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This was mayhem. | 0:00:02 | 0:00:03 | |
That don't look good. | 0:00:03 | 0:00:04 | |
It is not rocket science. | 0:00:04 | 0:00:05 | |
Couldn't organise a piss-up in a brewery. | 0:00:05 | 0:00:07 | |
Bloody clueless. | 0:00:07 | 0:00:09 | |
You're fired. | 0:00:09 | 0:00:10 | |
You're fired. | 0:00:10 | 0:00:11 | |
You're fired. | 0:00:11 | 0:00:13 | |
CHEERING | 0:00:16 | 0:00:18 | |
Well. | 0:00:24 | 0:00:26 | |
Good evening and welcome to The Apprentice: You're Fired. | 0:00:26 | 0:00:30 | |
One of those incredible, once in a blue moon special event shows | 0:00:30 | 0:00:34 | |
that people will be talking about for ages to come. | 0:00:34 | 0:00:36 | |
Yes, the almost unthinkable happened, Jason sold a caravan! | 0:00:36 | 0:00:40 | |
LAUGHTER AND CHEERING | 0:00:40 | 0:00:44 | |
And in other news...double firing! | 0:00:46 | 0:00:49 | |
CHEERING | 0:00:49 | 0:00:50 | |
Yes. | 0:00:50 | 0:00:52 | |
As two candidates bite the dust, | 0:00:52 | 0:00:53 | |
we will be looking at why the wheels fell off their Apprentice dreams. | 0:00:53 | 0:00:57 | |
And then we'll focus on how Jason sold that caravan! | 0:00:57 | 0:01:00 | |
Let's meet our panel. Caravan entrepreneur Phil Daniels, comedienne Jenny Eclair, | 0:01:00 | 0:01:04 | |
and Lord Sugar's former global troubleshooter, Claude Littner, welcome to You're Fired. | 0:01:04 | 0:01:10 | |
Tonight's task of selecting products to sell at the Caravan Show | 0:01:14 | 0:01:18 | |
led to the project manager failing to sell himself to Lord Sugar. | 0:01:18 | 0:01:22 | |
Kurt, | 0:01:22 | 0:01:23 | |
you messed up on this task. OK? So, Kurt, | 0:01:23 | 0:01:27 | |
you're fired. | 0:01:27 | 0:01:29 | |
Please welcome Kurt Wilson. | 0:01:35 | 0:01:38 | |
CHEERING | 0:01:38 | 0:01:41 | |
Kurt, are you disappointed? | 0:01:51 | 0:01:54 | |
I honestly did think I was capable of winning, and even up to | 0:01:54 | 0:01:58 | |
the point where I got fired, I thought I was in with a chance. | 0:01:58 | 0:02:00 | |
Really? | 0:02:00 | 0:02:02 | |
Up until that moment? | 0:02:02 | 0:02:03 | |
Well, I knew when I was into the boardroom that I was up against it. | 0:02:03 | 0:02:06 | |
I had an idea, well I had more than an idea, that we haven't sold any | 0:02:06 | 0:02:09 | |
and that I was going to be up against it. | 0:02:09 | 0:02:11 | |
I was disappointed, but at the same time, | 0:02:11 | 0:02:13 | |
I went out on something that I controlled, and I took a gamble on. | 0:02:13 | 0:02:16 | |
-And for that, I'm quite happy. -OK, fair enough. | 0:02:16 | 0:02:18 | |
Let's take a look at where it all went wrong. | 0:02:18 | 0:02:21 | |
Caravan, caravan, caravan, check, check, check! | 0:02:22 | 0:02:25 | |
-Let's see how old these are now. -Over 50s. Definitely over 50s. | 0:02:25 | 0:02:28 | |
-You concluded that your target market was 50-year-olds. -Old. Old. | 0:02:28 | 0:02:32 | |
-Old. -Old. -Old. -Old. -And yet you go and choose this retro thing. | 0:02:32 | 0:02:37 | |
Why did you do that? Because you liked it? | 0:02:37 | 0:02:39 | |
We obviously love the product. | 0:02:39 | 0:02:41 | |
-They are really, really cool. -I think I could live here. | 0:02:41 | 0:02:44 | |
I like the fridge. | 0:02:44 | 0:02:45 | |
We love them. | 0:02:45 | 0:02:47 | |
-Did he put an age on his target market? -35 to 45... | 0:02:47 | 0:02:50 | |
-Retro camper. -Retro camper it is. | 0:02:50 | 0:02:53 | |
£33,000 compared to £1,500 is a bloody disgrace! | 0:02:53 | 0:02:58 | |
-If I would have picked the right item... -And you haven't! | 0:02:58 | 0:03:02 | |
I'll say this for you, you're quite... | 0:03:02 | 0:03:04 | |
I mean, when he came back to you, you went, | 0:03:04 | 0:03:06 | |
"If I hadn't made that other mistake, | 0:03:06 | 0:03:08 | |
"then the other mistakes I hadn't made | 0:03:08 | 0:03:10 | |
"wouldn't have mattered as much." You took it on the chin. | 0:03:10 | 0:03:13 | |
I knew exactly what I was doing. I took a chance, based on that. | 0:03:13 | 0:03:16 | |
If I had sold something that was worth more money, | 0:03:16 | 0:03:18 | |
I could have sold less of them. | 0:03:18 | 0:03:19 | |
Plus, we were passionate about it | 0:03:19 | 0:03:21 | |
and I know the other ones would have sold more | 0:03:21 | 0:03:23 | |
and looking back at it, it's go for the one that sold the most. | 0:03:23 | 0:03:26 | |
It seems obvious, but there was an opportunity there to take a chance | 0:03:26 | 0:03:29 | |
and I took it, and it didn't pay off for me. So... | 0:03:29 | 0:03:31 | |
Tell me a bit about this caravan holiday that you went on | 0:03:31 | 0:03:33 | |
-that gave you so much insight. -LAUGHTER | 0:03:33 | 0:03:35 | |
We travelled France for about six weeks | 0:03:35 | 0:03:38 | |
when I was about eight or nine years old. | 0:03:38 | 0:03:40 | |
LAUGHTER | 0:03:40 | 0:03:42 | |
And were you taking notes at the time? | 0:03:42 | 0:03:45 | |
Were you going, "Old, old..." | 0:03:45 | 0:03:48 | |
I was chief chemical toilet man. | 0:03:48 | 0:03:50 | |
-Oh, really? -That was my job. | 0:03:50 | 0:03:52 | |
So I think I had a good experience over there. | 0:03:52 | 0:03:54 | |
Would you ever go on a caravan holiday again? | 0:03:54 | 0:03:56 | |
Maybe not for a while. | 0:03:56 | 0:03:58 | |
Very good. If I can come to you, Phil, by the way. | 0:03:58 | 0:04:01 | |
Essentially, you're a steel magnate. | 0:04:01 | 0:04:05 | |
I love the man who you can say, "You're a steel magnate", | 0:04:05 | 0:04:07 | |
and he goes, "Yeah, yeah, I am." | 0:04:07 | 0:04:09 | |
Latterly, moved into caravans because you're a caravan enthusiast. | 0:04:09 | 0:04:13 | |
Did you see any enthusiasm? | 0:04:13 | 0:04:15 | |
They misjudged the industry? | 0:04:15 | 0:04:18 | |
The fact you put yourself forward, I was thinking, "This could be really good." | 0:04:18 | 0:04:21 | |
But you could have sold yourself. You could have got up there | 0:04:21 | 0:04:24 | |
and made a name for yourself and impressed Lord Sugar. | 0:04:24 | 0:04:26 | |
That was what you wanted to do? | 0:04:26 | 0:04:27 | |
-You took it on, and selling it yourself as well in order to impress. -Exactly. | 0:04:27 | 0:04:31 | |
We'd reached a stage where we'd gone past halfway through it, | 0:04:31 | 0:04:34 | |
it was time to try to make a name for yourself | 0:04:34 | 0:04:36 | |
and stand out from the crowd. | 0:04:36 | 0:04:38 | |
And I couldn't agree with you more. If I had... | 0:04:38 | 0:04:41 | |
If I'd got it right, | 0:04:41 | 0:04:42 | |
if I'd picked the right products - which I nearly did - | 0:04:42 | 0:04:44 | |
then this would have been a completely different ball game. LAUGHTER | 0:04:44 | 0:04:47 | |
And that's the truth. And I wouldn't be speaking here now. | 0:04:47 | 0:04:50 | |
Maybe I would have been a lot further along | 0:04:50 | 0:04:52 | |
in a completely different position. | 0:04:52 | 0:04:54 | |
You didn't look that interested when you were selling. | 0:04:54 | 0:04:56 | |
I can see you sat here, smiling now, | 0:04:56 | 0:04:58 | |
but on the show, you looked really serious and sombre | 0:04:58 | 0:05:00 | |
and you weren't putting yourself out there looking for a sale. | 0:05:00 | 0:05:03 | |
Did you think that the sales technique was a bit too laid-back? | 0:05:03 | 0:05:05 | |
Yeah, yeah. And you need that killer instinct. | 0:05:05 | 0:05:08 | |
You can't let them go off the stand. | 0:05:08 | 0:05:09 | |
You let too many people go, from what we saw. | 0:05:09 | 0:05:11 | |
I wouldn't agree with that. | 0:05:11 | 0:05:12 | |
I don't think the people were there who were the type of people to buy it | 0:05:12 | 0:05:15 | |
and that's the mistake I made. | 0:05:15 | 0:05:16 | |
I wouldn't say that we let people go, by any stretch of imagination, no. | 0:05:16 | 0:05:19 | |
Jenny, are you a caravan fan? | 0:05:19 | 0:05:21 | |
Well, anybody who's experienced Sani Lav splashback | 0:05:21 | 0:05:24 | |
will always view the caravan with caution. | 0:05:24 | 0:05:27 | |
But yes, as a child, I did caravan. | 0:05:27 | 0:05:29 | |
And my parents had the smallest caravan in the world. | 0:05:29 | 0:05:32 | |
It was called a Sprite 400, because it was designed for sprites. | 0:05:32 | 0:05:35 | |
But I understood why you went for the retro camper van | 0:05:37 | 0:05:41 | |
-because they're fabulous. -They do look great, don't they? | 0:05:41 | 0:05:43 | |
-They are fabulous. They really are. -I'm 53 and I quite... | 0:05:43 | 0:05:47 | |
I can see myself in a retro camper van quite easily. | 0:05:47 | 0:05:51 | |
Claude, were you... Sales technique as much as...? | 0:05:51 | 0:05:53 | |
I would first like to say that my experience of caravans | 0:05:53 | 0:05:56 | |
is just being stuck behind them, | 0:05:56 | 0:05:57 | |
and they're very annoying. | 0:05:57 | 0:05:59 | |
But as far as the technique, I think you chose the wrong product. | 0:05:59 | 0:06:03 | |
I think you've admitted to that. | 0:06:03 | 0:06:05 | |
Your technique of selling was also amiss. | 0:06:05 | 0:06:07 | |
You showed no enthusiasm | 0:06:07 | 0:06:09 | |
and I think you made a few little technical hitches along the way, | 0:06:09 | 0:06:12 | |
which I think did for you. | 0:06:12 | 0:06:13 | |
Let's take a break from caravans just for a moment | 0:06:13 | 0:06:16 | |
and revisit some of the earlier tasks. | 0:06:16 | 0:06:18 | |
Because you've been great in how you got involved | 0:06:18 | 0:06:20 | |
and the ideas you contributed. | 0:06:20 | 0:06:21 | |
For example, the design task of four weeks ago. | 0:06:21 | 0:06:24 | |
The boys' team had a superb victory with Alex's Foldo chair, | 0:06:24 | 0:06:28 | |
but who knows what heights they could have reached | 0:06:28 | 0:06:31 | |
had they simply followed your grand vision. | 0:06:31 | 0:06:33 | |
I've got an idea. | 0:06:33 | 0:06:35 | |
We have the chair base, | 0:06:35 | 0:06:36 | |
and then at the bottom would be a barrel | 0:06:36 | 0:06:38 | |
and then in the top, on which we could put a cover, | 0:06:38 | 0:06:41 | |
would be areas to recycle our stuff. | 0:06:41 | 0:06:43 | |
And then underneath each one | 0:06:43 | 0:06:44 | |
would have a little area to catch that. | 0:06:44 | 0:06:46 | |
'Particularly horrible idea from Kurt. | 0:06:46 | 0:06:50 | |
'It was a chair that you sit on, into which you put | 0:06:50 | 0:06:52 | |
'all your recycling material.' | 0:06:52 | 0:06:54 | |
Fish bones, tin cans, such and such. | 0:06:54 | 0:06:58 | |
I personally wouldn't want a recycling thing in my living room. | 0:06:58 | 0:07:01 | |
I've never come across such a revolting idea. | 0:07:01 | 0:07:04 | |
APPLAUSE | 0:07:04 | 0:07:07 | |
A business idea for the future maybe? | 0:07:11 | 0:07:14 | |
That was a brainstorming event... LAUGHTER | 0:07:14 | 0:07:17 | |
That wasn't the only idea that I had, | 0:07:17 | 0:07:19 | |
but that was the one that came to the forefront | 0:07:19 | 0:07:21 | |
and unfortunately, it wasn't the greatest. | 0:07:21 | 0:07:23 | |
But I'd like to point out, you don't recycle food | 0:07:23 | 0:07:25 | |
and it wasn't going in the living room. It was going in the kitchen. | 0:07:25 | 0:07:28 | |
You're absolutely right. | 0:07:28 | 0:07:29 | |
It wouldn't have smelled of fish bones, it would have smelled of tin cans. | 0:07:29 | 0:07:32 | |
-You're right. -Plastic bottles... -Tin cans, which often contain food. | 0:07:32 | 0:07:35 | |
But no, you're right. This is true, you have to clean them. | 0:07:35 | 0:07:38 | |
And your recyclers will thank you for that. You're absolutely right. | 0:07:38 | 0:07:41 | |
-We didn't say it was a composting chair. -No, exactly. | 0:07:41 | 0:07:44 | |
Surely for caravanning, when space is at such a premium, | 0:07:44 | 0:07:47 | |
have you considered this as a design for your caravans? | 0:07:47 | 0:07:49 | |
There is no space for that in a caravan. | 0:07:49 | 0:07:51 | |
But you've got to put your rubbish somewhere, why not hide it underneath yourself? | 0:07:51 | 0:07:55 | |
You have a little... On the door, you have a little thing | 0:07:55 | 0:07:57 | |
-that goes up and you chuck it in. -That's all. | 0:07:57 | 0:07:59 | |
It's already been prepared. | 0:07:59 | 0:08:01 | |
OK, of course we couldn't let this moment pass | 0:08:01 | 0:08:03 | |
without asking you about this, | 0:08:03 | 0:08:05 | |
which you brought back all the way from Dubai. | 0:08:05 | 0:08:07 | |
I think this was a magical moment. | 0:08:07 | 0:08:09 | |
APPLAUSE AND CHEERING | 0:08:09 | 0:08:13 | |
At what point when this was produced did you go, "That's not right"? | 0:08:17 | 0:08:22 | |
As soon as we arrived into the factory when we picked it up, | 0:08:22 | 0:08:25 | |
I seen it and went, "Oh, no..." | 0:08:25 | 0:08:26 | |
And did you know what you'd done? Had you worked it out? | 0:08:26 | 0:08:29 | |
As soon as I went, "I've done inches, I've done inches." | 0:08:29 | 0:08:32 | |
I can even remember calculating it in the car, | 0:08:32 | 0:08:34 | |
thinking about people's heights | 0:08:34 | 0:08:36 | |
and then when we picked it up I thought, "Oh, no. Oh, no." | 0:08:36 | 0:08:40 | |
-How many centimetres in a foot? -30. -Yeah. How many pounds in kilogram? | 0:08:40 | 0:08:46 | |
-2.2. -See, you've got it, it's all there! Yeah, exactly. | 0:08:46 | 0:08:49 | |
I do know conversions, I'm not daft. LAUGHTER | 0:08:49 | 0:08:53 | |
I was under pressure at that point. | 0:08:53 | 0:08:55 | |
-And to be fair, to be fair... -The other two! The other two! | 0:08:55 | 0:08:58 | |
..I remember at least one of them going, "Yeah that's right, yeah, that's right." | 0:08:58 | 0:09:02 | |
And then both of them took a step back and went, | 0:09:02 | 0:09:04 | |
"Oh, I never got involved." | 0:09:04 | 0:09:05 | |
And then lift and separate. Moved away, clearly your mistake. | 0:09:05 | 0:09:08 | |
I thought this was fantastic, this is the finest thing ever. | 0:09:08 | 0:09:10 | |
I thought it was just absolutely glorious. Were you impressed? | 0:09:10 | 0:09:13 | |
It was a great moment, I mean, it was so stunningly wrong. | 0:09:13 | 0:09:16 | |
It is a good sign because... Well, it's a simple mistake to make. | 0:09:16 | 0:09:18 | |
-Come on, in business... -No, I think that's a fatal mistake. | 0:09:18 | 0:09:21 | |
That could have lost you everything. | 0:09:21 | 0:09:23 | |
If you were in business and you made that kind of mistake | 0:09:23 | 0:09:25 | |
and ordered 10,000, 100,000, whatever it is, | 0:09:25 | 0:09:27 | |
you're out of business. | 0:09:27 | 0:09:28 | |
And I would have spotted that. In a people carrier driving around Dubai, | 0:09:28 | 0:09:32 | |
when you've got eight hours to buy stuff - that's why I made the mistake. | 0:09:32 | 0:09:35 | |
But that's the pressure of business. Sometimes you make mistakes | 0:09:35 | 0:09:37 | |
-because you're under pressure. But business can be pressure. -Of course. | 0:09:37 | 0:09:41 | |
Always blame it on jetlag. | 0:09:41 | 0:09:43 | |
All right, Kurt. | 0:09:44 | 0:09:45 | |
Brace yourself, Kurt, for comments from Lord Sugar | 0:09:45 | 0:09:48 | |
and your former colleagues. | 0:09:48 | 0:09:49 | |
The first lesson of business is to make sure | 0:09:50 | 0:09:53 | |
that you choose the right product for your potential market, | 0:09:53 | 0:09:56 | |
and Kurt didn't do that. | 0:09:56 | 0:09:58 | |
I do think that the one error that's crept in here | 0:09:58 | 0:10:01 | |
is not really listening enough to the research | 0:10:01 | 0:10:04 | |
that really did indicate | 0:10:04 | 0:10:05 | |
the profile of people attending would be more senior. | 0:10:05 | 0:10:07 | |
Kurt was too busy trying to prove to Lord Sugar, | 0:10:07 | 0:10:10 | |
"I'm actually a good candidate", | 0:10:10 | 0:10:11 | |
rather than trying to get the team together | 0:10:11 | 0:10:13 | |
and ensure we do have a successful win | 0:10:13 | 0:10:15 | |
with some serious strategy behind us. | 0:10:15 | 0:10:17 | |
Quite clearly, most of what went wrong with this task | 0:10:17 | 0:10:20 | |
lies at Kurt's door. | 0:10:20 | 0:10:22 | |
And that's why Kurt had to go. | 0:10:22 | 0:10:24 | |
What's your reaction to that? | 0:10:26 | 0:10:28 | |
Yeah. I think I admitted in the boardroom | 0:10:28 | 0:10:29 | |
that it was predominantly my fault. | 0:10:29 | 0:10:31 | |
I knew where I'd made mistakes, I knew where I'd taken a chance. | 0:10:31 | 0:10:34 | |
And it didn't pay off for me, so, yeah, that was fair. | 0:10:34 | 0:10:37 | |
But you're continuing with the trade | 0:10:37 | 0:10:39 | |
that you were going to go to Lord Sugar for investment? | 0:10:39 | 0:10:42 | |
Sort of, yeah. The existing business I already had | 0:10:42 | 0:10:44 | |
really exploded in the last couple of months, | 0:10:44 | 0:10:46 | |
so I'm focused on that and we want to take it even bigger. | 0:10:46 | 0:10:49 | |
Do you have an interesting story, Phil, of how you started into this? | 0:10:49 | 0:10:52 | |
Steel, that would be an exciting thing in itself, | 0:10:52 | 0:10:54 | |
but to go from steel to building caravans, what was the leap for you? | 0:10:54 | 0:10:58 | |
OK, I caravanned as a child, thoroughly enjoyed it. | 0:10:58 | 0:11:01 | |
So I owned a steel business I've had for ten years, | 0:11:01 | 0:11:04 | |
I bought my own caravans, I've had three. | 0:11:04 | 0:11:06 | |
And baby number three came along, we had three kids, | 0:11:06 | 0:11:09 | |
and my wife just said, "Phil, these are too claustrophobic. | 0:11:09 | 0:11:11 | |
"I just feel crammed in, I don't like caravanning. | 0:11:11 | 0:11:13 | |
"I know you like the fresh air, I know you like caravanning." | 0:11:13 | 0:11:16 | |
I knew somebody that worked at Thetford, that sells the toilets into the caravan industry, | 0:11:16 | 0:11:20 | |
and he said, "You know, they do slide-outs in the States." | 0:11:20 | 0:11:22 | |
So I literally imported one from America with a slide-out | 0:11:22 | 0:11:25 | |
-and just thought... -Sorry, what's a slide-out? | 0:11:25 | 0:11:27 | |
You get a seven-foot-six caravan and the whole wall slides out two-and-a-half foot. | 0:11:27 | 0:11:31 | |
So when you get on site, it becomes ten foot. | 0:11:31 | 0:11:33 | |
That's not been done in the UK before, | 0:11:33 | 0:11:34 | |
so I thought, "Here's an opportunity." | 0:11:34 | 0:11:37 | |
Like a madman, frightened the accountant to death | 0:11:37 | 0:11:39 | |
and borrowed some money, and off we went. | 0:11:39 | 0:11:40 | |
-And you manufacture them here? -We do, up in Widnes in the UK. | 0:11:40 | 0:11:43 | |
How many do you make in a year? | 0:11:43 | 0:11:45 | |
This year about 150, next year about 400. | 0:11:45 | 0:11:48 | |
We're the sort of top end, 25 grand, so we're not the cheapest of vans. | 0:11:48 | 0:11:51 | |
But for the top end, that's quite a decent market share sector. | 0:11:51 | 0:11:54 | |
And did you look at this guy and go, | 0:11:54 | 0:11:56 | |
"I've got the steel, you've got the toilets - this could be beautiful"? | 0:11:56 | 0:11:59 | |
LAUGHTER | 0:11:59 | 0:12:00 | |
OK. We are going to ask you for your vote. | 0:12:00 | 0:12:02 | |
Do you think, when faced with those three, | 0:12:02 | 0:12:04 | |
did Lord Sugar do the right thing? Would you have voted Kurt out? | 0:12:04 | 0:12:08 | |
-On the performance on there, yes. -Jenny? | 0:12:08 | 0:12:11 | |
-Yes, I'm very sorry, Kurt, yes, I would. -That's fine. -Claude? | 0:12:11 | 0:12:15 | |
I'm not so sorry. Yes. | 0:12:15 | 0:12:17 | |
Always a bitter word from Claude. | 0:12:17 | 0:12:19 | |
Let's throw that to yourselves. | 0:12:19 | 0:12:21 | |
If you agree with Lord Sugar, hold up "Fired". | 0:12:21 | 0:12:23 | |
If you disagree, hold up "Hired". | 0:12:23 | 0:12:26 | |
Ooh! The red is hurting my eyes. | 0:12:27 | 0:12:31 | |
Thank you very, very much. OK. | 0:12:31 | 0:12:33 | |
Now, we always want to give a gift to somebody as they arrive. | 0:12:33 | 0:12:36 | |
-You think it's a flag, don't you? -I've dreamt about it. | 0:12:36 | 0:12:39 | |
-You dreamt about getting the flag? -Yeah, I've seen this happening. -You really have? | 0:12:39 | 0:12:42 | |
Are you going to have to dance off the stage with the flag around you? | 0:12:42 | 0:12:45 | |
No, we're not giving you the flag. | 0:12:45 | 0:12:48 | |
Oh, no, that would be way too obvious to give you the flag | 0:12:48 | 0:12:50 | |
while instead we could give you... | 0:12:50 | 0:12:52 | |
the chair that has... | 0:12:52 | 0:12:55 | |
LAUGHTER | 0:12:55 | 0:12:58 | |
CHEERING | 0:12:58 | 0:13:01 | |
Oh, my... It works! It works beautifully. | 0:13:01 | 0:13:04 | |
It's comfy and underneath, | 0:13:04 | 0:13:06 | |
we've actually put chicken bones, banana peel and everything in there. | 0:13:06 | 0:13:11 | |
-That's not a recycling chair. -I know, of course it's not a recycling chair. | 0:13:11 | 0:13:15 | |
I know your vision was not... | 0:13:15 | 0:13:16 | |
But look at it! Clearly this is a prototype. | 0:13:16 | 0:13:18 | |
We've only just started production, | 0:13:18 | 0:13:20 | |
we'll iron out those issues as it goes along. | 0:13:20 | 0:13:22 | |
Congratulations on reaching task seven, Kurt. | 0:13:22 | 0:13:26 | |
Here are your highlights. | 0:13:26 | 0:13:27 | |
I'm not full of rubbish. I know exactly what I want to do. | 0:13:27 | 0:13:31 | |
I want to be someone, I don't want to just be the average Joe. | 0:13:31 | 0:13:34 | |
If I know I'm right, I can convince everybody else the same. | 0:13:34 | 0:13:37 | |
Southbank Festival. 10,000 people there. | 0:13:37 | 0:13:40 | |
-I think the decision to come here was fantastic. -You're completely right. | 0:13:40 | 0:13:44 | |
-Very good indeed. -His face tells a million stories. | 0:13:44 | 0:13:48 | |
Grumpy in the mornings, but he's a really, really nice guy. | 0:13:48 | 0:13:51 | |
Extremely able in a very quiet way. | 0:13:51 | 0:13:54 | |
Congratulations, everyone! Team Endeavour. | 0:13:54 | 0:13:57 | |
I'm always looking at the next project and thinking two steps ahead. | 0:13:57 | 0:14:00 | |
Standing here right now doing nothing isn't good enough. | 0:14:00 | 0:14:04 | |
-APPLAUSE -Ladies and gentlemen, Kurt Wilson! | 0:14:06 | 0:14:09 | |
See, normally, we'd be packing up to go home about now. | 0:14:17 | 0:14:20 | |
But not this week, because Lord Sugar wasn't done. | 0:14:20 | 0:14:23 | |
Someone else's Apprentice timer had run out. | 0:14:23 | 0:14:25 | |
Natalie, you've had a hell of a lot of chances in this process | 0:14:25 | 0:14:30 | |
and you haven't proved yourself to me at all. | 0:14:30 | 0:14:34 | |
So, Natalie, you're fired. | 0:14:34 | 0:14:37 | |
Thank you for the opportunity. | 0:14:37 | 0:14:39 | |
Please welcome Natalie Panayi. | 0:14:42 | 0:14:45 | |
APPLAUSE AND CHEERING | 0:14:45 | 0:14:48 | |
Natalie, it's a pleasure to have you here. | 0:14:57 | 0:14:59 | |
If it gets too upsetting for you at any stage, | 0:14:59 | 0:15:01 | |
I'm just going to leave that there. | 0:15:01 | 0:15:04 | |
I know emotions can get volcanic as it goes along. | 0:15:04 | 0:15:09 | |
-What's your reaction to the show? -I'm obviously devastated. | 0:15:09 | 0:15:13 | |
-Absolutely devastated. -Were you gutted? Were you gutted to go out? | 0:15:13 | 0:15:16 | |
-I was really gutted, I wanted that so much. -Oh, dear. -I wanted it so much. | 0:15:16 | 0:15:20 | |
Well, listen, it was third time unlucky for you on this task. | 0:15:20 | 0:15:23 | |
The thing that you wanted was the bike... | 0:15:23 | 0:15:25 | |
-And the box. -Yes. | 0:15:25 | 0:15:26 | |
-And you didn't get either. -We didn't. | 0:15:26 | 0:15:28 | |
Leah was discussing the numbers, and perhaps you might have been... | 0:15:28 | 0:15:31 | |
It was you that continued. | 0:15:31 | 0:15:33 | |
Is there anything we could offer if we sold two bikes | 0:15:33 | 0:15:36 | |
-and we could do something? -No. | 0:15:36 | 0:15:38 | |
I tell you what I'm confused about, | 0:15:38 | 0:15:40 | |
why Natalie thinks she could have sold dozens of caravans. | 0:15:40 | 0:15:43 | |
Well, I'm in recruitment. You've seen the figures. | 0:15:43 | 0:15:45 | |
Well, so what? What's that got to do with the price of cocoa? | 0:15:45 | 0:15:48 | |
The retro camper, isn't that a bit young for the over 50s? | 0:15:48 | 0:15:52 | |
-You're the person who says in hindsight... -No... | 0:15:52 | 0:15:54 | |
It's a fair comment he makes. I've heard you say, "I did say that. | 0:15:54 | 0:15:57 | |
"I did think that. I did say that." | 0:15:57 | 0:15:58 | |
I said, "I've got an interest in fashion." That's my business idea. | 0:15:58 | 0:16:01 | |
I have to be able to choose things that other people are going to like. | 0:16:01 | 0:16:05 | |
You have the utmost confidence in yourself, don't you? | 0:16:05 | 0:16:08 | |
And yet you haven't delivered anything. | 0:16:08 | 0:16:10 | |
All right, explain to me the "but I work in recruitment"? | 0:16:13 | 0:16:16 | |
They were two sentences I've never seen. | 0:16:16 | 0:16:18 | |
"Why do you think you can sell caravans?" "I work in recruitment." | 0:16:18 | 0:16:22 | |
It was literally two random concepts put together for the first time. | 0:16:22 | 0:16:25 | |
"Why would you make a great astronaut?" "But I like bananas." | 0:16:25 | 0:16:28 | |
It was just two things pushed together. | 0:16:28 | 0:16:31 | |
-Do a lot of the people you recruit need caravans? -No. | 0:16:31 | 0:16:34 | |
I think where I was going with that is the three most important | 0:16:34 | 0:16:38 | |
decisions you make in your life - getting married, | 0:16:38 | 0:16:41 | |
buying a house, changing job. That's kind of where I was going, so... | 0:16:41 | 0:16:46 | |
I'm consultative, I can talk people into kind of changing jobs, | 0:16:46 | 0:16:48 | |
so I can sell a caravan. | 0:16:48 | 0:16:50 | |
It's a big lifestyle thing. | 0:16:52 | 0:16:53 | |
It's a lot of money you're parting with. | 0:16:53 | 0:16:55 | |
-It is. -That's kind of where I was going. | 0:16:55 | 0:16:57 | |
-I don't know if that came across. -No. No. | 0:16:57 | 0:17:00 | |
You had the seven steps between A and B. | 0:17:00 | 0:17:03 | |
And you go - phumph! - all the way to B. Therefore caravan. | 0:17:03 | 0:17:06 | |
What are you? Idiots? You can't see the link here?! | 0:17:06 | 0:17:08 | |
It's ridiculous, for God's sake. | 0:17:08 | 0:17:10 | |
What kind of person can sell a caravan? | 0:17:10 | 0:17:11 | |
Someone hungry, can relate to the customer. | 0:17:13 | 0:17:15 | |
You need to listen to the time they've been on holiday, caravanning. | 0:17:15 | 0:17:19 | |
You know, really get involved with customer | 0:17:19 | 0:17:21 | |
-and make it a personal sale. -Yes. | 0:17:21 | 0:17:22 | |
-You go through the story. -I guess. I guess. | 0:17:22 | 0:17:25 | |
I get the bit you were linking. It's like recruitment. | 0:17:25 | 0:17:27 | |
Jenny, will you? Do you...? | 0:17:29 | 0:17:31 | |
Well, I didn't understand any of the girls most of the time | 0:17:31 | 0:17:33 | |
because you seemed so cross and bad-tempered. | 0:17:33 | 0:17:35 | |
I think if you'd worn more comfortable shoes... | 0:17:35 | 0:17:39 | |
I can't... Honestly, it really made me despair. | 0:17:39 | 0:17:43 | |
Can you just wear some shoes | 0:17:43 | 0:17:44 | |
that you can actually walk in and think in at the same time?! | 0:17:44 | 0:17:48 | |
I don't understand it. I don't get it. | 0:17:48 | 0:17:50 | |
The farm shop challenge. | 0:17:50 | 0:17:52 | |
They were particularly vertiginous - is the word I would use. | 0:17:52 | 0:17:56 | |
They were like you were en pointe for the entire week. | 0:17:56 | 0:17:59 | |
-And that's not appropriate. -No, no, no. | 0:17:59 | 0:18:01 | |
But let me just explain. | 0:18:01 | 0:18:03 | |
They had a thick heel, so the weight was spread more evenly. | 0:18:03 | 0:18:07 | |
They weren't my most comfortable shoes. I mean, for high shoes. | 0:18:07 | 0:18:11 | |
So, you didn't pack a pair of pumps? | 0:18:11 | 0:18:13 | |
I did actually. I did wear one pair of pumps. | 0:18:13 | 0:18:15 | |
That was for the first task. | 0:18:15 | 0:18:16 | |
They were uncomfortable because I'm used to wearing heels. | 0:18:16 | 0:18:19 | |
It's about comfort. | 0:18:19 | 0:18:21 | |
-I don't come from the same world. -No-one's put those two concepts together. | 0:18:21 | 0:18:24 | |
I wear heels. It's about comfort. | 0:18:24 | 0:18:26 | |
I work in recruitment. Caravan. Banana. Astronaut. | 0:18:26 | 0:18:29 | |
We're making leaps constantly over all this. | 0:18:29 | 0:18:33 | |
Was it about the passion? | 0:18:33 | 0:18:35 | |
Was it about the cumulative effect of | 0:18:35 | 0:18:37 | |
-being in the boardroom a few times? -I do think so. | 0:18:37 | 0:18:39 | |
And I think, right from the start, | 0:18:39 | 0:18:41 | |
you were unnecessarily argumentative. | 0:18:41 | 0:18:43 | |
Whilst Alan Sugar does like someone who stands up for themselves, | 0:18:43 | 0:18:47 | |
I think you really went overboard and you grated. | 0:18:47 | 0:18:50 | |
You were very, very vicious. | 0:18:50 | 0:18:51 | |
And it sounds strange coming from me but, actually, I think | 0:18:51 | 0:18:55 | |
that you, you just played wrong. | 0:18:55 | 0:18:56 | |
I think you could have taken | 0:18:56 | 0:18:58 | |
a more delicate approach and succeeded. | 0:18:58 | 0:19:00 | |
I don't think that necessarily that was a game. | 0:19:00 | 0:19:02 | |
I think you get into a situation and you are like, | 0:19:02 | 0:19:05 | |
"I need to fight for my life here. And this is what I believe in." | 0:19:05 | 0:19:08 | |
I think maybe I'd been too quiet | 0:19:08 | 0:19:10 | |
on the tasks and I kind of got to a stage where was like, "Oh, my God! | 0:19:10 | 0:19:14 | |
"I need to not go now." So... | 0:19:14 | 0:19:17 | |
We have seen, in the boardroom, | 0:19:17 | 0:19:19 | |
we've seen two extremes of emotion from you, when you've been in there. | 0:19:19 | 0:19:23 | |
Being half-Greek, I can be very fiery, sometimes get very angry. | 0:19:23 | 0:19:27 | |
If people get on the wrong side of me, they feel my wrath. | 0:19:27 | 0:19:29 | |
Have you a problem working with women? | 0:19:29 | 0:19:31 | |
I think you are getting a bit carried away now. | 0:19:31 | 0:19:34 | |
You've been rude to me the whole time. You don't even... | 0:19:34 | 0:19:36 | |
You look at me as if I'm, I don't know, | 0:19:36 | 0:19:38 | |
something on the bottom of your shoe and it is disgusting. | 0:19:38 | 0:19:41 | |
When I'm under pressure, | 0:19:41 | 0:19:42 | |
if something is not going right and I can't control it, I can cry. | 0:19:42 | 0:19:46 | |
You said that I didn't have passion. I was devastated. | 0:19:46 | 0:19:49 | |
Your very last chance. I don't want to see you here again. | 0:19:49 | 0:19:53 | |
I don't care if it's unfair, it's the truth? Look me in the eyes. | 0:19:55 | 0:19:58 | |
-This is the truth. -I am looking you in the eyes. | 0:19:58 | 0:20:00 | |
-Oh, man. -She should have had some plates to smash in the boardroom. | 0:20:08 | 0:20:12 | |
-Smashing plates. -I would have been happy then. -That look at the end. | 0:20:12 | 0:20:15 | |
That look at the end. I know, I have seen that look of... | 0:20:15 | 0:20:19 | |
Just that look of, "I am so angry, I am not even talking to you. | 0:20:21 | 0:20:24 | |
"I'm that angry at you right now." | 0:20:24 | 0:20:26 | |
This was in the boardroom but I've seen that look of, | 0:20:26 | 0:20:29 | |
"You wait until we get back tonight. You just wait. | 0:20:29 | 0:20:32 | |
"Oh, you are going to pay for this in a huge way." | 0:20:32 | 0:20:35 | |
-It was vicious. It was crazy. -I know. It's business. | 0:20:35 | 0:20:40 | |
It's not business. Are you like that in the boardroom? | 0:20:40 | 0:20:43 | |
-No, not at all. -No. | 0:20:43 | 0:20:44 | |
All that Northern pragmatism about you, Phil. I don't see you crying. | 0:20:44 | 0:20:47 | |
-Have you cried in the boardroom? -Never. No. -Ever got a bit of | 0:20:47 | 0:20:50 | |
steel in your eye? I've got a bit of steel in my eye. | 0:20:50 | 0:20:52 | |
There's a little bit of a spark just there. Claude, ever cried? | 0:20:52 | 0:20:56 | |
-I've brought people to tears. -You've brought people to tears? | 0:20:56 | 0:20:59 | |
That's not what I asked you. Can I ask you, if you've...? | 0:20:59 | 0:21:02 | |
-No, I can't say that's happened to me. -OK. | 0:21:02 | 0:21:04 | |
I want to talk about your outdoorsyiness, | 0:21:04 | 0:21:06 | |
which was quite striking. | 0:21:06 | 0:21:07 | |
In this one, it was your exciting observations about | 0:21:07 | 0:21:11 | |
what that plank was in the middle of a rowing boat. | 0:21:11 | 0:21:14 | |
I still think that that's the table where you put your champagne | 0:21:16 | 0:21:19 | |
the two... Unless there's only one person in the boat. | 0:21:19 | 0:21:22 | |
-What kind of rowing trips... -You have the two people there, | 0:21:22 | 0:21:24 | |
where does the champagne and strawberries go? | 0:21:24 | 0:21:26 | |
-I thought it went there. -Champagne and strawberries?! | 0:21:26 | 0:21:30 | |
-And you're rowing and you've got the... -I know the rowing. | 0:21:30 | 0:21:34 | |
The visit to the outdoors was in the farm shop task in week four, | 0:21:34 | 0:21:37 | |
when you visited a strange | 0:21:37 | 0:21:39 | |
and foreign place known as the countryside. | 0:21:39 | 0:21:43 | |
I'm not an animal person, I've never had pets. | 0:21:43 | 0:21:45 | |
MOOING | 0:21:45 | 0:21:49 | |
Oh, my lord! That looks... | 0:21:49 | 0:21:50 | |
If I run, will they charge? | 0:21:50 | 0:21:52 | |
-Look at this horse. Um... -What horse? -Dog. No. | 0:21:52 | 0:21:56 | |
-It's not a horse, it's a cow. -Oh, my God! There's a bull. | 0:21:56 | 0:21:59 | |
Oh, my God! There's another bull behind you. | 0:21:59 | 0:22:01 | |
There's one that looks like he's going to charge, Neil. Look behind. | 0:22:01 | 0:22:04 | |
APPLAUSE | 0:22:08 | 0:22:10 | |
Do you mind if we test you just to see how you're doing on that? | 0:22:12 | 0:22:15 | |
Row one, hold up your pictures. The front row there, if you can. | 0:22:15 | 0:22:18 | |
Row one, hold up your pictures, thank you. What is that? | 0:22:18 | 0:22:21 | |
-A horse. -That's a horse. That's a number of horses. Fantastic. | 0:22:21 | 0:22:24 | |
-That's a horse. -Down. Row two. Down. Row two. Where are row two? | 0:22:24 | 0:22:27 | |
-Oh, dog. -Dog. Great. | 0:22:27 | 0:22:30 | |
Down with that. Then, finally, now we know | 0:22:30 | 0:22:32 | |
what they are... They do look different - | 0:22:32 | 0:22:34 | |
dogs in different shapes and sizes. | 0:22:34 | 0:22:37 | |
That's what's so tricksy about them. Row three. Show us, row three. | 0:22:37 | 0:22:41 | |
Cow. | 0:22:42 | 0:22:43 | |
Yes! | 0:22:43 | 0:22:45 | |
What I love about you, which is fantastic, you brought these in. | 0:22:52 | 0:22:55 | |
-We didn't. -No. -Why did you bring these into show me? | 0:22:55 | 0:22:59 | |
Well, I wanted to show you because I thought... | 0:22:59 | 0:23:02 | |
These are what I had | 0:23:02 | 0:23:03 | |
when I was younger and I remember... Look, that's a horse. | 0:23:03 | 0:23:08 | |
This is a dog which does not look like a dog. And this is a cow | 0:23:08 | 0:23:11 | |
-which looks like a sheep. So I'm kind of... -Hang on, | 0:23:11 | 0:23:14 | |
what part of the black-and-whiteness of that? | 0:23:14 | 0:23:16 | |
-Look at its face. -Its face? | 0:23:16 | 0:23:18 | |
-It's face. -It looks like a calf, to be honest. | 0:23:18 | 0:23:22 | |
It may look a bit like a sheep but it's black and white. | 0:23:22 | 0:23:24 | |
Have you ever seen... "Oh, you're him. | 0:23:24 | 0:23:27 | |
"He's the black-and-white sheep in the family." | 0:23:27 | 0:23:29 | |
So that's kind of me saying, you know, I... | 0:23:32 | 0:23:34 | |
-That this was your only experience of animals? -No. | 0:23:34 | 0:23:37 | |
You know they're bigger than this? No wonder you were surprised. | 0:23:40 | 0:23:43 | |
But they're huge. Mine must have been far away. | 0:23:43 | 0:23:47 | |
We can't put it off any longer, | 0:23:49 | 0:23:51 | |
but we do have to hear the comments, which are going to be tough, | 0:23:51 | 0:23:53 | |
but here they are from Lord Sugar and your former colleagues. | 0:23:53 | 0:23:57 | |
This is the third time that Natalie was in the firing line. | 0:23:59 | 0:24:02 | |
You get there because, clearly, | 0:24:02 | 0:24:03 | |
you haven't made any contribution to the tasks. | 0:24:03 | 0:24:07 | |
Natalie hasn't really shown | 0:24:07 | 0:24:09 | |
and was also part of the team that didn't get the electric bikes. | 0:24:09 | 0:24:13 | |
In Wales, we would say Natalie is a bit tup, which is a bit ditzy. | 0:24:13 | 0:24:16 | |
For example, we were in the boat and she was asking me if | 0:24:16 | 0:24:18 | |
the plank is actually a table for people to serve themselves from. | 0:24:18 | 0:24:21 | |
Natalie puts up a great fight in the boardroom | 0:24:21 | 0:24:24 | |
but I think that she overestimates her abilities, | 0:24:24 | 0:24:27 | |
that's why she's not the business partner for me, so she had to go. | 0:24:27 | 0:24:31 | |
Oh... | 0:24:33 | 0:24:34 | |
What's your reaction to that? | 0:24:34 | 0:24:36 | |
They're right in what they're saying but I think I'd just like to... | 0:24:36 | 0:24:39 | |
-Watch this space. -OK, that's fine. | 0:24:39 | 0:24:41 | |
You're starting off in a business. | 0:24:41 | 0:24:43 | |
Is the business a fashion business? | 0:24:43 | 0:24:45 | |
-It's a fashion business, yes. I'm wearing one. -Dresses? | 0:24:45 | 0:24:49 | |
-Women's dresses, yes. -OK, fine. -So online. | 0:24:49 | 0:24:52 | |
-Yes, fingers crossed. -OK. | 0:24:52 | 0:24:54 | |
The winning team did this so easily it's hardly worth analysing, | 0:24:55 | 0:24:59 | |
except for one thing. | 0:24:59 | 0:25:01 | |
Jason has come in for some... | 0:25:01 | 0:25:03 | |
DROWNED OUT BY CHEERING AND APPLAUSE | 0:25:03 | 0:25:05 | |
..for some criticism over the last few weeks but he nailed it tonight. | 0:25:05 | 0:25:09 | |
He nailed it, which was as surprising to us | 0:25:09 | 0:25:13 | |
as the praise was to him. | 0:25:13 | 0:25:16 | |
-See just how easy it is to slip in. -I love your style. -Ergonomic. | 0:25:16 | 0:25:20 | |
Whoo, good word. | 0:25:20 | 0:25:22 | |
INDISTINCT | 0:25:22 | 0:25:23 | |
Take care. Take care. | 0:25:25 | 0:25:28 | |
Phwoar! | 0:25:31 | 0:25:32 | |
They sold three of the folding campers. | 0:25:33 | 0:25:36 | |
Can you send Jason back in, please? | 0:25:37 | 0:25:40 | |
Could you go back into the boardroom, Jason? | 0:25:40 | 0:25:42 | |
-Don't have such a worried look on your face, Jason. -Sorry. | 0:25:53 | 0:25:56 | |
I forgot to say one of those sales was down to you. Well done. | 0:25:56 | 0:26:00 | |
-I hope to keep impressing you. -OK. | 0:26:00 | 0:26:02 | |
APPLAUSE | 0:26:02 | 0:26:04 | |
-He's sweet, isn't he? -He's so sweet, such a lovely guy. -I know. | 0:26:11 | 0:26:14 | |
And the way he walked backwards out of the room as | 0:26:14 | 0:26:16 | |
if Lord Sugar were the Queen, or something. | 0:26:16 | 0:26:19 | |
I'm dreadfully sorry. I'm dreadfully sorry. | 0:26:19 | 0:26:21 | |
I'm dreadfully sorry. I'm so sorry. And back out again. | 0:26:21 | 0:26:24 | |
Are you impressed with Jason? Were you impressed there? | 0:26:24 | 0:26:27 | |
I thought he'd sell at the caravan show | 0:26:27 | 0:26:29 | |
because he is a relational guy and, yeah, I thought | 0:26:29 | 0:26:31 | |
-direct to an end user in retail he'd sell, and he did. -And you? | 0:26:31 | 0:26:34 | |
I'd have sacked him on the spot for the teddy bear | 0:26:34 | 0:26:36 | |
because I have an absolute horror of adult men with large teddy bears. | 0:26:36 | 0:26:41 | |
Apart from that, I understood why he sold at the caravan exhibition. | 0:26:41 | 0:26:45 | |
There is a element of it's the right market for him, and that gentle... | 0:26:45 | 0:26:48 | |
People aren't looking for a hard sell in that situation. | 0:26:48 | 0:26:51 | |
I just thought he came over beautifully on this task. | 0:26:51 | 0:26:54 | |
He really came into his own and I think it's great to see him | 0:26:54 | 0:26:57 | |
perform in a way that he hasn't done before. | 0:26:57 | 0:26:59 | |
-He was good. -Yes. | 0:26:59 | 0:27:00 | |
OK. Now for your vote. It's about yourself now. | 0:27:00 | 0:27:03 | |
Phil, do you think Lord Sugar was right to fire Natalie? | 0:27:03 | 0:27:07 | |
-Yes. -Yes, you do. | 0:27:07 | 0:27:09 | |
OK. Jenny? | 0:27:09 | 0:27:10 | |
-Yes. Yes. -Claude? | 0:27:10 | 0:27:13 | |
-Reluctantly, yes. -OK. We'll throw it out to the audience. | 0:27:13 | 0:27:16 | |
If you agree with Lord Sugar, hold up "Fired". | 0:27:16 | 0:27:18 | |
If you disagree, hold up "Hired". | 0:27:18 | 0:27:19 | |
There's more green than there was earlier, that you can take from it. | 0:27:21 | 0:27:25 | |
But generally, pretty much red, I'm afraid, for that. | 0:27:25 | 0:27:28 | |
Now, as you know on this show, we do like to give a little gift. | 0:27:28 | 0:27:32 | |
So what we've got you, | 0:27:32 | 0:27:34 | |
and it's the first of its kind ever in the world, right... | 0:27:34 | 0:27:37 | |
-OK. -..it's your invention. -OK. Can I patent it? | 0:27:37 | 0:27:41 | |
Oh, yeah. It's... | 0:27:41 | 0:27:42 | |
a boat. | 0:27:42 | 0:27:43 | |
-I love that! -It's fun. It's... | 0:27:54 | 0:27:55 | |
It's exactly what people have been crying out for. | 0:27:55 | 0:27:58 | |
For your champagne, your strawberries, | 0:27:58 | 0:28:00 | |
when two of you are there. Absolutely. | 0:28:00 | 0:28:02 | |
-I will deflate that, you can take it home with you. -Thank you so much. | 0:28:02 | 0:28:05 | |
And do you know the best bit about it? Can we lift it up? | 0:28:05 | 0:28:08 | |
Can we see it? Look, look, it's got a wheel! | 0:28:08 | 0:28:10 | |
APPLAUSE | 0:28:10 | 0:28:14 | |
Natalie, you made it past the halfway mark. | 0:28:21 | 0:28:23 | |
Here are your highlights. | 0:28:23 | 0:28:24 | |
PHONE RINGS | 0:28:24 | 0:28:25 | |
'I've got bags of ambition.' Hello. | 0:28:25 | 0:28:28 | |
And I want to succeed and I would do what it takes to make it work. | 0:28:28 | 0:28:32 | |
Oh, my God! | 0:28:32 | 0:28:34 | |
Oh, my God! I didn't say thank you. | 0:28:34 | 0:28:35 | |
'I think my secret weapon would be my charm.' | 0:28:35 | 0:28:39 | |
I use it to get what I want. | 0:28:39 | 0:28:40 | |
Come and get your milk. £1 milk. Look, there you go. | 0:28:40 | 0:28:43 | |
You can just pop it down, and pop that up. £80 for you. | 0:28:43 | 0:28:47 | |
You won't get cheaper than this! | 0:28:47 | 0:28:49 | |
I'm very fiery. | 0:28:49 | 0:28:51 | |
I'm definitely ruthless. | 0:28:52 | 0:28:53 | |
I don't take any crap from anybody. | 0:28:54 | 0:28:57 | |
And I always get what I want. | 0:28:57 | 0:28:58 | |
Oh, I love it! | 0:28:58 | 0:29:00 | |
She's so small and gorgeous but she's got a fire in her belly. | 0:29:00 | 0:29:04 | |
If it doesn't work out, I'll try a different direction but keep trying. | 0:29:04 | 0:29:07 | |
Don't give up. | 0:29:07 | 0:29:09 | |
Ladies and gentlemen, Natalie Panayi. | 0:29:09 | 0:29:11 | |
Well, what a night that has been. | 0:29:16 | 0:29:19 | |
That's all we've got time for. | 0:29:19 | 0:29:20 | |
Thanks to my guests and remember to go to our website at: | 0:29:20 | 0:29:24 | |
..for loads more clips and Matt Edmondson's awkward conversations. | 0:29:25 | 0:29:29 | |
Now, next week, | 0:29:29 | 0:29:31 | |
the candidates have to create an advertising campaign | 0:29:31 | 0:29:35 | |
for a dating website. But who will catch Lord Sugar's eye | 0:29:35 | 0:29:38 | |
for all the wrong reasons? | 0:29:38 | 0:29:40 | |
In the last ten years, the online dating industry has exploded. | 0:29:40 | 0:29:45 | |
I am a woman. I don't want to go out to a bar | 0:29:46 | 0:29:48 | |
and sit there and wait for men to come and talk to me. | 0:29:48 | 0:29:51 | |
-I'd run a mile. -The first time I ever saw a picture of my wife was online. | 0:29:51 | 0:29:54 | |
-But it wasn't on the dating site. -Some people are gay. | 0:29:54 | 0:29:57 | |
-Some people are lesbian. -You're going to kiss him. | 0:29:57 | 0:30:00 | |
Bloody hell, right.. | 0:30:00 | 0:30:01 | |
It was the most disgraceful display of bad manners. | 0:30:01 | 0:30:04 | |
-I've laid on some expert website designers. -Make a decision. | 0:30:04 | 0:30:08 | |
Passion, vigour, excitement. | 0:30:09 | 0:30:11 | |
To be honest, I think it's boring. | 0:30:11 | 0:30:13 | |
I need you to impress me. | 0:30:13 | 0:30:14 | |
LAUGHTER | 0:30:17 | 0:30:19 | |
Total bloody mess. | 0:30:19 | 0:30:21 | |
They're not even the best bits. I can't wait. | 0:30:22 | 0:30:24 | |
See you at the same time next Wednesday. Good night. | 0:30:24 | 0:30:27 | |
CHEERING AND APPLAUSE | 0:30:27 | 0:30:29 | |
Subtitles by Red Bee Media Ltd | 0:30:46 | 0:30:49 |