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I'm not impressed with any of you. This is a bloody shambles. | 0:00:02 | 0:00:04 | |
You didn't follow the money. | 0:00:04 | 0:00:06 | |
I've got two teams here and they're both rubbish. | 0:00:06 | 0:00:08 | |
You're fired. | 0:00:08 | 0:00:09 | |
You're fired. | 0:00:09 | 0:00:11 | |
You're fired. | 0:00:11 | 0:00:12 | |
CHEERING AND APPLAUSE | 0:00:12 | 0:00:14 | |
Good evening! | 0:00:25 | 0:00:26 | |
Good evening, and welcome to The Apprentice: You're Fired. | 0:00:26 | 0:00:29 | |
I'm Rhod Gilbert. This week, the candidates organised tourist trips | 0:00:29 | 0:00:32 | |
around Bruges - five fun-packed minutes on a Segway, | 0:00:32 | 0:00:36 | |
four hours of walking, three sips of beer, two facts, | 0:00:36 | 0:00:38 | |
and one hell of a challenge. | 0:00:38 | 0:00:41 | |
Judging by the look on Karren's face, | 0:00:41 | 0:00:43 | |
her blind date with a pillar went badly. | 0:00:43 | 0:00:45 | |
LAUGHTER | 0:00:47 | 0:00:50 | |
Here to help us figure out who were the captains of the ship | 0:00:51 | 0:00:54 | |
and who should have walked the plank, please welcome tonight's | 0:00:54 | 0:00:56 | |
Apprentice fans and guests, business guru | 0:00:56 | 0:00:59 | |
Allyson Stewart-Allen, our very own Claude Littner, | 0:00:59 | 0:01:01 | |
and comedian Nish Kumar. | 0:01:01 | 0:01:03 | |
Welcome to You're Fired. | 0:01:03 | 0:01:04 | |
Allyson, what do you make of it this week? | 0:01:09 | 0:01:12 | |
I think the fact that it was in a foreign city makes | 0:01:12 | 0:01:15 | |
it fascinating, it's full of opportunity - foreign food, | 0:01:15 | 0:01:19 | |
foreign language. | 0:01:19 | 0:01:21 | |
You have a great chance to do some engaging, | 0:01:21 | 0:01:24 | |
-entertaining things. -Jolly good. | 0:01:24 | 0:01:26 | |
Claude, you were there. Did you enjoy it? | 0:01:26 | 0:01:28 | |
-Well... -LAUGHTER | 0:01:29 | 0:01:31 | |
I lost quite a bit of weight with all that walking. | 0:01:31 | 0:01:34 | |
So, it wasn't all bad. | 0:01:34 | 0:01:36 | |
Nish, what did you make of it this week? | 0:01:36 | 0:01:38 | |
Well, I love this task, but unfortunately, since Brexit, | 0:01:38 | 0:01:42 | |
I found it a lot less funny to watch a group of British people | 0:01:42 | 0:01:45 | |
go to continental Europe and struggle through a negotiation, | 0:01:45 | 0:01:48 | |
with no facts whatsoever. | 0:01:48 | 0:01:50 | |
He's gone for it! | 0:01:52 | 0:01:54 | |
We'll be discussing this week's tourist task in more detail | 0:01:55 | 0:01:58 | |
when we meet the sixth candidate to be fired. | 0:01:58 | 0:02:00 | |
But first... | 0:02:00 | 0:02:02 | |
BONG | 0:02:02 | 0:02:04 | |
..in Apprentice News tonight: Bruges has long been a tourist mecca, | 0:02:04 | 0:02:08 | |
so it's not easy to find new things to say to captivate visitors. | 0:02:08 | 0:02:12 | |
But Harrison pulls it off. | 0:02:12 | 0:02:14 | |
The way they've mixed in new buildings with the old | 0:02:14 | 0:02:16 | |
is literally ingenious. | 0:02:16 | 0:02:18 | |
We all know the architecture is ingenious, Harrison, | 0:02:19 | 0:02:22 | |
but tell us a little bit about the culture, the people. | 0:02:22 | 0:02:24 | |
If you look around, you can just see, | 0:02:24 | 0:02:26 | |
there's people everywhere, literally. | 0:02:26 | 0:02:29 | |
Elizabeth fundamentally misunderstands how eyes work. | 0:02:30 | 0:02:34 | |
OK. Now, if I can't see your eyes, you can't see me. | 0:02:34 | 0:02:37 | |
I think they could if they're behind you, Elizabeth. | 0:02:40 | 0:02:43 | |
Anisa is surprised to learn that Claude rents out his attic. | 0:02:43 | 0:02:47 | |
Oh. | 0:02:47 | 0:02:48 | |
It's home to seven Benedictine nuns. | 0:02:48 | 0:02:51 | |
And that's tonight's Apprentice News. | 0:02:55 | 0:02:57 | |
So, after guiding her team to a Brugeing defeat, | 0:03:02 | 0:03:05 | |
Lord Sugar decided it was time for Sarah Jayne to say vaarwel! | 0:03:05 | 0:03:09 | |
Sarah Jayne... | 0:03:10 | 0:03:12 | |
I've been wondering what you do... | 0:03:12 | 0:03:14 | |
and now I know what you do. | 0:03:14 | 0:03:17 | |
It seemed to me that you moved yourself over to a convenient place, | 0:03:17 | 0:03:22 | |
and I think you've been in a convenient place for | 0:03:22 | 0:03:25 | |
the last six weeks, and for that reason, Sarah Jayne, | 0:03:25 | 0:03:29 | |
you're fired. | 0:03:29 | 0:03:30 | |
OK. Thank you for the opportunity. | 0:03:30 | 0:03:32 | |
Please welcome Sarah Jayne Clark! | 0:03:41 | 0:03:43 | |
Welcome home from Bruges. How are you feeling now? | 0:03:55 | 0:03:58 | |
-Erm, yeah, all right. Obviously just been fired. -Yeah. -Not the best. | 0:03:58 | 0:04:02 | |
You know, I did want to go further on in the process, | 0:04:02 | 0:04:05 | |
I was in it to win it. | 0:04:05 | 0:04:06 | |
But I do feel like I was getting some signs that | 0:04:06 | 0:04:09 | |
I wasn't the right one. | 0:04:09 | 0:04:11 | |
So, I was better to go off then than just cruise through | 0:04:11 | 0:04:13 | |
a few more weeks. | 0:04:13 | 0:04:14 | |
Signs like Karren saying, "With you there's no fireworks..." | 0:04:14 | 0:04:17 | |
-"No fireworks, no disasters." -"No fireworks, no disasters." | 0:04:17 | 0:04:20 | |
-Engrained in my brain, yeah. -What do you think she meant by that? | 0:04:20 | 0:04:22 | |
Well, I took it that she said I was mediocre, you know, I don't really | 0:04:22 | 0:04:25 | |
-do much, and therefore... -Aw. | 0:04:25 | 0:04:28 | |
-AUDIENCE: -Aww! | 0:04:28 | 0:04:29 | |
You bastards! | 0:04:29 | 0:04:30 | |
It wasn't even you, Claude, it wasn't even you! | 0:04:33 | 0:04:36 | |
Lord Sugar said you'd been in a "convenient place for six weeks." | 0:04:41 | 0:04:44 | |
Yes. I was going to ask him what he meant, but I thought it wasn't | 0:04:44 | 0:04:47 | |
the right time, obviously cos he just fired me! | 0:04:47 | 0:04:49 | |
You know, I did contribute a lot throughout the past six weeks, | 0:04:50 | 0:04:54 | |
whether that be getting my head down and doing what the PM said, | 0:04:54 | 0:04:56 | |
or whether that be standing up for myself, | 0:04:56 | 0:04:58 | |
or whether that be, you know, putting myself forward as PM. | 0:04:58 | 0:05:01 | |
-Allyson, Sarah Jayne was in there with Andrew and Charles. -Yep. | 0:05:01 | 0:05:04 | |
Did you think they were all going to go? | 0:05:04 | 0:05:06 | |
Well, it was a tough decision, in a lot of ways, because | 0:05:06 | 0:05:09 | |
Charles seemed to step up and get in there and support Anisa, | 0:05:09 | 0:05:14 | |
and that didn't quite work. | 0:05:14 | 0:05:16 | |
-I think Andrew, clearly, was there for the beer... -Yeah. | 0:05:16 | 0:05:19 | |
..that was very obvious. And I think, overall, the challenge | 0:05:19 | 0:05:23 | |
was trying to put something together that was really directly | 0:05:23 | 0:05:26 | |
about the guests or the tourists. | 0:05:26 | 0:05:29 | |
I'm not sure that totally happened in this situation. | 0:05:29 | 0:05:31 | |
No, it didn't, did it? | 0:05:31 | 0:05:32 | |
Claude, you've been keeping an eye on the teams, a close eye. | 0:05:32 | 0:05:36 | |
What could Sarah Jayne have done differently on this specific task? | 0:05:36 | 0:05:38 | |
Well, I think there's a lot she should have done differently. | 0:05:38 | 0:05:41 | |
I think that she - and I do agree with what Alan Sugar said - | 0:05:41 | 0:05:45 | |
in this particular task, especially, I think you did find it convenient | 0:05:45 | 0:05:49 | |
to be in the planning team and put a lot of the responsibility | 0:05:49 | 0:05:52 | |
onto Anisa, and then switch teams, to a team where actually they | 0:05:52 | 0:05:56 | |
were quite well placed anyway, with some strong sellers | 0:05:56 | 0:05:58 | |
and strong negotiators, Michaela and Jade. | 0:05:58 | 0:06:00 | |
And so, I think, from his point of view, it looked as though | 0:06:00 | 0:06:03 | |
-you've kind of... -Jumped ship, basically. | 0:06:03 | 0:06:05 | |
I think that's right. | 0:06:05 | 0:06:06 | |
-Nish, just generally, I know you a bit. -Yeah. | 0:06:06 | 0:06:08 | |
I assume that you'd be all fireworks, all disasters... | 0:06:08 | 0:06:11 | |
-Yeah, yeah, that's pretty much my... -..if you were in this process. | 0:06:11 | 0:06:14 | |
That was my Tinder profile for a while, Rhod. | 0:06:14 | 0:06:16 | |
Yeah, I don't really understand why the phrase "no disasters" | 0:06:18 | 0:06:21 | |
is a bad thing. I always thought that disasters were something | 0:06:21 | 0:06:25 | |
that you'd want to avoid at all costs. | 0:06:25 | 0:06:27 | |
But also, I feel like Charles maybe got away with one, | 0:06:27 | 0:06:30 | |
and I feel like he might have been more in the firing line. | 0:06:30 | 0:06:33 | |
But then, I can't tell whether that's because of what he did | 0:06:33 | 0:06:36 | |
on the task or that his glasses and haircut combo make him look | 0:06:36 | 0:06:40 | |
like a Bond villain's henchman. | 0:06:40 | 0:06:41 | |
Well, Sarah Jayne and the others got a return ferry to Bruges, | 0:06:43 | 0:06:46 | |
but the booze cruise her team had promised turned into a dry dock | 0:06:46 | 0:06:49 | |
and she sailed straight out of the process. | 0:06:49 | 0:06:51 | |
Let's see where it all went wrong. | 0:06:51 | 0:06:53 | |
Sarah Jayne, you say here, "I get things done." | 0:06:53 | 0:06:56 | |
Yeah, do you want me to explain that one? | 0:06:56 | 0:06:57 | |
I'd like you to actually implement it on the task. | 0:06:57 | 0:07:00 | |
Anisa, I think you'd be great at leading the tour. | 0:07:00 | 0:07:02 | |
Argh! | 0:07:02 | 0:07:03 | |
I think I've got my stories mixed up. | 0:07:03 | 0:07:05 | |
And then, Charles, if you could do the logistics. | 0:07:05 | 0:07:08 | |
We're just on the other side of the lake I want to be on. | 0:07:08 | 0:07:10 | |
-Brilliant. -It's absolutely fine. -Fantastic. | 0:07:10 | 0:07:12 | |
We're still parallel to where I want to be. | 0:07:12 | 0:07:14 | |
What I'm going to do, I'm going to swap with you. | 0:07:14 | 0:07:16 | |
-Me and you? -Yeah. I think you'd be amazing at the beer tasting. | 0:07:16 | 0:07:18 | |
This is Bourgogne des Flandres. | 0:07:18 | 0:07:21 | |
I don't imagine it would take many to get you drunk on these either. | 0:07:21 | 0:07:24 | |
So if we could go with 50. | 0:07:24 | 0:07:25 | |
-All right. -So, can I suggest as well, maybe we could negotiate | 0:07:25 | 0:07:29 | |
-getting some bottles for them to take with them? -Yeah, definitely. | 0:07:29 | 0:07:32 | |
I don't think Sarah's confident in ever making decisions, really, | 0:07:32 | 0:07:35 | |
by her herself. | 0:07:35 | 0:07:36 | |
You appointed yourself project manager cos you wanted | 0:07:36 | 0:07:39 | |
to prove yourself to me. | 0:07:39 | 0:07:41 | |
You have not proved yourself to me. | 0:07:41 | 0:07:43 | |
-Oof. -Sad. | 0:07:43 | 0:07:45 | |
Project manager, didn't prove yourself to him. | 0:07:45 | 0:07:47 | |
Well, yeah. I mean, as soon as I knew that we had lost, | 0:07:47 | 0:07:50 | |
I knew I was a goner, basically. | 0:07:50 | 0:07:53 | |
You know, because I'd had the warnings, I tried to | 0:07:53 | 0:07:55 | |
prove myself. Obviously I didn't prove myself. | 0:07:55 | 0:07:58 | |
But I didn't do anything majorly wrong, I didn't think. | 0:07:58 | 0:08:01 | |
-Do you? -Um... | 0:08:01 | 0:08:03 | |
Claude?! | 0:08:04 | 0:08:05 | |
You're on your own! | 0:08:06 | 0:08:08 | |
I wasn't there. You said your game plan as project manager, though, | 0:08:08 | 0:08:12 | |
-was to assign the right people to the right roles. -Yes. | 0:08:12 | 0:08:15 | |
I mean, looking at that, watching that back there, you think, | 0:08:15 | 0:08:18 | |
was Andrew the right person to go on the beer trip? | 0:08:18 | 0:08:20 | |
Was Anisa the right person to take on all the facts? | 0:08:20 | 0:08:23 | |
So, when we was altogether in the group initially and I set | 0:08:23 | 0:08:26 | |
Charles and Anisa to be on that team, nothing really came up | 0:08:26 | 0:08:28 | |
in terms of, "Oh, no, no, no, I need to be on the negotiation | 0:08:28 | 0:08:31 | |
"or sales team." It was, "OK." | 0:08:31 | 0:08:33 | |
And then once we got in the room, she started to say, | 0:08:33 | 0:08:35 | |
"No, no, no, I can't do this." | 0:08:35 | 0:08:37 | |
So then, it was either, "No, you can," give her a bit of confidence, | 0:08:37 | 0:08:41 | |
"You can do it, don't worry, and Charles will be there to help," | 0:08:41 | 0:08:43 | |
or give Charles it. But I don't think that would have been | 0:08:43 | 0:08:46 | |
the right decision either. | 0:08:46 | 0:08:47 | |
Well, the thing is, the key of the problem is where you put | 0:08:47 | 0:08:50 | |
yourself, and I think that - and this would have saved you - | 0:08:50 | 0:08:52 | |
you should have said, "OK, Anisa, I see your problem, I'll do it." | 0:08:52 | 0:08:55 | |
And then at least you've positioned yourself where you're doing | 0:08:55 | 0:08:58 | |
something and saving, you know, the embarrassment of someone else. | 0:08:58 | 0:09:01 | |
But actually to say, "No, no, you do it and you'll get a bit of help | 0:09:01 | 0:09:03 | |
"from Charles, and then I'm off out of here," | 0:09:03 | 0:09:06 | |
that actually abandoned your team. So, whatever you did from that | 0:09:06 | 0:09:08 | |
-point on, I think you were at risk. -Yeah. | 0:09:08 | 0:09:11 | |
Yeah. So, one of the things that businesses find themselves in | 0:09:11 | 0:09:14 | |
all the time, and your team is a kind of microcosm of a | 0:09:14 | 0:09:18 | |
bigger business in some ways, is you have to change in the moment, | 0:09:18 | 0:09:23 | |
and it could be that someone like Anisa or another team member | 0:09:23 | 0:09:26 | |
just doesn't want to do the task or can't do it for whatever reason, | 0:09:26 | 0:09:30 | |
and you might have to change your game plan on very short notice. | 0:09:30 | 0:09:34 | |
But it sometimes saves the day. | 0:09:34 | 0:09:36 | |
Nish, how would you have spiced up a tour of Bruges? | 0:09:36 | 0:09:40 | |
One fact would have been helpful. | 0:09:40 | 0:09:42 | |
Like, that whole tour was one massive Wikipedia entry, | 0:09:43 | 0:09:48 | |
that would have just had "citation needed" written in | 0:09:48 | 0:09:50 | |
50-point font at the end of it. | 0:09:50 | 0:09:53 | |
Well, both guided tour sub-teams struggled to show their punters | 0:09:53 | 0:09:56 | |
around Bruges, and as this piece of unseen footage shows, | 0:09:56 | 0:09:59 | |
it could have been a lot, lot worse if Michaela had been in charge. | 0:09:59 | 0:10:03 | |
I've never been to Bruges. | 0:10:09 | 0:10:10 | |
I don't know if they speak in Berlin language. | 0:10:10 | 0:10:13 | |
Is it Berlin? | 0:10:13 | 0:10:15 | |
It's not, is it? | 0:10:15 | 0:10:16 | |
Is it in Berlin, Bruges? | 0:10:16 | 0:10:18 | |
Well, Nish, you speak Berlin language, presumably? | 0:10:24 | 0:10:27 | |
Yeah, I'm fluent in Berlinese, Rhod. | 0:10:27 | 0:10:29 | |
Good Berlin to you, and good Berlin to all of you. | 0:10:29 | 0:10:31 | |
Fair play, they went for an historic tour of Bruges. | 0:10:33 | 0:10:36 | |
Bruges, historic city, nothing wrong with that. | 0:10:36 | 0:10:38 | |
But in your expert opinion, Claude, is it best if you do that | 0:10:38 | 0:10:41 | |
to then know something of the history of Bruges? | 0:10:41 | 0:10:43 | |
It is helpful, yes, that's right. And also, helpful to know | 0:10:43 | 0:10:47 | |
a little bit about the geography so you can actually get to the place | 0:10:47 | 0:10:50 | |
you're trying to get to. Always quite helpful. | 0:10:50 | 0:10:52 | |
Anisa, Charles and Andrew struggled to give out many facts | 0:10:54 | 0:10:57 | |
on the horse and cart tour, as it zipped around Bruges in silence. | 0:10:57 | 0:11:00 | |
And they might have got away with it if it hadn't been | 0:11:00 | 0:11:03 | |
for that pesky Karren. | 0:11:03 | 0:11:04 | |
Here she is, chipping in helpfully from the back. | 0:11:04 | 0:11:08 | |
If you're giving out any information, I can't hear it. | 0:11:08 | 0:11:11 | |
-We can't hear it in the back. -We aren't just yet, so... | 0:11:11 | 0:11:13 | |
You're not giving out any information? | 0:11:13 | 0:11:15 | |
No, no, no, trying to find the next point of interest. | 0:11:15 | 0:11:18 | |
I mean, by that point, even the horse was thinking, | 0:11:21 | 0:11:23 | |
"Christ, somebody say something." | 0:11:23 | 0:11:25 | |
-Let's talk a little bit about the overpromising... -Yes. | 0:11:27 | 0:11:30 | |
..and Andrew on the beer. | 0:11:30 | 0:11:32 | |
On the ferry, he did sound like he was selling a stag do. | 0:11:32 | 0:11:35 | |
To be fair to him. You know, "We're going to get you off your nut." | 0:11:35 | 0:11:38 | |
The language he was using, "We'll get you off your nut, | 0:11:38 | 0:11:41 | |
-"we'll get you a proper skinful, we'll see you all right." -I know. | 0:11:41 | 0:11:43 | |
"Don't worry if you get so pissed that you forget your own name, | 0:11:43 | 0:11:46 | |
"we'll write it on your hat!" | 0:11:46 | 0:11:48 | |
-It was... -I think it's cos he's Northern, that's his way | 0:11:48 | 0:11:50 | |
-that he speaks. -Yeah. -Yeah, obviously that's why | 0:11:50 | 0:11:53 | |
I brought him back into the boardroom because he was | 0:11:53 | 0:11:56 | |
an overpromise, basically, and obviously we under-delivered, | 0:11:56 | 0:11:59 | |
cos we were never going to be able to provide all of that. | 0:11:59 | 0:12:02 | |
But even so, I don't think that the downfall of the whole task. | 0:12:02 | 0:12:05 | |
-You don't think that was the main thing? -No. It was obviously | 0:12:05 | 0:12:08 | |
getting lost and not providing a tour, on a tour, so... | 0:12:08 | 0:12:11 | |
Would you have gone on that booze cruise, the booze cruise of Bruges, | 0:12:13 | 0:12:16 | |
that Andrew was selling on the ferry? | 0:12:16 | 0:12:18 | |
It did look like he was a Victorian Club 18-30 rep, | 0:12:18 | 0:12:21 | |
cos he kept going round, going, "We're going to get so drunk | 0:12:21 | 0:12:24 | |
"and then we're going to get a horse and cart home. | 0:12:24 | 0:12:26 | |
"It's going to be epic!" | 0:12:26 | 0:12:28 | |
I loved the moment in the beer tasting where the beer finally | 0:12:29 | 0:12:32 | |
came out, and it obviously wasn't as much as Andrew had been promised, | 0:12:32 | 0:12:35 | |
it wasn't quite the "skinful," and then Andrew was trying to | 0:12:35 | 0:12:38 | |
kind of backtrack, going, "I bet it wouldn't take many of these | 0:12:38 | 0:12:41 | |
"to get you drunk!" | 0:12:41 | 0:12:42 | |
Like, I think it would, mate. I think it would have to be | 0:12:42 | 0:12:45 | |
quite a few. Allyson, his enthusiasm and energy, it sold tickets, | 0:12:45 | 0:12:50 | |
but it probably accounted for some of the refunds as well. | 0:12:50 | 0:12:53 | |
What's the balance between hyping something up, selling, | 0:12:53 | 0:12:56 | |
making it attractive and then managing people's expectations? | 0:12:56 | 0:13:00 | |
Well, it's critical. So, if you overpromise and under-deliver, | 0:13:00 | 0:13:03 | |
you're going to very much disappoint people. | 0:13:03 | 0:13:06 | |
So, actually, the goal is to do just the opposite and actually | 0:13:06 | 0:13:08 | |
underpromise and over-deliver, and people think, | 0:13:08 | 0:13:11 | |
"Oh, wow, what a fantastic tour that was, we did all these | 0:13:11 | 0:13:14 | |
"great things, we had the surprise that they didn't even | 0:13:14 | 0:13:17 | |
"tell us about." So, building in things that are unexpected | 0:13:17 | 0:13:21 | |
-is the key. -Yeah. | 0:13:21 | 0:13:23 | |
I think the reason there weren't more refunds is because | 0:13:23 | 0:13:25 | |
people were just so exhausted. | 0:13:25 | 0:13:27 | |
They just wanted to go to bed. | 0:13:28 | 0:13:30 | |
-They were too tired to ask for a refund. -Too tired, yes. | 0:13:30 | 0:13:32 | |
"I can't be arsed. You've broken me!" | 0:13:32 | 0:13:35 | |
Let's talk about the return trip of the souvenirs very quickly. | 0:13:36 | 0:13:39 | |
You guys went for key rings, didn't sell them all, | 0:13:39 | 0:13:41 | |
-the other guys went for bags and things. -Yeah. | 0:13:41 | 0:13:44 | |
-Was that a better choice? -Yes, in a word! | 0:13:44 | 0:13:47 | |
The whole feeling of it was to be premium, | 0:13:48 | 0:13:51 | |
to be upmarket, to be something you could get from us you can't get | 0:13:51 | 0:13:54 | |
from somebody else. | 0:13:54 | 0:13:55 | |
And I'm sorry to say that you could get a key ring pretty much anywhere. | 0:13:55 | 0:13:59 | |
So, you want to do something that matches the experience, | 0:13:59 | 0:14:02 | |
and the experience was meant to be unique and different, | 0:14:02 | 0:14:06 | |
and, therefore, the souvenirs should also have matched that. | 0:14:06 | 0:14:09 | |
I would add also that I think if you're providing a range, | 0:14:09 | 0:14:12 | |
that has a lot more chance of selling | 0:14:12 | 0:14:14 | |
than just a key ring, because here I am, I'm offering you a key ring. | 0:14:14 | 0:14:17 | |
"Have you got anything else?" No, it's a key ring, that's it. | 0:14:17 | 0:14:20 | |
Whereas I think the other group did offer a little range of products | 0:14:20 | 0:14:24 | |
so if you didn't want one, you could have the other | 0:14:24 | 0:14:26 | |
and perhaps something, as you were saying, a bit more upmarket. | 0:14:26 | 0:14:28 | |
OK, I'll have to defend myself here because... | 0:14:28 | 0:14:31 | |
It'll be the first time you've done it, actually, so... | 0:14:31 | 0:14:34 | |
AUDIENCE: Oooooh! | 0:14:34 | 0:14:36 | |
Fight! Fight! Fight! | 0:14:38 | 0:14:40 | |
When you go on holiday, you basically... | 0:14:41 | 0:14:43 | |
and you buy your souvenir, | 0:14:43 | 0:14:44 | |
I was thinking about something that's an impulse buy. | 0:14:44 | 0:14:47 | |
You don't want to be spending more than £10, it's something | 0:14:47 | 0:14:50 | |
they'd have the cash in their pocket to be able to basically hand over. | 0:14:50 | 0:14:54 | |
And what I was going in thinking is, | 0:14:54 | 0:14:56 | |
if I was on this cruise ship, what would I buy? | 0:14:56 | 0:14:59 | |
And yeah, I still stand by that. | 0:14:59 | 0:15:03 | |
One-all. | 0:15:03 | 0:15:05 | |
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What are you writing in that book, Claude, that mystery book? | 0:16:02 | 0:16:05 | |
No-one must know. | 0:16:05 | 0:16:07 | |
-Oh, my God! -Let's have a look, shall we? | 0:16:07 | 0:16:11 | |
First thing I found. | 0:16:13 | 0:16:15 | |
-What task was that on? -All of them. -All of them! | 0:16:15 | 0:16:18 | |
I've highlighted a few bits I enjoyed. Look at that! | 0:16:18 | 0:16:20 | |
That must have been a quiet day there. Look at that one. | 0:16:20 | 0:16:23 | |
My Summer Holiday by Claude Littner. | 0:16:23 | 0:16:25 | |
Claude's expression checklist. | 0:16:25 | 0:16:27 | |
Sorry, look happy? There's not one there. | 0:16:31 | 0:16:33 | |
You haven't ticked that one, admittedly. | 0:16:33 | 0:16:36 | |
Ladies and gentlemen, it's Claude's notebook! | 0:16:36 | 0:16:38 | |
Let's talk about some of the others. | 0:16:43 | 0:16:44 | |
Elizabeth, of course, project managed the other team. | 0:16:44 | 0:16:48 | |
As a tour guide, she was a sort of cross between a headmistress | 0:16:48 | 0:16:51 | |
and Vladimir Putin, I thought. | 0:16:51 | 0:16:54 | |
Yeah, she's... | 0:16:54 | 0:16:56 | |
Yeah, I think her personality shone in that task. | 0:16:56 | 0:16:59 | |
No, she is just very... she's very direct, very strict. | 0:17:01 | 0:17:04 | |
I think this is why we didn't get on, | 0:17:04 | 0:17:06 | |
because we are very different characters. | 0:17:06 | 0:17:08 | |
And we rubbed each other up the wrong way, basically. | 0:17:08 | 0:17:10 | |
-But she won so she's obviously done something right. -Yes. | 0:17:10 | 0:17:14 | |
Claude, you were following Elizabeth on this particular task. | 0:17:14 | 0:17:17 | |
Yeah. She's unbelievably annoying and irritating. | 0:17:17 | 0:17:21 | |
Um... | 0:17:29 | 0:17:30 | |
-However... -Ladies and gentlemen, Elizabeth! | 0:17:30 | 0:17:32 | |
I was about to say, the big shock of today is how nice Claude is, | 0:17:34 | 0:17:39 | |
and I felt that the whole day and then you bust that out | 0:17:39 | 0:17:41 | |
and I'm like, "He's still Claude!" | 0:17:41 | 0:17:43 | |
-She's unbelievably irritating and annoying, however... -Ah! -OK? | 0:17:44 | 0:17:49 | |
The thing is that she is very focused on the task. | 0:17:49 | 0:17:52 | |
She'll do the painting, decorating, | 0:17:52 | 0:17:53 | |
the measuring, you can't forget that. | 0:17:53 | 0:17:55 | |
Basically, she is a doer. | 0:17:55 | 0:17:58 | |
So I think in life and in management, you may meet | 0:17:58 | 0:18:01 | |
a lot of people who talk the talk but she actually does the work. | 0:18:01 | 0:18:05 | |
So I actually do respect her for the fact that she gets on to do it. | 0:18:05 | 0:18:08 | |
That tour, I mean, generally what I like on a tour is people | 0:18:08 | 0:18:12 | |
walking me around and showing me things. | 0:18:12 | 0:18:14 | |
What I don't like on a tour | 0:18:14 | 0:18:16 | |
is someone standing there going, "We need to finish on time! On time! | 0:18:16 | 0:18:19 | |
"It has to be on time!" You go, oh, this is not fun. | 0:18:19 | 0:18:23 | |
It's funny you say that, Nish. | 0:18:23 | 0:18:26 | |
Because Elizabeth may have Sergeant Majored Team Graphene | 0:18:26 | 0:18:30 | |
to a successful campaign victory this week, | 0:18:30 | 0:18:32 | |
but she brought all the fun of the Boot Camp to her whistle-stop tour. | 0:18:32 | 0:18:36 | |
We've got to have these people out of the door by quarter past. | 0:18:43 | 0:18:47 | |
Guys, come on. Quick as we can now. We need to walk not dawdle. | 0:18:47 | 0:18:51 | |
Turn them round, get them to the chocolate shop. | 0:18:51 | 0:18:53 | |
We're herding cats at the minute. | 0:18:53 | 0:18:54 | |
OK, now, if I can't see your eyes, you can't see me. | 0:18:56 | 0:18:59 | |
I need to talk to you. | 0:18:59 | 0:19:01 | |
-THEY ALL TALK EXCITEDLY -Guys! Seriously, shush! | 0:19:01 | 0:19:05 | |
OK, everybody. Shall we make a move? | 0:19:07 | 0:19:10 | |
Are we all here? Everybody together? Fantastic. | 0:19:10 | 0:19:14 | |
Tally ho, onwards and upwards. | 0:19:14 | 0:19:17 | |
To infinity and beyond! | 0:19:17 | 0:19:19 | |
Allyson, what did you make of Elizabeth's project managing skills? | 0:19:24 | 0:19:28 | |
She was pretty dictatorial. | 0:19:28 | 0:19:31 | |
I think when you run a team successfully, | 0:19:31 | 0:19:34 | |
you consult them, you find out who's good at what. | 0:19:34 | 0:19:37 | |
You allocate the skills based on them also agreeing. | 0:19:37 | 0:19:42 | |
And I thought it was really very unilateral. | 0:19:42 | 0:19:45 | |
So I think she could do with being a bit more...listening, pausing, | 0:19:45 | 0:19:52 | |
reflecting on who's good at what, and allocating people to the role | 0:19:52 | 0:19:56 | |
that way rather than being really adhering relentlessly to a plan. | 0:19:56 | 0:20:00 | |
Yeah. Claude, what did you make of Charles this week? | 0:20:00 | 0:20:04 | |
Well, I think Charles, we've seen it early on, | 0:20:04 | 0:20:06 | |
is that he can never admit that he's made a mistake | 0:20:06 | 0:20:09 | |
and this is just another example of him, it's his version of the truth. | 0:20:09 | 0:20:13 | |
After a while, you think, maybe he's right, | 0:20:13 | 0:20:15 | |
then you realise, no, he's actually wrong but he just won't admit it. | 0:20:15 | 0:20:18 | |
-And that's a feature of his character, I think. -Yeah. | 0:20:18 | 0:20:21 | |
I thought he was trying his best to relieve the pain | 0:20:21 | 0:20:25 | |
that Anisa was feeling by not knowing facts. | 0:20:25 | 0:20:29 | |
-Yeah, he's... -Is he trying to relieve it by also not knowing them? | 0:20:29 | 0:20:33 | |
To make her feel better? | 0:20:33 | 0:20:35 | |
I think he was, I think he truly was trying to make her feel better | 0:20:35 | 0:20:38 | |
and I thought he was really aware that the people that paid | 0:20:38 | 0:20:42 | |
to go on the tour weren't getting what they thought they were getting. | 0:20:42 | 0:20:46 | |
And was trying his best to give them something. | 0:20:46 | 0:20:49 | |
Nish, should alarm bells have rung | 0:20:49 | 0:20:51 | |
when Charles got the biro out to measure walking differences? | 0:20:51 | 0:20:54 | |
I mean, we've all done that kind of thing | 0:20:54 | 0:20:56 | |
but it was the specificness of it. | 0:20:56 | 0:20:57 | |
-"That looks like a 12-minute walk." -Yeah! | 0:20:57 | 0:21:00 | |
The problem with Charles is that he does everything with such confidence | 0:21:00 | 0:21:04 | |
that when he did that, there was a part of me that was, like, | 0:21:04 | 0:21:06 | |
"Does he have a system? | 0:21:06 | 0:21:07 | |
"Does he know what biros correspond to in time?" | 0:21:07 | 0:21:11 | |
There's one point in the show where he said, | 0:21:12 | 0:21:14 | |
"We've literally walked in a square, that was my intention." | 0:21:14 | 0:21:18 | |
I thought his refusal to admit he was lost was wonderful. | 0:21:19 | 0:21:22 | |
The number of different euphemisms. | 0:21:22 | 0:21:23 | |
"We're not lost, I just don't know where we are." | 0:21:23 | 0:21:25 | |
"We're not lost, we're just powering to somewhere I thought we weren't going to be in the first place." | 0:21:25 | 0:21:30 | |
"We're not lost, we're just not as found as I'd like to be." | 0:21:30 | 0:21:32 | |
Another week, another task, another jiggle of the teams | 0:21:34 | 0:21:37 | |
and another failed attempt by Charles to become project manager. | 0:21:37 | 0:21:41 | |
Meet Charles. He's just your everyday Apprentice candidate. | 0:21:41 | 0:21:45 | |
There's just one thing that he wants. | 0:21:45 | 0:21:47 | |
I'd also like to throw my hat in the ring. | 0:21:47 | 0:21:49 | |
I'll state myself forward as well, I've got leadership skills. | 0:21:49 | 0:21:53 | |
MUSIC: Kiss Me by Sixpence None The Richer | 0:21:53 | 0:21:55 | |
Michaela, I'm going to make you the project manager of this team. | 0:21:59 | 0:22:02 | |
-I'm going to back Sarah, Sarah Jayne. -Brilliant. | 0:22:02 | 0:22:06 | |
-Danny. -Yes. -Good. | 0:22:06 | 0:22:08 | |
Personally, I'm erring on the side of Sajan. | 0:22:08 | 0:22:10 | |
I'm happy with Sajan. | 0:22:10 | 0:22:11 | |
-Charles Burns is... -Always the bridesmaid. | 0:22:11 | 0:22:15 | |
Oh! | 0:00:00 | 0:00:00 | |
'Arrison! Allyson, are you a fan of 'Arrison? | 0:22:22 | 0:22:26 | |
He was quite notable in this task, I thought, | 0:22:26 | 0:22:29 | |
with his ingenious comments. | 0:22:29 | 0:22:31 | |
Yes, and the blending of new and old architecture in Bruges. | 0:22:31 | 0:22:35 | |
Literally ingenious. | 0:22:35 | 0:22:37 | |
But, you know, he's survived pretty well over these last several weeks. | 0:22:37 | 0:22:41 | |
And I'm not... I think...he's a diplomat. | 0:22:41 | 0:22:45 | |
If you watch how he works and mobilises other people, | 0:22:45 | 0:22:49 | |
I suspect he's got staying power in this process, actually. | 0:22:49 | 0:22:53 | |
Claude, you've been with the Harrison. | 0:22:53 | 0:22:55 | |
I think he's a very likeable guy, I think he is, he's friendly | 0:22:55 | 0:22:59 | |
with everyone, he doesn't seem to rub anybody up the wrong way. | 0:22:59 | 0:23:02 | |
Generally I think he's been good for the process. | 0:23:02 | 0:23:05 | |
Well, Sarah Jayne, unfortunately Lord Sugar won't be investing in you | 0:23:05 | 0:23:08 | |
but he does have this advice for your future. | 0:23:08 | 0:23:11 | |
Sarah Jayne started her own fashion shops, very entrepreneurial. | 0:23:13 | 0:23:17 | |
And that's what I like about her, her entrepreneurial spirit. | 0:23:17 | 0:23:21 | |
But she was project manager on this task. | 0:23:21 | 0:23:23 | |
She put herself in the wrong team. | 0:23:23 | 0:23:25 | |
She should have gone on the tour | 0:23:25 | 0:23:27 | |
and made sure that her clients were well looked after. | 0:23:27 | 0:23:29 | |
After all, that's where the money was. | 0:23:29 | 0:23:32 | |
Sarah Jayne will do quite well in the future. | 0:23:32 | 0:23:34 | |
She needs to put the customer first, obviously. | 0:23:34 | 0:23:37 | |
I hope she picked that up from this exercise in Bruges. | 0:23:37 | 0:23:41 | |
But she's very entrepreneurial | 0:23:41 | 0:23:42 | |
and I'm sure that she'll do quite well in the fashion industry. | 0:23:42 | 0:23:46 | |
Very entrepreneurial. | 0:23:49 | 0:23:50 | |
Yeah, that was a lot nicer than I thought it was going to be. | 0:23:50 | 0:23:52 | |
-Oh, was it? -Yeah! | 0:23:52 | 0:23:54 | |
What was or is your business plan? | 0:23:54 | 0:23:56 | |
I was basically just to expand my current business and take it online | 0:23:56 | 0:24:00 | |
-and grow it. -OK. | 0:24:00 | 0:24:01 | |
Well, Lord Sugar made his decision, | 0:24:01 | 0:24:03 | |
but does our panel feel it was the right one? Allyson. | 0:24:03 | 0:24:07 | |
I do think he made the right decision because I think | 0:24:07 | 0:24:10 | |
there could have been even more value | 0:24:10 | 0:24:12 | |
built into what was promised to the guests. | 0:24:12 | 0:24:15 | |
-I think there was scope to make more money. -Claude? | 0:24:15 | 0:24:19 | |
I think it was a close-run thing, actually, | 0:24:19 | 0:24:21 | |
because I think the others in the boardroom | 0:24:21 | 0:24:24 | |
disgraced themselves as well. | 0:24:24 | 0:24:26 | |
-But unfortunately you got caught. -OK. -Nish? | 0:24:26 | 0:24:28 | |
On the basis of the way that you allocated your team, | 0:24:28 | 0:24:32 | |
I think possibly right to fire you on this occasion. | 0:24:32 | 0:24:35 | |
I do think Charles is incredibly lucky given that he thinks | 0:24:35 | 0:24:38 | |
he can measure time with a pen. | 0:24:38 | 0:24:39 | |
It's time to find out what the audience thinks. | 0:24:41 | 0:24:44 | |
If you agree with Lord Sugar, hold up fired, | 0:24:44 | 0:24:47 | |
if you disagree, then hold up hired now, please. | 0:24:47 | 0:24:50 | |
Oh, it's close. It's very close. | 0:24:53 | 0:24:55 | |
-What do you think, Sarah Jayne? -Hired. | 0:24:55 | 0:24:57 | |
Oh, OK. | 0:24:57 | 0:24:59 | |
-Sarah Jayne, I can confirm it is hired! -Yeah! | 0:24:59 | 0:25:03 | |
-Thank you. -Well, well, well. | 0:25:03 | 0:25:07 | |
There you go. | 0:25:07 | 0:25:08 | |
-Well, what the audience says doesn't really matter, unfortunately. -No. | 0:25:10 | 0:25:15 | |
-But you do know nobody leaves here empty-handed. -Oh, yeah. | 0:25:15 | 0:25:18 | |
So we have got you, I'm not joking, you're going to get off your nut. | 0:25:18 | 0:25:21 | |
OK! | 0:25:21 | 0:25:23 | |
Honestly, you're going to have to have a hat on with your name on it | 0:25:23 | 0:25:26 | |
-because you won't remember it once you've had this lot. -OK. | 0:25:26 | 0:25:28 | |
-Are you ready to get off your nut? -Yes. | 0:25:28 | 0:25:31 | |
With my very special You're Fired tasting session. | 0:25:31 | 0:25:35 | |
There you go. Those are yours. | 0:25:35 | 0:25:38 | |
Don't drink it now, for God's sake! | 0:25:42 | 0:25:44 | |
-Luckily, Michaela also managed to get you a little... -A bit of extra. | 0:25:44 | 0:25:50 | |
A little extra to take away. Look at that. | 0:25:50 | 0:25:53 | |
These are all individual beers. | 0:25:53 | 0:25:55 | |
Charlesberg, anyone? | 0:25:55 | 0:25:57 | |
We've got a drop of Elizabeth's Mad Dash. If you're in the mood. | 0:26:06 | 0:26:10 | |
Oh, my favourite. Karren's Very Bitter Ale. | 0:26:16 | 0:26:19 | |
That's yours to keep. | 0:26:24 | 0:26:25 | |
Sarah Jayne, thanks for being a great sport, we hope you enjoyed it. | 0:26:25 | 0:26:28 | |
Let's have a look at your highlights. | 0:26:28 | 0:26:30 | |
I get two minutes to shine. Let's go for that, we haven't got time. | 0:26:30 | 0:26:33 | |
-Go, go, go, go. -I adore Sarah Jayne. | 0:26:33 | 0:26:36 | |
She's just such a cool character. | 0:26:36 | 0:26:38 | |
-And we really, really get along in the house. -That's amazing. | 0:26:38 | 0:26:42 | |
Drinks-wise, champagne, wine, beer. Brilliant, thanks very much. | 0:26:42 | 0:26:46 | |
It's lovely to have Sarah Jayne around, | 0:26:46 | 0:26:48 | |
she's just a friendly, calm face at the end of the day. | 0:26:48 | 0:26:51 | |
Sometimes a little eyeball roll or something, | 0:26:51 | 0:26:54 | |
-she'll let you know that she's seeing the madness. -What is it? | 0:26:54 | 0:26:57 | |
Stop eating the product! | 0:26:57 | 0:27:00 | |
One thing that I really appreciate about Sarah Jayne is that | 0:27:00 | 0:27:03 | |
she's really true to herself. | 0:27:03 | 0:27:04 | |
Couldn't have been project manager to a better group of people. | 0:27:04 | 0:27:08 | |
Thank you for all your help. | 0:27:08 | 0:27:09 | |
Ladies and gentlemen, Sarah Jayne Clark! | 0:27:09 | 0:27:12 | |
CHEERING AND APPLAUSE | 0:27:12 | 0:27:14 | |
And also please thank tonight's Apprentice fans and guests, | 0:27:15 | 0:27:18 | |
Allyson Stewart-Allen, Claude Littner and Nish Kumar. | 0:27:18 | 0:27:21 | |
CHEERING AND APPLAUSE | 0:27:21 | 0:27:23 | |
Next week sees our candidates given a brand-new car | 0:27:23 | 0:27:27 | |
and tasked with bringing it to market. | 0:27:27 | 0:27:29 | |
Who will be in pole position and whose wheels will fall off? | 0:27:29 | 0:27:32 | |
I'm giving each of the teams a brand-new car | 0:27:32 | 0:27:35 | |
and what you have to do is come up with a campaign to launch it. | 0:27:35 | 0:27:39 | |
# It's greased lightning! # | 0:27:39 | 0:27:41 | |
-Action. -Smile! -Yeah, I'm waiting for him... | 0:27:41 | 0:27:44 | |
I know I'm handsy but that's handsy. | 0:27:44 | 0:27:46 | |
I'm not being argumentative, I feel like you are, let's move on. | 0:27:46 | 0:27:49 | |
Stop, cut it there and then just go to boom, boom. | 0:27:49 | 0:27:51 | |
What you want me to do is just be a guy in a passenger seat? | 0:27:51 | 0:27:54 | |
Oh, my good God! | 0:27:54 | 0:27:56 | |
We're actually in a medieval setting. | 0:27:59 | 0:28:02 | |
I thought this was going to be Jason Statham kind of stuff and it isn't. | 0:28:02 | 0:28:05 | |
-You need to say action or else I'm not coming. -Whoa, whoa! | 0:28:05 | 0:28:08 | |
-Take two. -Get out of the way, get out of the way! | 0:28:08 | 0:28:12 | |
That's exactly what I just said. | 0:28:12 | 0:28:13 | |
That's my main concern at the moment, chickens. | 0:28:13 | 0:28:16 | |
Cut! Great job, thanks so much. | 0:28:17 | 0:28:19 | |
Join me next Wednesday at 10pm for more You're Fired. Goodnight. | 0:28:20 | 0:28:24 |