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This is my boardroom. This is my money. | 0:00:02 | 0:00:04 | |
The product sucks! | 0:00:04 | 0:00:05 | |
You screwed it up. | 0:00:05 | 0:00:06 | |
Who's the waste of space? | 0:00:06 | 0:00:08 | |
You're fired! You're fired! | 0:00:08 | 0:00:10 | |
You are...fired. | 0:00:11 | 0:00:12 | |
APPLAUSE AND CHEERING | 0:00:15 | 0:00:17 | |
Good evening and welcome to The Apprentice: You're Fired. | 0:00:25 | 0:00:28 | |
With six tasks completed, we're now at the halfway mark | 0:00:28 | 0:00:31 | |
in Lord Sugar's search for his business partners. | 0:00:31 | 0:00:33 | |
Ten candidates draw closer to his £250,000 investment. | 0:00:33 | 0:00:36 | |
With the help of unseen footage, we'll be sorting through | 0:00:36 | 0:00:39 | |
the leftovers of the street food challenge, plus we'll be seeing why, | 0:00:39 | 0:00:42 | |
if you want to get this party started, just invite Lord Sugar. | 0:00:42 | 0:00:45 | |
MUSIC PLAYS | 0:00:45 | 0:00:49 | |
Guys. | 0:00:51 | 0:00:53 | |
Hello. | 0:00:53 | 0:00:55 | |
ALL: Hi! | 0:00:55 | 0:00:57 | |
-Ain't no party like a Lord Sugar party! -LAUGHTER | 0:00:58 | 0:01:02 | |
As ever, we've a flavoursome panel to grill this week's candidate - | 0:01:02 | 0:01:05 | |
chef and entrepreneur Gino D'Acampo, | 0:01:05 | 0:01:07 | |
restaurant critic Tracey MacLeod and comedian Fred MacAulay. | 0:01:07 | 0:01:11 | |
-Welcome to You're Fired! -APPLAUSE AND CHEERING | 0:01:11 | 0:01:13 | |
Tonight's task of creating a dish to sell on the streets of Edinburgh | 0:01:18 | 0:01:22 | |
left one candidate in a stew. | 0:01:22 | 0:01:23 | |
Katie, I'm afraid to say that | 0:01:23 | 0:01:26 | |
having been in this position for the third time, | 0:01:26 | 0:01:30 | |
I'm not convinced, and so Katie, you're fired. | 0:01:30 | 0:01:33 | |
Please welcome Katie Wright. | 0:01:36 | 0:01:38 | |
APPLAUSE AND CHEERING | 0:01:38 | 0:01:42 | |
Katie. All of my notes are about interviewing Adam. Why...? | 0:01:56 | 0:01:59 | |
..Are you possibly even here? | 0:02:03 | 0:02:06 | |
I think Lord Sugar might have been sick and tired of seeing my face. | 0:02:06 | 0:02:09 | |
Your face was around, and then, you know, | 0:02:09 | 0:02:11 | |
you got pinned on the football thing. | 0:02:11 | 0:02:13 | |
-Oops. -Yeah. | 0:02:13 | 0:02:15 | |
We'll go through all that stuff. | 0:02:15 | 0:02:17 | |
Let's just see how it all ended for you. | 0:02:17 | 0:02:19 | |
Relive the moment where it all went wrong. | 0:02:19 | 0:02:21 | |
So where did you go to start selling them? | 0:02:21 | 0:02:23 | |
We went to the Rangers and Hearts game. | 0:02:23 | 0:02:25 | |
BAGPIPES PLAY | 0:02:25 | 0:02:26 | |
LAUGHTER | 0:02:26 | 0:02:29 | |
Whose idea was it to go to the football location? | 0:02:30 | 0:02:34 | |
I'm happy for that to fall on my head, if the football is a bad idea. | 0:02:34 | 0:02:37 | |
I pushed it. To be honest, I championed that. | 0:02:37 | 0:02:41 | |
-On what basis? -You'd be a fool not to go for the football. | 0:02:41 | 0:02:44 | |
-And how much were they? -I'm thinking more like £7.99. | 0:02:46 | 0:02:49 | |
I know that's probably going to make me look awful. | 0:02:49 | 0:02:53 | |
-They don't pay that for a striker there. -LAUGHTER | 0:02:53 | 0:02:56 | |
He listened to you, and the information you gave him was wrong. | 0:02:56 | 0:03:02 | |
-I gave him lots of information. -don't want to hear any more. | 0:03:02 | 0:03:06 | |
-It was very tight. But you attend football matches. -I do, yes. | 0:03:06 | 0:03:10 | |
At a chintzy West London club, by any chance? | 0:03:10 | 0:03:13 | |
-Yes, Fulham, yes. -Delightful. With burgers at £6? | 0:03:13 | 0:03:16 | |
-I can't remember specifically, but it's not £2.99. -No, it's not. | 0:03:16 | 0:03:21 | |
Nor is it £7.99 for a bowl of pasta. | 0:03:21 | 0:03:23 | |
Well, I thought that we had the sales ability to be able to do that, | 0:03:23 | 0:03:27 | |
and I thought that if we started high we might be able to go down rather than the other way. | 0:03:27 | 0:03:31 | |
You did actually start high, and then tried to get a little bit more out of it. | 0:03:31 | 0:03:36 | |
I suppose, yes, I was trying to bleed it a little bit dry, maybe. | 0:03:36 | 0:03:38 | |
-That's another thing. Gino, you run your own food business. -Yes. | 0:03:38 | 0:03:42 | |
-How do you think Katie did in the task? -You know what? | 0:03:42 | 0:03:45 | |
I think nothing wrong with going to a football match, by the way, | 0:03:45 | 0:03:49 | |
selling meatballs and pasta. | 0:03:49 | 0:03:51 | |
I think it's OK. You can do that. | 0:03:51 | 0:03:53 | |
Not at £5.99. | 0:03:53 | 0:03:55 | |
Or £7.99. | 0:03:55 | 0:03:57 | |
Or even £7.99. | 0:03:57 | 0:03:59 | |
That was a bit too much. | 0:03:59 | 0:04:01 | |
You know, I think if you can produce a product | 0:04:01 | 0:04:04 | |
that costs no more than 50p | 0:04:04 | 0:04:06 | |
then you're going to have to sell it cheap. | 0:04:06 | 0:04:09 | |
You know, it's very rarely that you find someone who comes up with | 0:04:09 | 0:04:12 | |
a product that costs 50p and they sell it for £8. | 0:04:12 | 0:04:16 | |
Not at a football match. | 0:04:16 | 0:04:18 | |
So...I think you'd have done really well if it was £2.50, £2.99, | 0:04:18 | 0:04:23 | |
you sell it a lot. It's called impulse buy. | 0:04:23 | 0:04:27 | |
If somebody's got £2.50 in the pocket, "I'll buy it, | 0:04:27 | 0:04:30 | |
"if I don't like it I'll throw it away." | 0:04:30 | 0:04:32 | |
But you'd have sold much more. | 0:04:32 | 0:04:33 | |
-What time of the day was this at? -It was at the wrong time of day. | 0:04:33 | 0:04:37 | |
-I can't remember, exactly. -Was it a morning game rather than an afternoon game? -It was. | 0:04:37 | 0:04:41 | |
That's the difficulty in selling food, people have to be a little bit hungry. | 0:04:41 | 0:04:44 | |
Yeah. But both teams are going, "Want some dinner?" | 0:04:44 | 0:04:47 | |
And people are going, "I have just rolled out. Breakfast, maybe." | 0:04:47 | 0:04:51 | |
We were hoping that people might go to the pub | 0:04:51 | 0:04:53 | |
and then they might fancy a bit of carbohydrate. | 0:04:53 | 0:04:56 | |
-Tracey, what did you think? -I think it's a shame that Katie is here. | 0:04:56 | 0:04:59 | |
She made one big mistake, | 0:04:59 | 0:05:00 | |
which was to stake her entire reputation on that football match. | 0:05:00 | 0:05:03 | |
But, you know, there were other mistakes made by other people. | 0:05:03 | 0:05:06 | |
The decision to go off on the bus | 0:05:06 | 0:05:09 | |
and miss that crucial lunchtime market was another big decision, | 0:05:09 | 0:05:13 | |
so although Katie selling gourmet food - not that it was THAT gourmet - | 0:05:13 | 0:05:18 | |
outside a Hearts-Rangers football match, possibly the worst place | 0:05:18 | 0:05:22 | |
in Britain to try and sell it, you know, I feel sorry that you're here. | 0:05:22 | 0:05:26 | |
-Thank you. -Fred. | 0:05:26 | 0:05:27 | |
Katie, I don't think you needed to worry about the football supporters | 0:05:27 | 0:05:31 | |
not having been for a pint, even though it was a 12.30 kick-off. | 0:05:31 | 0:05:34 | |
-LAUGHTER -I think the fundamental error, | 0:05:34 | 0:05:37 | |
selling food to a football crowd in Scotland on the way to the match, | 0:05:37 | 0:05:41 | |
is that they were going to need both hands, | 0:05:41 | 0:05:44 | |
and that means they would have to put the drink down. | 0:05:44 | 0:05:48 | |
Not that I want to stereotype the Scots. | 0:05:48 | 0:05:49 | |
But I think that was the problem. | 0:05:49 | 0:05:51 | |
Katie, before we dissect this task, | 0:05:51 | 0:05:53 | |
let's look back over your Apprentice journey. | 0:05:53 | 0:05:56 | |
Most of which took place in the boardroom. | 0:05:56 | 0:05:58 | |
It's a difficult decision to make in this first task. | 0:06:00 | 0:06:04 | |
Bilyana, you are fired. | 0:06:05 | 0:06:08 | |
Katie, this is the second time you've been sat in this last three. | 0:06:11 | 0:06:14 | |
I don't know whether there's some kind of message | 0:06:14 | 0:06:16 | |
coming to me already about you. | 0:06:16 | 0:06:20 | |
Michael, you're fired. | 0:06:20 | 0:06:22 | |
Katie, having been in this position a third time, | 0:06:28 | 0:06:33 | |
you're fired. | 0:06:33 | 0:06:34 | |
How expressive is your face? | 0:06:37 | 0:06:40 | |
I think my forehead was holding a conversation of its own, | 0:06:40 | 0:06:43 | |
I didn't even realise, but it's there and it's chatting away! | 0:06:43 | 0:06:45 | |
I'm watching it going, "Sssh!" There's no need for that. | 0:06:45 | 0:06:48 | |
But you weren't bottling stuff up, you weren't going, | 0:06:48 | 0:06:51 | |
"Hide the pain, hide the nerves." | 0:06:51 | 0:06:53 | |
You were like rocking, praying - I don't know if you're religious, | 0:06:53 | 0:06:57 | |
but you're there weeping, | 0:06:57 | 0:06:59 | |
there's practically rosary beads going through your fingers. | 0:06:59 | 0:07:02 | |
"Why?" | 0:07:02 | 0:07:03 | |
My friends always told me I wore my heart on my face | 0:07:03 | 0:07:06 | |
but I just didn't quite believe them. | 0:07:06 | 0:07:08 | |
The level to which. Oh, take it from the nation, man, yeah. | 0:07:08 | 0:07:11 | |
We were going on a journey with you every time. | 0:07:11 | 0:07:14 | |
We were like, "Oh, why, why does it have to be me?" | 0:07:14 | 0:07:16 | |
"Oh, it's not me. Oh, OK." | 0:07:16 | 0:07:17 | |
-I can't lie, anyway. -Yeah. Do you think there was a hex sign on you? | 0:07:17 | 0:07:21 | |
Do you think there was like a target on you, where they thought, | 0:07:21 | 0:07:24 | |
"If we bring her in, he's going to be, 'I've seen you before.' " | 0:07:24 | 0:07:27 | |
Yeah. I think I had a very strange little gameplan which was that | 0:07:27 | 0:07:30 | |
I decided after the first week that... | 0:07:30 | 0:07:32 | |
My humour is very, I suppose, self-defeating, and I went back | 0:07:32 | 0:07:35 | |
after the first boardroom and I was like, "Guys, don't worry! | 0:07:35 | 0:07:38 | |
"If we lose a task, just bring me back in - Lord Sugar is gunning for me!" | 0:07:38 | 0:07:41 | |
And yeah, I don't know why I did that. Looking back on it... LAUGHTER | 0:07:41 | 0:07:45 | |
Looking back on it, I'm thinking, "Duh." | 0:07:45 | 0:07:49 | |
She was in so often, do you think it was going to be inevitable? | 0:07:49 | 0:07:53 | |
I think the reason that Katie was in so often | 0:07:53 | 0:07:55 | |
was you put yourself up for things. You were a participator. | 0:07:55 | 0:07:58 | |
And I think for that reason, you were kind of high impact, | 0:07:58 | 0:08:02 | |
and you were taken in. I really admire the fact | 0:08:02 | 0:08:05 | |
that despite being in the losing team the first two weeks, | 0:08:05 | 0:08:08 | |
you were transferred to the boys' team | 0:08:08 | 0:08:10 | |
and you put yourself up as team leader. | 0:08:10 | 0:08:12 | |
And it took a real confidence to do that, | 0:08:12 | 0:08:14 | |
and I thought you were a great role model for women in business. | 0:08:14 | 0:08:17 | |
You were human as well as being effective | 0:08:17 | 0:08:20 | |
and I think the fact you've gone out so early | 0:08:20 | 0:08:22 | |
doesn't reflect your potential. | 0:08:22 | 0:08:23 | |
Thank you. | 0:08:23 | 0:08:25 | |
APPLAUSE | 0:08:25 | 0:08:29 | |
It's great the way you lost the first two tasks, | 0:08:30 | 0:08:33 | |
went to the winning team and then they lost the task. | 0:08:33 | 0:08:35 | |
That was great! | 0:08:35 | 0:08:38 | |
On this task, Stephen had a very interesting week. | 0:08:38 | 0:08:41 | |
He thought he had cracked it with the bus idea. | 0:08:41 | 0:08:44 | |
-That's a task winner, that. -Yeah. -High-fives all round. | 0:08:46 | 0:08:48 | |
We've got a strategy. | 0:08:48 | 0:08:50 | |
OK, everybody, thank you for taking the time to listen to us today. | 0:08:52 | 0:08:56 | |
Blimey! | 0:08:56 | 0:08:58 | |
Can we tempt you with any meatballs? | 0:09:01 | 0:09:03 | |
OK. | 0:09:03 | 0:09:05 | |
Oh, shit! | 0:09:10 | 0:09:12 | |
Don't panic, though, don't panic. | 0:09:12 | 0:09:15 | |
Let's do it. Phoenix! | 0:09:15 | 0:09:17 | |
-Flight of the Phoenix, come on. -Just in time. No! | 0:09:17 | 0:09:21 | |
-It's shut. -Steve? | 0:09:23 | 0:09:26 | |
-Hello? -We need you to drag us some customers in. | 0:09:26 | 0:09:28 | |
We missed the last bus. | 0:09:28 | 0:09:30 | |
'Don't panic.' | 0:09:30 | 0:09:31 | |
LAUGHTER AND APPLAUSE | 0:09:32 | 0:09:35 | |
How long did the optimism last? | 0:09:40 | 0:09:42 | |
How long did the, "This is a task winner"...? | 0:09:42 | 0:09:44 | |
I mean, how far into your pitch? | 0:09:44 | 0:09:46 | |
-Was that the point where you went, "This is actually stupid. This is ridiculous." -Yeah. | 0:09:46 | 0:09:50 | |
It just took a long time to get back on the bus and travel round, | 0:09:50 | 0:09:53 | |
and then we weren't getting anyone and off the bus | 0:09:53 | 0:09:55 | |
cos they'd already eaten lunch, you know, it became quite apparent. | 0:09:55 | 0:09:58 | |
Gino, what did you make of this plan? | 0:09:58 | 0:10:00 | |
The worst plan I ever seen, to be honest with you. | 0:10:00 | 0:10:03 | |
LAUGHTER | 0:10:03 | 0:10:04 | |
If people are on an open bus, they want to enjoy the town, | 0:10:04 | 0:10:07 | |
they want to see the buildings... | 0:10:07 | 0:10:09 | |
You pop out with a kind of a pizza thing, | 0:10:09 | 0:10:13 | |
trying to sell meatballs. | 0:10:13 | 0:10:15 | |
LAUGHTER | 0:10:15 | 0:10:16 | |
You know what? If I was there, | 0:10:16 | 0:10:19 | |
I would have thrown all three of you out the bus. | 0:10:19 | 0:10:22 | |
From the top! | 0:10:22 | 0:10:24 | |
LAUGHTER | 0:10:24 | 0:10:25 | |
You know, you are a beautiful woman. | 0:10:25 | 0:10:28 | |
I would have used you in the football. | 0:10:28 | 0:10:31 | |
LAUGHTER | 0:10:31 | 0:10:32 | |
At the game! | 0:10:32 | 0:10:33 | |
-Yes! -But, erm, the food plan for those tour buses... | 0:10:33 | 0:10:37 | |
do ever people step off and go, | 0:10:37 | 0:10:39 | |
"I need food from a van now." | 0:10:39 | 0:10:41 | |
No, I don't think so, even with the people coming up and trying to sell them on the top deck of the bus, | 0:10:41 | 0:10:46 | |
that was never going to work dressed as you were because, again, without stereotyping the Scots | 0:10:46 | 0:10:53 | |
there was a lot of people gave up drink that day. | 0:10:53 | 0:10:56 | |
"Did you just see a four-foot pizza going past?" | 0:10:56 | 0:10:58 | |
LAUGHTER | 0:10:58 | 0:11:00 | |
"That's it, no more for me. I'm done." | 0:11:00 | 0:11:02 | |
Tracey, not a great plan? | 0:11:02 | 0:11:05 | |
I mean, from a marketing point of view, | 0:11:05 | 0:11:07 | |
it was a disaster from start to finish. | 0:11:07 | 0:11:09 | |
I mean, street food is the most happening food movement | 0:11:09 | 0:11:13 | |
in the country at the moment | 0:11:13 | 0:11:15 | |
but it seemed like you'd cooked it all in advance and you were just heating it up | 0:11:15 | 0:11:19 | |
and that isn't really the spirit of what street food is about | 0:11:19 | 0:11:21 | |
and certainly not the spirit of the gourmet task that you were set. | 0:11:21 | 0:11:24 | |
It missed the smell as well. You know, street food is about smell. That's what it is, you know? | 0:11:24 | 0:11:30 | |
The only thing you had to do was to get a frying pan, fry a little bit of rosemary, | 0:11:30 | 0:11:33 | |
fry a little bit of fresh Italian herbs | 0:11:33 | 0:11:36 | |
to get people around you excited about this little van selling food. | 0:11:36 | 0:11:41 | |
You know, what you prepared, | 0:11:41 | 0:11:42 | |
I can imagine it didn't have any smell around. | 0:11:42 | 0:11:46 | |
It was just a bunch of people trying to sell meatballs. | 0:11:46 | 0:11:48 | |
The most interesting thing I felt about Stephen wasn't that, | 0:11:48 | 0:11:52 | |
but just how slippery he was in the boardroom. | 0:11:52 | 0:11:55 | |
What happened, I'm not the man to carry on things that aren't working | 0:11:55 | 0:11:58 | |
and I quickly made a decision. I said, "Adam, I'm going to go and sell at the front." | 0:11:58 | 0:12:01 | |
Sack off this bus tour and all that now. | 0:12:01 | 0:12:03 | |
THEY TALK OVER EACH OTHER | 0:12:03 | 0:12:05 | |
-You've got two researchers... -Four quid for a burger, that's what you're spending. | 0:12:05 | 0:12:08 | |
Tell the truth. At a football game, | 0:12:08 | 0:12:10 | |
-it doesn't take Einstein... -I'm telling the truth. | 0:12:10 | 0:12:12 | |
Just a quick one. Katie believes you should be going at a higher price. | 0:12:12 | 0:12:15 | |
-7.99. -We're going to get our heads kicked in if we try for that. | 0:12:15 | 0:12:19 | |
And we move on, yeah? | 0:12:19 | 0:12:22 | |
LAUGHTER | 0:12:22 | 0:12:24 | |
Now, is he guilty of rewriting history a bit here? | 0:12:24 | 0:12:27 | |
I think so. I think Stephen was playing a very good game. I do. | 0:12:27 | 0:12:31 | |
Yeah, basically of, "None of this happened. | 0:12:31 | 0:12:33 | |
"I was the one who made all the decisions." He wasn't, though. | 0:12:33 | 0:12:36 | |
No, well, obviously, he was heading up the sub-team | 0:12:36 | 0:12:39 | |
but yeah, he was very good at summarising | 0:12:39 | 0:12:42 | |
and very good at pointing the blame, I suppose, and he did it very well | 0:12:42 | 0:12:46 | |
and, you know, I didn't play the game well and I'm sat here | 0:12:46 | 0:12:49 | |
and he obviously did, | 0:12:49 | 0:12:51 | |
so it depends which side you come from, really. | 0:12:51 | 0:12:53 | |
Yes. Now, the politics of it, was that more obvious in this | 0:12:53 | 0:12:56 | |
than we've seen in a few weeks? | 0:12:56 | 0:12:59 | |
That was the most startling example, | 0:12:59 | 0:13:01 | |
Stephen saying that he was going for a lower price when, in fact, | 0:13:01 | 0:13:04 | |
we'd actually seen him passing on the information that he thought it should go for higher. | 0:13:04 | 0:13:08 | |
But he's done it before. | 0:13:08 | 0:13:10 | |
He was the one who really should have taken the blame | 0:13:10 | 0:13:12 | |
for the misspelling of Bellissimo. | 0:13:12 | 0:13:14 | |
He was completely, "That was my idea," and then found out in the most embarrassing of circumstances, | 0:13:14 | 0:13:19 | |
while actually pitching it to a potential buyer, | 0:13:19 | 0:13:22 | |
he kind of came out and went, "Yeah, yeah, we'll have to look at that." | 0:13:22 | 0:13:25 | |
He didn't actually say, "I made a mistake," because he never does, | 0:13:25 | 0:13:29 | |
he always deflects it. | 0:13:29 | 0:13:30 | |
As I recall, he picked up the bottle of Bellissimo and stared at it really hard | 0:13:30 | 0:13:35 | |
and went, "You! Why do you do this to me! | 0:13:35 | 0:13:38 | |
"There was an L there, I'm sure, a minute ago," | 0:13:38 | 0:13:40 | |
as if that would cure it in some way. Can we fault him for being political? | 0:13:40 | 0:13:45 | |
No, he's in there to win like everybody else | 0:13:45 | 0:13:47 | |
but I think what we did see this week was a very clear case of boardroom manoeuvring, | 0:13:47 | 0:13:52 | |
because as Adam's thinking about who might he bring back in, | 0:13:52 | 0:13:55 | |
I don't know how many times Stephen's suggested "Azhar". | 0:13:55 | 0:13:58 | |
"While you're thinking about it..." | 0:13:58 | 0:14:00 | |
-COUGHS: -"..Azhar." | 0:14:00 | 0:14:01 | |
"Azhar, you missed that, | 0:14:01 | 0:14:03 | |
"you did nothing. Azhar!" | 0:14:03 | 0:14:05 | |
"Hmm, I wonder if Azhar's worth bringing back in." | 0:14:05 | 0:14:09 | |
LAUGHTER | 0:14:09 | 0:14:11 | |
Do you admire the machinations of it, the Machiavellian intent? | 0:14:11 | 0:14:14 | |
No, I don't. I don't like people like that, sorry. | 0:14:14 | 0:14:16 | |
I have businesses with business partner... | 0:14:16 | 0:14:20 | |
You know, when you're in a boardroom, | 0:14:20 | 0:14:22 | |
the one thing that you want to hear is the truth, | 0:14:22 | 0:14:25 | |
right, because then you can do something about it. | 0:14:25 | 0:14:28 | |
The last thing you should hear is people telling you stories | 0:14:28 | 0:14:32 | |
or make up stories or trying to cover themselves, | 0:14:32 | 0:14:35 | |
because at that point, business-wise, there is nothing you can do about it | 0:14:35 | 0:14:39 | |
-because you don't know where you are. So, Katie, I like you. -Thank you. | 0:14:39 | 0:14:45 | |
CHEERING AND APPLAUSE | 0:14:45 | 0:14:47 | |
You truly have meatballs | 0:14:52 | 0:14:55 | |
-and I like that. -I think, Gino, while you were saying to Katie that you liked her, | 0:14:55 | 0:15:00 | |
her forehead was saying, "I like you." | 0:15:00 | 0:15:02 | |
LAUGHTER | 0:15:02 | 0:15:04 | |
CHEERING AND APPLAUSE | 0:15:06 | 0:15:08 | |
Let us move on from Stephen to the one who got away, | 0:15:11 | 0:15:14 | |
a choreographer one week and a gourmet chef the next. | 0:15:14 | 0:15:18 | |
This is quality food. I don't want any junk served up here. | 0:15:19 | 0:15:24 | |
I keep coming back to pasta, it's cheap. | 0:15:24 | 0:15:26 | |
-It's a cheap meat. -Cheap? | 0:15:26 | 0:15:28 | |
-It's cheap, but... -LAUGHTER | 0:15:28 | 0:15:31 | |
-Cheap, cheap, cheap. -Cheap, cheap, cheap, cheap. | 0:15:33 | 0:15:36 | |
Cheap rubbish. | 0:15:36 | 0:15:37 | |
Where is the gourmet side of this? | 0:15:37 | 0:15:40 | |
You had to try them, they were beautiful. Really, really nice. | 0:15:40 | 0:15:43 | |
I've seen things like that at the zoo in the elephant pen on the floor, | 0:15:43 | 0:15:49 | |
so I don't know how you can tell me that is quality stuff. | 0:15:49 | 0:15:52 | |
I'm your number-one candidate. | 0:15:52 | 0:15:55 | |
-Ah. I'm perfect. -LAUGHTER | 0:15:55 | 0:15:57 | |
-I know what I'm doing, you won't have to baby-sit me. -You don't know what you're doing! | 0:15:57 | 0:16:01 | |
It was completely out of control. You didn't even know what was going on! | 0:16:01 | 0:16:04 | |
You've got away with it on a borderline here. | 0:16:04 | 0:16:08 | |
Now, you supply meals to supermarkets. | 0:16:08 | 0:16:11 | |
How does that margin work? Is there any sort of rule of thumb | 0:16:11 | 0:16:13 | |
for how much a meal should cost for what you're putting into it? | 0:16:13 | 0:16:16 | |
See, when we're supplying it in the supermarket, | 0:16:16 | 0:16:20 | |
of course there is a lot of ingredients that go into a meal, | 0:16:20 | 0:16:23 | |
but usually the rule is, it's five-to-one. So you spend 50p, | 0:16:23 | 0:16:28 | |
you charge people £2.50. It's as simple as that. | 0:16:28 | 0:16:31 | |
It depends, some of the ready meals, they change. | 0:16:31 | 0:16:34 | |
Adam, I don't get that because you had a fantastic idea about the meatball and about the pasta. | 0:16:34 | 0:16:40 | |
That is already an inexpensive meal. | 0:16:40 | 0:16:43 | |
How can you make something inexpensive cheap? | 0:16:43 | 0:16:47 | |
-LAUGHTER -You know? | 0:16:47 | 0:16:49 | |
I mean, rosemary. Matteo, the Italian, was chopping up fresh rosemary | 0:16:49 | 0:16:53 | |
and he was thinking, "How can we cheapen rosemary to use it? Dry rosemary!" | 0:16:53 | 0:17:00 | |
-LAUGHTER -I mean, you know, | 0:17:00 | 0:17:03 | |
that's the worst thing ever that you can do to food | 0:17:03 | 0:17:06 | |
because, you know, Italian food is not expensive | 0:17:06 | 0:17:08 | |
so do the best you can and flog it. | 0:17:08 | 0:17:13 | |
Sorry, I was going to say, the other thing he did with an ingredient was | 0:17:13 | 0:17:16 | |
he got the pork, but really fatty pork, | 0:17:16 | 0:17:19 | |
"As little pork as we possibly can!" | 0:17:19 | 0:17:21 | |
At least he didn't go the full way and bulk it up with corned beef! | 0:17:21 | 0:17:25 | |
LAUGHTER | 0:17:25 | 0:17:27 | |
It was, you know, like school dinners, "Slop 'em out," | 0:17:27 | 0:17:31 | |
-that was a phrase that got used. -Yeah! | 0:17:31 | 0:17:33 | |
Yeah, for Adam, meatballs were fine, but raw fish? | 0:17:33 | 0:17:36 | |
Not so much on the raw fish. | 0:17:36 | 0:17:38 | |
Definitely rule out Japanese. | 0:17:38 | 0:17:40 | |
No, whoa! Don't rule out Japanese. | 0:17:40 | 0:17:42 | |
Sushi and bento's been massively popular. | 0:17:42 | 0:17:44 | |
If I see Japanese, I'm going think sushi, I'm going to think raw fish. Who eats sushi? | 0:17:44 | 0:17:48 | |
LAUGHTER | 0:17:48 | 0:17:50 | |
He's grown up on this chicken cat curry, whatever it is. | 0:17:50 | 0:17:53 | |
I've no idea what he means, to be honest. | 0:17:53 | 0:17:55 | |
Who eats sushi out of this table? | 0:17:55 | 0:17:58 | |
LAUGHTER | 0:17:59 | 0:18:01 | |
I can't think of anyone in their right mind | 0:18:02 | 0:18:04 | |
that would want Japanese food. | 0:18:04 | 0:18:05 | |
LAUGHTER | 0:18:05 | 0:18:08 | |
Well, for a start, the Japanese. | 0:18:08 | 0:18:10 | |
They're tremendously fond of Japanese food, | 0:18:10 | 0:18:13 | |
they're really taken with it. | 0:18:13 | 0:18:15 | |
I think chicken katsu curry | 0:18:15 | 0:18:18 | |
rather than chicken cat curry. | 0:18:18 | 0:18:20 | |
Well, katsu curry, try not to say that in Italian because it means something completely different! | 0:18:20 | 0:18:26 | |
-Really! -Yes. "Cazzo" means penis. | 0:18:26 | 0:18:29 | |
-LAUGHTER -So if you're having a curry made of penis, | 0:18:29 | 0:18:32 | |
well, good luck to you! | 0:18:32 | 0:18:33 | |
Spicy! | 0:18:33 | 0:18:35 | |
But such small portions. | 0:18:37 | 0:18:39 | |
LAUGHTER | 0:18:39 | 0:18:42 | |
No! | 0:18:42 | 0:18:45 | |
No! | 0:18:45 | 0:18:47 | |
Katie, you've had your moments with Adam, both good and bad, but we do think | 0:18:49 | 0:18:53 | |
he has a bit of a glad eye for someone. | 0:18:53 | 0:18:56 | |
Katie, my little London matey. | 0:18:56 | 0:18:58 | |
You're my little matey Katie. | 0:18:59 | 0:19:02 | |
I don't think we're close enough yet for you to see the crap | 0:19:02 | 0:19:05 | |
that comes off the bottom of my feet! | 0:19:05 | 0:19:07 | |
She's lovely, absolutely lovely. | 0:19:09 | 0:19:12 | |
And she's dead funny as well. | 0:19:14 | 0:19:16 | |
Speed dating is really popular at the moment. | 0:19:16 | 0:19:20 | |
Have a bit of pizza. | 0:19:20 | 0:19:21 | |
Er, thanks, Adam. | 0:19:21 | 0:19:23 | |
She's really funny. She's a nice girl. | 0:19:23 | 0:19:25 | |
# Love lift us up where we belong... # | 0:19:25 | 0:19:29 | |
LAUGHTER | 0:19:29 | 0:19:32 | |
Absolutely lovely. | 0:19:32 | 0:19:34 | |
LAUGHTER AND APPLAUSE | 0:19:36 | 0:19:38 | |
CHEERING | 0:19:38 | 0:19:40 | |
Did you notice him with his little torch for you? Did you notice him having a bit of a crush? | 0:19:47 | 0:19:52 | |
No, I just... We got on really well as friends. | 0:19:52 | 0:19:55 | |
-Good, good. You're a happily married lady. -Yes. | 0:19:55 | 0:19:58 | |
I want you to brace yourself now because we hear now from Lord Sugar | 0:19:58 | 0:20:02 | |
and your former competitors, including the love-struck Adam. | 0:20:02 | 0:20:06 | |
Katie had been in the losing team four times. | 0:20:07 | 0:20:11 | |
She was that close to leaving in the first task. | 0:20:11 | 0:20:14 | |
On this particular occasion, she made a fatal error | 0:20:14 | 0:20:17 | |
in directing people | 0:20:17 | 0:20:19 | |
to this football venue. | 0:20:19 | 0:20:21 | |
She was adamant that the football would work. | 0:20:21 | 0:20:23 | |
I think she needs to stop talking as much and listen more. | 0:20:23 | 0:20:25 | |
She has certain views and ideas about what we should do | 0:20:25 | 0:20:29 | |
which are well off the mark and have no grounding. | 0:20:29 | 0:20:31 | |
I think that she was...deluded, really. | 0:20:31 | 0:20:35 | |
This was the last chance, as far as I was concerned. | 0:20:35 | 0:20:39 | |
I'd given her enough opportunity to prove herself. She didn't, | 0:20:39 | 0:20:43 | |
and that's why I fired Katie. | 0:20:43 | 0:20:45 | |
AUDIENCE: Aw! | 0:20:48 | 0:20:49 | |
-I thought they were harsh words, especially from Adam. -I thought he loved me. | 0:20:49 | 0:20:54 | |
A minute ago he did. Now, deluded! What is your reaction? | 0:20:54 | 0:20:58 | |
I don't think that is true or fair. | 0:20:58 | 0:21:02 | |
I don't take away any responsibility on my part for the football. | 0:21:02 | 0:21:05 | |
I think I have made that clear. There was a lot of finger-pointing. | 0:21:05 | 0:21:12 | |
I don't think it's fair that my contributions were never valid. | 0:21:12 | 0:21:15 | |
You have a multi-million-pound food manufacturing industry. | 0:21:15 | 0:21:20 | |
-What is the key to success? -Success is easy. | 0:21:20 | 0:21:25 | |
I call it the TLT. Tight, loose, tight. | 0:21:25 | 0:21:30 | |
I know it sounds strange. | 0:21:30 | 0:21:33 | |
But that is how people should approach business, especially when they are in charge. | 0:21:33 | 0:21:38 | |
Tight - you have an idea, make sure everybody is with you. | 0:21:38 | 0:21:40 | |
Make sure you express it. Make sure everybody understands your idea. | 0:21:40 | 0:21:44 | |
Loose. Let them go. Everybody does whatever they have to do. | 0:21:44 | 0:21:48 | |
But then tight comes back again. | 0:21:48 | 0:21:51 | |
You need to make sure at the end that everybody did | 0:21:51 | 0:21:54 | |
what you said that they had to do. | 0:21:54 | 0:21:57 | |
What has happened with you guys - tight at the beginning, yes. | 0:21:57 | 0:21:59 | |
The project manager, you do this, that. | 0:21:59 | 0:22:02 | |
Loose, everybody does everything, and that is the end. | 0:22:02 | 0:22:05 | |
Nobody tightened at the end of the project. | 0:22:05 | 0:22:08 | |
Again, I think it is a shame that you're gone because you would have been a great business partner. | 0:22:08 | 0:22:12 | |
-Thank you. -If I can have your number after... | 0:22:12 | 0:22:16 | |
LAUGHTER | 0:22:16 | 0:22:17 | |
-You did say... -I am talking about business here! | 0:22:17 | 0:22:20 | |
So well! And then the mask slipped. | 0:22:20 | 0:22:25 | |
-I am looking for a quarter of a million pound investment actually. -We'll exchange the number later. | 0:22:26 | 0:22:31 | |
Just remember - tight, loose. | 0:22:31 | 0:22:34 | |
LAUGHTER AND APPLAUSE | 0:22:34 | 0:22:37 | |
-I am learning all the time. -It is a masterclass. | 0:22:45 | 0:22:48 | |
Jenna was a project manager on the winning team for the first time | 0:22:48 | 0:22:54 | |
and she squeaked home with a win of £21.74. | 0:22:54 | 0:22:57 | |
Was this win because of the way she tried to lure the customers to her Scottish stew? | 0:22:57 | 0:23:02 | |
Amongst a crowd I can use my charm. Excuse me, sir, come on in. | 0:23:02 | 0:23:07 | |
Come on in. Have a smell. Come and have a smell. Smell it. | 0:23:07 | 0:23:11 | |
-I know you are tempted. -She has got the "come hither" look. | 0:23:11 | 0:23:14 | |
The thing is, I can always catch the eye of someone I can get to come in. | 0:23:16 | 0:23:21 | |
You just have to watch. Excuse me, sir. | 0:23:21 | 0:23:25 | |
Hello. | 0:23:25 | 0:23:26 | |
-First person. -I am all right, thanks. | 0:23:28 | 0:23:31 | |
These are the two things we could say about Jenna. | 0:23:42 | 0:23:45 | |
Firstly, she picked quality ingredients and tried to make gourmet food. | 0:23:45 | 0:23:48 | |
She put twice as much into the cost of the beef than your team | 0:23:48 | 0:23:53 | |
put into everything. | 0:23:53 | 0:23:55 | |
-But also, sold the smell. -Jenna got it. She was impressive this week. | 0:23:55 | 0:24:01 | |
She said at the beginning, "I'm not a food person, | 0:24:01 | 0:24:04 | |
"I'm not interested in food," | 0:24:04 | 0:24:06 | |
yet she still made the right call in terms of quality ingredients and doing more of a gourmet product. | 0:24:06 | 0:24:12 | |
She did create a sizzle around the stall. | 0:24:12 | 0:24:15 | |
She had the cliche of the piper | 0:24:15 | 0:24:18 | |
and at one point someone was doing a Highland fling as well. | 0:24:18 | 0:24:22 | |
But all these things, if you are trying to attract people's eye | 0:24:22 | 0:24:26 | |
as they walk past, they work. | 0:24:26 | 0:24:28 | |
She did create impact. She had an impressive week. | 0:24:28 | 0:24:31 | |
I had not noticed her up to this point. | 0:24:31 | 0:24:33 | |
But I think she's one of those quiet people that maybe come up on the inside. | 0:24:33 | 0:24:38 | |
Sometimes, personally I do not know if anybody else is the same, but I have been walking along | 0:24:38 | 0:24:42 | |
and I thought, "I do not need anything to eat - oh, there's somebody dancing! | 0:24:42 | 0:24:46 | |
"I must have some stew." | 0:24:46 | 0:24:49 | |
"They are dancing directly in front of the place that sells the stew | 0:24:51 | 0:24:53 | |
"so I must now weave my way through the dancing to get to the stew." | 0:24:53 | 0:24:57 | |
That is how Scottish country dancing was born. | 0:24:57 | 0:25:00 | |
Put food beyond some people and you have to weave through. | 0:25:00 | 0:25:03 | |
There is something I have noticed about the boys generally in The Apprentice | 0:25:03 | 0:25:07 | |
and I think you have as well, Katie. | 0:25:07 | 0:25:09 | |
You both shake hands so much. | 0:25:10 | 0:25:11 | |
It's like every time we see each other we have to shake hands. | 0:25:11 | 0:25:14 | |
-Shake hands, guys. -I am all... That is not forcing it. | 0:25:31 | 0:25:34 | |
-Constantly high-fiving. -I thought it was time-wasting. -It's a weird form of male thing, is it? | 0:25:47 | 0:25:55 | |
Most of the time it is insecurity. | 0:25:55 | 0:25:57 | |
When they do that they are trying to establish who is the most powerful one. | 0:25:57 | 0:26:00 | |
Some of them, they really squeeze your hands - | 0:26:00 | 0:26:04 | |
you will not be able to use a pen any more for about ten minutes. | 0:26:04 | 0:26:09 | |
Some of them, they put two hands - so they shake hands | 0:26:09 | 0:26:12 | |
and they put the left one just to say, | 0:26:12 | 0:26:14 | |
"I am the one that is in control of this". | 0:26:14 | 0:26:17 | |
It becomes like a lion thing. A lot of men do that. | 0:26:17 | 0:26:21 | |
Women, because of the perfectly... | 0:26:21 | 0:26:24 | |
LAUGHTER | 0:26:24 | 0:26:27 | |
Women, because they are perfectly-created creatures, | 0:26:29 | 0:26:32 | |
they do not have to do that because they are more secure than men are. | 0:26:32 | 0:26:36 | |
-So instead of shaking hands, what should I do? -We will talk later. | 0:26:41 | 0:26:46 | |
-OK. -Now is not the right time. -We will move on to the vote. | 0:26:46 | 0:26:51 | |
It is almost pointless to ask this question. | 0:26:51 | 0:26:53 | |
Do you think Lord Sugar was right to fire Katie? | 0:26:53 | 0:26:56 | |
I thought he was absolutely wrong because in a business partner, | 0:26:56 | 0:27:01 | |
you are also looking for somebody that comes up with new ideas, | 0:27:01 | 0:27:05 | |
crazy ideas, somebody most importantly that has the meatballs to tell you when they're wrong, | 0:27:05 | 0:27:10 | |
so there is something you can do about it. | 0:27:10 | 0:27:14 | |
Who should have gone instead? | 0:27:14 | 0:27:16 | |
-Adam. -Adam? -Yeah. | 0:27:16 | 0:27:18 | |
Tracey, who do you think? | 0:27:18 | 0:27:19 | |
I think Katie was unfortunate to take the blame | 0:27:19 | 0:27:23 | |
for what was a team failure. | 0:27:23 | 0:27:26 | |
-I would rather have seen Adam or Stephen go. -Fred? -Yes. | 0:27:26 | 0:27:31 | |
Katie should still be in it. No doubt about that. Adam should have gone. | 0:27:31 | 0:27:35 | |
We are about to see a sea of green out there like the Celtic end at a football match. | 0:27:35 | 0:27:40 | |
Let's throw to the audience. If you agree with Lord Sugar, hold up "fired". | 0:27:40 | 0:27:44 | |
If you disagree and think Katie should still be in the process, hold up "hired". | 0:27:44 | 0:27:48 | |
-Wow. -Hey. -Thank you. -That definitely is hired. | 0:27:50 | 0:27:55 | |
Well done. We have to give you a gift. The only gift we could send you home with, | 0:27:55 | 0:28:00 | |
because I think you wore it so well. This is the actual... | 0:28:00 | 0:28:06 | |
APPLAUSE | 0:28:06 | 0:28:08 | |
Thank you. | 0:28:08 | 0:28:10 | |
Aw! However... | 0:28:10 | 0:28:12 | |
It comes with a special instruction. | 0:28:18 | 0:28:20 | |
I don't know if yourself and your husband are dinner party-type people... | 0:28:20 | 0:28:25 | |
-No. -..if you throw a lot of parties. | 0:28:25 | 0:28:27 | |
If you ever do have people over you have to walk in in that and go, | 0:28:27 | 0:28:32 | |
-"Guess what I am cooking for you tonight." -Deal. | 0:28:32 | 0:28:37 | |
They will go, "Pizza." You will go, "No, lamb tagine, what kind of idiot are you?" | 0:28:37 | 0:28:42 | |
You made it to the halfway point. Here are your highlights. | 0:28:42 | 0:28:45 | |
I would call myself the blonde assassin. People underestimate me. | 0:28:48 | 0:28:51 | |
It means I can blow them out of the water. | 0:28:51 | 0:28:53 | |
Underneath the blonde exterior there is a lot going on. | 0:28:53 | 0:28:56 | |
I'm always thinking. | 0:28:56 | 0:28:57 | |
You can put your feet up when you are in the bath. | 0:28:57 | 0:29:00 | |
I stumbled across magic. | 0:29:00 | 0:29:02 | |
Shake it off, guys. Shake it all away. | 0:29:02 | 0:29:04 | |
I don't think there's anything wrong with having fun. | 0:29:04 | 0:29:07 | |
You can't squeeze another meatball in. | 0:29:07 | 0:29:09 | |
I'm a little bit weird. | 0:29:09 | 0:29:11 | |
I'm trending! | 0:29:11 | 0:29:13 | |
-She is extremely down-to-earth. -She is a pleasure to be around. | 0:29:13 | 0:29:17 | |
She is a complete nutter. | 0:29:17 | 0:29:20 | |
Little bit of this. Just looking to have a good time in life. | 0:29:20 | 0:29:24 | |
-Ladies and gentlemen, Katie Wright. -APPLAUSE | 0:29:27 | 0:29:30 | |
That is it for tonight. Thank you to all of my guests. | 0:29:36 | 0:29:39 | |
Katie will be on BBC Breakfast tomorrow morning | 0:29:39 | 0:29:42 | |
and also on BBC Radio Scotland with Fred MacAulay. | 0:29:42 | 0:29:45 | |
If you want more laughs, go to our website | 0:29:45 | 0:29:48 | |
for this week's funny bits from Matt Edmondson. | 0:29:48 | 0:29:51 | |
Next week, the teams have to smell what sells, | 0:29:51 | 0:29:53 | |
but who will be left with a bloody nose? | 0:29:53 | 0:29:56 | |
There is something that sells and something that doesn't sell. | 0:29:56 | 0:29:58 | |
-Your back's hurting? -Killing me. -I have got a cure for that. | 0:29:58 | 0:30:01 | |
Free haircuts for life. | 0:30:01 | 0:30:04 | |
-That's risky. -I wouldn't buy that myself. | 0:30:04 | 0:30:06 | |
-You're moaning all the time. -We can get to the walls. We can get to the side. | 0:30:06 | 0:30:11 | |
-Have you seen the hot-water bottles? -Oh, no. -Where is everybody? | 0:30:11 | 0:30:14 | |
-Beard trimmers? -How hard can it be? | 0:30:14 | 0:30:18 | |
Shameful. | 0:30:18 | 0:30:20 | |
It makes your hand a little bit browner. | 0:30:20 | 0:30:23 | |
-Done it? -Lovely jubbly. | 0:30:26 | 0:30:28 | |
See you same time next week. Good night. | 0:30:28 | 0:30:31 | |
Subtitles by Red Bee Media Ltd | 0:30:46 | 0:30:49 |