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Good evening and welcome to a two-hour whopper Apprentice Final special. | 0:00:02 | 0:00:05 | |
Like an Agatha Christie mystery, 18 have now somehow become just two, | 0:00:05 | 0:00:08 | |
and it's time for the final showdown. | 0:00:08 | 0:00:10 | |
So, join me here on You're Hired in an hour's time | 0:00:10 | 0:00:13 | |
to hear first-hand from all the candidates, | 0:00:13 | 0:00:15 | |
plus The Apprentice dream team will be here. | 0:00:15 | 0:00:17 | |
Yes, Karren, Claude and Lord Sugar | 0:00:17 | 0:00:20 | |
will all be joining me in the studio. | 0:00:20 | 0:00:22 | |
But first, switch off the phone, put the dog on silent, sit back | 0:00:22 | 0:00:26 | |
and enjoy James versus Sarah in the final of The Apprentice 2017. | 0:00:26 | 0:00:31 | |
11 weeks ago... | 0:00:31 | 0:00:33 | |
This is not a holiday camp. | 0:00:33 | 0:00:35 | |
This is a business proposition from heaven. | 0:00:35 | 0:00:39 | |
..Lord Sugar began his search for a brand-new business partner. | 0:00:40 | 0:00:45 | |
We've got Brexit, but in this process, I'm the one | 0:00:45 | 0:00:48 | |
who decides who's going to remain and who's going to leave. | 0:00:48 | 0:00:51 | |
Get out of the way! | 0:00:51 | 0:00:53 | |
18 hopefuls... | 0:00:53 | 0:00:55 | |
No, I would like to finish my point because you are interrupting. | 0:00:55 | 0:00:58 | |
Boring, boring, boring. There was no bloody strategy. | 0:00:58 | 0:01:02 | |
..took on testing tasks. | 0:01:02 | 0:01:03 | |
-I'm not having an argument. -Please just keep positive. | 0:01:03 | 0:01:05 | |
-Your behaviour is ridiculous. -Can we all just stop talking for a minute? | 0:01:05 | 0:01:08 | |
This is a bloody shambles. | 0:01:08 | 0:01:10 | |
Now, for two candidates... | 0:01:10 | 0:01:12 | |
Sarah, James. | 0:01:12 | 0:01:13 | |
..the final hurdle. | 0:01:13 | 0:01:15 | |
It is tough - very, very tough. | 0:01:15 | 0:01:16 | |
-Previously... -I'd like you to hand over your business plans now. | 0:01:23 | 0:01:27 | |
Don't be sick. | 0:01:29 | 0:01:30 | |
Candidates were critiqued. | 0:01:30 | 0:01:32 | |
This makes you look like a rank amateur. | 0:01:32 | 0:01:35 | |
You don't know how much you don't know, cos you don't know. | 0:01:35 | 0:01:39 | |
-And proposals... -So, this is a unique product? | 0:01:39 | 0:01:42 | |
-That's correct. -..pored over. | 0:01:42 | 0:01:43 | |
Here's one of your competitors. | 0:01:43 | 0:01:45 | |
Here's another one of your competitors. | 0:01:45 | 0:01:47 | |
6 million, 9 million. That's absolutely ridiculous. | 0:01:47 | 0:01:50 | |
With all respect... | 0:01:50 | 0:01:52 | |
I don't think you're being very respectful. | 0:01:52 | 0:01:54 | |
I think you should take your tone down. | 0:01:54 | 0:01:56 | |
In the boardroom... | 0:01:56 | 0:01:58 | |
At the end of the day, there's got to be two finalists. | 0:01:58 | 0:02:01 | |
-Joanna's fashion business... -You have no experience whatsoever. | 0:02:01 | 0:02:05 | |
-..was mothballed. -Joanna, you're fired. | 0:02:05 | 0:02:09 | |
Florist Elizabeth... | 0:02:09 | 0:02:10 | |
-I can't see the scaling up. -..was weeded out. | 0:02:10 | 0:02:13 | |
You're fired. | 0:02:13 | 0:02:15 | |
And Michaela's construction dreams... | 0:02:15 | 0:02:17 | |
-You've got all these businesses. -..came tumbling down. | 0:02:17 | 0:02:20 | |
And so whether I'm right or wrong, you're fired. | 0:02:20 | 0:02:23 | |
Now Sarah and James will go head-to-head. | 0:02:23 | 0:02:26 | |
It literally is my proudest moment. | 0:02:26 | 0:02:28 | |
It's just, unfortunately, you've come up against me in the final. | 0:02:28 | 0:02:31 | |
Who will win Lord Sugar's investment? | 0:02:31 | 0:02:35 | |
6.00am. | 0:02:44 | 0:02:45 | |
PHONE RINGS | 0:02:45 | 0:02:49 | |
-Hello? -'Good morning. | 0:02:49 | 0:02:51 | |
'Lord Sugar would like you to meet him at the Sky Garden. | 0:02:51 | 0:02:54 | |
'The cars will be leaving in 20 minutes.' | 0:02:54 | 0:02:57 | |
Wow. | 0:02:57 | 0:02:58 | |
For the finalists... | 0:02:58 | 0:02:59 | |
-James... -HE GROANS | 0:02:59 | 0:03:01 | |
Sky Garden, 20 minutes. | 0:03:01 | 0:03:03 | |
..one last task. | 0:03:03 | 0:03:05 | |
'I have come here to win this. | 0:03:05 | 0:03:07 | |
'I've got the full expectation to walk away with £250,000, | 0:03:07 | 0:03:11 | |
'I'm not going to drop at the final hurdle.' | 0:03:11 | 0:03:14 | |
'It would be an incredible feeling to have Lord Sugar as a business partner. | 0:03:14 | 0:03:18 | |
'I just need to be clear on my passion and my drive. | 0:03:18 | 0:03:22 | |
'Failure is most definitely not an option.' | 0:03:22 | 0:03:25 | |
Sky Garden. | 0:03:41 | 0:03:42 | |
Overlooking London's financial district. | 0:03:43 | 0:03:46 | |
Location for Lord Sugar's final showdown. | 0:03:48 | 0:03:52 | |
-Good morning. -BOTH: -Good morning, Lord Sugar. | 0:04:05 | 0:04:07 | |
Well, congratulations again for making it into the final. | 0:04:07 | 0:04:12 | |
Now, here we are in 20 Fenchurch Street. | 0:04:12 | 0:04:16 | |
Now, in this building are some massive companies, | 0:04:16 | 0:04:19 | |
and my objective is to make one of you | 0:04:19 | 0:04:22 | |
a very, very successful company with my £250,000 investment. | 0:04:22 | 0:04:28 | |
Now, in order for me to choose which one of you is going to | 0:04:28 | 0:04:31 | |
be my business partner, you're going to have to present your business | 0:04:31 | 0:04:35 | |
ideas to an audience of over 200 experts over there in City Hall. | 0:04:35 | 0:04:42 | |
To do that, I'm going to give you some assistants. | 0:04:42 | 0:04:44 | |
Now, let me get my coin out, here. | 0:04:54 | 0:04:56 | |
-Ladies before gentleman. -Tails please, Lord Sugar. | 0:04:58 | 0:05:02 | |
It's heads, I'm afraid. | 0:05:02 | 0:05:03 | |
So, James, pick one of these people as your first assistant. | 0:05:03 | 0:05:09 | |
-Charles, come over here. -Thank you, well done. | 0:05:09 | 0:05:12 | |
-OK, Sarah. -Michaela, please, Lord Sugar. | 0:05:12 | 0:05:16 | |
Joanna, please. | 0:05:16 | 0:05:17 | |
Harrison, please, Lord Sugar. | 0:05:19 | 0:05:21 | |
Elizabeth, please. | 0:05:21 | 0:05:22 | |
Andrew please, Lord Sugar. | 0:05:24 | 0:05:26 | |
Anisa, please. | 0:05:31 | 0:05:32 | |
Siobhan, go and join Sarah. | 0:05:36 | 0:05:38 | |
Now, Sarah, you've got a product. | 0:05:41 | 0:05:43 | |
You already run a sweets gifting business. | 0:05:43 | 0:05:47 | |
But I need convincing that you can grow your | 0:05:47 | 0:05:50 | |
new business into a giant brand. | 0:05:50 | 0:05:53 | |
James, you don't have a physical product, you have a service. | 0:05:53 | 0:05:57 | |
But IT recruitment is a very crowded market. | 0:05:57 | 0:06:01 | |
So, you need to prove to me that your new business can stand out. | 0:06:01 | 0:06:05 | |
-Everything clear? -Yes, Lord Sugar. -Yes, Lord Sugar. | 0:06:06 | 0:06:09 | |
Good luck, I'll see you over in the Mayor's office in a couple of days' time. | 0:06:09 | 0:06:12 | |
Off you go. | 0:06:12 | 0:06:14 | |
Two days to prove plans can become profitable partnerships. | 0:06:19 | 0:06:24 | |
-Well done, Sarah, for getting to the final. -Thank you, it's great to have you back. | 0:06:24 | 0:06:28 | |
-I'm so happy. -You've done amazing. I said I couldn't have gone out | 0:06:28 | 0:06:31 | |
to two better people, but mainly you. Mainly you. | 0:06:31 | 0:06:34 | |
Just a great lad. Great lad. | 0:06:35 | 0:06:37 | |
Glad to have you back, both of you. | 0:06:37 | 0:06:39 | |
-Life without you's been tough, man. -Mate, it's been so tough. | 0:06:39 | 0:06:42 | |
-It's been a train wreck, to be honest. -Do you two need some space? | 0:06:42 | 0:06:46 | |
Base for James's team, design agency Rufus Leonard. | 0:06:47 | 0:06:51 | |
I'm looking to relaunch my IT recruitment business. | 0:06:52 | 0:06:57 | |
First job, inspire his team. | 0:06:57 | 0:07:00 | |
It's a huge market, but it's also the most competitive market. | 0:07:00 | 0:07:03 | |
And I think what Lord Sugar is looking for is for me | 0:07:03 | 0:07:06 | |
to show how this business can stand out, and differentiate itself. | 0:07:06 | 0:07:10 | |
-Next, James's new company... -I liked Connect. -..needs a standout name. | 0:07:10 | 0:07:16 | |
I was looking at using IT as, like, "it". | 0:07:16 | 0:07:19 | |
Something like Recruit It. | 0:07:19 | 0:07:20 | |
-So, Recruit IT. -Like that? -Merge them together and connect it. | 0:07:20 | 0:07:24 | |
The only thing I would say, do you know when you put it all together, | 0:07:24 | 0:07:26 | |
and then look at that, you've got like "tit". | 0:07:26 | 0:07:29 | |
-I just don't... -LAUGHTER | 0:07:29 | 0:07:32 | |
I have 100% got the right team behind me. | 0:07:32 | 0:07:35 | |
Not only do these guys buy into me and they want me to win, | 0:07:35 | 0:07:38 | |
everybody comes with positive energy. | 0:07:38 | 0:07:40 | |
I think we're going to smash it. | 0:07:40 | 0:07:42 | |
Across London... | 0:07:42 | 0:07:44 | |
I've got a business that is a confectionery repacking business. | 0:07:44 | 0:07:47 | |
..sweetening up her team, Sarah. | 0:07:47 | 0:07:49 | |
I'm sure you'll all identify with a lot of the product in this jar. | 0:07:49 | 0:07:52 | |
If I talk to you about flowers or chocolates, | 0:07:52 | 0:07:54 | |
there's probably a brand in your mind that you would | 0:07:54 | 0:07:56 | |
go onto their website and purchase flowers or chocolates from. | 0:07:56 | 0:07:59 | |
-There's none that I go on, no... -Nobody is doing it in sweets, and that's what we want to be, | 0:07:59 | 0:08:03 | |
and that's how big we want to be. | 0:08:03 | 0:08:04 | |
I love them, I think they look great, I really do. | 0:08:04 | 0:08:06 | |
Next job, concoct a tasteful new brand name. | 0:08:06 | 0:08:10 | |
My initial ideas are things like City Sweets, The Sweet Boutique. | 0:08:10 | 0:08:15 | |
So, any ideas you've got, I'll write those on the board. | 0:08:15 | 0:08:18 | |
-Erm... -It's just kind of thinking of... Of a word. | 0:08:18 | 0:08:22 | |
What about your surname in it? Like Lynn's...Sweets. | 0:08:22 | 0:08:27 | |
Erm... | 0:08:27 | 0:08:28 | |
What Sarah really needs to create is a brand that is stylish, | 0:08:28 | 0:08:31 | |
identifiable, and has global appeal. | 0:08:31 | 0:08:33 | |
But she's chosen a team that is completely devoid of any kind of creativity. That's not a good start. | 0:08:33 | 0:08:39 | |
I need to split the team, and I need somebody... | 0:08:39 | 0:08:42 | |
I want to stay on branding, because obviously that's core. | 0:08:42 | 0:08:44 | |
Michaela, I'd like you to direct and lead on the ad team side. | 0:08:44 | 0:08:48 | |
And I'd like Siobhan and Andrew to support you. | 0:08:48 | 0:08:50 | |
I really don't want it to be trashy, novelty, tacky, cringey. | 0:08:50 | 0:08:53 | |
-No, no. No, no. -Are you happy with that? -Yeah, yeah. Yeah, of course. -Are you happy? -Absolutely. | 0:08:53 | 0:08:57 | |
-Assigning roles for his team... -I'm going to put myself in branding. -..James. | 0:08:59 | 0:09:03 | |
Cos I need to make sure I get the right brand, the right logo, the right strapline. | 0:09:03 | 0:09:06 | |
Now, I need to have someone with me. | 0:09:06 | 0:09:08 | |
I was leaning towards you, Joanna, unless you were thinking otherwise. | 0:09:08 | 0:09:11 | |
I'm not the best at coming up with actual, like, | 0:09:11 | 0:09:14 | |
names itself, but, yeah. | 0:09:14 | 0:09:16 | |
-That would leave you three to do the digital billboards. -Yep. | 0:09:16 | 0:09:19 | |
-Elizabeth, I love you and I want you to be my sub team lead. -OK. | 0:09:19 | 0:09:24 | |
Cos I know you will lead the two from the front. | 0:09:24 | 0:09:26 | |
But what I will say is, just hear them, right? | 0:09:26 | 0:09:29 | |
Anisa is very creative, so I know she's going to come with some good ideas. | 0:09:29 | 0:09:32 | |
And please take into account this is MY baby, this is MY business, right? | 0:09:32 | 0:09:38 | |
I NEED this to work. | 0:09:38 | 0:09:39 | |
James has made Elisabeth sub team leader, but that's risky. | 0:09:39 | 0:09:43 | |
Lord Sugar needs to be convinced that James's business has a USP. | 0:09:43 | 0:09:48 | |
But with Elizabeth in charge, other people's ideas could get railroaded. | 0:09:48 | 0:09:52 | |
Right, see you later. | 0:09:52 | 0:09:53 | |
2.00pm. | 0:09:53 | 0:09:54 | |
Half of each team set off | 0:09:55 | 0:09:57 | |
to create a billboard advert for the businesses. | 0:09:57 | 0:10:00 | |
You could have Siobhan, like, on her knees | 0:10:00 | 0:10:03 | |
and the sweets, like, exploding onto her. | 0:10:03 | 0:10:05 | |
-Yes, throwing them up. -An explosion, like a spring. -So they all shoot up. | 0:10:05 | 0:10:08 | |
So they all go out in different directions. | 0:10:08 | 0:10:10 | |
Back at the agency... | 0:10:12 | 0:10:14 | |
So I quite like Link Us. | 0:10:14 | 0:10:16 | |
-Still on the hunt for a name... -Erm... | 0:10:16 | 0:10:20 | |
-..James. -What ones did you add? | 0:10:20 | 0:10:23 | |
It was more with the word network. So, maybe like the net... | 0:10:23 | 0:10:27 | |
-Hmm, might be too much. -God, this name thing is like... | 0:10:27 | 0:10:32 | |
Erm... | 0:10:32 | 0:10:34 | |
Oh, my God! I hate this. | 0:10:34 | 0:10:37 | |
Branding is the most stressful thing I've ever done. | 0:10:37 | 0:10:40 | |
Hands down. Do I like branding? No! | 0:10:40 | 0:10:43 | |
Er... | 0:10:46 | 0:10:48 | |
4.00pm. | 0:10:50 | 0:10:52 | |
Outdoor advertising company Exterion. | 0:10:52 | 0:10:55 | |
Realistically, Charles, I think you would be very good in this | 0:10:55 | 0:10:58 | |
because you look pretty corporate. | 0:10:58 | 0:11:00 | |
Priority for James's billboard ad - stand out from the crowd. | 0:11:00 | 0:11:04 | |
We've got some props, and we need really to be selecting things | 0:11:04 | 0:11:07 | |
-that relate to an IT industry. -You could be like an IT ninja. | 0:11:07 | 0:11:10 | |
The campaign needs to stand out, we can't be too boring, either. | 0:11:10 | 0:11:12 | |
-It is NOT a pantomime. -But we have to stand out. | 0:11:12 | 0:11:14 | |
But we need to be credible. | 0:11:14 | 0:11:16 | |
-What says credible more than a guy in a suit... -King Charles! I bow to you! | 0:11:16 | 0:11:20 | |
SHE LAUGHS | 0:11:20 | 0:11:21 | |
-How we looking? How we looking? -No. | 0:11:21 | 0:11:24 | |
This campaign isn't about being serious, you're not going to stand out by being serious. | 0:11:24 | 0:11:27 | |
Elizabeth really needs to lighten up and just get on board with it, cos it's driving us all nuts. | 0:11:27 | 0:11:31 | |
-You could be a lobster. -Why does he have to be a lobster? | 0:11:31 | 0:11:34 | |
The more random, you are going to stand out. | 0:11:34 | 0:11:37 | |
OK, let's put it this way, James is trying to launch | 0:11:37 | 0:11:39 | |
his business model in the Mayor's office in London. | 0:11:39 | 0:11:41 | |
Do you think he will be impressed? | 0:11:41 | 0:11:43 | |
Yes, potentially, because he will stand out. | 0:11:43 | 0:11:45 | |
-OK, Charles, leave it on, let's get a photo. -OK, fine, fine, fine. | 0:11:45 | 0:11:48 | |
Lovely, it'll look great. You're not just a boring IT consultant, | 0:11:48 | 0:11:51 | |
you're, like, standing out. | 0:11:51 | 0:11:52 | |
OK, right, I think that's enough of you dressed up like that. | 0:11:52 | 0:11:55 | |
At their design agency Tapestry... | 0:11:57 | 0:12:00 | |
It might be quite nice to use my name, | 0:12:00 | 0:12:01 | |
and having Sarah's in really small letters. | 0:12:01 | 0:12:04 | |
..chewing over names, Sarah. | 0:12:04 | 0:12:06 | |
Was there anything else you thought through? | 0:12:06 | 0:12:08 | |
Just having the word sweet in it. | 0:12:08 | 0:12:10 | |
Yep. | 0:12:10 | 0:12:11 | |
I did also think Chic Sweets, or we can go with Sarah's Chic Sweets | 0:12:11 | 0:12:14 | |
-if we want to add my name into it. -Yeah. | 0:12:14 | 0:12:17 | |
OK, so I think really we have | 0:12:17 | 0:12:18 | |
-Sarah's Chic Sweets at the moment. -I think so. | 0:12:18 | 0:12:21 | |
I'm definitely feeling the pressure today. | 0:12:21 | 0:12:23 | |
I would have liked more time, | 0:12:23 | 0:12:25 | |
would have liked to have thought it all through more. | 0:12:25 | 0:12:27 | |
And thinking about the tasks that we've gone through, | 0:12:27 | 0:12:29 | |
it would've been great to have one of the more creative people on board with me. | 0:12:29 | 0:12:33 | |
It's not terrible at all. | 0:12:33 | 0:12:34 | |
With the name in front of it, I don't think it sounds that bad. | 0:12:34 | 0:12:36 | |
So we've got Sarah's Chic Sweets, | 0:12:36 | 0:12:38 | |
and then the strapline is "saying it with sweets." | 0:12:38 | 0:12:41 | |
I mean, there's a lot of "sweets" in there. | 0:12:41 | 0:12:43 | |
I don't think it looks too bad at all. | 0:12:43 | 0:12:46 | |
Tasked with creating a stylish billboard... | 0:12:49 | 0:12:52 | |
I've potentially got an idea which might work, OK? | 0:12:52 | 0:12:54 | |
..Michaela, Andrew and Siobhan. | 0:12:54 | 0:12:56 | |
We could have raining sweets on me, | 0:12:56 | 0:12:58 | |
and Andrew could be my boyfriend and he could be protecting me. | 0:12:58 | 0:13:01 | |
Why don't we just have a sweetie man with an umbrella, | 0:13:01 | 0:13:04 | |
because it's red, red... It looks good. | 0:13:04 | 0:13:06 | |
Yeah, and you could actually shield me... That's better. | 0:13:06 | 0:13:08 | |
But how can preventing sweeties falling on your head | 0:13:08 | 0:13:11 | |
be related to this product? | 0:13:11 | 0:13:13 | |
Do you understand what I mean? | 0:13:13 | 0:13:14 | |
-Yeah. -How is any of it? -She's just going to go mad. | 0:13:14 | 0:13:17 | |
-Yeah, but she can't, because it's... -Rather than talk about it, | 0:13:17 | 0:13:20 | |
just have a look how it looks. | 0:13:20 | 0:13:21 | |
We'd have to do it on our knees, obviously. | 0:13:21 | 0:13:24 | |
I just don't know about the brolly, | 0:13:24 | 0:13:25 | |
as if that's going to... If that's like... | 0:13:25 | 0:13:27 | |
Fucking hell! We've got no time. | 0:13:27 | 0:13:29 | |
Michaela's been a little bit more stressed and uptight, which hasn't | 0:13:29 | 0:13:32 | |
helped the situation, cos she's been a bit snappy with me and Andrew. | 0:13:32 | 0:13:34 | |
But final decisions are on her, I suppose. | 0:13:34 | 0:13:37 | |
-Right, am I throwing these now? -PHOTOGRAPHER: Yep. | 0:13:37 | 0:13:40 | |
We're going to have to pick all these up! | 0:13:43 | 0:13:45 | |
PHONE LINE RINGS | 0:13:46 | 0:13:47 | |
Back at base... | 0:13:47 | 0:13:49 | |
-'It's Elizabeth.' -Hey, how you doing? | 0:13:49 | 0:13:51 | |
We're good. | 0:13:51 | 0:13:52 | |
..still stuck for words, James. | 0:13:52 | 0:13:55 | |
We're lacking a bit of inspiration on names. | 0:13:55 | 0:13:57 | |
What about something like First Tier Recruitment. | 0:13:57 | 0:14:00 | |
First Tier Recruitment. Whose idea is that? | 0:14:01 | 0:14:04 | |
-'I've just scribbled it down on a piece of paper as I've said it to you now. -Casually!' | 0:14:04 | 0:14:08 | |
She's so casual. | 0:14:08 | 0:14:09 | |
Guys, I'll have to wrap this up, so I'll speak to you shortly, all right? | 0:14:09 | 0:14:12 | |
-'Good luck.' -All right, cheers. -Bye. -Bye, James, bye. | 0:14:12 | 0:14:15 | |
Maybe First Tier Talent, rather than recruitment. | 0:14:17 | 0:14:19 | |
Yeah, First Tier Talent, that says what it does. | 0:14:19 | 0:14:22 | |
In order to win Lord Sugar's £250,000 investment, | 0:14:22 | 0:14:25 | |
James needs to prove he can stand out in an already crowded market. | 0:14:25 | 0:14:29 | |
But his brand-name doesn't make clear it's a recruitment business. | 0:14:29 | 0:14:33 | |
It's not a good start. | 0:14:33 | 0:14:34 | |
"First Tier Talent, the champions of IT careers." | 0:14:34 | 0:14:38 | |
And then we've got our brand. | 0:14:38 | 0:14:40 | |
5.30pm. | 0:14:43 | 0:14:44 | |
Could we look at the logo and strapline, please? | 0:14:44 | 0:14:47 | |
Getting a first glimpse of James's new logo, Elizabeth. | 0:14:47 | 0:14:51 | |
-First Tier Talent. Lovely. -That's nice. | 0:14:51 | 0:14:53 | |
I think that works really well. I like it. Like it a lot. | 0:14:53 | 0:14:56 | |
Next, complete the billboard ad. | 0:14:56 | 0:14:59 | |
We start with the people, and then "amongst 1.2 million competitors", | 0:14:59 | 0:15:03 | |
that fades in over the top of that. | 0:15:03 | 0:15:05 | |
Then it goes to "how will you stand out?" | 0:15:05 | 0:15:08 | |
and then he fades in underneath it. | 0:15:08 | 0:15:10 | |
-You don't want to have all the things going like... -No. No. | 0:15:10 | 0:15:14 | |
Just to make it more...? Cos if we're going all out... | 0:15:14 | 0:15:16 | |
I am worried about how James is going to react for the digital | 0:15:16 | 0:15:19 | |
billboard, because I'm doing this for him. | 0:15:19 | 0:15:21 | |
-All right, we've got those two slides. -Yes. | 0:15:21 | 0:15:23 | |
-Otherwise it doesn't make sense. -Yeah, yeah. | 0:15:23 | 0:15:26 | |
James has got a quarter of a million pound investment | 0:15:26 | 0:15:28 | |
and a business partnership on the line, | 0:15:28 | 0:15:30 | |
and part of that rests on my shoulders to deliver for him. | 0:15:30 | 0:15:33 | |
Yes, I'm worried, I want it right. | 0:15:33 | 0:15:35 | |
It's fine, it's fine - Elizabeth, stop stressing. Just relax. | 0:15:35 | 0:15:37 | |
-I'm NOT stressing. -You are. -What I'm saying is that is fine as that is. | 0:15:37 | 0:15:40 | |
We can always have "amongst 1.2 million competitors" | 0:15:40 | 0:15:43 | |
underneath on a second line if we need to. | 0:15:43 | 0:15:45 | |
-Upstairs... -She wanted to go classy. | 0:15:47 | 0:15:50 | |
..a first look at Sarah's new logo... | 0:15:50 | 0:15:52 | |
-She's done an amazing job. -Yeah. | 0:15:52 | 0:15:54 | |
..for billboard design team, Siobhan, Andrew and Michaela. | 0:15:54 | 0:15:57 | |
Maybe if we have the backdrop of, you know, a night-time skyline. | 0:15:57 | 0:16:02 | |
It's going to look weird, | 0:16:02 | 0:16:04 | |
someone standing in front of a skyline getting | 0:16:04 | 0:16:06 | |
-stuff poured on them. -I don't think we want that. | 0:16:06 | 0:16:08 | |
Shall we put the green back on | 0:16:08 | 0:16:09 | |
and then fill it out with the sweets for now, | 0:16:09 | 0:16:11 | |
and then let's just get some things made up and we can come back to it. | 0:16:11 | 0:16:14 | |
Cos she wants it classy and whatnot. | 0:16:14 | 0:16:16 | |
I think with just the road and blue sky. | 0:16:16 | 0:16:18 | |
Can we type in, like, New York streets? | 0:16:18 | 0:16:20 | |
You two, if you tell me what you want, and then I'll communicate it | 0:16:20 | 0:16:23 | |
to you so you're not going to get us... So can you please just | 0:16:23 | 0:16:26 | |
-try and replicate these sweets? -Take some of the other sweets from the picture. | 0:16:26 | 0:16:29 | |
Siobhan, remember when I said can you tell me and I'll tell him? | 0:16:29 | 0:16:31 | |
Can we please just try and stick to that idea? | 0:16:31 | 0:16:33 | |
Because we're nowhere closer to any sort of billboard, yeah? | 0:16:33 | 0:16:36 | |
I think Sarah would be doing her nut | 0:16:36 | 0:16:38 | |
if she saw what they have actually produced. | 0:16:38 | 0:16:40 | |
They got carried away with some nonsensical idea. | 0:16:40 | 0:16:42 | |
They're meant to be helping her, | 0:16:42 | 0:16:44 | |
but nothing about this screams stylish. | 0:16:44 | 0:16:47 | |
Do you think Sarah's going to like this? | 0:16:47 | 0:16:49 | |
I don't know. Probably not, no. | 0:16:49 | 0:16:51 | |
I think Chic Sweets probably doesn't scream high-end | 0:16:51 | 0:16:55 | |
and I think what we've designed, it doesn't look right. | 0:16:55 | 0:16:58 | |
Sarah's going to think we've done an absolutely shocking job, | 0:16:58 | 0:17:01 | |
and I think one of us is probably going to get a slap tomorrow. | 0:17:01 | 0:17:04 | |
Brands and billboards built, | 0:17:06 | 0:17:08 | |
tomorrow, create video ads, | 0:17:08 | 0:17:11 | |
website and product. | 0:17:11 | 0:17:13 | |
9.00am. | 0:17:17 | 0:17:19 | |
So, guys, I'm really excited to see what you were working on. | 0:17:19 | 0:17:21 | |
Billboards revealed... | 0:17:21 | 0:17:22 | |
-He's stood out cos he's dressed as a lobster, right? -Yeah. | 0:17:22 | 0:17:25 | |
I actually really like it, I think it's good. | 0:17:25 | 0:17:27 | |
..for both finalists. | 0:17:27 | 0:17:28 | |
-You want to see it? -Let's have a look. -Let's have a look. | 0:17:28 | 0:17:32 | |
We had some problems with the photo, | 0:17:32 | 0:17:34 | |
it's not really in keeping with the theme. | 0:17:34 | 0:17:37 | |
The image just isn't relevant. | 0:17:37 | 0:17:39 | |
The questions I'm going to get are, "What on earth is that?" | 0:17:39 | 0:17:42 | |
So, um... Yeah. | 0:17:42 | 0:17:43 | |
I'm not happy with the image. | 0:17:43 | 0:17:45 | |
My brief was glamorous, sophisticated. | 0:17:45 | 0:17:47 | |
But it's novelty, and it's what I wanted to steer away from. | 0:17:47 | 0:17:50 | |
So I'll have to deal with that | 0:17:50 | 0:17:52 | |
in the pitch tomorrow. It's a nightmare. | 0:17:52 | 0:17:54 | |
For tomorrow's pitch... | 0:17:54 | 0:17:56 | |
We were thinking of starting it | 0:17:56 | 0:17:57 | |
with a delivery man pressing the doorbell. | 0:17:57 | 0:18:00 | |
Both teams must make a 30-second promotional video. | 0:18:00 | 0:18:04 | |
Lady opens it, looks a bit disappointed, | 0:18:04 | 0:18:07 | |
she's just getting regular bills. | 0:18:07 | 0:18:08 | |
Day two, answers the door, rubbish, delivery of flowers. | 0:18:08 | 0:18:11 | |
Day three, this time she gets this gift of sweets, | 0:18:11 | 0:18:13 | |
it brightens up her day, | 0:18:13 | 0:18:15 | |
and we could have a nice shot of the sweets at the end. | 0:18:15 | 0:18:17 | |
Harrison was instrumental in helping me with this. | 0:18:17 | 0:18:20 | |
I was thinking about switching you onto the TV ad team. | 0:18:20 | 0:18:23 | |
-Yeah. -And swapping out, and maybe Andrew, you coming with me. -Yeah. | 0:18:23 | 0:18:26 | |
Across the hall... | 0:18:26 | 0:18:28 | |
Ta-da! | 0:18:28 | 0:18:29 | |
..James outlines his video concept. | 0:18:29 | 0:18:32 | |
Basically, it's going to be a sports theme, so we're having a track race. | 0:18:32 | 0:18:35 | |
Charles, you'll end up sprinting off, | 0:18:35 | 0:18:36 | |
you win the race, and it's because you've gone with the right agency. | 0:18:36 | 0:18:39 | |
-That's really good. -Really good. | 0:18:39 | 0:18:41 | |
And the voice-over towards the end, | 0:18:41 | 0:18:43 | |
"Get a head start in your IT career with First Tier Talent, the champions of IT careers." | 0:18:43 | 0:18:46 | |
-Mate, so good. -That's lovely. -Yeah? -Really good. -Yeah. | 0:18:46 | 0:18:49 | |
I'm actually going to switch Joanna across, and she can direct it. | 0:18:49 | 0:18:53 | |
-Elizabeth, I want you to come with me today. -OK. | 0:18:53 | 0:18:56 | |
11.00am. | 0:18:58 | 0:19:00 | |
How was it yesterday, working with Elizabeth? | 0:19:01 | 0:19:03 | |
-We need to stand out and have fun. -Yep. | 0:19:03 | 0:19:05 | |
But when you're trying to be creative, she'd be like, "No, we can't do that." | 0:19:05 | 0:19:09 | |
And we kept getting shut down. | 0:19:09 | 0:19:10 | |
Central London. | 0:19:12 | 0:19:13 | |
Working with a top website hosting company, James. | 0:19:13 | 0:19:18 | |
With no product to present, | 0:19:18 | 0:19:20 | |
he needs to create a stand-out website for his pitch. | 0:19:20 | 0:19:23 | |
What do you want to tell people that you are about? Just one sentence. | 0:19:25 | 0:19:29 | |
Yeah. Erm... | 0:19:29 | 0:19:31 | |
Find your dream job, or find your perfect job. | 0:19:31 | 0:19:34 | |
Right, "first tier job roles available here." | 0:19:34 | 0:19:36 | |
Cos you're First Tier, and then you're Talent. | 0:19:36 | 0:19:38 | |
We want to stay on brand. You've got the term talent, | 0:19:38 | 0:19:40 | |
so "Submit your CV, show us your talents." | 0:19:40 | 0:19:43 | |
Erm... | 0:19:43 | 0:19:45 | |
James doesn't have a product, he has a service. | 0:19:45 | 0:19:48 | |
So, the website is absolutely crucial to his whole presentation. | 0:19:48 | 0:19:52 | |
Just... Just one second. | 0:19:52 | 0:19:53 | |
But Elizabeth can't help but get involved in everything. | 0:19:53 | 0:19:57 | |
So something, like, a bit quirky, so, like, top tips are... | 0:19:57 | 0:20:00 | |
Help us to champion your talent. | 0:20:00 | 0:20:02 | |
-Help us to campaign your talent. -Yeah, I do like it. -Yeah? | 0:20:03 | 0:20:06 | |
Write something like that in. | 0:20:06 | 0:20:08 | |
He's looking for a £250,000 investment, | 0:20:08 | 0:20:10 | |
but he's listening too much to Elizabeth and he's getting | 0:20:10 | 0:20:13 | |
pushed back further and further from HIS ideas and HIS direction. | 0:20:13 | 0:20:17 | |
Top tips to champion your talent. | 0:20:17 | 0:20:19 | |
-To champion your talents. -Yeah. | 0:20:19 | 0:20:22 | |
OK. | 0:20:22 | 0:20:24 | |
A North London sports track... | 0:20:25 | 0:20:28 | |
We're on the same team because we've got the same colour on | 0:20:28 | 0:20:31 | |
and then Charles walks up with the starting blocks | 0:20:31 | 0:20:33 | |
and then we kind of move out of his way and we're like... | 0:20:33 | 0:20:36 | |
..racing to realise James's promo video... | 0:20:36 | 0:20:39 | |
Action. | 0:20:39 | 0:20:41 | |
..Joanna. | 0:20:41 | 0:20:42 | |
I had a vision of what it's going to look like. | 0:20:42 | 0:20:44 | |
James really represents Charles' character in this video, you know, | 0:20:44 | 0:20:48 | |
he's pacing head and he's definitely going to win the race. | 0:20:48 | 0:20:50 | |
-As soon as I say action, you go. -So, action! -I'll shout it. Action! | 0:20:50 | 0:20:55 | |
I AM bossy, but at the end of the day, | 0:20:55 | 0:20:57 | |
James has put me the boss of this team. | 0:20:57 | 0:20:59 | |
Hopefully, we can present him as a really credible brand | 0:20:59 | 0:21:01 | |
so that he can win the £250,000 investment. | 0:21:01 | 0:21:04 | |
Cut. It's a wrap. | 0:21:04 | 0:21:05 | |
-Well done, guys. You were great. -Yeah. -Yeah! | 0:21:06 | 0:21:08 | |
First Tier Talent's video... | 0:21:10 | 0:21:12 | |
Come on, guys. | 0:21:12 | 0:21:13 | |
-We need to edit it now, don't we? -Yeah, yeah. | 0:21:13 | 0:21:15 | |
..on track. | 0:21:15 | 0:21:17 | |
10.00am... | 0:21:18 | 0:21:20 | |
Lord Sugar's concern with the business is just how scalable it is. | 0:21:20 | 0:21:23 | |
I want to show him that there's so many avenues we can take. | 0:21:23 | 0:21:25 | |
..aiming to create a brand-new product | 0:21:25 | 0:21:28 | |
in time for tomorrow's pitch - Sarah. | 0:21:28 | 0:21:30 | |
What I'm trying to achieve is a gifting box | 0:21:30 | 0:21:32 | |
that will go through the post, | 0:21:32 | 0:21:33 | |
have different sweeties in and a nice personalised message. | 0:21:33 | 0:21:36 | |
Would you buy a card with sweets in? | 0:21:36 | 0:21:37 | |
I'm a bit tight, when it comes to stuff like that, so... | 0:21:37 | 0:21:40 | |
I'm probably the wrong person to ask! | 0:21:40 | 0:21:42 | |
So, what we want to create with the prototype is a card, | 0:21:43 | 0:21:46 | |
you lift the flap and you've got four sets of products that all | 0:21:46 | 0:21:49 | |
fits into the postbox, so almost in the way you would send a card | 0:21:49 | 0:21:52 | |
and then in a scribbly font, like a more handwritten font, | 0:21:52 | 0:21:55 | |
we're going to have sweet | 0:21:55 | 0:21:57 | |
and then underneath, we're going to have the logo. I am such a pro. | 0:21:57 | 0:22:01 | |
-Are you 100% happy with that name? -No. I don't... | 0:22:01 | 0:22:05 | |
I'm not happy with it. | 0:22:05 | 0:22:06 | |
You're wanting to go for high-end... | 0:22:06 | 0:22:09 | |
It's just too much of a mouthful, | 0:22:09 | 0:22:10 | |
I'm just really uncomfortable with it | 0:22:10 | 0:22:13 | |
and I would really like to make it better and to change it up. | 0:22:13 | 0:22:15 | |
It wasn't really a case of when I woke this morning, | 0:22:15 | 0:22:18 | |
it was a case of not sleeping all night, | 0:22:18 | 0:22:20 | |
worrying about how bad it was. | 0:22:20 | 0:22:21 | |
I'm feeling stressed out, | 0:22:21 | 0:22:22 | |
Lord Sugar was looking for a brand that had growth and scalability | 0:22:22 | 0:22:26 | |
and Sarah's Chic Sweets just doesn't do it. | 0:22:26 | 0:22:28 | |
I want it to be more global in feel and reach | 0:22:28 | 0:22:31 | |
-and I want it to have just more impact. -Yeah. | 0:22:31 | 0:22:34 | |
So I was thinking about things like Stylish Sweets, | 0:22:34 | 0:22:37 | |
Sweet Stop, I also thought of Sweeteze. | 0:22:37 | 0:22:40 | |
Cos it is the ease of doing it, isn't it? | 0:22:40 | 0:22:43 | |
It's punchy, it's one word, it's not such a mouthful. | 0:22:43 | 0:22:45 | |
-I think that looks a lot better. -I'm much happier with it. | 0:22:45 | 0:22:48 | |
Much happier with this. | 0:22:48 | 0:22:50 | |
Back at the house... | 0:22:50 | 0:22:51 | |
All right, so the postman's going to be coming, delivering bills, | 0:22:51 | 0:22:53 | |
he's going to come again with some flowers | 0:22:53 | 0:22:55 | |
and again her being a bit disappointed. | 0:22:55 | 0:22:57 | |
..directing Sarah's Chic Sweets video, Michaela. | 0:22:57 | 0:23:01 | |
And then a third shot where he's bringing sweets | 0:23:01 | 0:23:03 | |
and be, like, buzzing with it, yeah? | 0:23:03 | 0:23:05 | |
Yeah, the pressure's really on after yesterday | 0:23:05 | 0:23:07 | |
and the terrible photoshoot, like, I need to try and make it up to her. | 0:23:07 | 0:23:10 | |
Action. | 0:23:10 | 0:23:11 | |
-What's this shi...? -Siobhan, are you taking the piss?! | 0:23:12 | 0:23:15 | |
-Give over! -Give it here, Siobhan! -Give him the flowers. Siobhan! | 0:23:15 | 0:23:19 | |
-You can't just do that. -Right, I'll do it properly now. | 0:23:19 | 0:23:23 | |
-Do it properly. -Can I shut the door? Right. | 0:23:23 | 0:23:25 | |
Siobhan's just doing my head in because she's really loud, | 0:23:26 | 0:23:29 | |
she just does random things that don't make sense, | 0:23:29 | 0:23:31 | |
she doesn't listen. | 0:23:31 | 0:23:33 | |
-Delivery. -Are you kidding me? Sending me this crap. | 0:23:33 | 0:23:35 | |
She thinks it's funny, but, um...it's not. | 0:23:35 | 0:23:38 | |
Action. | 0:23:38 | 0:23:40 | |
-No! I've got to ring the doorbell, man! -Give over, Siobhan. | 0:23:40 | 0:23:44 | |
You're being annoying. | 0:23:44 | 0:23:46 | |
-Ready? -Excited, yes. -Whoa! | 0:23:48 | 0:23:51 | |
For James... | 0:23:51 | 0:23:53 | |
Ah, look at that. | 0:23:53 | 0:23:55 | |
..website complete. | 0:23:55 | 0:23:57 | |
Right? | 0:23:57 | 0:23:58 | |
For Sarah, sweet gift card prototype... | 0:23:58 | 0:24:01 | |
Ta-da! | 0:24:01 | 0:24:02 | |
..done. | 0:24:02 | 0:24:04 | |
High-end, glamorous gifting. | 0:24:04 | 0:24:05 | |
So let's give the subteam a quick call, | 0:24:05 | 0:24:06 | |
update them on the logo change, so they can make it sure it | 0:24:06 | 0:24:09 | |
-sits across the TV advert and anything else they can change. -Yeah. | 0:24:09 | 0:24:12 | |
-And then we'll crack on. -PHONE RINGS | 0:24:12 | 0:24:14 | |
-Hello. -Hi, Michaela. It's Sarah. I've changed the name and the logo. | 0:24:16 | 0:24:19 | |
I really wasn't happy with it. | 0:24:19 | 0:24:21 | |
Had another look at it today, so I've changed it | 0:24:21 | 0:24:23 | |
and I need that to be changed on the TV advert, please. | 0:24:23 | 0:24:25 | |
Are you definitely sure? | 0:24:25 | 0:24:27 | |
You're not having one of those Simon moments I had, are you? | 0:24:27 | 0:24:29 | |
I'm absolutely sure. Basically, I've changed the name to Sweeteze. | 0:24:29 | 0:24:33 | |
It talks about the gifting concept, sending sweets with ease, OK? | 0:24:33 | 0:24:37 | |
-See you later. -Call me if you need me. Bye. -Bye. | 0:24:37 | 0:24:40 | |
I feel a bit nervous for her. I wonder why she's changed her mind. | 0:24:40 | 0:24:44 | |
I know, I'm interested to know. | 0:24:44 | 0:24:45 | |
5.00pm... | 0:24:46 | 0:24:48 | |
-Just go 30 seconds from there to the end. -Is that 30 seconds? | 0:24:48 | 0:24:51 | |
Yes, that's fine. | 0:24:51 | 0:24:53 | |
..both teams edit their 30-second videos. | 0:24:53 | 0:24:55 | |
Cut everything before it for now. | 0:24:55 | 0:24:57 | |
I actually prefer it without the post and the flowers. | 0:24:57 | 0:24:59 | |
I think that looks so much better. | 0:24:59 | 0:25:00 | |
Across the hall... | 0:25:00 | 0:25:02 | |
I'm really happy with that, guys, I think | 0:25:02 | 0:25:04 | |
we've hit the brief that James gave us. | 0:25:04 | 0:25:05 | |
..for First Tier Talent's advert, deadline looms. | 0:25:05 | 0:25:09 | |
Yeah, the storyboard is coming to life within this... | 0:25:09 | 0:25:12 | |
Where is your storyboard? | 0:25:12 | 0:25:13 | |
Oh, good point, actually. | 0:25:13 | 0:25:16 | |
The storyboard is back at the track. | 0:25:16 | 0:25:18 | |
Doesn't that have James's... | 0:25:20 | 0:25:22 | |
Oh, yes, his voice-over... | 0:25:22 | 0:25:23 | |
..his voice-over and everything he does. | 0:25:23 | 0:25:26 | |
I think I remember what the last thing was, | 0:25:26 | 0:25:28 | |
so it's First Tier Recruit... First Tier Talent, | 0:25:28 | 0:25:32 | |
sorry, the champions of IT recruitment. | 0:25:32 | 0:25:35 | |
-Let's just record it. -Let's record it. -We've got ten minutes. | 0:25:35 | 0:25:37 | |
-Just record it and then we can do it. -Record it, please. | 0:25:37 | 0:25:40 | |
James spent a lot of time and energy working on a storyboard, | 0:25:40 | 0:25:42 | |
writing out exactly what he wants the voice-over to say. | 0:25:42 | 0:25:45 | |
The champions of IT recruitment. | 0:25:45 | 0:25:47 | |
But they left the storyboard at the track. I mean, what a mistake. | 0:25:47 | 0:25:51 | |
Joanna's subteam leader, it's her responsibility. | 0:25:51 | 0:25:54 | |
She should have thought about it and she didn't. | 0:25:54 | 0:25:57 | |
-The champions of IT recruitment. -Yeah! -OK, wait. | 0:25:57 | 0:26:00 | |
The champions of IT recruitment. | 0:26:00 | 0:26:02 | |
We said recruitment, it's careers. | 0:26:02 | 0:26:04 | |
-Can we quickly redo that? -No. | 0:26:04 | 0:26:06 | |
-Oh! -Ohhh! | 0:26:06 | 0:26:08 | |
I didn't even notice that. | 0:26:08 | 0:26:10 | |
6.00pm... | 0:26:14 | 0:26:15 | |
DOOR ENTRY BUZZES | 0:26:15 | 0:26:16 | |
..for each finalist... | 0:26:16 | 0:26:18 | |
-Hi, Sarah. How are you? -Hello. Oh, my goodness. | 0:26:18 | 0:26:21 | |
-The... -James. -Oh, hello, Ricky, how are you doing? | 0:26:21 | 0:26:25 | |
..a pre-pitch pep talk from the former winners | 0:26:25 | 0:26:27 | |
of Lord Sugar's investment. | 0:26:27 | 0:26:28 | |
-Congratulations. -Thank you. | 0:26:29 | 0:26:31 | |
For James... | 0:26:31 | 0:26:32 | |
-In simple terms, what is it? -It's an IT recruitment business. | 0:26:32 | 0:26:35 | |
..recruitment firm owner Ricky Martin. | 0:26:35 | 0:26:37 | |
It's what I've been doing, it's what I know. | 0:26:37 | 0:26:39 | |
And then I will essentially have recruiters that are assigned | 0:26:39 | 0:26:42 | |
-to each specific skill set. -Let's consider your pitch, | 0:26:42 | 0:26:44 | |
you're going to have experts in that pitch who know recruitment. | 0:26:44 | 0:26:47 | |
-Bet you bottom dollar, there'll probably be an IT person. -100%. | 0:26:47 | 0:26:50 | |
And they'll say, "We're a specialist, we do these functions," | 0:26:50 | 0:26:52 | |
Lord Sugar will need more. There HAS to be something else. | 0:26:52 | 0:26:55 | |
I have got, like, a specialism that I'm focusing on. Cyber security. | 0:26:55 | 0:26:58 | |
OK, what's the bigger picture of cyber security? | 0:26:58 | 0:27:00 | |
You keep businesses safe, you're protecting data, right? | 0:27:00 | 0:27:03 | |
-Which is massive. -And can that data cause problems for people | 0:27:03 | 0:27:05 | |
-if it gets into the wrong hands? -Well, yeah, yeah, yeah. | 0:27:05 | 0:27:08 | |
-That's the thing. -Yeah. | 0:27:08 | 0:27:10 | |
Meeting Ricky was really helpful. | 0:27:10 | 0:27:11 | |
I feel like I'd kind of got a bit distracted | 0:27:11 | 0:27:13 | |
with everything that was going on, with the branding, the advert, | 0:27:13 | 0:27:16 | |
and I was probably going to focus too much on that, | 0:27:16 | 0:27:19 | |
but, at the end of the day, this is about why am I different, | 0:27:19 | 0:27:21 | |
so I need to focus more on cyber security. | 0:27:21 | 0:27:24 | |
That's what he told me, so, yeah, I'm going to take that away. | 0:27:24 | 0:27:27 | |
For Sarah... | 0:27:27 | 0:27:28 | |
Is there anything that you included in your pitch that | 0:27:28 | 0:27:31 | |
you felt was a real win? | 0:27:31 | 0:27:32 | |
..bakery business owner Alana Spencer. | 0:27:32 | 0:27:35 | |
Lord Sugar wants to know how you're going to scale a business up, | 0:27:35 | 0:27:39 | |
so delivering that with real passion. | 0:27:39 | 0:27:41 | |
For me, that's been one of the criticisms is that getting across | 0:27:41 | 0:27:44 | |
that energy and passion, because I focus so much | 0:27:44 | 0:27:46 | |
and I'm so keen to say what I need to say that sometimes I think | 0:27:46 | 0:27:48 | |
that can get a bit lost, so I'll try and really put some passion into it. | 0:27:48 | 0:27:51 | |
Just don't doubt yourself, because you've got to this point | 0:27:51 | 0:27:54 | |
because people think you're good. | 0:27:54 | 0:27:56 | |
My driving factors in life are to be successful | 0:27:56 | 0:28:00 | |
and to provide for my family. | 0:28:00 | 0:28:03 | |
Oh, God, I'm going to get upset. | 0:28:03 | 0:28:05 | |
I don't want to get upset. | 0:28:06 | 0:28:09 | |
It's about just doing my best and being the best I can be | 0:28:10 | 0:28:13 | |
and I know that we haven't touched the sides | 0:28:13 | 0:28:15 | |
of the potential of the business | 0:28:15 | 0:28:17 | |
and it excites me and drives me to want to create that change | 0:28:17 | 0:28:19 | |
and do something really epic | 0:28:19 | 0:28:21 | |
and for my son to be proud of me. | 0:28:21 | 0:28:23 | |
9.00am... | 0:28:28 | 0:28:29 | |
Morning, everyone. | 0:28:29 | 0:28:30 | |
..pitch day. | 0:28:30 | 0:28:31 | |
The big day has finally arrived. | 0:28:31 | 0:28:34 | |
For Sarah... | 0:28:34 | 0:28:35 | |
OK. | 0:28:35 | 0:28:36 | |
..a special delivery... | 0:28:36 | 0:28:38 | |
Have a look, see what you think. | 0:28:38 | 0:28:39 | |
..of her new card-gifting concept. | 0:28:39 | 0:28:41 | |
Do you like this? And then you can personalise with a photo, | 0:28:41 | 0:28:44 | |
you can have your message inside. | 0:28:44 | 0:28:46 | |
You obviously pick your sweets if you want to. | 0:28:46 | 0:28:48 | |
And this is obviously postage size, so it goes straight in the post, | 0:28:48 | 0:28:51 | |
-it doesn't have to be couriered or anything. -It's so good. | 0:28:51 | 0:28:53 | |
Honestly, Sarah, that looks high-end. | 0:28:53 | 0:28:55 | |
For James... | 0:28:55 | 0:28:58 | |
One thing to note is, we did alter the voice-over... | 0:28:58 | 0:29:01 | |
..First Tier Talent, the video ad. | 0:29:01 | 0:29:03 | |
Get a head start on your career with First Tier Talent, | 0:29:06 | 0:29:10 | |
-the champions of IT recruitment. -Ahem. | 0:29:10 | 0:29:14 | |
Guys, you've done a really, really good job. | 0:29:14 | 0:29:16 | |
Honestly, I really love it. | 0:29:16 | 0:29:18 | |
I think it'll come across really well in the pitch. | 0:29:18 | 0:29:20 | |
So, I need to decide on the team split for today. | 0:29:20 | 0:29:23 | |
There's just a reference that you might want to bear in mind. | 0:29:23 | 0:29:26 | |
Charles is in a lobster suit, lobsters mate for life, | 0:29:26 | 0:29:29 | |
so that nods to the fact that | 0:29:29 | 0:29:31 | |
you're about long-term relationships with your clients and candidates. | 0:29:31 | 0:29:34 | |
OK. On the pitch side, Joanna, I want you with me. | 0:29:34 | 0:29:36 | |
We're going to stay here, we're going to do the pitch prep, | 0:29:36 | 0:29:39 | |
we're going to do the presentation | 0:29:39 | 0:29:41 | |
and then you three guys are going to be out getting your feedback | 0:29:41 | 0:29:44 | |
for the digital billboards, which will be really helpful in my pitch. | 0:29:44 | 0:29:47 | |
-So, we'll watch the advert. -Mm-hm. -Right. | 0:29:48 | 0:29:50 | |
We couldn't do what you wanted, we cut out the first two scenes | 0:29:51 | 0:29:55 | |
and just had the delivery of the box and the sweeties. | 0:29:55 | 0:29:58 | |
Sweeteze - leading the way in confectionery gifting. | 0:29:59 | 0:30:03 | |
Actually, it's just nice that you spent a few seconds on that opening | 0:30:03 | 0:30:06 | |
and the whole concept of the reveal. | 0:30:06 | 0:30:08 | |
So, thank you. Michaela, if you wouldn't mind helping me | 0:30:08 | 0:30:10 | |
with the pitch for an hour or so. | 0:30:10 | 0:30:11 | |
Andrew, Harrison and Siobhan, | 0:30:11 | 0:30:13 | |
if you wouldn't mind doing my consumer testing for me. | 0:30:13 | 0:30:15 | |
I got criticised on previous pitches for not listening | 0:30:15 | 0:30:17 | |
to the negatives, so I definitely need some negative feedback. | 0:30:17 | 0:30:20 | |
-Is that OK? -Brilliant. -Thank you. | 0:30:20 | 0:30:22 | |
So have a good day, guys, and I'll see you later. | 0:30:22 | 0:30:24 | |
-Bye. -See you, mate. | 0:30:24 | 0:30:25 | |
Subteams head out to get customer feedback. | 0:30:25 | 0:30:28 | |
-For the finalists... -When I met with Ricky, | 0:30:29 | 0:30:32 | |
he basically said cyber security was just so important. | 0:30:32 | 0:30:35 | |
He was, like, "Don't be afraid to say that." | 0:30:35 | 0:30:38 | |
..last chance for pitch prep. | 0:30:38 | 0:30:39 | |
So...how are you going to end it? | 0:30:39 | 0:30:41 | |
So I'm going to end with why Lord Sugar should invest in me. | 0:30:41 | 0:30:43 | |
This is an investment in me as a person and I would hope that | 0:30:43 | 0:30:46 | |
I've demonstrated to you in this process what...whatever I am. | 0:30:46 | 0:30:49 | |
How great you are. Yes! | 0:30:49 | 0:30:51 | |
Canary Wharf Station... | 0:30:53 | 0:30:55 | |
-Oh, my God, it looks amazing! -Look at that. | 0:30:55 | 0:30:58 | |
..time to see if First Tier Talent hits top spot. | 0:30:58 | 0:31:02 | |
-What do you think of the advertisement itself? -Very bright. | 0:31:02 | 0:31:05 | |
-Big and loud. -OK. -If that's the right word. | 0:31:05 | 0:31:08 | |
Does the brand stand out? | 0:31:08 | 0:31:09 | |
It never stood out as a brand to me, frankly. | 0:31:09 | 0:31:11 | |
-What is it advertising? -I've absolutely no idea. | 0:31:11 | 0:31:14 | |
I'm assuming IT. | 0:31:14 | 0:31:15 | |
Like, is it a brand, | 0:31:15 | 0:31:16 | |
or is it, like, just a statement? | 0:31:16 | 0:31:18 | |
I don't know. I'm not sure what it is. | 0:31:18 | 0:31:20 | |
I'll tell you what we've got, we've got | 0:31:20 | 0:31:21 | |
some really useful feedback from a couple of key people | 0:31:21 | 0:31:24 | |
that's going to be very helpful to James in the presentation. | 0:31:24 | 0:31:27 | |
It's mixed, but that's natural and it's subjective as well. | 0:31:27 | 0:31:30 | |
-I think let's go tell him. -Yeah, fantastic. Let's go. | 0:31:30 | 0:31:33 | |
12 o'clock... | 0:31:33 | 0:31:35 | |
Obviously, I've never done a pitch to this extent | 0:31:35 | 0:31:37 | |
and I would definitely swerve it, given the opportunity. | 0:31:37 | 0:31:40 | |
For the finalists... | 0:31:40 | 0:31:41 | |
Oh, my God. | 0:31:41 | 0:31:42 | |
..pitch pending. | 0:31:42 | 0:31:44 | |
I now know what nerves feels like. | 0:31:44 | 0:31:46 | |
-You're good at selling... -Yeah. -..and it's a pitch. -To 250 people. | 0:31:46 | 0:31:51 | |
-Don't forget to smile through it. -Yeah, I will. | 0:31:51 | 0:31:53 | |
-I've done a pageant before and it really makes a difference. -Yeah. | 0:31:53 | 0:31:58 | |
Also at Canary Wharf... | 0:32:01 | 0:32:03 | |
-Oh, God. -I know. That's what... -There we are, Siobhan. | 0:32:03 | 0:32:06 | |
..serving up Sweeteze. | 0:32:06 | 0:32:08 | |
-If somebody sent you this, would you like it? -Yeah, I would, actually. | 0:32:08 | 0:32:11 | |
I actually quite like that package. | 0:32:11 | 0:32:12 | |
..Sarah's team. | 0:32:12 | 0:32:13 | |
-What do you think of the billboard? -Yeah, it's OK. | 0:32:13 | 0:32:17 | |
I wouldn't look at it and think, "Oh, wow, I've got to buy that." | 0:32:17 | 0:32:20 | |
I just think there's too much going on. It's, like, too...busy. | 0:32:20 | 0:32:23 | |
I'm guessing you straightaway know the brand - what's in it? Sweets. | 0:32:23 | 0:32:26 | |
-Yeah. -Do you think high-end sweets or low-end sweets? | 0:32:26 | 0:32:29 | |
-I just think pick and mix. -I don't know what you're doing. | 0:32:29 | 0:32:32 | |
-I don't know what it is. -Right. | 0:32:32 | 0:32:33 | |
-Awful feedback from the billboard. I think... -Yeah. | 0:32:35 | 0:32:37 | |
I think when we relay it to Sarah, I do think | 0:32:37 | 0:32:39 | |
-we need to keep it positive. -Yeah. | 0:32:39 | 0:32:41 | |
She must be stressing. | 0:32:41 | 0:32:42 | |
The last thing we want to do is add to that. | 0:32:42 | 0:32:44 | |
I think we need to put her at ease - | 0:32:44 | 0:32:46 | |
to say that everyone loved the product. | 0:32:46 | 0:32:48 | |
She did say that she did want to know if there was any negatives. | 0:32:48 | 0:32:51 | |
So, Harrison... So maybe leave that in Harrison's hands. | 0:32:51 | 0:32:53 | |
City Hall. | 0:32:57 | 0:32:58 | |
Three hours till the finalists pitch their businesses to Lord Sugar. | 0:32:59 | 0:33:04 | |
Wow! | 0:33:06 | 0:33:07 | |
..and 20 industry experts. | 0:33:07 | 0:33:10 | |
This definitely makes it real. | 0:33:10 | 0:33:11 | |
It's your last chance to prove yourself, knowing it. | 0:33:11 | 0:33:14 | |
-Bring it on, bring it on. Let's get it done. -I'm excited for you. | 0:33:14 | 0:33:17 | |
Oh, my days. It's a big, big walk in. | 0:33:19 | 0:33:22 | |
Hello and welcome. | 0:33:22 | 0:33:23 | |
I'll be fine. Yep, yeah, yeah. | 0:33:26 | 0:33:28 | |
I'll be fine. | 0:33:28 | 0:33:29 | |
First... | 0:33:29 | 0:33:31 | |
-Hi. -Hi. -Hi, ladies. | 0:33:31 | 0:33:32 | |
..a chance to filter through the feedback. | 0:33:32 | 0:33:35 | |
-Tell me how the consumer research went. -Good, really good. | 0:33:35 | 0:33:37 | |
-Really good? -All positive. | 0:33:37 | 0:33:39 | |
They all know it was to do with sweets, | 0:33:39 | 0:33:40 | |
that's obviously a great start. | 0:33:40 | 0:33:42 | |
So what were the negatives? | 0:33:42 | 0:33:44 | |
-Erm, to be fair, about your actual boxing, nothing. -People loved it. | 0:33:44 | 0:33:47 | |
I wish you were there to actually hear it first hand. | 0:33:47 | 0:33:50 | |
Genuinely, every single person we spoke to, | 0:33:50 | 0:33:52 | |
when we showed them the box, they were like, | 0:33:52 | 0:33:54 | |
"Wow, this is really good. I haven't seen it before," | 0:33:54 | 0:33:56 | |
-everyone loves what you're doing, everyone would buy it. -Brilliant. | 0:33:56 | 0:33:58 | |
So when they watched it, | 0:33:59 | 0:34:01 | |
did they know it was an IT recruitment company? | 0:34:01 | 0:34:04 | |
No, people want a real in-your-face, this-is-what-it's-about advert. | 0:34:04 | 0:34:09 | |
-It's not - "We're an IT recruitment company!" -OK. | 0:34:09 | 0:34:13 | |
-That's the honest feedback, James. -Yeah, yeah, yeah. | 0:34:13 | 0:34:15 | |
So even when they saw the brand which said IT careers, | 0:34:15 | 0:34:18 | |
-they still were unsure? -We've got - does the brand stand out? | 0:34:18 | 0:34:21 | |
-We've got 40% of people say yes. -Yeah. -OK. | 0:34:21 | 0:34:24 | |
So you need to know that when you go forward, | 0:34:24 | 0:34:26 | |
your advertising has to be even more stand out. | 0:34:26 | 0:34:28 | |
What I think you're getting carried away with, | 0:34:28 | 0:34:30 | |
you're trying to stand out completely. | 0:34:30 | 0:34:32 | |
-Mmm. -What we're trying to do is | 0:34:32 | 0:34:34 | |
stand out from a very boring, mundane competition. | 0:34:34 | 0:34:36 | |
-That's basically what I was looking for. -Yeah, yeah. | 0:34:36 | 0:34:38 | |
Maybe I should have said that. | 0:34:38 | 0:34:40 | |
4.00pm... | 0:34:42 | 0:34:44 | |
..doors open to some of the biggest names in British business, | 0:34:49 | 0:34:52 | |
including experts from the worlds of confectionery and recruitment. | 0:34:52 | 0:34:58 | |
Introducing Sweeteze - | 0:35:00 | 0:35:01 | |
I'm ready to drive huge profit and growth for Lord Sugar | 0:35:01 | 0:35:04 | |
and make this brand a global success. | 0:35:04 | 0:35:07 | |
Calm. | 0:35:08 | 0:35:09 | |
HE SIGHS HEAVILY | 0:35:11 | 0:35:13 | |
OK. | 0:35:14 | 0:35:16 | |
First to pitch... | 0:35:17 | 0:35:19 | |
..Sarah Lynn. | 0:35:21 | 0:35:23 | |
Course I'm nervous. | 0:35:23 | 0:35:25 | |
I'm filled with utter dread, but I'm within arm's reach of winning | 0:35:25 | 0:35:28 | |
a quarter of a million pounds' investment. | 0:35:28 | 0:35:29 | |
It would just be a life-changing moment | 0:35:29 | 0:35:31 | |
and I just have to show Lord Sugar that I'm the person to invest in. | 0:35:31 | 0:35:35 | |
Hi, everybody. God, that was a walk. | 0:35:37 | 0:35:39 | |
Good evening. | 0:35:40 | 0:35:41 | |
I'm really proud to present to you | 0:35:41 | 0:35:44 | |
my business proposal to Lord Sugar. | 0:35:44 | 0:35:47 | |
If I was to ask anybody in this room what brand you would associate | 0:35:47 | 0:35:51 | |
with sending flowers online, I'm sure a brand instantly comes | 0:35:51 | 0:35:54 | |
to all of your minds, but if I was to ask you what brand you would | 0:35:54 | 0:35:58 | |
go to to send beautifully packaged, amazing confectionery gifts online, | 0:35:58 | 0:36:02 | |
I'm sure not any of you could answer me. | 0:36:02 | 0:36:05 | |
Introducing Sweeteze. | 0:36:05 | 0:36:07 | |
You're going to be able to hop online, | 0:36:07 | 0:36:09 | |
see a range of beautifully packaged, unique sweet gifts | 0:36:09 | 0:36:12 | |
that you can personalise with photos, messages, | 0:36:12 | 0:36:15 | |
quite literally, sweetening their day. | 0:36:15 | 0:36:17 | |
Before I talk any further about the brand, | 0:36:17 | 0:36:19 | |
my team have created some billboards for me to show you. | 0:36:19 | 0:36:22 | |
And they've created something that shows you what we can achieve - | 0:36:22 | 0:36:25 | |
retro candies, saying it with sweets, creating memories. | 0:36:25 | 0:36:29 | |
The whole concept of Sweeteze is about sending a smile in a jar. | 0:36:29 | 0:36:33 | |
They also created a television advert that I hope communicates | 0:36:33 | 0:36:36 | |
the concept of the brand a little bit more for you. | 0:36:36 | 0:36:39 | |
Delivery. | 0:36:40 | 0:36:42 | |
Thank you. | 0:36:42 | 0:36:44 | |
Sweeteze - leading the way in confectionery gifting. | 0:36:55 | 0:36:59 | |
So what are the USPs about Sweeteze? | 0:37:00 | 0:37:03 | |
It's all about the quirky gift messaging that sits | 0:37:03 | 0:37:05 | |
alongside the sweets. It's the way that they're packaged. | 0:37:05 | 0:37:08 | |
You have some samples on your table that I'd love you to have a look at. | 0:37:08 | 0:37:11 | |
And they basically demonstrate how personalised sweets can be. | 0:37:11 | 0:37:14 | |
The team did some consumer testing this morning | 0:37:14 | 0:37:16 | |
and they took out the boxes that were on your desk | 0:37:16 | 0:37:19 | |
and 100% of people said they would like to receive this box. | 0:37:19 | 0:37:23 | |
Not one person said they wouldn't. | 0:37:23 | 0:37:24 | |
And I really feel with Sweeteze, when we've captured the UK market, | 0:37:24 | 0:37:27 | |
we have an international focus. | 0:37:27 | 0:37:29 | |
People could send and receive sweets anywhere throughout the world. | 0:37:29 | 0:37:32 | |
So, on that note, I'd like to say thank you | 0:37:32 | 0:37:34 | |
and open the floor to questions. | 0:37:34 | 0:37:36 | |
So, my name is Lisa May, I'm the head of marketing | 0:37:36 | 0:37:39 | |
in Nestle confectionery. | 0:37:39 | 0:37:40 | |
What's your ambition for the size of this business? | 0:37:40 | 0:37:43 | |
Is it potentially just a niche idea? | 0:37:43 | 0:37:45 | |
The market is huge | 0:37:45 | 0:37:46 | |
and it's not being captured by any single confectionery company. | 0:37:46 | 0:37:49 | |
It needs a leader in its field | 0:37:49 | 0:37:51 | |
and it needs somewhere that everybody in this audience sits | 0:37:51 | 0:37:54 | |
and thinks, "If I want to send sweets, I will go to Sweeteze." | 0:37:54 | 0:37:57 | |
Why would they go to your company just for sweets | 0:37:57 | 0:38:00 | |
when they could go to the companies that you've | 0:38:00 | 0:38:02 | |
referred to in your pitch for existing chocolate ranges, | 0:38:02 | 0:38:05 | |
for flowers, for champagne and the like and indeed, | 0:38:05 | 0:38:08 | |
if they care to, sweets also? | 0:38:08 | 0:38:10 | |
I mean, it's ridiculous how many people are searching | 0:38:10 | 0:38:12 | |
for sweets for Dad, sweets for Mum, | 0:38:12 | 0:38:14 | |
and there's nobody that comes up at the top of those search rankings. | 0:38:14 | 0:38:17 | |
That's where Sweeteze should be sitting. | 0:38:17 | 0:38:19 | |
Thank you so much for listening to my pitch | 0:38:19 | 0:38:21 | |
and for asking me questions. | 0:38:21 | 0:38:23 | |
Lord Sugar, I hope I've demonstrated that | 0:38:23 | 0:38:25 | |
I would be a fantastic business partner for you. | 0:38:25 | 0:38:28 | |
I'm very passionate, I'm very driven | 0:38:28 | 0:38:30 | |
and I will make this business a success. | 0:38:30 | 0:38:31 | |
Thank you. | 0:38:31 | 0:38:33 | |
It's over! | 0:38:36 | 0:38:38 | |
Honestly, I can't thank you all enough. It felt amazing. | 0:38:39 | 0:38:42 | |
I was trying to get across that passion. | 0:38:42 | 0:38:44 | |
It was so good, like, honestly, amazing. | 0:38:44 | 0:38:47 | |
For Lord Sugar... | 0:38:47 | 0:38:48 | |
What did you think of Sarah's business idea? | 0:38:48 | 0:38:51 | |
..expert feedback. | 0:38:51 | 0:38:53 | |
Personalisation is absolutely here and now. | 0:38:53 | 0:38:56 | |
She's right. There is no-one doing this | 0:38:56 | 0:38:59 | |
particularly well within the industry. | 0:38:59 | 0:39:01 | |
I'm concerned about the scalability of this. | 0:39:01 | 0:39:04 | |
It's possible to scale. If she created a brand | 0:39:04 | 0:39:06 | |
that actually becomes more of an aspirational item, | 0:39:06 | 0:39:09 | |
it becomes more of a lifestyle item. | 0:39:09 | 0:39:11 | |
It's easy to acquire one customer, | 0:39:11 | 0:39:13 | |
but unless she gets that six or seven time repeat purchase, | 0:39:13 | 0:39:16 | |
the business model just doesn't scale. | 0:39:16 | 0:39:18 | |
Next to take the floor... | 0:39:21 | 0:39:23 | |
..James White. | 0:39:23 | 0:39:25 | |
Sales is my thing, sales is my business | 0:39:26 | 0:39:29 | |
and today, ultimately in this pitch, | 0:39:29 | 0:39:31 | |
I've got to sell myself. | 0:39:31 | 0:39:33 | |
If I can't sell my own business, then I don't deserve the investment, | 0:39:33 | 0:39:36 | |
so I'm going to go in there and I'm just going to own it. | 0:39:36 | 0:39:38 | |
Hello. I'm here to unveil my new IT recruitment business | 0:39:41 | 0:39:46 | |
First Tier Talent. | 0:39:46 | 0:39:47 | |
Now, the name comes from about that we want to be first tier. | 0:39:47 | 0:39:50 | |
We want to be the best, we want to stand out from the rest. | 0:39:50 | 0:39:53 | |
We are the champions of the IT careers. | 0:39:53 | 0:39:56 | |
So, our unique selling point is the specialisms that we have. | 0:39:57 | 0:40:01 | |
We're carving out a niche within IT, and I think you would all | 0:40:01 | 0:40:04 | |
agree that cybersecurity is one of the biggest problems | 0:40:04 | 0:40:07 | |
that we currently face - | 0:40:07 | 0:40:08 | |
companies being targeted, data getting hacked - | 0:40:08 | 0:40:11 | |
and what we're actually doing is providing a solution, | 0:40:11 | 0:40:13 | |
because we're providing the best quality people to these companies. | 0:40:13 | 0:40:17 | |
There. You might be wondering, why is there a guy in a lobster costume? | 0:40:17 | 0:40:21 | |
So, the idea behind this is about standing out. | 0:40:21 | 0:40:23 | |
The lobster has a lifelong partner, and from our business, we want | 0:40:23 | 0:40:27 | |
to be a partner with both our clients and our candidates for life. | 0:40:27 | 0:40:32 | |
The next thing I've got to show you is actually an advert | 0:40:32 | 0:40:34 | |
that we've put together. | 0:40:34 | 0:40:35 | |
It's a little bit different, but I hope that you enjoy it. Let's... | 0:40:35 | 0:40:38 | |
MUSIC: Chariots Of Fire by Vangelis | 0:40:38 | 0:40:41 | |
Get a head start on your career with First Tier Talent, | 0:40:55 | 0:41:00 | |
the champions of IT recruitment. | 0:41:00 | 0:41:02 | |
Good, right? | 0:41:02 | 0:41:03 | |
LAUGHTER | 0:41:03 | 0:41:05 | |
Look, the idea behind this is that we wanted a whole | 0:41:05 | 0:41:08 | |
message of standing out and being different, | 0:41:08 | 0:41:10 | |
and when you're in a highly competitive market, | 0:41:10 | 0:41:12 | |
it is about standing out and being remembered, | 0:41:12 | 0:41:14 | |
and I saw you all had a little bit of a laugh, | 0:41:14 | 0:41:16 | |
so hopefully you'll remember that advert. | 0:41:16 | 0:41:18 | |
A key part of the recruitment business would be a website. | 0:41:18 | 0:41:21 | |
If you as a candidate come to our website, the things that you would | 0:41:21 | 0:41:24 | |
look for is your jobs available, submit your CV, and build your CV. | 0:41:24 | 0:41:27 | |
That's the, kind of, one-stop shop for me - | 0:41:27 | 0:41:29 | |
the three things that they would look for. | 0:41:29 | 0:41:32 | |
I think that's... Let me open up to some questions. | 0:41:32 | 0:41:35 | |
OK. I'm Neeta Patel. | 0:41:35 | 0:41:36 | |
I run a foundation that develops young entrepreneurs. | 0:41:36 | 0:41:39 | |
This is the sixth pitch I've seen this week | 0:41:39 | 0:41:42 | |
-for a recruitment agency... -Yeah. | 0:41:42 | 0:41:43 | |
..and each one says, "I'm going to be unique in a different way." | 0:41:43 | 0:41:46 | |
-Yeah. -How are you going to be different? | 0:41:46 | 0:41:48 | |
I think the differentiating factor is you're coming to someone | 0:41:48 | 0:41:51 | |
who's an expert in that little field. | 0:41:51 | 0:41:53 | |
We'd go in and say, "Look, we've got the best cybersecurity | 0:41:53 | 0:41:55 | |
"consultants on the market," | 0:41:55 | 0:41:57 | |
and then starting the relationship that way. | 0:41:57 | 0:41:59 | |
Nine out of ten start-ups actually fail. | 0:41:59 | 0:42:01 | |
-They don't make the end of their first year. -Yeah. | 0:42:01 | 0:42:04 | |
What's going to make you different? | 0:42:04 | 0:42:05 | |
What's going to make me different is me. | 0:42:05 | 0:42:07 | |
I've been... I started off in a company from absolutely nothing, | 0:42:07 | 0:42:10 | |
and I went from zero to the top-biller | 0:42:10 | 0:42:13 | |
in the space of two years. | 0:42:13 | 0:42:14 | |
That's unheard of. I had the highest contract business around. | 0:42:14 | 0:42:17 | |
I broke into the biggest clients. | 0:42:17 | 0:42:19 | |
It's my ambition, my drive, my background... | 0:42:19 | 0:42:21 | |
Everything that this business would be a success is from me. | 0:42:21 | 0:42:25 | |
Yeah, I'll just give it my all. That's why I... | 0:42:25 | 0:42:26 | |
That's why we won't fail. | 0:42:26 | 0:42:28 | |
And, Lord Sugar, what I would like to say to you is, | 0:42:29 | 0:42:31 | |
you made a point to me the other day about rookie mistakes, | 0:42:31 | 0:42:33 | |
but I'll be the first to hold my hand up to that, | 0:42:33 | 0:42:35 | |
and say that once I've made them, I won't make them again. | 0:42:35 | 0:42:38 | |
Well, thank you, everyone, for listening today. | 0:42:38 | 0:42:40 | |
I will make this a success. Thank you. Bye. | 0:42:40 | 0:42:43 | |
-Well done, sir. Well done. -God... -Oh, yes. | 0:42:49 | 0:42:52 | |
I was so nervous, but as soon as I actually got through that door | 0:42:52 | 0:42:55 | |
and stood on the balcony, I was like, "Yeah." | 0:42:55 | 0:42:57 | |
I was like, "I'm ready. I'm ready for this." | 0:42:57 | 0:42:59 | |
Can he stand out in the industry? | 0:43:02 | 0:43:04 | |
Well, it's highly competitive. He needs to be very, very focused. | 0:43:04 | 0:43:07 | |
-If he came in to me tomorrow, I'd give him some business. -Yeah. | 0:43:07 | 0:43:10 | |
He's not going to struggle from an employer side. | 0:43:10 | 0:43:12 | |
Where he might struggle is with the key people. | 0:43:12 | 0:43:14 | |
-There's a massive skills shortage in that area. -Mm-hm. | 0:43:14 | 0:43:16 | |
And he's going into a very competitive market - | 0:43:16 | 0:43:18 | |
-it's a very well-defended hill. -Sure. | 0:43:18 | 0:43:20 | |
-How is he going to make sure that he gets to the top of it? -Yeah. | 0:43:20 | 0:43:24 | |
Pitches over... | 0:43:24 | 0:43:25 | |
I feel that me and Lord Sugar are made to be in business with | 0:43:25 | 0:43:28 | |
each other, and it would mean the absolute world to actually come away | 0:43:28 | 0:43:31 | |
with Lord Sugar saying, "You know what, James? | 0:43:31 | 0:43:33 | |
"I'm going into business with you." | 0:43:33 | 0:43:35 | |
I really hope I showed my passion today. I really tried. | 0:43:35 | 0:43:38 | |
There's 250,000 on the line, and I'm very confident | 0:43:38 | 0:43:41 | |
that my pitch will have convinced Lord Sugar to invest in me. | 0:43:41 | 0:43:44 | |
I mean, it's substance over style. | 0:43:44 | 0:43:46 | |
Tonight, there's no more the candidates can do. | 0:43:48 | 0:43:52 | |
Tomorrow, the final boardroom. | 0:43:52 | 0:43:55 | |
You can go into the boardroom now. | 0:44:05 | 0:44:06 | |
Well, here we are in the 12th week. | 0:44:28 | 0:44:32 | |
Welcome back to some of our past candidates. | 0:44:32 | 0:44:36 | |
Sarah and James have made it to the final, | 0:44:36 | 0:44:40 | |
and it is my very tough decision in the next few hours to decide | 0:44:40 | 0:44:44 | |
which one of them is going to be my business partner. | 0:44:44 | 0:44:48 | |
Right, | 0:44:48 | 0:44:49 | |
I'll start with Sarah. | 0:44:49 | 0:44:52 | |
-Now, that was your pick and mix, this lot here. Is that right? -Yes. | 0:44:52 | 0:44:56 | |
-Yes? -Yes. | 0:44:56 | 0:44:57 | |
Willy Wonka and the Oompa Loompas. Yeah? | 0:44:57 | 0:45:01 | |
I hope that's not the tan. | 0:45:01 | 0:45:02 | |
-It is a bit orange. -Thank you. -LAUGHTER | 0:45:02 | 0:45:04 | |
-Anyway, you've ended up with allsorts, that's for sure. -Yes. | 0:45:04 | 0:45:07 | |
Right, now, I understand from Claude that the branding side was | 0:45:07 | 0:45:11 | |
yourself and Harrison, is that right? | 0:45:11 | 0:45:13 | |
Yes, that's right. | 0:45:13 | 0:45:15 | |
-And we had problems with the name. -Yes. | 0:45:15 | 0:45:17 | |
The name that we picked in the end was Chic Sweets. | 0:45:17 | 0:45:20 | |
So it was "Chic Sweets - saying it with sweets". | 0:45:20 | 0:45:23 | |
-It was awful. Yeah. -Sounds like, "She sells...seashells..." | 0:45:23 | 0:45:27 | |
Yeah, tongue twister. | 0:45:27 | 0:45:28 | |
So it's "Chic Sweets - saying it with sweets", | 0:45:28 | 0:45:30 | |
and that's what you, kind of, went to bed with on the first night. | 0:45:30 | 0:45:33 | |
-Yeah? -Well, I didn't go to bed. | 0:45:33 | 0:45:34 | |
I didn't sleep all night because of it, but, yes, it was awful. | 0:45:34 | 0:45:38 | |
Right, so the others, what were you doing? | 0:45:38 | 0:45:40 | |
Michaela was my subteam leader, | 0:45:40 | 0:45:42 | |
and the guys went off to do a billboard campaign. | 0:45:42 | 0:45:44 | |
-The billboard campaign? -Yes. -Yeah. | 0:45:44 | 0:45:46 | |
The theory was better than what it came out like. Erm... | 0:45:46 | 0:45:50 | |
You look like Dick Van Dyke and Mary Poppins, there, the pair of you. | 0:45:50 | 0:45:53 | |
-Thank you. -Not in a good way. -LAUGHTER | 0:45:53 | 0:45:55 | |
Oh, sorry. I thought it was a compliment. | 0:45:55 | 0:45:57 | |
So, Sarah, what did you feel when you saw this, then? | 0:45:57 | 0:46:00 | |
I was really disappointed with the image, because it had no relevance. | 0:46:00 | 0:46:03 | |
We tried to make it fun. | 0:46:03 | 0:46:04 | |
Maybe we let her down. | 0:46:04 | 0:46:06 | |
All right. | 0:46:06 | 0:46:07 | |
Day two, Chic Sweets - you changed it. | 0:46:07 | 0:46:10 | |
Yeah, so, on day two, I changed the teams up a little bit, | 0:46:10 | 0:46:13 | |
and Andrew and I decided to make a very quick change | 0:46:13 | 0:46:15 | |
within half an hour. | 0:46:15 | 0:46:16 | |
So you've gone from Chic Sweets to Sweeteze. | 0:46:16 | 0:46:20 | |
I wanted it to have a global feel. | 0:46:20 | 0:46:21 | |
I wanted it to be able to be scalable, | 0:46:21 | 0:46:23 | |
-sort of artisan, home-made... -Sweeteze. | 0:46:23 | 0:46:25 | |
I think it's good, actually, | 0:46:25 | 0:46:26 | |
but I'll tell you what I also think is good... | 0:46:26 | 0:46:28 | |
You weren't happy with this, and you got up the next morning | 0:46:28 | 0:46:31 | |
and you said, "I'm going to change it," | 0:46:31 | 0:46:32 | |
-and that's what you did. -Yes. | 0:46:32 | 0:46:34 | |
And I quite like the name. Erm... | 0:46:34 | 0:46:36 | |
Shall we talk about the box which you produced? | 0:46:36 | 0:46:38 | |
Yes, so Andrew and I went off to create something to show you | 0:46:38 | 0:46:41 | |
the sort of ideas that I have, and one of those was the sweet card. | 0:46:41 | 0:46:44 | |
Yeah, it was plain white packaging... | 0:46:44 | 0:46:47 | |
like a delivery from Ann Summers, actually. Very discreet. | 0:46:47 | 0:46:50 | |
-How do you know that? -That comes in brown paper... | 0:46:50 | 0:46:53 | |
-LAUGHTER -I heard. You... You... You told me. | 0:46:53 | 0:46:56 | |
You told me. Erm... | 0:46:56 | 0:46:59 | |
-And then we got the TV advert. -Yes. | 0:46:59 | 0:47:01 | |
One of the adverts that sticks out in my mind for confectionery | 0:47:01 | 0:47:04 | |
was the Milk Tray advert where the guy flies in on a helicopter, | 0:47:04 | 0:47:09 | |
jumps in the window and presents the lady with Milk Tray. | 0:47:09 | 0:47:12 | |
We just didn't have that budget, though, I mean... | 0:47:12 | 0:47:14 | |
You've got some bloke with an old shoebox | 0:47:14 | 0:47:16 | |
who dumped it down on the table, and that was it. | 0:47:16 | 0:47:19 | |
Strong message. | 0:47:19 | 0:47:21 | |
I was happy with the TV ad. Simple, but effective. | 0:47:21 | 0:47:24 | |
OK. Was you all surprised that Sarah was going to end up | 0:47:24 | 0:47:27 | |
in the final, you people? | 0:47:27 | 0:47:29 | |
-No. -Not one bit. | 0:47:29 | 0:47:30 | |
-Not one bit? -She was number one from day one. | 0:47:30 | 0:47:32 | |
-Really? -Yeah. -Yeah. -What did you hang around for, then? | 0:47:32 | 0:47:34 | |
-LAUGHTER -I just thought... I just... | 0:47:34 | 0:47:37 | |
I just thought I'd try and be a bit of an inconvenience. | 0:47:37 | 0:47:40 | |
And, erm... | 0:47:42 | 0:47:43 | |
You obviously know the depth of her business. | 0:47:43 | 0:47:47 | |
You rate it? | 0:47:47 | 0:47:48 | |
-100%. -Yeah, I'd buy it all. | 0:47:48 | 0:47:49 | |
With this consumer research, not one person could name a household name | 0:47:49 | 0:47:52 | |
that does it in sweets, so... | 0:47:52 | 0:47:54 | |
And everybody said that they'd buy the product. | 0:47:54 | 0:47:56 | |
And they'd like to receive it. | 0:47:56 | 0:47:58 | |
All right, erm... | 0:47:58 | 0:47:59 | |
Let's move on to James, then. | 0:47:59 | 0:48:02 | |
Now, I heard you got into a bit of a flap with your brand name. | 0:48:02 | 0:48:06 | |
Yeah. It took a while to get a name. | 0:48:06 | 0:48:08 | |
-"First Tier Talent". -Yeah. | 0:48:08 | 0:48:10 | |
-And "First Tier" kind of sounds as if it's... -Entry-level. | 0:48:10 | 0:48:14 | |
Yeah, entry-level, | 0:48:14 | 0:48:15 | |
and I have no idea that this is an IT recruiting site. | 0:48:15 | 0:48:20 | |
Yeah. | 0:48:20 | 0:48:21 | |
And then we go on to dress | 0:48:21 | 0:48:24 | |
Charles up as a lobster. Is that right? | 0:48:24 | 0:48:27 | |
Lobsters mate for life, Lord Sugar. | 0:48:27 | 0:48:29 | |
But looking at that, I think you'd be the last one in the tank | 0:48:29 | 0:48:32 | |
in the restaurant, Charles, to be honest with you. | 0:48:32 | 0:48:35 | |
Yeah. Well, then you went on to make the television advert. | 0:48:35 | 0:48:39 | |
-Yeah. -OK. -We decided to go with the sporting track. | 0:48:39 | 0:48:43 | |
I got your advert a little bit more than I got their advert. | 0:48:43 | 0:48:47 | |
There was a mistake in the voice-over, where you said | 0:48:47 | 0:48:49 | |
"champions of IT recruitment" as opposed to "IT careers", | 0:48:49 | 0:48:52 | |
because you left James' storyboard at the track. | 0:48:52 | 0:48:54 | |
And the problem was the lack of correlation between the poster | 0:48:54 | 0:48:59 | |
and the television advert. | 0:48:59 | 0:49:01 | |
Erm, now, who developed the website? | 0:49:01 | 0:49:04 | |
Myself and Elizabeth. | 0:49:04 | 0:49:05 | |
-And you went for orange... -Yeah. | 0:49:05 | 0:49:07 | |
-So you're the easyJet of IT recruitment. -Yeah. | 0:49:07 | 0:49:11 | |
Erm... | 0:49:11 | 0:49:12 | |
So, look, you've had a lot more understanding about what | 0:49:12 | 0:49:15 | |
his business idea is for the future. How do you see it? | 0:49:15 | 0:49:18 | |
He's got some fantastic ideas and his market is huge. | 0:49:18 | 0:49:21 | |
Do you think he's a justified winner of this process? | 0:49:21 | 0:49:23 | |
Without question. | 0:49:23 | 0:49:24 | |
Personally, Lord Sugar, I think you've got the two best people | 0:49:24 | 0:49:27 | |
in front of you, but James is our boy. | 0:49:27 | 0:49:29 | |
Well, listen, ladies and gentlemen, | 0:49:29 | 0:49:31 | |
thank you very much indeed | 0:49:31 | 0:49:32 | |
for coming back and assisting the two finalists. | 0:49:32 | 0:49:34 | |
It's been nice working with you. | 0:49:34 | 0:49:37 | |
I've now got to get on and talk to these two people alone, | 0:49:37 | 0:49:39 | |
so...thanks a lot. | 0:49:39 | 0:49:41 | |
-Thanks very much. -Cheers. See you later. -Thank you so much. | 0:49:41 | 0:49:43 | |
-Thanks, guys. -See you later. Thanks, guys. -Thank you. Thanks. | 0:49:43 | 0:49:46 | |
-See you, mate. See you. See you. -Thank you. Thanks. | 0:49:46 | 0:49:49 | |
-See you, Charles. -Good luck, Sarah. -Thanks. | 0:49:49 | 0:49:51 | |
OK, well, you are giving me a very big headache, | 0:49:59 | 0:50:03 | |
I've got to tell you, | 0:50:03 | 0:50:04 | |
because you are both very, very credible candidates, | 0:50:04 | 0:50:08 | |
so I'm going to go for more of a deep dive discussion with you now, | 0:50:08 | 0:50:13 | |
because I do have a... | 0:50:13 | 0:50:15 | |
a very, very difficult position. | 0:50:15 | 0:50:17 | |
Erm... | 0:50:17 | 0:50:19 | |
Now, Sarah, you want to become the equivalent of | 0:50:19 | 0:50:22 | |
the famous flower company in sweets. | 0:50:22 | 0:50:26 | |
My question to you is, who cares? | 0:50:26 | 0:50:28 | |
People, when they're thinking of a gift, | 0:50:29 | 0:50:31 | |
I don't think they wake up thinking, | 0:50:31 | 0:50:33 | |
"Oh, I'll send sweets." | 0:50:33 | 0:50:34 | |
They go to a gifting website and, | 0:50:34 | 0:50:36 | |
"Oh, that looks nice. I'll send them." | 0:50:36 | 0:50:39 | |
The demand is there. | 0:50:39 | 0:50:40 | |
People do search for sweet gifts, sweet baskets... | 0:50:40 | 0:50:43 | |
They are searching for these things and there's nothing coming up. | 0:50:43 | 0:50:46 | |
Nobody is nailing that market. Nobody's leading in it, | 0:50:46 | 0:50:48 | |
and that's why I think there's huge potential to be that brand. | 0:50:48 | 0:50:51 | |
Fair enough, but, you know, with respect, Sarah, I don't know of any | 0:50:51 | 0:50:55 | |
company selling a product that don't have a proper e-commerce website. | 0:50:55 | 0:51:00 | |
I really don't. | 0:51:00 | 0:51:01 | |
We haven't spent lots of investment, | 0:51:01 | 0:51:02 | |
mainly because of lack of expertise | 0:51:02 | 0:51:05 | |
in how to scale the website up, | 0:51:05 | 0:51:06 | |
and it's so important that that is right, | 0:51:06 | 0:51:08 | |
because otherwise, you know, people come on and it won't deliver. | 0:51:08 | 0:51:11 | |
So, we've focused on brand awareness, | 0:51:11 | 0:51:13 | |
getting people to know our products, love our products, | 0:51:13 | 0:51:15 | |
and eventually to drive traffic, which is why I'm here now. | 0:51:15 | 0:51:18 | |
But the volume and the... It's limitless. | 0:51:18 | 0:51:21 | |
Right, well, that leads me into a bigger issue. | 0:51:21 | 0:51:24 | |
If you've got tens of thousands of orders, | 0:51:24 | 0:51:27 | |
which may include a customised message | 0:51:27 | 0:51:29 | |
or may even include a picture, | 0:51:29 | 0:51:30 | |
how are you going to process them? | 0:51:30 | 0:51:32 | |
To start with, you could have a label that just gets | 0:51:32 | 0:51:34 | |
-stuck straight in, which is how we operate now. -Mm-hmm. | 0:51:34 | 0:51:36 | |
But with scalability and with growth, | 0:51:36 | 0:51:38 | |
you could have machinery that does that for you on the boxes. | 0:51:38 | 0:51:40 | |
Well, how much is that machinery? | 0:51:40 | 0:51:41 | |
-I don't know the exact cost of the machinery at the moment. -Right. | 0:51:41 | 0:51:44 | |
ALAN TAKES A DEEP BREATH | 0:51:44 | 0:51:45 | |
Well, erm, let's talk to you, James, now, shall we? | 0:51:45 | 0:51:49 | |
So, just walk me through it. | 0:51:49 | 0:51:50 | |
-You'd go in to see the IT manager. -Yeah. | 0:51:50 | 0:51:53 | |
And you'd say to him, "Look, I can provide you this, | 0:51:53 | 0:51:55 | |
"I can provide you that, blah-blah-blah..." | 0:51:55 | 0:51:57 | |
I'd usually ask them what they need, | 0:51:57 | 0:51:58 | |
cos if they're willing to meet me, they're obviously having a problem. | 0:51:58 | 0:52:01 | |
So... And then what I would do is I'd always use the situations | 0:52:01 | 0:52:03 | |
I've come from, so if I've worked with X retail client, | 0:52:03 | 0:52:06 | |
I'll say, "Look, I know that you're doing similar things. | 0:52:06 | 0:52:08 | |
"This is what I've just done with them. | 0:52:08 | 0:52:10 | |
"I've built their whole team around them. | 0:52:10 | 0:52:12 | |
"I can do this for you as well." | 0:52:12 | 0:52:13 | |
You know this is a very crowded market. | 0:52:13 | 0:52:14 | |
100%, but I hope that you'd probably see, the whole time I've been here, | 0:52:14 | 0:52:18 | |
I'm very charismatic. I think I'm quite endearing... | 0:52:18 | 0:52:21 | |
Well, you might be all right for a drink down the pub, | 0:52:21 | 0:52:23 | |
but the last thing that the world is waiting for | 0:52:23 | 0:52:26 | |
is James White's new recruitment company. | 0:52:26 | 0:52:28 | |
But I go into a client and I own that client. | 0:52:28 | 0:52:31 | |
I become the only person they use, and that's not just by chance. | 0:52:31 | 0:52:34 | |
That's because of the way I go about my business | 0:52:34 | 0:52:36 | |
and the way I can network. | 0:52:36 | 0:52:37 | |
-I looked at your business plan... -Yeah. | 0:52:37 | 0:52:39 | |
..and a lot of your future depends upon | 0:52:39 | 0:52:42 | |
two of these previous customers continuing working with you. | 0:52:42 | 0:52:45 | |
Yeah, 100%. I definitely do want to work with them. | 0:52:45 | 0:52:47 | |
But what makes you think they're going to | 0:52:47 | 0:52:48 | |
deal with a small-time Charlie? | 0:52:48 | 0:52:50 | |
I'm not backing myself just to get these clients. | 0:52:50 | 0:52:52 | |
When I went in and worked at my previous company, I had no clients. | 0:52:52 | 0:52:55 | |
I had to go out there and get them. This business is going to be | 0:52:55 | 0:52:57 | |
built on going out and getting new clients. | 0:52:57 | 0:52:59 | |
-Yeah. -We're not going to put all our eggs in one basket. | 0:52:59 | 0:53:01 | |
-Right, so Sarah's run a business, OK? -Yeah. | 0:53:01 | 0:53:03 | |
She's employed people. | 0:53:03 | 0:53:05 | |
-Yeah. -She deals with their PAYEs. | 0:53:05 | 0:53:07 | |
-She deals with their VAT. -Yeah. -You haven't done any of this. | 0:53:07 | 0:53:09 | |
So, yeah, I haven't done specifically what Sarah's done, | 0:53:09 | 0:53:12 | |
but even when I was internally employed, I was dealing with | 0:53:12 | 0:53:14 | |
all of these different teams, cos I headed up my team. | 0:53:14 | 0:53:16 | |
I think you'll find the principles of being a manager | 0:53:16 | 0:53:19 | |
are very different to being a business owner. | 0:53:19 | 0:53:22 | |
I really do have a dilemma, | 0:53:24 | 0:53:27 | |
so I'm going to ask you to take a break now, | 0:53:27 | 0:53:30 | |
if you don't mind, | 0:53:30 | 0:53:32 | |
and I'll have a talk with Karren and Claude, | 0:53:32 | 0:53:34 | |
and then we'll come back in, | 0:53:34 | 0:53:36 | |
and one of you will be hired | 0:53:36 | 0:53:38 | |
as my business partner. | 0:53:38 | 0:53:40 | |
It is quite obvious that there are two | 0:53:49 | 0:53:52 | |
fantastically skilled people there. | 0:53:52 | 0:53:56 | |
Sarah is very eloquent. | 0:53:56 | 0:53:58 | |
She knows her business inside out, | 0:53:58 | 0:54:00 | |
although why she hasn't done the commercial website properly, | 0:54:00 | 0:54:04 | |
I don't get. | 0:54:04 | 0:54:05 | |
What SHE needs is that push to take her out of her comfort zone. | 0:54:05 | 0:54:09 | |
With James, the very, very crowded market, | 0:54:10 | 0:54:13 | |
but he has proved that he can do it when he worked for someone. | 0:54:13 | 0:54:16 | |
I don't know. What do you think, Claude? | 0:54:16 | 0:54:18 | |
Well, I think you have got a problem because, as it's turned out, | 0:54:18 | 0:54:21 | |
I think they're both investable. | 0:54:21 | 0:54:22 | |
With Sarah, I think you've got slow and steady, but I think with James | 0:54:22 | 0:54:26 | |
you've got somebody who's going to go out and really go for it. | 0:54:26 | 0:54:29 | |
But James is more risky. | 0:54:29 | 0:54:31 | |
Sarah is an expert in her field. | 0:54:31 | 0:54:33 | |
She's spotted a gap in the market. | 0:54:33 | 0:54:34 | |
She has all the skills an entrepreneur needs. | 0:54:34 | 0:54:37 | |
But, I mean, I don't envy you. | 0:54:37 | 0:54:39 | |
I mean, is it down...? Is it down to this? | 0:54:39 | 0:54:42 | |
It shouldn't be, should it? | 0:54:42 | 0:54:43 | |
The truth is, Alan, in the end, | 0:54:43 | 0:54:45 | |
your gut tells you everything. | 0:54:45 | 0:54:46 | |
All right. Well, let's get them back in, | 0:54:47 | 0:54:49 | |
and we'll see who my business partner is going to be. | 0:54:49 | 0:54:53 | |
PHONE RINGS | 0:54:55 | 0:54:57 | |
-Yes, Lord Sugar. -Could you send the two of them in, please? | 0:54:57 | 0:54:59 | |
Yes, Lord Sugar. | 0:54:59 | 0:55:01 | |
Lord Sugar will see you now. | 0:55:01 | 0:55:02 | |
Erm... | 0:55:13 | 0:55:15 | |
It boils down to this - | 0:55:15 | 0:55:17 | |
I've got two very credible people in front of me, | 0:55:17 | 0:55:20 | |
one is a big gamble | 0:55:20 | 0:55:22 | |
and one where the issue is the scaling. | 0:55:22 | 0:55:24 | |
Lord Sugar, this won't just be an investment for you. This... | 0:55:24 | 0:55:27 | |
I will be the most successful Apprentice candidate there has been. | 0:55:27 | 0:55:29 | |
Why will it scale up, Sarah? | 0:55:29 | 0:55:31 | |
Because you've come across as a really steady person. | 0:55:31 | 0:55:34 | |
You don't come across as a risk-taker. | 0:55:34 | 0:55:36 | |
I'm definitely a risk-taker. I've grown that business on my own. | 0:55:36 | 0:55:39 | |
I've got those sales in, £430,000 worth of sales, | 0:55:39 | 0:55:42 | |
whilst working, whilst being a full-time mum, and whilst I've been | 0:55:42 | 0:55:45 | |
here alone in these weeks, we've got new customers coming on board, | 0:55:45 | 0:55:48 | |
and we've got two more lined up that I'm working on at the moment, | 0:55:48 | 0:55:50 | |
and just with those alone, it will mean I hit the numbers that | 0:55:50 | 0:55:53 | |
I've promised you in year one without your investment, | 0:55:53 | 0:55:55 | |
so, with your investment, it's limitless. | 0:55:55 | 0:55:57 | |
If my business was going for seven years, | 0:55:57 | 0:55:59 | |
I would scale it a lot quicker. | 0:55:59 | 0:56:00 | |
My investment will be spent on people, | 0:56:00 | 0:56:02 | |
these people will be earning money from day one. Literally from day... | 0:56:02 | 0:56:05 | |
-Will they? -From the first month, they'll be earning money. | 0:56:05 | 0:56:07 | |
I'm hungry for this. This is everything that I know. | 0:56:07 | 0:56:10 | |
She's hungry for it also. | 0:56:10 | 0:56:11 | |
Yeah, but I'm the BEST recruitment consultant out there. | 0:56:11 | 0:56:13 | |
I KNOW this industry like the back of my hand. | 0:56:13 | 0:56:15 | |
-The experts yesterday said that their problem is the USP. -Yeah. | 0:56:15 | 0:56:21 | |
-And so you're telling me your USP is the cybersecurity. -Yeah. | 0:56:21 | 0:56:25 | |
How many have you placed in cybersecurity in the past? | 0:56:25 | 0:56:28 | |
-Over 100 consultants. -Really? | 0:56:28 | 0:56:30 | |
Yeah, it's the hottest skill demand at the moment within my industry. | 0:56:30 | 0:56:34 | |
I think, Lord Sugar, if I was looking at us as two candidates, | 0:56:34 | 0:56:36 | |
it's the difference between an employee and an entrepreneur. | 0:56:36 | 0:56:39 | |
-I have put... -An entrepreneur with 400,000 turnover in seven years? | 0:56:39 | 0:56:42 | |
Well, it's 400,000 more than you have, James. | 0:56:42 | 0:56:45 | |
I know this industry. | 0:56:45 | 0:56:47 | |
I've taken my time to take all the steps to make sure... | 0:56:47 | 0:56:49 | |
-But you don't take risks. -I do take risks. | 0:56:49 | 0:56:51 | |
I make mistakes on my own time, with my own money, so that by the time | 0:56:51 | 0:56:54 | |
I've come to you now, everything is in place to really use this | 0:56:54 | 0:56:57 | |
investment wisely, not make rookie mistakes, | 0:56:57 | 0:56:59 | |
not make naive statements. | 0:56:59 | 0:57:00 | |
There's no USPs in the IT recruitment business. | 0:57:00 | 0:57:02 | |
Everything about it is naive. | 0:57:02 | 0:57:03 | |
Why has your business taken seven years to get £400,000 profit? | 0:57:03 | 0:57:06 | |
It hasn't. I've done multiple things in between. I've learnt my industry. | 0:57:06 | 0:57:09 | |
My business would be there quicker. | 0:57:09 | 0:57:10 | |
-It's a bigger industry. -I've shadowed good people, | 0:57:10 | 0:57:12 | |
learnt my industry so that now I will make... | 0:57:12 | 0:57:14 | |
-I'd make more money in a quicker time. -..a huge global brand. | 0:57:14 | 0:57:17 | |
You won't need to hold my hand, Lord Sugar. | 0:57:17 | 0:57:18 | |
I need the investment and some mentoring and some guidance on | 0:57:18 | 0:57:21 | |
where to really hit and what markets, | 0:57:21 | 0:57:22 | |
and then I will do it all on my own, | 0:57:22 | 0:57:24 | |
and this business will be a huge success. | 0:57:24 | 0:57:26 | |
Lord Sugar, the stat is 1.5 million skill shortages by 2020 | 0:57:26 | 0:57:31 | |
within cybersecurity. | 0:57:31 | 0:57:32 | |
It's a huge, huge market. | 0:57:32 | 0:57:34 | |
I don't think that you would find a better candidate to front | 0:57:34 | 0:57:36 | |
a company in my industry, an industry that you know works, | 0:57:36 | 0:57:39 | |
that you know is extremely profitable if you get it right. | 0:57:39 | 0:57:42 | |
Well, I've got to say that this year's final | 0:57:42 | 0:57:46 | |
is really, really giving me a dilemma. | 0:57:46 | 0:57:49 | |
Erm... | 0:57:51 | 0:57:52 | |
James, | 0:57:54 | 0:57:55 | |
a crowded market, | 0:57:55 | 0:57:57 | |
but I've had some experience with a similar person of a similar age, | 0:57:57 | 0:58:03 | |
and who's making a lot, a lot of money. | 0:58:03 | 0:58:05 | |
Sarah, sweets? | 0:58:05 | 0:58:08 | |
I don't have any experience of your business, OK? | 0:58:10 | 0:58:13 | |
HE TUTS | 0:58:16 | 0:58:17 | |
I'm going to say... | 0:58:17 | 0:58:19 | |
..that I'm a gambler... | 0:58:23 | 0:58:25 | |
..and I've always been a gambler in business. | 0:58:26 | 0:58:28 | |
This particular year... | 0:58:31 | 0:58:32 | |
..I'm going to double my investment. | 0:58:35 | 0:58:38 | |
I'm going to start a business with both of you. | 0:58:38 | 0:58:40 | |
-Thank you. -I won't let you down, Lord Sugar. | 0:58:42 | 0:58:44 | |
It means the world to me. | 0:58:44 | 0:58:46 | |
Well done. | 0:58:46 | 0:58:47 | |
-You've done tremendously well. -Yeah. | 0:58:48 | 0:58:50 | |
I'll be seeing you both shortly. | 0:58:50 | 0:58:52 | |
-Off you go. -Thank you. | 0:58:52 | 0:58:54 | |
-Well done. -Well done. Well done, yeah? -Oh, yeah... | 0:58:58 | 0:59:02 | |
Honestly, it was so, so, so close. | 0:59:02 | 0:59:06 | |
I really could not decide, so I have two wonderful business partners. | 0:59:06 | 0:59:12 | |
James picked an industry which is very, very hot at the moment, | 0:59:12 | 0:59:15 | |
and he's probably the man to take it forward. | 0:59:15 | 0:59:17 | |
Sarah spent all of those years building up. | 0:59:17 | 0:59:20 | |
Now you can really help her launch this business and make it special. | 0:59:20 | 0:59:23 | |
Yeah. Shall we have her sweets at our board meetings in future? | 0:59:23 | 0:59:26 | |
-KARREN LAUGHS -I would insist upon it. | 0:59:26 | 0:59:28 | |
Yeah, absolutely. | 0:59:28 | 0:59:30 | |
I have always, since I was a young boy, looked up to Lord Sugar | 0:59:30 | 0:59:34 | |
as a businessman, and to now be his business partner, | 0:59:34 | 0:59:37 | |
this is literally a dream that I've always had, | 0:59:37 | 0:59:40 | |
and for that dream to come true, | 0:59:40 | 0:59:42 | |
it's just...very, very humbling. | 0:59:42 | 0:59:45 | |
It feels incredible. | 0:59:47 | 0:59:49 | |
I'm just shocked and amazed | 0:59:49 | 0:59:51 | |
and so proud that Lord Sugar found | 0:59:51 | 0:59:54 | |
enough in both of us to make a double investment. | 0:59:54 | 0:59:56 | |
The future is definitely sweet, | 0:59:56 | 0:59:59 | |
and it's going to be a great adventure. | 0:59:59 | 1:00:01 | |
Well, there I was, torn. | 1:00:03 | 1:00:06 | |
I just couldn't choose between one or the other, | 1:00:06 | 1:00:09 | |
and the only fair thing to do was to choose them both. | 1:00:09 | 1:00:11 | |
The thing is, of course, it's now going to cost me £500,000, | 1:00:11 | 1:00:15 | |
but it's worth it. | 1:00:15 | 1:00:17 | |
18 candidates, | 1:00:19 | 1:00:22 | |
two investments - | 1:00:22 | 1:00:24 | |
finally, | 1:00:24 | 1:00:26 | |
Lord Sugar's search | 1:00:26 | 1:00:28 | |
is over. | 1:00:28 | 1:00:30 |