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This programme contains some strong language. Where is your brains? | :00:08. | :00:12. | |
That's nonsense. The failure's down to you. You're fired. You're fired. | :00:12. | :00:22. | |
:00:22. | :00:34. | ||
APPLAUSE Good evening. Or perhaps I should | :00:34. | :00:37. | |
say bonsoir to The Apprentice: You're Fired. We'll interpret the | :00:37. | :00:40. | |
finer point of selling in France and making a case for compulsory | :00:40. | :00:43. | |
French for business people. We're always on the lookout for that | :00:43. | :00:48. | |
piece of new footage that you won't have seen. Why bodger this week, | :00:48. | :00:51. | |
let's enjoy the greatest question ever asked. Are the French very | :00:51. | :00:59. | |
fond of their children? Yes. Yes they are. You're an idiot. | :00:59. | :01:09. | |
:01:09. | :01:10. | ||
There are our panel, investment guru Alvin Hall, Myleene Klass and | :01:10. | :01:12. | |
comedian Micky Flanagan, welcome to You're Fired. | :01:12. | :01:19. | |
APPLAUSE Tonight, trip to France led to one | :01:19. | :01:25. | |
man being sent packing. From a gut instinct, I think I've made my mind | :01:25. | :01:33. | |
up. Leon, you're fired. Thank you for an amazing | :01:33. | :01:37. | |
opportunity Lord Sugar. Please welcome Leon Doyle. | :01:37. | :01:47. | |
:01:47. | :02:03. | ||
CHEERING A plesh tour meet you. Before we | :02:03. | :02:10. | |
get to this week's task. Let's see the moment where you invented that | :02:10. | :02:13. | |
slightly creepy technique and brought it to the world. Do that | :02:13. | :02:18. | |
for me. Give them one liners, we're taking them to the tanning area. | :02:18. | :02:25. | |
Get you naked and let them smell, hook, line and stinker. Now, it is | :02:25. | :02:29. | |
the weirdest thing I've ever seen in a shop. I wouldn't be happy for | :02:29. | :02:34. | |
someone to do myself. Does it work socially, we know you have a | :02:34. | :02:40. | |
girlfriend. How do you think I got my girlfriend. Delighted to hear. | :02:40. | :02:43. | |
Happier times. What is your reaction to this week's programme? | :02:43. | :02:48. | |
I was in the boardroom for the third time. It was Tom's first time. | :02:48. | :02:52. | |
He made the right choice. Let's see where it unraveled to you. | :02:52. | :02:57. | |
haven't contributed to the task today. I just can't speak French. | :02:57. | :03:03. | |
Do you speak English? OK. majority of the people you saw | :03:03. | :03:06. | |
spoke English. Yes, that's something I missed straight away. | :03:07. | :03:11. | |
Missed that. I did. I can't be productive if I can't speak the | :03:11. | :03:16. | |
language. I feel like I'm helpless. You're making it easy for me, | :03:16. | :03:20. | |
because there's the door. That's where you could be very quickly. | :03:20. | :03:25. | |
You better speak up now. Drew a picture of a teapot with a light. | :03:25. | :03:31. | |
LAUGHTER All right. Let's go through some of | :03:31. | :03:34. | |
these. Firstly, you don't speak French, that's fine. They weren't | :03:34. | :03:42. | |
speaking French. Did you not notice that? I did. Was it the accent that | :03:42. | :03:45. | |
threw you? They were speaking English the whole way through. | :03:45. | :03:50. | |
you going, wow my French is better than I thought? Seems like they're | :03:50. | :03:55. | |
speaking English or something. missed a couple of shots there. I | :03:55. | :03:59. | |
sold within the pitches that we got from Melody. It was a good do. | :03:59. | :04:03. | |
grand, fair enough. Straight to the panel. Alvin, what did you think? | :04:03. | :04:08. | |
think he went into a state of suspended animation. It was almost, | :04:09. | :04:13. | |
can you hear English spoken with a foreign ak sent you go, ah, ah. You | :04:13. | :04:20. | |
become clueless. And did you... Yeah, I lost it didn't I? I handed | :04:20. | :04:24. | |
it over to Melody. There were only two of nus France. She was making | :04:24. | :04:29. | |
all the calls. I didn't really do that much. Due forget this was a | :04:29. | :04:32. | |
competition? Yeah, I did. I thought we were just having a treat in | :04:32. | :04:38. | |
Paris. Myleene, you have a Baby K range, | :04:38. | :04:41. | |
this range of baby clothes and accessories and stuff like that. | :04:41. | :04:47. | |
You have to sell internationally, presumably, this is not an excuse | :04:47. | :04:49. | |
presumably? I understand you have to walk in and pitch. It's a | :04:50. | :04:56. | |
foreign language and it can be intimidating. I think that you all | :04:56. | :05:00. | |
let Melody take over and it became her game. It was almost like | :05:00. | :05:03. | |
admiration. Whatever she said went. No-one questioned it. She was | :05:03. | :05:06. | |
speaking another language, but you can't just go up and ask people, | :05:06. | :05:10. | |
four people at this and decide that is enough market research to | :05:10. | :05:16. | |
qualify for an entire product. enough. What did you think? I felt | :05:16. | :05:20. | |
for him a bit being an Englishman in Paris. I don't understand why | :05:20. | :05:25. | |
you didn't take the approach of British people just shouted a lot | :05:25. | :05:31. | |
louder, right in their face "Teapot! Cup of tea!" They'd have | :05:31. | :05:38. | |
got it. To be fair, you did draw a hell of a teapot. | :05:39. | :05:48. | |
:05:49. | :06:03. | ||
It's really good. Maybe a bit of I feel it's rude, would you draw my | :06:03. | :06:09. | |
portrait, would it be too much to ask would you draw a picture of me. | :06:09. | :06:13. | |
Caricature. A brilliant artist like yourself could capture me, like the | :06:13. | :06:19. | |
teapot. We think you sold yourself short. Some people will have | :06:19. | :06:26. | |
spotted this excellent painting of a child booster seat. You collect | :06:26. | :06:31. | |
art, that seat picture, what does it say to you? It says primtive, | :06:31. | :06:36. | |
raw talent. A little off the mark that day, but you know, if he were | :06:36. | :06:40. | |
my three-year-old I'd put it on the fridge. That was worth putting with | :06:40. | :06:46. | |
a magnet on the fridge? If he were three. You almost done? This is | :06:47. | :06:49. | |
exquisite. This is lovely. You might have saved yourself. We'll | :06:49. | :06:53. | |
have you speaking French by the end of the show. Eye balls? That would | :06:54. | :06:56. | |
be good. LAUGHTER | :06:56. | :07:02. | |
Sign it for God's sake. Are you putting it on eBay. Is that not | :07:02. | :07:12. | |
:07:12. | :07:17. | ||
just me ladies and gentleman? You've even captured the sadness. | :07:17. | :07:21. | |
LAUGHTER You weren't the only one who | :07:21. | :07:31. | |
:07:31. | :07:35. | ||
struggled with the langth. Hello, hello. Parlez-vous inglais? Small, | :07:35. | :07:45. | |
:07:45. | :07:48. | ||
petit item. Erm... Erm... Bonjour... Erm, I've for gotten. Hello? Leon? | :07:48. | :07:58. | |
:07:58. | :08:02. | ||
That's my own voice. Bonn holiday. Chou monsieur. It's | :08:02. | :08:06. | |
not a great add for English French relations. We have various French, | :08:07. | :08:16. | |
:08:17. | :08:19. | ||
we call them ambassadors, not literally. Bonsoir. (they speak | :08:19. | :08:24. | |
French) Did you enjoy watching them struggle with the language, that | :08:24. | :08:27. | |
was embarrassing? It depends for who it was embarrassing. For us, | :08:27. | :08:32. | |
well, we always struggle with foreign language. Because we are | :08:32. | :08:36. | |
proud to be so crap at it, we always manage to do it. Now we're | :08:36. | :08:42. | |
speaking English. Did you see that. You could step in. It's remarkable | :08:42. | :08:47. | |
like this. One thing I want to check with you, is La Redoute, not | :08:47. | :08:50. | |
a brand which is very famous over here, what kind of operation are | :08:50. | :08:55. | |
they? It's one of the biggest retailer in France, if not the | :08:55. | :08:58. | |
biggest online and they have catalogues as well. So this is like | :08:58. | :09:06. | |
a huge deal? They would dwarf Argos by a mile. They would probably want | :09:06. | :09:13. | |
more than... Ten! If you had 560 eventually they might be pleased | :09:13. | :09:17. | |
with the order. You trade with huge retailers. The first thing you have | :09:17. | :09:22. | |
to do is you have to know your market. I can give you a perfect | :09:22. | :09:25. | |
example. I made T-shirts with puppies on them, thinking how cute, | :09:25. | :09:29. | |
these will be perfect. Just as we were researching, we found out that | :09:29. | :09:34. | |
it's a no-go area in Dubai and a lot of UAE. They don't have that | :09:34. | :09:38. | |
same sort of love of dogs as we do. So I had to change all of the | :09:38. | :09:45. | |
pictures to bears. They loved it! What about North Korea? You could | :09:45. | :09:52. | |
have taken them there. Hmmm... Thinking outside the box. | :09:52. | :09:56. | |
You have to change everything, you know I can't use purple in certain | :09:56. | :10:04. | |
countries. Why? It signifies death. They would love this. | :10:04. | :10:10. | |
Don't take it too seriously, this is like "Welcome to the show", are | :10:10. | :10:17. | |
you thinking about death, I bet you are now! Without even knowing it, | :10:17. | :10:22. | |
could walk in and offend everybody. Do you remember the bit where the | :10:22. | :10:26. | |
call came through saying "Check out La Redoute?" I don't remember it. | :10:26. | :10:36. | |
If he said that to me, I used to work for La Redoute, so... AUDIENCE | :10:36. | :10:39. | |
GASPS We have tape of it being said. | :10:39. | :10:43. | |
me. I think there was a filter. There was a filter between you and | :10:43. | :10:50. | |
the information which was... Have you met Melody? What did you do for | :10:50. | :10:54. | |
La Redoute? I was at a call centre placing orders for them. The market | :10:54. | :11:04. | |
:11:04. | :11:04. | ||
I think I was handling orders for old knitted hats for the over 70s | :11:04. | :11:07. | |
and things. Because it never came through as La Redoute for the | :11:07. | :11:10. | |
boardroom, I put two and two together. They're massive, | :11:10. | :11:16. | |
absolutely huge. Are they like Argos. Do you have to | :11:16. | :11:20. | |
sit around like you're own a Jeremy Kyle episode waiting for your | :11:20. | :11:25. | |
number to come up. It will be up in a minute babe, don't worry. Are | :11:25. | :11:31. | |
they more upmarket for that. I feel sorry for the guy who mentioned | :11:31. | :11:38. | |
them in the same breath as Argos "Oh, locking yeah, no, not like | :11:38. | :11:44. | |
Argos, no, like Waitrose!" LAUGHTER | :11:44. | :11:50. | |
Excuse my French! That's quite all right. They were talking about | :11:50. | :11:54. | |
France as if it was a million miles away, rather than two hours on the | :11:54. | :12:02. | |
train. I was shocked by that. happens in this topsy turvy world. | :12:02. | :12:08. | |
It's like they never open a newspaper or see BBC World News. | :12:08. | :12:12. | |
What happened? Is there no curiosity beyond your own business? | :12:12. | :12:17. | |
No, that's bad isn't it? Yes it is. Tom has given us great movements. | :12:17. | :12:21. | |
But this is a doozy. This seemed like a good idea at the time. | :12:21. | :12:25. | |
you take the appointment seriously, because I heard you say that you | :12:25. | :12:29. | |
flipped a coin to decide who kaz going to give this pitch. On this | :12:29. | :12:35. | |
pitch... Did you flip a coin? did an equivalent. What did do you? | :12:35. | :12:45. | |
We played paper scissors stone. two, three... Paper scissors stone? | :12:45. | :12:55. | |
:12:55. | :13:01. | ||
What is this, are we in the school One, two, three... You win. It's a | :13:01. | :13:06. | |
sweet moment though, is there an element of... You're not agreeing | :13:06. | :13:10. | |
They should introduce it into politics. Get the Miliband brothers | :13:10. | :13:13. | |
playing. It's a coalition Government, your plan for the NHS, | :13:13. | :13:23. | |
:13:23. | :13:28. | ||
my plan. One, two, three... I'm on Mock the Week. | :13:28. | :13:30. | |
LAUGHTER Somebody talk over me. OK, could | :13:30. | :13:36. | |
you believe your eyes when this happened? No. He had no strategy | :13:36. | :13:40. | |
for me. It just said oh, it's not important. I don't know what it do. | :13:40. | :13:43. | |
We'll drift with this. He had given up. That was the thing about him. | :13:43. | :13:48. | |
He had just given up. I don't understand why, because he said, | :13:48. | :13:52. | |
they seemed like they were defeated. I felt because you guys couldn't | :13:52. | :13:56. | |
felt the language you admitted defeat on every level. If you walk | :13:56. | :14:02. | |
into any meeting and you're apologising, you can't speak the | :14:02. | :14:06. | |
language, apologising for the products. The one thing he's done | :14:06. | :14:09. | |
throughout, he's been right about stuff. Here, before the event, he | :14:09. | :14:13. | |
was right about the stuff. He picked the right product. Did he | :14:13. | :14:18. | |
not even say... It's just that he hasn't got the gumption to sell it. | :14:18. | :14:23. | |
He said I've got a background in baby products. Blink and you'll | :14:23. | :14:26. | |
miss it. He was the leader. If that's what his gut was saying, | :14:26. | :14:30. | |
even without the research, the rest of the products to me are luxury | :14:30. | :14:35. | |
items, however most people have kids. Most people have a car and | :14:35. | :14:39. | |
it's by law you need one of those car seats. You don't need the | :14:39. | :14:45. | |
research to say take this item. When you don't have children you | :14:45. | :14:50. | |
get excited about music and theatreer and TV. But then, sadly | :14:50. | :14:56. | |
when you have kids and you see a car seat and it's like "Look at | :14:56. | :15:01. | |
that! That's amazing." Until you have them, you don't get excited | :15:01. | :15:05. | |
about it. You go it might work, it might not. Mind you there was one | :15:05. | :15:09. | |
person who had very strong views on this... Melody. She came into her | :15:09. | :15:13. | |
own this week, which she should because I'm not sure if she | :15:13. | :15:16. | |
mentioned it, but she runs a global company. Out of the team that I'm | :15:16. | :15:21. | |
on at the moment, I have the most experience in terms of I run a | :15:21. | :15:26. | |
global business. I run a global business. I run a global business. | :15:26. | :15:33. | |
I run a global business. Woman of the future award. Yes. He read out | :15:33. | :15:39. | |
each award I've won. Outstanding Asian woman award. I made very good | :15:39. | :15:43. | |
appointments. I used to speech six languages. I taught myself Italian | :15:43. | :15:48. | |
as well. I see you've done a lot of high profile things. Volunteer of | :15:48. | :15:52. | |
the year award. He said that's commendable. That's very nice to | :15:52. | :15:58. | |
have all these awards. I don't want to set up another government. | :15:58. | :16:03. | |
Melody's worked all over the world, but in no country that has taught | :16:03. | :16:09. | |
her sarcasm and she should spot it being used by Lord Sugar. She's | :16:09. | :16:11. | |
amazing because she genuinely just hears what she wants to hear and | :16:11. | :16:16. | |
acts on it. I don't know that many people, that's a talent in its own | :16:16. | :16:24. | |
right. It's quite blinkered. Is it a talent or psychosis? I would not | :16:24. | :16:31. | |
want her to be a juror or somebody testifying at my trial. She would | :16:32. | :16:35. | |
be fine and then moving to the next case in. No evidence, I don't have | :16:35. | :16:41. | |
time for evidence. Look at him, look at him. My favourite thing she | :16:41. | :16:49. | |
does is absolutely, absolutely, when they're criticising her. | :16:49. | :16:52. | |
Melody it's a team sport. Absolutely. I'm criticising you. | :16:52. | :16:59. | |
Absolutely. Isn't there a trend on the show of people only hearing | :16:59. | :17:04. | |
what they want. Vincent did it with every dog. Natasha did it with | :17:04. | :17:10. | |
covered magazine. Helen said "Don't we need to upscale it?" They're | :17:10. | :17:13. | |
almost playing the whole task as a game and they're trying to do what | :17:13. | :17:16. | |
they want to do because they believe in their strong points of | :17:16. | :17:20. | |
view. Strong points of view are often market incorrect as this | :17:20. | :17:23. | |
proved. You may have looked uncomfortable this week and you did, | :17:23. | :17:26. | |
but it was nothing to how uncomfortable you were during the | :17:26. | :17:31. | |
beauty task four weeks ago. didn't really want to do it. | :17:31. | :17:36. | |
the hell are you here then? Because I'm selling tomorrow. I've got a | :17:36. | :17:46. | |
:17:46. | :17:47. | ||
girlfriend. It won't make you gay. It's not like you both... This will | :17:47. | :17:52. | |
take five minutes. Just spray him. It was bearable. I spray tanned a | :17:52. | :18:02. | |
man. I had to take one for the team. | :18:02. | :18:05. | |
Did you think you were going to catch gay? | :18:05. | :18:14. | |
LAUGHTER What damage did you think, and your | :18:14. | :18:19. | |
good lady by the way, she's actually here, how are you? Where | :18:19. | :18:23. | |
are you? How are you? Very, very good. Did you feel in any way | :18:23. | :18:29. | |
threatened by his spraying the guy with the tan? Leon is very manly. | :18:29. | :18:34. | |
Yes. Good. I'm not doubting it. Even the way he did the spraying, | :18:34. | :18:38. | |
he looked like it should be Creosote and a fence, proper | :18:38. | :18:45. | |
industrial action using. That model is going all right. That's grand. | :18:45. | :18:51. | |
OK, but no, you've no ambition to go into spraying men at any stage? | :18:51. | :18:56. | |
No, there's a great mark up to be had. But I'm not going down that | :18:56. | :19:04. | |
line just yet... Or ever. Let's hear from Lord Sugar and from your | :19:04. | :19:07. | |
former colleagues. Leon, had his own business, apparently supposed | :19:07. | :19:12. | |
to be successful. All I saw of him was can't speak French, not my | :19:12. | :19:17. | |
expertise, I don't know how to do that. Well, what do you know how to | :19:17. | :19:22. | |
do? He is talented, however does he do all this he can? Does he push | :19:22. | :19:26. | |
himself enough? Not from what I've seen. I was frustrated that he | :19:26. | :19:29. | |
wasn't able to push Melody to do the important things that I asked | :19:29. | :19:34. | |
him team to do. Let other people do the work, came up with lots of | :19:34. | :19:37. | |
excuses. I'm not interested in having someone like that as a | :19:37. | :19:41. | |
business partner, so that's why Leon had to go. | :19:41. | :19:46. | |
What is your reaction to that? That's his gut feeling. And it's | :19:46. | :19:53. | |
him giving out the cash. Your business is an online business. | :19:53. | :19:56. | |
Does that mean that you're perhaps not experienced selling face to | :19:56. | :20:00. | |
face with people? No, to get them online you have to visit them face | :20:00. | :20:07. | |
to face. That's what I do every day of my life. I pitch to non-English- | :20:07. | :20:17. | |
speaking, would you believe... LAUGHTER | :20:17. | :20:22. | |
I'll not do this, if I use the skills I've built up over the years, | :20:22. | :20:27. | |
really, and then... You know, it's fast food I'm dealing with all... | :20:27. | :20:32. | |
Different communities. Yeah. But I don't know, I just missed it. I | :20:32. | :20:38. | |
missed Paris. It's online but it is face to face. What do you do? | :20:38. | :20:45. | |
sell takeaways online for fast food. You don't do the food. You network. | :20:45. | :20:54. | |
You're the one stop shop? Yeah. 2007 you started Baby K. That's | :20:54. | :20:58. | |
right. And so what kind of advice do you give people starting up a | :20:58. | :21:01. | |
business? Just have a genuine interest in what you're doing and | :21:01. | :21:04. | |
know about it inside out. It wasn't just a case of I saw an opportunity | :21:04. | :21:10. | |
and let's just make money. I do feel I could provoid a service. I | :21:10. | :21:15. | |
was walking around and if you didn't know the sex of your baby it | :21:15. | :21:21. | |
was yellow or blatantly pink or blue. There was an opportunity to | :21:21. | :21:27. | |
create chic clothes. I have a grandfather in textiles. To make | :21:27. | :21:31. | |
them practical and kind on the pocket. When you learn about how it | :21:31. | :21:36. | |
genuinely works, it can become a global business. Sometimes it seems | :21:36. | :21:45. | |
surprisingly eelsy to have a global business. (easy) You have have a | :21:45. | :21:49. | |
clear idea. You put passion into the business? Hugely so. People | :21:49. | :21:53. | |
think do I design the clothes, by the end of it there's not one piece | :21:53. | :21:57. | |
of fabric I couldn't tell you about. I choose the fabric, the style, | :21:57. | :22:02. | |
even as far as sourcing the equipment, the microchips for the | :22:02. | :22:08. | |
play mats. Do you do the soldering as well? I solder them down, put in | :22:08. | :22:14. | |
the batteries. She smells a bit smokey. Alvin, any particular | :22:14. | :22:18. | |
advice in terms of new business and what people should look for? Lord | :22:18. | :22:22. | |
Sugar has done you a favour. You aren't suited to this business. You | :22:22. | :22:26. | |
are too charming, you smile too easily. Those are two frailzs you | :22:26. | :22:30. | |
would ever associate with Lord Sugar. Stick to what you're good at | :22:30. | :22:32. | |
and clearly you have a core business of going around talking to | :22:32. | :22:37. | |
people on a one-to-one basis and selling an idea to them. On that | :22:37. | :22:40. | |
global scale, I'm not sure you're quite that kind of man yet. Let's | :22:40. | :22:45. | |
have a look at the winning team and another, we seem to do this every | :22:45. | :22:49. | |
week, another sterling performance by Helen. We know your cat ling and | :22:49. | :22:54. | |
website. I've ordered from your catalogue before. I was really | :22:54. | :22:58. | |
excited to pitch to you today. selling price is for the French | :22:58. | :23:01. | |
market I think is a little bit too high. With the modern woman we're | :23:01. | :23:05. | |
all so busy. We'll pay anything for convenience. You can say, we care | :23:05. | :23:08. | |
about you as our customers. We care about your children's safety. We | :23:09. | :23:15. | |
know how billsy you are. This is a great, convenient product for you | :23:15. | :23:20. | |
(busy) Thanks to the fantastic bitch Helen did, they've placed an | :23:20. | :23:28. | |
order of 214,000 euros. Wow. That's a big one. | :23:28. | :23:31. | |
You'd have Helen in your sales team? Very much so. She got the | :23:31. | :23:35. | |
facts across of what the product can do. She put the heart in. She | :23:35. | :23:42. | |
would go to. Immediately she had her audience. I think that she | :23:42. | :23:45. | |
really understood, she's very professional. I think that there's | :23:45. | :23:50. | |
all this drama going on around her. Yet she has a clear idea of what to | :23:50. | :23:54. | |
do. Helen reads people very, very well. She can read a subtle shift | :23:54. | :23:58. | |
in that room. She's always looking at the people, looking in their | :23:58. | :24:02. | |
eyes. She doesn't go into a defensive position. She leans | :24:02. | :24:06. | |
forward. How she sells, she's on the mark for reading people's | :24:06. | :24:12. | |
emotions and the subtle shifts she has to hit. She's a clear example | :24:12. | :24:15. | |
there is a way back from crack addition and prostitution. | :24:15. | :24:22. | |
LAUGHTER No matter how low you sink... There | :24:23. | :24:27. | |
are shows like this that can help people. She's a clear example of | :24:27. | :24:32. | |
what can be achieved. We perform an important social service. I will | :24:32. | :24:37. | |
tell you what state Helen was in when we found her. I can imagine. | :24:37. | :24:43. | |
Incredible. I'm Welling up now. Susan is a funny one because she | :24:43. | :24:47. | |
treds a fine line between brilliance and being entirely | :24:47. | :24:50. | |
bananas. Here are examples of the latter. You asked very odd | :24:50. | :24:57. | |
questions I thought. Are the French ecofriendly? Dot French go camping? | :24:57. | :25:01. | |
Do a lot of people drive in France. I don't think you need to go to | :25:01. | :25:05. | |
France to know the answers to those questions. Are the French very fond | :25:05. | :25:15. | |
of their children. It really is beyond stupid. We have, I know, I | :25:15. | :25:19. | |
need a quick test because I know you're from a very foreign country | :25:19. | :25:22. | |
where you do things very differently, with thumbs up or down, | :25:22. | :25:29. | |
I will show you images. Have you I will show you images. Have you | :25:29. | :25:39. | |
:25:39. | :25:39. | ||
ever used one of these? OK, great. Are you broadly in favour of these? | :25:40. | :25:45. | |
All the women went... And the three blokes went... Most importantly, | :25:45. | :25:55. | |
:25:55. | :25:56. | ||
would you buy one of these? Thank you very much. Well done. | :25:56. | :26:01. | |
APPLAUSE While Susan can be an idiot | :26:01. | :26:05. | |
sometimes, now and again you can see her shine. You can hook it on | :26:05. | :26:10. | |
the vents of your car, when you're driving. You can change the song. | :26:10. | :26:14. | |
No-one else stocks this at the moment. You want to did a contract? | :26:14. | :26:19. | |
How many pieces are you after? About 1,000. Can I tempt you with | :26:19. | :26:24. | |
any more than that? Because we have another price bracket to go down. | :26:24. | :26:31. | |
OK. We'll do that, so 1500 pieces. What do you make of her? She's so | :26:31. | :26:37. | |
young. It's almost as if she's 15 instead of 21. I think we have to | :26:37. | :26:42. | |
forgive her for those stupid questions. You can only call them | :26:42. | :26:46. | |
colossally stupid. She's getting stronger. Yes, she is. That's how | :26:46. | :26:50. | |
she's evolving from the show. She will be the person who takes the | :26:50. | :26:53. | |
most from this experience. She started out very nay yeef and she's | :26:53. | :26:57. | |
learning to watch herself, watch what she says, think a bit before | :26:57. | :27:01. | |
she opens her mouth. She will come away from this experience with a | :27:01. | :27:05. | |
lot. Here's an interesting thing that you will get immediately. The | :27:05. | :27:09. | |
problem of being taken seriously in these situations... | :27:09. | :27:17. | |
LAUGHTER You know what I mean! Oh, stop. | :27:17. | :27:22. | |
You know what I mean, right, because you came from a performance | :27:22. | :27:28. | |
background. I was in Hear Say. Let's get it out. Sometimes it can | :27:28. | :27:32. | |
work to your benefit, because people don't expect that much from | :27:32. | :27:35. | |
you. I hope she's kept that thing, I'm thinking like a lovely stand | :27:35. | :27:43. | |
for a P45. To the vote, alvin was Lord Sugar | :27:43. | :27:48. | |
right it fire Lee yon? Yes, absolutely. On this occasion, yes. | :27:48. | :27:53. | |
I think you know that. I don't think so. I think Tom should have | :27:53. | :27:57. | |
gone. Fine let's put it to the audience. As ever, if you agree | :27:57. | :28:01. | |
with Lord Sugar, hold up the red for fired. If you disagree hold up | :28:01. | :28:05. | |
green for hired. Let's see the cards. There's some green. A tiny | :28:05. | :28:12. | |
pockets of green. It's a broad sea of red. I'm afraid it is fired. I | :28:12. | :28:17. | |
apologise for that. We like to give our candidates a bit of a gift to | :28:17. | :28:21. | |
take away. We didn't struggle over this. It was a mistake we don't | :28:21. | :28:25. | |
want to you make ever again. It's remarkably similar... | :28:25. | :28:30. | |
APPLAUSE Just listen to this tape. | :28:30. | :28:34. | |
Stick this on and then on a long drive by the time you get to the | :28:34. | :28:37. | |
south of France, you'll have it. Let's lock at your highlights. | :28:37. | :28:44. | |
I like to think I'm a bit of a cool and calm guy. You know what, should | :28:44. | :28:54. | |
I just become the apprentice. Let's go. Perfect. | :28:54. | :29:00. | |
I look it looks a bit lick a chicken. I'm -- like a chicken. | :29:00. | :29:05. | |
There's something different about him. I like to have fun. How do you | :29:05. | :29:12. | |
blow your load? I like to make money. Easy mate. | :29:12. | :29:15. | |
# Daddy, daddy cool # Ladies and gentleman, Leon Doyle! | :29:15. | :29:23. | |
APPLAUSE That's it for tonight. Thanks to | :29:23. | :29:27. | |
all my guests, Leon will be on BBC breakfast tomorrow morning. If you | :29:27. | :29:31. | |
want to be a candidate in the next series, find details of how to | :29:31. | :29:36. | |
apply on the website on bbc.co.uk/apprentice. Lord Sugar | :29:36. | :29:39. | |
will be looking for a business partner with a �250,000 investment | :29:39. | :29:46. | |
as the prize. If you have what it takes apply now. Your application | :29:46. | :29:51. | |
has to be in by Sunday July 3. Next week the teams have to create a new | :29:51. | :29:55. | |
biscuit. Good evening Lord Sugar. The biscuit market is very crowded. | :29:55. | :29:58. | |
Yours are going to need to be something different. It's too | :29:59. | :30:03. | |
sticky. Shit. You're going to pitch it to three supermarkets. I am not | :30:03. | :30:10. | |
having that at all. One of the bitchiest people I've ever met. | :30:10. | :30:18. |