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This was mayhem. That doesn't look good. | 0:00:02 | 0:00:04 | |
It is not rocket science. | 0:00:04 | 0:00:06 | |
Couldn't organise a piss-up in a brewery. | 0:00:06 | 0:00:08 | |
Bloody clueless. You failed. | 0:00:08 | 0:00:09 | |
You're fired. | 0:00:09 | 0:00:10 | |
You're fired. You're fired. | 0:00:10 | 0:00:12 | |
He's gone. They've killed Bambi. | 0:00:21 | 0:00:24 | |
Stop the clocks, he was my north, my south, my east, my west. | 0:00:24 | 0:00:29 | |
It's a historic and tragic event. | 0:00:29 | 0:00:31 | |
For the first time in Apprentice history, a project manager has... | 0:00:31 | 0:00:34 | |
..abdicated! | 0:00:36 | 0:00:38 | |
LAUGHTER AND APPLAUSE | 0:00:38 | 0:00:41 | |
In an event that will echo down through the ages, | 0:00:50 | 0:00:54 | |
we commemorate with a very sombre edition of The Apprentice: You're Fired. | 0:00:54 | 0:00:58 | |
Joining me to get to the bottom of an event which has shaken us to the core, | 0:00:58 | 0:01:01 | |
tonight's panel, advertising entrepreneur, Dave Buonaguidi. | 0:01:01 | 0:01:05 | |
Bestselling author, Marian Keyes. | 0:01:05 | 0:01:08 | |
And comedian Mark Watson. Welcome to You're Fired. | 0:01:08 | 0:01:12 | |
APPLAUSE AND CHEERING | 0:01:12 | 0:01:17 | |
Tonight's task of creating an advertising campaign for a dating website | 0:01:17 | 0:01:21 | |
led to one candidate being stood down by Lord Sugar. | 0:01:21 | 0:01:25 | |
Jason, you are an academic. | 0:01:25 | 0:01:28 | |
You've come here to chance your arm, | 0:01:28 | 0:01:31 | |
but I'm afraid to say that it's the end of the road, really. | 0:01:31 | 0:01:34 | |
With regret, you are fired from this process. | 0:01:34 | 0:01:38 | |
Thank you very much. | 0:01:38 | 0:01:39 | |
Please welcome Jason Leech. | 0:01:45 | 0:01:48 | |
CHEERING AND APPLAUSE | 0:01:48 | 0:01:51 | |
CHEERING AND WHISTLING | 0:01:55 | 0:01:57 | |
CHEERING CONTINUES | 0:02:03 | 0:02:06 | |
If they carry on, I'm going to have to hide under the table. | 0:02:08 | 0:02:12 | |
Are you scared now? How do you feel? | 0:02:12 | 0:02:14 | |
Are you bereft, forlorn, dolorous? | 0:02:14 | 0:02:17 | |
How do you feel at such a time? | 0:02:17 | 0:02:19 | |
I think a plain and simple word, relieved. | 0:02:19 | 0:02:21 | |
It was very nice whilst it lasted, | 0:02:21 | 0:02:24 | |
but I think I'd reached that stage where I was ready to go, actually. | 0:02:24 | 0:02:29 | |
But was it traumatic, the experience? Was it difficult? | 0:02:29 | 0:02:32 | |
By which I mean, the abdication, handing over the throne? | 0:02:32 | 0:02:36 | |
I think it was as very difficult time because it was dreadfully, | 0:02:36 | 0:02:42 | |
dreadfully serious. | 0:02:42 | 0:02:44 | |
And you have to think, what do you do when you're in that position? | 0:02:44 | 0:02:48 | |
What do you do for the best of the team? | 0:02:48 | 0:02:52 | |
The question is, when it comes to Friendships and Flowers, | 0:02:52 | 0:02:54 | |
were the women and children saved? | 0:02:54 | 0:02:56 | |
Well, in Luisa's hands, they were, by the end of it. | 0:02:56 | 0:03:02 | |
Let us note the historic precedent here, | 0:03:02 | 0:03:05 | |
the first ever project manager to relinquish his crown. | 0:03:05 | 0:03:09 | |
Why did you give up the project manager's position? | 0:03:15 | 0:03:18 | |
If I were in charge of a sinking ship, | 0:03:18 | 0:03:19 | |
my first concern would be the women and children. | 0:03:19 | 0:03:22 | |
OK. All right! | 0:03:22 | 0:03:23 | |
The team and the victory is the first and most important thing | 0:03:23 | 0:03:26 | |
and I think that Luisa does have that commanding voice. | 0:03:26 | 0:03:30 | |
-You can't change a project manager. -No. -Yes, you can. | 0:03:30 | 0:03:33 | |
Am I actually hearing this? | 0:03:33 | 0:03:34 | |
-I would like to be project manager. -I am in a nest of vipers. | 0:03:34 | 0:03:37 | |
Everybody here has blood on their lips. | 0:03:37 | 0:03:40 | |
-I took the courageous decision to make sure... -That's courageous?! | 0:03:41 | 0:03:46 | |
-I think that courage comes in many forms. -Jason, I think you've lost it. | 0:03:46 | 0:03:50 | |
Luisa, you're project manager from here on in. | 0:03:50 | 0:03:53 | |
Congratulations, because this is THE first time | 0:03:53 | 0:03:57 | |
we've had an abdication of a project manager | 0:03:57 | 0:03:59 | |
in all the years that I've been in this boardroom. | 0:03:59 | 0:04:03 | |
Total bloody mess. | 0:04:03 | 0:04:04 | |
But there was peace in our time afterwards, wasn't there? | 0:04:07 | 0:04:10 | |
You did achieve that, yes. But you were Mr Cupid in Oxford | 0:04:10 | 0:04:13 | |
and you'd set up a dating website before. | 0:04:13 | 0:04:15 | |
I didn't set it up myself, I ran the Oxford part of it. | 0:04:15 | 0:04:19 | |
It was the second largest organisation in the whole university. | 0:04:19 | 0:04:23 | |
We had thousands of members, it was very successful. | 0:04:23 | 0:04:26 | |
So it seems automatic that somebody who has experience of these things | 0:04:26 | 0:04:29 | |
should be dropped right into that sort of position of leadership. | 0:04:29 | 0:04:33 | |
And then you're lulled into this false sense of security | 0:04:33 | 0:04:37 | |
and the stress of the whole process starts to rip you apart. | 0:04:37 | 0:04:41 | |
You didn't sound as you were being lulled. At no point was what was | 0:04:41 | 0:04:45 | |
going on between you and Luisa having a lulling effect(!) | 0:04:45 | 0:04:48 | |
You were there, Dave. You saw the presentation and the work they were doing. | 0:04:48 | 0:04:53 | |
Were you shocked by the events of tonight's show? | 0:04:53 | 0:04:57 | |
The row when you walked through | 0:04:57 | 0:04:58 | |
the centre of the office, I remember seeing that. | 0:04:58 | 0:05:00 | |
Was that the talk of the office? | 0:05:00 | 0:05:02 | |
Business stopped for about three weeks. | 0:05:02 | 0:05:05 | |
It's interesting because obviously modern business tries to be | 0:05:05 | 0:05:09 | |
very collaborative and I think it's the first time | 0:05:09 | 0:05:12 | |
I've seen a row in public in our office before. | 0:05:12 | 0:05:15 | |
-So it was quite weird. -Marian, what did you feel? | 0:05:15 | 0:05:18 | |
Jason, I love you. | 0:05:18 | 0:05:19 | |
And these are sad times that we live in. | 0:05:19 | 0:05:24 | |
But I thought it was incredibly noble of you | 0:05:24 | 0:05:27 | |
and it was an audacious decision, you know, ultimately it was. | 0:05:27 | 0:05:32 | |
It could even have paid off. So I think fair play to you. | 0:05:32 | 0:05:36 | |
If we had carried on with the same setup, | 0:05:36 | 0:05:38 | |
where you have Luisa on the one hand, Neil on the other, | 0:05:38 | 0:05:42 | |
and me bearing the barrage of both, the whole ship would have sunk - | 0:05:42 | 0:05:47 | |
women, children, dogs... The lot. | 0:05:47 | 0:05:50 | |
Down at the bottom there would be a salvage operation to find | 0:05:50 | 0:05:53 | |
-whatever was left. -Mark, do you think it was a noble act? | 0:05:53 | 0:05:56 | |
Like everyone here, | 0:05:56 | 0:05:58 | |
I was crushed by the events we saw. | 0:05:58 | 0:06:00 | |
But I think the funny thing is I did agree, it was noble, | 0:06:01 | 0:06:05 | |
it was done, as Luisa said, for the greater good. | 0:06:05 | 0:06:08 | |
She said it about herself though. | 0:06:08 | 0:06:10 | |
You did the noble thing, but if you hadn't jumped, | 0:06:10 | 0:06:14 | |
there was a pair of hands ready to push you at any point. | 0:06:14 | 0:06:18 | |
And happily ready to push you. | 0:06:18 | 0:06:20 | |
I decided that it would be better that Luisa take over. | 0:06:20 | 0:06:24 | |
No, that wasn't how it happened. | 0:06:24 | 0:06:26 | |
You buckled under the pressure on the first day, gave up. | 0:06:26 | 0:06:29 | |
I'll tell you what happened, because I was there. | 0:06:29 | 0:06:31 | |
-Luisa nipped at his heels like a little terrier. -All the time. | 0:06:31 | 0:06:36 | |
Nipping the heels of a bewildered sheep. | 0:06:36 | 0:06:38 | |
And you drove him into a corner. | 0:06:38 | 0:06:40 | |
We have to make a decision and go with it. | 0:06:40 | 0:06:42 | |
-Do we want to change the grey? -We really have to make a decision. | 0:06:42 | 0:06:45 | |
Are you going to go with this? | 0:06:45 | 0:06:47 | |
It was the most disgraceful display of bad manners | 0:06:47 | 0:06:50 | |
I've seen in many a long day. | 0:06:50 | 0:06:52 | |
If we spend all day like this, | 0:06:52 | 0:06:53 | |
we'll get absolutely nothing done. Make a decision. | 0:06:53 | 0:06:56 | |
Make a decision and stick with it. | 0:06:56 | 0:06:59 | |
That's what worries me about you. | 0:06:59 | 0:07:01 | |
You browbeat this fellow. I can see how you wore him down. | 0:07:01 | 0:07:04 | |
You are not going to | 0:07:04 | 0:07:05 | |
wear me down, I promise you. | 0:07:05 | 0:07:07 | |
I feel exhausted just watching it. | 0:07:08 | 0:07:11 | |
If at any point you suffer from post-traumatic stress disorder, I'll understand. | 0:07:11 | 0:07:15 | |
By the way, the colours you chose didn't look much different. | 0:07:15 | 0:07:18 | |
You spent 45 minutes veering between really similar colours for a logo. | 0:07:18 | 0:07:22 | |
Luisa wasn't letting me veer very far. | 0:07:22 | 0:07:24 | |
It was, we want the funereal... "Listen, it's the over-50s, | 0:07:24 | 0:07:28 | |
"they are ready to die. | 0:07:28 | 0:07:31 | |
"We need to make it either black and white or just some purple, | 0:07:31 | 0:07:35 | |
"really deep purple. That's it, Jason. Do you get it?" | 0:07:35 | 0:07:38 | |
If this were a case where Luisa and I could focus together, | 0:07:38 | 0:07:42 | |
and come up with an idea, it would have happened | 0:07:42 | 0:07:44 | |
and it would have happened fast and well. | 0:07:44 | 0:07:47 | |
I think this is what's important about creative decisions, | 0:07:47 | 0:07:50 | |
that you take a little bit more time perhaps and nail it, make it right, | 0:07:50 | 0:07:54 | |
because if you get the idea right from the very beginning, | 0:07:54 | 0:07:57 | |
then it will carry you through and everything will unfold in place perfectly. | 0:07:57 | 0:08:02 | |
You had to get to a web design company and it left you | 0:08:02 | 0:08:05 | |
with a website that, with the best will in the world, looked like that. | 0:08:05 | 0:08:10 | |
And, you know... | 0:08:10 | 0:08:12 | |
John sounds like a great guy. | 0:08:13 | 0:08:17 | |
There he is. Oh, yeah, he has found love. | 0:08:17 | 0:08:19 | |
Why is he on the website if he has found love? | 0:08:19 | 0:08:22 | |
Antique collecting, yes, like old coffins and whatnot. | 0:08:22 | 0:08:26 | |
I like that his motto in life is "No regrets". | 0:08:26 | 0:08:30 | |
Oh, he drives as well, which is very important for people in their 50s | 0:08:30 | 0:08:33 | |
that they have a clean licence, for some reason. | 0:08:33 | 0:08:37 | |
One would be surprised that he CAN drive, being over 50. | 0:08:37 | 0:08:41 | |
-These are the things. -According to some judgments. | 0:08:41 | 0:08:44 | |
Marian, how did Luisa come across in this? | 0:08:44 | 0:08:46 | |
Well, I took against Luisa weeks ago, | 0:08:46 | 0:08:49 | |
which did the "Don't hate me because I'm beautiful." | 0:08:49 | 0:08:52 | |
There are ways she could have handled it. | 0:08:52 | 0:08:55 | |
She could have not made it so public and made a show of the pair of you. | 0:08:55 | 0:09:01 | |
She could have quietly said please. You now, "Can we not just..." | 0:09:01 | 0:09:05 | |
Instead of this constant, incessant wearing you down. | 0:09:05 | 0:09:09 | |
So, no, it was poor, very poor. | 0:09:09 | 0:09:12 | |
Do you agree with that? | 0:09:12 | 0:09:14 | |
Yes, I have to say I think she behaved pretty bad. | 0:09:14 | 0:09:16 | |
The whole team dynamic needs everybody to pull together | 0:09:16 | 0:09:19 | |
and back each other up, and I think you did faff | 0:09:19 | 0:09:22 | |
and I don't agree with you when you're talking about | 0:09:22 | 0:09:24 | |
sometimes you need to take time to make decisions. | 0:09:24 | 0:09:26 | |
When you've got a certain amount of time, you have to hit those targets. | 0:09:26 | 0:09:30 | |
You were two hours late for a meeting. | 0:09:30 | 0:09:31 | |
As an entrepreneur, two hours late messed you up for everything else, | 0:09:31 | 0:09:35 | |
it's pretty unacceptable. | 0:09:35 | 0:09:37 | |
But she could have been a lot more supportive, | 0:09:37 | 0:09:40 | |
but you could have pushed back. But you collapsed under it, really. | 0:09:40 | 0:09:44 | |
Luisa is a very able person, she really is. | 0:09:44 | 0:09:46 | |
I think there are times when she's very nice | 0:09:46 | 0:09:49 | |
and by the end, when we hugged, it was a very genuine thing. | 0:09:49 | 0:09:52 | |
Your relationship with Luisa has at times seemed like a very long marriage. | 0:09:52 | 0:09:58 | |
At times it was difficult to know whether you love or hate each other. | 0:09:58 | 0:10:02 | |
-Oh, thanks. -A pleasure, my dear. | 0:10:02 | 0:10:05 | |
I love Jason to bits. I can't listen to you speak any more, Jason. | 0:10:07 | 0:10:11 | |
Put little earplugs in your ears, have a snooze and I will carry on. | 0:10:11 | 0:10:15 | |
-Shall we get some pink napkins, Jason? -Yes. -They are red, babe. | 0:10:17 | 0:10:21 | |
The theme is pink and this is red. | 0:10:21 | 0:10:23 | |
-Look, this is pink. -No, Jason, this is hot pink. | 0:10:23 | 0:10:26 | |
-Oh, my God, are you going to be sick, babe? -I'm fine. | 0:10:29 | 0:10:32 | |
-Jason, squat. -OK. -Ready? Let's do it. | 0:10:32 | 0:10:36 | |
She's a very vibrant, glamorous individual. | 0:10:36 | 0:10:38 | |
SHE SNORTS | 0:10:38 | 0:10:40 | |
Let's please get that grunting! | 0:10:40 | 0:10:43 | |
HE SNORTS | 0:10:43 | 0:10:45 | |
She has wonderful, lovable aspects to her. | 0:10:48 | 0:10:52 | |
It's very true, I don't want to take any of that away from her, | 0:10:52 | 0:10:55 | |
-definitely not. -What a gent. What a gent! | 0:10:55 | 0:10:59 | |
It's true, I really can't lie. It's very hard for me. | 0:10:59 | 0:11:03 | |
-You are beautiful. -No, no, but it's true. | 0:11:03 | 0:11:07 | |
-What were you thinking? -It's like digging this huge pit for myself | 0:11:07 | 0:11:12 | |
and all I see is niceness at the bottom of it. | 0:11:12 | 0:11:15 | |
It's just like having your belly tickled. | 0:11:17 | 0:11:20 | |
What a nice picture. Fantastic. | 0:11:20 | 0:11:23 | |
We are going to enjoy the work of the fantastic advertisement | 0:11:23 | 0:11:28 | |
for Friendship and Flowers. | 0:11:28 | 0:11:30 | |
'Friendship and Flowers, the perfect way to meet new people | 0:11:30 | 0:11:35 | |
'and share your interests with budding friends. | 0:11:35 | 0:11:38 | |
'Whether you are looking for friendship or romance, | 0:11:38 | 0:11:41 | |
'our easy-to-use website dedicated to the over-50s, | 0:11:41 | 0:11:44 | |
'is a perfect way to let friendships grow roots and romance blossom.' | 0:11:44 | 0:11:48 | |
-Who would have thought Friendship... -..and Flowers... | 0:11:48 | 0:11:50 | |
..could have brought us together? | 0:11:50 | 0:11:52 | |
I found friendship and romance. | 0:11:57 | 0:11:59 | |
Join today for a one-month free trial. | 0:11:59 | 0:12:02 | |
OK, you said it was flawless at the time, the exact words you used. | 0:12:02 | 0:12:06 | |
FLOOR-less with a double O and an R. | 0:12:06 | 0:12:09 | |
Where you drop straight through the floor and the noose grabs you | 0:12:09 | 0:12:13 | |
and your head disconnects and you're just left... | 0:12:13 | 0:12:16 | |
To be fair, I thought it did have a certain grace, | 0:12:21 | 0:12:24 | |
it did have a movement, a pace. | 0:12:24 | 0:12:26 | |
It did work, I think, quite well by comparison to the other advert. | 0:12:26 | 0:12:31 | |
It was that particular wink, though, which... | 0:12:31 | 0:12:34 | |
Did we find out why the wink didn't work? | 0:12:34 | 0:12:37 | |
No offence to the lady in question. | 0:12:37 | 0:12:39 | |
I know this was Francesca's idea | 0:12:39 | 0:12:40 | |
and she pushed her to randomly choose an eye, and throw us | 0:12:40 | 0:12:44 | |
cos you'd think it would be one eye, then it was the other eye. | 0:12:44 | 0:12:47 | |
It was surprising because she turned. | 0:12:47 | 0:12:49 | |
It's got to be this eye. No, that eye. | 0:12:49 | 0:12:51 | |
That completely threw me. It was the wrong eye. | 0:12:51 | 0:12:55 | |
It was all so civilised and they were so nice to each other, | 0:12:55 | 0:12:57 | |
but then what's the link for, are they going to have sex? | 0:12:57 | 0:13:01 | |
-I... -Whichever eye it is, | 0:13:02 | 0:13:04 | |
-normally insinuates something good is going to happen. -It does, yes. | 0:13:04 | 0:13:08 | |
It might originally have been two adverts, | 0:13:08 | 0:13:10 | |
one for before the watershed and one for a very, very afterwards | 0:13:10 | 0:13:13 | |
on the XXX Channel which you had to pay... | 0:13:13 | 0:13:16 | |
far too much for. | 0:13:16 | 0:13:18 | |
Was there another F that comes after Friendship and Flowers? | 0:13:18 | 0:13:21 | |
You see the progression of it. | 0:13:24 | 0:13:27 | |
It would be impossible to see how this would be. | 0:13:27 | 0:13:29 | |
Taking your time signing up for Friendship and Flowers. | 0:13:29 | 0:13:32 | |
Well, you see, your idea, your concept, was absolutely wonderful | 0:13:32 | 0:13:36 | |
because 50 is the new 29 and you knew about 50s being vibrant. | 0:13:36 | 0:13:41 | |
I'm going to be 50 in a couple of months, | 0:13:41 | 0:13:43 | |
and the people who were on the ad looked like they'd been embalmed. | 0:13:43 | 0:13:47 | |
There was nothing for me to identify with. | 0:13:47 | 0:13:50 | |
The focus group people were noticeably ready to die - | 0:13:50 | 0:13:53 | |
as you said yourself. | 0:13:53 | 0:13:54 | |
As you were saying, "A one-month trial? | 0:13:54 | 0:13:57 | |
"I don't think I'll need that." | 0:13:57 | 0:13:59 | |
You know, I felt like that set an unhealthy precedent. | 0:14:06 | 0:14:08 | |
It wasn't Jason's fault that for the rest of the episode, | 0:14:08 | 0:14:11 | |
everyone's talked as if over 50s were a different species. | 0:14:11 | 0:14:14 | |
Francesca said, "We don't know these people, we don't know what they do. | 0:14:14 | 0:14:17 | |
"Do they have clothes like normal people? Do they go on holiday?" Over 50 is not that old. | 0:14:17 | 0:14:21 | |
I think we had a totally different idea, we were | 0:14:21 | 0:14:24 | |
going down a totally different path before the market research came in. | 0:14:24 | 0:14:28 | |
It would have been interesting to give them insights into what | 0:14:28 | 0:14:31 | |
is the difference between your brand and anybody else's brand. | 0:14:31 | 0:14:35 | |
Why would they go there instead of anybody else's? | 0:14:35 | 0:14:37 | |
You didn't go with insights, you just went there with ideas. | 0:14:37 | 0:14:40 | |
That's a different thing. | 0:14:40 | 0:14:42 | |
My problem really was, if you are trained as a historian, | 0:14:42 | 0:14:44 | |
you can't ignore the facts, and I saw market research as hard evidence. | 0:14:44 | 0:14:48 | |
I thought, if the hard evidence is telling you this, | 0:14:48 | 0:14:50 | |
you can't avoid it, there's no alternative. | 0:14:50 | 0:14:53 | |
Gut instinct in a sense is making it up as you go along | 0:14:53 | 0:14:56 | |
and maybe there is much more of that in business and advertising, | 0:14:56 | 0:15:01 | |
where you can even second-guess | 0:15:01 | 0:15:03 | |
and come up with something which is trendsetting and avant-garde. | 0:15:03 | 0:15:06 | |
-But I'm hardwired to say no, no, no. -Yes, but you are an academic. | 0:15:06 | 0:15:10 | |
-He makes stuff up professionally for a living. -I lie. -He lies all the time. | 0:15:10 | 0:15:14 | |
He could be lying right now about lying for a living, we don't know. | 0:15:14 | 0:15:18 | |
He's a strange man to bring on cos he could just make up stuff. | 0:15:18 | 0:15:20 | |
I don't even know if that's his real name. | 0:15:20 | 0:15:23 | |
I wouldn't choose a name like that if it wasn't... | 0:15:23 | 0:15:25 | |
Yes, who'd want to be Buonaguidi? But it sounds cool. I see what you did. Nice. | 0:15:25 | 0:15:29 | |
OK. Jason, your finest hour came | 0:15:29 | 0:15:32 | |
last week when you rose to the selling challenge impeccably. | 0:15:32 | 0:15:36 | |
They sold three of the folding campers. | 0:15:36 | 0:15:39 | |
Can you send Jason back in, please? | 0:15:41 | 0:15:43 | |
Could you go back into the boardroom, Jason? | 0:15:43 | 0:15:45 | |
LAUGHTER | 0:15:45 | 0:15:48 | |
Don't have such a worried look on your face, Jason. | 0:15:57 | 0:15:59 | |
I forgot to say, one of those sales was down to you. Well done. | 0:15:59 | 0:16:03 | |
-I hope to keep impressing you. -OK. | 0:16:03 | 0:16:06 | |
AUDIENCE: Aw! | 0:16:06 | 0:16:08 | |
APPLAUSE | 0:16:08 | 0:16:09 | |
-Delightful, wasn't it? -It was the best moment ever. | 0:16:15 | 0:16:19 | |
And it just goes to show, you know, | 0:16:19 | 0:16:21 | |
you are the master of the soft sell, the gently, gently approach. | 0:16:21 | 0:16:25 | |
You don't have the killer instinct and that's lovely. | 0:16:25 | 0:16:28 | |
That's something to be applauded. And you still sold a campervan. | 0:16:28 | 0:16:31 | |
I mean, he was... | 0:16:31 | 0:16:32 | |
Particularly, by the way, we did notice the, "Score." | 0:16:32 | 0:16:35 | |
She was lovely. She was lovely. She whispered sweet nothings in my ear. | 0:16:35 | 0:16:40 | |
-I was enchanted. -You were away. Yeah. -I was away. | 0:16:40 | 0:16:43 | |
You, you were away and a half there. | 0:16:43 | 0:16:45 | |
I hope she bumps into me again. | 0:16:45 | 0:16:47 | |
Ooh! | 0:16:47 | 0:16:48 | |
LAUGHTER | 0:16:48 | 0:16:50 | |
-We had... We had a whale of a time. -Oh! | 0:16:50 | 0:16:53 | |
LAUGHTER | 0:16:53 | 0:16:55 | |
-A whale of a time. -Would you start with friendship | 0:16:55 | 0:16:57 | |
and then move on to flowers? | 0:16:57 | 0:16:58 | |
LAUGHTER | 0:16:58 | 0:17:00 | |
APPLAUSE | 0:17:00 | 0:17:02 | |
-Have you enjoyed your journey with Jason? -I think he's been brilliant. | 0:17:04 | 0:17:07 | |
I think he's got real character. | 0:17:07 | 0:17:08 | |
I think you've got lots of integrity. | 0:17:08 | 0:17:10 | |
I think you could have done a lot more to help yourself | 0:17:10 | 0:17:12 | |
-but I think you are a thoroughly decent chap. -Very kind. Thank you. | 0:17:12 | 0:17:15 | |
You are the human equivalent of a scented candle. | 0:17:15 | 0:17:18 | |
LAUGHTER | 0:17:18 | 0:17:20 | |
You may not be entirely useful but you make everything seem lovely. | 0:17:20 | 0:17:24 | |
LAUGHTER | 0:17:24 | 0:17:26 | |
Jason, let's hear what Lord Sugar | 0:17:27 | 0:17:29 | |
and some of your former colleagues have to say about you. | 0:17:29 | 0:17:32 | |
I was shocked by Jason's decision | 0:17:34 | 0:17:36 | |
to abdicate as project manager. | 0:17:36 | 0:17:39 | |
This was the chance for Jason to really prove himself | 0:17:39 | 0:17:42 | |
and build on the success | 0:17:42 | 0:17:44 | |
of selling a caravan in the previous week. | 0:17:44 | 0:17:46 | |
But he allowed himself to be browbeaten and threw in the towel. | 0:17:46 | 0:17:50 | |
When someone tells you that they have got the expertise | 0:17:50 | 0:17:53 | |
and they have practically done this, why wouldn't you back them? | 0:17:53 | 0:17:55 | |
He couldn't handle the pressure. | 0:17:55 | 0:17:57 | |
He was weak in his decision-making and he is poor overall. | 0:17:57 | 0:18:02 | |
This process is about giving a wide range of people | 0:18:02 | 0:18:05 | |
the opportunity of proving they can be an entrepreneur | 0:18:05 | 0:18:08 | |
but Jason had too much to learn and, although he is | 0:18:08 | 0:18:12 | |
an awfully nice fellow, that's why I fired him. | 0:18:12 | 0:18:14 | |
Lord Sugar clearly likes you. | 0:18:16 | 0:18:17 | |
He didn't necessarily want to invest the money into you. | 0:18:17 | 0:18:20 | |
I mean, what was your business plan? | 0:18:20 | 0:18:22 | |
You know, is it property that you are in? | 0:18:22 | 0:18:24 | |
What I pitched was a property consultancy. | 0:18:24 | 0:18:27 | |
I mean, what I wanted to do was create a one-stop shop where | 0:18:27 | 0:18:30 | |
anybody walks in and they have... | 0:18:30 | 0:18:33 | |
Whatever issue that they have with property - | 0:18:33 | 0:18:35 | |
they want to move home, they want to move country, | 0:18:35 | 0:18:38 | |
they want a buy-to-let, they want to renovate, | 0:18:38 | 0:18:41 | |
whatever it is they want to do - they just go to one place and it is | 0:18:41 | 0:18:45 | |
all sorted, simple, effortlessly, without any stress whatsoever. | 0:18:45 | 0:18:50 | |
We have been speculating for weeks | 0:18:50 | 0:18:52 | |
that it was going to be something really horrible. | 0:18:52 | 0:18:54 | |
Like you own a mine of blood diamonds and are you really... | 0:18:54 | 0:18:59 | |
LAUGHTER | 0:18:59 | 0:19:00 | |
Well, that was actually the original idea. | 0:19:00 | 0:19:03 | |
But somebody said, "Do you know what? | 0:19:03 | 0:19:06 | |
"Small children, they haven't got their nails yet. | 0:19:06 | 0:19:09 | |
"They have got to grow older." | 0:19:09 | 0:19:11 | |
And I thought it, "Well, you can't wait too long, really. | 0:19:11 | 0:19:14 | |
"Let's do something different. Property, yeah." | 0:19:14 | 0:19:17 | |
OK, we are going to have a look at the winning team now. | 0:19:17 | 0:19:20 | |
When it came to the photos, | 0:19:20 | 0:19:21 | |
Leah seemed a little reluctant to give it her all. | 0:19:21 | 0:19:24 | |
-What are we going to do for a shot? -I don't know. We need a man. | 0:19:24 | 0:19:28 | |
We have to do you looking lovingly into a man's eyes. | 0:19:28 | 0:19:31 | |
The full Romeo and Juliet, yeah? | 0:19:31 | 0:19:33 | |
How about we get someone to take a photo of me and you? | 0:19:33 | 0:19:36 | |
No, Myles, we need someone who looks younger. | 0:19:36 | 0:19:39 | |
LAUGHTER | 0:19:39 | 0:19:41 | |
So, just like really happy, really jubilant. | 0:19:41 | 0:19:43 | |
So exciting and brilliant and everything is going great. | 0:19:43 | 0:19:46 | |
You're so funny. | 0:19:46 | 0:19:47 | |
-Right, maybe if you could put your arms on his shoulders. -Like this? | 0:19:49 | 0:19:53 | |
As if you are sort of going to kiss him. | 0:19:53 | 0:19:55 | |
Not like you are allergic to him. | 0:19:55 | 0:19:57 | |
Could you look a bit more wooden(?) | 0:19:57 | 0:19:59 | |
What? | 0:19:59 | 0:20:00 | |
LAUGHTER | 0:20:00 | 0:20:01 | |
You were wonderful. | 0:20:01 | 0:20:03 | |
-That one, you are like this. -I thought it was really natural. | 0:20:03 | 0:20:07 | |
It's like he smelt of poo or something. | 0:20:07 | 0:20:09 | |
Leah looking giddy. Not how we normally see her. | 0:20:13 | 0:20:16 | |
Did she do well in this task? | 0:20:16 | 0:20:18 | |
I think she was very good at that kind of process stuff. | 0:20:18 | 0:20:20 | |
I think what she lacks is, obviously as she showed there, | 0:20:20 | 0:20:23 | |
-being empathetic and emotional. -And Mr Monaco, Myles? | 0:20:23 | 0:20:27 | |
Ah, he's fantastic. | 0:20:27 | 0:20:28 | |
I mean, there is so much to dislike about him, you know. | 0:20:28 | 0:20:32 | |
There is the tan, there is the Monaco-ness, you know. | 0:20:32 | 0:20:35 | |
There is the 39-year-old-ness. | 0:20:35 | 0:20:37 | |
I think it'll be many, many years | 0:20:37 | 0:20:39 | |
before he celebrates his 40th birthday. | 0:20:39 | 0:20:42 | |
But yet he does the job and he is likeable | 0:20:42 | 0:20:45 | |
-and he is slick without being oily. -That's very true. But how...? | 0:20:45 | 0:20:48 | |
-I think he is one of the most investable characters. -Leah? | 0:20:48 | 0:20:51 | |
Leah, I think, is very able as well | 0:20:51 | 0:20:53 | |
and I think Leah will go far in whatever she does. | 0:20:53 | 0:20:56 | |
I think she has got | 0:20:56 | 0:20:57 | |
a very interesting business proposition as well. | 0:20:57 | 0:21:00 | |
OK. Well, Jordan said something we weren't expecting to hear. | 0:21:00 | 0:21:02 | |
Jordan finally revealed the inner pain that drives him. | 0:21:02 | 0:21:06 | |
I am a woman who works really long hours in the City | 0:21:06 | 0:21:09 | |
and I don't want to have to go out to a bar and sit there | 0:21:09 | 0:21:12 | |
and wait for men to come and talk to me. | 0:21:12 | 0:21:14 | |
I want to be able to go onto a website | 0:21:14 | 0:21:15 | |
and choose the people I want to interact with | 0:21:15 | 0:21:17 | |
because I am a strong, sexually liberated and high-powered woman. | 0:21:17 | 0:21:21 | |
Marian, please tell me, as the only woman on the panel here, | 0:21:21 | 0:21:24 | |
did that speak to you on a profound level? No. OK. | 0:21:24 | 0:21:29 | |
He's won seven out of eight tasks. | 0:21:29 | 0:21:31 | |
I thought he did very well getting out of your team. | 0:21:31 | 0:21:33 | |
I mean, he had a real result there. But, in a way, he did really well. | 0:21:33 | 0:21:38 | |
Whether he delegated or not, | 0:21:38 | 0:21:40 | |
he got everybody to do what they needed to do and he won. | 0:21:40 | 0:21:43 | |
He is a very safe pair of hands. Very, very safe pair of hands. | 0:21:43 | 0:21:46 | |
Alex. Alex. Oi! | 0:21:46 | 0:21:48 | |
Alex, as ever, was keen to offer | 0:21:48 | 0:21:51 | |
what we call in the industry a strong visual. | 0:21:51 | 0:21:54 | |
You have to show someone turning up who doesn't look like you | 0:21:54 | 0:21:58 | |
thought they would like and they act and they're just really annoying. | 0:21:58 | 0:22:02 | |
-We have got Alex on our team. -Would he be the bad date? | 0:22:02 | 0:22:05 | |
He is brilliant for that. He is literally made for that role. | 0:22:05 | 0:22:08 | |
-I just don't... I don't know. -He is the Welsh Mr Bean. | 0:22:08 | 0:22:12 | |
MUSIC: "Romeo" by Petula Clark | 0:22:16 | 0:22:18 | |
Do you want a bit of this? | 0:22:18 | 0:22:20 | |
I'm Herbert. | 0:22:20 | 0:22:22 | |
# Why am I so in love with you? | 0:22:22 | 0:22:27 | |
# Are you mine...? # | 0:22:28 | 0:22:33 | |
HE BREAKS WIND LOUDLY | 0:22:33 | 0:22:34 | |
# ..Or only my Romeo? # | 0:22:34 | 0:22:38 | |
I'm supposed to be a scary thing | 0:22:38 | 0:22:40 | |
so if it scaring people, it's working. | 0:22:40 | 0:22:41 | |
-Don't... Don't scare the kids. -Morning. | 0:22:41 | 0:22:45 | |
-Chinese water torture after this. -Yes, it was. | 0:22:49 | 0:22:52 | |
Don't have nightmares, people. Do you need someone like Alex? | 0:22:52 | 0:22:54 | |
Do you need someone is going to be gung ho and take on the silly roles? | 0:22:54 | 0:22:57 | |
I think so. I think he's brilliant. | 0:22:57 | 0:23:00 | |
He is mad and looks like a vampire, which kind of helps, I think, | 0:23:00 | 0:23:04 | |
if you have got something that makes you more memorable. | 0:23:04 | 0:23:07 | |
But I think, you know, at least he dives in and gets involved. | 0:23:07 | 0:23:09 | |
He loves to get involved. What are we selling? Milk? Take my milk! | 0:23:09 | 0:23:13 | |
He is so route one. | 0:23:13 | 0:23:14 | |
Just give him something and you will yell at people until they buy it. | 0:23:14 | 0:23:17 | |
-DAVE: -You can't dislike him. -But they won't elect him ever to be team leader. -MARIAN: -Why is that? | 0:23:17 | 0:23:21 | |
-It's probably worth it... -Because of that. | 0:23:21 | 0:23:24 | |
Because of eyes and the, "Mmmmyehh." | 0:23:24 | 0:23:26 | |
That stuff. No-one looks up to that. | 0:23:26 | 0:23:28 | |
It's great to have, it's funny, yeah. | 0:23:28 | 0:23:30 | |
Go on, you get mascara-ed up and act like a freak in a park. | 0:23:30 | 0:23:33 | |
-That's not like the key to success. -I misheard him. | 0:23:33 | 0:23:36 | |
When he said, "I'm Herbert," I thought he said, "I'm a pervert." | 0:23:36 | 0:23:39 | |
Perfectly plausible. | 0:23:41 | 0:23:42 | |
On an advertising level, by the way, that ad? | 0:23:42 | 0:23:45 | |
I'll tell you what was nice. | 0:23:45 | 0:23:46 | |
At least it had an insight that was very real, about bad dates. | 0:23:46 | 0:23:50 | |
It had... The most memorable aspect of it all, which was Herbert. | 0:23:50 | 0:23:54 | |
Personally, I mean, it was a pretty cruddy idea. | 0:23:54 | 0:23:58 | |
But at least they went for it. | 0:23:58 | 0:23:59 | |
OK, in last week's episode, Jason, | 0:23:59 | 0:24:01 | |
we caught sight of your special friend. | 0:24:01 | 0:24:03 | |
PHONE RINGS | 0:24:03 | 0:24:05 | |
'Lord Sugar is sending you on a business trip to meet | 0:24:05 | 0:24:07 | |
'a client in Dubai.' | 0:24:07 | 0:24:10 | |
Bloody hell. Two-day business trip. Pack your bags. | 0:24:10 | 0:24:14 | |
Somebody find my teddy bear. | 0:24:14 | 0:24:16 | |
MUSIC: "Teddy Bears' Picnic" by Henry Hall & His Orchestra | 0:24:16 | 0:24:19 | |
You have returned back to me. | 0:24:19 | 0:24:20 | |
PHONE RINGS | 0:24:21 | 0:24:23 | |
'Please pack an overnight bag.' | 0:24:23 | 0:24:25 | |
Pack an overnight bag. | 0:24:25 | 0:24:27 | |
Overnight bag. What do we need? Most important thing - big teddy. | 0:24:28 | 0:24:31 | |
We have been together for many, many years. | 0:24:32 | 0:24:35 | |
He has helped me through | 0:24:35 | 0:24:37 | |
many emotional difficulties | 0:24:37 | 0:24:39 | |
and has provided great support. | 0:24:39 | 0:24:42 | |
I don't think I could have become | 0:24:42 | 0:24:44 | |
the person that I am without him. | 0:24:44 | 0:24:46 | |
What I think is particularly sweet is that he is here with us tonight. | 0:24:49 | 0:24:52 | |
APPLAUSE | 0:24:52 | 0:24:54 | |
And he is wearing a tie especially for the show, as well. | 0:25:01 | 0:25:03 | |
Yes, of course, of course. | 0:25:03 | 0:25:05 | |
Um... | 0:25:05 | 0:25:07 | |
I'm not interviewing the bear. | 0:25:07 | 0:25:09 | |
LAUGHTER | 0:25:09 | 0:25:10 | |
OK, there are only four weeks left now. | 0:25:10 | 0:25:12 | |
I'm going to go to you and think who do you think will make the final? | 0:25:12 | 0:25:15 | |
Dave, who do you think will make the final of those who are left? | 0:25:15 | 0:25:18 | |
-I like Myles. -Yeah. -He's beautiful. -He is ripped as well. | 0:25:18 | 0:25:24 | |
He is ripped. He lives in Monaco. He's everything I wish I was. | 0:25:24 | 0:25:27 | |
-Anyone else? -Leah. I'd like her to win. I think she is... | 0:25:27 | 0:25:31 | |
I like her drive and her ambition. | 0:25:31 | 0:25:33 | |
I think she could learn a lot and, I suppose, | 0:25:33 | 0:25:35 | |
that's the whole process of this whole thing is we all try | 0:25:35 | 0:25:37 | |
and work out what we can get better at | 0:25:37 | 0:25:39 | |
but I think she has got a really interesting nugget. | 0:25:39 | 0:25:42 | |
OK. Marian? | 0:25:42 | 0:25:44 | |
Jordan, I think, because he has done nothing wrong. | 0:25:44 | 0:25:46 | |
And I really like Alex. I think individuality should be rewarded. | 0:25:46 | 0:25:52 | |
He marches to the beat of his own drum. Give him a go. | 0:25:52 | 0:25:55 | |
It's very easy to say about somebody else's money, that, isn't it? | 0:25:57 | 0:26:00 | |
-Mark. -I agree. Alex would be a great finalist. | 0:26:00 | 0:26:03 | |
That might be the only way he gets to the project manager, as well. | 0:26:03 | 0:26:07 | |
DARA LAUGHS | 0:26:07 | 0:26:09 | |
Of the women, I think Leah is the most likely finalist. | 0:26:09 | 0:26:11 | |
Now, I don't think it can be Francesca cos her face is so angry. | 0:26:11 | 0:26:14 | |
If you came in and she had been delayed on the Tube or | 0:26:14 | 0:26:17 | |
something, you would think she was about to shoot you. | 0:26:17 | 0:26:19 | |
And I think Luisa | 0:26:19 | 0:26:21 | |
and Francesca will ultimately kill each other, leaving Leah. | 0:26:21 | 0:26:23 | |
So I think... See, I did like... | 0:26:23 | 0:26:26 | |
This is how much of a Jason fan I am. | 0:26:26 | 0:26:28 | |
I came in here quite liking Neil. But when I saw that he was | 0:26:28 | 0:26:30 | |
mean about him and said overall he was poor, Neil is dead to me now. | 0:26:30 | 0:26:34 | |
LAUGHTER | 0:26:34 | 0:26:35 | |
APPLAUSE | 0:26:35 | 0:26:37 | |
Now, we are going to put you to the vote. Back to Jason here. | 0:26:42 | 0:26:45 | |
Would you have fired him in that circumstance? | 0:26:45 | 0:26:48 | |
You are a nice guy but you had to go. | 0:26:48 | 0:26:52 | |
Marian? | 0:26:52 | 0:26:54 | |
I still love you. | 0:26:54 | 0:26:56 | |
-HE MOUTHS -But, yes, you're too good for this. | 0:26:56 | 0:27:00 | |
Mark? | 0:27:00 | 0:27:01 | |
I think he had to be fired after what we'll call | 0:27:01 | 0:27:03 | |
-the abdication. Yeah. -OK, over to the audience, here. | 0:27:03 | 0:27:07 | |
If you agree with Lord Sugar, hold up "fired", | 0:27:07 | 0:27:09 | |
if you disagree, hold up "hired". | 0:27:09 | 0:27:11 | |
Red! Red! | 0:27:11 | 0:27:13 | |
I think that is green. It's "hired". | 0:27:13 | 0:27:15 | |
CHEERING | 0:27:15 | 0:27:17 | |
Even though you, yourself, would have fired you, you say. | 0:27:18 | 0:27:21 | |
LAUGHTER | 0:27:21 | 0:27:22 | |
Listen, we were wondering what to get you for some time | 0:27:22 | 0:27:25 | |
and we thought, "No man is louche as you can ever have enough pyjamas." | 0:27:25 | 0:27:30 | |
So we got a very special part of royal pyjamas but on the back | 0:27:30 | 0:27:34 | |
it says, "I did it for the good of my team." | 0:27:34 | 0:27:38 | |
APPLAUSE | 0:27:38 | 0:27:39 | |
CHEERING | 0:27:39 | 0:27:41 | |
I shall wear them with great pride and I shall always walk backwards when I'm wearing them. | 0:27:50 | 0:27:54 | |
Just imagine you are in front of Lord Sugar, | 0:27:54 | 0:27:56 | |
cos you walked backwards when you left him as well. | 0:27:56 | 0:27:58 | |
Disappeared like he was the Queen or something. | 0:27:58 | 0:28:00 | |
Jason, you have been a real favourite throughout this series. | 0:28:00 | 0:28:03 | |
We have an embarrassment of riches for your highlights. | 0:28:03 | 0:28:06 | |
Jack of all trades, that's me. I can even do a little dance. | 0:28:06 | 0:28:09 | |
We'll do a tango, my dear. | 0:28:09 | 0:28:11 | |
I'm not run of the mill, that's for sure. | 0:28:14 | 0:28:17 | |
My mum would love him and all her friends at patchwork class. | 0:28:17 | 0:28:19 | |
You seem an awfully nice fellow. | 0:28:19 | 0:28:21 | |
I'm nice, really. | 0:28:21 | 0:28:22 | |
My dear, love is what it's all about. | 0:28:22 | 0:28:25 | |
I have pedigree, I have sophistication. | 0:28:25 | 0:28:28 | |
Are you not ecstatic? | 0:28:28 | 0:28:29 | |
I'd be delighted. | 0:28:29 | 0:28:30 | |
-Can I tempt you with two or three? -OK. | 0:28:30 | 0:28:33 | |
Take this. Hold this. Move there. | 0:28:33 | 0:28:35 | |
Don't sit. Mount the steps. | 0:28:35 | 0:28:36 | |
Not you, Jordan, | 0:28:36 | 0:28:38 | |
somebody average-sized. | 0:28:38 | 0:28:39 | |
I can blend into any environment. | 0:28:39 | 0:28:41 | |
A big bird. | 0:28:41 | 0:28:42 | |
And you put it on your arm and it flies away. | 0:28:42 | 0:28:45 | |
Go on. | 0:28:45 | 0:28:47 | |
Onwards. | 0:28:48 | 0:28:49 | |
Jason is an ama... He's a good boy. | 0:28:49 | 0:28:51 | |
We are going to run like hell. | 0:28:52 | 0:28:54 | |
LAUGHTER | 0:28:59 | 0:29:00 | |
APPLAUSE | 0:29:00 | 0:29:01 | |
Ladies and gentlemen, Jason Leech. | 0:29:01 | 0:29:03 | |
CHEERING | 0:29:03 | 0:29:05 | |
And that's it for tonight. Thanks to all of my guests. | 0:29:13 | 0:29:16 | |
Now some exciting news for all budding and current entrepreneurs. | 0:29:16 | 0:29:19 | |
If you've got a great business idea | 0:29:19 | 0:29:21 | |
and would like the opportunity to be Lord Sugar's business partner | 0:29:21 | 0:29:24 | |
next year, go to our website at bbc.co.uk/apprentice, | 0:29:24 | 0:29:27 | |
where you will find all the details on how to apply. | 0:29:27 | 0:29:30 | |
You will be in with a chance of securing | 0:29:30 | 0:29:32 | |
a quarter of a million pound investment so, please, give it a go. | 0:29:32 | 0:29:35 | |
In the tradition of royal souvenirs, | 0:29:35 | 0:29:36 | |
the Apprentice Times front page is also on our website, where you can | 0:29:36 | 0:29:40 | |
print it out and keep it as a keepsake of this momentous occasion. | 0:29:40 | 0:29:43 | |
It's the sort of thing we know you'll want to show your children | 0:29:43 | 0:29:46 | |
and grandchildren in years to come. | 0:29:46 | 0:29:48 | |
Next week's task, to create a new ready meal, | 0:29:48 | 0:29:51 | |
leaves one candidate not being to Lord Sugar's taste. | 0:29:51 | 0:29:54 | |
The ready meal market is worth over a billion pounds per year. | 0:29:54 | 0:29:58 | |
-I sure as hell can't cook. -I don't cook stir-fries. | 0:29:58 | 0:30:00 | |
I don't like healthy, horrible food. | 0:30:00 | 0:30:02 | |
Bat's blood. Zombie's eyeballs. | 0:30:02 | 0:30:04 | |
Dracula's dinners. | 0:30:04 | 0:30:05 | |
Dracula Bolognese at Christmas. | 0:30:05 | 0:30:07 | |
-The food looks powerful. If it tastes powerful... -We've done it. | 0:30:07 | 0:30:12 | |
I don't know what pasata is. Patatas? | 0:30:12 | 0:30:14 | |
Homicidal hummus. | 0:30:16 | 0:30:18 | |
Let's not reinvent the wheel. | 0:30:18 | 0:30:20 | |
It's horrible. | 0:30:21 | 0:30:22 | |
See you next Wednesday at 10pm. Good night. | 0:30:24 | 0:30:27 | |
CHEERING | 0:30:27 | 0:30:29 | |
Subtitles by Red Bee Media Ltd | 0:30:35 | 0:30:39 |