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This was mayhem. That don't look good. | 0:00:02 | 0:00:04 | |
It is not rocket science. | 0:00:04 | 0:00:06 | |
Couldn't organise a piss-up in a brewery. Bloody clueless. | 0:00:06 | 0:00:08 | |
You failed. You're fired. | 0:00:08 | 0:00:10 | |
You're fired. You're fired. | 0:00:10 | 0:00:12 | |
APPLAUSE AND CHEERING | 0:00:16 | 0:00:18 | |
MUSIC: Theme from 2001: A Space Odyssey | 0:00:20 | 0:00:23 | |
LAUGHTER | 0:00:48 | 0:00:50 | |
LAUGHTER AND APPLAUSE | 0:00:57 | 0:00:59 | |
Welcome... | 0:01:03 | 0:01:05 | |
..ladies and gentlemen, to The Apprentice: You're Fired, | 0:01:09 | 0:01:12 | |
where, tonight, we celebrate one of the great inventions of our time. | 0:01:12 | 0:01:17 | |
I'm not overstating this. It has literally got everything in here. | 0:01:17 | 0:01:19 | |
Obviously, there's a cushion, which is one of the first things we have. | 0:01:19 | 0:01:24 | |
It comes with a fridge full of beer, which is great. | 0:01:24 | 0:01:27 | |
All this smoke, by the way, is because there's a barbecue inside. | 0:01:27 | 0:01:30 | |
It is truly, and this is not a word I feel we overuse here, | 0:01:30 | 0:01:34 | |
MULTIFUNCTIONAL. | 0:01:34 | 0:01:36 | |
Tonight on the show, the panel and I, | 0:01:36 | 0:01:39 | |
with the help of unseen footage, will be taking apart | 0:01:39 | 0:01:41 | |
the product design task and finding out how one team reinvented the box. | 0:01:41 | 0:01:47 | |
Joining me are toy entrepreneur Richard North, | 0:01:47 | 0:01:50 | |
Lord Sugar's aide Karren Brady, | 0:01:50 | 0:01:52 | |
and comedian Andy Parsons. | 0:01:52 | 0:01:53 | |
Welcome to You're Fired, each one of you. | 0:01:53 | 0:01:56 | |
APPLAUSE AND CHEERING | 0:01:56 | 0:01:58 | |
Yes. | 0:02:01 | 0:02:03 | |
Tonight's task of creating a new piece of flat-pack furniture | 0:02:05 | 0:02:08 | |
left one candidate in pieces. | 0:02:08 | 0:02:10 | |
LAUGHTER | 0:02:10 | 0:02:13 | |
I've come to a conclusion that, | 0:02:13 | 0:02:16 | |
out of the three of you here today, | 0:02:16 | 0:02:19 | |
and this may be unfair... | 0:02:19 | 0:02:21 | |
..but my gut feeling tells me that... | 0:02:22 | 0:02:25 | |
Sophie, you're fired. | 0:02:25 | 0:02:28 | |
Thank you, Lord Sugar. Thank you. | 0:02:28 | 0:02:29 | |
Please welcome Sophie Lau. | 0:02:34 | 0:02:36 | |
APPLAUSE AND CHEERING | 0:02:36 | 0:02:39 | |
Hello. | 0:02:51 | 0:02:52 | |
Sophie, it's comfortable, it's spacious, it is... | 0:02:52 | 0:02:56 | |
How did you lose? | 0:02:56 | 0:02:57 | |
How did you possibly lose this with such a fine...are you disappointed? | 0:02:57 | 0:03:00 | |
I am disappointed, but it IS a box on wheels. | 0:03:00 | 0:03:03 | |
It is a box on wheels. Ultimately, yes. | 0:03:03 | 0:03:05 | |
-Yeah. -And it was going to be so much more than that. | 0:03:05 | 0:03:08 | |
But we'll get to that. The other thing which is slightly awkward, | 0:03:08 | 0:03:11 | |
because that is not necessarily why YOU lost, per se. | 0:03:11 | 0:03:13 | |
I think it was kind of more felt that you hadn't contributed enough. | 0:03:13 | 0:03:17 | |
Does that sting, as a criticism? | 0:03:17 | 0:03:18 | |
Um, I think it's an honest criticism. | 0:03:18 | 0:03:21 | |
I don't think I could really do much in this task. | 0:03:21 | 0:03:24 | |
You've got so many fiery girls with their strengths, | 0:03:24 | 0:03:28 | |
and I didn't really feel I had the opportunity | 0:03:28 | 0:03:31 | |
-to play my forte this week. -I suppose... | 0:03:31 | 0:03:33 | |
Firstly, your forte was market research, though. | 0:03:33 | 0:03:36 | |
-Oh, don't mention that one! -Really? Yeah, sorry, yeah. | 0:03:36 | 0:03:38 | |
Well, you did bring it up yourself. | 0:03:38 | 0:03:40 | |
-"I do market research." -Yeah, yeah. | 0:03:40 | 0:03:42 | |
"I do market research! I did it for my dissertation! I'm a student!" | 0:03:42 | 0:03:45 | |
I can't wait to read this dissertation! | 0:03:45 | 0:03:47 | |
-It's all about market research, it's going to be fantastic! -I know! | 0:03:47 | 0:03:50 | |
But the market research you did, | 0:03:50 | 0:03:52 | |
I mean, were you asking the wrong questions? | 0:03:52 | 0:03:54 | |
Were you even clear when you went in to do the market research | 0:03:54 | 0:03:57 | |
what it was you were doing market research for, | 0:03:57 | 0:03:59 | |
-if you know what I mean? -No. | 0:03:59 | 0:04:01 | |
No, OK. | 0:04:01 | 0:04:02 | |
For a new product, market research... | 0:04:02 | 0:04:05 | |
I mean, is it as much about the questions you ask | 0:04:05 | 0:04:07 | |
as the answers you get? | 0:04:07 | 0:04:08 | |
Yeah, I mean, you've got to love the product | 0:04:08 | 0:04:11 | |
that it is that you've got to go out and pitch, | 0:04:11 | 0:04:13 | |
but in the sense of the market research... | 0:04:13 | 0:04:16 | |
yeah, you know, you've got a box. | 0:04:16 | 0:04:18 | |
It's not the best product to try and get research on, is it? | 0:04:18 | 0:04:22 | |
There was not even a USP with it. | 0:04:22 | 0:04:24 | |
There was no special features | 0:04:24 | 0:04:26 | |
that were set out to be there in the beginning. | 0:04:26 | 0:04:28 | |
You know, so what do you say to somebody in market research? | 0:04:28 | 0:04:31 | |
"What do you think of my box?" | 0:04:31 | 0:04:33 | |
-Yeah, exactly. -No, no... | 0:04:33 | 0:04:36 | |
LAUGHTER | 0:04:36 | 0:04:38 | |
Sorry, I should rephrase that, shouldn't I?! Sorry, Dara! | 0:04:38 | 0:04:43 | |
Let's let it hang in the air for a while. So you can reflect on it. | 0:04:43 | 0:04:48 | |
-Multifunctional! -Yeah, multifunctional. | 0:04:48 | 0:04:50 | |
Let's see where it went wrong for you. | 0:04:50 | 0:04:53 | |
Are you Sophie Stay Safe? | 0:04:53 | 0:04:55 | |
I don't design, and I don't pitch. | 0:04:55 | 0:04:57 | |
What I have done is conduct market research. | 0:04:57 | 0:05:00 | |
I know how to conduct market research | 0:05:00 | 0:05:02 | |
and get the most amount of information. | 0:05:02 | 0:05:04 | |
When you come out of market research, | 0:05:04 | 0:05:06 | |
there needs to be very clear direction. | 0:05:06 | 0:05:09 | |
So what was the clear recommendations? | 0:05:09 | 0:05:11 | |
They wanted space for legs. They wanted leg room. Plus storage. | 0:05:11 | 0:05:16 | |
Leg space and storage?! | 0:05:16 | 0:05:17 | |
You can't have leg space and storage. | 0:05:17 | 0:05:20 | |
Now, I've like to know if the market research | 0:05:20 | 0:05:23 | |
is a way of not being responsible for selling, | 0:05:23 | 0:05:26 | |
not being responsible for the design of the product, | 0:05:26 | 0:05:29 | |
not being responsible for manufacturing. | 0:05:29 | 0:05:32 | |
In the past three weeks, I haven't seen anything from you. | 0:05:32 | 0:05:35 | |
I haven't heard much from you. I think you're hiding a little bit. | 0:05:35 | 0:05:38 | |
-No, I don't think so. -No, well, I think you are. | 0:05:38 | 0:05:40 | |
OK, I don't want to hear any more. | 0:05:40 | 0:05:42 | |
Were you hiding? | 0:05:42 | 0:05:44 | |
I don't think I was hiding. | 0:05:44 | 0:05:47 | |
My problem is, with the girls, you know, you get to know them by now. | 0:05:47 | 0:05:50 | |
They're all very strong characters, and I'm a team player, | 0:05:50 | 0:05:53 | |
and I like to think that I work well in a team, | 0:05:53 | 0:05:56 | |
and when someone's saying, "I'm an award-winning saleswoman, | 0:05:56 | 0:05:59 | |
"I've got a make-up brand, a global make-up brand, | 0:05:59 | 0:06:02 | |
"I'm the best designer in the world," | 0:06:02 | 0:06:05 | |
I'd be a moron to be putting myself up for the designing aspect | 0:06:05 | 0:06:08 | |
or the sales aspect. | 0:06:08 | 0:06:10 | |
So you sort of have to know your strengths and weaknesses in the team. | 0:06:10 | 0:06:14 | |
So, do you think Sophie's problem is she can't spot bull | 0:06:14 | 0:06:17 | |
when it's been spoken by other people who are in the process? | 0:06:17 | 0:06:20 | |
I think it's important that you listen to other people | 0:06:20 | 0:06:23 | |
and you play to your strengths, but part of the process is to test | 0:06:23 | 0:06:26 | |
what you do know and how you react when you don't know what to do. | 0:06:26 | 0:06:30 | |
So what you're prepared to try, what things you'll take on, | 0:06:30 | 0:06:34 | |
and I think sometimes, | 0:06:34 | 0:06:35 | |
you can be so in awe of people or so not want to be pushy, | 0:06:35 | 0:06:38 | |
that you become so far the other way | 0:06:38 | 0:06:41 | |
that you sort of disappear out of the process. | 0:06:41 | 0:06:43 | |
And I felt for you a little bit, because obviously | 0:06:43 | 0:06:45 | |
you're very young, and there are some very big characters | 0:06:45 | 0:06:48 | |
in the girls' candidates this year. | 0:06:48 | 0:06:50 | |
You're the youngest, I think, that we had on this series. 22, is it? | 0:06:50 | 0:06:53 | |
-22. -You've just graduated and you're just starting to work. | 0:06:53 | 0:06:55 | |
Yeah, not everyone speaks the truth in these situations. | 0:06:55 | 0:06:59 | |
With their "global brand" and all that. | 0:06:59 | 0:07:01 | |
So that may be one of the things that caught you out a little bit. | 0:07:01 | 0:07:04 | |
You weren't exactly helping yourself though, were you, | 0:07:04 | 0:07:07 | |
because you said you don't design and you don't manufacture, | 0:07:07 | 0:07:10 | |
you don't sell, you don't pitch. | 0:07:10 | 0:07:13 | |
You weren't exactly selling your positives there, were you? | 0:07:13 | 0:07:16 | |
-I'm modest! -When Lord Sugar said, | 0:07:16 | 0:07:17 | |
"Why do you think you shouldn't be fired?" | 0:07:17 | 0:07:19 | |
I thought you were almost going to go, | 0:07:19 | 0:07:21 | |
"Well, I could tell you why you COULD fire me..." | 0:07:21 | 0:07:23 | |
-LAUGHTER -"I can't do this, I can't do that." | 0:07:23 | 0:07:25 | |
Yeah, yeah, it was a bad speech. A bad speech. | 0:07:25 | 0:07:28 | |
And it is a bit of a fight out there, isn't it, | 0:07:28 | 0:07:31 | |
amongst your competitors? | 0:07:31 | 0:07:32 | |
And you never came across with that fight. | 0:07:32 | 0:07:34 | |
You never, as Andy said there, you never stood up | 0:07:34 | 0:07:37 | |
and said, "This is what I do do. | 0:07:37 | 0:07:39 | |
"This is what I'm better at than the next person, than you guys." | 0:07:39 | 0:07:42 | |
Well, I mean, I can fight, but I don't think it's in my nature to... | 0:07:42 | 0:07:46 | |
..be really bitchy and be really loud, | 0:07:47 | 0:07:49 | |
and to win that fight, you've got to shout. | 0:07:49 | 0:07:52 | |
And you've got to be, you know, the dominating one. | 0:07:52 | 0:07:55 | |
-You've got to be heard. -And I just felt... | 0:07:55 | 0:07:57 | |
Yeah, when we watched you, you were talking | 0:07:57 | 0:07:59 | |
and you're quite eloquent, I thought, the way you spoke. | 0:07:59 | 0:08:02 | |
But people just didn't listen. And you weren't being heard. | 0:08:02 | 0:08:05 | |
I think that came through, actually, in previous tasks, | 0:08:05 | 0:08:08 | |
where you had good points to make and you wanted to make them, | 0:08:08 | 0:08:11 | |
but every time you went to make them, people switched off. | 0:08:11 | 0:08:14 | |
They were just like, "Er, no." And I was like, "Oh, OK." | 0:08:14 | 0:08:16 | |
You were shown the door tonight, | 0:08:16 | 0:08:18 | |
but another candidate was on the threshold. | 0:08:18 | 0:08:20 | |
I'm very good at designing. | 0:08:22 | 0:08:24 | |
I definitely have creative vision. | 0:08:24 | 0:08:25 | |
I can make it look good. | 0:08:25 | 0:08:26 | |
I'm in the "look good" industry. | 0:08:26 | 0:08:29 | |
That don't look good! | 0:08:29 | 0:08:31 | |
Tidy Sidey? Wishy-washy, Poxy Boxy! | 0:08:31 | 0:08:34 | |
I'm good at designing. | 0:08:34 | 0:08:36 | |
It has to be, like, "Wow!" | 0:08:36 | 0:08:39 | |
I could quickly sketch this. | 0:08:39 | 0:08:41 | |
Could you just agree that the design makes it? | 0:08:41 | 0:08:43 | |
Yeah, it does. It's lovely. | 0:08:43 | 0:08:45 | |
The designs on the side make it look a bit like a garden planter. | 0:08:45 | 0:08:48 | |
-Is it not largely a box on wheels? -It's got to look nice in a room. | 0:08:48 | 0:08:51 | |
In a part of the house you couldn't see, maybe. | 0:08:51 | 0:08:54 | |
Uzma, in your application, | 0:08:54 | 0:08:55 | |
"Keeping up-to-date with current trends for design." | 0:08:55 | 0:08:58 | |
That's exactly what I do, Lord Sugar. | 0:08:58 | 0:09:01 | |
You're in a time warp, if that's what you call keeping up-to-date! | 0:09:01 | 0:09:04 | |
I did not design that! | 0:09:04 | 0:09:05 | |
-What you did say was the product had to be glueless. -Glueless? | 0:09:05 | 0:09:09 | |
More like bloody clueless! | 0:09:09 | 0:09:11 | |
OK, we've seen the ridiculous version of it. | 0:09:13 | 0:09:15 | |
That may detract from the majesty of the actual one. | 0:09:15 | 0:09:18 | |
Literally, you cannot look at this enough. | 0:09:18 | 0:09:21 | |
-LAUGHTER -Feel your eyes disappear into it. | 0:09:21 | 0:09:23 | |
Mainly because of these hatched lines. | 0:09:23 | 0:09:26 | |
They're horrendous. And feel it. It feels horrible. | 0:09:26 | 0:09:28 | |
-It's not a good wood, is it? -It's horrible. | 0:09:28 | 0:09:31 | |
It's grey, it's small, it's on wheels. | 0:09:31 | 0:09:34 | |
You think, if you put a little kid in there, give him a plunger, | 0:09:34 | 0:09:36 | |
he's a little Dalek. | 0:09:36 | 0:09:38 | |
It's multifunctional, that's what it is! | 0:09:38 | 0:09:41 | |
Which one of you actually did finally say, | 0:09:41 | 0:09:44 | |
"It's going to be a box on wheels"? Who was the one..? | 0:09:44 | 0:09:47 | |
You know, I don't even know. I don't know... | 0:09:47 | 0:09:50 | |
No-one was responsible for designing it. | 0:09:50 | 0:09:52 | |
No-one said, "Oh, I designed it." | 0:09:52 | 0:09:55 | |
I just don't know how it came to this! | 0:09:55 | 0:09:57 | |
Wasn't the problem that you didn't have anything better, | 0:09:57 | 0:10:01 | |
so this box that you were then going to use words to describe it | 0:10:01 | 0:10:05 | |
that magically would make it multifunctional, | 0:10:05 | 0:10:07 | |
but actually, it was just a box on wheels. | 0:10:07 | 0:10:10 | |
-Yeah, was the problem that they went for everything? -Everything. | 0:10:10 | 0:10:14 | |
Seat, lap tray... | 0:10:14 | 0:10:16 | |
All the different sides would have different functions, | 0:10:16 | 0:10:19 | |
rather than having no functions at all. | 0:10:19 | 0:10:21 | |
And the thing is, though, when you've got... | 0:10:21 | 0:10:24 | |
it was supposed to be a lap tray, wasn't it? | 0:10:24 | 0:10:26 | |
But without a cushion, it's not a lap tray. | 0:10:26 | 0:10:28 | |
-It's just a plank of wood. -LAUGHTER | 0:10:28 | 0:10:31 | |
-RICHARD: -It did have grooves! | 0:10:31 | 0:10:33 | |
In the Argus pitch, actually, in the Argus pitch, they said, | 0:10:33 | 0:10:36 | |
"Look, and you can lift this off and you put it back on, | 0:10:36 | 0:10:39 | |
"and if someone else is in the room and you're looking at your laptop, | 0:10:39 | 0:10:42 | |
"you can wheel this around, and show them what's on it." | 0:10:42 | 0:10:44 | |
And the guy said, "Or you could pick up your laptop and go like that!" | 0:10:44 | 0:10:47 | |
LAUGHTER | 0:10:47 | 0:10:49 | |
I've never felt the need to put a good bit of wood between me | 0:10:49 | 0:10:53 | |
and the laptop, just to, you know, for what? | 0:10:53 | 0:10:56 | |
And the notion that... That was quite... | 0:10:56 | 0:10:59 | |
You know, you put your pen there so it wouldn't roll away. It's amazing! | 0:10:59 | 0:11:02 | |
And one other thing as well, if you put a marble in, | 0:11:02 | 0:11:05 | |
it's actually not a bad little... oh, oh, oh! | 0:11:05 | 0:11:07 | |
-It's a game! A toy! -Well done! | 0:11:07 | 0:11:10 | |
-Wa-hey! -CHEERING | 0:11:10 | 0:11:13 | |
Two functions already! | 0:11:13 | 0:11:15 | |
Last week, Uzma was at odds with Rebecca. | 0:11:17 | 0:11:19 | |
Tonight, it was Natalie who got the evils. | 0:11:19 | 0:11:22 | |
Uzma, you SAID! | 0:11:22 | 0:11:23 | |
-This is what you came up with! -That's really unfair. | 0:11:23 | 0:11:27 | |
-I don't care if that's unfair, it's the truth! -It isn't the truth! | 0:11:27 | 0:11:29 | |
-Yes, it is! Look me in the eyes. -I AM looking you in the eyes! | 0:11:29 | 0:11:32 | |
SINISTER MUSIC | 0:11:32 | 0:11:34 | |
LAUGHTER | 0:11:39 | 0:11:41 | |
APPLAUSE | 0:11:54 | 0:11:56 | |
We're only at week three, and already | 0:12:01 | 0:12:03 | |
there's an enormous amount of fighting on the women's team. | 0:12:03 | 0:12:06 | |
Yeah, well, they haven't won. | 0:12:06 | 0:12:08 | |
And the problem is, as I've said on the show, | 0:12:08 | 0:12:11 | |
there's a lot of talkers and not very many listeners. | 0:12:11 | 0:12:14 | |
And I think it's going to get better when the teams, you know, | 0:12:14 | 0:12:16 | |
get mixed up, because then you're going to bring a balance, | 0:12:16 | 0:12:20 | |
and then one of the girls will be on a winning team, which will be good! | 0:12:20 | 0:12:24 | |
You know, there's a lot of tension in the air, | 0:12:24 | 0:12:26 | |
there's a lot at stake, they all want to win. | 0:12:26 | 0:12:29 | |
And you find, actually, in this process, | 0:12:29 | 0:12:32 | |
for the first sort of three tasks, | 0:12:32 | 0:12:34 | |
everyone's fighting for their corner. | 0:12:34 | 0:12:37 | |
They want to make their voice heard. | 0:12:37 | 0:12:39 | |
They want to come across to Lord Sugar as in charge, | 0:12:39 | 0:12:42 | |
confident, know what they're doing. | 0:12:42 | 0:12:44 | |
And then, by task four, they realise that actually, | 0:12:44 | 0:12:47 | |
working together as a team | 0:12:47 | 0:12:49 | |
and getting the best out of each other means no-one gets fired. | 0:12:49 | 0:12:51 | |
And they start to learn that as the process goes on. | 0:12:51 | 0:12:54 | |
But they haven't learnt it by this stage. | 0:12:54 | 0:12:56 | |
This isn't series one, though, you know? | 0:12:56 | 0:12:58 | |
This has been running for nine series. Surely people arrive in... | 0:12:58 | 0:13:01 | |
You say that, but now you're talking about entrepreneurs. | 0:13:01 | 0:13:05 | |
People that work on their own, that run their own business, | 0:13:05 | 0:13:08 | |
that listen only to themselves, | 0:13:08 | 0:13:09 | |
that make all the decisions themselves. | 0:13:09 | 0:13:11 | |
And suddenly, they're in this process with 15 other people. | 0:13:11 | 0:13:14 | |
There's 16 of them, | 0:13:14 | 0:13:15 | |
each of them thinking they're top dog, and it creates fireworks. | 0:13:15 | 0:13:19 | |
And it takes a while to settle down | 0:13:19 | 0:13:20 | |
and for the voice of reason to emerge, | 0:13:20 | 0:13:22 | |
but it does emerge eventually. | 0:13:22 | 0:13:24 | |
The three we want to see in the boardroom is Uzma, isn't it? | 0:13:24 | 0:13:27 | |
Louisa, and Neil Clough. That... | 0:13:27 | 0:13:31 | |
You're going to need earplugs for that one, Karren! | 0:13:31 | 0:13:34 | |
-Earplugs and a shotgun! -LAUGHTER | 0:13:34 | 0:13:38 | |
Karren, I wish to take a moment, if I can, to applaud you | 0:13:38 | 0:13:41 | |
for the panache with which | 0:13:41 | 0:13:43 | |
you first raised then dashed the hopes of one team tonight. | 0:13:43 | 0:13:47 | |
Karren, the catalogue chain for Evolve. | 0:13:47 | 0:13:50 | |
They really loved your pitch. | 0:13:51 | 0:13:53 | |
And they really liked you guys. | 0:13:56 | 0:13:59 | |
But they hated the product. | 0:14:03 | 0:14:05 | |
LAUGHTER | 0:14:05 | 0:14:07 | |
APPLAUSE | 0:14:07 | 0:14:10 | |
OMINOUS MUSIC | 0:14:10 | 0:14:13 | |
And they didn't place any orders. | 0:14:14 | 0:14:17 | |
JUBILANT MUSIC | 0:14:19 | 0:14:22 | |
APPLAUSE | 0:14:25 | 0:14:28 | |
Their little faces! | 0:14:31 | 0:14:33 | |
Well, it was true! | 0:14:33 | 0:14:35 | |
They did like the girls, and they did like the pitch, | 0:14:35 | 0:14:37 | |
but the product was rubbish. | 0:14:37 | 0:14:39 | |
I mean, we could all see the product was rubbish. | 0:14:39 | 0:14:41 | |
I mean, I remember Alan calling me when we were out on task | 0:14:41 | 0:14:44 | |
saying, "What is the product like?" I said, "You wait till you see it!" | 0:14:44 | 0:14:47 | |
And he said, "Oh, what, is it great?" I was like, | 0:14:47 | 0:14:50 | |
-SHE SUCKS IN BREATH -"You wait till you see it!" | 0:14:50 | 0:14:52 | |
And, er...yeah. | 0:14:52 | 0:14:54 | |
Andy, have you been impressed with the girls' team? | 0:14:54 | 0:14:57 | |
Well, you know, I noticed there has been a few issues, | 0:14:57 | 0:14:59 | |
as you were saying, and then Lord Sugar then goes, didn't he, | 0:14:59 | 0:15:02 | |
"Well, you know what women are like!" | 0:15:02 | 0:15:04 | |
And you had to go, "Excuse me?!" I thought at that point | 0:15:04 | 0:15:06 | |
you should have just had an argument with him for a laugh. | 0:15:06 | 0:15:09 | |
You know, "Look into my eyes, Lord Sugar! Look into my eyes! | 0:15:09 | 0:15:12 | |
"Look! Look!" | 0:15:12 | 0:15:15 | |
Sophie, let's hear what Lord Sugar | 0:15:15 | 0:15:17 | |
and your fellow candidates had to say about you. | 0:15:17 | 0:15:19 | |
Sophie, in the first three weeks, made no impression upon me at all. | 0:15:20 | 0:15:25 | |
She is well qualified on paper | 0:15:25 | 0:15:26 | |
but that didn't translate into the real world. | 0:15:26 | 0:15:29 | |
I think Sophie is quite a weak character. | 0:15:29 | 0:15:32 | |
I don't know if she adds much value | 0:15:32 | 0:15:34 | |
or whether she is rolling with everything. | 0:15:34 | 0:15:37 | |
I'm not sure what Sophie's role was. | 0:15:37 | 0:15:39 | |
I do think that she tends to just stay safe | 0:15:39 | 0:15:41 | |
and that we carry her little bit. | 0:15:41 | 0:15:43 | |
I understand that Sophie runs her own restaurant so, clearly, | 0:15:43 | 0:15:46 | |
she has some abilities. | 0:15:46 | 0:15:48 | |
But she never demonstrated those abilities to me | 0:15:48 | 0:15:51 | |
and that's why she had to go. | 0:15:51 | 0:15:52 | |
I don't think that that should be taken in any way | 0:15:54 | 0:15:56 | |
as kind of some character attack. | 0:15:56 | 0:15:59 | |
What have you learnt from the few weeks you've had in, | 0:15:59 | 0:16:01 | |
-dealing with these feisty persons? -Yeah. | 0:16:01 | 0:16:03 | |
Other than not to work with any of them again. | 0:16:03 | 0:16:05 | |
What have you learnt? | 0:16:05 | 0:16:06 | |
I think that these people, you know, the girls especially, | 0:16:06 | 0:16:09 | |
they're very successful and all credit to them | 0:16:09 | 0:16:12 | |
but I think, some of them, there is a reason why | 0:16:12 | 0:16:15 | |
they work by themselves because they just can't work with other people. | 0:16:15 | 0:16:18 | |
I think it's just, you know, a really good thing, especially | 0:16:18 | 0:16:21 | |
cos I am so young, to go out there and be able to do that cos | 0:16:21 | 0:16:23 | |
I don't want to get to their age and then become a character like that. | 0:16:23 | 0:16:27 | |
LAUGHTER | 0:16:27 | 0:16:29 | |
APPLAUSE AND CHEERING | 0:16:29 | 0:16:31 | |
-Go, Sophie! -Well. | 0:16:35 | 0:16:37 | |
-I think you can be nice... -Baby-faced assassin. | 0:16:40 | 0:16:43 | |
LAUGHTER | 0:16:43 | 0:16:45 | |
-No, I think you can be nice and do business. -Yes, you can, of course. | 0:16:45 | 0:16:48 | |
I think the majority of the candidates show that and I think | 0:16:48 | 0:16:51 | |
people go in at the start of the show and think, "I've got to be a bitch, | 0:16:51 | 0:16:55 | |
"I've got to be the loud one, | 0:16:55 | 0:16:56 | |
"I've got to be the dominating one to be successful." But that's not life. | 0:16:56 | 0:16:59 | |
-That isn't life. -No, it's not. You're absolutely right. | 0:16:59 | 0:17:02 | |
That doesn't reflect, generally, in business. | 0:17:02 | 0:17:04 | |
Also, none of the winners of this show have been the ones you'd | 0:17:04 | 0:17:08 | |
remember as being bitchy or domineering or... | 0:17:08 | 0:17:10 | |
Well, that's right. And there's two scales. | 0:17:10 | 0:17:13 | |
You get very, very loud ones that go very, very quickly | 0:17:13 | 0:17:16 | |
cos Alan really is not looking for someone who is | 0:17:16 | 0:17:18 | |
constantly, you know, shouting with no purpose | 0:17:18 | 0:17:21 | |
and also the very, very quiet ones that can't be heard | 0:17:21 | 0:17:25 | |
cos they don't have any presence in the meetings, they don't have any | 0:17:25 | 0:17:28 | |
presence in the rooms and presence in the pitches - they go as well. | 0:17:28 | 0:17:32 | |
And eventually the process eliminates the extremes | 0:17:32 | 0:17:35 | |
and we see some really credible and quality people come through. | 0:17:35 | 0:17:39 | |
Richard, you have made millions. Not to pry into your finance! | 0:17:39 | 0:17:43 | |
But you've done well with stuff, on innovation, on product, | 0:17:43 | 0:17:48 | |
on bringing very distinct product. | 0:17:48 | 0:17:51 | |
What is the rule for, like, devising a new product? | 0:17:51 | 0:17:53 | |
We saw the opposite of it here. | 0:17:53 | 0:17:56 | |
Yeah, just what we saw was the exact opposite. | 0:17:56 | 0:17:59 | |
The design by committee thing, that can't work. | 0:17:59 | 0:18:04 | |
Somebody has got to be in charge. | 0:18:04 | 0:18:05 | |
I thought Natalie, as a project manager, was a complete | 0:18:05 | 0:18:10 | |
shambles on this project because she wasn't decisive | 0:18:10 | 0:18:13 | |
-and she let everybody's opinion count. -Yeah. | 0:18:13 | 0:18:16 | |
And there is a point where she has got to say, | 0:18:16 | 0:18:18 | |
"Well, you have done design so let's hear from you. | 0:18:18 | 0:18:21 | |
"You're in that space, you're good at that so you come to the fore." | 0:18:21 | 0:18:24 | |
Not just cast the net out so everybody's idea is heard | 0:18:24 | 0:18:27 | |
and everything then gets thrown into the box, as it did. | 0:18:27 | 0:18:30 | |
If they had stopped when they had had two suggestions for sides on | 0:18:30 | 0:18:33 | |
the cube, if they had stopped at the wine and the cushion, let's say... | 0:18:33 | 0:18:37 | |
Stop at anything and gone, "We're just going to go with this. | 0:18:37 | 0:18:40 | |
"We are going to push it and make that as positive as possible." | 0:18:40 | 0:18:44 | |
Rather than just drowning under semi-suggestions. | 0:18:44 | 0:18:48 | |
Yeah, there is a possibility you can go the over-engineer route. | 0:18:48 | 0:18:51 | |
You know, we have been there ourselves. | 0:18:51 | 0:18:53 | |
Where somebody comes up with an idea | 0:18:53 | 0:18:55 | |
and the actual basic initial idea can sometimes be the winner. | 0:18:55 | 0:18:59 | |
Then somebody throws in an extra bit here and an extra bit there | 0:18:59 | 0:19:02 | |
and it all adds on to the cost and the complexity. | 0:19:02 | 0:19:05 | |
The USP that was originally thought of gets forgotten. | 0:19:05 | 0:19:08 | |
So when you come to the pitching process, in front of Argos, | 0:19:08 | 0:19:11 | |
these really experienced buyers, | 0:19:11 | 0:19:13 | |
they are struggling to understand, actually, what is it? | 0:19:13 | 0:19:17 | |
What is that big thing that we can put on the page, | 0:19:17 | 0:19:19 | |
put online and say, "We are selling this | 0:19:19 | 0:19:21 | |
"because it does this one thing better than anything else and | 0:19:21 | 0:19:24 | |
"is different from anything else." | 0:19:24 | 0:19:25 | |
For a company like yourselves that brings out ranges of different | 0:19:25 | 0:19:28 | |
toys, there must be a percentage. 10% of the time you must... | 0:19:28 | 0:19:33 | |
-It might not work. -I would say 90% of the time. -Really? | 0:19:33 | 0:19:37 | |
Yeah, the chances of hitting on one thing right from the beginning | 0:19:37 | 0:19:40 | |
is fairly limited and the more ideas you have, | 0:19:40 | 0:19:43 | |
the more ideas that go into the pot to start with is great, | 0:19:43 | 0:19:46 | |
but then the project manager has to decide, "We are taking | 0:19:46 | 0:19:48 | |
-"these ones forward with these benefits." And that is it. -Yeah. | 0:19:48 | 0:19:53 | |
-KAREN: -It's benefit was it was multifunctional. | 0:19:53 | 0:19:55 | |
LAUGHTER | 0:19:55 | 0:19:57 | |
OK, now, we haven't focused on Jordan so far | 0:19:57 | 0:20:00 | |
but tonight he was the winning PM. | 0:20:00 | 0:20:03 | |
If people want to take just 30 seconds each to explain | 0:20:03 | 0:20:06 | |
an idea that they've had. | 0:20:06 | 0:20:08 | |
The idea was literally pin out, fold it down, it's a table | 0:20:08 | 0:20:11 | |
-with storage facilities at the bottom. -I actually really like that. | 0:20:11 | 0:20:14 | |
It can be a bedside table, it can be a chair for outside. | 0:20:14 | 0:20:17 | |
It's so multifunctional. This is a multifunctional chair. | 0:20:17 | 0:20:21 | |
In a matter of seconds, this chair stows away as a table. | 0:20:21 | 0:20:25 | |
I like the idea of it. So, we would start off with an order for 200. | 0:20:25 | 0:20:28 | |
We would love to do that. | 0:20:28 | 0:20:29 | |
Endeavour have sold 3,216 and the ladies, 174. | 0:20:29 | 0:20:34 | |
Do you think they are sat there thinking, | 0:20:34 | 0:20:36 | |
-"I can't believe we didn't sell any boxes?" -Exactly. | 0:20:36 | 0:20:39 | |
No, no, it was a box with wheels. | 0:20:39 | 0:20:41 | |
And also you can eat your dinner off the top so it's a table as well! | 0:20:41 | 0:20:44 | |
That was handy, wasn't it? | 0:20:44 | 0:20:45 | |
-Yeah! -Like the Rocky video. | 0:20:47 | 0:20:49 | |
So, Jordan, he was a good project manager. He seemed to be, anyway. | 0:20:51 | 0:20:54 | |
Yeah, I mean, at the end of the day, they had a good idea, | 0:20:54 | 0:20:57 | |
they worked on it together, | 0:20:57 | 0:20:58 | |
they developed something that people could see had been | 0:20:58 | 0:21:01 | |
thought of intelligently and he was happy to let the people | 0:21:01 | 0:21:04 | |
that could pitch pitch, he made a decision not to let Zee pitch | 0:21:04 | 0:21:08 | |
because he had been unsuccessful twice and those are really... | 0:21:08 | 0:21:11 | |
That's about organising and managing people properly | 0:21:11 | 0:21:14 | |
and I think he did a good job this week. | 0:21:14 | 0:21:16 | |
Is it important sometimes to go with the vision? | 0:21:16 | 0:21:18 | |
If somebody has a good idea, go with it? | 0:21:18 | 0:21:19 | |
I think absolutely Alex showed that, didn't he? And they backed it. | 0:21:19 | 0:21:23 | |
They backed a winner. Jordan, again, showed his decisiveness | 0:21:23 | 0:21:28 | |
and his management skills. | 0:21:28 | 0:21:29 | |
When they all started to agree, that was it - bang. Let's go with this. | 0:21:29 | 0:21:33 | |
-I thought it was a great product. -It was a good idea. And actually, | 0:21:33 | 0:21:36 | |
do you know what else they did? | 0:21:36 | 0:21:37 | |
-They completely ignored their market research. -I know. | 0:21:37 | 0:21:41 | |
That must cut you to the quick. | 0:21:41 | 0:21:43 | |
Their market research mainly involved going to men in bus stops. | 0:21:43 | 0:21:46 | |
LAUGHTER | 0:21:46 | 0:21:48 | |
Exactly, yeah. Where do they go? | 0:21:48 | 0:21:50 | |
Just these guys going, "Oh, I don't know." | 0:21:50 | 0:21:52 | |
Yeah, you're absolutely right that the one who really measured up | 0:21:52 | 0:21:56 | |
in this particular task was, of course, Alex. | 0:21:56 | 0:22:00 | |
Try and sit down. | 0:22:00 | 0:22:01 | |
This is a normal seating position. | 0:22:04 | 0:22:06 | |
If I just sit down like that... | 0:22:08 | 0:22:10 | |
Oh, God. Bloody hell. | 0:22:14 | 0:22:16 | |
Take that height... | 0:22:16 | 0:22:17 | |
Can we just...? | 0:22:17 | 0:22:19 | |
Not you, Jordan. Somebody average-sized. | 0:22:19 | 0:22:21 | |
What's that? | 0:22:25 | 0:22:26 | |
LAUGHTER | 0:22:29 | 0:22:31 | |
Here it is. Here is Alex's vision made flesh. Just do that and that. | 0:22:32 | 0:22:39 | |
That's how ridiculously straightforward that is. | 0:22:39 | 0:22:41 | |
You know, it's a really, really... | 0:22:41 | 0:22:43 | |
And it's got Foldo written, actually carved into the wood as well. | 0:22:43 | 0:22:46 | |
So, is there a market for a grown-up highchair? | 0:22:46 | 0:22:49 | |
LAUGHTER | 0:22:49 | 0:22:50 | |
Which is, essentially, what this is. | 0:22:50 | 0:22:53 | |
He got everything so right, didn't he? He got that USP right. | 0:22:53 | 0:22:56 | |
So how could he get the legs so wrong? | 0:22:56 | 0:22:58 | |
The thing with this is, it's a prototype. | 0:22:58 | 0:23:01 | |
People could see the simplicity of the idea, the multifunction - | 0:23:01 | 0:23:04 | |
genuine multifunction - of it could be something. | 0:23:04 | 0:23:08 | |
I think what people are doing when they are buying this product | 0:23:08 | 0:23:11 | |
is they are saying, "We're not buying that. We are not buying | 0:23:11 | 0:23:14 | |
"that as the finished product, we are buying into the idea," | 0:23:14 | 0:23:16 | |
and, actually, with a few tweaks and adjusting the height | 0:23:16 | 0:23:20 | |
and finishing it off a little better, they would buy it. | 0:23:20 | 0:23:23 | |
I think I agree with that. We find when we present prototypes, there is | 0:23:23 | 0:23:27 | |
a 70% finished product, always, that you are putting forward. | 0:23:27 | 0:23:30 | |
It's the 30%, then, that comes in time. | 0:23:30 | 0:23:32 | |
-Do you think it is a good product? -I think it's a great product. | 0:23:32 | 0:23:35 | |
Do you think it is a good product? | 0:23:35 | 0:23:36 | |
I think the way Alex's brain showed that it worked was fantastic | 0:23:36 | 0:23:40 | |
-and he got the vision straightaway. -Do you think it is a good product? | 0:23:40 | 0:23:43 | |
I wasn't convinced by the name Foldo. | 0:23:43 | 0:23:45 | |
That sounded more like a character from Lord Of The Rings to me. | 0:23:45 | 0:23:49 | |
OK, though the boys came up with a praiseworthy product, | 0:23:49 | 0:23:52 | |
it wasn't all plain sailing for Zee. | 0:23:52 | 0:23:54 | |
I've got a bloke over there thinks he's Napoleon. | 0:23:54 | 0:23:57 | |
Napoleon, at the age of 32, he conquered the world. | 0:23:58 | 0:24:02 | |
That is where I'm headed. | 0:24:02 | 0:24:04 | |
-My legs are very comfortably fitting under your table. -OK. | 0:24:04 | 0:24:08 | |
So I'm nicely sat there. I can eat my food. | 0:24:08 | 0:24:11 | |
I just think, "Unlucky with the first one." | 0:24:11 | 0:24:13 | |
I'm here to conquer. I'm here to take over. I will go down in history. | 0:24:13 | 0:24:18 | |
Simplicity is the ultimate sophistication. | 0:24:18 | 0:24:20 | |
I don't think it is for our target market. | 0:24:20 | 0:24:23 | |
I will be one of the greats of this generation in business. | 0:24:23 | 0:24:26 | |
Period. That is a fact. | 0:24:26 | 0:24:27 | |
Let's shake hands. Let's do some business here. | 0:24:27 | 0:24:29 | |
Let's start a relationship. | 0:24:29 | 0:24:31 | |
I'm really not convinced. | 0:24:31 | 0:24:33 | |
People who have met me, well, they should cherish it | 0:24:33 | 0:24:36 | |
because they will know that, "We knew someone who did something great." | 0:24:36 | 0:24:40 | |
I want you to do this one, Kurt. | 0:24:40 | 0:24:41 | |
200 years after I live, people will read about me in books. | 0:24:43 | 0:24:46 | |
Setting rather a high standard for himself there, isn't he? | 0:24:48 | 0:24:51 | |
I think he actually believes that as well. | 0:24:51 | 0:24:54 | |
He talks nonsense management-speak, doesn't he? | 0:24:54 | 0:24:57 | |
He always says things like, "Going forward," | 0:24:57 | 0:24:59 | |
and, "Simplicity is the ultimate sophistication." | 0:24:59 | 0:25:02 | |
I mean, "Going forward," is a horrible phrase, isn't it? | 0:25:02 | 0:25:05 | |
I even heard Steven Gerrard say, "Going forward." | 0:25:05 | 0:25:07 | |
For a footballer, fair enough. But the way he said it was... | 0:25:07 | 0:25:10 | |
He didn't use it in that sense. | 0:25:10 | 0:25:11 | |
He said, "We didn't spend enough of the game attacking. | 0:25:11 | 0:25:14 | |
"That's something we need to look at going forward." | 0:25:14 | 0:25:17 | |
LAUGHTER | 0:25:17 | 0:25:19 | |
In the pitch, I would worry about putting him forward. | 0:25:19 | 0:25:23 | |
Jordan did the right thing in not putting him forward the third time. | 0:25:23 | 0:25:27 | |
I think, you know, a lot of people will turn off from this | 0:25:27 | 0:25:30 | |
-kind of style in selling. -It's aggressive selling. | 0:25:30 | 0:25:32 | |
He's still not as bad as Neil Clough though. The sales orgasm - | 0:25:32 | 0:25:36 | |
what the hell was that about? Get someone to say yes three times. | 0:25:36 | 0:25:39 | |
You can imagine him just desperately trying to get someone to say yes, | 0:25:39 | 0:25:42 | |
couldn't you? He has got two yeses | 0:25:42 | 0:25:43 | |
and he's going, "Er...what is the opposite of no? | 0:25:43 | 0:25:46 | |
"Er...are you a human being? Er..." | 0:25:46 | 0:25:49 | |
LAUGHTER | 0:25:49 | 0:25:51 | |
Jason, by contrast, is a man of learning | 0:25:51 | 0:25:53 | |
and I see that the other candidates are hoping to soak some of that up. | 0:25:53 | 0:25:57 | |
I am learning to make my language more flowery due to Jason. | 0:25:57 | 0:26:00 | |
-Recapitulate. -Recapitulate. | 0:26:00 | 0:26:02 | |
He teaches me my words of the day. | 0:26:02 | 0:26:04 | |
A word with more than two syllables. | 0:26:04 | 0:26:07 | |
Jason, what is the word of the day today? | 0:26:07 | 0:26:09 | |
The word of the day is recalcitrant. | 0:26:09 | 0:26:11 | |
Penitence. Penitence is the word. | 0:26:11 | 0:26:13 | |
Jason's word of the day is spiffing. | 0:26:13 | 0:26:15 | |
Spiffing? No, that is very boring. | 0:26:15 | 0:26:17 | |
I am polymorphous. | 0:26:17 | 0:26:20 | |
Puerile. | 0:26:20 | 0:26:22 | |
Auxiliary. A-U-X-I-L-L-I-A-R-Y. | 0:26:22 | 0:26:26 | |
-Is it double L? -Of course it is. | 0:26:26 | 0:26:28 | |
-Clickety-boo. That goes like that. -Clickety-boo(!) -Clickety-boo. | 0:26:28 | 0:26:33 | |
Tickety-boo. | 0:26:33 | 0:26:35 | |
-Is he a bit of a dote? Is he sweet? -I love Jason. | 0:26:36 | 0:26:40 | |
I am Jason's number one fan. He is a great guy. I want him to win. | 0:26:40 | 0:26:44 | |
Actually, I think people genuinely warmed to him. | 0:26:44 | 0:26:46 | |
They liked his eccentric ways of his talking and he is very well read. | 0:26:46 | 0:26:51 | |
You know, Nick and I called him a young fogey | 0:26:51 | 0:26:53 | |
because he is older for his years of a very young man. | 0:26:53 | 0:26:57 | |
I think you have definitely not seen the best of Jason yet. | 0:26:57 | 0:27:02 | |
I have this nightmare image of him shoving a load of tat | 0:27:02 | 0:27:04 | |
in the back of a truck going, "Bang it in there. Bang it in." | 0:27:04 | 0:27:07 | |
LAUGHTER | 0:27:07 | 0:27:08 | |
"Don't be recalcitrant with me. Get it into the truck. | 0:27:08 | 0:27:12 | |
"Buy 'em cheap, sell 'em high." | 0:27:12 | 0:27:14 | |
Now to the vote. | 0:27:14 | 0:27:15 | |
Richard, do you think Lord Sugar was right to fire Sophie? | 0:27:15 | 0:27:19 | |
I think it was very close. | 0:27:19 | 0:27:21 | |
I think you're lovely, very nice but you need a few more | 0:27:21 | 0:27:24 | |
-years of experience and I think, yes, he was right. -OK. | 0:27:24 | 0:27:28 | |
Absolutely, Sophie, I endorse that and, obviously, what Alan said | 0:27:28 | 0:27:32 | |
to you, and hopefully you will get your confidence back | 0:27:32 | 0:27:34 | |
-and you'll learn from the process. -Andy? | 0:27:34 | 0:27:37 | |
I felt very sorry for you. I thought it was a design fault. | 0:27:37 | 0:27:40 | |
I thought Natalie should have gone. | 0:27:40 | 0:27:42 | |
Natalie's big thing that she was good at, she was good at delegating, | 0:27:42 | 0:27:45 | |
wasn't she? So, you know, she said she was creative but then | 0:27:45 | 0:27:47 | |
didn't create. She said she could sell but then didn't sell | 0:27:47 | 0:27:50 | |
and I think she should have been fired. | 0:27:50 | 0:27:52 | |
But, sadly, in the end, she delegated that as well. | 0:27:52 | 0:27:55 | |
-So I felt you were very unlucky. -We'll throw it over to yourselves. | 0:27:55 | 0:27:58 | |
If you agree with Lord Sugar, hold up Fired. | 0:27:58 | 0:28:00 | |
If you disagree, hold-up Hired. | 0:28:00 | 0:28:02 | |
Oh, it's very, very close. It's very, very close. | 0:28:03 | 0:28:06 | |
I'm going to go 50-50, maybe edging towards Fired, unfortunately, yeah. | 0:28:06 | 0:28:11 | |
-ANDY: -I think you're colour blind! | 0:28:11 | 0:28:13 | |
It has been an absolute pleasure to have you here. | 0:28:13 | 0:28:16 | |
-But there are things we don't want to hear you say, right? -OK. | 0:28:16 | 0:28:18 | |
We don't want ever to hear you say, so we'll save you the effort. | 0:28:18 | 0:28:21 | |
We got them printed on a T-shirt instead. | 0:28:21 | 0:28:23 | |
So, any time somebody... This is our gift from you. It's just says... | 0:28:23 | 0:28:26 | |
LAUGHTER | 0:28:28 | 0:28:29 | |
APPLAUSE | 0:28:29 | 0:28:31 | |
So, that's for you. | 0:28:31 | 0:28:33 | |
Thanks. I'll wear it forever. | 0:28:33 | 0:28:35 | |
You made it till week three, Sophie. | 0:28:37 | 0:28:38 | |
Here are your highlights. | 0:28:38 | 0:28:40 | |
I see myself as a female Justin Bieber. | 0:28:40 | 0:28:42 | |
I am young, I'm fresh, got loads of energy, lots of passion. | 0:28:44 | 0:28:47 | |
She just bounces around the house | 0:28:47 | 0:28:48 | |
and bounces off different walls. | 0:28:48 | 0:28:50 | |
I am pumped for this. | 0:28:50 | 0:28:52 | |
I know what people want. Union Jack mug. And I can run in heels. | 0:28:52 | 0:28:56 | |
I can do business very well. | 0:28:58 | 0:29:00 | |
Got a mug. Limited edition. | 0:29:00 | 0:29:03 | |
New red ale, rhubarb and caramel flavour. | 0:29:03 | 0:29:06 | |
Thank you very much. Thank you. How good is that? | 0:29:06 | 0:29:09 | |
Sophie is like a little firecracker. | 0:29:09 | 0:29:12 | |
-Fun, young. -Really bubbly. | 0:29:12 | 0:29:13 | |
One of the most sweetest people, I think, in the house. | 0:29:13 | 0:29:17 | |
THEY SQUEAL | 0:29:17 | 0:29:19 | |
Ladies and gentlemen, Sophie Lau. | 0:29:19 | 0:29:21 | |
APPLAUSE AND CHEERING | 0:29:21 | 0:29:22 | |
That's it for tonight. Thanks to all my guests. | 0:29:28 | 0:29:30 | |
If you want more, go to our website at... | 0:29:30 | 0:29:34 | |
..where you will find audition clips and Matt Edmondson's | 0:29:34 | 0:29:36 | |
awkward conversations with the three fired candidates. | 0:29:36 | 0:29:39 | |
You will also find us on Twitter and Facebook. | 0:29:39 | 0:29:41 | |
Next week, a task to set up a farm shop leaves one candidate | 0:29:41 | 0:29:45 | |
reaping a poor harvest. | 0:29:45 | 0:29:47 | |
MOO! | 0:29:47 | 0:29:48 | |
-Oh, my Lord, they're loose. -Hello. -Make the cabbage happy. -Moo! | 0:29:48 | 0:29:52 | |
-Straight from the farm. -If I run, will they charge? | 0:29:52 | 0:29:54 | |
The birds only laid them two days ago. | 0:29:54 | 0:29:56 | |
-Agh! -Chop, chop. -I don't mind dressing up as a scarecrow. | 0:29:56 | 0:30:01 | |
Come here, you. | 0:30:01 | 0:30:02 | |
MOOING | 0:30:02 | 0:30:04 | |
-Hold me tight. -We're going to be gone. | 0:30:04 | 0:30:06 | |
-I can't sell that. -You are foul. | 0:30:09 | 0:30:11 | |
Come on up to Fruity Cow! | 0:30:11 | 0:30:13 | |
MOO! | 0:30:13 | 0:30:15 | |
See you at the same time next Wednesday. Good night. | 0:30:15 | 0:30:18 | |
APPLAUSE | 0:30:18 | 0:30:20 | |
Subtitles by Red Bee Media Ltd | 0:30:23 | 0:30:26 |