Browse content similar to Corporate Candy. Check below for episodes and series from the same categories and more!
Line | From | To | |
---|---|---|---|
I'm not here to make any friends. | 0:00:02 | 0:00:03 | |
The process is not personal. | 0:00:03 | 0:00:06 | |
It is business. | 0:00:06 | 0:00:07 | |
Lord Sugar is on the lookout for a brand-new business partner. | 0:00:09 | 0:00:13 | |
It is a very competitive situation, | 0:00:13 | 0:00:16 | |
I need to see who has got a good business brain. | 0:00:16 | 0:00:19 | |
Fighting it out for his funding... | 0:00:20 | 0:00:22 | |
..18 aspiring tycoons. | 0:00:24 | 0:00:28 | |
Not one of you geniuses ran this thing properly. | 0:00:28 | 0:00:31 | |
I feel so angry! | 0:00:31 | 0:00:33 | |
You're coming across a bit thick. | 0:00:33 | 0:00:35 | |
At stake, a quarter of a million pounds... | 0:00:35 | 0:00:39 | |
..and a 50-50 deal with a business heavyweight. | 0:00:40 | 0:00:45 | |
Your best hope for 250 grand is to buy yourself a scratchcard. | 0:00:45 | 0:00:49 | |
-Yeah, yeah, yeah, go, go, go. -Run, come on! | 0:00:49 | 0:00:51 | |
It's an investment worth fighting for. | 0:00:51 | 0:00:54 | |
Please stop talking, please, for the love of God, stop talking. | 0:00:54 | 0:00:58 | |
We're meant to be grown-up women, we're acting like schoolgirls. | 0:00:58 | 0:01:02 | |
18 candidates... | 0:01:02 | 0:01:03 | |
I'm not getting angry, I'm telling you my point, cos you're not listening. | 0:01:03 | 0:01:06 | |
-Boom. -Smashed it. | 0:01:06 | 0:01:08 | |
..12 testing weeks... | 0:01:08 | 0:01:10 | |
This is getting really, really childish now. | 0:01:10 | 0:01:13 | |
If I was project manager, I'd be trying to motivate my team. | 0:01:13 | 0:01:15 | |
So that's not cool? | 0:01:15 | 0:01:16 | |
..one life-changing opportunity. | 0:01:16 | 0:01:19 | |
You're fired. You're fired. | 0:01:19 | 0:01:21 | |
You are a loose cannon. | 0:01:21 | 0:01:23 | |
You're fired. | 0:01:23 | 0:01:24 | |
Previously on The Apprentice... | 0:01:32 | 0:01:34 | |
I want you to come up with an advertising campaign for jeans. | 0:01:34 | 0:01:38 | |
..a foray into fashion. | 0:01:38 | 0:01:40 | |
-Emojeans. -Emojeans! | 0:01:40 | 0:01:42 | |
-I love that. -I'm sorry, I'm going to kind of veto that. | 0:01:42 | 0:01:45 | |
Led by Mukai... | 0:01:45 | 0:01:46 | |
They should be here by now. | 0:01:46 | 0:01:47 | |
This is the Vodafone voice... | 0:01:47 | 0:01:48 | |
-This is a joke. -Hey! | 0:01:48 | 0:01:50 | |
..the boys wasted time... | 0:01:50 | 0:01:51 | |
-Is there a six-pack under there? -Yeah. -Thank you. | 0:01:51 | 0:01:55 | |
..missed deadlines... | 0:01:55 | 0:01:56 | |
We haven't got the full advert. | 0:01:56 | 0:02:00 | |
..and got hot under the collar. | 0:02:00 | 0:02:01 | |
I'm going to tell you what I want to tell you and you have to listen. | 0:02:01 | 0:02:05 | |
Let me finish, please. | 0:02:05 | 0:02:06 | |
On the girls' team... | 0:02:06 | 0:02:07 | |
Where the hell are the jeans? | 0:02:07 | 0:02:08 | |
..project manager Jessica came apart at the seams. | 0:02:08 | 0:02:13 | |
-Sorry. -She just lost the plot! | 0:02:13 | 0:02:15 | |
And the brand was ripped to shreds. | 0:02:15 | 0:02:18 | |
I'm just not sure it says luxury. | 0:02:18 | 0:02:20 | |
Probably mixed messages there for me. | 0:02:20 | 0:02:22 | |
In the boardroom... | 0:02:22 | 0:02:24 | |
They're useless. | 0:02:24 | 0:02:25 | |
Both totally, absolutely useless. | 0:02:25 | 0:02:28 | |
..both teams were hung out to dry. | 0:02:28 | 0:02:31 | |
I feel so angry! There's no winner here. | 0:02:31 | 0:02:34 | |
Six candidates were in the line of fire. | 0:02:34 | 0:02:37 | |
Karthik, you are a loose cannon. | 0:02:37 | 0:02:40 | |
But both project managers were let off the hook. | 0:02:40 | 0:02:43 | |
On day two I pulled it back together and I came back fighting. | 0:02:43 | 0:02:45 | |
You'd better up your game on the next task. | 0:02:45 | 0:02:48 | |
And while Alana was worn down... | 0:02:48 | 0:02:50 | |
I don't feel I'm in the background, this is so embarrassing. | 0:02:50 | 0:02:53 | |
You are struggling. | 0:02:53 | 0:02:55 | |
..it was Natalie... | 0:02:55 | 0:02:56 | |
I gave my input, I done the best I can. | 0:02:56 | 0:02:58 | |
..who became the second casualty of the boardroom. | 0:02:58 | 0:03:01 | |
You've been quiet, you're fired. | 0:03:01 | 0:03:03 | |
Now 16 remain, | 0:03:03 | 0:03:06 | |
to fight for the chance to become Lord Sugar's business partner. | 0:03:06 | 0:03:10 | |
5am. | 0:03:22 | 0:03:24 | |
-Hello? -'Lord Sugar would like you to meet him | 0:03:24 | 0:03:26 | |
'at the Drury Lane Theatre Royal. | 0:03:26 | 0:03:28 | |
'The cars will be leaving in 30 minutes.' | 0:03:28 | 0:03:30 | |
Thank you. Bye. | 0:03:30 | 0:03:32 | |
Drury Lane, 30 minutes. | 0:03:32 | 0:03:34 | |
You bunch of losers, get out of your beds, let's go. | 0:03:34 | 0:03:37 | |
I know Drury Lane, but I can't think of it right now. | 0:03:37 | 0:03:40 | |
For some reason my brain is not working. | 0:03:40 | 0:03:43 | |
Drury Lane Theatre. | 0:03:43 | 0:03:44 | |
Do you know that place? | 0:03:44 | 0:03:46 | |
I know it's a theatre. | 0:03:46 | 0:03:47 | |
Karthik, you've got, like, ten minutes. | 0:03:49 | 0:03:51 | |
Yes. | 0:03:51 | 0:03:53 | |
How horrific was that boardroom? I'm not going back in there. | 0:04:02 | 0:04:05 | |
I just absolutely went to pieces. | 0:04:05 | 0:04:08 | |
-Absolutely. -Did you? | 0:04:08 | 0:04:09 | |
Theatre Royal, Drury Lane. | 0:04:12 | 0:04:14 | |
Originally built in 1663. | 0:04:16 | 0:04:18 | |
-Good morning. -ALL: -Good morning, Lord Sugar. | 0:04:43 | 0:04:45 | |
Now, this theatre is home to the musical | 0:04:45 | 0:04:49 | |
Charlie And The Chocolate Factory. | 0:04:49 | 0:04:52 | |
The lead character, Willy Wonka, | 0:04:52 | 0:04:54 | |
was an eccentric sweet manufacturer. | 0:04:54 | 0:04:57 | |
He was creative, he was a risk-taker and, more importantly, | 0:04:57 | 0:05:01 | |
he understood what his customers wanted. | 0:05:01 | 0:05:03 | |
So, for your next task, I want you | 0:05:03 | 0:05:06 | |
to design and manufacture | 0:05:06 | 0:05:08 | |
your own range of sweets, | 0:05:08 | 0:05:10 | |
which you're going to sell to the public and trade | 0:05:10 | 0:05:14 | |
in the seaside town of Brighton. | 0:05:14 | 0:05:16 | |
The team that makes the most profit will win and, as usual, | 0:05:16 | 0:05:20 | |
in the losing team, at least one of you will be fired. | 0:05:20 | 0:05:25 | |
Now we're going to mix the teams up a little bit. | 0:05:25 | 0:05:28 | |
Alana, Jessica and Trishna, you're going to move over to Titan. | 0:05:28 | 0:05:33 | |
Oliver, Paul, Karthik and Mukai, you're going to move over to Nebula. | 0:05:33 | 0:05:39 | |
Alana, you're in the bakery business | 0:05:42 | 0:05:44 | |
and I think it's time for you to perform now. | 0:05:44 | 0:05:47 | |
You need to be the project manager on this task. | 0:05:47 | 0:05:50 | |
Oliver, you don't make sweets, but you do manufacture food | 0:05:51 | 0:05:55 | |
and therefore I think you are the right project manager for Nebula. | 0:05:55 | 0:06:00 | |
I would like to reflect back to last week's diabolical task. | 0:06:00 | 0:06:05 | |
I thought I was talking to a lot of brain-deads. | 0:06:05 | 0:06:08 | |
And we cannot have that again this time. | 0:06:08 | 0:06:11 | |
-Is that clear? -ALL: -Yes, Lord Sugar. | 0:06:11 | 0:06:14 | |
OK, off you go. | 0:06:14 | 0:06:15 | |
Two days to make a tasty profit from tempting treats. | 0:06:17 | 0:06:21 | |
Today, teams must mass-produce their sweets, | 0:06:24 | 0:06:27 | |
tomorrow push them to the public and businesses in Brighton. | 0:06:27 | 0:06:32 | |
So, when I was 16, I taught myself how to make chocolates, | 0:06:34 | 0:06:37 | |
I'm a self-taught chocolatier, | 0:06:37 | 0:06:38 | |
so, hopefully you've all got confidence in me. | 0:06:38 | 0:06:41 | |
-Yeah. -100%. -Amazing. | 0:06:41 | 0:06:42 | |
The people of Brighton, they love unusual stuff, | 0:06:42 | 0:06:46 | |
they love things that are different and we can make it cool. | 0:06:46 | 0:06:49 | |
We can do cocktails. | 0:06:49 | 0:06:51 | |
While project manager Alana pitches contemporary candies... | 0:06:51 | 0:06:55 | |
We can engage with people, like, "Do you want to do a shot?" | 0:06:55 | 0:06:57 | |
-"Wow, it's actually a sweet." That sort of thing. -Yeah. | 0:06:57 | 0:07:00 | |
OK, guys. Great to be working with you all. | 0:07:00 | 0:07:04 | |
..next door... | 0:07:04 | 0:07:06 | |
One quick thing, the seaside town is becoming really more fashionable. | 0:07:06 | 0:07:10 | |
..sausage supremo Oliver considers traditional sweets. | 0:07:10 | 0:07:15 | |
OK, I think "beside the seaside" themed sweets, OK? | 0:07:15 | 0:07:20 | |
-Sure? -It's up to you. | 0:07:20 | 0:07:22 | |
Yes. Especially Brighton. OK. | 0:07:22 | 0:07:25 | |
Next job... | 0:07:25 | 0:07:26 | |
So, right, I'm going to split the teams. | 0:07:26 | 0:07:30 | |
..decide who cooks up the candy in the kitchen... | 0:07:30 | 0:07:34 | |
I'm going to lead the manufacturing side. | 0:07:34 | 0:07:36 | |
..and who is on the corporate sales team. | 0:07:36 | 0:07:39 | |
Paul, do you think pitching to the sort of corporate company, | 0:07:39 | 0:07:43 | |
-would that...? -Er, I'll go wherever you want me, | 0:07:43 | 0:07:46 | |
I think I'd like to maybe work a bit closer with you | 0:07:46 | 0:07:48 | |
to give you the support, so where you are, | 0:07:48 | 0:07:51 | |
-I'd like to be. -That sounds good, I'm happy with that. | 0:07:51 | 0:07:54 | |
OK. So, um...I'm going to go with...Mukai | 0:07:54 | 0:07:58 | |
to manage the... | 0:07:58 | 0:08:01 | |
the... Yeah, the, er...obviously not the manufacturing, the pitching. | 0:08:01 | 0:08:06 | |
We're going to Brighton to do the corporate client pitch. | 0:08:07 | 0:08:10 | |
-OK? -Yeah. | 0:08:10 | 0:08:12 | |
Organising her team, Alana. | 0:08:12 | 0:08:15 | |
Has anyone got any reservations to go to corporate? | 0:08:15 | 0:08:18 | |
I strongly want to be in the corporate side. | 0:08:18 | 0:08:20 | |
I'm not comfortable in the kitchen. | 0:08:20 | 0:08:22 | |
-Yeah. -I've got a wife who cooks for me, so... | 0:08:22 | 0:08:25 | |
Um, OK. | 0:08:26 | 0:08:28 | |
I would put the two of you and I'd put Sofiane in your team | 0:08:28 | 0:08:31 | |
and I'd put Sofiane sub team leader | 0:08:31 | 0:08:33 | |
because I think you're a strong leader. | 0:08:33 | 0:08:35 | |
-Yeah. -Are you happy with that? | 0:08:35 | 0:08:38 | |
Yeah. | 0:08:38 | 0:08:39 | |
11am. | 0:08:42 | 0:08:43 | |
Teams divide. | 0:08:43 | 0:08:45 | |
I didn't want to be in the kitchen. | 0:08:46 | 0:08:48 | |
Yeah, we saw that. | 0:08:48 | 0:08:50 | |
I'm OCD. I'm very, very... | 0:08:50 | 0:08:51 | |
-You're like, "My wife cooks for me." -I walk in the kitchen... | 0:08:51 | 0:08:54 | |
Really? You started telling me how to cook my dinner last night. | 0:08:54 | 0:08:57 | |
No, when I walk in the kitchen, there's too many people, | 0:08:57 | 0:09:00 | |
I can't touch anything! | 0:09:00 | 0:09:01 | |
The sub teams head to Brighton. | 0:09:01 | 0:09:03 | |
For the rest, confectioners' kitchens... | 0:09:05 | 0:09:08 | |
-How are you? -I'm very good. -How do you do? | 0:09:08 | 0:09:10 | |
..offering everything from sticks of rock and slabs of toffee | 0:09:10 | 0:09:14 | |
to fudge and pillow sweets. | 0:09:14 | 0:09:16 | |
Oh, my God, this is so exciting. | 0:09:18 | 0:09:19 | |
First task for Alana's team... | 0:09:19 | 0:09:21 | |
What is everyone's feeling on this? | 0:09:21 | 0:09:23 | |
..pick two products to produce. | 0:09:23 | 0:09:25 | |
The pillows are going to give us a bigger profit margin. | 0:09:25 | 0:09:28 | |
-Yeah. -In terms of costings, I would go with pillows. | 0:09:28 | 0:09:32 | |
-And toffee. -Yeah? Perfect. | 0:09:32 | 0:09:34 | |
I like it. | 0:09:34 | 0:09:35 | |
Definitely not the toffee, it's too hard. | 0:09:35 | 0:09:37 | |
Across town... | 0:09:37 | 0:09:39 | |
It also sticks in-between your teeth. | 0:09:39 | 0:09:40 | |
..chewing over their choices... | 0:09:40 | 0:09:42 | |
I think we have all agreed that the rock is the most desirable. | 0:09:42 | 0:09:46 | |
..Oliver's team. | 0:09:46 | 0:09:47 | |
Guys, I think the fudge is lovely. | 0:09:47 | 0:09:49 | |
It's not about what you like, it's about what money we'll make. | 0:09:49 | 0:09:52 | |
In my eyes, it's the most appealing. | 0:09:52 | 0:09:54 | |
Stick with fudge, then, yeah? | 0:09:54 | 0:09:56 | |
-And the rock. -And your stick of rock? -Yeah. | 0:09:56 | 0:09:58 | |
Sold on traditional seaside sweets. | 0:09:58 | 0:10:01 | |
"Fish n chips." Wow. | 0:10:01 | 0:10:02 | |
Next, net the perfect flavour. | 0:10:02 | 0:10:04 | |
That's interesting. | 0:10:04 | 0:10:06 | |
It's very fishy. | 0:10:06 | 0:10:07 | |
It is, I can smell it. I'm not eating that. | 0:10:07 | 0:10:09 | |
The weather is hot. I think ice cream will sell, it's mainstream. | 0:10:09 | 0:10:12 | |
But you need one weird and wonderful as well. | 0:10:12 | 0:10:14 | |
-One weird. -Just try salt and vinegar. -Go on. | 0:10:14 | 0:10:16 | |
Now, I'm getting quite a very salty aftertaste in my mouth, | 0:10:16 | 0:10:21 | |
which is not pleasant. | 0:10:21 | 0:10:23 | |
You do get, like, salted chocolate pretzels. | 0:10:23 | 0:10:26 | |
It is quite an on-trend thing at the moment. | 0:10:26 | 0:10:29 | |
How about do salt and vinegar fudge and ice cream rock? | 0:10:29 | 0:10:33 | |
-Yeah. -Agreed. -That sounds great. OK. | 0:10:33 | 0:10:35 | |
Oh, my gosh, cappuccino. | 0:10:40 | 0:10:41 | |
Selecting sophisticated flavours for her sweets... | 0:10:41 | 0:10:44 | |
Cappuccino in a toffee could be nice. | 0:10:44 | 0:10:46 | |
..project manager Alana. | 0:10:46 | 0:10:48 | |
So, cappuccino toffee? | 0:10:48 | 0:10:50 | |
-Yeah. -Happy? -Happy. | 0:10:50 | 0:10:51 | |
-100%. -Good. -Great. | 0:10:51 | 0:10:53 | |
PHONE RINGS | 0:10:54 | 0:10:56 | |
-Here we go. Hello? -Quickly, Alana, what flavours have you got? | 0:10:56 | 0:10:59 | |
Cappuccino, rum and coconut, strawberry and champagne. | 0:10:59 | 0:11:02 | |
'Apparently it's delicious.' | 0:11:02 | 0:11:04 | |
So strawberry and champagne is a definite. | 0:11:04 | 0:11:06 | |
We've decided cappuccino on the toffee. | 0:11:06 | 0:11:08 | |
Taste is very important, Alana, it's all about the taste. | 0:11:08 | 0:11:11 | |
If they don't taste nice, we're going nowhere with this. | 0:11:11 | 0:11:14 | |
Just be confident, trust your gut feeling and go with it. | 0:11:14 | 0:11:17 | |
OK, we really have to go and cook now. | 0:11:17 | 0:11:20 | |
Sounds good. | 0:11:20 | 0:11:21 | |
Midday. | 0:11:24 | 0:11:25 | |
I look good in this stuff, I can tell already. | 0:11:25 | 0:11:28 | |
For both teams... | 0:11:28 | 0:11:30 | |
So you've chosen rock, quite a tricky one. | 0:11:30 | 0:11:32 | |
..a crash course in candy-making. | 0:11:32 | 0:11:35 | |
No-one will buy it if it's not perfectly round. | 0:11:35 | 0:11:37 | |
Got to do quite a few things to get them perfect sticks of rock. | 0:11:37 | 0:11:40 | |
And that also takes a lot of time. | 0:11:40 | 0:11:41 | |
You need to be careful with a pillow machine. | 0:11:42 | 0:11:44 | |
Don't put fingers in here. | 0:11:44 | 0:11:46 | |
It's working now. | 0:11:46 | 0:11:47 | |
-So cool. -Oh, my gosh! | 0:11:47 | 0:11:49 | |
In Oliver's kitchen... | 0:11:49 | 0:11:51 | |
This is terrible, man. | 0:11:52 | 0:11:54 | |
-Oliver? -Yes? -Do you think the consistency of that is correct yet? | 0:11:54 | 0:11:58 | |
..the rock's not rolling. | 0:11:58 | 0:11:59 | |
It's all a bit of a learning curve. | 0:11:59 | 0:12:01 | |
I know, but we don't have time for a learning curve. | 0:12:01 | 0:12:03 | |
-No! -Move it again. It's going too hard. | 0:12:03 | 0:12:06 | |
Get rid of the spatulas | 0:12:06 | 0:12:07 | |
and start kneading it with your hands. | 0:12:07 | 0:12:10 | |
Just do it with your hands, you think? | 0:12:10 | 0:12:12 | |
Yeah, if you can try and lift that up. | 0:12:12 | 0:12:13 | |
Sticks of rock are pretty cheap and cheerful, very popular, | 0:12:13 | 0:12:18 | |
but guess what? They're really hard to make. | 0:12:18 | 0:12:20 | |
-I'm struggling. -I can see that. | 0:12:20 | 0:12:23 | |
But... Ohh! | 0:12:23 | 0:12:25 | |
And I think they are going to be kicking themselves they didn't | 0:12:25 | 0:12:28 | |
go for something that will be a lot easier and quicker to make. | 0:12:28 | 0:12:31 | |
Just make sure they don't go flat, OK? | 0:12:31 | 0:12:34 | |
OK, perfect, perfect. Don't break them. | 0:12:35 | 0:12:37 | |
-What does he do? -He makes sausages. | 0:12:37 | 0:12:40 | |
Yeah, but...how? | 0:12:40 | 0:12:42 | |
Don't ask me! I don't know. | 0:12:42 | 0:12:45 | |
I think you're doing brilliantly. | 0:12:45 | 0:12:46 | |
Keep it up. | 0:12:46 | 0:12:48 | |
Pretty sure I've got a massive sweat patch on my bum right now. | 0:12:52 | 0:12:56 | |
Right through my suit. | 0:12:56 | 0:12:58 | |
On the other team... | 0:12:59 | 0:13:00 | |
We might as well just make the maximum amount that we can. | 0:13:00 | 0:13:03 | |
Yeah, perfect, sounds like a plan. | 0:13:03 | 0:13:05 | |
Making toffee! | 0:13:05 | 0:13:07 | |
There she blows. | 0:13:07 | 0:13:08 | |
..keeping a close eye on her cooks... | 0:13:08 | 0:13:11 | |
JD, don't just stand over that. | 0:13:11 | 0:13:12 | |
..Alana. | 0:13:12 | 0:13:13 | |
-Do a bag, mix it. Do a bag, mix it. -No worries, no worries. | 0:13:13 | 0:13:16 | |
I think it's a bit... | 0:13:18 | 0:13:20 | |
I think I need to take off the glove. | 0:13:20 | 0:13:22 | |
I'm watching everyone, keeping an eye on everything. | 0:13:22 | 0:13:25 | |
-Have you messed them up? -No. -No. | 0:13:25 | 0:13:27 | |
Because I know what it's like in a hot kitchen. | 0:13:27 | 0:13:30 | |
The second you take your eye off the ball, things just go wrong. | 0:13:30 | 0:13:33 | |
Guys, if we lose because we've not got... | 0:13:33 | 0:13:35 | |
We're not going to lose, we're going to win. Right, OK... | 0:13:35 | 0:13:38 | |
4pm. | 0:13:40 | 0:13:42 | |
Brighton & Hove Albion Football Club. | 0:13:43 | 0:13:46 | |
Looking to score a big order... | 0:13:46 | 0:13:48 | |
I'm Paul Barber, I'm the Chief Executive. | 0:13:48 | 0:13:49 | |
..Alana's sub team, led by Sofiane. | 0:13:49 | 0:13:52 | |
We are here to discuss potentially you guys placing an order from us | 0:13:52 | 0:13:56 | |
for these hard candies, which are the pillows. | 0:13:56 | 0:13:58 | |
-What about the colours? -I'm a football fan myself, | 0:13:58 | 0:14:00 | |
and what we were looking at was the colours of your club, | 0:14:00 | 0:14:03 | |
so we know you're blue and white, so we're thinking | 0:14:03 | 0:14:05 | |
you could have blue and white stripes across the sweet. | 0:14:05 | 0:14:08 | |
Cos you guys would be making probably a big order, | 0:14:08 | 0:14:10 | |
we're not talking about a couple of bags, so how do you feel about that? | 0:14:10 | 0:14:13 | |
What are you gauging as a big quantity? | 0:14:13 | 0:14:16 | |
Because we were looking at only spending about £200-£300 with you. | 0:14:16 | 0:14:21 | |
I'm looking at more sort of the £400 mark. | 0:14:23 | 0:14:25 | |
I would say at this stage, we'd look to buy less than that from you. | 0:14:28 | 0:14:31 | |
I understand what you're saying, | 0:14:31 | 0:14:33 | |
but we're definitely confident on the product in terms of quality... | 0:14:33 | 0:14:36 | |
You need to hear what we're saying in terms of what we can spend. | 0:14:36 | 0:14:39 | |
Yeah. We'll go and work our backs off to make sure | 0:14:39 | 0:14:42 | |
that this product comes to your expectations | 0:14:42 | 0:14:45 | |
so if you're comfortable to place a £400 order... | 0:14:45 | 0:14:47 | |
Look, I'm not sure if you're hearing us. | 0:14:47 | 0:14:49 | |
Essentially we're saying there is a ceiling. | 0:14:49 | 0:14:52 | |
-In terms of quality... -Do you want me to take this? | 0:14:52 | 0:14:54 | |
My colleague Courtney will go into obviously the pricing... | 0:14:54 | 0:14:57 | |
How about this? I've just quickly worked this out. | 0:14:57 | 0:14:59 | |
If we do 160 units at £1.90, | 0:14:59 | 0:15:02 | |
we equal £304, | 0:15:02 | 0:15:05 | |
so would that sound fair to you? | 0:15:05 | 0:15:07 | |
How about we say 190 units for £300? | 0:15:08 | 0:15:13 | |
OK, well, thank you. | 0:15:15 | 0:15:16 | |
Sofiane annoyed the customer, and the customer made it very clear | 0:15:18 | 0:15:22 | |
that £300 was their maximum spend | 0:15:22 | 0:15:25 | |
and therefore the team actually had to accept | 0:15:25 | 0:15:27 | |
a very low price for a high quantity. | 0:15:27 | 0:15:29 | |
Thank you very much. Thanks for your time. | 0:15:29 | 0:15:31 | |
I think we got an amazing deal. I don't think anyone else | 0:15:31 | 0:15:34 | |
will be able to walk in there and get a better deal than what we did. | 0:15:34 | 0:15:38 | |
PHONE RINGS | 0:15:38 | 0:15:39 | |
-'Hi, it's Alana.' -This is important, pen and paper, | 0:15:39 | 0:15:42 | |
listen to these facts, we need you to make 190 bags, | 0:15:42 | 0:15:46 | |
it's going to be the pillow ones, blue and white stripes. | 0:15:46 | 0:15:49 | |
They need to be ready by tomorrow morning. | 0:15:49 | 0:15:51 | |
-Cos this is a done deal. -Yeah, OK. | 0:15:51 | 0:15:54 | |
-Bye. -'Bye.' | 0:15:54 | 0:15:55 | |
Right, guys, they've got an order | 0:15:55 | 0:15:57 | |
-for 190 of the blue and white stripy ones, OK? -Whoo! | 0:15:57 | 0:16:01 | |
-High-five me. Boom. -Guys, please just listen to me, | 0:16:01 | 0:16:05 | |
I'm worried about this corporate order. | 0:16:05 | 0:16:07 | |
If yours is going to take five hours, it needs to take less. | 0:16:07 | 0:16:11 | |
-Basically. -Yeah. | 0:16:11 | 0:16:12 | |
Sussex... | 0:16:14 | 0:16:15 | |
..an upmarket winery. | 0:16:17 | 0:16:18 | |
-Hello. -Hi there. | 0:16:20 | 0:16:22 | |
Here to shift sweets to the on-site shop, Rebecca. | 0:16:22 | 0:16:27 | |
The products that we create are bespoke | 0:16:27 | 0:16:32 | |
so we've brought along some samples that we'd like to show you. | 0:16:32 | 0:16:35 | |
Unfortunately, one of them has broken in the box. | 0:16:35 | 0:16:37 | |
Which ones would your mind naturally prefer the idea of? | 0:16:41 | 0:16:44 | |
I think the bag of sweets, to be honest with you. | 0:16:47 | 0:16:50 | |
-Cool. -The trade price we could offer on creating 50 bags is around £1.50 | 0:16:50 | 0:16:56 | |
per bag. So that would come up to around £75. | 0:16:56 | 0:16:59 | |
How does that sound? | 0:17:01 | 0:17:03 | |
-I think that sounds good. -I think that sounds pretty reasonable, yeah. | 0:17:03 | 0:17:06 | |
Great. Thank you for spending time talking about our sweets. | 0:17:06 | 0:17:11 | |
-You're welcome. -OK. | 0:17:11 | 0:17:13 | |
Do you know, in business, you would say, | 0:17:13 | 0:17:15 | |
"How many people do you have here every day?", | 0:17:15 | 0:17:17 | |
and you'd calculate how many sweets you can sell. | 0:17:17 | 0:17:20 | |
But they didn't do that. | 0:17:20 | 0:17:22 | |
Mukai immediately said 50 bags, | 0:17:22 | 0:17:24 | |
£1.50, 75 quid. | 0:17:24 | 0:17:28 | |
Who the hell comes all this way for £75? | 0:17:28 | 0:17:31 | |
PHONE RINGS | 0:17:31 | 0:17:33 | |
I've got the other team ringing, I'm just going to answer that. | 0:17:33 | 0:17:36 | |
-Hi. -Hi there. | 0:17:37 | 0:17:39 | |
-Do you have a moment? -Yes. | 0:17:39 | 0:17:41 | |
So we've managed to agree on a sale of the pillow candy. | 0:17:41 | 0:17:45 | |
Great, and have you got any indication of numbers, | 0:17:45 | 0:17:48 | |
-number of bags? -So, 50 bags. | 0:17:48 | 0:17:50 | |
-50 bags. -50 bags, OK. | 0:17:50 | 0:17:52 | |
-Oliver? -Is that clear? | 0:17:52 | 0:17:55 | |
-These are flat, Oliver. -Sorry? | 0:17:55 | 0:17:58 | |
-These are all flat, Oliver. -I know they're flat. Sorry, guys... | 0:17:58 | 0:18:01 | |
-Can you please concentrate? Ollie? -'Yes, it is natural.' | 0:18:01 | 0:18:05 | |
-Right, guys... -'We'll speak to you later. Best of luck.' | 0:18:05 | 0:18:09 | |
-Thank you, bye. -OK, you've got to concentrate, mate. | 0:18:09 | 0:18:12 | |
You're as much a part of the production team as you are on the admin. | 0:18:12 | 0:18:16 | |
Am I confident in my project manager? | 0:18:16 | 0:18:19 | |
Not really 100%. | 0:18:19 | 0:18:21 | |
So, guys, I think we'll swap Ollie, | 0:18:21 | 0:18:22 | |
if you want to go over to make fudge. | 0:18:22 | 0:18:25 | |
-If you take over to Frances, and, Frances, you come to me. -Perfect. | 0:18:25 | 0:18:28 | |
The only thing I'm worrying about | 0:18:28 | 0:18:29 | |
is the production of the corporate batch and getting that done | 0:18:29 | 0:18:32 | |
in the timescale it's meant to be done in. | 0:18:32 | 0:18:33 | |
-So... -Come over here. -I'm going to come over here. | 0:18:33 | 0:18:36 | |
Seven o'clock. | 0:18:40 | 0:18:41 | |
In Alana's kitchen... | 0:18:43 | 0:18:45 | |
When I run the candy through, it doesn't seem to be cutting, | 0:18:45 | 0:18:47 | |
so I don't know what's going on. | 0:18:47 | 0:18:50 | |
It's not even turning on now, is it? | 0:18:50 | 0:18:52 | |
Pillow machine seems to be broken. | 0:18:52 | 0:18:55 | |
No! | 0:18:55 | 0:18:57 | |
Alana, we can't use this batch, it's come out too light. | 0:18:59 | 0:19:02 | |
Put it in the bin and move on. Don't worry about it, OK? | 0:19:02 | 0:19:04 | |
Alana. | 0:19:07 | 0:19:08 | |
SHE WEEPS | 0:19:08 | 0:19:09 | |
You're doing a good job, seriously. | 0:19:11 | 0:19:13 | |
You're doing a good job, just relax, calm down, OK? | 0:19:13 | 0:19:15 | |
I'll give you a few minutes, come out when you're ready. | 0:19:15 | 0:19:18 | |
Alana has put herself and her kitchen under tremendous pressure. | 0:19:18 | 0:19:22 | |
She does not appear to be coping and if she can't pull it around, | 0:19:22 | 0:19:26 | |
she'll have nothing to deliver to the football club tomorrow. | 0:19:26 | 0:19:29 | |
How would you feel if we changed the moulds? | 0:19:29 | 0:19:31 | |
It'll be the quickest way to get the client's order finished. | 0:19:31 | 0:19:34 | |
-OK. -Perfect. | 0:19:34 | 0:19:35 | |
We've got an hour and a half, so you need to go like the wind. | 0:19:35 | 0:19:39 | |
Yeah. | 0:19:39 | 0:19:40 | |
8.30. | 0:19:43 | 0:19:44 | |
-Keep going, keep going. -Come on, boys. | 0:19:44 | 0:19:46 | |
90 minutes before kitchens close. | 0:19:46 | 0:19:48 | |
This is quicker to make, easier to make. | 0:19:48 | 0:19:51 | |
So, Suck It & Sea. | 0:19:51 | 0:19:54 | |
With the help of graphic designers... | 0:19:54 | 0:19:57 | |
Guiltees. | 0:19:57 | 0:19:58 | |
This is too baby pink. | 0:19:58 | 0:20:00 | |
That's very much on trend, though. | 0:20:00 | 0:20:02 | |
..both sub teams create brand identities. | 0:20:02 | 0:20:05 | |
-Another colour maybe? -Oh, no! -Bolder? | 0:20:05 | 0:20:08 | |
Oh, no, no! | 0:20:08 | 0:20:09 | |
My arm is literally about to fall off. | 0:20:12 | 0:20:15 | |
I'm making a mess of these. | 0:20:15 | 0:20:17 | |
Have you had any thoughts on the RRP of the fudge yet? | 0:20:18 | 0:20:22 | |
If you just concentrated on that, we'd all be fine, | 0:20:22 | 0:20:24 | |
why are you worrying about pricing and all that? | 0:20:24 | 0:20:26 | |
We're not arguing, we just need to get this done. | 0:20:26 | 0:20:29 | |
Ten minutes left. | 0:20:29 | 0:20:31 | |
-The machine broke. -But we made the best of a bad situation. | 0:20:32 | 0:20:35 | |
-Final push on those. -There we go, my work-out for the day. | 0:20:35 | 0:20:39 | |
-Come on, boys. -Come on, boys. | 0:20:39 | 0:20:40 | |
I'm done. I'm done. | 0:20:41 | 0:20:43 | |
10pm. | 0:20:44 | 0:20:46 | |
-Group hug. -Well done. | 0:20:47 | 0:20:49 | |
Well done, guys. | 0:20:49 | 0:20:51 | |
Sweets boxed, it's back to the house. | 0:20:52 | 0:20:55 | |
Tomorrow, seek out sales on the seafront. | 0:20:55 | 0:20:59 | |
I'm never going to eat a toffee again. | 0:20:59 | 0:21:01 | |
10am. Brighton. | 0:21:07 | 0:21:10 | |
You'd never imagine putting vinegar into fudge. | 0:21:12 | 0:21:15 | |
-Ever. -It's kind of like sour, a little bit. | 0:21:15 | 0:21:17 | |
Base for both teams, the Grand Hotel. | 0:21:19 | 0:21:22 | |
For Oliver's team, Suck It & Sea. | 0:21:24 | 0:21:27 | |
Right, listen, guys, we've got a big day ahead of us. | 0:21:27 | 0:21:30 | |
Salt and vinegar fudge and ice-cream-flavoured rock. | 0:21:30 | 0:21:34 | |
I want to discuss this rock, this rock price. | 0:21:34 | 0:21:38 | |
OK? I think three for something. | 0:21:38 | 0:21:41 | |
-Fudge as two for five is good... -Three for six. | 0:21:41 | 0:21:43 | |
-Yeah, two for five. -Three for six. | 0:21:43 | 0:21:45 | |
OK, sorry, guys, two for six for the fudge? | 0:21:45 | 0:21:47 | |
-Three. -OK, start again. -Fudge, two for five is good. | 0:21:47 | 0:21:50 | |
Two for five. | 0:21:50 | 0:21:52 | |
Sorry, I don't know about you lot but I'm completely confused. | 0:21:52 | 0:21:55 | |
-What is your strategy? -My strategy, Karren, from what I understand, | 0:21:55 | 0:21:59 | |
I'm trying to ask the guys to sort of think on their two feet here. | 0:21:59 | 0:22:02 | |
-Oliver, just make some decisions. -OK. | 0:22:03 | 0:22:05 | |
Tell us what you want us to do and we'll do it for you. | 0:22:05 | 0:22:07 | |
-Oliver, am I right in thinking Karthik is joining my team now? -Yes, he is. | 0:22:07 | 0:22:10 | |
Oliver, I don't sell to trade. | 0:22:10 | 0:22:12 | |
What I do is I talk, I'm an extrovert. | 0:22:12 | 0:22:14 | |
The decision's yours, I don't want the label of a disruptive. | 0:22:14 | 0:22:16 | |
-I'll go. -Do you know what, I'll go, it's easy. | 0:22:16 | 0:22:19 | |
For Alana's team, Guiltees. | 0:22:23 | 0:22:26 | |
We've got, like, a lot of stock, a lot of stock. | 0:22:26 | 0:22:29 | |
Champagne and strawberry sweets and cappuccino toffee. | 0:22:29 | 0:22:34 | |
This is the corporate order that we made yesterday, | 0:22:34 | 0:22:37 | |
we had a little bit of an issue. | 0:22:37 | 0:22:39 | |
One of the machines broke. | 0:22:39 | 0:22:41 | |
These are what we had to produce in the end. | 0:22:41 | 0:22:43 | |
I can go in there, see if I can squeeze more money out of him. | 0:22:43 | 0:22:46 | |
We went the extra mile, we did do football... | 0:22:46 | 0:22:50 | |
Please don't rub him up the wrong way, don't rub him up the wrong way. | 0:22:50 | 0:22:53 | |
Is it all right if we take one of your guys? | 0:22:53 | 0:22:55 | |
Cos there's only three of us. | 0:22:55 | 0:22:56 | |
-I'll go out and trade, it's not a problem. -Happy? -Yeah, no problem. | 0:22:56 | 0:22:59 | |
See you later. | 0:22:59 | 0:23:00 | |
Next, for Sofiane's half of the team... | 0:23:02 | 0:23:05 | |
Sof, I really don't think we should try to get more money out of them. | 0:23:05 | 0:23:09 | |
-I don't think so either. -Cos if someone came to me doing that, | 0:23:09 | 0:23:11 | |
I'd think, "You cheeky little bastard." | 0:23:11 | 0:23:13 | |
..deliver their mixed bag of sweets to Brighton FC. | 0:23:13 | 0:23:15 | |
I just don't want to muck up a deal that we've done, | 0:23:15 | 0:23:18 | |
and obviously we're not delivering what we said we would. | 0:23:18 | 0:23:20 | |
That's my bit, don't worry, you don't worry about that. | 0:23:20 | 0:23:23 | |
Good to see you again. | 0:23:26 | 0:23:28 | |
-I need to inspect the products, if that's all right? -Absolutely. | 0:23:28 | 0:23:31 | |
So what we did, we spoke to the production line and they've done | 0:23:31 | 0:23:34 | |
a football split in half with two colours | 0:23:34 | 0:23:36 | |
-so we went the extra mile to do that for you. -Really? | 0:23:36 | 0:23:39 | |
They are half-footballs, split. | 0:23:40 | 0:23:42 | |
They're half-footballs though, so... | 0:23:42 | 0:23:44 | |
There's no such thing as a half-football. | 0:23:44 | 0:23:46 | |
Yeah, but it's kind of... it's a bit quirky, it's fun. | 0:23:46 | 0:23:49 | |
It's not what we agreed, though. | 0:23:49 | 0:23:51 | |
Your fans will get the two split football out and put it together | 0:23:53 | 0:23:56 | |
and obviously it makes a football in your colours. | 0:23:56 | 0:23:58 | |
-Let's have a look. -That's the best we could have done, | 0:23:58 | 0:24:01 | |
that's the closest we could have got to a football. | 0:24:01 | 0:24:04 | |
I'll give you guys the benefit of the doubt and will accept them in. | 0:24:04 | 0:24:07 | |
-Thank you so much, Tony. -Pleasure. | 0:24:07 | 0:24:09 | |
-Thank you. -Thank you. | 0:24:09 | 0:24:10 | |
As I'm putting them together, I'm like, | 0:24:10 | 0:24:12 | |
"Please look like a football." | 0:24:12 | 0:24:14 | |
You're full of so much shit, it's brilliant. | 0:24:14 | 0:24:16 | |
I was that close to actually ask for more money. | 0:24:16 | 0:24:19 | |
Lunchtime. | 0:24:23 | 0:24:24 | |
Here's the tricycle. | 0:24:24 | 0:24:26 | |
Stocked up, Oliver's sweet sellers... | 0:24:26 | 0:24:29 | |
So what should I do, Oliver? | 0:24:29 | 0:24:30 | |
Suck It & Sea! | 0:24:30 | 0:24:32 | |
..hit the streets. | 0:24:32 | 0:24:33 | |
Are you interested in getting some fudge today, £3? | 0:24:33 | 0:24:36 | |
£2.50 or £4 for the handmade fudge. | 0:24:36 | 0:24:38 | |
-That's three quid each. -OK. -Or two for five. | 0:24:38 | 0:24:41 | |
2.50, I can give you something even better. | 0:24:41 | 0:24:43 | |
Someone's selling fudge for £3, | 0:24:43 | 0:24:45 | |
someone's selling fudge right next to them for £4, | 0:24:45 | 0:24:48 | |
someone's doing a deal for £2, | 0:24:48 | 0:24:50 | |
I don't know what's going on. | 0:24:50 | 0:24:53 | |
You buy two, you get the third free. | 0:24:53 | 0:24:55 | |
-It's good, isn't it? -Yeah, very good. | 0:24:55 | 0:24:57 | |
But actually people like the look of it, people are willing to buy, | 0:24:57 | 0:25:00 | |
they're here to buy, they're selling a lot of product. | 0:25:00 | 0:25:03 | |
That's for you, then. | 0:25:03 | 0:25:05 | |
That's absolutely brilliant. Have a lovely day. | 0:25:05 | 0:25:07 | |
For Alana's team... | 0:25:10 | 0:25:11 | |
Hello, how are we? | 0:25:11 | 0:25:13 | |
..the hard sell. | 0:25:13 | 0:25:14 | |
Me and the team were up till 11 o'clock | 0:25:14 | 0:25:17 | |
making this lovely toffee and strawberry sweets. | 0:25:17 | 0:25:20 | |
I've got a dodgy tooth. | 0:25:20 | 0:25:21 | |
Oh, no! You definitely don't need the sugar. | 0:25:21 | 0:25:23 | |
-Would you like some sweets, ladies? -No, we're fine. | 0:25:23 | 0:25:26 | |
Are you sure, ladies? Well, all the best for the hen party. | 0:25:26 | 0:25:28 | |
Have a very good time in Brighton. | 0:25:28 | 0:25:29 | |
They're having lots of interest here, | 0:25:29 | 0:25:31 | |
but not much in the way of sales. | 0:25:31 | 0:25:32 | |
Are you all right there, ladies? | 0:25:32 | 0:25:34 | |
Can I tempt you to some cappuccino seaside toffee? | 0:25:34 | 0:25:36 | |
I literally just repulse people! I repulse them! | 0:25:36 | 0:25:39 | |
They really need to ramp it up a bit | 0:25:39 | 0:25:41 | |
because they've spent an awful lot of money on ingredients | 0:25:41 | 0:25:44 | |
and they've got a lot of stock to shift. | 0:25:44 | 0:25:45 | |
Are you still interested in your home-made toffee? | 0:25:45 | 0:25:48 | |
And you can get champagne pillows, as well! | 0:25:48 | 0:25:50 | |
Guess not... | 0:25:52 | 0:25:54 | |
At the winery, delivering their corporate candy... | 0:25:54 | 0:25:58 | |
-Is it possible to try them now? -Yeah! | 0:25:58 | 0:26:00 | |
..Oliver's sub team. | 0:26:00 | 0:26:01 | |
They are delicious. They're genuinely nice. | 0:26:02 | 0:26:05 | |
Deal agreed yesterday - 50 bags at £1.50 each. | 0:26:05 | 0:26:09 | |
We actually made a load more. | 0:26:09 | 0:26:11 | |
We thought we'd bring the additional batch that we made with us today. | 0:26:11 | 0:26:14 | |
So we've got another 50, in fact, if you would like to... | 0:26:14 | 0:26:18 | |
We could offer the lot at 120. | 0:26:18 | 0:26:20 | |
Well, I mean, I would take the lot for £1 per bag. | 0:26:21 | 0:26:25 | |
-Oooh! -OK. | 0:26:25 | 0:26:26 | |
Could we meet in the middle and do 110? | 0:26:26 | 0:26:29 | |
-107 and you've got a deal. -If we can do 107... | 0:26:29 | 0:26:32 | |
-That's fine, 107 for 100. -Can we do a deal? | 0:26:32 | 0:26:34 | |
-Fantastic. Great man. -Thank you so much. -Thank you. | 0:26:34 | 0:26:37 | |
100 bags for £1.07 each. | 0:26:39 | 0:26:41 | |
And the original deal, I believe, was £1.50 a bag. | 0:26:41 | 0:26:45 | |
Went down, what is it... | 0:26:45 | 0:26:48 | |
40-odd pence a bag? | 0:26:48 | 0:26:49 | |
So, do we have any more in the car? | 0:26:49 | 0:26:51 | |
-There are more in the car. Shall I go and get them? -Go get it. | 0:26:51 | 0:26:53 | |
Ridiculous! They're a f...ing shambles, this lot. | 0:26:54 | 0:26:57 | |
HE SIGHS HEAVILY | 0:26:57 | 0:26:59 | |
Ten, just in case, because they're idiots. | 0:26:59 | 0:27:01 | |
They might not even be able to count that right. | 0:27:01 | 0:27:05 | |
Joke. | 0:27:05 | 0:27:06 | |
Six, seven, | 0:27:07 | 0:27:10 | |
eight, nine, ten. | 0:27:10 | 0:27:12 | |
Five, | 0:27:12 | 0:27:14 | |
six... | 0:27:14 | 0:27:16 | |
-Hopefully, your customers will enjoy. -107 for you. | 0:27:16 | 0:27:18 | |
Thank you very much. | 0:27:18 | 0:27:20 | |
-Bye! -And we'll take this, as well. | 0:27:20 | 0:27:22 | |
-All mine. -See you later. -Cheers. Thank you very much. | 0:27:22 | 0:27:24 | |
-Good job, guys. -Yeah. -Really good job. Well done. | 0:27:26 | 0:27:29 | |
-It's good. Good. -Paul, thank you for coming. | 0:27:29 | 0:27:31 | |
OK, guys, I just want to have a quick chat. | 0:27:35 | 0:27:38 | |
With sales slow, a plan to shake up prices from Alana. | 0:27:38 | 0:27:42 | |
I'm thinking two for six. | 0:27:42 | 0:27:44 | |
Two for £6. Cos we need all the sales we can get at this point. | 0:27:44 | 0:27:47 | |
-OK, perfect. OK, then. -Cool. | 0:27:47 | 0:27:49 | |
Do you like handmade toffee? | 0:27:49 | 0:27:51 | |
I can see you eyeing them up. | 0:27:51 | 0:27:53 | |
How about two for six? | 0:27:53 | 0:27:54 | |
Just the one for now, I think. That's lovely, thank you. | 0:27:54 | 0:27:57 | |
-You want the pillows? -Yes. -Great. | 0:27:57 | 0:27:59 | |
Fantastic. So that's two for £6, please. | 0:27:59 | 0:28:01 | |
Brilliant. | 0:28:01 | 0:28:02 | |
Would you like some sweets? One for £3.50, two for £7. | 0:28:02 | 0:28:05 | |
Would you like any? No? | 0:28:05 | 0:28:06 | |
-Samuel... -Yes? -Are you selling them two for seven? | 0:28:06 | 0:28:09 | |
-Yeah. -Don't change the price. | 0:28:09 | 0:28:11 | |
I'm getting more, if anything. It's a good thing. Two for seven. | 0:28:11 | 0:28:14 | |
We can't all be selling at different prices. | 0:28:14 | 0:28:16 | |
Hello, how are you doing? | 0:28:16 | 0:28:17 | |
Samuel thinks he's always right and... | 0:28:17 | 0:28:21 | |
he's not. | 0:28:21 | 0:28:22 | |
Hello, ladies. How are you doing? | 0:28:23 | 0:28:25 | |
Being project manager is so stressful. | 0:28:25 | 0:28:27 | |
I just need to keep going. | 0:28:27 | 0:28:29 | |
Looking to sell more of Alana's sweets in bulk... | 0:28:31 | 0:28:34 | |
I've got a pricing strategy where we can sell for a lot more, trust me. | 0:28:34 | 0:28:37 | |
..professional salesman Sofiane. | 0:28:37 | 0:28:40 | |
Sell them at a higher price to trade... | 0:28:40 | 0:28:41 | |
No, we sell it for a lower price to trade. | 0:28:41 | 0:28:43 | |
-You've got that all mixed up, Sof. -No, it's right, trust me. | 0:28:43 | 0:28:46 | |
-They buy a quantity... -You say trust you, and I don't know what that really means. | 0:28:46 | 0:28:49 | |
Trust me means just stick to my plan. | 0:28:49 | 0:28:52 | |
Don't interrupt. | 0:28:52 | 0:28:53 | |
Very quickly. So we've got handmade luxury toffees, | 0:28:56 | 0:28:59 | |
-using fine ingredients. -Yeah. | 0:28:59 | 0:29:01 | |
These are strawberry and champagne. | 0:29:01 | 0:29:04 | |
-These are unique. -Yeah, yeah. | 0:29:04 | 0:29:05 | |
Give me ten of this and ten of this. | 0:29:05 | 0:29:08 | |
That's 20. OK, that's fine. | 0:29:08 | 0:29:10 | |
-Just give me your price. -170, I'm happy. | 0:29:10 | 0:29:12 | |
And you will be happy, trust me. | 0:29:12 | 0:29:14 | |
-No, no, no. I'm not happy. -Trust me. | 0:29:14 | 0:29:15 | |
135? | 0:29:15 | 0:29:17 | |
Ten units, we move, you're happy, we're happy? | 0:29:17 | 0:29:19 | |
-OK. -Deal? -Deal. -Fantastic. | 0:29:19 | 0:29:21 | |
How long have you been in this business? | 0:29:23 | 0:29:25 | |
-All my life. -All your life? -I've been selling all my life, yeah. | 0:29:25 | 0:29:27 | |
-Are you sure about that? -This is... -LAUGHTER | 0:29:27 | 0:29:30 | |
-I've been selling all my life. -24 hours! | 0:29:30 | 0:29:32 | |
Obviously, it's a small order. It's not what we wanted. | 0:29:34 | 0:29:37 | |
-So, hang on, are you happy for us to go down...? -Start high. | 0:29:37 | 0:29:40 | |
Haggle. If we get a big order, happy days. | 0:29:40 | 0:29:42 | |
If we don't, then we move on. | 0:29:42 | 0:29:44 | |
Can you see Middle Street? | 0:29:47 | 0:29:48 | |
On the other team, pushing their traditional sweets to traders... | 0:29:48 | 0:29:52 | |
Bond Street Lane. Bond Street is there. | 0:29:52 | 0:29:55 | |
You see that? | 0:29:55 | 0:29:56 | |
I'll stay here with the goods. | 0:29:58 | 0:29:59 | |
I don't think we should just cart them in. | 0:29:59 | 0:30:01 | |
You should ask her. It's a small shop. | 0:30:01 | 0:30:02 | |
-Leading the pitch... -Hello. -Hi. | 0:30:02 | 0:30:04 | |
Yes, we wanted to show you our sweeties. | 0:30:04 | 0:30:07 | |
..management consultant Aleksandra. | 0:30:07 | 0:30:10 | |
They are a one-off and they are really...lovely. | 0:30:10 | 0:30:13 | |
-OK. -A lovely product. | 0:30:13 | 0:30:15 | |
So, the rock is retailing at? | 0:30:15 | 0:30:16 | |
It's 95p. | 0:30:16 | 0:30:18 | |
No, that's trade. | 0:30:18 | 0:30:19 | |
Sorry, so it's trading at 95p, it's retailing at £1.50. | 0:30:19 | 0:30:22 | |
The pillows are retailing at £2.50. | 0:30:24 | 0:30:26 | |
2.50? And how much are you charging for those? | 0:30:26 | 0:30:29 | |
I...I don't know. | 0:30:29 | 0:30:30 | |
They're 1.25, trade price. | 0:30:36 | 0:30:37 | |
-We like these two. -Oh, good. | 0:30:37 | 0:30:39 | |
-OK, good. -I'll take 50 of those and 50 of those. | 0:30:39 | 0:30:41 | |
OK. | 0:30:41 | 0:30:43 | |
OK, so that would be £47.50 for these. | 0:30:43 | 0:30:45 | |
That right? That can't be right. | 0:30:45 | 0:30:47 | |
OK, so I'll calculate that again. So... | 0:30:47 | 0:30:50 | |
Times 50 equals a total of £100. | 0:30:50 | 0:30:52 | |
-You know what? We can make that work. -Yeah? | 0:30:54 | 0:30:56 | |
Let me take, er...the cash. | 0:30:57 | 0:31:00 | |
Deal done for the sweets. | 0:31:00 | 0:31:01 | |
-And the fudge? -It just looks a little bit ropey. | 0:31:01 | 0:31:04 | |
OK. Thank you, bye. | 0:31:04 | 0:31:06 | |
No sale on the salt and vinegar fudge. | 0:31:06 | 0:31:09 | |
So, we sold rock at 75. | 0:31:09 | 0:31:11 | |
-20p below what we wanted, right? -Yeah, basically. | 0:31:11 | 0:31:13 | |
Maybe we should have said a higher retail price. | 0:31:13 | 0:31:15 | |
It's done now, isn't it? And time is running out. | 0:31:15 | 0:31:17 | |
We need to sell the fudge, focus on fudge. | 0:31:17 | 0:31:19 | |
There you go. You've got it in your hand. | 0:31:19 | 0:31:21 | |
Suck it! | 0:31:21 | 0:31:22 | |
Who wants to suck it? | 0:31:22 | 0:31:24 | |
Mid-afternoon. | 0:31:24 | 0:31:26 | |
I want to get on the cycle and draw some attention. | 0:31:26 | 0:31:28 | |
Do you want to put the umbrella down? | 0:31:28 | 0:31:30 | |
Yeah, put it down. We don't really need it. | 0:31:30 | 0:31:32 | |
If this goes badly wrong, I'm holding you personally responsible. | 0:31:32 | 0:31:35 | |
OK. I've got it, I've got it. | 0:31:35 | 0:31:36 | |
-Hiya. -Hiya. -We use very, very expensive foreign ingredients. | 0:31:38 | 0:31:42 | |
Sound like a deal? | 0:31:42 | 0:31:44 | |
Yeah, go on. | 0:31:44 | 0:31:45 | |
-Brilliant. -Thanks very much, Alison. Have a great day. | 0:31:45 | 0:31:48 | |
Go, go, go! | 0:31:50 | 0:31:51 | |
Argh! | 0:31:51 | 0:31:52 | |
Have a little nibble. I don't know if you're normally a fudge lover. | 0:31:52 | 0:31:56 | |
The flavour is salt and vinegar, but it's quite subtle. | 0:31:56 | 0:31:59 | |
The aftertaste is a little bit odd. | 0:31:59 | 0:32:01 | |
-Thank you so much, anyway. -Thank you. | 0:32:01 | 0:32:03 | |
Yeah, run, run, run! Come on! | 0:32:03 | 0:32:05 | |
I can see the sea! | 0:32:05 | 0:32:07 | |
Right, guys, come and get your candy! | 0:32:08 | 0:32:10 | |
Roll up, roll up! | 0:32:10 | 0:32:11 | |
Hold on, hold on. | 0:32:11 | 0:32:13 | |
Oliver, Oliver, there's tables there. | 0:32:13 | 0:32:15 | |
You're not going to get through there. | 0:32:15 | 0:32:17 | |
OK, I'll turn it round. I'll turn it round. | 0:32:17 | 0:32:19 | |
So where are we going now? | 0:32:19 | 0:32:21 | |
Next to the fish and chip shop. Look, in front of you. | 0:32:22 | 0:32:24 | |
I know, I was just checking what it was like. | 0:32:24 | 0:32:26 | |
Oh, hard work... | 0:32:26 | 0:32:28 | |
What we have here is some salt and vinegar fudge. | 0:32:28 | 0:32:31 | |
Is that a no? | 0:32:31 | 0:32:33 | |
OK, fine. No problem. | 0:32:33 | 0:32:34 | |
Right, you can let go. Can you let go? | 0:32:34 | 0:32:36 | |
Oh, Olly, please, slow down! | 0:32:36 | 0:32:38 | |
Come and buy your rock, everyone! | 0:32:38 | 0:32:40 | |
And bring your money! | 0:32:42 | 0:32:43 | |
These two go with the hair, as well. They match very perfectly. | 0:32:44 | 0:32:48 | |
Back on the beach... | 0:32:48 | 0:32:49 | |
There we go. | 0:32:49 | 0:32:50 | |
..for Alana's team, a sugar rush. | 0:32:50 | 0:32:53 | |
-I hope you love it. Thank you so much. -I hope so, too. There we go. -Thank you. | 0:32:53 | 0:32:56 | |
-Perfect. There. Enjoy. They are absolutely delicious. -Thank you. | 0:32:56 | 0:32:59 | |
Hi, it's Alana. | 0:33:01 | 0:33:03 | |
Yes, I can hear you. Speak. | 0:33:03 | 0:33:04 | |
'Come to us, please, and we'll all sell down here, OK?' | 0:33:04 | 0:33:08 | |
'One second, right?' | 0:33:08 | 0:33:09 | |
I think we've got an opportunity to go back to trade. | 0:33:09 | 0:33:11 | |
No, we need you here. It's mad busy. | 0:33:11 | 0:33:13 | |
'No, I want to carry on to trade.' | 0:33:13 | 0:33:15 | |
Let's do what she says. She's the boss. | 0:33:15 | 0:33:17 | |
I need to go back to the hotel and grab the last box of toffee. | 0:33:17 | 0:33:20 | |
'There's loads of toffee left there.' | 0:33:20 | 0:33:21 | |
-No, we need you here. -Let's not go to the hotel. It's a waste of time. | 0:33:21 | 0:33:24 | |
PHONE GOES DEAD | 0:33:24 | 0:33:26 | |
He hung up on me. | 0:33:26 | 0:33:27 | |
We've got loads, we've got loads. | 0:33:27 | 0:33:29 | |
Shit loads. Tell her what we've got on us. | 0:33:29 | 0:33:31 | |
-Tell her what we've got now. -It's all right. Relax. | 0:33:31 | 0:33:33 | |
-I am. Just stop telling me to relax. -No need to get angry. Listen... | 0:33:33 | 0:33:36 | |
-I'm not getting angry! -She's saying it's really busy. | 0:33:36 | 0:33:38 | |
They're selling really quick. | 0:33:38 | 0:33:39 | |
I'm not getting angry, I'm just telling you my point, | 0:33:39 | 0:33:41 | |
cos you're not listening to my point. | 0:33:41 | 0:33:44 | |
Hello? | 0:33:44 | 0:33:45 | |
'What's going on?' | 0:33:45 | 0:33:46 | |
There is 300 toffees left at the hotel and labelled. | 0:33:46 | 0:33:48 | |
Do you want me to go and get them, or should we just drop them? | 0:33:48 | 0:33:51 | |
Come straight here with all the stuff. | 0:33:51 | 0:33:53 | |
-Cool, cool. Bye. Bye. -Bye. | 0:33:53 | 0:33:55 | |
-Actually, I'll have a fudge. -Do you want a fudge? Perfect. | 0:33:55 | 0:33:58 | |
Now peddling on the promenade... | 0:33:58 | 0:34:00 | |
Salt and vinegar! Get your handcrafted rock here! | 0:34:00 | 0:34:03 | |
..for Oliver's sales team... | 0:34:03 | 0:34:05 | |
Yeah, have a taste. | 0:34:05 | 0:34:06 | |
..takings tick over. | 0:34:06 | 0:34:07 | |
I'm going to give... Buy two, get one free, so you get three for ten. | 0:34:07 | 0:34:11 | |
-That's cheaper than £4. -Go on, then. | 0:34:11 | 0:34:12 | |
It is cheaper than £4. | 0:34:12 | 0:34:13 | |
There you go! That's how you do the magic, you see? | 0:34:13 | 0:34:16 | |
I think this is it, you know? | 0:34:16 | 0:34:18 | |
I may be an IT project manager, | 0:34:18 | 0:34:20 | |
but I think, deep inside, I'm the best salesman in the universe. | 0:34:20 | 0:34:23 | |
Not in the world. In the universe. | 0:34:23 | 0:34:25 | |
THEY LAUGH | 0:34:25 | 0:34:27 | |
Let's go, go, go, go, go! Let's go! | 0:34:27 | 0:34:30 | |
Ten minutes to go... | 0:34:30 | 0:34:32 | |
Come over here! Come over here! | 0:34:32 | 0:34:34 | |
Come and get your pillows, strawberry and champagne, £1! | 0:34:34 | 0:34:37 | |
Only £1! | 0:34:37 | 0:34:38 | |
Here, sir, give me £1! | 0:34:38 | 0:34:40 | |
Yeah, these are better quality. | 0:34:40 | 0:34:42 | |
That way, go that way. Let's go and try some more places. | 0:34:42 | 0:34:45 | |
-Yeah, go, go, go, go. -Fish and chip shop. | 0:34:45 | 0:34:47 | |
Is the owner or manager here at all? No? | 0:34:47 | 0:34:49 | |
Anyone who wants to give me £50? | 0:34:49 | 0:34:51 | |
Quickly, sir, here! Get yourself a bargain, last minute. | 0:34:51 | 0:34:53 | |
Have you got a pound at all? I'll swap you a pound for a bag of fudge. | 0:34:53 | 0:34:57 | |
That's brilliant. Thank you so much. | 0:34:57 | 0:34:59 | |
-Guys, come on. -Go, go, go! | 0:34:59 | 0:35:01 | |
How much would you like to pay? | 0:35:01 | 0:35:03 | |
Ten, ten, ten! It's done, it's done, it's done! | 0:35:03 | 0:35:05 | |
-There you go, it's yours. -Guys, that's time! | 0:35:05 | 0:35:08 | |
We're done. | 0:35:08 | 0:35:09 | |
We've got rid of pretty much all the stock. | 0:35:09 | 0:35:11 | |
THEY ALL WHOOP | 0:35:11 | 0:35:15 | |
THEY ALL CHEER | 0:35:15 | 0:35:19 | |
Six o'clock. | 0:35:23 | 0:35:25 | |
Oh... That is one big box of fudge. | 0:35:25 | 0:35:28 | |
Absolute rubbish, man. | 0:35:28 | 0:35:29 | |
This is basically a disaster, isn't it, let's face it? | 0:35:31 | 0:35:34 | |
This is the most costliest product and we have got it all. | 0:35:34 | 0:35:39 | |
We should have made sure that we had a concrete plan of action. | 0:35:39 | 0:35:43 | |
Did you, at all, at any point, say, | 0:35:43 | 0:35:45 | |
"Guys, we need to focus on just the fudge"? | 0:35:45 | 0:35:47 | |
Listen, it's like dealing with children at some point. | 0:35:47 | 0:35:49 | |
I stood back and watched and just watched what was going on, | 0:35:49 | 0:35:52 | |
because do you know what? | 0:35:52 | 0:35:54 | |
-Standing back and watching isn't the answer. -No, no, no, no. -Seriously. | 0:35:54 | 0:35:57 | |
-What is your point? -The point is, is if people listened in the beginning, | 0:35:57 | 0:36:00 | |
we would've known what was needed of us. | 0:36:00 | 0:36:01 | |
We wouldn't have had to go through this three or four times and we wouldn't be in this situation. | 0:36:01 | 0:36:05 | |
-And you was crap! -Oh, really? -Yeah. | 0:36:05 | 0:36:07 | |
Tonight, sweet takings will be totted up. | 0:36:09 | 0:36:13 | |
Tomorrow...the bitter truth... | 0:36:13 | 0:36:15 | |
..in the boardroom. | 0:36:16 | 0:36:17 | |
You can go to the boardroom now. | 0:36:34 | 0:36:36 | |
Well, this task was all about making confectionery. | 0:36:54 | 0:36:58 | |
They say that sugar is bad for you | 0:36:58 | 0:37:00 | |
and this Sugar's going to be very bad for one of you today, | 0:37:00 | 0:37:03 | |
that's for sure. | 0:37:03 | 0:37:04 | |
I think I'll start with Nebula. | 0:37:04 | 0:37:07 | |
Oliver, I made you the project manager. | 0:37:07 | 0:37:10 | |
That's correct, Lord Sugar. | 0:37:10 | 0:37:11 | |
So, I went for the fudge, | 0:37:11 | 0:37:14 | |
-which I thought was quite a sort of high-ticket item... -Yeah. | 0:37:14 | 0:37:17 | |
..and the rock. | 0:37:17 | 0:37:18 | |
And the fudge was actually salt and vinegar. | 0:37:18 | 0:37:21 | |
I tried to be quirky with my choice. | 0:37:21 | 0:37:23 | |
Salt and vinegar?! | 0:37:23 | 0:37:24 | |
Did it taste of salt and vinegar or what? | 0:37:24 | 0:37:27 | |
There is an aftertaste of the salt. | 0:37:27 | 0:37:28 | |
OK. | 0:37:28 | 0:37:30 | |
And you came up with a name. | 0:37:30 | 0:37:32 | |
Oh, yes. It... | 0:37:32 | 0:37:33 | |
It was Suck It & Sea, | 0:37:34 | 0:37:37 | |
Sea spelt S-E-A, though. | 0:37:37 | 0:37:39 | |
-Right. -Quite quirky. -Let's get into the kitchen, shall we? | 0:37:39 | 0:37:42 | |
I'd like to know who was the chief cook and bottle washer. | 0:37:42 | 0:37:46 | |
We took it in turns, actually, Lord Sugar. I... | 0:37:46 | 0:37:48 | |
Well, put it this way... | 0:37:48 | 0:37:49 | |
So, it was Karthik, er... | 0:37:49 | 0:37:52 | |
No, first of all, it was you and Karthik | 0:37:52 | 0:37:54 | |
started the manufacturing of the rock. | 0:37:54 | 0:37:56 | |
-I dropped it on the floor. -You dropped it? -It got dropped. | 0:37:56 | 0:37:59 | |
But, you know, mistakes happen. | 0:37:59 | 0:38:01 | |
We then got into the flow of things. | 0:38:01 | 0:38:03 | |
We suggested that Karthik... | 0:38:03 | 0:38:04 | |
If someone else had done that, Karthik, you'd be screaming at them. | 0:38:04 | 0:38:07 | |
-No, Lord Sugar. I've changed now. -He was very calm. | 0:38:07 | 0:38:10 | |
-Lord Sugar, he was a pleasure to work with. -Really? | 0:38:10 | 0:38:13 | |
Oliver, you run factories. You run a sausage factory. | 0:38:13 | 0:38:16 | |
I don't exactly run a factory. | 0:38:16 | 0:38:18 | |
I do know how to make sausages, | 0:38:18 | 0:38:20 | |
but this was a completely new industry to me. | 0:38:20 | 0:38:23 | |
Well, come on, don't try and duck it. | 0:38:23 | 0:38:25 | |
You know, it's a production line, isn't it? | 0:38:25 | 0:38:27 | |
We-we-we completed all of our manufacturing on time. | 0:38:27 | 0:38:31 | |
I had a lot of support from everyone. | 0:38:31 | 0:38:33 | |
Was you Willy Wonka or an Oompa-Loompa? | 0:38:33 | 0:38:36 | |
-Which one was you? -I guess I'm an Oompa-Loompa. | 0:38:36 | 0:38:38 | |
-I think he really tried, to be fair. -I tried. | 0:38:38 | 0:38:40 | |
I just don't think it was in the right direction. | 0:38:40 | 0:38:42 | |
There was a lot going on. | 0:38:42 | 0:38:43 | |
Not only were you going to sell stuff to the public in Brighton, | 0:38:43 | 0:38:47 | |
but you had to sell stuff to corporates. | 0:38:47 | 0:38:50 | |
Yes, we went to a wine manufacturer. | 0:38:50 | 0:38:51 | |
-This is what you sold to the corporate client, yeah? -Yep. | 0:38:51 | 0:38:55 | |
How much did they take? | 0:38:55 | 0:38:57 | |
They took 50 bags at the initial start. | 0:38:57 | 0:38:59 | |
Right. And how much did they pay? | 0:38:59 | 0:39:00 | |
They paid 1.50 per bag. | 0:39:00 | 0:39:02 | |
-No... -Whoa, whoa... If I can explain? | 0:39:02 | 0:39:04 | |
So we went to deliver the order. | 0:39:04 | 0:39:06 | |
We gave them the 50 bags but, in addition, | 0:39:06 | 0:39:08 | |
we said that we actually had some more of the same product | 0:39:08 | 0:39:11 | |
and we would like to see if they were interested. | 0:39:11 | 0:39:13 | |
What actually happened, Lord Sugar, was, | 0:39:13 | 0:39:16 | |
instead of Mukai concluding the first deal at the 1.50 | 0:39:16 | 0:39:18 | |
and then up-selling the remaining extra that we had produced, | 0:39:18 | 0:39:21 | |
he then just reduced the price to £1.07. | 0:39:21 | 0:39:24 | |
-£1.20. -£1.07, I think you'll find the final price was. | 0:39:24 | 0:39:27 | |
And you lost 43p a bag. Over 100. | 0:39:27 | 0:39:30 | |
You sold the same guy the same stuff for a lower price? | 0:39:30 | 0:39:34 | |
You talked yourself down. This was a task of selling sweets. | 0:39:34 | 0:39:36 | |
It's not a limbo dance. | 0:39:36 | 0:39:39 | |
In hindsight, it was a little bit of a mistake. | 0:39:39 | 0:39:41 | |
Now, tell me, when you went to Brighton, | 0:39:42 | 0:39:45 | |
how did the teams split there? | 0:39:45 | 0:39:47 | |
Well, I, Lord Sugar, made an executive decision | 0:39:47 | 0:39:50 | |
to move Paul across. | 0:39:50 | 0:39:53 | |
That's not true at all. | 0:39:53 | 0:39:55 | |
-Sorry... -I think Paul got tired of you not making a decision | 0:39:55 | 0:39:58 | |
and put himself across. | 0:39:58 | 0:39:59 | |
So Paul moved across and became part of the trade team. | 0:40:01 | 0:40:03 | |
-Yeah. -OK. And the rest of you...? | 0:40:03 | 0:40:05 | |
We went off to sell. | 0:40:05 | 0:40:07 | |
What was your retail pricing strategy, then? | 0:40:07 | 0:40:10 | |
It was... It was a really tough one. | 0:40:10 | 0:40:12 | |
I was going through... going through... | 0:40:12 | 0:40:14 | |
How about you just tell me the price? | 0:40:14 | 0:40:16 | |
OK, we started off with £4 for the fudge. | 0:40:16 | 0:40:18 | |
-Yeah. -And then I think we went with 2.50 for the rock. | 0:40:18 | 0:40:23 | |
And was it 2.50 for the pillow sweets, or £2? £2. | 0:40:23 | 0:40:25 | |
-That's what you started with? -Yes, yeah. | 0:40:25 | 0:40:28 | |
And, actually, quite a few sales were taking place, | 0:40:28 | 0:40:31 | |
to my understanding. | 0:40:31 | 0:40:32 | |
-As the day progressed... -What do you mean, to your understanding? | 0:40:32 | 0:40:35 | |
-Where was you, then? -I was doing a number of things, Lord Sugar. | 0:40:35 | 0:40:37 | |
Riding the bike, trying to get people to come to the tricycle. | 0:40:37 | 0:40:41 | |
Is this the tricycle you rode down into the bollards, was it? | 0:40:41 | 0:40:44 | |
I wanted to create a site spectacle and try to draw... | 0:40:44 | 0:40:48 | |
Oh, you did that. Oh, you did that for sure. | 0:40:48 | 0:40:50 | |
All right. Good project manager? | 0:40:51 | 0:40:54 | |
I think, to be fair, he did try his best. | 0:40:55 | 0:40:57 | |
His best just was in a different direction than... | 0:40:57 | 0:40:59 | |
-You're being polite. -Yeah. | 0:41:01 | 0:41:03 | |
Erm... | 0:41:03 | 0:41:04 | |
OK, Titans. | 0:41:04 | 0:41:05 | |
Now, Alana the cake-maker, what did you end up making? | 0:41:05 | 0:41:09 | |
-We made cappuccino toffee. -Right. | 0:41:09 | 0:41:12 | |
And we made strawberry and champagne pillow sweets. | 0:41:12 | 0:41:15 | |
Your brand name was? | 0:41:15 | 0:41:16 | |
-Guiltees. -Guiltees? | 0:41:16 | 0:41:18 | |
Mm-hm. | 0:41:18 | 0:41:20 | |
Now, quantities? | 0:41:20 | 0:41:21 | |
So, we basically worked out that, if we did 12 sales an hour per member, | 0:41:21 | 0:41:25 | |
that would be 60 sales an hour, times by six hours of selling, | 0:41:25 | 0:41:28 | |
which would be 360, round it up, each team... | 0:41:28 | 0:41:30 | |
-God, I'm getting nervous again. Sorry. -Take another breath. | 0:41:30 | 0:41:33 | |
Could I have a little sip of water? | 0:41:33 | 0:41:35 | |
You should have made gobstoppers, never mind about fudge. | 0:41:35 | 0:41:38 | |
Just calm down a little bit, OK? | 0:41:38 | 0:41:41 | |
To put it in a nutshell, they just wanted to go hell for leather | 0:41:41 | 0:41:44 | |
and make whatever they could in the time period. | 0:41:44 | 0:41:46 | |
OK. | 0:41:46 | 0:41:47 | |
Now, the corporate client, Brighton Football Club. | 0:41:47 | 0:41:50 | |
Yeah, they were very shrewd negotiators. | 0:41:50 | 0:41:53 | |
-I thought you were supposed to be that. -Yeah, well, we, erm... | 0:41:53 | 0:41:56 | |
What we did, I think, from negotiating, | 0:41:56 | 0:41:58 | |
the negotiation, I think, went really well. | 0:41:58 | 0:42:00 | |
But our aim was to get a massive order, in terms of volume. | 0:42:00 | 0:42:03 | |
But they turned around and said that their maximum spend is £300. | 0:42:03 | 0:42:08 | |
You went in with a higher price. | 0:42:08 | 0:42:09 | |
You then went in with another higher price. | 0:42:09 | 0:42:11 | |
I think you irritated the guy. | 0:42:11 | 0:42:12 | |
You almost lost it. | 0:42:12 | 0:42:13 | |
You think you did the business with the Seagulls, | 0:42:13 | 0:42:16 | |
but it sounds to me like the Seagulls did the business on you, | 0:42:16 | 0:42:18 | |
quite honestly. | 0:42:18 | 0:42:19 | |
So... | 0:42:19 | 0:42:21 | |
on day two, we went to start selling. | 0:42:21 | 0:42:23 | |
Now, Samuel, you decided to take it upon yourself to increase the price. | 0:42:23 | 0:42:27 | |
That's correct, Lord Sugar. | 0:42:27 | 0:42:28 | |
Then your boss said, "What are you doing?" | 0:42:28 | 0:42:30 | |
I said, "Right, we're going to do two for six." And... | 0:42:30 | 0:42:33 | |
That's not correct, no. | 0:42:33 | 0:42:34 | |
I said to you that the sweets were selling really well, | 0:42:34 | 0:42:36 | |
so just do £3.50 a bag, and then you said I should not do that. | 0:42:36 | 0:42:39 | |
No, that's not what I said no to. I said no because | 0:42:39 | 0:42:41 | |
we had a pricing strategy and you were going off and charging... | 0:42:41 | 0:42:46 | |
OK. I could understand if you had 20 branches of shops | 0:42:46 | 0:42:49 | |
and he was in one branch | 0:42:49 | 0:42:51 | |
and the shop up the road was another branch and there's no consistency. | 0:42:51 | 0:42:54 | |
I know what it's like, though, if people come back and say, | 0:42:54 | 0:42:57 | |
"I want to return this because I've had it cheaper from..." | 0:42:57 | 0:42:59 | |
-I didn't want that. -Fine. That's the answer, then. | 0:42:59 | 0:43:02 | |
-That is... That's right. -I see. Now, coming the end of the day... | 0:43:02 | 0:43:05 | |
Yeah, I called Sofiane and said, | 0:43:05 | 0:43:06 | |
"Can you come back with all your stock?", | 0:43:06 | 0:43:08 | |
so that we could have some more stuff to sell. | 0:43:08 | 0:43:11 | |
-And we wanted all of us together. -He said no, didn't he? | 0:43:11 | 0:43:13 | |
-Yeah. He said that, yeah. -OK. | 0:43:14 | 0:43:16 | |
If she's in charge and says, "Come back," why are you arguing with her? | 0:43:16 | 0:43:19 | |
-I mean, we was doing well in the trade, and... -Hm. | 0:43:19 | 0:43:22 | |
You weren't the project manager, OK? | 0:43:22 | 0:43:24 | |
Generally speaking, then, how was your project manager? | 0:43:25 | 0:43:28 | |
-She was good. -Quite good. | 0:43:28 | 0:43:30 | |
She stuck to her decisions. | 0:43:30 | 0:43:32 | |
She didn't kind of get swayed and, yeah, I thought she was good. | 0:43:32 | 0:43:35 | |
So, Claude, perhaps you'd like to rattle off, then, for me | 0:43:35 | 0:43:39 | |
the Titans' figures. | 0:43:39 | 0:43:41 | |
Well, Titans' total sales | 0:43:41 | 0:43:44 | |
was £1,215.09. | 0:43:44 | 0:43:47 | |
They spent a total of £429.43 on ingredients and packaging, | 0:43:47 | 0:43:52 | |
giving an overall profit of £785.66. | 0:43:52 | 0:43:56 | |
OK. | 0:43:56 | 0:43:57 | |
Karen? | 0:43:59 | 0:44:00 | |
Well, Nebula spent a lot less, just £207.75. | 0:44:00 | 0:44:05 | |
But they sold a lot less, too, with sales totalling £822.83, | 0:44:05 | 0:44:11 | |
giving them an overall profit of £615.08. | 0:44:11 | 0:44:16 | |
Well, Titans... | 0:44:17 | 0:44:19 | |
..you've done it. | 0:44:20 | 0:44:21 | |
So, after all that sugar, I've got a treat for you | 0:44:21 | 0:44:23 | |
that will have you bouncing off the walls, actually. | 0:44:23 | 0:44:26 | |
Now, Ryan Doyle is the two-time world champion free runner. | 0:44:26 | 0:44:30 | |
He's going to give you a masterclass in free running. | 0:44:30 | 0:44:33 | |
So, well done, and I'll see you on the next task, OK? | 0:44:33 | 0:44:36 | |
Thank you, Lord Sugar. | 0:44:36 | 0:44:38 | |
SHE SQUEALS WITH DELIGHT | 0:44:41 | 0:44:43 | |
I can't cry any more! | 0:44:45 | 0:44:47 | |
Well, Team Nebula, | 0:44:48 | 0:44:49 | |
at least one of you will be leaving the process today. | 0:44:49 | 0:44:52 | |
OK? Off you go. | 0:44:52 | 0:44:55 | |
Hey, guys! | 0:45:02 | 0:45:03 | |
Wow! | 0:45:03 | 0:45:05 | |
Congratulations on the win. We're going to be doing some parkour and free running. | 0:45:08 | 0:45:12 | |
Bounce! | 0:45:12 | 0:45:13 | |
Everyone supported me and it was a really amazing task | 0:45:14 | 0:45:17 | |
and I'm super happy. | 0:45:17 | 0:45:18 | |
Go on! | 0:45:18 | 0:45:20 | |
Alana as a PM, | 0:45:20 | 0:45:22 | |
she looks like she's a bit sort of worried all the time. | 0:45:22 | 0:45:24 | |
You need to be a little bit more confident | 0:45:24 | 0:45:26 | |
when you're leading a team. | 0:45:26 | 0:45:28 | |
Lean, lean, lean... Feet up! | 0:45:28 | 0:45:29 | |
I had so much to prove. | 0:45:29 | 0:45:31 | |
But I feel, like, now I can just get back to doing what I'm good at | 0:45:31 | 0:45:35 | |
and not have so much pressure on me. | 0:45:35 | 0:45:37 | |
Yes! | 0:45:37 | 0:45:38 | |
So, guys, obviously I was new...new to this. | 0:45:44 | 0:45:48 | |
-I haven't managed... -We were all new to that. | 0:45:48 | 0:45:51 | |
I think what we need to figure out here | 0:45:51 | 0:45:52 | |
is who actually was the weakest link. | 0:45:52 | 0:45:54 | |
I think it all went wrong when Oliver was appointed project manager. | 0:45:54 | 0:45:57 | |
And whilst we're still in the losing position, | 0:45:57 | 0:45:59 | |
it could have been far worse, had we just sort of left it to him to make the decisions. | 0:45:59 | 0:46:02 | |
The weakest link would have been Aleksandra, | 0:46:02 | 0:46:05 | |
in terms of the fact that she did make mistakes on the pricing. | 0:46:05 | 0:46:08 | |
-I corrected myself, though. -I corrected you. -I corrected myself. | 0:46:08 | 0:46:11 | |
You corrected yourself to a wrong price, and then I re-corrected... | 0:46:11 | 0:46:15 | |
Yeah, that is correct. | 0:46:15 | 0:46:16 | |
To be fair, I don't think that was very good. | 0:46:16 | 0:46:19 | |
Paul and Mukai seem to have formed this, like, alliance, | 0:46:19 | 0:46:23 | |
even though they had a fight in Brighton. | 0:46:23 | 0:46:25 | |
At the end of the day, Paul, you didn't make a sale, and I did. | 0:46:25 | 0:46:28 | |
Paul is putting the blame at my door to divert attention from himself. | 0:46:28 | 0:46:32 | |
It seems like there was a big screw-up with this trade deal | 0:46:33 | 0:46:36 | |
and I do think I did enough as a project manager. | 0:46:36 | 0:46:39 | |
You can't be in two places at once. | 0:46:39 | 0:46:41 | |
PHONE RINGS | 0:46:52 | 0:46:54 | |
Yes, Lord Sugar? | 0:46:54 | 0:46:55 | |
Yes, could you send the candidates in, please? | 0:46:55 | 0:46:57 | |
Now, I'm still confused as to the strategy, | 0:47:07 | 0:47:11 | |
particularly on pricing. | 0:47:11 | 0:47:13 | |
It was 2.50 for the rock and I think... | 0:47:13 | 0:47:16 | |
it was 2.50 for the pillow sweets. | 0:47:16 | 0:47:17 | |
2.50 for the apple and then £2... | 0:47:17 | 0:47:20 | |
£2, sorry. My... It was £2... | 0:47:20 | 0:47:21 | |
You can't remember now. You couldn't remember on the day! | 0:47:21 | 0:47:24 | |
These are your products! | 0:47:24 | 0:47:26 | |
-You know, you're the... -2.50 for the rock... | 0:47:26 | 0:47:27 | |
You're the project manager | 0:47:27 | 0:47:29 | |
and you don't know the price of your own products even now. | 0:47:29 | 0:47:31 | |
There was just different pricing. | 0:47:31 | 0:47:33 | |
I actually got confused myself when I was selling. | 0:47:33 | 0:47:35 | |
I can admit, Lord Sugar, there was no price... | 0:47:35 | 0:47:38 | |
-No price?! -No price set. | 0:47:38 | 0:47:39 | |
In terms of the, er...fudge... | 0:47:39 | 0:47:42 | |
The whole lot here sounds like a bit of a fudge. | 0:47:42 | 0:47:44 | |
So, where do you think this task failed, then? | 0:47:44 | 0:47:47 | |
Well, I think there's been disagreement on the trade team. | 0:47:47 | 0:47:50 | |
You weren't very good sellers, were you? | 0:47:50 | 0:47:52 | |
The most lucrative product was the fudge | 0:47:52 | 0:47:55 | |
-and I don't think you sold any, did you, the trade team? -No. | 0:47:55 | 0:47:58 | |
Why is that? | 0:47:58 | 0:47:59 | |
Ultimately, the problem with the fudge was the fact | 0:47:59 | 0:48:01 | |
that it was a salt and vinegar fudge | 0:48:01 | 0:48:03 | |
that actually wasn't very appealing in concept. | 0:48:03 | 0:48:06 | |
Although Mukai was great to work with, | 0:48:06 | 0:48:08 | |
I think we probably could have had a bit more of a plan | 0:48:08 | 0:48:11 | |
of where we were going to go | 0:48:11 | 0:48:13 | |
and target the right kind of shops to sell the fudge. | 0:48:13 | 0:48:15 | |
We sold all of our fudge. It's... | 0:48:15 | 0:48:17 | |
On the corporate side, Mukai, | 0:48:20 | 0:48:22 | |
you went back to this fellow | 0:48:22 | 0:48:25 | |
that you'd previously sold some stuff to for £1.50. | 0:48:25 | 0:48:28 | |
-Right? -Yes, Lord Sugar. | 0:48:28 | 0:48:30 | |
And then you went to the same guy | 0:48:30 | 0:48:32 | |
and you sold him another load for £1.07. | 0:48:32 | 0:48:35 | |
I did warn you about that | 0:48:35 | 0:48:37 | |
and I told you on several occasions | 0:48:37 | 0:48:39 | |
not to give away money for no reason. | 0:48:39 | 0:48:42 | |
OK. And, Aleksandra, while we're with you, | 0:48:42 | 0:48:43 | |
what did you actually do in this task? | 0:48:43 | 0:48:46 | |
Well, I did my very best to sell, but I should have contributed more. | 0:48:46 | 0:48:50 | |
Out of the £700-odd worth of sales, | 0:48:50 | 0:48:55 | |
Aleksandra £100. | 0:48:55 | 0:48:57 | |
Paul zero. | 0:48:57 | 0:48:59 | |
After the task had finished, | 0:48:59 | 0:49:01 | |
I was a little frustrated with the events of the day | 0:49:01 | 0:49:03 | |
and I started to vent a little bit. | 0:49:03 | 0:49:05 | |
Erm...I did point out to Mukai it wasn't a personal thing. | 0:49:05 | 0:49:07 | |
-But I suppose we were both... -Well, you did call him "crap", didn't you? | 0:49:07 | 0:49:10 | |
In all honesty, Karren, yesterday went crap. | 0:49:10 | 0:49:13 | |
We ended up with all the fudge. | 0:49:13 | 0:49:14 | |
There's no other way of dressing it up. It went crap. | 0:49:14 | 0:49:16 | |
There was that argument, let's say, between Paul and Mukai. | 0:49:17 | 0:49:21 | |
But then, in the coffee shop now, when we were having our discussion, | 0:49:21 | 0:49:25 | |
suddenly all the blame seemed to be going on me. | 0:49:25 | 0:49:28 | |
And I can't help but think | 0:49:28 | 0:49:29 | |
that, Mukai, maybe you feel a little bit afraid of Paul | 0:49:29 | 0:49:32 | |
and you want to pin the blame on me. | 0:49:32 | 0:49:34 | |
-No, not at all. -And, Paul, you decide to align yourself | 0:49:34 | 0:49:36 | |
with a sub team leader. | 0:49:36 | 0:49:38 | |
I mean, I don't know what it is but, | 0:49:38 | 0:49:39 | |
"Even though I didn't make a sale, but blame it on Aleksandra..." | 0:49:39 | 0:49:42 | |
At the end of the day, you're actually sitting as one, | 0:49:42 | 0:49:44 | |
amongst a group of four, throwing slander my way. | 0:49:44 | 0:49:47 | |
Aleksandra, you wanted your opportunity to sell and you went in | 0:49:47 | 0:49:50 | |
and you mis-told them twice, so... | 0:49:50 | 0:49:52 | |
Erm...Oliver, | 0:49:52 | 0:49:54 | |
which two people are you bringing back into this boardroom? | 0:49:54 | 0:49:56 | |
It's a very hard decision, Lord Sugar. | 0:49:58 | 0:50:00 | |
Well, you can't make decisions, anyway. | 0:50:00 | 0:50:02 | |
I can, Lord Sugar. | 0:50:02 | 0:50:04 | |
It's going to have to be... | 0:50:04 | 0:50:05 | |
..Paul and Mukai. | 0:50:07 | 0:50:09 | |
OK. | 0:50:09 | 0:50:10 | |
The rest of you, go back to the house. | 0:50:15 | 0:50:17 | |
I'm going to have a chat with Karren and Claude | 0:50:25 | 0:50:27 | |
and at least one of you is going to be fired. | 0:50:27 | 0:50:29 | |
You know, as far as Oliver is concerned, | 0:50:38 | 0:50:40 | |
the basic fundamentals of this task he's not grasped. | 0:50:40 | 0:50:44 | |
I think that he has clearly got some business acumen, | 0:50:44 | 0:50:47 | |
but he's got some strong characters and he couldn't manage them. | 0:50:47 | 0:50:51 | |
Mukai, highly qualified, travelled the world, been everywhere, | 0:50:51 | 0:50:55 | |
done everything. | 0:50:55 | 0:50:56 | |
He certainly has an air of superiority about him, | 0:50:56 | 0:51:00 | |
which I think does rub people up the wrong way. | 0:51:00 | 0:51:02 | |
This bloke Paul, zero sales. | 0:51:02 | 0:51:05 | |
He's clearly a bright guy, but he lacked energy. | 0:51:05 | 0:51:08 | |
Well, he looks like he's got the hump. | 0:51:08 | 0:51:11 | |
PHONE RINGS | 0:51:12 | 0:51:14 | |
-Yes, Lord Sugar? -Yeah, could you send the three of them in, please? | 0:51:14 | 0:51:17 | |
Yes, Lord Sugar. | 0:51:17 | 0:51:18 | |
You can go into the boardroom now. | 0:51:18 | 0:51:20 | |
Oliver, it'll be interesting to know | 0:51:35 | 0:51:38 | |
why you've brought Paul back into this boardroom. | 0:51:38 | 0:51:41 | |
Lord Sugar, the reason I brought Paul in | 0:51:41 | 0:51:44 | |
was because there was nothing to show for it, | 0:51:44 | 0:51:46 | |
ie zero sales. | 0:51:46 | 0:51:48 | |
I think it's a bit ludicrous. | 0:51:48 | 0:51:49 | |
Yes, I didn't make a sale, but the opportunity didn't present itself. | 0:51:49 | 0:51:53 | |
However, I produced the best fudge. | 0:51:53 | 0:51:55 | |
So I did that. | 0:51:55 | 0:51:57 | |
I just always said to myself, "I have to go out and sell," | 0:51:57 | 0:51:59 | |
even though I was project manager. | 0:51:59 | 0:52:02 | |
I was trying to multitask the whole time, | 0:52:02 | 0:52:04 | |
thinking of new, innovative ideas. | 0:52:04 | 0:52:07 | |
Quick decisions. | 0:52:07 | 0:52:08 | |
And I think you've just got to run with your head in these decisions, | 0:52:08 | 0:52:12 | |
no matter what. | 0:52:12 | 0:52:14 | |
-And... -You know, you aren't half waffling now, my friend. | 0:52:14 | 0:52:17 | |
-OK. -You really are waffling. | 0:52:17 | 0:52:19 | |
Right now, your future is looking about as bright as one of your pigs, | 0:52:19 | 0:52:22 | |
to be honest with you. | 0:52:22 | 0:52:24 | |
-Lord Sugar, I have a business... -I'm asking you a simple question. | 0:52:25 | 0:52:28 | |
-Yes. -Why you brought him back. | 0:52:28 | 0:52:30 | |
So you're saying zero sales because he was in the trade team. | 0:52:30 | 0:52:33 | |
And there was a disagreement in the trade team. | 0:52:33 | 0:52:37 | |
That is another reason. | 0:52:37 | 0:52:39 | |
After the whole day's activities had finished, | 0:52:40 | 0:52:43 | |
myself and Mukai exchanged words. | 0:52:43 | 0:52:45 | |
But it didn't disrupt the team. | 0:52:45 | 0:52:47 | |
-You were frustrated, weren't you? -I was frustrated. | 0:52:48 | 0:52:50 | |
Can you hack this process, do you think, Paul? | 0:52:50 | 0:52:52 | |
I mean, I'm wondering, because these two people here | 0:52:52 | 0:52:55 | |
think you can be very, very moody. | 0:52:55 | 0:52:57 | |
Ultimately, whether I get moody or not, I still stick with the team | 0:52:57 | 0:53:00 | |
and try to deliver the team goals. If I'm honest... | 0:53:00 | 0:53:03 | |
Oliver's been carried on two tasks | 0:53:03 | 0:53:05 | |
and on this task, you wasn't anywhere. | 0:53:05 | 0:53:08 | |
In fact, myself, Fran and Grainne were the ones making the decisions. | 0:53:08 | 0:53:12 | |
Because you was unable to... | 0:53:12 | 0:53:13 | |
-Oh, that's not...! That is not true. -That is true. | 0:53:13 | 0:53:15 | |
-I... I got... -I'm sorry, it's true. | 0:53:15 | 0:53:17 | |
I led the team, Paul, and I wanted to succeed in this. | 0:53:17 | 0:53:23 | |
Now, what's Mukai doing here? | 0:53:23 | 0:53:24 | |
I didn't want to bring Mukai here at all. | 0:53:24 | 0:53:28 | |
However, I can't be in all of these places at once, Lord Sugar. | 0:53:28 | 0:53:32 | |
It does rely on another aide on the trade team | 0:53:32 | 0:53:36 | |
to make these decisions, as well. | 0:53:36 | 0:53:38 | |
Oliver, in terms of the corporate clients, we sold 50, | 0:53:38 | 0:53:41 | |
and on the second day we up-sold that to 100 items. | 0:53:41 | 0:53:44 | |
-So we did quite effectively on that. -Very low prices. | 0:53:44 | 0:53:47 | |
But the low price, I mean, you... | 0:53:47 | 0:53:50 | |
you backed down on the price and I would have stuck firm at the price. | 0:53:50 | 0:53:53 | |
I never back down with a leading supermarket. | 0:53:53 | 0:53:55 | |
I stick to my price. | 0:53:55 | 0:53:57 | |
Unfortunately, the fudge did not sell at all. | 0:53:57 | 0:53:59 | |
Either it's the flavours, or anything, we could not sell that. | 0:53:59 | 0:54:03 | |
We managed to sell out of the fudge. | 0:54:03 | 0:54:05 | |
Lord Sugar, you want someone who can sell for you, OK? | 0:54:05 | 0:54:09 | |
You've talked about how great a salesperson you are, OK? | 0:54:09 | 0:54:13 | |
Well, you're not. You didn't sell, | 0:54:13 | 0:54:15 | |
you're riding a blooming tricycle up and down the road | 0:54:15 | 0:54:17 | |
and getting that wrong, also. | 0:54:17 | 0:54:19 | |
He was running around the kitchen like a headless chicken, actually. | 0:54:19 | 0:54:23 | |
He had no idea, really, what was going on, and that was that. | 0:54:23 | 0:54:26 | |
I wouldn't say that. I was really hands-on. | 0:54:26 | 0:54:28 | |
OK, I was learning how to make fudge | 0:54:28 | 0:54:32 | |
and I got in the swing of things. | 0:54:32 | 0:54:33 | |
And I was also having to make decisions | 0:54:33 | 0:54:35 | |
and speaking to sub team A to liaise with...with...Mukai... | 0:54:35 | 0:54:39 | |
Right, OK. Look, look... | 0:54:39 | 0:54:41 | |
I'm going to summarise here, now. | 0:54:41 | 0:54:43 | |
Oliver... | 0:54:44 | 0:54:45 | |
..I'm taking you on your word that you've got this business. | 0:54:46 | 0:54:49 | |
And that's why I'm a bit confused | 0:54:49 | 0:54:51 | |
as to why you failed miserably here | 0:54:51 | 0:54:54 | |
in management, in manufacturing, in selling. | 0:54:54 | 0:54:58 | |
Paul... | 0:54:59 | 0:55:01 | |
..my two colleagues here put the alarm bells up, | 0:55:03 | 0:55:07 | |
as far as I'm concerned, | 0:55:07 | 0:55:08 | |
in that they think you've gone into a kind of despondency. | 0:55:08 | 0:55:13 | |
But I have got no time for people like that. | 0:55:13 | 0:55:15 | |
And, Mukai... | 0:55:15 | 0:55:16 | |
you've got an explanation for everything, | 0:55:16 | 0:55:18 | |
but when you kind of add it all up, | 0:55:18 | 0:55:20 | |
it doesn't add up to a row of beans, really, to be honest. | 0:55:20 | 0:55:24 | |
-I can tell you more about my... -No. No, I don't want to hear any more. | 0:55:24 | 0:55:27 | |
Oliver... | 0:55:31 | 0:55:33 | |
..your best hope | 0:55:35 | 0:55:37 | |
for 250 grand... | 0:55:37 | 0:55:39 | |
..is to buy yourself a scratchcard. | 0:55:40 | 0:55:42 | |
You're fired. | 0:55:43 | 0:55:45 | |
Thank you, Lord Sugar. | 0:55:46 | 0:55:48 | |
Mukai, you're not far behind, quite honestly. | 0:56:03 | 0:56:06 | |
You wanted to talk. Why shouldn't I fire you, then? | 0:56:08 | 0:56:10 | |
In my past experience, | 0:56:10 | 0:56:12 | |
I had some of the biggest fashion industry companies in the world. | 0:56:12 | 0:56:16 | |
I just feel that I've got a lot more to offer | 0:56:16 | 0:56:18 | |
and, if you give me the chance, that I'll show that to you. | 0:56:18 | 0:56:21 | |
-In terms of... -Look, I'll tell you what, | 0:56:21 | 0:56:24 | |
I am this close, really. | 0:56:24 | 0:56:26 | |
-Go back to the house, the pair of you. -Thank you, Lord Sugar. | 0:56:30 | 0:56:33 | |
Guys, take care. | 0:56:35 | 0:56:36 | |
Good luck. | 0:56:39 | 0:56:41 | |
I'm feeling really upbeat, actually. | 0:56:50 | 0:56:53 | |
It's been a tremendous experience, at the end of the day. | 0:56:53 | 0:56:56 | |
Maybe I wasn't ruthless enough. | 0:56:56 | 0:56:58 | |
However, I've learnt a lot | 0:56:58 | 0:56:59 | |
that I could put into practice for my sausage empire. | 0:56:59 | 0:57:03 | |
-So who do you guys think is coming back, then? -Paul. | 0:57:07 | 0:57:10 | |
Paul, yeah. Paul and Oliver. | 0:57:10 | 0:57:11 | |
Did Oliver put up a good fight? | 0:57:11 | 0:57:13 | |
I think he's going to come back. | 0:57:13 | 0:57:15 | |
-So everyone seems to want Oliver back in the house. -Definitely. | 0:57:15 | 0:57:19 | |
Oh, my God, Mukai! | 0:57:19 | 0:57:20 | |
CHEERING | 0:57:20 | 0:57:23 | |
-Well done. -Yeah, good. | 0:57:26 | 0:57:27 | |
So how did you get on? I thought Oliver was coming back. | 0:57:29 | 0:57:32 | |
It was a bit like taking a lamb to slaughter. | 0:57:32 | 0:57:35 | |
I'm surprised you survived that boardroom after last week. | 0:57:35 | 0:57:37 | |
-Why are you surprised? -Bust-ups, bad decisions, bad business acumen. | 0:57:37 | 0:57:41 | |
I live to fight another day. | 0:57:41 | 0:57:42 | |
Now, 15 candidates remain. | 0:57:46 | 0:57:49 | |
Lord Sugar's search for his next business partner continues. | 0:57:50 | 0:57:55 | |
Next time... | 0:57:57 | 0:57:59 | |
I'm sending you to one of the UK's | 0:57:59 | 0:58:01 | |
most famous department stores. | 0:58:01 | 0:58:03 | |
..high-end clients... | 0:58:03 | 0:58:05 | |
It's a mere £1,030. | 0:58:06 | 0:58:08 | |
Can I tempt you? | 0:58:08 | 0:58:10 | |
..low-end results. | 0:58:10 | 0:58:11 | |
You don't need to get angry or distressed about it. | 0:58:11 | 0:58:13 | |
It's not appropriate in a shop. | 0:58:13 | 0:58:15 | |
This is a bloody nightmare! | 0:58:15 | 0:58:17 | |
And in the boardroom... | 0:58:17 | 0:58:18 | |
Was you locked away in the cupboard somewhere | 0:58:18 | 0:58:20 | |
when all this was going on? | 0:58:20 | 0:58:21 | |
..the shutters come down. | 0:58:21 | 0:58:23 | |
You were shoved into a corner. | 0:58:23 | 0:58:26 | |
They don't trust you. You're fired. | 0:58:26 | 0:58:28 |