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Where is your brains? That's nonsense. This is a disgrace. The | :00:11. | :00:16. | |
failure is down to you. You're fired. You're fired. You're also | :00:16. | :00:26. | |
:00:26. | :00:31. | ||
fired. You're fired. Good evening, and welcome to The | :00:31. | :00:34. | |
Apprentice: You're Fired. After seven weeks, only eight candidates | :00:34. | :00:37. | |
remain in the battle to win Lord Sugar's �250,000 business | :00:37. | :00:39. | |
investment. Tonight we'll be discussing the merits and less | :00:39. | :00:43. | |
appealing qualities of the rest who are left. And with the help of new | :00:43. | :00:46. | |
footage, we'll aim to uncover the truth behind the magazine, which | :00:46. | :00:53. | |
was anything but hip. When it comes to firing people, you have to be | :00:53. | :00:57. | |
clear, who it is that deserves the blame. Zoe thought of the name. We | :00:58. | :01:01. | |
backed it, but she thought of it. Yes, it's whoever came up with the | :01:01. | :01:05. | |
name. That's the person - it's the hard-and-fast rule - hang on. What | :01:05. | :01:10. | |
was it, two weeks ago? I came up with the name, Lord Sugar. Every | :01:10. | :01:14. | |
single one of us ran with it, Lord Sugar. | :01:14. | :01:16. | |
LAUGHTER He's fantastic! Let's meet our | :01:16. | :01:20. | |
panel: media agency Head of Investment Claudine Collins, Lord | :01:20. | :01:23. | |
Sugar's Aide Nick Hewer, and comedian Jenny clair. Welcome to | :01:23. | :01:29. | |
You're Fired. APPLAUSE | :01:29. | :01:32. | |
This week's task of creating a free magazine led to one candidate being | :01:32. | :01:36. | |
edited out of Lord Sugar's business plans. | :01:37. | :01:41. | |
Glenn, I'm not convinced that a leopard is ever going to change its | :01:41. | :01:44. | |
spots and an engineer is going to have the right ideas to come in | :01:45. | :01:49. | |
business with me, so with regret, Glenn, you're fired. Thank you for | :01:49. | :01:59. | |
:01:59. | :02:18. | ||
Please welcome Glenn Ward. Sustained applause for you, Glenn, | :02:18. | :02:20. | |
but you still got fired. LAUGHTER | :02:20. | :02:24. | |
How did it feel, watching that? Well, pretty harsh. I think I | :02:24. | :02:28. | |
fluffed it in the board room, to be honest. That's what hung me there. | :02:29. | :02:32. | |
Jim, he can convince us all the earth is Florida. | :02:32. | :02:34. | |
LAUGHTER But you have organised gigs for a | :02:34. | :02:37. | |
football club. How did that... is amazing. People don't realise | :02:37. | :02:43. | |
how hard that is - not like herding cats. You have to get the mic, the | :02:43. | :02:46. | |
big speakers, then you have to get the bunting. People don't give no | :02:46. | :02:51. | |
respect to that. No, they don't. How many straws were you clutching | :02:51. | :02:55. | |
at? When you're circling the drain, you have to fire it out - yes, I | :02:55. | :02:59. | |
was social secretary of our football club, a few lads down the | :02:59. | :03:02. | |
pub on a Saturday. You don't understand how hard that is! I gave | :03:02. | :03:07. | |
it my best. Let's have a look at what went wrong for you in the task. | :03:07. | :03:12. | |
Again, I have had a hard time grasping what your USP is. To be | :03:12. | :03:16. | |
honest, I normally black out in these sort of scenarios. I normally | :03:16. | :03:19. | |
feel that - LAUGHTER | :03:19. | :03:23. | |
You would think us people of 60 years old are so bleeding thick, we | :03:23. | :03:29. | |
don't know how to make a phone call. I don't like being told I don't | :03:29. | :03:33. | |
know how to do that. I can do that. Are you taking the piss or what. | :03:33. | :03:38. | |
There you go. Try not to black out at any stage. Was that an | :03:38. | :03:42. | |
unfortunate choice of words, that you get into a zone is surely | :03:42. | :03:47. | |
better than, "I black out." Speech lost me there. The only thing, of | :03:47. | :03:50. | |
course, is you're an engineer, and as we know, it's an appalling thing | :03:50. | :03:54. | |
to be. Cheers. What kind of engineer are you, firstly? | :03:54. | :03:58. | |
Electronic design engineer, so I write software, hardware, things | :03:58. | :04:01. | |
like that, for audio equipment in professional industry, basically. | :04:01. | :04:04. | |
So you have your qualifications. You know what you're doing, but | :04:04. | :04:08. | |
Nick, what's the problem with engineers? Lord Sugar loves | :04:09. | :04:12. | |
engineers. He is an engineer, and everything he's learned is from | :04:12. | :04:17. | |
people like you. He's had a couple of bad experiences where some of | :04:17. | :04:21. | |
his engineers were given a commercial role and it didn't quite | :04:21. | :04:24. | |
work out, but it's a shame for you, actually, because it was a poor | :04:24. | :04:28. | |
performance in the board room, and frankly, you sort of weren't | :04:28. | :04:31. | |
terribly evident on the task. I think the combination of those two | :04:31. | :04:34. | |
things did it for you. You were there. You watched some of this | :04:34. | :04:37. | |
occur. What did you think of his performence? I think it's true. I | :04:37. | :04:41. | |
think the problem was is that I actually really didn't notice you | :04:41. | :04:44. | |
very much on the task, and I remember kind of when I was sitting | :04:44. | :04:48. | |
there and you coming in - you weren't in my pitch, so I didn't | :04:48. | :04:51. | |
actually notice you very much, and towards the end, I did think to | :04:51. | :04:55. | |
myself, you haven't really added a lot to this task at all. What do | :04:55. | :04:59. | |
you think? I think you lost it a bit when you did the pointy finger | :04:59. | :05:02. | |
in the board room - oh, very bad manners. | :05:02. | :05:05. | |
LAUGHTER No, I actually thought you behaved | :05:05. | :05:09. | |
well in the task. I thought you were like an enthusiastic puppy | :05:09. | :05:12. | |
that didn't like the dog food it was being made to eat, but you | :05:12. | :05:16. | |
joined in, and I think you jumped onboard. There was enthusiasm. | :05:16. | :05:21. | |
not your field. Gave it a go, to be honest. That's what happened. | :05:21. | :05:24. | |
Originally, Jim was going to do all three pitches. I just thought to | :05:24. | :05:28. | |
myself, no, you're here. You have to make a stand and make yourself | :05:28. | :05:32. | |
known, and granted, pitching to an advertising agency, company - all | :05:32. | :05:35. | |
those sort of things - it's not what I do. But you have to throw | :05:35. | :05:38. | |
yourself out there. You have to put yourself in the deep end where | :05:38. | :05:41. | |
you're afraid and, you know, hope for the best. Granted, it didn't | :05:41. | :05:45. | |
come out as good as it could have, but at least I tried, I think. | :05:45. | :05:49. | |
did try. I am going to give you an advertising term now, because there | :05:49. | :05:54. | |
is one demographic, I would say, one sector of the audience, who may | :05:54. | :05:59. | |
have less sympathy for you. That would be the over-60s on whom you | :05:59. | :06:05. | |
were fairly brutal throughout this task. What about Phil Good as old... | :06:05. | :06:13. | |
Old news. I like "silver surfer."? My God. I don't look like that. | :06:13. | :06:17. | |
old soak? How about "Life's too short"? I went into that room | :06:17. | :06:23. | |
feeling sort of 65, 66. Now I feel about 87! | :06:24. | :06:31. | |
APPLAUSE Nick, you looked as if you were in | :06:31. | :06:38. | |
despair there. It was dreadful, wasn't it? I'll give you that. | :06:38. | :06:41. | |
that bowling club, I couldn't believe some of the things you were | :06:41. | :06:45. | |
offering. Lots of good steers, lots of good information, and then you | :06:46. | :06:51. | |
went, "Would you like them to help your memory maybe?" "Maybe would | :06:51. | :06:57. | |
you like me to do your shopping for you?" Coffin dodgers - that was | :06:57. | :07:02. | |
spoken as a joke. I don't mind "old boot" - I don't mind that at all. I | :07:02. | :07:07. | |
think if you say it as it is, it helps. I think "Hip replacement", | :07:07. | :07:12. | |
where that went wrong, if you called it "the hip", that might not | :07:12. | :07:18. | |
have been as bad but you might as well have called it colostomy bag. | :07:18. | :07:22. | |
Fair point. Fair point. I just got carried away with the focus group. | :07:22. | :07:29. | |
APPLAUSE You could sell hip replacement, | :07:29. | :07:32. | |
couldn't you? You could actually push that as an idea, couldn't you? | :07:32. | :07:37. | |
Look, when you're going to launch a magazine, you've got to have either | :07:37. | :07:40. | |
a gap in the market or think you can do it better than the magazines | :07:40. | :07:43. | |
that are out there. The content was good. Unfortunately, the front | :07:43. | :07:47. | |
cover and the name totally let you down. With the other magazine, | :07:47. | :07:52. | |
obviously the problem was, was that a lot of our clients would shy away, | :07:52. | :07:58. | |
as we said, from the front cover, and... But you bought more on this | :07:58. | :08:04. | |
than... Yeah. You saw a gap in the market? Absolutely. There is a gap | :08:04. | :08:09. | |
in the market for an older, upmarket, more "with it" magazine | :08:09. | :08:13. | |
than something like that. Zoe was on to something, wasn't she? Yeah. | :08:13. | :08:19. | |
The point is Jim killed wit that cover. Why is she wearing an army | :08:19. | :08:23. | |
blanket? I have no idea what situation - she's a refugee... | :08:23. | :08:27. | |
very... It's the fact they're clinging to each other in a pose | :08:27. | :08:31. | |
that - I don't think any of us ever held our partner in such a | :08:31. | :08:35. | |
desperate - as if there is a really strong gust of wind. | :08:35. | :08:37. | |
LAUGHTER The worst thing that happened there | :08:37. | :08:40. | |
with this front cover is that the people at the bowling club, there | :08:40. | :08:45. | |
was one woman who just said, "I don't want knitting patterns," then | :08:45. | :08:51. | |
you just did a knitting pattern, an old sort of 1970s, early '80s | :08:51. | :08:54. | |
knitting pattern. It was incredibly depressing because there were good | :08:54. | :08:57. | |
things going on in the shoot. did think he was on to a winner | :08:57. | :09:02. | |
with this, but he came very close with not making the cut. What | :09:02. | :09:06. | |
discount did you make them out of interest? No negotiation on that. | :09:06. | :09:10. | |
There are red card prices. Am I hearing this right? You didn't | :09:10. | :09:13. | |
offer them anything at all? were a bit of a control freak. You | :09:14. | :09:17. | |
never let anyone finish a sentence. Do you honestly believe that? | :09:17. | :09:23. | |
were what I call passive aggressive. You could talk the hind legs off a | :09:23. | :09:32. | |
donkey, but what I know about bull shit, you haven't even learnt yet. | :09:32. | :09:36. | |
Negotiating your rate card is key, isn't it? Absolutely. You always do | :09:37. | :09:40. | |
that. He could tell that the guy was pushing him and pushing him, | :09:40. | :09:46. | |
"What are you going to do for me?" And he still stuck by the fact that | :09:46. | :09:51. | |
he wasn't going to move off the rate card, and you always do. | :09:51. | :09:55. | |
was a basic fundamental business flaw? Absolutely. How do you think | :09:55. | :09:58. | |
he performed in this? Well, it was ridiculous. | :09:59. | :10:01. | |
LAUGHTER If you were selling to a newspaper | :10:01. | :10:05. | |
directly, you might chance your arm on rate card, but to a media-buying | :10:05. | :10:08. | |
organisation? They're there to beat the hell out of the rate card, and | :10:08. | :10:13. | |
to stick with it, of course, is suicide, frankly, so it proved on | :10:13. | :10:17. | |
that occasion. I'm finding him sinister now, actually. I really am. | :10:17. | :10:25. | |
APPLAUSE You know, he's quite hypnotic. He's | :10:25. | :10:32. | |
turned into, you know, Darren Brown-gone-bad! He's like - a | :10:32. | :10:39. | |
little bit on the dark side... very dark. And you quoted Jim as a | :10:39. | :10:44. | |
control freak? Yeah. I mean, Jim a nice giex but it's so easy to get | :10:44. | :10:48. | |
drawn in by him. He really does want things his way, but can make | :10:48. | :10:52. | |
you feel you're going along with it. It's a powerful weapon. As I say, | :10:52. | :10:57. | |
he is a good guy, though. There was in this particular rate a new | :10:57. | :11:03. | |
connection - Zoe, meet Jim. Jim, meet Zoe. I have never worked with | :11:03. | :11:11. | |
you, Zoe. I have never worked with you. Looking forward to it. | :11:11. | :11:16. | |
anything I am... What do any of us know about being over 60? That's a | :11:16. | :11:22. | |
problem. I like this angle. No, I don't. I | :11:22. | :11:27. | |
think that's too teenaged girl. you like that font? I just think | :11:27. | :11:33. | |
you're taking all the irony out of it. I am working on making it a bit | :11:33. | :11:38. | |
classier. He's produced a magazine which just looks idiotic. "I am | :11:38. | :11:43. | |
good at making people do what I want", but she's bled the situation | :11:43. | :11:46. | |
out in a very literal... He should have listened to her because she | :11:46. | :11:52. | |
got it right. If you're going to come up with a magazine called Hip | :11:52. | :11:57. | |
Replacement, it's got to be ironic. She spoke the most sense out of | :11:57. | :12:01. | |
everyone on that task. How did you find her on that task? She's a | :12:01. | :12:05. | |
smart young woman, and she was right. As Claudia says, she got it, | :12:05. | :12:12. | |
and Jim failed to get it completely. Jenny? They were eming towards an | :12:12. | :12:16. | |
OK cover. The lime green is very this season. Everything was OK, | :12:16. | :12:21. | |
then she turned her back for a second, and then he did this Jim | :12:21. | :12:26. | |
magic, then all of a sudden, she went, "What happened to it?" And he | :12:26. | :12:31. | |
ruined it. Zoe and Jim at the owned. Task weren't the best of friend, | :12:31. | :12:35. | |
but the same can be said for yourself and Zoe. When someone | :12:35. | :12:40. | |
you're getting closer to goes, then you take it more personally, don't | :12:40. | :12:44. | |
you? I know what she's like. Don't get me wrong, I don't know her | :12:44. | :12:48. | |
inside-out. But she's passionate person who goes up and down easily | :12:48. | :12:55. | |
like that. # I had the time of my life # | :12:55. | :12:58. | |
I think there is definitely something between Glenn and Zoe. He | :12:58. | :13:02. | |
definitely really admires her. have had our rows. | :13:02. | :13:12. | |
:13:12. | :13:17. | ||
Such a shame. # And I never felt this way before | :13:17. | :13:27. | |
:13:27. | :13:34. | ||
So - so! Well... How is that going? Well, no. Me and Zoe got on really | :13:34. | :13:38. | |
well. We bonded in that house. It was in a difficult situation, and | :13:38. | :13:42. | |
to find friends there is pretty hard, but no, she's good girl. We | :13:42. | :13:47. | |
worked well together. Obviously, we had an argument every now and again, | :13:47. | :13:50. | |
as you have seen. But you can make friends out of this process. | :13:50. | :13:54. | |
that's not what we're saying. LAUGHTER | :13:54. | :13:58. | |
You think that was going to - OK. Fine. Let's move on to the... | :13:58. | :14:03. | |
can laugh at me. Is there something going on there? Yeah, me and Zoe, | :14:03. | :14:08. | |
we're in contact with each other still, and - | :14:08. | :14:13. | |
AUDIENCE: WOO! Only time will tell how that goes. | :14:13. | :14:16. | |
Will you be watching every week now, will you? | :14:16. | :14:19. | |
LAUGHTER Sweet. OK. All right. Glenn, we | :14:19. | :14:26. | |
must ask you, by the way, about your winning creation from A | :14:26. | :14:31. | |
channel 5. What's with the cat's eyes? You know, cat's eyes on the | :14:31. | :14:39. | |
road came from "Catsize" going off on the creative front. See their | :14:39. | :14:49. | |
:14:49. | :14:58. | ||
light -sai see their what? See But you won! All of the people | :14:58. | :15:01. | |
hugging you, you must have been thinking, you were laughing a | :15:01. | :15:11. | |
minute ago. And Zoe! But it worked. Yeah. The Lucky Fish idea was good. | :15:11. | :15:21. | |
:15:21. | :15:21. | ||
It was a good concept, but I got it in my head, I wanted Cat Size. See | :15:21. | :15:27. | |
their like, oh dear! In hindsight, could have done better. I also | :15:27. | :15:33. | |
liked the way you announced you had been created. I liked that. I am | :15:33. | :15:43. | |
:15:43. | :15:50. | ||
being creative now! Don't Be scared, Let's see what Lord Sugar and your | :15:50. | :15:56. | |
former colleagues have to say about you. A very, very nice fellow, but | :15:56. | :16:00. | |
throughout the course of the process, I didn't see much from him. | :16:00. | :16:04. | |
He didn't really create a great impression on me. He comes up with | :16:04. | :16:07. | |
a lot of ideas that are really rubbish and he thinks they are | :16:07. | :16:11. | |
fantastic. The Old Savvy or something like that. He did deliver | :16:11. | :16:16. | |
the pitch but he did stumble a lot and missed a lot of information. | :16:16. | :16:22. | |
was lucky he had people behind him that could chip in. Glen is an | :16:22. | :16:26. | |
engineer and I have never yet experienced a situation where an | :16:26. | :16:31. | |
engineer can turn their hands to business. That was the example I | :16:31. | :16:35. | |
found in Glenn. That is why he had to go. What is your reaction to | :16:35. | :16:42. | |
that? That was the whole reason I was here on the Apprentice. I | :16:42. | :16:45. | |
didn't have experience in certain things so what is the best thing to | :16:45. | :16:50. | |
do it? Throw yourself into the deep end. It did not work out, but I | :16:50. | :16:55. | |
gave it a try. Nick, you have started a company in the past, you | :16:55. | :17:01. | |
know the purpose of this is to start a company. Absolutely. It is | :17:01. | :17:06. | |
in order to be in control of your own destiny. By the age of 30 I | :17:06. | :17:10. | |
promised I would don't a large amount of money and were therefore | :17:10. | :17:15. | |
be an sackable. From that you can start employing people and look | :17:15. | :17:22. | |
after a family. This current prize is a joy for somebody. �250,000 | :17:22. | :17:26. | |
plonked on the table with Lord Sugar it on the other side to make | :17:26. | :17:32. | |
sure you don't screw it up is a God-given opportunity. Absolutely. | :17:32. | :17:37. | |
Nobody will give you that at a bank these days. In terms of candidates | :17:37. | :17:47. | |
:17:47. | :17:48. | ||
in the next series... Get moving quick. Of the deadline is 3rd July. | :17:48. | :17:51. | |
Anybody who can spot a great opportunity and thinks they have a | :17:51. | :17:55. | |
chance of doing well, get in quick. We will give you details of how to | :17:55. | :18:00. | |
apply for the next series at the end of the programme. But let's | :18:00. | :18:10. | |
:18:10. | :18:12. | ||
take stock of where we are. Runners At the start of the process we had | :18:12. | :18:17. | |
16 candidates, after tonight eight have fallen, leaving eight still in | :18:17. | :18:22. | |
with a chance. This is specifically done in terms of who have -- who | :18:22. | :18:27. | |
has won tasks. Helen house won seven out of seven. She is followed | :18:27. | :18:33. | |
by Susan in second place. Then there is a group of four, Leon, | :18:33. | :18:41. | |
Melody, Natasha and Zoe. And at the end, Jim and Tom. However, I don't | :18:41. | :18:45. | |
think that is necessarily the correct way to judge how this will | :18:45. | :18:51. | |
go. For example Tom, it would you agree, should be a bit further | :18:51. | :19:01. | |
:19:01. | :19:05. | ||
Whereas we go to gym, some people earlier were all about Jim, but at | :19:05. | :19:14. | |
the moment, how far would Jim get in this situation? Off so sorry... | :19:14. | :19:24. | |
:19:24. | :19:47. | ||
Something of a quiet fish has been Natasha has won a los two very, | :19:47. | :19:57. | |
:19:57. | :20:03. | ||
very impressively. -- won the last two it. Susan... This far? There! | :20:03. | :20:13. | |
:20:13. | :20:31. | ||
Our scientific mob based... Let's take the place apart! Is that all | :20:31. | :20:38. | |
right for Helen? Helen is looking good. Tom, Susan, but not so much | :20:38. | :20:44. | |
Leon, Natasha or gym. Let's take a look at the other team in this task | :20:44. | :20:51. | |
and Helen and Tom's desire to please raised the tone. If I was PM | :20:51. | :20:55. | |
on this task, it is not the avenue I would have gone down. Myself and | :20:55. | :21:01. | |
Helen are comfortable with the Huth -- how to blow your load label. | :21:01. | :21:08. | |
do you blow your load? You have alienated about 80% of our client | :21:08. | :21:13. | |
base. I have told you not to speak down to anybody and you have come | :21:13. | :21:18. | |
up with the same old stuff. were cringing during some of that. | :21:18. | :21:23. | |
I thought it got a little bit Nylon Guthet. I just don't think young | :21:23. | :21:28. | |
men want to be lumped into that kind of thing any more. They don't | :21:28. | :21:34. | |
want to be seen to be lumped into... But there is still some vague | :21:34. | :21:40. | |
interest in erotic images of women. I am just throwing it out there! | :21:40. | :21:46. | |
I'm sure you have a massive collection. Artistic and vintage. | :21:46. | :21:51. | |
Some day it will get a lot of money at auction. But statistically, and | :21:51. | :21:56. | |
Claudine knows this, those magazines have been going down. | :21:56. | :22:01. | |
They are. If you were going to launch a lad's mag, I understand | :22:01. | :22:05. | |
what they were trying to do, going down the business route and the | :22:05. | :22:10. | |
sport route, and more about world affairs, but it did not translate, | :22:10. | :22:14. | |
they did not take notice of what Helen and Tom were telling them and | :22:14. | :22:17. | |
what the focus group were telling them. They ignored what they said | :22:18. | :22:25. | |
and had a front cover that was dating back to the 1990s. | :22:25. | :22:30. | |
Pornography sells pornography, that is all it sells. Nobody uses | :22:30. | :22:37. | |
pornography and then says, is that the time? As Lord Sugar said, they | :22:37. | :22:41. | |
should have looked at what was going to appeal to the advertisers | :22:41. | :22:45. | |
and you weren't going to get banks or other clients in there with | :22:45. | :22:50. | |
Cover lines such as blow your load and the goal that is half naked. | :22:50. | :22:55. | |
This was the cover. Another of things are striking. But if I can | :22:55. | :23:00. | |
direct you to her face, which is actually filled with fear. That is | :23:00. | :23:10. | |
:23:10. | :23:17. | ||
not happy. Only half of my safety What is the working environment | :23:17. | :23:25. | |
where you need a heart had? Hard hat and a jacket. I liked the name, | :23:25. | :23:30. | |
mags it macro is not a bad name and are like the yellow. -- Covered is | :23:30. | :23:37. | |
not a bad name. I think the look of terror is down to the fact that Tom | :23:37. | :23:42. | |
was taking the picture. Tom did get hot under the collar when he was | :23:42. | :23:48. | |
faced with this. Please come in. Did you bring a bikini with you. | :23:48. | :23:58. | |
:23:58. | :24:07. | ||
haven't, I only have larger rate. That's how it works. What kind of | :24:07. | :24:17. | |
:24:17. | :24:34. | ||
The green light is on. I expect Tom's big chance and his equipment | :24:34. | :24:38. | |
let him down. Mind you, he might have been the only one hot under | :24:39. | :24:43. | |
the collar according to Karren. Thank God Lord Sugar put me with | :24:43. | :24:47. | |
Logic because had Nick been here and listen to what Natasha wanted, | :24:47. | :24:51. | |
which was full of naked bodies, I think we may have had a mild stroke | :24:51. | :25:01. | |
:25:01. | :25:08. | ||
Would you have had a stroke? Probably. Or would you have been | :25:08. | :25:18. | |
:25:18. | :25:20. | ||
too far away? Come on, I can't resist that! How did you find Tom? | :25:20. | :25:25. | |
I loved Tom. He comes out with some great nuggets. He should be | :25:26. | :25:29. | |
listened to. I just don't think he has the fighting spirit that Lord | :25:29. | :25:35. | |
Sugar is looking for. Do you agree? I think he is delicious and I would | :25:35. | :25:39. | |
like to employ him just to be around the house. I think he is a | :25:39. | :25:44. | |
gentleman, and nice man, he has good instinct. But I think | :25:44. | :25:49. | |
sometimes, because he lacks that masculine... People just think he | :25:49. | :25:55. | |
is a bit fluffy. We have had our say so let's hear how they went | :25:55. | :26:01. | |
down at last weekend's Isle of Wight Festival. Who do read like? | :26:02. | :26:09. | |
Helen is my favourite. Tom. He is a geek. We love him. I quite like so | :26:09. | :26:17. | |
we. She is a man-eater. I think Susan is the next to go. She talks | :26:17. | :26:23. | |
the talk but doesn't really walk the walk. I like Helen. I like Jim | :26:23. | :26:27. | |
for the best because I think he is down to work. He doesn't take no | :26:27. | :26:37. | |
:26:37. | :26:45. | ||
for an answer. You're fired! You're I wonder if Tom Jones would like a | :26:45. | :26:53. | |
copy of Hip Replacement! Time for the vote, Claudine. Was Lord Sugar | :26:53. | :26:59. | |
right to fire Glenn? No, absolutely not. The failure of the task was | :27:00. | :27:03. | |
down to Jim and not negotiating with the first agency and I also | :27:03. | :27:06. | |
thought he was appalling in the boardroom. No, I don't think he was | :27:06. | :27:11. | |
right to fire Glenn. I think he was right for a different reason. I | :27:11. | :27:15. | |
think that you could not withstand the assault you faced against Jim | :27:15. | :27:20. | |
and Susan and also, you did not register on the task. | :27:20. | :27:26. | |
Fair enough. I disagree with Nick and I seldom do. On this occasion I | :27:26. | :27:36. | |
:27:36. | :27:41. | ||
think Jim should have gone because You mean your opinion... Evil | :27:41. | :27:49. | |
tendencies. Give us some legal wriggle room! Hold up a red card if | :27:49. | :27:53. | |
you agree with Lord Sugar, and a green card if you think he should | :27:53. | :28:03. | |
:28:03. | :28:05. | ||
For the first time this season you have disagreed with Lord Sugar. | :28:05. | :28:15. | |
:28:15. | :28:18. | ||
At this stage we presenter gift. There was really only one gift we | :28:18. | :28:22. | |
could give you, something you could always remember the show by. Letts | :28:22. | :28:32. | |
:28:32. | :28:45. | ||
Glenn, you have held on for seven weeks so let's enjoy your | :28:45. | :28:52. | |
highlights. I have got the barrow- boy charm. I have got the look. It | :28:52. | :28:58. | |
will change my life. I've got a whole package. I'm not afraid to | :28:58. | :29:05. | |
get my hands dirty. Sick of hearing it from him. Interested in any spa | :29:05. | :29:15. | |
:29:15. | :29:16. | ||
treatment today? All under control. How is your wife and my kids? That | :29:16. | :29:22. | |
is what I'm here for. You are breaking my heart. Ladies and | :29:22. | :29:32. | |
:29:32. | :29:35. | ||
Thanks to all my guests. Glenn will be on BBC Breakfast tomorrow | :29:35. | :29:39. | |
morning and if you want to be a candidate in the next series, go to | :29:39. | :29:49. | |
:29:49. | :29:50. | ||
our website at bbc.co.uk/apprentice for details on how to apply. There | :29:50. | :29:54. | |
is a �250,000 business investment at stake. If you think you've got a | :29:54. | :29:57. | |
great business idea and have what it takes to go into partnership | :29:57. | :30:00. | |
with Lord Sugar, now's your chance. Next week, the teams have to sell | :30:00. | :30:06. | |
in France, but for one person it'll be au revoir. 'allo 'allo. Do you | :30:06. | :30:14. | |
speak English? Of the French very fond of their children? That is a | :30:14. | :30:21. |