1:19:47 | 1:19:50 | |
Bye, now. | 1:19:50 | 1:19:51 | |
-You're a beautiful lady in every way. -You are. Fabulous. | 1:19:55 | 1:19:58 | |
-I'm glad we got to work together. -Thanks, guys. I love you. | 1:19:58 | 1:20:01 | |
-Give those babies a kiss. -I will. | 1:20:01 | 1:20:02 | |
-Smell their heads for me. -I will. Love you. | 1:20:02 | 1:20:05 | |
LIFT PINGS | 1:20:05 | 1:20:06 | |
Hi. | 1:20:08 | 1:20:10 | |
-Bye! -SHE CHUCKLES | 1:20:12 | 1:20:15 | |
That was very, very nice of you. | 1:20:17 | 1:20:18 | |
-Yeah, it was very nice. She's a nice person. -Absolutely. | 1:20:18 | 1:20:21 | |
She can be proud of herself. | 1:20:21 | 1:20:23 | |
I would like to say thank you to Mr Trump | 1:20:54 | 1:20:59 | |
for giving Promises 2 Kids 20,000, because you know what? | 1:20:59 | 1:21:03 | |
You didn't have to do that, and if you did that for everybody, | 1:21:03 | 1:21:06 | |
you'd probably... | 1:21:06 | 1:21:08 | |
You'd probably go broke if you kept giving everybody money. | 1:21:08 | 1:21:10 | |
I wanted to stay and fight for my charity, | 1:21:10 | 1:21:14 | |
but I really thank you for that and appreciate it. | 1:21:14 | 1:21:17 | |
SHE SIGHS | 1:21:17 | 1:21:19 |