I'm Being Punked by a Jackson The Apprentice USA


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I'm Being Punked by a Jackson

Donald Trump presents. The team members must promote a soft drink by performing a four-minute soap opera.


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Last week on All-Star Celebrity Apprentice, the teams jetted out

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of New York City on board Mr Trump's personal aeroplane.

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For your task this week, both teams will create a photo experience

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promoting Universal Orlando Resort.

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On team Power,

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project manager Omarosa pushed the envelope with an ambitious plan.

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This is what we looking at.

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Three distinct walls, three different spaces.

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That's way too much to do in a short, short amount of time.

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But on Plan B, project manager Dee Snider decided to keep it simple.

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Every time we do any task,

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they say, "You didn't use your celebrity enough."

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I would love to have cut-outs of all six of us.

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On the day of the presentation,

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team Power was feeling the wrath of Omarosa.

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I've never seen the web shooter in a movie.

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I'm trying to make it authentic.

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If you say something negative to her, the venom comes out.

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In the boardroom, tensions rose on Plan B.

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Gary is very dear, he's a lot of fun, but he's very distracting.

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When was I distracting?

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Are you now unhappy with Marilu?

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No, I just understand what she is and where she's coming from.

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And when the results were announced, an emotional Omarosa broke down.

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You won 40,000 in honour of Michael.

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I just miss him so much.

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But not everyone on her team was buying it.

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I truly believe that she's using this as a card

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to manipulate herself through the game and soar to the top.

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That right there was like an Oscar-winner right here.

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Back in the boardroom, Dee Snider fell on his sword.

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As the person who ultimately made the decision to use that concept,

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I feel that I am the marked man.

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Dee, you're fired.

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-Congratulations.

-You did fabulous.

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That was just too much, that moment.

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-When she was crying, there was no tears coming out.

-I was trying to

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-look around me to see that.

-That's why I was going like that.

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-Cheers.

-To Michael.

-To Michael.

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Aw.

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She recovers quickly.

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Omarosa might be the best actress here.

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We all saw her performance in the boardroom.

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I've never seen tearless cry scenes.

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Sucks to say it, but it seemed like she was faking it.

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So who's coming back in the door? Who do you think?

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I think he's going to get rid of Dee because it was Dee's idea.

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I mean, it has to be the project manager.

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I don't want to see Dee got.

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I don't want to see Dee go either.

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Somebody's back. Gary came back.

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I told y'all.

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In the boardroom, I knew that I'd hurt Gary's feelings,

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it's just that I'm a real straight shooter,

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and I can't be the first person who has said these things about him.

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I know you're mad. I know.

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Sometimes you're distracting.

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You know that.

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But all I'm saying is that, you know, sometimes

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the noises, and the stuff, and the personal space and stuff,

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it's sometimes very distracting.

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That's all.

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I mean, you have the biggest heart in the world.

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-I know that about you.

-You do?

-You do.

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You have a great, huge, big heart.

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I know. I've healed a lot of people in many ways.

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-You've what?

-Healed.

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Oh, healed, yeah.

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And that's what happens when you go to the supernatural and spiritual

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realm and you get injected with love from angels.

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-Right.

-And I have angelic love in my heart that I give to everyone.

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Right.

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-I'm sure.

-'The water's under the bridge.'

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Everything's fine. I'm an angel in an earth suit.

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I tried to talk her into going to Texas with me to ride a horse

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backwards but she vetoed that.

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I'm kidding, I'm kidding!

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-Hello.

-Hello.

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My charity is called the Sue Duncan Children's Center,

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which is on the south side of Chicago,

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and Sue Duncan is a wonderful woman

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who actually mentored my late fiance,

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Michael Clarke Duncan.

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Well, Serenity is one of the students who was in our programme.

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She's an 11th grader.

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Honestly, I don't think I would be where I am now if it wasn't for

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Sue Duncan and her family. I've recently received 32 on ACT.

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Oh, wow. I'm so proud of you and Michael left the centre

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to go on to do big things,

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including getting nominated for an Oscar, and I expect

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really big things from you.

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Kids at the programme actually made a poster for you.

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Oh, there's my baby.

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And a bunch of the little kids signed their names.

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Look at my honey.

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'It just means so much to me.'

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To be able to honour his legacy.

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Michael was my biggest cheerleader and he would be so excited,

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especially for the kids.

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Sorry.

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I wanted to just have you all come and see the work that we're doing,

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and I have just a gift for you.

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40,000 for the Sue Duncan Children's Center.

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-Wow. Wow. Wow.

-This is for you all.

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This is going to go a long way.

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We've operated on much less.

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The centre meant a lot to Michael and it means the world to me

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to be playing and continue to just honour his legacy.

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-Thank you.

-All right, thank you for coming.

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-Good morning.

-ALL:

-Good morning, Mr Trump.

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We're standing in the Paley Center for Media, a really beautiful place,

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and, by the way, Trace, welcome back.

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-Thank you, sir.

-You'll be working with Crystal Light,

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a really great company, they've been with us before.

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They've made a lot of money with The Apprentice.

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A lot. Tiffany, tell us about the task.

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Thank you, Donald.

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It's time to rethink your drink with the zero calorie,

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customisable flavour of new Crystal Light Liquid.

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You will be helping us launch this product by writing,

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directing and acting

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in a five-minute mini soap opera that dramatises

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Crystal Light Liquid.

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We'll be judging your Crystal Light soap opera and determining

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the winner based on the following criteria - audience reaction,

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creativity, execution and brand messaging.

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To help you out, soap opera legends Jack Wagner

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and Susan Lucci will each be assigned to one of your teams

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to consult with and star in your scenes.

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Performing a soap opera for a live audience,

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that's a natural for many of you,

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and probably not for others.

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My advisers today are Ivanka, and our winner...

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Boy, you were a real winner, huh?

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-Yes, sir.

-Great winner of Celebrity Apprentice, Arsenio Hall.

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He's gone on to very big things, including getting his own show.

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Come here.

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He's going to do great with his show, by the way.

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Don't leave me hanging, DT, thank you.

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He's going to do great. OK.

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Select your project managers.

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-You're the natural.

-I know I'm the natural, but we need a director.

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I am served best as an actor.

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-Somebody's got to step up.

-I'll do the Project managing, I'll do it.

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You guys are going to work... We're all going to work together.

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-I'm your director.

-OK.

-Don't worry.

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-Are you guys done over there?

-Come on. I think you should do it.

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-OK.

-I would take it.

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-I would, but I think you...

-I'm cool.

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-OK. Whatever.

-Dennis, who's your project manager?

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-La Toya.

-La Toya, very good.

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-It's me.

-Penn?

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I think it's Stephen Baldwin, sir.

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Stephen. OK.

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The project manager of the winning team

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will receive 20,000 for his or her charity.

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Not bad.

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And Crystal Light would like to add

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-30,000 to that donation.

-Wow, great.

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That's great. So 50,000 to the project manager's charity

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of the winning team. The losing team,

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somebody on that team will be fired, and it's never pleasant.

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-OK?

-'This is an acting challenge'

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and Plan B's got a soap star,

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they've got Gary Busey, Marilu Henner, who is on everything,

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and they've got Stephen Baldwin, who is part of, like,

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Hollywood royalty, pretty much.

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And then on our side, we have a former NBA player

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who married himself and wore a wedding dress,

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we've got Brandy, who was on Baywatch.

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She was awesome in the slow motion scenes.

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Incredible.

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MUSIC: Baywatch Theme

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So I'm a little bit worried. Little bit.

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Go out, do a great job, have fun.

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STEPHEN: OK.

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Plan B in the house.

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-Yeah.

-I'd like everyone to read the dossier for themselves,

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if you don't mind.

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My strategy for being a project manager this time around

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will entail being far more dominant.

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And by the way, when the Crystal Light executives

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show up, I'd like to mediate the conversation.

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'So I'm looking forward to being like a real'

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just kind of Gordon Gekko ruthless psycho.

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All rolled into one.

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Hello. How are you?

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-Stephen.

-Adam.

-Hey, Adam, nice to see you.

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-Tiffany.

-Hey, Tiffany, how are you doing?

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-I love your dress.

-Thank you.

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What is two or three of the key points of what needs to be

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communicated in the messaging in regard to the branding?

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It's got to be on brand, which Tiffany can talk about,

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and then it's got to introduce the product in a way

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that makes people want to try it.

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So Crystal Light is a vibrant brand.

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We're optimistic, we're light-hearted.

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That's who Crystal Light is.

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And so Crystal Light Liquid is a line extension of that trademark.

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It's really all about this idea of zero calorie flavour customisation.

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That sounds to be very important.

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I work in marketing myself.

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A lot of people don't know that.

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'Stephen Baldwin is really funny.'

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He does seem to think that everyone around him

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is breathtakingly stupid.

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So I get a glass of water and I squeeze as much of it in, or not,

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so is that what you're saying?

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-Yes.

-Thank you.

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Well, thank you all for your...

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-Good luck, guys. Thank you very much.

-Have a good day.

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-You too.

-'I think Stephen is sweet'

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and passionate.

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And those are two really good qualities.

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Doesn't stop me from making fun of him.

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Lil Jon, I'd like for you to be the director.

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-Of course.

-I'd like very much for...

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-Where's Dennis?

-He's right there.

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I do have concerns about Dennis

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being on the team,

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and the concerns are will he be there, will he show up?

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I don't know. That remains to be seen.

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Omarosa, stage manager.

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I want to be in it.

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Well, you could possibly be in it, too.

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I did tonnes of soaps, so...

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-OK.

-Does the stage manager not act?

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-Because I want to.

-I would like to see you in it.

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Before you cast, why don't we come up with a script before you decide

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-who's going to be in it?

-Well, yeah, I thought of that.

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It's odd to cast for something that we haven't written yet.

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-That's true.

-Yes.

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Our project manager, even before we knew

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what the script would be,

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had decided that I was going to be

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relegated to some menial task

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and not acting, and I had to let her know that I had soap experience,

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in fact I was featured on the cover of Soap Opera Digest. Yay me!

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Let's come together really quickly.

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Let's come up with just the story.

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-Once we have the story...

-Yeah, but I think we should consider...

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I think that we should use housewives.

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This whole housewife thing is big.

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It's hot, and they all do the same thing.

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They flip tables, they smack each other, they throw water.

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They are like human soap operas.

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And so I just want to consider building on that.

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-So now we have to think of...

-The best thing to do is work on

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trying to see which of the Housewives we can get.

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'Omarosa tries to make your life miserable

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'if things don't go her way.'

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Always just starting trouble.

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I tried to ignore her,

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but she would not allow me to because she kept

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interrupting and kept interrupting.

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Who specifically is working on the script?

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Who's working on set design?

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Let us do the story first and then the set design will come second.

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You may think because you feel that I'm soft-spoken that you can take

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advantage of me. It's not going to happen.

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Not this time.

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I think right now what we're doing is we're just overthinking things

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and just rushing through it.

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We should relax and take our time and just put something together.

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This week, we have to perform a soap opera

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for Crystal Light Liquid.

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Our flavours were strawberry,

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lemonade and mango passion fruit.

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It's so tough.

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'The creative was a bit shaky.'

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The idea of the Housewives thing really wasn't coming through.

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That was Omarosa's one idea.

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We were having a really hard time

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trying to come up with a great concept.

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If we have Jack Waggoner,

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he walks in and she goes, "Are you my father?"

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-Dun-dun-DUN!

-Right.

-DRAMATIC TONES

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I've got my cues. I'm good.

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So think of ridiculous lines that they say from soaps.

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The Jack dude is older, right?

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He tells Brandy he's her dad,

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and then he also tells Brandy

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he had an affair with a black woman and this is her sister.

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You guys being sisters is funny as hell.

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Yeah, but that's impossible.

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OK. So now we have a framework, so are we all excited now?

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We feel a little bit more optimistic?

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Yeah, I feel better about it.

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It took a little time to get our

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concept going, but we got it now.

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We're going to turn this into a soap opera

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by using certain lines that you find

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in most of your major soap operas.

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Dun-dun-DUN!

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We're going big, we're going over the top.

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Maybe we can even tell the audience at the beginning,

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every time you hear...

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Dun-dun-DUN!

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-BOTH:

-You must take a drink of Crystal Light.

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That's pushing the product all the way.

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'Brandy and myself came up with the idea of putting the audience to

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'participate. It's all about them'

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feeling like they are part of the actual soap opera.

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We will definitely win if we do that.

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-That's so cute.

-Everybody, thank you.

-Play the music, Jon.

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-HE BELCHES

-Excuse me.

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A few of the things to stress in the writing of our story are

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flavour customisation.

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How do we write that in there?

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Going to the one liquid, let's use romance as a code word for drama.

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We are going to represent... Today, we have...

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Crystal Light Liquid will be playing the part of romance.

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Absolutely.

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Maybe you go further and everything is adjustable.

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You go like this and say,

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"Let's watch to see with this much passion,"

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and then you come in and go,

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"Hello. How are you? Very nice to meet you."

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And then you go, "Let's try it with this!"

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And they come in and just instantly start making out.

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And I don't care who makes out with whom.

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I want to make out with Susan Lucci.

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I would say Trace and Gary for making out.

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Well, you're not, that's the good news.

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Bow-chicka-bow-bow!

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You're good, Penn.

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Sure enough, Penn Jillette comes

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along with a very cool concept.

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You customise your own Crystal Light.

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That will bring down the house.

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'Absolutely brilliant.

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'Now, the executives from Crystal Light say,'

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"The idea of doing that and referencing romance

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"was something that we totally disagreed with,"

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you'll be seeing Penn back in the boardroom with me.

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We're doing good, guys.

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They're hosting almost like a cocktail party.

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It's going to be a living room scene, so that makes it easier,

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so we got that kind of stuff.

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Clothes are at the same time as the props.

0:16:590:17:02

So do you want me and Dennis to get the props?

0:17:020:17:06

-Yes.

-Can I go with them since y'all are going to stay and write?

0:17:060:17:10

No, cos you're going to be helping us write.

0:17:100:17:13

You already have the concept.

0:17:130:17:15

Why do you need me to stay and write?

0:17:150:17:17

Because they're working together as a team, as a group,

0:17:170:17:20

and I want you to stay here to write.

0:17:200:17:22

Those two are going shopping, not you.

0:17:220:17:24

I like the little bass in your voice, La Toya.

0:17:240:17:27

# Beat it! #

0:17:270:17:29

No, I just don't want anybody trying to run over me

0:17:290:17:31

-so that I have to tell her what to do.

-No, no, no, bull.

0:17:310:17:33

This is a team effort.

0:17:330:17:35

We're all working together.

0:17:350:17:36

-I'm just offering my help.

-Please be quiet.

0:17:360:17:40

Oh, no, no. You're not going to tell me to be quiet.

0:17:420:17:44

-I'm talking. I want you to be quiet.

-You're going to be respectful.

0:17:440:17:47

You can say whatever you want, but you're not going to disrespect me.

0:17:470:17:49

Let's get that straight.

0:17:490:17:51

Don't ever tell me to be quiet, La Toya. You will be respectful.

0:17:510:17:54

-You're project manager, but you're not going to disrespect me.

-I am always respectful.

0:17:540:17:58

Who is the most disrespectful person sitting in this room right now?

0:17:580:18:01

-You tell me.

-You're being disrespectful.

0:18:010:18:03

-That's not good leadership.

-I'm asking you a question.

-Look up good leadership.

0:18:030:18:06

Being disrespectful is not good leadership.

0:18:060:18:08

Look it up and take notes.

0:18:080:18:10

I am not going to let you run over me.

0:18:100:18:12

Being disrespectful will never work for me.

0:18:120:18:14

It was crazy when La Toya

0:18:140:18:15

stood up and put her hand

0:18:150:18:17

on her hip and cocked her neck.

0:18:170:18:20

When a black woman does that, you know you got problems.

0:18:200:18:24

-I will take you down...

-I don't disrespect you.

0:18:240:18:27

-..if you disrespect me.

-What kind of lady is that,

0:18:270:18:29

-that would take me down?

-What kind of lady would tell you to be quiet?

0:18:290:18:32

I'm a grown woman. I run a company.

0:18:320:18:34

I run half of the West Coast for OK! magazine.

0:18:340:18:36

You're not going to talk to me like I'm four years old.

0:18:360:18:38

Guys, she runs a company and half of the West Coast.

0:18:380:18:40

-OK, then I think a leader...

-They know that.

-A leader motivates.

0:18:400:18:43

You're demotivating your team now.

0:18:430:18:44

Get control of your team.

0:18:440:18:46

Get control of your team.

0:18:460:18:48

It escalated even more

0:18:480:18:49

because Omarosa stood up as well

0:18:490:18:53

and cocked her neck and put her hand on her hip,

0:18:530:18:56

and we were all just sitting there quiet, like, "Wow."

0:18:560:19:00

-I am not your staff.

-Omarosa.

-Get it straight.

0:19:000:19:03

-It's always the same.

-I am not your staff.

0:19:030:19:05

It is always the same.

0:19:050:19:06

Cos you'll never take me down.

0:19:060:19:08

Can we start working on the script and get that done?

0:19:080:19:10

Thank you. Next time you fix your mouth, telling me to be quiet,

0:19:100:19:13

you will think again.

0:19:130:19:14

Maybe it's better just to separate.

0:19:140:19:16

That's some thinking. It's probably better to get her out of here.

0:19:160:19:19

You better think strategically, Boo,

0:19:190:19:20

cos you are on the wrong side of Omarosa today.

0:19:200:19:23

When we go in the boardroom, girl, don't you worry.

0:19:230:19:26

-Let's wait until we go there.

-Let's do it.

-OK.

0:19:260:19:28

-Now you be quiet.

-You're such a lovely person.

0:19:280:19:30

Think about it. Oh, my God.

0:19:300:19:31

Try to be a leader.

0:19:310:19:33

OK, great.

0:19:330:19:34

'La Toya really just checked Omarosa.'

0:19:340:19:37

It was nice.

0:19:370:19:38

You know when you see the bully that bullied some of your friends,

0:19:380:19:41

but then they got knocked the hell out?

0:19:410:19:43

It was kind of like that.

0:19:430:19:44

All right, let's roll.

0:19:440:19:46

I think La Toya knows that the rest of us have her back.

0:19:460:19:48

-RECITES:

-That evil witch better not step foot in my house.

0:19:480:19:51

Omarosa's fiance passed away not long ago.

0:19:550:19:59

He had a heart attack. I'm sure she gave it to him.

0:19:590:20:03

Oh, my God, I'm being punked by a Jackson.

0:20:030:20:05

Our project manager gave me absolutely no instruction.

0:20:140:20:16

She just sent me out.

0:20:160:20:18

She kicked me out of the room.

0:20:180:20:20

So after the fireworks,

0:20:200:20:22

Claudia and I went off to go,

0:20:220:20:24

and we had very important things to do.

0:20:240:20:27

Hey, Lil Jon, it's Omarosa.

0:20:270:20:29

-'Hello.'

-Hi. Can you ask our project manager to send us

0:20:290:20:32

a list of specific things that she wants for the scene?

0:20:320:20:36

We had to dash off to Lord & Taylor

0:20:360:20:38

to choose the costumes and the dresses

0:20:380:20:40

that would be utilised in our soap opera.

0:20:400:20:43

240. That's Dynasty all day long.

0:20:430:20:46

OK, let's check with our project manager.

0:20:460:20:48

That's 240.

0:20:480:20:50

Let me just ring our project manager for some direction, shall we?

0:20:500:20:54

-'Hello?'

-Yes, can you hear us?

0:20:540:20:57

-'Yes.'

-OK.

-We are in the store and we're trying to get direction.

0:20:570:21:00

Does she want long or short for her dresses?

0:21:000:21:03

It's a cocktail. Get them long.

0:21:030:21:05

Can we get a direction on sizes?

0:21:050:21:07

You know, Omarosa, whatever size you are, get your size and then...

0:21:070:21:11

OK, I'm going to send you two gowns right now.

0:21:110:21:13

OK, you can get...

0:21:130:21:15

Here comes the picture right now to your phone.

0:21:150:21:19

-OK, bye-bye.

-You see. We got direction.

0:21:190:21:21

And sometimes that's all you need.

0:21:220:21:25

Omarosa called for direction on every single decision.

0:21:250:21:28

I see there's a method to her madness.

0:21:280:21:30

She's doing it because

0:21:300:21:32

if the fault lies with anything that we purchased,

0:21:320:21:35

she can always say, "Well, La Toya, you approved this."

0:21:350:21:39

This way none of the responsibility will fall on her.

0:21:390:21:41

We just need a little more direction.

0:21:410:21:43

We're having a problem with sizes.

0:21:430:21:44

She doesn't need more direction. I told her.

0:21:440:21:46

-What we're sending you are the dresses...

-That's a lie.

0:21:460:21:50

-'How much are the dresses?'

-They're about 250 apiece.

0:21:500:21:54

That's fine. Get the two dresses.

0:21:540:21:56

-We're done.

-'OK, bye.'

-All right, bye-bye.

0:21:560:21:58

OK, bye.

0:21:580:22:00

She said she needed direction.

0:22:000:22:01

You know I just told them what to get,

0:22:010:22:03

and she's saying I won't give her on size.

0:22:030:22:04

You guys heard me tell her the two sizes.

0:22:040:22:06

Oh, yeah. 'Omarosa is a bit...'

0:22:060:22:08

toxic, and it kind of ruins the team unity.

0:22:080:22:12

She sucks the energy out of people.

0:22:120:22:15

What do they call that when you suck the energy out of people?

0:22:150:22:18

Succubus?

0:22:200:22:21

I don't like this game she's playing.

0:22:210:22:23

-You said it a million times, the sizes.

-Yeah, it's Omarosa.

0:22:230:22:26

I'm the PM, but as the director,

0:22:320:22:34

I want to understand what my options are.

0:22:340:22:38

So beat one is IT guy, blah blah blah,

0:22:380:22:41

this flavour with a housewife.

0:22:410:22:44

Beat two is cowboy shows up.

0:22:440:22:47

He's the cowboy there to fix the pool.

0:22:470:22:50

I come in a little bit later.

0:22:500:22:51

Gary comes in, and there's some big confrontation?

0:22:510:22:53

-You're having an affair with Trace.

-I'm the jealous wife.

0:22:530:22:56

You would obviously be Lisa's husband.

0:22:560:22:58

-Perfect!

-Let's go to Vegas.

-And I think we have screaming and passion.

0:22:580:23:02

Then last scene is out of a Harlequin romance novel.

0:23:020:23:06

And you making out with Susan Lucci. That's where this is all going!

0:23:060:23:08

It's fantastic. It's great.

0:23:080:23:10

Hi. Hi.

0:23:110:23:13

Look at you, babelicious.

0:23:140:23:16

Hi. Look who's talking.

0:23:160:23:17

-Hi.

-Trace Adkins.

0:23:170:23:20

Trace Adkins, how are you?

0:23:200:23:21

-I'm so happy to meet you.

-Very nice to meet you.

0:23:210:23:23

'Susan Lucci. Wow.'

0:23:230:23:25

What a sweet, classy lady, man.

0:23:250:23:28

She's everything that you thought she might be.

0:23:280:23:31

When you come out, she's turned into you.

0:23:310:23:35

All of a sudden, Trace comes in, bam,

0:23:350:23:37

like Stella, but it's like Crystal!

0:23:370:23:39

Rips his shirt off so he's naked.

0:23:390:23:42

You guys end up together.

0:23:420:23:44

-That's it.

-Are you OK with me picking you up?

0:23:440:23:46

-I won't drop you, I promise.

-I bet you won't.

0:23:460:23:48

'I appreciate beauty in any form.'

0:23:480:23:51

Good horse flesh, beautiful mountains, landscapes.

0:23:510:23:55

I think it's amazing.

0:23:550:23:56

And beautiful women.

0:23:560:23:57

I will just gently scoop you up into my arms.

0:23:570:24:01

-SULTRY:

-Oh, my big beautiful hunk of a cowboy!

0:24:010:24:04

I want everybody to raise your glass and take a drink...

0:24:070:24:10

-Take a sip.

-Right on cue!

-There he is!

0:24:100:24:14

-Hey!

-Hi, Jack. How are you? I'm La Toya.

0:24:140:24:16

Pleased to meet you. Good to see you.

0:24:160:24:18

Our actor, Jack Wagner, finally comes in.

0:24:180:24:22

-So this is the product?

-Yeah, this is the product.

0:24:220:24:25

There you go.

0:24:250:24:26

-Like it?

-Really good.

-Great.

0:24:280:24:30

How many times do you get to work

0:24:300:24:32

with a soap opera legend?

0:24:320:24:33

He's a cool guy, man.

0:24:330:24:35

I'm glad we actually got Jack.

0:24:350:24:37

I love Jack Wagner.

0:24:380:24:39

We could start rehearsing.

0:24:390:24:41

Yeah. For sure.

0:24:410:24:43

-MENACING:

-It's Alexis.

0:24:430:24:44

Then Alexis screams.

0:24:440:24:45

You scream bloody murder, and you faint.

0:24:450:24:48

What's up, y'all?

0:24:480:24:49

We were so delighted when our boardroom adviser,

0:24:500:24:53

Arsenio Hall, stopped by to visit.

0:24:530:24:55

Doing good, baby?

0:24:550:24:56

'So, to get feedback from him as a Celebrity Apprentice

0:24:560:24:59

'winner was outstanding.'

0:24:590:25:00

Let's talk about this thing.

0:25:000:25:02

-You're in charge.

-Yes, I'm in charge.

0:25:020:25:04

How's it going?

0:25:040:25:05

It's going good. Our setting is a Crystal Light party.

0:25:050:25:09

Sort of like a cocktail party at home.

0:25:090:25:11

We have all these guests coming over to the house,

0:25:110:25:13

but every time you hear dun-dun-DUN, we all drink our Crystal Light.

0:25:130:25:18

I know your business background, but did you act when you were a kid?

0:25:180:25:22

I've always been into Shakespearean theatre.

0:25:220:25:25

In fact, after The Apprentice, I went on Passion soap opera,

0:25:250:25:29

but I had to fight to be a part of the acting core.

0:25:290:25:32

Here it is, Arsenio. We didn't know.

0:25:320:25:33

We didn't have a script just yet, so how can you appoint certain people

0:25:330:25:37

if you don't have a script just yet?

0:25:370:25:38

That's a rewrite. Thank you.

0:25:410:25:44

Team Power, from the time I walked in the room, I felt tension.

0:25:440:25:49

As a project manager, I'm afraid for La Toya.

0:25:490:25:52

I don't know if she can handle Omarosa.

0:25:520:25:54

Omarosa, what do you think?

0:25:540:25:55

-Conniving witch.

-Oh, really?

0:25:550:25:57

-Conniving witch.

-You just bought it.

0:25:570:25:59

I thought you were going to play games with me.

0:25:590:26:01

-No, conniving witch.

-I've known you 20 years.

0:26:010:26:03

You're a real soft creature.

0:26:030:26:05

I've never heard you use the word conniving for any woman.

0:26:050:26:08

Well, we just got into a big fight.

0:26:080:26:09

I'm not going to allow her to walk over me, because once she does it,

0:26:090:26:12

she thinks she can continue to do it.

0:26:120:26:14

If this doesn't go well,

0:26:140:26:17

who do you have to bring in on the carpet and try by fire?

0:26:170:26:20

I know Omarosa will be one.

0:26:200:26:22

I know it's going to be a fight, but I'll fight back.

0:26:220:26:24

-WHISPERS:

-Alexis.

-OMAROSA SCREAMS

0:26:240:26:27

Aha!

0:26:350:26:37

This sounds like... I don't want to mess up a good story, but...

0:26:370:26:39

-Excuse me, one moment.

-Yes, of course. Please.

0:26:400:26:43

I knew I liked you, Arsenio.

0:26:430:26:45

It's so good to see you.

0:26:450:26:46

Mr Jillette, tell Arsenio what this is about.

0:26:460:26:50

The Crystal Light Liquid, you can decide how much you want to put in,

0:26:500:26:55

a little or a lot.

0:26:550:26:56

So we decided that we would compare the amount of flavour in the water

0:26:560:27:01

to the amount of romance in a soap opera.

0:27:010:27:04

When you think about this format, you want a crescendo to...

0:27:040:27:08

Boom!

0:27:080:27:10

-Yes.

-Like the fireworks over at Disneyland.

0:27:100:27:12

So it's an analogy between flavour and romance.

0:27:120:27:15

We want it to just be that over-the-top soap opera thing,

0:27:150:27:19

-and how do you make it fun?

-You guys are cruising.

0:27:190:27:21

Good luck, God bless.

0:27:210:27:23

Nice to meet you, ones I don't know, and see you, that I do know.

0:27:230:27:26

Initially, you think happy equals success.

0:27:260:27:30

But Plan B lost last week,

0:27:300:27:32

so happiness doesn't always equal success.

0:27:320:27:36

OK. So should we go with a little bit?

0:27:410:27:44

-Let's try it.

-She's going to go on stage.

0:27:440:27:47

At the end of the evening, there was only an hour left to task.

0:27:470:27:49

We're all trying to rehearse

0:27:490:27:51

and get this thing down.

0:27:510:27:52

The doorbell rings.

0:27:520:27:54

Welcome to my Crystal Light Liquid party!

0:27:540:27:58

-Party!

-So we'll come in like this.

0:27:580:28:01

What are you doing here?

0:28:010:28:03

-You said you never wanted to see me again.

-Yeah.

0:28:030:28:06

We were going along with the task and I got a call from home

0:28:080:28:12

that one of the tabloid news magazines

0:28:120:28:16

was going to air the 911 tape from the night that my honey,

0:28:160:28:20

Michael Clarke Duncan,

0:28:200:28:22

had a fatal heart attack.

0:28:220:28:25

I had to discreetly remove myself to go and deal with this issue.

0:28:250:28:29

Oh, sorry.

0:28:310:28:32

Then leave it there.

0:28:340:28:35

Hey.

0:28:460:28:48

There we are in the middle of rehearsing,

0:28:480:28:50

Omarosa is playing her part - villain -

0:28:500:28:52

and all of a sudden, she decides that, "OK, something came up.

0:28:520:28:56

"I have an emergency. I have to leave."

0:28:560:28:59

She explains to me and I say, "OK, go do what you need to do."

0:28:590:29:02

Shall we?

0:29:060:29:07

Where did she go?

0:29:070:29:09

Are you talking about Omarosa?

0:29:090:29:11

She's got some...issues right now.

0:29:110:29:15

-She went home to the hotel.

-What?

0:29:150:29:17

'Omarosa plays a pretty big role in this production.

0:29:170:29:20

'She plays herself, the villain.

0:29:200:29:22

'She fought for that role.'

0:29:220:29:24

What are we going to do now?

0:29:240:29:25

DUN-DUN-DUN!

0:29:250:29:28

Here we are, guys. We have to start right away cos we're short people,

0:29:320:29:36

as you guys all know.

0:29:360:29:38

For our soap opera,

0:29:380:29:39

it's the day of the performance

0:29:390:29:41

and there's no Omarosa.

0:29:410:29:42

So Miss Saboteur is gone.

0:29:420:29:45

-What did you call her?

-Miss Saboteur.

0:29:450:29:48

-Is she gone?

-She ain't here, so...

0:29:480:29:49

She didn't show up? That makes it even worse.

0:29:490:29:51

That makes it worse on her, not on us.

0:29:510:29:54

Omarosa, she's a gem.

0:29:540:29:56

I think she's going to sabotage this whole deal.

0:29:560:29:59

That's what it looks like.

0:29:590:30:01

Claudia, if she shows up, you're still doing her role.

0:30:010:30:03

She told us no. We all know it.

0:30:030:30:06

Omarosa had the role

0:30:060:30:07

of the evil villain.

0:30:070:30:09

I got to be a villain today?

0:30:090:30:11

I've never been a villain before.

0:30:110:30:12

At the end of the day, she left,

0:30:120:30:14

so Claudia took the ball and decided to do Omarosa's role.

0:30:140:30:17

-I also stole your strawberry lemonade?

-Ah!

0:30:170:30:21

-Why wouldn't I?

-DUN-DUN-DUN!

0:30:220:30:26

Claudia played a great evil nemesis.

0:30:260:30:29

Crystal Light Liquid passion fruit mango.

0:30:290:30:32

'And because Omarosa wasn't there,'

0:30:320:30:34

we actually had a great time.

0:30:340:30:36

But what brought you a vibrant,

0:30:360:30:39

-light-headed...

-Light-hearted!

0:30:390:30:42

It's just a tongue twister!

0:30:420:30:44

'We think it's pretty funny'

0:30:450:30:47

for La Toya to write

0:30:470:30:49

some of her lines on her hand.

0:30:490:30:51

Make sure you look at the crowd too, like...

0:30:510:30:54

'That's the way to nail the name of the product.'

0:30:540:30:56

So you don't have to really stress on it.

0:30:560:30:59

Mango... What is it?

0:30:590:31:02

-Peach lemonade. I

-BLEEP

-that up.

0:31:020:31:03

Edit that out.

0:31:030:31:05

We're going to rehearse, kids.

0:31:100:31:12

Casual. Let's walk through the blocking and the beats.

0:31:120:31:16

You're the other woman.

0:31:160:31:18

-Baby, I can explain.

-Hey!

0:31:180:31:20

So you're the guy that stole my wife.

0:31:200:31:22

Who are you?

0:31:270:31:28

What's there not to love

0:31:280:31:30

about Gary Busey?

0:31:300:31:31

Who are you?

0:31:310:31:32

He's fabulously brilliant.

0:31:350:31:38

Who are you?

0:31:380:31:40

And he's not, you know, so disconnected as everybody thinks.

0:31:440:31:48

He's a nutty professor, but he's smarter than everybody thinks.

0:31:480:31:51

Oh, gosh.

0:31:510:31:52

This...

0:31:530:31:54

'You know what, I'm an actress.

0:31:560:31:58

'You can't imagine the people I've had to make out with.'

0:31:580:32:00

Some great ones.

0:32:000:32:02

Burt Reynolds comes to mind.

0:32:020:32:04

But not Gary Busey.

0:32:040:32:06

Crystal Light Liquid allows you to customise your beverage.

0:32:060:32:10

I felt compelled,

0:32:100:32:11

mostly as the director, not the project manager,

0:32:110:32:13

to just let it flow.

0:32:130:32:15

-That's good.

-Stop.

0:32:170:32:19

I need, "Mm! Delicious."

0:32:190:32:23

OK, we get the idea.

0:32:230:32:24

-I think we have to add a little...

-Stop!

0:32:240:32:27

As the director, guys,

0:32:270:32:29

I'm going to give you these beats that I think will amp up the comedy.

0:32:290:32:34

-Is that cool?

-Perfect.

0:32:340:32:36

Let's put a lot of flavour in this next one.

0:32:370:32:39

Stop. Yes, Lisa?

0:32:390:32:41

I said use the iced tea this time because this time

0:32:410:32:44

I turn into Susan Lucci.

0:32:440:32:46

-Doesn't matter.

-All right.

0:32:460:32:48

-You're fabulous.

-OK.

0:32:480:32:50

In business, sometimes making

0:32:500:32:51

a decision is more important than the decision you make.

0:32:510:32:54

And Stephen Baldwin certainly takes that to the nth degree.

0:32:540:32:57

I'm going to try not to stop this now, guys.

0:32:570:33:00

Go ahead, Penn.

0:33:000:33:02

And it's zero calories.

0:33:020:33:03

Stop. I'm going to give Penn another note.

0:33:030:33:06

That kind of aggressive claim of power, I don't take seriously.

0:33:060:33:12

When I get home tonight to my room, I will laugh about it.

0:33:120:33:16

Should we invite Susan to the middle?

0:33:170:33:19

Trace! You're killing me.

0:33:190:33:22

Let's do that again. Everybody back to their positions.

0:33:220:33:25

-Oh, for

-BLEEP

-sake.

0:33:250:33:26

Stephen's being Stephen,

0:33:260:33:28

he's going to try you.

0:33:280:33:29

He's going to try your patience.

0:33:290:33:31

Stop.

0:33:310:33:32

The iron foreheaded man.

0:33:340:33:36

I'll be so glad when we do this for real so he can't stop this.

0:33:360:33:40

Let's go tech rehearse.

0:33:400:33:41

Come on, guys.

0:33:410:33:42

I think this is so good it's going to be fine.

0:33:420:33:45

He can't mess this up. No way.

0:33:450:33:48

I'm already making adjustments of what we're not going to use.

0:33:480:33:51

-A certain end table, the extra chair. We don't know.

-OK.

0:33:510:33:53

I love you to death, but as the stage manager,

0:33:540:33:57

don't speak in a way where you've made a decision that ultimately lies

0:33:570:34:01

-with me.

-OK, sure.

0:34:010:34:03

You just said I'm already thinking about what I'm not...

0:34:030:34:06

-OK.

-You know what I'm saying?

-Yeah, yeah.

0:34:060:34:08

If I decide to leave it all on and y'all have to work it out,

0:34:080:34:12

-that's my decision.

-OK, no worries. Absolutely. You're right.

0:34:120:34:14

Stephen, you be nice to Marilu or I'm going to kill you.

0:34:140:34:18

Correct me if I'm wrong. In a Broadway production,

0:34:180:34:21

does the stage manager override the director?

0:34:210:34:23

-No.

-OK, just checking.

0:34:230:34:24

OK.

0:34:240:34:25

'Stephen is an actor playing the role of a director.'

0:34:250:34:28

It's, like, OK. And the Emmy goes to...

0:34:280:34:32

Everybody go back to the rehearsal space

0:34:320:34:34

and rehearse from there, please.

0:34:340:34:36

Thank you, Stephen. You're a wonderful director.

0:34:360:34:39

-Let's do it.

-Guys, let's go.

0:34:400:34:41

Guys, right after this rehearsal,

0:34:410:34:44

we've got to get to D.

0:34:440:34:45

Dennis, you going to be OK with these light guys?

0:34:450:34:48

-Dennis! I need for you to time it, OK?

-All right.

0:34:480:34:51

The minute Claudia walks out, start timing.

0:34:510:34:54

-I haven't

-BLEEP

-timed anything with a

-BLEEP

-clock.

-Let's do it.

0:34:540:34:58

I see your spies have been spying in my closet.

0:34:580:35:02

Why are you even here, Crystal?

0:35:020:35:05

'So we're rehearsing our performance,

0:35:060:35:08

'and lo and behold,'

0:35:080:35:10

guess who just shows up out of nowhere.

0:35:100:35:13

Omarosa's here.

0:35:130:35:14

The wicked witch of the Midwest.

0:35:140:35:18

She's the fly in my soup.

0:35:180:35:21

She's the dent in my Bentley.

0:35:210:35:23

She's the hair in my iced tea.

0:35:250:35:27

I wasn't going to let you guys down. I had to get here.

0:35:270:35:30

-DENNIS LAUGHS

-Got to love it, right?

0:35:300:35:32

She did a great Houdini yesterday and all of a sudden now,

0:35:320:35:35

she popped back up again, out of the blue,

0:35:350:35:38

just before she had to go on stage.

0:35:380:35:40

It's just so predictable, what she does.

0:35:400:35:43

Any more space down there?

0:35:430:35:44

'I knew she would pop up at the last minute to say'

0:35:440:35:47

that she was there. She did it just in time where she didn't have to

0:35:470:35:50

perform the play, because she's afraid.

0:35:500:35:52

She knows the other girls act better than she does.

0:35:520:35:54

Let's face it, Brande's adorable. She's not.

0:35:540:35:57

Are you all ready to have some fun today?

0:36:070:36:09

Yes, indeed.

0:36:090:36:11

Don't drink all of your Crystal Light

0:36:110:36:13

because we have some crowd interaction

0:36:130:36:16

we want you to do during our soap opera.

0:36:160:36:18

Whenever you bring the crowd in

0:36:180:36:20

and you make them interact with you doing a performance,

0:36:200:36:22

they love that.

0:36:220:36:24

And we got the product out to the audience.

0:36:240:36:26

That's what's going to take us over the top.

0:36:260:36:29

Hi, everybody. Welcome.

0:36:310:36:32

Thank you for coming and good morning.

0:36:320:36:34

We would like to present to you our Crystal Light Liquid soap opera.

0:36:340:36:39

So when you hear this sound...

0:36:390:36:41

DUN-DUN-DUN!

0:36:410:36:44

..please take a sip of your Crystal Light Liquid. Now...

0:36:440:36:47

DUN-DUN-DUN!

0:36:470:36:49

Please sit back and enjoy The Days Of Crystal Light Liquid.

0:36:510:36:55

I love customising my Crystal Light Liquid.

0:36:590:37:03

I can put a little bit of my strawberry lemonade

0:37:030:37:06

and a lot of my mango passion fruit.

0:37:060:37:12

-DOORBELL RINGS

-Come in!

0:37:120:37:15

Welcome to my Crystal Light Liquid party!

0:37:150:37:19

-SHE GASPS

-Father!

0:37:190:37:21

What are you doing here?

0:37:210:37:23

You said you never wanted to see me again.

0:37:230:37:27

And you brought her. DUN-DUN-DUN!

0:37:270:37:31

I could see the executives sitting out in the front row.

0:37:330:37:35

I could see Ivanka and Arsenio,

0:37:350:37:37

and I loved that I saw Arsenio out there with a big smile on his face.

0:37:370:37:41

I'm here because I have something very, very important to tell you.

0:37:410:37:46

DUN-DUN-DUN!

0:37:460:37:49

Did that pregnant man have another baby?

0:37:490:37:51

DUN-DUN-DUN!

0:37:510:37:54

I'm going to tell Crystal...the truth.

0:37:540:37:57

-DOORBELL RINGS

-Oh, come in!

0:37:570:37:59

Welcome to my Crystal Light Liquid party!

0:37:590:38:02

SHE GASPS

0:38:020:38:04

DUN-DUN-DUN!

0:38:050:38:09

I see your spies have been spying in my closet.

0:38:090:38:12

Well, I see that your shoes don't match your dress.

0:38:130:38:15

They were on sale.

0:38:170:38:18

A lot has happened since I've last seen you all.

0:38:210:38:24

I've been in a plane crash,

0:38:240:38:26

train crash, boat crash,

0:38:260:38:29

and an angry hairy old lady shot me and I got amnesia.

0:38:290:38:32

SHE GASPS, DUN-DUN-DUN!

0:38:320:38:35

But what brought his light-hearted, vibrant, optimistic memory back?

0:38:350:38:42

It was Crystal Light Liquid Mango Passion Lemonade

0:38:440:38:48

and Crystal Light Strawberry Liquid Lemonade.

0:38:480:38:54

'Oh, my God.

0:38:540:38:57

'Do you know how bad it is for the project manager

0:38:570:39:00

'to get the product name wrong?

0:39:000:39:02

'This is a branding task.'

0:39:020:39:04

If you get nothing else right,

0:39:040:39:07

get the name of the product

0:39:070:39:08

and the flavours correct.

0:39:080:39:10

After years of amnesia, several things came back to me.

0:39:120:39:15

First of all, Crystal, you have a sister.

0:39:150:39:19

THEY GASP, DUN-DUN-DUN!

0:39:190:39:23

A twin sister.

0:39:230:39:24

THEY GASP

0:39:240:39:25

It's Alexis.

0:39:250:39:27

THEY GASP, DUN-DUN-DUN!

0:39:270:39:29

No!

0:39:290:39:30

SHE SCREAMS

0:39:300:39:32

THEY SCREAM

0:39:340:39:35

This production of Days Of Crystal Light Liquid

0:39:380:39:40

was brought to you by Team Power

0:39:400:39:42

and Crystal Light Liquid,

0:39:420:39:44

the zero-calorie, guilt-free drink with fabulous FLA-VOUR!

0:39:440:39:51

I think the audience and the executives,

0:39:510:39:53

I think they loved our performance.

0:39:530:39:55

But the weakest contributor on our team was definitely Omarosa.

0:39:550:39:59

She left whenever she felt like it,

0:39:590:40:01

she came when she felt like it, and all she did when she was there was

0:40:010:40:04

disrupt and distract.

0:40:040:40:06

All right, my stars.

0:40:120:40:14

Let's go rock 'em out.

0:40:140:40:16

We did as much as we possibly could do

0:40:160:40:18

in the amount of time we had to do it.

0:40:180:40:20

And it's performance day.

0:40:200:40:22

Magic is going to happen.

0:40:220:40:23

Here we go. Take your positions, please.

0:40:230:40:25

We get to perform for people and we get to make people laugh and have a

0:40:250:40:29

good time. Like, what's better than that?

0:40:290:40:31

Good morning, and welcome to Crystal Guiding Days Of Our Lights,

0:40:330:40:38

brought to you

0:40:380:40:39

by Crystal Light Liquid Blueberry Raspberry and Iced Tea.

0:40:390:40:45

Crystal Light Liquids allows you to customise your drink,

0:40:450:40:49

decide just how much flavour is in each glass.

0:40:490:40:52

We're going to let the Crystal Light

0:40:520:40:55

represent the amount of romance we have in each scene.

0:40:550:40:59

Let's start off our soap opera a little bit light.

0:40:590:41:03

Mm!

0:41:100:41:12

That is so vibrant and refreshing.

0:41:120:41:14

Oh!

0:41:150:41:16

-KNOCKING

-Who's at my door?

0:41:160:41:19

Oh, hello.

0:41:200:41:22

Hello. Are you Crystal?

0:41:220:41:24

I'm supposed to meet Crystal.

0:41:240:41:25

Yes, I'm Crystal.

0:41:250:41:26

I'm here to work on your computer.

0:41:260:41:30

-Oh!

-And where is your computer?

0:41:300:41:34

It's in the bedroom.

0:41:340:41:36

So you get the idea.

0:41:380:41:39

I think we need just a little more romance.

0:41:390:41:42

COUNTRY MUSIC

0:41:420:41:44

Howdy, little lady.

0:41:440:41:45

I'm from Cowboy Pool Service.

0:41:470:41:49

I don't have a pool.

0:41:490:41:51

But I sure could use a cowboy pool guy.

0:41:540:41:57

Ivanka is so beautiful,

0:41:580:41:59

but there's one moment when she's just like this.

0:41:590:42:02

-Kind of very stoic and I thought, "Oh,

-BLEEP."

0:42:030:42:07

-Tell me more.

-No, I think I'll just sing it to you.

0:42:070:42:10

Oh.

0:42:100:42:11

# Crystal, there's a crystal pool of light in your eyes. #

0:42:110:42:16

Hey!

0:42:180:42:21

So you're the other woman!

0:42:210:42:22

-Who are you?

-I can explain this.

0:42:220:42:24

Listen to me, you're the guy that stole my wife.

0:42:240:42:28

Who are you?

0:42:300:42:31

Just having Gary Busey walk on stage is a win.

0:42:340:42:38

As a matter of fact, we probably wasted a lot of time writing this.

0:42:380:42:41

We probably should have said Crystal Light Liquid

0:42:410:42:43

and then have Gary run around the stage like a monkey.

0:42:430:42:47

OK, let's kick it.

0:42:540:42:57

Oh, I feel FABULOUS.

0:43:010:43:04

I think I'm going to go change into something even more fabulous.

0:43:050:43:11

SOFT MUSIC PLAYS

0:43:130:43:16

Crystal!

0:43:200:43:21

Oh, my big, beautiful hunk of cowboy!

0:43:290:43:34

The end.

0:43:360:43:38

Everybody gets 20 gold stars.

0:43:460:43:49

Everybody did great. Everybody delivered.

0:43:490:43:52

But unequivocally,

0:43:520:43:54

as the project manager, if we lose,

0:43:540:43:57

all responsibility falls on Penn Jillette.

0:43:570:43:59

That's my story and I'm sticking with it.

0:44:010:44:04

So we saw some pretty interesting sketches.

0:44:100:44:13

What did you think of La Toya's team?

0:44:130:44:15

I thought they were very creative in taking the classic soap opera

0:44:150:44:19

and the drama of a soap opera.

0:44:190:44:21

They really had a lot of energy.

0:44:210:44:24

Brande was very into her role.

0:44:240:44:26

I thought she did a great job of making it engaging and entertaining.

0:44:260:44:30

What about the negatives?

0:44:300:44:32

The focus on brand messaging might have been a little bit confused with

0:44:320:44:37

how many times can I say the name of the product.

0:44:370:44:40

The product wasn't central to the story itself.

0:44:400:44:43

The part where the audience would drink along

0:44:430:44:45

when the music would come up,

0:44:450:44:46

I thought, was a unique device and interesting,

0:44:460:44:48

but it did get a little bit rushed.

0:44:480:44:50

Maybe about 40 less bam-bam-bams.

0:44:500:44:53

I was so full of liquid...

0:44:530:44:55

That's right. I think that's where, from a creativity perspective,

0:44:550:44:57

I marked them high. The ideas and the devices were well thought out,

0:44:570:45:00

but they did become distracting.

0:45:000:45:01

They did become a little bit overbearing.

0:45:010:45:03

How about Stephen's team?

0:45:030:45:05

Stephen's team really only focused on one of the flavours,

0:45:050:45:09

whereas La Toya's team balanced the use of both flavours.

0:45:090:45:12

What do you think was the strongest element

0:45:120:45:15

of Stephen's team's performance?

0:45:150:45:17

They made the Crystal Light Liquid product the centre of the story

0:45:170:45:22

versus a prop in the story.

0:45:220:45:24

Would you all agree that Trace gets an Emmy today?

0:45:240:45:26

-Trace was a slam dunk.

-Trace was hilarious.

0:45:260:45:29

Do you feel that they underutilised Susan Lucci?

0:45:290:45:33

I think the way they used her maybe was a little bit confusing to me.

0:45:330:45:37

I wasn't sure if she was supposed to then be Lisa.

0:45:370:45:41

So in terms of the three criteria for this task - creativity,

0:45:410:45:44

brand messaging and execution - who do you think the winner was?

0:45:440:45:48

We believe the winner is...

0:45:480:45:49

-Hello, La Toya.

-Hello, Mr Trump.

0:46:120:46:15

You know, if you get fired, I'm not letting you back this time.

0:46:150:46:17

-You do know that?

-I know that.

0:46:170:46:19

-You look very, very nice.

-Thank you.

-So how did the team do?

0:46:190:46:22

I think my team did very well.

0:46:220:46:23

We all did well.

0:46:230:46:24

Who was your star?

0:46:260:46:27

We had, I think, several stars.

0:46:270:46:30

-Who?

-Claudia

0:46:300:46:32

and Brande.

0:46:320:46:34

What about Omarosa?

0:46:350:46:36

Omarosa wasn't one of our stars.

0:46:380:46:40

-Was not one of your stars?

-Absolutely not.

-Why?

0:46:400:46:43

Because Omarosa didn't participate.

0:46:430:46:46

Wow. What happened, Omarosa?

0:46:460:46:48

I had to excuse myself because of a family emergency

0:46:490:46:52

relating to Michael's estate.

0:46:520:46:54

Well, did you help?

0:46:540:46:55

I did. The first day, I went to get props.

0:46:550:46:58

I got costumes.

0:46:580:46:59

-Is that true? Is that true?

-I ran around with La Toya.

0:46:590:47:02

-She did get props.

-I worked my butt off on the first day.

0:47:020:47:05

She did not work her butt off.

0:47:050:47:06

I don't know what she did when she was out there, but absolutely not.

0:47:060:47:09

How did you get along with Omarosa?

0:47:090:47:12

-I didn't.

-Why?

0:47:120:47:13

Because Omarosa tries to control.

0:47:130:47:16

I've never heard that before(!)

0:47:160:47:18

I'm a leader. I am not a good follower.

0:47:180:47:20

-I'm a leader.

-Was she a distraction to you during the task?

0:47:200:47:25

She tried to, very much so.

0:47:250:47:27

Omarosa, do you respect La Toya?

0:47:270:47:30

You know, I think so now.

0:47:300:47:31

I was glad when she spoke up.

0:47:310:47:33

My disagreement was sending Dennis out to pick up clothing for women.

0:47:330:47:38

I thought that there should have been another woman to accompany him.

0:47:380:47:40

Dennis was going for props, not clothing.

0:47:400:47:43

He was going for props.

0:47:430:47:44

You don't know the time management, then.

0:47:440:47:47

Because you have to leave the prop house and go to Lord & Taylor.

0:47:470:47:50

That would have left Claudia by herself to choose the wardrobe.

0:47:500:47:53

I just thought another woman should accompany her.

0:47:530:47:55

-Totally not true.

-It is true. That's why I wanted to go with her.

0:47:550:47:58

-Why is that untrue?

-Because I was sending Claudia and Dennis

0:47:580:48:01

off to go get props. Omarosa decided that she wanted to go get the props.

0:48:010:48:05

-Absolutely.

-And we had a little altercation.

0:48:050:48:08

And because of that, I decided,

0:48:080:48:10

"Let's get the negativity out of here

0:48:100:48:12

-"so we can concentrate on..."

-What was the negativity?

0:48:120:48:15

The one that's sitting to the right of me.

0:48:150:48:17

I am the one sitting to the right of her, and I'll never apologise for

0:48:170:48:21

allowing the project manager to lead,

0:48:210:48:23

but not leading us to destruction.

0:48:230:48:25

If she's making bad decisions, we shouldn't sit there and let her.

0:48:250:48:28

Mr Trump, I was not making bad decisions. Omarosa tried to control.

0:48:280:48:31

Part of the DNA of this show is choosing leaders.

0:48:310:48:33

When you cast this show ten years ago, you looked for type A, driven,

0:48:330:48:36

-unapologetically ambitious people.

-DENNIS:

-Here we go.

0:48:360:48:39

And you chose me.

0:48:390:48:41

Mr Trump, if it's not her way, it's no way.

0:48:410:48:43

She wanted it to be her way.

0:48:430:48:45

He doesn't like to listen.

0:48:450:48:46

By the way, excuse me, Arsenio?

0:48:460:48:48

Are you happy that you're on this side of the table?

0:48:480:48:50

Oh, gosh, yes.

0:48:500:48:52

He is the happiest guy in the room right now.

0:48:520:48:54

Yes, Arsenio?

0:48:540:48:56

You mentioned the estate business you were dealing with.

0:48:560:48:59

-Yes.

-That's your reason for not performing?

0:48:590:49:02

Well, they were releasing Michael's 911 tape,

0:49:020:49:04

and we had worked so hard to

0:49:040:49:06

make sure that did not become public because unfortunately my fiance was

0:49:060:49:10

-on that call dying.

-Did they release the tape?

0:49:100:49:12

They aired it last night.

0:49:120:49:14

-Was it so bad?

-It was pretty bad.

0:49:140:49:17

All right. Dennis, what did you think?

0:49:170:49:20

La Toya, Omarosa, what did you think of the team?

0:49:200:49:24

Omarosa trying to play these games all the time.

0:49:240:49:26

It was very difficult to understand why she has to do it, you know?

0:49:260:49:31

Cos she loves to be Omarosa

0:49:310:49:33

-because, you know, she's this real big

-BLEEP

-star.

-BLEEP.

0:49:330:49:37

It was like, "Wow, OK!"

0:49:370:49:40

This is a team. This is a team game.

0:49:400:49:41

Do you think you won, Dennis?

0:49:410:49:43

To me, I think that we had a very, very good concept.

0:49:430:49:46

We went through all the logistics,

0:49:460:49:48

trying to make it really funny and charismatic and stuff like that.

0:49:480:49:52

You felt pretty good about it?

0:49:520:49:54

-Even Lil Jon...

-I feel good about you, Dennis.

0:49:540:49:56

That's good. OK. Brande, what do you think of La Toya?

0:49:560:50:00

Oh, I thought she was great.

0:50:010:50:03

I loved her strength.

0:50:030:50:04

She's a very strong woman.

0:50:040:50:06

Just because she's little, don't...

0:50:060:50:08

You know. You can't judge a book by its cover.

0:50:080:50:11

Let me ask you this. Was Omarosa a problem or not really?

0:50:110:50:14

It was a problem. When she left, it was harmonious.

0:50:150:50:18

We were able to create and we had a great time.

0:50:180:50:21

I asked to leave.

0:50:210:50:22

You remember the argument came from me wanting to leave

0:50:220:50:25

and allow the creative process to happen.

0:50:250:50:28

I asked to go to see about the wardrobe.

0:50:280:50:30

Would you have gotten rid of her and said get out of here?

0:50:300:50:33

Did you see that or not really?

0:50:330:50:35

Excuse me. Mr Trump is talking.

0:50:350:50:36

-I'd like to hear him.

-I heard him, yes.

0:50:360:50:38

La Toya, supposing she didn't want to go,

0:50:380:50:40

would you have gotten rid of her?

0:50:400:50:41

You would have said, "Do me a favour,

0:50:410:50:43

"go over to that corner and leave us alone?"

0:50:430:50:46

I would have told her, "Go get the props."

0:50:460:50:48

That's quite a statement. I've never actually had anybody say that to me.

0:50:480:50:51

It's a pretty strong statement, Lisa, right? It is.

0:50:510:50:54

Stephen, what do you think of that statement?

0:50:540:50:57

I'm just glad Omarosa's not on my team.

0:50:570:51:01

LAUGHTER

0:51:010:51:03

I probably shouldn't have said that.

0:51:030:51:04

Mm-hm.

0:51:040:51:07

How did you like your team?

0:51:070:51:08

-All stars, across-the-board.

-Who was your weak link? Tell me.

0:51:100:51:13

HE SIGHS

0:51:130:51:15

Just in regard to...

0:51:160:51:18

Who was your weak link?

0:51:180:51:20

Gary, just because of his personality.

0:51:200:51:22

He's flamboyant and he bounces around.

0:51:220:51:24

-But did he help?

-Across-the-board.

0:51:240:51:26

So you thought he was good, but you would say the weakest player?

0:51:260:51:29

He did terrific.

0:51:290:51:31

How was Lisa?

0:51:310:51:32

Absolutely amazing.

0:51:330:51:34

I heard that. How was Trace?

0:51:340:51:36

-Amazing.

-I heard that.

0:51:370:51:39

Trace, I heard you sang at the end

0:51:390:51:40

and these guys were just blown away by your voice. They love your voice.

0:51:400:51:44

I totally enjoyed the performance.

0:51:440:51:47

I remember going into it thinking this team has all the actors.

0:51:470:51:51

That was on my mind. It turned out

0:51:510:51:52

that the unbelievable Emmy performance

0:51:520:51:55

came from a songwriter and a singer.

0:51:550:51:56

He was really good.

0:51:560:51:58

I'm wondering, as a director,

0:51:580:52:00

how much did you have to do with that wonderful performance?

0:52:000:52:02

What did you contribute to that thing?

0:52:020:52:04

People in the audience might not have seen you.

0:52:040:52:07

I think we were very fortunate that Penn came up with an outstanding

0:52:070:52:11

concept, creatively,

0:52:110:52:13

and then we all just rallied around it.

0:52:130:52:15

I felt that was probably more important in the management

0:52:150:52:19

of all these personalities to just kind of let it all flow,

0:52:190:52:23

and that's what happened.

0:52:230:52:25

What about the decision to only use one of the flavours?

0:52:250:52:27

The problem was we were doing an analogy

0:52:270:52:30

between romance and a flavour.

0:52:300:52:32

I thought that doing the graduations from lighter to darker with one

0:52:320:52:36

flavour would be clearer and having the simple analogy of romance to

0:52:360:52:41

blueberry raspberry was simple and clear.

0:52:410:52:44

I can tell you the executives did not like it.

0:52:440:52:46

-Using just one?

-Yes.

0:52:460:52:47

-OK.

-They loved the analogy and the way you integrated that product was

0:52:470:52:52

-very creative. But they were confused.

-But you understand the graduation?

0:52:520:52:55

Yes, I understand the conundrum,

0:52:550:52:56

but they were confused by why you were supposed to be promoting

0:52:560:52:59

two products and really highlighted one.

0:52:590:53:01

That was clearly a problem.

0:53:010:53:03

I didn't have a solution for it.

0:53:040:53:06

Marilu, let me ask you. Who was your weakest player?

0:53:070:53:10

SHE SIGHS

0:53:100:53:12

Oh, everybody's got strengths and specialities.

0:53:120:53:15

Who was your weakest player?

0:53:150:53:16

You know, I have to agree with Stephen that, as far as skill sets,

0:53:180:53:23

in terms of doing things across-the-board, it's Gary.

0:53:230:53:27

Trace, who was your weakest player?

0:53:290:53:32

-Gary.

-Why?

0:53:320:53:33

Um...

0:53:350:53:37

Cos he's Gary!

0:53:370:53:39

Gary, go ahead. Go ahead.

0:53:430:53:45

I've been doing this business for 42 years,

0:53:450:53:47

and absolutely adored

0:53:470:53:49

and paid attention 150% to Stephen's direction.

0:53:490:53:53

I did everything he asked me to do...

0:53:530:53:55

..because I feel Stephen and his direction was an innocent champion

0:53:560:54:00

of honesty, and I've been working with many directors,

0:54:000:54:03

-but he was top of the line.

-He didn't say you were bad.

0:54:030:54:06

He said he was the weakest player.

0:54:060:54:07

-You are very good, Gary.

-I'm not weak.

0:54:070:54:09

Just because of his personality, that's the only reason.

0:54:090:54:12

-That's a fallacy.

-Lisa,

0:54:120:54:13

who do you think the weakest player in your team is?

0:54:130:54:16

-Gary.

-Why?

0:54:190:54:21

-I love him. I love you.

-Why am I weak?

0:54:210:54:23

What did I do that was weak?

0:54:230:54:24

Why does everyone say "I love you" after they just kill someone?

0:54:260:54:28

It drives me crazy.

0:54:280:54:30

OK, but you love him.

0:54:300:54:31

-Good.

-Why is he weak?

0:54:310:54:33

He doesn't do as much as all of the others.

0:54:350:54:37

I believe the other players are stronger.

0:54:370:54:39

I did what I was told to do, and that's what I did,

0:54:390:54:42

and I did it fully,

0:54:420:54:44

to my best ability.

0:54:440:54:46

If I may, Mr Trump, it's really more of a personality.

0:54:460:54:49

Gary's Gary.

0:54:490:54:51

He likes to have fun, he makes loud noises, he bounces around.

0:54:510:54:54

-I think he's great, OK?

-I love him.

0:54:540:54:56

So Stephen, you think you won?

0:54:580:54:59

Yes, I think that without question what we created was...

0:55:010:55:07

It couldn't have been better. It really couldn't.

0:55:090:55:11

And with that being my perception, yes, I think we've won.

0:55:110:55:15

All right.

0:55:180:55:19

Arsenio, what did Adam and Tiffany think of Stephen's team?

0:55:190:55:23

They said the product customisation was central to the story

0:55:230:55:27

and the main character of your scene.

0:55:270:55:30

They were really happy about that.

0:55:300:55:32

They felt that Trace sang beautifully

0:55:330:55:36

and he was hilarious as the pool guy.

0:55:360:55:38

I want to add every other character that you played.

0:55:380:55:41

I'm on your jock, man. You are good.

0:55:410:55:43

I expect her, expect her, I expect him.

0:55:430:55:45

But I didn't know you had those kind of chops, man.

0:55:450:55:48

That's how I roll, bro.

0:55:480:55:50

The negatives. They see you only used one of the products

0:55:550:55:59

you were given and you should have utilised all the resources.

0:55:590:56:01

You should. That was a big problem.

0:56:010:56:03

Yes, sir.

0:56:030:56:05

They also were confused.

0:56:050:56:06

There was a reaction when Susan Lucci walked out,

0:56:060:56:09

and they were confused why you saved her to the end

0:56:090:56:12

and only used her in that short period of time.

0:56:120:56:16

I guess that's a... that's a tough call.

0:56:160:56:19

OK. Ivanka, what do the Crystal Light executives think

0:56:210:56:26

of La Toya's team?

0:56:260:56:27

They liked the cheesy soap opera scene, if you will,

0:56:270:56:31

and they thought you were incredibly creative, La Toya.

0:56:310:56:34

Sometimes that creativity stood in the way of execution.

0:56:340:56:37

It was almost too much going on with the audience drinking.

0:56:370:56:40

So while they liked the participation of the audience

0:56:400:56:42

and the interaction with the brand,

0:56:420:56:44

it almost got a little bit muddled and confusing.

0:56:440:56:47

They love that you used both the products

0:56:470:56:48

because it showed diversity of the line.

0:56:480:56:50

And they thought your and Brande's performances were tremendous

0:56:500:56:55

and very funny.

0:56:550:56:56

The negatives were that it felt rushed.

0:56:560:56:59

Everything was chaotic and frenetic.

0:56:590:57:02

And I really think the biggest concern that they had was while the

0:57:020:57:06

branding was there, it was sort of haphazard.

0:57:060:57:08

And that was part of the storyline.

0:57:080:57:10

Ringing the bell and everyone drinks.

0:57:100:57:13

But it didn't feel as well integrated.

0:57:130:57:15

-Mr Trump?

-Yes, go ahead, Arsenio?

0:57:180:57:21

Not to belabour this, but one of the reasons

0:57:210:57:23

I wished Omarosa had stayed...

0:57:230:57:26

The other three ladies were wonderful, they were so funny,

0:57:260:57:28

and it was very effective.

0:57:280:57:30

I wanted to see you with these ladies.

0:57:300:57:31

-I wanted to be up there too.

-I saw you rehearse.

0:57:310:57:33

-What happened?

-I will never ever choose Apprentice over Michael.

0:57:330:57:38

I will never make that decision.

0:57:380:57:40

And if I have to go and take care of my honey, I will.

0:57:400:57:43

I'm just telling you. I will never apologise for what I had to do.

0:57:440:57:47

I get that. I get that.

0:57:470:57:48

And having to hear the last moments of his life played out

0:57:480:57:52

on national TV, I will never apologise for that, Arsenio.

0:57:520:57:55

As important as this was to you all, I'm never going to apologise for it.

0:57:550:57:59

-Omarosa...

-I would go do it again and again, do you understand?

0:57:590:58:02

Then, why didn't you just leave?

0:58:020:58:03

Why did you ask for her permission?

0:58:030:58:05

I talked to her and she said, "I understand, I've been there. Go."

0:58:050:58:09

That's what she said.

0:58:090:58:10

She said, "I have an emergency that I have to attend to,"

0:58:100:58:12

and I said I understand.

0:58:120:58:14

Did she tell you what the emergency was?

0:58:140:58:15

She said it was the 911 call.

0:58:150:58:17

I will never ever choose anybody over Michael.

0:58:170:58:21

Unapologetically.

0:58:210:58:23

And I will take responsibility for that over and over and over again.

0:58:230:58:26

I get that. It's just that something inside me that says in that moment,

0:58:260:58:31

you just leave, you don't ask permission.

0:58:310:58:33

You're a very non-trusting person.

0:58:330:58:34

-Look at you. He's a very cold-hearted guy.

-Not cold-hearted.

0:58:340:58:39

Arsenio, I feel like you're going

0:58:390:58:41

down a road I'm not even willing to

0:58:410:58:43

-explore on the show, because it was real.

-I knew your man.

0:58:430:58:46

I understand what you're going through.

0:58:460:58:48

I get that.

0:58:480:58:49

But it sounds like you asked her

0:58:490:58:51

if you could leave, and that's disingenuous

0:58:510:58:53

cos you were leaving.

0:58:530:58:54

Oh, I was going to take care of my man.

0:58:540:58:56

Every single time. Every single time, Arsenio.

0:58:560:58:58

-Do you understand?

-So this really had to do with the battle between

0:58:580:59:01

-you and La Toya.

-I will choose Michael over this show

0:59:010:59:04

-any time.

-This wasn't about Michael.

-Any time. Any time.

0:59:040:59:07

Unapologetically.

0:59:070:59:08

Do you understand that?

0:59:080:59:09

And if anything else comes up...

0:59:090:59:11

Listen to me so that you understand my love for this man.

0:59:110:59:14

-If something else...

-I know.

0:59:140:59:16

But you keep asking me and you don't even know how hard it is to sit here

0:59:160:59:20

-while it's still being played...

-Omarosa.

0:59:200:59:22

And I still have to sit here and keep my head up...

0:59:220:59:24

-Omarosa.

-..and keep my chin up.

0:59:240:59:25

-Omarosa.

-And I'm doing it with grace, but I will not

0:59:250:59:28

-choose a soap opera over my love.

-That's not what I'm asking you.

0:59:280:59:31

-Do you understand?

-Can I ask you one more question?

0:59:310:59:34

-Ever, ever.

-One more question.

-Ever.

0:59:340:59:36

One more question. If the 911 call didn't exist, would you have stayed?

0:59:360:59:39

I would have been right in there.

0:59:390:59:40

I would have been Alexis and I would have played the hell out of that

0:59:400:59:44

role and you know it, because that's what I do.

0:59:440:59:46

I did call her last night and ask her if she is capable of playing the

0:59:490:59:52

role and if she wants to come in.

0:59:520:59:54

And she told me, "Yes, of course I do."

0:59:540:59:56

But then again, I got a phone call from Claudia...

0:59:560:59:58

Omarosa, don't use that. Dennis has been using it all day.

0:59:581:00:01

Don't use it. Omarosa, this could be the end of your life.

1:00:011:00:05

Omarosa... We don't want you to die, Omarosa.

1:00:051:00:10

Don't use it. No, that's very nice of you, Dennis.

1:00:101:00:13

-Has it been used?

-No, it hasn't. I just picked it out there.

1:00:131:00:16

-No DNA.

-OK.

1:00:161:00:17

Are you ready?

1:00:181:00:20

Let's find out who won.

1:00:201:00:22

Well, I wish that Omarosa stayed, to be honest.

1:00:221:00:26

Because the Crystal Light executives, who are terrific people,

1:00:271:00:31

who I've gotten to know, they really know what they're doing,

1:00:311:00:35

and they felt that Stephen's team wins.

1:00:351:00:38

And maybe if you'd stayed, you would have won,

1:00:381:00:40

but you didn't stay, and I understand why you didn't stay.

1:00:401:00:43

So, Stephen, I want to congratulate you.

1:00:451:00:46

-Thank you, Mr Trump.

-I'm going to give you 20,000

1:00:461:00:49

and Crystal Light is adding 30,000,

1:00:491:00:52

so you win 50,000 for your charity.

1:00:521:00:54

What's your charity, Stephen?

1:00:541:00:56

It's my mom's - Carol Baldwin Breast Cancer Research Fund.

1:00:561:00:59

-She's a great woman.

-She's amazing.

1:00:591:01:02

-You know, I've met her.

-Of course.

1:01:021:01:03

I've helped her, I've contributed to her, but she's a great woman.

1:01:031:01:06

You have been brilliant to my mom and the organisation for many

1:01:061:01:09

years, and I appreciate it.

1:01:091:01:11

All right, congratulations, Stephen.

1:01:111:01:13

Congratulations, team.

1:01:131:01:15

Go out. Go back to your suite.

1:01:151:01:16

You can watch it on television.

1:01:161:01:18

-Do whatever you want.

-Enjoy it.

1:01:181:01:20

La Toya, sadly, someone from your team, perhaps you, will be fired.

1:01:211:01:26

-GARY:

-It's hard to be disrespected in front of the whole team, dammit.

1:01:321:01:36

Stephen, baby.

1:01:451:01:46

Did a great job, didn't he?

1:01:461:01:48

I just won 50,000 for my mom

1:01:481:01:51

and her organisation,

1:01:511:01:52

the Carol Baldwin Breast Cancer Research Fund.

1:01:521:01:55

Appreciate it. Thanks, all of you.

1:01:551:01:56

I am completely blown away.

1:01:561:01:59

Mr Busey.

1:01:591:02:00

Thank you. GARY SNIFFLES

1:02:031:02:04

Will you shake my hand?

1:02:041:02:06

-What for?

-Just, congratulations.

1:02:061:02:08

You called me down.

1:02:081:02:10

That hurt me very much.

1:02:101:02:11

I did everything you asked me to do,

1:02:111:02:13

-on the money.

-Did you hear my explanation?

1:02:131:02:15

-It just hurt my heart.

-What would you do if you were me in that situation?

1:02:151:02:18

I would say everybody on the team is good.

1:02:181:02:20

It doesn't mean, brother...

1:02:201:02:21

Don't call me brother, please.

1:02:211:02:23

My team that I was with

1:02:231:02:25

said I was weak and unsure, but that's a loser.

1:02:251:02:30

Fighting a losing battle

1:02:301:02:31

because winners do what losers don't want to,

1:02:311:02:33

and I am a winner.

1:02:331:02:35

I'm the director, you know that.

1:02:371:02:38

Just... I don't want...

1:02:411:02:43

Don't get out of control.

1:02:431:02:45

No, I'm not. I'm just hurt very much.

1:02:451:02:47

I know that. I have the utmost respect for you.

1:02:471:02:49

-That just was bad.

-Mr Trump put us all in a bad spot, man.

1:02:491:02:53

-That's what he does.

-Thank you very much.

1:02:531:02:55

-I appreciate that.

-Come on, guys, watch.

1:02:551:02:57

-Please, let's watch.

-Is it OK if I sit with you?

1:02:571:02:59

-Oh, we love you, Gary.

-Would you stop?

-Get your butt over here!

1:02:591:03:01

-Come on.

-Stop it.

-Don't be a baby.

-We love you, Gary.

1:03:011:03:03

-Gary?

-It's on, guys, let's watch.

1:03:031:03:07

Dennis, are you happy that you got tattoos?

1:03:071:03:10

If you had it to do again, would you get tattoos or not?

1:03:101:03:13

One of the reason I got tattoos was because I was frustrated.

1:03:131:03:16

You're frustrated that you got tattoos?

1:03:161:03:18

"Lisa, how do you feel about your lips?

1:03:181:03:20

"Are you happy you had them reduced?" "Yes, I am."

1:03:201:03:23

Lil Jon, you would think that...

1:03:241:03:26

I would think Lil Jon would have more tattoos.

1:03:261:03:28

-And, Lil Jon, you don't, and that's cool.

-No.

1:03:281:03:31

Is the grille removable?

1:03:311:03:32

-Yes.

-So it's not permanent?

1:03:321:03:34

Yeah, I don't want to be 80 with gold teeth.

1:03:341:03:36

Oh, so the grille is actually removable?

1:03:361:03:38

Yes.

1:03:381:03:39

Damn!

1:03:391:03:41

-DENNIS:

-'Where have you been, DT?

-I never heard of that.'

1:03:411:03:43

And what do you have to do? Use a little glue to put it up?

1:03:431:03:45

-No, it snaps on.

-It's pretty wild.

1:03:451:03:48

I mean, you're sitting there, worried about this,

1:03:481:03:51

-and he's talking about your

-BLEEP...

1:03:511:03:53

OK, La Toya, the audience favoured Stephen's team two to one,

1:03:531:03:57

which actually surprised me because I heard great reports

1:03:571:04:00

from Arsenio and from Ivanka.

1:04:001:04:02

How do you respond to that?

1:04:021:04:04

I really, truly thought that we won because we put a lot of energy and a

1:04:041:04:08

lot of effort into it.

1:04:081:04:10

But again, that was part of the ratings.

1:04:101:04:13

So was the fact that Omarosa was not there a distraction to you?

1:04:131:04:16

Do you think that hurt the team?

1:04:161:04:18

-Or not really.

-It was very difficult, Mr Trump,

1:04:181:04:20

because we didn't know if she was going to be there or not.

1:04:201:04:23

So of course, Claudia took on that, and I said, "Claudia,

1:04:231:04:27

"prepare yourself and be ready".

1:04:271:04:28

-And did a good job?

-She did a fabulous job, she really did.

1:04:281:04:31

I found it very interesting that Omarosa came five minutes,

1:04:311:04:34

not even that, maybe three minutes

1:04:341:04:36

before we were about to go on and perform the act.

1:04:361:04:39

All of a sudden, she got better and she was there.

1:04:391:04:42

I was never sick. I was dealing with the situation.

1:04:421:04:44

-Can I just say something?

-Yes, go ahead.

1:04:441:04:46

It's very clear from the comments that how the product was integrated

1:04:461:04:50

was the flaw, here. It wasn't whether or not I was there.

1:04:501:04:53

I could have played Alexis.

1:04:531:04:55

Dennis could have played Alexis.

1:04:551:04:56

It wouldn't have changed the comment which you said,

1:04:561:04:59

which was the integration and the focus of the brand upfront.

1:04:591:05:02

Our project manager wasn't even able to properly explain the different

1:05:021:05:07

flavours. She mixed up the flavours in front of the executives.

1:05:071:05:10

To me, that was a critical error.

1:05:101:05:12

Instead of her taking responsibility...

1:05:121:05:13

Do you know the flavours, Omarosa?

1:05:131:05:15

Absolutely, strawberry lemonade and mango passion fruit,

1:05:151:05:18

and I would not have screwed that up on stage.

1:05:181:05:20

I'm glad that you know that now, because clearly, you didn't.

1:05:201:05:23

But you did that in front of the executives and instead of saying,

1:05:231:05:26

-"You know what..."

-Here we go!

-"..that was a flaw."

1:05:261:05:28

It means that she didn't have a total grasp on the brand

1:05:281:05:30

if she didn't know the flavours either.

1:05:301:05:32

-Is that true, though?

-I knew the flavours very well.

1:05:321:05:34

Well, what happened?

1:05:341:05:35

I think I might have said lemonade incorrectly.

1:05:361:05:38

So why do you bring that up? Did she say something incorrect?

1:05:381:05:41

It was important so you understand.

1:05:411:05:42

She didn't understand the brand as a whole, so it is hard

1:05:421:05:44

-to position...

-Yes, I understood.

-..properly if you can't say the flavours.

1:05:441:05:47

I actually didn't feel that you didn't understand the brand.

1:05:471:05:50

So I think that's a mistake to say that.

1:05:501:05:52

I thought you said that

1:05:521:05:53

they didn't have it centre in the overall...

1:05:531:05:55

They felt that the brand was more of a prop.

1:05:551:05:57

-..as opposed to...

-And that the celebrity was centre stage.

1:05:571:06:00

With that said, they thought you understood the brand very well.

1:06:001:06:03

-You just didn't position it correctly.

-Right.

1:06:031:06:06

So, Lil Jon, who is your weakest link?

1:06:061:06:09

I mean, I don't think we had a weak link.

1:06:101:06:12

Well, I'll say it like this, everybody contributed.

1:06:121:06:15

Omarosa, she wasn't there in a certain part of time, of course.

1:06:151:06:19

Dennis, I would say...

1:06:191:06:21

Dennis actually contributed a lot, but I would say,

1:06:211:06:24

out of everybody, maybe a little bit less, you know what I'm saying?

1:06:241:06:28

-Why is that? Why?

-But he was very important

1:06:281:06:30

cos he comes with a totally different perspective sometimes...

1:06:301:06:34

-That's true.

-..that we don't think about.

1:06:341:06:36

And it's a great point, you know what I mean?

1:06:361:06:38

He helped us tone it back, sometimes,

1:06:381:06:41

because he's just looking at it differently.

1:06:411:06:43

I think he's terrific, OK.

1:06:431:06:45

I think he's terrific.

1:06:451:06:47

-Omarosa.

-Yes.

-Why did your team lose?

1:06:471:06:50

I think it solely rests on whoever came up with brand messaging because

1:06:501:06:53

-that's what our shortcoming was, am I right?

-Who came up with that?

1:06:531:06:56

Brand messaging and execution.

1:06:561:06:57

Who came up with it?

1:06:571:06:59

That would be our project manager, with the team of two other people.

1:06:591:07:02

-Is that true?

-Who's brand messaging?

1:07:021:07:04

I think what we displayed in our soap

1:07:051:07:08

was basically the script that was written,

1:07:081:07:11

basically that, with Brande.

1:07:111:07:12

Brand messaging comes from where? It comes from the top.

1:07:121:07:14

If you don't take ownership of brand management, then...

1:07:141:07:17

I'm not saying I'm not taking ownership,

1:07:171:07:19

but I'm saying what happened there.

1:07:191:07:20

Brand messaging came from you.

1:07:201:07:22

Positioning the cart and where it should have been.

1:07:221:07:24

Was brand messaging yours or not?

1:07:241:07:26

I gave clear instructions what to do.

1:07:261:07:27

So you don't even take ownership of brand messaging?

1:07:271:07:30

That's the overall thrust.

1:07:301:07:31

Do you not take responsibility for it?

1:07:311:07:34

Being project manager, yes.

1:07:341:07:36

Don't see Brande and Claudia coming to La Toya's defence so quick!

1:07:361:07:40

-No.

-I don't know what it must have been like to be on her team.

1:07:401:07:43

I don't think you would like it much.

1:07:431:07:45

So why are you smiling, Claudia?

1:07:451:07:47

I wasn't smiling. It's more of a grimace.

1:07:471:07:49

I just hate when there's fighting.

1:07:491:07:51

Why are you at The Apprentice?

1:07:511:07:52

Why are you at The Apprentice if things aren't comfortable for you?

1:07:521:07:55

Donald, this is the 13th season. There has been some big blow outs.

1:07:551:07:57

I watched Annie Duke.

1:07:571:07:58

I watched Lisa Lampanelli.

1:07:581:08:00

This is nothing compared to those fights.

1:08:001:08:02

They would have really been uncomfortable in the tough seasons.

1:08:021:08:05

This is a tough season.

1:08:051:08:06

It's All-Stars. You can't have weak players, Mr Trump.

1:08:061:08:08

So is Claudia weak?

1:08:081:08:10

She's weak if she is uncomfortable with a two-minute exchange.

1:08:111:08:14

It's going to go on for the rest of the season. This is episode three.

1:08:141:08:17

-Omarosa...

-There is a long way to go.

1:08:171:08:19

-There's a long way...

-Aren't you all friends outside of here?

1:08:191:08:22

We are. Why's she throwing me under the bus?

1:08:221:08:23

-I'm not...

-Why are you throwing me under the bus?

1:08:231:08:25

No, you should have my back.

1:08:251:08:27

And the fact that you don't, knowing what I went through, that's a shame.

1:08:271:08:30

-Claudia, are you a weak player?

-No, I'm not a weak player.

1:08:301:08:32

-She says you're a weak player.

-"I'm uncomfortable with fights."

1:08:321:08:35

You shouldn't be here, baby, this is All-Stars.

1:08:351:08:37

-You don't strike me as weak or passive.

-I'm not.

-So I'm surprised

1:08:371:08:40

by Omarosa saying you don't have the skin for this game.

1:08:401:08:43

-There's going to be disagreements.

-I don't think she's uncomfortable.

1:08:431:08:46

I'm throwing you under the bus, with all the trickery you've had

1:08:461:08:48

-that's come to light?

-I play the game.

1:08:481:08:50

-Brande, what do you have to say?

-I came to win.

1:08:501:08:52

What are you thinking right now, Brande? Right this second?

1:08:521:08:54

She's saying, "Get me out of here."

1:08:541:08:56

I came to win and honour Michael, not to quit. I'm not a quitter.

1:08:561:08:59

Maybe on your 30th episode, you'll win finally.

1:08:591:09:01

I will, because I'm going to stay and fight and I will not apologise

1:09:011:09:04

for staying and fighting.

1:09:041:09:06

Brande, you look so uncomfortable.

1:09:061:09:07

-Look at Brande.

-She's uncomfortable now. So she's going to step back.

1:09:071:09:10

-What do you think, Brande?

-Well, you know,

1:09:101:09:13

during the creative in the beginning when Omarosa was there

1:09:131:09:15

and we were trying to create,

1:09:151:09:17

I remember specifically asking Omarosa, "Well, what's your ideas?"

1:09:171:09:20

-And didn't I give the good stuff?

-She came up with one idea.

1:09:201:09:22

Did she come up with good ideas?

1:09:221:09:23

She came up with one idea and we were all creating

1:09:231:09:26

and brainstorming and she said, "There's my one idea."

1:09:261:09:29

Mr Trump, I was the project manager, correct?

1:09:291:09:33

-Yes.

-The project manager is in charge, correct?

1:09:331:09:36

Yes.

1:09:361:09:38

The project manager has the authority.

1:09:381:09:40

You are the ultimate boss of all of us.

1:09:401:09:42

-That is correct.

-I am the project manager.

1:09:421:09:44

Can you give me the liberty and the opportunity for the first time

1:09:441:09:47

-to fire somebody on my team?

-No.

-He's the boss.

1:09:471:09:49

I've given you too much liberty.

1:09:491:09:51

Last time I brought you back, I took tremendous heat.

1:09:511:09:54

I fired her, Dennis.

1:09:541:09:55

She came to my office.

1:09:551:09:57

I had people calling from all over the world.

1:09:571:09:59

And you know what? I took her back.

1:10:001:10:02

So you have a record. You got fired twice.

1:10:021:10:04

-But you took me back...

-Now it could be three times.

1:10:041:10:07

Do you not like Omarosa?

1:10:071:10:09

Do you like her? How do you feel about Omarosa?

1:10:091:10:12

You know, I don't know her. I'm getting to know her now.

1:10:121:10:14

-Do you like her?

-I don't like what I'm getting to know at all.

1:10:141:10:17

Could I ask you to reiterate what you told me about Omarosa?

1:10:181:10:23

And you can say no, but I think that was telling,

1:10:231:10:26

-and you were being brutally honest.

-I was.

1:10:261:10:29

I was. I kind of forgot what it was, did I say...?

1:10:291:10:33

That was one thing you said.

1:10:341:10:36

-Can you say that?

-Yes, I can, absolutely.

1:10:361:10:39

-Go ahead.

-I told them that I think she's a witch.

1:10:391:10:41

-Oh, my!

-And that's what I believe.

1:10:411:10:43

Now we're resorting to name calling.

1:10:431:10:45

But that's what I believe.

1:10:451:10:46

I came to win, Arsenio.

1:10:461:10:48

Every winner of this game has been aggressive, outspoken.

1:10:481:10:51

They have been cut-throat.

1:10:511:10:53

I don't think, really, Arsenio was cut-throat.

1:10:531:10:55

I think he was very smart.

1:10:551:10:56

-He played the game well.

-But he did have some fights.

1:10:561:10:58

People liked him. No, people really liked him.

1:10:581:11:00

-I like him.

-I bet you're friendly

1:11:001:11:02

-with a lot of the people on the show.

-Absolutely.

1:11:021:11:04

If you're smart enough, you don't have to be so cut-throat, cunning.

1:11:041:11:07

You'll win on your own merits.

1:11:071:11:08

He did have a couple of fights.

1:11:081:11:09

That's a pretty good slap at Omarosa.

1:11:091:11:11

She's coming and I'm so surprised.

1:11:111:11:13

But he had a couple of fights, Mr Trump,

1:11:131:11:14

and that didn't derail the whole team.

1:11:141:11:16

He won differently.

1:11:161:11:18

And, can I say something?

1:11:181:11:19

Go ahead.

1:11:191:11:20

Was there an unconscious plot to get rid of Omarosa?

1:11:201:11:25

Obviously, cos they're all piling on.

1:11:251:11:27

You think so, Omarosa?

1:11:271:11:28

-Absolutely.

-It was almost like she was discouraged to come.

1:11:281:11:32

No, no, they were telling me, "It's OK."

1:11:321:11:34

She said don't worry about it.

1:11:341:11:35

That's not true.

1:11:351:11:37

We were actually trying to be sympathetic, Omarosa.

1:11:371:11:39

You were all tears, and you were all sad.

1:11:391:11:41

You know, I feel very badly for La Toya, in a certain way.

1:11:411:11:44

I think she's a terrific woman.

1:11:441:11:45

And I really think you want to win this badly.

1:11:451:11:47

-I do.

-And you're in trouble, because you're the project manager.

1:11:471:11:50

Absolutely. Absolutely.

1:11:501:11:52

La Toya, pick two people,

1:11:521:11:54

the rest are going home free

1:11:541:11:55

to their beautiful suite in Trump Tower.

1:11:551:11:57

Pick two people.

1:11:571:11:58

I'm going to choose Brande and Dennis.

1:12:021:12:04

What?!

1:12:041:12:05

-Say it again?

-Brande and Dennis.

1:12:081:12:10

You're going to pick Brande and Dennis to come back

1:12:101:12:12

-into the boardroom?

-Yes.

1:12:121:12:15

-Oh!

-Holy

-BLEEP!

1:12:151:12:17

-Oh, my God.

-She is scared of Omarosa.

-Oh, boy.

1:12:171:12:20

OK, I want to go through this again.

1:12:221:12:24

-Hallelujah!

-Wait a minute. OK.

1:12:241:12:26

You did hear me say that Brande was specifically called out as being

1:12:261:12:30

-one of the stars, right?

-Yeah.

1:12:301:12:33

-I did.

-Whoa, whoa, wait.

1:12:331:12:34

Maybe I misunderstood you or something.

1:12:341:12:37

What happened to Omarosa?

1:12:371:12:38

You don't want her to come back into the boardroom?

1:12:381:12:40

No, Omarosa, actually, was my first choice.

1:12:401:12:43

She was my first choice.

1:12:431:12:45

And what happened?

1:12:451:12:46

I'm listening to the lies that she comes up with,

1:12:481:12:51

and I'm listening to my team-mates who are not really telling

1:12:511:12:54

how they truly feel about her.

1:12:541:12:55

But it's not about me.

1:12:551:12:57

-It's about brand reaction.

-I'm asking you to pick two people

1:12:571:12:59

to come back into the boardroom. And one of them will be fired.

1:12:591:13:03

And you're picking Dennis and Brande, is that correct?

1:13:031:13:06

-Yes. And the reason why... Can I tell you why?

-Whoa, whoa.

1:13:061:13:08

-Oh, thank you God.

-This is, perhaps, in the history of

1:13:081:13:11

The Apprentice/ Celebrity Apprentice,

1:13:111:13:14

this could be one of the stranger selections of people to come back

1:13:141:13:18

-into the room.

-To my benefit.

1:13:181:13:20

Can I say one quick thing?

1:13:201:13:21

First, before you do that, do you understand this?

1:13:211:13:24

On a certain level, yes.

1:13:261:13:27

OK.

1:13:271:13:29

Could I explain something that I think everyone should always know?

1:13:291:13:32

You never talk unless it's necessary,

1:13:321:13:36

unless there is a message there.

1:13:361:13:38

And I'm wondering if La Toya is paying attention to you.

1:13:381:13:41

Why are you picking Brande to come back?

1:13:451:13:49

I'm picking Brande from what Ivanka had said.

1:13:491:13:53

Mentioning the fact that the product wasn't placed,

1:13:531:13:56

and the product wasn't utilised properly.

1:13:561:13:58

Why are you picking Dennis to come back?

1:13:591:14:01

I chose Dennis simply because Dennis

1:14:021:14:05

wasn't as aggressive as everyone else

1:14:051:14:07

when it came to the work tactics.

1:14:071:14:09

Why are you not picking Omarosa to come back?

1:14:091:14:12

Are you trying to get her to fire me? Cos I'm home free.

1:14:121:14:14

We're just very curious.

1:14:141:14:16

-I'm home free.

-Honestly, can I be honest?

1:14:161:14:18

-And your...

-I know.

-I almost consider you a friend.

1:14:181:14:22

We brought this show to the number one show on television.

1:14:221:14:25

-We did.

-Do I like Omarosa? I love Omarosa, OK.

1:14:251:14:28

But I can't believe this.

1:14:281:14:29

Claudia, Omarosa...

1:14:321:14:34

Thank God! Omarosa, I can't believe I'm saying this, Lil' John,

1:14:341:14:37

-go back to your suite at Trump Tower.

-Thank you.

1:14:371:14:40

The rest of you, please wait outside.

1:14:401:14:42

You'll come back, somebody will be fired.

1:14:421:14:44

-Very unusual choice, I will say that.

-Shocking!

1:14:461:14:49

I'm still incredibly confused.

1:14:501:14:52

Stephen, turn off your TV, now.

1:14:521:14:55

Oh!

1:14:551:14:58

Damn, that was good.

1:14:581:14:59

When Claudia, Lil Jon, when they get in here now,

1:14:591:15:03

they'll tell the truth about what really went on.

1:15:031:15:05

Oh, my, Lord have mercy.

1:15:051:15:08

Another chance to have harmony and...

1:15:081:15:12

He wasn't going to get rid of her.

1:15:121:15:13

Yes, he was! He was, he was gunning for her.

1:15:131:15:16

-He was gunning for her.

-He was dying for it.

1:15:161:15:18

I laugh at Omarosa, man, she's just comical.

1:15:291:15:31

-She turned that

-BLEEP

-on and off.

1:15:311:15:32

She can turn it on a coin.

1:15:321:15:34

When she started doing that little crying bit,

1:15:341:15:37

I saw in his eyes, he had,

1:15:371:15:39

like, a sympathy for her.

1:15:391:15:40

-I said, "He's buying this."

-He sees right through that.

1:15:401:15:42

-That's so easy. He don't give a

-BLEEP.

-Yeah.

1:15:421:15:45

Arsenio, what was that all about?

1:15:471:15:49

I think La Toya is avoiding a boardroom battle with Omarosa,

1:15:491:15:54

because I think she loses that.

1:15:541:15:56

I think it only works in a scenario where there's another party

1:15:561:16:00

that could be fired, other than the project manager.

1:16:001:16:02

In this case, I think it's very hard to make the case that Brande or

1:16:021:16:05

-Dennis should go.

-I think it was a very unusual choice.

1:16:051:16:08

'Amanda, bring them in.'

1:16:081:16:10

Yes, Mr Trump. You can all head back into the boardroom now.

1:16:101:16:14

-Thank you.

-You're welcome.

1:16:171:16:18

Brande, why are you here?

1:16:291:16:30

You know what, Mr Trump, I honestly have no idea.

1:16:301:16:33

Were you shocked?

1:16:331:16:35

I was extremely shocked.

1:16:351:16:38

-Absolutely.

-Didn't you say that Brande was a star?

1:16:381:16:40

At the beginning, you said Brande was like a star, what happened?

1:16:401:16:43

I did say that Brande was a star at the very beginning.

1:16:431:16:46

Why didn't you bring Omarosa back?

1:16:461:16:47

When I heard... Why didn't I bring her back?

1:16:471:16:49

She might have been fired.

1:16:491:16:50

Why didn't you bring her back?

1:16:541:16:55

Honestly, Mr Trump, I did not bring her back because she started the

1:16:551:16:59

sympathy cry, and I thought you were buying it, and I said,

1:16:591:17:01

-"He's not going to get rid of her."

-I don't buy it!

1:17:011:17:04

Why do I buy it? It's not a question of buying.

1:17:041:17:06

I mean, she loved the guy, although I did see no tears.

1:17:061:17:09

-Were there tears?

-I didn't see tears.

1:17:091:17:11

-They're crocodile tears.

-Looked dry to me.

1:17:111:17:13

Dennis, were there tears?

1:17:131:17:14

Oh, jeez. Are you kidding me?

1:17:141:17:17

That's the second time she pulled that crap.

1:17:171:17:19

Second time. You know, you kidding me?

1:17:191:17:21

-Oh, my Lord.

-Dennis, you are a piece of work.

1:17:211:17:24

I love you, Dennis.

1:17:241:17:25

Whether there were tears, not tears, it doesn't matter.

1:17:271:17:30

She really deserved to be brought back.

1:17:301:17:32

-I think.

-She was a disruptive force, wasn't she?

1:17:321:17:36

Yes, she was. Absolutely, she was.

1:17:361:17:39

I just don't see how I can fire Brande.

1:17:391:17:41

Let's take Brande. At the beginning of the boardroom, you said,

1:17:411:17:44

"She was great, she was one of my stars."

1:17:441:17:45

Maybe you said she was the best. What did she say, Ivanka?

1:17:451:17:48

You said she was a star,

1:17:481:17:49

but I also repeated the fact that the executives thought Brande was a

1:17:491:17:52

star. So it's quite confusing.

1:17:521:17:55

So you said she was a star, everybody said she was a star,

1:17:551:17:58

she shouldn't be here.

1:17:581:17:59

La Toya, were you afraid to bring Omarosa back? Which is OK.

1:18:001:18:03

Where you afraid that you just didn't want to have confrontation?

1:18:031:18:06

-Absolutely not.

-Cos she's tough.

-Absolutely not.

1:18:061:18:09

-I'm willing to battle her.

-I know you're tough too, you're smart.

1:18:091:18:11

I wanted to battle her, Mr Trump.

1:18:111:18:13

By the way, Arsenio has a different take than me.

1:18:131:18:15

He gets it. But I don't get it.

1:18:151:18:17

Explain your take, please.

1:18:171:18:20

At the top of the boardroom, Brande was your hero.

1:18:201:18:23

-Yes.

-And at a certain point,

1:18:231:18:25

you decided you didn't want to battle in here with Omarosa,

1:18:251:18:28

so Brande got brought in as a sacrificial lamb.

1:18:281:18:30

No, that's not true.

1:18:301:18:32

That's absolutely not true.

1:18:321:18:34

-So much for your idea.

-That's not true.

1:18:341:18:36

Do you agree with that, Brande?

1:18:361:18:38

That's my feeling towards it.

1:18:381:18:39

I think that La Toya must not have seen my season,

1:18:391:18:43

because I am a fighter.

1:18:431:18:45

I've never been so surprised.

1:18:461:18:48

This is our 13th season.

1:18:481:18:50

We've had a tremendous run.

1:18:501:18:52

We continue to do unbelievably well.

1:18:521:18:55

People love this show.

1:18:551:18:57

OK. I don't even like to call it a show.

1:18:571:18:59

It's beyond a show. And I've never been so shocked in my life,

1:18:591:19:04

in terms of bringing back people.

1:19:041:19:06

I truly thought that you were buying her little crying bit here.

1:19:061:19:10

I don't buy anything.

1:19:101:19:11

You know, I'm a real estate developer in New York.

1:19:111:19:13

I'll tell you what, Omarosa's like a piece of cake

1:19:131:19:16

compared to the people I have to deal with.

1:19:161:19:18

-I know that.

-I have to deal with people who make Dennis look like

1:19:181:19:20

-the sweetest guy in the world. You know that, Dennis?

-Right on.

1:19:201:19:23

So, do you think I'd buy anything?

1:19:231:19:24

I don't buy anything.

1:19:241:19:25

-Mr Trump, could I ask La Toya a question?

-Yes, please.

-La Toya.

1:19:271:19:30

-You're a good judge of people.

-Yes.

-And you're a great observer

1:19:311:19:36

of human behaviour.

1:19:361:19:38

Did you look at Mr Trump and think,

1:19:381:19:41

"He doesn't like my decision, he's questioning my thought?"

1:19:411:19:45

Of course, of course. I wanted him to ask me again.

1:19:451:19:47

Who would you like to bring back?

1:19:471:19:49

-Would you have brought her back?

-Absolutely.

1:19:491:19:51

-You see, I can't do that.

-I know you can't.

1:19:511:19:53

-It's not fair to do that.

-I know you can't.

1:19:531:19:55

I thought you were going to ask me.

1:19:551:19:56

A golfer, this is a putt, and they say, "Oh, by the way,

1:19:561:19:59

"you just lost the Masters, take it again." I can't do that.

1:19:591:20:01

I thought you were going to ask me again, and then you stopped.

1:20:011:20:04

-This was shocking, you know was the most shocked, more than me?

-Who?

1:20:041:20:07

-Omarosa.

-And the most pleased.

-Seriously.

1:20:071:20:09

She couldn't believe it, Dennis, is that right?

1:20:091:20:11

She walked out, she couldn't believe it.

1:20:111:20:13

She started praying in her chair. It was unbelievable.

1:20:131:20:16

-Oh, that's an act.

-The prayers worked.

1:20:161:20:17

You also know, though, that as project manager,

1:20:171:20:20

the threshold of burden on you is materially higher.

1:20:201:20:24

Because, at the end of the day, the buck does stop with you.

1:20:241:20:26

So when there's not another obvious person to fire...

1:20:261:20:29

..it really ends up being you.

1:20:301:20:32

So, Brande, you've tried to make a case, what about Dennis?

1:20:321:20:35

Dennis, why should you not be fired?

1:20:361:20:40

I think I agree with Arsenio.

1:20:401:20:42

the fact that if La Toya would have brought Omarosa and me back,

1:20:421:20:46

that would have been very, very, very, tough.

1:20:461:20:48

-Very, very tough.

-I don't think it would have been tough.

1:20:481:20:51

I think Omarosa probably would have been fired.

1:20:511:20:53

That's what I'm saying. Very, very tough because

1:20:531:20:55

-Omarosa liked to overrun...

-So why wouldn't she bring her back?

1:20:551:20:58

I think she was afraid of Omarosa, personally.

1:20:581:21:02

I actually think that's the only reason I can think of.

1:21:021:21:04

-I wasn't afraid of her.

-You know, I've heard, in all fairness,

1:21:041:21:07

I've heard Arsenio's take.

1:21:071:21:08

I've heard everybody's take.

1:21:081:21:11

I think you must, down deep, be, like, afraid of her.

1:21:111:21:14

I'm not afraid of her at all. I stood up to her.

1:21:141:21:17

I think you think that also. Do you think that, Dennis?

1:21:171:21:19

You did stand up to her on the task.

1:21:191:21:20

-And I will do it again.

-You did stand up to her,

1:21:201:21:22

except when it counted.

1:21:221:21:24

You know, that's like the person that practices well

1:21:241:21:26

and everything's good, and then it counts, they get on stage,

1:21:261:21:28

and they blow it. When it counted is,

1:21:281:21:30

"Who will you bring back to the boardroom?"

1:21:301:21:32

And you brought the wrong people back.

1:21:321:21:34

I truly believed that you were buying it.

1:21:341:21:36

You know what, basically...

1:21:361:21:37

-I don't buy it.

-I know.

1:21:371:21:39

So, Dennis, if you were me, who would you fire?

1:21:391:21:44

-HE SCOFFS

-Hello!

1:21:441:21:47

-Pretty easy, right?

-That's like...

1:21:471:21:48

To me, you know, it's an easy choice,

1:21:481:21:50

-but you know what...

-It is a pretty easy choice.

1:21:501:21:53

I hate to do it, La Toya, I mean...

1:21:531:21:56

You made a terrible choice when you didn't bring back Omarosa.

1:21:561:21:59

Cos I think I probably would have fired Omarosa.

1:21:591:22:01

La Toya, you're fired.

1:22:011:22:03

-Thank you, Mr Trump.

-Thank you.

1:22:071:22:10

-Thank you.

-Thank you very much.

1:22:101:22:12

BRANDE GROANS

1:22:151:22:17

I'm so mad.

1:22:181:22:20

-Dennis.

-You don't hate me?

1:22:231:22:24

No, no, I love you.

1:22:241:22:26

-I thought we were going to win this.

-I thought he was buying it,

1:22:261:22:28

I'm sorry.

1:22:281:22:30

You guys make sure you get her off, OK?

1:22:301:22:33

We're going to try our best.

1:22:331:22:35

-OK.

-Tell your mother I said hi.

-I will. Thank you.

-All right.

-Bye.

1:22:371:22:40

-You did what you had to do.

-I had no choice. I had no choice.

1:22:491:22:52

I had a great choice if she brought back Omarosa.

1:22:521:22:56

But I had no choice when she didn't. I couldn't believe it.

1:22:561:22:59

Omarosa is the most evil person I have ever met.

1:23:311:23:34

She's an old, conniving, scheming, cut-throat,

1:23:341:23:37

probably pulled the cord on Michael Duncan Clarke,

1:23:371:23:40

and I thought Mr Trump was falling for that fake cry.

1:23:401:23:44

"Michael, Michael."

1:23:441:23:46

Such a lie. When I met her, I knew she was a snake,

1:23:461:23:50

I should have handled her a little bit differently.

1:23:501:23:52

They will always bite you.

1:23:521:23:54

Donald Trump presents the American version of the business-based competition, with celebrity contenders. The team members must promote a soft drink by performing a four-minute soap opera. The judges are Donald Trump, Arsenio Hall and Ivanka Trump.