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This was mayhem. That don't look good! | 0:00:02 | 0:00:05 | |
Bloody clueless! Couldn't organise a piss-up in a brewery! | 0:00:05 | 0:00:08 | |
You're fired! You're fired! | 0:00:08 | 0:00:10 | |
You're fired! | 0:00:10 | 0:00:12 | |
APPLAUSE AND CHEERING | 0:00:15 | 0:00:19 | |
Good evening and welcome to The Apprentice You're Fired | 0:00:26 | 0:00:30 | |
for our second episode of this bumper week. | 0:00:30 | 0:00:33 | |
Now 14 candidates are left to battle it | 0:00:33 | 0:00:35 | |
out for Lord Sugar's £250,000 business investment. | 0:00:35 | 0:00:38 | |
Tonight with the help of unseen footage, we'll be | 0:00:38 | 0:00:41 | |
watching how the teams' dynamics are evolving. | 0:00:41 | 0:00:44 | |
For example, it's important when your colleagues have had | 0:00:44 | 0:00:47 | |
a setback that you should think of the best way to reassure them. | 0:00:47 | 0:00:50 | |
-Hello, hello. How are you doing? -Not too bad. | 0:00:50 | 0:00:53 | |
We're heading towards Richmond. | 0:00:53 | 0:00:55 | |
-What have you sold? How many casks? -We've done one and a half. | 0:00:55 | 0:00:58 | |
Excellent(!) | 0:01:00 | 0:01:03 | |
LAUGHTER | 0:01:03 | 0:01:05 | |
Sometimes the longer you take to think of a response, | 0:01:05 | 0:01:09 | |
the more comfort you can give. | 0:01:09 | 0:01:11 | |
I'm surprised you've even turned up. | 0:01:11 | 0:01:13 | |
That was inevitable, mate. | 0:01:25 | 0:01:27 | |
LAUGHTER | 0:01:27 | 0:01:29 | |
Now to our panel. | 0:01:29 | 0:01:31 | |
Tonight, the co-founder of BrewDog, James Watt, | 0:01:31 | 0:01:34 | |
broadcaster Sara Cox and comedian Ed Byrne, welcome to You're Fired. | 0:01:34 | 0:01:38 | |
APPLAUSE AND CHEERING | 0:01:38 | 0:01:42 | |
Tonight's task of producing a new flavoured beer left one | 0:01:44 | 0:01:48 | |
candidate feeling uncharacteristically flat. | 0:01:48 | 0:01:51 | |
Tim, your business plan was to do with drinks, | 0:01:51 | 0:01:54 | |
so I give you the job of being project manager and you make a mess. | 0:01:54 | 0:01:59 | |
I've got nowhere else to go here. Tim, you're fired. | 0:01:59 | 0:02:03 | |
Thank you, Lord Sugar. | 0:02:03 | 0:02:05 | |
Please welcome Tim Stillwell. | 0:02:10 | 0:02:12 | |
APPLAUSE AND CHEERING | 0:02:12 | 0:02:16 | |
Tim, you know, that's a huge cheer for someone who's only been on for two weeks. | 0:02:29 | 0:02:33 | |
People really like you, people were disappointed to see you go, | 0:02:33 | 0:02:37 | |
people think the way you bob around is really interesting. | 0:02:37 | 0:02:41 | |
-Were you disappointed? -Very disappointed. | 0:02:41 | 0:02:43 | |
Went on the show to try and raise money to expand the business, | 0:02:43 | 0:02:47 | |
it didn't work out, but hopefully, most good business | 0:02:47 | 0:02:50 | |
people have a failure somewhere, hopefully this is my failure. | 0:02:50 | 0:02:53 | |
Yeah, public failure, erm... | 0:02:53 | 0:02:55 | |
-Most people get it... Don't make a big thing of it. -Out of the way. | 0:02:55 | 0:02:59 | |
And a 30 minute chat show to dissect why their failure was such a failure. | 0:02:59 | 0:03:03 | |
Let's see what lessons we can learn from this one as you | 0:03:03 | 0:03:07 | |
move on with your life scarred by the memory. | 0:03:07 | 0:03:10 | |
And was there anything that jumps out immediately as being | 0:03:10 | 0:03:14 | |
obvious that you could have done differently? | 0:03:14 | 0:03:16 | |
Most of it, really. Yeah. Pretty much. A lot of it. Yeah, most of it, to be fair. | 0:03:16 | 0:03:21 | |
OK, we'll go through it piece by piece and we've got experts with us as well. | 0:03:21 | 0:03:24 | |
You were parachuted in to lead the girls' team, but I'm afraid you had a crash landing. | 0:03:24 | 0:03:28 | |
Tim, I'm wondering really whether you did lead the team. | 0:03:28 | 0:03:32 | |
One of these other people kind of walked all over you. | 0:03:32 | 0:03:35 | |
I want to target the female market, something healthy. | 0:03:35 | 0:03:38 | |
Is everyone agreed with that? No. No? OK. | 0:03:38 | 0:03:41 | |
I know this is going to look weak. | 0:03:41 | 0:03:42 | |
I'm going to overrule my decision. Do you know what I mean? | 0:03:42 | 0:03:45 | |
I made a rash decision before. | 0:03:45 | 0:03:47 | |
So where did you end up, then? | 0:03:47 | 0:03:49 | |
-A beer festival. -We ended up at the Kent Beer Festival. | 0:03:49 | 0:03:53 | |
-Which turned out to be a glorified pub. -Yeah. | 0:03:53 | 0:03:56 | |
So this is the Kent Beer Festival. | 0:03:56 | 0:03:58 | |
Where is everyone? | 0:03:58 | 0:04:00 | |
-You're all a bloody waste of space! -We.. When we.. When we... | 0:04:00 | 0:04:04 | |
-Can we stop with this "we"? is it we or is it you? -We're a team. | 0:04:04 | 0:04:09 | |
If ever in my life, I've come across a team who literally couldn't | 0:04:09 | 0:04:13 | |
organise a piss-up in a brewery, it's now. | 0:04:13 | 0:04:15 | |
Where to begin? | 0:04:17 | 0:04:18 | |
Let's start with your decision to overrule yourself. | 0:04:18 | 0:04:22 | |
Did you take it badly? | 0:04:22 | 0:04:24 | |
Or...did you bounce back? | 0:04:24 | 0:04:26 | |
And were you able to work with yourself later in the task? | 0:04:26 | 0:04:30 | |
Do you think it was a good idea, the initial idea? A beer for women. | 0:04:30 | 0:04:33 | |
Um...it wasn't. It was a terrible idea. | 0:04:33 | 0:04:36 | |
It wasn't the best way to start my role as project manager of the girls. I thought, I'm on the girls' team, | 0:04:36 | 0:04:41 | |
let's do a product we can give to girls, blah blah... | 0:04:41 | 0:04:45 | |
-The wrong decision. -Cos there were loads of women around? | 0:04:45 | 0:04:48 | |
-That's what I thought. -You were like, "Argh!" -Exactly. | 0:04:48 | 0:04:51 | |
It was one of those things when I was told you're moved over to the women's team, | 0:04:51 | 0:04:55 | |
I didn't even know their names. We'd had that little interaction with them. | 0:04:55 | 0:04:59 | |
So it was, yeah. I was thrown in the deep end. | 0:04:59 | 0:05:02 | |
Much like failures in your career, | 0:05:02 | 0:05:04 | |
-it's good to get those bad decisions out of the way early. -Yeah. | 0:05:04 | 0:05:07 | |
James, a beer marketed specifically for women, | 0:05:09 | 0:05:12 | |
has that ever worked in the industry? | 0:05:12 | 0:05:14 | |
There's been a few in the past and the only things they've | 0:05:14 | 0:05:17 | |
managed is to patronise women and bastardise beer at the same time. | 0:05:17 | 0:05:22 | |
So they've usually been a disaster and I think the focus is on doing | 0:05:22 | 0:05:25 | |
something awesome and if women like it, if guys like it, that's good. | 0:05:25 | 0:05:28 | |
The focus is on doing something you believe in, | 0:05:28 | 0:05:31 | |
something you're passionate about and something that's got integrity. | 0:05:31 | 0:05:34 | |
You weren't excited by a beer specifically aimed at women. | 0:05:34 | 0:05:38 | |
I think that's right. You just feel a bit like, "Oh, good! | 0:05:38 | 0:05:41 | |
"Ooh, it's got swirly writing on the label. That's for me!" And then we'll all settle down | 0:05:41 | 0:05:45 | |
and talk about our periods with our special beer that's just for us girls. | 0:05:45 | 0:05:49 | |
The funniest thing we were doing was beer targeted for women, | 0:05:49 | 0:05:53 | |
so it was going to be healthy and all these things, | 0:05:53 | 0:05:56 | |
which were just completely off the wall. | 0:05:56 | 0:05:58 | |
One of those brainstorming things which is meant to be | 0:05:58 | 0:06:00 | |
more like a brainstorm, but when you're there with...trying | 0:06:00 | 0:06:03 | |
to come across well and do the task, you say, "Right, my decision is... | 0:06:03 | 0:06:07 | |
"I'm very authoritative and I make decisions." | 0:06:07 | 0:06:09 | |
I like the way the girls just went, "No." | 0:06:09 | 0:06:13 | |
The product you went for in the end, Rhubarb and Riches, | 0:06:13 | 0:06:16 | |
-were you fully behind that as an idea? -Um... Yeah, I suppose. | 0:06:16 | 0:06:20 | |
You're given a very short amount of time to come up with this new | 0:06:20 | 0:06:23 | |
thing, it has to be unique, has to be something not on the market, | 0:06:23 | 0:06:26 | |
you know... So this one wasn't on the market, there arguably could be | 0:06:26 | 0:06:30 | |
a reason why this product's not currently on the market. | 0:06:30 | 0:06:33 | |
But to be fair, we did get good customer reviews. People liked it. | 0:06:33 | 0:06:36 | |
It took a lot of work and stress to actually make it, | 0:06:36 | 0:06:39 | |
-but people did like it. -Looking at the name and the branding, what do you think? | 0:06:39 | 0:06:43 | |
-It's quite classy looking. -Yes, I thought the packaging was good. | 0:06:43 | 0:06:47 | |
I liked the fact that you guys had pump clips, the other team didn't. | 0:06:47 | 0:06:51 | |
I thought the name, the packaging, was good. | 0:06:51 | 0:06:53 | |
And do you have to go gimmicky with a brand new product to market? | 0:06:53 | 0:06:56 | |
I hate gimmicky names. I liked you guys' name so much more than the other team's name. | 0:06:56 | 0:07:01 | |
For me, a cheap tacky pun is just the worst way to launch anything. | 0:07:01 | 0:07:05 | |
So I thought in terms of packaging, you guys nailed it. | 0:07:05 | 0:07:09 | |
Unfortunately, we don't have any more of the beer left. | 0:07:09 | 0:07:12 | |
For people to taste. That's the problem with it. Did you taste it? | 0:07:12 | 0:07:17 | |
-It was very good. I think, yeah. -It's difficult to recreate it. | 0:07:17 | 0:07:20 | |
Obviously we could just get rhubarb and this is caramel. So... | 0:07:20 | 0:07:24 | |
Going to try it? | 0:07:24 | 0:07:27 | |
AUDIENCE GROANS | 0:07:27 | 0:07:30 | |
I've been waiting a long time to see Dara O'Briain do that with a stick of rhubarb. | 0:07:30 | 0:07:34 | |
Sweet. Divine. | 0:07:34 | 0:07:36 | |
-Um... The caramel... -It was better than that. | 0:07:36 | 0:07:39 | |
The caramel is really strong. | 0:07:39 | 0:07:41 | |
And then the rhubarb wins. | 0:07:41 | 0:07:44 | |
-All you need now is a pint of beer and you'll be sorted. -Oh, my God! | 0:07:44 | 0:07:48 | |
Even outside the Kent Beer "Festival", | 0:07:48 | 0:07:52 | |
when you pitched the idea and you said, "We're selling a new beer, | 0:07:52 | 0:07:56 | |
"it's rhubarb and caramel flavour," people moaned and then they laughed. | 0:07:56 | 0:08:02 | |
You've got to really go some to look daft in front of a bunch | 0:08:02 | 0:08:05 | |
of Morris Dancers. | 0:08:05 | 0:08:07 | |
LAUGHTER | 0:08:07 | 0:08:09 | |
And in fact, that was just a little bit of rhubarb and caramel, | 0:08:09 | 0:08:13 | |
if Francesca had her way, she would have made the most rhubarb | 0:08:13 | 0:08:18 | |
and caramel flavour beer in history. | 0:08:18 | 0:08:20 | |
-Who's the mathematician here? -Francesca was doing the maths. | 0:08:21 | 0:08:26 | |
I'm not a mathematician. | 0:08:26 | 0:08:28 | |
6.5 at 75%... | 0:08:28 | 0:08:31 | |
-Does that make sense? -That's wrong. -Oh, dear! | 0:08:31 | 0:08:35 | |
It's a simple multiplication, isn't it? It is not rocket science. | 0:08:35 | 0:08:38 | |
-I'm really sorry. My brain's confusing litres and grams and stuff. -I know. | 0:08:38 | 0:08:43 | |
Let's just go with that. | 0:08:43 | 0:08:45 | |
Guys, this is not safe to drink. | 0:08:45 | 0:08:48 | |
You ditched 90 litres of stuff, didn't you? | 0:08:48 | 0:08:51 | |
-How many millilitres has been added to that keg? -100. | 0:08:51 | 0:08:55 | |
Right, there's far too much in there then. | 0:08:55 | 0:08:58 | |
I've never seen anything like it. | 0:08:58 | 0:09:00 | |
Francesca, you got your numbers wrong, this was a disaster. | 0:09:00 | 0:09:04 | |
We're going down. The ship is sinking fast. | 0:09:04 | 0:09:07 | |
Cos the way that task got bumped onto Francesca, | 0:09:09 | 0:09:13 | |
as clear as it did, there were a lot of people | 0:09:13 | 0:09:15 | |
washing their hands of that situation immediately. | 0:09:15 | 0:09:18 | |
Yeah, it was very funny because in the taxi to get there, we were | 0:09:18 | 0:09:22 | |
doing such complicated maths, | 0:09:22 | 0:09:24 | |
we were working out if we use a cheaper beer, cheaper ingredients, we | 0:09:24 | 0:09:27 | |
can produce more and make more money, we had all these sums, | 0:09:27 | 0:09:31 | |
like a page of numbers and numbers. And then when it came to the really simple stuff of how much flavouring | 0:09:31 | 0:09:35 | |
do we put in the beer to make it safe to drink, we just completely... Our heads were in a spin | 0:09:35 | 0:09:41 | |
and we couldn't work out grams to millilitres... | 0:09:41 | 0:09:45 | |
It did seem like she was really struggling and instead of everybody | 0:09:45 | 0:09:49 | |
getting involved, they all stood back and "OK, she's struggling." | 0:09:49 | 0:09:52 | |
Were they in danger? If you put in too much of those flavourings? | 0:09:52 | 0:09:56 | |
If you use too much of certain things in beer | 0:09:56 | 0:09:59 | |
depending on the compounds, they could make someone quite ill. | 0:09:59 | 0:10:02 | |
It's important if you're doing anything that's | 0:10:02 | 0:10:05 | |
consumed by the public, you make sure it's safe. | 0:10:05 | 0:10:08 | |
Cos what we don't want is the public drinking beer and then being sick! | 0:10:08 | 0:10:12 | |
LAUGHTER | 0:10:12 | 0:10:16 | |
We thought at the end that the girls would go for you in the boardroom. | 0:10:16 | 0:10:20 | |
I thought I was going to get destroyed in that boardroom. | 0:10:20 | 0:10:24 | |
But it was OK. | 0:10:24 | 0:10:25 | |
Yeah, it was OK. Instead they turned on one of their own. | 0:10:25 | 0:10:29 | |
Who's responsible for the failure of this task? | 0:10:29 | 0:10:32 | |
I think it's down to location, Lord Sugar. | 0:10:32 | 0:10:35 | |
EVIL GROWLING AND SNARLING | 0:10:35 | 0:10:38 | |
WOLF HOWLS | 0:10:39 | 0:10:41 | |
Whose idea was it to go to the Kent Beer Festival? | 0:10:41 | 0:10:44 | |
Where did that come from? | 0:10:44 | 0:10:45 | |
-Who made that decision? -Who made that decision? -Who made that decision? | 0:10:45 | 0:10:49 | |
-We... -Who made the decision? -Who suggested it? | 0:10:49 | 0:10:52 | |
I feel the blame's been pinned on myself. | 0:10:52 | 0:10:55 | |
SNARLING AND GROWLING | 0:10:55 | 0:10:56 | |
-It's definitely an alliance. I know you're all in cahoots. -Cahoots? | 0:10:56 | 0:10:59 | |
Four of you are, yeah. | 0:10:59 | 0:11:02 | |
The location was wrong, you made the decision. | 0:11:02 | 0:11:05 | |
And I took responsibility for it. | 0:11:05 | 0:11:07 | |
I have never seen such a bloody mess in the first two weeks of this | 0:11:07 | 0:11:12 | |
process as what I've seen today. | 0:11:12 | 0:11:15 | |
WOLF HOWLS | 0:11:15 | 0:11:17 | |
APPLAUSE | 0:11:17 | 0:11:20 | |
So when you saw that happening, did you just sit back and say, "Grand. | 0:11:24 | 0:11:28 | |
"Let Rebecca take the grief for this." | 0:11:28 | 0:11:30 | |
Um... I was... They're a great bunch of girls. | 0:11:30 | 0:11:34 | |
They are very forthright with their opinion, | 0:11:34 | 0:11:36 | |
but they are a very genuine nice bunch of girls. | 0:11:36 | 0:11:39 | |
It was quite nice to see them rallying | 0:11:39 | 0:11:42 | |
and I was just trying to keep out of it cos a lot of them were fighting my corner for me, | 0:11:42 | 0:11:45 | |
which was quite nice and I didn't feel they needed to do it | 0:11:45 | 0:11:48 | |
but there seemed to be this alliance, let's not let Tim take the blame. | 0:11:48 | 0:11:52 | |
I thought, if I get in, it's going to seem like I'm ganging up, so by | 0:11:52 | 0:11:56 | |
keeping quiet I thought it could work to my advantage, which it didn't. | 0:11:56 | 0:12:00 | |
-No, it didn't. -Do you not think if you'd brought in... | 0:12:00 | 0:12:04 | |
Just because they hate each other so much, Rebecca and Uzma, | 0:12:04 | 0:12:07 | |
they've been at it from the word go... | 0:12:07 | 0:12:10 | |
If you'd brought in Uzma instead, and then just let... | 0:12:10 | 0:12:13 | |
-And on the way, if you'd just gone, "She says you've got fat ankles." -LAUGHTER | 0:12:13 | 0:12:19 | |
And just let them go at each other. He might have ended up firing one of them. | 0:12:19 | 0:12:24 | |
Cos then, Lord Sugar would have gone, "Why did you bring Uzma in?" | 0:12:24 | 0:12:27 | |
"I just wanted to see this crazy thing here." | 0:12:27 | 0:12:30 | |
It would have been you and Lord Sugar looking at each other across the table, going... | 0:12:30 | 0:12:34 | |
LAUGHTER | 0:12:34 | 0:12:35 | |
What are you going to do, eh? | 0:12:35 | 0:12:37 | |
-Ultimately, it was the locations that did it. -It was. | 0:12:37 | 0:12:41 | |
The Kent Beer Festival sounded amazing. | 0:12:41 | 0:12:44 | |
What's the population of Kent? | 0:12:44 | 0:12:45 | |
I did think they sold quite well though to a few people, to the men of the Kent Festival. | 0:12:45 | 0:12:50 | |
-The girls were great at selling. -Because they were the only females in like a ten-mile radius. | 0:12:50 | 0:12:56 | |
All those middle-aged balding men, no offence... | 0:12:56 | 0:12:59 | |
..to anybody here... | 0:12:59 | 0:13:02 | |
-ED: -None taken! | 0:13:02 | 0:13:04 | |
LAUGHTER | 0:13:04 | 0:13:07 | |
They were so bedazzled, they were like, "Here's our money, | 0:13:08 | 0:13:12 | |
"can we touch your hair?" These girls are like, "Do you want some beer?" They were like, "Woo!" | 0:13:12 | 0:13:17 | |
-Rebecca is the best salesperson they have. -Yeah, I quite feel for Rebecca actually, I think | 0:13:17 | 0:13:21 | |
she seems to wind up the other girls, for whatever reason. | 0:13:21 | 0:13:24 | |
Maybe cos she does this a lot. | 0:13:24 | 0:13:27 | |
LAUGHTER | 0:13:27 | 0:13:29 | |
Cos that can proper wind up a girl. | 0:13:29 | 0:13:32 | |
Last week, she was one of the best sellers amongst all the candidates. | 0:13:32 | 0:13:37 | |
This week, she came in the top three sales. | 0:13:37 | 0:13:41 | |
So what exactly is it that just gets in their faces about her? | 0:13:41 | 0:13:46 | |
Rebecca likes to stick her hand in people's faces | 0:13:46 | 0:13:49 | |
and her finger in my face on this occasion. | 0:13:49 | 0:13:52 | |
-£75. -Um...could we...? -How... -Can I? Sorry. | 0:13:52 | 0:13:56 | |
-It's not personal, this is business. -It is personal. | 0:13:56 | 0:14:00 | |
We're in a boardroom. | 0:14:00 | 0:14:02 | |
Why are you pointing your finger at me? That's annoying. | 0:14:02 | 0:14:05 | |
-At a food festival... -Let me finish. | 0:14:05 | 0:14:08 | |
I tell you what, Tim. No, no, no. | 0:14:08 | 0:14:10 | |
Let me have a word. | 0:14:10 | 0:14:12 | |
I want to say something. I pointed at it. | 0:14:12 | 0:14:15 | |
LAUGHTER | 0:14:17 | 0:14:20 | |
APPLAUSE | 0:14:20 | 0:14:23 | |
Is it as little as that? Is it as little as a habit of getting inside somebody's space? | 0:14:28 | 0:14:32 | |
I think because Lord Sugar's allowed her to be the only one to do | 0:14:32 | 0:14:36 | |
the finger thing and so I think that must have been annoying. | 0:14:36 | 0:14:39 | |
Tim, I'm genuinely sorry that you went in week two, | 0:14:39 | 0:14:42 | |
because I wanted to see... | 0:14:42 | 0:14:44 | |
Not just for any business reason, I just wanted to see | 0:14:44 | 0:14:46 | |
if you could keep this up for 12 weeks. | 0:14:46 | 0:14:49 | |
I have been described as a bit of a whirlwind. I do have bags of energy. I've got high energy levels. | 0:14:49 | 0:14:53 | |
I don't really ever get tired. I like to keep going, keep plugging away. | 0:14:53 | 0:14:57 | |
Finally sold some product. Great. I thought my chance was going | 0:14:57 | 0:15:00 | |
to come this task and I wasn't in the background. | 0:15:00 | 0:15:03 | |
Arms and legs everywhere, getting involved. | 0:15:03 | 0:15:05 | |
Just start rattling off anything. | 0:15:05 | 0:15:07 | |
Sometimes I act before I think. | 0:15:07 | 0:15:08 | |
Bouncing around, getting involved. | 0:15:08 | 0:15:10 | |
Confused, we were trying to work it out. | 0:15:10 | 0:15:12 | |
It was an absolute roller coaster. | 0:15:12 | 0:15:14 | |
People shouting. That really flustered us. | 0:15:14 | 0:15:16 | |
Sometimes my energy has to be reined in and controlled. | 0:15:16 | 0:15:18 | |
I'm bursting with it. | 0:15:18 | 0:15:19 | |
I need it to be harnessed. HORSE WHINNIES | 0:15:19 | 0:15:22 | |
Would you have hit, like, week seven, | 0:15:22 | 0:15:25 | |
and needed sleepy time for Tim? | 0:15:25 | 0:15:27 | |
Does it plunge? Does it go, "Bam-bam-bam!" | 0:15:27 | 0:15:29 | |
And then just stop, and then you're out? | 0:15:29 | 0:15:31 | |
No, it's pretty consistent. | 0:15:31 | 0:15:32 | |
I mean, there would have been a lot more energy had I stayed. More so. | 0:15:32 | 0:15:35 | |
Yeah, it would have continued. It definitely would have continued. | 0:15:35 | 0:15:38 | |
Candidates often compare themselves to famous figures, | 0:15:38 | 0:15:42 | |
famous historical characters. | 0:15:42 | 0:15:44 | |
Sometimes more unusual than others. | 0:15:44 | 0:15:47 | |
The historical character I'm most like is Richard the Lionheart. | 0:15:47 | 0:15:50 | |
I see myself as a mixture of Marilyn Monroe and Joan of Arc. | 0:15:50 | 0:15:55 | |
If I was to describe myself as a historical figure... | 0:15:55 | 0:15:57 | |
does Tigger count? LAUGHTER | 0:15:57 | 0:16:00 | |
-Yeah! -Well, let me answer that quickly...no! | 0:16:02 | 0:16:05 | |
Those things, those books didn't actually happen. | 0:16:07 | 0:16:10 | |
So you've heard the Tigger thing a lot, I presume? | 0:16:10 | 0:16:13 | |
Yeah, I have, I have. I've been told that from an early age. | 0:16:13 | 0:16:16 | |
Let us find out now what Lord Sugar | 0:16:16 | 0:16:19 | |
and your former colleagues had to say about you. | 0:16:19 | 0:16:21 | |
Tim wants to start a drinks business, | 0:16:23 | 0:16:25 | |
and this task was all about drinks. | 0:16:25 | 0:16:28 | |
However, by allowing everyone a say, | 0:16:28 | 0:16:30 | |
he lost control and he made the wrong decisions. | 0:16:30 | 0:16:34 | |
I think Tim's a really nice guy. | 0:16:34 | 0:16:35 | |
I think there has been times he has been a wee bit flustered. | 0:16:35 | 0:16:38 | |
Tim wasn't very confident in giving his decisions. | 0:16:38 | 0:16:42 | |
He did fall apart when we went to the factory, | 0:16:42 | 0:16:44 | |
but I just think he felt out of his depth. | 0:16:44 | 0:16:47 | |
Tim has loads of energy and enthusiasm, | 0:16:47 | 0:16:49 | |
but he needs to channel it in the right direction | 0:16:49 | 0:16:52 | |
to make sure he doesn't make mistakes that cost a lot of money, | 0:16:52 | 0:16:56 | |
and that's why I fired him. | 0:16:56 | 0:16:57 | |
He fired you so that you will learn. | 0:16:59 | 0:17:01 | |
When we say it was a drinks company you're setting up, | 0:17:01 | 0:17:04 | |
it wasn't an alcoholic drink? | 0:17:04 | 0:17:05 | |
-No, it wasn't, no, no, no. -What was the idea? | 0:17:05 | 0:17:07 | |
It's to launch a new range of Mexican fruit drinks. | 0:17:07 | 0:17:11 | |
Pre-existing Mexican drinks you're bringing over, | 0:17:11 | 0:17:13 | |
-or are you inventing..? -Inventing. We're inventing one. | 0:17:13 | 0:17:16 | |
I lived in Mexico for 12 months, I learned all about the culture, | 0:17:16 | 0:17:18 | |
so I feel there's a part of Mexico in me. | 0:17:18 | 0:17:20 | |
-So if you want an authentic experience, then... -Fantastic. | 0:17:20 | 0:17:23 | |
You were a brewer as a hobby? | 0:17:23 | 0:17:25 | |
Yeah, it was myself and my best friend, Martin. | 0:17:25 | 0:17:28 | |
We couldn't find any beers that we liked in the UK, | 0:17:28 | 0:17:30 | |
so we used to spend our weekends making beer at home, | 0:17:30 | 0:17:33 | |
and back in 2007, we got a £20,000 bank loan, | 0:17:33 | 0:17:36 | |
we got some second hand stainless steel tanks, | 0:17:36 | 0:17:39 | |
and we set up our business. | 0:17:39 | 0:17:40 | |
From 2007, in five-and-half years, | 0:17:40 | 0:17:42 | |
we've grown to a business that employs 200 people | 0:17:42 | 0:17:45 | |
and ships our beer to 38 different countries round the planet. | 0:17:45 | 0:17:48 | |
So from two humans and a dog, we've come a long way. | 0:17:48 | 0:17:50 | |
You blagged a loan originally, though, didn't you? | 0:17:50 | 0:17:53 | |
Yeah, well, we got a deal with Tesco just after we started, | 0:17:53 | 0:17:55 | |
so I was quite excited, and I went to our bank, | 0:17:55 | 0:17:58 | |
and at that time, the global economy just nosedived. | 0:17:58 | 0:18:00 | |
It was the credit crunch, | 0:18:00 | 0:18:02 | |
and I told our bank at the time, | 0:18:02 | 0:18:03 | |
"We've just got this amazing deal with Tesco, | 0:18:03 | 0:18:06 | |
"but I'm going to need £100,000 for a new bottling machine, | 0:18:06 | 0:18:08 | |
"I'm going to need £50,000 for new fermentation tanks," | 0:18:08 | 0:18:11 | |
and the bank just laughed at me. | 0:18:11 | 0:18:12 | |
So what we did, and we had our suits on, we looked quite smart, | 0:18:12 | 0:18:15 | |
we went to the bank next door and we said to the guys there, | 0:18:15 | 0:18:18 | |
"Our bank of just offered us an amazing finance package | 0:18:18 | 0:18:21 | |
"on a bottling line and fermentation tanks, | 0:18:21 | 0:18:24 | |
"but if you guys can match it, we'll shift all our banking to you. | 0:18:24 | 0:18:27 | |
"We've got this amazing contract, | 0:18:27 | 0:18:29 | |
"we're a young, up-and-coming company," | 0:18:29 | 0:18:31 | |
and they went for it. So, er... | 0:18:31 | 0:18:32 | |
LAUGHTER | 0:18:32 | 0:18:34 | |
I went to the bank and I said, | 0:18:34 | 0:18:36 | |
"I've got a great business idea. | 0:18:36 | 0:18:37 | |
"Here's my 50 page business plan. I need £70,000." | 0:18:37 | 0:18:40 | |
They just sort of said, like, "See you later!" | 0:18:40 | 0:18:42 | |
But we've made it work through, you know, here, there, and everywhere. | 0:18:42 | 0:18:45 | |
And, like, as you say, these businesses are employing people, | 0:18:45 | 0:18:48 | |
so we sort of do need the banks to change their attitudes | 0:18:48 | 0:18:51 | |
and actually start funding what they think are crazy ideas, | 0:18:51 | 0:18:54 | |
because some of them pull through. | 0:18:54 | 0:18:56 | |
OK, now at the start of the new season of The Apprentice, | 0:18:56 | 0:18:58 | |
it is always difficult to get to know all the candidates. | 0:18:58 | 0:19:01 | |
I mean, there are so many of them. | 0:19:01 | 0:19:02 | |
So YouTube superstars, The Brett Domino Trio, | 0:19:02 | 0:19:05 | |
have joined forces with Radio 1 to help. | 0:19:05 | 0:19:07 | |
# We've got the posh one we've got the ditzy one | 0:19:07 | 0:19:10 | |
# We've got the moving his hands about like Miss Piggy one | 0:19:10 | 0:19:13 | |
# There's a Welsh one, a Northern Irish one, the token geezer | 0:19:13 | 0:19:16 | |
# And these two lads who look like they should be in Weezer | 0:19:16 | 0:19:19 | |
# Apprentice, they're going to business you senseless | 0:19:19 | 0:19:22 | |
# It's the new series yeah, it's starting again | 0:19:22 | 0:19:25 | |
# Lord Sugar's looking for a candidate he wants to invest in | 0:19:25 | 0:19:28 | |
# £250,000 to the one who's most impressed him. # | 0:19:28 | 0:19:31 | |
APPLAUSE | 0:19:31 | 0:19:33 | |
You can see the full version of this | 0:19:38 | 0:19:40 | |
on our website at bbc.co.uk/apprentice. | 0:19:40 | 0:19:42 | |
Let's take a look at the winning team now, | 0:19:42 | 0:19:44 | |
and although Kurt was project manager, | 0:19:44 | 0:19:45 | |
you often wouldn't have known that. | 0:19:45 | 0:19:47 | |
I've come up with absolutely everything in terms of this task. | 0:19:47 | 0:19:50 | |
I've come up with all the ideas today. | 0:19:50 | 0:19:52 | |
I've come up with pretty much everything. | 0:19:52 | 0:19:53 | |
I came up with the product. | 0:19:53 | 0:19:55 | |
I came up with the flavourings. | 0:19:55 | 0:19:56 | |
I came up with a flavouring. The flavouring. | 0:19:56 | 0:19:58 | |
I came up with a little unique twist about getting chocolate. | 0:19:58 | 0:20:01 | |
That little bit of a twist. The twist of taking the chocolate. | 0:20:01 | 0:20:03 | |
The sales process. | 0:20:03 | 0:20:05 | |
I went out and did the majority of sales. | 0:20:05 | 0:20:07 | |
I came up with a branding name. | 0:20:07 | 0:20:08 | |
I came up with the name. | 0:20:08 | 0:20:09 | |
I came up with the name. | 0:20:09 | 0:20:11 | |
A Bitter This? A Bitter This, my idea again. | 0:20:11 | 0:20:13 | |
I came up with that, personally. | 0:20:13 | 0:20:15 | |
Is the idea that if you drink enough of this, | 0:20:15 | 0:20:17 | |
that name becomes funny, or what? | 0:20:17 | 0:20:19 | |
Behind every great project manager, there's a Neil Clough. | 0:20:21 | 0:20:23 | |
There's a Neil Clough. | 0:20:23 | 0:20:26 | |
Who was that guy(?) | 0:20:26 | 0:20:28 | |
He very much regards himself as the alpha male of the group. | 0:20:28 | 0:20:31 | |
Are you enjoying Neil's work? | 0:20:31 | 0:20:33 | |
He sort of looks... | 0:20:33 | 0:20:35 | |
He's kind of like a bit... | 0:20:35 | 0:20:36 | |
looks like sort of Danny Dyer's snarkier, younger brother, | 0:20:36 | 0:20:40 | |
mixed in with a bit of Norris from Corrie, and a bit of David Brent. | 0:20:40 | 0:20:45 | |
In a nice way! | 0:20:45 | 0:20:46 | |
Was he? He's regarded as being quite Machiavellian, | 0:20:46 | 0:20:49 | |
taking the credit for himself whatever. How is he? | 0:20:49 | 0:20:51 | |
Yeah, it was...it's hard. He wants to be alpha male, he wants to be the leader, | 0:20:51 | 0:20:55 | |
so it is hard to get a word in edgeways. | 0:20:55 | 0:20:57 | |
That's not how business works, it's not how life operates. | 0:20:57 | 0:21:00 | |
I mean, Neil probably has a great business idea, | 0:21:00 | 0:21:03 | |
but he was one of the persons in the series | 0:21:03 | 0:21:04 | |
who came in without a business, | 0:21:04 | 0:21:06 | |
so I feel he thought he had a lot to prove. | 0:21:06 | 0:21:08 | |
So from day one, he was just hammering, hammering, hammering, | 0:21:08 | 0:21:11 | |
and, yes, you can't get a word in edgeways with him. | 0:21:11 | 0:21:13 | |
It's an interesting one, because there are things | 0:21:13 | 0:21:16 | |
you can take credit for and things you cannot. | 0:21:16 | 0:21:18 | |
I mean, this is a bit of this here. | 0:21:18 | 0:21:20 | |
Again, we don't have it for you to taste, | 0:21:20 | 0:21:22 | |
but thankfully, the unique flavour of this | 0:21:22 | 0:21:24 | |
is actually easily available | 0:21:24 | 0:21:27 | |
in an already quite well-marketed form. | 0:21:27 | 0:21:29 | |
Mmm! That could work! | 0:21:31 | 0:21:33 | |
Chocolate and orange together?! It's crazy, isn't it(?) | 0:21:33 | 0:21:36 | |
Try it. Do you want to try? | 0:21:36 | 0:21:37 | |
-Yeah, definitely. -Yeah, it's good, isn't it? | 0:21:37 | 0:21:40 | |
Don't just spend the rest of the show eating! | 0:21:40 | 0:21:42 | |
But it's not that dramatic. | 0:21:42 | 0:21:44 | |
The plan, however, of deciding the flavour from the room where | 0:21:44 | 0:21:49 | |
they were designing the label, | 0:21:49 | 0:21:50 | |
while you've already sent four people to go and test the flavour. | 0:21:50 | 0:21:54 | |
It's almost as sensible and sending somebody to sell your beer | 0:21:54 | 0:21:59 | |
without taking any of the beer with them. | 0:21:59 | 0:22:01 | |
Do you know, the genius of it was, | 0:22:01 | 0:22:03 | |
they actually thought there might be some left in the bottle. | 0:22:03 | 0:22:06 | |
-They could go... -HE SNIFFS | 0:22:06 | 0:22:08 | |
"Oh, that could be great! That could be fantastic!" | 0:22:08 | 0:22:10 | |
I do like the way they didn't have any. | 0:22:10 | 0:22:12 | |
They went, "You can sniff it," | 0:22:12 | 0:22:13 | |
and I thought, "Why don't they just burp?" | 0:22:13 | 0:22:15 | |
That's just as insulting. | 0:22:15 | 0:22:17 | |
-SHE MIMICS A BELCH -"There you go. You're getting a..." | 0:22:17 | 0:22:20 | |
"Throw the blanket over the three of us, right?" | 0:22:20 | 0:22:23 | |
-HE BELCHES -"Are you getting it? Are you getting it?" | 0:22:23 | 0:22:26 | |
"Yes, we'll have 12 barrels, please. Thanks!" | 0:22:26 | 0:22:30 | |
To the wonderful Jason we come now, | 0:22:30 | 0:22:32 | |
whose approach to a deal seems counterintuitive at best. | 0:22:32 | 0:22:36 | |
Me and Zeeshan were just at the point of closing a deal at £80. | 0:22:36 | 0:22:40 | |
Between £80 and £90 a barrel. | 0:22:40 | 0:22:42 | |
Jason piped up and said, "Ooh, we'll give it to you for £75." | 0:22:42 | 0:22:44 | |
-Why would you do that? -I didn't. -You did. | 0:22:44 | 0:22:47 | |
How about we sweeten it and do 75? | 0:22:47 | 0:22:49 | |
I like his pricing. | 0:22:49 | 0:22:51 | |
This guy has not got a clue! | 0:22:51 | 0:22:52 | |
I felt they lost the plot. | 0:22:52 | 0:22:54 | |
-THEY lost the plot? -Yes, definitely. | 0:22:54 | 0:22:56 | |
Alex disgraced you, in fact, Lord Sugar. | 0:22:56 | 0:22:58 | |
When he was swearing at me. | 0:22:58 | 0:23:00 | |
-You dozy pig! What are you doing?! -What I did in there | 0:23:00 | 0:23:03 | |
was slightly more complicated than you've realised. | 0:23:03 | 0:23:06 | |
-What was more complicated? -The thing is... | 0:23:06 | 0:23:08 | |
Mate, I've been closing deals all my life. | 0:23:08 | 0:23:09 | |
Don't tell me what's complicated. The deal was closed. | 0:23:09 | 0:23:11 | |
You butted in with no experience, not knowing what you're doing. | 0:23:11 | 0:23:14 | |
-It was plain deception, Lord Sugar. -I beg your pardon? | 0:23:14 | 0:23:16 | |
-Are you from the Office Of Fair Trading? -No. | 0:23:16 | 0:23:18 | |
He lost us money on this task. | 0:23:18 | 0:23:19 | |
You've lost us money, and you've once again proved that you're an amateur. | 0:23:19 | 0:23:23 | |
They are the most intolerable, | 0:23:23 | 0:23:24 | |
moronic people I have come across in a long time. | 0:23:24 | 0:23:28 | |
Jason is, by trade, an academic. He is a man of literature, words. | 0:23:28 | 0:23:32 | |
Is he too delicate a flower for this? | 0:23:32 | 0:23:34 | |
I respect his ethics, | 0:23:34 | 0:23:36 | |
but I don't think he's cut out for the business world. | 0:23:36 | 0:23:39 | |
Because, basically, when he's talking about plain deception, | 0:23:39 | 0:23:42 | |
he sort of like, "Well, we've been doing these for, like, 90 a cask." | 0:23:42 | 0:23:46 | |
He's obviously sitting there going, "This is a lie!" | 0:23:46 | 0:23:48 | |
-LAUGHTER -"This is a lie! | 0:23:48 | 0:23:50 | |
"You just tried to get this man to pay more than it's worth! | 0:23:50 | 0:23:53 | |
"We've been selling them for 75! You terrible, terrible liar!" | 0:23:53 | 0:23:56 | |
I mean, it's ethical. | 0:23:57 | 0:23:59 | |
It's ethical business, but it's not good business. | 0:23:59 | 0:24:01 | |
But, Z as well. Z's reaction. | 0:24:01 | 0:24:02 | |
In a business meeting, where one of his colleagues go, | 0:24:02 | 0:24:05 | |
"We can give to you for £75," you can hear him going, | 0:24:05 | 0:24:07 | |
"Don't listen to him! This guy's an idiot! | 0:24:07 | 0:24:10 | |
"We bring him along just for the laughs. Wa-hey! | 0:24:10 | 0:24:13 | |
"£80! £80! Don't listen to a word that man says! | 0:24:13 | 0:24:16 | |
"Don't listen to old Chubby Cheeks here! Ah-ha! | 0:24:16 | 0:24:20 | |
"He's the boss's nephew. I don't know why he's here." | 0:24:20 | 0:24:23 | |
It's like bringing your own heckler to a gig! | 0:24:23 | 0:24:25 | |
Yeah, like, going, "Shut up! Shut up! | 0:24:25 | 0:24:27 | |
"Get back in the box!" | 0:24:27 | 0:24:28 | |
"You're just making this more difficult!" | 0:24:28 | 0:24:30 | |
"Get back in the box!" "I don't want to go in box!" | 0:24:30 | 0:24:33 | |
But, do you like Z? Do you think he's going to be interesting? | 0:24:33 | 0:24:36 | |
Yeah, I think Z's fun. I must say, I do like Jason, | 0:24:36 | 0:24:39 | |
because I think is a really good character, so I hope he stays in. | 0:24:39 | 0:24:43 | |
And I think Z's going to do well. | 0:24:43 | 0:24:46 | |
I think he just needs time to shine a bit more. | 0:24:46 | 0:24:49 | |
Why did you think of them? | 0:24:49 | 0:24:50 | |
I think Jason is absolutely phenomenal. | 0:24:50 | 0:24:52 | |
I actually think he should be holding out for nothing less | 0:24:52 | 0:24:55 | |
than the next leader of the Conservative party. | 0:24:55 | 0:24:58 | |
I do think, if he wants to go into politics, though, | 0:24:58 | 0:25:00 | |
he's going to need to adjust his attitude to telling lies. | 0:25:00 | 0:25:03 | |
LAUGHTER | 0:25:03 | 0:25:06 | |
Now, we've already enjoyed Alex and his look, | 0:25:06 | 0:25:09 | |
but he outdid himself on the trip to Brussels. | 0:25:09 | 0:25:14 | |
MUSIC: "Speak Softly Love (Love Theme from The Godfather)" by Nino Rota | 0:25:14 | 0:25:18 | |
This is lovely, innit? | 0:25:28 | 0:25:30 | |
The thing is, if you stick the music for The Godfather on it, | 0:25:30 | 0:25:32 | |
he can look like The Godfather. | 0:25:32 | 0:25:34 | |
If you change the music, it's a very different look. | 0:25:34 | 0:25:36 | |
MUSIC: "Only Fools And Horses" by John Sullivan | 0:25:36 | 0:25:40 | |
This is lovely, innit? | 0:25:46 | 0:25:48 | |
It's quite solemn, though. | 0:25:49 | 0:25:50 | |
I just want to go, "You realise your arms | 0:25:50 | 0:25:53 | |
"are supposed to go in that bit?" | 0:25:53 | 0:25:55 | |
That's why they sew them on! That's why they're there! | 0:25:55 | 0:25:57 | |
-Like, you know, if it was a proper cape... -"Oh, my God! | 0:25:57 | 0:26:00 | |
"That's marvellous! It's bloody lovely!" | 0:26:00 | 0:26:03 | |
"My arms were always getting cold, | 0:26:03 | 0:26:05 | |
"and now they're nice and snug and warm! | 0:26:05 | 0:26:08 | |
It was funny, though, the way he called Jason, "A silly shit." | 0:26:08 | 0:26:12 | |
That's the weirdest, you know, insult I've ever heard. | 0:26:12 | 0:26:16 | |
It's just a juxtaposition of, like, "You silly...shit?" | 0:26:16 | 0:26:20 | |
-It's weak, isn't it? -LAUGHTER | 0:26:22 | 0:26:25 | |
"You blooming...bumhole!" | 0:26:25 | 0:26:27 | |
Did anyone else strike you? | 0:26:31 | 0:26:33 | |
Well, not so much me, but Ed was rather taken by Myles. | 0:26:33 | 0:26:37 | |
-Did you see him, wrapping his towel round himself? -He's so buff! | 0:26:37 | 0:26:41 | |
Does he work out? What's his secret? | 0:26:41 | 0:26:44 | |
Yes! Is he ex-military? The guy's CUT! | 0:26:44 | 0:26:47 | |
He is Myles Mordaunt, the exceptionally ripped businessman... | 0:26:47 | 0:26:51 | |
-With his own helicopter pad and all that. -We can't get... | 0:26:51 | 0:26:53 | |
No, I don't know if he's got his own helicopter pad, | 0:26:53 | 0:26:56 | |
but apparently he does live in Monaco as well. | 0:26:56 | 0:26:58 | |
Wow, it's well fancy. | 0:26:58 | 0:26:59 | |
OK, it's time for a vote. | 0:26:59 | 0:27:01 | |
James, do you think Lord Sugar made the right decision? | 0:27:01 | 0:27:04 | |
No, I think the mistake that Francesca made with the calculations | 0:27:04 | 0:27:08 | |
had such a big impact on the task | 0:27:08 | 0:27:09 | |
and how much beer they had to sell, | 0:27:09 | 0:27:11 | |
so unfortunately, for me, it would have been Francesca. | 0:27:11 | 0:27:14 | |
-OK, Sara? -I wouldn't have fired Tim. | 0:27:14 | 0:27:17 | |
-I think I would have gone for Francesca, maybe. -Ed? | 0:27:17 | 0:27:21 | |
I think Francesca as well. | 0:27:21 | 0:27:22 | |
So, again, you wouldn't have fired Tim? | 0:27:22 | 0:27:25 | |
No, I wouldn't. | 0:27:25 | 0:27:26 | |
Could you not have been Lord Sugar's advisers?! | 0:27:26 | 0:27:28 | |
I could still be in this process, guys! | 0:27:28 | 0:27:30 | |
Well, let's see what the audience does with this one. | 0:27:30 | 0:27:32 | |
Again, if you agree with Lord Sugar, hold up, "Fired." | 0:27:32 | 0:27:34 | |
If you disagree with him, hold up, "Hired." | 0:27:34 | 0:27:38 | |
Hired! You'd still be in the process there. | 0:27:38 | 0:27:42 | |
It's definitely hired there. | 0:27:42 | 0:27:44 | |
OK, Tim, you have bowled us over this week | 0:27:44 | 0:27:46 | |
with just your boyish enthusiasm, | 0:27:46 | 0:27:49 | |
your can-do attitude, I mean, just your general bounce. | 0:27:49 | 0:27:51 | |
Could you stand up for one second? Stand up for one second. | 0:27:51 | 0:27:54 | |
Because we give a gift every week, | 0:27:54 | 0:27:56 | |
and I just want really want this one... | 0:27:56 | 0:27:57 | |
AUDIENCE AWS AND CHEERS | 0:27:57 | 0:28:00 | |
The only thing we could do would be... | 0:28:00 | 0:28:03 | |
APPLAUSE AND CHEERING Can I put it on? | 0:28:03 | 0:28:05 | |
Well, I think putting it on maybe difficult. | 0:28:05 | 0:28:08 | |
Fantastic! | 0:28:11 | 0:28:14 | |
-Sit down, sit down. -Can I keep it on? | 0:28:14 | 0:28:16 | |
No, I think you should remove it. But thank you. Yes. | 0:28:16 | 0:28:19 | |
-I'm going to keep that! -Yes, oh, please do! | 0:28:19 | 0:28:21 | |
It was a gift. You're supposed to. | 0:28:21 | 0:28:23 | |
TWO terrific weeks in. | 0:28:23 | 0:28:25 | |
It sounds serious, but you genuinely have made a huge impact. | 0:28:25 | 0:28:28 | |
Here are your highlights. | 0:28:28 | 0:28:29 | |
# The wonderful thing about Tiggers is Tiggers are wonderful things... # | 0:28:29 | 0:28:33 | |
I'm ambitious, hard-working, gregarious, entrepreneurial graduate. | 0:28:33 | 0:28:36 | |
I'm very enthusiastic. | 0:28:36 | 0:28:38 | |
Nothing like a glamorous job, is there(?) | 0:28:38 | 0:28:41 | |
Ask anyone who's drunk it! | 0:28:41 | 0:28:43 | |
It's absolutely fantastic. | 0:28:43 | 0:28:45 | |
You haven't tried it, sir? | 0:28:45 | 0:28:46 | |
I am pushing forward, I am thinking big. | 0:28:46 | 0:28:48 | |
Your last chance! | 0:28:48 | 0:28:49 | |
It breaks the mould, sort of take risks. | 0:28:49 | 0:28:51 | |
Thank you very much, guys. | 0:28:51 | 0:28:53 | |
You can try yours, and then see if you both want one. | 0:28:53 | 0:28:55 | |
Against all odds, we bottled it. | 0:28:55 | 0:28:57 | |
-We bottled it! -THEY CHEER | 0:28:57 | 0:28:58 | |
I think all the girls are really upset that he has gone. | 0:28:58 | 0:29:01 | |
Aw, Tim! | 0:29:01 | 0:29:02 | |
We all liked him. | 0:29:02 | 0:29:03 | |
# Cos I'm the only one! # | 0:29:03 | 0:29:05 | |
Ladies and gentlemen, Tim Stillwell. | 0:29:05 | 0:29:07 | |
APPLAUSE AND CHEERING | 0:29:07 | 0:29:11 | |
Thank you, guys! | 0:29:11 | 0:29:13 | |
And that's it for tonight. | 0:29:17 | 0:29:19 | |
Thanks to all of my guests, and there's loads more | 0:29:19 | 0:29:22 | |
on our website at bbc.co.uk/apprentice, | 0:29:22 | 0:29:24 | |
including Matt Edmondson's awkward conversations | 0:29:24 | 0:29:26 | |
with the two fired candidates, The Apprentice song, and much more. | 0:29:26 | 0:29:30 | |
Next week, it's one of my favourite tasks, product design. | 0:29:30 | 0:29:32 | |
Every year, top quality props comedy. | 0:29:32 | 0:29:35 | |
Your task is to come up with a flat pack piece of furniture. | 0:29:35 | 0:29:39 | |
-I'm in the look good industry. -You're in a time warp! | 0:29:40 | 0:29:43 | |
Women are smaller than men. | 0:29:43 | 0:29:45 | |
-You're going to have to design the product. -Oh, my God! | 0:29:45 | 0:29:48 | |
Do you guys know what you're doing? | 0:29:48 | 0:29:50 | |
Whoa, whoa, whoa, this is only 400! | 0:29:50 | 0:29:52 | |
I want it to be an ATM machine, plus I want it to be a lawnmower... | 0:29:52 | 0:29:55 | |
I don't even know what it is now. | 0:29:55 | 0:29:56 | |
-Poxy boxes. -Don't sit! | 0:29:56 | 0:29:58 | |
I'm not convinced about it. | 0:29:58 | 0:29:59 | |
I'd be puzzled and troubled. | 0:29:59 | 0:30:01 | |
Straight out to the skip and throw it away. | 0:30:01 | 0:30:03 | |
-Did they buy any? -No! | 0:30:03 | 0:30:04 | |
-What is it we're doing? -Bloody clueless! | 0:30:06 | 0:30:08 | |
LAUGHTER | 0:30:10 | 0:30:12 | |
I honestly cannot recommend this episode enough. | 0:30:14 | 0:30:17 | |
We are back to one show a week from now on, | 0:30:17 | 0:30:19 | |
so we'll see you next Wednesday. Good night. | 0:30:19 | 0:30:22 | |
APPLAUSE AND CHEERING | 0:30:22 | 0:30:24 | |
Subtitles by Red Bee Media Ltd | 0:30:47 | 0:30:51 |