The First Leaf that Hits the Ground The Apprentice USA

Last time on All Celebrity Apprentice,

the teams were tasked with creating an advertorial for Melania Trump's new skincare line.

Somebody's going to win a lot of money

and somebody's going to be fired.

Team Power hope to break their losing streak...

Above her it just says, "Simply Melania."

but project manager Dennis Rodman was off his game.

I would love to go upstairs in your bathroom

and see what you really use, really. Let's go there.

He's not a businessman, I'm not a businessman,

but I know a lot of businessmen and none of them act like that.

On Plan B, Gary Busey was a distraction.

What I picture in my mind is a rainbow effect.

Have you ever had your genitalia so excited

that it spins like a Ferris wheel?

That's how beautiful she is.

But project manager Penn Jillette kept his team on course.

We want a gold tray and we want a pile of caviar.

In the boardroom,

Stephen Baldwin was quick to point out Power's critical error...

How do you spell Melania?

Dennis, her name was spelt incorrectly.

..and Plan B was triumphant again...

-Penn, congratulations.

-Thank you.

..leaving Dennis and Trace to fight it out.

I'm embarrassed for all four of us.

It doesn't change the fact that it is Dennis' signature on all those pieces of paper.

You're supposed to go over and over and over

and make sure it's right. And then...

But was it your signature, Dennis?

In the end, the responsibility fell on Dennis.

I think you get the "Comeback Player Of The Year" award, I really do,

but, Dennis, you're fired.

-So what do you all think?

-I think Dennis is getting fired.

-You think it's Dennis?

-Yeah.

-I think it's Dennis.

-He's project manager, bro.

I don't think he'll fire Trace. I'll be shocked if he fires Trace.

I think if it was just a misspelled word it would have been fine,

but it's her name. That's his wife.

But Dennis did sign off on it.

That's the point, but Trace did it.

Oh, but you can't lose Trace!

I don't want it to be Trace because we need Trace.

I know. Trace is a powerhouse.

Oh!

CHEERING

I knew it had to be you. Thank God.

-Congratulations.

-Welcome back.

I started to really have a connection with Dennis,

but right now we need some wins to start the next task,

and Trace is a stronger player.

-We're glad you're here.

-Yeah, we're glad you're here, Trace.

I don't want to wish anything bad on anybody, but Plan B needs a loss.

It's time for them to feel our pain.

What was the final straw?

Finally, he went, "You were the project manager. Dennis, you're fired."

-And it was just like that. Like he got hit with a

-BLEEP

-pain

or something and he needed to go.

-With a what?

-It's a cowboy thing.

-He had to take a dump.

-He had a peeker.

You know, one when it kind of peeks out

and you don't know if you're going to make it?!

I may never forget that for as long as I live.

MUSIC: For The Love Of Money by The O'Jays

# Money, money, money, money

# Money

# Money, money, money, money

# Money

# Some people got to have it

# Some people really need it

# Listen to me, y'all

# Do things, do things, do things

# Bad things with it

# Dollar bills, y'all

# Lean, mean, mean green

# Almighty dollar

# Money

# Give me a nickel, brother

# Can you spare a dime?

# Money can drive some people out of their minds

# Money, money, money

# Money

# Money, money, money, money

# Money. #

My charity is Opportunity Village.

It's for people with intellectual disabilities.

What Opportunity Village does is

trains them to go to work and get paid.

Hi, how are you all doing?

Good to see you again. How are you doing, baby?

Oh, thanks. Wow! Look who came to see you.

The whole gang's here. The whole gang's here.

Hi, hi, hi, good to see you.

These are people for whom making toast and putting on their shoes

is harder than you doing calculus.

These are people that are strangers to me,

who have touched my heart and are now friends.

And I don't have some sort of personal interest story

of how it touched me, except that it touched me,

and 40 grand can help them.

-So, Penn, what are you doing here?

-What am I doing here?!

I've been playing Celebrity Apprentice

and I did well just now.

I got a couple of cheques for you.

I got one cheque for...

For Opportunity Village from Mr Trump.

And from Melania, who is Mrs Trump, for another 20,000.

Grab it.

Yeah, just throw that right away.

It doesn't matter at all. Just throw that right on the ground.

Rip it up, here we go. There we go.

I'll give those to you. And there's an envelope

in case you want to show it to somebody else. Thank you so much.

The only place it's been done, as far as I know, is Vegas,

but it's an idea that can be copied.

Let's just get to be on the same team and all of us working

and let's not stick people in warehouses and lock 'em up.

Let's all get out there together and talk,

there's stuff to learn from everybody.

We're standing on a beautiful rooftop overlooking the Hudson River,

right in the middle of Manhattan.

And you know, lots of movies are made in Manhattan

and over the years some of

the greatest movies have been made right here.

Your task this week is to make a silent movie

promoting Australian Gold.

With me to discuss it, Eric and Katie.

Eric, tell us about your task?

Thank you, Donald. In a multi-billion dollar industry,

Australian Gold is one of the fastest-growing suncare brands.

Australian Gold brings colour to an otherwise black-and-white suncare world.

Your task is to produce a 45 to 60-second silent film

that embodies the Australian Gold brand personality.

I hate to say this, but Katie Stam is Miss America.

I own Miss USA, so I don't know how this happened, but that's OK.

-Don.

-Tomorrow, you will present your final works to

the Australian Gold executives,

who will judge your silent films

and determine the winner based on the following criteria -

brand messaging, product integration and creativity.

Trace, your team is being decimated.

We have to put somebody again on this team.

This team is unlucky, or something. Who would you want, Trace?

-Who would you want out of this group?

-Penn.

You'd like Penn.

Who would you like, Lil Jon.

I like Marilu.

I like Marilu, too.

Marilu, go to that team.

Congratulations, Marilu.

I feel like Penn is ultimately the strongest player

on that other team and I think he and I together

could probably sweep this thing all the way to the end.

So I wanted to see what Trump was going to say

when I said Penn,

and his reaction spoke volumes.

He didn't... He wasn't even going to discuss it.

Marilu, you are doing so much better than the first time.

Why are you so much better?

Yeah, I think that people now know when I act like a know-it-all

-that I really do know it all.

-THEY LAUGH

Right, teams, pick your project manager.

I guess it's you, Gary.

Me.

Yes, Gary. That was quick.

You want to flip a coin, for you all two?

-Oh, you guys!

-It don't matter if you don't want to do it.

Trace, who's your project manager?

-Me.

-Again. Trace.

The winning project manager will get 20,000 from me

-for your charity.

-Australian Gold will match that contribution.

So that means 40,000 to the team's winning project manager.

-All right? ALL:

-Yeah.

Project managers, good luck.

Great product, Australian Gold is terrific.

Have fun. Thank you.

-MAN:

-Thank you very much.

Let's go, Gary.

-You're our leader, Gary.

-Yes, I am.

Proud of it.

There it is, right there.

-Australian Gold.

-So far, as a team,

it's been pretty puppy dogs and rainbows.

I mean, we're pretty solid.

Well, Gary, we've got to figure out how you want to make the movie.

Yeah.

This week, our project manager is an Academy Award-nominated actor.

That's a big deal.

GARY BURPS

But I'm not sure what he's going to be like as a leader.

It will probably be puppy dogs, rainbows and Mr Hang Brain.

For some reason...

..I thought of making it...

-in the '20s.

-'20s.

-Kind of late teens, right?

-Yeah.

What if everything about the look

was contemporary, but the style of how you make it is, the acting is,

you know, all of that?

But we are selling suntan...

I just like the idea of the '20s, silent films,

stay traditional to the era that it was.

Then how would you...? Would you want an old-fashioned bathing suit?

I mean, how would you sell the fact that we are selling this product?

Can we do something where it goes from old to new,

from the one-piece to a bikini?

I'm not...

I don't know if that will be...

I don't know whether that...

That sounds to me like a conflict of artistic interest.

Something to consider.

As project manager, you have to manage your team.

With Gary, you know, he has a lot of light and positivity and creativity,

which is great,

but we're going to have to really focus it

and we're going to really have to help him delegate

and we're going to have to really get right to the point and focus.

Can I tell you my idea, like my story?

I don't even know if it's going to correlate with what they say,

but I'm thinking of like the history of Australian Gold

and how it was created

and this whole theme of kind of, not Frankenstein,

but you've got the mad scientist

and you've got this completely white body laying there

and he's trying to create great products.

-So they have this

-BLEEP...

This bear is a big thing to them,

so we need to put the bear in the movie.

In my season, we lost because we didn't use the bear.

But if you had this as a beach thing and you had somebody walking,

jogging through, or kids,

and a mom spraying a kid and getting it all around him.

-The mom's really excited.

-You've got to show that, too.

HE SIGHS

This is going to be hard to do, man.

You just don't have time to sit around and just keep pondering

and pondering until hopefully something falls out of the sky and hits you on the head.

You've just got to find something that you think's going to work

and go with it.

OK, in the beginning...

there was a caveman

and he was very sad.

You know, because he had a sunburn all the time.

You put a caveman in a modern situation, you've got comedy.

So, then,

as civilisation became more civilised,

they've got their old-time bathing suits and, you know, lotion,

just put lotion over or something like that.

And then the last scene, we go to colour,

everybody's young and new and fresh and beautiful.

Cavemen are always funny.

Cavemen are funny.

-Hello.

-Hi.

-Nice to meet you.

The Australian Gold executives come in,

Eric and Katie. Katie is gorgeous.

And our task this week is to create a silent movie for Australian Gold sunscreen.

Got a question for you, right off the bat.

-OK.

-This koala bear.

Is this the importance of the branding?

Sydney is definitely important to our brand.

We've deemed him as the coolest dude on the beach

because everyone that uses Australian Gold

they are really sun enthusiasts, they love having fun in the sun.

I've been to Australia a lot.

And I've been to some of these koala places where they sit in the tree

and eat eucalyptus leaves and get higher than bats.

Where do you see koalas on the beach?

My questions get easier.

Gary is a wonderful guy.

We all love him.

He's fun, he's charming, he's all over the place.

I mean, that's Gary being Gary,

and that's why we love him.

GARY CLEARS THROAT

But there's Gary's process that is just mind-boggling.

We have one of the best fragrances, that's why people love our product.

What does yellow smell like?

What does yellow smell like?

-Vanilla.

-Oh, vanilla.

That's different. I rest my case.

We like you, Gary. You're fun.

Thank you for the tip.

In my understanding of marketing, 60 seconds is not a lot of time.

We need to find the angel on top of the Christmas tree.

Of all these products, which one is the most successful?

Anything that has bronzers tends to fly off the shelves.

As we said earlier,

Australian Gold brings colour to an otherwise black-and-white suncare world,

so you've got some great products to highlight.

We are going to leave the creative aspect up to you.

They are very specific on what their bestselling products were,

and the koala, coolest dude on the beach.

And now we have to put all the puzzle pieces together

and hopefully make it work.

Well, we wish you all the very best of luck.

You've been very precious for us...

with your verbiage

-and your connection with us as people and artists.

-Thank you.

And we have compassion on what your passion is.

Oh, thank you.

-Thank you.

-All right, good luck.

-Thank you.

Hi, guys. How are you?

Very well, thank you.

-Hello.

-Hi there, very nice to meet you.

You guys have a seat.

Please, please sit down.

I remember the last time we talked about the fragrance,

we talked about the feel.

Yes. Our products are for those sun enthusiasts that love being outside

and love having fun outdoors.

One, two, three.

So can you really walk these guys through

because they didn't go through that task so they don't know it?

So please tell them a little bit.

And then we didn't have this the last time,

so tell us about this one.

Because Lil Jon had done an Australian Gold task before,

he was very good and kind of almost,

in a very pointed way asking

the executives, Katie and Eric,

to describe the differences among all of the products,

which I thought was kind of ballsy

but, you know, very good information.

-KATIE:

-I think aloe is going to be a necessity for everybody

who loves to spend time outdoors.

If you all want to try some, it has the most amazing feel.

Sitting with executives, it costs you time.

Let's just implement what we've come up with,

the caveman stuff.

-Thank you. We're excited.

-Please use some.

-Enjoy.

-For sure.

-We wish you all the very best of luck.

-Thank you.

Hope you have a lot of fun with it.

Thank you very much for your time.

So nice to meet you.

Nice to meet you. Thank you.

OK. I don't want to waste a lot of time.

All right, I'm just going to give you some points.

Whatever kind of person you are, you like being in the sun,

winter, summer, whenever, we've got to showcase that.

Yeah, and I still want to do this caveman stuff.

HE SIGHS

Do you have an idea for a story?

The male and female,

and the female is very much afraid of the sun.

Would she be scared of the sun like this, like in a silent film?

Yeah, she is, "I don't want to be in the sun."

She is not a vampire or anything?

Well, she's a vampire with a day pass,

but she's afraid to get out there.

It could be they went to go in the desert and take peyote,

but they forgot the peyote.

Do we play the vampire thing at all?

-Who?

-Do we play a vampire thing?

-No, no vampire.

That's just the element of surprise of what is in her character.

Oh.

So you're sitting there for instance and Gary turns around and says,

"Well, you know the emotional cortex of the vortex

"of the cerebellum of the cerebral..."

And he just, he just...

And you just sit there going...

I want to find a way to get Sydney the koala in there.

The first thing she said, Sydney the koala is definitely important.

I think it was an unspoken understanding,

you had to guide and redirect his thought process, like herding sheep.

I'd like to make another suggestion.

Who's the director?

We are all going to be a part of all of that.

I'm asking all of you to be involved with your vision.

I still want to do this caveman story.

I'm telling you,

I think we really got to show more than just being in the sun.

We're not going to

get into the specific benefits of each and every product.

I'm going to focus on telling the story first. That's it.

Lil Jon felt like on the task they had done before

that they had lost because they didn't incorporate enough of the individual products.

Let's just concentrate on creativity and brand messaging.

Let's don't try to integrate the product into the silent film, OK?

That all comes in our last scene.

When you've got three criteria that you're going to be judged on,

if you win in two of those three criteria, you win.

Because I've dealt with Australian Gold before, I know what they want.

Product integration is like super important.

They want to see their product,

but the project manager wants stuff a certain way, so if we lose,

that's going to be on Trace because that was his decision.

Trying to brainstorm.

What are you wearing, Gary?

Would you wear a bathing suit?

-No.

-Would you wear an old-fashioned bathing suit?

No, no. No bathing suit at all.

-Nude?

-No.

Just as thought.

We could also do you know the guy selling watches,

and have all the products.

Maybe a bandolero.

That's good.

When you show up...

and you reveal the products, is it all the products?

It could be what Penn said, the coat with all the products in it.

We also want to make sure we don't do a flasher thing on that.

That's what I'm worried about.

In the name of time management,

A, I don't know where you will actually get one of those coats

that has the pockets to put stuff in it.

B, bronzer is what sells.

Yes, that's very good. We'll utilise this.

In my mind, focusing on the SPF 15 bronzer is the wise decision,

and we just went from there.

I want to end this with a funny surprise.

He could be the prince of Australian Gold.

So the boyfriend could be begging her to come out from under the umbrella

and then you come in as the hero and go...

-Look what I have.

-Exactly.

And you then spray it on her...

And your faces go together, and you go to kiss...

And it comes out. Very cute.

-That's very cute.

-It's very cute.

Your role is kind of cupid and your arrow is kind of the bronzer.

Not kind of, it is. And it's a reveal where I go like this...

-Yeah.

-Thelonious Monk.

"The genius is the one who is most like himself."

-All right.

-That's a button.

-Now it's story time.

-Gary is project manager.

I wanted to feel what that roller-coaster would feel like.

From the moment I agreed to do Celebrity Apprentice All Stars,

I was hopeful to be riding that train with Gary Busey in charge.

I like him as the engineer.

"Yeah"! I wanted to hear that a lot.

Yay, yay, yay!

OK, we'll go to the store.

You guys will go to the studio.

-Is there anything you want us to be doing?

-Shot list.

-OK.

-Gary said, "I want to go shopping.

"And Stephen and Penn, you go to the studio.

"And you come up with a shot list".

And that's where I was like, "Uh-oh."

The project manager needs to go to the studio,

create the shots and everything.

Aye, aye, aye.

He's a project manager, I do as I'm told. Gary and I go shopping.

-OK!

-Oh, Gary.

We're going to where first? Canyon?

And then we're going to go to Quicksilver or Toys "R" Us

as quick as possible.

PHONE RINGS

'Hello, Penn.'

Hey, Lisa. What is Gary wearing?

Gary, Penn wants to know what you're wearing in the scene?

We're looking for the gold, silver suit.

Right.

Why don't we dress him in beachwear?

-Who, me? No.

-Why don't we put him in beach shorts?

-No, no, no.

-And a Hawaiian shirt.

Beachwear would look great.

-No. I'm not wearing that.

-'They've got Hawaiian shirts at Quicksilver.'

-Hawaiian shirt would be cute.

-Listen to me, it's got to be something out of the ordinary.

But, Gary, we're selling suntan lotion.

Oh, my God, man! You don't get it. I'm the project manager.

-I know what I want to wear.

-All right.

We are all wearing beach clothes,

and Gary's going to come in his suit

and be kind of the Australian Gold guy.

Now, what are we doing here, honey?

We're getting bathing suits.

-We're going to babysit?

-We're going to get some bathing suits.

I heard you. I just like to play with nonsense.

Oh. Wow! That was neat.

OK, let's go.

Now that I've been with Gary for seven weeks,

I think I've learned how to go with the flow a little bit.

It's not easy.

We are looking for Hawaiian shirts and we need some board shorts.

I'm somehow learning how you can kind of get Gary to say yes

when he has said, "Absolutely not! I will not wear a Hawaiian shirt!"

This is a great one.

Is that a size medium?

Look at that. For you!

I go, "Oh, how about these? "We're going to get that for you.

"Perfect, right?"

What size are you?

-I'm a large.

-A large, OK.

Gary in a Hawaiian shirt and board shorts.

-That's good.

-How much?

-MAN:

-320.87.

Three, and four.

Yay, look out! Coming through!

Hello, hello.

Hair and make up.

DPs.

-And...

-Steve. Nice to meet you.

-OK.

-OK. OK. Hi.

So we walk into the studio space where we're going to actually

shoot the silent movie.

It's Fred Flintstone.

-That's great!

-That's...good.

And we walk in with all of our props,

things that we picked out in the streets of New York.

Trace, just tell me real quickly because I can make them,

I can make a bikini out of it and a little bottom.

Does that work for you for the girls?

Hey, it worked just then.

OK.

LAUGHTER

We knew that Lil Jon was going to direct.

There were four models who are waiting for instruction.

Everything you do should kind of like be an animated sad face.

There were so many moving parts to this, hair and make-up,

wardrobe and production.

I'm definitely from the school of why do when you can overdo.

Is there any way to make it so much less sloppy?

This team needs a win in a big way,

and how great would it be if they won now that I'm on their team?

That would be, like, unbelievable.

You're going to be very animated.

Like, when you play, you're going to be...

But you're kind of like depressed, you're not really happy.

You know, you're carrying your umbrellas.

Could we see...? Do you want to blow those up for us?

That would be great. Would you do that?

Let me just see something.

-This one will look better.

-This one will look better.

But it's... Do you mind showing...?

Oh, sure, yeah. OK.

Marilu is very detailed and very meticulous.

She's your Energizer Bunny. That's her.

I have to like set up my environment to win.

You have to be very like animated and very like, "Ooh!", you know?

She's on 11 all the time.

You know, my knob goes to, like, two,

hers goes to 11.

Some people can hit ten, she goes to 11.

We are never going to pull this off.

Just calm down. Everything's good.

Well, here we are.

We have to make

a 45 to 60-second silent movie about Australian Gold sunscreen.

Please get it done yesterday.

I think the idea of making a silent film is cool.'

'I think the idea of making a silent film

with Gary Busey as your project manager is terrifying.

Oh, hubba, hubba, hubba.

Basically, the concept of Plan B's silent film is

boy and girl hit the beach, she's scared of the sun,

and the messenger of Australian Gold sunscreen arrives to show her that

the bronzer is the way to go

and enhance the experience between the boy and the girl.

Let's continue with our shot list.

OK, what have you got?

"Never fear, the messenger from Australian Gold is here".

Are you really suggesting that?

I think it's cute.

When Stephen Baldwin says, "Never fear, Australian Gold is here,"

that seems to me to be not funny,

but rather merely a cliche.

And you want, "Never fear, Australian Gold is here"?

I don't think it was very funny.

It's funny.

It's pretty clear that Stephen Baldwin's sense of humour

and mine differ, but you know, we're all trapped in our own taste.

I think it's funny to go from cartoony to desert.

Yeah, I don't think were going to have time for that.

-But we'll see.

-No.

OK.

Stephen kind of forces his will.

It was very clear that my ideas were not clicking with Stephen,

so I'm in that position which is,

"What can I do to help? But, man, I... If you... OK."

This time I was kind of support staff.

What's funny?

I think something like, "Never fear, Australian Gold is here."

If you want a cliche, that's it.

That is pure Dudley Do-Right.

Penn Jillette creeps me out, dude.

Anybody that works in illusions and magic,

they already creep me out.

And then he's really big, that creeps me out.

So I think if Penn creates more problems

and I've got to slap him upside the head,

I'll just need a footstool.

Still no Australian Gold.

What's this? A friend?

The task this week is to create a silent film that promotes

Australian Gold products. You know, if you're a project manager,

it's an intense pressure cooker.

-Whoa! Whoa!

-Hey!

Sometimes people don't recognise the Fred Flintstone in themselves.

Sometimes they don't realise how...

How animal they are.

Well, I basically am a housebroken caveman.

A lot of times people ask me a question and I'll just go...

HE GRUNTS

LIL JON LAUGHS

And I've got these knots right here that I think are Neanderthal.

I really do. Right there.

Can you see that?

Dude, that's Neanderthal right there.

It's in my genes.

-Three minutes, ladies.

-OK, OK.

I need you on set.

Here I am in this little tiny sarong bikini thing putting the lotion

you know on the girls, inside of their legs and all over them,

but also trying to get myself ready,

making sure their hair and make-up looks good and fly.

And here I am in this costume trying to do all this with these girls,

and that was very interesting.

Take your shirt off and you put this on.

Hey, caveman.

What do you think about modern women?

HE GRUNTS

SHE LAUGHS

There have been scantily-clad women in 95% of the videos I've made.

Man, this is a good job.

Toss it behind you and give each other the look.

Let me see what the next thing is.

-Hey, Don, how are you, buddy?

-What's going on?

Wait till you see this.

-Hey, Don.

-How are you?

Very nice. Just observe.

Actually, now would be a good time just to pause.

And, Penn, would you explain to Don Jr, while he's here,

-what we're doing?

-We're starting out with a couple.

She is comfortable in the sun with an umbrella and a big hat.

Gary Busey appears, kind of a bit insane.

-Is that an act or does that just come natural?

-A bit eccentric.

My initial thoughts on Plan B are that they seem very relaxed.

They seem like they have it together,

that they are not that rushed, they're not that stressed for time.

So whose idea was the concept?

Hard to say. Probably mostly Gary.

So what have you been doing as PM? Who have you delegated what to?

Lisa and I went shopping.

I'm the money guy. Penn is making sure all this is in order.

I chose Lisa to be the actor.

Listen, I always like using celebrity when you actually use someone as the models.

When you have a Lisa Rinna sitting on your team,

I think it's good for the brand,

I think it's good for Australian Gold in this case to have a celebrity

highlighted as part of the product promotion.

-Don, nice to see you.

-Good to see you, Lisa.

SHE LAUGHS

Yeah, nice to see you.

Much better her than you guys in a bikini type outfit.

I think the boardroom visits are always a little bit awkward.

I'm standing in front of Don Jr in a swimsuit.

I was embarrassed a little bit.

Usually I'm in you know proper clothing.

And when do we go in the bikini?

-That's after.

-Very nice.

Like, I was making sure my booty wasn't hanging out,

making sure it's all covered.

-I mean...

-I look forward to seeing the end result.

That is quite the outfit.

Hey.

I like this. Bamm-Bamm.

This is incredible.

OK, project manager.

He's lost it, officially.

I know. I have.

-How's it going?

-I have no dignity.

Ivanka came in and laughed at me...

for...

what seemed like...

an unbearable length of time.

Hey, are you just going to stand in here and laugh at me all day?

She got a big kick out of seeing me looking like an idiot.

Tell me, what's going on?

It's BC, right?

Man was sad then he found something.

He found a portal. I'm going to go through the portal.

Then I come out 1920-ish, somewhere,

so things have gotten a little better, but he's still not happy.

-Not quite there.

-There's no colour, it's still black-and-white,

there's no colour.

So he looks at the portal and thinks, "I'll try it again."

Then he comes out in 1986.

Australian Gold is created, everybody's partying on the beach.

-It's all in colour.

-Very interesting.

I do think they have a very good concept.

I think it's about execution, as everything is,

but I think particularly with something that's supposed to show time travel.

Well, I look forward to the presentation tomorrow.

-See you later.

-Good to see you.

If it's not well executed,

it won't be particularly funny or interesting,

so I think Trace has a tough job ahead of him.

Come on, I need these ladies.

I need the ladies.

Take the tops off.

-WOMAN:

-I thought you meant my top.

LAUGHTER

Oh! Really?

Really? No, I was like take the tops off of the bottles.

It just happens to be that the animal for affection

happens to be the logo for this Australia Gold.

The task was making a silent film for Australian Gold,

and Sydney Koala is Australian Gold.

You carry him like this

and you have your umbrella here.

-See, I'm afraid of the sun.

-Why is she afraid the sun?

-Why?

-Because she hadn't had the beauty of Australian Gold.

It happens to be representative by this little,

coincidently, this little

safety animal she has in her possession.

I'm looking at it like,

"OK, Gary, if the koala bear has to be in there

"and Lisa's got to hold it and you want us to work it in there,

"whatever, dude."

When Gary is here...

I have to be completely open to whatever changes he may make.

I will...

do my very best to manage that with him.

I have the whole thing shot listed.

I really appreciated Gary's sensibility of like,

"Everybody's going to direct."

For me, the whole dynamic is so insane,

it just doesn't work like that.

I'm not trying to win the Academy Award here,

I'm trying to do something quite simple.

Nothing's going to get done if there's too many cooks

trying to make this broth.

Cos here's the thing...

Here's the thing that I'm anticipating.

You've been doing this a long time. I've been doing this...

If the movie in itself is just so much better,

I think that's going to say a lot.

-No, I know it will.

-That's what I'm trying to get your back about.

It just led to me taking the bull by the horns and becoming the director.

Am I clean?

How exciting! I'm directing Gary Busey!

I think when you have a Stephen Baldwin back in the studio

trying to work out the technical aspects of this

because your project manager is Gary Busey...

..that's a blessing in disguise.

And we're rolling and action.

Cut. I'm going to say this to you and just not sugar-coat it.

When you do that smile, it's almost kind of mean.

Oh, no, no. I'm not going to do that.

I want to see a smile of you closed.

Give me a closed-mouth smile.

Let's see it again, are you ready? And action.

That's great. That's perfect.

We got it.

It's like the old days.

Stephen Baldwin took the leadership of the directing

and knew when there were "uh!"

And knew when they were too much "eeh!"

All right, let's move onto the next bit.

From there, I want to get very specific about the behaviour, OK?

Because in these silent films it was all in the face.

I still didn't really know what we were going to do until we stood out there

and Stephen literally started to put us in place

and try ideas.

This can be like, again, a lot of camp in this. Pop it.

Over your head. No. Cut.

Stephen's now running the show, clearly.

It was his creation.

Now, wardrobe change.

Now Stephen has stepped up and taken such a strong role,

that makes him vulnerable if we lose.

This is a bit of a crescendo in our story.

We reversed their sides on the screen.

Doesn't matter. But, OK, go the other way.

Thumbs up, Gary.

Perfect! I want one more.

All right, are you ready?

All right, roll camera.

All right, ready for you, Trace.

And action.

HE CHUCKLES

I love it. Just do it one more time.

OK.

There's so much to do with this movie,

we have to do three separate scenes,

so with every scene you're changing costumes, you're changing lighting,

you're changing your set-up, you're changing your camera angles.

You know, it's going to be tight.

Y'all got two minutes on that make-up.

I got to start shooting.

And action, everybody.

Wait a second. Can I just say something?

Instead of opening, they could do that cos that's what they had in the '20s.

You know that... The pop-up ones.

They didn't have that bit, if they manually do it.

-I don't think it matters, it's so quick.

-OK. OK, fine.

-And action, everybody.

-Can I do something though?

Oh, my God.

Burning daylight. What time is it?

It's five to five.

Oh, yeah, we got to be through with this in 15 minutes.

Marilu, her mind when she gets going and going and going

and going and going, it's just like

firecrackers just going off.

Ideas in her head are just going and going.

You're waiting for her. She... Thank you very much,

she takes it and the two of them walk off.

I think she sometimes has to catch up with her brain

because her brain is moving so fast.

OK, here's a question for you guys.

-Is there anyway we could make...?

-No, no, no, Marilu.

We got to shoot. Come on. And then that's it.

-Jon, we have to go.

-What time is it?

-We have to go.

She's saying even right now if she had got everything,

it's going to be super-tight even right now if we were there.

We're wrapping up in the studio, it's down the wire.

I'm freaking out, we've got to get this video over to the editor.

-This is like our last little shot.

-Tell me this.

-We've got to add this.

-Do we have any tape and you can send this tape

to the editor right now?

I already sent one of the tapes.

She said she's done, she said if you can send the next one.

They're trying to wrap me up

and I'm like, "No, hold on, one second."

We've got one more shot to get and it's the hero shot of the product

because we don't show the products at all till the end of the movie.

Caveman, you got to step in real quick so we can knock this out.

And I don't give a damn what anybody else tells me,

I'm going to make sure we get this shot because that's like one of our

most important shots of the day.

We got to go. Table to the left.

-All right.

-OK.

-Action.

Everybody having a good time, party, party.

Yeah, that's pretty cool. All right, cut.

-I think that's it.

-OK.

-You got anything else? That's it?

-I think that's it.

-Let's go.

-We wrap?

-Let's wrap.

Why couldn't this be right by the studio

where we're editing? Editing.

Oh, my gosh, we're never going to finish in time.

We've got New York traffic to get through.

We know we have a lot of different shots,

there's going to be a lot of tweaking.

There's kind of a special effect involved,

there's black-and-white to colour.

In the car, in traffic.

It's a lot of different moving parts,

so I just hope we don't run out of time.

Time to get the work. Get this thing done.

-Plan B, good afternoon.

-Hey.

How are you? I'm Gary Busey.

-Nice to meet you, I'm Anthony.

-I'm the project manager for this show.

-OK.

-Penn Jillette.

The task this week is to write, direct and produce a silent movie

that incorporates Australian Gold.

Let's finish the rough because we've only got two hours.

We got to the edit bay, I was

the one kind of trying to do triage.

Now, go back to the top

and take all the black and white and speed it up a little bit.

Nice. That's a good speed for it.

I thought that was very fast.

-LISA:

-I like it fast.

-I think you're going to lose the story.

You're going to lose nuance if it goes too fast.

I think it's better faster, too.

And it also covers some stuff that's not comedy-timed very well.

Penn, you know what, brother? I don't get you sometimes.

It covers up some things that maybe just don't work.

What does that mean?

There's some stuff in here...

-Right.

-..that is a little bit laborious

and going faster fixes it.

What perhaps as laborious to you is charming to others.

OK, OK.

-There's no doubt about that.

-OK.

I thought I was giving my opinion,

you could tell that by the fact I was talking.

I understand that.

But I have to wonder about your motive.

There is a lot of what comes out of Penn's mouth

that wastes a lot of time.

Why would I want to cover up something that was good?

I don't know.

He just said something...

that's kind of a subliminal way of saying,

"That's sucks, so the way to make it work is just make it go fast."

That's like three times faster than normal.

If you had a vision of this that it has to be going much slower,

then that's fine with me, too.

'I could have simply said,'

"Going faster covers up the places where you sucked."

Now, saying it's funnier faster absolutely says,

"It's less funny slower."

It says the exact same thing.

I was giving my opinion and if you don't want it, I can back off, too.

I can do that easily.

Well, crap.

Well, you've got the other take where you do one and the other.

-Boom! Things have changed.

-No, but you did it the other way.

-More moisture. OK.

Remember the second take you did,

we did with the two different actions.

No. Well, where will you hear the drumroll start?

-Right there?

-OK.

-Yeah.

I think that we're rushed,

I really do because we have to get the music

and we have to edit it.

OLD-TIME PIANO MUSIC

-So just from the top there?

-No, no, no, no.

It's at about seven or eight.

Right there.

I'm sure it's me and Marilu are freaking out more.

Trace and Lil Jon have kind of the same type of temperament.

They're relaxed, they're cool.

-Go to five.

-Me and Marilu are like,

"Come on, let's get it in!"

-We are good on time.

-Right at 60?

Yes.

-We're done.

-We're done? We're done.

I'm so excited because it looks even better than I thought it would.

It's really come together.

There's always that feeling like, you know,

I really want to do a great job for the new team.

I cannot wait till tomorrow to see how it all works out.

I hope our team wins.

-LIL JON:

-Another day is done. My black ass is tired as hell!

SPEEDEDUP MUSIC

At that speed, we don't need to cut off heads or tails,

-we can let it breathe there.

-It works.

-Let's see 200.

-Let's see 200.

-Probably just as good at 200.

-This is 200?

-OK.

-They both work.

-They both work for me, too.

It turns out I was right,

but that doesn't change the fact that I could have been kinder.

It's very hot, guys.

That is real collaboration on a project

that isn't just positioning for dominance.

Whoa! 56.5.

-Congratulations.

-Congratulations.

Outstanding.

I think it was my vision,

but I think the concept in the end was a collaboration

amongst all of us.

I had doubts all along the way, but I feel very good about it now.

It's very good, it's very good.

Championship. Championship. Championship.

Boom! Today is the big day.

The task was - create a silent film.

We were feeling pretty good.

Gary was feeling good, he had his koala.

If Ivanka or Don Jr look and say,

"The executives just love that you brought the koala bear into

"the theatre when they saw your movie,"

I will eat my hat.

Good morning, ladies and gentlemen.

We are Plan B.

And I would like to thank you for coming to us

to ask us to put together a silent film for you

showing millions and millions of people the different ways

this can form into your skin and be a part of your working,

personal and professional body.

I'd say it was about a 50-50 split

between really saying stuff that nobody really knew

what he was talking about and somehow it all just worked.

Sydney Koala is Australian Gold.

Have fun.

While our little silent movie was

going on up here, I was like this, watching.

But then I had this power,

to check out the faces of Ivanka, Donald Jr, Katie and Eric.

And they reacted...

at the right time.

T-H-A-N-K to my team-mates

for supporting me as project manager.

And don't forget who this guy is.

Sydney Koala.

Australian Gold.

-Thank you.

-Thank you.

Thank you very much.

-Thank you, guys, well done.

-Yay!

I'm so happy.

This is the moment of truth.

I hope they like ours and that we win.

It's time for Team Power to win!

-Good morning.

-Morning.

Imagine if you dare a world without Australian Gold.

THEY LAUGH

I'm completely humiliated.

-I bet.

-I hope you enjoyed it.

I'm proud of this little thing.

They didn't boo us when they watched it, so...

that's good.

Hello, Eric and Katie.

-Hello.

-Did you enjoy it?

We had a great time and the teams did great.

How did Trace's team do?

We were really impressed with the focus of the group.

They really grasped the concept as far as audience engagement,

creativity as well as brand messaging. Thoroughly impressed.

-Eric?

-I agree with Katie.

Trace's team did a wonderful job integrating the product

and showing the full breadth of our brand.

Very good. How about Gary's team, Katie?

Gary's team, they had so much creativity in theirs, as well.

We loved... We loved Lisa,

we were just completely captivated by her on-screen.

Was she the star of the team?

In some ways, yes, but we were still impressed with Gary, as well,

especially going back to the executive meetings.

Do you like her lips?

-Well, yes, of course.

-So if you had lips like that,

do you think you would have won Miss America?

I don't think so.

She's stunning.

Who's the star of Trace's team, would you say?

-Trace himself.

-Trace himself.

-He put himself out there,

dressing up as a caveman and it was wonderful.

-You thought he was good?

-Absolutely.

So what do you think in terms of the messaging,

in terms of the end product?

Were you disappointed by something?

Both of them were able to have so much creativity

which directly translates into audience engagement.

They both had great stories to tell

and they both focused around the product.

But for Gary's team,

we would have loved to see more of the products

and for Trace's team,

we would have loved to see the products earlier.

So both teams did a really good job, they're both very, very close.

Eric, who's the winner?

It's an incredibly difficult decision, however the winner is...

-Gary.

-Mr Trump.

So how did you like being project manager?

I loved it very much

and the reason I did was because each team mate is excellent

in their own way of giving, creating and focusing on the project,

which was Australian Gold featuring Sydney the koala.

What does that mean?

That means Sydney the koala is the main logo

that represents their force of nature with the product.

OK. Who was your star, Gary?

Who was your best player, would you say?

-Everyone.

-Every single one?

-Every single one.

-Stephen, Penn, Lisa, all good?

-Yes, sir.

-Who was your best?

Who was your best?

We are all equal. Each one of us...

Who was your worst? No-one.

I had the opportunity of coming up with the plot about the female

who's very much afraid of the sun.

And we had a young man who looked like a surf hero.

Do I look like a surfer?

You look like anything you want to look like,

-and I would agree with it all.

-Good answer, Gary.

He has been learning.

-That's a good way... He's very smart.

-He's come a long way.

-You've come a long way.

-I'll call you Donald because I like you.

Absolutely, you call me whatever you want.

OK. So, Gary,

you worked with Australian Gold the last time you were on the show.

-Yes.

-Did you use any of that knowledge for this?

-No.

-I let that go because that's in the past.

The word past, P-A-S-T, stands for preoccupation about spent time.

-Sounds good.

-So I came into the now,

now stands for, N-O-W, no other way,

and we were in the now.

You feel very confident you won?

Very confident.

Very confident, in every way.

How do you feel about it, Stephen?

I think this is probably,

in all of my experience on Celebrity Apprentice,

the most creative and collaborative task we've ever executed.

-So you did well?

-I think we did very well.

What was your responsibility?

I took on more of a directorial position,

but we all worked together.

All right, good.

Penn, how did Stephen do as the director?

Stephen was really great.

He did most of the directing and, once Gary had the idea,

I think you got to say Stephen did most of the writing.

Well, I have to say this,

the executives thought that Lisa was fantastic.

-Well, of course she was.

-I don't know.

-That's excellent.

-Here, here.

-Lisa, I have to tell you that because you know last time

-you got fired real fast, right?

-Yes, I know that. Yes, I know.

So you must be so happy you did this second version.

Are you kidding me? I cannot tell you how happy I am.

I mean, you probably left the last time saying I'm, like, disgraced

and now you're like a star.

-Good move, Lisa.

-It feels good.

They loved Lisa, I have to say.

-Gary, go ahead.

-I would say on Lisa's behalf, I was the money guy.

We went shopping, Lisa and I did,

and she is what I call a consumer commando.

We hit Quicksilver, we hit Canyon,

we hit Toys "R" Us and we got the big koala.

-She knew plenty, right?

-What?

-She knew plenty about shopping.

-Yes, sir.

-Gary, let me ask you this.

Why we're you the accountant on your own task?

Why didn't you delegate that to somebody?

Because I was an accountant before and we did very well.

That was in the cube truck.

A little bit unusual, though,

you're the leader and you're the accountant on your own task.

Because I can do three things at once at the same time.

I learned to do that when I did my homework.

I watched Superman on TV and listened KRMG radio in Tulsa,

so I have that ability to do that.

-OK.

-Is it a bit superstitious?

Sir? I mean, ma'am.

Is it a bit superstitious?

You said that you had done well before when you were an accountant.

Was that part of your rationale?

No, ma'am. It was just a natural gift I have to do that.

-Fine.

-And I did it well.

-And we...

-Are you good with numbers?

Yes, sir. I took a six-hour mental test after my brain surgery

and after my cocaine overdose

and I scored very high on numbers and letters and memory of that.

You had brain surgery with respect to the motorcycle accident?

Yes, sir. I call it a motorcycle blessing

because I went to Washington and gave language to the HUD group

and that became the language for

the Traumatic Brain Injury Act that President Clinton signed in 1997,

so I am responsible for that.

You have to say, Trace, he is one hell of an interesting human being.

Do you agree? This is a different person, and frankly that's great.

I say that in a positive way, not a negative.

I mean, he's a whole different kind of a deal.

-Right, Penn?

-Well, I was...

I think that Celebrity Apprentice and Gary Busey are linked forever.

-I think so.

-It's like the Beatles on Ed Sullivan.

-I think so.

OK.

So, Trace, who was your star?

I don't know.

-We'll...

-Who came up with the concept for your commercial?

I did.

All right. It's good. And so how did you like Australian Gold?

What did you think of it as a product?

You're sort of light, right? You're sort of light,

-you use this kind of thing...

-I'm sort of light?

Light. Light-skinned.

I sat in a chair today and it crumbled beneath me.

No, I don't mean light weight-wise, that you're not,

but you have light skin.

-Yeah.

-What do you think of Australia Gold

-as a product?

-It smells good.

Smells good. You didn't use it?

I ain't been out in the sun in, like, a month.

That's what the hat's for, right?

Very little need... Very little need for sunscreen.

No, no, not wearing a nice hat like that.

-Yeah, well.

-I'd like to wear... I wish I could do that in New York.

-If I could get... I'd love to wear a hat like that.

-A cowboy hat.

I wouldn't have to comb my hair any more.

-Do it.

-You look great, Marilu, look at you.

Thank you!

Marilu.

-Thank you.

-She's all sparkly.

How do you like your new team, Marilu?

You know, these are great people. I mean, from the very beginning...

As much as your other team?

-You had a lot of wins.

-It's very different. I know.

-It's very different.

-You've been on a lot of winning teams.

-I know.

-She's a winner, man.

-We had a great time.

-She is a winner.

She is a winner. Good.

How do you like Trace as your project manager?

Well, this is now the fourth time I've worked with Trace as a project manager

and we've always done very well.

-Lil Jon, what do you think of Trace?

-Excellent project manager.

Very good. What do you think you achieved?

I think we did really good.

-I think we won.

-What did you contribute, Lil Jon?

I directed the movie and I helped Trace with the script.

You are becoming quite a director, aren't you?

Every time there's a directing task,

I know who's going to be taking charge of that element.

Ivanka, you look great tonight, too. Boy!

That's a good-looking daughter, do we agree?

-Gorgeous.

-Seriously gorgeous.

-Beautiful.

-You're gorgeous.

So, Lil Jon, so let me ask you,

do you think you were at a disadvantage with,

you know, we have an Academy Award kind of guy right here in Gary.

Were you at a disadvantage or not?

-We got Marilu.

-You do, you do.

She's won a lot of awards, too.

-Golden Globes.

-With all of the work...

Lil Jon, with all of the work you've done,

were you at a disadvantage because of Gary's experience?

No, because I think Marilu has just as much experience as Gary.

I used to watch Taxi as a kid.

-You know, so...

-Now I'm sitting next you, baby.

-Yeah.

The fact... I just happened to love Australian Gold...

The fact that you've worked with them before,

did that give you an advantage?

Yeah, because immediately I started to tell my team-mates points

that I remember from the last time we did the task.

Yeah, Lil Jon had brought up the fact to me that he had worked on an

Australian Gold project and he said we lost because

we didn't incorporate enough of the product into our presentation.

So you did learn a lot, Lil Jon?

-Yeah.

-Of course.

-And I said, "I appreciate that,

"I'm going to take that into consideration,

"but I'm going to tell the story, and that's what I'm going to do."

OK. So let me just tell you something,

and I usually don't do this.

The executives from Australian Gold thought both teams were incredible.

They loved both teams.

They had a very hard time making a decision.

And it's very close.

You don't have to fire someone.

Ultimately I could let everybody win,

but the good news is that they really thought both teams did well.

They have made a decision, however, and unfortunately someone lost.

Now I'd like to see, and I'd like to have you see, each other's work.

-Thank you. You very much.

-OK, can we put them on, please?

This will be Gary's commercial first.

OLD-TIME PIANO MUSIC

SURF GUITAR MUSIC

You look good, Lisa.

HE LAUGHS

HE LAUGHS

That is so funny, we picked the same music.

-You can dance.

-That's funny.

-We both used the same music.

-Same music.

-That's a riot, the same music.

-Yeah.

I thought it was very good. Did you think that was good, Trace?

-GARY:

-We were first, we were first.

-Yeah, it was good, yeah.

-How do you compare it with yours?

-Do you think they won?

-No.

You liked yours better?

-Marilu, how do you compare?

-I liked ours better.

-Why?

I think ours is a little more out there, a little more...

it grabs you more. I just feel like it's...

I don't know, it's just very different.

Brande, what did you think of their work?

I thought it was great. I loved the way that they use the product.

Do you like it as much as yours or more?