Browse content similar to Lightning Strikes Mr Hang Brain. Check below for episodes and series from the same categories and more!
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Last week, Mr Trump tasked the celebrities | 0:00:02 | 0:00:04 | |
with a marketing event for Farouk Systems. | 0:00:04 | 0:00:07 | |
On the day of the event, Plan B put on a show. | 0:00:07 | 0:00:10 | |
I'm the angel of silk. Welcome to Biosilk, everyone. | 0:00:10 | 0:00:14 | |
And Claudia Jordan held nothing back. | 0:00:14 | 0:00:16 | |
-Who's a valuable player right now? -Probably between Omarosa and Dennis. | 0:00:16 | 0:00:20 | |
In the boardroom, project manager Marilu Henner | 0:00:20 | 0:00:23 | |
secured a third win for Plan B. | 0:00:23 | 0:00:25 | |
-Thank you so much. -Fantastic. Congratulations. | 0:00:25 | 0:00:27 | |
And when push came to shove, Claudia buckled under pressure. | 0:00:27 | 0:00:30 | |
Who are the two people, Claudia? | 0:00:30 | 0:00:32 | |
Dennis and Lil Jon. | 0:00:32 | 0:00:33 | |
-Lil Jon? -What? | 0:00:33 | 0:00:35 | |
People get scared of Omarosa in the boardroom. | 0:00:35 | 0:00:38 | |
Once again in the bottom three, Dennis fought to stay in the game. | 0:00:38 | 0:00:42 | |
Why didn't she bring Omarosa back? That is a key... | 0:00:42 | 0:00:47 | |
Claudia, you were the project manager. | 0:00:47 | 0:00:49 | |
I'm sorry, you're fired. | 0:00:49 | 0:00:51 | |
Oh-ho-ho! | 0:00:58 | 0:01:01 | |
It got loud like that! We heard you. | 0:01:01 | 0:01:04 | |
It wasn't even bad. He was just like, | 0:01:04 | 0:01:05 | |
"You should have brought Omarosa back." | 0:01:05 | 0:01:07 | |
Why are y'all every episode talking about bringing me back? | 0:01:07 | 0:01:09 | |
I have survived | 0:01:09 | 0:01:11 | |
more attempts to get me fired than anyone else. | 0:01:11 | 0:01:15 | |
They all are quite intimidated by my boardroom reputation. | 0:01:15 | 0:01:20 | |
Claudia would have had a nice little card to play | 0:01:20 | 0:01:22 | |
if she had brought Omarosa back. | 0:01:22 | 0:01:23 | |
Right. She might have still went home even if Omarosa went in there, | 0:01:23 | 0:01:27 | |
but she still had least would have had a chance. | 0:01:27 | 0:01:29 | |
-Omarosa want to play that game, she want to play that -BLEEP. | 0:01:29 | 0:01:31 | |
It's amazing that everyone can pick my ass | 0:01:34 | 0:01:36 | |
every day, but this bitch right here | 0:01:36 | 0:01:39 | |
that's pissing everybody off, they won't even mess with her. | 0:01:39 | 0:01:42 | |
There is a problem. | 0:01:42 | 0:01:43 | |
-You escaped again! -Yeah. Boy, they are afraid of you. | 0:01:43 | 0:01:46 | |
They're not scared of me, I'm just smart. | 0:01:46 | 0:01:49 | |
This ain't happening any more. I'm not scared of her. | 0:01:49 | 0:01:51 | |
I mean, what's she going to do to me? | 0:01:51 | 0:01:53 | |
I've got some bag of tricks, too, so it's between you and me now. | 0:01:53 | 0:01:57 | |
# Money, money, money, money | 0:02:02 | 0:02:06 | |
# Money | 0:02:06 | 0:02:07 | |
# Money, money, money, money | 0:02:07 | 0:02:10 | |
# Money | 0:02:10 | 0:02:12 | |
# Some people got to have it | 0:02:12 | 0:02:15 | |
# Yeah, yeah | 0:02:15 | 0:02:17 | |
# Some people really need it | 0:02:17 | 0:02:20 | |
# Hey, listen to me, y'all | 0:02:20 | 0:02:22 | |
# Do things, do things, do things | 0:02:22 | 0:02:24 | |
# Bad things with it | 0:02:24 | 0:02:26 | |
# Dollar bills, y'all, come on | 0:02:29 | 0:02:31 | |
# That mean, oh, mean... | 0:02:31 | 0:02:36 | |
# Mean green | 0:02:36 | 0:02:38 | |
# Almighty dollar | 0:02:38 | 0:02:40 | |
# Talking 'bout cash, you know that | 0:02:40 | 0:02:41 | |
# Money | 0:02:41 | 0:02:44 | |
# Give me a nickel, brother | 0:02:44 | 0:02:46 | |
# Can you spare a dime? | 0:02:46 | 0:02:49 | |
# Money can drive some people | 0:02:49 | 0:02:51 | |
# Out of their mind | 0:02:51 | 0:02:56 | |
# No good, no good | 0:02:56 | 0:02:58 | |
# Money | 0:02:58 | 0:02:59 | |
# Money, money, money, money | 0:02:59 | 0:03:02 | |
# Money... # | 0:03:02 | 0:03:03 | |
Piers is back - dun, dun, dun! | 0:03:12 | 0:03:16 | |
Still here. | 0:03:17 | 0:03:18 | |
-Good morning. ALL: -Morning. | 0:03:26 | 0:03:28 | |
We're standing in front of Trump International Hotel and Tower. | 0:03:28 | 0:03:31 | |
When I built it, I commissioned this globe. | 0:03:31 | 0:03:36 | |
The globe has become an icon of the city. | 0:03:36 | 0:03:38 | |
It's a piece of art. | 0:03:38 | 0:03:40 | |
And, you know, there are various forms of art. | 0:03:40 | 0:03:43 | |
A painting is 2D. | 0:03:43 | 0:03:45 | |
3D art is statues, sculptures, lots of things. | 0:03:45 | 0:03:49 | |
You're going to create 3D art. | 0:03:49 | 0:03:52 | |
You're going to sell 3D art. | 0:03:52 | 0:03:54 | |
-Wow. -Eric, the task? | 0:03:54 | 0:03:56 | |
Each team is to create a gallery event open to the public. | 0:03:56 | 0:03:59 | |
We're going to market and sell your artwork. | 0:03:59 | 0:04:02 | |
You can sell to anybody, including the public, | 0:04:02 | 0:04:04 | |
anybody that raises the most amount of money. | 0:04:04 | 0:04:06 | |
Now, this team, you're down a player. | 0:04:06 | 0:04:10 | |
-We are. -What do you think? | 0:04:10 | 0:04:12 | |
Do you want to have somebody from this side help you out? | 0:04:12 | 0:04:14 | |
-Yes. -Who do you want? | 0:04:14 | 0:04:15 | |
-Trace. -You know who I was going to give you? | 0:04:15 | 0:04:17 | |
-Who? -Trace, cos I thought you needed him. | 0:04:17 | 0:04:19 | |
Go ahead, Trace. Congratulations, Trace. | 0:04:19 | 0:04:22 | |
He looks really happy about that(!) | 0:04:22 | 0:04:24 | |
Come on over here, leave them alone. | 0:04:24 | 0:04:26 | |
-Come on back. -Lil Jon, get him over there. | 0:04:26 | 0:04:29 | |
I don't like you very much right now. | 0:04:29 | 0:04:31 | |
Oh, that's OK - a lot of people don't like me. | 0:04:31 | 0:04:34 | |
OK, pick your project manager. | 0:04:34 | 0:04:38 | |
-We already know. -Yeah. We're done. | 0:04:38 | 0:04:42 | |
Do you want to be the project manager? | 0:04:42 | 0:04:43 | |
-No. -All right. | 0:04:43 | 0:04:44 | |
-We'll help you. -I'll help you. -OK. | 0:04:44 | 0:04:47 | |
-Marilu? -Our project manager is Lisa. | 0:04:47 | 0:04:50 | |
-Brande? -Lil Jon. | 0:04:50 | 0:04:51 | |
Lil Jon. | 0:04:51 | 0:04:53 | |
So, good luck, do your thing. | 0:04:53 | 0:04:55 | |
Don't forget, somebody will get fired. | 0:04:55 | 0:04:59 | |
Come on, homie, let's buy some paint. | 0:05:07 | 0:05:09 | |
I want to go immediately to the art store, | 0:05:09 | 0:05:12 | |
get all our supplies to make | 0:05:12 | 0:05:14 | |
three-dimensional art pieces, up to 15. | 0:05:14 | 0:05:17 | |
I've got some big donors in my pocket. | 0:05:17 | 0:05:19 | |
So I'm trying to get that W, and get Team Power out of its slump. | 0:05:19 | 0:05:23 | |
So I'm now on Team Power. | 0:05:28 | 0:05:30 | |
I didn't pick this team. | 0:05:30 | 0:05:31 | |
I picked the team that's dominating. | 0:05:31 | 0:05:33 | |
That was my chosen all-star team. | 0:05:33 | 0:05:36 | |
But it is what it is. | 0:05:36 | 0:05:38 | |
I'm done. | 0:05:39 | 0:05:41 | |
All right. So we will paint, we will call. | 0:05:43 | 0:05:47 | |
We will call, we will paint. | 0:05:47 | 0:05:48 | |
But we need money. | 0:05:48 | 0:05:50 | |
We need big donors that will come down and buy art. | 0:05:50 | 0:05:54 | |
I've only been the project manager, | 0:05:54 | 0:05:57 | |
this is only my second time. | 0:05:57 | 0:05:58 | |
First time didn't go so well. | 0:05:58 | 0:06:00 | |
'And so I was not thinking of taking on a fundraising challenge, | 0:06:00 | 0:06:04 | |
'because I didn't know exactly how much I could bring in.' | 0:06:04 | 0:06:08 | |
-It was like, oh, -BLEEP. | 0:06:08 | 0:06:10 | |
And then, "All right." | 0:06:10 | 0:06:11 | |
On this particular task, | 0:06:13 | 0:06:15 | |
we have 15 objects, call them widgets. | 0:06:15 | 0:06:18 | |
We need to have 15 donors | 0:06:18 | 0:06:22 | |
who will give as much money as possible for each one. | 0:06:22 | 0:06:25 | |
Stephen? | 0:06:25 | 0:06:26 | |
-So... -I'm going to go make a phone call. | 0:06:28 | 0:06:30 | |
-OK, go. -Could you just wait a second? Please? | 0:06:30 | 0:06:33 | |
Sure. | 0:06:33 | 0:06:34 | |
Because if I understand what you said, Penn, | 0:06:34 | 0:06:37 | |
specific to you, the way you're fundraising, | 0:06:37 | 0:06:42 | |
the art doesn't matter, is that what I'm understanding? | 0:06:42 | 0:06:44 | |
I don't think that any of us have the talent to make a piece of art | 0:06:44 | 0:06:49 | |
that, on the open market, would sell... | 0:06:49 | 0:06:51 | |
Let me ask you the question again. | 0:06:51 | 0:06:53 | |
Specific to you, the art doesn't matter? | 0:06:53 | 0:06:56 | |
-No, it does not. -OK, great, because specific to me, | 0:06:56 | 0:07:00 | |
the art does matter. | 0:07:00 | 0:07:03 | |
I'm going to have an art dealer representing the art | 0:07:03 | 0:07:07 | |
to sell it to clients. | 0:07:07 | 0:07:09 | |
-OK. -OK. | 0:07:12 | 0:07:13 | |
I'm thinking I call up | 0:07:13 | 0:07:15 | |
one of the biggest art dealers on the east coast, | 0:07:15 | 0:07:17 | |
say, "I'm Stephen Baldwin, we've got other celebrities here | 0:07:17 | 0:07:20 | |
"making artwork. | 0:07:20 | 0:07:21 | |
Perhaps some of your clients | 0:07:21 | 0:07:23 | |
might spend 20, 30, 40, 50,000 on something like that? | 0:07:23 | 0:07:27 | |
It's unique, and it's one-of-a-kind. Why not? | 0:07:27 | 0:07:29 | |
Oh, wow. That's amazing. | 0:07:29 | 0:07:32 | |
Explain to the prince | 0:07:32 | 0:07:34 | |
it's mostly to come down and have fun. | 0:07:34 | 0:07:36 | |
Perfect. Bye-bye. | 0:07:36 | 0:07:38 | |
-Stephen was so full of -BLEEP | 0:07:38 | 0:07:40 | |
I couldn't believe it. | 0:07:40 | 0:07:41 | |
What play is he doing? | 0:07:41 | 0:07:43 | |
Who was he really talking to, you know? | 0:07:43 | 0:07:45 | |
We knew that Stephen wasn't going to bring in, probably, anything. | 0:07:45 | 0:07:48 | |
I don't know what Stephen's saying, I don't know what he's doing. | 0:07:48 | 0:07:52 | |
It's between you and me...and Marilu, for money. | 0:07:52 | 0:07:54 | |
I don't think he's going to bring in anything. | 0:07:54 | 0:07:56 | |
Oh, man, if you don't, I'm out of luck. | 0:07:56 | 0:07:59 | |
I'll get fired. | 0:07:59 | 0:08:00 | |
-Yeah. -Nothing. | 0:08:00 | 0:08:01 | |
I feel a tremendous amount of pressure, | 0:08:01 | 0:08:04 | |
because the other team got Trace. | 0:08:04 | 0:08:06 | |
And Trace has the money. | 0:08:06 | 0:08:08 | |
We just have to hope and pray that enough of our donors come through. | 0:08:08 | 0:08:12 | |
I mean, if we could have somebody come in for 50 or more, | 0:08:12 | 0:08:14 | |
that's what we really need. | 0:08:14 | 0:08:15 | |
-'50?' -50. | 0:08:15 | 0:08:17 | |
The other team, I think, has a lot of money. | 0:08:17 | 0:08:20 | |
This person that's going to get on a plane, | 0:08:26 | 0:08:27 | |
like, what is he going to donate? | 0:08:27 | 0:08:29 | |
The task this week is to make | 0:08:31 | 0:08:33 | |
three-dimensional art pieces, | 0:08:33 | 0:08:36 | |
get some big donors in, sell the art, | 0:08:36 | 0:08:38 | |
and you will win the task. | 0:08:38 | 0:08:39 | |
I got one donor ready to come in with 65 for one piece. | 0:08:39 | 0:08:43 | |
We're trying to bring in some big dollars, | 0:08:43 | 0:08:45 | |
because I want to take back a nice cheque | 0:08:45 | 0:08:47 | |
to the American Diabetes Association. | 0:08:47 | 0:08:49 | |
Put me down for ten, safely. | 0:08:49 | 0:08:51 | |
I'm not going to be the biggest donor. | 0:08:51 | 0:08:53 | |
I'm doing this thing for charity, it's kind of an art deal. | 0:08:53 | 0:08:56 | |
But with the added bonus | 0:08:56 | 0:08:58 | |
of Trace Adkins bringing his money power, | 0:08:58 | 0:09:00 | |
his star power, how can we lose? | 0:09:00 | 0:09:03 | |
Look, it's Hall of Fame balls. | 0:09:05 | 0:09:07 | |
I've got Derek Jeter's bat. I got a lot of stuff coming. | 0:09:07 | 0:09:09 | |
I don't have 80 big donors, so I need to do something | 0:09:09 | 0:09:12 | |
that people can actually have to treasure. | 0:09:12 | 0:09:14 | |
A Derek Jeter bat is actually worth some money. | 0:09:14 | 0:09:17 | |
My art piece, you can't throw that in the trash. | 0:09:17 | 0:09:19 | |
That looks awesome, that right there. | 0:09:25 | 0:09:27 | |
That looks crazy hot. | 0:09:27 | 0:09:29 | |
You just squirted it straight out of the bottle? | 0:09:29 | 0:09:31 | |
I just did it like that. | 0:09:31 | 0:09:32 | |
-That's cool. -And let it dry. | 0:09:32 | 0:09:34 | |
Who would have thought of that? | 0:09:34 | 0:09:35 | |
Ladies and gentlemen of America, | 0:09:35 | 0:09:37 | |
Dennis has been doing a great job. | 0:09:37 | 0:09:40 | |
He's focused, he's sober - | 0:09:40 | 0:09:42 | |
wow, he's a great artist as well. | 0:09:42 | 0:09:44 | |
-Dennis! -Dennis, you're doing so well. | 0:09:44 | 0:09:46 | |
You're ruining your reputation, Dennis! | 0:09:46 | 0:09:48 | |
This guy, he's the top rebounder in the world, this guy. | 0:09:48 | 0:09:52 | |
My team is doing 3D art, I need people, big donors, | 0:09:57 | 0:10:01 | |
that will come down and buy art. | 0:10:01 | 0:10:04 | |
Lisa was great as the project manager. | 0:10:04 | 0:10:06 | |
Can you help me out? I would love for you to come, of course. | 0:10:06 | 0:10:09 | |
She just works her little ass off. | 0:10:09 | 0:10:11 | |
All the time, constantly, | 0:10:11 | 0:10:13 | |
and with focus and with politeness. | 0:10:13 | 0:10:15 | |
-I'm playing for Saint Jude's. -'Right.' | 0:10:15 | 0:10:17 | |
All the money is all charity. | 0:10:17 | 0:10:20 | |
Hey... | 0:10:20 | 0:10:22 | |
Hm! | 0:10:26 | 0:10:27 | |
Hey, Lisa. Lisa. | 0:10:27 | 0:10:30 | |
I've got something to tell you that I want to live with you for ever. | 0:10:32 | 0:10:35 | |
Oh, nice. | 0:10:41 | 0:10:43 | |
OK. | 0:10:43 | 0:10:45 | |
-Thank you for that, Gary. -You betcha. | 0:10:45 | 0:10:48 | |
Art is just the free-flowing nature | 0:10:48 | 0:10:50 | |
of how you feel when you're creating the art. | 0:10:50 | 0:10:55 | |
Life is art. Art is life. | 0:10:55 | 0:10:57 | |
Yes, yes, yes! | 0:10:57 | 0:10:59 | |
# Art is only the search | 0:10:59 | 0:11:01 | |
# It's not the final form | 0:11:01 | 0:11:03 | |
# Art is only the search | 0:11:03 | 0:11:05 | |
# It's got more like the form, yeah | 0:11:05 | 0:11:07 | |
# Art is only the search... # | 0:11:07 | 0:11:08 | |
HE SCATS | 0:11:08 | 0:11:11 | |
-There we go. -Thank you. -Thanks for dancing, baby. | 0:11:11 | 0:11:14 | |
I love to dance, any chance I get. | 0:11:14 | 0:11:16 | |
# Not the final form | 0:11:16 | 0:11:18 | |
# Art is only the search... # | 0:11:18 | 0:11:20 | |
Hey, let's keep searching and quit singing, Gary. OK. | 0:11:20 | 0:11:24 | |
What Gary Busey was doing was real art. | 0:11:24 | 0:11:27 | |
He tried to do something beautiful. | 0:11:27 | 0:11:29 | |
While you're going through these tasks, | 0:11:29 | 0:11:31 | |
now, Mr Busey has that covered. | 0:11:31 | 0:11:33 | |
He's won that game. | 0:11:33 | 0:11:35 | |
What is that? | 0:11:35 | 0:11:36 | |
Mr Hang Brain. | 0:11:36 | 0:11:38 | |
Wow! | 0:11:38 | 0:11:39 | |
It's called Lightning Strikes Mr Hang Brain. | 0:11:39 | 0:11:41 | |
Oh, Lightning Strikes Mr Hang Brain. | 0:11:41 | 0:11:42 | |
It makes it better. | 0:11:42 | 0:11:44 | |
It came from an unknown presence | 0:11:44 | 0:11:46 | |
and my artistic consciousness, | 0:11:46 | 0:11:49 | |
that's really in my subconsciousness. | 0:11:49 | 0:11:51 | |
Gary, it looks like you. | 0:11:51 | 0:11:53 | |
Well, thank you, dear. | 0:11:53 | 0:11:55 | |
Uh-oh, uh-oh, there he is. | 0:12:01 | 0:12:03 | |
The bastard. | 0:12:03 | 0:12:05 | |
Piers Morgan. | 0:12:05 | 0:12:06 | |
We love to hate him. | 0:12:06 | 0:12:07 | |
And we hate to love him! | 0:12:07 | 0:12:09 | |
Tell me the strategy. | 0:12:09 | 0:12:11 | |
Raise some damn money! | 0:12:11 | 0:12:12 | |
If you guys get outgunned on the money, which you might... | 0:12:12 | 0:12:15 | |
-We could. -..you've got to work out who's going to be | 0:12:15 | 0:12:18 | |
the fall guy in the boardroom. | 0:12:18 | 0:12:19 | |
-Who would it be? -The person that brings the least money. | 0:12:19 | 0:12:21 | |
And Omarosa? She's bound to raise the least amount of money. | 0:12:21 | 0:12:24 | |
Don't let her pull any fast ones. | 0:12:24 | 0:12:26 | |
Who's going to keep a tally of who brings in what? | 0:12:26 | 0:12:28 | |
I'm the accountant this time around. | 0:12:28 | 0:12:30 | |
Every time some money comes in, | 0:12:30 | 0:12:32 | |
I'm going to go write that number down. | 0:12:32 | 0:12:34 | |
The one sensible thing Lil Jon did | 0:12:34 | 0:12:36 | |
was take Omarosa well away from the accounting process | 0:12:36 | 0:12:39 | |
which, as we discovered, is a nightmare. | 0:12:39 | 0:12:41 | |
Omarosa is slipperier than an eel. | 0:12:41 | 0:12:44 | |
So she will be trying everything she can - | 0:12:44 | 0:12:47 | |
lie, cheat and defraud. | 0:12:47 | 0:12:48 | |
It's what comes naturally. | 0:12:48 | 0:12:50 | |
My favourite moment. | 0:12:50 | 0:12:51 | |
What have you brought in, moneywise? | 0:12:52 | 0:12:54 | |
It doesn't matter, because I'm not going to be at the top. | 0:12:54 | 0:12:56 | |
Should you be fired if you raise the least? | 0:12:56 | 0:12:58 | |
Whoever raises the least should be fired, simple as that. | 0:12:58 | 0:13:00 | |
-Really? -Thanks, Piers. | 0:13:00 | 0:13:02 | |
Omarosa. | 0:13:02 | 0:13:03 | |
Coo-ee! | 0:13:03 | 0:13:05 | |
We seem to have a communication malfunction. | 0:13:05 | 0:13:07 | |
The problem for Omarosa is she said to me, | 0:13:07 | 0:13:10 | |
"I think the person who raises the least amount of money should be fired." | 0:13:10 | 0:13:13 | |
My advice to the rest of the team | 0:13:13 | 0:13:15 | |
is treat Omarosa like a sleeping crocodile. | 0:13:15 | 0:13:18 | |
Remember, one false move, she will bite your hand off, | 0:13:18 | 0:13:22 | |
your leg off...and, if she can get it, your head. | 0:13:22 | 0:13:25 | |
Excuse me, one second. My team needs me. | 0:13:25 | 0:13:27 | |
-Sure, OK. -Thanks. | 0:13:27 | 0:13:28 | |
Busy girl. Things to do. | 0:13:28 | 0:13:31 | |
I've got to do one last touch on this. | 0:13:36 | 0:13:38 | |
-Somebody gon' buy the -BLEEP -outta that. | 0:13:38 | 0:13:40 | |
Got to the gallery this morning, | 0:13:40 | 0:13:42 | |
pretty much everything was done, so all we had to do | 0:13:42 | 0:13:44 | |
was hang everything. | 0:13:44 | 0:13:45 | |
And we're ready to roll, baby. | 0:13:45 | 0:13:47 | |
It's time to open. | 0:13:47 | 0:13:48 | |
-CHANTING: -Power! Power! | 0:13:48 | 0:13:50 | |
Welcome, hello, hello, good morning. | 0:13:53 | 0:13:55 | |
What we got, Buddy? | 0:13:55 | 0:13:57 | |
A cheque for 10,000. | 0:13:57 | 0:13:58 | |
Well, this is your piece, then. | 0:13:58 | 0:14:00 | |
-Well, I'm asking a million, but... -A million? | 0:14:00 | 0:14:02 | |
I'd like to buy it for 20,000, would you accept...? | 0:14:02 | 0:14:05 | |
That's the best offer I've had today. | 0:14:05 | 0:14:07 | |
I had my people lined up, | 0:14:07 | 0:14:10 | |
that I thought could bring in pretty good chunks of change. | 0:14:10 | 0:14:13 | |
25,000. | 0:14:13 | 0:14:15 | |
I don't think one could argue | 0:14:15 | 0:14:17 | |
that I didn't do my part to help the team. | 0:14:17 | 0:14:19 | |
Congratulations, Trace, you will not be in the boardroom if we lose. | 0:14:19 | 0:14:22 | |
Ron Burkle just donated 10,000. | 0:14:22 | 0:14:25 | |
20,000?! Oh, man, that's incredible! | 0:14:25 | 0:14:28 | |
Fundraising tasks are the hardest ones to predict, | 0:14:28 | 0:14:32 | |
but we need a win bad right now. | 0:14:32 | 0:14:34 | |
So I'm calling, you know, | 0:14:34 | 0:14:36 | |
a lot of my big guns out | 0:14:36 | 0:14:38 | |
and hopefully they can come in for me in a major way. | 0:14:38 | 0:14:41 | |
This is my 20,000. | 0:14:41 | 0:14:43 | |
20,000! 20,000! | 0:14:43 | 0:14:46 | |
Isn't this fabulous? | 0:14:51 | 0:14:52 | |
Marilu Henner made this. | 0:14:52 | 0:14:54 | |
Isn't it great? | 0:14:54 | 0:14:55 | |
I know my money-raising capabilities, | 0:14:55 | 0:14:59 | |
and this would not have been the task that I would have chosen. | 0:14:59 | 0:15:02 | |
I want to raise as much money | 0:15:02 | 0:15:03 | |
as I possibly can for Saint Jude's. | 0:15:03 | 0:15:05 | |
But I'm worried about that. | 0:15:05 | 0:15:07 | |
Anybody else you know that could come down... | 0:15:07 | 0:15:10 | |
25,000. Whoo! | 0:15:10 | 0:15:13 | |
-Gary's? -No, mine. | 0:15:13 | 0:15:15 | |
For Gary's. | 0:15:15 | 0:15:17 | |
25,000 for the hang brain. | 0:15:17 | 0:15:18 | |
Yay! Yay, yay, yay! | 0:15:18 | 0:15:22 | |
Yay, yay, yay! Yay, yay, yay! | 0:15:22 | 0:15:27 | |
Mr Hang Brain's gone. | 0:15:27 | 0:15:30 | |
We sold Mr Hang Brain for 25,000. | 0:15:30 | 0:15:35 | |
It was wonderful. Very great. | 0:15:35 | 0:15:37 | |
Very great. | 0:15:37 | 0:15:39 | |
Greatly great. | 0:15:39 | 0:15:41 | |
And excellent. | 0:15:41 | 0:15:42 | |
Thank you, very much. | 0:15:42 | 0:15:46 | |
Uh-oh! What the hell? Oh, God. | 0:15:46 | 0:15:48 | |
'All of a sudden, in walked' | 0:15:48 | 0:15:50 | |
Blue Man Group. | 0:15:50 | 0:15:52 | |
Lisa, there's money in here. | 0:15:54 | 0:15:56 | |
There's money inside? | 0:15:56 | 0:15:57 | |
So the Blue Man Group put 15,000 into 150lb of gelatine. | 0:15:58 | 0:16:04 | |
The money will be sticky. | 0:16:04 | 0:16:05 | |
Hey, who wants to help us get the money out? | 0:16:05 | 0:16:08 | |
Be very careful you don't miss any money. | 0:16:10 | 0:16:12 | |
Come on, everybody, get the money out. | 0:16:12 | 0:16:14 | |
They had folded the money in little tiny triangles. | 0:16:14 | 0:16:18 | |
They were, like, 25 people around this table | 0:16:18 | 0:16:20 | |
trying to get the money out. | 0:16:20 | 0:16:21 | |
Brilliant moment. | 0:16:21 | 0:16:22 | |
Teller's manager, | 0:16:22 | 0:16:24 | |
and Teller's feeling guilty in the tropics. | 0:16:24 | 0:16:27 | |
-So, Teller would like to buy this piece by me. -Great. | 0:16:27 | 0:16:32 | |
It's 50 grand. | 0:16:32 | 0:16:33 | |
50 grand?! Woo-hoo-hoo! | 0:16:33 | 0:16:34 | |
Penn Jillette stepped up for me, big-time. | 0:16:34 | 0:16:38 | |
50,000 in cash. | 0:16:38 | 0:16:41 | |
They're my people, they're Penn's people - | 0:16:41 | 0:16:44 | |
I don't see any of Stephen's people. | 0:16:44 | 0:16:47 | |
Did you see a Saudi prince? | 0:16:47 | 0:16:49 | |
Never saw an art dealer or anything, either. | 0:16:49 | 0:16:52 | |
It's original, got the number here, where he signed it. | 0:16:57 | 0:17:00 | |
Take the bat, put it in a case, you're good. | 0:17:00 | 0:17:02 | |
This one over here, all of the cast members in one giant piece. | 0:17:02 | 0:17:06 | |
It looks like somebody vomited on a canvas. | 0:17:06 | 0:17:09 | |
Take it home today, for 25K. Hey! | 0:17:09 | 0:17:12 | |
-How about 35? -No, no, no. | 0:17:12 | 0:17:15 | |
I need to stand firm at 55. | 0:17:15 | 0:17:17 | |
For my nephew, Matthew, all right. | 0:17:17 | 0:17:19 | |
Hey! Yes, sir. | 0:17:19 | 0:17:21 | |
Dennis has 1.5 on the books, right? | 0:17:21 | 0:17:23 | |
Correct. | 0:17:23 | 0:17:25 | |
And Omarosa has 1.5 in the books. | 0:17:25 | 0:17:27 | |
And then Dennis also has, in the waitings, another five. | 0:17:27 | 0:17:30 | |
My darling. You're here! | 0:17:30 | 0:17:33 | |
What do you have for us? | 0:17:33 | 0:17:34 | |
Lil Jon has made it very clear that he's going to bring | 0:17:37 | 0:17:39 | |
the two people who raise the least amount of money, | 0:17:39 | 0:17:41 | |
and I believe that that would be | 0:17:41 | 0:17:43 | |
Dennis and myself. | 0:17:43 | 0:17:44 | |
I'll let y'all fight it out. | 0:17:52 | 0:17:53 | |
Dennis and I might be on the cusp of having the same amount of money. | 0:17:55 | 0:18:01 | |
But I'm not concerned. | 0:18:01 | 0:18:02 | |
I have a knack for coming out of tough situations. | 0:18:02 | 0:18:06 | |
So you're going to do seven? | 0:18:13 | 0:18:14 | |
Thank you. | 0:18:14 | 0:18:16 | |
These are the things I see. | 0:18:24 | 0:18:26 | |
Simple. | 0:18:26 | 0:18:27 | |
And I'll tell you something else, | 0:18:29 | 0:18:30 | |
Peter Marcelle, who is a real art dealer, | 0:18:30 | 0:18:32 | |
said my piece, I'm Not Alec, | 0:18:32 | 0:18:36 | |
from the true artistic world, | 0:18:36 | 0:18:39 | |
from that point of view, is the best one here. | 0:18:39 | 0:18:42 | |
Wow! | 0:18:42 | 0:18:44 | |
-I wasn't expecting that. -Is he buying it? | 0:18:44 | 0:18:47 | |
He's making phone calls. | 0:18:47 | 0:18:49 | |
Now, I'm an artist. I'm an artist. | 0:18:51 | 0:18:53 | |
Hey, Steve Baldwin - artist, author, | 0:18:53 | 0:18:54 | |
actor, radio host extraordinaire. | 0:18:54 | 0:18:58 | |
So, he knows what he's getting... | 0:19:01 | 0:19:02 | |
Oh! Oh! You did not come! | 0:19:02 | 0:19:06 | |
You don't know who's going to come through, | 0:19:08 | 0:19:10 | |
so to see my dearest friend, | 0:19:10 | 0:19:13 | |
Chaz Dean, the really famous hairstylist, | 0:19:13 | 0:19:16 | |
walk in, like, blew my mind. | 0:19:16 | 0:19:18 | |
-So this is our piece. -And we will send it, do you want to take it? | 0:19:18 | 0:19:22 | |
-You want to see what else? -Yeah. -OK. Come on. | 0:19:22 | 0:19:25 | |
Chaz Dean was only going to buy one piece, | 0:19:25 | 0:19:28 | |
but he wanted to see what else we had. | 0:19:28 | 0:19:30 | |
Sold...sold... | 0:19:30 | 0:19:33 | |
Sold. | 0:19:33 | 0:19:35 | |
He ends up buying three more | 0:19:35 | 0:19:37 | |
for a total of 80,000. | 0:19:37 | 0:19:40 | |
-Go do that now. -And then another one is left. | 0:19:41 | 0:19:43 | |
Thank you. | 0:19:43 | 0:19:44 | |
Sweetie, one of mine's sold. | 0:19:44 | 0:19:47 | |
Chaz Dean gave us 80 grand, | 0:19:47 | 0:19:51 | |
Chaz Dean bought three more pieces once he got here, | 0:19:51 | 0:19:54 | |
and he bought yours. | 0:19:54 | 0:19:56 | |
All right, so Chaz bought one, two, three, four. | 0:19:56 | 0:19:59 | |
One of Lisa's people bought one of my pieces | 0:19:59 | 0:20:01 | |
for a certain amount of money. | 0:20:01 | 0:20:03 | |
I had buyers there, | 0:20:03 | 0:20:04 | |
25 buyers and sellers | 0:20:04 | 0:20:06 | |
were within my network of communication. | 0:20:06 | 0:20:08 | |
But Lisa swooped in and sold one of my pieces. | 0:20:08 | 0:20:11 | |
In fact, she sold my best piece | 0:20:11 | 0:20:13 | |
that I was looking to raise the most money for. | 0:20:13 | 0:20:15 | |
Now she gets that credit. | 0:20:15 | 0:20:16 | |
That's just not fair. | 0:20:16 | 0:20:18 | |
This has been a good day. | 0:20:18 | 0:20:20 | |
I had some people show up, so it's really fantastic. | 0:20:20 | 0:20:23 | |
We ended up making | 0:20:23 | 0:20:25 | |
a lot more than I thought. | 0:20:25 | 0:20:26 | |
Do I think it's enough? I don't know. | 0:20:26 | 0:20:29 | |
All right, everybody, thank you so much for coming. | 0:20:29 | 0:20:31 | |
We're so grateful for all of your support. | 0:20:31 | 0:20:34 | |
So, Lisa, you like your team? | 0:20:56 | 0:20:58 | |
I do. I love my team. | 0:20:58 | 0:21:00 | |
Who was your star, Lisa? | 0:21:00 | 0:21:02 | |
I would have to say Penn. | 0:21:04 | 0:21:09 | |
-Why Penn? -Brought in a lot of money. | 0:21:09 | 0:21:12 | |
-How much? -Penn brought in 85,000. | 0:21:12 | 0:21:14 | |
Wow, that's very good. | 0:21:14 | 0:21:16 | |
How much did Stephen bring in? | 0:21:16 | 0:21:18 | |
I believe five. | 0:21:18 | 0:21:20 | |
DENNIS LAUGHS | 0:21:20 | 0:21:23 | |
Five grand? Really? | 0:21:23 | 0:21:24 | |
And he's still on the show? | 0:21:24 | 0:21:26 | |
Well, Stephen, the first episode, you said that you were actually going to hold back. | 0:21:26 | 0:21:29 | |
-Wait a minute... -Are you doing that? | 0:21:29 | 0:21:31 | |
You didn't call in favours from your brother and...? | 0:21:31 | 0:21:34 | |
No, there was a little confusion on this task. | 0:21:34 | 0:21:36 | |
I arranged 25,000, | 0:21:36 | 0:21:37 | |
and had a network of about 20 people there to buy | 0:21:37 | 0:21:40 | |
through an art dealer that I brought in. | 0:21:40 | 0:21:42 | |
But there was a little confusion, | 0:21:42 | 0:21:44 | |
about how you could buy, what you could buy. | 0:21:44 | 0:21:46 | |
Yeah, but did you only do five with all your relationships? | 0:21:46 | 0:21:49 | |
With Alec and everybody? | 0:21:49 | 0:21:51 | |
Yes, because the people I brought in to buy | 0:21:51 | 0:21:54 | |
were not able to buy because some of the pieces that I had made | 0:21:54 | 0:21:57 | |
were already sold. | 0:21:57 | 0:21:58 | |
That's just bad management, bad organisation, isn't it? | 0:21:58 | 0:22:01 | |
But that's not my responsibility. | 0:22:01 | 0:22:02 | |
If you only have 15 pieces, how hard can this be? | 0:22:02 | 0:22:05 | |
-I had an art dealer there with clients on the phone. -Right. | 0:22:05 | 0:22:09 | |
And as I described, within a certain amount of time, | 0:22:09 | 0:22:12 | |
when people that I brought in to buy went to buy, | 0:22:12 | 0:22:15 | |
the pieces were already acquired. | 0:22:15 | 0:22:17 | |
I did not understand that other team members could sell my art. | 0:22:17 | 0:22:21 | |
-Right. -And therefore, get the credit of that sale. | 0:22:21 | 0:22:24 | |
Lisa, what do you think of Stephen? | 0:22:24 | 0:22:27 | |
May I finish? | 0:22:27 | 0:22:29 | |
No. | 0:22:29 | 0:22:31 | |
LAUGHTER | 0:22:31 | 0:22:33 | |
Lisa, would you bring Stephen back if you lose? | 0:22:34 | 0:22:37 | |
-Yes, because... -He'd be one. Who else would you bring back? | 0:22:38 | 0:22:41 | |
I will bring back the two lowest, | 0:22:41 | 0:22:44 | |
-the people that brought in the least amount of money. -Who is that? | 0:22:44 | 0:22:46 | |
-Who? -Unfortunately, the other one would be Gary. | 0:22:46 | 0:22:49 | |
How much money did Gary actually raise? | 0:22:49 | 0:22:52 | |
-25,000 for Mr Hang Brain. -That's actually not true. | 0:22:52 | 0:22:56 | |
That's Marilu's money. | 0:22:56 | 0:22:57 | |
Now that's my point. | 0:22:57 | 0:22:59 | |
-Let me rephrase the question. -It was my art that I created. | 0:22:59 | 0:23:02 | |
Gary, let me rephrase the question - how much money did you personally bring in from your contacts? | 0:23:02 | 0:23:07 | |
25,000 from Marilu's... | 0:23:07 | 0:23:09 | |
No, I have to answer now... | 0:23:09 | 0:23:10 | |
Isn't it true that that was one of your pictures | 0:23:10 | 0:23:12 | |
bought by one of Marilu's contacts? | 0:23:12 | 0:23:14 | |
-That's correct. -Yes. | 0:23:14 | 0:23:15 | |
Gary, you're a lovely guy. You really are. | 0:23:15 | 0:23:17 | |
But here's the problem for you. | 0:23:17 | 0:23:19 | |
If your team's lost, you have contributed, | 0:23:19 | 0:23:22 | |
from your contacts, zero. | 0:23:22 | 0:23:24 | |
That's a big problem for you. | 0:23:24 | 0:23:25 | |
I look at a problem as an opportunity in disguise, Piers. | 0:23:25 | 0:23:29 | |
You are funny, man. | 0:23:29 | 0:23:31 | |
LAUGHTER | 0:23:31 | 0:23:34 | |
-We need to put these two on a team. -You are funny, boy. | 0:23:34 | 0:23:37 | |
-Thank you, Piers. -Very different thinking. | 0:23:39 | 0:23:41 | |
Trace, did you like being on this team? | 0:23:41 | 0:23:44 | |
Well, it's...different. | 0:23:44 | 0:23:46 | |
Which team do you like better? | 0:23:46 | 0:23:48 | |
Well, I'm...used to those guys. | 0:23:50 | 0:23:53 | |
But which team do you like better? | 0:23:54 | 0:23:56 | |
Well, we're still playing baseball, it's not like I got traded | 0:23:57 | 0:24:00 | |
-from the Yankees to the Jets. -But you're not really happy? | 0:24:00 | 0:24:02 | |
Yeah, you know, I'm happy to be playing ball. | 0:24:02 | 0:24:05 | |
But you like the other team better? | 0:24:05 | 0:24:06 | |
I think that was a strong team, yeah. | 0:24:06 | 0:24:09 | |
-You like them better? -Well, just from that aspect | 0:24:09 | 0:24:13 | |
it gives me a better chance to win tasks. | 0:24:13 | 0:24:16 | |
-So, tell me, Omarosa... -Yes. -How was your team? | 0:24:17 | 0:24:20 | |
-It was great. -Did you like having Trace? | 0:24:20 | 0:24:22 | |
We loved having Trace. | 0:24:22 | 0:24:23 | |
He has incredible wit, but he also brought in a lot of money. | 0:24:23 | 0:24:27 | |
Lil Jon, how did Dennis do? | 0:24:27 | 0:24:29 | |
Dennis did great. | 0:24:29 | 0:24:30 | |
-Did he do great? -Dennis made, I think, | 0:24:30 | 0:24:32 | |
the best artwork out of everybody. | 0:24:32 | 0:24:34 | |
Did he? Oh, really, wow. | 0:24:34 | 0:24:36 | |
And he called in some favours and got some memorabilia. | 0:24:36 | 0:24:40 | |
His art was terrific, I've got to say. | 0:24:40 | 0:24:42 | |
Very inventive. He got Derek Jeter to give a signed baseball bat. | 0:24:42 | 0:24:46 | |
-Oh, really? -A signed basketball. -Good man, right? Good champion. | 0:24:46 | 0:24:51 | |
Good guy, man. | 0:24:51 | 0:24:52 | |
Lil Jon, so if you lose, will you bring Dennis back? | 0:24:52 | 0:24:55 | |
Absolutely. He brought in the least amount of money. | 0:24:55 | 0:24:58 | |
Who else would you bring back? | 0:24:59 | 0:25:00 | |
Second would be Omarosa. | 0:25:00 | 0:25:03 | |
-Why Omarosa? -Because she was over Dennis, | 0:25:03 | 0:25:06 | |
but at the bottom of the totem pole. | 0:25:06 | 0:25:08 | |
And brought in the most? | 0:25:08 | 0:25:10 | |
I did. | 0:25:10 | 0:25:11 | |
And Omarosa? | 0:25:11 | 0:25:13 | |
Omarosa did 12. | 0:25:13 | 0:25:15 | |
And Dennis? | 0:25:15 | 0:25:17 | |
-Ten. -Ten? well, that's not bad, ten. | 0:25:17 | 0:25:20 | |
It's more than Stephen. | 0:25:20 | 0:25:21 | |
So, Piers, let me ask you a question. | 0:25:26 | 0:25:28 | |
How much money did Lil Jon's team raise? | 0:25:28 | 0:25:31 | |
Lil Jon's team sold a total | 0:25:33 | 0:25:35 | |
of 179,500. | 0:25:35 | 0:25:39 | |
That's good. That's very good. Not bad. | 0:25:39 | 0:25:42 | |
It's not bad. Very good. | 0:25:42 | 0:25:44 | |
Eric? Lisa's team, how much money? | 0:25:44 | 0:25:47 | |
Lisa's team made 225,000. | 0:25:50 | 0:25:52 | |
Omarosa, you know what that means, right? | 0:25:52 | 0:25:54 | |
SHE LAUGHS | 0:25:54 | 0:25:56 | |
So, Lisa, that means you raised almost 405,000. | 0:25:56 | 0:26:02 | |
Congratulations. | 0:26:02 | 0:26:03 | |
Penn, you're doing OK, aren't you? | 0:26:03 | 0:26:05 | |
I was really happy to work on this one. | 0:26:05 | 0:26:07 | |
-I really liked it. -Me too. | 0:26:07 | 0:26:08 | |
You know, already, so early, | 0:26:08 | 0:26:11 | |
way over 1 million we've raised as a group for charity. | 0:26:11 | 0:26:14 | |
So that's good. That's great. | 0:26:14 | 0:26:15 | |
-Yay! -Lisa, what is your charity? | 0:26:15 | 0:26:18 | |
My charity is Saint Jude's Children's Hospital. | 0:26:18 | 0:26:20 | |
Great. I'm very proud of you. | 0:26:20 | 0:26:22 | |
-Thank you. -And what do you have to say? | 0:26:22 | 0:26:24 | |
I am so happy, I can't even tell you. | 0:26:24 | 0:26:27 | |
-I can't even believe it. -Good. | 0:26:27 | 0:26:29 | |
So you go back to your beautiful Trump Tower Suite, | 0:26:30 | 0:26:33 | |
turn on the television, I assume you're going to watch. | 0:26:33 | 0:26:35 | |
You don't have too. I have a feeling... | 0:26:35 | 0:26:37 | |
What's that, four losses? | 0:26:37 | 0:26:38 | |
Enjoy yourself, congratulations. | 0:26:38 | 0:26:40 | |
Great going for Saint Jude's. | 0:26:40 | 0:26:42 | |
-Great going. -Thank you. Thank you. | 0:26:42 | 0:26:45 | |
Lil Jon, sadly, your people just stay right there, | 0:26:45 | 0:26:48 | |
somebody's going to get fired. | 0:26:48 | 0:26:50 | |
Oh, my gosh! | 0:26:58 | 0:26:59 | |
I won as project manager, I won. | 0:26:59 | 0:27:03 | |
-Baby, that's fantastic. -SHE LAUGHS | 0:27:03 | 0:27:05 | |
I won over 400,000 | 0:27:05 | 0:27:09 | |
for Saint Jude's Children's Research Hospital. | 0:27:09 | 0:27:13 | |
It's really one of my proudest moments, it really is. | 0:27:16 | 0:27:20 | |
Where's the remote? I going to turn on the TV. | 0:27:20 | 0:27:22 | |
-Turn it on, Mr TV Guy. -Boom! Look at that. | 0:27:22 | 0:27:25 | |
Where you happy with the money you raised? | 0:27:25 | 0:27:27 | |
I thought we did excellent. I'm not a fundraiser. | 0:27:27 | 0:27:29 | |
I've never fund-raised... | 0:27:29 | 0:27:31 | |
-It's...it's an art. -Yes. | 0:27:31 | 0:27:33 | |
Did you think you won? | 0:27:33 | 0:27:34 | |
I had no idea. | 0:27:34 | 0:27:36 | |
Because I was proud of what we raised, | 0:27:36 | 0:27:38 | |
because that's a lot of money, and some people can't raise that. | 0:27:38 | 0:27:40 | |
That's a lot of money. It's going to a good charity. | 0:27:40 | 0:27:43 | |
I thought we did great, but I didn't know. | 0:27:43 | 0:27:45 | |
-What is your charity? -American Diabetes Association. | 0:27:45 | 0:27:48 | |
-Great. That's great. -Yes. -Really good. | 0:27:48 | 0:27:51 | |
What did you think of him as a project manager, Omarosa? | 0:27:51 | 0:27:54 | |
He had a totally different style. | 0:27:54 | 0:27:56 | |
He was completely laid-back, hands off. | 0:27:56 | 0:27:57 | |
He didn't care whether we were selling toothpicks. | 0:27:57 | 0:28:00 | |
-You think you should be fired because he is project manager? -Absolutely. -You do think so? | 0:28:00 | 0:28:04 | |
LAUGHTER | 0:28:04 | 0:28:05 | |
Wow! Lil Jon, I tried to warn you. | 0:28:05 | 0:28:09 | |
-She...she has her opinions. -Watch the scorpion sting. | 0:28:09 | 0:28:13 | |
He told me straight up that whoever raises the least amount of money, | 0:28:13 | 0:28:16 | |
but there needs to be a paradigm shift. | 0:28:16 | 0:28:18 | |
He waited strategically until this episode to be project manager. | 0:28:18 | 0:28:21 | |
He said he had it, he was going to raise the money, | 0:28:21 | 0:28:24 | |
he didn't want to take any of the other tough tasks. | 0:28:24 | 0:28:26 | |
He wanted this task. He owned it. | 0:28:26 | 0:28:29 | |
He told everyone of us on this team | 0:28:29 | 0:28:31 | |
that he was going to wait until this task. | 0:28:31 | 0:28:33 | |
Come on, Jon, stand up for yourself. | 0:28:33 | 0:28:35 | |
Stand up, fight, fight, fight! | 0:28:35 | 0:28:37 | |
Look at Trace. Look at Trace! | 0:28:37 | 0:28:40 | |
-Trace is like this, "Get me -BLEEP -out of here!" | 0:28:40 | 0:28:43 | |
-You wanted this task. -I've been a strong player in every episode. | 0:28:43 | 0:28:46 | |
No, you haven't. Let's rewind. | 0:28:46 | 0:28:48 | |
So just to clarify, Omarosa, where did he fail? | 0:28:48 | 0:28:51 | |
If you want to take the big risk for the 400,000, | 0:28:51 | 0:28:54 | |
you have to also fail. | 0:28:54 | 0:28:55 | |
If you fail, you've got to take the loss. | 0:28:55 | 0:28:58 | |
-You can't... -Nah - I brought in 80,000 for me. | 0:28:58 | 0:29:00 | |
For a rapper, that's incredible. | 0:29:00 | 0:29:03 | |
Excuse me - 82,500. | 0:29:03 | 0:29:06 | |
But listen to me. You can't say, "Oh, I want the 400,000", | 0:29:06 | 0:29:09 | |
and not take the loss and get fired. | 0:29:09 | 0:29:10 | |
Why should I get fired for that? Why? | 0:29:10 | 0:29:13 | |
Why did you say to me, then, when I came down, | 0:29:13 | 0:29:15 | |
that the person who raised the least should be fired? | 0:29:15 | 0:29:17 | |
The person who raised the least was Dennis. | 0:29:17 | 0:29:19 | |
-But by 2,000. -But here's the point. | 0:29:19 | 0:29:22 | |
Wait, let me speak something. | 0:29:22 | 0:29:23 | |
I probably the least guy, brought the least money in. | 0:29:23 | 0:29:26 | |
But as a team player, I said, | 0:29:26 | 0:29:29 | |
"Take Derek Jeter's bat off my shelf, | 0:29:29 | 0:29:31 | |
"I'll give it to you." | 0:29:31 | 0:29:33 | |
-You got someone to buy it... -That's good. | 0:29:33 | 0:29:34 | |
-I said it to her and him. -He did, he offered the Derek Jeter bat. | 0:29:34 | 0:29:37 | |
And you got a good amount of money for that bat? | 0:29:37 | 0:29:39 | |
I said, "If you want it, take it, it's for the team." | 0:29:39 | 0:29:41 | |
-How did you do with it? -I think it was 5,000. | 0:29:41 | 0:29:43 | |
I'm just saying, because he could've took it if he wanted to. | 0:29:43 | 0:29:45 | |
Is that 5,000 that you'd add to your total? | 0:29:45 | 0:29:48 | |
Yes, that's my total. | 0:29:48 | 0:29:50 | |
Here's what I'd say, from being down there, | 0:29:50 | 0:29:51 | |
is that he had some really valuable stuff. | 0:29:51 | 0:29:54 | |
-He did have good pieces. -Derek Jeter's signed baseball bat, | 0:29:54 | 0:29:57 | |
done as a work of art, was very smart, done by you. | 0:29:57 | 0:29:59 | |
It was worth a lot more than the 5,000 you sold it for. | 0:29:59 | 0:30:03 | |
What you rely on then, I think, | 0:30:03 | 0:30:04 | |
is somebody on the team to produce a buyer | 0:30:04 | 0:30:07 | |
that can contribute a lot more than 5,000. | 0:30:07 | 0:30:10 | |
And that's where I think, Dennis, you were let down by the others. | 0:30:10 | 0:30:14 | |
Because you contributed a brilliant piece of art. | 0:30:14 | 0:30:17 | |
Now, Omarosa, you raised 2,000 more than him, | 0:30:17 | 0:30:19 | |
but your art had no value to it. | 0:30:19 | 0:30:21 | |
-It was just you doing your art. -I think it had value. | 0:30:21 | 0:30:25 | |
It had more value to it... | 0:30:25 | 0:30:27 | |
It had no value in the terms of memorabilia | 0:30:27 | 0:30:29 | |
in the way that Derek Jeter's... | 0:30:29 | 0:30:31 | |
The reason why I did that, because, you know, like he said, | 0:30:31 | 0:30:33 | |
the painting is not the main value. | 0:30:33 | 0:30:37 | |
Derek Jeter, because he's going to be in the Hall of Fame, | 0:30:37 | 0:30:39 | |
probably one of the best Yankees that ever played. | 0:30:39 | 0:30:42 | |
-I agree. -I put my Hall of Fame ball, because... | 0:30:42 | 0:30:44 | |
That's why I thought it was very clever art. I'm praising you. | 0:30:44 | 0:30:47 | |
You were the only contestant on either side | 0:30:47 | 0:30:49 | |
who thought about bringing some value | 0:30:49 | 0:30:51 | |
other than just doing something. | 0:30:51 | 0:30:53 | |
-I think that plays heavily in your credit. -It's pretty good. | 0:30:53 | 0:30:55 | |
And you were let down by the others who didn't give a better donor. | 0:30:55 | 0:30:58 | |
You let down yourself, you didn't get one either, | 0:30:58 | 0:31:01 | |
but somebody should have stepped up to value the Jeter thing | 0:31:01 | 0:31:04 | |
better than it was valued, in my opinion. | 0:31:04 | 0:31:06 | |
Had we had the high-profilers, the celebrities, | 0:31:06 | 0:31:09 | |
if Lil Jon had pushed that, maybe somebody in that room... | 0:31:09 | 0:31:11 | |
-No, no... -Let me finish. | 0:31:11 | 0:31:13 | |
-..they may have seen... -Where are your high profilers? | 0:31:13 | 0:31:16 | |
-My high profilers showed up and put the cash down. -Who? | 0:31:16 | 0:31:18 | |
Who were these famous people? | 0:31:18 | 0:31:19 | |
Well, famous, maybe not for you, but... | 0:31:19 | 0:31:22 | |
-What do you mean by high-profile? -They were high-profile. | 0:31:22 | 0:31:25 | |
Cos you know my argument against you | 0:31:25 | 0:31:26 | |
has always been you're not a celebrity. | 0:31:26 | 0:31:28 | |
-And you are? -And you don't have star power. | 0:31:28 | 0:31:31 | |
You know, I'm going to show you how much I've grown. | 0:31:31 | 0:31:33 | |
Donald, I'm going to show you how much I've grown. | 0:31:33 | 0:31:35 | |
I think it's a big problem for any team you're on. | 0:31:35 | 0:31:38 | |
-She just doesn't give up, boy. -She doesn't stop! | 0:31:38 | 0:31:41 | |
You know, it's not good to have... | 0:31:41 | 0:31:43 | |
I'm just realising. I don't want him as my enemy. | 0:31:43 | 0:31:46 | |
How can you possibly blame a project manager | 0:31:46 | 0:31:50 | |
who has raised 82,500 when you brought in 12,000? | 0:31:50 | 0:31:54 | |
-I agree. -How can he deserve to be fired? | 0:31:54 | 0:31:57 | |
-Strategically... -You did this to Bret Michaels | 0:31:57 | 0:31:59 | |
in the last episode I was involved with, | 0:31:59 | 0:32:02 | |
and you're trying to do it again with Lil Jon. | 0:32:02 | 0:32:04 | |
I just don't think it's credible. | 0:32:04 | 0:32:06 | |
I have a right to fight for my life in this game is much as anyone else. | 0:32:06 | 0:32:09 | |
And I have a right to extinguish it, if I can. | 0:32:09 | 0:32:13 | |
No, Mr Trump has the right to extinguish it. | 0:32:13 | 0:32:14 | |
-I will say this... -I have the right to help him extinguish it. | 0:32:14 | 0:32:17 | |
I mean, he is making a point. | 0:32:17 | 0:32:19 | |
I will say this - I don't think Lil Jon's afraid of Omarosa. | 0:32:19 | 0:32:22 | |
-I think the last two were. -He's great. No, no. | 0:32:22 | 0:32:25 | |
It was amazing, you know, in a way, Omarosa, that you didn't, | 0:32:25 | 0:32:27 | |
you know, at least come back the last two weeks. | 0:32:27 | 0:32:31 | |
I like him as a person, I genuinely like his... | 0:32:31 | 0:32:34 | |
I think he likes you too, but I have a feeling he'll bring you into the boardroom. | 0:32:34 | 0:32:37 | |
So, Trace, let me ask you, who would you fire? | 0:32:37 | 0:32:39 | |
If you were me, who would you fire? | 0:32:39 | 0:32:41 | |
I think I'd sit here and let them go at it for a few more minutes. | 0:32:44 | 0:32:47 | |
LAUGHTER | 0:32:47 | 0:32:50 | |
-I miss Trace. -I do too. | 0:32:52 | 0:32:54 | |
All right - Brande, who would you fire? | 0:32:54 | 0:32:57 | |
She's so stressed out. | 0:32:58 | 0:32:59 | |
LAUGHTER | 0:32:59 | 0:33:01 | |
I just, personally, would prefer to move forward with Dennis. | 0:33:01 | 0:33:05 | |
-As opposed to Omarosa? -Yes. | 0:33:07 | 0:33:08 | |
-Or Lil Jon? -No. Lil Jon should not be fired at all. | 0:33:08 | 0:33:13 | |
Who would you fire? | 0:33:15 | 0:33:16 | |
Omarosa. | 0:33:16 | 0:33:18 | |
OK, Lil Jon. | 0:33:21 | 0:33:23 | |
You don't even have to ask, just two people. | 0:33:23 | 0:33:25 | |
-Come on, let's just get to it. -It's not going to be Brande. | 0:33:25 | 0:33:28 | |
-No. -It's not going to be Trace. -Of course. | 0:33:28 | 0:33:30 | |
OK. Trace, Brande, go back to your suite. | 0:33:30 | 0:33:33 | |
Lil John, go outside. | 0:33:33 | 0:33:35 | |
I'm going to bring you back, somebody will be fired. Thank you. | 0:33:35 | 0:33:39 | |
Good job, Brande. Good job, Trace. I'm so proud of you, Trace. | 0:33:39 | 0:33:43 | |
-The circus begins. -Thank you. | 0:33:43 | 0:33:46 | |
There's no two people I would rather be in battle with. | 0:33:49 | 0:33:53 | |
-It ain't no drama for us. -Well, you know. | 0:33:53 | 0:33:56 | |
We love each other. | 0:33:56 | 0:33:57 | |
It's going to be - I mean, a little bit... | 0:33:57 | 0:33:59 | |
-You know what I'm saying. -Dennis... -Whatever. | 0:33:59 | 0:34:03 | |
Here we are again, Piers. | 0:34:11 | 0:34:13 | |
What do you think? | 0:34:13 | 0:34:14 | |
I would fire Omarosa. | 0:34:14 | 0:34:16 | |
At these big fundraisers, | 0:34:16 | 0:34:17 | |
she can't raise the money from her famous friends, | 0:34:17 | 0:34:19 | |
cos she doesn't have any. | 0:34:19 | 0:34:20 | |
OK. Very good. | 0:34:20 | 0:34:22 | |
This will be very interesting. | 0:34:22 | 0:34:24 | |
-Yeah. -Amanda, let them in. | 0:34:24 | 0:34:26 | |
Yes, Mr Trump. | 0:34:26 | 0:34:28 | |
You can all go back into the boardroom now. | 0:34:28 | 0:34:30 | |
The good, the bad, the ugly. | 0:34:35 | 0:34:38 | |
LAUGHTER | 0:34:38 | 0:34:40 | |
-Lil Jon. -Yes? | 0:34:45 | 0:34:47 | |
Which of these two would you most like to go forward with? | 0:34:47 | 0:34:50 | |
I mean, I have respect for both, | 0:34:53 | 0:34:55 | |
but I watched the season Dennis was on... | 0:34:55 | 0:34:58 | |
-And... -And he was a disaster. -Yeah. | 0:34:58 | 0:35:00 | |
And I respect that he came to the show | 0:35:00 | 0:35:03 | |
to play the game and to work. | 0:35:03 | 0:35:05 | |
So I love Omarosa, but I would say Dennis. | 0:35:05 | 0:35:09 | |
But Dennis did raise the least. | 0:35:09 | 0:35:11 | |
He did raise the least, | 0:35:11 | 0:35:12 | |
and if you said it was going to be about the numbers, | 0:35:12 | 0:35:14 | |
let's insert some integrity in the situation. | 0:35:14 | 0:35:16 | |
-I did not raise the least. -Integrity? | 0:35:16 | 0:35:18 | |
Did you say that with a straight face? | 0:35:18 | 0:35:22 | |
To you, Piers, I can. | 0:35:22 | 0:35:23 | |
Let the record state you said "about integrity". | 0:35:23 | 0:35:27 | |
Dennis, who would you like to go forward with of these two? | 0:35:27 | 0:35:30 | |
I respect Lil Jon. | 0:35:32 | 0:35:33 | |
I respect Omarosa. | 0:35:33 | 0:35:34 | |
She can be a headcase sometimes, you know. | 0:35:34 | 0:35:36 | |
She's a smart woman, a force, everything, but she's a headcase. | 0:35:36 | 0:35:39 | |
She plays on that ten-year relationship you guys have got. | 0:35:39 | 0:35:42 | |
She plays on it a lot, all the time. | 0:35:42 | 0:35:44 | |
Because I love the guy. I'm going to stand up for you all the time. | 0:35:44 | 0:35:47 | |
This is about a business right here. | 0:35:47 | 0:35:49 | |
Lil Jon, who worked harder, Omarosa or Dennis? | 0:35:49 | 0:35:54 | |
I would say Dennis, because he went the extra mile, like he said, | 0:35:54 | 0:35:57 | |
to go get the Derek Jeter bat, and he did that because he knew | 0:35:57 | 0:36:01 | |
he was not going to be able to raise a lot of money. | 0:36:01 | 0:36:03 | |
-Jon, where's the money to go with it? -We tried. We tried. | 0:36:03 | 0:36:06 | |
I tried to upsell, personally, his stuff. I couldn't. | 0:36:06 | 0:36:08 | |
He's a Hall of Famer. | 0:36:08 | 0:36:09 | |
How can have the gall to lecture him about leveraging celebrities...? | 0:36:09 | 0:36:13 | |
And how can you have the gall to not even listen to the fact | 0:36:13 | 0:36:17 | |
that I'm in the game? | 0:36:17 | 0:36:18 | |
He brought in Derek Jeter and still only brought 5,000. | 0:36:18 | 0:36:21 | |
I'm still in the game. | 0:36:21 | 0:36:22 | |
You have never leveraged celebrity, because you're not a celebrity. | 0:36:22 | 0:36:25 | |
Now, Dennis, this is your third time in a row, though. | 0:36:28 | 0:36:31 | |
-Third time in a row what? -Here. In the boardroom. | 0:36:31 | 0:36:33 | |
Wait a minute, hold up, | 0:36:33 | 0:36:34 | |
if you count through the seasons, this is probably my eighth time. | 0:36:34 | 0:36:37 | |
LAUGHTER | 0:36:37 | 0:36:39 | |
That's not a smart answer, Dennis. | 0:36:39 | 0:36:40 | |
-DENNIS: -I know, but... | 0:36:40 | 0:36:42 | |
And I have a 1-0 Project Manager record. | 0:36:42 | 0:36:45 | |
He's never stepped up to be project manager. | 0:36:45 | 0:36:47 | |
I stepped up without any apprehension. | 0:36:47 | 0:36:49 | |
He didn't step up until he knew it was fundraising. | 0:36:49 | 0:36:51 | |
I stepped up. | 0:36:51 | 0:36:52 | |
And I think that should be taken into consideration. | 0:36:52 | 0:36:55 | |
We helped you to win. I helped you to win. | 0:36:55 | 0:36:58 | |
Donald, how about this? The last two boardrooms | 0:36:58 | 0:37:02 | |
and everyone, even you, raised your brows. | 0:37:02 | 0:37:04 | |
Everybody said, "Wait, hold up." | 0:37:04 | 0:37:06 | |
You've got project manager saying, "OK, great". | 0:37:06 | 0:37:08 | |
This woman is the loudest... | 0:37:08 | 0:37:10 | |
That's good strategy. Oh, my gosh. | 0:37:10 | 0:37:13 | |
How in the hell, when you know...? | 0:37:13 | 0:37:16 | |
You whoop this woman, then you just sit there, | 0:37:16 | 0:37:18 | |
all of a sudden, go right around her, | 0:37:18 | 0:37:20 | |
boom, to a girl should never have been here. | 0:37:20 | 0:37:22 | |
-That's good strategy. -It's got nothing to do with strategy. | 0:37:22 | 0:37:27 | |
To hell with that. In the next boardroom, the same thing. | 0:37:27 | 0:37:31 | |
-"Wait a minute, that sucks." -You're an athlete. | 0:37:31 | 0:37:33 | |
-You know what strategy is. -It sucks, though. | 0:37:33 | 0:37:35 | |
You know what mind games are. | 0:37:35 | 0:37:36 | |
You got into your team-mates' heads when you dyed your head red... | 0:37:36 | 0:37:39 | |
You were here three times. Three times! | 0:37:39 | 0:37:43 | |
But I'm a winner. 1-0. | 0:37:43 | 0:37:46 | |
I gotta go to Piers. | 0:37:46 | 0:37:49 | |
Without Donald Trump, you could not be who you are. | 0:37:49 | 0:37:51 | |
That is the bottom line. You would not be who you are. | 0:37:51 | 0:37:54 | |
-Don't give me that. -Absolutely. | 0:37:54 | 0:37:57 | |
The other day, Omarosa, you said right here, | 0:37:57 | 0:38:00 | |
when you won your task, | 0:38:00 | 0:38:02 | |
you said right here you were so excited. | 0:38:02 | 0:38:05 | |
-I saw no tears. You did the same bull -BLEEP. | 0:38:05 | 0:38:08 | |
There was tears. You want to measure? | 0:38:08 | 0:38:10 | |
I'll go in my pocket and say, "Here you go, dry your eyes." | 0:38:10 | 0:38:13 | |
Dry your eyes. Excuse me... | 0:38:13 | 0:38:15 | |
I'd give you more tears if he brought more cash today. | 0:38:15 | 0:38:17 | |
-Where's your cash? -My cash? | 0:38:17 | 0:38:20 | |
OK, OK, OK. | 0:38:20 | 0:38:22 | |
This is a very hard situation, to be honest with you. | 0:38:25 | 0:38:29 | |
Dennis, you have been amazing | 0:38:29 | 0:38:33 | |
in the sense that you've come back so far from the last time | 0:38:33 | 0:38:36 | |
I had you on the show. | 0:38:36 | 0:38:38 | |
I want to show people that I can do really well. | 0:38:38 | 0:38:40 | |
I want to show people I'm actually smart. | 0:38:40 | 0:38:42 | |
Dennis, you really have enthusiasm, now, and you want to stay. | 0:38:42 | 0:38:45 | |
You've got confidence in me. | 0:38:45 | 0:38:47 | |
You brought me back for three times, you know. | 0:38:47 | 0:38:49 | |
Not to be emotional, but just because the fact | 0:38:49 | 0:38:52 | |
that I should've got... | 0:38:52 | 0:38:53 | |
Go ahead. | 0:38:53 | 0:38:56 | |
Omarosa, can I be honest with you? | 0:38:56 | 0:38:58 | |
Sure. | 0:38:58 | 0:39:00 | |
I think the Dennis story is a great story, | 0:39:00 | 0:39:03 | |
not because he did a little bit better | 0:39:03 | 0:39:05 | |
or a little bit worse than you. | 0:39:05 | 0:39:06 | |
-It's a great story of redemption. -Yeah. -Yeah. | 0:39:06 | 0:39:09 | |
He's representing a lot of people that had big problems | 0:39:09 | 0:39:13 | |
and continue to have big problems with drugs, with alcohol, | 0:39:13 | 0:39:16 | |
with whatever the hell he was on last time. | 0:39:16 | 0:39:18 | |
And I look at him now and I see a guy who's so smart, and so sharp. | 0:39:18 | 0:39:22 | |
I honestly thought we lost Dennis. | 0:39:22 | 0:39:25 | |
And I love Dennis. I thought we lost Dennis. | 0:39:25 | 0:39:29 | |
Now, you and Dennis did about the same. | 0:39:29 | 0:39:31 | |
I loved what he did with Derek Jeter. | 0:39:31 | 0:39:32 | |
But you and Dennis did about the same, no big difference. | 0:39:32 | 0:39:35 | |
He did a lot. So it's really hard to fire Lil Jon. | 0:39:35 | 0:39:39 | |
It's really hard for me to fire Dennis, Omarosa, | 0:39:39 | 0:39:43 | |
and I think you understand this, because of what he represents. | 0:39:43 | 0:39:46 | |
Because of where he's come from. | 0:39:46 | 0:39:47 | |
I watched him, and he was able to handle you. | 0:39:47 | 0:39:50 | |
You were doing fine, but he was able to handle you | 0:39:50 | 0:39:53 | |
better than other people on the show have been able to handle you. | 0:39:53 | 0:39:55 | |
-And they've been pretty smart people. -Yeah. | 0:39:55 | 0:39:58 | |
So, Omarosa, I adore you. | 0:39:58 | 0:40:00 | |
We've had tremendous success together. | 0:40:02 | 0:40:05 | |
-Absolutely. -You helped me make The Apprentice, | 0:40:05 | 0:40:07 | |
I mean, we were the number one show on television. | 0:40:07 | 0:40:10 | |
-Absolutely. -You helped make me a star. | 0:40:10 | 0:40:12 | |
Dennis, she helped make me a star. | 0:40:12 | 0:40:15 | |
But, Omarosa, you're fired. | 0:40:16 | 0:40:18 | |
-Thank you, Mr Trump. -Thank you. | 0:40:23 | 0:40:24 | |
And great job. Really great job. | 0:40:24 | 0:40:26 | |
-Go kick some butt. -I'll try. | 0:40:26 | 0:40:27 | |
-You too, darling. -Thank you, Lil Jon. | 0:40:27 | 0:40:30 | |
I'll miss you, Omarosa. | 0:40:32 | 0:40:33 | |
Omarosa, make sure he keeps it up, OK. | 0:40:33 | 0:40:35 | |
-Bye, Eric, thanks. -Thanks, Omarosa. | 0:40:35 | 0:40:37 | |
I love you. Why don't y'all bring it home? | 0:40:44 | 0:40:47 | |
-We'll try. -Tell Marilu I said I love her. | 0:40:47 | 0:40:49 | |
-Hey, honey. -Hello. | 0:40:52 | 0:40:54 | |
That was a great speech. | 0:40:59 | 0:41:00 | |
You're actually empowering Dennis Rodman | 0:41:00 | 0:41:03 | |
in this second time he's back here. | 0:41:03 | 0:41:05 | |
I can see it in him. He actually wants to impress you. | 0:41:05 | 0:41:08 | |
-I'm proud of him. -It is a great story, isn't it? | 0:41:08 | 0:41:10 | |
A great story. I hope it continues. | 0:41:10 | 0:41:12 | |
Great story. | 0:41:12 | 0:41:14 | |
I knew that people would be gunning for me, | 0:41:46 | 0:41:48 | |
because I'm probably one of the strongest players to have played. | 0:41:48 | 0:41:51 | |
And so I had to play it a little differently. | 0:41:51 | 0:41:53 | |
I had to be a little more edgy. I had to be much more aggressive. | 0:41:53 | 0:41:56 | |
And so the only way I could make it to week five | 0:41:56 | 0:41:59 | |
was by stirring things up a little bit. | 0:41:59 | 0:42:02 |