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Last week on All-Star Celebrity Apprentice, | 0:00:02 | 0:00:04 | |
Mr Trump put the All-Stars on stage. | 0:00:04 | 0:00:05 | |
You'll be performing a soap opera for a live audience. | 0:00:05 | 0:00:10 | |
On team Power, project manager La Toya Jackson | 0:00:10 | 0:00:13 | |
went head-to-head with Omarosa. | 0:00:13 | 0:00:15 | |
Who is the most disrespectful person sitting in this room right now? | 0:00:15 | 0:00:19 | |
-You tell me! -I'm a grown woman, I run a company, I run half of the | 0:00:19 | 0:00:21 | |
West Coast, and you're not going to talk to me like I'm four years old. | 0:00:21 | 0:00:24 | |
Did you guys get that? She runs a company, half of the West Coast. | 0:00:24 | 0:00:27 | |
Omarosa's fiance had a heart attack - | 0:00:27 | 0:00:29 | |
I'm sure she gave it to him. | 0:00:29 | 0:00:30 | |
And on Plan B, project manager Stephen Baldwin | 0:00:30 | 0:00:33 | |
ruled with an iron fist. | 0:00:33 | 0:00:34 | |
If I decide to leave it all on and you all have to work it out... | 0:00:34 | 0:00:37 | |
-OK. -..that's my decision. | 0:00:37 | 0:00:38 | |
-No worries, absolutely. -OK? | 0:00:38 | 0:00:40 | |
You're absolutely right. | 0:00:40 | 0:00:41 | |
Stephen, you be nice to Marilu or I'm going to kill you. | 0:00:41 | 0:00:43 | |
In the boardroom, Gary Busey was again called out by his team. | 0:00:43 | 0:00:47 | |
Who is your weak link? | 0:00:47 | 0:00:48 | |
-Gary, just because... -I'm not weak. I'm not weak at all. | 0:00:48 | 0:00:50 | |
-..of his personality. -That's a fallacy. | 0:00:50 | 0:00:52 | |
But that didn't keep Plan B from getting the win. | 0:00:52 | 0:00:55 | |
So, Stephen, I want to congratulate you. | 0:00:55 | 0:00:57 | |
Thank you, Mr Trump. | 0:00:57 | 0:00:58 | |
I'm going to give you 20,000 and Crystal Light is adding 30,000. | 0:00:58 | 0:01:02 | |
Left to face Mr Trump, tensions ran high on team Power. | 0:01:02 | 0:01:06 | |
This is a tough season. | 0:01:06 | 0:01:07 | |
It's All-Stars - you can't have weak players, Mr Trump. | 0:01:07 | 0:01:09 | |
Claudia, are you a weak player? | 0:01:09 | 0:01:11 | |
The fact you're saying I'm throwing under the bus, | 0:01:11 | 0:01:13 | |
with all the trickery you've been doing that's coming to light. | 0:01:13 | 0:01:15 | |
-I'm not a quitter, I came to win. -Well, maybe on your 30th episode, you'll win, finally. | 0:01:15 | 0:01:18 | |
-You know what? I will because I'll stay and fight. -Good luck with that. | 0:01:18 | 0:01:21 | |
And after an unexpected choice by La Toya... | 0:01:21 | 0:01:23 | |
La Toya, pick two people. | 0:01:23 | 0:01:25 | |
I'm going to choose Brande and Dennis. | 0:01:25 | 0:01:27 | |
I've never been so shocked in my life. | 0:01:27 | 0:01:29 | |
Hallelujah! | 0:01:29 | 0:01:30 | |
I think La Toya is avoiding a boardroom battle with Omarosa | 0:01:30 | 0:01:35 | |
because she loses them. | 0:01:35 | 0:01:36 | |
..Mr Trump was left with little options. | 0:01:36 | 0:01:38 | |
You made a terrible choice when you didn't bring back Omarosa. | 0:01:38 | 0:01:41 | |
La Toya, you're fired. | 0:01:41 | 0:01:44 | |
The reason you came on to me could have been done in private, | 0:01:57 | 0:02:00 | |
it could have been done out of the boardroom. | 0:02:00 | 0:02:03 | |
It doesn't mean... | 0:02:03 | 0:02:05 | |
that you didn't do what you were asked to do or play well... | 0:02:05 | 0:02:08 | |
Let me finish, please. | 0:02:08 | 0:02:09 | |
It just means that you being you, sometimes, | 0:02:09 | 0:02:13 | |
people find to be a distraction. | 0:02:13 | 0:02:16 | |
I wasn't the only one that said that. | 0:02:16 | 0:02:18 | |
-LISA: -Gary has been called out as the weakest player on our team. | 0:02:18 | 0:02:22 | |
He doesn't work as hard as all the other team members. | 0:02:22 | 0:02:25 | |
I do think it's time that Gary show himself and everyone else | 0:02:25 | 0:02:29 | |
what he's made of. | 0:02:29 | 0:02:31 | |
Is there any way you can help me? | 0:02:31 | 0:02:32 | |
I can. | 0:02:32 | 0:02:34 | |
Work harder, do more. | 0:02:34 | 0:02:36 | |
Just work harder, do more. | 0:02:36 | 0:02:37 | |
-I did what I was told. -I know. | 0:02:37 | 0:02:38 | |
Do things that you're not told. | 0:02:38 | 0:02:40 | |
When you feel a weakness in me, tell me about it. | 0:02:40 | 0:02:42 | |
-Don't wait until the boardroom. -OK, if that's... | 0:02:42 | 0:02:45 | |
-That's a cowardly thing to do. -OK, you know what? | 0:02:45 | 0:02:47 | |
If that's what you would like, then... | 0:02:47 | 0:02:48 | |
-That's what I require. -Deal. Fine, then deal. | 0:02:48 | 0:02:51 | |
-That's what I require. -OK, then. | 0:02:51 | 0:02:52 | |
I will do the same to you, with love and affection. | 0:02:52 | 0:02:55 | |
OK, deal. | 0:02:55 | 0:02:57 | |
-Good. -Deal. -Good. | 0:02:57 | 0:02:59 | |
That was shocking. | 0:02:59 | 0:03:00 | |
This show's getting interesting. | 0:03:00 | 0:03:03 | |
Do you know how shocked I am that she didn't pick me? | 0:03:03 | 0:03:05 | |
When La Toya didn't say my name, it was the most shocking | 0:03:05 | 0:03:09 | |
choice of two people in the history of the entire Apprentice. | 0:03:09 | 0:03:13 | |
Keep playing the game, Omarosa. | 0:03:13 | 0:03:15 | |
No, you'll get beat down for playing the game, so you'd better stop, | 0:03:15 | 0:03:18 | |
or they'll come for you. | 0:03:18 | 0:03:20 | |
I was really disappointed with Claudia. | 0:03:20 | 0:03:22 | |
I mean, I expect people to, kind of, do things that are unsavoury, | 0:03:22 | 0:03:26 | |
but Claudia was hurling and throwing insults at me. | 0:03:26 | 0:03:31 | |
I've learned, I've taken note and I think that karma is a bitch. | 0:03:31 | 0:03:36 | |
-So, who do you think? Who is going? -La Toya. | 0:03:36 | 0:03:38 | |
You think La Toya is going? | 0:03:38 | 0:03:39 | |
-Yes. -I think so. -You think La Toya is going? | 0:03:39 | 0:03:41 | |
-Yes. -La Toya? -He don't want to. | 0:03:41 | 0:03:43 | |
It's got to be La Toya. | 0:03:43 | 0:03:44 | |
-La Toya? -What's happening? | 0:03:44 | 0:03:46 | |
Are they coming? | 0:03:46 | 0:03:47 | |
-Oh, here they come. -Here they come. | 0:03:47 | 0:03:50 | |
-Oh, La Toya. -Wow! | 0:03:50 | 0:03:52 | |
Dennis, I'm so glad to see you! | 0:03:52 | 0:03:54 | |
It really was sad. | 0:03:54 | 0:03:56 | |
You shouldn't have gone in there, baby - it should have been me. | 0:03:56 | 0:03:59 | |
I'm sorry, honey. You didn't deserve that! | 0:03:59 | 0:04:01 | |
-I know, I'm not worried about anything. -Thank you. | 0:04:01 | 0:04:04 | |
-Congratulations. -It was just sad seeing her go because she was | 0:04:04 | 0:04:07 | |
crying and... Yeah, she... It was just... | 0:04:07 | 0:04:09 | |
Yeah, it was hard. It really was. Good riddance. | 0:04:09 | 0:04:14 | |
The weak link on our team was 150% Omarosa. | 0:04:14 | 0:04:18 | |
We've got to work together. | 0:04:18 | 0:04:19 | |
We cannot lose again. | 0:04:19 | 0:04:21 | |
So if we lose, honey, you've got to go. | 0:04:21 | 0:04:23 | |
MUSIC: For The Love Of Money by the O'Jays | 0:04:28 | 0:04:31 | |
# Money, money, money, money | 0:04:32 | 0:04:36 | |
# Money | 0:04:36 | 0:04:37 | |
# Money, money, money, money | 0:04:37 | 0:04:40 | |
# Money | 0:04:40 | 0:04:42 | |
# Some people got to have it | 0:04:42 | 0:04:45 | |
# Yeah | 0:04:45 | 0:04:47 | |
# Some people really need it | 0:04:47 | 0:04:50 | |
# Hey, listen to me, y'all | 0:04:50 | 0:04:52 | |
# Do things, do things | 0:04:52 | 0:04:54 | |
# Do things, bad things with it | 0:04:54 | 0:04:56 | |
# Dollar bills, y'all | 0:04:59 | 0:05:00 | |
# Some more of that lean | 0:05:00 | 0:05:04 | |
# Mean | 0:05:04 | 0:05:05 | |
# Mean green | 0:05:05 | 0:05:07 | |
# Almighty dollar | 0:05:07 | 0:05:09 | |
# Talking 'bout Don't you know that money? | 0:05:09 | 0:05:14 | |
# Give me a nickel Brother, can you spare a dime? | 0:05:14 | 0:05:19 | |
# Money can drive some people out of their minds | 0:05:19 | 0:05:24 | |
# No good, no good | 0:05:26 | 0:05:28 | |
# Money | 0:05:28 | 0:05:29 | |
# Money, money, money, money | 0:05:29 | 0:05:32 | |
# Money. # | 0:05:32 | 0:05:33 | |
Hey, Mom! | 0:05:47 | 0:05:48 | |
Oh, my baby! | 0:05:48 | 0:05:50 | |
Thanks for coming. Come on, babe. | 0:05:50 | 0:05:52 | |
Today is a great day. | 0:05:52 | 0:05:53 | |
My mom, on behalf of her organisation, | 0:05:53 | 0:05:56 | |
the Carol Baldwin Breast Cancer Research Fund, | 0:05:56 | 0:05:58 | |
is coming down from Syracuse, New York... | 0:05:58 | 0:06:00 | |
All right, Mom. I just wanted you to come and see where I've been working | 0:06:00 | 0:06:04 | |
for the last few weeks. | 0:06:04 | 0:06:05 | |
For me, as long as I get to wake up each day and know that I'm doing it | 0:06:05 | 0:06:09 | |
for Mom and everybody out there battling breast cancer, | 0:06:09 | 0:06:13 | |
it's my pleasure. | 0:06:13 | 0:06:14 | |
So, I brought you here because I won as project manager. | 0:06:14 | 0:06:19 | |
Oh! | 0:06:19 | 0:06:20 | |
So, I am here to present this cheque to you | 0:06:20 | 0:06:23 | |
and the Carol Baldwin Breast Cancer Research Fund for 50,000. | 0:06:23 | 0:06:31 | |
Oh, I can't tell you how much this means to me! | 0:06:31 | 0:06:34 | |
Pretty awesome, huh? | 0:06:34 | 0:06:37 | |
With the fund, we give out research grants and how much is each one? | 0:06:37 | 0:06:41 | |
50,000. | 0:06:41 | 0:06:42 | |
So, that's going to be enough money for an entire research grant | 0:06:42 | 0:06:47 | |
for a whole year. | 0:06:47 | 0:06:48 | |
We're going to find a cure. | 0:06:48 | 0:06:50 | |
Absolutely. | 0:06:50 | 0:06:52 | |
My whole family are working towards helping me find a cure for | 0:06:52 | 0:06:59 | |
breast cancer. | 0:06:59 | 0:07:01 | |
All of our money goes to research for breast cancer... | 0:07:01 | 0:07:05 | |
-Awesome! -..and it's because of you. | 0:07:05 | 0:07:08 | |
Aw, well... | 0:07:08 | 0:07:10 | |
It's because of... Right? | 0:07:10 | 0:07:11 | |
Donald and... | 0:07:11 | 0:07:13 | |
-And God. -..and God. | 0:07:13 | 0:07:15 | |
I think he's very handsome. | 0:07:15 | 0:07:17 | |
Mom, let's stay focused on charity. | 0:07:20 | 0:07:23 | |
Oh, I would go for him, I just... | 0:07:23 | 0:07:25 | |
Ugh! | 0:07:25 | 0:07:27 | |
-I think he's so sexy. -STEPHEN LAUGHS | 0:07:27 | 0:07:30 | |
-Oh! -OK, all right, calm down. | 0:07:30 | 0:07:32 | |
Don't hurt yourself. | 0:07:32 | 0:07:34 | |
If I were younger, and let me tell you, | 0:07:34 | 0:07:37 | |
I was very thin and I had a great figure, | 0:07:37 | 0:07:42 | |
and I would give his wife a run for her money. | 0:07:42 | 0:07:46 | |
Good job, Mom. | 0:07:46 | 0:07:47 | |
Did I do pretty good? | 0:07:47 | 0:07:49 | |
-Yes, you did. -Thanks to your baby. | 0:07:49 | 0:07:51 | |
That's my baby! | 0:07:51 | 0:07:53 | |
Thank you so much. | 0:07:53 | 0:07:54 | |
I love you, babe. Thank you. | 0:07:54 | 0:07:56 | |
Mwah! | 0:07:56 | 0:07:57 | |
Those boots! | 0:08:14 | 0:08:15 | |
-Good morning. -ALL: -Morning. | 0:08:26 | 0:08:28 | |
We're standing in the atrium of Trump Tower. | 0:08:28 | 0:08:31 | |
It's one of the biggest and greatest tourist attractions in New York. | 0:08:31 | 0:08:35 | |
From the day it went up, it's been a tremendous success. | 0:08:35 | 0:08:38 | |
Another tremendous success is Farouk Shami. | 0:08:38 | 0:08:43 | |
-Thank you. -He's my friend. | 0:08:43 | 0:08:44 | |
He built a fantastic company - Farouk Systems. | 0:08:44 | 0:08:48 | |
And with Farouk is the president of Farouk Systems, Basim Shami. | 0:08:48 | 0:08:53 | |
OK, you're going to be working on something very interesting. | 0:08:53 | 0:08:58 | |
You'll be doing an interactive marketing campaign, | 0:08:58 | 0:09:01 | |
using a glass truck to promote Farouk Systems. | 0:09:01 | 0:09:06 | |
My advisers on this task are the great and legendary Arsenio Hall - | 0:09:06 | 0:09:10 | |
who, by the way, has his own show coming up, | 0:09:10 | 0:09:13 | |
and I got absolutely nothing from him - | 0:09:13 | 0:09:16 | |
and Don, my son. | 0:09:16 | 0:09:17 | |
OK? Farouk, tell us about the task. | 0:09:17 | 0:09:21 | |
Farouk Systems' two biggest brands, Chi and BioSilk, | 0:09:21 | 0:09:26 | |
have revolutionised the hair-care industry. | 0:09:26 | 0:09:29 | |
One team will be promoting and highlighting the Chi brand | 0:09:29 | 0:09:35 | |
and the other team will be highlighting the BioSilk brand. | 0:09:35 | 0:09:39 | |
-Very good. -Basim? | 0:09:39 | 0:09:41 | |
Tomorrow, you'll present your interactive and social marketing | 0:09:41 | 0:09:45 | |
events to the public in the Flatiron District. | 0:09:45 | 0:09:49 | |
Don, tell us about the task. | 0:09:49 | 0:09:50 | |
Well, Farouk and Basim will view and judge your glass-truck events | 0:09:50 | 0:09:54 | |
based on three criteria - | 0:09:54 | 0:09:56 | |
creativity, brand messaging and the overall experience. | 0:09:56 | 0:09:59 | |
Farouk, what would be better for my hair? | 0:09:59 | 0:10:03 | |
For your hair, one day you use BioSilk and one day you use Chi. | 0:10:03 | 0:10:07 | |
It's time to pick a project manager. | 0:10:08 | 0:10:11 | |
Let's go. | 0:10:11 | 0:10:13 | |
What is a glass truck? | 0:10:13 | 0:10:14 | |
It's hair-care products. | 0:10:14 | 0:10:16 | |
What is Farouk Systems? I don't... Explain. | 0:10:16 | 0:10:18 | |
-I don't even understand anything that's been said. -Me neither. | 0:10:18 | 0:10:23 | |
-I'll take it. I'll take it. -OK. | 0:10:23 | 0:10:24 | |
I'll take it. I have no idea what it is, but I'll take it. | 0:10:24 | 0:10:26 | |
Do you want to do it? I think Claudia should do it. | 0:10:26 | 0:10:29 | |
It's a beauty product. | 0:10:29 | 0:10:30 | |
She's a model, she has experience in the beauty industry... | 0:10:30 | 0:10:33 | |
Come on, Dennis, let's go. Come on. | 0:10:33 | 0:10:34 | |
-Claudia. -I think Claudia should do it. | 0:10:34 | 0:10:37 | |
All right, enough, enough. | 0:10:37 | 0:10:38 | |
Claudia, who's your project manager? | 0:10:38 | 0:10:40 | |
-I am. -OK, so it's Claudia. | 0:10:40 | 0:10:42 | |
'It's a beauty challenge. | 0:10:42 | 0:10:44 | |
'We have a model on our team,' | 0:10:44 | 0:10:46 | |
so she should have been project manager - | 0:10:46 | 0:10:49 | |
she just needed a little persuasion. | 0:10:49 | 0:10:52 | |
Lisa, who is your project manager? | 0:10:52 | 0:10:54 | |
-Miss Marilu. -I'm taking it. -Very good. | 0:10:54 | 0:10:56 | |
Now, the project manager of the winning team will be getting, | 0:10:56 | 0:11:00 | |
for her charity, 20,000 from me. | 0:11:00 | 0:11:03 | |
-Thank you. -Donald, I'd like to add another 30,000. | 0:11:03 | 0:11:07 | |
- Oh, OK! Bravo! - Great. Great. | 0:11:07 | 0:11:09 | |
In addition, for every like on Facebook you get for your team, | 0:11:09 | 0:11:15 | |
I will give an extra dollar to the winning manager, up to 50,000. | 0:11:15 | 0:11:22 | |
-Wow! -That's big! | 0:11:22 | 0:11:23 | |
So, that means the project manager can get up to 100,000 | 0:11:23 | 0:11:29 | |
for her charity. | 0:11:29 | 0:11:30 | |
-Not bad. -Wow! | 0:11:30 | 0:11:31 | |
And, by the way, just so you understand, the losing team, sadly, | 0:11:31 | 0:11:36 | |
somebody from the team will be fired. | 0:11:36 | 0:11:38 | |
-OK, go ahead. Good luck. -Thank you. -Thank you. | 0:11:38 | 0:11:40 | |
-All righty. -Oh... | 0:11:51 | 0:11:52 | |
I'm actually glad we got Chi. I use Chi pretty much every day. | 0:11:52 | 0:11:55 | |
You use it every day and you weren't going to step up?! | 0:11:55 | 0:11:58 | |
What kind of crap is that?! | 0:11:58 | 0:11:59 | |
I am... We have been hoodwinked! | 0:11:59 | 0:12:02 | |
We have been bamboozled! | 0:12:02 | 0:12:04 | |
-Hello! -Hello! -Farouk! | 0:12:05 | 0:12:08 | |
-How are you all doing? -Hi! -Hello, hello. Hi, how are you? | 0:12:08 | 0:12:11 | |
-How are you? -I'm Omarosa. | 0:12:11 | 0:12:13 | |
-How are you? -Hi. | 0:12:13 | 0:12:14 | |
-And you're beautiful. -THEY LAUGH | 0:12:14 | 0:12:16 | |
-Love you, guy. -Love you too, bro. | 0:12:16 | 0:12:18 | |
'I think we have a little advantage because' | 0:12:18 | 0:12:20 | |
I won a Farouk task in my season. | 0:12:20 | 0:12:23 | |
We are a company of hairdressers for hairdressers, | 0:12:23 | 0:12:25 | |
so we understand what is new. | 0:12:25 | 0:12:29 | |
Look at this. If you drop it, this will never break. | 0:12:29 | 0:12:32 | |
-You know, like... -Whoa! | 0:12:32 | 0:12:34 | |
OK? | 0:12:34 | 0:12:36 | |
And when it comes to your brand messaging, like, | 0:12:36 | 0:12:38 | |
what would you say, like, described Chi? | 0:12:38 | 0:12:39 | |
Beautiful, American. | 0:12:39 | 0:12:41 | |
Yeah, the... I remember that's what helped me win - | 0:12:41 | 0:12:44 | |
the American thing. | 0:12:44 | 0:12:45 | |
'I know Farouk is very passionate about America, | 0:12:45 | 0:12:48 | |
'so that's one thing we put a checkmark by in our notes,' | 0:12:48 | 0:12:51 | |
that we'd make sure we come back to. | 0:12:51 | 0:12:54 | |
As far as your marketing, do you like out-of-the-box? | 0:12:54 | 0:12:56 | |
Do you like things to be edgy and fun, like, wild, | 0:12:56 | 0:12:59 | |
or are you conservative? How would you describe? | 0:12:59 | 0:13:02 | |
You know, that's why we came to you guys. | 0:13:02 | 0:13:03 | |
OK, so you're open? | 0:13:03 | 0:13:05 | |
You're the one who's going to highlight that | 0:13:05 | 0:13:07 | |
and put us on the top. | 0:13:07 | 0:13:09 | |
Thank you so much and we hope to make you proud. | 0:13:09 | 0:13:10 | |
Thank you so much. It's a pleasure. Good luck to everybody. | 0:13:10 | 0:13:13 | |
-Thank you. -Thank you very much. | 0:13:13 | 0:13:16 | |
All right. You want to include glamorous women, | 0:13:16 | 0:13:18 | |
include the everyday woman, and include everyone - | 0:13:18 | 0:13:20 | |
you don't want to leave anybody out. | 0:13:20 | 0:13:22 | |
Our main pitch is that the product is for all women. | 0:13:22 | 0:13:24 | |
We should do something, though, | 0:13:24 | 0:13:26 | |
to incorporate our celebrity or whatever people we're going to use. | 0:13:26 | 0:13:29 | |
We've got to have a giant-ass American flag somewhere. | 0:13:29 | 0:13:31 | |
-Mm-hmm. -Chi sponsors the Miss Universe pageant, Miss USA... | 0:13:31 | 0:13:36 | |
We need beautiful girls with great hair. | 0:13:36 | 0:13:38 | |
I say no. | 0:13:38 | 0:13:39 | |
-No? -I say you do something like... | 0:13:39 | 0:13:41 | |
More like a Ferris wheel inside the bus. | 0:13:41 | 0:13:46 | |
Go get, like, maybe three or four homeless women | 0:13:46 | 0:13:49 | |
and transform their hair. | 0:13:49 | 0:13:51 | |
Drag queens would be good too. | 0:13:51 | 0:13:53 | |
You could bring some dogs up there, put the dogs in the seat, boom. | 0:13:53 | 0:13:57 | |
Giving a makeover to homeless women - I don't know about that. | 0:13:57 | 0:14:01 | |
I love Dennis, but half the time I have no idea what he's saying. | 0:14:01 | 0:14:04 | |
Let's work... We've got to work on our slogan. | 0:14:04 | 0:14:06 | |
You're the manager, which direction do you want to go? | 0:14:06 | 0:14:08 | |
-Yeah, what are you feeling over there? -What do you want to do? | 0:14:08 | 0:14:10 | |
That's what we've got to follow. | 0:14:10 | 0:14:12 | |
What do you want to do? Let's just take it like that. | 0:14:12 | 0:14:14 | |
I want a transformation that people can see. | 0:14:14 | 0:14:18 | |
-What do you guys think about a hair show? -No. | 0:14:18 | 0:14:22 | |
Claudia is doing everything she can to appease everyone. | 0:14:22 | 0:14:27 | |
She's being the perfect follower, | 0:14:27 | 0:14:30 | |
but this is Celebrity Apprentice All-Stars. | 0:14:30 | 0:14:33 | |
This is a leaders' game. | 0:14:33 | 0:14:36 | |
I want everyone to, like, touch it, smell it, experience the product, | 0:14:36 | 0:14:39 | |
like, just feel... | 0:14:39 | 0:14:40 | |
Maybe inspiration will come. Do you know what I mean? | 0:14:40 | 0:14:43 | |
OK, so, this is basically like a living window. | 0:14:50 | 0:14:54 | |
It's definitely some kind of experience for people to have. | 0:14:54 | 0:14:57 | |
This week, I'm the project manager and our task is to create | 0:14:57 | 0:15:00 | |
a glass-truck experience using the fabulous product | 0:15:00 | 0:15:04 | |
of Farouk Systems, BioSilk. | 0:15:04 | 0:15:06 | |
Correct me if I'm wrong, you keep saying that you're a great marketer, | 0:15:06 | 0:15:09 | |
-so I'm going to put you in charge of marketing. -Sure. | 0:15:09 | 0:15:11 | |
OK? Penn, I want you to come up with the big ideas. | 0:15:11 | 0:15:15 | |
You are design. Know every single thing about this product. | 0:15:15 | 0:15:18 | |
Trace, you would be a good person, like, involved with the building. | 0:15:18 | 0:15:22 | |
Gary, do you want to be the accountant? | 0:15:22 | 0:15:24 | |
-That's fine. -OK. | 0:15:24 | 0:15:26 | |
Yeah, think outside the box. | 0:15:26 | 0:15:27 | |
Accountant? Pay for everything we go get, get a receipt, | 0:15:27 | 0:15:32 | |
put it in the tablet - what we spend, what's it on, where are we, | 0:15:32 | 0:15:36 | |
the date, then the time. | 0:15:36 | 0:15:39 | |
Does anybody have any quick ideas on what | 0:15:39 | 0:15:41 | |
they envision inside this truck? | 0:15:41 | 0:15:42 | |
I think if we did, like, three-minute makeovers, | 0:15:42 | 0:15:44 | |
-or one-minute makeovers... -Cos it's an experience. | 0:15:44 | 0:15:46 | |
Some kind of powerful makeover experience, but it's fast. | 0:15:46 | 0:15:49 | |
-Hey! -Hello! -Hi! | 0:15:49 | 0:15:52 | |
-Hi, how are you? -I'm well, how are you? | 0:15:52 | 0:15:53 | |
-Good to see you. -Nice to see you, too. | 0:15:53 | 0:15:55 | |
Farouk and Basim came in and I thought, | 0:15:55 | 0:15:58 | |
"These are big personalities." | 0:15:58 | 0:16:00 | |
-When God created the best material for hair care... -Mm-hmm. | 0:16:00 | 0:16:04 | |
..he created silk. | 0:16:04 | 0:16:06 | |
Silk has 17 amino acids that strengthen hair, | 0:16:06 | 0:16:11 | |
soften hair, smooth hair... | 0:16:11 | 0:16:14 | |
What's the secret ingredients in here, besides the silk? | 0:16:14 | 0:16:17 | |
Silk and silk and silk. | 0:16:17 | 0:16:20 | |
This little product in here, | 0:16:20 | 0:16:21 | |
this is a powder that you just put in the roots | 0:16:21 | 0:16:23 | |
and it immediately starts to give volume, immediately. | 0:16:23 | 0:16:26 | |
Really? | 0:16:26 | 0:16:28 | |
Everybody wants big-in-volume hair. | 0:16:30 | 0:16:33 | |
Wow. | 0:16:33 | 0:16:34 | |
Look, it gives you immediate volume. | 0:16:34 | 0:16:37 | |
-Wow! -You get immediate volume. | 0:16:37 | 0:16:40 | |
In your past marketing campaigns, | 0:16:40 | 0:16:43 | |
have you done things where you've used models and... | 0:16:43 | 0:16:46 | |
This is actually brand-new, | 0:16:46 | 0:16:47 | |
but before, we used Miss Universe and Miss USA. | 0:16:47 | 0:16:50 | |
-Uh-huh. -Great. | 0:16:50 | 0:16:51 | |
-All right? Best of luck. -Thank you so much. | 0:16:51 | 0:16:53 | |
Thank you so much, thank you. | 0:16:53 | 0:16:54 | |
-Thank you very much. -Appreciate it. -Best of luck. Thank you, guys. | 0:16:54 | 0:16:58 | |
Let's see. Everybody take the next 15 minutes to try to find anybody | 0:16:58 | 0:17:01 | |
that they possibly can. | 0:17:01 | 0:17:02 | |
I'll call the Miss Universe people. | 0:17:02 | 0:17:04 | |
'I was very excited because I had been a judge' | 0:17:04 | 0:17:06 | |
for the Miss USA pageant and I thought, | 0:17:06 | 0:17:08 | |
"Beautiful women, beautiful hair - | 0:17:08 | 0:17:10 | |
"what better people to represent the product and to attract a crowd?" | 0:17:10 | 0:17:14 | |
So I thought, I've got to get on the phone | 0:17:14 | 0:17:17 | |
because I want them to be at this event. | 0:17:17 | 0:17:20 | |
-Hi, Paula, can you hear me OK? -Who is that? | 0:17:20 | 0:17:23 | |
-This is Paula Shugart who runs... -Does she know Matt Rich? | 0:17:23 | 0:17:27 | |
What we want to do is we want people to have this full experience, | 0:17:27 | 0:17:30 | |
so we're making this incredible glass truck where we have... | 0:17:30 | 0:17:33 | |
Does she know Matt Rich? | 0:17:33 | 0:17:34 | |
'I feel as though I'm one of the better players. | 0:17:34 | 0:17:36 | |
'I definitely would say that I'm a more confident leader than Marilu.' | 0:17:36 | 0:17:40 | |
-Wait a minute, do you know Matt Rich? -He's my publicist. | 0:17:40 | 0:17:43 | |
-Oh, no, no, no. It's OK. No, it's OK. -No, what I'm saying is... | 0:17:43 | 0:17:46 | |
Matt is the personal escort for these girls. | 0:17:46 | 0:17:48 | |
OK, Matt? You can send Matt with them? | 0:17:48 | 0:17:50 | |
'Stephen was distracting.' | 0:17:50 | 0:17:51 | |
He was like, "Come here, come here, come here, come here." | 0:17:51 | 0:17:53 | |
And then he wants to tell you something. | 0:17:53 | 0:17:55 | |
He's a real "keep your friends close and your enemies closer" | 0:17:55 | 0:17:57 | |
kind of guy for me. | 0:17:57 | 0:17:59 | |
-Get her to call Matt. -Thanks so much, Paula. Thank you. | 0:17:59 | 0:18:01 | |
OK, bye-bye. | 0:18:01 | 0:18:02 | |
Omarosa, can you rap again for us, please, with the Chi? | 0:18:10 | 0:18:13 | |
-DENNIS GROWLS -Sure. If you want me to. | 0:18:13 | 0:18:15 | |
Maybe everyone should take a couple of lines. | 0:18:15 | 0:18:17 | |
'In the van ride over to our space,' | 0:18:17 | 0:18:19 | |
we still hadn't had our concept down, | 0:18:19 | 0:18:21 | |
so I have these little brainstorming exercises | 0:18:21 | 0:18:23 | |
to, kind of, encourage creativity. | 0:18:23 | 0:18:25 | |
Just say something that rhymes. | 0:18:25 | 0:18:27 | |
I know it's corny, but it's an exercise. | 0:18:27 | 0:18:28 | |
-Come on, Dennis. -It's too early. | 0:18:28 | 0:18:30 | |
-BLEEP, -come on, Dennis. | 0:18:30 | 0:18:31 | |
Oh, Dennis. He refuses to participate, | 0:18:31 | 0:18:34 | |
and I feel like I'm not really getting that much from him. | 0:18:34 | 0:18:36 | |
He doesn't really take as much initiative. | 0:18:36 | 0:18:38 | |
Well, you don't listen to rap, but it does rhyme... | 0:18:38 | 0:18:40 | |
I'm sure you've written a poem or two to Carmen Electra. | 0:18:40 | 0:18:42 | |
'Rap something. OK, what? You know...' | 0:18:42 | 0:18:45 | |
ABC, 123, you and me, baby. | 0:18:45 | 0:18:47 | |
Really, that's a rap? Really, no. | 0:18:47 | 0:18:50 | |
-HIP-HOP BEAT PLAYS -# When I'm feeling free | 0:18:50 | 0:18:52 | |
# I like to eat my brie And slap on my knee. # | 0:18:52 | 0:18:55 | |
You just sounded really white just now. | 0:18:55 | 0:18:57 | |
-Hey! I am white! -"Chi will set you free, yeah!" | 0:18:57 | 0:19:00 | |
What about "You, me, Chi"? | 0:19:00 | 0:19:01 | |
Chi wants you, just like how we want you, like the little guy, | 0:19:01 | 0:19:04 | |
Like, that's the American guy, that guy. | 0:19:04 | 0:19:06 | |
-I could be the character. -You could be in a red, white and blue hat. | 0:19:06 | 0:19:09 | |
-Take a picture of me. -Yeah, Chi wants you. | 0:19:09 | 0:19:10 | |
I think we've got some pretty good ideas. | 0:19:10 | 0:19:13 | |
We've got the "Chi wants you" and Lil Jon in an Uncle Sam costume. | 0:19:13 | 0:19:18 | |
That's just something you won't see every day. | 0:19:18 | 0:19:21 | |
-The models... -Oh, I love it! I love it! | 0:19:21 | 0:19:23 | |
There's only one entrance and exit, unless we can build a different one. | 0:19:29 | 0:19:32 | |
It's a mini, mobile salon. | 0:19:32 | 0:19:34 | |
Don't they have salon chairs? | 0:19:34 | 0:19:35 | |
Marilu had this whole concept to put two salon hair stylists | 0:19:35 | 0:19:40 | |
inside the truck. | 0:19:40 | 0:19:41 | |
-I'm thinking of some kind of premier party experience. -OK. | 0:19:41 | 0:19:44 | |
That's what I want. | 0:19:44 | 0:19:46 | |
It's the BioSilk movie. It's like such a star. | 0:19:46 | 0:19:48 | |
-It's your call. -We have the poles, we have the silk, | 0:19:48 | 0:19:50 | |
we have maybe a carpet, | 0:19:50 | 0:19:52 | |
if we can get a big piece of some kind of fabric. | 0:19:52 | 0:19:55 | |
-A red carpet or some... A green carpet. -Stop! | 0:19:55 | 0:19:57 | |
'When we first got started working on the glass truck, | 0:19:57 | 0:20:00 | |
'it was that typical...' | 0:20:00 | 0:20:02 | |
Marilu kind of Nervous Nelly kind of thing. | 0:20:02 | 0:20:06 | |
I love that logo with all the little stuff - | 0:20:06 | 0:20:07 | |
that looks like a neon thing. | 0:20:07 | 0:20:09 | |
In her own little way, "shiny object," I mean, she'll ping-pong | 0:20:09 | 0:20:12 | |
all over the place. | 0:20:12 | 0:20:14 | |
The biggest problem right now is our slogan | 0:20:14 | 0:20:16 | |
that ties everything in all together. | 0:20:16 | 0:20:18 | |
What is this experience called? | 0:20:18 | 0:20:20 | |
Well, Marilu, the girl who does my hair, the first thing she said was, | 0:20:20 | 0:20:24 | |
"This hair-care line - luscious." | 0:20:24 | 0:20:26 | |
Live life luscious. | 0:20:26 | 0:20:28 | |
No, no, no. It doesn't sing. | 0:20:28 | 0:20:29 | |
-"Live life luscious". It's hot, bro. -I don't like it. | 0:20:29 | 0:20:32 | |
I think Trace disagrees. | 0:20:32 | 0:20:34 | |
Trace lives in Tennessee - Trace washes his hair with lard. | 0:20:34 | 0:20:37 | |
BLEEP! | 0:20:37 | 0:20:39 | |
"Live life luscious" is very big and broad and glamorous, | 0:20:39 | 0:20:45 | |
and I'm in that world in the business that I work in now. | 0:20:45 | 0:20:47 | |
I'm not trying to be a jerk. | 0:20:47 | 0:20:48 | |
-TRACE: -Too late! -LAUGHTER | 0:20:48 | 0:20:50 | |
'Really? That's news to me.' | 0:20:50 | 0:20:52 | |
-That mother -BLEEP -ain't never marketed -BLEEP. | 0:20:52 | 0:20:55 | |
Open a fashion magazine right now, | 0:20:55 | 0:20:57 | |
and you're going to see phrases like "live life luscious". | 0:20:57 | 0:21:01 | |
"Live life luscious" is just a mouthful of crap. | 0:21:01 | 0:21:05 | |
I think it's "experience silk". | 0:21:05 | 0:21:07 | |
Oh, that's good! That's good! | 0:21:07 | 0:21:10 | |
-Whatever. -OK, I'm making an executive decision. | 0:21:10 | 0:21:12 | |
We're going with "experience silk". | 0:21:12 | 0:21:14 | |
Oh! Now you're going to blame me for it all! | 0:21:14 | 0:21:16 | |
No, no, no, we're going to go with "experience silk", | 0:21:16 | 0:21:18 | |
but somewhere we're going to have "live life luscious". | 0:21:18 | 0:21:20 | |
-But the title is just going to be "experience silk". -Well, that's it, | 0:21:20 | 0:21:23 | |
I just pulled my pecker out and showed it to everybody. | 0:21:23 | 0:21:25 | |
Oh, look at it, you guys! | 0:21:30 | 0:21:32 | |
Oh, it's huge! | 0:21:32 | 0:21:34 | |
That's what she said! | 0:21:34 | 0:21:36 | |
'For this task, we have to involve a glass truck | 0:21:36 | 0:21:39 | |
'and have people be interactive and take part in this.' | 0:21:39 | 0:21:42 | |
-Oh, I like it. -I do, too. | 0:21:42 | 0:21:44 | |
'So, that's my whole goal - to get, kind of, a theme going.' | 0:21:44 | 0:21:48 | |
Claudia, look what's on the screen. | 0:21:48 | 0:21:49 | |
-Perfect! That's perfect. -Miss USA! -We're on point. | 0:21:49 | 0:21:53 | |
I actually was a Miss Rhode Island way back in the day | 0:21:53 | 0:21:55 | |
and recently Miss Rhode Island finally won Miss USA. | 0:21:55 | 0:21:59 | |
I'm thinking that's a given - I have to get her here. | 0:21:59 | 0:22:02 | |
-Is she on lock? -I said, "Are you here tomorrow?" | 0:22:02 | 0:22:04 | |
She said, "Yes, I am." I said, "Can we use you tomorrow at 10am?" | 0:22:04 | 0:22:07 | |
So I'm waiting for her to text back. I'm thinking she's going to say yes. | 0:22:07 | 0:22:10 | |
'I'm the project manager. I'm responsible.' | 0:22:10 | 0:22:12 | |
I didn't come here to get fired on the fourth task. | 0:22:12 | 0:22:15 | |
Maybe the photo shoot is inside. | 0:22:15 | 0:22:16 | |
I think it should be. Like, look what... Go outside and see. | 0:22:16 | 0:22:19 | |
Because you look like a star in the booth getting your picture taken. | 0:22:19 | 0:22:22 | |
This transforms your life. Once you get in here, you get Chi-ised. | 0:22:22 | 0:22:25 | |
We get the fan machines blowing, they're taking pictures... | 0:22:25 | 0:22:27 | |
You know, you're, like, doing your thing. | 0:22:27 | 0:22:29 | |
'I didn't like having the Chi photoshoot | 0:22:29 | 0:22:31 | |
'inside of the glass truck.' | 0:22:31 | 0:22:32 | |
You're a star in there. When you go inside, | 0:22:32 | 0:22:34 | |
you're a Chi star, you're a star. | 0:22:34 | 0:22:35 | |
There's nothing creative here, | 0:22:35 | 0:22:38 | |
but ultimately it was going to be the project manager's decision what | 0:22:38 | 0:22:41 | |
creative direction she went in, | 0:22:41 | 0:22:43 | |
so I had to sit back and let her lead the way she wants to lead. | 0:22:43 | 0:22:48 | |
"Chi wants you" - it's funny, it's hilarious, | 0:22:48 | 0:22:50 | |
but Chi wants you for what? | 0:22:50 | 0:22:51 | |
I think we have to finish that sentence. | 0:22:51 | 0:22:53 | |
I think it should be "Chi wants you to be beautiful". | 0:22:53 | 0:22:56 | |
That's cool. I wasn't married to it. | 0:22:56 | 0:22:57 | |
At some point, because of time crunch, follow your gut, | 0:22:57 | 0:23:00 | |
lock in on it and then have everybody fall in line, creatively. | 0:23:00 | 0:23:04 | |
'Omarosa is definitely all about the boardroom. | 0:23:04 | 0:23:07 | |
'If she detects any weakness, she's going to go ahead and dig in there.' | 0:23:07 | 0:23:09 | |
She's not your friend - she's here to play. | 0:23:09 | 0:23:12 | |
Don't feel uncomfortable to just own it and, you know... | 0:23:12 | 0:23:15 | |
'I feel like there's a negative element when she's around, | 0:23:15 | 0:23:17 | |
that, kind of, gives everybody a little bit of anxiety and stress. | 0:23:17 | 0:23:20 | |
-LIL JON: -PM, who are you sending to get costumes? | 0:23:20 | 0:23:22 | |
Omarosa and Dennis, you guys have to go. | 0:23:22 | 0:23:25 | |
We have to get through this task and hopefully secure another win, | 0:23:25 | 0:23:29 | |
but if we lose this task, I'm not concerned. | 0:23:29 | 0:23:32 | |
I mean, at the end of the day, | 0:23:32 | 0:23:35 | |
I am the baddest chick in the boardroom and they all know it. | 0:23:35 | 0:23:38 | |
Bye, guys. | 0:23:40 | 0:23:41 | |
OK, let's walk through it. I'm inside, doing my photoshoot. | 0:23:49 | 0:23:51 | |
"Oh, my God, I have never modelled before. | 0:23:51 | 0:23:53 | |
-"Oh, my God, whatever, you know. Cheese!" -Yeah. | 0:23:53 | 0:23:56 | |
This week our task is to utilise a glass truck by | 0:23:56 | 0:23:59 | |
making an interactive marketing campaign for Chi hair products. | 0:23:59 | 0:24:04 | |
You get your hair done, you do your photoshoot | 0:24:04 | 0:24:06 | |
and then you get your giveaways and your... | 0:24:06 | 0:24:08 | |
and your pictures as you leave. | 0:24:08 | 0:24:09 | |
-Yes. -I like that. | 0:24:09 | 0:24:11 | |
While Omarosa was gone, a small part of me was like, | 0:24:11 | 0:24:13 | |
"I hope she doesn't come back," | 0:24:13 | 0:24:16 | |
because we're making progress without her being here. | 0:24:16 | 0:24:19 | |
Where did they get? Are they still at the little store? | 0:24:19 | 0:24:22 | |
Could you help us find an Uncle Sam costume? | 0:24:23 | 0:24:27 | |
-A bit cheaper. -Yeah, let's do it! | 0:24:27 | 0:24:30 | |
God, I can't take another loss. I'm telling you, Dennis. | 0:24:30 | 0:24:33 | |
We need them to get back as soon as possible with them costumes, | 0:24:33 | 0:24:36 | |
cos I'm just looking at it and we're running out of time today, | 0:24:36 | 0:24:38 | |
and we need them to bring the props back | 0:24:38 | 0:24:40 | |
so that I can get this Uncle Sam picture done. | 0:24:40 | 0:24:43 | |
I'm not just tough, I have a sense of humour. | 0:24:43 | 0:24:46 | |
-And you want the gold glitter... -That's good. | 0:24:46 | 0:24:48 | |
-You have him shaking in his boots. -THEY LAUGH | 0:24:48 | 0:24:51 | |
-She's got a small head. -OMAROSA LAUGHS | 0:24:51 | 0:24:55 | |
-What is this? -Now, this is Donald Trump when he was younger. | 0:24:55 | 0:24:58 | |
Dennis instantly latched on with this Donald Trump head. | 0:24:58 | 0:25:01 | |
-1990, Donald Trump. Next boardroom. -If you don't mind, may I take... | 0:25:01 | 0:25:05 | |
This guy won't speak, OK? I will never get fired. | 0:25:05 | 0:25:07 | |
He loved it. He had to have it. It's his friend, his companion. | 0:25:07 | 0:25:11 | |
-OMAROSA LAUGHS -Why are you holding Donald Trump like that? | 0:25:11 | 0:25:14 | |
So, you know who you could be tomorrow? The angel of silk. | 0:25:19 | 0:25:22 | |
-Oh, OK. -If we want to go with that, Gary dressed as an angel, | 0:25:22 | 0:25:25 | |
we then have to go to the costume shop. | 0:25:25 | 0:25:28 | |
Gary's already dressed as an angel. | 0:25:28 | 0:25:30 | |
Yeah, Gary is an angel! | 0:25:30 | 0:25:32 | |
-I'm an angel in an Earth suit. -Yeah, all right. | 0:25:32 | 0:25:36 | |
-PENN: -Gary is a genius who was nominated for an Academy Award, | 0:25:36 | 0:25:40 | |
so to get a crowd of people, | 0:25:40 | 0:25:42 | |
just have Gary Busey running around - "Ah!" - talking. | 0:25:42 | 0:25:45 | |
"Come on!" It would be a... | 0:25:45 | 0:25:47 | |
It would be a great thing. | 0:25:47 | 0:25:49 | |
-I'm the angel of silk! Yes, yes. -I like that. | 0:25:49 | 0:25:51 | |
-I like it, too. It's... It's... -That's marketing, baby! | 0:25:51 | 0:25:55 | |
Ah, yeah! The angel of silk has arrived. | 0:25:55 | 0:25:58 | |
I like that. | 0:25:58 | 0:25:59 | |
I'm the angel of silk. | 0:25:59 | 0:26:01 | |
Let me take you inside... | 0:26:01 | 0:26:04 | |
and you'll feel like you're 5,000 miles past heaven. Come with me. | 0:26:04 | 0:26:08 | |
-Woof! -OK, so, we're going to go to the prop house. | 0:26:08 | 0:26:11 | |
I think that's better than going... | 0:26:11 | 0:26:13 | |
-Who's going to the prop house? -You, Lisa and Gary are going. | 0:26:13 | 0:26:16 | |
-Penn... -To the prop house? -To the prop house. | 0:26:16 | 0:26:18 | |
-You'll be going to be going to the fabric store... -Fabric. | 0:26:18 | 0:26:20 | |
-and you're going to pick up the poles. -Poles. | 0:26:20 | 0:26:22 | |
So you're going to be gone a long time. | 0:26:22 | 0:26:24 | |
I want to make sure phones are working. I have your cellphone, | 0:26:24 | 0:26:26 | |
-so leave it on. -PENN: -Want me to go with? | 0:26:26 | 0:26:28 | |
You're going to be staying here. | 0:26:28 | 0:26:29 | |
I want you to write the blah-blah-blah about BioSilk. | 0:26:29 | 0:26:32 | |
-Gary, do you have the money? Bring the money. -Yes, ma'am! | 0:26:32 | 0:26:34 | |
-Let's go. -No problem. | 0:26:34 | 0:26:36 | |
I love you guys. | 0:26:36 | 0:26:37 | |
I just felt like it was better to send off Trace and Lisa with Gary | 0:26:37 | 0:26:41 | |
and cut down on some of the noise. | 0:26:41 | 0:26:43 | |
We'll kick ass, baby. | 0:26:43 | 0:26:44 | |
Gary is always a little wild. | 0:26:44 | 0:26:45 | |
He's like that puppy. Who's going to walk the puppy? | 0:26:45 | 0:26:48 | |
Good luck to you, Trace. | 0:26:48 | 0:26:49 | |
STEPHEN LAUGHS | 0:26:49 | 0:26:51 | |
-That's it. Need some help? -Is that all you've got? | 0:26:56 | 0:27:00 | |
Yeah, we couldn't bring the couch with us, so... | 0:27:00 | 0:27:03 | |
Omarosa and Dennis took four hours to get four things on my list... | 0:27:03 | 0:27:08 | |
We are missing mirrors, end tables, the carpet... | 0:27:08 | 0:27:11 | |
..so I still had a bunch of other stuff I needed to get. | 0:27:11 | 0:27:13 | |
Whatever is not picked up for tonight, | 0:27:13 | 0:27:15 | |
we're going to divide into two teams tomorrow, | 0:27:15 | 0:27:17 | |
so one person doesn't go get it all. | 0:27:17 | 0:27:18 | |
I don't understand what took them so long. | 0:27:18 | 0:27:20 | |
Maybe they stopped and got manicures, or... | 0:27:20 | 0:27:22 | |
another piercing. Maybe Omarosa had to get her tail clipped. | 0:27:22 | 0:27:25 | |
That's what gargoyles do, don't they? | 0:27:25 | 0:27:27 | |
Do they get their tails clipped? | 0:27:27 | 0:27:29 | |
What up? That's Jerry, the photographer. | 0:27:29 | 0:27:31 | |
Ready? She's ready. | 0:27:31 | 0:27:33 | |
Sexy. There you go. | 0:27:34 | 0:27:36 | |
We decided to use each and every one of us | 0:27:36 | 0:27:39 | |
in the brand messaging with the product. | 0:27:39 | 0:27:41 | |
Turn a little bit to your right with the Chi. | 0:27:41 | 0:27:45 | |
You are Miss Silk Infusion. | 0:27:45 | 0:27:47 | |
HE GROWLS HAPPILY | 0:27:49 | 0:27:52 | |
The Uncle Sam costume was hilarious. | 0:27:52 | 0:27:54 | |
I was feeling like Busta Rhymes with the hat on and I was acting it out. | 0:27:54 | 0:27:57 | |
Hoo-ha! | 0:27:57 | 0:27:59 | |
You just want me to touch your lips, huh? | 0:28:00 | 0:28:02 | |
I put glitter on Dennis Rodman's lips. | 0:28:02 | 0:28:05 | |
-Cross that off my bucket list! -DENNIS WHEEZES | 0:28:05 | 0:28:07 | |
You're a big black man with gold lips, | 0:28:07 | 0:28:09 | |
-make love to the camera! -All right. | 0:28:09 | 0:28:11 | |
Dennis Rodman's smiling? I should win just cos of that! | 0:28:11 | 0:28:14 | |
-60 yards of that. -And then do you have any turquoise in that? | 0:28:20 | 0:28:23 | |
-I think we might. -OK. | 0:28:23 | 0:28:25 | |
Can we get the bill of sale for this now? | 0:28:25 | 0:28:28 | |
Gary was so gung ho about being the accountant. | 0:28:28 | 0:28:31 | |
Once he had that job, he was going to be the accountant. | 0:28:31 | 0:28:36 | |
889. | 0:28:36 | 0:28:37 | |
-GARY MUMBLES INCOHERENTLY -Fun. | 0:28:37 | 0:28:39 | |
We're not with him. | 0:28:39 | 0:28:41 | |
-OK, eight what? -889. | 0:28:41 | 0:28:43 | |
One, two, three, 400... | 0:28:43 | 0:28:45 | |
-You get eight? -Eight, right. | 0:28:45 | 0:28:49 | |
-Yes. Let me recount this. -OK. | 0:28:49 | 0:28:51 | |
-One, two... -How long does it take? | 0:28:51 | 0:28:54 | |
-Three, four, five, six, seven, eight. -Get a receipt. | 0:28:54 | 0:28:57 | |
-880. -Have you got a receipt? | 0:28:57 | 0:28:59 | |
-A receipt? -Hang on a minute. -OK, you take care of it. | 0:28:59 | 0:29:02 | |
No, we're not done. | 0:29:02 | 0:29:03 | |
Gary had his own accounting ways, and you were not to mess with it, | 0:29:03 | 0:29:07 | |
by the way. You have to just let him do his thing. | 0:29:07 | 0:29:09 | |
-So you've got 880. -OK. | 0:29:09 | 0:29:10 | |
You know, he's got his pen and his book | 0:29:13 | 0:29:15 | |
and he likes to write it down a certain way | 0:29:15 | 0:29:18 | |
and if you rush him, he gets very upset. | 0:29:18 | 0:29:21 | |
-What do you need now? -9.52. | 0:29:21 | 0:29:24 | |
-9.50 out of 20. -OK, great. | 0:29:24 | 0:29:26 | |
You know, God love him. | 0:29:27 | 0:29:29 | |
If you get him to focus on one thing, he can do it. | 0:29:29 | 0:29:32 | |
He's sort of like my husband! | 0:29:32 | 0:29:34 | |
-Great, thank you so much, sir. -Pleasure. Good luck with it. | 0:29:34 | 0:29:37 | |
-Thank you, thank you so much. -Thank you, thank you! -Let's go! | 0:29:37 | 0:29:40 | |
We came out under money and I've got it written down. | 0:29:40 | 0:29:42 | |
-I know, that's great! -Wait, where's the bag? -That's absolutely great! | 0:29:42 | 0:29:45 | |
Where's the bag? Where's the bag? | 0:29:45 | 0:29:47 | |
-I don't know, find the bag before we go anywhere. -Where is it? | 0:29:47 | 0:29:50 | |
-I don't know. -What bag? | 0:29:50 | 0:29:51 | |
-The moneybag. -My moneybag! | 0:29:51 | 0:29:53 | |
Go, go look back in the store, make sure you didn't leave it. | 0:29:53 | 0:29:56 | |
BLEEP! BLEEP! | 0:29:56 | 0:29:57 | |
You know what? Men in black are going to come get him, | 0:30:00 | 0:30:02 | |
I swear, cos he's an alien. | 0:30:02 | 0:30:03 | |
Damn! | 0:30:03 | 0:30:04 | |
There are little people inside his head. | 0:30:06 | 0:30:08 | |
-Here it is, Gary! Oh, -BLEEP -son of a bitch! | 0:30:10 | 0:30:14 | |
Gary, come on, we've got it! | 0:30:14 | 0:30:15 | |
-Gary! -Gary, we've got it! | 0:30:15 | 0:30:16 | |
-It was laying on the floor. -All right, let's go. | 0:30:16 | 0:30:19 | |
We've got all your money. | 0:30:19 | 0:30:20 | |
We got the change, paid the bill, got the receipts and wrote it down. | 0:30:20 | 0:30:23 | |
Good job. | 0:30:23 | 0:30:25 | |
LOW RUMBLING NOISE | 0:30:26 | 0:30:28 | |
No, I didn't fart. | 0:30:28 | 0:30:29 | |
What was that? | 0:30:29 | 0:30:30 | |
What can I say? I really did not have flatulence, I promise you. | 0:30:30 | 0:30:35 | |
-Listen. -Mm-hmm. -Damn! -LOW RUMBLING NOISE | 0:30:35 | 0:30:37 | |
When I would move on the seat of the van, | 0:30:37 | 0:30:40 | |
it would make a flatulence sound. | 0:30:40 | 0:30:41 | |
-LOW RUMBLING NOISE -Oh, come on! Stop! | 0:30:41 | 0:30:44 | |
-BLEEP! -Buddy, you smell it? | 0:30:44 | 0:30:46 | |
Mm-hmm. | 0:30:46 | 0:30:48 | |
This is what it sounds like when a vegetarian farts. | 0:30:48 | 0:30:52 | |
The things he says to me! I mean, it's like... | 0:30:52 | 0:30:55 | |
You... I can't even... | 0:30:55 | 0:30:58 | |
It's not even subtle, that's what's so fun. | 0:30:59 | 0:31:02 | |
You know, if I had a spray from a detective agency, | 0:31:02 | 0:31:05 | |
I could spray the air around you and it'd be bright blue, | 0:31:05 | 0:31:08 | |
yellow and fuchsia. | 0:31:08 | 0:31:09 | |
That's so not true! | 0:31:09 | 0:31:11 | |
It is! | 0:31:11 | 0:31:12 | |
I can see fart gas - a lot of people can't, but I can. | 0:31:12 | 0:31:15 | |
-Whoa, -BLEEP! -She's doing another one! | 0:31:15 | 0:31:18 | |
Her farts rumble the whole seat. | 0:31:18 | 0:31:20 | |
F-A-R-T stands for "feeling a rectal transmission" | 0:31:20 | 0:31:24 | |
and, Lisa Rinna, is so good at that, she couldn't stop. | 0:31:24 | 0:31:28 | |
She sounded like a symphony of farting trombones. | 0:31:28 | 0:31:32 | |
It's sure been fun hanging out with you this afternoon. | 0:31:32 | 0:31:34 | |
Shush, shush, shush! | 0:31:34 | 0:31:35 | |
GARY GIGGLES | 0:31:35 | 0:31:37 | |
-Shoot me. -Yee-haw! | 0:31:37 | 0:31:40 | |
Hey, brother, hang on one second. | 0:31:43 | 0:31:45 | |
This is Matt Rich. | 0:31:45 | 0:31:47 | |
-Hi. -'Hey, Marilu, this is Matt Rich.' | 0:31:47 | 0:31:49 | |
This is Marilu. Hey. Hi. | 0:31:49 | 0:31:51 | |
Now, listen, I really want those titleholders | 0:31:51 | 0:31:53 | |
and I want to make sure that they come to BioSilk. | 0:31:53 | 0:31:57 | |
'I will make triply, doubly, quadruply sure of it.' | 0:31:57 | 0:32:00 | |
OK, cos you know I love the Miss USA people. | 0:32:00 | 0:32:02 | |
Now, is Miss USA coming, the one we picked? | 0:32:02 | 0:32:06 | |
'Yes, and you've got a whole slew of other ones - former Miss Universe, | 0:32:06 | 0:32:10 | |
'former Miss New Jersey, former all of the USA pageants.' | 0:32:10 | 0:32:14 | |
That my publicist. I am, like, stoked. | 0:32:14 | 0:32:17 | |
My publicist, Matt Rich, came through and got Miss USA, | 0:32:17 | 0:32:21 | |
so I'll take the credit for that being part of my genius. | 0:32:21 | 0:32:24 | |
OK, thank you so, so much. This is great. | 0:32:24 | 0:32:26 | |
-HE WHISTLES -Hey, guys, they're here! -Hi, guys! | 0:32:26 | 0:32:29 | |
Roll the whole damn truck in! | 0:32:29 | 0:32:31 | |
-You guys, we have Miss USA. -Fantastic! | 0:32:31 | 0:32:33 | |
This is getting so exciting. | 0:32:33 | 0:32:35 | |
-OK, OK... -OK, you too. | 0:32:35 | 0:32:37 | |
We're finished! Look at this picture! | 0:32:41 | 0:32:44 | |
That's pretty damn awesome. | 0:32:44 | 0:32:45 | |
At the end of day one, | 0:32:45 | 0:32:46 | |
we're feeling good. | 0:32:46 | 0:32:47 | |
We've got good concepts nailed. | 0:32:47 | 0:32:50 | |
-Did you get Miss USA? -That's the last thing we've got to do, | 0:32:50 | 0:32:53 | |
and then we're ready for tomorrow. | 0:32:53 | 0:32:55 | |
Hey, Esther, it's Omarosa and Claudia. | 0:32:55 | 0:32:57 | |
'How are you, ladies?' | 0:32:57 | 0:32:58 | |
We're good. We just wanted to check to see if you had | 0:32:58 | 0:33:01 | |
any availability with Miss USA. | 0:33:01 | 0:33:02 | |
'By the time I got to the office, | 0:33:02 | 0:33:04 | |
'she had already confirmed to do another task.' | 0:33:04 | 0:33:07 | |
Oh... | 0:33:07 | 0:33:09 | |
-LIL JON: -Damn! | 0:33:09 | 0:33:10 | |
So, are you saying Miss USA is on the other team? | 0:33:11 | 0:33:15 | |
'I know that it was Marilu who had reached out to her | 0:33:15 | 0:33:18 | |
'before I had got to her. | 0:33:18 | 0:33:21 | |
'Can you hear me?' | 0:33:21 | 0:33:22 | |
I'm pissed. They have my Miss USA and I don't know how that happened. | 0:33:22 | 0:33:26 | |
-'Thanks, guys.' -All right, bye-bye. | 0:33:26 | 0:33:28 | |
-I thought you were cheek-to-cheek... -All day... | 0:33:28 | 0:33:30 | |
She's been telling you that she was... | 0:33:30 | 0:33:32 | |
I sent the e-mail a long time ago. | 0:33:32 | 0:33:34 | |
I've been waiting all day, since before you guys left. | 0:33:34 | 0:33:36 | |
Claudia assured us that she could get Miss USA, | 0:33:36 | 0:33:40 | |
but she screwed that up, | 0:33:40 | 0:33:42 | |
and it is a huge, huge, critical error. | 0:33:42 | 0:33:47 | |
Why don't we get celebrity lookalikes? | 0:33:47 | 0:33:49 | |
What famous celebrities have horrible hair? | 0:33:49 | 0:33:51 | |
-Donald Trump. -We could get a Donald Trump lookalike. | 0:33:51 | 0:33:54 | |
-I kind of like that idea. -That's great! | 0:33:54 | 0:33:57 | |
'So, we decided to try and call some impersonators | 0:33:57 | 0:34:00 | |
'to go out in the crowd' | 0:34:00 | 0:34:02 | |
and get people to come in and enjoy our experience. | 0:34:02 | 0:34:05 | |
I found a company that has these wonderful impersonators. | 0:34:11 | 0:34:15 | |
Actually, the only Donald Trump impersonator | 0:34:15 | 0:34:17 | |
in New York, apparently. | 0:34:17 | 0:34:19 | |
I'm sorry, that is horrible. | 0:34:23 | 0:34:25 | |
Did she say the Donald Trump guy died? | 0:34:25 | 0:34:29 | |
-Donald Trump died? -Yeah. | 0:34:29 | 0:34:31 | |
-Are you serious? -He had a stroke. | 0:34:31 | 0:34:33 | |
Is that not crazy? | 0:34:33 | 0:34:34 | |
Like, we've just lost the task. | 0:34:34 | 0:34:37 | |
We called to try to get a Donald Trump impersonator - | 0:34:37 | 0:34:39 | |
he's just died. | 0:34:39 | 0:34:41 | |
That is the worst thing I've ever heard in my life. | 0:34:41 | 0:34:43 | |
Maybe that's a bad omen. I don't know. | 0:34:43 | 0:34:46 | |
But we're going to keep pushing, we're team Power. Keep pushing. | 0:34:46 | 0:34:49 | |
Well, we'll just do Joan Rivers. | 0:34:49 | 0:34:50 | |
Like, if our Joan Rivers interviewed them when they came out of their | 0:34:50 | 0:34:53 | |
experience, like as they came off the red carpet. | 0:34:53 | 0:34:55 | |
That would be amazing! | 0:34:55 | 0:34:56 | |
"What are you wearing, honey? Oh, ba-da-da-da-da..." | 0:34:56 | 0:34:58 | |
'For me, under bad management, you have to cover yourself...' | 0:34:58 | 0:35:03 | |
I need help finding beauty queens in New York City for tomorrow | 0:35:03 | 0:35:06 | |
-for a task. -'OK, let me see.' | 0:35:06 | 0:35:08 | |
'..because otherwise, you will end up in the boardroom, | 0:35:08 | 0:35:12 | |
'being blamed for things that have absolutely | 0:35:12 | 0:35:14 | |
'nothing to do with you...' | 0:35:14 | 0:35:16 | |
I'm looking for any former titleholders. | 0:35:16 | 0:35:19 | |
'..so I made sure there was other talent.' | 0:35:19 | 0:35:22 | |
I'm getting nervous. | 0:35:22 | 0:35:24 | |
She said she could do it. | 0:35:25 | 0:35:28 | |
Can we start unloading our cube truck? | 0:35:37 | 0:35:40 | |
So let's just put everything near the truck and then we'll sort it out | 0:35:40 | 0:35:43 | |
-from there. -Yeah, baby! | 0:35:43 | 0:35:45 | |
Marilu, where do you want it? | 0:35:45 | 0:35:47 | |
Just put everything over there, | 0:35:47 | 0:35:48 | |
and then we need the boxes and we need the couch. | 0:35:48 | 0:35:50 | |
It's the morning of our presentation and our team's concept was to | 0:35:50 | 0:35:54 | |
create this really fun, loungy vibe | 0:35:54 | 0:35:58 | |
for a quick little BioSilk makeover. | 0:35:58 | 0:36:01 | |
It was the whole experience. | 0:36:01 | 0:36:03 | |
-TRACE: -It already looks like an event. | 0:36:03 | 0:36:05 | |
I'm the angel of silk. | 0:36:15 | 0:36:16 | |
Fantastic! | 0:36:18 | 0:36:19 | |
God bless his heart. | 0:36:19 | 0:36:20 | |
I'm telling you, it's Gary Busey the sitcom. | 0:36:20 | 0:36:23 | |
I mean, he's a real character. | 0:36:23 | 0:36:24 | |
-You know what? Gary, open these boxes... -Yes, ma'am. | 0:36:24 | 0:36:26 | |
..and take this wrapper stuff off, | 0:36:26 | 0:36:28 | |
-but take it out of the box, OK? -Yeah. | 0:36:28 | 0:36:31 | |
No, don't put that on the ground. | 0:36:31 | 0:36:33 | |
Don't get mad at me, I'm not... | 0:36:33 | 0:36:34 | |
I'm not screaming at you, I just want you to hear me. | 0:36:34 | 0:36:37 | |
Huh? | 0:36:37 | 0:36:39 | |
If not screaming at you, I just want you to hear me. | 0:36:39 | 0:36:41 | |
My hearing aids are working good. | 0:36:41 | 0:36:43 | |
-What? -My hearing aids are working good. | 0:36:43 | 0:36:45 | |
-OK, thank you. -Thank you! | 0:36:45 | 0:36:48 | |
I'm the angel of silk! | 0:36:48 | 0:36:50 | |
Dude, they're still not here. | 0:36:56 | 0:36:58 | |
They may have had a total meltdown. | 0:36:58 | 0:37:01 | |
-There's our Chi -BLEEP, -look. Booyaw! | 0:37:03 | 0:37:06 | |
And look right across here. | 0:37:06 | 0:37:07 | |
Oh, damn, their stuff looks good! | 0:37:07 | 0:37:10 | |
We're looking over and seeing the other team's | 0:37:10 | 0:37:12 | |
site and they've already got almost everything set up. | 0:37:12 | 0:37:16 | |
We had to pick up everything that Omarosa and Dennis didn't get. | 0:37:16 | 0:37:21 | |
It looks good. | 0:37:21 | 0:37:22 | |
We were so limited on time. | 0:37:22 | 0:37:24 | |
We'd better get moving, that's all I've got to say. | 0:37:26 | 0:37:28 | |
We need all hands on deck. | 0:37:28 | 0:37:29 | |
We can't do anything until Omarosa gets back. | 0:37:29 | 0:37:31 | |
You might need to call her and tell her to hurry her ass up. | 0:37:31 | 0:37:34 | |
PHONE RINGS | 0:37:34 | 0:37:36 | |
-Hey, Claudia. -Hey, where are you guys? | 0:37:38 | 0:37:41 | |
-We're coming around the corner. -All right, cool. | 0:37:41 | 0:37:43 | |
All right, bye-bye. | 0:37:43 | 0:37:44 | |
What? They had two things to pick up. Like, seriously? | 0:37:44 | 0:37:47 | |
If we are to lose, I 100% feel that Omarosa should be fired. | 0:37:47 | 0:37:52 | |
We need help. Seriously. | 0:37:52 | 0:37:54 | |
I'd like to suggest an executive decision - | 0:37:57 | 0:38:01 | |
stop Trace from doing the big BioSilk up top | 0:38:01 | 0:38:03 | |
and get these pieces of silk up on the... | 0:38:03 | 0:38:07 | |
We need more brand recognition of BioSilk. | 0:38:07 | 0:38:10 | |
I was thinking somebody else would go do that. | 0:38:10 | 0:38:12 | |
Um, nobody else is as tall, but... | 0:38:12 | 0:38:15 | |
Oh, that is going to be... | 0:38:15 | 0:38:17 | |
-No, no, you don't know where that is... -Hi! | 0:38:17 | 0:38:19 | |
Yes, I know her! I picked you! | 0:38:19 | 0:38:22 | |
-She never answers a question. -I picked you! | 0:38:22 | 0:38:24 | |
-Thank you so much for coming! -It's a pleasure. -Oh, I'm so happy! | 0:38:24 | 0:38:27 | |
-Marilu! -You handled that question so beautifully, I couldn't believe it. | 0:38:27 | 0:38:30 | |
-Marilu! Marilu! -I'm so happy to see you! | 0:38:30 | 0:38:34 | |
Oh, my gosh, I'm so happy to see you. | 0:38:34 | 0:38:36 | |
-This is great! -I don't know why we're dicking around. | 0:38:36 | 0:38:38 | |
'Marilu, she got distracted with people showing up. | 0:38:38 | 0:38:40 | |
'She could have said to all of the people, | 0:38:40 | 0:38:41 | |
'"Hey, guys, we're not ready."' | 0:38:41 | 0:38:43 | |
If you're the project manager, then every second counts. | 0:38:43 | 0:38:47 | |
Why haven't we finished this? | 0:38:47 | 0:38:48 | |
We've got to stop scatterbraining and do one thing at a time. | 0:38:48 | 0:38:50 | |
We're not, I know, that's what we're doing. | 0:38:50 | 0:38:52 | |
Do you see me cutting? It's fine. | 0:38:52 | 0:38:53 | |
-I've got it under control. -OK, I'm sorry. | 0:38:53 | 0:38:55 | |
If we were to lose, ultimately Marilu would be responsible | 0:38:55 | 0:38:59 | |
and should be fired. | 0:38:59 | 0:39:00 | |
I've got it under control. Oh, wait. | 0:39:00 | 0:39:03 | |
All the product will go on one table. Here they are. | 0:39:05 | 0:39:08 | |
-Hey, ladies. -Is the cube truck close behind you, I hope? | 0:39:08 | 0:39:11 | |
-Yes. -Oh, good. -No talking, more working, let's go. | 0:39:11 | 0:39:14 | |
-Oh! -That looked good. | 0:39:14 | 0:39:17 | |
'I came up with the idea of utilising the glass truck' | 0:39:17 | 0:39:20 | |
-to be a live photo shoot. -Wow! | 0:39:20 | 0:39:22 | |
The space outside the glass truck, we had kind of a salon-looking area | 0:39:22 | 0:39:26 | |
where we were performing the makeovers. | 0:39:26 | 0:39:28 | |
-That looks awesome. -I'm feeling a little better about things. | 0:39:28 | 0:39:30 | |
Oh, my God, Claudia! | 0:39:30 | 0:39:32 | |
Just to let you know, they are actually styling inside of the box. | 0:39:32 | 0:39:36 | |
It says, "Come and experience the BioSilk," | 0:39:36 | 0:39:38 | |
and the hair stylist is inside of the box. | 0:39:38 | 0:39:40 | |
I don't know if you want one of the stylists up there... | 0:39:40 | 0:39:42 | |
Claudia failed to put the stylist inside of the box. | 0:39:42 | 0:39:46 | |
It's an interactive glass-truck experience. | 0:39:46 | 0:39:50 | |
Think...about it. | 0:39:50 | 0:39:52 | |
-Yeah, I know, it's a lot. -It is. | 0:39:52 | 0:39:53 | |
Omarosa will give you an idea at the very last minute, | 0:39:53 | 0:39:57 | |
and I believe she was really trying to set me up to fail. | 0:39:57 | 0:39:59 | |
It's too late to change the set-up, so let's go with that. | 0:39:59 | 0:40:03 | |
-OK. -OK, everybody, we are open! | 0:40:03 | 0:40:06 | |
Come on in! | 0:40:06 | 0:40:07 | |
I'm the angel of silk! | 0:40:07 | 0:40:10 | |
Welcome to BioSilk, everyone. | 0:40:10 | 0:40:13 | |
Come on in here for the BioSilk experience. | 0:40:13 | 0:40:14 | |
Here, come and sit down, please. | 0:40:16 | 0:40:17 | |
I am completely whoring myself out. | 0:40:17 | 0:40:21 | |
'Farouk likes spectacle. | 0:40:21 | 0:40:24 | |
'He likes big.' | 0:40:24 | 0:40:26 | |
So I stood up on top of the truck | 0:40:26 | 0:40:28 | |
with a guitar in the middle of wherever the hell we were | 0:40:28 | 0:40:31 | |
to get people's attention. | 0:40:31 | 0:40:33 | |
I don't know how I expect to ever go back to the music business with any | 0:40:33 | 0:40:38 | |
shred of dignity. | 0:40:38 | 0:40:39 | |
King of the world! | 0:40:39 | 0:40:41 | |
All right! Trace Adkins on the stage. | 0:40:41 | 0:40:44 | |
Here is Trace Adkins! | 0:40:44 | 0:40:47 | |
Trace Adkins! | 0:40:47 | 0:40:49 | |
Yay, Trace! | 0:40:49 | 0:40:51 | |
Woohoo! | 0:40:51 | 0:40:52 | |
'I'm so proud of my team.' | 0:40:52 | 0:40:54 | |
You could feel the energy of people starting to see what was going on. | 0:40:54 | 0:40:58 | |
We had Penn juggling fire, Gary as the angel of silk, | 0:40:58 | 0:41:02 | |
Miss USA showed up, and the cherry on top was Trace | 0:41:02 | 0:41:06 | |
getting on top of the truck, | 0:41:06 | 0:41:07 | |
and a crowd really started to come over then. | 0:41:07 | 0:41:10 | |
You look beautiful! | 0:41:10 | 0:41:11 | |
Well, we have some beautiful ladies out here. | 0:41:13 | 0:41:16 | |
Welcome! Come inside, ladies, come inside. | 0:41:16 | 0:41:18 | |
Brandi. Here we go, right here. Here you go. | 0:41:18 | 0:41:20 | |
Are you all right? You want a makeover? | 0:41:20 | 0:41:22 | |
Maybe a little shine infusion? | 0:41:22 | 0:41:24 | |
I have gone through ups and downs where I felt terrified, | 0:41:24 | 0:41:27 | |
then confident, | 0:41:27 | 0:41:28 | |
then disappointed, then hopeful. | 0:41:28 | 0:41:30 | |
Look at this supermodel right here. Doesn't she look hot? | 0:41:30 | 0:41:33 | |
They had my Miss USA, | 0:41:33 | 0:41:34 | |
but we have some beautiful pageant girls as well. | 0:41:34 | 0:41:37 | |
And I'm even better looking if you stand across the street and have | 0:41:37 | 0:41:40 | |
-glaucoma, so remember that. -Oh, no. | 0:41:40 | 0:41:42 | |
We lost our Donald Trump impersonator | 0:41:42 | 0:41:45 | |
and so our project manager secured a Joan Rivers impersonator. | 0:41:45 | 0:41:49 | |
Don't zoom in so close. | 0:41:49 | 0:41:51 | |
I thought the Joan Rivers impersonator looked really terrible. | 0:41:51 | 0:41:55 | |
Yeah, ruff, ruff, ruff. | 0:41:55 | 0:41:56 | |
OK, have fun. | 0:41:56 | 0:41:58 | |
-Scan this and like us on Facebook, everybody. -There you go, guys. | 0:41:59 | 0:42:02 | |
It's for charity. | 0:42:02 | 0:42:04 | |
-Can we take a picture with them? -Come on in. Cool. | 0:42:04 | 0:42:07 | |
Dennis definitely | 0:42:07 | 0:42:08 | |
stood out in a crowd. | 0:42:08 | 0:42:10 | |
Y'all you BioSilk people got to get back on their side. | 0:42:10 | 0:42:13 | |
-You got to go, baby. You got to go. -You are coming with me! | 0:42:13 | 0:42:15 | |
Claudia wanted to use that as a draw, | 0:42:17 | 0:42:19 | |
to draw people to our experience. | 0:42:19 | 0:42:22 | |
Dennis, come back! | 0:42:22 | 0:42:24 | |
-Dennis! -You've got jugglers over there, right? -Dennis! | 0:42:24 | 0:42:29 | |
Look who came on over for the babeage. | 0:42:29 | 0:42:33 | |
I looked down there, and there's Dennis Rodman | 0:42:34 | 0:42:37 | |
with a glittery silver shirt on, and I thought, "Great, | 0:42:37 | 0:42:40 | |
"he's the biggest draw they've got." | 0:42:40 | 0:42:42 | |
Do you see all our gorgeous girls? | 0:42:42 | 0:42:43 | |
I hope they all come over here, | 0:42:43 | 0:42:45 | |
it just brings more people over to our thing. | 0:42:45 | 0:42:47 | |
No good, no good. | 0:42:47 | 0:42:49 | |
Team Power over there. | 0:42:49 | 0:42:50 | |
-Team Power, hello! Team Power! Here we go. -Good to see you go. | 0:42:50 | 0:42:56 | |
-Hi! -How are you? -I'm so good. | 0:42:56 | 0:42:59 | |
I was crowned Queen of BioSilk. | 0:42:59 | 0:43:01 | |
-Queen of BioSilk? -This is the silk experience, experience silk. | 0:43:01 | 0:43:04 | |
BioSilk. We are doing, basically, two-, three-minute makeovers | 0:43:04 | 0:43:07 | |
on people. | 0:43:07 | 0:43:09 | |
So, who is doing what today? | 0:43:09 | 0:43:10 | |
Obviously, I see what Penn's doing, we see what Trace is doing... | 0:43:10 | 0:43:13 | |
He's the angel of silk. | 0:43:13 | 0:43:14 | |
Lisa and I are handling the people. | 0:43:14 | 0:43:17 | |
We are all troubleshooting, | 0:43:17 | 0:43:19 | |
bringing people in and making sure that the line moves quickly. | 0:43:19 | 0:43:23 | |
Interesting. All right, well, let's go and see | 0:43:23 | 0:43:25 | |
-what the other guys are doing. -Absolutely. | 0:43:25 | 0:43:27 | |
It's all about Chi today. | 0:43:27 | 0:43:29 | |
Hi, do you want to get your hair done? Step right up. | 0:43:29 | 0:43:32 | |
Come right in, please. | 0:43:32 | 0:43:33 | |
Join us. Then you can feel like a supermodel. | 0:43:33 | 0:43:37 | |
If you're trying to get my attention, | 0:43:37 | 0:43:39 | |
Lil John as Uncle Sam always works. | 0:43:39 | 0:43:41 | |
What's up, Arsenio? | 0:43:41 | 0:43:43 | |
Man, you make me want to serve... | 0:43:43 | 0:43:45 | |
something! | 0:43:45 | 0:43:46 | |
Welcome. We have Joan Rivers. I know the Trumps are fans. | 0:43:46 | 0:43:50 | |
Let me hear one great one-liner. | 0:43:50 | 0:43:51 | |
The last time a man touched me, Donald Trump WAS the apprentice. | 0:43:51 | 0:43:56 | |
ARSENIO LAUGHS | 0:43:56 | 0:43:57 | |
So, tell us a little bit about the theme. | 0:43:57 | 0:43:59 | |
The theme is Chi wants you to be beautiful, | 0:43:59 | 0:44:01 | |
so we are taking the average woman off the street to get beautiful with | 0:44:01 | 0:44:04 | |
Chi products, and then we have | 0:44:04 | 0:44:05 | |
a live photo shoot going on right here. | 0:44:05 | 0:44:07 | |
Most valuable, least valuable player right now, so far? | 0:44:07 | 0:44:10 | |
Most valuable, Brande is my rock star. | 0:44:10 | 0:44:12 | |
Least valuable... | 0:44:12 | 0:44:14 | |
Probably between Omarosa and Dennis. | 0:44:14 | 0:44:17 | |
It took them four hours to go get stuff yesterday, | 0:44:17 | 0:44:19 | |
and I gave them a list, | 0:44:19 | 0:44:20 | |
and half the stuff wasn't brought back that I needed, | 0:44:20 | 0:44:23 | |
and Brande and myself and Lil John went and got that all | 0:44:23 | 0:44:26 | |
-in 40 minutes this morning. -OK. | 0:44:26 | 0:44:27 | |
-But we've got a lot going on here today, so... -All right. | 0:44:28 | 0:44:32 | |
This is the QR code. | 0:44:32 | 0:44:34 | |
You can scan this and it takes you | 0:44:34 | 0:44:35 | |
-right to the Facebook page. -Very nice. | 0:44:35 | 0:44:37 | |
Everybody who has a cellphone, | 0:44:37 | 0:44:39 | |
pull your cellphone out and concentrate it right here. | 0:44:39 | 0:44:42 | |
Don't be afraid, come on and get your hair styled. | 0:44:48 | 0:44:50 | |
Don't you want to get your hair done? | 0:44:50 | 0:44:52 | |
Come on, you need to get your hair done. | 0:44:52 | 0:44:54 | |
You need to learn about shape. | 0:44:54 | 0:44:56 | |
Chi is for every woman, and I think you would look fly. | 0:44:56 | 0:44:59 | |
You already are beautiful, but you can be even more beautiful with Chi. | 0:44:59 | 0:45:02 | |
'It's the day of our glass truck marketing event | 0:45:02 | 0:45:05 | |
'for Farouk Systems,' | 0:45:05 | 0:45:07 | |
and we are going to be just like Farouk himself and Basim, his son. | 0:45:07 | 0:45:11 | |
Everybody, scan this with your cellphone right now. | 0:45:11 | 0:45:14 | |
Right now, everybody. | 0:45:14 | 0:45:16 | |
Farouk! | 0:45:16 | 0:45:17 | |
-Hey, man! -Farouk, Farouk! -Hey! | 0:45:17 | 0:45:19 | |
I'm Uncle Sam, basically. | 0:45:19 | 0:45:21 | |
We love Uncle Sam, we love playing Uncle Sam. | 0:45:21 | 0:45:24 | |
It's about America. To start you off, Chi wants you to be beautiful. | 0:45:24 | 0:45:29 | |
And, look, we have Joan Rivers here, greeting people. | 0:45:29 | 0:45:31 | |
Hello, hello, hello. How are you? | 0:45:31 | 0:45:34 | |
Nice. Oh, he's got a... Love that in a man! | 0:45:34 | 0:45:37 | |
-Hi. -I love the red. | 0:45:37 | 0:45:39 | |
Do you like Joan? | 0:45:39 | 0:45:41 | |
-How are you? -Listen, everybody is going crazy over Chi. | 0:45:41 | 0:45:45 | |
We've got a line of girls waiting to get their hair done. | 0:45:45 | 0:45:47 | |
-Mr Rodman, good morning. -What's up? How are you doing? | 0:45:47 | 0:45:50 | |
-I love your colour. -How are you doing, bro, how are you doing? | 0:45:50 | 0:45:52 | |
-Good to see you. -You good? -Dennis, what is your contribution? | 0:45:52 | 0:45:55 | |
I think it's very nice, man. A lot of people are coming up here, | 0:45:55 | 0:45:58 | |
asking what the product is all about, | 0:45:58 | 0:45:59 | |
but you've got to embrace. These are New Yorkers, you know. | 0:45:59 | 0:46:02 | |
Right here, look at that, it's all good. | 0:46:02 | 0:46:06 | |
I'm teaching all these guys here. | 0:46:06 | 0:46:08 | |
'Dennis, he's just like...' | 0:46:08 | 0:46:09 | |
SHE MUMBLES | 0:46:09 | 0:46:11 | |
..mumble something and... | 0:46:11 | 0:46:13 | |
I'm like, "What are you...? What? What? What? Speak!" | 0:46:13 | 0:46:16 | |
We made a barcode for you. | 0:46:16 | 0:46:19 | |
People can scan when they come up | 0:46:19 | 0:46:21 | |
and it links to the Facebook to get more likes. | 0:46:21 | 0:46:24 | |
Nice creativity, that's good. | 0:46:24 | 0:46:26 | |
And we want to make sure we incorporated ourselves | 0:46:26 | 0:46:29 | |
with the product, so I sprayed it in my hair. | 0:46:29 | 0:46:32 | |
Chi wants you to be beautiful, with shine innovation. | 0:46:32 | 0:46:35 | |
The barcode is on every single brand messaging that we did. | 0:46:35 | 0:46:38 | |
I really want him to see that we integrated our celebrity with the | 0:46:38 | 0:46:42 | |
product. So then we bring them over to the red carpet. | 0:46:42 | 0:46:45 | |
We have ladies wishing to get their hair done. | 0:46:45 | 0:46:47 | |
-Very good. I see. -Hi. | 0:46:47 | 0:46:49 | |
Hi, how are you? | 0:46:49 | 0:46:51 | |
It was amazing, | 0:46:51 | 0:46:53 | |
and it was kind of... Like, it got a little crazy because | 0:46:53 | 0:46:56 | |
people just were so excited, | 0:46:56 | 0:46:58 | |
they were so excited to get made over, | 0:46:58 | 0:47:00 | |
they were so excited to meet celebrities. | 0:47:00 | 0:47:01 | |
Can I take a picture with you? | 0:47:01 | 0:47:03 | |
-Of course. -Step into our photo-shoot booth. | 0:47:03 | 0:47:05 | |
Hi, how are you? How are you doing? | 0:47:05 | 0:47:07 | |
-Nice hair! Good choice of models. -You like it? | 0:47:07 | 0:47:10 | |
Oh, absolutely. | 0:47:10 | 0:47:12 | |
'I can assure you' | 0:47:12 | 0:47:13 | |
that Farouk and his son loved our experience. | 0:47:13 | 0:47:17 | |
Where should I go, this side? | 0:47:17 | 0:47:18 | |
The moment we got them up in our glass-box truck... | 0:47:18 | 0:47:22 | |
-You're not cold? -A little cold, but you can keep me warm. | 0:47:22 | 0:47:25 | |
You see? | 0:47:25 | 0:47:26 | |
..a smile came over Farouk's face that let me know that we were | 0:47:26 | 0:47:29 | |
doing all right. | 0:47:29 | 0:47:30 | |
-One, two, three... -ALL: Chi! | 0:47:30 | 0:47:33 | |
BioSilk right over here. | 0:47:36 | 0:47:38 | |
Get a free makeover. | 0:47:38 | 0:47:39 | |
-Take a look! -We've got free samples in here. | 0:47:39 | 0:47:43 | |
Come on, I know you New Yorkers, you like free stuff. | 0:47:43 | 0:47:46 | |
Marilu, Marilu, Marilu! | 0:47:48 | 0:47:51 | |
-Hello. Morning. -They're here, they're here. | 0:47:51 | 0:47:54 | |
Just be prepared to intercede with Farouk and walk him through | 0:47:54 | 0:47:58 | |
-our whole vision. -Oh, yeah, yeah, of course. | 0:47:58 | 0:48:01 | |
I walked over to Marilu and I said, | 0:48:01 | 0:48:02 | |
"Farouk and Basim are here, get ready to meet them | 0:48:02 | 0:48:05 | |
"at the entrance, say hi." | 0:48:05 | 0:48:07 | |
She goes, "OK, OK," | 0:48:07 | 0:48:08 | |
and she walks over to somebody else. | 0:48:08 | 0:48:10 | |
-Hi. -Here they come, here they come. | 0:48:10 | 0:48:12 | |
-Go, go, go, go. -OK. Hey! | 0:48:12 | 0:48:14 | |
Here, come on in, come this way. | 0:48:14 | 0:48:17 | |
I could just let Gary be the first one to talk to Farouk, | 0:48:17 | 0:48:20 | |
you know, that would've been great(!) And that almost happened! | 0:48:20 | 0:48:23 | |
Come on in and smell the fire! | 0:48:23 | 0:48:25 | |
We have Miss USA. | 0:48:25 | 0:48:27 | |
-Oh, hi! -We have Stephen Baldwin. | 0:48:27 | 0:48:29 | |
You see Penn? Look at Penn, juggling fire. | 0:48:29 | 0:48:32 | |
Did you see Trace up there? | 0:48:32 | 0:48:33 | |
We wanted to celebrate BioSilk, that's the star. | 0:48:33 | 0:48:36 | |
-That is wonderful. -And, look, Miss Delaware, USA. | 0:48:36 | 0:48:39 | |
-Hi, how are you? -All the Misses are here. | 0:48:40 | 0:48:42 | |
They're all here. We've got Miss Ohio. | 0:48:42 | 0:48:44 | |
Yeah, you all look great. | 0:48:44 | 0:48:45 | |
I can tell that they like big. | 0:48:45 | 0:48:48 | |
They like big hair. | 0:48:48 | 0:48:50 | |
I mean, we are about a volumising product, | 0:48:50 | 0:48:52 | |
so why not volumise the experience? | 0:48:52 | 0:48:54 | |
These kind of things only happen for the first thing once, | 0:48:54 | 0:48:58 | |
so everyone here is breaking their virginity on the awareness and the | 0:48:58 | 0:49:03 | |
knowledge of BioSilk. | 0:49:03 | 0:49:04 | |
-All right! -And that's for you, sir. | 0:49:04 | 0:49:06 | |
Let me show you our hand-out. | 0:49:06 | 0:49:08 | |
-OK. -We have a hand-out. | 0:49:08 | 0:49:09 | |
Did you all make this, for sure? | 0:49:09 | 0:49:11 | |
-Yes. -Very good job. | 0:49:11 | 0:49:13 | |
-How are you doing? -Very good, how are you doing? | 0:49:13 | 0:49:15 | |
Very good. Hello, how are you? | 0:49:15 | 0:49:16 | |
We have so many people who are waiting in line. | 0:49:16 | 0:49:19 | |
Are these people lining...? | 0:49:19 | 0:49:20 | |
-For what? -For a makeover. | 0:49:20 | 0:49:22 | |
They are lining to do their hair? | 0:49:22 | 0:49:24 | |
-Yeah. -Definitely attracting lots of people, definitely. | 0:49:24 | 0:49:27 | |
-Yes. -'I think Farouk absolutely loved our experience.' | 0:49:27 | 0:49:31 | |
I think he really got it, | 0:49:31 | 0:49:32 | |
he understood the branding and the messaging. | 0:49:32 | 0:49:34 | |
He loved all of what we were doing with Penn and with Trace | 0:49:34 | 0:49:38 | |
and the entertainment side of it. | 0:49:38 | 0:49:39 | |
Good job, guys. | 0:49:39 | 0:49:41 | |
On three, right here, guys. | 0:49:41 | 0:49:42 | |
One, two, three... | 0:49:42 | 0:49:44 | |
-BioSilk! -Whoo! | 0:49:44 | 0:49:46 | |
So, Farouk, Basim, what do you think? | 0:49:55 | 0:49:57 | |
I think they did a very good job. | 0:49:57 | 0:50:00 | |
But, you know, when I look at the Marilu/BioSilk team, | 0:50:00 | 0:50:04 | |
I like the creativity, | 0:50:04 | 0:50:06 | |
I like the teamwork they had, | 0:50:06 | 0:50:08 | |
I like the energy, everybody participated. | 0:50:08 | 0:50:11 | |
Marilu attracted more people and lots of, you know... | 0:50:11 | 0:50:15 | |
Marilu had Trace up on top of her glass vehicle. | 0:50:15 | 0:50:19 | |
Right, right. You know, they were a good entertainment team. | 0:50:19 | 0:50:23 | |
I loved it. It was beautiful, beautiful. | 0:50:23 | 0:50:26 | |
-Basim, what do you think? -I think the creativity with Marilu, | 0:50:26 | 0:50:28 | |
she did great, especially with the blue colours matching the bottle, | 0:50:28 | 0:50:32 | |
the overall messaging was fabulous. | 0:50:32 | 0:50:34 | |
On creativity, I'm going to agree with Basim, but on branding, | 0:50:34 | 0:50:38 | |
I'm going to give it to Claudia. | 0:50:38 | 0:50:40 | |
I like the branding and the message - American Chi. | 0:50:40 | 0:50:43 | |
You know, to me, that was excellent, excellent job. | 0:50:43 | 0:50:47 | |
I noticed that with Claudia Jordan's team, | 0:50:47 | 0:50:49 | |
you had Lil John dressed up like Uncle Sam. | 0:50:49 | 0:50:52 | |
-Is that good or bad? -I loved that. | 0:50:52 | 0:50:55 | |
I love that American look, you know, | 0:50:55 | 0:50:57 | |
it definitely makes you proud. | 0:50:57 | 0:50:59 | |
Yes, I think Claudia did a great job in branding. | 0:50:59 | 0:51:01 | |
-"Chi wants you!" -"Chi wants you!" | 0:51:01 | 0:51:03 | |
-That's cute. -So, I like both teams. | 0:51:03 | 0:51:06 | |
So, it sounds like it comes down to the overall guest experience. | 0:51:06 | 0:51:10 | |
Absolutely right. | 0:51:10 | 0:51:11 | |
So, who wins this thing, what do you think, who's the winner? | 0:51:11 | 0:51:14 | |
I don't know, I could argue both points here. | 0:51:14 | 0:51:16 | |
Which one brought more people, more excitement? | 0:51:16 | 0:51:19 | |
Whoa! Claudia! You look... | 0:51:41 | 0:51:43 | |
I knew you were going to say that! | 0:51:43 | 0:51:46 | |
Claudia, you look fantastic! | 0:51:46 | 0:51:47 | |
-Thank you. -You all look fantastic. | 0:51:47 | 0:51:49 | |
-So, did your team win? -Yes. | 0:51:49 | 0:51:51 | |
-Why do you say that? -Because people would not leave, | 0:51:51 | 0:51:55 | |
they had a great experience, | 0:51:55 | 0:51:57 | |
I think we thought outside the box and the brand messaging... | 0:51:57 | 0:52:02 | |
-Was? -Well, she wants you to be beautiful. | 0:52:02 | 0:52:06 | |
And then we incorporated our celebrity. | 0:52:06 | 0:52:07 | |
You had the advantage in having Chi | 0:52:07 | 0:52:09 | |
as opposed to BioSilk, is that right? | 0:52:09 | 0:52:11 | |
-I agree. -Do you think it was an advantage? | 0:52:12 | 0:52:13 | |
-I do. -So, you should win, right? | 0:52:13 | 0:52:16 | |
-We should. -Well, let's see what happens. | 0:52:16 | 0:52:19 | |
-What do you think, Omarosa? -We had such a blast today... | 0:52:19 | 0:52:22 | |
-Was Claudia good? -She did good, I was so proud of her. | 0:52:22 | 0:52:25 | |
Plus I'm rooting for her charity. | 0:52:25 | 0:52:27 | |
-Why? -Because I went to three black colleges, | 0:52:27 | 0:52:30 | |
and she is playing for HBCU's | 0:52:30 | 0:52:32 | |
historically black colleges. | 0:52:32 | 0:52:33 | |
Oh, wow, sounds great! | 0:52:33 | 0:52:36 | |
Very good. | 0:52:36 | 0:52:37 | |
So, Brande, tell me, how was she? | 0:52:38 | 0:52:40 | |
-She was great. -She was on top of everything, | 0:52:40 | 0:52:42 | |
she also listened to what everybody had to say, | 0:52:42 | 0:52:45 | |
took everything into consideration. | 0:52:45 | 0:52:47 | |
She was... She was a great leader. | 0:52:47 | 0:52:49 | |
-That's great, very nice compliments, Claudia. -Thank you, team. | 0:52:49 | 0:52:52 | |
You know, your team has been very dysfunctional, | 0:52:52 | 0:52:55 | |
although some of the people are gone. | 0:52:55 | 0:52:56 | |
Well, look at us, | 0:52:56 | 0:52:58 | |
we are a mix of kind of misfits and underdogs. | 0:52:58 | 0:53:00 | |
-No, I don't think so. -No, no! -No, we kind of are. | 0:53:00 | 0:53:02 | |
-I don't think so. -I think we are, but I think that's why I love it. | 0:53:02 | 0:53:05 | |
This is my element. I love all the different personalities. | 0:53:05 | 0:53:08 | |
You should hear the slang that Brande is now hip to | 0:53:08 | 0:53:11 | |
and her playlist has totally changed, and she eats soul food now! | 0:53:11 | 0:53:14 | |
She eats soul food and she raps. | 0:53:14 | 0:53:16 | |
You feel good about the team, don't you, Brande? | 0:53:16 | 0:53:18 | |
-Yes. -And you think you won? | 0:53:18 | 0:53:20 | |
Em... | 0:53:20 | 0:53:22 | |
I definitely hope so. I think we did. We did such an amazing job. | 0:53:22 | 0:53:27 | |
I'd like to ask Claudia, who do you think is your weakest player, | 0:53:27 | 0:53:30 | |
who's strongest player? Who were the All-Stars on this team? | 0:53:30 | 0:53:33 | |
-Not going to be me. -Well, they are all All-Stars | 0:53:33 | 0:53:35 | |
or they wouldn't be here, | 0:53:35 | 0:53:36 | |
I will say that, but the strongest player... | 0:53:36 | 0:53:38 | |
I will say Brande. | 0:53:41 | 0:53:43 | |
Brande has been consistent, she knocked the ball out of the park. | 0:53:43 | 0:53:47 | |
If there was something that, you know, I may have overlooked, | 0:53:47 | 0:53:49 | |
she was right there as a safety net to catch it. | 0:53:49 | 0:53:52 | |
I didn't have to tell her to do anything, | 0:53:52 | 0:53:53 | |
she just took initiative and went far and beyond. | 0:53:53 | 0:53:55 | |
I didn't have to micromanage her at all. | 0:53:55 | 0:53:58 | |
And you didn't get to the weak side, though. | 0:53:58 | 0:54:00 | |
Well, I mean, everybody worked hard. | 0:54:00 | 0:54:03 | |
But you told me when I was there, though. | 0:54:03 | 0:54:05 | |
OK, if I had to pick someone, which I do, because you're making me... | 0:54:05 | 0:54:08 | |
You'll bring Omarosa back? | 0:54:11 | 0:54:13 | |
No, I'm actually going to say Dennis. | 0:54:13 | 0:54:14 | |
They're all afraid to bring Omarosa back. | 0:54:14 | 0:54:17 | |
But you told me, actually, Dennis and Omarosa, when we were there. | 0:54:17 | 0:54:19 | |
-Dennis and Omarosa?! -Right, because they had to go and get stuff for me | 0:54:19 | 0:54:23 | |
-and... -Who did you say? | 0:54:23 | 0:54:25 | |
When I spoke to Claudia at the task, | 0:54:25 | 0:54:27 | |
she told me that both Dennis and Omarosa were sort of the two weakest | 0:54:27 | 0:54:30 | |
players on the team, that Brande was the All Star. | 0:54:30 | 0:54:32 | |
-That's surprising. -So, you just confirmed that, so... | 0:54:32 | 0:54:34 | |
-Wow. -So, that's a little bit... Let's just be open about it. | 0:54:34 | 0:54:37 | |
-Did you say that, Claudia? -No, I did say that. | 0:54:37 | 0:54:39 | |
Do you still feel that? | 0:54:39 | 0:54:40 | |
-Yes. -So, you think, if you lose, you're going to bring them back? | 0:54:40 | 0:54:43 | |
Don't be afraid of Omarosa. | 0:54:47 | 0:54:48 | |
It's not that, I'm just... | 0:54:48 | 0:54:50 | |
-It's surprising. -It must be because you didn't... | 0:54:50 | 0:54:52 | |
You said Dennis and you started to disown the other part of your | 0:54:52 | 0:54:55 | |
-statement. -Because I've been thinking about it a lot | 0:54:55 | 0:54:57 | |
-since we last saw you. -I'm very proud of you, Omarosa. | 0:54:57 | 0:54:59 | |
-Whatever it takes, right, Omarosa? -I'm proud to be here. | 0:54:59 | 0:55:02 | |
-It's not about being... -I think Claudia is afraid to bring you back. | 0:55:02 | 0:55:05 | |
-No, no, no... -She'll tell you... I worked really hard for you. | 0:55:05 | 0:55:08 | |
No, I'm not saying you're not. | 0:55:08 | 0:55:10 | |
And I'm not saying she was a weak player, but you said weak-EST, | 0:55:10 | 0:55:13 | |
and I know that Lil John, myself and Brande | 0:55:13 | 0:55:15 | |
did a lot of the heavy lifting. | 0:55:15 | 0:55:16 | |
Can I say something about Dennis before...? | 0:55:16 | 0:55:18 | |
Dennis and I spent the entire day together. | 0:55:18 | 0:55:21 | |
-I know you were forced to choose. -I was. -But even though you don't see | 0:55:21 | 0:55:24 | |
what we're doing in the field - | 0:55:24 | 0:55:26 | |
and I've been sent to the prop house twice - | 0:55:26 | 0:55:28 | |
I don't want you all to undervalue the importance of the furniture that | 0:55:28 | 0:55:30 | |
-you needed... -Not at all. -..the tables that you needed... | 0:55:30 | 0:55:33 | |
All of the running around that we do. | 0:55:33 | 0:55:34 | |
So you should really consider that without the work that we did, | 0:55:34 | 0:55:39 | |
you all couldn't have done what you did today, | 0:55:39 | 0:55:41 | |
-and that's important for you to know. -I understand. -OK. | 0:55:41 | 0:55:43 | |
So, Claudia, what was the issue there? | 0:55:43 | 0:55:45 | |
I'm trying to recall the conversation. | 0:55:45 | 0:55:46 | |
-It was a while ago now. -Yes. -It was something about they were gone for | 0:55:46 | 0:55:49 | |
four hours, doing something that you had done in 15 minutes. | 0:55:49 | 0:55:51 | |
-Oh. -No, 40 minutes. | 0:55:51 | 0:55:53 | |
Well, I sent them out to get a lot of props, and I had a list. | 0:55:53 | 0:55:56 | |
And when they came back, they were gone for a long time, | 0:55:56 | 0:55:59 | |
so we really... | 0:55:59 | 0:56:00 | |
I really needed two more sharp minds, that's all. | 0:56:00 | 0:56:02 | |
And that's really why I said that because we had to go the next day | 0:56:02 | 0:56:05 | |
to get more stuff that we didn't get crossed off the list. | 0:56:05 | 0:56:08 | |
And I really wanted to use more of that time to set up, | 0:56:08 | 0:56:10 | |
cos we were kind of frantic. That was the reason I gave you those two | 0:56:10 | 0:56:13 | |
names. And that reason alone. | 0:56:13 | 0:56:15 | |
OK. | 0:56:17 | 0:56:18 | |
Lil Jon, what did you do? | 0:56:20 | 0:56:21 | |
Um, a lot. | 0:56:21 | 0:56:23 | |
-Tell me. -I can't even remember all the stuff because at one point, | 0:56:23 | 0:56:26 | |
while they were gone, myself, | 0:56:26 | 0:56:28 | |
Brande and Claudia were doing so many different things. | 0:56:28 | 0:56:31 | |
I can't even remember exactly... | 0:56:31 | 0:56:33 | |
-The way we three work... -He's a hard worker, isn't he, Lil Jon? | 0:56:33 | 0:56:36 | |
He's very... | 0:56:36 | 0:56:37 | |
It was enough so | 0:56:37 | 0:56:38 | |
that I actually took a picture | 0:56:38 | 0:56:40 | |
of Lil Jon in full uniform as Uncle Sam. | 0:56:40 | 0:56:42 | |
Great. I heard you were great as Uncle Sam. | 0:56:42 | 0:56:44 | |
Yeah. A lot of hard work. | 0:56:44 | 0:56:46 | |
I think Farouk loved that. | 0:56:46 | 0:56:47 | |
We know how patriotic Farouk is. | 0:56:47 | 0:56:50 | |
And he really was pushing the fact that he was proud to be an American | 0:56:50 | 0:56:54 | |
-company. -That's OK, that's great. | 0:56:54 | 0:56:55 | |
-He's terrific, isn't he? -He's awesome. -I think he's terrific. | 0:56:55 | 0:56:58 | |
-Go ahead. -I can't get this out of my head. | 0:57:00 | 0:57:03 | |
When you looked at Brande and said, "Do you think you won?" | 0:57:03 | 0:57:07 | |
You hesitated. There was a moment of hesitation instead of this | 0:57:07 | 0:57:10 | |
enthusiastic, "Oh, yes, we won." | 0:57:10 | 0:57:13 | |
What was that in your head? | 0:57:13 | 0:57:14 | |
I think just naturally I'm just always nervous | 0:57:14 | 0:57:16 | |
about going into it because | 0:57:16 | 0:57:18 | |
last week we really thought we won, and we didn't. | 0:57:18 | 0:57:21 | |
So, you know, I just have that sort of hope that we did win. | 0:57:21 | 0:57:25 | |
I've seen that a lot. When people say, "I definitely won," | 0:57:25 | 0:57:28 | |
and then you say, "Well, how do you know that?" And it... | 0:57:28 | 0:57:30 | |
Everyone who's been here has probably seen that happen before. | 0:57:30 | 0:57:32 | |
Yeah. You say that and you jinx yourself sometimes. | 0:57:32 | 0:57:34 | |
You've got to be a little careful. | 0:57:34 | 0:57:37 | |
All right. So, Marilu, tell me about your team. | 0:57:37 | 0:57:40 | |
Oh, we had a great time. | 0:57:40 | 0:57:41 | |
This team has been very, very strong, powerful, | 0:57:41 | 0:57:43 | |
we've been feeling really close to one another. | 0:57:43 | 0:57:46 | |
And, you know, now this is our fourth task together. | 0:57:46 | 0:57:48 | |
-That's true. -So it was all about | 0:57:48 | 0:57:50 | |
playing to the strengths of each person. | 0:57:50 | 0:57:51 | |
You're doing very well. The team is doing very well. | 0:57:51 | 0:57:53 | |
-Yeah, yeah, yeah. -It's exciting. You get along so well, it's great. | 0:57:53 | 0:57:56 | |
Even Gary, everybody loves Gary this year. | 0:57:56 | 0:57:59 | |
So who was your weak player? | 0:57:59 | 0:58:01 | |
Um, you know, this time I think everybody sort of | 0:58:01 | 0:58:05 | |
stepped up to the plate. | 0:58:05 | 0:58:06 | |
I mean, you know... | 0:58:06 | 0:58:08 | |
Let me change it. Who was your weakest player? | 0:58:08 | 0:58:10 | |
Um... | 0:58:12 | 0:58:13 | |
This is always a tough question, and it's... | 0:58:14 | 0:58:16 | |
Gary was ten times better than he's been on any of the other tasks. | 0:58:18 | 0:58:22 | |
-But it was Gary. -I would still have to say, yeah, it's still Gary. | 0:58:22 | 0:58:24 | |
-Why? Why? -He just has a different skill set than other people. | 0:58:24 | 0:58:27 | |
BOTH: He's a different kind of a person. | 0:58:27 | 0:58:29 | |
-It doesn't make him weak or anything. -No. | 0:58:29 | 0:58:31 | |
You know, Gary, that's actually true, | 0:58:31 | 0:58:32 | |
you are a different kind of a person. | 0:58:32 | 0:58:34 | |
-It's a compliment. -Yes, sir. -And that doesn't mean, yeah... | 0:58:34 | 0:58:36 | |
I agree, I agree. | 0:58:36 | 0:58:38 | |
-Yeah. -OK, that's fine. -He definitely has his strengths. | 0:58:38 | 0:58:41 | |
-Me! -Marilu, when was the first time you met me? | 0:58:41 | 0:58:45 | |
I met you... I'll tell you exactly when. | 0:58:45 | 0:58:47 | |
It was March 4th of 1999 | 0:58:47 | 0:58:50 | |
at the Annie Get Your Gun premiere after party. | 0:58:50 | 0:58:53 | |
It was at Tavern On The Green. | 0:58:53 | 0:58:55 | |
-Wow. -It was a Thursday. -You remember the date? -It was a Thursday. | 0:58:55 | 0:58:59 | |
It was March 4th, 1999. | 0:58:59 | 0:59:01 | |
This is serious. I mean, we're not even kidding here. | 0:59:01 | 0:59:03 | |
-It was a Thursday. -That is insane. | 0:59:03 | 0:59:05 | |
I always used to say, "I have one of the greatest memories in the world." | 0:59:05 | 0:59:07 | |
-Forget about it. -Yes. | 0:59:07 | 0:59:09 | |
So, Gary, what did you think of Marilu as your project manager? | 0:59:09 | 0:59:12 | |
Incredible. Focused, gave duties | 0:59:12 | 0:59:16 | |
to every one of us that we could do well. | 0:59:16 | 0:59:19 | |
-Didn't forget anything? -She inspired us in doing them well. | 0:59:19 | 0:59:22 | |
-Thank you. -And she brought us together like a drill instructor | 0:59:22 | 0:59:25 | |
for the Marines. | 0:59:25 | 0:59:26 | |
All right. So, Penn, you enjoy it? | 0:59:29 | 0:59:33 | |
-Yes. -You think you won? -I'm having a blast. | 0:59:33 | 0:59:35 | |
All my information about whether we won or not comes from Trace Adkins, | 0:59:35 | 0:59:38 | |
who was on top of our truck, | 0:59:38 | 0:59:40 | |
gazing over our team and the other team and thought that we did much | 0:59:40 | 0:59:44 | |
better from his objective bird's-eye view. | 0:59:44 | 0:59:45 | |
Oh, I see. So you were watching the other team? | 0:59:45 | 0:59:48 | |
-Sure. -How do you think you did, Trace? | 0:59:48 | 0:59:50 | |
I thought we did great, yeah. | 0:59:50 | 0:59:51 | |
What did you see in the other team that wasn't as good as yours? | 0:59:51 | 0:59:54 | |
-You were watching. -Nobody juggling fire. | 0:59:54 | 0:59:56 | |
Or playing the guitar. | 0:59:58 | 0:59:59 | |
Just saying. | 1:00:01 | 1:00:02 | |
-Nobody juggling fire. -You just didn't think it was as exciting? | 1:00:02 | 1:00:05 | |
I didn't, yeah. You know, I mean, | 1:00:05 | 1:00:08 | |
Dennis was dressed pretty wild | 1:00:08 | 1:00:09 | |
and Lil Jon had on his Uncle Sam uniform. | 1:00:09 | 1:00:12 | |
That was cool. | 1:00:12 | 1:00:13 | |
Still... | 1:00:14 | 1:00:15 | |
No fire juggling. | 1:00:16 | 1:00:17 | |
OK. So, Stephen, do you think Marilu was a good project manager? | 1:00:19 | 1:00:24 | |
I've said, even in previous tasks, | 1:00:24 | 1:00:26 | |
that she sometimes gets a little bit | 1:00:26 | 1:00:29 | |
-distracted, but other than that... -Not at all. | 1:00:29 | 1:00:31 | |
Distracted in what way? You know, I don't see her as being distracted. | 1:00:31 | 1:00:35 | |
Not at all. I mean, I have... My brain works so fast. | 1:00:35 | 1:00:38 | |
-It's not her thing. -No, not at all. -OK, but go ahead. Why distracted? | 1:00:38 | 1:00:41 | |
Similar to the same thing as Gary, it's just a personality thing. | 1:00:41 | 1:00:44 | |
-Gary?! -Oh, my God. -Wow. | 1:00:44 | 1:00:47 | |
Gary, in all fairness, I think you're great, Gary, | 1:00:47 | 1:00:49 | |
but I think these are not the same kind of people. | 1:00:49 | 1:00:51 | |
-No! -It's just a personality thing, that's all. -Wow. | 1:00:51 | 1:00:53 | |
You like that compliment? | 1:00:53 | 1:00:54 | |
I've never been told that in my life. | 1:00:54 | 1:00:55 | |
I mean, people think my brain works so fast | 1:00:55 | 1:00:57 | |
that maybe they can't keep up with it, so they might think | 1:00:57 | 1:01:00 | |
it's distracted, but it is so not distracted. | 1:01:00 | 1:01:02 | |
-That's my point. -I'm taking everything in. | 1:01:02 | 1:01:03 | |
-That's my point. -No, distracted is totally the wrong word. | 1:01:03 | 1:01:06 | |
-She was a good project manager? -She was outstanding in every way. | 1:01:06 | 1:01:09 | |
That's the bottom line, that's all that matters, right? | 1:01:09 | 1:01:11 | |
-Yeah. -Now... | 1:01:11 | 1:01:12 | |
-Marilu? -Yes? | 1:01:14 | 1:01:15 | |
If you lose, who are you bringing back to the boardroom? | 1:01:15 | 1:01:18 | |
Um... | 1:01:18 | 1:01:20 | |
If I lose... But I can change my mind, right, | 1:01:20 | 1:01:23 | |
if we find out that we lose? | 1:01:23 | 1:01:24 | |
Just tell me. If you lose, who are you bringing back to the boardroom? | 1:01:24 | 1:01:27 | |
Um... Oh, gosh. Let's see. | 1:01:30 | 1:01:33 | |
Haven't you thought about this? | 1:01:35 | 1:01:36 | |
Yes, I have, but I wanted to hear why we might have lost. | 1:01:36 | 1:01:39 | |
OK. Don, tell me what the executives thought of Marilu's team. | 1:01:39 | 1:01:43 | |
Well, they loved the entertainment value. | 1:01:43 | 1:01:46 | |
You really drew a crowd, there was a line waiting to get their hair done. | 1:01:46 | 1:01:49 | |
-Yeah. -And that you really had the truck and the glass box featuring | 1:01:49 | 1:01:52 | |
-the product. -Right. -They also liked that you had | 1:01:52 | 1:01:55 | |
all the beauty pageant... Guys, you did a great job with that. | 1:01:55 | 1:01:58 | |
Excellent, good. | 1:01:58 | 1:01:59 | |
I think the negatives were really the "Experience Silk" | 1:01:59 | 1:02:02 | |
slogan was a little bit sort of banal and generic. | 1:02:02 | 1:02:05 | |
They didn't really think that did anything for the product. | 1:02:05 | 1:02:07 | |
It wasn't a great way to highlight the product. | 1:02:07 | 1:02:09 | |
-Marilu, who came up with your slogan? -Experience Silk? | 1:02:11 | 1:02:15 | |
-Yeah. -That was Trace's idea. | 1:02:15 | 1:02:17 | |
Trace, did you like your slogan? | 1:02:17 | 1:02:19 | |
-I just thought it... Yeah, I thought... -You thought it was OK? | 1:02:21 | 1:02:23 | |
-I thought it was good. -Good, OK? | 1:02:23 | 1:02:25 | |
It didn't make me wet my britches, | 1:02:25 | 1:02:28 | |
but it was all right. | 1:02:28 | 1:02:29 | |
Marilu. Let me ask you again, who will you bring back if you lose? | 1:02:31 | 1:02:35 | |
Right now, I think, based on just the information, I'd probably... | 1:02:35 | 1:02:39 | |
Well... It's a hard question. | 1:02:39 | 1:02:41 | |
You heard the pros, you heard the cons. | 1:02:41 | 1:02:43 | |
-Right. -So who are you going to bring back? | 1:02:43 | 1:02:45 | |
Let's see, based on the information, I guess... | 1:02:45 | 1:02:49 | |
-Oh, you got to say it. -Let me think. I don't know... Probably... | 1:02:49 | 1:02:53 | |
It's a hard question. | 1:02:53 | 1:02:55 | |
I'd probably bring back Gary and Trace. | 1:02:55 | 1:02:57 | |
-Why Trace? -Well, because... -I heard Trace was fantastic. | 1:03:00 | 1:03:02 | |
He was fantastic, but he came up with the slogan. | 1:03:02 | 1:03:05 | |
The one negative was "Experience Silk", | 1:03:05 | 1:03:07 | |
-and that was Trace's slogan. -Yeah. | 1:03:07 | 1:03:09 | |
Trace, what would you do if you were Marilu, you're project manager, | 1:03:09 | 1:03:12 | |
who on the team would you bring back? | 1:03:12 | 1:03:14 | |
I see why she thinks what she's thinking and, | 1:03:14 | 1:03:17 | |
yeah, and it was my idea. | 1:03:17 | 1:03:19 | |
-You're OK with it? -Stephen had the Live Life Luscious. | 1:03:19 | 1:03:22 | |
And that was going to be the main thing. | 1:03:23 | 1:03:25 | |
And then, you know, the more I heard it, it just didn't... | 1:03:25 | 1:03:28 | |
I just didn't like... It didn't sing good. | 1:03:29 | 1:03:31 | |
That's the way I would put it, you know. | 1:03:31 | 1:03:33 | |
I mean, it just didn't sing. | 1:03:33 | 1:03:35 | |
And I don't like to say something if I can't sing it well. | 1:03:35 | 1:03:38 | |
It doesn't seem to fit the product either, based on the description. | 1:03:38 | 1:03:41 | |
OK. Arsenio, let me ask you this, Claudia has a good team, | 1:03:41 | 1:03:45 | |
they tried very hard. | 1:03:45 | 1:03:47 | |
What did the executives think both pro and con of her team? | 1:03:47 | 1:03:50 | |
Claudia's team, the positives... | 1:03:52 | 1:03:54 | |
The executives loved Lil Jon... | 1:03:55 | 1:03:57 | |
-..as Uncle Sam. -We all love Lil Jon. | 1:03:58 | 1:04:00 | |
Yeah, everybody loves him. | 1:04:00 | 1:04:01 | |
They loved the slogan Chi Wants You. | 1:04:01 | 1:04:04 | |
The whole red, white and blue American theme was great branding, | 1:04:04 | 1:04:08 | |
and that's what Farouk said himself. | 1:04:08 | 1:04:10 | |
-How about the negatives? -The negatives, | 1:04:10 | 1:04:12 | |
they didn't like the way you used the glass truck, | 1:04:12 | 1:04:15 | |
not enough was done inside the glass truck. | 1:04:15 | 1:04:17 | |
I think you all did your makeovers outside? | 1:04:17 | 1:04:19 | |
-You understand that? -Yes. -Who got Miss USA to come? | 1:04:19 | 1:04:21 | |
-She's fantastic, by the way. -I did. | 1:04:21 | 1:04:23 | |
-Isn't she great? -She was one of my choices. | 1:04:23 | 1:04:24 | |
You missed that opportunity? | 1:04:24 | 1:04:26 | |
I contacted Olivia Culop, who was Miss Rhode Island, | 1:04:26 | 1:04:29 | |
and I was Miss Rhode Island. | 1:04:29 | 1:04:31 | |
She was the first Miss Rhode Island to win Miss USA. | 1:04:31 | 1:04:33 | |
I contacted her at 9.16, she said she was available. | 1:04:33 | 1:04:35 | |
We were going back and forth with her people. | 1:04:35 | 1:04:37 | |
-By 7, she mysteriously was booked, so I was really... -She's great. | 1:04:37 | 1:04:40 | |
-I love her. She's beautiful. -Who came up with your slogan, Claudia? | 1:04:40 | 1:04:43 | |
You know what? | 1:04:43 | 1:04:44 | |
We hit a wall at one point, | 1:04:45 | 1:04:46 | |
as far as creativity was concerned and so we have... | 1:04:46 | 1:04:49 | |
I have, like... I like these creative... | 1:04:49 | 1:04:50 | |
That's OK. Who came up with it? | 1:04:50 | 1:04:52 | |
I started rapping again. | 1:04:52 | 1:04:54 | |
I said, "Listen, we're all going to freestyle rap and it's going to come | 1:04:54 | 1:04:57 | |
-"from the rap." So Omarosa started off. -I started rapping again. | 1:04:57 | 1:05:00 | |
And then you had to rhyme with what the person before you said, and then | 1:05:00 | 1:05:03 | |
at some point, between Lil Jon and Brande, "She wants you..." | 1:05:03 | 1:05:06 | |
..a light bulb turned on. | 1:05:07 | 1:05:09 | |
And here you have Lil Jon in the Uncle Sam costume. | 1:05:09 | 1:05:12 | |
-You didn't know I had skills, Arsenio. -So that's what happened. | 1:05:12 | 1:05:15 | |
All right. | 1:05:15 | 1:05:17 | |
Let's find out who won. | 1:05:17 | 1:05:18 | |
OK? | 1:05:18 | 1:05:19 | |
So let me just tell you what Farouk | 1:05:22 | 1:05:25 | |
and Baseem - it's Basim, but I like Baseem better | 1:05:25 | 1:05:28 | |
because it's so beautiful that name, Baseem - | 1:05:28 | 1:05:32 | |
what they thought. | 1:05:32 | 1:05:33 | |
Now, the good news is that they really liked both teams. | 1:05:34 | 1:05:39 | |
Do you hear that, Marilu? | 1:05:39 | 1:05:41 | |
But the fact is they liked one team MUCH more than the other. | 1:05:41 | 1:05:46 | |
-Wow. -OK? | 1:05:46 | 1:05:48 | |
And the team they loved, Claudia... | 1:05:51 | 1:05:52 | |
..was Marilu. | 1:05:54 | 1:05:56 | |
-Oh! -Yes! | 1:05:56 | 1:05:57 | |
They loved what you did. | 1:05:57 | 1:05:58 | |
They loved you, they loved the entire team. | 1:05:58 | 1:06:01 | |
-Thanks for the pat on the back. -And you are going to get, as you know, | 1:06:01 | 1:06:04 | |
for your wonderful charity... | 1:06:04 | 1:06:06 | |
Look at you, Marilu, you're almost... That's great. | 1:06:06 | 1:06:08 | |
I am crying, thank you so much. | 1:06:08 | 1:06:09 | |
You're going to get a minimum of 50,000. | 1:06:09 | 1:06:12 | |
20,000 from me, 30,000 from Farouk. | 1:06:12 | 1:06:15 | |
-Thank you so much. -And it could be a lot more than that, as you know, | 1:06:15 | 1:06:18 | |
with the incentive. OK? | 1:06:18 | 1:06:19 | |
Thank you so much, thank you so much. | 1:06:19 | 1:06:21 | |
What is your charity? | 1:06:21 | 1:06:22 | |
It's Alzheimer's Association. | 1:06:22 | 1:06:24 | |
-That's great. -Because I do research for them... | 1:06:24 | 1:06:26 | |
-That's great. -It's out of control if we don't find a cure. | 1:06:26 | 1:06:28 | |
It's out of control. | 1:06:28 | 1:06:29 | |
-It is, it is. -That's true. -Thank you so much. | 1:06:29 | 1:06:31 | |
Fantastic, congratulations. | 1:06:31 | 1:06:33 | |
-Thank you. -Go back to your suite. | 1:06:33 | 1:06:34 | |
You'll watch it on television, if you want, and I have a feeling the | 1:06:34 | 1:06:38 | |
-answer's you will. -Thank you. | 1:06:38 | 1:06:39 | |
Claudia, you stay here. | 1:06:39 | 1:06:40 | |
Somebody from your team will be fired. | 1:06:40 | 1:06:42 | |
-Plan B, baby! -Marilu Henner, ladies and gentlemen! | 1:06:49 | 1:06:54 | |
-I'm so excited. -Once again! | 1:06:54 | 1:06:56 | |
Oh, my gosh, I cannot believe I won | 1:06:56 | 1:06:58 | |
50,000 for Alzheimer's Association. | 1:06:58 | 1:07:00 | |
I mean, this is huge. | 1:07:00 | 1:07:01 | |
I cannot tell you how happy I am. | 1:07:01 | 1:07:03 | |
You know that it would've killed me. | 1:07:03 | 1:07:04 | |
-Oh, I love you so much. -You were wonderful. | 1:07:04 | 1:07:06 | |
I have the potential for winning so much more because of the Facebook | 1:07:06 | 1:07:10 | |
likes. So I'm hoping everybody out there starts putting like | 1:07:10 | 1:07:13 | |
on Facebook when they see this. | 1:07:13 | 1:07:15 | |
I feel so great. | 1:07:15 | 1:07:16 | |
-Come on, guys. -Come on. -Gary, let's watch. | 1:07:16 | 1:07:18 | |
It wasn't even close. | 1:07:18 | 1:07:20 | |
I knew we were going to win, I knew it. | 1:07:20 | 1:07:23 | |
Claudia, you look devastated. | 1:07:23 | 1:07:25 | |
-I am devastated. -Why? | 1:07:25 | 1:07:27 | |
I mean, you lost, but why so devastated? | 1:07:27 | 1:07:30 | |
I hate this part. | 1:07:30 | 1:07:32 | |
-I really do. -And you're the project manager, which is a problem. | 1:07:32 | 1:07:35 | |
Yeah. I'm on the line. | 1:07:35 | 1:07:37 | |
-And... -You think you should be fired? | 1:07:37 | 1:07:39 | |
-No. -Why? | 1:07:40 | 1:07:41 | |
Because I worked my butt off. | 1:07:41 | 1:07:43 | |
I know, but was it your idea, was it your concept? | 1:07:43 | 1:07:46 | |
What happened? | 1:07:46 | 1:07:47 | |
I'm shocked. I'm shocked. | 1:07:47 | 1:07:50 | |
I am 100% shocked. | 1:07:50 | 1:07:52 | |
What do you think, Omarosa? | 1:07:54 | 1:07:56 | |
It's a tough one for us. | 1:07:56 | 1:07:58 | |
Like I said, the charity was close to my heart. | 1:07:58 | 1:08:00 | |
-You were surprised too. -I was, and I was rooting to take... | 1:08:00 | 1:08:02 | |
Black colleges need the money, and I'm not pleading to you, | 1:08:02 | 1:08:04 | |
but I'm just telling you there are doors of black colleges that will be | 1:08:04 | 1:08:07 | |
closed because the funding is short. | 1:08:07 | 1:08:09 | |
I feel her loss very deeply as well. | 1:08:09 | 1:08:11 | |
-It's right. -I know, it's just... | 1:08:13 | 1:08:15 | |
I just saw the looks on the people's faces when they were there, | 1:08:17 | 1:08:20 | |
they seemed to really enjoy it and... | 1:08:20 | 1:08:22 | |
You know, using our celebrity in the promotional materials, | 1:08:23 | 1:08:27 | |
I thought those were things that the other team didn't do, | 1:08:27 | 1:08:31 | |
and, again, it's like, we don't have singers on our team. | 1:08:31 | 1:08:34 | |
And I'm thinking, "Is it because we can't sing?" | 1:08:34 | 1:08:36 | |
-We can't juggle. -We can't juggle. | 1:08:36 | 1:08:38 | |
When you think of it, they have a pretty talented team, Dennis, | 1:08:38 | 1:08:40 | |
-don't they? -Yeah. -They have a lot of good entertainers. | 1:08:40 | 1:08:43 | |
-But you're all entertainers in a different way. -Yeah, we are. | 1:08:43 | 1:08:46 | |
Brande, what could Claudia have done to maybe have won? | 1:08:46 | 1:08:50 | |
How could she have been a better project manager? | 1:08:52 | 1:08:54 | |
She could eat fire. | 1:08:54 | 1:08:56 | |
-She could... -Yeah, but that wasn't the reason. | 1:08:56 | 1:08:58 | |
I don't think that was the reason, in all fairness, Arsenio, right? | 1:08:58 | 1:09:01 | |
They loved Lil Jon, | 1:09:01 | 1:09:03 | |
they loved a lot of your branding. | 1:09:03 | 1:09:06 | |
I mean, Farouk is really... | 1:09:06 | 1:09:09 | |
Being an American company is important to him. | 1:09:09 | 1:09:12 | |
-Yeah. -There were many things you all did they loved. | 1:09:12 | 1:09:15 | |
But Farouk wants his product to be the star. | 1:09:15 | 1:09:19 | |
True. I don't think the product was the star, Claudia. | 1:09:21 | 1:09:25 | |
The big posters, we gave the hand-outs, the handaways, | 1:09:25 | 1:09:28 | |
we gave away product, we used it on people. | 1:09:28 | 1:09:30 | |
I don't know how much more we could have used the product. | 1:09:30 | 1:09:32 | |
Farouk said, and Marilu did a great job, | 1:09:32 | 1:09:36 | |
she used the glass truck to display the product. | 1:09:36 | 1:09:39 | |
-Right. -You used a photo booth. | 1:09:39 | 1:09:40 | |
-Right. -Right? -Omarosa did suggest that we do hair in the truck. | 1:09:40 | 1:09:44 | |
I wanted to move the hair into the truck | 1:09:44 | 1:09:46 | |
cos I thought the photoshoot... | 1:09:46 | 1:09:47 | |
That all the activity should have been in the truck, | 1:09:47 | 1:09:50 | |
and right before we started, I said, "Claudia, let's just move it." | 1:09:50 | 1:09:54 | |
-That was a huge point made by Farouk. -I wanted to move it in. | 1:09:54 | 1:09:56 | |
Farouk also talked about the amount of traffic | 1:09:56 | 1:10:00 | |
that came to their truck from Marilu | 1:10:00 | 1:10:03 | |
and how many people they actually did. | 1:10:03 | 1:10:05 | |
-Remember that? -As far as doing the action inside the box, | 1:10:05 | 1:10:09 | |
I thought we'd have more going on. | 1:10:09 | 1:10:11 | |
We could do action outside and the finished product | 1:10:11 | 1:10:13 | |
is getting your hair done, looking beautiful, | 1:10:13 | 1:10:15 | |
and then going out and having the moment captured, | 1:10:15 | 1:10:17 | |
we can take it away. | 1:10:17 | 1:10:18 | |
Doesn't matter. You lost. | 1:10:18 | 1:10:20 | |
-Right. -Losing is losing, right, Dennis? | 1:10:20 | 1:10:22 | |
-That's right. -A lot of the times you think you won and you lost, | 1:10:22 | 1:10:25 | |
and that's a problem. But you lost, so... | 1:10:25 | 1:10:26 | |
I want you to pick two people | 1:10:26 | 1:10:28 | |
who are coming back into the boardroom with you. | 1:10:28 | 1:10:31 | |
And they ought to be good. | 1:10:31 | 1:10:33 | |
And I think I know who the two people are. | 1:10:33 | 1:10:34 | |
I'll be there. You told me that. | 1:10:34 | 1:10:36 | |
Who are the two people, Claudia? | 1:10:36 | 1:10:38 | |
You ain't got to say my name. | 1:10:38 | 1:10:42 | |
It's going to be Dennis. | 1:10:42 | 1:10:43 | |
-Of course. -Who else? | 1:10:43 | 1:10:45 | |
And this breaks my heart to say this, but Lil Jon. | 1:10:46 | 1:10:49 | |
-Lil Jon?! -Wow. -What?! | 1:10:49 | 1:10:52 | |
What?! | 1:10:53 | 1:10:55 | |
You realise Farouk LOVED Uncle Sam? | 1:10:55 | 1:10:58 | |
-They have the weirdest picks on this team. -Damn. | 1:10:58 | 1:11:00 | |
People get scared of Omarosa in the boardroom. | 1:11:00 | 1:11:03 | |
-She's fierce. -I know! | 1:11:03 | 1:11:04 | |
Look what happens. | 1:11:04 | 1:11:06 | |
You've got to be kidding, right? Lil Jon was the star. | 1:11:06 | 1:11:09 | |
I'm going to try to get out sooner, before y'all change your mind. | 1:11:09 | 1:11:11 | |
Omarosa, have you been praying a lot lately? | 1:11:11 | 1:11:13 | |
I've been praying a lot. Thank God. | 1:11:13 | 1:11:16 | |
It's an effective strategy. | 1:11:16 | 1:11:17 | |
You know, in the history of The Apprentice, 13 seasons, | 1:11:17 | 1:11:20 | |
top show, I've been surprised, | 1:11:20 | 1:11:22 | |
really, a few times. | 1:11:22 | 1:11:23 | |
The most surprised ever, | 1:11:23 | 1:11:25 | |
ever was when Omarosa didn't get brought back | 1:11:25 | 1:11:28 | |
in the last one with La Toya. | 1:11:28 | 1:11:30 | |
That was shocking. | 1:11:30 | 1:11:32 | |
I think the second is that you didn't bring back Omarosa, | 1:11:32 | 1:11:34 | |
you're bringing back Lil Jon. | 1:11:34 | 1:11:36 | |
Look, all I know is this, they told me, you told me, Don told me, | 1:11:36 | 1:11:40 | |
the executives thought that the star was Lil Jon, | 1:11:40 | 1:11:42 | |
and you're bringing him back. It doesn't make sense. | 1:11:42 | 1:11:45 | |
But you want to keep bringing him back, right? | 1:11:45 | 1:11:47 | |
I think it's a stupid decision, but it's fine. | 1:11:47 | 1:11:50 | |
-Mr Trump... -Omarosa... Well, it is, it's ridiculous. | 1:11:50 | 1:11:52 | |
When they say he's the star... | 1:11:52 | 1:11:54 | |
I don't know. Maybe he'll be fired. | 1:11:54 | 1:11:57 | |
I can't imagine it. | 1:11:57 | 1:11:58 | |
I'd say it's less than 1% chance. | 1:11:58 | 1:12:00 | |
Maybe he'll be fired. I don't think he's too worried. | 1:12:00 | 1:12:03 | |
Are you worried, Lil Jon? | 1:12:03 | 1:12:04 | |
You never know on this damn show. | 1:12:04 | 1:12:06 | |
-I know. -Beyond that, | 1:12:06 | 1:12:08 | |
Claudia actually told me that she thought Omarosa | 1:12:08 | 1:12:10 | |
was the weakest player on the team. | 1:12:10 | 1:12:12 | |
So to not bring her back, | 1:12:12 | 1:12:13 | |
I mean it clearly shows you're just afraid of her. | 1:12:13 | 1:12:16 | |
That's not what that means. | 1:12:16 | 1:12:17 | |
-No, it does not. -To not bring back the weakest player? | 1:12:17 | 1:12:20 | |
I mean, that's the person most likely to be able to go home, | 1:12:20 | 1:12:22 | |
and you told me that verbatim. | 1:12:22 | 1:12:24 | |
You said Dennis, so you brought Dennis back. | 1:12:24 | 1:12:26 | |
You said it, we acknowledged it earlier in this very boardroom. | 1:12:26 | 1:12:29 | |
-ARSENIO: -I believe that Omarosa is so tough and so intelligent | 1:12:29 | 1:12:34 | |
that people are afraid to battle her in this room. | 1:12:34 | 1:12:36 | |
I worked my butt off in this task. | 1:12:36 | 1:12:38 | |
-I really did. -Omarosa... -And I... -Omarosa! | 1:12:38 | 1:12:41 | |
-OK. -Right? Don't you think you should shut up? | 1:12:41 | 1:12:43 | |
I'm going to shut up. I'm sorry, Mr Trump. | 1:12:43 | 1:12:45 | |
You know, a very good friend of mine, who's a tough guy, | 1:12:45 | 1:12:48 | |
one of the toughest guys and great businessman, | 1:12:48 | 1:12:51 | |
said sometimes it helps to have a really bad reputation. | 1:12:51 | 1:12:55 | |
Now, I'm not saying, of course, that Omarosa has a bad reputation, | 1:12:55 | 1:12:58 | |
but she does. Get out of her, Omarosa, go. Brande, go. | 1:12:58 | 1:13:01 | |
-Excuse me, I'm ready to go. -Can I change my mind? -No, girl! | 1:13:01 | 1:13:04 | |
-I'm out of here. -You can't. | 1:13:04 | 1:13:05 | |
I don't want to have people change their mind, OK? | 1:13:05 | 1:13:07 | |
-OK. You kept asking me to. -That was so obvious to me. | 1:13:07 | 1:13:10 | |
I'm surprised, but that's OK. Please go out. | 1:13:10 | 1:13:12 | |
-Thank you! -Omarosa, congratulations. Brande, congratulations. | 1:13:12 | 1:13:16 | |
Go back to your beautiful Trump Tower suite. | 1:13:16 | 1:13:19 | |
Omarosa, you got lucky again. | 1:13:19 | 1:13:20 | |
Mr Trump! | 1:13:21 | 1:13:22 | |
Stop, Dennis. | 1:13:22 | 1:13:24 | |
Marilu, turn off your television, you've had enough. | 1:13:24 | 1:13:27 | |
-Thank you. -I cannot believe it. | 1:13:27 | 1:13:29 | |
Her strategy just now was - | 1:13:29 | 1:13:30 | |
I'll fight against Lil Jon better than I would against Omarosa. | 1:13:30 | 1:13:34 | |
Yeah. He's not going to fire Lil Jon. | 1:13:34 | 1:13:36 | |
-Got to wait. -Yeah. | 1:13:36 | 1:13:38 | |
Who knows what information Claudia has and what strategy she has. | 1:13:38 | 1:13:42 | |
-I don't want to bring anybody back. -I've never been on this side. | 1:13:44 | 1:13:47 | |
You've never been nominated? | 1:13:47 | 1:13:49 | |
Nope, never. | 1:13:49 | 1:13:50 | |
I'll give you guys hugs, just in case... | 1:13:53 | 1:13:56 | |
Well, one of you is not coming back. | 1:13:56 | 1:13:58 | |
-OK? -Give me a hug. Just in case, | 1:13:58 | 1:13:59 | |
I have to give everyone a hug. | 1:13:59 | 1:14:01 | |
OK. | 1:14:01 | 1:14:02 | |
Of course you can bring him back as he did less on the creative. | 1:14:13 | 1:14:18 | |
You can try. | 1:14:22 | 1:14:23 | |
I can't believe this. | 1:14:34 | 1:14:35 | |
They're afraid of Omarosa or something. | 1:14:35 | 1:14:37 | |
I agree. You can't say that Omarosa's the weakest player | 1:14:37 | 1:14:40 | |
and then not bring her back, | 1:14:40 | 1:14:41 | |
and then try to change your mind about it. | 1:14:41 | 1:14:43 | |
If you're afraid to fight, you've already lost the fight. | 1:14:43 | 1:14:46 | |
Not looking good for Claudia. | 1:14:46 | 1:14:48 | |
'Amanda, bring them in right now, please.' | 1:14:48 | 1:14:50 | |
Yes, Mr Trump. | 1:14:50 | 1:14:52 | |
You can all head back into the boardroom now. | 1:14:52 | 1:14:54 | |
HE GROANS | 1:14:54 | 1:14:57 | |
I just want to start by saying you're all winners, | 1:15:12 | 1:15:14 | |
you've lasted a long time, you're well into the show, | 1:15:14 | 1:15:17 | |
you've done great, each and every one of you. | 1:15:17 | 1:15:19 | |
I mean, all three of you have done really, really well. | 1:15:19 | 1:15:23 | |
I am surprised, Lil Jon, to see you here. | 1:15:23 | 1:15:25 | |
-This is my first time in here like this. -I'm just surprised. | 1:15:25 | 1:15:29 | |
I think Claudia made a mistake. | 1:15:29 | 1:15:30 | |
Do you think you made a mistake? | 1:15:30 | 1:15:32 | |
-No. -OK, tell me why you brought Lil Jon. | 1:15:32 | 1:15:35 | |
Because Lil Jon is the marketing genius of the group | 1:15:35 | 1:15:39 | |
and I really need to rely on him for this task. | 1:15:39 | 1:15:42 | |
But why did you bring him back? | 1:15:42 | 1:15:44 | |
-Because we lost. -I know, but... | 1:15:44 | 1:15:46 | |
Yeah, but you won on brand messaging. | 1:15:46 | 1:15:48 | |
That was one thing that Farouk was very clear about. | 1:15:48 | 1:15:50 | |
The branding aspect you guys got. | 1:15:50 | 1:15:53 | |
When I sat here and listened to Arsenio say that the one person they | 1:15:53 | 1:15:57 | |
loved, almost more, I think, than anybody in the room, | 1:15:57 | 1:16:00 | |
including the winning team, was Lil Jon. | 1:16:00 | 1:16:02 | |
And you just would think that you wouldn't bring him back. | 1:16:02 | 1:16:05 | |
Well, I know they loved him, | 1:16:05 | 1:16:06 | |
but it wasn't enough for us to win the task. | 1:16:06 | 1:16:08 | |
So I needed my man and my boy right here to help me out | 1:16:08 | 1:16:11 | |
with the marketing a little bit more. | 1:16:11 | 1:16:13 | |
Now, Dennis, you've been brought back to the boardroom each week. | 1:16:13 | 1:16:16 | |
Oh, my God. Each week, man. | 1:16:16 | 1:16:18 | |
Don't you think it's time I fired you? | 1:16:18 | 1:16:21 | |
-You've done that once. -You don't want to be... | 1:16:21 | 1:16:23 | |
Let me ask you this. You really want to stay, don't you? | 1:16:23 | 1:16:26 | |
I do want to stay. | 1:16:26 | 1:16:27 | |
I think I deserve to stay. | 1:16:27 | 1:16:30 | |
The last time you were exhausted. | 1:16:30 | 1:16:31 | |
-You wanted to go. -I wanted to go. | 1:16:31 | 1:16:33 | |
But you were a different Dennis. | 1:16:33 | 1:16:34 | |
I had no business being here the last time, so... | 1:16:34 | 1:16:36 | |
I'm really proud of this guy. | 1:16:36 | 1:16:38 | |
-Lil Jon? -Yes? | 1:16:38 | 1:16:39 | |
-Why are you here? -Um... | 1:16:39 | 1:16:42 | |
Explain it to me, because nobody understands. | 1:16:42 | 1:16:45 | |
-Except Claudia maybe. -I don't really know either. Um... | 1:16:45 | 1:16:48 | |
I don't really know. I mean... | 1:16:48 | 1:16:51 | |
I think I might have made a different decision, if it was me, | 1:16:51 | 1:16:54 | |
but everybody's entitled to their own decision. | 1:16:54 | 1:16:56 | |
Lil Jon, why is Dennis here? | 1:16:56 | 1:16:58 | |
I'm going to tell you, my philosophy in business is | 1:16:59 | 1:17:02 | |
everybody in your corporation is important, | 1:17:02 | 1:17:06 | |
from the janitor to the COO. | 1:17:06 | 1:17:09 | |
-True. -Even though their job might seem less important, it's important. | 1:17:09 | 1:17:13 | |
-True. -And Dennis might not do as much as everybody else, | 1:17:13 | 1:17:17 | |
but I see Dennis every day sober and ready to work. | 1:17:17 | 1:17:23 | |
But he might just do less. | 1:17:23 | 1:17:25 | |
You know what I mean? And I think that's why he's brought back. | 1:17:25 | 1:17:28 | |
Who would you have brought back? | 1:17:28 | 1:17:30 | |
I would have probably brought back Dennis and Omarosa. | 1:17:30 | 1:17:32 | |
-Dennis and Omarosa. -Because they were out getting props and stuff, | 1:17:32 | 1:17:37 | |
which definitely are needed, | 1:17:37 | 1:17:38 | |
but we needed as many minds as we can get working on the creative, | 1:17:38 | 1:17:43 | |
-and props is not hard... -Let me ask you the big question. | 1:17:43 | 1:17:46 | |
Lil Jon. | 1:17:46 | 1:17:47 | |
You're a scary guy, right? | 1:17:47 | 1:17:49 | |
Much tougher than Omarosa. | 1:17:49 | 1:17:51 | |
But do you think maybe you're here because Claudia was afraid to bring | 1:17:51 | 1:17:55 | |
back Omarosa? | 1:17:55 | 1:17:56 | |
-Yes. -Were you afraid to bring back Omarosa? -No, absolutely not. | 1:17:57 | 1:18:01 | |
Why didn't you bring her back? | 1:18:02 | 1:18:04 | |
And, by the way, I think you would have if I gave you a second chance. | 1:18:04 | 1:18:07 | |
I thought about it towards the end. | 1:18:07 | 1:18:08 | |
"Are you trying to tell me something?" | 1:18:08 | 1:18:10 | |
Why didn't you bring her back? | 1:18:10 | 1:18:11 | |
I didn't bring her back because when we were all trying to | 1:18:11 | 1:18:14 | |
brainstorm and we had our little rap exercise in the van, | 1:18:14 | 1:18:17 | |
Dennis was the only one who didn't participate and Omarosa was the one | 1:18:17 | 1:18:20 | |
that started that. So I started to rethink everything. | 1:18:20 | 1:18:22 | |
I'm like... It's true, Dennis. | 1:18:22 | 1:18:24 | |
-When was this? -When we were in the van and I said, | 1:18:24 | 1:18:28 | |
"Someone says a line and you rhyme with the person before you and we're | 1:18:28 | 1:18:31 | |
-"going to find out..." -Why? | 1:18:31 | 1:18:32 | |
Cos that's... It was just a brainstorming exercise. | 1:18:32 | 1:18:35 | |
It has nothing to do with the task. | 1:18:35 | 1:18:36 | |
-We're not going to be rappers. -Do you remember that exercise? | 1:18:36 | 1:18:39 | |
I remember the exercise. | 1:18:39 | 1:18:40 | |
-No, hold up. "Dennis, you start." "I can't rap. -I'm sorry. | 1:18:40 | 1:18:44 | |
-"I don't like rap music." -I can't rap either! | 1:18:44 | 1:18:46 | |
-Are you not a rap guy? -I'm not a rap guy, I'm a rock guy. | 1:18:46 | 1:18:48 | |
-So I didn't -BLEEP -rap. -The point is... -So I said, "OK." -The point is | 1:18:48 | 1:18:51 | |
I'm the project manager and I'm suggesting | 1:18:51 | 1:18:54 | |
a brainstorming exercise so we can all contribute. | 1:18:54 | 1:18:57 | |
And a lot times, Dennis doesn't give as much. | 1:18:58 | 1:19:01 | |
Though, Claudia, seriously. | 1:19:01 | 1:19:03 | |
This brand right here is known right now for hair products. | 1:19:03 | 1:19:07 | |
You created a salon outside. | 1:19:07 | 1:19:12 | |
-Really? Outside, a salon? -I mean, that's all fine and well.. | 1:19:12 | 1:19:16 | |
-A salon? A salon? -When I asked you what your idea was, | 1:19:16 | 1:19:18 | |
-you didn't give me anything. -I couldn't give you anything. | 1:19:18 | 1:19:20 | |
You had me and Omarosa going out all day. | 1:19:20 | 1:19:22 | |
-No. -We had to stop. | 1:19:22 | 1:19:24 | |
"Do this, do this." Four more vans, four more vans got to do this, this, | 1:19:24 | 1:19:28 | |
this. You wasn't there. | 1:19:28 | 1:19:29 | |
I stopped for everything. We tried to get all these things. | 1:19:29 | 1:19:32 | |
Next thing you know, you want to get all my contacts, | 1:19:32 | 1:19:34 | |
for us getting Joan Rivers, | 1:19:34 | 1:19:36 | |
a Donald Trump lookalike. | 1:19:36 | 1:19:39 | |
Guess what? We couldn't get him cos he died last night, you know. | 1:19:39 | 1:19:42 | |
-Did he die? -He died. -He actually died. -He died! | 1:19:42 | 1:19:45 | |
-That guy was great. -I know. | 1:19:45 | 1:19:47 | |
I should go to his funeral. | 1:19:47 | 1:19:48 | |
-He died. -Wow. -Yeah, he did, two days ago. | 1:19:48 | 1:19:51 | |
My thing is this, OK... | 1:19:51 | 1:19:53 | |
There are a lot of them. But he was great. | 1:19:53 | 1:19:56 | |
I heard about that guy. OK. | 1:19:56 | 1:19:57 | |
My thing is that I'm project manager - yes, I am - | 1:19:57 | 1:19:59 | |
so I need all hands on deck. | 1:19:59 | 1:20:01 | |
I sent them out to get about nine or ten items... | 1:20:01 | 1:20:04 | |
Claudia, don't you think the fact that you're project manager and you | 1:20:04 | 1:20:08 | |
lost, don't you think you're in jeopardy? | 1:20:08 | 1:20:11 | |
Well, when you're project manager, you are. | 1:20:11 | 1:20:12 | |
But you know what? When you have three people carrying the load | 1:20:12 | 1:20:16 | |
of the entire team, it's tough. | 1:20:16 | 1:20:17 | |
You know I think you're terrific, right? | 1:20:17 | 1:20:19 | |
-Yes. -You do know that? -Yes. -And you are terrific. | 1:20:19 | 1:20:22 | |
-Right? -Yes. -And you're going to be a big star, right? | 1:20:22 | 1:20:24 | |
Are we getting to that point already? | 1:20:24 | 1:20:26 | |
-Because I think... -We're getting pretty close. | 1:20:26 | 1:20:28 | |
-What, Dennis? -I'm going to say something in Claudia's defence. | 1:20:28 | 1:20:31 | |
-You don't understand... -What are you defending her for? | 1:20:31 | 1:20:34 | |
Let him talk, let him talk. | 1:20:34 | 1:20:35 | |
Not in her defence, but as a... | 1:20:35 | 1:20:37 | |
Wow. We've seen this go wrong, Dennis. | 1:20:37 | 1:20:40 | |
-No, no... -It's happened a few times. | 1:20:40 | 1:20:42 | |
"I want to defend her." | 1:20:42 | 1:20:44 | |
-"You're fired." -I'm just saying, in defence. | 1:20:44 | 1:20:46 | |
It's amazing - as you said, as you said, as you said - | 1:20:46 | 1:20:49 | |
why didn't she bring Omarosa back? | 1:20:49 | 1:20:53 | |
That is a key right there. | 1:20:53 | 1:20:54 | |
Now, let me just... In all fairness to you, Claudia... | 1:20:54 | 1:20:56 | |
-Yes? -I have to defend you now. | 1:20:56 | 1:20:58 | |
-OK. -If Omarosa would be brought back, it wouldn't have mattered. | 1:20:58 | 1:21:01 | |
You were the project manger, you failed. | 1:21:01 | 1:21:04 | |
-But... -But you have a great future. | 1:21:04 | 1:21:06 | |
-But, Donald... -Claudia, I'm sorry, you're fired. | 1:21:06 | 1:21:08 | |
Thank you. Go. | 1:21:14 | 1:21:16 | |
Go ahead, Lil Jon, you can go. | 1:21:17 | 1:21:19 | |
You're exhausted. Look at you two. | 1:21:19 | 1:21:21 | |
-Man, it's harder this time. -It's hard. I know it's hard. | 1:21:21 | 1:21:24 | |
Arsenio, you better be glad you on that side. | 1:21:24 | 1:21:26 | |
-I know. -This thing is for real. | 1:21:26 | 1:21:27 | |
All right. Have a good time. | 1:21:27 | 1:21:29 | |
Be good, guys. | 1:21:29 | 1:21:31 | |
Thank you. Good job, fellas. | 1:21:31 | 1:21:33 | |
That was quick, too. | 1:21:33 | 1:21:34 | |
-ARSENIO: -Way to battle, Dennis. | 1:21:34 | 1:21:35 | |
-Boy! -He didn't want to go home. Dennis did not want to go home. | 1:21:35 | 1:21:38 | |
Dennis, I think you're liking this. | 1:21:38 | 1:21:40 | |
You're having a good time, Dennis. | 1:21:40 | 1:21:42 | |
-Thank you, brother. -He's very cool. | 1:21:42 | 1:21:44 | |
-He's a nice man. -Good guy. | 1:21:44 | 1:21:45 | |
Yeah. | 1:21:45 | 1:21:47 | |
Unbelievable. | 1:21:50 | 1:21:51 | |
-Claudia. -Beautiful woman, and a good woman. | 1:21:59 | 1:22:01 | |
I wasn't afraid of going up against Omarosa in the boardroom. | 1:22:35 | 1:22:38 | |
That's not the issue. I do think she probably played a little Jedi mind | 1:22:38 | 1:22:41 | |
trick on me as well. But I won today, I won. | 1:22:41 | 1:22:44 | |
We made people happy today and feel beautiful. | 1:22:44 | 1:22:47 | |
And there's no way you can feel sorrow about that. | 1:22:47 | 1:22:51 | |
So I'm in a good place. | 1:22:51 | 1:22:53 |