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This was mayhem. That don't look good. It is not rocket science. | 0:00:02 | 0:00:06 | |
Couldn't organise a piss-up in a brewery. Bloody clueless. | 0:00:06 | 0:00:09 | |
You're fired. You're fired. You're fired. | 0:00:09 | 0:00:12 | |
CHEERING AND APPLAUSE | 0:00:16 | 0:00:19 | |
Good evening and welcome to The Apprentice: You're Fired. | 0:00:24 | 0:00:28 | |
Worth noting, by the way, that we have blown most of this week's budget on set-dressing of vegetables | 0:00:28 | 0:00:32 | |
and straw, just to be in theme with the show as it will happen tonight. | 0:00:32 | 0:00:36 | |
But obviously we have kept the budget tight, like the teams did(!) | 0:00:36 | 0:00:40 | |
We will be selling all of this off at the end of the show. | 0:00:40 | 0:00:42 | |
As ever, with the help of unseen footage | 0:00:42 | 0:00:44 | |
we will be peeling away the layers of the farm shop task | 0:00:44 | 0:00:47 | |
and we will be enjoying yet again that delicious moment where one candidate | 0:00:47 | 0:00:50 | |
met someone who doesn't want to hear your suggestions, thanks. | 0:00:50 | 0:00:55 | |
-Have you tried buffalo, Lord Sugar? -No, I haven't. -Maybe you should. | 0:00:55 | 0:00:58 | |
Right. | 0:00:59 | 0:01:00 | |
Now to our panel, who can't wait to get their teeth into this task. | 0:01:03 | 0:01:06 | |
Chef and entrepreneur Rick Stein, | 0:01:06 | 0:01:08 | |
BBC Countryfile's Julia Bradbury, and comedian Josh Widdicombe - | 0:01:08 | 0:01:11 | |
welcome to You're Fired. | 0:01:11 | 0:01:13 | |
CHEERING AND APPLAUSE | 0:01:13 | 0:01:15 | |
Tonight's task of choosing products to sell in a farm shop led to one | 0:01:17 | 0:01:21 | |
candidate reaping more than they could sow. | 0:01:21 | 0:01:23 | |
Uzma, no smoke without fire, I say. | 0:01:23 | 0:01:27 | |
I'm sorry, Uzma, you're fired. | 0:01:28 | 0:01:30 | |
Thank you for the opportunity, Lord Sugar. | 0:01:30 | 0:01:32 | |
Ladies and gentlemen, please welcome Uzma Yakoob. | 0:01:38 | 0:01:41 | |
CHEERING AND APPLAUSE | 0:01:41 | 0:01:44 | |
Uzma, many ways to start, | 0:01:56 | 0:01:58 | |
obviously one of the things is just it is a pleasure to see you | 0:01:58 | 0:02:00 | |
cos you and I, we are both in the looking-good business | 0:02:00 | 0:02:03 | |
and...it's a pleasure to finally meet you. | 0:02:03 | 0:02:06 | |
But as well as that, may I compliment you on what we just saw there, | 0:02:06 | 0:02:10 | |
which is one of the most choked-on, "Thank you for the..." | 0:02:10 | 0:02:14 | |
HE MUMBLES | 0:02:14 | 0:02:16 | |
You didn't quite get the full thank you out at that point. | 0:02:16 | 0:02:19 | |
-No, I didn't. It was hard to come out. -Was it tough? -Erm... | 0:02:19 | 0:02:22 | |
I expected it, to be honest. | 0:02:22 | 0:02:24 | |
Third time in the boardroom, what are the odds? | 0:02:24 | 0:02:27 | |
As soon as Neil called my name I knew, "Right, that's it. | 0:02:27 | 0:02:31 | |
"I might as well say goodbye to all of you lot now." I knew... | 0:02:31 | 0:02:34 | |
You should have just gone in with a little suitcase... | 0:02:34 | 0:02:36 | |
"Can we get this thing moving, cos there's a train I could catch?" | 0:02:36 | 0:02:40 | |
You know, cos he did draw this one out a bit. | 0:02:41 | 0:02:43 | |
-You know, yadda yadda yadda... -Just get to the point! | 0:02:43 | 0:02:45 | |
Yeah, OK. Let's see why you didn't blossom on this particular task. | 0:02:45 | 0:02:49 | |
You know what? You're going to see me in action today. | 0:02:50 | 0:02:53 | |
You could put me inside or outside, I'll be good anywhere. | 0:03:00 | 0:03:03 | |
Hello, blackberry, sir? This is not cool. | 0:03:07 | 0:03:11 | |
Uzma, third time in this final three. | 0:03:11 | 0:03:16 | |
What is it about you that alienates other people in this process? Because | 0:03:16 | 0:03:20 | |
he is the second person that has said you don't seem to do anything. | 0:03:20 | 0:03:24 | |
-Sounds harsh. I mean, you run businesses. -Absolutely. | 0:03:25 | 0:03:29 | |
-You have a couple of businesses at the moment? -I have one business. | 0:03:29 | 0:03:31 | |
-Yep, and it is expanding and everything. -Absolutely. | 0:03:31 | 0:03:34 | |
It doesn't involve selling in the street, presumably, cos you looked... | 0:03:34 | 0:03:37 | |
No, sometimes I have to sell, | 0:03:37 | 0:03:38 | |
but not in the streets, in trade shows, so... | 0:03:38 | 0:03:41 | |
That's different. Selling in the street didn't... I can understand that being something you... | 0:03:41 | 0:03:45 | |
Cos you looked as if you really didn't want to be doing that. | 0:03:45 | 0:03:47 | |
Let's just put it this way, I realised how reserved I was | 0:03:47 | 0:03:51 | |
when I was put in the street with... | 0:03:51 | 0:03:52 | |
-With Alex? -Yes. | 0:03:52 | 0:03:54 | |
I mean, that is tough. That can be dispiriting. | 0:03:54 | 0:03:56 | |
-Every business there is a bit where you... -Very dispiriting, but I must say, | 0:03:56 | 0:04:00 | |
I don't think you were given the right sort of job, really. | 0:04:00 | 0:04:03 | |
Absolutely. | 0:04:03 | 0:04:04 | |
I mean, talking to you now, I feel like I'd probably put you | 0:04:04 | 0:04:07 | |
in the right job, rather than... | 0:04:07 | 0:04:10 | |
There's just too much squabbling going on | 0:04:10 | 0:04:12 | |
and not enough cooperation, really. | 0:04:12 | 0:04:14 | |
I think there is no real attempt to find out where people's | 0:04:14 | 0:04:17 | |
strengths are and try and mould them into some team. | 0:04:17 | 0:04:19 | |
-Is your view that they shouldn't have opened a fruit and veg shop? -Well... | 0:04:19 | 0:04:22 | |
"You should have worked in the beauty trade, would have been a lot better!" | 0:04:22 | 0:04:26 | |
If you had sold lipstick instead, that would've been better. | 0:04:26 | 0:04:28 | |
That would have been fantastic - if you had taken the shop | 0:04:28 | 0:04:31 | |
and just basically run a make-up shop ahead of it. | 0:04:31 | 0:04:33 | |
"Wait a minute, didn't I send you...?" | 0:04:33 | 0:04:36 | |
"Yeah, we had some carrots at the front and then we rubbed them | 0:04:36 | 0:04:40 | |
"every so often on people's faces and told them it was a preparation." | 0:04:40 | 0:04:44 | |
That would have been more your thing. | 0:04:44 | 0:04:46 | |
That's the whole point though, isn't it? It is incredibly difficult. | 0:04:46 | 0:04:49 | |
Every week you are put into these different situations where | 0:04:49 | 0:04:52 | |
you are not necessary comfortable, and that is what you have to try and strive to overcome, | 0:04:52 | 0:04:56 | |
and I think it looked as if you were uncomfortable walking around | 0:04:56 | 0:05:00 | |
that particular area of London in your very high, lovely shoes... | 0:05:00 | 0:05:03 | |
-Thank you. -What's with the height of the shoes? | 0:05:03 | 0:05:05 | |
Yourself and Natalie have got... | 0:05:05 | 0:05:07 | |
Natalie in particular had proper... Sitting on a wedge, | 0:05:07 | 0:05:10 | |
then another long thing coming out of it... | 0:05:10 | 0:05:12 | |
And trust me, I've tried that on Countryfile. It doesn't work. | 0:05:12 | 0:05:14 | |
You've got to dress appropriately for your environment. | 0:05:14 | 0:05:17 | |
-What do you wear? Just very sensible country shoes? -You've just got to wear sensible... | 0:05:17 | 0:05:21 | |
And also in that environment, you are selling food produce. | 0:05:21 | 0:05:24 | |
It is a relaxed, informal environment so you have to try | 0:05:24 | 0:05:27 | |
-and adapt to that. -How do you get on in the farms, then? Do you enjoy that? | 0:05:27 | 0:05:30 | |
On the farms we had to wear flat shoes - that was fine. | 0:05:30 | 0:05:33 | |
But I do not find wearing high heels uncomfortable. | 0:05:33 | 0:05:35 | |
-I live in high heels. -I don't think the reason you were sacked was because you wore high heels. | 0:05:35 | 0:05:39 | |
I don't want to come across as some man who is going, | 0:05:41 | 0:05:43 | |
"What's with those shoes that tilt upwards at the front | 0:05:43 | 0:05:46 | |
"and end up on a spike?" They have gone really high. | 0:05:46 | 0:05:50 | |
You should have dressed as a turnip. That would have gone a lot better. | 0:05:50 | 0:05:54 | |
-Yes. -I do want to talk to you, however, because it may be... | 0:05:54 | 0:05:57 | |
Look, it wasn't as if you did anything especially wrong | 0:05:57 | 0:06:00 | |
in this task that could be pinned on you. | 0:06:00 | 0:06:02 | |
Maybe an accumulative affect. | 0:06:02 | 0:06:04 | |
We may have to go back to the point where the chips became | 0:06:04 | 0:06:08 | |
stacked against you during the design task last week. | 0:06:08 | 0:06:12 | |
I'm very good at designing. I definitely have creative vision. | 0:06:12 | 0:06:16 | |
I can make it look good. I'm in the look-good industry. | 0:06:16 | 0:06:19 | |
That don't look good. | 0:06:19 | 0:06:20 | |
-..Wishy-washy, poxy-boxy. -Could you just agree that the design makes it? | 0:06:21 | 0:06:27 | |
Yeah, it does. It looks lovely. | 0:06:27 | 0:06:28 | |
The designs on the side make it look a bit like a garden planter. | 0:06:28 | 0:06:31 | |
Uzma, in your application - "..keeping up-to-date with current | 0:06:31 | 0:06:35 | |
"trends for design." | 0:06:35 | 0:06:36 | |
That's exactly what I do, Lord Sugar, and this is... | 0:06:36 | 0:06:39 | |
You are in a time warp if that is what you call keeping up-to-date. | 0:06:39 | 0:06:42 | |
I did not design that! | 0:06:42 | 0:06:43 | |
-What you did say was the product had to be glueless. -Glueless? | 0:06:43 | 0:06:47 | |
More like bloody clueless! | 0:06:47 | 0:06:49 | |
CHEERING | 0:06:53 | 0:06:55 | |
Is any small part of you excited to see it again? | 0:07:02 | 0:07:04 | |
-Can you not tell(?) -Yeah, I can see how thrilled you are. | 0:07:06 | 0:07:09 | |
Do you remember the Tony Hart music from the gallery? | 0:07:09 | 0:07:12 | |
# Doo doo doo doo... # | 0:07:12 | 0:07:13 | |
And slowly spin it... # Doo doo doo... # | 0:07:13 | 0:07:18 | |
To get the full sense of how beautiful it was. | 0:07:18 | 0:07:20 | |
Let's be honest though, it would be much worse-looking | 0:07:20 | 0:07:23 | |
without the grooves and the colour. | 0:07:23 | 0:07:25 | |
-I think so, look. -That's awful, that's awful! | 0:07:25 | 0:07:28 | |
-That's fantastic! -Absolutely. | 0:07:29 | 0:07:31 | |
-You have stuck with it, cos you have a similar pattern on the arms of your dress as well. -Absolutely. | 0:07:34 | 0:07:38 | |
-As if you've gone, "That is the pattern I like." -I support it. | 0:07:38 | 0:07:41 | |
Was your original vision that it would also be | 0:07:41 | 0:07:43 | |
in a kind of a diamond/diamante/Swarovski-type...? | 0:07:43 | 0:07:46 | |
"We'll have that?" | 0:07:46 | 0:07:48 | |
I did actually say, "Put mirrors on it, | 0:07:48 | 0:07:50 | |
"we will do something that makes it look attractive." | 0:07:50 | 0:07:53 | |
That would be even better, wouldn't it? If it was covered in mirrors. | 0:07:53 | 0:07:57 | |
You could spend ages watching it disappear, arriving and leaving. | 0:07:57 | 0:08:03 | |
-"Here I am again." -Multifunctional. -Keep your make-up in it, yes! | 0:08:03 | 0:08:06 | |
-Multifunctional. -Once you've used your laptop you can hang it from the ceiling and have a '70s disco. | 0:08:06 | 0:08:10 | |
It would be amazing. | 0:08:10 | 0:08:12 | |
I have been in people's houses with bits of industrial-looking design like that. | 0:08:12 | 0:08:18 | |
I have seen tables made of old planks | 0:08:18 | 0:08:21 | |
and bits of welded-together steel. What's the difference? | 0:08:21 | 0:08:24 | |
At the time did you go, "That is an attractive piece of furniture"? | 0:08:24 | 0:08:28 | |
-No, no, I have to say. -So there is no difference at all. | 0:08:28 | 0:08:31 | |
-We got your application form, by the way. -Oh, lovely. -Yeah. | 0:08:33 | 0:08:37 | |
Your worst business skill is that your directness can be | 0:08:37 | 0:08:41 | |
misconstrued as rudeness. | 0:08:41 | 0:08:44 | |
I would put it to you that you have been quite direct... | 0:08:45 | 0:08:49 | |
-over the last few weeks. -Bit of a problem between you two? | 0:08:49 | 0:08:53 | |
-There is not a problem, to be really honest, Karren. -There is a problem. | 0:08:53 | 0:08:57 | |
-Uzma, why are you undermining me all the time? -I'm not. | 0:08:57 | 0:09:00 | |
You are, and why are you being so provocative? | 0:09:00 | 0:09:03 | |
It is not personal - this is business. | 0:09:03 | 0:09:05 | |
It is personal - you have been undermining me the whole time. | 0:09:05 | 0:09:08 | |
Why are you pointing your finger at me? Who is the sub-leader? | 0:09:08 | 0:09:10 | |
-OK, well, lead then. -You need to let me speak. | 0:09:10 | 0:09:13 | |
You pass the buck and then you jump on good ideas. | 0:09:13 | 0:09:15 | |
-Not really, not really. -Who is passing the buck? -Uzma. -Not really. | 0:09:15 | 0:09:19 | |
I trusted to put you in the group because you are a designer. | 0:09:19 | 0:09:21 | |
-You claim to be a designer. -I said... -Excuse me, excuse me. | 0:09:21 | 0:09:24 | |
-It isn't the truth. -Yes, it is. -Really? -Look me in the eyes. | 0:09:24 | 0:09:28 | |
-I am looking you in the eyes. -Look... -That is so unfair. | 0:09:28 | 0:09:31 | |
-She always passes the buck. -Oh, really? -May I say something? | 0:09:31 | 0:09:35 | |
I'm losing it here, ladies. I'm losing it. | 0:09:35 | 0:09:38 | |
Why do you think you clashed, or there were | 0:09:39 | 0:09:42 | |
so many clashes between the different women? | 0:09:42 | 0:09:44 | |
With the women all together, we've all got quite strong personalities. | 0:09:45 | 0:09:50 | |
Most of us run our own businesses or are in quite high positions | 0:09:50 | 0:09:54 | |
in the jobs that we are doing... | 0:09:54 | 0:09:55 | |
Everyone had an opinion and the thing is everyone | 0:09:55 | 0:10:00 | |
thought their opinion was the one, you know, that mattered. | 0:10:00 | 0:10:04 | |
I am quite direct like that. | 0:10:04 | 0:10:07 | |
Yeah, yeah, I would say. | 0:10:07 | 0:10:09 | |
I had to be direct, otherwise I would be like, "Oh, she is the quiet one. The stay-safe one." | 0:10:09 | 0:10:13 | |
I did not want to be that. I wanted to voice how I felt. | 0:10:13 | 0:10:16 | |
-They are still there though, aren't they? That is the difference. -They are. | 0:10:16 | 0:10:19 | |
But it is very difficult as a woman in that situation. | 0:10:19 | 0:10:22 | |
It is this vegetable medley of emotions and egos... | 0:10:22 | 0:10:25 | |
-Vegetable medley, I like that. -Exactly. | 0:10:25 | 0:10:28 | |
-Where did you get that metaphor from? -It's just came to my mind. | 0:10:28 | 0:10:32 | |
And as a woman who is opinionated | 0:10:32 | 0:10:35 | |
and is used to running their own business | 0:10:35 | 0:10:37 | |
and you are quite strong-willed, women do come across as being | 0:10:37 | 0:10:42 | |
pushy and bossy and it is a different approach to men. | 0:10:42 | 0:10:48 | |
Men - it is all about, "Oh, I'm better than you are!" | 0:10:48 | 0:10:51 | |
"Myles, I've got a six-pack and I've got stubble in two hours, grrr!" | 0:10:51 | 0:10:56 | |
Whereas women, you want to make yourself heard | 0:10:56 | 0:11:00 | |
but you ALL want to make yourself heard, so it just gets noisy. | 0:11:00 | 0:11:03 | |
Rick, you have teams all the time. | 0:11:03 | 0:11:04 | |
Well, look, I do, but the problem essentially is if you are going to do | 0:11:04 | 0:11:08 | |
something like run a farm shop, you've got everyone working together. | 0:11:08 | 0:11:13 | |
Plus, the one thing that always assails me in The Apprentice | 0:11:13 | 0:11:18 | |
is that nobody seems to really care about what they are selling. | 0:11:18 | 0:11:21 | |
If you want to sell well you have got to at least put in some | 0:11:21 | 0:11:26 | |
genuine pleasure in what is being sold. | 0:11:26 | 0:11:29 | |
You work in the restaurant trade, | 0:11:29 | 0:11:31 | |
so presumably you have a lot of people arriving for seasonal work... | 0:11:31 | 0:11:34 | |
Are you telling me that all of your staff at all times, Rick, | 0:11:34 | 0:11:37 | |
really care? | 0:11:37 | 0:11:39 | |
You aren't an employer... Obviously, by the nature of the business, | 0:11:39 | 0:11:42 | |
where people are there for three months... | 0:11:42 | 0:11:45 | |
I mean, of course they don't. Of course they don't. | 0:11:45 | 0:11:47 | |
But if I ever catch the buggers not caring...! | 0:11:47 | 0:11:50 | |
I see it all the time with them faking it. | 0:11:52 | 0:11:54 | |
I was only in the deli yesterday and they are saying, "Oh, we have | 0:11:54 | 0:11:57 | |
"got your special Japanese mayonnaise in, Rick, we sold 24 yesterday." | 0:11:57 | 0:12:01 | |
You know, it is easy. You just, like... | 0:12:01 | 0:12:03 | |
-Fake it. -You fake it a bit. | 0:12:03 | 0:12:05 | |
Well, listen, the whole focus isn't on you for this, by the way. | 0:12:05 | 0:12:10 | |
In this week's task you were fired | 0:12:10 | 0:12:12 | |
but Kurt nearly ended up crying over his spilt milkshakes. | 0:12:12 | 0:12:16 | |
I got the feeling that the milkshakes took over this task. | 0:12:19 | 0:12:24 | |
# His name was Ernie and he drove the fastest milk cart in the West... # | 0:12:25 | 0:12:28 | |
Amazing mark-up on the milkshake. | 0:12:28 | 0:12:30 | |
# Ernie... # | 0:12:30 | 0:12:32 | |
I think we go for milk. | 0:12:32 | 0:12:33 | |
You made the fatal error of putting a number, a stake in the ground. | 0:12:33 | 0:12:38 | |
We can take £600 on that. | 0:12:38 | 0:12:40 | |
We've got a lot of shakes to be selling today. | 0:12:40 | 0:12:42 | |
-Easy. -Neil, you asked them to go and buy some other stuff. -Yeah. | 0:12:42 | 0:12:47 | |
-Definitely get some pears. -I don't think so. | 0:12:47 | 0:12:48 | |
-I think a couple of them could sell quite well. -I don't. | 0:12:48 | 0:12:51 | |
This task is about having a farm shop, not just milkshakes. | 0:12:51 | 0:12:56 | |
If you thought forcing him | 0:12:56 | 0:12:58 | |
to go down this shakes route was going to be your chance | 0:12:58 | 0:13:02 | |
to prove to me that your business model is solid, then you've failed. | 0:13:02 | 0:13:05 | |
Rick, a hell of a mark-up, isn't it? | 0:13:08 | 0:13:10 | |
It's 40p for ingredients, about £3.50 you were selling it for? £3.50? | 0:13:10 | 0:13:13 | |
Well, it is a hell of a mark-up but the price is not that special, is it? | 0:13:13 | 0:13:18 | |
You've got to sell an awful lot of that to make the sort of money | 0:13:18 | 0:13:22 | |
that won the day, really. | 0:13:22 | 0:13:24 | |
I must say, when I first watched that I thought they were on a winner, | 0:13:24 | 0:13:28 | |
because it is much easier to get out on the street | 0:13:28 | 0:13:30 | |
and sell milkshakes, and they seemed to be doing well, | 0:13:30 | 0:13:33 | |
but the basic problem is there is not enough. | 0:13:33 | 0:13:35 | |
Your margin is one thing, but your turnover is the other. | 0:13:35 | 0:13:39 | |
Something like buffalo is a very, very high-value product. | 0:13:39 | 0:13:43 | |
OK, your margin isn't the same, but you can make some money, | 0:13:43 | 0:13:46 | |
you can turn over a lot of money with that. | 0:13:46 | 0:13:48 | |
You only need ten good customers to buy your buffalo as opposed to 200, | 0:13:48 | 0:13:51 | |
and you don't know what the footfall's going to be in that particular area. | 0:13:51 | 0:13:55 | |
I liked when Alex said, "People don't just pop out for milk," | 0:13:55 | 0:13:57 | |
and you're thinking, "That's exactly what they do!" | 0:13:57 | 0:14:00 | |
The phrase, "I have to | 0:14:00 | 0:14:02 | |
"pop out for some milk..." | 0:14:02 | 0:14:04 | |
"No, no, I have to pop out for some buffalo." | 0:14:04 | 0:14:07 | |
It's just in the house. How do you think it gets there, Alex? | 0:14:07 | 0:14:12 | |
The milk fairies arrive every day and, "Oh, the milk fairy's been again." | 0:14:12 | 0:14:16 | |
"Some morning we'll catch him. He flies around..." | 0:14:16 | 0:14:20 | |
What school did Jordan go to | 0:14:20 | 0:14:22 | |
where they went around with ostrich burger vans? Where's that school? | 0:14:22 | 0:14:26 | |
MIMICS ICE CREAM VAN MUSIC | 0:14:26 | 0:14:28 | |
"Oh, the ostrich van has come again. | 0:14:28 | 0:14:29 | |
"Everybody, gather together your money for the ostrich van!" | 0:14:29 | 0:14:32 | |
It's going away! | 0:14:32 | 0:14:34 | |
Bernie Clifton at the front doing the whole ostrich thing, oh, that would be amazing. | 0:14:34 | 0:14:38 | |
For the last three weeks, we have seen Neil being quite | 0:14:38 | 0:14:41 | |
the back-seat driver, and champing at the bit to take control. | 0:14:41 | 0:14:44 | |
This week was his big chance. | 0:14:44 | 0:14:46 | |
Some of the things that you say in your CV is that you are not | 0:14:46 | 0:14:49 | |
-afraid to trample over people. -Absolutely. | 0:14:49 | 0:14:52 | |
I'll have the final say on it. | 0:14:52 | 0:14:54 | |
I don't want to think about it. Just go with it. | 0:14:54 | 0:14:56 | |
I don't want any arguing. | 0:14:56 | 0:14:57 | |
I'm a born leader. I can lead a team to get the best out of them. | 0:14:57 | 0:15:00 | |
Right, it's done. | 0:15:00 | 0:15:01 | |
Can I just say something? People... | 0:15:01 | 0:15:04 | |
I don't want to talk about it any more. It's done. | 0:15:04 | 0:15:06 | |
Just do it. | 0:15:06 | 0:15:08 | |
I'm pretty confident. I think we've done enough to win. | 0:15:08 | 0:15:11 | |
It's a fine line, you know, between confidence and being a bit cocky. | 0:15:11 | 0:15:15 | |
Listen, the simple thing is, | 0:15:15 | 0:15:17 | |
we win the task - we all stay, none of us gets fired. | 0:15:17 | 0:15:20 | |
Well, you lost... | 0:15:20 | 0:15:22 | |
Neil, have you been knocked down a few pegs now? | 0:15:22 | 0:15:25 | |
Absolutely not. | 0:15:25 | 0:15:27 | |
What's he like in real life? | 0:15:28 | 0:15:30 | |
Is he as abrasive and sure of himself? | 0:15:30 | 0:15:33 | |
He's very much like that. | 0:15:33 | 0:15:35 | |
He's a nice guy, I mean, Neil's a lovely guy, | 0:15:35 | 0:15:37 | |
but in this whole process you saw him like that all the time. | 0:15:37 | 0:15:42 | |
I just thought the sort of power-play between those two was fabulous | 0:15:42 | 0:15:47 | |
drama, I mean, it's like a plot for a sort of, I don't know, | 0:15:47 | 0:15:51 | |
-the second-in-command of a ship, sort of thing. -Absolutely. | 0:15:51 | 0:15:55 | |
But one of the joys.... It is high drama because it is such low stakes in the sense of, | 0:15:55 | 0:16:00 | |
"Dum-dum-dum... You said 200 milkshakes... | 0:16:00 | 0:16:04 | |
"I put you before the council of elders, | 0:16:04 | 0:16:08 | |
"where you can explain yourself in front of... | 0:16:08 | 0:16:10 | |
"The Galactic Senate will now hear from you." | 0:16:10 | 0:16:12 | |
"Erm, 200, I thought. | 0:16:12 | 0:16:14 | |
Let's hear what Lord Sugar | 0:16:14 | 0:16:17 | |
and your erstwhile colleagues had to say about you. | 0:16:17 | 0:16:21 | |
Uzma claims that she is creative. | 0:16:21 | 0:16:24 | |
Well, I never saw much evidence of that, | 0:16:24 | 0:16:26 | |
and certainly not in last week's design task. | 0:16:26 | 0:16:29 | |
I don't think Uzma's performance was up to par. | 0:16:29 | 0:16:31 | |
She didn't have much creative vision. | 0:16:31 | 0:16:34 | |
She didn't do anything much on the task day. | 0:16:34 | 0:16:36 | |
She made no decisions. | 0:16:36 | 0:16:37 | |
I don't think Uzma has got a business mind at all. | 0:16:37 | 0:16:39 | |
I don't think she really knows what margin is. | 0:16:39 | 0:16:42 | |
Uzma has been in the firing line on three occasions. | 0:16:42 | 0:16:44 | |
She never demonstrated any of the skills needed to | 0:16:44 | 0:16:47 | |
go into business with me, and that's why I fired her. | 0:16:47 | 0:16:50 | |
Do you want to retract anything you said about Neil being nice? | 0:16:53 | 0:16:57 | |
It is what it is. I don't need to put other people down to make | 0:16:57 | 0:17:00 | |
myself feel confident about myself. | 0:17:00 | 0:17:03 | |
-They've got an opinion - it doesn't affect me. -Course not. | 0:17:03 | 0:17:08 | |
What were you going to do, had you gone to the end, and are you still | 0:17:08 | 0:17:11 | |
continuing on that path - do you have the same business proposal? | 0:17:11 | 0:17:14 | |
Absolutely. I have got two make-up brands which I | 0:17:14 | 0:17:17 | |
-sell online at the moment. -Right. | 0:17:17 | 0:17:19 | |
The idea is to take one of them into the shops. | 0:17:19 | 0:17:22 | |
-Fantastic. OK, well, the best of luck with that. -Thank you very much. | 0:17:22 | 0:17:25 | |
At the start of the task some of the candidates behaved | 0:17:25 | 0:17:28 | |
as though they had landed on a different planet, | 0:17:28 | 0:17:30 | |
when they went to a mysterious place known as the countryside. | 0:17:30 | 0:17:34 | |
There's a really nice smell around here. | 0:17:34 | 0:17:37 | |
It's called manure. | 0:17:37 | 0:17:38 | |
Is that what it is? That one's got some kind of tumour. | 0:17:38 | 0:17:44 | |
-What is that? -Broccoli. -It's broccoli. | 0:17:44 | 0:17:47 | |
What are these? | 0:17:47 | 0:17:50 | |
Oh, my Lord, look! | 0:17:50 | 0:17:52 | |
Oh, my God, there's a bull. Oh, my God, there's another bull behind you. | 0:17:52 | 0:17:55 | |
-What is that there? -What are those? -What are they, sorry? | 0:17:55 | 0:17:57 | |
Look at this horse... I mean dog...! | 0:17:57 | 0:18:00 | |
Oh, no, I'm not going in there. | 0:18:00 | 0:18:02 | |
Look, you. Hello, sweetie. I'm here. | 0:18:02 | 0:18:06 | |
That's the easy bit, right, there you go. Oh, shit, he's involved as well, yes. | 0:18:06 | 0:18:13 | |
They're shouting. | 0:18:13 | 0:18:15 | |
There's one that looks like it's going to charge you, Neil - look behind! | 0:18:15 | 0:18:18 | |
Hello. | 0:18:22 | 0:18:24 | |
MOO! | 0:18:24 | 0:18:26 | |
-Julia, did this break your heart? -Oh, dear me. | 0:18:26 | 0:18:29 | |
So, Alex, let's just mention his eyebrows. | 0:18:29 | 0:18:31 | |
Let's get that out of the way now. | 0:18:31 | 0:18:33 | |
Alex actually held up a bunch of carrots and asked, "What are these?" | 0:18:33 | 0:18:38 | |
I mean, even as a child, you watch Bugs Bunny, surely, | 0:18:38 | 0:18:42 | |
I mean, it's quite amazing. | 0:18:42 | 0:18:44 | |
Natalie incorrectly identified a cow first as a horse, | 0:18:44 | 0:18:47 | |
then a dog. | 0:18:47 | 0:18:49 | |
Yes, it is quite remarkable. | 0:18:49 | 0:18:51 | |
I've been in lots of situations where we have | 0:18:51 | 0:18:53 | |
taken people out into the countryside, | 0:18:53 | 0:18:55 | |
and the most bizarre experience was when somebody looked at a field full | 0:18:55 | 0:18:58 | |
of cows and said, "Are they beeves?" | 0:18:58 | 0:19:02 | |
As in, "Beef." "Are they beeves?" | 0:19:02 | 0:19:05 | |
I was like, "Uh-huh, those are beeves." Yes. | 0:19:05 | 0:19:09 | |
I think we all have a responsibility to learn the basics. | 0:19:09 | 0:19:12 | |
I think carrots is about as basic as you go. | 0:19:12 | 0:19:16 | |
Do you think he'd be able to name every vegetable on this table here? | 0:19:16 | 0:19:20 | |
Though whatever UK farm we got in, because they're doing really good bananas and oranges... | 0:19:20 | 0:19:26 | |
So we may not be particularly authentic ourselves here on this. | 0:19:26 | 0:19:29 | |
I couldn't name them - there's about ten of these I couldn't name. | 0:19:29 | 0:19:32 | |
-That's a pepper. -That wasn't the one I was pointing out! -A cabbage. | 0:19:32 | 0:19:36 | |
Cauliflower, aubergine, come on, are we doing basic food groups here? | 0:19:36 | 0:19:40 | |
All right then, Widdicombe, one, two, three, that one there... | 0:19:40 | 0:19:43 | |
The squash? | 0:19:43 | 0:19:45 | |
Don't tell him!! Don't tell him it's a squash - he would never... | 0:19:45 | 0:19:48 | |
-I can't see... -Sorry. | 0:19:48 | 0:19:50 | |
-You can't see there?! -Right, OK, here we go. What's the third one? | 0:19:50 | 0:19:54 | |
Excellent. Pass me the third one there. What is that? | 0:19:54 | 0:19:58 | |
I know what that is... Sweet potato. | 0:19:58 | 0:20:00 | |
I can go, look, pepper, banana, sweet potato, aubergine, | 0:20:00 | 0:20:02 | |
broccoli, oranges, squash, carrot, red onion, | 0:20:02 | 0:20:06 | |
something green... | 0:20:06 | 0:20:08 | |
LAUGHTER | 0:20:08 | 0:20:11 | |
..apple, I mean, I could go on. | 0:20:11 | 0:20:13 | |
Yeah, yeah, you trailed off slightly there. | 0:20:13 | 0:20:15 | |
Put that back - I know you know corns on the cob. | 0:20:15 | 0:20:18 | |
Louisa led her team to a win but didn't get much credit. | 0:20:18 | 0:20:21 | |
Still, she hid the disappointment of that very well. | 0:20:21 | 0:20:24 | |
I'm really hoping that I'll be the first project manager to lead | 0:20:24 | 0:20:28 | |
team Evolve to a win. | 0:20:28 | 0:20:30 | |
Don't go crazy on corn on the cob, but maybe buy six. | 0:20:30 | 0:20:33 | |
We're not going to dress the whole stall with six cobs, are we? | 0:20:33 | 0:20:35 | |
Engage brain! | 0:20:35 | 0:20:37 | |
I can't speak to her. | 0:20:37 | 0:20:39 | |
So, overall, then, a good project manager? | 0:20:39 | 0:20:43 | |
I think there were flaws all the way through. | 0:20:43 | 0:20:47 | |
STUDIO LAUGHTER DROWNS OUT SPEECH | 0:20:47 | 0:20:49 | |
..budget, and we had no direction at all in terms of | 0:20:49 | 0:20:52 | |
products we were looking for. | 0:20:52 | 0:20:53 | |
I think you might have them to thank - | 0:20:53 | 0:20:56 | |
if you'd just pioneered on the takeout stuff, you may not have had that win. | 0:20:56 | 0:21:00 | |
God. | 0:21:03 | 0:21:06 | |
Enjoy it - we won, we won, be happy! | 0:21:06 | 0:21:08 | |
AUDIENCE GROANS | 0:21:08 | 0:21:11 | |
Now, Rick, you thought the buffalo was a good idea. | 0:21:11 | 0:21:14 | |
Well, I did, because it is quite nice meat. | 0:21:14 | 0:21:17 | |
Baked potatoes, baked potatoes? | 0:21:17 | 0:21:19 | |
That was a real disaster, the baked potatoes, I must say. They looked terrible. | 0:21:19 | 0:21:23 | |
-They looked like parcels of vomit. -And what was Jason doing? | 0:21:23 | 0:21:26 | |
Obviously he just thought they were baked potatoes, | 0:21:26 | 0:21:28 | |
people were really against Jason's baked potatoes... | 0:21:28 | 0:21:31 | |
What was he doing there in the kitchen? | 0:21:31 | 0:21:33 | |
He was making the baked potatoes, God love him! | 0:21:33 | 0:21:35 | |
-Who was making the soup? -Rebecca. | 0:21:35 | 0:21:37 | |
They admitted it was disgusting, didn't they? | 0:21:37 | 0:21:40 | |
I love when they said "We can't give tasters | 0:21:40 | 0:21:43 | |
"because then no-one will eat it." | 0:21:43 | 0:21:45 | |
We can't show you the potato as they're so unimaginably hideous, | 0:21:45 | 0:21:48 | |
and we can't let you taste the soup. | 0:21:48 | 0:21:50 | |
If they'd made a nice soup, I know I am banging on about this, | 0:21:50 | 0:21:53 | |
but they might have felt, if they all tasted it, going | 0:21:53 | 0:21:56 | |
out into the street and saying, "Buy some soup, you'll love this." | 0:21:56 | 0:22:00 | |
I think their aspiration was to make nice soup - | 0:22:00 | 0:22:03 | |
I don't think they said, "Let's make really bad soup as an extra challenge for | 0:22:03 | 0:22:07 | |
"us among ourselves." And Louisa's management style, and all that? | 0:22:07 | 0:22:11 | |
Overall, unfortunately for Louisa, | 0:22:11 | 0:22:13 | |
she just comes across as being quite annoying. | 0:22:13 | 0:22:15 | |
I think it is difficult to make your mark - | 0:22:15 | 0:22:17 | |
you obviously want strength of personality | 0:22:17 | 0:22:20 | |
and your efficiency and all of your positives to come across. | 0:22:20 | 0:22:25 | |
That behaviour at the end with the whole, | 0:22:25 | 0:22:27 | |
"Well, I guess it wasn't as bad as I thought..." and the, "Morning, boys," | 0:22:27 | 0:22:31 | |
is this just a coquettishness that she is just going to grow out of? | 0:22:31 | 0:22:34 | |
-You hope. -And she has only got eight weeks to do that! | 0:22:34 | 0:22:38 | |
If she wants to win. | 0:22:38 | 0:22:40 | |
And also, when you're a project manager, | 0:22:40 | 0:22:42 | |
the pressure that you suddenly have, instead of just being a team member, | 0:22:42 | 0:22:47 | |
you do tone it down a little bit, | 0:22:47 | 0:22:49 | |
and I think she knew that, she was starting to annoy people in tasks, | 0:22:49 | 0:22:53 | |
and when she's got the pressure on her head, suddenly it is like, | 0:22:53 | 0:22:56 | |
"Let's make this work..." to some degree. | 0:22:56 | 0:23:00 | |
This week Jason was banished to the kitchen, but to the horror | 0:23:00 | 0:23:03 | |
of his team-mates there was a moment when he broke free. | 0:23:03 | 0:23:06 | |
I just go and I put things in people's hands and I say, "Look, | 0:23:07 | 0:23:10 | |
"isn't it amazing, of course you want to buy it," and they do. | 0:23:10 | 0:23:13 | |
It's a simple as that. | 0:23:13 | 0:23:16 | |
There they are. We are on the hunt for buffalo, aren't we? | 0:23:16 | 0:23:19 | |
I've been making those little bags that say, | 0:23:19 | 0:23:21 | |
"Make the cabbage happy - take it away for a pound." | 0:23:21 | 0:23:24 | |
Oh, that's creative. | 0:23:24 | 0:23:27 | |
This is a sad pack of potatoes, organic potatoes... | 0:23:27 | 0:23:31 | |
Honestly, Jason can't be out here! | 0:23:31 | 0:23:33 | |
And, look, I have nice tie on, as well. | 0:23:33 | 0:23:34 | |
-Jason's getting worse. -Come closer and have a look at the tie! | 0:23:34 | 0:23:37 | |
Jason, you need to go inside. | 0:23:37 | 0:23:39 | |
Chutneys, three for a pound. | 0:23:41 | 0:23:43 | |
LAUGHTER AND APPLAUSE | 0:23:43 | 0:23:46 | |
He looks like an estate agent selling vegetables. | 0:23:51 | 0:23:55 | |
-But he believed in the product. -He did, he did. | 0:23:55 | 0:23:58 | |
-He was passionate, you have got to give him that. -He was. | 0:23:58 | 0:24:01 | |
"I'm a cabbage - please buy me." | 0:24:01 | 0:24:04 | |
Can you see any talent in him? | 0:24:04 | 0:24:07 | |
-Not yet. -It was when he jumped on that couple that were looking at... | 0:24:07 | 0:24:12 | |
it was like he was a presenter off The Crystal Maze. | 0:24:12 | 0:24:15 | |
It was just so weird. | 0:24:15 | 0:24:17 | |
-Completely different to the rest of the house, I presume? -Absolutely. | 0:24:17 | 0:24:20 | |
Sweet? | 0:24:20 | 0:24:21 | |
I really like Jason. I felt sorry for him | 0:24:21 | 0:24:24 | |
because the other guys give him a hard time. | 0:24:24 | 0:24:27 | |
All the girls loved him | 0:24:27 | 0:24:29 | |
because he was just so sweet and genuine and spoke really posh, | 0:24:29 | 0:24:33 | |
and we just tried to figure out what he was saying all the time... | 0:24:33 | 0:24:35 | |
LAUGHTER | 0:24:35 | 0:24:38 | |
Candidates are understandably pleased when they win a task, | 0:24:38 | 0:24:41 | |
but Jordan may have taken it a tiny bit too far. | 0:24:41 | 0:24:45 | |
Let's look at some of the numbers here. | 0:24:45 | 0:24:48 | |
Your total is 1167.90. | 0:24:48 | 0:24:51 | |
Get in! | 0:24:54 | 0:24:57 | |
Sales to public, £1,147. | 0:24:57 | 0:25:01 | |
Get in. | 0:25:02 | 0:25:04 | |
And for the girls? | 0:25:06 | 0:25:08 | |
They hated the product. They didn't place any orders. | 0:25:08 | 0:25:12 | |
Yes, get in. | 0:25:12 | 0:25:14 | |
Come on, come on. | 0:25:14 | 0:25:16 | |
Nick, how about Evolve? | 0:25:16 | 0:25:18 | |
A profit of 631.52. | 0:25:18 | 0:25:20 | |
Get in! | 0:25:21 | 0:25:23 | |
Come on. | 0:25:23 | 0:25:25 | |
Come on! | 0:25:26 | 0:25:27 | |
Can I just remind you - this is not a football match. | 0:25:29 | 0:25:32 | |
-Sorry, Lord Sugar, I'm pleased to win. -Hmmm. | 0:25:32 | 0:25:35 | |
APPLAUSE | 0:25:36 | 0:25:38 | |
We like passion... | 0:25:44 | 0:25:46 | |
We do, I'm surprised he didn't bodyslam somebody. | 0:25:46 | 0:25:48 | |
Run to the far end of the boardroom table and slide | 0:25:48 | 0:25:51 | |
all the way round! | 0:25:51 | 0:25:53 | |
When you are sat there | 0:25:53 | 0:25:55 | |
and you realise Jordan's behind you and they're reading out the results, | 0:25:55 | 0:25:58 | |
you must be thinking, "Please God, let me have lost." | 0:25:58 | 0:26:00 | |
"I'll take my chances in the boardroom rather than being hit." | 0:26:00 | 0:26:03 | |
He's done well - he has won four out of four. Led his team very well. | 0:26:03 | 0:26:07 | |
Because they're all physically scared of him. | 0:26:07 | 0:26:10 | |
OK, we're going to go to the vote. | 0:26:10 | 0:26:13 | |
Rick, just of the three who were in front of him | 0:26:13 | 0:26:16 | |
at the time, do you think Lord Sugar was right to fire Uzma this week? | 0:26:16 | 0:26:19 | |
I probably would have fired Neil, really. | 0:26:19 | 0:26:23 | |
I just think he lost it, really, with Kurt. | 0:26:23 | 0:26:27 | |
-So, Neil. -Neil, OK. Julia? | 0:26:27 | 0:26:32 | |
I thought Uzma was very unlucky to be chosen to be | 0:26:32 | 0:26:35 | |
there and in that instance I would have fired Kurt, | 0:26:35 | 0:26:41 | |
because he is obsessed with smoothies and milkshakes | 0:26:41 | 0:26:44 | |
and I think that is his only business plan for the entire series | 0:26:44 | 0:26:47 | |
and I can't see him ever getting out of that trough. | 0:26:47 | 0:26:51 | |
It will be funny if he's in the taxi at the end, just... | 0:26:51 | 0:26:54 | |
A bit would get stuck. | 0:27:04 | 0:27:06 | |
You're fired. | 0:27:06 | 0:27:09 | |
I would. I liked it when he said, | 0:27:09 | 0:27:11 | |
"There's no smoke without fire. You're fired." | 0:27:11 | 0:27:14 | |
He said, for a new catch phrase, | 0:27:16 | 0:27:17 | |
"There's no smoke without...you're fired." That's what it should be called. | 0:27:17 | 0:27:21 | |
You're now smoking, and fired, at the same time! | 0:27:21 | 0:27:24 | |
OK, through to the audience - if you agree with Lord Sugar, | 0:27:24 | 0:27:27 | |
hold up FIRED. If you disagree, hold up HIRED. | 0:27:27 | 0:27:30 | |
Oh, I'm so sorry, that's very much going to be FIRED. | 0:27:30 | 0:27:33 | |
Listen, we thought long and hard over some gift to give | 0:27:33 | 0:27:37 | |
you that you could take away from this, | 0:27:37 | 0:27:39 | |
and it had to be something that had the countryside in it, | 0:27:39 | 0:27:42 | |
because we thought that's where we said farewell to you, | 0:27:42 | 0:27:45 | |
so we wanted something natural and something beautiful, and | 0:27:45 | 0:27:47 | |
we thought, "We'll get you a nice plant or something, and the only way that | 0:27:47 | 0:27:51 | |
"we can get you a plant is if we had a really good plant holder to put it in..." | 0:27:51 | 0:27:55 | |
LAUGHTER AND APPLAUSE | 0:27:55 | 0:27:57 | |
If the plant dies we have got a lid | 0:28:02 | 0:28:05 | |
and you can use it as a laptop holder... | 0:28:05 | 0:28:07 | |
My mum is going to love this. | 0:28:07 | 0:28:10 | |
Yes, listen, I think it is a great thing, | 0:28:10 | 0:28:12 | |
but they made three of these in different sizes. | 0:28:12 | 0:28:15 | |
-You made it to Week Four, Uzma... -Thank you very much. | 0:28:15 | 0:28:18 | |
Excuse me, which camera shall I do this to? | 0:28:18 | 0:28:20 | |
You made it to Week Four, Uzma, these are your highlights. | 0:28:20 | 0:28:25 | |
I'm a successful person in life and in business. | 0:28:25 | 0:28:29 | |
I'm the complete package. | 0:28:29 | 0:28:30 | |
I'm not scared of anything. | 0:28:34 | 0:28:36 | |
Oh, my god, do you guys know what you're doing? | 0:28:36 | 0:28:38 | |
I'm a woman with a lot of potential. | 0:28:40 | 0:28:42 | |
The outline is going to be metallic gold. | 0:28:42 | 0:28:45 | |
-Very nice, it's modern, it's nice. -I get things done. | 0:28:45 | 0:28:47 | |
Definitely one of the better ones. | 0:28:47 | 0:28:49 | |
Uzma is quite the character. | 0:28:52 | 0:28:53 | |
I think she's a really top girl. | 0:28:56 | 0:28:59 | |
This is just the beginning. | 0:28:59 | 0:29:01 | |
Ladies and gentlemen, Uzma Yakoob. | 0:29:02 | 0:29:05 | |
APPLAUSE AND CHEERING | 0:29:05 | 0:29:07 | |
That's it for tonight. | 0:29:15 | 0:29:17 | |
Thanks to all of my guests. Now, remember to go to | 0:29:17 | 0:29:19 | |
our website for Matt Edmondson's awkward | 0:29:19 | 0:29:23 | |
conversations with all the fired candidates, plus loads more clips. | 0:29:23 | 0:29:27 | |
Now, next week's episode is on Tuesday night, not Wednesday, | 0:29:27 | 0:29:30 | |
but Tuesday night, when the candidates catch a flight to Dubai | 0:29:30 | 0:29:34 | |
but who will discover that it's a one-way ticket out of the boardroom? | 0:29:34 | 0:29:38 | |
Welcome to the United Arab Emirates. | 0:29:38 | 0:29:42 | |
The client has a list of eight items they want you to buy. | 0:29:42 | 0:29:46 | |
OUD, Owd? | 0:29:46 | 0:29:48 | |
Ud? | 0:29:48 | 0:29:49 | |
-Owd? -Not bothered about the quality. | 0:29:49 | 0:29:52 | |
-He's talking crap. -No, never. | 0:29:52 | 0:29:53 | |
-140 is 12cm. -140 is 12cm? | 0:29:56 | 0:30:01 | |
A big bird and you put it on your arm and it flies away. | 0:30:01 | 0:30:04 | |
It would look like a pimple on an elephant. | 0:30:04 | 0:30:07 | |
Thank God I never sent you out to get 20 camels - | 0:30:07 | 0:30:09 | |
you'd come back with a packet of fags. | 0:30:09 | 0:30:12 | |
-Stop talking - we don't have time. -I'm English. | 0:30:12 | 0:30:15 | |
It's a good one. I can't wait. | 0:30:16 | 0:30:18 | |
We'll see you next week, don't forget, Tuesday night at ten o'clock | 0:30:18 | 0:30:21 | |
and the whole main show is on at nine o'clock on BBC One, Tuesday night. | 0:30:21 | 0:30:24 | |
Goodnight. | 0:30:24 | 0:30:26 | |
APPLAUSE | 0:30:26 | 0:30:30 | |
Subtitles by Red Bee Media Ltd | 0:30:43 | 0:30:44 |