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Twelve candidates hit hard by the recession remain in the competition | 0:00:02 | 0:00:06 | |
for the ultimate job. | 0:00:06 | 0:00:07 | |
The Apprentice is the most important job interview in my life. | 0:00:07 | 0:00:11 | |
Last week, Wade made a promise to Mr Trump that he didn't keep. | 0:00:11 | 0:00:15 | |
In the boardroom, I said I'd step up as PM and bring us to a win. | 0:00:15 | 0:00:18 | |
-Are you going to be upset if I take it? -No, I'm not. | 0:00:18 | 0:00:21 | |
I'm not going to create problems before we even step into a task. | 0:00:21 | 0:00:25 | |
As they started their task, creating a viral video for Popcorn Indiana, | 0:00:25 | 0:00:29 | |
the men lost a team-mate. | 0:00:29 | 0:00:31 | |
David has an emergency. His tooth fell out. He's getting it handled. | 0:00:31 | 0:00:34 | |
-Take care, man. -Yeah, go get better. | 0:00:34 | 0:00:36 | |
'If I had broken my tooth off, I would have still stuck around.' | 0:00:36 | 0:00:40 | |
But I will be overjoyed that he's not there. | 0:00:40 | 0:00:43 | |
And project manager Clint put it all on the line, | 0:00:43 | 0:00:46 | |
staging a popcorn fight outside of Trump Tower. | 0:00:46 | 0:00:49 | |
We had to go big or go home. | 0:00:49 | 0:00:51 | |
Action! Hey! | 0:00:51 | 0:00:54 | |
Woo! | 0:00:54 | 0:00:56 | |
On the women's team, Tyana disagreed with project manager Mahsa's approach. | 0:00:56 | 0:01:00 | |
Old couple getting fresh with each other. | 0:01:00 | 0:01:03 | |
This is supposed to be one huge scene. | 0:01:03 | 0:01:05 | |
As the task progressed, tension between Tyana and Mahsa escalated. | 0:01:05 | 0:01:10 | |
If this doesn't work for us, we might just try to use something funny. | 0:01:10 | 0:01:15 | |
'Tyana was saying that she didn't like | 0:01:15 | 0:01:17 | |
'any of the ideas we were coming up with,' | 0:01:17 | 0:01:19 | |
but she contribute anything creatively to this task. | 0:01:19 | 0:01:21 | |
And their battle continued right into the boardroom. | 0:01:21 | 0:01:24 | |
What was your idea, Tyana? | 0:01:24 | 0:01:25 | |
-My point is... -What was your idea? What was your idea? | 0:01:25 | 0:01:28 | |
Can you let me know when I can talk? | 0:01:28 | 0:01:30 | |
Then Mr Trump turned the spotlight on Wade. | 0:01:30 | 0:01:32 | |
Wade, why didn't you step up as project manager? | 0:01:32 | 0:01:35 | |
I tried. Clint had said that he wanted to be project manager. | 0:01:35 | 0:01:39 | |
I'm stepping up next week. | 0:01:39 | 0:01:40 | |
But when the results were announced... | 0:01:40 | 0:01:42 | |
The men's team did a better job. | 0:01:42 | 0:01:43 | |
Yes! | 0:01:43 | 0:01:45 | |
..Mahsa was in the hot seat. | 0:01:45 | 0:01:46 | |
Mahsa, why shouldn't I fire you? | 0:01:46 | 0:01:48 | |
Then, the women turned on Tyana. | 0:01:48 | 0:01:51 | |
-You don't get to check out of a business because you don't agree with what's going on. -I never did. | 0:01:51 | 0:01:55 | |
So you're telling me that Tyana maybe was against, | 0:01:55 | 0:01:58 | |
-but she had no ideas. -Exactly. -Correct. | 0:01:58 | 0:02:00 | |
And in the end, Mr Trump agreed with the majority. | 0:02:00 | 0:02:04 | |
Tyana, you're fired. | 0:02:04 | 0:02:05 | |
So, who's going? Mahsa? | 0:02:16 | 0:02:19 | |
I think Mahsa deserves to go. But Mahsa's a great fighter. | 0:02:19 | 0:02:22 | |
-I know. -Tyana should be back. | 0:02:22 | 0:02:24 | |
And Liza should not be fired, either. | 0:02:24 | 0:02:26 | |
Wait a minute. Let's see who it is. | 0:02:26 | 0:02:28 | |
Woo! | 0:02:28 | 0:02:30 | |
Lisa, there we go. All right. | 0:02:30 | 0:02:32 | |
-Give that lady a drink! -Thank goodness! | 0:02:32 | 0:02:34 | |
-WOMEN CHEER -Mahsa. Mahsa. | 0:02:34 | 0:02:36 | |
-Oh, my God. -Uh-oh. | 0:02:36 | 0:02:38 | |
-Wow. -Wow. | 0:02:38 | 0:02:39 | |
Guys, that was the least fun thing I've ever done. | 0:02:39 | 0:02:42 | |
I don't ever want to go in there again. | 0:02:42 | 0:02:44 | |
'Mahsa did her job as a project manager,' | 0:02:44 | 0:02:47 | |
but she is lacking a certain polish. | 0:02:47 | 0:02:51 | |
If she takes that finger of hers | 0:02:51 | 0:02:53 | |
and points it at a businessman in the real world, | 0:02:53 | 0:02:56 | |
that finger's going to get her nowhere. | 0:02:56 | 0:02:58 | |
So you're stepping up next round. | 0:02:58 | 0:02:59 | |
-Yep. -I'm going to bleed me some Wade. | 0:02:59 | 0:03:01 | |
Anything you need, I don't care how dirty it is. | 0:03:01 | 0:03:04 | |
I need you guys' creative minds, is what I need. | 0:03:04 | 0:03:06 | |
'I was more than ready To step up as project manager. | 0:03:06 | 0:03:09 | |
'Mr Trump said he was disappointed in me' | 0:03:09 | 0:03:11 | |
that I hadn't stepped up, so this was an opportunity | 0:03:11 | 0:03:14 | |
for him to see how I could manage a team, see my leadership style. | 0:03:14 | 0:03:16 | |
-We took a risk. -We did. It paid off in the end. | 0:03:16 | 0:03:19 | |
-Hear, hear. -To Steve Forbes. | 0:03:19 | 0:03:20 | |
-To Steve Forbes! -Let's stay that way, guys. | 0:03:20 | 0:03:22 | |
'Wade has been a very, very good follower to date. | 0:03:22 | 0:03:25 | |
'But Wade has never really stepped up to the plate' | 0:03:25 | 0:03:28 | |
above and beyond being told what to do. | 0:03:28 | 0:03:30 | |
'And for the first time since we've been here, | 0:03:30 | 0:03:32 | |
'he has to actually do something.' | 0:03:32 | 0:03:34 | |
MUSIC: "For The Love Of Money" by The O'Jays | 0:03:34 | 0:03:39 | |
# Money, money, money, money | 0:03:39 | 0:03:43 | |
# Money! | 0:03:43 | 0:03:45 | |
# Money, money, money, money | 0:03:45 | 0:03:48 | |
# Money! # | 0:03:48 | 0:03:49 | |
People are going through tough times now. | 0:04:00 | 0:04:03 | |
-Suddenly you thought the world was at your fingertips. -Yes, sir. | 0:04:03 | 0:04:06 | |
Now you're a ruined man. How did you get back on your feet? | 0:04:06 | 0:04:09 | |
I'm in the process of that right now. | 0:04:09 | 0:04:10 | |
It comes credible from somebody who's been through it. | 0:04:10 | 0:04:13 | |
If anyone's going to make it, I can. | 0:04:13 | 0:04:15 | |
'I was project manager and won our task,' | 0:04:15 | 0:04:18 | |
so today I get to meet Steve Forbes. | 0:04:18 | 0:04:20 | |
'He was a presidential candidate. He's Mr Business.' | 0:04:20 | 0:04:23 | |
People like Abraham Lincoln went bust. | 0:04:23 | 0:04:25 | |
Harry Truman - depression came in the early '20s and wiped him out. | 0:04:25 | 0:04:29 | |
You're a man who's been through adversity but you also have that glint in your eye, | 0:04:29 | 0:04:33 | |
looking to the future. | 0:04:33 | 0:04:35 | |
'Clint was the kind of person who soaks up advice.' | 0:04:35 | 0:04:38 | |
That's the kind of individual | 0:04:38 | 0:04:39 | |
who will, one way or the other, move ahead. | 0:04:39 | 0:04:41 | |
But also, you're going to get curve balls. | 0:04:41 | 0:04:44 | |
Sometimes it's your fault, sometimes it isn't. | 0:04:44 | 0:04:46 | |
Life just throws things your way. And be prepared for it. | 0:04:46 | 0:04:49 | |
'I was a real-estate developer, making millions. | 0:04:49 | 0:04:53 | |
'I'm now living off the little credit we have left, with no income. | 0:04:53 | 0:04:57 | |
'But after being in the presence of Mr Steve Forbes,' | 0:04:57 | 0:05:00 | |
I'm seeing a great future for myself, | 0:05:00 | 0:05:02 | |
for my wife, my three boys. | 0:05:02 | 0:05:04 | |
We're going to make it - make it big. | 0:05:04 | 0:05:06 | |
-Thank you so much, sir. -Appreciate your coming by. | 0:05:06 | 0:05:09 | |
-Good morning. -ALL: -Good morning, Mr Trump. | 0:05:22 | 0:05:25 | |
Footwear is a 100 billion business. | 0:05:25 | 0:05:30 | |
One of the finest and one of the best companies in the business | 0:05:30 | 0:05:35 | |
is Rockport. | 0:05:35 | 0:05:36 | |
With me is Michael Rupp, | 0:05:36 | 0:05:39 | |
the CEO and president of Rockport. | 0:05:39 | 0:05:42 | |
Michael. | 0:05:42 | 0:05:43 | |
Thank you, Donald. | 0:05:43 | 0:05:44 | |
Rockport's philosophy is simple - walkability. | 0:05:44 | 0:05:47 | |
As we are about to launch | 0:05:47 | 0:05:49 | |
our spring/summer 2011 product line, | 0:05:49 | 0:05:52 | |
your task will be to present a fashion show | 0:05:52 | 0:05:56 | |
to our key buyers - like Zappos - tonight. | 0:05:56 | 0:06:00 | |
-Men, you will present the women's line. -Awesome. | 0:06:00 | 0:06:03 | |
And, women, you will present the men's line. | 0:06:03 | 0:06:07 | |
So I wish you good luck for tonight. | 0:06:07 | 0:06:09 | |
-Thank you. -Thank you, sir. | 0:06:09 | 0:06:12 | |
My advisers for this task | 0:06:12 | 0:06:14 | |
are Catherine Roman and Juan Betancourt. | 0:06:14 | 0:06:17 | |
They are executive search consultants, | 0:06:17 | 0:06:19 | |
Also known as head-hunters. | 0:06:19 | 0:06:21 | |
'Mr Trump introduced us to Catherine and Juan, | 0:06:21 | 0:06:23 | |
'who are executive head-hunters. | 0:06:23 | 0:06:25 | |
'But for those people who are unemployed,' | 0:06:25 | 0:06:28 | |
looking good in the eyes of those executive search consultants | 0:06:28 | 0:06:32 | |
is extremely important. | 0:06:32 | 0:06:33 | |
Who is your project manager, men? | 0:06:33 | 0:06:35 | |
-I am. -OK. Wade. | 0:06:35 | 0:06:37 | |
-Women. -I am, sir. -Stephanie. -Yes. | 0:06:37 | 0:06:40 | |
Good luck. Do well. | 0:06:40 | 0:06:42 | |
Have fun. | 0:06:42 | 0:06:43 | |
Just to set the tone, | 0:06:51 | 0:06:53 | |
I want today to be completely different. | 0:06:53 | 0:06:55 | |
Today is Operation Win, | 0:06:55 | 0:06:56 | |
Not Operation Pick On Whatever Each Other's Weakness Is. | 0:06:56 | 0:07:00 | |
'Being the project manager on this task will be very refreshing for me.' | 0:07:00 | 0:07:03 | |
Focused leader with vision. | 0:07:03 | 0:07:05 | |
'Do your job, and if you do it, we'll win.' | 0:07:05 | 0:07:09 | |
Kelly, I know you're very fashion-oriented, | 0:07:09 | 0:07:12 | |
So I'd like you to help with the fashion show itself. | 0:07:12 | 0:07:15 | |
'When Stephanie was putting me front and centre on the creative side,' | 0:07:15 | 0:07:18 | |
I felt good that I have at least seen several fashion shows, | 0:07:18 | 0:07:21 | |
So I at least had some background to draw upon. | 0:07:21 | 0:07:25 | |
Poppy, you could aid in the whole creative aspect with Kelly. | 0:07:25 | 0:07:29 | |
Lisa, you have a good eye for all this fashion as well, | 0:07:29 | 0:07:32 | |
so I want you to help with the creative. | 0:07:32 | 0:07:34 | |
Mahsa's going to keep us on time. | 0:07:34 | 0:07:35 | |
-Check. -OK. | 0:07:35 | 0:07:36 | |
Brandy, I'm really comfortable with you being the emcee. | 0:07:36 | 0:07:39 | |
'I delegated the emcee to Brandy.' | 0:07:39 | 0:07:41 | |
She's very beautiful. very polished. | 0:07:41 | 0:07:43 | |
She's an elegant speaker. | 0:07:43 | 0:07:45 | |
That's who I want on the microphone. | 0:07:45 | 0:07:47 | |
I feel like there should probably be a larger theme to this. | 0:07:47 | 0:07:51 | |
-Right. -The story can be "a day in the life". | 0:07:51 | 0:07:53 | |
He wakes up in the morning, he goes to work, | 0:07:53 | 0:07:56 | |
so he wears his work shoe. Then he wears the shoe he wears to the gym. | 0:07:56 | 0:08:00 | |
-So we could do a whole... -Right. | 0:08:00 | 0:08:01 | |
Whatever a sophisticated, chic name is that would represent him. | 0:08:01 | 0:08:04 | |
Tristan. I like Tristan. A day in the life of Tristan. | 0:08:04 | 0:08:07 | |
A day in the life of Tristan. | 0:08:07 | 0:08:09 | |
'I have always loved the name Tristan | 0:08:09 | 0:08:12 | |
'ever since I saw Legends Of The Fall,' | 0:08:12 | 0:08:14 | |
that scene where Brad Pitt comes off that horse | 0:08:14 | 0:08:17 | |
and his blond hair in that ponytail. | 0:08:17 | 0:08:19 | |
'So, immediately, I thought, "Tristan".' | 0:08:19 | 0:08:21 | |
You know what? | 0:08:21 | 0:08:23 | |
I want to take a little more risk to put us over the edge. | 0:08:23 | 0:08:26 | |
What if we had them all come out for the finale | 0:08:26 | 0:08:29 | |
in just boxer shorts and shoes? | 0:08:29 | 0:08:31 | |
And we have them all line up. | 0:08:31 | 0:08:33 | |
It's edgy. It's pushing the envelope, you know? It's not safe. | 0:08:33 | 0:08:37 | |
-I like it. -I love it. -That's it. That's what we're doing. | 0:08:37 | 0:08:41 | |
I'm so ashamed of myself right now. | 0:08:41 | 0:08:43 | |
You love it! | 0:08:43 | 0:08:44 | |
'For the finale of the show, | 0:08:44 | 0:08:47 | |
'we decided to bring all the models out | 0:08:47 | 0:08:49 | |
'in their underwear and in their shoes. | 0:08:49 | 0:08:51 | |
'We want to be edgy, but we don't want to offend the executives. | 0:08:51 | 0:08:54 | |
'And so I began to have reservations | 0:08:54 | 0:08:57 | |
and wishing I had never put the idea out there to begin with. | 0:08:57 | 0:09:00 | |
-OK, So that'll be our finale. -OK. -Cool, perfect. | 0:09:00 | 0:09:03 | |
All right. You guys ready to go? | 0:09:05 | 0:09:07 | |
-Yep. -Go get 'em. | 0:09:07 | 0:09:08 | |
I'm not going to give a really long speech. | 0:09:08 | 0:09:10 | |
We've got a really creative team. Let's just have fun. Let's not bicker. | 0:09:10 | 0:09:13 | |
Let's not dick around. Let's not panic. | 0:09:13 | 0:09:16 | |
Wade is an under-the-radar guy. | 0:09:16 | 0:09:18 | |
Right away, it was just a real laid-back type deal. | 0:09:18 | 0:09:22 | |
But we are under intense time restraints here. | 0:09:22 | 0:09:26 | |
My obvious choices, I think, for the models, | 0:09:26 | 0:09:28 | |
if it's OK, for their clothing. | 0:09:28 | 0:09:29 | |
-I think you guys would do well. -No question. | 0:09:29 | 0:09:32 | |
'I asked Anand and Steuart to be in charge of clothing.' | 0:09:32 | 0:09:34 | |
Two of the more stylish guys on the team. | 0:09:34 | 0:09:36 | |
They work well together and I think they'll do well with it. | 0:09:36 | 0:09:39 | |
-I need an emcee. -I've done this before. I'll do it. | 0:09:39 | 0:09:41 | |
-Unless David feels good. -We could co-emcee. | 0:09:41 | 0:09:44 | |
-You know how fun it is to play off somebody? -Let's do that. | 0:09:44 | 0:09:47 | |
OK. Just be careful. Don't have smartass David stuff. | 0:09:47 | 0:09:50 | |
This isn't stand-up. I mean, I... This is a different crowd. | 0:09:50 | 0:09:54 | |
'I needed an emcee. Gene raised his hand | 0:09:54 | 0:09:56 | |
'and David raised his hand at the same time.' | 0:09:56 | 0:09:59 | |
So I said, "Gene and David, you guys work on it." | 0:09:59 | 0:10:01 | |
If David's going to work with anybody, | 0:10:01 | 0:10:03 | |
I guess Gene was the guy that I felt he could work best with. | 0:10:03 | 0:10:06 | |
I'll work on the transition. | 0:10:06 | 0:10:08 | |
Should I say, "I'll hand it to my brother from another mother"? | 0:10:08 | 0:10:11 | |
-No. -Gene! -But let's transition that, though. | 0:10:11 | 0:10:14 | |
'Wade had a calm demeanour about him, I thought was pretty good. | 0:10:14 | 0:10:17 | |
'But we didn't really have a theme for our show' | 0:10:17 | 0:10:19 | |
and that was a concern of mine. | 0:10:19 | 0:10:20 | |
-Do you have white suit? -I do not. | 0:10:20 | 0:10:22 | |
We could reverse the ebony and ivory. | 0:10:22 | 0:10:24 | |
That would be so hilarious! | 0:10:24 | 0:10:27 | |
-CLINT: -'I was absolutely worried that David could be a liability | 0:10:27 | 0:10:30 | |
'because David has a history of being a bit of a loose cannon. | 0:10:30 | 0:10:33 | |
'Combine that with the fact the guy could possibly be' | 0:10:33 | 0:10:36 | |
hopped up on painkillers because of his tooth - | 0:10:36 | 0:10:38 | |
To me, that's too much of an x-factor to trust. | 0:10:38 | 0:10:41 | |
-If you're not wearing Rockports, you're just a sad sack of -BLEEP. | 0:10:41 | 0:10:44 | |
-Hi, I'm Wade, project manager. -Hi. Catherine. -Pleased to meet you. | 0:10:56 | 0:11:00 | |
So, how do you feel about attacking a fashion challenge? | 0:11:00 | 0:11:04 | |
-It's a little bit out of the box for you? -Yeah, it is, but it's fun. | 0:11:04 | 0:11:06 | |
I got two little girls at home, | 0:11:06 | 0:11:08 | |
-so I got plenty of shoes at home. -Great. | 0:11:08 | 0:11:10 | |
'Mr Trump's eyes and ears, the so-called head-hunter, arrives. | 0:11:10 | 0:11:13 | |
'I hope she wasn't put off by the fact that I was really focused' | 0:11:13 | 0:11:15 | |
and wanted to make sure the team delivered on this. | 0:11:15 | 0:11:18 | |
Gene, you feel you know the product well enough to talk about...? | 0:11:18 | 0:11:21 | |
Yeah, once I got a description on every shoe, I'm good. | 0:11:21 | 0:11:24 | |
You guys will be able to flow together? | 0:11:24 | 0:11:26 | |
Yeah, yeah. We're going to rehearse. | 0:11:26 | 0:11:28 | |
We're not going to go out there cold turkey. | 0:11:28 | 0:11:30 | |
'Wade seems to be doing really well. | 0:11:30 | 0:11:32 | |
'In some areas, he doesn't seem to be really doing a lot,' | 0:11:32 | 0:11:36 | |
but the way that he has delegated | 0:11:36 | 0:11:38 | |
all of the different pieces of the task | 0:11:38 | 0:11:40 | |
seems to have been extremely well thought-out. | 0:11:40 | 0:11:43 | |
-Hi, ladies. How are you? -Hi, ladies. How are you? Anand. | 0:11:43 | 0:11:46 | |
-Steuart. -Pleasure! -Andrea. Nice to meet you. | 0:11:46 | 0:11:48 | |
You all have a seat. | 0:11:48 | 0:11:50 | |
-GENE: -The models get there | 0:11:50 | 0:11:52 | |
and Wade had assigned Steuart and Anand. | 0:11:52 | 0:11:55 | |
It's like putting wolves in the hen house. | 0:11:55 | 0:11:58 | |
I mean, those guys were... | 0:11:58 | 0:12:02 | |
Take your shoes off, get comfortable, get ready. | 0:12:02 | 0:12:05 | |
You'll be trying on a few pairs. | 0:12:05 | 0:12:06 | |
You have very well-manicured toes. Nice to see. | 0:12:06 | 0:12:09 | |
I really like that, because the pink and the darker skin, I think it looks really good. | 0:12:09 | 0:12:13 | |
Steuart, real quick, which one do you like better? | 0:12:13 | 0:12:15 | |
No question, the flats. | 0:12:15 | 0:12:17 | |
Anand and I have a good sense of style. | 0:12:17 | 0:12:20 | |
So it's a clear choice for us to go pick out the outfits with the models. | 0:12:20 | 0:12:24 | |
I think we're set. | 0:12:24 | 0:12:25 | |
You girls will all come shopping with us, so... | 0:12:25 | 0:12:28 | |
You guys get to spend the whole day with Anand and I! | 0:12:28 | 0:12:30 | |
-Yay! -All right! -THEY LAUGH | 0:12:30 | 0:12:33 | |
The brand personality - sexy, savvy, modern American. | 0:12:35 | 0:12:39 | |
So, Kelly and poppy, think GQ, good-looking men. | 0:12:39 | 0:12:44 | |
Oh, here's the models. Hi, guys! | 0:12:44 | 0:12:46 | |
Hi. Do you want to come... Let's go in the living area, | 0:12:46 | 0:12:49 | |
-cos there's going to be more space. BRANDY: -Hi! | 0:12:49 | 0:12:52 | |
'You could definitely see the women were excited | 0:12:52 | 0:12:54 | |
'that there were a bunch of male models around.' | 0:12:54 | 0:12:56 | |
That doesn't happen to me in my normal life every day, | 0:12:56 | 0:12:58 | |
so it wasn't bad. | 0:12:58 | 0:13:01 | |
The overall theme is walkability. | 0:13:01 | 0:13:03 | |
So what I'm really going to be looking for | 0:13:03 | 0:13:05 | |
is if you can convey the walkability message | 0:13:05 | 0:13:08 | |
while you're modelling. | 0:13:08 | 0:13:10 | |
-I'm Stephanie. -I'm Juan Betancourt. Hi, Juan, nice to meet you. | 0:13:10 | 0:13:14 | |
Nice to meet you. | 0:13:14 | 0:13:15 | |
Our eyes and ears on this task was Juan, who's an executive recruiter. | 0:13:15 | 0:13:18 | |
'It's important to make a good impression | 0:13:18 | 0:13:20 | |
'because there could be potential for the future for me. I'm excited.' | 0:13:20 | 0:13:24 | |
-I'm a banker by trade. -OK. -And Brandy's an attorney by trade. | 0:13:24 | 0:13:27 | |
So we're not so creative. | 0:13:27 | 0:13:28 | |
-We're putting together exactly how the evening's going to unfold. -OK. | 0:13:28 | 0:13:32 | |
And then I've delegated the creative | 0:13:32 | 0:13:34 | |
to the creative girls on the team. | 0:13:34 | 0:13:35 | |
'Stephanie is demonstrating a lot of qualities of great leadership. | 0:13:35 | 0:13:39 | |
'It sounds like they're on track.' | 0:13:39 | 0:13:40 | |
And so this is a fun task that it's theirs to lose. | 0:13:40 | 0:13:44 | |
38 regular. 31 waist. | 0:13:54 | 0:13:56 | |
-That will work. -Yeah. | 0:13:56 | 0:13:57 | |
'Kelly and I were assigned to shopping. | 0:13:57 | 0:14:00 | |
'Time was of the essence,' | 0:14:00 | 0:14:01 | |
And if we had eight models with us, | 0:14:01 | 0:14:05 | |
it would be way too much. | 0:14:05 | 0:14:06 | |
'So we took one of our models with us | 0:14:06 | 0:14:09 | |
'sort of as a Barbie doll in the dressing rooms.' | 0:14:09 | 0:14:11 | |
-This is a 40? -Yeah. -OK, it's good. | 0:14:11 | 0:14:14 | |
We're using all three v-neck shirts. Perfect! | 0:14:14 | 0:14:17 | |
Nope, nope, nope. | 0:14:17 | 0:14:18 | |
Medium. OK. | 0:14:18 | 0:14:20 | |
'The look of the modern Rockport man Was literally resting in our hands.' | 0:14:20 | 0:14:25 | |
I honestly think that we had the biggest responsibility. | 0:14:25 | 0:14:30 | |
I want boxer briefs. | 0:14:30 | 0:14:32 | |
That's good. OK, awesome. You are completed. | 0:14:32 | 0:14:36 | |
I can officially say that I just outfitted a man in underwear. | 0:14:36 | 0:14:40 | |
Awesome. | 0:14:40 | 0:14:41 | |
What we're going to do is get clothes and then also some accessories. | 0:14:50 | 0:14:53 | |
'We had a limited amount of time but we wanted to get to know them,' | 0:14:53 | 0:14:57 | |
make sure they were comfortable with us, | 0:14:57 | 0:14:59 | |
make sure we were comfortable with them. | 0:14:59 | 0:15:01 | |
You know what? I'm actually a shopaholic. | 0:15:01 | 0:15:03 | |
I love shopping. So this will be super-easy for me. | 0:15:03 | 0:15:07 | |
So you've got great legs, | 0:15:07 | 0:15:08 | |
-so I want to definitely utilise that. -Oh, thank you. -You're welcome. | 0:15:08 | 0:15:12 | |
-STEUART: -This is going to make us such better boyfriends | 0:15:12 | 0:15:14 | |
and/or future husbands, just better men altogether. | 0:15:14 | 0:15:18 | |
-You can just, like, lift up your dress - not right here, but... -Yeah. | 0:15:18 | 0:15:21 | |
I'm getting distracted here, all these beautiful women. | 0:15:21 | 0:15:24 | |
I think my favourite model Was Megan, Tracy, Alicia. | 0:15:24 | 0:15:31 | |
I mean, I like 'em all. | 0:15:31 | 0:15:32 | |
What? | 0:15:35 | 0:15:36 | |
-We're both -BLEEP! | 0:15:39 | 0:15:41 | |
-We're both totally -BLEEP! | 0:15:41 | 0:15:43 | |
What about this? | 0:15:43 | 0:15:44 | |
For what, bro? Let's focus on what we need. | 0:15:44 | 0:15:47 | |
I actually like that a lot. | 0:15:47 | 0:15:48 | |
Maybe, like, a bandana? Like, a red bandana or something? | 0:15:48 | 0:15:52 | |
-For what? -Just to tie around her neck or something. | 0:15:52 | 0:15:55 | |
I think even headband. | 0:15:55 | 0:15:56 | |
I would not complain about hanging out with eight models. Ever. | 0:15:56 | 0:16:00 | |
'But this is definitely the hardest thing I've had to do.' | 0:16:00 | 0:16:03 | |
-You think this is slutty? -Yeah, I don't like it. | 0:16:03 | 0:16:05 | |
-It's not going to be see-through. -I really don't like it. | 0:16:05 | 0:16:08 | |
-You think this dress would work with it? -No, don't like it. | 0:16:08 | 0:16:11 | |
Is this a dress or a shirt? | 0:16:11 | 0:16:13 | |
This is a 38. What does that - what does 38 mean? | 0:16:13 | 0:16:16 | |
Wait, what is this? Is this, like, a bikini? | 0:16:16 | 0:16:18 | |
This is so much harder than I expected it to be. | 0:16:18 | 0:16:22 | |
Number three. That's this guy right here. So, just powder. | 0:16:28 | 0:16:32 | |
'When we arrived at our fashion-show location,' | 0:16:32 | 0:16:35 | |
I talked with the make-up and hair people, | 0:16:35 | 0:16:38 | |
sort of got them up to speed on the looks for each of the models. | 0:16:38 | 0:16:41 | |
He's also look 11, and then he's also look 17 in underwear. | 0:16:41 | 0:16:45 | |
-Everyone's a 17. -No. -We don't have eight underwear. | 0:16:45 | 0:16:48 | |
-So, we got seven? -No, we have one. | 0:16:48 | 0:16:50 | |
We're doing one guy at the end? | 0:16:50 | 0:16:53 | |
That ruins the whole thing. We need the line-up of naked men. | 0:16:53 | 0:16:57 | |
This is the finale, Poppy. It's the most important part. | 0:16:57 | 0:16:59 | |
So you have to figure out the underwear. | 0:16:59 | 0:17:02 | |
'Poppy, she gets back from the store, there's one pair of briefs.' | 0:17:02 | 0:17:05 | |
Who told you one pair? We said eight models, eight pairs! | 0:17:05 | 0:17:07 | |
'And everyone knows this grand finale | 0:17:07 | 0:17:10 | |
'was the guys in their briefs.' | 0:17:10 | 0:17:12 | |
-This is like an hour before the show. Who has time for this -BLEEP? | 0:17:12 | 0:17:16 | |
I'm really pissed. | 0:17:16 | 0:17:17 | |
-Why are so many people so -BLEEP -incompetent? | 0:17:17 | 0:17:19 | |
-Why can't you manage one -BLEEP -thing? | 0:17:19 | 0:17:21 | |
Hello. Hello, ladies. | 0:17:24 | 0:17:25 | |
-You still have to get your hair done, right? -No, this is my hair now. | 0:17:27 | 0:17:31 | |
It looks great. I like it. | 0:17:31 | 0:17:33 | |
"You can be comfortable with reduced shocks, | 0:17:33 | 0:17:35 | |
-"smooth rolls and soft strikes." -'David had been working diligently' | 0:17:35 | 0:17:38 | |
on putting together his opening and his closing. | 0:17:38 | 0:17:41 | |
Gene knew what he had to do, | 0:17:41 | 0:17:42 | |
as far as delivering the information about the product. | 0:17:42 | 0:17:44 | |
-Dude, you look like a rock star. -That is so cool. | 0:17:44 | 0:17:47 | |
You ladies look beautiful. You look great. | 0:17:47 | 0:17:49 | |
I was keeping the balls in the air, making sure everybody had what they needed. | 0:17:49 | 0:17:53 | |
-You guys doing OK? -Wonderful. | 0:17:53 | 0:17:55 | |
-Hey! -Hey! -Hey! | 0:17:56 | 0:17:58 | |
-OK, talk to me. -We have a bunch of boxer briefs. | 0:17:58 | 0:18:00 | |
Are they black? Awesome. | 0:18:00 | 0:18:03 | |
'We fixed up Poppy's mistake of the underwear. | 0:18:03 | 0:18:05 | |
'I had to send Brandy to run to the store last minute.' | 0:18:05 | 0:18:08 | |
I like Brandy because she figures it out. | 0:18:08 | 0:18:11 | |
OK, we got to go rehearse right now. Let's go. | 0:18:11 | 0:18:13 | |
Yeah, line up right here, one to eight. | 0:18:13 | 0:18:15 | |
We got up to rehearse our runway show. | 0:18:15 | 0:18:17 | |
I thought it was crucial that we know what we're doing. | 0:18:17 | 0:18:20 | |
OK, Brandy, when you're ready. | 0:18:20 | 0:18:22 | |
This evening, we will take you on a journey | 0:18:22 | 0:18:24 | |
through the day in the life of Tristan. | 0:18:24 | 0:18:26 | |
Soon as you hear that, come right here. | 0:18:26 | 0:18:28 | |
You're going to give me your best GQ-ness. | 0:18:28 | 0:18:30 | |
When she gives you the second sentence, which is... | 0:18:30 | 0:18:32 | |
-Tristan is a sexy, attractive... -And now we're walking. | 0:18:32 | 0:18:35 | |
Suave. Sell it. Sell it. | 0:18:35 | 0:18:37 | |
You're the first person we put out here, | 0:18:37 | 0:18:39 | |
so you set the tone for the rest of this evening, OK? | 0:18:39 | 0:18:42 | |
Look two. | 0:18:42 | 0:18:43 | |
It's 4:30am, and Tristan... | 0:18:43 | 0:18:45 | |
Think shock absorbency! think shock absorbency! | 0:18:45 | 0:18:48 | |
-A little more bounce, though. There we go. -Love it! | 0:18:48 | 0:18:51 | |
-Yes. -Let's bring look three out. | 0:18:51 | 0:18:53 | |
'Kelly did such a great job | 0:18:55 | 0:18:57 | |
'at directing all the models down the runway.' | 0:18:57 | 0:19:00 | |
I really saw her come out of her quiet little shell | 0:19:00 | 0:19:02 | |
and you saw that personality come out. | 0:19:02 | 0:19:04 | |
Tristan heads out of the office into the hustle of the busy metropolitan... | 0:19:04 | 0:19:08 | |
-He's not wearing that, is he? -Yeah. | 0:19:08 | 0:19:10 | |
-With the shorts? -Mm-hmm. | 0:19:10 | 0:19:12 | |
'I notice this guy wearing shorts | 0:19:12 | 0:19:15 | |
'and he's got scabs on his legs. I was not in charge of the fashion' | 0:19:15 | 0:19:18 | |
But in my mind, I'm thinking, "My gosh. He needs to cover those legs." | 0:19:18 | 0:19:22 | |
OK, we're done. Let's go. | 0:19:22 | 0:19:23 | |
All right, We're going to rock this. | 0:19:23 | 0:19:27 | |
Rehearsal's in ten minutes! | 0:19:27 | 0:19:28 | |
Outfit number one, please. | 0:19:28 | 0:19:30 | |
All right, how long before you're going to be able to run through this with me? | 0:19:30 | 0:19:34 | |
Uh, I've got... | 0:19:34 | 0:19:36 | |
One, two, three, four, | 0:19:36 | 0:19:40 | |
five, six, seven, eight, nine more shoes. | 0:19:40 | 0:19:44 | |
Are you kidding? | 0:19:44 | 0:19:45 | |
'I was getting myself ready. | 0:19:45 | 0:19:47 | |
'I was hoping that Gene was getting himself ready.' | 0:19:47 | 0:19:51 | |
But I'm not babysitting Gene. | 0:19:51 | 0:19:53 | |
-Oh, Gene, she's going. -OK. | 0:19:55 | 0:19:57 | |
-Let's go. -Do you have an in? | 0:19:57 | 0:19:58 | |
No, I don't have anything ready. | 0:19:58 | 0:20:01 | |
-You don't have this? -No, that's what I've been telling everybody. | 0:20:01 | 0:20:04 | |
-I don't -BLEEP... | 0:20:04 | 0:20:06 | |
Patent leather and easy to maintain. Beautiful... | 0:20:06 | 0:20:09 | |
-That's not strapless. -No... | 0:20:09 | 0:20:10 | |
-What kind of order is this? -I've got the order here. | 0:20:10 | 0:20:13 | |
Arch cookie and support comfort. High heels, 88 millimetres. | 0:20:13 | 0:20:17 | |
Gene, you better be ready to do this. | 0:20:17 | 0:20:19 | |
I look over in the corner and I see Catherine. | 0:20:19 | 0:20:22 | |
You could see the look of almost horror on her face. | 0:20:22 | 0:20:24 | |
This is Cheryl. | 0:20:24 | 0:20:26 | |
Cheryl is sporting the blah, blah, blah. | 0:20:26 | 0:20:28 | |
We don't know which one. Gene hasn't done his research. | 0:20:28 | 0:20:31 | |
Are you ready yet, Gene? | 0:20:31 | 0:20:32 | |
Here she comes now with shoes! | 0:20:32 | 0:20:35 | |
'Almost like a scared child,' | 0:20:35 | 0:20:38 | |
Gene ran away. | 0:20:38 | 0:20:39 | |
This might be Jada. I'm not sure. | 0:20:39 | 0:20:41 | |
But it's the only name I have on my sheet, so Jada's... | 0:20:41 | 0:20:45 | |
'Today, this is the most frustrated I've been.' | 0:20:45 | 0:20:48 | |
It was probably best that I just kind of sit in a corner | 0:20:48 | 0:20:51 | |
for a few minutes | 0:20:51 | 0:20:53 | |
and kind of gather my thoughts. | 0:20:53 | 0:20:55 | |
-Are you OK, brother? -I'm good. -All right, man. | 0:20:55 | 0:20:58 | |
-Cos I'll hand it to David if you're not. -I'm good. | 0:20:58 | 0:21:00 | |
-You'd have no shame in telling me. -I'm good. -All right. | 0:21:00 | 0:21:03 | |
-CLINT: -'All hell was breaking loose on the catwalk. | 0:21:03 | 0:21:06 | |
'The rehearsal was no rehearsal.' | 0:21:06 | 0:21:07 | |
I don't know what's going on in Wade's head. He better be worried. | 0:21:07 | 0:21:10 | |
'Unless things change, this thing's going to be a disaster.' | 0:21:10 | 0:21:14 | |
This is it. | 0:21:38 | 0:21:39 | |
-Michael. -How are you? | 0:21:39 | 0:21:40 | |
'We had the hustle going on behind the stage. I was excited.' | 0:21:40 | 0:21:44 | |
I was jumping up and down inside, ready to go. | 0:21:44 | 0:21:46 | |
Ladies and gentlemen, welcome to the premiere | 0:21:46 | 0:21:49 | |
of the Rockport 2011 spring collection. | 0:21:49 | 0:21:52 | |
Now. | 0:21:52 | 0:21:53 | |
This evening, we are excited to offer you | 0:21:53 | 0:21:57 | |
a journey through a day in the life Tristan. | 0:21:57 | 0:21:59 | |
Tristan is a sexy, attractive, | 0:21:59 | 0:22:02 | |
savvy, modern American man. | 0:22:02 | 0:22:05 | |
Tristan is the Rockport customer. | 0:22:05 | 0:22:07 | |
Tristan is your customer. | 0:22:07 | 0:22:10 | |
Tristan is about to begin his day. | 0:22:13 | 0:22:15 | |
The marathon is only a few weeks away | 0:22:15 | 0:22:17 | |
and Tristan feels confident in his training | 0:22:17 | 0:22:20 | |
while wearing the Hydro-Sail | 0:22:20 | 0:22:21 | |
From Rockport's Hydromotion 2 collection. | 0:22:21 | 0:22:24 | |
APPLAUSE | 0:22:24 | 0:22:26 | |
Whenever possible, | 0:22:27 | 0:22:29 | |
Tristan navigates these busy streets in Rockports, | 0:22:29 | 0:22:32 | |
truly understanding their simple philosophy of walkability. | 0:22:32 | 0:22:37 | |
CHEERS AND APPLAUSE | 0:22:37 | 0:22:38 | |
There was great reaction. I could hear giggling | 0:22:38 | 0:22:41 | |
and Brandy definitely kept the story going. | 0:22:41 | 0:22:44 | |
And there was a connection with the audience. It was great. | 0:22:44 | 0:22:46 | |
Tristan heads out for some face-to-face time | 0:22:46 | 0:22:49 | |
With his company's vendors. | 0:22:49 | 0:22:50 | |
Tristan is wearing the Ranbart in dark tan | 0:22:50 | 0:22:53 | |
from Rockport's office style collection. | 0:22:53 | 0:22:56 | |
Dressed to impress, Tristan greets the love of his life. | 0:22:56 | 0:22:59 | |
With style as unique and sophisticated as Tristan's, | 0:22:59 | 0:23:03 | |
how could any woman possibly say no? | 0:23:03 | 0:23:05 | |
Woo! | 0:23:07 | 0:23:09 | |
Get somebody down here and start pulling his clothes off immediately. | 0:23:09 | 0:23:12 | |
'Right before the men went out in their underwear, | 0:23:12 | 0:23:15 | |
'I thought, "Oh, God, are we doing the right thing?"' | 0:23:15 | 0:23:18 | |
So sorry. | 0:23:18 | 0:23:19 | |
'Either this finale was going to go over really, really well' | 0:23:19 | 0:23:22 | |
or undermine everything that we had just done. | 0:23:22 | 0:23:25 | |
So Tristan, as your consumer, looks good longer. | 0:23:25 | 0:23:29 | |
LAUGHTER | 0:23:29 | 0:23:30 | |
Rockport has always been one step ahead of the times. | 0:23:30 | 0:23:33 | |
CHEERS AND APPLAUSE | 0:23:33 | 0:23:34 | |
And the 2011 spring collection certainly is no exception. | 0:23:34 | 0:23:39 | |
Rockport thanks you for joining us this evening | 0:23:39 | 0:23:42 | |
in the day in the life of Tristan | 0:23:42 | 0:23:43 | |
and wishes you a stylish and comfortable good night. | 0:23:43 | 0:23:48 | |
APPLAUSE | 0:23:48 | 0:23:50 | |
Thank you, ladies and gentlemen. | 0:23:50 | 0:23:53 | |
Guys, let's just have fun. We've done all we can do at this point. I appreciate you guys' help. | 0:23:57 | 0:24:01 | |
I know we've had a few stumbles. Let's do it. | 0:24:01 | 0:24:03 | |
'I have no idea how the women did.' | 0:24:03 | 0:24:05 | |
I can't worry about how we've screwed up in the rehearsal. | 0:24:05 | 0:24:09 | |
This is take two, and hopefully we can nail it. | 0:24:09 | 0:24:13 | |
Team Octane would like to introduce you | 0:24:13 | 0:24:15 | |
and welcome you to Rockport's women's 2011 spring line-up. | 0:24:15 | 0:24:20 | |
The theme for tonight is simple. | 0:24:20 | 0:24:22 | |
Rockport wants you to look good longer. | 0:24:22 | 0:24:25 | |
So let me introduce you to Gene. | 0:24:25 | 0:24:27 | |
Gene's going to tell you about some fabulous footwear we have for you. | 0:24:27 | 0:24:31 | |
Gene? | 0:24:31 | 0:24:32 | |
Come on, Gene. You can do this, man. | 0:24:32 | 0:24:35 | |
First up, we have Andrea | 0:24:35 | 0:24:37 | |
sporting our Luciana bubblegum patent leather sandal. | 0:24:37 | 0:24:41 | |
The foot-bed is lined with our adiprene technology, | 0:24:41 | 0:24:46 | |
which ease... ease and comfort in the heel, | 0:24:46 | 0:24:50 | |
cushioning the foot in a responsive | 0:24:50 | 0:24:54 | |
and dynamic push-off. | 0:24:54 | 0:24:56 | |
APPLAUSE | 0:24:56 | 0:24:58 | |
'For somebody who loves to give long, drawn-out soliloquies, | 0:24:58 | 0:25:01 | |
'I don't know what was going on. | 0:25:01 | 0:25:02 | |
Maybe he was nervous. Maybe he's not a good public speaker. | 0:25:02 | 0:25:05 | |
I don't know what to say. | 0:25:05 | 0:25:07 | |
Next, we have Cheryl, | 0:25:07 | 0:25:08 | |
who's wearing the quarter strap woven in a Biscotti colour. | 0:25:08 | 0:25:12 | |
The full-grain letter... leather is durable and easy to clean, | 0:25:12 | 0:25:15 | |
extending the product life. | 0:25:15 | 0:25:17 | |
The breather... breathable polyurethane, | 0:25:17 | 0:25:19 | |
moisture-absorbent and odor-resistant cushioning | 0:25:19 | 0:25:22 | |
helps keep the foot dry and comfortable. | 0:25:22 | 0:25:25 | |
Next, we have Audrey... | 0:25:25 | 0:25:27 | |
Audrey's the name of the shoe! | 0:25:27 | 0:25:29 | |
..wearing our Jada quarter strap stripe | 0:25:29 | 0:25:31 | |
in a uniform winter white. | 0:25:31 | 0:25:32 | |
'I almost threw up when I hear Gene | 0:25:32 | 0:25:35 | |
'mixing up the names of the shoes and the names of the models. | 0:25:35 | 0:25:40 | |
'It was awful.' | 0:25:40 | 0:25:41 | |
It was like watching a horse die out there. | 0:25:41 | 0:25:43 | |
'I felt the energy in the room and I felt there was none.' | 0:25:46 | 0:25:50 | |
So I quickly made my exit, stage left. | 0:25:50 | 0:25:53 | |
Christine is sporting our Katja sandal slide, in brown. | 0:25:53 | 0:25:57 | |
Alicia is showing our bubblegum star leather mule. | 0:26:01 | 0:26:05 | |
The fabric lining has Agion anti-micro-bio... | 0:26:05 | 0:26:09 | |
"Micro-bicrobial!" | 0:26:09 | 0:26:11 | |
Lastly, Tracy is sporting our Luciana sling black | 0:26:13 | 0:26:16 | |
in an ultraviolet patent leather. | 0:26:16 | 0:26:18 | |
The arch cookie for support and comfort | 0:26:18 | 0:26:21 | |
makes the shoe, and you, look good longer. | 0:26:21 | 0:26:25 | |
APPLAUSE | 0:26:25 | 0:26:27 | |
'All he needed to do was deliver at this point.' | 0:26:32 | 0:26:34 | |
It was really disappointing | 0:26:34 | 0:26:36 | |
because I felt like I had a winner | 0:26:36 | 0:26:38 | |
All the way up to the runway show. | 0:26:38 | 0:26:40 | |
Unless the women sent naked men out onstage | 0:26:40 | 0:26:43 | |
or did something completely stupid, | 0:26:43 | 0:26:45 | |
we've absolutely blown this task. | 0:26:45 | 0:26:47 | |
Stephanie, why did you choose Brandy to be your emcee? | 0:27:13 | 0:27:17 | |
Because she represents the definition of the brand, | 0:27:17 | 0:27:20 | |
which was "savvy, sexy, attractive, contemporary | 0:27:20 | 0:27:23 | |
-"or metropolitan American." -Did you think she did a good job? | 0:27:23 | 0:27:27 | |
She did a fabulous job. | 0:27:27 | 0:27:28 | |
Kelly, what did you think of Brandy as the emcee? | 0:27:28 | 0:27:30 | |
She did an outstanding job. | 0:27:30 | 0:27:32 | |
-Mm-hm. Brandy, have you emceed before? -No. | 0:27:32 | 0:27:36 | |
You've never done it before? | 0:27:36 | 0:27:37 | |
I haven't, but I was excited about the task | 0:27:37 | 0:27:41 | |
and did the best that I could. | 0:27:41 | 0:27:43 | |
You know, it's amazing. I think you were fantastic. | 0:27:43 | 0:27:46 | |
Thank you. That's a really big compliment. | 0:27:46 | 0:27:48 | |
I really do appreciate it. | 0:27:48 | 0:27:50 | |
OK. Catherine, do you have any questions? | 0:27:50 | 0:27:53 | |
Ladies, I do have a question | 0:27:53 | 0:27:55 | |
-about your choice in the models and the wardrobes. -OK. | 0:27:55 | 0:27:59 | |
There was one model in particular who had very scabby legs. | 0:27:59 | 0:28:03 | |
-Oh. -That was not very attractive to watch. | 0:28:03 | 0:28:05 | |
I agree with that 100%. This guy looked like he was in a fight | 0:28:05 | 0:28:08 | |
and he was wearing shorts, right? | 0:28:08 | 0:28:10 | |
He was. Why did you choose him for that outfit? | 0:28:10 | 0:28:13 | |
-Do you know who we're talking about? -I do not. | 0:28:13 | 0:28:15 | |
Kelly and Poppy cast the models. | 0:28:15 | 0:28:17 | |
Yeah, I don't know which model you're referring to, but... | 0:28:17 | 0:28:21 | |
How could you not know? He was... He had scabs all over the place. | 0:28:21 | 0:28:24 | |
-Everywhere. -Mr Trump, I did ask Kelly. | 0:28:24 | 0:28:28 | |
I said, "Is that what he's wearing?" She said, "Yeah." | 0:28:28 | 0:28:31 | |
-And I was like, "OK." -And this was... | 0:28:31 | 0:28:33 | |
Why? Because you saw the same thing that I did? | 0:28:33 | 0:28:35 | |
He came down the runway and I thought it didn't look right. | 0:28:35 | 0:28:38 | |
Were you grossed out? | 0:28:38 | 0:28:40 | |
I didn't think that he should be wearing it... | 0:28:40 | 0:28:42 | |
-He shouldn't have worn shorts. -But at the same time... | 0:28:42 | 0:28:45 | |
I mean, if you had followed that with, "His legs are scabbed," | 0:28:45 | 0:28:49 | |
I would've tried to fix it. | 0:28:49 | 0:28:50 | |
-But you should have seen that, Kelly. -I did miss the scabs. | 0:28:50 | 0:28:53 | |
-I was like, "Ugh!" -It was a gross situation. -I did miss the scabs. | 0:28:53 | 0:28:56 | |
It was very obvious from the front row. | 0:28:56 | 0:28:58 | |
I think a number of people commented on that. | 0:28:58 | 0:29:00 | |
Whose idea was it | 0:29:02 | 0:29:04 | |
to have the men come out at the very end in their underwear? | 0:29:04 | 0:29:07 | |
Although a bold statement, it's a huge risk. | 0:29:07 | 0:29:11 | |
I know that, in life and in this task, we need to take risks. | 0:29:11 | 0:29:14 | |
I don't want to be good. I want to be great. | 0:29:14 | 0:29:16 | |
So I knew we had to push it and we were very classy. | 0:29:16 | 0:29:19 | |
They were black shorts over their underwear. | 0:29:19 | 0:29:22 | |
-Oh, the weren't shorts. -They were... | 0:29:22 | 0:29:23 | |
-They were NOT shorts. -They were boxers. | 0:29:23 | 0:29:25 | |
When you're dealing a male model and shoes, | 0:29:25 | 0:29:27 | |
it's hard, because they're not in skirts and dresses. | 0:29:27 | 0:29:30 | |
-So the pant covers the shoe. -Yeah. | 0:29:30 | 0:29:32 | |
So we wanted to be able to feature the shoe in the last finale. | 0:29:32 | 0:29:36 | |
Well, the fact is, I think you've done an amazing job. | 0:29:39 | 0:29:42 | |
I thought your choice of the model was disappointing, | 0:29:42 | 0:29:46 | |
but I really did think you did a great job. | 0:29:46 | 0:29:49 | |
And I've never done this before, ever... | 0:29:49 | 0:29:51 | |
But your team so blew away the men | 0:29:53 | 0:29:55 | |
that I don't want to waste a lot of time with you. | 0:29:55 | 0:29:57 | |
I'm going to ask you to go back to your suite, enjoy yourself. | 0:29:57 | 0:30:01 | |
You're going to be meeting Stephanie and Michael Rupp from Rockport. | 0:30:01 | 0:30:05 | |
-Wonderful. -He's going to give you some advice. He's an amazing guy, the CEO and president. | 0:30:05 | 0:30:09 | |
-Thank you. -I think you're going to learn a lot. | 0:30:09 | 0:30:11 | |
But you really did a fantastic job. | 0:30:11 | 0:30:14 | |
And, again, I've never done this. But just get out of here. | 0:30:14 | 0:30:17 | |
-You were fantastic. Congratulations. -Thank you. | 0:30:17 | 0:30:20 | |
STEPHANIE: Awesome. | 0:30:26 | 0:30:27 | |
Blew them out of the water! | 0:30:27 | 0:30:29 | |
First time ever! | 0:30:29 | 0:30:31 | |
Men, you were terrible. | 0:30:31 | 0:30:32 | |
Stay here. Somebody's going to be fired. | 0:30:32 | 0:30:35 | |
I can tell you it wasn't even close. | 0:30:41 | 0:30:44 | |
Wade, what was that mess all about? | 0:30:44 | 0:30:45 | |
That was a total mess. | 0:30:45 | 0:30:47 | |
It was, I was embarrassed. | 0:30:47 | 0:30:49 | |
-I owe you an apology. -You know it? | 0:30:49 | 0:30:50 | |
I knew this was coming. I was embarrassed. | 0:30:50 | 0:30:52 | |
-I owe you a complete... -How do you pick Gene, | 0:30:52 | 0:30:54 | |
who obviously has never done this before, | 0:30:54 | 0:30:57 | |
talking about crap that nobody wants hear? | 0:30:57 | 0:30:59 | |
Whose idea was this? | 0:30:59 | 0:31:01 | |
Gene did say he had some experience in public speaking and emceeing. | 0:31:01 | 0:31:04 | |
-Do you think he did? -I've got to believe a guy when he tells me that. | 0:31:04 | 0:31:08 | |
But every other word was, like, mispronounced | 0:31:08 | 0:31:10 | |
-or... It was terrible. -I don't disagree. | 0:31:10 | 0:31:12 | |
I watched Brandy, who was so professional. | 0:31:12 | 0:31:16 | |
Is that a correct statement, Catherine? | 0:31:16 | 0:31:19 | |
She was so good, it was incredible. | 0:31:19 | 0:31:20 | |
She was a pro. | 0:31:20 | 0:31:21 | |
I'd use her right now. | 0:31:21 | 0:31:23 | |
In fact, if I do something, I think I'm going to use her. | 0:31:23 | 0:31:25 | |
-See, Brandy? -Wow, Brandy! -Damn! | 0:31:25 | 0:31:29 | |
You were polished, girl. | 0:31:29 | 0:31:31 | |
Brandy was unbelievable. | 0:31:31 | 0:31:33 | |
And I think throughout... my time meeting Gene, Gene has carried himself well. | 0:31:33 | 0:31:37 | |
-Gene's got a good voice. -He carries himself well. | 0:31:37 | 0:31:39 | |
But he didn't carry himself well with respect to being an emcee. | 0:31:39 | 0:31:42 | |
First all, Gene, you walk in with this big computer. | 0:31:42 | 0:31:45 | |
Why not take a piece of paper? See this? | 0:31:45 | 0:31:48 | |
I have a lot of notes on this piece of paper. | 0:31:48 | 0:31:50 | |
I put it in front of me. I see what's going on. | 0:31:50 | 0:31:53 | |
I look down every once... | 0:31:53 | 0:31:54 | |
You walk in with this big clobby computer. | 0:31:54 | 0:31:56 | |
You couldn't even see half of your body. | 0:31:56 | 0:31:58 | |
And you start reading off a computer. | 0:31:58 | 0:32:01 | |
And you were having a hard time reading, obviously, | 0:32:01 | 0:32:03 | |
because every other word was mispronounced. | 0:32:03 | 0:32:05 | |
And I don't know what the hell happened. | 0:32:05 | 0:32:07 | |
Well, that wasn't our plan. | 0:32:07 | 0:32:08 | |
By the way, David wasn't great, but Gene was terrible. | 0:32:08 | 0:32:12 | |
-You talked about every aspect of these shoes. -Right. | 0:32:12 | 0:32:16 | |
-The only thing you didn't talk about was their beauty! -Right. | 0:32:16 | 0:32:18 | |
"It's technologically this. It's odourless. | 0:32:18 | 0:32:21 | |
-Every -BLEEP -damn shoe. I don't want to hear about odourless. | 0:32:21 | 0:32:24 | |
-I want to hear that they're beautiful. -I totally agree. | 0:32:24 | 0:32:26 | |
But at the last minute, at D-day, | 0:32:26 | 0:32:28 | |
I did not have the description that I wanted, | 0:32:28 | 0:32:30 | |
-so... -Was Wade a terrible project manager? | 0:32:30 | 0:32:33 | |
-No, he was good. -Oh, he did great(!) | 0:32:33 | 0:32:35 | |
He picked two guys that shouldn't have been chosen. | 0:32:35 | 0:32:37 | |
You should have picked Steuart and Anand. | 0:32:37 | 0:32:39 | |
They're smoother guys. | 0:32:39 | 0:32:41 | |
They would have made a nice presentation. | 0:32:41 | 0:32:44 | |
-I sure as hell don't see David doing it. -Yeah. | 0:32:44 | 0:32:47 | |
And, frankly, in retrospect, I thought Gene was... | 0:32:47 | 0:32:50 | |
He couldn't have been worse. | 0:32:50 | 0:32:52 | |
David and Gene said they had emcee experience. | 0:32:52 | 0:32:55 | |
-I had to rely on that. -Excuse me. Don't you test them? | 0:32:55 | 0:32:58 | |
I mean, you test them. | 0:32:58 | 0:32:59 | |
-Gene said... -Say, "Gene, speak." | 0:32:59 | 0:33:01 | |
-You know, Gene... -Then you say, "Anand, speak." | 0:33:01 | 0:33:04 | |
And you say, "Steuart, speak." | 0:33:04 | 0:33:06 | |
Let me ask you this question. | 0:33:06 | 0:33:08 | |
Why didn't you pick Steuart? Why didn't you pick Anand? | 0:33:08 | 0:33:12 | |
Steuart and Anand work well together. They are very stylish. | 0:33:12 | 0:33:15 | |
I had confidence that they would | 0:33:15 | 0:33:16 | |
pick out a good wardrobe for the show. | 0:33:16 | 0:33:18 | |
Gene's got a very nice voice, as you can here in here. | 0:33:18 | 0:33:21 | |
Gene's got a nice voice? I don't know if he has a nice voice. | 0:33:21 | 0:33:24 | |
-He couldn't -BLEEP -read! He couldn't read! | 0:33:24 | 0:33:28 | |
He's looking at his computer and he's, | 0:33:28 | 0:33:31 | |
"Um, well, let's see... This is really great." | 0:33:31 | 0:33:35 | |
This is the worst job I've ever seen as an emcee. | 0:33:35 | 0:33:37 | |
Catherine, let me ask you. You followed the team. | 0:33:37 | 0:33:41 | |
What did you think? | 0:33:41 | 0:33:42 | |
What really struck me while I was there watching | 0:33:42 | 0:33:45 | |
is that it sounded horrible right there and then. | 0:33:45 | 0:33:48 | |
Why didn't anybody say, "Stop. We've got to rethink this"? | 0:33:48 | 0:33:52 | |
Clint, Wade, you were both there listening. | 0:33:52 | 0:33:54 | |
What did you this? | 0:33:54 | 0:33:56 | |
I came out on stage and said, "This is not what we need to be doing." | 0:33:56 | 0:33:59 | |
And what did you see wrong? | 0:33:59 | 0:34:00 | |
-Did you see Gene as the wrong guy? -No. | 0:34:00 | 0:34:02 | |
What had happened was, Gene didn't have the paperwork he needed | 0:34:02 | 0:34:05 | |
-in time for rehearsal. -How much paperwork do you need | 0:34:05 | 0:34:08 | |
to talk about a pair of shoes, right? | 0:34:08 | 0:34:11 | |
90% of this task is your emcee. | 0:34:11 | 0:34:14 | |
He let me down, he let the team down. | 0:34:14 | 0:34:16 | |
Wouldn't you have known that if you'd checked it? | 0:34:16 | 0:34:18 | |
You think he would have been fabulous if, | 0:34:18 | 0:34:21 | |
-as an example, in a rehearsal... -Mm-hmm. | 0:34:21 | 0:34:23 | |
Clint, do you think in a rehearsal he would've been fabulous and blown your socks off? | 0:34:23 | 0:34:27 | |
No, sir. And he didn't even per... | 0:34:27 | 0:34:29 | |
There was no rehearsal by Gene. | 0:34:29 | 0:34:31 | |
-Was there a rehearsal, Wade? -There was not a rehearsal. | 0:34:31 | 0:34:34 | |
Why? How can you not rehearse?! | 0:34:34 | 0:34:36 | |
Because I checked in on Gene | 0:34:36 | 0:34:37 | |
every hour, on the hour. I said, "Gene..." | 0:34:37 | 0:34:40 | |
Did you check to see whether or not he could perform? | 0:34:40 | 0:34:42 | |
-Gene, did I ask you throughout the day...? -You did. | 0:34:42 | 0:34:45 | |
No, no. I don't want to hear about asking. | 0:34:45 | 0:34:47 | |
Did you check and see whether or not he could perform? | 0:34:47 | 0:34:52 | |
Gene did not perform to me, no. | 0:34:52 | 0:34:55 | |
-But I can tell you this... -Excuse me. | 0:34:55 | 0:34:56 | |
You didn't know whether or not he could perform | 0:34:56 | 0:34:59 | |
until you saw him make a total ass of himself up on the stage. | 0:34:59 | 0:35:03 | |
-But I felt confident in... -Excuse me. | 0:35:03 | 0:35:04 | |
You didn't know whether or not he could perform. | 0:35:04 | 0:35:07 | |
He told me he could and I felt confident in Gene | 0:35:07 | 0:35:09 | |
because I've known Gene for several weeks, | 0:35:09 | 0:35:11 | |
I've heard him speak and Gene is a very good speaker. | 0:35:11 | 0:35:13 | |
That has nothing to do with being on a stage. | 0:35:13 | 0:35:16 | |
Because he can speak well to you | 0:35:16 | 0:35:18 | |
when you're all together someplace | 0:35:18 | 0:35:20 | |
has nothing to do whatsoever | 0:35:20 | 0:35:22 | |
With whether or not he can perform on stage. | 0:35:22 | 0:35:25 | |
I don't under... How did they not rehearse, though? | 0:35:25 | 0:35:28 | |
-That's almost -BLEEP. -Who does that? | 0:35:28 | 0:35:30 | |
Him rehearsing wouldn't have anything to do with being on stage. | 0:35:30 | 0:35:33 | |
-Why do you say that? -Being on stage is different than rehearsing. | 0:35:33 | 0:35:36 | |
I disagree. That's pressure. He's got to rehearse | 0:35:36 | 0:35:38 | |
in front of you. You're the boss. If he didn't do well then, | 0:35:38 | 0:35:42 | |
he won't do well when there's more pressure. | 0:35:42 | 0:35:44 | |
Look, everybody's talking about my speaking ability. | 0:35:44 | 0:35:46 | |
I'm not just a good soldier. | 0:35:46 | 0:35:48 | |
-I've spoke for a very long time and I know how to sell -BLEEP. | 0:35:48 | 0:35:50 | |
The last thing I wanted to do is go on stage, | 0:35:50 | 0:35:52 | |
describe their shoe... Gene, but your speech was so boring | 0:35:52 | 0:35:55 | |
and I'm talking about the content. People knew that you lost | 0:35:55 | 0:35:58 | |
as soon as you started talking, Gene. | 0:35:58 | 0:36:01 | |
Women, turn off your television. You've seen enough. | 0:36:07 | 0:36:11 | |
What? He didn't ask him to bring three people back. | 0:36:11 | 0:36:13 | |
No, he's going from there. | 0:36:13 | 0:36:15 | |
He's going to fire someone right now. | 0:36:15 | 0:36:17 | |
-It'll probably be more than one person. -Yeah. | 0:36:17 | 0:36:19 | |
Steuart, what did you think of Gene | 0:36:19 | 0:36:21 | |
and what did you think of the decision to use Gene? | 0:36:21 | 0:36:24 | |
I think that was one of the major errors, | 0:36:24 | 0:36:27 | |
But, Mr Trump, I was not present during most of the day, | 0:36:27 | 0:36:29 | |
as Anand and I were out developing the styles | 0:36:29 | 0:36:32 | |
for the ladies we were tasked to find outfits for, so... | 0:36:32 | 0:36:36 | |
You know, the one thing the executives really liked | 0:36:36 | 0:36:39 | |
Was the outfits. | 0:36:39 | 0:36:41 | |
I think I picked the two best guys to do it | 0:36:41 | 0:36:43 | |
-and this is what I was left with here. -Give me a break. | 0:36:43 | 0:36:47 | |
-I... -Give me a break. | 0:36:47 | 0:36:48 | |
Mr Trump, there was four hours for them to have everything prepared. | 0:36:51 | 0:36:55 | |
And when we came back, we were shocked, and I was... | 0:36:55 | 0:36:58 | |
That was plenty of time to have a speech written up. | 0:36:58 | 0:37:00 | |
When David rehearsed, | 0:37:00 | 0:37:02 | |
when he started his intro speech, | 0:37:02 | 0:37:04 | |
it just started getting completely dysfunctional. | 0:37:04 | 0:37:07 | |
I saw you out there kind of looking at us | 0:37:07 | 0:37:09 | |
and trying to see where we were going. | 0:37:09 | 0:37:11 | |
Just out of curiosity, how do you pick David to go up there? | 0:37:11 | 0:37:14 | |
This isn't about comedy. | 0:37:14 | 0:37:16 | |
Nobody said anything about my selection. | 0:37:16 | 0:37:18 | |
I picked it. Nobody challenged it. | 0:37:18 | 0:37:20 | |
They both said they had emceeing experience. | 0:37:20 | 0:37:22 | |
What did you think of your selection | 0:37:22 | 0:37:25 | |
to go up there and make a jerk out of yourself? | 0:37:25 | 0:37:29 | |
Sir, I put my hat in the ring for it. | 0:37:29 | 0:37:32 | |
You more than put your hat in the ring. | 0:37:32 | 0:37:35 | |
What does that mean, Steuart? | 0:37:35 | 0:37:37 | |
He was adamant. And I will back Wade up here. | 0:37:37 | 0:37:40 | |
He said to Wade, "I have done this over and over, time and time again." | 0:37:40 | 0:37:43 | |
So, why didn't you put your hat in the ring? | 0:37:43 | 0:37:45 | |
-Cos he wants to harass women. -I knew how much | 0:37:45 | 0:37:47 | |
we would have on our plate during the day. | 0:37:47 | 0:37:50 | |
-"He wanted to harass women"? -Yeah, he feels... | 0:37:50 | 0:37:52 | |
There's women in the area, so he wants to find them. | 0:37:52 | 0:37:55 | |
He didn't want to do anything else but go shopping with women | 0:37:55 | 0:37:58 | |
so he could he pick out bras and clothing for them. | 0:37:58 | 0:38:01 | |
That's completely incorrect. | 0:38:01 | 0:38:02 | |
Wade immediately came to both of us | 0:38:02 | 0:38:04 | |
because he apparently thinks | 0:38:04 | 0:38:06 | |
we're the two stylish ones on the group, | 0:38:06 | 0:38:08 | |
Which I don't think has anything to do with harassing women. | 0:38:08 | 0:38:11 | |
-You know... -When you say "harassing women," | 0:38:11 | 0:38:13 | |
-you're saying he likes women. -That's a harsh accusation. | 0:38:13 | 0:38:16 | |
That's a pretty... The word "harassing," | 0:38:16 | 0:38:18 | |
He doesn't have to harass women. He's good looking. | 0:38:18 | 0:38:20 | |
-Did you see me harass one person? -No. | 0:38:20 | 0:38:22 | |
OK, he's not harassing women. | 0:38:22 | 0:38:24 | |
Juan, how do you feel about this? | 0:38:27 | 0:38:29 | |
I think there are two individuals in my mind | 0:38:29 | 0:38:32 | |
who should be considered to be fired. | 0:38:32 | 0:38:35 | |
I mean, having a fashion show without an emcee is like | 0:38:35 | 0:38:38 | |
Seder dinner without matzo balls. | 0:38:38 | 0:38:40 | |
I mean, it's clear you need the emcee to steal the show, | 0:38:40 | 0:38:43 | |
and you failed miserably. | 0:38:43 | 0:38:45 | |
-Excuse me, Mr Trump. -Yes? | 0:38:46 | 0:38:48 | |
I take responsibility for the performance that was given. | 0:38:48 | 0:38:51 | |
I will take responsibility for that. | 0:38:51 | 0:38:52 | |
Gene, who should I fire? | 0:38:52 | 0:38:54 | |
You know, you got to make that call. You know? | 0:38:55 | 0:38:58 | |
Like I said, with me, as far as backing up my project manager, | 0:38:58 | 0:39:01 | |
I wanted to give Wade 120%. | 0:39:01 | 0:39:02 | |
The performance could've been better. | 0:39:02 | 0:39:05 | |
-Could've been better?! -Yes. | 0:39:05 | 0:39:06 | |
But I'm not a guy who's going to run around blaming people. | 0:39:06 | 0:39:09 | |
That's fine. That's fine. | 0:39:09 | 0:39:10 | |
So if you want to fire me, go right ahead. | 0:39:10 | 0:39:13 | |
All right. Gene, you're fired. | 0:39:13 | 0:39:15 | |
Wade... | 0:39:20 | 0:39:21 | |
you're fired. | 0:39:21 | 0:39:22 | |
Go. Good luck. | 0:39:25 | 0:39:27 | |
Go ahead. Thank you. | 0:39:27 | 0:39:30 | |
The rest of you guys, go back to your suite. | 0:39:32 | 0:39:34 | |
You were terrible. Terrible. | 0:39:34 | 0:39:36 | |
Juan, I think I had no choice. | 0:39:58 | 0:39:59 | |
I agree. It was clear. | 0:39:59 | 0:40:00 | |
-Catherine? -Yes, sir. I agree 100%. | 0:40:00 | 0:40:03 | |
Unfortunately, I think I got fired | 0:40:20 | 0:40:22 | |
because I put too much trust and confidence in someone else | 0:40:22 | 0:40:26 | |
and I swore to myself I wouldn't do that. | 0:40:26 | 0:40:28 | |
But I had fun working for Mr Trump. | 0:40:28 | 0:40:30 | |
It was a once-in-a-lifetime opportunity | 0:40:30 | 0:40:32 | |
and I tried to have as much fun with it as I could. | 0:40:32 | 0:40:36 | |
It is never a good feeling getting the axe. | 0:40:36 | 0:40:39 | |
But, you know, I let my project manager down | 0:40:39 | 0:40:42 | |
and my team down, and I got fired. | 0:40:42 | 0:40:45 | |
It's a bad feeling. | 0:40:45 | 0:40:46 | |
Rockport presents Next Steps. | 0:40:46 | 0:40:49 | |
I left with a lot of optimism, a lot of hope. | 0:40:49 | 0:40:51 | |
And, you know, I started my company. | 0:40:51 | 0:40:54 | |
Right now, it's an employee of one. | 0:40:54 | 0:40:56 | |
I've got a really big project. | 0:40:56 | 0:40:58 | |
I'm building a technologically advanced | 0:40:58 | 0:41:00 | |
assisted-living facility. That's my desire and my dream. | 0:41:00 | 0:41:03 | |
Thanks to The Apprentice, I'm the most well-known | 0:41:03 | 0:41:06 | |
real estate agent in Minnesota. It's gotten my name out there, | 0:41:06 | 0:41:09 | |
which, in my industry, is huge. | 0:41:09 | 0:41:10 | |
The ultimate dream for me is to own as much real estate | 0:41:10 | 0:41:13 | |
as Donald Trump owns in New York. | 0:41:13 | 0:41:14 |