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This is not a job. I'm not looking for bloody salespeople, | 0:00:03 | 0:00:06 | |
I'm looking for someone who's got a brain and can start a business with me. | 0:00:06 | 0:00:10 | |
'Heading to London, 16 of Britain's entrepreneurial elite, keen to start a company.' | 0:00:10 | 0:00:17 | |
I'm going to inject £250,000 into a business. | 0:00:19 | 0:00:24 | |
Your business. And you're going to run it. | 0:00:24 | 0:00:27 | |
'On offer, a 50/50 partnership | 0:00:27 | 0:00:30 | |
'with the nation's toughest investor.' | 0:00:30 | 0:00:32 | |
If you go sitting in the office for three hours and do nothing or three weeks or three months, | 0:00:32 | 0:00:37 | |
I ain't going to be a very happy bunny. | 0:00:37 | 0:00:39 | |
'Passionate about new money-spinning ventures, | 0:00:39 | 0:00:42 | |
'Lord Sugar's on the hunt for a winning business partner.' | 0:00:42 | 0:00:46 | |
If you see someone else that you think is superior to you, you might as well go home. | 0:00:46 | 0:00:51 | |
-Yay! -We... | 0:00:53 | 0:00:54 | |
'It's a deal worth fighting for.' | 0:00:54 | 0:00:57 | |
-Absolute storm! -We might have just got thrashed. | 0:00:57 | 0:01:00 | |
-'16 candidates.' -Are you not understanding? -I don't think you understand. | 0:01:00 | 0:01:05 | |
I am not having that at all! | 0:01:05 | 0:01:07 | |
-'12 tough weeks.' -I didn't even take a penny off! | 0:01:07 | 0:01:12 | |
'One life-changing opportunity.' | 0:01:12 | 0:01:15 | |
You're fired. You're fired. I don't think I could go into business with you. You're fired. | 0:01:15 | 0:01:20 | |
'Previously on The Apprentice...' | 0:01:28 | 0:01:30 | |
-You're going to set up your own junk removal business. -You've got the boys on board. | 0:01:30 | 0:01:36 | |
'It was down and dirty, turning garbage into gold.' | 0:01:36 | 0:01:40 | |
"We are collecting any type of metal." | 0:01:40 | 0:01:44 | |
-I've got a barbecue here. We can't just take that, can we? -Not at all. | 0:01:44 | 0:01:47 | |
'Team leader Helen weighed in early.' | 0:01:47 | 0:01:50 | |
We could clear away the stainless steel and the timber and there would be no charge for that. | 0:01:50 | 0:01:55 | |
'To win valuable commercial contracts.' | 0:01:55 | 0:01:58 | |
-Push! -'Leaving Zoe's team with scraps.' | 0:01:58 | 0:02:02 | |
We've had the most horrific time, messed the entire lot up. | 0:02:02 | 0:02:05 | |
-You give us £20... -And we take the copper. The lot. | 0:02:05 | 0:02:08 | |
-'But some heavy metal...' -Guys, we need to get a move on. | 0:02:08 | 0:02:13 | |
-If we weigh your copper first... -'..put them back in business.' | 0:02:13 | 0:02:16 | |
-915 quid. -I think we are happy with that. | 0:02:17 | 0:02:21 | |
-'In the boardroom...' -£6 for a kilo of copper. | 0:02:21 | 0:02:25 | |
'..Helen's team snatched a victory.' | 0:02:25 | 0:02:27 | |
Tom, you've had your first win. Helen, you're like the lucky mascot. | 0:02:27 | 0:02:32 | |
-'Zoe came clean.' -I put myself forward, I put my neck on the line, I got it wrong. Sorry. | 0:02:32 | 0:02:38 | |
-'Before things got dirty.' -Either you made the appointment or you didn't. | 0:02:38 | 0:02:42 | |
-I sealed the job. -But you didn't make the appointment. | 0:02:42 | 0:02:46 | |
-'But Edna dropped a clanger.' -I have a proven track record. | 0:02:46 | 0:02:49 | |
I train chief executives how to be better at their jobs. | 0:02:49 | 0:02:52 | |
-Do you need training? -No, I don't think so. -'Finishing up on the scrap heap.' | 0:02:52 | 0:02:57 | |
I just don't think that me and you are going to gel in business. Edna, you're fired. | 0:02:57 | 0:03:02 | |
Thank you, Lord Sugar. | 0:03:02 | 0:03:04 | |
'Edna became the seventh casualty of the boardroom. | 0:03:04 | 0:03:08 | |
'Now nine remain to fight for the chance to become Lord Sugar's business partner.' | 0:03:09 | 0:03:16 | |
PHONE RINGS | 0:03:19 | 0:03:22 | |
'5:45am.' | 0:03:23 | 0:03:26 | |
PHONE RINGS | 0:03:26 | 0:03:28 | |
-Hello? -"Good morning. Lord Sugar would like you to meet him at 65 Fleet Street. | 0:03:31 | 0:03:37 | |
-"The cars will leave in 30 minutes." -Thank you. | 0:03:37 | 0:03:40 | |
Cars will leave in 30 minutes. We're going to 65 Fleet Street. | 0:03:41 | 0:03:45 | |
Something to do with newspapers, then. | 0:03:45 | 0:03:48 | |
-Media or newsagents or... -I have no idea. | 0:03:48 | 0:03:52 | |
-Can you find out and get back to me in five minutes? -SHE LAUGHS | 0:03:52 | 0:03:56 | |
'At the heart of Britain's newspaper industry until the mid-80s, | 0:04:04 | 0:04:09 | |
'London's world-famous Fleet Street.' | 0:04:09 | 0:04:13 | |
-Good morning. -ALL: Good morning, Lord Sugar. | 0:04:29 | 0:04:32 | |
Well, this building was once owned by Rupert Murdoch's organisation. | 0:04:32 | 0:04:38 | |
Roughly where you are standing, the printing presses | 0:04:38 | 0:04:41 | |
used to churn out national newspapers every single day. | 0:04:41 | 0:04:46 | |
Now the latest innovation in publishing | 0:04:46 | 0:04:49 | |
is free premium magazines. | 0:04:49 | 0:04:51 | |
In the trade, they're known as freemiums. | 0:04:51 | 0:04:55 | |
And your task is to come up with a new freemium magazine | 0:04:55 | 0:04:59 | |
and pre-sell the advertising space to some of the biggest media buyers in the country. | 0:04:59 | 0:05:05 | |
The team that comes up with the highest amount of advertising revenue will win. | 0:05:05 | 0:05:09 | |
The one that brings in the least will lose | 0:05:09 | 0:05:12 | |
and in that team, one of you will be fired. | 0:05:12 | 0:05:15 | |
OK, I'm going to tinker with the teams a little. | 0:05:15 | 0:05:18 | |
Jim, you step over there to Venture. | 0:05:18 | 0:05:20 | |
And you're going to be team leader, Jim. | 0:05:22 | 0:05:25 | |
Leon, pop over there to Logic. | 0:05:25 | 0:05:28 | |
And Natasha, no choice, you are team leader. | 0:05:30 | 0:05:35 | |
OK, good luck, off you go. | 0:05:35 | 0:05:37 | |
'Today, both teams must create free magazines. | 0:05:43 | 0:05:46 | |
'Tomorrow, they'll pitch their publications | 0:05:48 | 0:05:50 | |
'to Britain's three biggest buyers of advertising space.' | 0:05:50 | 0:05:54 | |
-Just thinking what is going to appeal to the advertiser's target market. -Yeah. -Yeah. | 0:05:55 | 0:06:00 | |
That's all. Forget about everybody else, however tempting it might be | 0:06:00 | 0:06:04 | |
to create something well-rounded or something we would enjoy reading. | 0:06:04 | 0:06:08 | |
'Base for both teams - free magazine publisher Shortlist Media. | 0:06:10 | 0:06:16 | |
'In just four years, it's gone from zero to a £16 million turnover. | 0:06:16 | 0:06:23 | |
-'Its boss, Mike Soutar.' -Welcome to Shortlist Media. | 0:06:23 | 0:06:27 | |
For you to create the next big hit launch in this marketplace, | 0:06:27 | 0:06:32 | |
first of all, you're going to have to understand your readers and their needs. | 0:06:32 | 0:06:36 | |
So this is all about understanding your consumer. | 0:06:36 | 0:06:40 | |
Also, in magazines, deadlines are absolutely critical. | 0:06:40 | 0:06:45 | |
Miss your deadlines and the printing presses will roll without you. | 0:06:45 | 0:06:49 | |
'9am. | 0:06:51 | 0:06:53 | |
'12 hours to the print deadline.' | 0:06:53 | 0:06:57 | |
-I've never worked with you, Zoe. -I've never worked with you, Jim. -Look forward to it. | 0:06:57 | 0:07:02 | |
I'm sure you're very good. | 0:07:02 | 0:07:05 | |
The whole point is to get the most revenue from the advertisers. | 0:07:07 | 0:07:11 | |
-Kwik-Fit, Diageo, Kellogg's, Nivea... -They'll pay top-end. | 0:07:11 | 0:07:14 | |
'First job - find a target market.' | 0:07:14 | 0:07:17 | |
I've worked in the baby industry before. It's a very lucrative market. | 0:07:17 | 0:07:22 | |
Lads' mag. Any benefits? | 0:07:22 | 0:07:24 | |
'Leading Team Logic, Natasha.' | 0:07:24 | 0:07:27 | |
I feel comfortable with lads' mag. Yeah? | 0:07:27 | 0:07:29 | |
-We've got two lads. I don't read lads' mags very often. -I do. | 0:07:29 | 0:07:34 | |
Guys, I'm going to make a decision and I'm going to go for lads' mags, yeah? | 0:07:34 | 0:07:38 | |
So let's get moving. | 0:07:38 | 0:07:40 | |
-We're creating a lads' mag. -Lads' magazines are about lads, yeah? | 0:07:42 | 0:07:47 | |
Any guy from 21 through to about 35. | 0:07:47 | 0:07:50 | |
The kind of guy that's got a bit of cash in his pocket. | 0:07:50 | 0:07:53 | |
They like to get credit cards, spend their money on fashion, travel, gadgets. | 0:07:53 | 0:07:59 | |
Let's get in the zone, Melody. Let's become ladettes. | 0:07:59 | 0:08:02 | |
-I'm trying my hardest. -Maybe we could feature in this. -OK, let me stop you right there. | 0:08:02 | 0:08:09 | |
'On the other team, a more buttoned-up approach from project manager Jim.' | 0:08:09 | 0:08:14 | |
-I'm aiming towards over-60s. -Yeah. -What do any of us know about being over 60? | 0:08:14 | 0:08:20 | |
If we pitch an over-60s magazine, I don't know how seriously they'll take us. | 0:08:20 | 0:08:24 | |
It's an opportunity to be classy rather than cheap. More intelligent. | 0:08:24 | 0:08:28 | |
They have the biggest circulation figures, as well. | 0:08:28 | 0:08:31 | |
People need leadership. Some people are happy to follow | 0:08:32 | 0:08:36 | |
and they need to know what they're doing. | 0:08:36 | 0:08:38 | |
There's health and there's fashion... | 0:08:38 | 0:08:40 | |
I can take their hearts and minds. I'm good at making them do what I need them to do. | 0:08:40 | 0:08:44 | |
I want people's genuine support. Who would you pick, Zoe? | 0:08:44 | 0:08:48 | |
The over-60s will challenge us but I think we could put more effort in | 0:08:48 | 0:08:52 | |
-and hopefully get more fruit out of that one. -OK. Glenn. | 0:08:52 | 0:08:55 | |
-I think we could go with the over-60s. -Are you strongly opposed? | 0:08:55 | 0:08:59 | |
-No, I'm not strongly opposed at all. -Grab a granny. | 0:08:59 | 0:09:03 | |
Trying to nail anything on Jim | 0:09:03 | 0:09:06 | |
is a bit like trying to nail a jelly to a wall. | 0:09:06 | 0:09:09 | |
He never isolates himself | 0:09:09 | 0:09:12 | |
to take his own decision. It's always with people around him. | 0:09:12 | 0:09:15 | |
We need to think of a unique selling point for our lads' magazine. A USP. | 0:09:15 | 0:09:21 | |
'Advertising buyers will want to see mock-ups, | 0:09:22 | 0:09:25 | |
'a catchy title, pictures, headlines and dummy features.' | 0:09:25 | 0:09:30 | |
I've never seen so many boobs in one mag. | 0:09:30 | 0:09:33 | |
A lot of these mags have almost porn lines in the back. | 0:09:33 | 0:09:36 | |
-Now, I don't... -If you're Mercedes Benz, you're not going to want to be associated with it as an advertiser. | 0:09:36 | 0:09:42 | |
-Porn sells. -It would be quite difficult to create content with that tone. | 0:09:42 | 0:09:47 | |
We could do an entrepreneurial side. A lot of people are starting businesses. | 0:09:47 | 0:09:51 | |
Just more business-focused in general, not just entrepreneurs. | 0:09:51 | 0:09:55 | |
Just for more professional lads. | 0:09:55 | 0:09:57 | |
Does that translate into boring? I don't know. | 0:09:57 | 0:10:00 | |
'11am.' | 0:10:03 | 0:10:05 | |
It would be nice if you get a couple and you got them to do face-to-face shots and stuff. | 0:10:05 | 0:10:09 | |
'While Jim and Zoe knock the layout into shape, Susan and Glenn head for a bowling club | 0:10:09 | 0:10:15 | |
'to find out what older readers want.' | 0:10:15 | 0:10:18 | |
-I can think of a million questions I want to ask them. -What's the first one? | 0:10:18 | 0:10:22 | |
-Stuff like, "What do you guys do?" -Bowl. | 0:10:22 | 0:10:26 | |
Hello! How many of you guys read magazines? | 0:10:35 | 0:10:38 | |
My principal magazine is The Economist. | 0:10:38 | 0:10:40 | |
-My principal magazine is Viz. -THEY LAUGH | 0:10:40 | 0:10:45 | |
One basic problem. You're aiming a magazine at over-60s | 0:10:45 | 0:10:49 | |
but over-60s who look at it don't feel that they're over 60. | 0:10:49 | 0:10:54 | |
-Tell me what's good about getting old. I want holidays without kids. We can still ski. -Absolutely. | 0:10:54 | 0:11:00 | |
What about something to aid you memory, like crosswords or little puzzles | 0:11:00 | 0:11:05 | |
-to help your brains going? -No way. | 0:11:05 | 0:11:08 | |
I don't want knitting patterns, either, thank you. | 0:11:08 | 0:11:11 | |
The focus should be on fun and enjoyment. | 0:11:11 | 0:11:14 | |
Humour. I don't know whether you guys take any notice of that, | 0:11:14 | 0:11:18 | |
whether it's the difference between you picking it up or not. | 0:11:18 | 0:11:21 | |
Just to quickly move onto the name of the actual magazine. | 0:11:23 | 0:11:27 | |
-I'm just going to fire some at you. Free 60. -Keep going. | 0:11:27 | 0:11:31 | |
-VitaLife. -Something I feed my cat. | 0:11:31 | 0:11:35 | |
-Joy. -Hm. | 0:11:35 | 0:11:37 | |
-First Lady. -Absolutely not! | 0:11:37 | 0:11:40 | |
-Radiance. -Hm. | 0:11:40 | 0:11:42 | |
-Eternal. -Oh, my God, they're all horrible. -They're all horrible! OK. | 0:11:42 | 0:11:47 | |
-Any names of magazines that you do like? -You've got to hit the thing head-on, like The Oldies. | 0:11:47 | 0:11:52 | |
-Zimmer. -THEY LAUGH | 0:11:52 | 0:11:55 | |
-As long as it's a magazine title that you'd actually pick up. -THEY LAUGH | 0:11:55 | 0:12:00 | |
'In Central London, tackling Natasha's lads' mag with a student rugby team, Tom and Helen.' | 0:12:01 | 0:12:08 | |
What we're doing is, we're creating a traditional lads' magazine, | 0:12:08 | 0:12:11 | |
but also have quite a lot of input in there about business. | 0:12:11 | 0:12:14 | |
-Yeah. -Yeah, that's good. -I wouldn't in any way say that it was a lads' mag. | 0:12:14 | 0:12:19 | |
-I wouldn't want to give it that sort of brand. -So altogether more tasteful. | 0:12:19 | 0:12:24 | |
-Yeah. -But still girls in there, but maybe not so blatant. -Yeah. | 0:12:24 | 0:12:29 | |
Would that be honest? You're not just saying that cos I'm a girl? | 0:12:29 | 0:12:33 | |
Call it Boob-Free Business. THEY LAUGH | 0:12:33 | 0:12:36 | |
What we're all saying is just raise the tone of the whole thing. | 0:12:36 | 0:12:40 | |
They were quite keen on the business idea. | 0:12:43 | 0:12:47 | |
Sort of, how to make money, how to set up in business. They liked that concept. | 0:12:47 | 0:12:52 | |
-I think it would be a good read. -We can incorporate business. | 0:12:52 | 0:12:56 | |
I still feel like our primary unique selling point is naked-free. | 0:12:56 | 0:13:00 | |
The only problem with naked-free is that's what sells. | 0:13:00 | 0:13:04 | |
But they wanted to "raise the tone" were their words. | 0:13:04 | 0:13:07 | |
Is tasteful a strong enough USP to base our magazine around? I don't think it is. | 0:13:07 | 0:13:12 | |
Helen, do you want to shoot your names at us? | 0:13:12 | 0:13:15 | |
My name was Covered. | 0:13:15 | 0:13:17 | |
It would be reflective of the content, wouldn't it? It'd be reflective of our USP. | 0:13:17 | 0:13:22 | |
-OK, do you have an alternative, Tom? -I like Covered. | 0:13:22 | 0:13:25 | |
-I know that's my name anyway. -I like Covered, too. | 0:13:25 | 0:13:27 | |
-It's good. -Have you got it covered? -Covered. | 0:13:27 | 0:13:30 | |
'Not covered, Jim's team.' | 0:13:31 | 0:13:34 | |
OK, we ran through all the ideas we had for the name of the magazine and they hated every single one. | 0:13:34 | 0:13:39 | |
They're all too cliche. We need to be satirical. | 0:13:39 | 0:13:43 | |
Why don't we call it Coffin-Dodger? | 0:13:43 | 0:13:46 | |
Pension Mention or something like that? | 0:13:46 | 0:13:48 | |
-I don't think we should mention pensions. -The Old Boot or The Old Soak or The Old... | 0:13:48 | 0:13:53 | |
-What's a term that you'd call an old person? -Old Boot? | 0:13:53 | 0:13:57 | |
What about Golden Oldie? No? | 0:13:57 | 0:14:00 | |
-For the young oldies. -For the young at heart. | 0:14:00 | 0:14:02 | |
-For the young hearted. -For the young at heart. | 0:14:02 | 0:14:05 | |
For the old-looking young-hearted. | 0:14:05 | 0:14:08 | |
-I don't know. -I think for the young at heart. -Yeah. | 0:14:08 | 0:14:11 | |
How about something to do with being hip? Be hip. Hip replacement. | 0:14:11 | 0:14:15 | |
Zoe's thought of a good one. Hip Replacements. | 0:14:17 | 0:14:21 | |
Yeah, Hip Replacement. I like that. Yes. | 0:14:21 | 0:14:23 | |
We've found common ground there, yeah. | 0:14:23 | 0:14:25 | |
-I'm just thinking, is that a bit of a sensitive topic? -No, I think it's... | 0:14:25 | 0:14:30 | |
-All agreed on Hip Replacements say aye. -"Aye." -Was that an aye, Susie? | 0:14:30 | 0:14:35 | |
No. But I'm happy to support it. No problem at all. | 0:14:36 | 0:14:40 | |
'Hip Replacement fixed, next the text.' | 0:14:40 | 0:14:44 | |
I think it's got to be 60 is the new 30, like... | 0:14:44 | 0:14:49 | |
..get your arse out, get slimmed down, get active, get the fashion. | 0:14:51 | 0:14:55 | |
You need to change your mental state first. | 0:14:55 | 0:14:57 | |
Everyone thinks you die at 60. You need to change that. | 0:14:57 | 0:15:01 | |
-No, you start at 60. -Life begins, yeah. | 0:15:01 | 0:15:03 | |
Front cover. Covered here. | 0:15:03 | 0:15:06 | |
'Laying out headlines to lure the lads, Leon.' | 0:15:06 | 0:15:10 | |
And then the work would have... | 0:15:10 | 0:15:13 | |
-How to make £1,000... -How to make a grand in a day. -Love it. | 0:15:13 | 0:15:17 | |
This is a lads' mag. We haven't used innuendos. | 0:15:17 | 0:15:20 | |
-How do you blow your load? It sounds a bit rude, but it's also laddy. -Like it! | 0:15:20 | 0:15:25 | |
-How do you spend your cash? -What do you do for release? I like that. | 0:15:25 | 0:15:29 | |
'With a picture deadline in two hours, | 0:15:34 | 0:15:37 | |
'Tom and Helen line up ladies for their cover shoot.' | 0:15:37 | 0:15:39 | |
When you're taking photos, we need to get a little bit appealing to lads. | 0:15:43 | 0:15:48 | |
-OK. -And we were thinking that you could use Tom's suit jacket and Tom's glasses. | 0:15:48 | 0:15:53 | |
Have her naked underneath. I'm thinking dirty secretary. | 0:15:53 | 0:15:57 | |
Is it fitting into our target audience as we'd established from the focus group? | 0:15:57 | 0:16:03 | |
Yeah, but one thing we need to bear in mind is our focus group was quite focused. | 0:16:03 | 0:16:08 | |
OK? Stick to what we've got, OK? | 0:16:08 | 0:16:10 | |
I've genuinely got no idea what I'm doing here. | 0:16:10 | 0:16:13 | |
That's good. OK, thank you. | 0:16:13 | 0:16:17 | |
You're thinking business and you're thinking surfing. | 0:16:17 | 0:16:20 | |
Can we try with the working hard hat, as well? | 0:16:20 | 0:16:22 | |
If I was PM on this task, it's not the avenue I would've gone down, | 0:16:25 | 0:16:29 | |
but I have made my views clear. I thought it might look slightly tacky | 0:16:29 | 0:16:33 | |
but I'm hoping they open it and it's what they want. | 0:16:33 | 0:16:36 | |
Dear, oh, dear. | 0:16:39 | 0:16:42 | |
I do wonder whether Logic have really understood | 0:16:44 | 0:16:47 | |
the fact that this is a free magazine. | 0:16:47 | 0:16:49 | |
They've seen the list of advertisers they have to pitch to. | 0:16:49 | 0:16:53 | |
Are those the sort of people that want to stand right alongside somebody in a bikini? | 0:16:53 | 0:16:58 | |
-Do you want me to...? -No, I'm fine. | 0:16:58 | 0:17:01 | |
-Oh! -Oh! -Oh, God! | 0:17:01 | 0:17:04 | |
-THEY LAUGH -Oh, brilliant! | 0:17:05 | 0:17:08 | |
'3:30pm. Half an hour to the picture deadline.' | 0:17:10 | 0:17:15 | |
Do something spontaneous, like "Whoa!" | 0:17:16 | 0:17:19 | |
'Testing the stamina of her senior citizens, Susan.' | 0:17:19 | 0:17:23 | |
Big smiles! Really, really happy! | 0:17:23 | 0:17:25 | |
One, two, three, jump! Very happy! Fantastic! | 0:17:25 | 0:17:28 | |
-I think we're wasting bloody time. -You guys are going on a really amazing holiday, riding somewhere. | 0:17:28 | 0:17:34 | |
-OK. Yeah, very good. -Suze, do you want to direct? One of us can go through these photos. | 0:17:34 | 0:17:39 | |
OK, so, lift her up! Lift her up! | 0:17:39 | 0:17:41 | |
Very happy! Big smile, Simon! As though I just told a really funny joke. | 0:17:41 | 0:17:46 | |
-No. -Brilliant. Ohh! Get a little bit closer, guys. | 0:17:46 | 0:17:50 | |
Hm, no. | 0:17:50 | 0:17:52 | |
Big smiles. Really, really happy. | 0:17:52 | 0:17:54 | |
No. | 0:17:54 | 0:17:56 | |
-A little bit more love. -No. | 0:17:56 | 0:18:00 | |
-Big, happy smiles. Fantastic, guys. -Yes. | 0:18:00 | 0:18:04 | |
-Are we done with all the shots? -I think we are, yeah. | 0:18:06 | 0:18:09 | |
I have no idea what was good and what wasn't, | 0:18:09 | 0:18:11 | |
so that was all Glenn's decision. I'll go by Glenn. | 0:18:11 | 0:18:14 | |
'5pm.' | 0:18:15 | 0:18:17 | |
-Hip Replacement. -I like this. | 0:18:17 | 0:18:19 | |
-OK. No, I don't. -Right, turn it over. | 0:18:19 | 0:18:23 | |
-I like this angle. -No, I don't. | 0:18:24 | 0:18:28 | |
I think that's too teenage girl. | 0:18:28 | 0:18:31 | |
I came up with the concept Hip Replacement | 0:18:33 | 0:18:35 | |
and "out with the old, in with the new." | 0:18:35 | 0:18:37 | |
It does worry me. There is a danger that we could stray off the concept and I'm very worried about that. | 0:18:37 | 0:18:43 | |
-That's nice. -Do you like that, as well? -Yeah, I do like it. | 0:18:43 | 0:18:47 | |
-What are you trying to do? -I'm making it a bit classier. | 0:18:47 | 0:18:50 | |
Do you like that font? I just think you're taking all the irony out of it. | 0:18:50 | 0:18:55 | |
-I was just playing with it, Zoe. -I don't like it, but if you want to change it... | 0:18:55 | 0:18:59 | |
No, I'm just playing with it. | 0:18:59 | 0:19:01 | |
'Out looking for lads, the editorial team from Covered.' | 0:19:02 | 0:19:07 | |
-How do you blow your load? -How do you blow your load? | 0:19:07 | 0:19:10 | |
-I'd rather not. -That's fine, you don't have to say. | 0:19:10 | 0:19:14 | |
-Doing a feature on "How Do You Blow Your Load?" Do you want to say what you spend your money on? -Not really. | 0:19:14 | 0:19:20 | |
-How do you blow your load? -I blow my load going to the cinema, going to the theatre. | 0:19:20 | 0:19:24 | |
-How do you blow your load? -I am just very into fashion. | 0:19:24 | 0:19:29 | |
Have you got your boxer shorts...? | 0:19:29 | 0:19:31 | |
Are you ready? Perfect. | 0:19:31 | 0:19:34 | |
'8pm. One hour to the print deadline.' | 0:19:35 | 0:19:40 | |
I'll take a print-out of the contents page but I'll go over it again. | 0:19:40 | 0:19:44 | |
One's called Pension Power. The second feature is Don't Forget The Kids. | 0:19:44 | 0:19:48 | |
There's Taxing Stuff. That's basically money matters. | 0:19:48 | 0:19:52 | |
And the two regulars that we've homed in on | 0:19:52 | 0:19:55 | |
are It's Your Call and Love Technology. | 0:19:55 | 0:19:58 | |
My concept is hip as in hip-hop, as is young, as if funky. | 0:19:58 | 0:20:03 | |
Ensure to insure. E-N-sure to insure. | 0:20:03 | 0:20:07 | |
He's produced a medicinal, health-feature magazine, which just looks idiotic. | 0:20:07 | 0:20:14 | |
I think we're pretty happy with the one where she's pulling her underwear down. Love it. Good work. | 0:20:14 | 0:20:19 | |
I never thought I would be excited about a lads' mag | 0:20:19 | 0:20:21 | |
until I was involved in creating one and now I think it's brilliant. | 0:20:21 | 0:20:25 | |
PHONE RINGS | 0:20:27 | 0:20:30 | |
We just wondered if you had a contents page for us? | 0:20:30 | 0:20:33 | |
We need to make this snappy, we're running out of time. How to make a grand in a day. | 0:20:33 | 0:20:37 | |
Finance geek. How do you blow your load? Happy with that at this stage? | 0:20:37 | 0:20:44 | |
Myself and Helen are uncomfortable with the "How to blow your load" label. | 0:20:44 | 0:20:49 | |
-I've made a decision on that. -I just want to check. | 0:20:49 | 0:20:52 | |
Are we pitching this as raising the tone of lads' magazines? | 0:20:52 | 0:20:55 | |
Not particularly, no. Helen, this is not a conversation we need to have now | 0:20:55 | 0:21:00 | |
-so I want to wrap it up, OK? -OK. | 0:21:00 | 0:21:03 | |
Oh, dear, what a day. | 0:21:03 | 0:21:05 | |
'9pm. | 0:21:05 | 0:21:07 | |
'The print run has started. | 0:21:08 | 0:21:11 | |
'Tomorrow the teams must pitch their magazine mock-ups to media buyers.' | 0:21:11 | 0:21:16 | |
Good morning. I'm here to tell you about our new magazine called Hip Replacement. | 0:21:16 | 0:21:21 | |
'And try to pre-sell as much advertising space as possible.' | 0:21:21 | 0:21:25 | |
Hey! How you doing, guys? It's all going good. | 0:21:25 | 0:21:29 | |
The key thing we want to establish, where are you at with the pitch and who's buzzing to deliver it? | 0:21:29 | 0:21:35 | |
I deliver pitches literally as I'm there. | 0:21:37 | 0:21:43 | |
Do you think that's appropriate in this situation? | 0:21:43 | 0:21:47 | |
-Suzie, have you given pitches of a professional nature before? -Never. | 0:21:47 | 0:21:51 | |
I was expecting to come in here and somebody to say, "I'm doing it, I feel so hyped about it" | 0:21:51 | 0:21:56 | |
-and I haven't really got that. -I'd like to do it, | 0:21:56 | 0:21:59 | |
but if you ask me who I think would hit the nail on the head, I'd say you. | 0:21:59 | 0:22:02 | |
-I personally think you, Jim. -Zoe? | 0:22:02 | 0:22:05 | |
-I think you. SHE LAUGHS -Do you think me? -Yep. -OK. | 0:22:05 | 0:22:10 | |
I think I've got three people who are happy to follow. Maybe they think I have all the answers. | 0:22:11 | 0:22:16 | |
But I'm putting my neck on the chopping block. There's no hiding from that fact. | 0:22:16 | 0:22:21 | |
I'm going to do the pitches tomorrow, but I want you tomorrow morning buzzing about it, too, OK? | 0:22:21 | 0:22:27 | |
'8am.' | 0:22:36 | 0:22:38 | |
-Good morning! I'm the editor of Covered Magazine. -There you go. -Lovely. Thank you very much. | 0:22:40 | 0:22:46 | |
-Wow! -Right, pass a couple around. | 0:22:47 | 0:22:50 | |
-This is well good, guys! -Brilliant! | 0:22:50 | 0:22:52 | |
-That's really very good. -Looks appealing, doesn't it? -Yeah! | 0:22:52 | 0:22:57 | |
This is what it's all about. Oh, wow! | 0:22:57 | 0:23:01 | |
-Wow! -Oh, my God! | 0:23:01 | 0:23:04 | |
-Glenn, first impressions? -Love it. | 0:23:04 | 0:23:06 | |
-I absolutely love it! -That's a fantastic reaction! -I absolutely love it. | 0:23:06 | 0:23:11 | |
'Armed with a rate card, the teams have add space in 35 pages to sell. | 0:23:12 | 0:23:18 | |
'Total potential value, £100,000.' | 0:23:18 | 0:23:22 | |
The way I'm going to price this, it's going to be rate card price of £6,000 | 0:23:23 | 0:23:28 | |
and a reduced offer to £5,495. | 0:23:28 | 0:23:32 | |
'Lord Sugar has arranged three media buyers for the teams to pitch to. | 0:23:33 | 0:23:38 | |
'First up, mass-market buyer Carat.' | 0:23:39 | 0:23:43 | |
Hi, guys. Thanks for giving us the opportunity to speak to you. | 0:23:43 | 0:23:46 | |
We've got a really exciting new magazine that we've been working on. We've called it Covered. | 0:23:46 | 0:23:51 | |
It's great looking at naked women, | 0:23:51 | 0:23:53 | |
-but we thought it'd be nice if there was an approach to a business side of things. -Very busy marketplace. | 0:23:53 | 0:23:59 | |
We think that this angle of work hard, play hard | 0:23:59 | 0:24:02 | |
gives something that's really fascinating and very relevant for today. | 0:24:02 | 0:24:06 | |
We've run a three-page feature and it's "How To Make £1,000 In A Day". | 0:24:06 | 0:24:10 | |
We managed to make £1,000 in a day, so it's based on a true story. | 0:24:10 | 0:24:13 | |
-Tell me about commercials. -Our rates are starting from £1,500 for a half-page | 0:24:13 | 0:24:19 | |
and going up to £5,200 for the back cover. | 0:24:19 | 0:24:23 | |
OK. So how negotiable is that? | 0:24:23 | 0:24:26 | |
What I would say is that if you purchase the 35 pages, | 0:24:26 | 0:24:30 | |
-we can include the back cover free. -So what's the total amount of money we're talking about for 35 pages? | 0:24:30 | 0:24:37 | |
-£103,000. -£103,000. | 0:24:37 | 0:24:39 | |
I think you're a bit off the mark if I owned the whole magazine with all our clients | 0:24:39 | 0:24:44 | |
-but there's definitely a market, it's a tough market, but there is a gap in the market. -Thank you. | 0:24:44 | 0:24:50 | |
-Thank you, guys. -Thank you. | 0:24:50 | 0:24:52 | |
'After the pitches, media buyers will tell Lord Sugar | 0:24:52 | 0:24:56 | |
-'of any ad page space they'd like to buy.' -That was really good! | 0:24:56 | 0:25:00 | |
-Jim. Pleased to meet you. -'Next, something new for oldies.' -Hi, I'm Zoe. | 0:25:00 | 0:25:05 | |
Gentlemen, firstly, thank you very much for giving us the opportunity to come in. | 0:25:05 | 0:25:10 | |
I present to you Hip Replacement. | 0:25:10 | 0:25:14 | |
-That's the title? -That's the title, correct. | 0:25:14 | 0:25:16 | |
I don't like the title. I don't like the launch title at all. | 0:25:17 | 0:25:22 | |
Imagine me going to see one of our clients, I'd be laughed out of the room. | 0:25:22 | 0:25:25 | |
The demographic that we're targeting don't want to be patronised | 0:25:25 | 0:25:30 | |
and they appreciate the irony of the fact that they are of an age. | 0:25:30 | 0:25:34 | |
What I mean by the strapline is "Out with the old, in with the new". | 0:25:34 | 0:25:38 | |
I like the concept, I just don't like the title. How much are you selling it to us for? | 0:25:38 | 0:25:42 | |
-We're selling it to you based on the prices listed. -No negotiation on that? | 0:25:42 | 0:25:46 | |
-They are our rate card prices. -You'll find this when you go to agencies. | 0:25:46 | 0:25:50 | |
-We don't talk rate card. -It's a difficult proposition and I appreciate where you're coming from. | 0:25:50 | 0:25:55 | |
To be fair across the market and give us a solid base, we're happy to exist with the rate card. | 0:25:55 | 0:26:00 | |
We're not looking for fair. Remember that we're trying to support you with your launch magazine. | 0:26:00 | 0:26:06 | |
-We really hope that your advertisers are interested in our concept. -Thank you. Good. | 0:26:06 | 0:26:12 | |
Today is all about selling and negotiating. | 0:26:12 | 0:26:16 | |
And he didn't negotiate at all, really. | 0:26:16 | 0:26:18 | |
I'm worried we're being too greedy about the prices. | 0:26:18 | 0:26:21 | |
They're buyers. They drive a hard bargain. They want a better price. | 0:26:21 | 0:26:25 | |
-Let's not lose our shirt straight off the bat. -What if the other two advertising agencies | 0:26:25 | 0:26:30 | |
aren't interested at all because of the price and we lose out on all three? | 0:26:30 | 0:26:34 | |
-I'm happy to take the reins on that. -For me, we should really slash our pricing. | 0:26:34 | 0:26:38 | |
'Next up, with a client spend of over a billion pounds a year, Mediacom.' | 0:26:40 | 0:26:46 | |
I mean, I'm banking a lot on this one, so this one's got to be the creme de la creme. | 0:26:46 | 0:26:50 | |
I'm deliberating, Leon, between me taking the pitch and you taking it. | 0:26:51 | 0:26:57 | |
-I think we should stick with Leon. -I vote me. | 0:26:57 | 0:27:01 | |
I thought you did well. It's a bit unfair to bring it up and say, "I might take it". | 0:27:01 | 0:27:05 | |
Cos the thing is, we've got five minutes. | 0:27:05 | 0:27:07 | |
What I'm saying is, all I want is for us to win. Yeah? | 0:27:07 | 0:27:11 | |
So I'm uber, 100 percent taking the last one. | 0:27:11 | 0:27:14 | |
-Afternoon. -My name's Natasha, I'm the editor. | 0:27:15 | 0:27:18 | |
-Hello, I'm Claudine. -Hiya, I'm Leon. -This is Leon. -Nice to meet you. | 0:27:18 | 0:27:22 | |
First of all, I think it's about time we uncovered our brand. | 0:27:22 | 0:27:26 | |
It's actually called Covered. | 0:27:26 | 0:27:29 | |
The USP is the work-hard, play-hard. | 0:27:29 | 0:27:32 | |
We see it as a little bit of a gap in the market | 0:27:32 | 0:27:35 | |
in regards to being able to combine both. | 0:27:35 | 0:27:37 | |
In order to play hard, you've got to work hard. | 0:27:37 | 0:27:40 | |
-Right, we're certainly going to talk about... -Start from the top. -Yeah, sure. | 0:27:40 | 0:27:46 | |
We're going to talk about the money, which is the feature for the first launch. We're going to have, er... | 0:27:46 | 0:27:52 | |
-Sorry. -Finance geek. -A finance geek. We've got "How do you spend your cash?" | 0:27:52 | 0:27:56 | |
What I would say, Leon, is certainly we are a lads' magazine. Yeah? | 0:27:56 | 0:28:01 | |
We don't want to hide from that. That's what we want to project. | 0:28:01 | 0:28:04 | |
So do you work with an existing lads' magazine? | 0:28:04 | 0:28:08 | |
-We work with all of them. -All of them. OK. | 0:28:08 | 0:28:10 | |
Our spend in this market has massively gone down year on year. | 0:28:10 | 0:28:15 | |
Would you suggest that the decline in the market is due to the economy? | 0:28:15 | 0:28:19 | |
No, I think the decline in the market is down to people not understanding young guys as they are now. | 0:28:19 | 0:28:26 | |
OK, which is more than a fair comment. | 0:28:26 | 0:28:29 | |
-So do you think we've missed... The tone isn't quite what they'd be looking for? -Yeah. | 0:28:29 | 0:28:34 | |
-That's a shame. -I'd really be looking at about £1,500 a page | 0:28:34 | 0:28:39 | |
and that would have to be facing some relevant editorial. | 0:28:39 | 0:28:42 | |
We need to be hitting a benchmark, really, of at least £2,000 per page. | 0:28:42 | 0:28:48 | |
-That isn't going to happen. -If you're telling me no... -I'm telling you no. | 0:28:48 | 0:28:52 | |
I will agree on £1,500 per page. | 0:28:52 | 0:28:54 | |
-OK. -Fabulous. | 0:28:54 | 0:28:57 | |
'After a painful first step, another try for Hip Replacement.' | 0:28:59 | 0:29:03 | |
So our target market is the newly-retired, say, from 60 to 70. | 0:29:04 | 0:29:09 | |
This demographic that we're most interested in is the intellectual and the educated. | 0:29:09 | 0:29:14 | |
Little granny sitting in a rocking chair knitting, that stereotype has long gone. | 0:29:14 | 0:29:18 | |
So basically, we're being a bit risky, a bit edgy, | 0:29:18 | 0:29:21 | |
and it's a magazine for that demographic called Hip Replacement. | 0:29:21 | 0:29:25 | |
And we wanted to be ironic. | 0:29:25 | 0:29:27 | |
I kind of bought into it all the way up to there, | 0:29:27 | 0:29:31 | |
but the name just gives it the whole stereotype back again. | 0:29:31 | 0:29:34 | |
And I'm not necessarily sure that they would think that that's a play on words. | 0:29:34 | 0:29:40 | |
-So maybe when I see some of the editorial... -Yes. | 0:29:40 | 0:29:43 | |
We have an area called The Old Favourites, appreciating that you've got a phone network. | 0:29:43 | 0:29:48 | |
Love Technology, Claudine. Beginner, intermediate and advanced. | 0:29:48 | 0:29:52 | |
So the beginner wants to just be able to make calls. | 0:29:52 | 0:29:56 | |
The intermediate might like to take pictures. The advanced might like to use it for email. | 0:29:56 | 0:30:00 | |
It's a bit patronising. OK, there is a gap in this market | 0:30:00 | 0:30:04 | |
so would you be willing to do a rate of around £2,000? | 0:30:04 | 0:30:09 | |
-Yes. -OK. | 0:30:09 | 0:30:11 | |
'£500 a page better than lads' mag Covered.' | 0:30:11 | 0:30:16 | |
I'm wondering if we should take a softer approach. | 0:30:18 | 0:30:22 | |
We're not going to change our magazine based on one pitch. | 0:30:22 | 0:30:25 | |
Not change our magazine, but the way in which it's presented is important, I think. | 0:30:25 | 0:30:30 | |
Is a soft approach basically an insurance approach where we have no conviction? | 0:30:30 | 0:30:34 | |
We don't want to drop our pants before the end. | 0:30:34 | 0:30:37 | |
-PHONE RINGS -Did you like my pitch or not? | 0:30:37 | 0:30:39 | |
I think you stumbled a bit and it is what it is. | 0:30:39 | 0:30:42 | |
Let's just hope you can do the full pitch without getting interrupted. | 0:30:42 | 0:30:45 | |
-Hey? Sorry, say that again, Leon. -It was more of a joke. Yeah, I think you'll be fine. | 0:30:45 | 0:30:51 | |
'Final pitch - Maxus, a boutique buyer with blue-chip clients.' | 0:30:53 | 0:30:58 | |
-Hello there. -Hello. -Here we go. "Work hard, play hard" is our unique selling point. | 0:31:00 | 0:31:06 | |
Let's face it, lots of guys like to get a bit of dollar in their pocket to impress the ladies. Yeah? | 0:31:06 | 0:31:13 | |
So we feature in our lads' magazine, "How do you blow your load?" | 0:31:13 | 0:31:17 | |
which translates into, "How do you spend your cash?" | 0:31:17 | 0:31:20 | |
-Are you happy with that? -We embrace that we are a lads' magazine. | 0:31:20 | 0:31:24 | |
-How do you think advertisers will feel about blow your load? -That phrase? | 0:31:24 | 0:31:28 | |
I think it's a lads' magazine. | 0:31:28 | 0:31:31 | |
I do feel like I've gone back to the 90s. | 0:31:31 | 0:31:33 | |
That's what Loaded was doing in 1995 and I think men have grown up. | 0:31:33 | 0:31:38 | |
You have straight away alienated probably 80 percent of our client base. | 0:31:38 | 0:31:42 | |
We believe that the business aspect balances everything out. | 0:31:42 | 0:31:48 | |
-Our advice would probably be, in the future, to tone that down. -Yeah. | 0:31:48 | 0:31:53 | |
'Stepping up with Hip Replacement, Glenn.' | 0:31:54 | 0:31:58 | |
Now, the reason we've picked the over-60s is because we feel | 0:31:59 | 0:32:03 | |
that they are a massively untapped resource | 0:32:03 | 0:32:06 | |
and we've come up with Hip Replacement | 0:32:06 | 0:32:08 | |
with the tagline, "Out with the old and in with the new". | 0:32:08 | 0:32:12 | |
We want to dispel this image. We want it out that the old are done and dusted. | 0:32:12 | 0:32:18 | |
We want to say that they're in with the new, basically. | 0:32:18 | 0:32:21 | |
-This is the front cover. -Could we give you some immediate feedback? | 0:32:21 | 0:32:25 | |
My heart slightly sank, and I think John's jaw dropped. | 0:32:25 | 0:32:29 | |
This does look like Viz have done a magazine for the over-60s. | 0:32:29 | 0:32:34 | |
-You've got a picture of someone in a cardigan. -We're showing that... We're showing both sexes. | 0:32:34 | 0:32:39 | |
We're trying to get through to people. We feel that, erm... | 0:32:39 | 0:32:44 | |
..basically, the content is what sells it. | 0:32:44 | 0:32:47 | |
That looks...pretty good. | 0:32:47 | 0:32:49 | |
-You like this? -Yeah, I like that. | 0:32:49 | 0:32:51 | |
We're taking the demographic who are, by their very nature, becoming more modern | 0:32:51 | 0:32:55 | |
and we're keeping it modern and keeping it fresh. | 0:32:55 | 0:32:58 | |
I'm interested in this. I think there is a gap in the market. | 0:32:58 | 0:33:01 | |
If I went to my client and said the rate card's £5,000 for the inside front cover, | 0:33:01 | 0:33:05 | |
we've getting 50 percent discount off that, it might be something I can sell. | 0:33:05 | 0:33:09 | |
OK. 50 percent is bold in terms of what we were considering. | 0:33:09 | 0:33:14 | |
A lot of launch magazines give their advertising for free to encourage other advertisers in. | 0:33:14 | 0:33:19 | |
-I preferred when it was 50 percent as opposed to free. -That's your final offer. | 0:33:19 | 0:33:23 | |
Everybody in agreement with that? | 0:33:23 | 0:33:25 | |
OK, we'll take that back and talk to clients. | 0:33:25 | 0:33:29 | |
We weren't on the back foot in the negotiation because he liked it. | 0:33:30 | 0:33:34 | |
That kept us in a strong position. | 0:33:34 | 0:33:37 | |
'Tomorrow, given away free in the boardroom, | 0:33:37 | 0:33:41 | |
'the results.' | 0:33:41 | 0:33:43 | |
You can go through to the boardroom now. | 0:34:23 | 0:34:26 | |
-Good afternoon. -ALL: Good afternoon, Lord Sugar. | 0:34:46 | 0:34:49 | |
Well, there's been a big shift in the market towards these free magazines. | 0:34:52 | 0:34:57 | |
A very popular thing these days. The media has changed tremendously over the years | 0:34:57 | 0:35:01 | |
and, of course, the main commercial aspect of that is the advertising revenue. | 0:35:01 | 0:35:06 | |
Now, Natasha, I made you team leader. Natasha was a good team leader? | 0:35:06 | 0:35:11 | |
-Yeah, very passionate. -She made a good editor. | 0:35:11 | 0:35:14 | |
-Your team came up with this, right? -Covered, that's right. | 0:35:14 | 0:35:17 | |
-Tell me about it. -We came up with the concept and the unique selling point | 0:35:17 | 0:35:22 | |
of "work hard, play hard" for lads' magazines. | 0:35:22 | 0:35:26 | |
-It's for the lads and finance. So it's... -The work hard, play hard balance. | 0:35:26 | 0:35:29 | |
-Like the FT with a swimwear section in it? -Not exactly, no. | 0:35:29 | 0:35:33 | |
It was trying to be business related, entrepreneur related, work related. | 0:35:33 | 0:35:37 | |
-Who went to the focus group? -Myself and Tom. -What did you glean from the focus group? | 0:35:37 | 0:35:42 | |
They were saying stop under-estimating us. | 0:35:42 | 0:35:44 | |
They read lads' magazines but they're interested in careers... | 0:35:44 | 0:35:48 | |
Don't be condescending, don't talk down to us. | 0:35:48 | 0:35:51 | |
We are interested in finance and our careers. | 0:35:51 | 0:35:54 | |
They told you, "Don't talk down to us," and you're coming up with the same old stuff. | 0:35:54 | 0:35:58 | |
Bearing in mind your business model is all about being supported by advertising, | 0:35:58 | 0:36:04 | |
tell me about who you think the potential advertisers are going to be in the book. | 0:36:04 | 0:36:08 | |
We had the three agencies and a list of their clients. There was a lot of finance clients. | 0:36:08 | 0:36:13 | |
You've got articles in here, "How to blow your load". | 0:36:13 | 0:36:16 | |
-Who would be advertising next to that, then? -There's companies that alcohol, there's a strip club. | 0:36:16 | 0:36:23 | |
Banks wouldn't go anywhere near that. | 0:36:23 | 0:36:25 | |
Hindsight is a lovely thing. Helen and I pushed hard at one stage | 0:36:25 | 0:36:29 | |
-to move away from the "blow your load", but we didn't push hard enough. -You did, to be fair. | 0:36:29 | 0:36:35 | |
I think I was the one most strongly against the concept. | 0:36:35 | 0:36:39 | |
I see one of the articles, "How to make £1,000 from rubbish". | 0:36:39 | 0:36:42 | |
-Whose idea was it to include that? -That was my feature. | 0:36:42 | 0:36:46 | |
Good. That is entrepreneurial spirit. | 0:36:46 | 0:36:49 | |
You found out how to do it from the previous tasks and you decided to make a feature of it. | 0:36:49 | 0:36:54 | |
I think that's quite smart. | 0:36:54 | 0:36:56 | |
Jim, Venture. | 0:36:56 | 0:36:59 | |
-Yes, Lord Sugar. -Do you feel you had a good team leader? -Yes. -Yeah, definitely. | 0:36:59 | 0:37:03 | |
-Speak up. -OK. I said, "Let's go for over-60s". Zoe said, "Let's go for over-60s". | 0:37:04 | 0:37:09 | |
Glenn says, "Over-60s" and Susan was sitting on the fence but then backed us on over-60s. | 0:37:09 | 0:37:15 | |
It's a good market. Us over-60s, we are a huge market. | 0:37:15 | 0:37:20 | |
-Mm-hm. -Lot of disposal income. I want to know, where did you get this name from? | 0:37:20 | 0:37:25 | |
I somehow came up with this Hip Replacement, | 0:37:25 | 0:37:28 | |
but this developed into a whole concept, | 0:37:28 | 0:37:31 | |
as in replacing where hip is. | 0:37:31 | 0:37:34 | |
-It's a play on words, isn't it? Meaning it's quite cool. -Exactly. | 0:37:34 | 0:37:38 | |
-And it's also... -But unfortunately, in my opinion, it's kind of backfired here. | 0:37:38 | 0:37:43 | |
Hip Replacement. I'm reading it exactly what it means. | 0:37:43 | 0:37:46 | |
-I mean, you know... -We've got the tagline at the bottom, "Out with the old, in with the new". | 0:37:46 | 0:37:53 | |
-That makes it worse, doesn't it? Out with the old hip and in with a new one! -It's satirical. | 0:37:53 | 0:37:58 | |
It's like a do-it-yourself hip replacement. | 0:37:58 | 0:38:01 | |
-The feedback... -They came up with some very tedious names, like Pension Mention. | 0:38:01 | 0:38:06 | |
-Somebody, I can't remember who it was, came up with Coffin Dodgers. -Coffin Dodgers? | 0:38:06 | 0:38:11 | |
-They said, "Really push the boundaries, really break the mould." -We felt it was risque and edgy | 0:38:11 | 0:38:17 | |
and with a medical connotation that is applicable to that age group. | 0:38:17 | 0:38:21 | |
All right. Look, you went and pitched your magazines to the professionals. | 0:38:21 | 0:38:26 | |
So we're going to find out what they thought and where they'd put their money. | 0:38:26 | 0:38:30 | |
So, I'm going to start off with Maxus. | 0:38:33 | 0:38:38 | |
Karren, how did Logic do? | 0:38:38 | 0:38:40 | |
They didn't really like it. Didn't like the "How to blow your load" angle but said they'd take £9,000. | 0:38:40 | 0:38:46 | |
9,000. And Maxus for Venture? | 0:38:46 | 0:38:51 | |
More impressed. They would take £12,000. | 0:38:51 | 0:38:54 | |
-Mediacom. -Again, they thought it was dated. | 0:38:56 | 0:38:59 | |
They thought it was very stuck in the 1990s. | 0:38:59 | 0:39:02 | |
They decided to take £7,500 worth of advertising. | 0:39:02 | 0:39:06 | |
-Nick, on Mediacom? -Claudine at Mediacom was prepared to | 0:39:06 | 0:39:10 | |
put her toe in the water to the tune of £16,850. | 0:39:10 | 0:39:15 | |
Right. OK, so we've got 28 grand on the clock against 16. | 0:39:15 | 0:39:20 | |
While I'm with you, Nick, Carat. | 0:39:20 | 0:39:23 | |
-Carat loathed it and weren't prepared to buy anything. -Nothing? -Nothing. | 0:39:23 | 0:39:31 | |
For Logic, Karren? | 0:39:33 | 0:39:35 | |
Well, they liked it so much, | 0:39:35 | 0:39:39 | |
they wanted to buy every page in the book | 0:39:39 | 0:39:42 | |
and they offered £60,000 to do that. | 0:39:42 | 0:39:44 | |
-For kind of an exclusive. -For an exclusive, yeah. | 0:39:46 | 0:39:49 | |
That's a very, very good deal. Yeah. Now, I'm not sure about the front cover. | 0:39:49 | 0:39:54 | |
Did you ever go to work looking like that, Karren, in your 20 years? | 0:39:54 | 0:39:58 | |
-I can safely say no, I have never been to work looking like that. -No. | 0:39:58 | 0:40:01 | |
Well, look, having battled it out in the world of publishing, I've got a treat for you. | 0:40:01 | 0:40:06 | |
Something a bit unique. I'm going to send you into some gentlemanly sport. | 0:40:06 | 0:40:12 | |
You're going to be trained by some British champions in the art of fencing. | 0:40:12 | 0:40:17 | |
So have a good time and I'll see you on the next task, OK? | 0:40:18 | 0:40:23 | |
-Thank you. -And I'll be looking forward to hearing who is the Errol Flynn amongst you. | 0:40:23 | 0:40:28 | |
I'm surprised, to be honest, because I think you had the biggest market. Jim, take your team away. | 0:40:36 | 0:40:41 | |
Go and have a chat about what went on. | 0:40:41 | 0:40:44 | |
I'll see you back here shortly. One of you will be leaving today. | 0:40:44 | 0:40:48 | |
OK? Off you go. | 0:40:48 | 0:40:51 | |
En garde! Bravo! So two steps. One, two. | 0:40:57 | 0:41:02 | |
Good. Two steps back. Very good. | 0:41:02 | 0:41:05 | |
THEY LAUGH | 0:41:24 | 0:41:27 | |
-APPLAUSE -Well done, girls, great effort. | 0:41:27 | 0:41:30 | |
Guys, congratulations. | 0:41:30 | 0:41:32 | |
We certainly haven't been given the booby prize | 0:41:32 | 0:41:34 | |
but I think it was the boobies that made us win the treat, | 0:41:34 | 0:41:37 | |
-so congratulations! -Well done! -Well done. | 0:41:37 | 0:41:41 | |
Right, guys, we lost. Was there anything you would've changed, Glenn? | 0:41:48 | 0:41:54 | |
Maybe that first pitch. | 0:41:54 | 0:41:56 | |
They did say, "We could fill the 35 pages if you give us a cheap price" | 0:41:56 | 0:42:00 | |
and it went straight over Jim's head. | 0:42:00 | 0:42:02 | |
-If we'd gone in at bottom price... -We didn't get it cos he hated the name. | 0:42:02 | 0:42:06 | |
We all endorsed the name. That's the reason why. | 0:42:06 | 0:42:08 | |
Zoe thought of the name, OK? | 0:42:08 | 0:42:11 | |
We backed it, but she thought of it. | 0:42:11 | 0:42:13 | |
We tried to tap into a market that none of us knew anything about. | 0:42:13 | 0:42:17 | |
I completely disagree. I don't think you can back out at this late stage and say, "The whole thing was wrong". | 0:42:17 | 0:42:22 | |
I was the only one who opposed the name Hip Replacement. | 0:42:22 | 0:42:26 | |
Everyone else seemed to be really gunning for that. | 0:42:26 | 0:42:29 | |
I'm not backing out, I'm just trying... | 0:42:29 | 0:42:31 | |
Every single view that I had, the entire team was opposed. | 0:42:31 | 0:42:34 | |
We lost and it is what it is. We know what happens next. | 0:42:34 | 0:42:38 | |
-PHONE RINGS -Hello? | 0:42:43 | 0:42:46 | |
Yes, could you send the four of them in, please? | 0:42:46 | 0:42:49 | |
Yes, Lord Sugar. | 0:42:49 | 0:42:51 | |
Lord Sugar's ready for you now. | 0:42:51 | 0:42:53 | |
OK, well, Jim, clearly something went wrong with the pitching to the advertising agencies. | 0:43:08 | 0:43:15 | |
-Any thoughts? -Yeah, I do have thoughts. They made a point straight off the bat | 0:43:15 | 0:43:20 | |
that their advertisers would not want to be in a magazine with that name. | 0:43:20 | 0:43:24 | |
The name Hip Replacement is bad. | 0:43:24 | 0:43:26 | |
-It is bad. -It's... -I'm disappointed that all four of you stuck to that title. | 0:43:26 | 0:43:32 | |
I was the only person who disagreed with the name. | 0:43:32 | 0:43:34 | |
-But you didn't... -I did. -I didn't hear... | 0:43:34 | 0:43:37 | |
-Your voice must have been lost in translation. -I absolutely did. -I definitely did not hear. Did you? | 0:43:37 | 0:43:42 | |
-She did say she wasn't agreed with it but there was no strength. -It's a whisper in the night. | 0:43:42 | 0:43:47 | |
-Zoe, you started off with a concept of "60 is the new 30". -Yeah. | 0:43:47 | 0:43:52 | |
-When I look at this, I don't see that being projected. -I don't, either. | 0:43:52 | 0:43:56 | |
-Who didn't project it properly? -That's what I don't understand. | 0:43:56 | 0:44:00 | |
I thought we came up with this "hip" which was the digital font | 0:44:00 | 0:44:03 | |
and then I came back and it was Vanity Fair text | 0:44:03 | 0:44:07 | |
-and I genuinely don't understand... -You were there. -Were you in front of the screen? | 0:44:07 | 0:44:12 | |
-I was sat at the table behind. -I said when we put the digital font on, "That doesn't look right" | 0:44:12 | 0:44:17 | |
and you agreed and I said, "We'll revert back to the text which was more legible" and you said OK. | 0:44:17 | 0:44:21 | |
-No. -Jim, Jim. This must have come about by your direction. | 0:44:21 | 0:44:26 | |
It's not exactly how it went, but yes, the finished cover has got more of my hand on it then anybody else's | 0:44:26 | 0:44:33 | |
-but at all stages of that, Zoe contributed. -I personally wanted a different front cover. | 0:44:33 | 0:44:39 | |
-That photo's awful. -This is pretty old-fashioned stuff. | 0:44:39 | 0:44:43 | |
I gave a brief tighter than a duck's behind for the photo shoot. | 0:44:43 | 0:44:46 | |
A young couple who were younger than their age. The only shot we could use was that shot. | 0:44:46 | 0:44:52 | |
We gave you a selection of photos and that was your choice. | 0:44:52 | 0:44:55 | |
And they were based on your brief. | 0:44:55 | 0:44:57 | |
-If we give you what you want, you can't complain. -My brief was single shots, as well. | 0:44:57 | 0:45:02 | |
I showed the piggyback shot with the title Hip Replacement. | 0:45:02 | 0:45:06 | |
-A piggyback and Hip Replacement... -It's ironic. It probably would've done better. | 0:45:06 | 0:45:10 | |
-Jim, what did you want to see? -I wanted people like that. | 0:45:10 | 0:45:14 | |
People like that, but anything that could show a bit of action or activity. | 0:45:14 | 0:45:18 | |
-And fun. -I said, "Show that they're having fun and doing things that aren't in their age group." | 0:45:18 | 0:45:22 | |
-Did those photos not contain that? They did. -They didn't. I wish they did. | 0:45:22 | 0:45:26 | |
-Susan. -We had bikes, we had boxing gloves, we had princess lifts. | 0:45:26 | 0:45:31 | |
-They were there. -So many different types of scenes. | 0:45:31 | 0:45:34 | |
I think you're missing the point. Some of the content in here is condescending to say the least. | 0:45:34 | 0:45:39 | |
-Technology. You're a bit of a technologist. -And that's... | 0:45:39 | 0:45:43 | |
Do you think us people who are 60 are so bleeding thick, we need to go, "How do make a phone call"? | 0:45:43 | 0:45:48 | |
Are you taking the piss or what? I'm supposed to be 60 thinking I'm 30. | 0:45:48 | 0:45:52 | |
But Lord Sugar, you're in the technology industry. | 0:45:52 | 0:45:55 | |
-You'd probably... -I look at him as a classic example | 0:45:55 | 0:45:58 | |
and even he has glided through technology. | 0:45:58 | 0:46:01 | |
He'd be insulted if you said to him how to make a bloody phone call! | 0:46:01 | 0:46:05 | |
You pitched to three different companies | 0:46:05 | 0:46:07 | |
and I think, Jim, you did two of the pitches, and Glenn, you did one. | 0:46:07 | 0:46:11 | |
Actually, this is the essence of the failure of this task. | 0:46:11 | 0:46:15 | |
Two factors - contribution and cowardliness. | 0:46:15 | 0:46:18 | |
Contribution - 60 percent, 25 percent, 10 percent, 5 percent. | 0:46:18 | 0:46:22 | |
-Cowardliness... -Cowardliness, I'm... -Let me finish. | 0:46:22 | 0:46:26 | |
"I'll pitch, but you'll be better, Jim." | 0:46:26 | 0:46:28 | |
You had five hours to prepare a pitch, but I'll be much better. | 0:46:28 | 0:46:32 | |
The next morning, I manned up and took it on. | 0:46:32 | 0:46:34 | |
-Susie never stepped up at all. -Why didn't you do it, Susan? | 0:46:34 | 0:46:37 | |
-I did actually put my hand forward. The reason... -You know what? -Don't even... | 0:46:37 | 0:46:42 | |
-The reason... -Please, be true to yourself with your answers. -I will. | 0:46:42 | 0:46:45 | |
It's unfair to say that I didn't contribute to the pitch. | 0:46:45 | 0:46:48 | |
I'm going to make a valid point, because it looks as if we're all trying to shoot Bambi. | 0:46:48 | 0:46:52 | |
-Which one is Bambi? -Susie is Bambi because of her lack of contribution | 0:46:52 | 0:46:57 | |
-and her half-hearted nature. -That's unfair. | 0:46:57 | 0:47:00 | |
-It's not unfair, Susie. I wish it were. -It was actually Bambi's mother that got shot. | 0:47:00 | 0:47:04 | |
I did honestly put myself forward for the pitch. | 0:47:04 | 0:47:08 | |
-Others are saying you didn't. -I did say it! Honestly! | 0:47:08 | 0:47:12 | |
You did say it, but it was less than half-hearted, no disrespect. I felt if I didn't pitch all three... | 0:47:12 | 0:47:19 | |
Before we get terribly carried away with the pitching side, Jim, you might be interested to know that | 0:47:19 | 0:47:24 | |
one of the major media buying companies, the one that didn't give you any money, said you were, | 0:47:24 | 0:47:29 | |
"Inflexible, not prepared to negotiate..." | 0:47:29 | 0:47:34 | |
This is on the prices matter. I was going to bring that up. | 0:47:34 | 0:47:37 | |
What discount did you offer them? | 0:47:37 | 0:47:39 | |
-They weren't interested in taking... -They said to us... | 0:47:39 | 0:47:43 | |
"What's your best price?" and we didn't offer any discount at all. | 0:47:43 | 0:47:47 | |
-Yeah, nothing. -They did not like the title. OK? | 0:47:47 | 0:47:50 | |
This is business acumen now. | 0:47:50 | 0:47:53 | |
-The business talk in this industry is, "What's your discount from the rate card?" -Yes. | 0:47:53 | 0:47:58 | |
Am I hearing correctly, that you didn't offer them anything? | 0:47:58 | 0:48:01 | |
-We did offer... -Expected them to pay rate card for a brand new magazine? | 0:48:01 | 0:48:05 | |
-We offered them discount if they... -Ten percent. | 0:48:05 | 0:48:08 | |
One of the people you did get an order from, what did you give them by way of discount? | 0:48:08 | 0:48:12 | |
-We gave them more aggressive discount. -Why? | 0:48:12 | 0:48:15 | |
Because we were in a more informed position. | 0:48:15 | 0:48:17 | |
In order words, the penny dropped that you'd made a cock up on your first pitch. | 0:48:17 | 0:48:21 | |
-We... -Jim, who's responsible for the failure of the task out of this four? Who should go home today? | 0:48:21 | 0:48:26 | |
I would happily bring all three back, but who's responsible for the failure of this task | 0:48:26 | 0:48:31 | |
is the meek little mouse and that's Susan, followed closely by Glenn and not too far behind by Zoe. | 0:48:31 | 0:48:37 | |
I was the project manager that they loved and I led them to defeat. | 0:48:37 | 0:48:41 | |
It's not about love. Let's not get carried away. | 0:48:41 | 0:48:43 | |
Love? You've been doing enough talking today that some of it is on my behalf, really. | 0:48:43 | 0:48:48 | |
My question is, who are you bringing back with you? | 0:48:48 | 0:48:50 | |
-I'm certainly bringing back Susie and Glenn. -OK. | 0:48:50 | 0:48:54 | |
-Zoe, I'll see you on the next task, OK? -Thank you, Lord Sugar. | 0:48:54 | 0:48:58 | |
OK, you three, step outside and I'll call you back in a bit. I want to talk to Karren and Nick. | 0:49:02 | 0:49:09 | |
I tell you what, he can talk, that Jim, can't he? | 0:49:14 | 0:49:17 | |
But the thing is, he always covers his arse. | 0:49:17 | 0:49:21 | |
He never takes a unilateral decision. | 0:49:21 | 0:49:23 | |
It's interesting Susan comes into the boardroom time and time again | 0:49:23 | 0:49:27 | |
-with all these wonderful task-saving ideas... -And turns into a mouse. | 0:49:27 | 0:49:31 | |
-This is the mousetrap. -Yeah. | 0:49:31 | 0:49:33 | |
The thing about Glenn is, he always falls back to, "I've never done it before, this is my first time". | 0:49:34 | 0:49:40 | |
To be honest, his pitch was very, very average. | 0:49:40 | 0:49:43 | |
-PHONE RINGS -Lord Sugar will see you now. | 0:49:43 | 0:49:47 | |
Right, Jim, you said in a rather derisory manner, | 0:50:01 | 0:50:06 | |
referring to Susan as a mouse, is that right? | 0:50:06 | 0:50:09 | |
-I didn't mean to be offensive. My point was... -It wasn't complimentary, was it? | 0:50:09 | 0:50:13 | |
No, but it was to highlight her meek attitude. | 0:50:13 | 0:50:17 | |
I think, during the tasks, I do try to voice myself, | 0:50:17 | 0:50:20 | |
but I think I lack respect from the rest of my team members. But I actually have my own business | 0:50:20 | 0:50:26 | |
and that is something that these two can't say. They've only ever worked for other people. | 0:50:26 | 0:50:31 | |
-They've never taken the initiative to work for themselves. -Fair comment. The mouse that roared. | 0:50:31 | 0:50:36 | |
-What have you got to say about that, Jim? -It was refreshing. It was interesting to hear the mouse roar. | 0:50:36 | 0:50:41 | |
But there are some times where she whispers and maybe goes unheard | 0:50:41 | 0:50:46 | |
and there are some times where she doesn't say things. | 0:50:46 | 0:50:49 | |
-She says she does. -For example, I started the discussion about pricing | 0:50:49 | 0:50:53 | |
and Susan said, "I brought up pricing". That's not true. | 0:50:53 | 0:50:56 | |
Susan said, "Let's slash the price. We must slash the price." | 0:50:56 | 0:51:02 | |
-She was at it all the time. -Thank you very much, Nick. | 0:51:02 | 0:51:06 | |
Nick, what we're both saying is true. | 0:51:06 | 0:51:09 | |
-Really? -In the third pitch, I brought up the topic of price | 0:51:09 | 0:51:12 | |
and I said, "We need to have a discussion..." | 0:51:12 | 0:51:15 | |
Susan's still pushing for greater percentage, "We've got to come away with something". | 0:51:15 | 0:51:20 | |
-I actually said that, Nick. -Oh, God. | 0:51:20 | 0:51:23 | |
-Glenn, it's your dream to be in business, right? -100 percent. | 0:51:24 | 0:51:27 | |
You described yourself as a barrow boy who done well. | 0:51:27 | 0:51:30 | |
I've promoted live music, I'm a social secretary at a football club, they both turn money over. | 0:51:30 | 0:51:36 | |
-So you're not a bit of a Del Boy, then? -I'm not a Del Boy. | 0:51:36 | 0:51:39 | |
I thought you were one of those people who thought Fools And Horses was a business documentary. | 0:51:39 | 0:51:44 | |
-I've reached a position which is reserved... -You're an engineer. -Yes. | 0:51:44 | 0:51:47 | |
I have started ventures on my own and I have not failed in anything I've tried. | 0:51:47 | 0:51:52 | |
The pitch that I went forward for where I've had no experience we pulled money away from. | 0:51:52 | 0:51:57 | |
-I think that's pretty good for a first go. -I wonder, would Nick agree | 0:51:57 | 0:52:01 | |
that when you were looking for your words, I stepped in, and come the negotiation, I led that. | 0:52:01 | 0:52:06 | |
Because you're a control freak. You never let anyone finish a sentence. | 0:52:06 | 0:52:10 | |
-Do you honestly believe that? -To be honest... -I heard a little "Mm" from Nick here when you said that. | 0:52:10 | 0:52:17 | |
-Have you come across him as a bit of a control freak? -Yes. | 0:52:17 | 0:52:20 | |
You are what I would call a passive aggressive. You charm people into going along with your ideas. | 0:52:20 | 0:52:27 | |
I don't try to deceive anybody, Karren and Nick. | 0:52:27 | 0:52:29 | |
I put myself out there. I don't think that these two punters to my left and right can say that. | 0:52:29 | 0:52:34 | |
-I think they can. -I really don't... | 0:52:34 | 0:52:37 | |
-You wouldn't let anyone. -I asked you to do the pitches. | 0:52:37 | 0:52:41 | |
And, yes, we make mistakes, and I hold my hand up and say, | 0:52:41 | 0:52:44 | |
"If I had more industry experience, I might have given more discount" | 0:52:44 | 0:52:48 | |
-and I feel the noose tightening. -One could argue that is the biggest error. | 0:52:48 | 0:52:52 | |
You said the noose is around your neck. You've got her in the mousetrap. | 0:52:52 | 0:52:56 | |
It sounds like a bleeding Agatha Christie play. | 0:52:56 | 0:52:58 | |
Who should get fired, then? I'm sure you're going to exclude yourself. | 0:52:58 | 0:53:03 | |
Susie should be fired for obvious reasons. She's front of house and all style, no substance. | 0:53:03 | 0:53:08 | |
All style, no substance. | 0:53:08 | 0:53:10 | |
-Every single thing that you asked me to do on this task, I did to the best of my ability. -Pitch? | 0:53:10 | 0:53:16 | |
-Do you think... -I asked you to pitch. -I didn't put myself forward as strongly as Glenn. | 0:53:16 | 0:53:20 | |
I admit I lacked confidence and I should've put myself forward more. | 0:53:20 | 0:53:24 | |
You lacked passion, enthusiasm, contribution, getting involved. | 0:53:24 | 0:53:28 | |
I feel that every single thing I have done has been overlooked. | 0:53:28 | 0:53:32 | |
-I don't... -You have tunnel vision. | 0:53:32 | 0:53:35 | |
-You put blinkers on and ignored everyone else... -I want this. | 0:53:35 | 0:53:39 | |
I want your investment more than anyone else in this room. | 0:53:39 | 0:53:42 | |
-That's untrue. -That's untrue. -I've had my own business, I know what it is like to create something | 0:53:42 | 0:53:47 | |
-that you've produced yourself. I am 21 and I have had... -Stop using your age. It doesn't make any difference. | 0:53:47 | 0:53:52 | |
-We're all in this process together. -You didn't have the initiative to do what I've done. | 0:53:52 | 0:53:57 | |
Where's your initiative in this process? | 0:53:57 | 0:54:00 | |
She ain't doing too bad now. You beat her up before. She's got no support from you lot. | 0:54:00 | 0:54:05 | |
But what sticks in my mind is finding yourself in this position all the time | 0:54:05 | 0:54:09 | |
-where no-one's ever agreeing with what you're saying. -I honestly feel that they look at me and they think, | 0:54:09 | 0:54:15 | |
"Young, naive, no experience, let's pick on her, let's get rid of her, she's an easy target." | 0:54:15 | 0:54:19 | |
-That is how I feel. -I think that you're just marginally worse than Glenn, so I'm not picking on you. | 0:54:19 | 0:54:26 | |
-I said... -ALAN CHUCKLES -That's ridiculous. | 0:54:26 | 0:54:29 | |
-Hang on. -You are a different class, son. -You never make a decision without passing it out to everyone. | 0:54:29 | 0:54:34 | |
You never just say, "That was my idea". You don't take responsibility. | 0:54:34 | 0:54:38 | |
You want to go to someone who has natural business acumen. | 0:54:38 | 0:54:41 | |
You don't know how to do business. With the agents, you didn't even think to discount the price. | 0:54:41 | 0:54:47 | |
OK, look, I think I've had enough. | 0:54:47 | 0:54:50 | |
Jim, I'm starting to think about whether I want to be in business with somebody | 0:54:50 | 0:54:55 | |
who finds its difficult to admit that he's done something wrong. | 0:54:55 | 0:55:00 | |
-You're great at deflecting questions away. -May I speak, Lord Sugar? | 0:55:00 | 0:55:04 | |
No, I don't want any more speaking now. It's not once, it's several times | 0:55:04 | 0:55:09 | |
that I've been told by Nick that you have, I suppose, this manipulative manner | 0:55:09 | 0:55:15 | |
to get everybody on side and never make a decision on your own | 0:55:15 | 0:55:18 | |
and anybody who goes into business with me has to make decisions on their own. | 0:55:18 | 0:55:22 | |
Glenn, you said that you run some social club and all that type of thing. | 0:55:24 | 0:55:28 | |
That's not real business. I've had a problem in the past few weeks | 0:55:28 | 0:55:32 | |
grasping what your USP is, really. | 0:55:32 | 0:55:36 | |
Susan, it's not an excuse, your age, yeah? | 0:55:39 | 0:55:43 | |
Cos I was younger than you when I started my business. | 0:55:43 | 0:55:46 | |
And no-one shoved me around, OK? | 0:55:46 | 0:55:49 | |
You want to play in a big person's world, you have to become a big person. | 0:55:49 | 0:55:54 | |
Susan, I may have heard it too many times and you may be too young. | 0:56:01 | 0:56:05 | |
But I think that Glenn, I have never yet come across | 0:56:06 | 0:56:12 | |
an engineer that can turn his hand to business. | 0:56:12 | 0:56:16 | |
So, Glenn, you're fired. | 0:56:16 | 0:56:19 | |
Thank you for the opportunity, Lord Sugar. | 0:56:19 | 0:56:22 | |
Now, you can talk the hind legs off a donkey. | 0:56:30 | 0:56:33 | |
-But what I've forgotten about bullshit you ain't even learnt yet. Do you understand me? -I do. | 0:56:33 | 0:56:39 | |
So you know what I like. I saw a glimmer in you of some kind. | 0:56:39 | 0:56:45 | |
Play to it, yeah? And Susan, | 0:56:45 | 0:56:47 | |
it's what you've done in the past outside of this process that's left you here. | 0:56:47 | 0:56:51 | |
-I understand. -Now you have to show me that you can actually do what you claim you've done. -I will. | 0:56:51 | 0:56:57 | |
-Go back to the house. I'll see you on the next task. -Thank you. | 0:56:57 | 0:57:00 | |
All the best. | 0:57:02 | 0:57:04 | |
Glenn, I don't know, I didn't see much from him. | 0:57:07 | 0:57:11 | |
I think you've given Susan an opportunity now to actually stamp her personality in this process. | 0:57:11 | 0:57:18 | |
-If she doesn't do it, you're quite entitled... -And him, also. | 0:57:18 | 0:57:21 | |
It's not the ending I wanted. He just doesn't want to work with an engineer. | 0:57:32 | 0:57:36 | |
I honestly don't know why. | 0:57:36 | 0:57:38 | |
I didn't fail at one thing. | 0:57:38 | 0:57:41 | |
Obviously, I failed at impressing Lord Sugar, but, you know... | 0:57:41 | 0:57:45 | |
Jim kind of went, "Lord Sugar, you're implying that it's arse-covering going on" | 0:57:46 | 0:57:50 | |
and Lord Sugar was like, "Yeah, that's exactly what I'm implying." | 0:57:50 | 0:57:54 | |
And Jim took exception to that. | 0:57:54 | 0:57:56 | |
I think Jim has been fired. | 0:57:57 | 0:57:59 | |
-I think Susie's probably gone. -Who knows? | 0:58:01 | 0:58:03 | |
-Oh, God. -THEY CHEER | 0:58:03 | 0:58:07 | |
Oh, my God! | 0:58:08 | 0:58:12 | |
'In the fight for Lord Sugar's quarter-million-pound investment, | 0:58:12 | 0:58:16 | |
'eight candidates remain. Next time...' | 0:58:16 | 0:58:19 | |
-I hope you've got your passports cos we're off to Paris. -Oh, wow! | 0:58:19 | 0:58:24 | |
-'It's the fast track to France...' -Bonjour. Er... | 0:58:24 | 0:58:29 | |
Er... | 0:58:29 | 0:58:30 | |
'..with the best of British.' | 0:58:30 | 0:58:33 | |
He said it's not nice. | 0:58:36 | 0:58:38 | |
I've got Euro signs in my eyeballs now. | 0:58:38 | 0:58:41 | |
'And for one, it's the guillotine.' | 0:58:41 | 0:58:44 | |
You should've stuck with your guns because you're fired. | 0:58:45 | 0:58:48 | |
Subtitles by Red Bee Media Ltd | 0:58:49 | 0:58:53 | |
E-mail [email protected] | 0:58:53 | 0:58:57 | |
. | 0:58:57 | 0:58:57 |