Browse content similar to Just as Simple as Making Soup. Check below for episodes and series from the same categories and more!
Line | From | To | |
---|---|---|---|
This season on All-Star Celebrity Apprentice, | 0:00:02 | 0:00:04 | |
14 legends of the boardroom return to New York City. | 0:00:04 | 0:00:09 | |
Rock star and Twisted Sister front man - Dee Snider. | 0:00:09 | 0:00:13 | |
Playmate of the year - Brande Roderick. | 0:00:13 | 0:00:16 | |
Country star and Celebrity Apprentice runner-up - | 0:00:16 | 0:00:19 | |
Trace Adkins. | 0:00:19 | 0:00:21 | |
I didn't come up here to just dig around, | 0:00:21 | 0:00:23 | |
I came up here to win, so I expect it to be a war of attrition. | 0:00:23 | 0:00:27 | |
Actress, host and author - Lisa Rinna. | 0:00:27 | 0:00:30 | |
Model and television host - Claudia Jordan. | 0:00:30 | 0:00:33 | |
The Apprentice original All-Star - Omarosa. | 0:00:33 | 0:00:37 | |
-My brawls are legendary. -THEY ARGUE | 0:00:37 | 0:00:40 | |
I ain't going nowhere! | 0:00:40 | 0:00:41 | |
-I'm going to teach you about leadership, -BLEEP! | 0:00:41 | 0:00:44 | |
I'm going to do whatever it takes to be here in the end. | 0:00:44 | 0:00:47 | |
Actor, author and entrepreneur - Stephen Baldwin. | 0:00:47 | 0:00:51 | |
Rock star and previous winner | 0:00:51 | 0:00:53 | |
of The Celebrity Apprentice - Bret Michaels. | 0:00:53 | 0:00:56 | |
NBA Hall of Famer and bad boy - Dennis Rodman. | 0:00:56 | 0:01:01 | |
Now here is the new improved and going forward Dennis Rodman. | 0:01:01 | 0:01:04 | |
The real Dennis is a very solid guy, but then he gets crazy with alcohol. | 0:01:04 | 0:01:09 | |
Hey, everyone gets a second chance, so this is my second chance, | 0:01:09 | 0:01:12 | |
I'm taking advantage of it. | 0:01:12 | 0:01:13 | |
Star of Taxi and bestselling author - Marilu Henner. | 0:01:13 | 0:01:17 | |
DJ artist, rap star and entrepreneur - Lil John. | 0:01:17 | 0:01:21 | |
Academy award nominated actor - Gary Busey. | 0:01:21 | 0:01:25 | |
Everyone that I see carries a rainbow around their shoulder. | 0:01:25 | 0:01:29 | |
Master illusionist and Vegas superstar - Penn Jillette, | 0:01:29 | 0:01:33 | |
and entertainment icon - La Toya Jackson. | 0:01:33 | 0:01:37 | |
Last week, Celebrity Apprentice winner Piers Morgan returned as a | 0:01:37 | 0:01:41 | |
boardroom advisor and renewed his feud with arch nemesis Omarosa... | 0:01:41 | 0:01:46 | |
It's really heart-warming to see such a delightful creature. | 0:01:46 | 0:01:49 | |
-Your mamma should know. -I'm on this side this time. | 0:01:49 | 0:01:51 | |
Who cares? Donald makes the ultimate decision, don't get it twisted, | 0:01:51 | 0:01:55 | |
this is not CNN. | 0:01:55 | 0:01:56 | |
..and Mr Trump got down to business, | 0:01:56 | 0:01:58 | |
giving the All-Stars their first task. | 0:01:58 | 0:02:00 | |
You're going to be making meatballs. | 0:02:00 | 0:02:03 | |
The one that does the best job selling is going to be the winner. | 0:02:03 | 0:02:07 | |
Dollar, dollar bill. | 0:02:07 | 0:02:08 | |
On Plan B, project manager Trace Adkins risked everything | 0:02:08 | 0:02:12 | |
by taking an unorthodox approach. | 0:02:12 | 0:02:15 | |
I don't even know that this thing needs to be open | 0:02:15 | 0:02:17 | |
for public business. | 0:02:17 | 0:02:18 | |
My plan is to just get big cheques. | 0:02:18 | 0:02:21 | |
-Team power. -Team power. | 0:02:21 | 0:02:23 | |
On Power, Omarosa set her sights on the only returning winner | 0:02:23 | 0:02:26 | |
of The Celebrity Apprentice, Bret Michaels... | 0:02:26 | 0:02:30 | |
It would be a moment of privilege | 0:02:30 | 0:02:32 | |
to take out the only winner in the game. | 0:02:32 | 0:02:35 | |
..and Trace Adkins found a clever way to deal | 0:02:35 | 0:02:38 | |
with his former rival, Piers Morgan. | 0:02:38 | 0:02:40 | |
-Follow me! -I told Gary to just distract him as long as he could. | 0:02:40 | 0:02:44 | |
The meatballs are lined up like this. | 0:02:44 | 0:02:46 | |
-Mm-hmm. -Then put them in here. | 0:02:46 | 0:02:49 | |
On the day of sales, both teams raised big money. | 0:02:49 | 0:02:53 | |
27,500! | 0:02:53 | 0:02:56 | |
-Two 10,000 cheques. -THEY CHEER | 0:02:56 | 0:02:58 | |
-100,000. -What?! -Not bad! | 0:02:58 | 0:03:02 | |
But in the boardroom, Stephen Baldwin admitted | 0:03:02 | 0:03:05 | |
to holding back his donors. | 0:03:05 | 0:03:07 | |
You're saving it all for yourself if you become project manager. | 0:03:07 | 0:03:09 | |
-Absolutely, Piers! -Despite Stephen's withholding... | 0:03:09 | 0:03:12 | |
You raised over 670,000 for your charity. | 0:03:12 | 0:03:16 | |
Thank you, sir. | 0:03:16 | 0:03:18 | |
-..Trace's risky approach paid off. -Congratulations, my brother. | 0:03:18 | 0:03:21 | |
And left to face The Donald, Omarosa went for the kill. | 0:03:21 | 0:03:24 | |
Tell him how much you raised. | 0:03:24 | 0:03:26 | |
I don't know exactly because it was the wolf in charge of the henhouse. | 0:03:26 | 0:03:28 | |
Oh, really? | 0:03:28 | 0:03:30 | |
In the end, Mr Trump decided that Bret | 0:03:30 | 0:03:31 | |
had already been given his chance. | 0:03:31 | 0:03:33 | |
I'm back here as a fighter, I'm back here as a winner. | 0:03:33 | 0:03:35 | |
But, Bret, you've been a winner, you are a winner, you're great. | 0:03:35 | 0:03:38 | |
Bret, you're fired. | 0:03:38 | 0:03:40 | |
Oh, my God, the longer this takes, the more I think it's Bret. | 0:03:48 | 0:03:51 | |
It's Bret. It's Bret. | 0:03:51 | 0:03:53 | |
But you think it's Brande? I'll bet you 5. | 0:03:53 | 0:03:55 | |
-Uh-oh. -Guys, we're back. THEY CHEER | 0:03:55 | 0:03:58 | |
Everyone's happy, what a nice reception! | 0:03:58 | 0:04:02 | |
The vibe coming back in the room actually was amazing | 0:04:02 | 0:04:06 | |
and I thought it was really nice that people were supportive of me. | 0:04:06 | 0:04:08 | |
I feel like I had to fight tooth and nail to stay. | 0:04:08 | 0:04:11 | |
I knew it was going to be hard, and I think that Donald | 0:04:11 | 0:04:13 | |
really appreciates that, and he appreciates the fight in me. | 0:04:13 | 0:04:16 | |
I wasn't going to back down and be fired. | 0:04:16 | 0:04:18 | |
Y'all were in there a long ass time. | 0:04:18 | 0:04:20 | |
-I know. -Because I kept having to defend myself with them. | 0:04:20 | 0:04:23 | |
The whole time, it was me defending myself with them. | 0:04:23 | 0:04:25 | |
Come, tell us what happened. | 0:04:25 | 0:04:27 | |
Bret got fired because | 0:04:27 | 0:04:28 | |
Mr Trump felt that he was a winner, he won already. | 0:04:28 | 0:04:30 | |
Why would he come back to the game? | 0:04:30 | 0:04:32 | |
You called that from first day. | 0:04:32 | 0:04:34 | |
-Wow. -Y'all are going to listen to Lady L? | 0:04:34 | 0:04:37 | |
I'm actually kind of in shock that my wish came true. | 0:04:37 | 0:04:43 | |
That the only winner to participate in this game | 0:04:43 | 0:04:47 | |
is gone on the first task. | 0:04:47 | 0:04:49 | |
-It's over now. -OH! | 0:04:49 | 0:04:51 | |
Deuces, Bret. | 0:04:51 | 0:04:53 | |
Tomorrow's challenge, they're going to come up with | 0:04:53 | 0:04:56 | |
-something crazy, so get ready. -I'm looking forward to it. | 0:04:56 | 0:04:59 | |
-Hello, everybody. -Oh, my gosh! | 0:04:59 | 0:05:01 | |
-Mr Trump! -Congratulations. | 0:05:01 | 0:05:03 | |
Thank you. | 0:05:03 | 0:05:05 | |
I hated to lose Bret, a great guy, a great player, a champion. | 0:05:05 | 0:05:09 | |
Tough one. OK, you ready? | 0:05:09 | 0:05:11 | |
-ALL: Yes. -So tomorrow, | 0:05:11 | 0:05:13 | |
you're going to get on what many people consider to be the greatest | 0:05:13 | 0:05:17 | |
private aeroplane anywhere in the world. | 0:05:17 | 0:05:20 | |
A Boeing 757, my plane. | 0:05:20 | 0:05:24 | |
THEY LAUGH | 0:05:24 | 0:05:26 | |
I like a private jet. | 0:05:26 | 0:05:29 | |
You're going to fly down to Florida, Universal Orlando Resort. | 0:05:29 | 0:05:34 | |
You're going to be given a task there. | 0:05:34 | 0:05:37 | |
Now, Trace, I understand you're not going to be with us - that's bad. | 0:05:37 | 0:05:40 | |
-Where are you going to be? -I have to go get on a ship, | 0:05:40 | 0:05:42 | |
I booked a cruise over a year ago, Blake Shelton and myself. | 0:05:42 | 0:05:45 | |
You will not be on this task, | 0:05:45 | 0:05:47 | |
you will be well represented by your team, right? | 0:05:47 | 0:05:49 | |
I firmly believe that, yes. | 0:05:49 | 0:05:51 | |
OK, right now, pick your project managers. | 0:05:51 | 0:05:54 | |
-Who're they going to be? -What's the task, though? | 0:05:54 | 0:05:57 | |
How are you going to step up if you don't know the task? | 0:05:57 | 0:05:59 | |
-You take your sack in your hand. -Yeah, watch this. -Go ahead. | 0:05:59 | 0:06:02 | |
Project managers? | 0:06:02 | 0:06:03 | |
Guys, I don't know what the challenge is, | 0:06:03 | 0:06:05 | |
but I have spent a tonne of time at Universal. | 0:06:05 | 0:06:08 | |
I love that place. I know it like the back of my hand. | 0:06:08 | 0:06:10 | |
-OK. Do it. -I'm ready to do it. -You got it. | 0:06:10 | 0:06:12 | |
This time out, I'm playing for Broadway Cares/Equity Fights AIDS. | 0:06:12 | 0:06:16 | |
I was on Broadway for a few months a couple of years ago | 0:06:16 | 0:06:19 | |
and gained a connection to the community | 0:06:19 | 0:06:21 | |
and the importance of this cause. | 0:06:21 | 0:06:23 | |
AIDS has not been cured. | 0:06:23 | 0:06:25 | |
There's still a lot of work to be done. | 0:06:25 | 0:06:27 | |
Who else is a project manager? | 0:06:27 | 0:06:29 | |
Who's going to be your project manager? | 0:06:29 | 0:06:31 | |
-You don't want to do it. -I want to raise money for Michael's charity, | 0:06:31 | 0:06:34 | |
-it means a lot to me. -So you want to go? | 0:06:34 | 0:06:36 | |
-I'll go. -All right. -I really want to raise money... | 0:06:36 | 0:06:38 | |
-OK, for Michaels charity? Excellent. -Yeah. | 0:06:38 | 0:06:40 | |
I am playing for my late fiancee, Michael Clarke Duncan, | 0:06:40 | 0:06:44 | |
for his favourite charity, the Sue Duncan Children's Centre. | 0:06:44 | 0:06:48 | |
I can't even express to you | 0:06:48 | 0:06:49 | |
how important it is for me to win this task. | 0:06:49 | 0:06:51 | |
What it would mean to just celebrate Michael's legacy. | 0:06:51 | 0:06:55 | |
So it's going to be Dee and Omarosa. | 0:06:55 | 0:06:57 | |
With Omarosa as project manager, I don't think it's going to be smooth | 0:06:57 | 0:07:00 | |
sailing, let's just put it that way. | 0:07:00 | 0:07:03 | |
She's already backstabbed everybody, and we're only into the second task. | 0:07:03 | 0:07:06 | |
Man, it's going to be rough. | 0:07:06 | 0:07:08 | |
It could get really heavy. | 0:07:08 | 0:07:09 | |
So we've just got to, no matter what, keep it together. | 0:07:09 | 0:07:12 | |
MUSIC: For The Love Of Money by The O'Jays | 0:07:18 | 0:07:20 | |
Good morning, welcome aboard. | 0:07:42 | 0:07:45 | |
How you doing? | 0:07:45 | 0:07:46 | |
Good morning guys. Good morning. | 0:07:48 | 0:07:51 | |
I feel like Michelle Obama. | 0:07:51 | 0:07:54 | |
If I had a jet like that, | 0:07:54 | 0:07:56 | |
there would be, like, eight, nine, ten girls in the damn thing. | 0:07:56 | 0:07:59 | |
Just moving it and having a good time and dancing, | 0:07:59 | 0:08:02 | |
-doing this, doing that, -BLEEP. | 0:08:02 | 0:08:05 | |
-You kidding me? -Trump ain't playing. | 0:08:05 | 0:08:08 | |
Trump don't play. | 0:08:08 | 0:08:10 | |
The plane... | 0:08:10 | 0:08:12 | |
Well, you know like when you go and fly | 0:08:12 | 0:08:14 | |
with another airline, commercial, | 0:08:14 | 0:08:16 | |
those are like 747s. | 0:08:16 | 0:08:18 | |
Mr Trump has his own 757. | 0:08:18 | 0:08:22 | |
Because he's Mr Trump. | 0:08:22 | 0:08:25 | |
Ladies and gentlemen, this is your captain speaking, | 0:08:25 | 0:08:27 | |
I'd like to welcome you aboard Mr Trump's Boeing 757. | 0:08:27 | 0:08:30 | |
Please turn your attention to the big screen TV. | 0:08:30 | 0:08:33 | |
Mr Trump has a message for you. | 0:08:33 | 0:08:35 | |
Good morning, everyone. | 0:08:35 | 0:08:37 | |
You'll be travelling, as you know, | 0:08:37 | 0:08:39 | |
to Universal Orlando Resort in beautiful Florida. | 0:08:39 | 0:08:43 | |
For your task this week, both teams will create a photo experience. | 0:08:43 | 0:08:47 | |
You'll have access to Universal's theme parks, where you can | 0:08:47 | 0:08:51 | |
capture really amazing photographs. | 0:08:51 | 0:08:54 | |
"Teams, here is your task," he always does this with his hands, | 0:08:54 | 0:08:58 | |
I don't know what this is. | 0:08:58 | 0:09:00 | |
Anyway, I remember a couple of seasons ago, the teams had to do a | 0:09:00 | 0:09:04 | |
3-D photo interactive experience for Harry Potter. | 0:09:04 | 0:09:08 | |
So I kind of figured it was going to kind of be like that, | 0:09:08 | 0:09:11 | |
so immediately I had some ideas pop into my head. | 0:09:11 | 0:09:14 | |
Now, you're going to be judged by the following criteria - | 0:09:14 | 0:09:19 | |
creativity of your photo experience, | 0:09:19 | 0:09:21 | |
integration of Universal's marketing campaign | 0:09:21 | 0:09:25 | |
and guest experience. | 0:09:25 | 0:09:27 | |
Dawn and Eric will be my boardroom advisers and will meet you | 0:09:27 | 0:09:32 | |
at Universal Orlando Resort. | 0:09:32 | 0:09:34 | |
The winning project manager will receive 20,000 for their charity. | 0:09:34 | 0:09:39 | |
The losing team will meet me in the boardroom | 0:09:39 | 0:09:42 | |
where someone will be, sadly, fired. | 0:09:42 | 0:09:45 | |
Go out and do a great job. | 0:09:45 | 0:09:48 | |
THEY APPLAUD | 0:09:48 | 0:09:50 | |
Game time. | 0:09:50 | 0:09:51 | |
If my team-mates are supportive, if they play a straight, | 0:09:51 | 0:09:55 | |
clear, strategic game, I'll play straight, | 0:09:55 | 0:09:59 | |
clear and strategic with them. | 0:09:59 | 0:10:01 | |
If they try to come at me, | 0:10:01 | 0:10:03 | |
then I'll have to go back at them with everything that I have. | 0:10:03 | 0:10:06 | |
You don't ever have to worry about me backstabbing you. | 0:10:06 | 0:10:09 | |
I'll come from the front. | 0:10:09 | 0:10:12 | |
Right now, everybody on my team is in Orlando, | 0:10:19 | 0:10:22 | |
and I'm in New York City, | 0:10:22 | 0:10:23 | |
and today is a fulfilment of the reason that I came to play | 0:10:23 | 0:10:28 | |
this game - to present a cheque to the people here | 0:10:28 | 0:10:31 | |
at the New York office of the American Red Cross. | 0:10:31 | 0:10:34 | |
-Hi, Trace. -Hello. | 0:10:34 | 0:10:36 | |
I'm Sam Kille. Thank you so much for coming to visit us today. | 0:10:36 | 0:10:39 | |
Sam, I'm very pleased to be here. | 0:10:39 | 0:10:41 | |
This cause is very personal to me. | 0:10:41 | 0:10:43 | |
We lost our home last June to a fire. | 0:10:43 | 0:10:47 | |
It was a total loss. | 0:10:47 | 0:10:48 | |
The Red Cross, they were there to take care of my family when I wasn't | 0:10:48 | 0:10:52 | |
able to be there. I'm a man that tries to repay my debts. | 0:10:52 | 0:10:56 | |
Well, Sam wanted me to meet you guys. | 0:10:56 | 0:10:59 | |
He said that you've got a story to tell... | 0:10:59 | 0:11:02 | |
-Yeah. -..probably kind of like mine. | 0:11:02 | 0:11:04 | |
It was a Tuesday morning, and I took Katie to school, | 0:11:04 | 0:11:08 | |
and I came back home to a full-on fire. | 0:11:08 | 0:11:11 | |
I mean, everything was gone. | 0:11:11 | 0:11:13 | |
Everything. Within 60 minutes, the Red Cross, they were there. | 0:11:13 | 0:11:17 | |
You're so courageous. | 0:11:17 | 0:11:19 | |
I know that the Red Cross has been a blessing to you, | 0:11:19 | 0:11:22 | |
and has been to me and my family, | 0:11:22 | 0:11:24 | |
and I want to make sure that the Red Cross is there | 0:11:24 | 0:11:27 | |
for more people. So, Sam, I want to give you a 670,000 cheque. | 0:11:27 | 0:11:33 | |
That is tremendous. Thank you very much. | 0:11:33 | 0:11:36 | |
And thank you, Angelina. | 0:11:36 | 0:11:37 | |
-Privilege. -On behalf of the entire American Red Cross, | 0:11:37 | 0:11:40 | |
and all of our volunteers, thank you very much. | 0:11:40 | 0:11:42 | |
This is the reason that I am here. | 0:11:42 | 0:11:44 | |
This is the reason that we are all here - | 0:11:44 | 0:11:46 | |
to be able to give back to people that help other people. | 0:11:46 | 0:11:49 | |
You can come back to New York. | 0:11:49 | 0:11:51 | |
All right, all right. | 0:11:51 | 0:11:53 | |
So going into the next task, I'll be gone, | 0:11:53 | 0:11:56 | |
but I really do seriously believe we have the best team, | 0:11:56 | 0:11:59 | |
and we'll prove that going forward. | 0:11:59 | 0:12:01 | |
-OK. -Take care. | 0:12:01 | 0:12:03 | |
Good luck. | 0:12:03 | 0:12:04 | |
Ladies and gentlemen, this is your captain speaking. | 0:12:11 | 0:12:14 | |
Welcome to Orlando, Florida. | 0:12:14 | 0:12:16 | |
Who's bag is this? | 0:12:17 | 0:12:19 | |
I've got mine, brother. | 0:12:19 | 0:12:21 | |
Y'all, we're moving to the right. | 0:12:26 | 0:12:29 | |
I am so excited to be in Orlando. | 0:12:29 | 0:12:32 | |
Mr Trump informed us that the task would be to create | 0:12:32 | 0:12:36 | |
this 3-D interactive photo experience that captured | 0:12:36 | 0:12:40 | |
the Universal Orlando Resort's new marketing campaign. | 0:12:40 | 0:12:44 | |
Wow! | 0:12:45 | 0:12:48 | |
-Oh, beautiful! -Look at our space! | 0:12:48 | 0:12:51 | |
When we got into our war room, | 0:12:51 | 0:12:52 | |
our first order of business was to check out the space, | 0:12:52 | 0:12:55 | |
and I was given 12ft to create kind of like a photo booth experience for | 0:12:55 | 0:13:00 | |
the guest, and what's more fun than going into a photo both with your | 0:13:00 | 0:13:04 | |
friends and taking pictures? | 0:13:04 | 0:13:06 | |
I want to run this project as if we are an ad agency | 0:13:06 | 0:13:09 | |
hired by Universal Orlando, | 0:13:09 | 0:13:11 | |
which means that we work in a team environment. | 0:13:11 | 0:13:14 | |
Everybody contributes equally. | 0:13:14 | 0:13:16 | |
Omarosa stepped up to be project manager, so the rest of the team, | 0:13:16 | 0:13:21 | |
we knew we'd have to win. | 0:13:21 | 0:13:22 | |
Because she can throw any and every last one of us under the bus. | 0:13:22 | 0:13:28 | |
You have to think that when you're working with her, | 0:13:28 | 0:13:30 | |
cos she's good at that. | 0:13:30 | 0:13:32 | |
-Hi there. -Hi, Omarosa. | 0:13:32 | 0:13:34 | |
I'm Omarosa, project manager for Team Power. | 0:13:34 | 0:13:36 | |
Welcome. The Universal executives arrived, Dawn and Alice, | 0:13:36 | 0:13:39 | |
and they came to, of course, give us more specifics about this | 0:13:39 | 0:13:43 | |
photo experience that they wanted us to create. | 0:13:43 | 0:13:45 | |
We'd like for you to create | 0:13:45 | 0:13:47 | |
a 3-D photo experience that will represent | 0:13:47 | 0:13:49 | |
all that Universal Orlando Resort has to offer. | 0:13:49 | 0:13:51 | |
We want you to actually go out into our parks and capture images of you | 0:13:51 | 0:13:55 | |
and our guests experiencing the exhilarating things | 0:13:55 | 0:13:58 | |
that make Universal Orlando unique. | 0:13:58 | 0:13:59 | |
So what questions do you have for us? | 0:13:59 | 0:14:02 | |
Mr Rodman has a question for you all. | 0:14:02 | 0:14:04 | |
-SHE LAUGHS -I do? | 0:14:04 | 0:14:06 | |
Omarosa is a no prisoners type of game player. | 0:14:09 | 0:14:12 | |
She was like, "And Dennis has a question." | 0:14:12 | 0:14:14 | |
Dennis was like, "Really, I do? Really? I do?" | 0:14:14 | 0:14:18 | |
I just... | 0:14:18 | 0:14:20 | |
As far as everything, what you've got on the display right here, | 0:14:20 | 0:14:24 | |
I don't see nobody that's famous on these posters, | 0:14:24 | 0:14:26 | |
that people are interacting with. | 0:14:26 | 0:14:28 | |
I think Dennis felt a little put on the spot, | 0:14:28 | 0:14:30 | |
but he eventually asked a question. | 0:14:30 | 0:14:33 | |
And actually, it was a good question. | 0:14:33 | 0:14:35 | |
I think what Mr Rodman is asking is, | 0:14:35 | 0:14:37 | |
do you incorporate celebrities into your advertising campaigns? | 0:14:37 | 0:14:41 | |
We currently don't have celebrities actually involved in the advertising | 0:14:41 | 0:14:44 | |
and the reason for that, you know, the characters are the stars. | 0:14:44 | 0:14:47 | |
Right. So what questions do you have for us? | 0:14:47 | 0:14:50 | |
First of all, I've been here between 50 and 100 times with my family. | 0:14:50 | 0:14:54 | |
-So you're familiar! -But now we need some more specifics answered. | 0:14:54 | 0:14:57 | |
And what do you think people like to do when they come here to take | 0:14:57 | 0:15:00 | |
-pictures? Is that a very popular thing? -It certainly is popular. | 0:15:00 | 0:15:04 | |
It's the moments where the son and the dad come off the ride | 0:15:04 | 0:15:06 | |
and high-five together to show | 0:15:06 | 0:15:08 | |
that it really is an experience where families can connect. | 0:15:08 | 0:15:10 | |
It's about memories, yes. | 0:15:10 | 0:15:12 | |
When we had a meeting with the executives, | 0:15:12 | 0:15:14 | |
one of the things she kept talking about was making some kind of a | 0:15:14 | 0:15:17 | |
memorable experience for families and for people who come to the park. | 0:15:17 | 0:15:20 | |
And I thought, great, | 0:15:20 | 0:15:21 | |
I love creating memorable experiences for people. | 0:15:21 | 0:15:24 | |
-Thanks very much, ladies. -Great. -Thank you. | 0:15:24 | 0:15:27 | |
-You're going to have fun out there. -Have fun. -Yay! | 0:15:27 | 0:15:29 | |
We have space to create four different experiences. | 0:15:29 | 0:15:32 | |
You can create three big ones, three nice ones. | 0:15:32 | 0:15:35 | |
-I'm thinking three nice ones. -Yeah. | 0:15:35 | 0:15:36 | |
And listen. We can actually have an arch that you won't see from | 0:15:36 | 0:15:39 | |
-there. -Like you're going from one world to the other. | 0:15:39 | 0:15:42 | |
-And then turn around... -Then you're in this world. | 0:15:42 | 0:15:45 | |
Then you go through the little things. | 0:15:45 | 0:15:47 | |
And then you're in Despicable... I love it. | 0:15:47 | 0:15:49 | |
I settled on the decision to create three unique experiences. | 0:15:49 | 0:15:54 | |
Lil Jon came up with a brilliant idea to enhance that idea of | 0:15:54 | 0:15:58 | |
the ability to move through each of those particular rooms. | 0:15:58 | 0:16:02 | |
I want someone to stay with me. | 0:16:02 | 0:16:04 | |
Then the four of you all can go out and do pictures. | 0:16:04 | 0:16:06 | |
I need to stay spot on with these deadlines | 0:16:06 | 0:16:08 | |
and all the moving pieces of this. | 0:16:08 | 0:16:10 | |
We had to incorporate pictures into our experience, | 0:16:10 | 0:16:14 | |
so I decided to keep Dennis with me, and I wanted Lil Jon, Claudia, | 0:16:14 | 0:16:20 | |
Brande and La Toya to go out and capture the photos as well as bring | 0:16:20 | 0:16:24 | |
back the different stuffed animals and the props that we needed. | 0:16:24 | 0:16:27 | |
Well, we still need to know what we're going to get. | 0:16:27 | 0:16:30 | |
Harry Potter, Despicable Me, | 0:16:30 | 0:16:33 | |
and we have to decide for the third one for us. | 0:16:33 | 0:16:36 | |
We don't have a clear definition | 0:16:36 | 0:16:37 | |
of what we're going to do for the middle. | 0:16:37 | 0:16:39 | |
We don't know what it is yet. | 0:16:39 | 0:16:40 | |
We know we've just got Despicable Me and we've got Harry Potter. | 0:16:40 | 0:16:43 | |
And we've got to go off and do pictures, | 0:16:43 | 0:16:46 | |
so hopefully by the time we get back, | 0:16:46 | 0:16:48 | |
she has a concrete, complete idea. | 0:16:48 | 0:16:50 | |
I'm of the philosophy there are no bad ideas, | 0:16:50 | 0:16:53 | |
just ideas that work and ideas that don't. | 0:16:53 | 0:16:55 | |
But every time we do any tasks, | 0:16:55 | 0:16:57 | |
they say you didn't use your celebrity enough. | 0:16:57 | 0:16:59 | |
You're a celebrity, you're a celebrity, you're a celebrity. | 0:16:59 | 0:17:01 | |
I would love to have cut-outs of all six of us on there, | 0:17:01 | 0:17:04 | |
people could get in and pose, that's 3-D. | 0:17:04 | 0:17:06 | |
That's incorporating celebrity. | 0:17:06 | 0:17:08 | |
I wanted this 3-D experience to be a celebrity-driven experience, | 0:17:08 | 0:17:13 | |
to engage the people visually with cut-outs of the team members, | 0:17:13 | 0:17:17 | |
and drive home Universal Studio's Orlando message. | 0:17:17 | 0:17:21 | |
But cut-outs, every single video store has those. | 0:17:21 | 0:17:24 | |
A picture that you'd really keep would be a picture that would pick | 0:17:24 | 0:17:28 | |
something impossible that doesn't look Photoshop-y. | 0:17:28 | 0:17:32 | |
That's a great idea. You could do something here, | 0:17:32 | 0:17:34 | |
what's called a Spidora allusion. | 0:17:34 | 0:17:37 | |
You just run 45 degree-angled mirrors. | 0:17:37 | 0:17:39 | |
People can get behind them. And you can float just their heads. | 0:17:39 | 0:17:42 | |
What's around a floating head to make it make any kind of sense? | 0:17:42 | 0:17:45 | |
Well, also these cats here could bang that out in no time. | 0:17:45 | 0:17:48 | |
They've probably got the stuff in their shop. | 0:17:48 | 0:17:50 | |
The fabricators were the same people that built | 0:17:50 | 0:17:52 | |
the Penn & Teller haunted house at Universal. | 0:17:52 | 0:17:53 | |
And they did a mirror gag, they know everything. | 0:17:53 | 0:17:56 | |
So it was almost like having my crew. So it was a complete gimme. | 0:17:56 | 0:17:59 | |
Someone can put their head up on a tray, | 0:17:59 | 0:18:01 | |
and you have a tray with no body that you're seeing underneath. | 0:18:01 | 0:18:04 | |
Wow. Penn Jillette. magician, genius, humorous, high IQ. | 0:18:04 | 0:18:10 | |
He is dynamite, the way he puts it together. | 0:18:12 | 0:18:15 | |
This was beautiful. | 0:18:15 | 0:18:16 | |
The head is here. There's nothing under here. | 0:18:16 | 0:18:19 | |
If we have, like, half of something, people aren't going to like that. | 0:18:19 | 0:18:22 | |
-Exactly. -What are we doing? | 0:18:22 | 0:18:24 | |
-Exactly. -We don't know. -Let's not burn too much time here. | 0:18:24 | 0:18:27 | |
Dee Snider is the project manager. | 0:18:27 | 0:18:29 | |
Dee is a super smart guy. | 0:18:29 | 0:18:31 | |
But he kind of started to get sucked into Penn's illusion. | 0:18:31 | 0:18:35 | |
I would be cutting bait here, because you're running out of time. | 0:18:35 | 0:18:40 | |
-We have two choices. -OK. | 0:18:40 | 0:18:41 | |
We can, oh... Wait a second. Wait, wait. Four is a problem. | 0:18:41 | 0:18:46 | |
Wait, do we know where we're going? | 0:18:57 | 0:18:59 | |
Omarosa sent Lil Jon, myself, | 0:19:01 | 0:19:02 | |
Brande, and La Toya Jackson out into the park. | 0:19:02 | 0:19:05 | |
-Where's my money, trick? -Here we go. | 0:19:05 | 0:19:09 | |
We had to take pictures | 0:19:09 | 0:19:12 | |
and buy a bunch of stuff to decorate our photo experience. | 0:19:12 | 0:19:15 | |
But we were leaving not knowing what Omarosa's total vision was. | 0:19:15 | 0:19:20 | |
Run, Forest, run! | 0:19:20 | 0:19:23 | |
It was so chaotic running around taking pictures. | 0:19:23 | 0:19:28 | |
I could never picture Omarosa running through the theme park. | 0:19:28 | 0:19:31 | |
She had it very easy. | 0:19:31 | 0:19:33 | |
She didn't realise what we were doing out there. | 0:19:33 | 0:19:35 | |
-She has no clue. -John, run! -I'm not -BLEEP -running. -No, run! | 0:19:35 | 0:19:38 | |
I don't want her to give us any excuses. | 0:19:38 | 0:19:40 | |
Dude, any man with three women shopping all day, | 0:19:40 | 0:19:42 | |
his feet going to damn hurt. | 0:19:42 | 0:19:44 | |
You're going to be tired! | 0:19:44 | 0:19:46 | |
Y'all not going to lose me, I've got the money. | 0:19:46 | 0:19:49 | |
Stop it! We were racing against the clock. | 0:19:49 | 0:19:51 | |
We were running like crazy. | 0:19:51 | 0:19:53 | |
We didn't stop. We were supposed to go get a bunch of different stuff, | 0:19:53 | 0:19:57 | |
so we got what we could. | 0:19:57 | 0:19:59 | |
We've got three minutes to get out of here. | 0:19:59 | 0:20:01 | |
Omarosa, she said get me stuff from Despicable Me and Harry Potter. | 0:20:01 | 0:20:06 | |
That's all she said. I wrote it down in my notes. | 0:20:06 | 0:20:08 | |
She didn't come up with a third area. | 0:20:11 | 0:20:13 | |
She only gave us two areas. | 0:20:13 | 0:20:15 | |
If we don't cover it, she's going to blame us. | 0:20:15 | 0:20:17 | |
We are all basically on pins and needles, | 0:20:17 | 0:20:19 | |
walking on eggshells because we don't want to mess up. | 0:20:19 | 0:20:22 | |
We are all trying to do our best! | 0:20:22 | 0:20:24 | |
Because we know that Omarosa is Queen Boardroom, | 0:20:24 | 0:20:27 | |
and she will fight the hell out of somebody in that boardroom. | 0:20:27 | 0:20:31 | |
We know she doesn't play in the boardroom, so we've got to win. | 0:20:31 | 0:20:33 | |
One, two... | 0:20:33 | 0:20:35 | |
What are you feeling, Dee? What is your gut telling you? | 0:20:42 | 0:20:45 | |
Well, we've got big ideas, | 0:20:45 | 0:20:47 | |
but we don't have the trimmings that go with it. | 0:20:47 | 0:20:49 | |
The floating head, we're hung up on that | 0:20:49 | 0:20:52 | |
because we can't get the idea of why it's floating, | 0:20:52 | 0:20:55 | |
where it's floating. | 0:20:55 | 0:20:56 | |
Right now we haven't got another thing on the list. | 0:20:56 | 0:20:58 | |
Give me another thing on the list and then shoot those down. | 0:20:58 | 0:21:01 | |
When we got the task, | 0:21:01 | 0:21:03 | |
Penn immediately latched onto incorporating a magic trick, | 0:21:03 | 0:21:07 | |
and he had some really creative, clever ideas. | 0:21:07 | 0:21:10 | |
But if it doesn't connect with the marketing campaign in any way, | 0:21:10 | 0:21:13 | |
-it's useless. -Fabrication! | 0:21:13 | 0:21:14 | |
-In the house! -Hi, my name is Penn. -I'm Derek. -Hello, Derek. | 0:21:14 | 0:21:18 | |
You guys know Spidora? You know the Spidora illusion? | 0:21:18 | 0:21:21 | |
We're going to do a disembodied head. You dig? | 0:21:21 | 0:21:26 | |
Penn's ideas just seemed so labour intensive and I felt like, | 0:21:26 | 0:21:29 | |
"What are we going to do with this thing?" | 0:21:29 | 0:21:31 | |
What is going to be our experience? | 0:21:31 | 0:21:33 | |
I was excited about the idea of a floating head, | 0:21:33 | 0:21:36 | |
but I thought we are never going to pull this off. | 0:21:36 | 0:21:39 | |
Some of us have to get out there and start shooting. | 0:21:39 | 0:21:42 | |
We have to split up into two, and we've got to have pictures. | 0:21:42 | 0:21:45 | |
But we need an idea before we start shooting just randomly, | 0:21:45 | 0:21:48 | |
and then we come back and we don't know what we've shot. | 0:21:48 | 0:21:50 | |
The clock is running. We need to get out there, get some photographs. | 0:21:50 | 0:21:54 | |
Some of these photographs may play into | 0:21:54 | 0:21:56 | |
what we do with our presentation, | 0:21:56 | 0:21:58 | |
but I'm also hoping to get the inspiration from these photographs. | 0:21:58 | 0:22:02 | |
Nice camera. Who else is good with a camera? | 0:22:02 | 0:22:04 | |
-I can do a camera. -For real? -Yeah. -OK. | 0:22:04 | 0:22:07 | |
-I don't get it. -There's only three buttons you need to know. | 0:22:10 | 0:22:13 | |
Hit the silver one. On top. | 0:22:13 | 0:22:16 | |
-Now you're ready to take a picture. -To take a picture with...? | 0:22:16 | 0:22:20 | |
-Now you let it... -Wait a minute, I didn't take that picture. | 0:22:20 | 0:22:23 | |
-Maybe you did. -OK, you sure you know how to...? | 0:22:23 | 0:22:25 | |
-I mean, I know you've got an eye, but it's... -I'm learning. | 0:22:25 | 0:22:28 | |
I've never used a camera like this. | 0:22:28 | 0:22:30 | |
Well, one of us will have to use it. We'll all figure it out. | 0:22:30 | 0:22:32 | |
Gary is nuts. OK, Gary is just Mr Crazy Man. | 0:22:32 | 0:22:36 | |
He's distracting and you always have to be managing him in some way. | 0:22:36 | 0:22:41 | |
He's like having a jack-in-the-box with you | 0:22:41 | 0:22:43 | |
and you never know when it's going to pop up, | 0:22:43 | 0:22:45 | |
and then how you're going to put it back down when you need to. | 0:22:45 | 0:22:48 | |
I mean, very dear, very sweet, but so irritating. | 0:22:48 | 0:22:52 | |
-You've got the camera, Gary? -GARY SHOUTS | 0:22:52 | 0:22:54 | |
-Let's go. -Let's rock. | 0:22:54 | 0:22:56 | |
Hi. Welcome. I'm Omarosa, project manager for Team Power. | 0:22:58 | 0:23:03 | |
-Hi, I'm Shaun. -This is my colleague, Mr Rodman. | 0:23:03 | 0:23:05 | |
Listen, we've come up with some brilliant innovative ideas. | 0:23:05 | 0:23:08 | |
-OK. -After the team split, we got to meet with our fabrication team. | 0:23:08 | 0:23:13 | |
The fabrication team were responsible for actually | 0:23:13 | 0:23:16 | |
implementing and executing my vision. | 0:23:16 | 0:23:18 | |
We've come up with an idea to create three unique experiences. | 0:23:18 | 0:23:22 | |
They're going to start out walking into Harry Potter's castle. | 0:23:22 | 0:23:26 | |
You're walking out of Despicable Me's house. | 0:23:26 | 0:23:28 | |
-You get me? -Mm-hmm. | 0:23:28 | 0:23:30 | |
Also, on top of that, that iconic Universal globe... | 0:23:30 | 0:23:34 | |
This is our top. Orlando is under it. | 0:23:34 | 0:23:38 | |
Spider-Man up high on a perch, | 0:23:38 | 0:23:41 | |
because he's over you like this or like that. | 0:23:41 | 0:23:43 | |
Where are you going to get the Spider-Man from? | 0:23:43 | 0:23:45 | |
-You want us to make that? -Absolutely. | 0:23:45 | 0:23:49 | |
I decided to make the centrepiece of my creative the Spider-Man theme. | 0:23:49 | 0:23:53 | |
The team was out riding rides and eating cotton candy | 0:23:53 | 0:23:56 | |
and taking pictures, and I was left with just Dennis. | 0:23:56 | 0:23:59 | |
Basically, I was on my own. | 0:23:59 | 0:24:01 | |
So, I heard y'all are the best. | 0:24:01 | 0:24:03 | |
-Can you do it? -That's a lot. | 0:24:03 | 0:24:06 | |
The globe concerns me. That's a big globe. | 0:24:06 | 0:24:08 | |
If you want it this big. | 0:24:08 | 0:24:10 | |
I know. As I was going through the design with the fabricators, | 0:24:10 | 0:24:13 | |
I could see in their faces that they thought that I was really, | 0:24:13 | 0:24:17 | |
really pushing it. My design was quite ambitious, | 0:24:17 | 0:24:20 | |
but I wanted to go big. | 0:24:20 | 0:24:23 | |
-I want Spider-Man. -You want a three-dimensional figure? | 0:24:23 | 0:24:26 | |
-Yes. -Out of... | 0:24:26 | 0:24:28 | |
Can we foam him? | 0:24:28 | 0:24:30 | |
-The foam isn't going to hold up. -Too much graphics. | 0:24:32 | 0:24:35 | |
Too much for them to do in that sort of time. | 0:24:35 | 0:24:38 | |
Guess what, though. Let's push, Dennis. | 0:24:38 | 0:24:40 | |
-Let's not settle. -That's too much. | 0:24:40 | 0:24:42 | |
-Let's push. -It won't be finished, though. | 0:24:42 | 0:24:43 | |
Girl, you can't do it. | 0:24:43 | 0:24:45 | |
They tell you, they work in this damn park, you can't do it | 0:24:45 | 0:24:48 | |
like that. This ain't going to work. If we lose, it ain't my fault. | 0:24:48 | 0:24:50 | |
I can tell you that right now. It ain't my damn fault. | 0:24:50 | 0:24:53 | |
Do you realise this isn't just Celebrity Apprentice? | 0:24:53 | 0:24:55 | |
This is All-Stars! | 0:24:55 | 0:24:58 | |
I want to push it to the limit, even to the wire. | 0:24:58 | 0:25:01 | |
Stand right here, the two of you, and turn like this and go, | 0:25:09 | 0:25:13 | |
-bite your fingers like you're scared. -OK. | 0:25:13 | 0:25:16 | |
I want to take a picture of that globe. | 0:25:16 | 0:25:19 | |
-OK, here we go. -OK, stand away. | 0:25:19 | 0:25:21 | |
Once we got out of the park, we spread out all over the place. | 0:25:21 | 0:25:24 | |
Even though we still hadn't answered the question | 0:25:24 | 0:25:27 | |
what we were going to do. Certainly I was concerned, | 0:25:27 | 0:25:29 | |
but we're all pretty bright people, | 0:25:29 | 0:25:31 | |
so I thought we'd come up with something. | 0:25:31 | 0:25:33 | |
Let's take a picture with the Minion. | 0:25:35 | 0:25:38 | |
Put your hands up, girls. Good. | 0:25:38 | 0:25:41 | |
Dee sends myself, Marilu and Stephen out to go and take the | 0:25:41 | 0:25:46 | |
pictures in the park. | 0:25:46 | 0:25:48 | |
These are my Minions. Get out, get out! | 0:25:48 | 0:25:52 | |
Team Power came upon us, and I was very territorial. | 0:25:52 | 0:25:56 | |
Like it's so dumb, I know, what's wrong with me? | 0:25:56 | 0:25:58 | |
I have Minionitis. | 0:25:58 | 0:25:59 | |
OK. | 0:26:03 | 0:26:04 | |
Me, Pat and Gary, raising all kinds of holy hell, | 0:26:07 | 0:26:11 | |
stop at the gift shop and we loaded up on the merch. | 0:26:11 | 0:26:14 | |
Well, who better to do Harry Potter than our resident magician, | 0:26:14 | 0:26:17 | |
Penn Jillette? Of course, he's a freakin' Sasquatch to begin with, | 0:26:17 | 0:26:21 | |
he's got too pick a hat that's three foot tall, | 0:26:21 | 0:26:23 | |
so now he's like nine feet tall. | 0:26:23 | 0:26:25 | |
You weren't tall enough before. | 0:26:25 | 0:26:27 | |
Cat in the Hat. Straight ahead. Ah! | 0:26:33 | 0:26:37 | |
All right, not so scary, more like you're having fun. | 0:26:37 | 0:26:42 | |
The fun comes with a dinner when working with me. | 0:26:42 | 0:26:45 | |
F-U-N stands for finally understanding nothing. | 0:26:45 | 0:26:50 | |
Because when you have nothing on your mind, | 0:26:50 | 0:26:52 | |
everything you do will be extremely fun. | 0:26:52 | 0:26:57 | |
I can't find the damn thing. | 0:26:57 | 0:26:59 | |
I can't find it. | 0:26:59 | 0:27:00 | |
Hi, everybody, how are you doing? | 0:27:08 | 0:27:12 | |
Running really, really hard. | 0:27:12 | 0:27:14 | |
You all have to drop everything and look at what we did. | 0:27:14 | 0:27:17 | |
So the task was to create an interactive 3D photo experience, OK. | 0:27:17 | 0:27:23 | |
Omarosa had sent Lil Jon, myself, Brande and La Toya Jackson | 0:27:23 | 0:27:27 | |
out into the park to get as many photographs of | 0:27:27 | 0:27:30 | |
ourselves experiencing the park. | 0:27:30 | 0:27:32 | |
So, a film strip at the top, film strip at the bottom, | 0:27:35 | 0:27:38 | |
your pictures will go across to the film strip. | 0:27:38 | 0:27:41 | |
The first experience is the Harry Potter, | 0:27:41 | 0:27:43 | |
the second is the Spider-Man, | 0:27:43 | 0:27:45 | |
the third is the Despicable. | 0:27:45 | 0:27:47 | |
We didn't know nothing about Spider-Man. | 0:27:48 | 0:27:50 | |
So we went into the park and we see that Omarosa has begun to implement | 0:27:50 | 0:27:55 | |
two of the things we agreed on, the Despicable Me and the Harry Potter, | 0:27:55 | 0:27:59 | |
but now we see the centrepiece is Spider-Man. | 0:27:59 | 0:28:01 | |
I'm like, OK, clearly we've been working on this for a while. | 0:28:01 | 0:28:04 | |
Why are we just finding this out now, last minute? | 0:28:04 | 0:28:06 | |
OK, you guys, I just saw some Spider-Man stuff. | 0:28:06 | 0:28:10 | |
You have the Spider-Man shirt? | 0:28:10 | 0:28:13 | |
No, there are Spider-Man sweatshirts, hats, cups. | 0:28:13 | 0:28:17 | |
Did you buy any? I wanted you to go over and get... | 0:28:17 | 0:28:20 | |
We went over to the Spider-Man ride, | 0:28:20 | 0:28:21 | |
and over there they didn't have that, | 0:28:21 | 0:28:23 | |
so this is just like sweaters and stuff, it's not really... | 0:28:23 | 0:28:25 | |
I would have taken anything. | 0:28:25 | 0:28:27 | |
We had like two minutes and we took the picture. | 0:28:27 | 0:28:29 | |
Omarosa basically gave us these vague instructions, | 0:28:29 | 0:28:33 | |
so that if we go into the boardroom she can say, | 0:28:33 | 0:28:35 | |
"Oh, well, that was the responsibility of La Toya or Brande | 0:28:35 | 0:28:39 | |
"or Claudia or Jon." | 0:28:39 | 0:28:40 | |
That's basically how she works. | 0:28:40 | 0:28:43 | |
The two thing she said was... | 0:28:43 | 0:28:45 | |
"Despicable Me," and she said, "Get Harry Potter." | 0:28:45 | 0:28:48 | |
Actually, the middle wasn't set. | 0:28:48 | 0:28:50 | |
Omarasa, she's definitely cunning, she's strategic, she's... | 0:28:50 | 0:28:55 | |
You just don't really... | 0:28:55 | 0:28:56 | |
You really can't take what she says at face value. | 0:28:56 | 0:28:58 | |
I know I wanted Spider-Man, | 0:28:58 | 0:29:00 | |
and I wish we would've got some Spider-Man stuff. | 0:29:00 | 0:29:03 | |
We're back. We got some stuff you're not going to believe. | 0:29:08 | 0:29:12 | |
-Really? -I couldn't wait, what are you talking about? My hero. | 0:29:12 | 0:29:16 | |
After I get back from the park, my head's clearer now, | 0:29:16 | 0:29:20 | |
and I have a much clearer picture of what we need to do. | 0:29:20 | 0:29:24 | |
I'm just feeling like magic shots are problematic. | 0:29:24 | 0:29:27 | |
I'm thinking we get six great pictures, cut them out, | 0:29:27 | 0:29:31 | |
they said they can do them overnight. | 0:29:31 | 0:29:33 | |
I mean, it's not brilliant, but with celebrity... | 0:29:33 | 0:29:36 | |
The focus of my whole presentation is going to be the celebrities. | 0:29:36 | 0:29:39 | |
When Penn brought in his magic ideas, | 0:29:39 | 0:29:42 | |
I was trying to figure out how to incorporate them into a theme of the | 0:29:42 | 0:29:46 | |
park and the marketing message, but, like, | 0:29:46 | 0:29:48 | |
where do the celebrities come in? | 0:29:48 | 0:29:50 | |
Each one of us is a character, and we get some logos and stuff up here. | 0:29:50 | 0:29:56 | |
And that's what we go with. | 0:29:56 | 0:29:58 | |
-So, you know, that's fine. -I'm just feeling like... | 0:29:58 | 0:30:02 | |
Yes, we've run out of time. | 0:30:02 | 0:30:03 | |
Is there anything we can do that's, like, different, though? | 0:30:03 | 0:30:06 | |
I think we should've spent a little more time brainstorming. | 0:30:06 | 0:30:09 | |
Celebrity cut-outs was safe, but I wanted something a little more 3D. | 0:30:09 | 0:30:14 | |
Penn, I'm thinking of abandoning the magic tricks | 0:30:14 | 0:30:17 | |
and going with the cut-outs. | 0:30:17 | 0:30:19 | |
Although we can also discuss how to do the back, | 0:30:19 | 0:30:21 | |
what colours to paint the background and stuff like that. | 0:30:21 | 0:30:24 | |
It's just as simple as making soup. | 0:30:24 | 0:30:27 | |
Dee decided to go with cut-outs of each of us | 0:30:27 | 0:30:30 | |
in costumes from the park. | 0:30:30 | 0:30:32 | |
It's very clearly not my first choice. | 0:30:32 | 0:30:36 | |
Penn, we're going to shoot against a white background | 0:30:36 | 0:30:39 | |
to make their cut-out easier. | 0:30:39 | 0:30:41 | |
Really? | 0:30:41 | 0:30:42 | |
I have seen life-size cut-outs in malls. | 0:30:42 | 0:30:47 | |
I've seen them everywhere. | 0:30:47 | 0:30:51 | |
-And, yes, magic. -Whoo! | 0:30:52 | 0:30:53 | |
All right. | 0:30:55 | 0:30:56 | |
Oh, that's beautiful. | 0:30:57 | 0:30:58 | |
That, to me, is not really an amusement park experience, | 0:31:02 | 0:31:06 | |
it's over the top. | 0:31:06 | 0:31:07 | |
Give me more like tough Shrek, yes. Because Shrek can get tough. | 0:31:07 | 0:31:12 | |
I love how everybody is playing along. | 0:31:12 | 0:31:14 | |
I want to do happy Shrek. | 0:31:14 | 0:31:15 | |
All right, happy Shrek. Hey, Shrek, where's the Donkey? | 0:31:15 | 0:31:18 | |
Yes. A-cha! | 0:31:20 | 0:31:21 | |
Done, that's everybody. | 0:31:24 | 0:31:26 | |
Now that we have the concept, it's not that it is difficult to | 0:31:26 | 0:31:29 | |
accomplish, it's actually a pretty simple idea. | 0:31:29 | 0:31:31 | |
But we have a really limited window of time. | 0:31:31 | 0:31:34 | |
Go on that. Colour wise, | 0:31:34 | 0:31:36 | |
you want to see the pictures of what we're wearing? | 0:31:36 | 0:31:39 | |
-Yes. -Yes, OK. | 0:31:39 | 0:31:40 | |
Can you smile? | 0:31:40 | 0:31:41 | |
Fantastic. | 0:31:43 | 0:31:45 | |
We chewed up the time thinking of ideas that didn't work out, | 0:31:45 | 0:31:48 | |
so we're up against a clock, | 0:31:48 | 0:31:50 | |
there's a deadline, we've got a lot to do. | 0:31:50 | 0:31:54 | |
No matter what you say, no matter what you do, no matter how you feel, | 0:31:54 | 0:31:57 | |
it's always up to you, you can't go wrong with a Cat in the Hat. | 0:31:57 | 0:32:00 | |
We need some more ammo. | 0:32:20 | 0:32:21 | |
You might as well do it, you're tall. You can go all the way up. | 0:32:22 | 0:32:25 | |
Look at our experience, I'm so excited. | 0:32:25 | 0:32:29 | |
There's so much to do in one little box. | 0:32:29 | 0:32:31 | |
So the task was that we had to create | 0:32:33 | 0:32:36 | |
this 3D interactive photo experience. | 0:32:36 | 0:32:38 | |
Brande, can you figure out how we can type those things up and | 0:32:38 | 0:32:41 | |
-distribute them to the team? -Uh-huh. | 0:32:41 | 0:32:44 | |
This task isn't hard for me because I am a visionary and a leader. | 0:32:44 | 0:32:48 | |
There's a lot left to get done, but I believe in the concept, | 0:32:48 | 0:32:52 | |
and I believe in the timeframe that I've mapped out. | 0:32:52 | 0:32:55 | |
It's going to get done. | 0:32:55 | 0:32:58 | |
-Hi. -We're running out of time. | 0:32:58 | 0:33:00 | |
-OK. -So we've got to figure out | 0:33:00 | 0:33:01 | |
what we're going to do with the Spider-Man. | 0:33:01 | 0:33:03 | |
-Let's talk about it. -OK. | 0:33:03 | 0:33:04 | |
-So here's your cut-out... -All right. -..for your poster. | 0:33:04 | 0:33:08 | |
OK, so the 3D stuff probably isn't going to happen. | 0:33:08 | 0:33:12 | |
Why is that? You told me you could get it done, you told me... | 0:33:14 | 0:33:18 | |
I'm telling you right now I'm about to freak out because you set me up | 0:33:18 | 0:33:21 | |
if I can't get this done. | 0:33:21 | 0:33:23 | |
With Omarosa being project manager, | 0:33:23 | 0:33:26 | |
somebody is going to get a little tongue lashing. | 0:33:26 | 0:33:29 | |
If this is going to be your centrepiece... | 0:33:29 | 0:33:31 | |
That's my centrepiece. | 0:33:31 | 0:33:32 | |
..then that's what we'll focus on, but something else has got to go. | 0:33:32 | 0:33:34 | |
Where can we cut time? | 0:33:34 | 0:33:36 | |
On the exterior on both sides. | 0:33:36 | 0:33:38 | |
No, I want to keep that, so where else can we cut? | 0:33:38 | 0:33:41 | |
You tell me. | 0:33:42 | 0:33:43 | |
Here these guys are working so hard, they're going to bust their butt and | 0:33:44 | 0:33:48 | |
stay up all night long, and she wigged out on them. | 0:33:48 | 0:33:51 | |
I mean, you just don't treat people that way. | 0:33:51 | 0:33:54 | |
Do you understand that you put me in a position with the centrepiece of | 0:33:54 | 0:33:57 | |
my project, when now you're telling me you can't do it? | 0:33:57 | 0:34:01 | |
No, I'm telling you we can, but then we've got to give somewhere else. | 0:34:01 | 0:34:03 | |
My idea was cut-outs | 0:34:20 | 0:34:22 | |
of all six of us, | 0:34:22 | 0:34:24 | |
representing different elements of the park, | 0:34:24 | 0:34:27 | |
but I also wanted information on the backdrop, | 0:34:27 | 0:34:30 | |
about the marketing campaign. | 0:34:30 | 0:34:33 | |
Which of your phrases are you feeling strong about? | 0:34:34 | 0:34:37 | |
Unforgettable family fun that lasts forever. | 0:34:37 | 0:34:40 | |
Or maybe family fun that lasts forever? | 0:34:40 | 0:34:42 | |
Unforgettable family fun that lasts forever, that's nice. | 0:34:42 | 0:34:45 | |
All right, let me see... | 0:34:45 | 0:34:46 | |
I was working with the fabricators, | 0:34:46 | 0:34:49 | |
trying to create what this background was going to be, | 0:34:49 | 0:34:53 | |
and I put Marilu and Lisa Rinna in charge of the slogans. | 0:34:53 | 0:34:57 | |
I'm feeling things are very good, and we've got it under control. | 0:34:57 | 0:35:01 | |
Even though it's like 3D cut-outs, whatever... | 0:35:01 | 0:35:04 | |
..there's nothing too fancy about it. | 0:35:06 | 0:35:12 | |
I like that. | 0:35:12 | 0:35:14 | |
Stephen Baldwin comes over to me and whispers in my ear, | 0:35:14 | 0:35:17 | |
"Yes, it's a really good idea, I really like that." | 0:35:17 | 0:35:20 | |
Why are you whispering this to me? Are you trying to mislead me? | 0:35:20 | 0:35:24 | |
Are you trying to protect yourself so you can't be blamed? | 0:35:24 | 0:35:29 | |
I'll finish that in a second. | 0:35:29 | 0:35:31 | |
The fact that I had to worry about that while I was doing my project | 0:35:31 | 0:35:35 | |
was an added pressure that I did not need to have, and moving forward, | 0:35:35 | 0:35:39 | |
I did not want that on my team. | 0:35:39 | 0:35:40 | |
So, boys, I have total faith in you guys. | 0:35:41 | 0:35:46 | |
Why? Because you're the only guys I have. | 0:35:47 | 0:35:49 | |
So just... | 0:35:52 | 0:35:54 | |
-BLEEP -out of this Universal logo. | 0:35:54 | 0:35:57 | |
And go from there, hope for the best. | 0:35:57 | 0:35:59 | |
I'm a bit frustrated that that is a blank wall and there's nothing 3D on | 0:36:02 | 0:36:06 | |
it yet. It's supposed to be 3D. | 0:36:06 | 0:36:08 | |
We've spent too much time on a concept that isn't going to work, | 0:36:08 | 0:36:12 | |
it's too bad. I was shocked when he got back and that was it. | 0:36:12 | 0:36:15 | |
We can clearly see that that's white, blank white, | 0:36:16 | 0:36:19 | |
and I don't have a vision | 0:36:19 | 0:36:21 | |
of what it's going to look like in the morning, | 0:36:21 | 0:36:23 | |
and I don't exactly know what I'm going to do in the morning. | 0:36:23 | 0:36:26 | |
And I'm going to pray a lot tonight because it's white! | 0:36:26 | 0:36:31 | |
Oh, where's... Our globe isn't painted yet. | 0:36:45 | 0:36:49 | |
So when we show up at our spot, | 0:36:50 | 0:36:52 | |
the globe is not done, | 0:36:52 | 0:36:54 | |
it just looks barren. | 0:36:54 | 0:36:56 | |
Maybe we've got to paint it. | 0:36:56 | 0:36:57 | |
We're going to lose, this looks terrible. | 0:36:58 | 0:37:01 | |
Whoever is not going to the store, | 0:37:01 | 0:37:02 | |
I need you over here because we've got to get this globe done. | 0:37:02 | 0:37:05 | |
And then we have to lose two players because they've got to go to the | 0:37:05 | 0:37:08 | |
store and get more Spider-Man stuff because we have no Spider-Man stuff. | 0:37:08 | 0:37:11 | |
-Yes, I've got it, I've got the list. -Let's go, we're out of here. | 0:37:11 | 0:37:15 | |
We have way too much to do and a short, short, short amount of time. | 0:37:15 | 0:37:18 | |
So we basically got to hustle, hustle, hustle. | 0:37:18 | 0:37:21 | |
Let's measure it. Wait, don't tag it yet. | 0:37:21 | 0:37:23 | |
No. Bring that down just a little bit. | 0:37:23 | 0:37:26 | |
Lil Jon, you can help with the splicing and all that. | 0:37:26 | 0:37:28 | |
It's going to overlap a little bit, but I have to do it. | 0:37:28 | 0:37:31 | |
Despicable Me, we have to put this somewhere. | 0:37:31 | 0:37:34 | |
Oh, the film strips are here. | 0:37:34 | 0:37:35 | |
Yes, Dennis. | 0:37:36 | 0:37:38 | |
OK, you've got to go to the left, and then I think it's perfect. | 0:37:38 | 0:37:41 | |
If you go left... | 0:37:41 | 0:37:42 | |
Put it right here? | 0:37:44 | 0:37:45 | |
-Right here. -But you can't see it, though. | 0:37:45 | 0:37:47 | |
I know, I've got to raise it a little bit. | 0:37:47 | 0:37:50 | |
-You can't see it at all. -At all, even right there? | 0:37:50 | 0:37:52 | |
I'm just going to put it, even if you can't see it. | 0:37:54 | 0:37:57 | |
Here we are. That looks cute. | 0:38:01 | 0:38:03 | |
We got there, and the stage has now got its colour. | 0:38:05 | 0:38:09 | |
We can see the cut-outs, and they look great. | 0:38:09 | 0:38:11 | |
This is going to be pretty cool. I think this is going to work. | 0:38:11 | 0:38:14 | |
Which side is North America and which side is South America? | 0:38:14 | 0:38:17 | |
Yes, which way does it go? | 0:38:17 | 0:38:19 | |
Beautiful. Centre. | 0:38:22 | 0:38:24 | |
-Good? -Yes. It's very visually lovely. | 0:38:24 | 0:38:27 | |
It's so... | 0:38:28 | 0:38:29 | |
..surreal to have cardboard cut-out of people who are standing there in | 0:38:31 | 0:38:35 | |
-the same outfits. -Well, I like that we're representing and using our | 0:38:35 | 0:38:38 | |
celebrity all at the same time. | 0:38:38 | 0:38:40 | |
-We're representing... -I wasn't about that, I was talking about the logic. | 0:38:40 | 0:38:45 | |
Oh. I don't know if there's any. | 0:38:45 | 0:38:47 | |
I don't know if | 0:38:49 | 0:38:50 | |
getting cut-outs is really an idea. | 0:38:50 | 0:38:52 | |
I mean, if you were the original person who got the idea of cut-outs, | 0:38:52 | 0:38:56 | |
you know, that would be cool. But it was none of us. | 0:38:56 | 0:38:58 | |
-Thank you, Fake Productions. -We've plenty of time left. | 0:38:58 | 0:39:00 | |
I know. | 0:39:00 | 0:39:01 | |
They're back. | 0:39:03 | 0:39:04 | |
I've got to get the Spider-Man out. | 0:39:04 | 0:39:06 | |
OK, let's sort these out. | 0:39:06 | 0:39:08 | |
Lil Jon. My priority is Spider-Man. | 0:39:08 | 0:39:10 | |
Let's just get it done. I think Lil Jon is Harry Potter. | 0:39:10 | 0:39:12 | |
You're assigned to Despicable. | 0:39:12 | 0:39:14 | |
And Miss La Toya Jackson is Spider-Man. | 0:39:14 | 0:39:16 | |
Omarosa, when you're back here, you can't see the Orlando at all. | 0:39:16 | 0:39:19 | |
-We all know. -OK. | 0:39:19 | 0:39:21 | |
You think they could get something to plank it up. | 0:39:21 | 0:39:23 | |
We're being judged by the executives. | 0:39:24 | 0:39:27 | |
One of the criteria we're being judged on is how we integrate their | 0:39:27 | 0:39:30 | |
marketing campaign. | 0:39:30 | 0:39:32 | |
So not having that Orlando showing up was something that could possibly | 0:39:32 | 0:39:37 | |
make us lose the task. | 0:39:37 | 0:39:38 | |
Would you like me to start sticking | 0:39:38 | 0:39:40 | |
these little SpiderMans on the wall? | 0:39:40 | 0:39:42 | |
Please. Just take initiative. | 0:39:42 | 0:39:44 | |
I've got 100 decisions to make. | 0:39:44 | 0:39:45 | |
If y'all could help make one or two of 'em, would be great with me. | 0:39:45 | 0:39:49 | |
I've never seen people hate like that. It's really cruel. | 0:39:49 | 0:39:52 | |
To me, Omarosa's probably one of the nicest people I have ever met. | 0:39:52 | 0:39:58 | |
You weren't expecting that one, were you? | 0:39:59 | 0:40:01 | |
I'll put them on various... Don't you think? | 0:40:01 | 0:40:05 | |
-Let's scratch them. -I don't like them at all. | 0:40:05 | 0:40:07 | |
OK. In the net? No, not in the net, either? | 0:40:07 | 0:40:09 | |
You don't like them? We'll just keep them. | 0:40:09 | 0:40:13 | |
Yes, that's OK, I want to keep it as clean as possible. | 0:40:13 | 0:40:15 | |
When you come in and take the picture, unlike with Despicable, | 0:40:15 | 0:40:19 | |
this is so iconic. | 0:40:19 | 0:40:20 | |
And you're getting caught up in his web. | 0:40:20 | 0:40:23 | |
-So you like... -You're hilarious. | 0:40:23 | 0:40:25 | |
Well, you're not offering anything, | 0:40:25 | 0:40:27 | |
don't critique unless you're offering. | 0:40:27 | 0:40:29 | |
You have to give people a chance to excel, | 0:40:29 | 0:40:31 | |
and you have to give people a chance to show where they're weak at. | 0:40:31 | 0:40:34 | |
And if we end up in the boardroom, | 0:40:34 | 0:40:36 | |
I will bring their weaknesses to the forefront. | 0:40:36 | 0:40:41 | |
What about the web shooter, that is... | 0:40:41 | 0:40:44 | |
I have never seen the web shooter in a movie, | 0:40:44 | 0:40:46 | |
I'm trying to make it authentic. | 0:40:46 | 0:40:47 | |
For our photo experience, | 0:40:48 | 0:40:50 | |
we all had different roles that Omarosa had designated to us. | 0:40:50 | 0:40:54 | |
She gave me, of course, Spider-Man. | 0:40:54 | 0:40:56 | |
But she goes, "No, I want nothing in your booth." | 0:40:56 | 0:40:58 | |
But if you say something negative to her, the venom comes out. | 0:40:58 | 0:41:02 | |
You know, the little red ones were perfect. | 0:41:03 | 0:41:05 | |
I know, because they stick to the wall, they look cute. | 0:41:05 | 0:41:08 | |
-And they could touch them. -Yes. -And even the web shooter. | 0:41:08 | 0:41:11 | |
I hope she's not setting me up to... | 0:41:11 | 0:41:12 | |
I hope she's not setting me up to fail. | 0:41:12 | 0:41:14 | |
Wow, she's really setting me up to fail. | 0:41:14 | 0:41:17 | |
This is going to be really interesting, | 0:41:17 | 0:41:19 | |
I'm going to fight my behind off if we lose. | 0:41:19 | 0:41:21 | |
Was she not asking for your opinion on anything? | 0:41:21 | 0:41:24 | |
-Whatever, girl. -She does have input, | 0:41:24 | 0:41:25 | |
but when anyone tries to suggest anything, | 0:41:25 | 0:41:27 | |
-she shoots you down. -Shoot her down quick. | 0:41:27 | 0:41:30 | |
So if we win it, she's going to say it's all her idea, and if we lose, | 0:41:30 | 0:41:33 | |
she's going to say it's us. | 0:41:33 | 0:41:35 | |
Move right over there. | 0:41:40 | 0:41:42 | |
Come right up here. People can take pictures up on the thing. | 0:41:42 | 0:41:45 | |
We'd love to take pictures. | 0:41:45 | 0:41:46 | |
Once we opened the gates, people started flowing in. | 0:41:46 | 0:41:50 | |
And it was exactly as I hoped it would be. | 0:41:50 | 0:41:52 | |
Get in between us and stuff. | 0:41:52 | 0:41:54 | |
Yes, get in between us. | 0:41:54 | 0:41:56 | |
Each of us, you know, capturing the spirit of one of the rides. | 0:41:56 | 0:41:59 | |
And all of my team got into it. | 0:41:59 | 0:42:01 | |
Yes, everybody was having fun with it. | 0:42:01 | 0:42:03 | |
This time, now, you're part of my family! | 0:42:03 | 0:42:05 | |
Don't count to three, just take it. | 0:42:07 | 0:42:09 | |
Are you ticklish? | 0:42:11 | 0:42:12 | |
There's a little too much energy. | 0:42:12 | 0:42:14 | |
Tickle. | 0:42:14 | 0:42:16 | |
Gary was going for it. | 0:42:16 | 0:42:18 | |
I am a tickle monster! I'm going to get you. | 0:42:18 | 0:42:21 | |
The people that came to see us and partake in our celebration... | 0:42:21 | 0:42:23 | |
He's tickling. | 0:42:25 | 0:42:26 | |
..you put your hands right on their rib cage, | 0:42:26 | 0:42:29 | |
and when the picture's taken, tickle them. | 0:42:29 | 0:42:32 | |
And they're going... They're really happy. | 0:42:32 | 0:42:35 | |
It was fun. I'm having so much fun, I can't remember my name. | 0:42:35 | 0:42:38 | |
Come up here, guys. OK. | 0:42:38 | 0:42:42 | |
Guess your birthday, the day you were born. | 0:42:42 | 0:42:44 | |
This is what memories are about. | 0:42:44 | 0:42:46 | |
When's your birthday? December 4th, 1998, was a Friday. | 0:42:46 | 0:42:50 | |
-That's correct. -OK. | 0:42:50 | 0:42:52 | |
I have an unusual memory. | 0:42:52 | 0:42:53 | |
I actually have HSAM, | 0:42:53 | 0:42:55 | |
which is highly superior autobiographical memory. | 0:42:55 | 0:42:58 | |
I remember practically every day of my life. | 0:42:58 | 0:43:00 | |
February 8th, 2001, was a Thursday. | 0:43:00 | 0:43:03 | |
-11.3.2010. -Yep. | 0:43:03 | 0:43:05 | |
It was a Wednesday. | 0:43:05 | 0:43:06 | |
-You're right. -You can't stump me. | 0:43:06 | 0:43:09 | |
Marilu Henner is adorable, but she's just kind of kooky. | 0:43:09 | 0:43:12 | |
I know every day of my life, | 0:43:12 | 0:43:14 | |
so I can tell you what day of the week you were born. | 0:43:14 | 0:43:16 | |
But that's what this place is all about, making memories. | 0:43:16 | 0:43:18 | |
-When is your birthday? -I mean, I literally, on three occasions, | 0:43:18 | 0:43:21 | |
watched Marilu go, "I have a special talent for memory, and that's what | 0:43:21 | 0:43:25 | |
"this is all about, it's the memories | 0:43:25 | 0:43:27 | |
"of your memory and my gift that is memory." | 0:43:27 | 0:43:30 | |
And the person is going, "Can I take your picture?" | 0:43:30 | 0:43:34 | |
There you go, do you want to take a picture? | 0:43:34 | 0:43:36 | |
When's your birthday? | 0:43:36 | 0:43:38 | |
-Gentlemen. -How are you? -Welcome to our little shindig here. | 0:43:42 | 0:43:46 | |
Do not leave, I just have to speak to these gentlemen, | 0:43:46 | 0:43:48 | |
because I'm a project manager. | 0:43:48 | 0:43:50 | |
-Hey, man. -How are you? -How's it going? Who's doing the best job? | 0:43:50 | 0:43:52 | |
The best job up there? Gary. But it's a little too much energy. | 0:43:52 | 0:43:56 | |
Gary is scaring the children, but it's all good, | 0:43:56 | 0:43:58 | |
people have been really enthusiastic. | 0:43:58 | 0:44:00 | |
What are you guys trying to accomplish? | 0:44:00 | 0:44:02 | |
They wanted a 3D experience, and people love celebrities. | 0:44:02 | 0:44:05 | |
So we get everybody up there in a cut-out, | 0:44:05 | 0:44:07 | |
let's make it 3D, they're all in. | 0:44:07 | 0:44:08 | |
The Trumps are definitely guarded. | 0:44:08 | 0:44:11 | |
I can't tell anything. | 0:44:11 | 0:44:12 | |
I'm absolutely glad we didn't go risky with Penn's idea, | 0:44:12 | 0:44:15 | |
because if it's not going to tie into the brand, | 0:44:15 | 0:44:19 | |
then my gut tells me it's a mistake. | 0:44:19 | 0:44:21 | |
-All right, guys, you have fun. -See you later. | 0:44:21 | 0:44:23 | |
-Are you all ready? -ALL: -Yeah. | 0:44:30 | 0:44:32 | |
And open it all. | 0:44:34 | 0:44:35 | |
Welcome, welcome. | 0:44:36 | 0:44:38 | |
We're going to start you off in the wizarding world of Harry Potter. | 0:44:38 | 0:44:41 | |
Step right in. | 0:44:41 | 0:44:42 | |
Every aspect of our 3D experience was amazing. | 0:44:42 | 0:44:45 | |
As opposed to one big giant world, you get three. | 0:44:45 | 0:44:49 | |
Three is always better than one. | 0:44:49 | 0:44:51 | |
Would you want to have three French fries or one French fry? | 0:44:51 | 0:44:53 | |
Three. | 0:44:53 | 0:44:55 | |
-Yes. -You guys like Spider-Man? | 0:44:56 | 0:44:58 | |
I know, I love him too, he's just incredible. | 0:44:58 | 0:45:00 | |
What does he love to do? | 0:45:00 | 0:45:02 | |
Wrap you into the web. | 0:45:02 | 0:45:04 | |
Omarosa had designated to me, of course, Spider-Man. | 0:45:04 | 0:45:07 | |
I was trying to create an experience for the children when they come | 0:45:07 | 0:45:11 | |
through, and Omarosa only gave me this spider web. | 0:45:11 | 0:45:14 | |
But they liked it, so I'm happy. | 0:45:14 | 0:45:16 | |
Excited, excited, excited. | 0:45:16 | 0:45:20 | |
Welcome. Omarosa, Team Power, welcome to our fan interaction. | 0:45:20 | 0:45:25 | |
Please, come on in. | 0:45:25 | 0:45:26 | |
Hello, everybody, welcome to Minion training. | 0:45:26 | 0:45:30 | |
I have kids and I don't even know what this is. | 0:45:30 | 0:45:32 | |
In our training, what we do is we train you to become a Minion. | 0:45:32 | 0:45:35 | |
As soon as Don Junior and Eric walked in, I was really nervous and | 0:45:35 | 0:45:38 | |
I was a little worried that they wouldn't be able | 0:45:38 | 0:45:41 | |
to get down and dirty and get playful, | 0:45:41 | 0:45:43 | |
but I saw them smiling and laughing, so I hope that, | 0:45:43 | 0:45:46 | |
I hope it all came across right. | 0:45:46 | 0:45:48 | |
So your task today, your first task, | 0:45:48 | 0:45:50 | |
is to go out there and create mayhem. | 0:45:50 | 0:45:52 | |
-As the new Minions. -We're good at that, especially in the boardroom. | 0:45:52 | 0:45:56 | |
Dee Snider, Gary Busey, right down here. | 0:45:58 | 0:46:01 | |
We've even got a Baldwin. Doesn't matter which one. | 0:46:01 | 0:46:04 | |
Hey, what's going on, guys, how are you? | 0:46:06 | 0:46:08 | |
-Good to see you. -Good to see you guys too. | 0:46:08 | 0:46:09 | |
We took you literally. | 0:46:11 | 0:46:12 | |
Family fun that lasts forever. | 0:46:12 | 0:46:14 | |
-We went with that as a slogan. -That's great. | 0:46:14 | 0:46:17 | |
We've got Despicable Me down there with Lisa Renna. | 0:46:17 | 0:46:21 | |
I wanted to paint his... | 0:46:21 | 0:46:22 | |
-I am the Cat in the Hat. -I see that. -I love you. | 0:46:24 | 0:46:26 | |
When the execs showed up, Gary just couldn't contain himself. | 0:46:26 | 0:46:30 | |
-Let me finish my pitch. -Good luck. | 0:46:30 | 0:46:31 | |
-I'm pitching. -I'll get out of the way. | 0:46:31 | 0:46:33 | |
He's worrisome in the sense of, like, what is he doing, | 0:46:33 | 0:46:36 | |
is he going to screw me up? | 0:46:36 | 0:46:38 | |
Do you want a picture with the Cat in the Hat? | 0:46:38 | 0:46:39 | |
I'll have one with the Cat in the Hat, yes. | 0:46:39 | 0:46:41 | |
-Come on, let's go up there. -OK. -Excuse me. | 0:46:41 | 0:46:44 | |
We need a camera. | 0:46:44 | 0:46:45 | |
They didn't have a choice in taking a picture with me. | 0:46:45 | 0:46:48 | |
I said, "Come with me," | 0:46:48 | 0:46:50 | |
and we shot up on the platform and there we were. | 0:46:50 | 0:46:53 | |
Let's all get up there. | 0:46:54 | 0:46:55 | |
It was a wonderful reaction from the executives. | 0:46:55 | 0:46:58 | |
And they were great in the support they gave us, without saying a word. | 0:46:58 | 0:47:02 | |
It was in their eyes. | 0:47:02 | 0:47:05 | |
And it was in their smiles. | 0:47:05 | 0:47:06 | |
-All right. -Now you've got something to remember forever. | 0:47:06 | 0:47:09 | |
-Great. Good. -Marilu and I have had a good time. | 0:47:09 | 0:47:12 | |
-Hello. -Hi there. -Hi. -Why don't you all come in? | 0:47:18 | 0:47:21 | |
-Good to see you again. -Nice to see you. -Welcome. | 0:47:21 | 0:47:24 | |
We have quite a crowd here. Wow. | 0:47:24 | 0:47:26 | |
The executives from Universal Orlando Resort arrived, | 0:47:26 | 0:47:30 | |
and they saw what I created. | 0:47:30 | 0:47:32 | |
And the first reaction was, wow. | 0:47:32 | 0:47:34 | |
-Welcome. -Thank you. Oh, my! Cool. | 0:47:34 | 0:47:36 | |
Who's down with Griffindor? There you go. | 0:47:37 | 0:47:39 | |
-Are you going to make her a Slytherin? -Slytherin. | 0:47:39 | 0:47:42 | |
-I'll be Slytherin. -It matches the outfit. | 0:47:42 | 0:47:44 | |
-Action shot. OK. -There we go. Yes. | 0:47:44 | 0:47:48 | |
Time to step through to the next adventure. | 0:47:48 | 0:47:51 | |
-Hello. -Welcome. How are you? | 0:47:51 | 0:47:55 | |
I believe that the Universal executives loved, loved, | 0:47:55 | 0:47:59 | |
loved our exhibit. | 0:47:59 | 0:48:00 | |
We came up with a concept that I believe was never done before. | 0:48:00 | 0:48:03 | |
We found a very clever and creative way to present three of their | 0:48:03 | 0:48:07 | |
strong brands. | 0:48:07 | 0:48:08 | |
We just, we smashed it on creativity. | 0:48:08 | 0:48:12 | |
Welcome to Gru's Minion mayhem. | 0:48:12 | 0:48:15 | |
-It is Minion mayhem. -You all say mayhem. | 0:48:15 | 0:48:17 | |
-Mayhem. -Perfect. | 0:48:17 | 0:48:19 | |
One minute warning, team. | 0:48:21 | 0:48:22 | |
One minute, then we're done. | 0:48:22 | 0:48:24 | |
Come on down, take some pictures with Dee Snider, | 0:48:24 | 0:48:27 | |
Penn Jillette, Gary Busey. | 0:48:27 | 0:48:29 | |
I feel my team was with me, | 0:48:29 | 0:48:31 | |
worked with me and was a part of this entire project. | 0:48:31 | 0:48:34 | |
I feel I hold the burden as a project manager. | 0:48:34 | 0:48:37 | |
Because if it doesn't work, it's my ass on the line. | 0:48:37 | 0:48:39 | |
And I will have to answer the tough questions. | 0:48:39 | 0:48:41 | |
-It's going to be a fight. -Mr Schneider? Yes. | 0:48:41 | 0:48:44 | |
I request permission to take off my hat and cloak. | 0:48:44 | 0:48:46 | |
-Yes, please. -Yes, please. -I do, too. | 0:48:46 | 0:48:49 | |
-Dennis. -What's up, dude? | 0:49:12 | 0:49:17 | |
Oh. He'll never change. How did you like my plane? | 0:49:17 | 0:49:22 | |
I loved it, man, it was cool as hell. | 0:49:22 | 0:49:23 | |
It's the better one. The one you had before was kind of... That was OK. | 0:49:23 | 0:49:27 | |
That was nice. That was nice. | 0:49:27 | 0:49:29 | |
Is this as good as you've seen, or better? | 0:49:29 | 0:49:32 | |
-This is probably A plus. -You seen some pretty good ones. | 0:49:32 | 0:49:35 | |
I've seen some good ones, this one here's A plus. | 0:49:35 | 0:49:37 | |
Blows them away. What did you think, Lil Jon? | 0:49:37 | 0:49:39 | |
Amazing. Can we take it out again? | 0:49:39 | 0:49:41 | |
Yes. You know, Dennis, you know, very simple, | 0:49:41 | 0:49:45 | |
if you have a plane like that, | 0:49:45 | 0:49:47 | |
you know you can have any woman in the world, don't you? | 0:49:47 | 0:49:50 | |
-You know that. -Well, we had | 0:49:50 | 0:49:51 | |
a discussion on the plane with your sons. | 0:49:51 | 0:49:53 | |
-We did. -I have no recollection of that conversation, for the record. | 0:49:54 | 0:49:58 | |
I thought the plane had almost | 0:49:58 | 0:50:00 | |
no chance of making it back, with Dennis. | 0:50:00 | 0:50:02 | |
You've taken apart a couple of planes, right? | 0:50:02 | 0:50:04 | |
-Absolutely. You know that, brother. -You better believe it. | 0:50:04 | 0:50:06 | |
I'll tell you. So what are you thinking? | 0:50:06 | 0:50:08 | |
-About your plane? -No, about your task. | 0:50:08 | 0:50:10 | |
I think the task went great, my team was great, | 0:50:10 | 0:50:13 | |
we functioned well together. | 0:50:13 | 0:50:15 | |
-It's a great team. -Who's your strong player, would you say? | 0:50:15 | 0:50:18 | |
On this particular task, I mean, everybody in the team did what they | 0:50:19 | 0:50:23 | |
needed to do when I asked them to do it. | 0:50:23 | 0:50:24 | |
I knew what their strengths and weaknesses were, and so I gave them | 0:50:24 | 0:50:28 | |
tasks that I felt that they could deliver. | 0:50:28 | 0:50:30 | |
Dee, maybe I could ask you. You guys were given three things that | 0:50:30 | 0:50:33 | |
you were going to be judged on. Creativity, brand messaging and then | 0:50:33 | 0:50:36 | |
the overall guest experience. Who did you delegate what to? | 0:50:36 | 0:50:39 | |
And I'd actually like to hear the same from Omarosa because that's | 0:50:39 | 0:50:42 | |
obviously going to really play who's going to go home tonight. | 0:50:42 | 0:50:44 | |
The idea for the 3D experience. | 0:50:44 | 0:50:47 | |
Well, we ran through a few different ideas that Penn had and explored | 0:50:47 | 0:50:50 | |
some other things. The final idea was mine that we used. | 0:50:50 | 0:50:54 | |
The presentation, that was really a group effort. | 0:50:54 | 0:50:58 | |
We all knew what we needed to do in that case. | 0:50:58 | 0:50:59 | |
It was tied into the 3D experience, | 0:50:59 | 0:51:02 | |
so we wanted the presentation to be sort of a spill over of what we were | 0:51:02 | 0:51:05 | |
-giving the people. -Were you a good leader? | 0:51:05 | 0:51:07 | |
-I believe I am. -Do you think the team listened? | 0:51:07 | 0:51:10 | |
-Yes, absolutely. -Marilu, what do you think? | 0:51:11 | 0:51:13 | |
-I, you know... -Was he a good leader? | 0:51:13 | 0:51:15 | |
-He was a good leader, I think... -What was the weakness? | 0:51:15 | 0:51:17 | |
Well, we got some distractions sometime. | 0:51:18 | 0:51:20 | |
The time element was definitely the weakness. | 0:51:20 | 0:51:23 | |
Is that your project manager's fault? | 0:51:23 | 0:51:25 | |
Well, I think it was built into the task, | 0:51:26 | 0:51:28 | |
but I also think that sometimes, | 0:51:28 | 0:51:29 | |
you know, some of the players are a little hard to manage and so... | 0:51:29 | 0:51:34 | |
Who was your weakest player, Marilu, on the team? | 0:51:34 | 0:51:36 | |
Erm... | 0:51:36 | 0:51:37 | |
I think Gary. I adore him, | 0:51:39 | 0:51:41 | |
but he's definitely a distraction a lot of the time. | 0:51:41 | 0:51:43 | |
Do you ever notice a kiss of death? | 0:51:43 | 0:51:45 | |
It's always whenever they say, like, I adore someone. | 0:51:45 | 0:51:48 | |
-I adore... -He's mad at me know. -I adore Dennis but, he's... | 0:51:48 | 0:51:51 | |
-That's disappointing. -I adore Penn, but he's like the worst. | 0:51:51 | 0:51:54 | |
Why can't somebody just say like... | 0:51:54 | 0:51:57 | |
I think so-and-so is horrible. | 0:51:57 | 0:51:59 | |
OK. So why was he no good? | 0:52:01 | 0:52:04 | |
Well, Gary is very dear, he's a lot of fun, but he's very distracting, | 0:52:04 | 0:52:08 | |
and so you always have to kind of rein him in. | 0:52:08 | 0:52:10 | |
-And I really do like you, it's not that. -When was I distracting? | 0:52:10 | 0:52:13 | |
No, I mean, there's, like, noises coming from you and there's always, | 0:52:13 | 0:52:16 | |
like, you get into people's faces and there's always something off and | 0:52:16 | 0:52:19 | |
Dee asked you if you knew how to do a camera and you were about to | 0:52:19 | 0:52:22 | |
do it and then it was explained to you, so... | 0:52:22 | 0:52:24 | |
-What do you think about that, Gary? -What? -Do you agree with her? | 0:52:24 | 0:52:27 | |
No, I don't. I don't agree with her. | 0:52:27 | 0:52:29 | |
-Why? -Because everybody on this team did their best, | 0:52:29 | 0:52:31 | |
-nobody was in the way, nobody... -That's true. -Excuse me. | 0:52:31 | 0:52:34 | |
-Sorry. -Nobody talked loud, nobody was in anybody's face. | 0:52:34 | 0:52:36 | |
Are you now unhappy with Marilu because of what she said? | 0:52:36 | 0:52:39 | |
No, I just understand what she is and where she's coming from. | 0:52:39 | 0:52:42 | |
-What is she? -Well, she's herself in the best way of all. | 0:52:42 | 0:52:46 | |
-Which is? -I'm not disappointed in anyone. | 0:52:46 | 0:52:49 | |
I'm not disappointed in Marilu. | 0:52:49 | 0:52:51 | |
She's just telling you how she felt about the situation. | 0:52:51 | 0:52:54 | |
All right. Lisa, what did you think of your project manager? | 0:52:56 | 0:52:59 | |
First of all, I love Dee as a project manager. | 0:52:59 | 0:53:02 | |
I love him too, I hope I don't have to fire him. | 0:53:02 | 0:53:04 | |
Yeah, great project manager. | 0:53:04 | 0:53:06 | |
-Again. -And... | 0:53:06 | 0:53:07 | |
No, I mean the risk is, if you lose, | 0:53:08 | 0:53:09 | |
the project manager just has a very good chance of being fired, | 0:53:09 | 0:53:12 | |
-you understand that. -I understand. | 0:53:12 | 0:53:14 | |
Probably if you look, a 70% chance for the losing team. | 0:53:14 | 0:53:17 | |
Hey, Penn, who was your star? | 0:53:17 | 0:53:19 | |
-Dee. -Because he was project manager? -Yeah. -OK. | 0:53:20 | 0:53:23 | |
That's good. What do you think, Stephen? | 0:53:23 | 0:53:26 | |
It was really one of those situations, Mr Trump, where | 0:53:26 | 0:53:29 | |
everybody was working in a collaboration under his leadership. | 0:53:29 | 0:53:32 | |
So if I had to pick one, it was Dee. | 0:53:32 | 0:53:34 | |
Dee, you actually told Eric and I that Gary was probably the strongest | 0:53:34 | 0:53:38 | |
player when we met with you over at Universal. | 0:53:38 | 0:53:40 | |
Well, there was multiple parts to this task. | 0:53:40 | 0:53:43 | |
In the presentation part, where we were engaging the public | 0:53:43 | 0:53:46 | |
and entertaining people, that is Gary's strong suit. | 0:53:46 | 0:53:49 | |
-Absolutely. -He was welcoming, I mean, dancing, singing, posing, | 0:53:49 | 0:53:55 | |
he was the strongest guy out there. | 0:53:55 | 0:53:56 | |
-I was a Cat in a Hat. -Yes. | 0:53:56 | 0:53:58 | |
So, overall, would you say he does a good job? | 0:53:58 | 0:54:01 | |
In that instance, he doesn't have... | 0:54:01 | 0:54:02 | |
Would you bring him back if you lose? | 0:54:02 | 0:54:04 | |
-If I lose? -If you lose, if your team loses... | 0:54:06 | 0:54:08 | |
You don't think you lost, right? | 0:54:08 | 0:54:10 | |
-No, I don't. -You think you did a good job? | 0:54:10 | 0:54:12 | |
-Yes, I do. -All right. | 0:54:12 | 0:54:13 | |
-But you don't think you lost, either. -Oh, absolutely not. | 0:54:15 | 0:54:17 | |
-Right? -I did not lose. -You know, he is good competition. | 0:54:17 | 0:54:20 | |
He is. You respect him, don't you? | 0:54:20 | 0:54:22 | |
-I absolutely do. -Because you don't respect a lot of people. | 0:54:22 | 0:54:25 | |
Not many. | 0:54:25 | 0:54:26 | |
So did you do well as the project manager? | 0:54:26 | 0:54:29 | |
I managed this task to the nth degree and I believe that we won. | 0:54:29 | 0:54:33 | |
-Who was no good on your team? -Who was no good? | 0:54:34 | 0:54:38 | |
-Who was no good? -You know, I thought the team worked hard. | 0:54:38 | 0:54:42 | |
In terms of creative contributions, | 0:54:42 | 0:54:44 | |
I thought Dennis wasn't the biggest creative contributor of the project. | 0:54:44 | 0:54:47 | |
-Did he work hard? -He worked hard, he picked up a hammer and a nail. | 0:54:47 | 0:54:50 | |
So you mean if you lose, you will be bringing Dennis back? | 0:54:52 | 0:54:55 | |
Well... | 0:54:56 | 0:54:57 | |
-There were other... -And you may have lost. | 0:54:57 | 0:55:00 | |
No, I feel very comfortable that we won. | 0:55:00 | 0:55:02 | |
-So... -So, would you bring Dennis back? -I'm not certain yet. | 0:55:02 | 0:55:05 | |
Who else would you bring back? Who else would you bring back? | 0:55:05 | 0:55:08 | |
It depends on why we lose, Mr Trump. | 0:55:08 | 0:55:10 | |
I made sure that everybody on the team had a specific role and that | 0:55:10 | 0:55:14 | |
they had to be accountable for that. | 0:55:14 | 0:55:15 | |
Who's your best player? | 0:55:16 | 0:55:18 | |
You know, my wing person has to be Lil Jon. | 0:55:18 | 0:55:21 | |
I tapped into his creativity, his energy. | 0:55:21 | 0:55:24 | |
-So you thought he was great? -He was excellent. | 0:55:24 | 0:55:26 | |
-I agree with you. That's why he's back. -He's a fantastic player. | 0:55:26 | 0:55:29 | |
-There's no question. -That's nice, Lil Jon. | 0:55:29 | 0:55:31 | |
-Yes. -Well, this has been so good for you, Lil Jon. | 0:55:31 | 0:55:33 | |
You know, this guy in the last show basically has made a fortune. | 0:55:33 | 0:55:36 | |
I hear you've made a fortune, | 0:55:36 | 0:55:37 | |
everyone's telling me you made a lot of money. | 0:55:37 | 0:55:39 | |
-I'm doing OK. -How much did you give me of all that money that you made? | 0:55:39 | 0:55:42 | |
I got on your plane, that's good enough. | 0:55:42 | 0:55:44 | |
He gave me nothing. | 0:55:44 | 0:55:45 | |
-I put my butt on your seat. -Nobody gave me anything. | 0:55:45 | 0:55:49 | |
Right, Lil Jon, who was the best person in your team? | 0:55:49 | 0:55:52 | |
-Who was the best? -I mean, everybody really contributed. | 0:55:52 | 0:55:55 | |
This was the type of task that you had to have everybody working in | 0:55:55 | 0:55:59 | |
sync together or else you'd fail. | 0:55:59 | 0:56:02 | |
And we were all in sync. | 0:56:02 | 0:56:03 | |
We were literally running through the park, running, top speed, | 0:56:03 | 0:56:09 | |
-time running out. -So time was really a problem for you too? | 0:56:09 | 0:56:12 | |
It was hard as hell. | 0:56:12 | 0:56:13 | |
This was one of the hardest tasks I've ever done. | 0:56:13 | 0:56:17 | |
Did you like the park? | 0:56:17 | 0:56:19 | |
-Yeah, it's great. -He told me he's coming back with his son. | 0:56:19 | 0:56:21 | |
-Yeah, I'm definitely going back. Definitely going back. -OK. | 0:56:21 | 0:56:25 | |
So, Brande, let me ask you this, | 0:56:25 | 0:56:26 | |
what did you think of Omarosa as project manager. | 0:56:26 | 0:56:29 | |
Well, for me, and this is a matter of opinion, | 0:56:29 | 0:56:31 | |
for me, it's not my personal style. | 0:56:31 | 0:56:34 | |
I prefer it to be a little bit more light and fun and it was a little | 0:56:34 | 0:56:38 | |
bit more of a tense atmosphere. | 0:56:38 | 0:56:41 | |
-With Omarosa, I'm shocked to hear. -Yeah. | 0:56:41 | 0:56:44 | |
-And if... -It's like a death-defying atmosphere. | 0:56:44 | 0:56:47 | |
-Yeah. -Dennis. Let me ask you about Omarosa. | 0:56:47 | 0:56:51 | |
She's famous for being nasty, she was voted number one, the most | 0:56:51 | 0:56:54 | |
evil person in the history of reality television. Not bad. | 0:56:54 | 0:56:57 | |
I didn't get that, you got that, right? | 0:56:57 | 0:56:59 | |
-I did. -So that's pretty good. | 0:56:59 | 0:57:01 | |
Do you find her nasty? | 0:57:01 | 0:57:03 | |
The only person I find nasty in my lifetime has been my mother. | 0:57:03 | 0:57:06 | |
-Your mother? -She's easy. -Oh, my God! -She's easy to me. | 0:57:07 | 0:57:10 | |
Your mother was difficult? | 0:57:10 | 0:57:11 | |
Oh, she's very difficult. I was difficult too. | 0:57:11 | 0:57:15 | |
-I can imagine. -I was difficult. | 0:57:15 | 0:57:16 | |
-I bet you were difficult. -I was difficult, so, it's all good. | 0:57:16 | 0:57:19 | |
Claudia, let me ask you, Omarosa, project manager, how was she? | 0:57:21 | 0:57:25 | |
She cracked the whip. | 0:57:26 | 0:57:27 | |
-And she... Er... -Nasty? | 0:57:29 | 0:57:31 | |
Tell me. Nasty, tough or smart? | 0:57:33 | 0:57:35 | |
-Or all? -All. | 0:57:35 | 0:57:38 | |
All? You like her? | 0:57:38 | 0:57:40 | |
Just tell me, please. | 0:57:43 | 0:57:44 | |
I do, we're friends outside of the show. | 0:57:47 | 0:57:49 | |
-Do you like Claudia? -Absolutely. | 0:57:49 | 0:57:50 | |
-Do you think she's smart? -She is smart. | 0:57:50 | 0:57:53 | |
OK, so, Dee, you think you won. | 0:57:53 | 0:57:55 | |
-Yes, sir. -Omarosa, what do you think? | 0:57:55 | 0:57:58 | |
-I think we won. -OK, Eric, Don, | 0:57:58 | 0:58:01 | |
show the other teams the photo and the photo experience. | 0:58:01 | 0:58:04 | |
Thank you. | 0:58:07 | 0:58:09 | |
I'm having a little trouble seeing. | 0:58:11 | 0:58:13 | |
But that's images in the booth. | 0:58:13 | 0:58:15 | |
Oh, I see. | 0:58:15 | 0:58:16 | |
Wow. | 0:58:18 | 0:58:21 | |
We've got to win this, are you kidding me? Have you seen that? | 0:58:21 | 0:58:25 | |
What do you think of Omarosa's team photo experience? | 0:58:25 | 0:58:28 | |
I'm not 100% sure what it is. | 0:58:30 | 0:58:33 | |
You think it's better than yours? | 0:58:33 | 0:58:35 | |
-Well... -Even though you don't know what it is? | 0:58:35 | 0:58:37 | |
Well, it's more creative, but I don't see the use of celebrity. | 0:58:37 | 0:58:41 | |
I've been on this show before, obviously, | 0:58:41 | 0:58:44 | |
and echoed in my brain that I heard so many times, | 0:58:44 | 0:58:46 | |
"You didn't use your celebrity that you had, | 0:58:46 | 0:58:48 | |
"you didn't use enough of your celebrity." | 0:58:48 | 0:58:50 | |
It's about marketing. | 0:58:50 | 0:58:52 | |
It was about the experience people had. | 0:58:52 | 0:58:53 | |
Well, actually, I'm going to say something. | 0:58:53 | 0:58:55 | |
Dennis asked a very important question when we were meeting with | 0:58:55 | 0:58:58 | |
the executive. He asked them, | 0:58:58 | 0:59:00 | |
"Do you use celebrities in your marketing?" | 0:59:00 | 0:59:02 | |
And they said, "We don't because | 0:59:02 | 0:59:04 | |
-"we want our characters to be the celebrities." -The stars. | 0:59:04 | 0:59:08 | |
They blatantly said that. | 0:59:08 | 0:59:10 | |
-Absolutely. -We nailed that. | 0:59:10 | 0:59:11 | |
-Yes. -That's a good question, Dennis. You are doing very well, Dennis. | 0:59:11 | 0:59:15 | |
I'm coming up, Mr Trump. | 0:59:15 | 0:59:17 | |
Not only that, but I think in talking to the executives, they were | 0:59:17 | 0:59:20 | |
also very key on the idea of being able to use this once the | 0:59:20 | 0:59:23 | |
celebrities leave the park. | 0:59:23 | 0:59:24 | |
-Absolutely, yes. -Not just for the 24 hours that you're there. | 0:59:24 | 0:59:27 | |
Absolutely. | 0:59:27 | 0:59:28 | |
OK. Omarosa, what do you think | 0:59:29 | 0:59:31 | |
of Dee's photo experience from his team? | 0:59:31 | 0:59:34 | |
You know, I'm a little underwhelmed and I was expecting big things from | 0:59:34 | 0:59:37 | |
Dee because he is so brilliant, but this is underwhelming and I... | 0:59:37 | 0:59:40 | |
Well, that was well said, man! | 0:59:40 | 0:59:42 | |
That was good, Omarosa, you're getting so much kinder. | 0:59:42 | 0:59:44 | |
-Oh, my God! -It's still a kill. | 0:59:44 | 0:59:46 | |
You know, it's still a kill, but it's so much nicer. | 0:59:46 | 0:59:48 | |
She used to be vicious. | 0:59:48 | 0:59:50 | |
Now she's vicious but in a much kinder way, right? | 0:59:50 | 0:59:52 | |
-It's a kinder, gentler Omarosa. -Much gentler. | 0:59:52 | 0:59:56 | |
-And smarter. -Right. -This week... | 0:59:56 | 0:59:58 | |
I call it, you know, she's just as evil but she's smarter, right? | 0:59:59 | 1:00:03 | |
-It's only a matter of time. -Smarter. | 1:00:03 | 1:00:05 | |
-So what do you think? -Yeah, I was. | 1:00:05 | 1:00:07 | |
I'm underwhelmed and there was a key that she said. | 1:00:07 | 1:00:09 | |
The executives wanted to use this even after we left. | 1:00:09 | 1:00:12 | |
They wanted to be able to replicate this throughout the park, | 1:00:12 | 1:00:15 | |
so it's hard to replicate it when Marilu's not there or when Lisa's | 1:00:15 | 1:00:19 | |
not there or when Dee's not there. | 1:00:19 | 1:00:21 | |
Why not? The cut-outs are right there, I think that it's strong... | 1:00:21 | 1:00:24 | |
We incorporated the celebrity with the branding of the characters from | 1:00:24 | 1:00:28 | |
the establishment. | 1:00:28 | 1:00:30 | |
Don, you've had a lot of input from executives, really great executives, | 1:00:32 | 1:00:36 | |
-from Universal. -Correct. | 1:00:36 | 1:00:37 | |
What were the strengths and weaknesses, Don, of Dee's team? | 1:00:37 | 1:00:42 | |
Well, they really like the idea that within the marketing campaign you | 1:00:42 | 1:00:45 | |
really identified the family fun that lasts forever. | 1:00:45 | 1:00:48 | |
It wasn't just about the here and now experience but really bringing | 1:00:48 | 1:00:52 | |
people in for a vacation. | 1:00:52 | 1:00:53 | |
They liked that the celebrities really got into the roles, | 1:00:53 | 1:00:55 | |
they sort of wore outfits that really also fit the characters. | 1:00:55 | 1:00:58 | |
You know, Penn, you were the wizard, that was a very natural fit. | 1:00:58 | 1:01:01 | |
That's what that was, it was a wizard's hat. | 1:01:01 | 1:01:03 | |
You were Shrek, I don't know | 1:01:03 | 1:01:04 | |
if it was as natural a fit, but it sort of worked. | 1:01:04 | 1:01:06 | |
The negatives were that the design was a little bit simple. | 1:01:06 | 1:01:08 | |
It lacked the staying power because, again, once the celebrities left, | 1:01:08 | 1:01:12 | |
you lost a little bit of that. | 1:01:12 | 1:01:13 | |
It wasn't the full character experience from that standpoint. | 1:01:13 | 1:01:16 | |
And the park guests were more interested in taking pictures with | 1:01:16 | 1:01:19 | |
you as celebrities than they were with you as characters. | 1:01:19 | 1:01:22 | |
OK. | 1:01:23 | 1:01:24 | |
So, Eric, what were the pros and cons from Omarosa's team? | 1:01:25 | 1:01:29 | |
Omarosa, they thought you were really incredibly creative and they | 1:01:29 | 1:01:32 | |
thought that, generally, it was very interactive, right, | 1:01:32 | 1:01:34 | |
you could leave it behind without celebrities, | 1:01:34 | 1:01:37 | |
you can walk in there and people could really enjoy it for a long | 1:01:37 | 1:01:39 | |
time to come. They also thought you did a great job featuring the entire | 1:01:39 | 1:01:42 | |
resort on the film strip, you had multiple parks, you had restaurants, | 1:01:42 | 1:01:45 | |
you had all the hotels, etc, etc, etc. | 1:01:45 | 1:01:47 | |
They thought that that was really fantastic. | 1:01:47 | 1:01:49 | |
But Orlando on Universal Orlando was actually below the film strip, | 1:01:49 | 1:01:52 | |
-you couldn't see it and... -I said that. | 1:01:52 | 1:01:55 | |
-You know, I think for us as builders... -I said that. | 1:01:55 | 1:01:57 | |
As people who're focused on detail, it's important that you get those | 1:01:57 | 1:02:00 | |
things right, I mean, it's the first thing that Donny and I noticed. | 1:02:00 | 1:02:04 | |
Don, give me the criteria. | 1:02:05 | 1:02:07 | |
One was creativity, one was brand messaging, | 1:02:07 | 1:02:10 | |
effectively incorporating the marketing campaign led to you by the | 1:02:10 | 1:02:13 | |
executives, and the last one was the overall guest experience. | 1:02:13 | 1:02:16 | |
And our guests had a blast and I think you all had a blast, too. | 1:02:16 | 1:02:20 | |
You stayed, it looked like you were having a great time and that was a | 1:02:20 | 1:02:23 | |
big criteria for this competition. | 1:02:23 | 1:02:24 | |
But, Omarosa, you heard the criteria? | 1:02:26 | 1:02:27 | |
-Absolutely. -You just heard it. | 1:02:27 | 1:02:29 | |
Dee, you just heard it. Do you think you won based on that criteria? | 1:02:29 | 1:02:32 | |
It was a marketing campaign. | 1:02:32 | 1:02:34 | |
We couldn't even make decisions until we finally heard the marketing | 1:02:34 | 1:02:37 | |
campaign. It's about marketing. | 1:02:37 | 1:02:38 | |
-Right. -It was about the experience people had. | 1:02:38 | 1:02:40 | |
Dee, you just said it. Experience. | 1:02:40 | 1:02:42 | |
But do you think she won on creativity? | 1:02:42 | 1:02:44 | |
Creativity, they had a very creative presentation. | 1:02:44 | 1:02:46 | |
You think you won on experience? | 1:02:46 | 1:02:48 | |
Absolutely, and getting the message over. | 1:02:48 | 1:02:50 | |
So which is more important? | 1:02:50 | 1:02:52 | |
At the end of the day, you're trying to sell something as a businessmen. | 1:02:52 | 1:02:55 | |
-At the end of the day... -Dennis, he's talking. | 1:02:55 | 1:02:57 | |
Dennis, you have to pay respect to this man. | 1:02:57 | 1:02:59 | |
-He's talking. -I know. He's only three years older than me. | 1:02:59 | 1:03:02 | |
Go ahead, Dennis. | 1:03:02 | 1:03:04 | |
What the deal is, though, the experience at the park, right? | 1:03:04 | 1:03:06 | |
At the park about those three... | 1:03:06 | 1:03:08 | |
-Dennis is really into this, you know? -About the park, right? | 1:03:08 | 1:03:10 | |
I don't believe it, I've never seen him into it. | 1:03:10 | 1:03:12 | |
The last time he was partying every night, that wasn't a pretty picture. | 1:03:12 | 1:03:15 | |
The fact is that we're all stars here. | 1:03:15 | 1:03:17 | |
Why would people want to come and take a picture of yourself on your | 1:03:17 | 1:03:20 | |
project when you're standing right there? | 1:03:20 | 1:03:23 | |
That's a double negative right there. | 1:03:23 | 1:03:25 | |
Well, I think Dee thinks he won based on integration of marketing, | 1:03:27 | 1:03:30 | |
-what do you think? Is that it? -Absolutely, sir. | 1:03:30 | 1:03:32 | |
-Is that your strength? -I think that's a big thing to miss. | 1:03:32 | 1:03:34 | |
-It's a big... It's good, it's fine. It's big. -Yeah. | 1:03:34 | 1:03:38 | |
And by the way, I think on that criteria, | 1:03:38 | 1:03:40 | |
Eric and I probably agree with you. But there's two other criteria. | 1:03:40 | 1:03:43 | |
-Right. -And I think that we won on the other two criteria. | 1:03:43 | 1:03:47 | |
-All right. Are you ready? -Yes. -I'm ready. | 1:03:47 | 1:03:50 | |
But before we find out who won it, let me ask you this, | 1:03:50 | 1:03:54 | |
do you think that I should comb my hair like him? | 1:03:54 | 1:03:57 | |
I like the questions this year. | 1:03:57 | 1:04:00 | |
No, that's right. Like Lil Jon, that's even better. | 1:04:00 | 1:04:02 | |
-Lock it up. -Halloween. | 1:04:02 | 1:04:03 | |
I have more questions about your hair | 1:04:03 | 1:04:05 | |
in the last ten years than I have... | 1:04:05 | 1:04:07 | |
That's all I hear about, you know, it is my hair, you know that. | 1:04:07 | 1:04:09 | |
-I don't think you should ever change it. -Should I change it, Penn? | 1:04:09 | 1:04:12 | |
-It's perfect. -No, no, should I comb it back? -No. -No. -No. | 1:04:12 | 1:04:15 | |
-Leave it. -To me, it's combed back. | 1:04:15 | 1:04:17 | |
Forward and back. You know they say it's a comb over, | 1:04:17 | 1:04:20 | |
but it's not a comb over, it's really back, | 1:04:20 | 1:04:22 | |
I really have a hairline. | 1:04:22 | 1:04:23 | |
-Like a wave. Look it... -It's a hairline, it's actually a hairline. | 1:04:23 | 1:04:26 | |
Yeah. I see your scalp, it's good. | 1:04:26 | 1:04:28 | |
-It's you, Mr Trump. -I take a lot of heat... What? -It's you, be you. | 1:04:28 | 1:04:32 | |
-Yeah. -I like it, don't worry about what other people say. | 1:04:32 | 1:04:34 | |
I takes so much heat. Every time they write about me, they talk about | 1:04:34 | 1:04:37 | |
-my hair, and usually not as a compliment. -Can we know? | 1:04:37 | 1:04:40 | |
-You want to know? -Yes, please. | 1:04:42 | 1:04:43 | |
-You want to know who won? ALL: -Yes. | 1:04:43 | 1:04:45 | |
OK. | 1:04:45 | 1:04:46 | |
So, you know whose team they think was better? | 1:04:48 | 1:04:51 | |
Whose? | 1:04:51 | 1:04:52 | |
By quite a bit. | 1:04:52 | 1:04:54 | |
And in this case, I agree. | 1:04:55 | 1:04:58 | |
Dee, congratulations, you lost. | 1:04:59 | 1:05:02 | |
-Oh. -That was a new fake out. | 1:05:04 | 1:05:07 | |
Omarosa. Look at my Omarosa. | 1:05:07 | 1:05:10 | |
Omarosa, you're going to ruin your image. | 1:05:11 | 1:05:13 | |
-Stop. You're on TV. -You're going to ruin your image. | 1:05:13 | 1:05:15 | |
-It's OK. -We've got to confirm if that's real or not. | 1:05:15 | 1:05:20 | |
Was it the fake out, or is it the win? | 1:05:20 | 1:05:23 | |
It's the win, and she won it for Michael's charity. | 1:05:23 | 1:05:26 | |
She's been through a lot. | 1:05:26 | 1:05:27 | |
-Yes. -She's been through a lot. | 1:05:27 | 1:05:29 | |
-Yes. -It's a release. | 1:05:29 | 1:05:31 | |
You just take care, hon. | 1:05:31 | 1:05:33 | |
It's a great tribute to Michael that you won. | 1:05:34 | 1:05:36 | |
I just miss him so much. | 1:05:46 | 1:05:49 | |
And not only did you win 20,000 that I'm giving.... | 1:05:49 | 1:05:53 | |
OK? ..but Universal Orlando Resort is doubling it, | 1:05:54 | 1:05:58 | |
they're going to give another 20, so you won 40,000... | 1:05:58 | 1:06:00 | |
-That's great. -..in honour of Michael. | 1:06:00 | 1:06:02 | |
-That's wonderful. -That's a great thing. | 1:06:02 | 1:06:04 | |
-That's wonderful. -Isn't that nice? | 1:06:04 | 1:06:06 | |
That's great. She's very emotional. | 1:06:07 | 1:06:10 | |
You know, this is the first time you've actually won as the project | 1:06:10 | 1:06:13 | |
-manager, is that right? -Yeah. | 1:06:13 | 1:06:14 | |
And you know why you won? | 1:06:14 | 1:06:16 | |
-Up there, right? -Yes. -You think? | 1:06:16 | 1:06:19 | |
So, congratulations on this. | 1:06:19 | 1:06:21 | |
You OK? So, you go back to your suite, watch on television, | 1:06:21 | 1:06:24 | |
if you'd like, which I know you would like. | 1:06:24 | 1:06:27 | |
And I think it's terrific, | 1:06:27 | 1:06:28 | |
and I think it's a great tribute to Michael. | 1:06:28 | 1:06:30 | |
-Congratulations. -Great job. -Thank you. | 1:06:30 | 1:06:34 | |
Congratulations. There you go, girl. | 1:06:35 | 1:06:39 | |
It's good, we won, we won. | 1:06:39 | 1:06:40 | |
You did a great job, but I'm sorry, | 1:06:40 | 1:06:43 | |
somebody from your team will be fired. | 1:06:43 | 1:06:45 | |
Why don't you get some Kleenex and wipe yourself? | 1:06:53 | 1:06:56 | |
It's OK, it's OK. Have a seat, relax. | 1:06:56 | 1:06:58 | |
Why don't I give you some champagne? | 1:06:58 | 1:07:00 | |
Would you like some champagne to relax your nerves? | 1:07:00 | 1:07:03 | |
-Yes, please. -Where is the champagne, guys? -Champagne. I got it. | 1:07:03 | 1:07:07 | |
I think sometimes I'm so strong | 1:07:14 | 1:07:16 | |
that people forget about what I've been through. | 1:07:16 | 1:07:20 | |
It just means so much to me. | 1:07:20 | 1:07:22 | |
I won for the Sue Duncan Children's Centre. | 1:07:23 | 1:07:26 | |
My late fiance was an alumni of that centre. | 1:07:26 | 1:07:29 | |
I'm so happy. | 1:07:29 | 1:07:30 | |
Omarosa, this is for you. | 1:07:32 | 1:07:34 | |
This is for you. You need to have a sip of that. | 1:07:34 | 1:07:36 | |
That will help your nerves, and you'll relax. | 1:07:36 | 1:07:38 | |
Omarosa's fiance, Michael Clarke Duncan, passed away | 1:07:38 | 1:07:43 | |
not long ago, and I truly believe that she's using this as a card | 1:07:43 | 1:07:48 | |
to manipulate herself through the game and soar to the top and win. | 1:07:48 | 1:07:53 | |
That, right there, was like an Oscar winner, right there. | 1:07:54 | 1:07:56 | |
-What was that? -That was Oscar... | 1:07:56 | 1:07:58 | |
-Oscar, what? -Omarosa believes that she's getting away with this little | 1:07:58 | 1:08:02 | |
game that she's pulling and thinks that nobody's onto her. | 1:08:02 | 1:08:05 | |
I know a few of us are. | 1:08:05 | 1:08:07 | |
-To Michael. -To Michael. | 1:08:07 | 1:08:08 | |
-To Michael. -And what he started. | 1:08:08 | 1:08:10 | |
Rest in peace, baby. | 1:08:10 | 1:08:11 | |
-Michael. -You guys, you guys... | 1:08:13 | 1:08:16 | |
Look at the TV. | 1:08:17 | 1:08:18 | |
So, Penn, who came up with the creative for your team? | 1:08:19 | 1:08:22 | |
It was Dee. | 1:08:23 | 1:08:24 | |
I came up with two ideas that I thought were OK. | 1:08:24 | 1:08:29 | |
-Were they used? -They were not. | 1:08:29 | 1:08:31 | |
-And then Dee took over. -Do you think they were better, | 1:08:31 | 1:08:33 | |
-in light of what happened? -Not in light of what happened. | 1:08:33 | 1:08:35 | |
Even before, I liked them more, but I didn't want to push too much, | 1:08:35 | 1:08:39 | |
and I got behind Dee completely. And Dee's idea was fine, too. | 1:08:39 | 1:08:42 | |
I wanted to do a couple of magic things. | 1:08:42 | 1:08:44 | |
Whose fault... I think that would have been great. | 1:08:44 | 1:08:46 | |
-Whose fault is it? -Fault... | 1:08:46 | 1:08:49 | |
I have... Every time I've been asked that, I've said project manager, | 1:08:49 | 1:08:52 | |
including when I was project manager. | 1:08:52 | 1:08:55 | |
So, what were you going to do with magic? | 1:08:55 | 1:08:57 | |
The nice thing is that the fabricators we had were the | 1:08:57 | 1:09:00 | |
fabricators that did Penn & Teller's Haunted House there. | 1:09:00 | 1:09:03 | |
So, they actually know stuff and have done mirror gags. | 1:09:03 | 1:09:06 | |
By the way, you don't have to go any further. | 1:09:06 | 1:09:08 | |
Wouldn't that have been great to use? | 1:09:08 | 1:09:09 | |
Yeah, he has a couple of great magic tricks, | 1:09:09 | 1:09:12 | |
but he couldn't figure out the way to connect them to the message and | 1:09:12 | 1:09:15 | |
to the park at all. A severed head, which would've been amazing for | 1:09:15 | 1:09:18 | |
people to have a picture of them with no body, but we couldn't come | 1:09:18 | 1:09:22 | |
up with a way to connect it to the park. | 1:09:22 | 1:09:24 | |
Dee, why was it so simple? | 1:09:24 | 1:09:25 | |
You had some great ideas. That sounds like a great idea to me. | 1:09:25 | 1:09:28 | |
Now, maybe it was, maybe it wasn't, who knows? | 1:09:28 | 1:09:30 | |
They had to choose, and the executives had to choose. | 1:09:30 | 1:09:33 | |
Yours was very simple. | 1:09:33 | 1:09:34 | |
-Yes. -Very simple, maybe too simple, don't you think? | 1:09:34 | 1:09:37 | |
Well, there's a couple of reasons for that. | 1:09:37 | 1:09:40 | |
One thing, and this is not a blame on you, Penn, at all, | 1:09:40 | 1:09:43 | |
but Penn's ideas are so big and so... | 1:09:43 | 1:09:45 | |
-Fabulous. -..great, that it kind of makes people, | 1:09:45 | 1:09:49 | |
I don't say uncomfortable, | 1:09:49 | 1:09:50 | |
but nobody else was forthcoming with any ideas. | 1:09:50 | 1:09:53 | |
You kind of feel intimidated by the magnitude of Penn's ideas. | 1:09:53 | 1:09:59 | |
Maybe you didn't push the envelope enough. | 1:09:59 | 1:10:01 | |
What do you think about that, Penn? | 1:10:01 | 1:10:04 | |
-I do believe... -Seems like it. -I do believe that when I have an idea, | 1:10:04 | 1:10:07 | |
I try to make it sound as good as possible. | 1:10:07 | 1:10:09 | |
He does. I'm not blaming him. | 1:10:09 | 1:10:11 | |
I also think you can say, Dee, perhaps you'll say, honestly, | 1:10:11 | 1:10:15 | |
that I backed down instantly when you made your decision? | 1:10:15 | 1:10:18 | |
Yes, he does, and he supported me... | 1:10:18 | 1:10:19 | |
Well, I think that's good, he supports you, | 1:10:19 | 1:10:21 | |
-he's been a very good supporter. -Absolutely. | 1:10:21 | 1:10:24 | |
-I backed down very quickly. -Even if he disagrees. | 1:10:24 | 1:10:26 | |
And he had a couple of great ideas, I couldn't figure out how to | 1:10:26 | 1:10:29 | |
incorporate them, and while I thought my idea was simplistic, | 1:10:29 | 1:10:31 | |
actually I originally thought of having much more going on in the | 1:10:31 | 1:10:34 | |
background, but when I got all the bodies up there, | 1:10:34 | 1:10:37 | |
and then the families up there, you couldn't see any background. | 1:10:37 | 1:10:40 | |
Dee, who disagreed with you? | 1:10:40 | 1:10:42 | |
Did anybody say it's too simple, | 1:10:42 | 1:10:43 | |
it doesn't have whatever it has to have? | 1:10:43 | 1:10:46 | |
Did anybody raise their hand and say we disagree? | 1:10:46 | 1:10:48 | |
-Marilu, did you raise your hand? -Well, what happened is Penn had some | 1:10:48 | 1:10:51 | |
-really out there ideas. -Would you've taken his ideas? | 1:10:51 | 1:10:54 | |
-Well, if we could have done them... -Did you have time? | 1:10:54 | 1:10:56 | |
-..because it was a severed head. -Do you think you had time? | 1:10:56 | 1:10:58 | |
-I don't think we had time. -Wait, did you have time? | 1:10:58 | 1:11:00 | |
Absolutely would have been done sooner than this one. | 1:11:00 | 1:11:03 | |
-Oh! -It was not a time issue. | 1:11:03 | 1:11:04 | |
So tell me, why didn't you fight harder for that? | 1:11:05 | 1:11:08 | |
I think I made the case as strongly | 1:11:08 | 1:11:10 | |
as possible without having been unpleasant. | 1:11:10 | 1:11:12 | |
Dee, do you think Penn should be fired? | 1:11:12 | 1:11:14 | |
Well, no, sir, we explored the idea extensively... | 1:11:17 | 1:11:19 | |
You know why? Because his idea was so good, I love it. | 1:11:19 | 1:11:22 | |
I don't know about these two guys, because they... | 1:11:22 | 1:11:24 | |
But I love it. | 1:11:24 | 1:11:25 | |
-But, sir, if it was disconnected from... -I think Penn should be fired | 1:11:25 | 1:11:28 | |
because he didn't pursue his idea. | 1:11:28 | 1:11:29 | |
What do you think? Do you like that? | 1:11:29 | 1:11:31 | |
-No, I do not. -Penn, you're fired. | 1:11:31 | 1:11:33 | |
I'm only kidding, OK. | 1:11:38 | 1:11:41 | |
-They had me nervous for a second. -Damn! | 1:11:41 | 1:11:43 | |
I was already on the elevator! | 1:11:44 | 1:11:46 | |
Penn learned from the last time around, where you were actually | 1:11:48 | 1:11:51 | |
criticised for kind of pushing your ideas too aggressively. | 1:11:51 | 1:11:53 | |
Last time I was fired for pushing my idea too much. | 1:11:53 | 1:11:55 | |
If I'm fired for pushing not enough... | 1:11:55 | 1:11:57 | |
-Look, he's the project manager. -..it'll be cool. | 1:11:57 | 1:11:59 | |
-I mean, it is tough, because you're the project manager. -It was... | 1:11:59 | 1:12:02 | |
You have to be able to incorporate it into the marketing campaign, and | 1:12:02 | 1:12:05 | |
we could not... We used a lot of time exploring these ideas. | 1:12:05 | 1:12:08 | |
Dee, who was your weakest team member? | 1:12:08 | 1:12:12 | |
In what regard? | 1:12:12 | 1:12:14 | |
The overall regard. Or, as we'd say, | 1:12:14 | 1:12:17 | |
the overall experience, which you blew. | 1:12:17 | 1:12:20 | |
In this project, everybody came to the table. | 1:12:20 | 1:12:22 | |
Who's your weakest player? | 1:12:22 | 1:12:24 | |
Only because he has a narrow skill set, and he was one of my stars too. | 1:12:26 | 1:12:32 | |
Gary. | 1:12:32 | 1:12:33 | |
But wouldn't you say Gary is actually a mad genius? | 1:12:33 | 1:12:36 | |
He's crazy, but he's a genius, right? | 1:12:36 | 1:12:37 | |
Yes, but his skill set is limited. | 1:12:37 | 1:12:39 | |
Why? He's a great performer, great entertainer, | 1:12:39 | 1:12:41 | |
-but he has no computer abilities. -Yes, I do. | 1:12:41 | 1:12:44 | |
-No, sir, you do not. -Well, wait a minute, I beg to differ. | 1:12:44 | 1:12:47 | |
-Gary, what do you think? -Ask me, you're not confronting it right, | 1:12:47 | 1:12:50 | |
because if you're the project manager, | 1:12:50 | 1:12:53 | |
and you have something you want me to do, don't ask me what I can do, | 1:12:53 | 1:12:57 | |
ask me for what you want me to do, and I'll do it. | 1:12:57 | 1:13:00 | |
Here we go! I told y'all it was coming! | 1:13:01 | 1:13:03 | |
-Damn! -Gary. -He is going after the wrong person. | 1:13:03 | 1:13:07 | |
Dee, I do recall, and Eric can verify it, | 1:13:07 | 1:13:09 | |
but you said he was a big part of brand messaging, | 1:13:09 | 1:13:11 | |
which is really the category that you won in the test. | 1:13:11 | 1:13:13 | |
I said he was my star at the presentation, yes, I did... | 1:13:13 | 1:13:16 | |
-Stephen, what are your thoughts? -And I don't want to take that away from | 1:13:16 | 1:13:19 | |
-him, he was great. -Stephen? | 1:13:19 | 1:13:20 | |
I think, going into it, | 1:13:20 | 1:13:22 | |
both teams knew that time management was going to be almost impossible. | 1:13:22 | 1:13:27 | |
Not really. Because Penn said his thing could've been a lot quicker. | 1:13:27 | 1:13:31 | |
No, no, no, no, that's the correction I'd like to make. | 1:13:31 | 1:13:34 | |
-At no point did Penn say that for sure it would work. -No. | 1:13:34 | 1:13:39 | |
-That's a fact. -What does that mean? | 1:13:39 | 1:13:42 | |
That means that when the fabricators were brought in... | 1:13:42 | 1:13:44 | |
Nobody, nobody, nothing works for sure. By the way, Stephen, | 1:13:44 | 1:13:47 | |
-there's nothing that works... -It's a very sophisticated illusion. | 1:13:47 | 1:13:50 | |
Yeah, and it involved mirrors, as well. | 1:13:50 | 1:13:51 | |
Penn, if they used your idea, do you think they would've won? | 1:13:51 | 1:13:55 | |
Ah... | 1:13:55 | 1:13:57 | |
-I do. -You know, you had to get... We weren't done with the idea... | 1:13:58 | 1:14:02 | |
I think you're right, he's the team leader, he's the project manager, | 1:14:02 | 1:14:05 | |
you shouldn't force it on him, and I think you probably learned | 1:14:05 | 1:14:08 | |
-that lesson previously, right? -I know I'm sinking my battleship. | 1:14:08 | 1:14:11 | |
-But when we left... -But, to a certain extent, if an idea's that | 1:14:11 | 1:14:14 | |
good, I think it's a great idea, you should've maybe been a little | 1:14:14 | 1:14:16 | |
bit more forceful. | 1:14:16 | 1:14:18 | |
Well, I don't know, when it's time sensitive, | 1:14:18 | 1:14:20 | |
and you have a friend who you trust... | 1:14:20 | 1:14:22 | |
Yeah, but you thought you'd do better with time, with your idea. | 1:14:22 | 1:14:25 | |
If you sincerely believe that the person understands the idea, | 1:14:25 | 1:14:29 | |
and Dee and I have a good relationship, | 1:14:29 | 1:14:32 | |
I keep arguing if I believe the person doesn't understand it. | 1:14:32 | 1:14:36 | |
Arguing after someone understands it... | 1:14:36 | 1:14:38 | |
So he liked his idea better and you said... | 1:14:38 | 1:14:40 | |
-No, no, no. -Do you think Marilu should be fired? | 1:14:40 | 1:14:42 | |
No, sir. | 1:14:42 | 1:14:44 | |
Am I talking too much? | 1:14:45 | 1:14:47 | |
She will remember this experience. | 1:14:47 | 1:14:49 | |
She's terrific. OK. | 1:14:50 | 1:14:52 | |
Who are you going to bring back? Two people. | 1:14:53 | 1:14:56 | |
Two people I'm bringing back, it's not a reflection on this task. | 1:14:59 | 1:15:03 | |
Well, you should probably try and have it be a reflection on the task | 1:15:03 | 1:15:07 | |
in all fairness, Dee. | 1:15:07 | 1:15:08 | |
Well, one person... | 1:15:10 | 1:15:13 | |
You know the way I view it? | 1:15:13 | 1:15:14 | |
The task is first and then I take history, but, you know, | 1:15:14 | 1:15:17 | |
it does start with the task. | 1:15:17 | 1:15:19 | |
Go ahead, who are you bringing back? | 1:15:20 | 1:15:21 | |
Well, the only one fly in the ointment for me during this project | 1:15:21 | 1:15:26 | |
was Stephen Baldwin. | 1:15:26 | 1:15:28 | |
-Why? -I didn't trust him. -A lot of people don't trust him. | 1:15:31 | 1:15:34 | |
Although he's very religious, right? | 1:15:34 | 1:15:36 | |
-After what happened... -Are you a very religious person? | 1:15:36 | 1:15:39 | |
-I'm a man of faith. -OK, that's good. | 1:15:39 | 1:15:41 | |
-Why don't you trust him? -After what happened on the first task with the | 1:15:41 | 1:15:43 | |
way he withheld his money and was, I felt, a little arrogant with his | 1:15:43 | 1:15:48 | |
expression of that he was saving it for himself... | 1:15:48 | 1:15:52 | |
But was he bad on this task? | 1:15:52 | 1:15:53 | |
Not that he was bad, he... Erm... | 1:15:54 | 1:15:56 | |
He... I don't... He whispered... | 1:15:57 | 1:16:00 | |
He'll like... He'll talk openly in the room | 1:16:00 | 1:16:03 | |
and then he'll come over and he does a lot of whispering and saying, | 1:16:03 | 1:16:06 | |
"I think this is a really good idea you've got here." | 1:16:06 | 1:16:08 | |
-Who else are you bringing back? -So, I didn't trust him. | 1:16:08 | 1:16:11 | |
You're bringing back Stephen. Who else? | 1:16:11 | 1:16:14 | |
Because of his limited skill set... | 1:16:14 | 1:16:16 | |
Well, I don't know, you know, that depends on what you mean by limited. | 1:16:16 | 1:16:18 | |
I know you're going to say Gary, but... I mean, he's a great actor. | 1:16:18 | 1:16:22 | |
That's a little insulting, I think. | 1:16:22 | 1:16:24 | |
I don't mean to be insulting, but in my view, he has a limited skill set. | 1:16:24 | 1:16:27 | |
-OK. -And I can't bring the other three back. | 1:16:27 | 1:16:30 | |
OK. Marilu, Penn, Lisa, go back to your suite at Trump Tower. | 1:16:30 | 1:16:36 | |
The three of you, I'm sorry, go outside, you'll come back, | 1:16:37 | 1:16:40 | |
somebody will be fired. | 1:16:40 | 1:16:42 | |
-Sorry. -That's OK, that's why we're here. | 1:16:42 | 1:16:45 | |
That's right. That's why you're here. Thank you. | 1:16:45 | 1:16:48 | |
Omarosa, turn off your TV... | 1:16:54 | 1:16:57 | |
now. | 1:16:57 | 1:16:58 | |
OK, Dee and Stephen. | 1:16:58 | 1:17:00 | |
-Dee's going home. -Dee is the project manager. | 1:17:00 | 1:17:02 | |
That was a bad choice, Dee. | 1:17:02 | 1:17:05 | |
-The idea was terrible. -Yeah. -You've got to be careful, though, | 1:17:05 | 1:17:07 | |
Stephen is wicked in that boardroom. | 1:17:07 | 1:17:09 | |
I don't get it. | 1:17:13 | 1:17:14 | |
-The whole thing? -What don't you get? | 1:17:15 | 1:17:17 | |
I thought we did a better job. | 1:17:17 | 1:17:19 | |
I'm sorry I had to drag you in there, guys. | 1:17:27 | 1:17:30 | |
Last time Adam Corolla fell on his own sword. | 1:17:34 | 1:17:37 | |
He said, as project manager, I take responsibility. | 1:17:38 | 1:17:42 | |
And Mr Trump said, "If you don't take somebody back with you, | 1:17:42 | 1:17:45 | |
"I will fire somebody else." | 1:17:45 | 1:17:47 | |
So Mr Trump fired Adam Corolla and another team member. | 1:17:47 | 1:17:52 | |
I absolutely do not want that to happen. | 1:17:53 | 1:17:56 | |
Do what you've got to do, but we've got to do what we've got to do. | 1:17:56 | 1:17:59 | |
-What do you think, Don? -To me, it's really going to come down to the | 1:17:59 | 1:18:02 | |
guest experience because that's ultimately what they lost on. | 1:18:02 | 1:18:05 | |
As a family man, they didn't cater to kids. | 1:18:05 | 1:18:07 | |
My kids don't want to get a picture taken with Penn in a costume, | 1:18:07 | 1:18:10 | |
they want to get a picture with Harry Potter, | 1:18:10 | 1:18:12 | |
-and that also has staying power in the park. -OK. Good point. | 1:18:12 | 1:18:14 | |
-What do you think, Eric? -I think he really needs to fight. | 1:18:14 | 1:18:16 | |
-A lot of this blame falls on him. -Project manager, always tough. | 1:18:16 | 1:18:20 | |
Amanda, let them come in. | 1:18:21 | 1:18:23 | |
Yes, sir. Gentlemen, you can all go back into the boardroom now. | 1:18:23 | 1:18:27 | |
Dee, with all the creativity you have on your team, | 1:18:42 | 1:18:44 | |
you have very creative people, how did you lose on creativity? | 1:18:44 | 1:18:47 | |
The ideas we focused on initially, the magic tricks, | 1:18:50 | 1:18:52 | |
we spent a lot of time, and that's where our time got eaten up. | 1:18:52 | 1:18:56 | |
As I said, while they were very good ideas, | 1:18:56 | 1:18:58 | |
they couldn't be incorporated into the brand message, I felt, | 1:18:58 | 1:19:02 | |
and to just have a magic trick for the sake of a magic trick, | 1:19:02 | 1:19:05 | |
I thought was a mistake. That was my call. | 1:19:05 | 1:19:06 | |
Dee, don't you think, though, Universal, | 1:19:06 | 1:19:08 | |
Harry Potter, one of the biggest marketing campaigns of all time, | 1:19:08 | 1:19:12 | |
wouldn't magic fit perfectly with a Harry Potter theme? | 1:19:12 | 1:19:15 | |
Well, we felt that we had to represent a wide variety, | 1:19:16 | 1:19:20 | |
they sent us all over the park and many different rides, | 1:19:20 | 1:19:22 | |
and to focus on only one would not have been following our marching | 1:19:22 | 1:19:26 | |
orders, so to speak, I felt. | 1:19:26 | 1:19:27 | |
So explain, why did you bring these two people back? | 1:19:28 | 1:19:31 | |
-Honestly, sir. -Yeah. -Last season, when Adam Corolla fell on his own | 1:19:33 | 1:19:39 | |
sword, you fired Michael Andretti because he didn't play by the rules. | 1:19:39 | 1:19:44 | |
I see the writing on the wall here and I didn't want you to fire | 1:19:44 | 1:19:47 | |
another team member if I threw myself on my own sword. | 1:19:47 | 1:19:51 | |
And when you say you see the writing on the wall, what does that mean? | 1:19:51 | 1:19:55 | |
Well, Don made it very clear, and I certainly understand what he said. | 1:19:55 | 1:19:58 | |
He said that this project was broken into three different parts and I | 1:19:58 | 1:20:03 | |
believe your words were, "It may wind up being the person responsible | 1:20:03 | 1:20:06 | |
"for the part that failed who will be fired." | 1:20:06 | 1:20:09 | |
That's what you said earlier, did you not? | 1:20:09 | 1:20:11 | |
-I did. -And I appreciate and understand what you're saying. | 1:20:11 | 1:20:14 | |
So as the person who ultimately made the decision, | 1:20:14 | 1:20:17 | |
of course with the support of my team, but I ultimately did make the | 1:20:17 | 1:20:20 | |
decision to use that concept. | 1:20:20 | 1:20:23 | |
I feel that I'm the marked man, so to speak. | 1:20:23 | 1:20:27 | |
Do you think you should be fired? | 1:20:28 | 1:20:30 | |
If that's the reason why we lost, none of these guys did anything | 1:20:32 | 1:20:37 | |
wrong, I've enjoyed working with them, you know. | 1:20:37 | 1:20:41 | |
I have a problem with trusting this one, but I like him very much, | 1:20:41 | 1:20:45 | |
I know he's a man of faith and ultimately he's a good guy. | 1:20:45 | 1:20:48 | |
But ultimately, it's hard to fire one of them. | 1:20:48 | 1:20:51 | |
Yes, it is, sir, it is. | 1:20:51 | 1:20:52 | |
You know, I respect you for saying that. | 1:20:54 | 1:20:56 | |
I know you're not a quitter. You've never quit in your life. | 1:20:56 | 1:20:58 | |
No, sir. But I didn't want to fire anybody else. | 1:20:58 | 1:21:00 | |
-But, Dee, I don't want to fire you. -I know, you've done it once already. | 1:21:00 | 1:21:04 | |
I don't want to fire you. | 1:21:04 | 1:21:05 | |
You're a solid guy, you're a great guy. | 1:21:05 | 1:21:07 | |
Much different than I would have thought. | 1:21:07 | 1:21:09 | |
Dee, you're fired. | 1:21:09 | 1:21:10 | |
-Get out. -Thank you, sir. | 1:21:15 | 1:21:16 | |
-Thank you. -Thank you. | 1:21:16 | 1:21:17 | |
-And you've been terrific, Dee. -Thank you. -Really terrific. | 1:21:17 | 1:21:20 | |
But, Dee, you're right, I had no choice. | 1:21:22 | 1:21:25 | |
-I understand. -Great job. | 1:21:25 | 1:21:28 | |
Thanks, brother. | 1:21:31 | 1:21:32 | |
-Thanks, man. -Thanks, brother. | 1:21:36 | 1:21:38 | |
How are you doing, man? | 1:21:46 | 1:21:49 | |
I didn't expect to see you so soon. | 1:21:50 | 1:21:52 | |
-What do you think, Eric? -I think Dee's a great guy, | 1:21:52 | 1:21:55 | |
he played the game with a lot of integrity. | 1:21:55 | 1:21:57 | |
He's the project manager and he took it. | 1:21:57 | 1:21:59 | |
-He's also quality. -Yeah. -Good man. -Great guy. | 1:21:59 | 1:22:03 | |
Gary and Stephen really didn't deserve to be brought back. | 1:22:34 | 1:22:37 | |
The idea for the presentation was mine. | 1:22:37 | 1:22:40 | |
And really no amount of kicking and screaming and pointing fingers at my | 1:22:40 | 1:22:43 | |
team-mates was going to change that. | 1:22:43 | 1:22:46 | |
All that would've done is make me less classy and sort of a crappy | 1:22:46 | 1:22:51 | |
person for doing it. I just couldn't do it. | 1:22:51 | 1:22:53 |