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You haven't used any of your skills, | 0:00:02 | 0:00:03 | |
any of the things you claim you're experts in. A disgusting result. | 0:00:03 | 0:00:07 | |
I don't want to hear anything more from you. You're fired. | 0:00:07 | 0:00:10 | |
You're fired. You're fired. | 0:00:10 | 0:00:12 | |
This programme contains some strong language. | 0:00:15 | 0:00:21 | |
Thank you! Good evening. I'm Jack Dee. | 0:00:21 | 0:00:23 | |
Welcome to The Apprentice: You're Fired. | 0:00:23 | 0:00:25 | |
This week, as well as a firing there was a shock | 0:00:25 | 0:00:27 | |
resignation in the boardroom, but luckily nobody overreacted | 0:00:27 | 0:00:30 | |
and everyone just took it in their stride. | 0:00:30 | 0:00:32 | |
What is he doing?! | 0:00:32 | 0:00:33 | |
Oh, my God! | 0:00:36 | 0:00:37 | |
HE GASPS THEATRICALLY | 0:00:37 | 0:00:39 | |
LAUGHTER | 0:00:39 | 0:00:40 | |
But, for me, that wasn't the most shocking moment of the week. | 0:00:40 | 0:00:43 | |
Lord Sugar's aide, Karren Brady, got it badly wrong. | 0:00:43 | 0:00:46 | |
No show flat, no floor plans... | 0:00:46 | 0:00:49 | |
They're just a plate of biscuits. | 0:00:49 | 0:00:51 | |
You are wrong! | 0:00:52 | 0:00:53 | |
There were jam tarts on that plate and you know it, Brady! | 0:00:53 | 0:00:56 | |
And Gary showed that when it comes to selling, | 0:00:56 | 0:00:59 | |
he knows how to charm the ladies. | 0:00:59 | 0:01:02 | |
-Nice throne! -I think he needs to stay in, yeah? | 0:01:02 | 0:01:05 | |
Yeah, I could do with a moment but I don't want to put the clients off. | 0:01:05 | 0:01:07 | |
Yep, he's thinking, "Probably best not do the leave-a-deposit gag." | 0:01:09 | 0:01:14 | |
Joining me for this week's viewing are much sought-after | 0:01:14 | 0:01:17 | |
international business adviser, Allyson Stewart-Allen, | 0:01:17 | 0:01:21 | |
handy for the station, Radio 1's Greg James | 0:01:21 | 0:01:23 | |
and sitting tenant is Romesh Ranganathan. | 0:01:23 | 0:01:26 | |
Welcome to You're Fired. | 0:01:26 | 0:01:27 | |
APPLAUSE | 0:01:27 | 0:01:30 | |
Now, Selina was fired tonight, as we know. | 0:01:33 | 0:01:36 | |
She's not going to be joining us this evening, | 0:01:36 | 0:01:39 | |
but we do wish her all the best for the future. | 0:01:39 | 0:01:41 | |
However, that wasn't the only story of the night. | 0:01:41 | 0:01:44 | |
Yes, in tonight's apartment-selling task, | 0:01:44 | 0:01:46 | |
one candidate got himself into a REAL ESTATE... | 0:01:46 | 0:01:50 | |
after his performance was a little FLAT. | 0:01:50 | 0:01:53 | |
LAUGHTER | 0:01:53 | 0:01:54 | |
I'm sorry, I'd like to exit the process at this point. | 0:01:57 | 0:02:02 | |
Scott, I've got to tell you, from what I'm hearing, you are a very, | 0:02:02 | 0:02:05 | |
very lucky man. | 0:02:05 | 0:02:07 | |
Anyway, I'll see you on the next task, OK? | 0:02:07 | 0:02:10 | |
I'd like to just quickly say, thank you for the opportunity | 0:02:16 | 0:02:19 | |
but I would like to... | 0:02:19 | 0:02:21 | |
I would like to exit the process at this point. | 0:02:21 | 0:02:23 | |
Oh, my God! | 0:02:23 | 0:02:25 | |
You're doing my job for me! | 0:02:25 | 0:02:27 | |
-All I can do is thank you very much indeed, OK? -Thank you very much. | 0:02:27 | 0:02:31 | |
Oh, my God! | 0:02:31 | 0:02:33 | |
-Scott, what are you doing?! -I'm off. | 0:02:37 | 0:02:40 | |
Ladies and gentlemen, please welcome Scott Saunders! | 0:02:42 | 0:02:46 | |
WILD CHEERING AND APPLAUSE | 0:02:46 | 0:02:48 | |
Listen to that! They love you! | 0:02:51 | 0:02:53 | |
Scott! | 0:02:55 | 0:02:56 | |
-Whoo! -Whoa! | 0:02:56 | 0:02:59 | |
That's quite a reception. They love you. Welcome to You're Fired. | 0:02:59 | 0:03:02 | |
I can't even call it You're Fired, can I? | 0:03:02 | 0:03:04 | |
-Maybe change the name. -Are you trying to put me out of a job? | 0:03:04 | 0:03:07 | |
That's It: I'm Off - that's what this show is called from now on. | 0:03:07 | 0:03:09 | |
-Why did you do that? -Um, well, first of all, | 0:03:09 | 0:03:11 | |
I feel a bit kind of star-struck | 0:03:11 | 0:03:13 | |
-just being here in front of you guys. -Don't worry about them. | 0:03:13 | 0:03:15 | |
-Completely understandable, mate. -LAUGHTER | 0:03:15 | 0:03:20 | |
Um, to be honest, I think maybe I outstayed my welcome, | 0:03:20 | 0:03:24 | |
especially on that task, judging by what Lord Sugar said. | 0:03:24 | 0:03:28 | |
I think, you know, there is two people in the investment process | 0:03:28 | 0:03:32 | |
and I think possibly me and Lord Sugar... | 0:03:32 | 0:03:36 | |
I don't think we'd have worked for the business going forward. | 0:03:36 | 0:03:39 | |
I don't know, I think there's better people suited. | 0:03:39 | 0:03:41 | |
In which case, you chose your words very carefully, | 0:03:41 | 0:03:44 | |
but weren't you tempted to... | 0:03:44 | 0:03:46 | |
You could have said anything now you knew you were going. | 0:03:46 | 0:03:48 | |
You could have called him Alan! LAUGHTER | 0:03:48 | 0:03:51 | |
Yeah. I chose the words carefully purely because | 0:03:51 | 0:03:54 | |
he's a very respectable person and he has accomplished so much. | 0:03:54 | 0:03:57 | |
It's a great opportunity to even be there, | 0:03:57 | 0:04:00 | |
so when I made that decision, I don't think it's right for me | 0:04:00 | 0:04:03 | |
to continue if there is other people there who may be best | 0:04:03 | 0:04:06 | |
suited for Lord Sugar, and I didn't want to take that opportunity. | 0:04:06 | 0:04:09 | |
Even though you were on the winning side, | 0:04:09 | 0:04:11 | |
Lord Sugar said you were lucky not to be fired. | 0:04:11 | 0:04:13 | |
Let's have a look at why he would have said that. | 0:04:13 | 0:04:15 | |
According to the feedback I got from Karren, when push came to shove | 0:04:15 | 0:04:19 | |
you didn't know the answer to a lot of questions. | 0:04:19 | 0:04:22 | |
So this area here would be for your washing machine and also...um... | 0:04:22 | 0:04:26 | |
it would be for your...fridge? | 0:04:26 | 0:04:28 | |
I... I didn't know everything straightaway. | 0:04:28 | 0:04:30 | |
You didn't know ANYTHING, actually, Scott. | 0:04:30 | 0:04:32 | |
-And this would be walking into the dining room. -Scott? -Yep? | 0:04:32 | 0:04:36 | |
It's the lounge. | 0:04:36 | 0:04:37 | |
The pitch was...OK. I mean, it wasn't great. | 0:04:37 | 0:04:40 | |
So we're just here and it's very highly populated by everybody. | 0:04:40 | 0:04:45 | |
It was just a train crash. | 0:04:45 | 0:04:46 | |
It's a nice open space for the windows to have the sun | 0:04:46 | 0:04:49 | |
come in throughout the day and the night. | 0:04:49 | 0:04:51 | |
LAUGHTER | 0:04:51 | 0:04:52 | |
The contrast between the two teams was staggering. | 0:04:52 | 0:04:55 | |
You two were impressive, you two, not so much. | 0:04:55 | 0:04:58 | |
-MUMBLES: -What else...is there to do...? | 0:04:58 | 0:05:02 | |
LAUGHTER Resign? | 0:05:02 | 0:05:04 | |
Listen, Scott, you got quite defensive in the boardroom | 0:05:04 | 0:05:07 | |
about the fact that you'd never sold property before. | 0:05:07 | 0:05:10 | |
But all you had to do was remember a layout of the flat, | 0:05:10 | 0:05:13 | |
and the walls were only that high, | 0:05:13 | 0:05:14 | |
you could see it from where you were standing. | 0:05:14 | 0:05:17 | |
What was your problem, did your mind go blank? | 0:05:17 | 0:05:19 | |
Er, there's a lot to learn in a really small amount of time. | 0:05:19 | 0:05:22 | |
And I'm good at designing and selling if I know exactly what | 0:05:22 | 0:05:26 | |
the product is, and when I'm really confident that's great for me. | 0:05:26 | 0:05:29 | |
I can go in really hard. | 0:05:29 | 0:05:30 | |
On this, I just couldn't pick up everything from it. | 0:05:30 | 0:05:34 | |
It just wasn't coming to my mouth and when I was speaking to the few | 0:05:34 | 0:05:38 | |
people that came through, I just was getting everything wrong. | 0:05:38 | 0:05:41 | |
And if it wasn't for Brett, I would have been sat there like a turkey. | 0:05:41 | 0:05:45 | |
It was so strange, because you were sort of... | 0:05:45 | 0:05:47 | |
I mean, I was thinking, "I'd quite like to live with Scott. | 0:05:47 | 0:05:50 | |
"This guy doesn't care what the rooms are. | 0:05:50 | 0:05:52 | |
"He'll eat in the bathroom, take a wee in the kitchen. | 0:05:52 | 0:05:55 | |
-"This guy doesn't care." -When I'm drunk, that happens! | 0:05:55 | 0:05:57 | |
Lord Sugar challenged you and you said, "I haven't any experience as an estate agent," | 0:05:57 | 0:06:01 | |
-but you do have experience of living in a house. -LAUGHTER | 0:06:01 | 0:06:04 | |
Surely you can sort of identify the rooms. | 0:06:04 | 0:06:06 | |
Allyson, if you want to buy a property, | 0:06:06 | 0:06:08 | |
does it matter how well the estate agent performs? | 0:06:08 | 0:06:10 | |
No-one thinks, "Oh, it's a perfect house, it's the right price, but | 0:06:10 | 0:06:14 | |
"hang on, that estate agent, didn't like his aftershave - I'm not buying it." | 0:06:14 | 0:06:17 | |
Does that happen? It's got to be the right person you buy from? | 0:06:17 | 0:06:20 | |
It matters a lot, yes, because what you're selling is more than just | 0:06:20 | 0:06:23 | |
-a physical place to live. -Yeah. | 0:06:23 | 0:06:25 | |
You're selling a romantic idea for people, | 0:06:25 | 0:06:29 | |
so it's more than just a transaction. | 0:06:29 | 0:06:31 | |
If you're spending that kind of money you want a bit of a relationship, | 0:06:31 | 0:06:34 | |
you want to trust the person, you need the reassurance, | 0:06:34 | 0:06:38 | |
so there's a lot more to it than just, "Let's do the deal." | 0:06:38 | 0:06:40 | |
It perhaps wasn't the most eloquent sales patter on that occasion, | 0:06:40 | 0:06:44 | |
but tell us more about these windows that let in the sun during the day and the night. | 0:06:44 | 0:06:47 | |
LAUGHTER | 0:06:47 | 0:06:48 | |
Well, I think we should look into that. It could be a new prospect... | 0:06:48 | 0:06:52 | |
You were bigging up Clapham! It's good. You called it "The Clapham". | 0:06:52 | 0:06:55 | |
Yeah. It should be known as its own place, I think. | 0:06:55 | 0:06:58 | |
It's got a lot to offer. | 0:06:58 | 0:07:00 | |
It has. Well, not any more, but, you know... | 0:07:00 | 0:07:03 | |
It's always the case that when teams split between high-ticket | 0:07:03 | 0:07:06 | |
and low-ticket items, there's always competition, | 0:07:06 | 0:07:09 | |
but you were very, very touchy | 0:07:09 | 0:07:12 | |
about wanting to sell the high-end, and then later admitted you | 0:07:12 | 0:07:15 | |
knew nothing about property, which is a pretty strange strategy, isn't it? | 0:07:15 | 0:07:19 | |
-I thought I knew everything about property... -You did? | 0:07:19 | 0:07:22 | |
And then it turns out there's more to just bricks and rooms... | 0:07:22 | 0:07:25 | |
-If you want windows, there is. -Yeah, yeah. | 0:07:25 | 0:07:27 | |
-Romesh, did you feel for Scott? -Yeah, I really did feel for you, | 0:07:27 | 0:07:31 | |
because you could feel that you were beaten down by the task | 0:07:31 | 0:07:35 | |
and I thought you did things that actually, | 0:07:35 | 0:07:38 | |
if you were feeling positive, you'd have tackled it better. | 0:07:38 | 0:07:41 | |
For example, when the couple asked for a discount | 0:07:41 | 0:07:44 | |
and you obviously had not a great discount to give - a 1% discount - | 0:07:44 | 0:07:48 | |
I think that in another week you would have sold that better. | 0:07:48 | 0:07:51 | |
You would have told them what the monetary value of that was. | 0:07:51 | 0:07:53 | |
You'd have gone, "Well, I can do this... | 0:07:53 | 0:07:55 | |
"It works out as this amount of money." | 0:07:55 | 0:07:57 | |
Yeah, I really felt for you because your skills, | 0:07:57 | 0:08:00 | |
which you obviously have - you proved you have skills - | 0:08:00 | 0:08:02 | |
they just abandoned you in that task. | 0:08:02 | 0:08:04 | |
This might have been the final straw, this task, | 0:08:04 | 0:08:06 | |
-but your energy did seem to decrease over the last couple of weeks. -Yeah. | 0:08:06 | 0:08:11 | |
Just have a look at this to remind yourself. | 0:08:11 | 0:08:13 | |
Team Versatile just says anything that comes our way, | 0:08:13 | 0:08:16 | |
we can basically deal with it. | 0:08:16 | 0:08:18 | |
Really confident in taking the pitch on. It can't go that wrong. | 0:08:18 | 0:08:22 | |
-19 quid, then, yeah? -LAUGHTER | 0:08:22 | 0:08:24 | |
I would love to put myself up as project manager. | 0:08:24 | 0:08:27 | |
I've been in the winning team three times in a row. | 0:08:27 | 0:08:29 | |
I feel like I'm in my element. I love selling. | 0:08:29 | 0:08:31 | |
Probably the best children's book on the market right now. | 0:08:31 | 0:08:35 | |
I can imagine it looking amazing, especially in the summer. | 0:08:35 | 0:08:38 | |
-How are you doing? -Yeah, I'm not interested. | 0:08:38 | 0:08:40 | |
You don't know what I've got to say! I haven't even said anything! | 0:08:40 | 0:08:42 | |
How can you say, "I'm not interested?" Yeah, whatever. | 0:08:42 | 0:08:46 | |
I didn't feel good at any part of the task. | 0:08:46 | 0:08:48 | |
-You're going to be canned again? -No, it's just been...horrendous. | 0:08:48 | 0:08:52 | |
MELANCHOLY STRINGS PLAY | 0:08:52 | 0:08:54 | |
ALL: Awwwwww! | 0:08:57 | 0:08:59 | |
I was expecting Pudsey Bear to come in and give you a hug! | 0:08:59 | 0:09:01 | |
-I would hug him right back. -That was so sad. | 0:09:01 | 0:09:04 | |
When we hit the Manchester task, the discount buying, | 0:09:04 | 0:09:06 | |
that's when it really hit me. | 0:09:06 | 0:09:08 | |
-Um... -It broke your spirit, didn't it? -It did, actually. | 0:09:08 | 0:09:10 | |
A lot. I put 100 million per cent into every single task... | 0:09:10 | 0:09:14 | |
How does that work? | 0:09:14 | 0:09:15 | |
Figures might be a problem for you. | 0:09:15 | 0:09:17 | |
-LAUGHTER -You're right, I stayed away from them. | 0:09:17 | 0:09:20 | |
I put so much effort into everything I did. | 0:09:20 | 0:09:22 | |
-I'm really passionate about what I do. -Yeah. | 0:09:22 | 0:09:24 | |
And when it came down to the discount buying, | 0:09:24 | 0:09:26 | |
I felt a bit let down because I was really trying to pull | 0:09:26 | 0:09:30 | |
everyone together, and that's when it hit me that... | 0:09:30 | 0:09:33 | |
Because you started kind of acting quite weird. You started harassing | 0:09:33 | 0:09:36 | |
strangers and talking to people on the escalator, | 0:09:36 | 0:09:38 | |
trying to sell people Maltesers randomly. | 0:09:38 | 0:09:42 | |
I knew my whole flow was off. I wasn't in sync. | 0:09:42 | 0:09:44 | |
I wasn't in my element, like I normally am. | 0:09:44 | 0:09:46 | |
OK. Well, Karren pointed out in the boardroom that the difference | 0:09:46 | 0:09:50 | |
between Brett and Scott and Richard and Vana was staggering. | 0:09:50 | 0:09:53 | |
And Vana, in particular, | 0:09:53 | 0:09:54 | |
really did seem to know what she was doing this week. | 0:09:54 | 0:09:57 | |
Let's have a look. | 0:09:57 | 0:09:58 | |
We love this experience. | 0:09:58 | 0:09:59 | |
We felt it from the moment we saw your office, | 0:09:59 | 0:10:01 | |
and seeing the building, I mean, it's really incredible. | 0:10:01 | 0:10:04 | |
OMG! | 0:10:04 | 0:10:06 | |
Vana understood that the man was very passionate | 0:10:06 | 0:10:08 | |
about his building and talked architecture with him. | 0:10:08 | 0:10:11 | |
I think the guy was very impressed. | 0:10:11 | 0:10:12 | |
My parents are architects in New York, so... | 0:10:12 | 0:10:14 | |
-Then it's an easy conversation. -Yeah, yeah. | 0:10:14 | 0:10:16 | |
Canary Wharf has a brand name to it that makes it really attractive. | 0:10:16 | 0:10:21 | |
Where are you from, by the way? Are you Italian? | 0:10:21 | 0:10:23 | |
From Brazil! | 0:10:23 | 0:10:24 | |
You've been chosen as one of the exclusive customers | 0:10:24 | 0:10:26 | |
that we've called today. | 0:10:26 | 0:10:28 | |
-Hi, Mr Jamil. I'm Vana. Nice to meet you. -Nice to meet you. | 0:10:28 | 0:10:30 | |
My parents have a three-bedroom in New York | 0:10:30 | 0:10:32 | |
and they're architects, so I know what the flow will be like. | 0:10:32 | 0:10:35 | |
Let's go for it. | 0:10:35 | 0:10:37 | |
What do her parents do again? LAUGHTER | 0:10:40 | 0:10:43 | |
I felt she should have mentioned that a bit more. | 0:10:43 | 0:10:46 | |
Allyson, Vana took a few risks there, | 0:10:46 | 0:10:49 | |
and she and Richard decided not to use the show flat | 0:10:49 | 0:10:52 | |
because it was a bit too much like a building site. | 0:10:52 | 0:10:55 | |
She effectively ended up doing a made up plan on the back of an envelope. | 0:10:55 | 0:10:59 | |
Is that the way to go? Would you have done it that way? | 0:10:59 | 0:11:01 | |
-Well, I think people want to see SOMETHING. -Yeah. -You know. | 0:11:01 | 0:11:03 | |
So I would have used that show flat... | 0:11:03 | 0:11:05 | |
I don't know why they didn't. I was really kind of like... | 0:11:05 | 0:11:07 | |
I didn't understand why they didn't go in there. | 0:11:07 | 0:11:09 | |
I didn't understand either. | 0:11:09 | 0:11:11 | |
-Greg, where you impressed by Vana's performance? -I was. | 0:11:11 | 0:11:14 | |
I feel like I'd be ground down by her being so nice and interested | 0:11:14 | 0:11:19 | |
in everything | 0:11:19 | 0:11:20 | |
and I think I'd probably have bought a house off her. | 0:11:20 | 0:11:23 | |
And... But... | 0:11:23 | 0:11:24 | |
In the task as a whole, who are these people that are just | 0:11:24 | 0:11:28 | |
turning up and going, "I haven't seen it, but, um... | 0:11:28 | 0:11:32 | |
-"Yeah, let's go for it." -Yeah! | 0:11:32 | 0:11:34 | |
One woman said, "Oh, my husband is going to kill me!" | 0:11:34 | 0:11:37 | |
LAUGHTER | 0:11:37 | 0:11:38 | |
-Like it's a pair of shoes or something! -Are you joking?! | 0:11:38 | 0:11:41 | |
But I think Vana, her conviction, I really believed in, | 0:11:41 | 0:11:45 | |
and that bit where the guys turn up in the Rolls-Royce | 0:11:45 | 0:11:48 | |
and she was there going...and she crept in and went, | 0:11:48 | 0:11:51 | |
-AMERICAN ACCENT: -"I've done absolutely everything we can for you." | 0:11:51 | 0:11:55 | |
I'm like, "OK, I believe you!" | 0:11:55 | 0:11:57 | |
"I believe this means so much to you! Have all my money! | 0:11:57 | 0:12:00 | |
"I want to buy the house! I'll buy ten! Let's go! Yes!" | 0:12:00 | 0:12:03 | |
To be honest, those guys, I mean, they probably | 0:12:03 | 0:12:05 | |
bought a flat on their way to that meeting, know what I mean? | 0:12:05 | 0:12:08 | |
LAUGHTER | 0:12:08 | 0:12:10 | |
Let's talk for a minute about the really important stuff. | 0:12:10 | 0:12:13 | |
What did you think of their snack selection? | 0:12:13 | 0:12:16 | |
-I thought it was unacceptable. -Yeah. -ALLYSON: -Mm! | 0:12:16 | 0:12:19 | |
I mean, if you haven't got a floor plan, you've got to have vol-au-vents. | 0:12:19 | 0:12:24 | |
-LAUGHTER -That is a basic rule. | 0:12:24 | 0:12:26 | |
Jam tarts?! What?! | 0:12:26 | 0:12:28 | |
I think Lord Sugar should have come out and gone, | 0:12:28 | 0:12:30 | |
"Is this the snacks? You're fired." | 0:12:30 | 0:12:32 | |
-LAUGHTER -There's no way that should be allowed. -I'm surprised he didn't. | 0:12:32 | 0:12:36 | |
So Vana saved your skin, didn't she, in the handyman task? | 0:12:36 | 0:12:39 | |
Because you basically promised this woman you were going to | 0:12:39 | 0:12:42 | |
-transform her home into the Eden Project... -You know what... | 0:12:42 | 0:12:45 | |
..but with nothing but a trowel, and Vana came in and said, | 0:12:45 | 0:12:48 | |
"Hold on a second. Basically we're going to mow your lawn, | 0:12:48 | 0:12:51 | |
"get rid of the mattress and the syringes and that's about it." | 0:12:51 | 0:12:54 | |
Because that saved a big embarrassment for you, didn't it? | 0:12:54 | 0:12:58 | |
Yeah. Um, Vana grew within the process. | 0:12:58 | 0:13:00 | |
At the start she may not have done that well, but this task | 0:13:00 | 0:13:04 | |
especially, the property, she was in her absolute element. | 0:13:04 | 0:13:08 | |
You couldn't fault her. She knew the industry inside out. | 0:13:08 | 0:13:11 | |
-She's grown up on it, you know. It was made for her. -Has she really(?) | 0:13:11 | 0:13:14 | |
-Yeah! Did you know her mum and dad were architects? -They're not! | 0:13:14 | 0:13:17 | |
-I swear to God! -LAUGHTER | 0:13:17 | 0:13:20 | |
Well, at this point we normally talk about the winning team, | 0:13:20 | 0:13:23 | |
but things have been turned on their head this week, | 0:13:23 | 0:13:25 | |
so we're moving on to talk about the losing team, Team Versatile. | 0:13:25 | 0:13:29 | |
Selina was the fired candidate, of course, as I mentioned. | 0:13:29 | 0:13:32 | |
She isn't here tonight, but let's have a look at her journey | 0:13:32 | 0:13:35 | |
through the process and how she ended up in the boardroom. | 0:13:35 | 0:13:38 | |
I'm going to be project manager. | 0:13:38 | 0:13:39 | |
Scott, Charleine and myself are all going to go and sell. | 0:13:39 | 0:13:42 | |
-Yeah, all right. -Amazing. Whoo-hoo! | 0:13:42 | 0:13:45 | |
I just don't like questions that make no sense. | 0:13:45 | 0:13:47 | |
You're right, I shouldn't bring up anything that I have an opinion on. | 0:13:47 | 0:13:50 | |
Por favor! No, not por favor, s'il vous plait! | 0:13:50 | 0:13:54 | |
There's an old saying, no smoke without fire. | 0:13:54 | 0:13:56 | |
You are a different person on task than you are in this boardroom. | 0:13:56 | 0:14:00 | |
Hey! | 0:14:02 | 0:14:03 | |
This will be the best purchase you've made all year. | 0:14:03 | 0:14:06 | |
I sold the most yesterday. | 0:14:06 | 0:14:07 | |
OK, you did sell the most yesterday, but this morning you didn't. | 0:14:07 | 0:14:11 | |
She looks like she got the hump to me. | 0:14:11 | 0:14:12 | |
Now, Selina, this is right up your alley - party planning. | 0:14:12 | 0:14:16 | |
OK, and...make a wish! | 0:14:16 | 0:14:19 | |
-They loved it! -Well done on your win. | 0:14:19 | 0:14:22 | |
-I think for me it's not going to be today. -Mm-hm. | 0:14:22 | 0:14:25 | |
I think it's a real shame that I didn't confirm any business. | 0:14:25 | 0:14:28 | |
On this task, it seems you couldn't even flog a property | 0:14:28 | 0:14:31 | |
playing Monopoly, Selina. | 0:14:31 | 0:14:33 | |
You're fired. | 0:14:33 | 0:14:34 | |
Allyson, Selina got the job that she wanted, | 0:14:37 | 0:14:39 | |
-selling high-end properties, and she didn't sell anything! -No. | 0:14:39 | 0:14:42 | |
-Was it her fault, do you think? -There were a lot of things going on. | 0:14:42 | 0:14:46 | |
One was her consistent lack of taking on ownership of the problems. | 0:14:46 | 0:14:53 | |
And as I watched not just this episode, | 0:14:53 | 0:14:55 | |
but all of the last ones, | 0:14:55 | 0:14:57 | |
she clearly is assuming that every mistake is everybody else's fault, | 0:14:57 | 0:15:01 | |
so that's a problem. | 0:15:01 | 0:15:02 | |
But it's also about this romancing of the customer, listening. | 0:15:02 | 0:15:07 | |
Not having just her own agenda top of mind | 0:15:07 | 0:15:09 | |
but really wanting to know, what does that customer - in this case, | 0:15:09 | 0:15:13 | |
what does this buyer - really want in a property? | 0:15:13 | 0:15:16 | |
And I didn't see a lot of demonstration of true | 0:15:16 | 0:15:18 | |
understanding or listening, so that's a problem for me. | 0:15:18 | 0:15:21 | |
Romesh, the criticism's been levelled at Selina week after week | 0:15:21 | 0:15:25 | |
that she sits back, she's not proactive enough, | 0:15:25 | 0:15:28 | |
doesn't help out and lets other people do the work. | 0:15:28 | 0:15:32 | |
Generally, is that fair? | 0:15:32 | 0:15:34 | |
No, I was devastated to see Selina go. | 0:15:34 | 0:15:36 | |
LAUGHTER | 0:15:36 | 0:15:38 | |
I think the reason she didn't make the sales | 0:15:38 | 0:15:40 | |
is clearly Joseph's fault and... | 0:15:40 | 0:15:42 | |
I'm joking! I mean, she... | 0:15:42 | 0:15:44 | |
I think the problem is that... She did do good things. | 0:15:44 | 0:15:48 | |
You know, she was project manager first week out, | 0:15:48 | 0:15:50 | |
she's won as project manager when it came to the party planning - | 0:15:50 | 0:15:53 | |
she did do good things, she has got qualities. | 0:15:53 | 0:15:55 | |
I think the problem is, one minute | 0:15:55 | 0:15:57 | |
she's saying the guy that had the properties didn't like Joseph | 0:15:57 | 0:16:01 | |
and she was the one that was suited to selling high-end properties | 0:16:01 | 0:16:04 | |
and then the next minute, when she doesn't sell | 0:16:04 | 0:16:06 | |
a high-end property, it's because Joseph wasn't giving her guidance. | 0:16:06 | 0:16:09 | |
Is Joseph good or is Joseph rubbish? | 0:16:09 | 0:16:11 | |
She needs to make up her mind on that, do you know what I mean? | 0:16:11 | 0:16:13 | |
So I think that, although I think she does have qualities, | 0:16:13 | 0:16:16 | |
she would do well to listen to some criticism a bit more | 0:16:16 | 0:16:19 | |
and use that to improve as the process goes on, | 0:16:19 | 0:16:21 | |
rather than just shutting it down and saying, | 0:16:21 | 0:16:23 | |
"No, it's not my fault, it's somebody else's fault." | 0:16:23 | 0:16:26 | |
There was this thorny topic of who may or may not be polished enough | 0:16:26 | 0:16:29 | |
to sell to millionaires. Should that matter? | 0:16:29 | 0:16:31 | |
If you can sell, can't you sell to anyone? | 0:16:31 | 0:16:33 | |
It should matter and it does matter, especially at that top end. | 0:16:33 | 0:16:37 | |
So when you want to spend that kind of money, | 0:16:37 | 0:16:41 | |
you have to trust the person that's selling you that property | 0:16:41 | 0:16:45 | |
and, if that polish is missing, seeds of doubt are sown. | 0:16:45 | 0:16:49 | |
Joseph was told to lose his braces and the pink shirt | 0:16:49 | 0:16:52 | |
because it didn't give off the right image, or whatever. | 0:16:52 | 0:16:55 | |
In fairness, he does look like Tony Soprano's nephew, doesn't he? It's... | 0:16:55 | 0:17:00 | |
But did they have a point, telling him to change the way he looks? | 0:17:00 | 0:17:03 | |
Absolutely. | 0:17:03 | 0:17:04 | |
If there's a huge disconnect and you don't look like them | 0:17:04 | 0:17:07 | |
then you're basically raising lots of flags in people's minds, | 0:17:07 | 0:17:12 | |
like, "How come you don't look like me? | 0:17:12 | 0:17:13 | |
"You should look like me, I want to trust you," | 0:17:13 | 0:17:15 | |
and we trust people that look like us. | 0:17:15 | 0:17:17 | |
I think that's a massive issue cos there's definitely | 0:17:17 | 0:17:19 | |
no-one else in the country that has that moustache. | 0:17:19 | 0:17:22 | |
That needs to go. | 0:17:22 | 0:17:23 | |
But all credit to Joseph for keeping his quiff, even with a hard hat on. | 0:17:23 | 0:17:28 | |
LAUGHTER | 0:17:29 | 0:17:33 | |
Joseph as project manager, generally, did you... Good job or not? | 0:17:33 | 0:17:37 | |
I think he did a good job. | 0:17:37 | 0:17:38 | |
I think he just went for it | 0:17:38 | 0:17:40 | |
and I think because he's quite young you can't really fault that. | 0:17:40 | 0:17:43 | |
He's just going, "Yeah, I'll give it a go." | 0:17:43 | 0:17:45 | |
The way that he went in to those negotiations about | 0:17:45 | 0:17:48 | |
taking on the high-end properties was insanity. | 0:17:48 | 0:17:51 | |
You know, he could see the guy's passionate about this new complex | 0:17:51 | 0:17:55 | |
and he just went straight in to, | 0:17:55 | 0:17:56 | |
"I think we should talk about the price." | 0:17:56 | 0:17:58 | |
You know, you've got to show... | 0:17:58 | 0:18:00 | |
They're not going to be short of people wanting to | 0:18:00 | 0:18:02 | |
sell £1 million properties, you know, | 0:18:02 | 0:18:04 | |
so you're not in short supply here - you've got to sell yourself. | 0:18:04 | 0:18:07 | |
-He didn't do that and he could have done. -OK. | 0:18:07 | 0:18:10 | |
Well, it wasn't just the clients Joseph had to handle, it was his | 0:18:10 | 0:18:13 | |
team as well, and the relationship between two of them in particular. | 0:18:13 | 0:18:17 | |
I definitely didn't want to put Charleine and Selina together. | 0:18:17 | 0:18:20 | |
They've knocked heads throughout. | 0:18:20 | 0:18:21 | |
Do you think it maybe should've explained that on the bottle | 0:18:21 | 0:18:24 | |
and actually said "cactus oil is..." | 0:18:24 | 0:18:26 | |
-There's no point talking about that now, Charleine. -Can I speak? | 0:18:26 | 0:18:29 | |
I really appreciate feedback. | 0:18:29 | 0:18:30 | |
Unfortunately we had people on the sub team that really wanted | 0:18:30 | 0:18:33 | |
to be project manager. | 0:18:33 | 0:18:35 | |
It's all about Charleine, as usual. | 0:18:35 | 0:18:37 | |
-What I'm saying is what you do, Selina... -Do you need to shout? | 0:18:37 | 0:18:40 | |
Oh, Selina, you're just like an irritating wasp at a picnic. | 0:18:40 | 0:18:43 | |
That's your issue. | 0:18:43 | 0:18:44 | |
She shouldn't be in this process | 0:18:44 | 0:18:46 | |
and I'm amazed that she has any business at all. | 0:18:46 | 0:18:49 | |
# I'll be there for you... # | 0:18:49 | 0:18:51 | |
Do not talk over me, right? Give me a chance to speak! | 0:18:51 | 0:18:54 | |
I've just had to deal with Charleine screaming at me for five minutes... | 0:18:54 | 0:18:57 | |
-Because you don't let me speak, Selina. -Oh, my God. | 0:18:57 | 0:18:59 | |
..making personal insults. I'm not here to make personal insults... | 0:18:59 | 0:19:02 | |
LAUGHTER | 0:19:02 | 0:19:05 | |
And breathe. | 0:19:05 | 0:19:06 | |
Now, Scott, Joseph admitted that he arranged the teams the way he did | 0:19:06 | 0:19:10 | |
because he didn't want to put Selina and Charleine alone together. | 0:19:10 | 0:19:13 | |
Meanwhile, seven million viewers going, "Do it! Do it! Do it!" | 0:19:13 | 0:19:17 | |
What would you have done in his position? | 0:19:17 | 0:19:19 | |
Erm, to be honest, I probably would have done exactly the same as him. | 0:19:19 | 0:19:23 | |
They're two great characters and they're very similar age - | 0:19:23 | 0:19:26 | |
same as me and Brett, very similar aged - | 0:19:26 | 0:19:28 | |
and they just went at it, at each other all the time. | 0:19:28 | 0:19:30 | |
You couldn't keep them together anywhere. Like, it was ridiculous. | 0:19:30 | 0:19:34 | |
That is definitely, 100% what he should have done. | 0:19:34 | 0:19:38 | |
Why was he running away from that? | 0:19:38 | 0:19:40 | |
It's only win-win there, do you know what I mean? | 0:19:40 | 0:19:42 | |
Strategically, put them together and then you can do whatever | 0:19:42 | 0:19:45 | |
you want cos they're just going to kill each other. | 0:19:45 | 0:19:47 | |
You can just sit back and chill out - | 0:19:47 | 0:19:49 | |
you don't have to make a single call. | 0:19:49 | 0:19:51 | |
If Lord Sugar says, "You didn't sell anything." | 0:19:51 | 0:19:53 | |
"Yeah, but everyone's alive in my sub team." | 0:19:53 | 0:19:55 | |
I don't know why he didn't go for that. | 0:19:55 | 0:19:57 | |
I mean, Allyson, | 0:19:57 | 0:19:59 | |
surely rivalry within a business team can be a good thing, can't it? | 0:19:59 | 0:20:04 | |
Absolutely, and many companies do this on purpose | 0:20:04 | 0:20:07 | |
because they know that actually you're upping the ante. | 0:20:07 | 0:20:10 | |
But it's done in a functional way, not a dysfunctional way. | 0:20:10 | 0:20:13 | |
And it's also depersonalised, in a sense, | 0:20:13 | 0:20:16 | |
so you're competing for performance, you're competing to get | 0:20:16 | 0:20:19 | |
a result commercially - you're not competing against a personality. | 0:20:19 | 0:20:24 | |
If it's done well, it's productive. | 0:20:24 | 0:20:27 | |
Once the disappointment about not being allowed to sell | 0:20:27 | 0:20:31 | |
the high-end properties had subsided, Charleine actually went on | 0:20:31 | 0:20:34 | |
and did very, very well with the medium-range apartments. | 0:20:34 | 0:20:37 | |
-Were you impressed? -I was. | 0:20:37 | 0:20:39 | |
I think there's something very interesting about Charleine's MO, | 0:20:39 | 0:20:42 | |
her modus operandi, how she operates. | 0:20:42 | 0:20:45 | |
It's the presumptive close. | 0:20:45 | 0:20:48 | |
So in selling, you assume you've got the deal done, | 0:20:48 | 0:20:51 | |
you assume the sale, and in almost every episode you see | 0:20:51 | 0:20:55 | |
Charleine saying, "So, that's a deal." | 0:20:55 | 0:20:58 | |
So she's assuming it's done, and there's | 0:20:58 | 0:21:01 | |
a lot about the psychology of that that really does work. | 0:21:01 | 0:21:04 | |
I think we need to address the fact that Charleine did something | 0:21:04 | 0:21:08 | |
that was completely out of order in this task, | 0:21:08 | 0:21:10 | |
and that is go out into the street and canvas clients. | 0:21:10 | 0:21:14 | |
I just thought, | 0:21:14 | 0:21:15 | |
you're encouraging estate agents to leave their natural habitat. | 0:21:15 | 0:21:18 | |
LAUGHTER | 0:21:18 | 0:21:21 | |
We're no longer safe anywhere we go. | 0:21:21 | 0:21:23 | |
We could be shopping anywhere | 0:21:23 | 0:21:24 | |
and you get accosted by someone going, "Want to buy a house?" | 0:21:24 | 0:21:27 | |
"Piss off!" | 0:21:27 | 0:21:29 | |
I thought that was a horrible precedent to set. | 0:21:29 | 0:21:32 | |
Well, as we know, this series, Romesh has been investigating | 0:21:32 | 0:21:35 | |
what it might be like to be an Apprentice candidate. | 0:21:35 | 0:21:37 | |
What have you been looking at this week? | 0:21:37 | 0:21:39 | |
Actually, I have been observing the candidates throughout the process. | 0:21:39 | 0:21:43 | |
I thought it would just be a good experience for me to watch them on | 0:21:43 | 0:21:46 | |
the tasks, just mainly to reinforce my belief in my own superior skills. | 0:21:46 | 0:21:51 | |
But I'm surprised you've never noticed me... | 0:21:51 | 0:21:54 | |
Actually, the truth is you won't have noticed me | 0:21:54 | 0:21:56 | |
because I did disguise myself pretty well. | 0:21:56 | 0:21:58 | |
This is me first off in the Desert Secret task here, | 0:21:58 | 0:22:03 | |
secreted behind the cactus. The next task... | 0:22:03 | 0:22:07 | |
Basically I went to France and I decided to blend in with the locals. | 0:22:07 | 0:22:11 | |
And what I found there is that the locals really enjoy | 0:22:13 | 0:22:16 | |
basic stereotyping, that's sort of what I found. | 0:22:16 | 0:22:19 | |
The next task, I wore one of the most versatile garments that | 0:22:19 | 0:22:23 | |
I've ever worn, actually. | 0:22:23 | 0:22:25 | |
You can wear that with a suit, you can | 0:22:25 | 0:22:27 | |
wear that with a tracksuit, you can wear that with a bikini... | 0:22:27 | 0:22:30 | |
It's brilliant. Next up, this is me in the cash and carry task. | 0:22:30 | 0:22:35 | |
Here I had hidden myself so well that I nearly got shipped to China. | 0:22:35 | 0:22:40 | |
LAUGHTER | 0:22:40 | 0:22:42 | |
Then I decided to join in with the property task. | 0:22:42 | 0:22:44 | |
That is not actually me being greedy, I just took that so that | 0:22:44 | 0:22:47 | |
I could chuck it at Richard to knock some of the smug off of him. | 0:22:47 | 0:22:51 | |
-Thank you very much, Romesh. -Thank you. | 0:22:51 | 0:22:53 | |
APPLAUSE | 0:22:53 | 0:22:55 | |
I've got an idea for Christmas, Romesh. You know Where's Wally? | 0:22:58 | 0:23:01 | |
I'm going to get a little woolly jumper, stripy jumper for you | 0:23:01 | 0:23:04 | |
and a stripy hat and put you in the middle of a big crowd and go home. | 0:23:04 | 0:23:08 | |
LAUGHTER | 0:23:08 | 0:23:11 | |
So, Scott, sadly... | 0:23:11 | 0:23:12 | |
Sadly, Lord Sugar isn't going to be investing in you, | 0:23:13 | 0:23:16 | |
which is a great shame. Not that you gave him a chance, really. | 0:23:16 | 0:23:20 | |
But let's have a look to see whether he's got any advice for you. | 0:23:20 | 0:23:23 | |
Scott had performed very, very well throughout | 0:23:23 | 0:23:26 | |
the course of the process up until this particular task. | 0:23:26 | 0:23:30 | |
And it was clear from the information given to me | 0:23:30 | 0:23:34 | |
that he had made some serious mistakes, and I have to say | 0:23:34 | 0:23:38 | |
that I pressurised him quite a bit and so did Karren. | 0:23:38 | 0:23:41 | |
Up until then he'd been quite good. | 0:23:41 | 0:23:43 | |
He'd been very helpful to his other colleagues, | 0:23:43 | 0:23:46 | |
he'd been cohesive in keeping the teams together. | 0:23:46 | 0:23:49 | |
I was very surprised that he took that attitude in the end | 0:23:49 | 0:23:52 | |
and all I can say to him is that maybe lesson learnt there, | 0:23:52 | 0:23:55 | |
because he's quite good at encouraging | 0:23:55 | 0:23:57 | |
his colleagues and workmates. | 0:23:57 | 0:23:59 | |
I think he let himself down a little bit in the end. | 0:23:59 | 0:24:02 | |
Yeah, Lord Sugar's putting on a brave face | 0:24:02 | 0:24:04 | |
but underneath he's still hurting. | 0:24:04 | 0:24:07 | |
Scott. | 0:24:07 | 0:24:08 | |
Do you think there's fair comments there? | 0:24:08 | 0:24:10 | |
There was some good stuff there, wasn't there? | 0:24:10 | 0:24:12 | |
Yeah, it is really fair. I mean... | 0:24:12 | 0:24:15 | |
As we've been going through, talking about it, | 0:24:15 | 0:24:17 | |
I wasn't performing as well towards the end | 0:24:17 | 0:24:20 | |
and everything he said there is completely, you know, fair. | 0:24:20 | 0:24:23 | |
So, what's next for you, Scott? | 0:24:23 | 0:24:25 | |
So I've just launched my company, which is | 0:24:25 | 0:24:28 | |
a first-of-its-kind payroll comparison website. | 0:24:28 | 0:24:31 | |
It compares contractor accountants, umbrella companies, | 0:24:31 | 0:24:34 | |
insurance companies all in one place and it's the first to exist | 0:24:34 | 0:24:37 | |
in the world, so it's a good place for the self-employed to... | 0:24:37 | 0:24:39 | |
-Good luck with that. -Thank you very much. | 0:24:39 | 0:24:41 | |
I hope it goes really well for you. | 0:24:41 | 0:24:43 | |
Well, usually at this point we find out | 0:24:43 | 0:24:45 | |
whether we agree that Scott was the right person to be fired | 0:24:45 | 0:24:48 | |
and that's not going to work this week, obviously. | 0:24:48 | 0:24:50 | |
But just for fun, let's find out if you would have hired or fired Scott. | 0:24:50 | 0:24:54 | |
Allyson. | 0:24:54 | 0:24:55 | |
For this particular task, I'm afraid, Scott, | 0:24:55 | 0:24:58 | |
I would have fired you. | 0:24:58 | 0:25:00 | |
I think you have great potential. You heard Lord Sugar talk about your | 0:25:00 | 0:25:04 | |
enthusiasm, I just didn't really see that coming through, so... | 0:25:04 | 0:25:09 | |
-Fair point. -Greg. | 0:25:09 | 0:25:11 | |
I think, in terms of the whole show... | 0:25:11 | 0:25:14 | |
-I would have definitely kept you there. -Thank you. | 0:25:14 | 0:25:16 | |
-I think you're one of the good guys so I would have kept you on. -Cheers. | 0:25:16 | 0:25:19 | |
Romesh. | 0:25:19 | 0:25:20 | |
Scott, I think you are a phenomenal seller. | 0:25:20 | 0:25:23 | |
I think you're going to go on to be a massive success | 0:25:23 | 0:25:25 | |
and you've got great qualities. | 0:25:25 | 0:25:28 | |
But I would say you needed to be fired for your own safety. | 0:25:28 | 0:25:31 | |
LAUGHTER | 0:25:31 | 0:25:34 | |
And so to the audience vote. Would you have hired or fired Scott? | 0:25:34 | 0:25:38 | |
-I'm afraid that's looking pretty much like a fired, Scott. -I know! | 0:25:44 | 0:25:48 | |
-I feel hurt. -OK, you can put them down. Thank you very much. | 0:25:48 | 0:25:51 | |
-OK, so I'm going to leave. -No, no, don't! | 0:25:51 | 0:25:54 | |
LAUGHTER AND APPLAUSE | 0:25:54 | 0:25:56 | |
Well, you know what? | 0:26:01 | 0:26:03 | |
We're really sorry to be losing you from The Apprentice | 0:26:03 | 0:26:06 | |
because you've been a joy to watch. | 0:26:06 | 0:26:07 | |
When you walked out, you passed on the opportunity to enjoy | 0:26:07 | 0:26:11 | |
one of the coveted Apprentice treats. | 0:26:11 | 0:26:14 | |
We didn't want you to miss out, | 0:26:14 | 0:26:16 | |
so I've got you the speedboat experience kit. | 0:26:16 | 0:26:19 | |
So that's your own speedboat, you see? I'll put that there. | 0:26:19 | 0:26:22 | |
-You've got all the characters there. -Oh, brilliant. | 0:26:22 | 0:26:25 | |
-If I do that, you get the wind in your face. -Oh, really feel this. | 0:26:25 | 0:26:29 | |
-Really feeling it. -You would if it worked. -Yeah. | 0:26:29 | 0:26:31 | |
-You'd get the wind in your face. -Oh, cool. | 0:26:31 | 0:26:33 | |
-I got it from a discount shop so it's not... -Wow. | 0:26:33 | 0:26:35 | |
-There you are. Then a bit of water on you. -Really setting the scene. | 0:26:35 | 0:26:39 | |
-All right? -That just feels weird. | 0:26:39 | 0:26:41 | |
APPLAUSE | 0:26:41 | 0:26:43 | |
And this... | 0:26:45 | 0:26:46 | |
As you know it's the BBC, so we have to be health and safety... | 0:26:46 | 0:26:49 | |
I need you to wear those at all times. | 0:26:49 | 0:26:51 | |
Well, Scott, you've been a great guest, great candidate. | 0:26:51 | 0:26:54 | |
Let's have a look at your highlights. | 0:26:54 | 0:26:57 | |
Ready? | 0:26:57 | 0:26:58 | |
Got sweets here, two for £1.50. | 0:26:58 | 0:27:00 | |
There's too much bush. | 0:27:00 | 0:27:02 | |
Scott just wants the best out of himself | 0:27:02 | 0:27:04 | |
and the best out of everyone. | 0:27:04 | 0:27:06 | |
He's a lovely person. | 0:27:06 | 0:27:07 | |
These look absolutely amazing. | 0:27:07 | 0:27:09 | |
I made it just now to come out for you. | 0:27:09 | 0:27:11 | |
Yeah, it's bloody nice, I tasted it earlier. | 0:27:11 | 0:27:13 | |
You can imagine it looking amazing, especially in the summer. | 0:27:13 | 0:27:16 | |
We want to get rid of everything that we can for | 0:27:16 | 0:27:18 | |
more than the price we paid for it. | 0:27:18 | 0:27:20 | |
I think he's a very, very strong businessperson | 0:27:20 | 0:27:22 | |
but he's got a soft side to himself as well. | 0:27:22 | 0:27:24 | |
Do it, man! Get yourself a selfie stick. | 0:27:24 | 0:27:27 | |
I practically scuba dived and got the fish from the sea. | 0:27:27 | 0:27:29 | |
This stuff is spot on. | 0:27:29 | 0:27:31 | |
It's the best one ever! Did I not say that? | 0:27:32 | 0:27:35 | |
Ladies and gentlemen, Scott Saunders. | 0:27:38 | 0:27:41 | |
CHEERING AND APPLAUSE | 0:27:41 | 0:27:43 | |
Well, that's all for tonight. | 0:27:45 | 0:27:47 | |
Thank you to Allyson, Greg and Romesh. | 0:27:47 | 0:27:49 | |
So, it's on to task number ten for our candidates. | 0:27:49 | 0:27:52 | |
For your next task, I'd like you to create your own healthy snacks. | 0:27:52 | 0:27:57 | |
Basically just vegetables. | 0:27:57 | 0:27:59 | |
It is known as Britain's Viagra. | 0:28:01 | 0:28:03 | |
I'm seeing the front of the packet as a massive V. | 0:28:05 | 0:28:08 | |
It's great for contraception. | 0:28:08 | 0:28:11 | |
Do you know something? They may be onto something here. | 0:28:11 | 0:28:13 | |
Tastes quite...pepperminty. | 0:28:13 | 0:28:16 | |
It's made with a nutritional yeast. | 0:28:16 | 0:28:18 | |
Argh! | 0:28:18 | 0:28:19 | |
Fuck. | 0:28:19 | 0:28:20 | |
They've got a few problems here. | 0:28:20 | 0:28:22 | |
Too greasy, too small, too weirdly-shaped. | 0:28:22 | 0:28:26 | |
You went to retailers with this? | 0:28:26 | 0:28:28 | |
I'm not sure how I'm going to deal with this. | 0:28:31 | 0:28:34 | |
Now, if you think you've got what it takes to become Lord Sugar's | 0:28:38 | 0:28:41 | |
business partner, go to... | 0:28:41 | 0:28:43 | |
..for details of how to apply for the next series. | 0:28:45 | 0:28:48 | |
We'll be back next Wednesday at 10pm for more You're Fired, when alongside | 0:28:48 | 0:28:51 | |
Romesh I'll be joined by health food industry heavyweight | 0:28:51 | 0:28:54 | |
Anthony Fletcher and the fabulous Ruth Jones. Goodnight. | 0:28:54 | 0:28:57 | |
APPLAUSE | 0:28:57 | 0:28:59 |