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I'm not here to make any friends. | 0:00:02 | 0:00:04 | |
The process is not personal. It's business. | 0:00:04 | 0:00:07 | |
Lord Sugar is on the lookout for a brand-new business partner. | 0:00:09 | 0:00:14 | |
It is a very competitive situation. | 0:00:14 | 0:00:16 | |
I need to see who's got a good business brain. | 0:00:16 | 0:00:19 | |
Fighting it out for his funding... | 0:00:20 | 0:00:22 | |
..18 aspiring tycoons. | 0:00:25 | 0:00:28 | |
Not one of you geniuses ran this thing properly. I feel so angry. | 0:00:28 | 0:00:33 | |
You're coming across a bit thick. | 0:00:33 | 0:00:35 | |
At stake, £250,000... | 0:00:35 | 0:00:38 | |
..and a 50-50 deal with a business heavyweight. | 0:00:40 | 0:00:45 | |
Your best hope for 250 grand is to buy yourself a scratchcard. | 0:00:45 | 0:00:50 | |
Yeah, yeah, yeah. Go, go, go. Right, run, come on! | 0:00:50 | 0:00:52 | |
It's an investment worth fighting for. | 0:00:52 | 0:00:54 | |
Please stop talking. Please. For the love of God, stop talking. | 0:00:54 | 0:00:58 | |
We're meant to be grown-up women, | 0:00:58 | 0:00:59 | |
we're acting like little schoolgirls. | 0:00:59 | 0:01:01 | |
18 candidates... | 0:01:01 | 0:01:03 | |
I'm not getting angry. I'm just telling you my point, | 0:01:03 | 0:01:05 | |
cos you're not listening to my point. | 0:01:05 | 0:01:07 | |
-Boom. -Smashed it. | 0:01:07 | 0:01:08 | |
..12 testing weeks... | 0:01:08 | 0:01:10 | |
This is getting really, really childish now. | 0:01:10 | 0:01:13 | |
If I was the project manager, I'd be trying to motivate my team. | 0:01:13 | 0:01:15 | |
So, that's not cool. That's not cool. | 0:01:15 | 0:01:17 | |
..one life-changing opportunity. | 0:01:17 | 0:01:19 | |
You're fired. | 0:01:19 | 0:01:20 | |
You're fired. | 0:01:20 | 0:01:21 | |
You are a loose cannon. You're fired. | 0:01:21 | 0:01:24 | |
Previously on The Apprentice... | 0:01:31 | 0:01:35 | |
I want you to manufacture and sell your own range of sweets. | 0:01:35 | 0:01:39 | |
..cake baker Alana... | 0:01:39 | 0:01:41 | |
You need to be the project manager on this task. | 0:01:41 | 0:01:44 | |
..rose to the occasion... | 0:01:44 | 0:01:46 | |
-Do a bag, mix it. Do a bag, mix it. -No worries. | 0:01:46 | 0:01:48 | |
..making sweet stock... | 0:01:48 | 0:01:50 | |
-You want the pillows? Great. -How about two for six? | 0:01:50 | 0:01:53 | |
..despite some sour relations. | 0:01:53 | 0:01:55 | |
We can't all be selling at different prices. | 0:01:55 | 0:01:57 | |
I'm getting more, if anything. | 0:01:57 | 0:01:58 | |
Led by Oliver... | 0:01:58 | 0:01:59 | |
It's all a bit of a learning curve. | 0:01:59 | 0:02:01 | |
I know, but we don't have time for a learning curve. | 0:02:01 | 0:02:03 | |
..the other team faced a sticky situation... | 0:02:03 | 0:02:06 | |
If this goes badly wrong, I'm holding you personally responsible. | 0:02:06 | 0:02:10 | |
..when their salt and vinegar candy... | 0:02:10 | 0:02:12 | |
The aftertaste is a little bit off. | 0:02:12 | 0:02:14 | |
..sucked. | 0:02:14 | 0:02:15 | |
It's like dealing with children at some point. | 0:02:15 | 0:02:17 | |
With Oliver's team in meltdown... | 0:02:17 | 0:02:19 | |
-What is your point? -You was crap. -Oh, really? | 0:02:19 | 0:02:22 | |
..Alana tasted victory in the boardroom. | 0:02:22 | 0:02:24 | |
Mukai was accused of fudging the figures... | 0:02:28 | 0:02:30 | |
And I told you on several occasions not to give away money for no reason. | 0:02:30 | 0:02:34 | |
..Paul was pulled up on his sales... | 0:02:34 | 0:02:37 | |
Out of the £700-odd - Paul, zero. | 0:02:37 | 0:02:41 | |
..and both turned on Aleksandra. | 0:02:41 | 0:02:43 | |
You wanted your opportunity to sell. | 0:02:43 | 0:02:44 | |
"Even though I didn't make a sale, I'll blame it on it on Aleksandra." | 0:02:44 | 0:02:47 | |
But it was sausage-maker Oliver... | 0:02:47 | 0:02:49 | |
Lord Sugar, I have a business... | 0:02:49 | 0:02:52 | |
..who didn't cut the mustard. | 0:02:52 | 0:02:53 | |
Your future is looking about as bright as one of your pigs. | 0:02:53 | 0:02:56 | |
You're fired. | 0:02:56 | 0:02:58 | |
Now 15 remain to fight for the chance to become | 0:02:58 | 0:03:01 | |
Lord Sugar's business partner. | 0:03:01 | 0:03:03 | |
PHONE RINGS | 0:03:09 | 0:03:11 | |
5:45am. | 0:03:11 | 0:03:13 | |
Hello? | 0:03:18 | 0:03:20 | |
'Good morning. Lord Sugar would like you to meet him | 0:03:20 | 0:03:22 | |
'at the Drapers' Guild.' | 0:03:22 | 0:03:24 | |
Drapers' Guild. 20 minutes. | 0:03:24 | 0:03:26 | |
What's a guild? | 0:03:27 | 0:03:29 | |
It couldn't be anything to do with drapes, could it? | 0:03:29 | 0:03:31 | |
No idea where it is. | 0:03:31 | 0:03:32 | |
Paul does my tie, you do my hair, what'll I do without you guys? | 0:03:34 | 0:03:37 | |
I'll miss it when you're gone. | 0:03:37 | 0:03:39 | |
HE CHUCKLES | 0:03:39 | 0:03:41 | |
-We really need to win this one. -Yeah, we absolutely do. | 0:03:49 | 0:03:52 | |
Now we really need to win. I'm not going to that cafe again. | 0:03:52 | 0:03:54 | |
I've been there three times. | 0:03:54 | 0:03:56 | |
I'm done with PM, I think, for a while. Does anyone else want a go? | 0:03:56 | 0:03:59 | |
If the brief fits my skill set, | 0:03:59 | 0:04:01 | |
I'm definitely going to put myself forward. | 0:04:01 | 0:04:03 | |
I'll PM all-day long. | 0:04:03 | 0:04:05 | |
I'm a natural born leader, so... | 0:04:05 | 0:04:07 | |
Have you put yourself forward as PM before? | 0:04:07 | 0:04:09 | |
-Yeah, of course I did. -Did you? -Did I? | 0:04:09 | 0:04:13 | |
In the heart of the Square Mile... | 0:04:13 | 0:04:17 | |
Drapers' Hall... | 0:04:17 | 0:04:18 | |
..home for almost 500 years to one of the City's oldest guilds. | 0:04:20 | 0:04:27 | |
-Good morning. -ALL: Good morning, Lord Sugar. | 0:04:32 | 0:04:34 | |
Well, welcome to this wonderful place. | 0:04:34 | 0:04:37 | |
This impressive building is home to the guild | 0:04:37 | 0:04:41 | |
of wool and cloth merchants. | 0:04:41 | 0:04:43 | |
In the 18th century, drapers changed the face of retail | 0:04:43 | 0:04:48 | |
by selling different types of products under the same roof, | 0:04:48 | 0:04:52 | |
helping to create the very first department stores. | 0:04:52 | 0:04:56 | |
Today, this sector is worth billions of pounds, | 0:04:56 | 0:05:00 | |
so for your next task, I'm sending you to one of the UK's most famous | 0:05:00 | 0:05:06 | |
department stores - Liberty of London. | 0:05:06 | 0:05:10 | |
Each team will choose the department to run | 0:05:10 | 0:05:13 | |
and introduce a new product line to promote and sell. | 0:05:13 | 0:05:18 | |
You'll also run a personal shopping service. | 0:05:18 | 0:05:21 | |
These clients each have a generous budget to spend. | 0:05:21 | 0:05:25 | |
But a word of warning - they expect excellent customer service. | 0:05:25 | 0:05:29 | |
The team that makes the most sales will win, | 0:05:29 | 0:05:33 | |
and in the losing team, as usual, at least one of you will be fired. | 0:05:33 | 0:05:38 | |
Claude will follow Nebula, and Karren will follow Titans. | 0:05:38 | 0:05:42 | |
Good luck. Off you go. | 0:05:42 | 0:05:43 | |
And I'll see you back in the boardroom in a few days' time. | 0:05:43 | 0:05:46 | |
Two days to turn premium stock into a pretty penny. | 0:05:48 | 0:05:52 | |
I would love to be project manager for this. | 0:05:52 | 0:05:54 | |
I have worked in department stores, including this one. | 0:05:54 | 0:05:57 | |
Nailing her colours to the mast, make-up artist Grainne. | 0:05:57 | 0:06:01 | |
I honestly believe Fran as sub-team leader, | 0:06:01 | 0:06:05 | |
because she has her own stores as well. | 0:06:05 | 0:06:08 | |
I think you guys really need to use me here | 0:06:08 | 0:06:10 | |
and put me in the right place | 0:06:10 | 0:06:11 | |
and make sure I can bring out the best in all of you guys. | 0:06:11 | 0:06:14 | |
-PAUL: -So you want to lead, and then you sub-lead? | 0:06:14 | 0:06:16 | |
I will be happy to lead, yeah. Are we all in agreement, then? | 0:06:16 | 0:06:19 | |
-ALEKSANDRA: -You guys, I just have to say something. I... | 0:06:19 | 0:06:23 | |
I'm going to leave the process. | 0:06:23 | 0:06:26 | |
Sorry? | 0:06:26 | 0:06:27 | |
-So, I'm really sorry... -What? | 0:06:27 | 0:06:29 | |
-I just... -Why, what happened? | 0:06:29 | 0:06:30 | |
I'm just not... It's... I'm just not enjoying it. I'm not... | 0:06:30 | 0:06:36 | |
-Is this a joke? -No, it's not a joke. | 0:06:36 | 0:06:38 | |
-MUKAI: -Aleks, we're just starting a task, | 0:06:38 | 0:06:40 | |
-it's not exactly the ideal moment. -KARTHIK: -Stick with it. | 0:06:40 | 0:06:43 | |
I'm really sorry, but I'm not... | 0:06:43 | 0:06:44 | |
-GRAINNE: -OK, well, I don't have time to... | 0:06:44 | 0:06:46 | |
-I'm going to go. -If you want to go, I'll leave you to get on with it. | 0:06:46 | 0:06:49 | |
-KARTHIK: -Good luck. -Sorry. | 0:06:49 | 0:06:52 | |
I'm so sorry. | 0:06:52 | 0:06:54 | |
HE EXHALES | 0:07:00 | 0:07:02 | |
OK, that's, em, a bit of a shock...to the system. | 0:07:02 | 0:07:05 | |
I actually thought it was a joke. It's obviously not. She's gone. | 0:07:05 | 0:07:09 | |
I don't want this to stop or bring us down, you know, | 0:07:09 | 0:07:12 | |
or dishearten us in any way. | 0:07:12 | 0:07:14 | |
I have found the process overwhelming and stressful | 0:07:17 | 0:07:20 | |
and really intense. | 0:07:20 | 0:07:23 | |
I just want to go home to my kids and my husband now. | 0:07:23 | 0:07:27 | |
Right now. | 0:07:27 | 0:07:29 | |
She obviously didn't feel she was strong enough to be in this, | 0:07:29 | 0:07:31 | |
but we need to keep our heads together now and get down to work. | 0:07:31 | 0:07:36 | |
-Frances, are you happy and content? -Absolutely content. | 0:07:36 | 0:07:38 | |
-Is there anything you want to ask me? -No, nothing. | 0:07:38 | 0:07:42 | |
Across the hall... | 0:07:42 | 0:07:43 | |
I would like to put myself, 100%, project manager. | 0:07:43 | 0:07:47 | |
..Sofiane sells himself. | 0:07:47 | 0:07:49 | |
So this is pretty much what I've been doing the last five years. | 0:07:49 | 0:07:52 | |
-So you've worked in a high-end department store? -Absolutely. | 0:07:52 | 0:07:55 | |
Are you happy with me to project-manage this task, yeah? | 0:07:55 | 0:07:57 | |
Yeah, definitely. | 0:07:57 | 0:07:58 | |
So who's strong here to, kind of, be my sub-team leader? | 0:07:58 | 0:08:01 | |
Who's got the most...? | 0:08:01 | 0:08:02 | |
I've worked in and helped manage a lot of high-end stores, | 0:08:02 | 0:08:05 | |
-so I believe it would be a good fit and I can help. -Brilliant. | 0:08:05 | 0:08:07 | |
I would like to maximise my creative input and also my knowledge | 0:08:07 | 0:08:11 | |
of the brands that this store sells. I think... | 0:08:11 | 0:08:14 | |
I don't think you're a very strong leader. | 0:08:14 | 0:08:16 | |
So, let's decide quickly. I've got Sammy as sub-team leader. | 0:08:18 | 0:08:21 | |
Project managers in place... | 0:08:25 | 0:08:27 | |
..next stop, the shop floor. | 0:08:29 | 0:08:32 | |
Sofiane finds it very hard to listen, | 0:08:32 | 0:08:34 | |
-even in everyday conversation. -And delegate. | 0:08:34 | 0:08:37 | |
My worry is that he's just going to try and make it a one-man band. | 0:08:37 | 0:08:41 | |
-JESSICA: -Yes, I thought that. | 0:08:41 | 0:08:42 | |
That could end up being an absolute car crash. | 0:08:42 | 0:08:44 | |
He always says to me, "Trust me." | 0:08:44 | 0:08:45 | |
Anyone that tells me to trust them, I don't trust them. | 0:08:45 | 0:08:49 | |
Simple as that, really. There's a reason for it. | 0:08:49 | 0:08:51 | |
9am. | 0:08:53 | 0:08:56 | |
A world-famous department store in the heart of London. | 0:08:56 | 0:09:01 | |
-My name is Samuel. Nice to meet you. -Sofiane, nice to meet you. | 0:09:01 | 0:09:03 | |
A treasure trove, selling everything from stationery and chocolate... | 0:09:03 | 0:09:09 | |
How do you not just eat all the chocolate all the time. | 0:09:09 | 0:09:11 | |
..to sought-after scarves... | 0:09:11 | 0:09:13 | |
This is one of our classics. | 0:09:13 | 0:09:15 | |
..and high-end handbags. | 0:09:15 | 0:09:16 | |
I could talk for hours on the beautiful brands you have. | 0:09:16 | 0:09:18 | |
-I used to work in leather goods and accessories. -Oh, brilliant. | 0:09:18 | 0:09:21 | |
First for both teams, a chance to size up stock. | 0:09:21 | 0:09:25 | |
What is your price range? | 0:09:25 | 0:09:27 | |
It starts from about £100 going up to the most expensive at 2.6K. | 0:09:27 | 0:09:31 | |
Great. Wow, really exciting stuff. | 0:09:31 | 0:09:35 | |
I do really believe that the leather goods and bags department | 0:09:35 | 0:09:38 | |
has the possibility to sell the highest ticket items. | 0:09:38 | 0:09:42 | |
I know the market quite well. | 0:09:42 | 0:09:43 | |
I think that's definitely an advantage for this task. | 0:09:43 | 0:09:46 | |
I kind of hope to share that experience | 0:09:46 | 0:09:48 | |
with the rest of the team. | 0:09:48 | 0:09:49 | |
Our scarves are world-famous. | 0:09:53 | 0:09:55 | |
We have one of the biggest scarf collections in the whole world. | 0:09:55 | 0:09:57 | |
How much do they tend to spend on a scarf? | 0:09:57 | 0:09:59 | |
Do they go more for the taste, or...? | 0:09:59 | 0:10:01 | |
They range from about £75 up to £1,200. | 0:10:01 | 0:10:04 | |
-Thank you. It's been lovely. -Thanks, bye. | 0:10:04 | 0:10:07 | |
Departments dissected... | 0:10:09 | 0:10:11 | |
Chocolate? | 0:10:11 | 0:10:12 | |
They've got an exit on to a very busy street. | 0:10:12 | 0:10:15 | |
Stationery is a very busy area... | 0:10:15 | 0:10:16 | |
But it's going to be £20 per customer. | 0:10:16 | 0:10:20 | |
..next, decide which one to represent tomorrow. | 0:10:20 | 0:10:23 | |
Liberty scarves are only available in Liberty. | 0:10:23 | 0:10:26 | |
It's, like, typical Liberty, those scarves. | 0:10:26 | 0:10:29 | |
People coming in there are going to see that straightaway. | 0:10:29 | 0:10:32 | |
As a team, altogether, where would you be comfortable? | 0:10:32 | 0:10:34 | |
-Scarves. -Scarves. | 0:10:34 | 0:10:35 | |
Scarves, yeah? | 0:10:35 | 0:10:36 | |
-Scarves, OK? -Good. | 0:10:36 | 0:10:39 | |
People are coming to Liberty mainly for scarves. | 0:10:39 | 0:10:42 | |
We're on a one-day sale. | 0:10:42 | 0:10:44 | |
I think we should go for the main product that is the staple product. | 0:10:44 | 0:10:47 | |
That should be the way that we approach it. | 0:10:47 | 0:10:49 | |
-Hold on, hold on. You're suggesting scarves as... -Number one. | 0:10:49 | 0:10:51 | |
-MUKAI: -My personal choice would be bags. | 0:10:51 | 0:10:54 | |
The opportunity on leather goods is quite significant. | 0:10:54 | 0:10:57 | |
Right, can I just stop here a wee second? Can you all give me each...? | 0:10:57 | 0:11:01 | |
-KARTHIK: -I think we should go for scarves. | 0:11:01 | 0:11:03 | |
It will sell more than probably handbags. That's my input. | 0:11:03 | 0:11:06 | |
-Quickly. -FRANCES: -Scarves. | 0:11:06 | 0:11:07 | |
-REBECCA: -I'm going to go for scarves. | 0:11:07 | 0:11:09 | |
The scarves is a good proposition. | 0:11:09 | 0:11:11 | |
I believe the bags, just because we'd have to sell 20 scarves | 0:11:11 | 0:11:14 | |
or 15 scarves to make one bag sale. | 0:11:14 | 0:11:18 | |
OK, first handbags, second scarves. | 0:11:18 | 0:11:20 | |
Lunchtime. | 0:11:24 | 0:11:27 | |
Tomorrow, teams must showcase one new product range | 0:11:27 | 0:11:31 | |
to try and drive up sales. | 0:11:31 | 0:11:33 | |
Hello, lovely to meet you. Hi, guys. | 0:11:34 | 0:11:36 | |
While half of Grainne's team look over luxury luggage... | 0:11:36 | 0:11:40 | |
-So they're all 100% leather or canvas, essentially? -Yes. | 0:11:40 | 0:11:42 | |
They're the two materials. | 0:11:42 | 0:11:44 | |
Aren't they beautiful inside as well?! | 0:11:44 | 0:11:45 | |
..the rest check out high-end handbags. | 0:11:45 | 0:11:48 | |
The brand is called HEIO. | 0:11:48 | 0:11:50 | |
It's actually the initials of the brand values. | 0:11:50 | 0:11:53 | |
H would stand for humble, E for eclectic, | 0:11:53 | 0:11:57 | |
I for identity, and then O for optimism. | 0:11:57 | 0:12:01 | |
I've got now two collections. One of them is called New York. | 0:12:01 | 0:12:05 | |
-New York, yeah. -Then another one is called Minorca. | 0:12:05 | 0:12:08 | |
This is, like, kind of, futuristic meets modern contemporary. | 0:12:08 | 0:12:11 | |
The same way, doesn't it? | 0:12:11 | 0:12:13 | |
For Sofiane's scarves and accessories squad... | 0:12:16 | 0:12:19 | |
These are our umbrellas, | 0:12:19 | 0:12:20 | |
they all change colour in the rain when they get wet. | 0:12:20 | 0:12:22 | |
..colour-changing brollies... | 0:12:22 | 0:12:24 | |
It's something different, it's quirky and it's fun. | 0:12:24 | 0:12:26 | |
Wow. That is so cool. | 0:12:26 | 0:12:28 | |
..and feline fabrics. | 0:12:28 | 0:12:30 | |
I notice you like cats. | 0:12:30 | 0:12:31 | |
We do love cats, but we also love jaguars, tigers... | 0:12:31 | 0:12:34 | |
An interesting twist on the pussy bow. | 0:12:34 | 0:12:37 | |
Yeah, exactly. I mean, at the end of the day, they're scarves, | 0:12:37 | 0:12:39 | |
so you can wear them in different ways. | 0:12:39 | 0:12:41 | |
I think it's amazing that you've used the cat in such a clever way. | 0:12:41 | 0:12:45 | |
When I first saw them, I immediately knew they'd be a good seller. | 0:12:45 | 0:12:48 | |
They just look so cool. | 0:12:48 | 0:12:49 | |
They could be worn by either sex, depending on how brave you are. | 0:12:49 | 0:12:52 | |
I think that's really cutting-edge. | 0:12:52 | 0:12:54 | |
5pm. | 0:12:55 | 0:12:57 | |
So they're £25 for the umbrellas. | 0:12:57 | 0:12:58 | |
'I just think they might be a little bit low-end for...' | 0:12:58 | 0:13:02 | |
Yeah, we agree. | 0:13:02 | 0:13:03 | |
Decision time. | 0:13:03 | 0:13:04 | |
-DILLON: -'So basically the scarf designer creates these scarves that | 0:13:04 | 0:13:09 | |
'are in the shape of an illustration of a tiger or a jaguar, etc. | 0:13:09 | 0:13:14 | |
'We all loved them. Like, they were awesome.' | 0:13:14 | 0:13:17 | |
Literally, if you saw one of these scarves, you would just love it. | 0:13:17 | 0:13:19 | |
I think with this type of scarf, it would be an impulse buy. | 0:13:19 | 0:13:23 | |
Quickly, what sort of shape is it? Is it just cats? | 0:13:23 | 0:13:26 | |
-Again, yeah... -The paws are at the front. | 0:13:26 | 0:13:28 | |
'The paws are at the front and the head is shaped in the shape of | 0:13:28 | 0:13:31 | |
'a cat, but it's got a long body, like a scarf.' | 0:13:31 | 0:13:35 | |
I think we'll go with the scarves. | 0:13:35 | 0:13:36 | |
'Cool. Good choice, good choice.' | 0:13:36 | 0:13:38 | |
-'Hi, Grainne.' -Hi, Frances, how did you get on? | 0:13:40 | 0:13:42 | |
On the other team... | 0:13:42 | 0:13:44 | |
It's a unisex brand, utilitarian, | 0:13:44 | 0:13:46 | |
'but I'm going to be honest, I'm not overly fussed. | 0:13:46 | 0:13:49 | |
'It's very, very minimal.' | 0:13:49 | 0:13:50 | |
..decide on a bag. | 0:13:50 | 0:13:52 | |
'OK, right, well, I'll give you a wee brief on what we've done.' | 0:13:52 | 0:13:54 | |
So her inspiration is through architecture, travel and colour. | 0:13:54 | 0:13:58 | |
-'Right.' -Produced in the south of Spain. | 0:13:58 | 0:14:00 | |
Spain is so good for manufacturing, in terms of quality. | 0:14:00 | 0:14:02 | |
'Spain is actually exceptional in that. | 0:14:02 | 0:14:05 | |
'Grainne, you've sold it to me.' | 0:14:05 | 0:14:07 | |
-Great. -Frances, thank you. Thank you, thank you very much. | 0:14:07 | 0:14:10 | |
At the department store... | 0:14:10 | 0:14:13 | |
Nice to meet you all. | 0:14:13 | 0:14:14 | |
I look after the windows' team. Just a few top tips. | 0:14:14 | 0:14:17 | |
..for half of each team... | 0:14:17 | 0:14:18 | |
I think we need to entice people in. | 0:14:18 | 0:14:21 | |
I mean, theatre, everyone just loves a bit of theatre. | 0:14:21 | 0:14:23 | |
..a crash course in window dressing... | 0:14:23 | 0:14:26 | |
Some of our most successful brands have real people in the window. | 0:14:26 | 0:14:29 | |
..to showcase the team's chosen products. | 0:14:29 | 0:14:32 | |
You would usually see an uplift between 30 and 50%. | 0:14:32 | 0:14:35 | |
So we have the scarves, | 0:14:37 | 0:14:39 | |
so Jessica comes out and physically hangs cat scarves one by one. | 0:14:39 | 0:14:44 | |
It needs to be a message that creates curiosity. | 0:14:44 | 0:14:46 | |
-When they see it, they'll think... -Curiosity killed the cat. | 0:14:46 | 0:14:49 | |
Oh, my God! Yeah, I quite like that. | 0:14:49 | 0:14:50 | |
Cats are on trend, cats are cool. Cool for cats. | 0:14:50 | 0:14:53 | |
-Cool for cats. -OK, I like that. | 0:14:53 | 0:14:56 | |
-SAMUEL: -No, but "Cool for cats" doesn't make sense. | 0:14:56 | 0:14:58 | |
It doesn't make sense. | 0:14:58 | 0:14:59 | |
It doesn't make any sense. What's cool for cats? | 0:14:59 | 0:15:02 | |
# Cool for cats... # | 0:15:02 | 0:15:03 | |
You're struggling to explain yourselves. | 0:15:03 | 0:15:05 | |
"Cool for cats," doesn't make sense. | 0:15:05 | 0:15:07 | |
It's from a famous song in the '80s. | 0:15:07 | 0:15:09 | |
# Cool...for...cats... # | 0:15:09 | 0:15:14 | |
On the other team... | 0:15:14 | 0:15:15 | |
I mean, I've got designs for, like, a three-tier podium thing. | 0:15:15 | 0:15:19 | |
You put the bags on there. | 0:15:19 | 0:15:21 | |
..Mukai sets out his vision. | 0:15:21 | 0:15:24 | |
One based on the urban New York environment and one based on | 0:15:24 | 0:15:28 | |
the south of Spain island resort-wear style. | 0:15:28 | 0:15:31 | |
If we wanted Rebecca, she would be the live mannequin, potentially. | 0:15:31 | 0:15:35 | |
You have her beckoning people to come over. | 0:15:35 | 0:15:38 | |
But we don't want to make it look as if we're... | 0:15:38 | 0:15:41 | |
It's tacky and inviting people... | 0:15:41 | 0:15:43 | |
Yeah, but I think there could be some interaction. | 0:15:43 | 0:15:46 | |
The question, Grainne, you have to answer is... | 0:15:46 | 0:15:48 | |
I know, you keep saying I have to answer, | 0:15:48 | 0:15:50 | |
but I'm trying to say to you, we're going to get the products in | 0:15:50 | 0:15:53 | |
and then we can try and incorporate Rebecca, if need be. | 0:15:53 | 0:15:56 | |
I think Mukai, for some reason, | 0:15:56 | 0:15:57 | |
he's trying to step up and push the live window. | 0:15:57 | 0:16:00 | |
As team leader, I'm not going to argue with him. | 0:16:00 | 0:16:03 | |
At the end of the day, we wanted to keep it as simple as possible. | 0:16:03 | 0:16:07 | |
Do you mind me asking your dress size at all? | 0:16:08 | 0:16:10 | |
Tomorrow, the teams must run a personal shopping service. | 0:16:10 | 0:16:13 | |
Have you got any favourite brands or designers? | 0:16:13 | 0:16:16 | |
Tonight, a chance to check in with their clients. | 0:16:16 | 0:16:19 | |
Can I ask you at all what your budget is for tomorrow? | 0:16:19 | 0:16:23 | |
Fishing for information, Frances. | 0:16:23 | 0:16:26 | |
Have you got any special occasions coming up at the moment or not? | 0:16:26 | 0:16:29 | |
'Yes, I've got a wedding.' | 0:16:29 | 0:16:31 | |
Have you got a particular style? Is it quite timeless, | 0:16:31 | 0:16:34 | |
classic, or do you like...? | 0:16:34 | 0:16:35 | |
'No, I quite like to look a bit weird.' | 0:16:35 | 0:16:38 | |
I like that. Do you know what I like about you, though, Dani, | 0:16:38 | 0:16:41 | |
you're just honest from the onset. | 0:16:41 | 0:16:42 | |
It just makes everything so much easier. | 0:16:42 | 0:16:44 | |
I really look forward to meeting you tomorrow, Dani, | 0:16:44 | 0:16:46 | |
have a lovely evening. Bye. | 0:16:46 | 0:16:48 | |
-'Bye.' -Bye. | 0:16:48 | 0:16:50 | |
-Great. -Smashed it. | 0:16:50 | 0:16:52 | |
-Good information gatherage. -That went very well. That went well. | 0:16:52 | 0:16:55 | |
On the other team... | 0:16:55 | 0:16:57 | |
I just want to get a sort of gauge of what you're looking for, | 0:16:57 | 0:17:01 | |
if there's anything in particular you are looking for. | 0:17:01 | 0:17:04 | |
..Alana opts for a softer approach. | 0:17:04 | 0:17:07 | |
'I'm off on holiday at the end of the month, Alana. | 0:17:07 | 0:17:09 | |
'I want some trousers and some shirts.' | 0:17:09 | 0:17:11 | |
OK. John, is there anything else you're wanting tomorrow. | 0:17:11 | 0:17:15 | |
Is there any sort of housing stuff we can show you? | 0:17:15 | 0:17:20 | |
'You know, I've got a mission here...' | 0:17:20 | 0:17:22 | |
Yeah, of course. OK. Well, we won't stray from that mission, John. | 0:17:22 | 0:17:25 | |
We'll get you a holiday wardrobe sorted. | 0:17:25 | 0:17:28 | |
'Fabulous.' | 0:17:28 | 0:17:29 | |
Perfect. All right, then. Cheers, bye. | 0:17:29 | 0:17:32 | |
'Bye.' | 0:17:32 | 0:17:34 | |
-Happy? -Yeah, fine. | 0:17:34 | 0:17:35 | |
-Good, yeah. -Brilliant. | 0:17:35 | 0:17:37 | |
The most important thing about personal shopping | 0:17:37 | 0:17:39 | |
is to understand what the client wants, | 0:17:39 | 0:17:41 | |
what brands he likes, what brands he doesn't like, | 0:17:41 | 0:17:43 | |
and, more importantly, to get the budget. | 0:17:43 | 0:17:45 | |
They don't understand his style, they don't know his budget. | 0:17:45 | 0:17:49 | |
It's not a great start. | 0:17:49 | 0:17:51 | |
Do you think we should have asked their clothing size? | 0:17:51 | 0:17:53 | |
No, definitely not. I think it's a little bit intrusive on the phone. | 0:17:53 | 0:17:56 | |
10pm. | 0:17:58 | 0:18:00 | |
-DILLON: -Front, front, back, back, back. | 0:18:00 | 0:18:03 | |
Oh, my God, so much work to do on this. | 0:18:03 | 0:18:05 | |
Ultimately, where is Rebecca going to be? | 0:18:07 | 0:18:09 | |
Maybe she's just, kind of, like, standing, I don't know. | 0:18:09 | 0:18:12 | |
I don't think she's going to fit into this theme, then. | 0:18:12 | 0:18:15 | |
The final window, | 0:18:15 | 0:18:16 | |
I'm still trying to get a clear direction from Grainne. | 0:18:16 | 0:18:19 | |
I think having any sort of movement in the window will make | 0:18:19 | 0:18:22 | |
people see that window and attract people towards our product. | 0:18:22 | 0:18:26 | |
No, a little bit back. No, no, no, no, back a little bit. | 0:18:26 | 0:18:30 | |
Yeah, yeah, yeah, yeah, yeah. | 0:18:30 | 0:18:32 | |
7am. | 0:18:37 | 0:18:38 | |
So what are you going to do in the window, Rebecca? | 0:18:45 | 0:18:47 | |
Beautifully display the bag. | 0:18:47 | 0:18:50 | |
I won't, like, make it cheesy. | 0:18:50 | 0:18:51 | |
If I'm in a window, I'll be trying to pull a very straight face. | 0:18:51 | 0:18:55 | |
Let's wait and see what they've got planned. | 0:18:58 | 0:19:02 | |
Before trading begins... | 0:19:02 | 0:19:03 | |
Here we go. | 0:19:03 | 0:19:05 | |
..the big reveal | 0:19:05 | 0:19:08 | |
of both teams' windows. | 0:19:08 | 0:19:10 | |
The scarves are amazing. | 0:19:10 | 0:19:11 | |
I wasn't actually expecting them to be like this. | 0:19:11 | 0:19:13 | |
-It's amazing. -Really nice. -Bang-on, mate. | 0:19:13 | 0:19:17 | |
-DILLON: -She wants us to go in. -She wants us to go in and buy. | 0:19:17 | 0:19:20 | |
It's by far the best thing I've ever seen, I swear. | 0:19:22 | 0:19:26 | |
They've taken it to the next level. I couldn't ask for a better start. | 0:19:26 | 0:19:29 | |
It's all looking good. Hopefully we're going to win this task. | 0:19:29 | 0:19:33 | |
Oh, oh, it's coming. | 0:19:33 | 0:19:34 | |
This is a New York skyline on this side, | 0:19:39 | 0:19:42 | |
and then this side is more resort. | 0:19:42 | 0:19:44 | |
So this is all the resort collection. | 0:19:45 | 0:19:46 | |
OK, so if you're imagining having a person in there, | 0:19:46 | 0:19:48 | |
what are you imagining? Where and when and how? | 0:19:48 | 0:19:51 | |
-Well, we were potentially thinking this side. -Cos it's quite full. | 0:19:51 | 0:19:55 | |
We can move that green bag. | 0:19:55 | 0:19:56 | |
I don't get it. | 0:19:59 | 0:20:01 | |
How would I know that's a New York skyline? | 0:20:01 | 0:20:03 | |
How would I know that's Minorca? | 0:20:03 | 0:20:05 | |
How does that represent anything at all to me? | 0:20:05 | 0:20:07 | |
The bags are beautiful, but as far as the window display, | 0:20:07 | 0:20:10 | |
it's lost on me. | 0:20:10 | 0:20:11 | |
9am. | 0:20:14 | 0:20:15 | |
I'm going to swap teams. I'm going to move over to the shop floor. | 0:20:15 | 0:20:18 | |
This is what I do. Selling on the shop floor is what I've been doing. | 0:20:18 | 0:20:21 | |
One hour until teams start selling. | 0:20:21 | 0:20:24 | |
So, on the sales floor, we're going to have myself, Paul and Mukai. | 0:20:24 | 0:20:27 | |
-MUKAI: -I'm happy to be used wherever you need me. | 0:20:27 | 0:20:30 | |
OK. Frances, you and Karthik are going to go to personal shopping. | 0:20:30 | 0:20:33 | |
Karthik can be your runner. | 0:20:33 | 0:20:34 | |
Outside, if there's any products needed, he's then going to go | 0:20:34 | 0:20:37 | |
on to the shop floor, collect these products and bring them up to you. | 0:20:37 | 0:20:40 | |
Karthik, I think this is the best place for you. | 0:20:40 | 0:20:42 | |
You know, listen to Frances | 0:20:42 | 0:20:43 | |
and do everything that she needs to be done. | 0:20:43 | 0:20:46 | |
I was going to suggest Dillon to move to the personal shopping | 0:20:47 | 0:20:50 | |
because you're like a stylist. | 0:20:50 | 0:20:51 | |
I'd be quite confident helping someone to style and choose items. | 0:20:51 | 0:20:56 | |
Right, so, Dillon, you'll be the sub-team leader for the day. | 0:20:56 | 0:20:59 | |
Did they brief about a budget, or is that just open? | 0:20:59 | 0:21:01 | |
We spoke to them yesterday. Maybe we should have asked these things. | 0:21:01 | 0:21:05 | |
I don't think we got all of the information out of them | 0:21:05 | 0:21:07 | |
that we needed. | 0:21:07 | 0:21:09 | |
We hadn't established sizes, budget or personal style. | 0:21:10 | 0:21:14 | |
If I'd been calling clients directly, | 0:21:14 | 0:21:15 | |
I'd have been establishing their favourite designers, | 0:21:15 | 0:21:18 | |
the sizes they take, but I don't know why it wasn't done yesterday. | 0:21:18 | 0:21:21 | |
10am. | 0:21:21 | 0:21:22 | |
Doors open... | 0:21:24 | 0:21:25 | |
Are you looking for anything exciting today | 0:21:25 | 0:21:27 | |
-or just having a browse? -Just browsing. | 0:21:27 | 0:21:28 | |
..to some of London's most discerning shoppers. | 0:21:28 | 0:21:31 | |
This is a brand exclusive, just for today. | 0:21:31 | 0:21:33 | |
Heading up scarves... | 0:21:33 | 0:21:34 | |
It would be great if you could stand on that window. | 0:21:34 | 0:21:37 | |
Just ask them to come in. | 0:21:37 | 0:21:38 | |
..and taking a firm grip on his sales team... | 0:21:38 | 0:21:41 | |
When you sell a scarf, just say, | 0:21:41 | 0:21:42 | |
"What colour bag do you have to go with it?" | 0:21:42 | 0:21:45 | |
..project manager Sofiane. | 0:21:45 | 0:21:48 | |
I'm just saying, just get familiar with | 0:21:48 | 0:21:50 | |
a particular section that you're a little bit more expert in. | 0:21:50 | 0:21:53 | |
Like, he just spent the last ten minutes on one section. | 0:21:53 | 0:21:56 | |
He knows about the fabrics, the colours, the different types. | 0:21:56 | 0:21:59 | |
I'm a natural born leader, but this is mine. This is my task. | 0:21:59 | 0:22:03 | |
It's all about high-end retail. It's not rocket science. | 0:22:03 | 0:22:05 | |
We are going to win this. | 0:22:05 | 0:22:07 | |
I'm not saying change, you don't need to change, | 0:22:07 | 0:22:09 | |
-just your body language... -I understand what you're saying. | 0:22:09 | 0:22:11 | |
On the other half of the team... | 0:22:14 | 0:22:16 | |
Are they too thick, Dillon? | 0:22:16 | 0:22:17 | |
They're completely wrong. | 0:22:17 | 0:22:19 | |
..shortlisting clothes for their first personal shopping client... | 0:22:19 | 0:22:23 | |
Yeah, that's gorgeous. | 0:22:23 | 0:22:25 | |
It's very expensive, though. | 0:22:25 | 0:22:26 | |
..art director Dillon. | 0:22:26 | 0:22:29 | |
Well, we've got shorts, we've got two pairs of chinos, | 0:22:29 | 0:22:31 | |
we've got jeans. | 0:22:31 | 0:22:32 | |
Dillon's turned up to the personal shopping team | 0:22:32 | 0:22:34 | |
to add his expertise, | 0:22:34 | 0:22:35 | |
but he hasn't been given the budget, he hasn't been given the sizes, | 0:22:35 | 0:22:39 | |
and therefore he has very limited information | 0:22:39 | 0:22:42 | |
to go and select clothes the client might like. | 0:22:42 | 0:22:44 | |
And I think it could go disastrously wrong for them. | 0:22:44 | 0:22:47 | |
-Hi, John, nice to meet you. -I'm Dillon, how are you? | 0:22:47 | 0:22:49 | |
So Dillon is your personal stylist for the day. | 0:22:49 | 0:22:52 | |
A fellow silver fox, so... | 0:22:52 | 0:22:53 | |
Yeah, thank you, Dillon. | 0:22:53 | 0:22:55 | |
So what we've done is we've pulled some varying items in price point, | 0:22:55 | 0:22:59 | |
and what you can do is, you can direct us | 0:22:59 | 0:23:00 | |
in what way your budget is going. | 0:23:00 | 0:23:02 | |
I love a beige chino, it goes with everything. | 0:23:02 | 0:23:04 | |
And then a classic white shirt. | 0:23:04 | 0:23:06 | |
-They're not pyjamas, are they? -No, they're not pyjamas. | 0:23:08 | 0:23:11 | |
Across the hall... | 0:23:11 | 0:23:13 | |
So are you going for three or four looks for her, or...? | 0:23:13 | 0:23:15 | |
I think that's a strong possibility. | 0:23:15 | 0:23:17 | |
..fully briefed by their client... | 0:23:17 | 0:23:20 | |
Dress, shoes, headband, accessories, the whole... | 0:23:20 | 0:23:22 | |
Headband?! | 0:23:22 | 0:23:23 | |
..Frances and Karthik size up options. | 0:23:23 | 0:23:26 | |
I think that's really lovely. | 0:23:26 | 0:23:28 | |
-But wouldn't this make her waist look big? -No, I don't. | 0:23:28 | 0:23:31 | |
I think it's going to clinch in and it's going to sit quite high. | 0:23:31 | 0:23:33 | |
I think she's going to like it. I think it's something different, | 0:23:33 | 0:23:36 | |
I think it's quite comfortable and it's still on trend. | 0:23:36 | 0:23:38 | |
I'm really happy with myself at the moment. | 0:23:38 | 0:23:40 | |
I think that the personal shopping customer will be happy | 0:23:40 | 0:23:42 | |
with my selections. I've really listened to what she wants, | 0:23:42 | 0:23:44 | |
but I have added that special colour, | 0:23:44 | 0:23:46 | |
especially with the orange selection, just fresh for spring. | 0:23:46 | 0:23:48 | |
-Please, come in. -Thank you. | 0:23:48 | 0:23:50 | |
That's my associate, Frances, you spoke to yesterday. | 0:23:50 | 0:23:52 | |
-Hi, Frances. -How are you? | 0:23:52 | 0:23:53 | |
Welcome. It's very nice to see you today. | 0:23:53 | 0:23:55 | |
Hopefully you'll like a few pieces. | 0:23:55 | 0:23:56 | |
Am I allowed to say what I hate? | 0:23:56 | 0:23:58 | |
-Absolutely, because then I can... -That. | 0:23:58 | 0:24:02 | |
That colour on me is hideous. I don't like that at all. | 0:24:02 | 0:24:05 | |
OK, so no orange scarf either. OK. | 0:24:05 | 0:24:09 | |
I don't mind that, but it might make me look like a fat art teacher. | 0:24:09 | 0:24:13 | |
-LAUGHING: -OK. | 0:24:13 | 0:24:14 | |
I've tried those before, they look absolutely hideous. | 0:24:14 | 0:24:16 | |
OK. OK. | 0:24:16 | 0:24:18 | |
That's fine. | 0:24:18 | 0:24:21 | |
Mid-morning. | 0:24:21 | 0:24:23 | |
While Jessica pulls in the punters for scarves... | 0:24:25 | 0:24:28 | |
-Please may I have that? -No problem at all. | 0:24:28 | 0:24:30 | |
Enjoy the rest of your time in London. | 0:24:30 | 0:24:32 | |
-Thank you. -Cheers, thank you. Bye-bye. | 0:24:32 | 0:24:35 | |
..handbags are left to sell themselves. | 0:24:35 | 0:24:38 | |
-How are you feeling? -It's good, it's just a little bit, um... | 0:24:38 | 0:24:40 | |
Obviously footfall is the... | 0:24:40 | 0:24:42 | |
But the same footfall for them as well, right? | 0:24:42 | 0:24:44 | |
I don't know. | 0:24:44 | 0:24:46 | |
It's a central hall, isn't it? | 0:24:46 | 0:24:48 | |
Do we not want to do the window? | 0:24:48 | 0:24:50 | |
It's starting to pick up a little bit in here anyway, | 0:24:50 | 0:24:52 | |
so hopefully somebody will come in and buy a load of bags. | 0:24:52 | 0:24:54 | |
-There's no point her sitting in a window. -No point, OK. | 0:24:54 | 0:24:56 | |
-If you want to... -You know, so... -Let's do it. -Perfect. | 0:24:56 | 0:24:59 | |
I'm a little bit upset that we don't have Rebecca in the window yet. | 0:24:59 | 0:25:03 | |
I think, you know, if we can't get her in, | 0:25:03 | 0:25:06 | |
I think it's going to be a challenge | 0:25:06 | 0:25:08 | |
to get people to come to the handbag section. | 0:25:08 | 0:25:10 | |
On the other half of the team... | 0:25:12 | 0:25:15 | |
-What do you think of that one, Dani? -This dress? | 0:25:15 | 0:25:17 | |
Yeah, what do you think of it? | 0:25:17 | 0:25:18 | |
I have three of this already. And it's a beautiful dress. | 0:25:18 | 0:25:20 | |
..IT consultant Karthik... | 0:25:20 | 0:25:22 | |
How do you feel when you wear it? What... What feelings...? | 0:25:22 | 0:25:24 | |
-It's very comfortable, actually. -Is it comfortable? -Yeah. | 0:25:24 | 0:25:26 | |
..turns on the charm. | 0:25:26 | 0:25:27 | |
It's good. It's beautiful. You know what I'd like to see on it? | 0:25:27 | 0:25:30 | |
-This is just my personal opinion... -A necklace? -Yes. | 0:25:30 | 0:25:32 | |
THEY LAUGH | 0:25:32 | 0:25:33 | |
How did you guess? | 0:25:33 | 0:25:35 | |
Karthik has somehow become a little bit more confident, | 0:25:35 | 0:25:37 | |
and suddenly, he's a fashion guru. | 0:25:37 | 0:25:39 | |
And he's offering advice. | 0:25:39 | 0:25:41 | |
And believe it or not, the customer is accepting it from him, | 0:25:41 | 0:25:44 | |
and he's doing quite well. | 0:25:44 | 0:25:45 | |
The bag... I mean, what is money compared to happiness? | 0:25:45 | 0:25:48 | |
At the end of the day, happiness, as they say, is priceless. | 0:25:48 | 0:25:51 | |
It's a mere £1,030. That's all it is. | 0:25:51 | 0:25:54 | |
I think your choice is magnificent. | 0:25:54 | 0:25:56 | |
Let's take these down to the till area, and we'll get them wrapped up. | 0:25:56 | 0:25:59 | |
-OK. -Perfect. | 0:25:59 | 0:26:00 | |
Also in personal shopping... | 0:26:01 | 0:26:03 | |
-So are you happy with that one? -Yeah, for sure. | 0:26:03 | 0:26:06 | |
..pushing for their first sale... | 0:26:06 | 0:26:07 | |
-So take the three of them? -Yeah. -Awesome. | 0:26:07 | 0:26:09 | |
-They were all gorgeous on you, anyway. -Yeah, I really liked them. | 0:26:09 | 0:26:12 | |
Thanks. They're all yeses. | 0:26:12 | 0:26:13 | |
..Dylan and his half of the team. | 0:26:13 | 0:26:15 | |
So we've got these in, they're... A French artist designed them. | 0:26:15 | 0:26:18 | |
She's... She doesn't sell in Liberty normally, | 0:26:18 | 0:26:20 | |
and they're literally just here for one day. | 0:26:20 | 0:26:21 | |
So we thought we'd just bring them up to show you. | 0:26:21 | 0:26:23 | |
But they are quite different. | 0:26:23 | 0:26:25 | |
I don't really wear...scarves. | 0:26:25 | 0:26:26 | |
Stuff like that. | 0:26:26 | 0:26:27 | |
Oh, that's very classy. | 0:26:27 | 0:26:29 | |
It makes it a bit more wearable, and then when you go to a dinner, | 0:26:29 | 0:26:32 | |
-you can roll down the sleeve. -Yeah. -We happy with that look so far? | 0:26:32 | 0:26:34 | |
-Yeah, love it, absolutely. -OK, great. -Good. | 0:26:34 | 0:26:36 | |
-These are yours to take to the till. -Thank you. | 0:26:36 | 0:26:38 | |
Thank you so much, goodbye. | 0:26:38 | 0:26:40 | |
Thank you so much. Thank you. | 0:26:40 | 0:26:41 | |
Honestly, I think I was the one that led that whole situation | 0:26:41 | 0:26:45 | |
and made those sales. I mean, | 0:26:45 | 0:26:47 | |
there was a couple of shirts that the guys picked out, but ultimately, | 0:26:47 | 0:26:49 | |
I sold the shirts to the client through the rapport that we had. | 0:26:49 | 0:26:53 | |
Downstairs... | 0:26:53 | 0:26:55 | |
145, can I tempt you? | 0:26:55 | 0:26:57 | |
..freed from the window display... | 0:26:57 | 0:26:59 | |
So that's just £165 altogether. | 0:26:59 | 0:27:01 | |
..for Jessica, a rush of sales. | 0:27:01 | 0:27:04 | |
So that's 595 altogether. | 0:27:04 | 0:27:06 | |
Thank you. | 0:27:06 | 0:27:08 | |
Still searching for his first scarf sale... | 0:27:08 | 0:27:11 | |
How about...this one here? | 0:27:11 | 0:27:14 | |
..Sofiane. | 0:27:14 | 0:27:15 | |
See, what I really want is black. | 0:27:15 | 0:27:17 | |
-Yeah. We do have black. -No, I know. | 0:27:18 | 0:27:21 | |
There's one exactly similar to what you're wearing just over there. | 0:27:21 | 0:27:24 | |
Yeah. Yeah, I know. All right. That's fine. | 0:27:24 | 0:27:27 | |
-Pleasure. -Thank you. -No worries. You're welcome, ma'am. | 0:27:27 | 0:27:29 | |
How much was that last sale? | 0:27:29 | 0:27:31 | |
-It was £595. -Wow! -Yeah. | 0:27:31 | 0:27:34 | |
Are you thrilled? | 0:27:34 | 0:27:36 | |
To be fair, though, actually, | 0:27:36 | 0:27:37 | |
she did say that me being in the window enticed her to come in, so... | 0:27:37 | 0:27:40 | |
Sofi's put himself forward for project manager, | 0:27:40 | 0:27:43 | |
he's told everyone that he's really good at sales in this sort of, like, | 0:27:43 | 0:27:45 | |
high-end department store, but I don't think he's sold any yet. | 0:27:45 | 0:27:48 | |
And even worse, every time I make a sale, | 0:27:48 | 0:27:50 | |
he kept plonking me back in the window! | 0:27:50 | 0:27:53 | |
Hello?! | 0:27:53 | 0:27:54 | |
1pm. | 0:27:55 | 0:27:56 | |
For Grainne's team... | 0:27:59 | 0:28:00 | |
-Have a lovely day. -Yeah. -Thank you very much! | 0:28:00 | 0:28:03 | |
..a lunchtime boost in bag sales... | 0:28:03 | 0:28:06 | |
-449.99, then. -Yeah, sold. | 0:28:06 | 0:28:08 | |
..including their debut product. | 0:28:08 | 0:28:11 | |
I like it because of the embossed... | 0:28:11 | 0:28:12 | |
It's embossed, as well. So we'll take this one. | 0:28:12 | 0:28:14 | |
For marketing executive Paul... | 0:28:14 | 0:28:16 | |
Total payment is 395. | 0:28:16 | 0:28:18 | |
..an opportunity to make more money. | 0:28:18 | 0:28:21 | |
-So, new bag? -Yeah. -What's your plans for the rest of the day? | 0:28:21 | 0:28:24 | |
Still shopping. | 0:28:24 | 0:28:25 | |
What about personal shopping, have you thought about that? | 0:28:25 | 0:28:27 | |
-If you'd like, we could introduce you to Fran? -Yeah. -Yeah? -Yeah. | 0:28:27 | 0:28:30 | |
Need to make a call to Fran, because the young lady may be interested | 0:28:30 | 0:28:32 | |
-in a personal shopping session. -Amazing. I'll do that for you. | 0:28:32 | 0:28:35 | |
Everyone is doing pretty well in terms of engaging with the clients | 0:28:35 | 0:28:38 | |
that have actually come through... Apart from Mukai. | 0:28:38 | 0:28:40 | |
He hasn't engaged well with everybody, | 0:28:40 | 0:28:42 | |
and after all, he's the one who's supposed to be the bag expert. | 0:28:42 | 0:28:45 | |
For Sofiane's team... | 0:28:47 | 0:28:49 | |
They are designed by a French lady. | 0:28:49 | 0:28:51 | |
But you can also wear it just hanging down. | 0:28:51 | 0:28:53 | |
..cat scarves at a standstill. | 0:28:53 | 0:28:56 | |
-I personally wouldn't wear anything with this sort of... -All right. | 0:28:56 | 0:28:59 | |
I think it's quite niche. | 0:28:59 | 0:29:01 | |
I think it's like a Marmite product, you either love it or you hate it. | 0:29:01 | 0:29:04 | |
We've got footfall, yes, but no, they're not really going. | 0:29:04 | 0:29:07 | |
PHONE RINGS | 0:29:10 | 0:29:11 | |
-DILLON: -'Hello?' -Quick summary. How are you getting on? | 0:29:11 | 0:29:14 | |
Time to talk tactics. | 0:29:14 | 0:29:16 | |
We have a female client coming into us now, | 0:29:16 | 0:29:18 | |
and I'd be interested in having Jessica on board for this one. | 0:29:18 | 0:29:21 | |
Yeah, I feel comfortable. I think me and you will work together | 0:29:21 | 0:29:24 | |
really, really well with the next client. | 0:29:24 | 0:29:25 | |
-TRISHNA: -The only thing, Jess, and not to be disrespectful, | 0:29:25 | 0:29:28 | |
there's me and Alana here as well. | 0:29:28 | 0:29:29 | |
Who are you sending from your side? | 0:29:29 | 0:29:31 | |
Can we exchange JD for Jessica? | 0:29:31 | 0:29:33 | |
'She's done the most sales here, so...' | 0:29:33 | 0:29:35 | |
I don't understand what she's going to do that we can't do. | 0:29:35 | 0:29:37 | |
-If she's selling the best there... -She runs a clothing line, | 0:29:37 | 0:29:39 | |
that's the only reason I'm thinking about it. | 0:29:39 | 0:29:41 | |
-I think we've got this. That's what I'm saying. -OK. | 0:29:41 | 0:29:43 | |
We've got this under control. | 0:29:43 | 0:29:45 | |
-OK, that's fair enough. -'All right.' | 0:29:45 | 0:29:46 | |
We'll stay as we are and we'll just focus, and we'll perform. | 0:29:46 | 0:29:49 | |
-Thanks. -'All right?' -OK, thank you. Bye. -'OK.' | 0:29:49 | 0:29:51 | |
I think Dillon bringing Jessica in, to me, was a completely crazy idea. | 0:29:52 | 0:29:55 | |
I feel like I have contributed a lot, into our team. | 0:29:55 | 0:29:59 | |
I didn't understand the logic behind that at all. | 0:29:59 | 0:30:01 | |
3pm. | 0:30:03 | 0:30:05 | |
-FRANCES: -I did pick out key things | 0:30:05 | 0:30:06 | |
that I think are really cool this season. | 0:30:06 | 0:30:08 | |
Next for Frances and Karthik... | 0:30:08 | 0:30:10 | |
-I think the colour isn't... -Yeah. -..really great... | 0:30:10 | 0:30:13 | |
..trendy teenage girls. | 0:30:13 | 0:30:15 | |
-I don't really like anything neon. -OK. | 0:30:15 | 0:30:17 | |
Yeah, I don't really like sneaker thinks. | 0:30:17 | 0:30:20 | |
-I think they're ready to buy. -Oh, yeah... | 0:30:20 | 0:30:22 | |
You just need to give them the right kind of thing, you know. | 0:30:22 | 0:30:24 | |
-Exactly. -They're ready to buy, this could be a good... | 0:30:24 | 0:30:26 | |
-Yeah. It could be really good. -But we need to get it done. | 0:30:26 | 0:30:29 | |
-So, shall we? -Exactly. Let's go! | 0:30:29 | 0:30:30 | |
Indigo, skinny... | 0:30:31 | 0:30:32 | |
More dark navy jeans. | 0:30:32 | 0:30:34 | |
And I've got the high-rise skinny as well. | 0:30:34 | 0:30:36 | |
I believe that... You know, | 0:30:36 | 0:30:37 | |
the ability of a fish should not be judged on how well it can | 0:30:37 | 0:30:40 | |
climb a tree, you know? Monkeys climb trees, fish swim in the sea. | 0:30:40 | 0:30:42 | |
My skills are elsewhere. Maggie prefers loafers to shoes. | 0:30:42 | 0:30:46 | |
What are loafers? | 0:30:46 | 0:30:47 | |
OK, and swede, what is swede? | 0:30:47 | 0:30:48 | |
Suede. | 0:30:48 | 0:30:50 | |
I am not a handbag expert, I don't have retail shops. | 0:30:50 | 0:30:52 | |
I'm an IT project manager. But I did not give up. | 0:30:52 | 0:30:55 | |
I rolled my sleeves up and I got right in. | 0:30:55 | 0:30:56 | |
Cos that one has got a really nice weight to it as well. | 0:30:56 | 0:30:59 | |
-I don't know, it's probably a bit too smart. -That's fine. | 0:30:59 | 0:31:01 | |
-And did you want to try it on at all? -No. -No, I think we're fine. | 0:31:01 | 0:31:04 | |
No? OK. | 0:31:04 | 0:31:05 | |
So, does anything catch your eye immediately? | 0:31:07 | 0:31:09 | |
Probably wouldn't wear white. | 0:31:09 | 0:31:11 | |
Getting to grips with their next client... | 0:31:11 | 0:31:13 | |
This is a maybe, I think, cos I like the way that... | 0:31:13 | 0:31:15 | |
If I'm honest, I don't think it ties up. | 0:31:15 | 0:31:17 | |
..Dylan and his team. | 0:31:17 | 0:31:19 | |
Looks amazing, but I think they're not... | 0:31:19 | 0:31:21 | |
-They're not tying quite right. -Yeah. | 0:31:21 | 0:31:22 | |
But I think it just an indicator of the overall style. | 0:31:22 | 0:31:26 | |
Like, these... | 0:31:26 | 0:31:27 | |
I don't think these necessarily have to all go together. | 0:31:27 | 0:31:29 | |
But I think they look good. | 0:31:29 | 0:31:31 | |
With this personal shopping appointment, | 0:31:31 | 0:31:32 | |
Alana sort of butted in, and I think Dillon | 0:31:32 | 0:31:34 | |
got a little bit annoyed with her at times. | 0:31:34 | 0:31:37 | |
JD was a sort of waiter-cum-tidy-upper. | 0:31:37 | 0:31:40 | |
JD, did you find out about the tea? | 0:31:40 | 0:31:42 | |
I did. It's under control. | 0:31:42 | 0:31:44 | |
I'm not sure this client is going to be very impressed, | 0:31:44 | 0:31:47 | |
and won't spend the maximum amount of money. | 0:31:47 | 0:31:49 | |
Downstairs... | 0:31:50 | 0:31:51 | |
This... It's died down now. There's literally no-one here. | 0:31:53 | 0:31:55 | |
..a plan to drive up scarf sales. | 0:31:55 | 0:31:58 | |
Window display looks great. Go in there for a couple of minutes. | 0:31:58 | 0:32:01 | |
-Yeah, perfect. -Cheers, thanks, Jessica. -Cool. | 0:32:01 | 0:32:03 | |
-Sofi, she's selling the most here. -There's no-one to sell to. | 0:32:03 | 0:32:05 | |
So if she goes and charms them, brings them in, then we sell. | 0:32:05 | 0:32:07 | |
-You go, then. -I can't. You go. -No, I'm selling. | 0:32:07 | 0:32:09 | |
Yes, and I'm selling as well. | 0:32:09 | 0:32:11 | |
SAMUEL LAUGHS | 0:32:12 | 0:32:13 | |
Just relax, yeah? | 0:32:13 | 0:32:14 | |
That's my... It's my decision, don't worry. | 0:32:14 | 0:32:15 | |
In handbags... | 0:32:18 | 0:32:19 | |
-I hope she enjoys the bag. -I'm sure she will. | 0:32:19 | 0:32:21 | |
..some sales... | 0:32:21 | 0:32:22 | |
There you go, sir. | 0:32:22 | 0:32:23 | |
..and the first for bag expert Mukai. | 0:32:23 | 0:32:26 | |
Fantastic. Have a great day. | 0:32:26 | 0:32:27 | |
Price point high... | 0:32:27 | 0:32:28 | |
-How much was your sale? -795. -Perfect, amazing. | 0:32:28 | 0:32:31 | |
..footfall still low. | 0:32:31 | 0:32:33 | |
Are you not going to use the window at all, no? | 0:32:33 | 0:32:35 | |
Not going to bother with that? | 0:32:35 | 0:32:36 | |
There's no way I could put Rebecca in the window. | 0:32:36 | 0:32:38 | |
Stop saying we should use the window... | 0:32:38 | 0:32:40 | |
No, it's a factor. You don't need to get angry. | 0:32:40 | 0:32:42 | |
No, no, come on, come on. We've done really well... | 0:32:42 | 0:32:45 | |
-REBECCA: -It's just not appropriate in a shop. -Yeah, exactly. | 0:32:45 | 0:32:47 | |
Stop pinpointing the one thing we... | 0:32:47 | 0:32:49 | |
Come on, guys. Come on. | 0:32:49 | 0:32:50 | |
-Come on. -OK. | 0:32:50 | 0:32:52 | |
Mukai's constantly, about six times, telling me, you know, | 0:32:52 | 0:32:54 | |
"We should have put her in the window, we should have put her in the window." | 0:32:54 | 0:32:57 | |
I have clearly stated to him and clearly explained, | 0:32:57 | 0:33:00 | |
I thought she was best placed on the shop floor. | 0:33:00 | 0:33:02 | |
At the end of the day, this is a sales task. | 0:33:02 | 0:33:04 | |
So if Mukai thinks that the failure of this task | 0:33:04 | 0:33:06 | |
is Rebecca not being in the window, that's fair enough with me. | 0:33:06 | 0:33:09 | |
5pm. | 0:33:10 | 0:33:11 | |
That's really, really different. 795. | 0:33:12 | 0:33:15 | |
For both teams... | 0:33:15 | 0:33:17 | |
I see you've found one of our cat scarves. | 0:33:17 | 0:33:19 | |
..a spike in rush hour sales. | 0:33:19 | 0:33:21 | |
195. | 0:33:21 | 0:33:22 | |
PHONE RINGS | 0:33:23 | 0:33:24 | |
Just walk and talk. | 0:33:24 | 0:33:25 | |
-How you doing? -OK. I'm just running back up. It's just been... | 0:33:25 | 0:33:28 | |
Yeah, last few minutes, we're running along... | 0:33:28 | 0:33:30 | |
-Well, it doesn't sound like you're going to be able to fit this in. -Exactly. Bye. | 0:33:30 | 0:33:33 | |
£195. Would like to purchase that one? | 0:33:33 | 0:33:36 | |
I have no clue what I'm doing here, guys. | 0:33:36 | 0:33:38 | |
This is a bloody nightmare! | 0:33:38 | 0:33:40 | |
30 minutes left, Sof. One more sale each? | 0:33:43 | 0:33:45 | |
Oh, that's very classy. | 0:33:45 | 0:33:47 | |
So you want both of them, yeah? | 0:33:47 | 0:33:49 | |
So that'll be £125, please. | 0:33:49 | 0:33:51 | |
-795. -Thank you very, very much. | 0:33:51 | 0:33:54 | |
-Happy? -Yeah, very happy with this. | 0:33:55 | 0:33:57 | |
Take care. | 0:33:58 | 0:34:00 | |
Six o'clock. | 0:34:00 | 0:34:02 | |
Trading over. | 0:34:02 | 0:34:04 | |
-Pulled that out of the bag, didn't you? -Yeah, exactly. | 0:34:05 | 0:34:08 | |
Yeah, I probably could have sold more, but there you go. | 0:34:08 | 0:34:10 | |
It's a different environment to what I'm used to before. | 0:34:10 | 0:34:13 | |
But I think most importantly, it's not about individuals. | 0:34:13 | 0:34:16 | |
I think this is a winning team. | 0:34:16 | 0:34:17 | |
ALL: Hey! | 0:34:18 | 0:34:20 | |
-How are you guys? -Yeah, good. | 0:34:20 | 0:34:22 | |
I am really confident in what we've done over the last two days. | 0:34:22 | 0:34:25 | |
You know, the team's worked really, really well together. | 0:34:25 | 0:34:27 | |
You know, I've been really, really positive throughout. | 0:34:27 | 0:34:29 | |
I'm feeling very confident. | 0:34:29 | 0:34:31 | |
Tonight, proceeds counted. | 0:34:32 | 0:34:34 | |
Tomorrow, the boardroom. | 0:34:36 | 0:34:38 | |
You can go to the boardroom now. | 0:34:50 | 0:34:52 | |
Good morning. | 0:35:07 | 0:35:08 | |
-ALL: -Good morning, Lord Sugar. | 0:35:08 | 0:35:09 | |
Well. | 0:35:09 | 0:35:10 | |
Those who are observant will realise | 0:35:11 | 0:35:15 | |
we are missing one of our candidates, Aleksandra. | 0:35:15 | 0:35:18 | |
And as I said when we first met a few weeks ago, | 0:35:18 | 0:35:22 | |
the process is very, very tough and if you can't hack it, | 0:35:22 | 0:35:25 | |
you know, get out. | 0:35:25 | 0:35:26 | |
And that's, I think, exactly what she did. | 0:35:26 | 0:35:29 | |
Anyway, on the positive front, I've saved myself a cab fare. | 0:35:29 | 0:35:31 | |
OK, so this task was all about you taking over a department | 0:35:33 | 0:35:37 | |
in a famous traditional British store. | 0:35:37 | 0:35:41 | |
And I needed to see from you the sales, | 0:35:41 | 0:35:44 | |
product selection, customer service, and also, | 0:35:44 | 0:35:47 | |
you had to take on the personal shopping offer to the clients. | 0:35:47 | 0:35:51 | |
I think I'm going to start with Titans. | 0:35:51 | 0:35:54 | |
Sofiane, you were the project manager, is that right? | 0:35:54 | 0:35:58 | |
It was an obvious choice for me, as I've got experience, | 0:35:58 | 0:36:00 | |
-I work in a very similar high-end retail store in London. -Mm-hm. | 0:36:00 | 0:36:04 | |
-So I put myself forward. -Yeah. | 0:36:04 | 0:36:06 | |
So, then you had to choose to take on one of the four departments. | 0:36:06 | 0:36:10 | |
Yeah. Our choice was the scarf department. | 0:36:10 | 0:36:12 | |
So then, in the afternoon, | 0:36:12 | 0:36:14 | |
we had a chance to go and meet designers. | 0:36:14 | 0:36:16 | |
We did end up bringing in something very different. | 0:36:16 | 0:36:18 | |
-I saw the scarves. Cat scarves, right? -That's correct. | 0:36:18 | 0:36:21 | |
So it was inspiration from this French lady, | 0:36:21 | 0:36:23 | |
it was 100%-silk scarves. | 0:36:23 | 0:36:24 | |
I'm used to dealing with fat cats, not flat cats, but... | 0:36:24 | 0:36:27 | |
-Didn't sell many of them, did you? -Not at all, no. | 0:36:28 | 0:36:30 | |
-I've probably got that wrong. -Hmm. | 0:36:30 | 0:36:32 | |
-This is your window display, right? -Yeah. | 0:36:33 | 0:36:36 | |
We came up with a few slogans that tied in with cats, tongue-in-cheek. | 0:36:36 | 0:36:39 | |
And this is Jessica in the window? | 0:36:39 | 0:36:41 | |
After speaking to the head of visual merchandising, | 0:36:41 | 0:36:43 | |
she told us that interactivity could potentially increase sales | 0:36:43 | 0:36:47 | |
from 30 to 40%. And we just thought that that might create a buzz. | 0:36:47 | 0:36:50 | |
And Jessica. | 0:36:50 | 0:36:51 | |
I heard you were in and out of the window and still selling, yeah? | 0:36:51 | 0:36:54 | |
When it was quiet, I was quite happy to go over to the window | 0:36:54 | 0:36:56 | |
to try and drag people in. | 0:36:56 | 0:36:57 | |
-Like a Punch and Judy show. -Pretty much, yes. | 0:36:57 | 0:37:00 | |
To be fair, from being in the window, | 0:37:00 | 0:37:02 | |
we managed to get the lady in who we sold the £580 scarf to. | 0:37:02 | 0:37:06 | |
Well, it didn't stand in your way, | 0:37:06 | 0:37:07 | |
-cos you were the highest salesperson on the team. -Thank you. | 0:37:07 | 0:37:10 | |
Good. Let's move on, now. | 0:37:10 | 0:37:12 | |
The personal shopping was handled by who? | 0:37:12 | 0:37:15 | |
I led the team. | 0:37:15 | 0:37:16 | |
We immediately set out to find out about our clients. | 0:37:16 | 0:37:18 | |
Did you know what his budget was? | 0:37:18 | 0:37:20 | |
See, I didn't get the budget... | 0:37:20 | 0:37:22 | |
You didn't? You didn't, at any point, ask him what his budget was? | 0:37:22 | 0:37:25 | |
Unfortunately, that had been done the day before. | 0:37:25 | 0:37:27 | |
And so, when I was switched over, | 0:37:27 | 0:37:29 | |
that information had not been collated. | 0:37:29 | 0:37:31 | |
Common sense would say to you, you need to know, | 0:37:31 | 0:37:33 | |
"What's your shoe size, what's your suit size... | 0:37:33 | 0:37:36 | |
-"And by the way, how much could you spend here today?" -Yeah. | 0:37:36 | 0:37:38 | |
It didn't start very well, | 0:37:38 | 0:37:40 | |
because I kind of felt like I was thrown into it, | 0:37:40 | 0:37:42 | |
having not been on it the day before. | 0:37:42 | 0:37:45 | |
You did sell John over £1,000-worth of merchandise. | 0:37:45 | 0:37:49 | |
-But his budget, had you have asked him... -Yeah. | 0:37:49 | 0:37:52 | |
-..was 5,000. -OK. | 0:37:52 | 0:37:54 | |
Wow. | 0:37:54 | 0:37:55 | |
Basically, you lost a great opportunity. | 0:37:55 | 0:37:58 | |
And, Alana, you sat there speaking to the daughter, I think, | 0:37:58 | 0:38:01 | |
for quite a while, didn't you? | 0:38:01 | 0:38:02 | |
Um, in the end, she did buy some make-up. | 0:38:02 | 0:38:04 | |
After three hours of discussion, she bought a lipstick, didn't she? | 0:38:04 | 0:38:07 | |
She bought an eyeshadow and a powder, yeah. | 0:38:07 | 0:38:10 | |
And JD, no offence, but... | 0:38:11 | 0:38:14 | |
What was you doing? | 0:38:14 | 0:38:15 | |
Yeah, I certainly struggled to find a place where I was... | 0:38:15 | 0:38:19 | |
Well, needed. | 0:38:19 | 0:38:21 | |
Someone might have confused you for the store detective. | 0:38:21 | 0:38:23 | |
You did make a mean cup of tea. | 0:38:23 | 0:38:25 | |
Let's move on, now, to Nebula. | 0:38:26 | 0:38:28 | |
Grainne. | 0:38:28 | 0:38:29 | |
You were chosen as the project manager? | 0:38:29 | 0:38:33 | |
Yes, Lord Sugar. | 0:38:33 | 0:38:34 | |
You used to work in Liberty's, once, didn't you? | 0:38:34 | 0:38:36 | |
I worked full-time in another department store, | 0:38:36 | 0:38:39 | |
but they used to put me over there to cover holidays. | 0:38:39 | 0:38:41 | |
So one good reason for her to be the project manager. | 0:38:41 | 0:38:45 | |
Next, you got your department to run. So tell me about that. | 0:38:45 | 0:38:49 | |
Well, we decided to go with handbags. | 0:38:49 | 0:38:51 | |
-Handbags being the best-priced, ranging from 100 to... -£2,500, yeah. | 0:38:51 | 0:38:56 | |
So we thought there would be a good profit on that. | 0:38:56 | 0:38:58 | |
Well, I get annoyed paying 5p at Tesco's for a bag, | 0:38:58 | 0:39:01 | |
never mind 2,500. | 0:39:01 | 0:39:02 | |
Paul. | 0:39:02 | 0:39:03 | |
You felt that they should have gone for scarves, didn't you, | 0:39:03 | 0:39:06 | |
in the beginning? | 0:39:06 | 0:39:07 | |
I just felt that scarves would have been | 0:39:07 | 0:39:09 | |
the reason that most people go to the department store. | 0:39:09 | 0:39:11 | |
We thought, with my experience in the store, | 0:39:11 | 0:39:14 | |
-and Mukai's experience in handbags, the two combined... -Yes. | 0:39:14 | 0:39:17 | |
-..could work well. -Your knowledge of handbags. | 0:39:17 | 0:39:19 | |
Where does that come from? | 0:39:19 | 0:39:20 | |
So I worked in Italy for two years in leather goods and accessories, | 0:39:20 | 0:39:24 | |
for a brand, and I've also worked in the UK and Japan. | 0:39:24 | 0:39:27 | |
So my knowledge is quite strong in that area. | 0:39:27 | 0:39:30 | |
So you know your Helmut Langs from your Vera Wangs, | 0:39:30 | 0:39:34 | |
so to speak. | 0:39:34 | 0:39:36 | |
-Those famous designers of handbags, yeah? -Yes, Lord Sugar. -OK. | 0:39:36 | 0:39:39 | |
This is your window display, is that right? | 0:39:39 | 0:39:41 | |
The concept was to split the window into two different categories, | 0:39:41 | 0:39:45 | |
New York versus Minorca. | 0:39:45 | 0:39:47 | |
Had it been explained correctly, | 0:39:47 | 0:39:49 | |
because that's where the designer came from, | 0:39:49 | 0:39:51 | |
that was her inspiration... | 0:39:51 | 0:39:53 | |
But nobody, who didn't know the designer, could possibly | 0:39:53 | 0:39:55 | |
-have guessed that that's what it represented. -Yeah. | 0:39:55 | 0:39:57 | |
-I think we took it a little bit too abstract. -Yeah. Yeah. | 0:39:57 | 0:40:00 | |
I mean, you might not win the task, | 0:40:00 | 0:40:02 | |
but you might win the Turner Prize. | 0:40:02 | 0:40:04 | |
Next, you had the personal shopping. | 0:40:04 | 0:40:06 | |
That was me and Karthik on the second... | 0:40:06 | 0:40:08 | |
-So just the two of you? -Yeah. -Yeah. | 0:40:08 | 0:40:09 | |
The night before, I called both of the clients, | 0:40:09 | 0:40:11 | |
gleaned a lot of information from them, budgets, etc. And... | 0:40:11 | 0:40:15 | |
-You did get the budget? -Yeah, I got the budgets. | 0:40:15 | 0:40:16 | |
-So you knew what they had to spend. -Yeah, dress sizes, shoe sizes. | 0:40:16 | 0:40:20 | |
I brought in various different accessories, | 0:40:20 | 0:40:21 | |
really, really connected with her by the end. | 0:40:21 | 0:40:23 | |
And eventually, she spent over double her budget. | 0:40:23 | 0:40:25 | |
So it's quite good salesmanship, if you like, there, because... | 0:40:25 | 0:40:29 | |
She nearly bought a £1,000 clutch bag as well, Lord Sugar. | 0:40:29 | 0:40:32 | |
She nearly did. It's one I picked out for her, but... | 0:40:32 | 0:40:34 | |
I nearly won the Lottery once. | 0:40:34 | 0:40:36 | |
LAUGHTER | 0:40:36 | 0:40:37 | |
Yeah. | 0:40:37 | 0:40:38 | |
OK, so, I think we need to get on to look at the money, now. | 0:40:38 | 0:40:41 | |
Because that's going to tell all. | 0:40:41 | 0:40:42 | |
Claude, if you wouldn't mind telling me... | 0:40:43 | 0:40:46 | |
The personal shopping achieved a net | 0:40:47 | 0:40:50 | |
£1,205. | 0:40:50 | 0:40:52 | |
The department sales, | 0:40:52 | 0:40:54 | |
they sold £3,172.99, | 0:40:54 | 0:40:59 | |
making total sales of £4377.99. | 0:40:59 | 0:41:05 | |
OK. | 0:41:05 | 0:41:07 | |
And Karren, same thing, then, please. | 0:41:07 | 0:41:09 | |
Titans' personal shopping sales, | 0:41:09 | 0:41:12 | |
£1264.38. | 0:41:12 | 0:41:16 | |
The scarf department sales, | 0:41:16 | 0:41:19 | |
£3,995. | 0:41:19 | 0:41:22 | |
Making a total of £5,259.38. | 0:41:22 | 0:41:27 | |
Well, there you are. Well done. | 0:41:27 | 0:41:30 | |
Now. You spent your time in a traditional English store. | 0:41:30 | 0:41:35 | |
And so I'm going to send you to a traditional English country house, | 0:41:35 | 0:41:39 | |
and you're going to be playing croquet | 0:41:39 | 0:41:41 | |
and enjoying drinks on the lawn. | 0:41:41 | 0:41:43 | |
Off you go, and I'll see you back on the next task. | 0:41:43 | 0:41:45 | |
Yes! | 0:41:50 | 0:41:51 | |
Oh, brilliant! | 0:41:52 | 0:41:54 | |
4,400... | 0:41:56 | 0:41:58 | |
plays 5,200... | 0:41:58 | 0:42:00 | |
Maybe one bag. | 0:42:02 | 0:42:03 | |
But that's how it is in business. | 0:42:03 | 0:42:05 | |
And that's how this process is. | 0:42:05 | 0:42:08 | |
Off you go. | 0:42:08 | 0:42:09 | |
MUSIC: English Country Garden | 0:42:15 | 0:42:17 | |
Pressure's on! | 0:42:19 | 0:42:21 | |
ALL: Hooray! | 0:42:23 | 0:42:24 | |
No-one's here to make friends, I'm not here to make friends. | 0:42:24 | 0:42:27 | |
I think there's still a couple of weeks | 0:42:27 | 0:42:28 | |
until things get really, really competitive. At the moment, | 0:42:28 | 0:42:31 | |
it's just shaking the feathers, getting rid of the dead wood. | 0:42:31 | 0:42:33 | |
I feel very regal doing this. | 0:42:35 | 0:42:37 | |
And slightly glamorous. | 0:42:37 | 0:42:38 | |
-Wahey! -Yes! | 0:42:39 | 0:42:41 | |
I do feel like I was undervalued at the beginning of the task, | 0:42:41 | 0:42:43 | |
and I wish I could have been given the opportunity to bring more. | 0:42:43 | 0:42:46 | |
We still won, but we could have won bigger. | 0:42:46 | 0:42:48 | |
Come on! | 0:42:48 | 0:42:50 | |
ALL: Yes! | 0:42:50 | 0:42:51 | |
Everyone's so competitive today, it's insane. | 0:42:51 | 0:42:53 | |
LAUGHTER | 0:42:53 | 0:42:55 | |
There's no competition if you're already winning! | 0:42:55 | 0:42:57 | |
I know I can beat everyone in this competition. | 0:42:57 | 0:42:59 | |
Every week, I want a triple firing, | 0:42:59 | 0:43:00 | |
because it just makes my life easier. | 0:43:00 | 0:43:02 | |
One team, one dream! | 0:43:02 | 0:43:03 | |
ALL: Dream team! | 0:43:03 | 0:43:05 | |
THEY CHEER | 0:43:05 | 0:43:06 | |
The other team obviously did have somebody in their window, | 0:43:12 | 0:43:14 | |
and they did...that did translate into a sale. | 0:43:14 | 0:43:16 | |
Maybe in hindsight, | 0:43:16 | 0:43:18 | |
would it have driven one more sale? | 0:43:18 | 0:43:21 | |
It wasn't worth our while taking her off the shop floor | 0:43:21 | 0:43:23 | |
and wasting so much time getting her in... | 0:43:23 | 0:43:26 | |
Grainne made one of the key mistakes about the window display. | 0:43:26 | 0:43:30 | |
That affected our footfall, | 0:43:30 | 0:43:31 | |
and ultimately, we lost on one bag sale. | 0:43:31 | 0:43:34 | |
The decision of the handbag section, of what we chose, | 0:43:34 | 0:43:37 | |
could have been the failure. | 0:43:37 | 0:43:39 | |
I mean, just to defend myself, I'd say that, you know, | 0:43:39 | 0:43:41 | |
obviously I helped a lot, tried to support you on day one | 0:43:41 | 0:43:44 | |
with my knowledge and expertise in that area. | 0:43:44 | 0:43:46 | |
Whilst he's jumping on the bandwagon about what he contributed, | 0:43:46 | 0:43:49 | |
I was the one who actually said, "Let's go for scarves," | 0:43:49 | 0:43:51 | |
and he was one of the people that said, "Let's go for the handbags." | 0:43:51 | 0:43:54 | |
You didn't say scarves, and it was the logical decision. | 0:43:54 | 0:43:56 | |
I nearly managed a £1,000 bag sale. | 0:43:56 | 0:43:58 | |
If maybe you had that faith, said, "OK, maybe Karthik will sell," | 0:43:58 | 0:44:01 | |
imagine my productivity if I was on the shop floor. | 0:44:01 | 0:44:03 | |
The way he presents himself and how he sells, you know, | 0:44:03 | 0:44:05 | |
he's quite loud and abrupt. | 0:44:05 | 0:44:06 | |
I put the people in the right places. | 0:44:06 | 0:44:08 | |
I was organised, I sold the most, I kept the team together. | 0:44:08 | 0:44:11 | |
You know, I thought I done really, really well as project manager. | 0:44:11 | 0:44:14 | |
PHONE RINGS | 0:44:23 | 0:44:25 | |
Could you send the candidates in, please? | 0:44:26 | 0:44:28 | |
So, Grainne, you actually worked in Liberty. | 0:44:43 | 0:44:47 | |
Do you not feel that the choice of handbags | 0:44:47 | 0:44:50 | |
was more of a risky strategy? | 0:44:50 | 0:44:52 | |
I think we went with the handbags because of the pricing range. | 0:44:52 | 0:44:55 | |
And with Mukai's experience as well, with handbags, | 0:44:55 | 0:44:58 | |
we thought we could combine them all. | 0:44:58 | 0:44:59 | |
I voted for scarves, and then we had a discussion | 0:44:59 | 0:45:02 | |
about the experience on the team. | 0:45:02 | 0:45:04 | |
-You're talking about Mukai. -Yeah. Um, he was...really confident. | 0:45:04 | 0:45:06 | |
I mean, what is this experience... You're not exactly Louis Vuitton, | 0:45:06 | 0:45:09 | |
-are you? I mean, what... -I'm not... | 0:45:09 | 0:45:11 | |
What is this big experience you're supposed to have? | 0:45:11 | 0:45:13 | |
I'm not a genius, but in terms of... | 0:45:13 | 0:45:15 | |
I know products in the handbag category. | 0:45:15 | 0:45:17 | |
We did take a conscious decision together. | 0:45:17 | 0:45:20 | |
Your personal preference was to go for handbags. | 0:45:20 | 0:45:23 | |
To use my knowledge. | 0:45:24 | 0:45:26 | |
I mean, I don't have knowledge...so much knowledge of scarves. | 0:45:26 | 0:45:29 | |
I was aware that scarves was a key selling point of the brand and I... | 0:45:29 | 0:45:34 | |
That's what the brand is actually known for, | 0:45:34 | 0:45:36 | |
and I did say that most people are going to come here for the scarves. | 0:45:36 | 0:45:39 | |
It just was a logical statement. | 0:45:39 | 0:45:41 | |
All the more strange you didn't go for scarves. | 0:45:41 | 0:45:43 | |
-ALAN SUGAR: -Exactly. | 0:45:43 | 0:45:44 | |
The other issue is this window display. | 0:45:44 | 0:45:46 | |
The store managers explained that you get 30 to 40% more footfall | 0:45:46 | 0:45:52 | |
if someone stands in the window. | 0:45:52 | 0:45:54 | |
Which is exactly what Jessica did. | 0:45:54 | 0:45:56 | |
Why didn't we do that? | 0:45:56 | 0:45:58 | |
We were going to look into getting Rebecca into the window, | 0:45:58 | 0:46:00 | |
but by the time lunch and all was over, | 0:46:00 | 0:46:03 | |
she was selling and she was approachable, | 0:46:03 | 0:46:05 | |
and so I thought it best... | 0:46:05 | 0:46:07 | |
Well, you could have gone in the window. | 0:46:07 | 0:46:08 | |
Anybody could have gone in the window. | 0:46:08 | 0:46:10 | |
And that would have at least then brought people in. | 0:46:10 | 0:46:13 | |
The other aspect of it was the personal shopping side of things. | 0:46:13 | 0:46:15 | |
Karthik, I heard you was replicating Basil Fawlty, | 0:46:15 | 0:46:19 | |
from what I heard? | 0:46:19 | 0:46:20 | |
Grovelling, virtually on the floor. Yeah. | 0:46:20 | 0:46:23 | |
More like Manuel, in the end, I think, yeah? | 0:46:23 | 0:46:26 | |
My assigned job for the second day was to be the runner. | 0:46:26 | 0:46:29 | |
-KARREN: -The runner? -The runner. | 0:46:29 | 0:46:30 | |
-GRAINNE: -I felt like... | 0:46:30 | 0:46:32 | |
Because I've seen Karthik's selling techniques before, | 0:46:32 | 0:46:35 | |
I thought he might be a little bit... | 0:46:35 | 0:46:37 | |
forward and pushy on the shop floor, and loud. | 0:46:37 | 0:46:39 | |
If I had been put on the shop floor, I would have probably sold, | 0:46:39 | 0:46:42 | |
at worst, maybe the same amount as the others. But if some... | 0:46:42 | 0:46:45 | |
One of these had actually been with Frances, | 0:46:45 | 0:46:48 | |
then she would have had a second opinion on fashion. | 0:46:48 | 0:46:50 | |
I'm no good at picking clothes for 16 to 18-year-old girls. | 0:46:50 | 0:46:52 | |
In terms of you being upstairs, | 0:46:52 | 0:46:54 | |
it was because of your selling. And... | 0:46:54 | 0:46:57 | |
-I mean, I nearly sold a £1,000 bag. -I know, but you nearly... | 0:46:57 | 0:46:59 | |
-If I'd been on the floor, who knows... -I know, but this... | 0:46:59 | 0:47:02 | |
-..how much more my productivity...? -I know, but I wasn't taking a risk | 0:47:02 | 0:47:04 | |
of you being on the shop floor and being too pushy. | 0:47:04 | 0:47:06 | |
So you're saying that she should have had another, | 0:47:06 | 0:47:08 | |
-a female assistant? -Female, or, you know, | 0:47:08 | 0:47:11 | |
maybe even Mukai or Paul, they're very good with fashion. So... | 0:47:11 | 0:47:14 | |
I did put myself forward to be in the personal shopping... | 0:47:14 | 0:47:16 | |
But you did also say that you are a master in handbags, | 0:47:16 | 0:47:19 | |
so why would I put you in shopping when you're claiming | 0:47:19 | 0:47:21 | |
you have so much knowledge in handbags? | 0:47:21 | 0:47:23 | |
Because I can do fashion, I've worked in fashion for... | 0:47:23 | 0:47:25 | |
I know, but you've based it on you being in handbags, | 0:47:25 | 0:47:27 | |
and this is why we went for handbags, so... | 0:47:27 | 0:47:29 | |
Please don't shift the decision of going on handbags just on me. | 0:47:29 | 0:47:32 | |
-I gave you the knowledge... -I know, I'm just saying... | 0:47:32 | 0:47:34 | |
-..the fact that I do have experience in this.. -Mukai. | 0:47:34 | 0:47:36 | |
..saying, "This is the choice, this is why I'd go for handbags." | 0:47:36 | 0:47:39 | |
From my perspective, if I was going to call this myself, | 0:47:39 | 0:47:42 | |
I would look to the people that didn't sell the most. | 0:47:42 | 0:47:44 | |
-If it was down to sales, then you're talking about Rebecca. -Yep. | 0:47:44 | 0:47:48 | |
I sold two bags, but I obviously engaged with a lot of clients. | 0:47:48 | 0:47:52 | |
The two I engaged with did buy... | 0:47:52 | 0:47:54 | |
According to your CV, you spent four years | 0:47:54 | 0:47:57 | |
in the retail fashion industry, selling... | 0:47:57 | 0:48:00 | |
-bras, for example. -Yeah, so I... | 0:48:00 | 0:48:02 | |
Did you give much support to this task? | 0:48:02 | 0:48:04 | |
In terms of sales, I didn't want to do a hard sell, | 0:48:04 | 0:48:07 | |
so I was talking to the customers, I was engaging with them. | 0:48:07 | 0:48:10 | |
-I did make two sales... -It is a shop, it's not a museum. | 0:48:10 | 0:48:12 | |
-You know. I mean... -No, I know. | 0:48:12 | 0:48:14 | |
You're not standing there watching people observe things, | 0:48:14 | 0:48:16 | |
you can apply a little bit of sales pressure. | 0:48:16 | 0:48:18 | |
Yeah, I did. But it's a longer buying process to buy a bag. | 0:48:18 | 0:48:21 | |
People bought very expensive scarves. | 0:48:21 | 0:48:23 | |
So the decision process, you know, is virtually the same. | 0:48:23 | 0:48:27 | |
OK. | 0:48:28 | 0:48:29 | |
Grainne, I want to know which two people | 0:48:29 | 0:48:31 | |
you're bringing back into this boardroom with you. | 0:48:31 | 0:48:35 | |
I think in terms of the window, | 0:48:35 | 0:48:37 | |
we're going to have to do Mukai and... | 0:48:37 | 0:48:39 | |
I helped you throughout the two days. I was there to support you. | 0:48:39 | 0:48:42 | |
But if you want to bring me in, that's fine. Absolutely. | 0:48:42 | 0:48:45 | |
..and Karthik. I just didn't know where to place you. | 0:48:45 | 0:48:48 | |
Are you bringing me in because I did what you told me to do? | 0:48:48 | 0:48:51 | |
No, I just... I just find it difficult to place you in... | 0:48:51 | 0:48:55 | |
But I did give you my suggestion. | 0:48:55 | 0:48:57 | |
-Shall we debate this afterwards? -OK. | 0:48:57 | 0:48:59 | |
You're saying that you want to bring Karthik back in, and Mukai? | 0:48:59 | 0:49:05 | |
Is that what you're saying? | 0:49:05 | 0:49:06 | |
Um... | 0:49:08 | 0:49:09 | |
Actually, can I change it? | 0:49:09 | 0:49:10 | |
-Well, it's up to you, I mean... -Sorry, Rebecca. | 0:49:10 | 0:49:12 | |
Just cos it's the lowest sales, and it was a sales task. | 0:49:12 | 0:49:15 | |
I'm going to take Rebecca and... | 0:49:15 | 0:49:16 | |
-..Karthik. -That's your final decision, is it? | 0:49:17 | 0:49:20 | |
I'm sorry. Um... | 0:49:21 | 0:49:22 | |
This is so difficult. I'm changing it again, | 0:49:24 | 0:49:26 | |
and it's Mukai and Karthik. | 0:49:26 | 0:49:28 | |
This is ridiculous. | 0:49:28 | 0:49:30 | |
Right. OK. | 0:49:30 | 0:49:31 | |
The other people, go back to the house. | 0:49:33 | 0:49:35 | |
I'm going to have a chat with Claude and Karren, | 0:49:41 | 0:49:44 | |
and I'll call you back in shortly. | 0:49:44 | 0:49:45 | |
One of you will be fired. | 0:49:45 | 0:49:47 | |
Well, Grainne... She's got a lot to answer to. | 0:49:57 | 0:50:00 | |
The big mistake, in my opinion, is the handbags. | 0:50:00 | 0:50:02 | |
Not recognising that the main footfall was where scarves were. | 0:50:02 | 0:50:06 | |
Absolutely. | 0:50:06 | 0:50:08 | |
Karthik was trying his best | 0:50:09 | 0:50:11 | |
to not be volatile any longer. | 0:50:11 | 0:50:14 | |
But then again, I've often said a leopard might not change his spots. | 0:50:14 | 0:50:18 | |
And then we've got Mukai. | 0:50:20 | 0:50:21 | |
I think he just hasn't shown a real commercial acumen. | 0:50:21 | 0:50:24 | |
He does act like a consultant. | 0:50:24 | 0:50:26 | |
And actually doesn't put anything into practice. | 0:50:26 | 0:50:29 | |
PHONE RINGS | 0:50:29 | 0:50:30 | |
Could you send the three of them in, please? | 0:50:30 | 0:50:32 | |
Mukai, in three tasks you was in the final three in the boardroom. | 0:50:44 | 0:50:47 | |
Is there a reason for this? | 0:50:47 | 0:50:49 | |
I can only say that it's totally unfair | 0:50:49 | 0:50:51 | |
that I've been brought in today. | 0:50:51 | 0:50:53 | |
Grainne had me by her side all the way throughout the two-day task, | 0:50:53 | 0:50:57 | |
to give her the information that I could provide | 0:50:57 | 0:51:00 | |
using my understanding of the industry. | 0:51:00 | 0:51:03 | |
But it was the fact that he gave us full confidence round that table | 0:51:03 | 0:51:06 | |
that he was a bag expert... | 0:51:06 | 0:51:08 | |
I gave my expertise advice. | 0:51:08 | 0:51:11 | |
However, it's a decision to be made by the PM, | 0:51:11 | 0:51:13 | |
whether we go for quantity, ie scarves, | 0:51:13 | 0:51:16 | |
or whether we go for high-ticket price point per individual item... | 0:51:16 | 0:51:20 | |
So, Karthik, you listening to this? | 0:51:20 | 0:51:22 | |
Was you locked away in the cupboard somewhere | 0:51:22 | 0:51:23 | |
when all this was going on? | 0:51:23 | 0:51:25 | |
The people that went to see the scarves said, "We like scarves." | 0:51:25 | 0:51:27 | |
People that went to see the handbags, they wanted handbags. | 0:51:27 | 0:51:29 | |
At that point, it was a question of, "OK, who decides?" | 0:51:29 | 0:51:32 | |
So we have Mr Handbag over there, | 0:51:32 | 0:51:33 | |
we have somebody who's worked at Liberty over here. | 0:51:33 | 0:51:35 | |
So I said, "Fine. You are the subject-matter experts. You take the call." | 0:51:35 | 0:51:38 | |
-And they took the call to go with handbags. -Lord Sugar, if I may. | 0:51:38 | 0:51:41 | |
In terms of the department, it was very, very close | 0:51:41 | 0:51:44 | |
in terms of the sales of the two departments. | 0:51:44 | 0:51:46 | |
We lost it by the value of one bag, essentially. | 0:51:46 | 0:51:49 | |
I stand by the recommendations that I gave | 0:51:49 | 0:51:52 | |
in terms of the pros and cons of the department. | 0:51:52 | 0:51:55 | |
-CLAUDE: -Mukai, what I don't think you appreciate, really, | 0:51:55 | 0:51:57 | |
is the influence you had on the group. | 0:51:57 | 0:51:59 | |
You said, "My personal choice is bags," | 0:51:59 | 0:52:02 | |
and that, I think, led them down that track. | 0:52:02 | 0:52:05 | |
I... I agree on your point, Claude... | 0:52:05 | 0:52:06 | |
You were saying you're a bag expert. | 0:52:06 | 0:52:08 | |
When you were on the shop floor, you sold one bag. | 0:52:08 | 0:52:10 | |
The shop window seemed to have your hallmark on it, also. | 0:52:10 | 0:52:14 | |
On the second day, | 0:52:14 | 0:52:15 | |
I pestered her to the point where she said, | 0:52:15 | 0:52:17 | |
"Stop talking about the window," | 0:52:17 | 0:52:19 | |
saying, "Why do we not have somebody in the window?" | 0:52:19 | 0:52:21 | |
And this was multiple, throughout the second day, I said... | 0:52:21 | 0:52:24 | |
I know what he's saying about the window. | 0:52:24 | 0:52:26 | |
He did make it very, very clear to me that | 0:52:26 | 0:52:28 | |
he was also very experienced in visual merchandising for windows. | 0:52:28 | 0:52:32 | |
So with his... With his expertise... | 0:52:32 | 0:52:33 | |
I've never worked as a visual merchandiser. | 0:52:33 | 0:52:35 | |
You told me, you did say that you were... | 0:52:35 | 0:52:37 | |
You were experienced in merchandising windows. | 0:52:37 | 0:52:39 | |
So with your experience in handbags and visual merchandising | 0:52:39 | 0:52:42 | |
in the window, I thought you knew what you were talking about, | 0:52:42 | 0:52:45 | |
so I did take a lot of advice. | 0:52:45 | 0:52:46 | |
-KARTHIK: -A lot of mistakes were made, | 0:52:46 | 0:52:47 | |
but the biggest one was resource allocation. She allocated... | 0:52:47 | 0:52:50 | |
That's cos you're a loose cannon, we... | 0:52:50 | 0:52:52 | |
This is just my humble opinion. | 0:52:52 | 0:52:53 | |
If I had been on the sales floor, and I've shown that I can deal with | 0:52:53 | 0:52:55 | |
regular Liberty clients very nicely, they gave good feedback. | 0:52:55 | 0:52:58 | |
The lady left and she gave me hugs and kisses and... | 0:52:58 | 0:53:00 | |
-I just didn't think... -And the family loved me as well. | 0:53:00 | 0:53:02 | |
The family didn't love you. They didn't buy anything, did they? | 0:53:02 | 0:53:05 | |
They didn't buy stuff because | 0:53:05 | 0:53:06 | |
we were not able to show them what they wanted. | 0:53:06 | 0:53:08 | |
You say that you admit that you struggle working with people | 0:53:08 | 0:53:11 | |
that think differently to you. | 0:53:11 | 0:53:13 | |
Especially if they are in a position of power above me. | 0:53:13 | 0:53:16 | |
So, in other words, | 0:53:16 | 0:53:17 | |
if I give a suggestion and the team leader doesn't accept it... | 0:53:17 | 0:53:19 | |
But it's not that, Karthik, it's... | 0:53:19 | 0:53:21 | |
Everyone on each team that you're on are trying to calm you down. | 0:53:21 | 0:53:24 | |
So this is why I took the decision of not putting you on a high-end department store... | 0:53:24 | 0:53:27 | |
But the risk is greater, because I'm speaking to a regular customer... | 0:53:27 | 0:53:30 | |
-I'm not... I wasn't taking a risk... -You've taken a greater risk | 0:53:30 | 0:53:33 | |
by putting me with somebody who's a regular... | 0:53:33 | 0:53:35 | |
Well, I wasn't taking a risk for you to blow up and go nuts on | 0:53:35 | 0:53:38 | |
-the shop floor. -What?! -This is... I'm just saying your personality... | 0:53:38 | 0:53:40 | |
Did we not have a team chat? | 0:53:40 | 0:53:42 | |
Did I not put up a good show in the end anyway? | 0:53:42 | 0:53:44 | |
Wouldn't it have been better to put me on the shop floor? | 0:53:44 | 0:53:46 | |
Lord Sugar, I am a strong woman, I'm very confident. | 0:53:46 | 0:53:49 | |
I lead my team as best I could, and put them in the right positions. | 0:53:49 | 0:53:53 | |
-Karthik. -Yes, sir? | 0:53:53 | 0:53:55 | |
Why are you worthy to be in this process, still? | 0:53:55 | 0:53:57 | |
I mean, this process is designed to test... | 0:53:57 | 0:53:59 | |
And can we keep it so that we can get away tonight by ten o'clock? | 0:53:59 | 0:54:02 | |
OK, so, this process tests candidates in a variety of skills. | 0:54:02 | 0:54:05 | |
You see, I'm like water. You put water in a cup, it becomes a cup. | 0:54:05 | 0:54:07 | |
You put water in a bottle, it becomes a bottle. | 0:54:07 | 0:54:09 | |
My point is, I'm flexible, I'm, you know, I'm lean, I'm... | 0:54:09 | 0:54:12 | |
-Can you just tell me, in simple terms...? -OK. | 0:54:12 | 0:54:15 | |
I don't think I have had an opportunity to show you my... | 0:54:15 | 0:54:18 | |
My leadership skills. | 0:54:18 | 0:54:19 | |
And if you see me in a leadership position, | 0:54:19 | 0:54:21 | |
then you will see how the strategy comes out. | 0:54:21 | 0:54:23 | |
Because then I will be in a position where the team will listen to me. | 0:54:23 | 0:54:27 | |
Lord Sugar, I sincerely do not believe | 0:54:27 | 0:54:29 | |
I belong in this boardroom on this task. | 0:54:29 | 0:54:32 | |
I have started three companies myself in the past, | 0:54:32 | 0:54:35 | |
I have entrepreneurial spirit, and I believe that I have the motivation | 0:54:35 | 0:54:39 | |
and the strength to really kind of do some really good business. | 0:54:39 | 0:54:43 | |
OK. I've got to make a decision, it's a difficult decision to make. | 0:54:43 | 0:54:48 | |
And I have to judge this not only on this task, | 0:54:48 | 0:54:50 | |
but by some of the past performance. | 0:54:50 | 0:54:53 | |
Grainne, in this particular task, you were the project manager. | 0:54:55 | 0:54:58 | |
You put yourself forward as somebody that knows about retail. | 0:54:58 | 0:55:02 | |
The big mistake was that you went with these handbags, | 0:55:02 | 0:55:05 | |
and you was influenced by other people. | 0:55:05 | 0:55:07 | |
Karthik, you, like it or not, were shoved into a corner. | 0:55:08 | 0:55:13 | |
Because they don't trust you, | 0:55:13 | 0:55:16 | |
and couldn't allow the potential loose cannon in the store. | 0:55:16 | 0:55:21 | |
Mukai, you're well-travelled, you've been around the world, | 0:55:21 | 0:55:24 | |
you've lived in six continents. | 0:55:24 | 0:55:26 | |
I feel, when you talk to me, it's as if I'm listening to a consultant. | 0:55:26 | 0:55:30 | |
Dishing out advice but never actually doing anything themselves. | 0:55:30 | 0:55:33 | |
Karthik, you talk a good game, | 0:55:38 | 0:55:40 | |
but I don't see any end product there. | 0:55:40 | 0:55:43 | |
I mean, give me one chance to... | 0:55:43 | 0:55:44 | |
-I don't want to hear from you. -Sorry. | 0:55:44 | 0:55:47 | |
But the fault lies, here, with handbags. | 0:55:48 | 0:55:52 | |
Mukai, I do believe that you did influence Grainne, and | 0:55:52 | 0:55:56 | |
I don't think you have the potential of being my business partner. | 0:55:56 | 0:56:00 | |
Mukai, | 0:56:00 | 0:56:01 | |
you're fired. | 0:56:01 | 0:56:03 | |
I think you've got potential, Grainne, | 0:56:12 | 0:56:14 | |
and that's why you're going to remain in this process. | 0:56:14 | 0:56:17 | |
Thank you. | 0:56:17 | 0:56:18 | |
Karthik... | 0:56:18 | 0:56:19 | |
Let me make it very, very clear to you now | 0:56:22 | 0:56:24 | |
that I have my eyes on you. OK? | 0:56:24 | 0:56:26 | |
-Yes, sir. -Off you go back to the house. | 0:56:26 | 0:56:28 | |
Sorry, dude. | 0:56:31 | 0:56:32 | |
Sorry, man. | 0:56:34 | 0:56:35 | |
I think Lord Sugar made a mistake in firing me. | 0:56:46 | 0:56:49 | |
The failure of this task has to lie with the project manager. | 0:56:49 | 0:56:52 | |
I didn't feel I put a foot wrong, but ultimately, | 0:56:52 | 0:56:55 | |
it was Lord Sugar's decision. | 0:56:55 | 0:56:56 | |
Mukai can't dodge it too many times, right? | 0:56:57 | 0:56:59 | |
I mean, he's had a couple of lives. | 0:56:59 | 0:57:01 | |
He's been an unsuccessful PM, | 0:57:01 | 0:57:03 | |
he's been an unsuccessful sub-team leader, | 0:57:03 | 0:57:06 | |
and he's little bit arrogant. | 0:57:06 | 0:57:07 | |
So it's definitely Mukai who's gone, I reckon, or Karthik. | 0:57:09 | 0:57:12 | |
-Or Karthik. -Could be both. Double firing. | 0:57:12 | 0:57:15 | |
THEY CHEER | 0:57:15 | 0:57:16 | |
Fantastic! | 0:57:19 | 0:57:20 | |
Well done. | 0:57:20 | 0:57:22 | |
Personally, I want to say, that was intense. | 0:57:23 | 0:57:26 | |
-Who did you guys think was coming back? -You two. | 0:57:26 | 0:57:29 | |
Well, by the end of it, he said I'm staying because I have potential. | 0:57:29 | 0:57:32 | |
So, you know, it's really, really hotting up now. | 0:57:32 | 0:57:35 | |
Now...13 candidates remain. | 0:57:37 | 0:57:41 | |
The search for Lord Sugar's business partner continues. | 0:57:42 | 0:57:47 | |
Next time... | 0:57:48 | 0:57:49 | |
I want you to launch a crowdfunding campaign. | 0:57:49 | 0:57:52 | |
Pedalling bike products... | 0:57:52 | 0:57:54 | |
# Oh, no! # | 0:57:54 | 0:57:55 | |
-..and seeking publicity... -Let's go. | 0:57:55 | 0:57:57 | |
# Pledge right now! # | 0:57:57 | 0:57:59 | |
CHEERING | 0:57:59 | 0:58:01 | |
-Coming in, coming in, coming in. -..punctures team spirit. | 0:58:01 | 0:58:03 | |
I'm not having this conversation. | 0:58:03 | 0:58:05 | |
One second, one second, just cut it at the end there. | 0:58:05 | 0:58:07 | |
And in the boardroom... | 0:58:07 | 0:58:09 | |
You so-called bunch of intelligent people have left me speechless. | 0:58:09 | 0:58:12 | |
..the wheels come off. | 0:58:12 | 0:58:14 | |
Frankly, you created all the buzz of a dead bee. | 0:58:14 | 0:58:17 | |
You're fired. | 0:58:17 | 0:58:18 |