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This is not about a job any more. | 0:00:02 | 0:00:05 | |
I'm the investor and you have got to make me some money. | 0:00:05 | 0:00:09 | |
-'Confident...' -I would call myself the blonde assassin | 0:00:09 | 0:00:13 | |
because I let people underestimate me just so I can blow them out of the water. | 0:00:13 | 0:00:16 | |
-'..determined...' -They call me the master puppeteer | 0:00:16 | 0:00:19 | |
because I have a habit of pulling people's strings and getting them to do what I want. | 0:00:19 | 0:00:23 | |
'..looking for investment...' | 0:00:23 | 0:00:26 | |
I've got a product for Lord Sugar that we can take international. | 0:00:26 | 0:00:29 | |
I believe it's going to be huge and I mean business. | 0:00:29 | 0:00:33 | |
'..16 hopefuls headed for London. | 0:00:33 | 0:00:36 | |
'They came to battle for a quarter of a million pounds | 0:00:37 | 0:00:40 | |
'to kick-start a business. | 0:00:40 | 0:00:43 | |
'To get it, they had to impress Britain's toughest investor, Lord Sugar.' | 0:00:43 | 0:00:49 | |
I'm not looking for a friend. If I want a friend, I get a dog. | 0:00:49 | 0:00:54 | |
Shameful. You let the numbers out of your sight. | 0:00:54 | 0:00:57 | |
You didn't know what your margins were. Sickening, that is, to me. Sickening. | 0:00:57 | 0:01:00 | |
I put you into a piddly little business | 0:01:00 | 0:01:03 | |
and you made a complete mess of the figures. I don't know what you were thinking. | 0:01:03 | 0:01:08 | |
'Each week he set a business-based task.' | 0:01:09 | 0:01:12 | |
-I feel physically sick. -I'm liking that, mate! | 0:01:12 | 0:01:15 | |
Bellissimo! Come across and get this unbelievable deal! | 0:01:15 | 0:01:18 | |
-'Tough from the start.' -Go, go, go! | 0:01:18 | 0:01:20 | |
You don't have to teach me how to suck eggs. I'm in a rush. | 0:01:20 | 0:01:23 | |
'It kept getting tougher.' | 0:01:23 | 0:01:26 | |
-Oh, my God. -It's the same thing happening again. We have an opinion and you don't like it. | 0:01:26 | 0:01:30 | |
It's pissing me off. Why are the other team still here? | 0:01:30 | 0:01:33 | |
'And someone always got the blame.' | 0:01:33 | 0:01:35 | |
You're fired. You're fired. This is my boardroom, | 0:01:35 | 0:01:38 | |
and by the way, this is my money. You're fired. | 0:01:38 | 0:01:41 | |
'Tonight, Why I Fired Them - the boss explains.' | 0:01:41 | 0:01:46 | |
'Week one. | 0:01:50 | 0:01:53 | |
'For the candidates, a first chance to shine.' | 0:01:53 | 0:01:56 | |
You look like you're sweating over there. | 0:01:56 | 0:01:59 | |
-You're not nervous, are you? -No, not at all. -You sure? -Yeah. | 0:01:59 | 0:02:04 | |
'And an early piece of advice from Lord Sugar.' | 0:02:04 | 0:02:09 | |
Let me give you a warning. Don't try and hide. | 0:02:09 | 0:02:13 | |
I'm not looking for Lord Lucan. I'm looking for somebody who's going to put themselves forward and show me | 0:02:13 | 0:02:19 | |
that they have got the aggression, the nous and the business acumen | 0:02:19 | 0:02:24 | |
to be my partner. | 0:02:24 | 0:02:27 | |
I get to know these people over the course of 12 weeks | 0:02:27 | 0:02:29 | |
and I invest in them as much as the idea. | 0:02:29 | 0:02:34 | |
'The first task sounded simple. | 0:02:39 | 0:02:41 | |
'Print onto blank products to add value.' | 0:02:41 | 0:02:45 | |
-I think the teddy's quite a good idea. -I quite like the teddy bear. | 0:02:45 | 0:02:48 | |
'But first, teams needed leaders.' | 0:02:48 | 0:02:52 | |
-I would like to put myself up as project manager. -I wouldn't mind doing it. | 0:02:52 | 0:02:56 | |
'Quick to take the risk, Gabrielle.' | 0:02:56 | 0:02:58 | |
I'm an architect. I also, erm, have literally just opened up my new print and design store. | 0:02:58 | 0:03:04 | |
-Wow. -All right, we'll go with you. | 0:03:04 | 0:03:07 | |
Gabrielle put herself forward and quite rightly so, | 0:03:07 | 0:03:11 | |
cos I've always preached that the project manager should be somebody | 0:03:11 | 0:03:14 | |
who's actually familiar with the particular task in hand. | 0:03:14 | 0:03:18 | |
-'On the boys' team...' -Is there anyone that wants to be the project manager? | 0:03:18 | 0:03:22 | |
'..a lack of volunteers.' | 0:03:22 | 0:03:25 | |
Anyone screaming out? | 0:03:25 | 0:03:27 | |
I don't want to be project manager because I'd be best used selling, on the stall. That's where I'll shine. | 0:03:27 | 0:03:33 | |
Guys, this is shocking. I know typically... | 0:03:33 | 0:03:36 | |
-We're going in to win. -I think we can win the task | 0:03:36 | 0:03:40 | |
so is anybody at this stage willing to put themselves forward? | 0:03:40 | 0:03:44 | |
I'll put myself forward if nobody wants to do it. | 0:03:44 | 0:03:46 | |
I don't really want to do the first week's task, but I will do it. | 0:03:46 | 0:03:51 | |
-Congratulations. Top man. -Nice one. | 0:03:51 | 0:03:54 | |
'When it came to design, the girls had style...' | 0:03:54 | 0:03:57 | |
-Aw. I actually quite like it. -I think it's lovely. | 0:03:57 | 0:04:01 | |
-It looks like it's drawn by kids for kids. -Aw! | 0:04:01 | 0:04:04 | |
-Hi, how are you? -'But they fell down on the figures.' | 0:04:04 | 0:04:09 | |
We we're slightly unsure exactly what we could buy. | 0:04:09 | 0:04:13 | |
Do you want to do 80 T-shirts or 90 T-shirt and 30 bibs? | 0:04:13 | 0:04:17 | |
-We're literally with the designer right now. -So what would you like us to do? | 0:04:17 | 0:04:21 | |
-Erm... -We're just going to have to make a decision, then. | 0:04:21 | 0:04:24 | |
Yeah, that's fine. I'm in agreement with that. Let's go with that. | 0:04:24 | 0:04:28 | |
No-one owned the numbers. | 0:04:29 | 0:04:31 | |
They were all too focused on jockeying for position | 0:04:31 | 0:04:35 | |
and basically arguing about Gabrielle not being a great leader. | 0:04:35 | 0:04:40 | |
I think Gabrielle is just losing control. | 0:04:40 | 0:04:42 | |
She's an architect. She can draw. That's it. | 0:04:42 | 0:04:45 | |
'And Gabrielle wasn't the only girl under scrutiny.' | 0:04:45 | 0:04:49 | |
-Where is she? -Katie. Katie? | 0:04:49 | 0:04:52 | |
I'm just getting really annoyed, cos we are doing everything. | 0:04:57 | 0:05:00 | |
The feedback from Nick was that they couldn't, quite rightly, see what Katie was doing. | 0:05:00 | 0:05:05 | |
If you're waiting, can you start packing? | 0:05:05 | 0:05:08 | |
I'm not waiting. I'm putting this stuff in. It takes as long as it takes. | 0:05:08 | 0:05:12 | |
That kind of message coming through to me was a bit like a red rag to a bull, really, | 0:05:12 | 0:05:17 | |
because I don't want those type of people in the process. | 0:05:17 | 0:05:21 | |
'On sales day, the boys scored a win.' | 0:05:24 | 0:05:28 | |
Can I show you this teddy bear that we're selling today? | 0:05:28 | 0:05:31 | |
-'Charging top prices...' -It's, er, £15. -'..for tourist tat.' | 0:05:31 | 0:05:36 | |
Would you like to take Jack home? Can you see Jack in Paris on the Champs-Elysees? | 0:05:36 | 0:05:40 | |
From a quality point of view, | 0:05:40 | 0:05:43 | |
the wrong product won this task. I mean, it was horrible. | 0:05:43 | 0:05:47 | |
-Put it in! -We'll sell it to a gullible tourist. -Yeah. Nice doing business with you. | 0:05:47 | 0:05:51 | |
It was poorly produced in some cases. | 0:05:51 | 0:05:53 | |
What can we do with that? | 0:05:53 | 0:05:56 | |
-They had to refund money. -These have marks on. They all have imperfections. | 0:05:56 | 0:06:01 | |
-It's so unprofessional. -I do apologise. | 0:06:01 | 0:06:03 | |
'Armed with baby clothes, the girls zeroed in on London Zoo.' | 0:06:05 | 0:06:10 | |
I'll handle this one. | 0:06:10 | 0:06:12 | |
'And it was the hard sell from risk analyst Bilyana.' | 0:06:12 | 0:06:16 | |
-Hello! How's your day going? -Good, thank you. | 0:06:16 | 0:06:19 | |
Can I interest you in some products that have been made? Our own design. We're selling them today. | 0:06:19 | 0:06:25 | |
I got myself from a communist block of flats in Bulgaria | 0:06:25 | 0:06:28 | |
to the top of a skyscraper in the heart of the financial city of London. | 0:06:28 | 0:06:32 | |
I'm shrewd, adaptable | 0:06:32 | 0:06:34 | |
and I have that raw business potential. | 0:06:34 | 0:06:37 | |
Could I interest you in our organic cotton hand-pressed T-shirts? | 0:06:37 | 0:06:40 | |
'But Bilyana's pushy style annoyed her new teammates.' | 0:06:40 | 0:06:45 | |
I keep spotting a family and then she runs up and does it. | 0:06:45 | 0:06:48 | |
No, that's not fair. We're taking it in turns. | 0:06:48 | 0:06:50 | |
She needs to cop onto herself. | 0:06:50 | 0:06:52 | |
Bilyana had this way of alienating people. | 0:06:52 | 0:06:55 | |
She did so, for example, | 0:06:55 | 0:06:57 | |
when she led them off on the wild goose chase around Primrose Hill. | 0:06:57 | 0:07:01 | |
I don't know where I'm going here, so where are we going? | 0:07:01 | 0:07:04 | |
Bilyana, where are we going from here? | 0:07:04 | 0:07:06 | |
I know this area quite well so I already have a couple of shops in mind. | 0:07:06 | 0:07:10 | |
-You know the shops. Are they posh? -Yes, that's why I said... -OK, we'll go on your local knowledge. | 0:07:10 | 0:07:15 | |
We're not near any shops. Do you really think there's shops down here? | 0:07:17 | 0:07:20 | |
-I know where the shops are, I'm sure. -All right. -OK, let's run. | 0:07:20 | 0:07:24 | |
'Bilyana walked the girls straight into the boardroom.' | 0:07:24 | 0:07:28 | |
I really do know the area quite well and I promise you, | 0:07:28 | 0:07:31 | |
I took them to the closest available shop. | 0:07:31 | 0:07:34 | |
-The closest available shops to Regent Park Zoo is just down the road in Camden Town, surely. -Yes. | 0:07:34 | 0:07:39 | |
No, Camden Town is further. It's further from London Zoo, Lord Sugar. | 0:07:39 | 0:07:43 | |
-But anyhow... -I drive past it every day. Anyway... -Yes, exactly, anyway. | 0:07:43 | 0:07:48 | |
'Isolated, Bilyana found herself fighting for survival.' | 0:07:48 | 0:07:52 | |
This is a two-bob outing, this thing. | 0:07:52 | 0:07:55 | |
Go and buy a bit of stuff, print your name on it | 0:07:55 | 0:07:58 | |
and flog it to people in the street. | 0:07:58 | 0:08:00 | |
-That's what really annoyed me... -It's not a takeover of Goldman Sachs. | 0:08:00 | 0:08:04 | |
This is simple stuff, right? | 0:08:04 | 0:08:07 | |
I completely agree. I think it was a no-brainer. | 0:08:07 | 0:08:10 | |
Gabrielle failed to take time-critical decisions. | 0:08:10 | 0:08:13 | |
I was very much in control. I never had an argument with anybody. | 0:08:13 | 0:08:16 | |
I made sure everyone that was under my eye worked to the very maximum. | 0:08:16 | 0:08:22 | |
They worked to the best, the worked till there was blood, sweat and tears... | 0:08:22 | 0:08:26 | |
Gabrielle looks like a bit of a flustery person. | 0:08:26 | 0:08:30 | |
She gets a bit carried away with herself sometimes, I'm afraid. | 0:08:30 | 0:08:33 | |
But she's a good girl, you know. | 0:08:33 | 0:08:36 | |
She came across as a genuine, sincere girl who wanted to get the job done. | 0:08:36 | 0:08:41 | |
'Also called to account, research and development manager Katie.' | 0:08:41 | 0:08:45 | |
OK, Katie, what did you do? | 0:08:45 | 0:08:48 | |
I thought you were sort of missing, really. | 0:08:48 | 0:08:50 | |
I just struggled to get a word in edgeways a lot | 0:08:50 | 0:08:52 | |
and, for me, I've put my professionalism probably above putting my neck on the line, | 0:08:52 | 0:08:58 | |
because I'm not going to shout over people in order to simply get my voice heard. | 0:08:58 | 0:09:02 | |
It's just not what I want to do. | 0:09:02 | 0:09:04 | |
The person leaving today may feel that they haven't had enough time to show themselves, but that's tough. | 0:09:07 | 0:09:13 | |
That's what this process is about. | 0:09:13 | 0:09:15 | |
And I did say at my introduction that I don't want anybody to hide. | 0:09:15 | 0:09:20 | |
-And on that basis... -If you give me just one chance to be a project manager... | 0:09:20 | 0:09:24 | |
-No, I'm sorry. -Gabrielle had it and she failed. | 0:09:24 | 0:09:27 | |
Bilyana done herself in. She really done herself in. | 0:09:27 | 0:09:31 | |
But if you give me the opportunity... | 0:09:31 | 0:09:33 | |
-I don't wish to hear any more. -I'm a solid project manager. -I'm not listening. | 0:09:33 | 0:09:36 | |
For a clever person, she should've shut her mouth. | 0:09:36 | 0:09:39 | |
Stop, stop, stop, stop, stop, stop. | 0:09:39 | 0:09:42 | |
She's got herself to blame and I hope that she learns from this experience. | 0:09:42 | 0:09:46 | |
-You don't do yourself any favours. -I'll show you. | 0:09:46 | 0:09:49 | |
I'm telling you what the situation is whether you like it or not. | 0:09:49 | 0:09:53 | |
Bilyana, you are fired. | 0:09:54 | 0:09:58 | |
That's a shame, but thank you for the opportunity. | 0:09:58 | 0:10:02 | |
I'll tell you what, Bilyana did me the biggest favour in the world because she buried herself. | 0:10:04 | 0:10:09 | |
I owe her a drink, to be honest. | 0:10:09 | 0:10:12 | |
'Week two. Next from Lord Sugar...' | 0:10:16 | 0:10:20 | |
-Rubber gloves, OK, with scourers on the fingertips. -'..design a household gadget.' | 0:10:20 | 0:10:26 | |
-I'd rather just buy a sponge, to be honest. -Thanks for that. | 0:10:26 | 0:10:29 | |
-We have the Eco Press. -That is a product. Is that a product? | 0:10:29 | 0:10:34 | |
A very simple task. | 0:10:34 | 0:10:36 | |
I wanted to see the people's creativity here. | 0:10:36 | 0:10:39 | |
We have a bit of dilemma here. | 0:10:40 | 0:10:43 | |
Are you OK? Do you have ideas that you want to add? | 0:10:50 | 0:10:52 | |
I'm thinking, I'm thinking. I'm trying to, like... I'm thinking. | 0:10:52 | 0:10:55 | |
Does anybody have any specific ideas? | 0:10:55 | 0:10:59 | |
-'Short on inspiration...' -Hmm. | 0:11:00 | 0:11:04 | |
-It's here! -'..the girls came up with a bath-time splash guard for kids.' | 0:11:06 | 0:11:12 | |
-This is perfect! Oh, I love it! -It's exactly what I pictured. | 0:11:12 | 0:11:16 | |
They ended up with that piece of rubbish which was a lump of plastic | 0:11:16 | 0:11:19 | |
which was a toy at best. | 0:11:19 | 0:11:22 | |
I'll be perfectly frank, the minute I saw that product, I knew they were dead in the bath water. Dead. | 0:11:22 | 0:11:28 | |
I mean, absolute garbage, that product was. | 0:11:28 | 0:11:31 | |
-CLAPPING -You know what's ironic? There's water all over the floor. | 0:11:31 | 0:11:37 | |
'Stuck with the splash guard, next task for the girls, sell it to the trade.' | 0:11:37 | 0:11:42 | |
From 0 to 20,000 units, it's £9.01. | 0:11:42 | 0:11:46 | |
All we need to do is get them to make orders | 0:11:46 | 0:11:49 | |
and impress them with the product and the pitch. That is it. | 0:11:49 | 0:11:53 | |
Do you know what, they can do the figures. Tell them to do the figures. | 0:11:53 | 0:11:57 | |
These retailers are open for good ideas, particularly for gadgets. | 0:11:58 | 0:12:04 | |
Of course it's difficult to get an audience with them, | 0:12:04 | 0:12:07 | |
but if you've got the determination, you fight your way in. | 0:12:07 | 0:12:10 | |
Your product does the talking, that's the thing. | 0:12:10 | 0:12:12 | |
-It's quite light, as well. -'Pitching their piece of plastic | 0:12:12 | 0:12:16 | |
'and going for big numbers, project manager Jane.' | 0:12:16 | 0:12:19 | |
Ideally, if you were to order a million units, then you will sell them. | 0:12:19 | 0:12:24 | |
This particular customer's an online seller. | 0:12:24 | 0:12:27 | |
There's no way they're going to take in millions of anything. | 0:12:27 | 0:12:30 | |
They take in the first batch, they stick it up on their website | 0:12:30 | 0:12:34 | |
and they see whether people want to buy it or not. If they buy it, they buy some more. | 0:12:34 | 0:12:39 | |
I think a million units is a big commitment. | 0:12:39 | 0:12:42 | |
What could you do if we were to go lower than that? | 0:12:42 | 0:12:46 | |
If you were to order 500,000 units, | 0:12:46 | 0:12:49 | |
it is a margin of 225 percent. | 0:12:49 | 0:12:52 | |
Where are the brains? She went down in my estimation immediately there and then, | 0:12:52 | 0:12:57 | |
not understanding the marketplace. | 0:12:57 | 0:12:59 | |
'And when they got down to details, it went from bad to worse.' | 0:12:59 | 0:13:03 | |
Just in terms of the numbers you quote, and particularly the gross margin numbers, | 0:13:03 | 0:13:08 | |
are you sure about the gross margin you've quoted us? | 0:13:08 | 0:13:11 | |
Well, it doesn't quite add up, the numbers. | 0:13:13 | 0:13:15 | |
I'll just refer you over to our financial team. | 0:13:16 | 0:13:21 | |
Completely and utterly lost the plot. | 0:13:21 | 0:13:24 | |
-Do you know when you said... -The costings. | 0:13:24 | 0:13:27 | |
Mentioning a million units, you should've seen their face. | 0:13:27 | 0:13:30 | |
That's a nine-million-pound order. | 0:13:30 | 0:13:32 | |
-I don't want to be laughed at. -You think you're going to go in the boardroom with nine million pounds? | 0:13:32 | 0:13:36 | |
'Facing the firing line were youngest candidate Maria, | 0:13:36 | 0:13:39 | |
'Jane and Jenna.' | 0:13:39 | 0:13:42 | |
Basic business principles went right down the drain on this thing. | 0:13:42 | 0:13:46 | |
'Jane's poor pitch got picked apart.' | 0:13:46 | 0:13:49 | |
You let the numbers out of your sight. | 0:13:49 | 0:13:51 | |
And also, the product basically sucks as far as I'm concerned. It's not a good product. | 0:13:51 | 0:13:57 | |
I've put you into a piddly little business | 0:13:57 | 0:13:59 | |
and you've let it go, you've screwed it up. | 0:13:59 | 0:14:02 | |
'Backed against the wall, Jane and Jenna turned on Maria.' | 0:14:02 | 0:14:07 | |
If you're going on who to be fired on contribution to the task, I would have to say Maria. | 0:14:08 | 0:14:13 | |
On the first day, she was very... You know, just didn't really want to be involved, | 0:14:13 | 0:14:18 | |
was falling asleep in the car, and it wasn't... | 0:14:18 | 0:14:20 | |
No, Maria, that was the reality of it. | 0:14:20 | 0:14:24 | |
That is rubbish, cos if you had said to me, "I want you to do the figures" I would've gone, "Fine". | 0:14:24 | 0:14:28 | |
-Oh, actually, Maria, we did. In the car... -Oh, my God! | 0:14:28 | 0:14:32 | |
No, Maria, when you were giving out in the car, we said, | 0:14:32 | 0:14:35 | |
"Please, will you do the figures?" Would you do them? No. | 0:14:35 | 0:14:38 | |
-You are ridiculous. -"I'm not good at figures." | 0:14:38 | 0:14:40 | |
Maria was good when it came to talking and rowing and arguing. | 0:14:40 | 0:14:44 | |
That's not what the process was about. | 0:14:44 | 0:14:47 | |
What I've sat listening to here is diabolical. | 0:14:47 | 0:14:51 | |
Trust me, if you put me in charge of just one project, | 0:14:51 | 0:14:54 | |
I guarantee you I will impress you, and if not, I will gladly walk out that door. | 0:14:54 | 0:14:58 | |
It was an absolute gut feeling here. | 0:14:58 | 0:15:01 | |
If Jane and Jenna were clueless, | 0:15:01 | 0:15:04 | |
then I'm afraid she was more than clueless and that's why she had to go. | 0:15:04 | 0:15:08 | |
Maria, you're fired. | 0:15:10 | 0:15:13 | |
Thank you. | 0:15:13 | 0:15:15 | |
'Mariah's mauling meant a stay of execution for Jenna and Jane.' | 0:15:15 | 0:15:21 | |
They were allowed to stay because I couldn't believe they are that bad. | 0:15:21 | 0:15:25 | |
I am not at all happy. | 0:15:25 | 0:15:27 | |
Why did you get this wrong? | 0:15:27 | 0:15:30 | |
Give me a credible reason why you should stay here. | 0:15:30 | 0:15:33 | |
I started a business from nothing and I've made a very successful company. | 0:15:33 | 0:15:36 | |
I take them on face value that they're not lying in their CVs | 0:15:36 | 0:15:40 | |
of what they've got and what they've achieved | 0:15:40 | 0:15:42 | |
and I put it down to they had a bad day out | 0:15:42 | 0:15:44 | |
and let them come through and gave them another chance. | 0:15:44 | 0:15:47 | |
-'After two catastrophic weeks for the girls...' -Morning. | 0:15:49 | 0:15:54 | |
'..Lord Sugar shuffled the pack.' | 0:15:54 | 0:15:57 | |
Duane and Nick, go and join Stirling, | 0:15:57 | 0:16:00 | |
and Katie, you come over here and join Phoenix and the boys. | 0:16:00 | 0:16:04 | |
-OK, Katie, I'd like to officially welcome you to Team Phoenix. -Why, thank you. | 0:16:04 | 0:16:08 | |
We do things a bit differently here, like winning. | 0:16:08 | 0:16:10 | |
-This is Tom, Azhar. -Thanks for being such winners. | 0:16:10 | 0:16:13 | |
I'd like to put myself up for project manager. | 0:16:13 | 0:16:16 | |
'But Katie's confidence wasn't shared by the boys.' | 0:16:16 | 0:16:20 | |
I'd happily take a second project in the sub-team for you | 0:16:20 | 0:16:23 | |
and take charge of that, to give you a bit of structure. | 0:16:23 | 0:16:25 | |
-It is very, very complicated. There's a lot to take on board. -Yeah, all right. Very complicated. | 0:16:25 | 0:16:30 | |
-No, I'm saying it in a positive way. -I think I'd do a really good job. | 0:16:30 | 0:16:34 | |
'The task - produce, brand, bottle and sell | 0:16:34 | 0:16:38 | |
'a new type of condiment.' | 0:16:38 | 0:16:40 | |
Sugar, white wine vinegar, onion and water, please. | 0:16:40 | 0:16:43 | |
-It's making my eyes water. -'In the other team's kitchen...' | 0:16:43 | 0:16:48 | |
-Oh, my God. -'..Duane's chutney proved too hot to handle.' | 0:16:48 | 0:16:52 | |
-Even though... -HE COUGHS | 0:16:52 | 0:16:55 | |
HE COUGHS | 0:16:56 | 0:16:59 | |
'Under Ricky's supervision, the boys just cooked up problems.' | 0:17:00 | 0:17:05 | |
-Ricky! -Yeah? -There's something wrong with it. | 0:17:06 | 0:17:10 | |
There's something missing. The consistency's all wrong. | 0:17:10 | 0:17:13 | |
It's not boiling right. It's boiling like an omelette. | 0:17:13 | 0:17:16 | |
'Their production process was flawed.' | 0:17:16 | 0:17:19 | |
Agh! Too much wastage. There's too much wastage from the product. | 0:17:19 | 0:17:22 | |
We're getting about 20 percent coming back to us. | 0:17:22 | 0:17:24 | |
But the fact was, they got lumbered with a small quantity... | 0:17:24 | 0:17:27 | |
We've lost one fifth of our product. | 0:17:27 | 0:17:30 | |
'But I think that Katie turned out to be a reasonable project manager.' | 0:17:30 | 0:17:35 | |
Because we've got limited product, the plan is to sell very expensive at market. | 0:17:35 | 0:17:39 | |
She'd assessed the situation that we have a problem here. | 0:17:39 | 0:17:43 | |
We haven't produced many but we've spent the money. | 0:17:43 | 0:17:47 | |
-It's £3.99 or three for £10. -I'll go for your offer. | 0:17:47 | 0:17:50 | |
Ah, fantastic! | 0:17:50 | 0:17:52 | |
The only way to win, then, is to increase the price | 0:17:52 | 0:17:55 | |
and make the margin big to have half a chance of winning. | 0:17:55 | 0:17:58 | |
So I think credit to her there. | 0:17:58 | 0:18:01 | |
If we need to clear these out, what price are you comfortable to go down to? | 0:18:01 | 0:18:04 | |
Erm, well, the absolute lowest would be £1.99. | 0:18:04 | 0:18:07 | |
'Told to claw back costs when selling to trade, Michael.' | 0:18:08 | 0:18:13 | |
At the end of the day, all we've got to do is sell 80 bottles, | 0:18:13 | 0:18:16 | |
so it should be plain sailing for our end. | 0:18:16 | 0:18:18 | |
I really would want to pay not much more than about £1.95. | 0:18:18 | 0:18:22 | |
'I think he got offered something like five pence less and he refused.' | 0:18:22 | 0:18:25 | |
Yeah, we definitely couldn't do it for £1.95. | 0:18:25 | 0:18:27 | |
If you're a business person and you're there in front of somebody | 0:18:27 | 0:18:31 | |
and they're prepared to buy, | 0:18:31 | 0:18:33 | |
you should say, "Yeah, OK, deal." | 0:18:33 | 0:18:36 | |
It's different, of course, if someone offers you half the price of what you've been told to sell for. | 0:18:36 | 0:18:40 | |
But you should have a little bit of a tolerance there. | 0:18:40 | 0:18:43 | |
We're left with 23 bottles. | 0:18:43 | 0:18:46 | |
-What? Left? -We sold everything! | 0:18:46 | 0:18:49 | |
Really? Wicked. How did you do that? | 0:18:49 | 0:18:51 | |
'On judgement day, it boiled down to excuses.' | 0:18:53 | 0:18:58 | |
It was very hard going in to a trade customer | 0:18:58 | 0:19:00 | |
trying to sell at the prices we were given. They just didn't want to buy at them prices. | 0:19:00 | 0:19:04 | |
Here's a man who's in the kitchen business. | 0:19:04 | 0:19:06 | |
He should have some understanding of the trade, how to deal with the trade and he clearly didn't. | 0:19:06 | 0:19:11 | |
You under-delivered. You sold rubbish figures. | 0:19:11 | 0:19:14 | |
I'd be embarrassed with those figures that you sold. | 0:19:14 | 0:19:16 | |
I'm not the best salesman in the world. | 0:19:16 | 0:19:18 | |
I can sell, but it's not my best sort of, er, skill. | 0:19:18 | 0:19:21 | |
I'll ask you a very simple, straightforward, | 0:19:21 | 0:19:24 | |
good old East End question. Do you think you're out of your depth here | 0:19:24 | 0:19:28 | |
-in this process with these people? -Not at all. | 0:19:28 | 0:19:31 | |
He wasn't managerial, | 0:19:31 | 0:19:33 | |
he wasn't the type of person to grab the bull by the horns and stick up for himself a little bit. | 0:19:33 | 0:19:39 | |
You've been a passenger the whole way through this. You've sat on the fence. | 0:19:39 | 0:19:42 | |
I think you guys underestimate me. | 0:19:42 | 0:19:45 | |
-'He made a final claim for clemency...' -I wasn't born with a silver spoon in my mouth. | 0:19:45 | 0:19:49 | |
I just think there's a lot of people here who are highly educated. That's all well and good. | 0:19:49 | 0:19:53 | |
No, no, don't run that... Don't run that past me. | 0:19:53 | 0:19:56 | |
-'..but his plea fell on deaf ears.' -That don't bother me at all. | 0:19:56 | 0:20:01 | |
I don't care where you come from, I don't care whether you got a 2.1 at Oxford or Cambridge | 0:20:01 | 0:20:06 | |
or whether you're just a streetwise person. That doesn't bother me at all. | 0:20:06 | 0:20:10 | |
I think at this stage of the process you've got to eliminate people | 0:20:10 | 0:20:14 | |
who you don't think have got it in them to be my business partner | 0:20:14 | 0:20:18 | |
and I didn't think he had it in him to be my business partner. | 0:20:18 | 0:20:21 | |
Michael, you're fired. | 0:20:23 | 0:20:26 | |
OK. Thank you for the opportunity, Lord Sugar. | 0:20:26 | 0:20:29 | |
-'Week four.' -How you doing, mate? You well? -You all right? -Morning. | 0:20:34 | 0:20:38 | |
'It was junk shops and car boot sales...' | 0:20:38 | 0:20:41 | |
-GLASS SMASHES -'..as both teams looked for cast-offs.' | 0:20:41 | 0:20:44 | |
I found some great stuff in the skip. | 0:20:44 | 0:20:46 | |
'..to fix up and flog in London's trendy East End.' | 0:20:46 | 0:20:51 | |
-I'll pay you £1 for it, but I can't pay more. -You can have it for £1 | 0:20:51 | 0:20:54 | |
as long as you promise you'll go away. | 0:20:54 | 0:20:56 | |
This was to test the people's ability to see whether they signed on to it, yeah? | 0:20:56 | 0:21:02 | |
-In terms of the colouring of it... -That's perfect. -I think it's quite a nice piece. | 0:21:02 | 0:21:07 | |
'Running his team, fine wine investor Tom | 0:21:07 | 0:21:10 | |
'went for quality over quantity.' | 0:21:10 | 0:21:12 | |
Just cleaning. I think this is worth £7. | 0:21:12 | 0:21:16 | |
I just don't like it. I really don't like it. | 0:21:16 | 0:21:19 | |
He made sure they selected the right kind of product. | 0:21:19 | 0:21:22 | |
I'm happy with the stuff we've bought, but I don't think we've got enough. | 0:21:22 | 0:21:26 | |
There were times when other people were saying to him, "No, let's buy a bit more" | 0:21:26 | 0:21:30 | |
but he didn't. He held the purse strings, literally, | 0:21:30 | 0:21:33 | |
and said, "No, I'm only spending my money on the right things." | 0:21:33 | 0:21:37 | |
-OK. What about that chest in the window. -The trunk? -Yeah. | 0:21:37 | 0:21:41 | |
'Leading the other team, bridal shop owner Laura | 0:21:41 | 0:21:45 | |
'set off on a shopping spree.' | 0:21:45 | 0:21:47 | |
-The pieces we're interested in, two suitcases at the top here. -The two top ones. | 0:21:47 | 0:21:51 | |
The camel stool, the side tables, the trunk and this retro table. | 0:21:51 | 0:21:54 | |
-I like that suitcase. -The chair and the glass table which would match the tall one here. -Yeah. | 0:21:54 | 0:21:59 | |
Can we take them? And the four stool plus one. | 0:21:59 | 0:22:03 | |
The broken table in the back, as well. | 0:22:03 | 0:22:05 | |
-And the broken table. -OK. -There's 100, mate. | 0:22:05 | 0:22:07 | |
The complete opposite to Tom's team. Tom bought about 50 items. | 0:22:07 | 0:22:12 | |
We've bought a hell of a lot of stuff. | 0:22:12 | 0:22:14 | |
She went out and bought everything in sight, like 200 items. It was panic. | 0:22:14 | 0:22:18 | |
-Can we take what we like? -Is it possible that we can strip the curtains? | 0:22:18 | 0:22:23 | |
-Can we rip some of this carpet up? -Some of this stuff I can't imagine buying personally. | 0:22:23 | 0:22:26 | |
But nothing ventured, nothing gained. It was free. | 0:22:26 | 0:22:29 | |
Like the expression - don't look a gift horse in the eye. | 0:22:29 | 0:22:31 | |
-Could we have some leaves coming in, like a path? -Of leaves? -Yeah. | 0:22:31 | 0:22:36 | |
'And Laura's less-than-selective approach showed in her shop.' | 0:22:36 | 0:22:40 | |
It didn't look quality. It looked like they'd gone from one junk yard into another junk yard | 0:22:40 | 0:22:46 | |
-120? -I've got no clue in this. | 0:22:46 | 0:22:48 | |
I don't buy this shit. | 0:22:48 | 0:22:51 | |
'On sales day, Tom's minimalist store | 0:22:51 | 0:22:54 | |
'racked up maximum returns.' | 0:22:54 | 0:22:57 | |
Vintage hole punch for £40. OK? | 0:22:57 | 0:22:59 | |
Tom's team made a profit of over £1,000. | 0:22:59 | 0:23:03 | |
And it just goes to show, you don't need any great big business plans | 0:23:03 | 0:23:07 | |
and merchant bankers and investment bankers. | 0:23:07 | 0:23:11 | |
That's what this is all about. | 0:23:11 | 0:23:13 | |
Do you want to sit down in it? What if we did a deal on it for you? Are you sure? | 0:23:13 | 0:23:17 | |
'For food manufacturer Jane, it was the losing team for a third time | 0:23:17 | 0:23:22 | |
'and another bad day.' | 0:23:22 | 0:23:24 | |
Hi. How are you? Do you want to have a look in our pop-up vintage store? | 0:23:24 | 0:23:27 | |
We're literally only here for today. Really funky stuff. | 0:23:27 | 0:23:30 | |
There's lots of different sales techniques going on here | 0:23:30 | 0:23:33 | |
but Jane's I find the most uncomfortable. | 0:23:33 | 0:23:35 | |
-Do you want to have a quick look? -She's very pushy, | 0:23:35 | 0:23:38 | |
she's very aggressive with the customers and they don't like it. | 0:23:38 | 0:23:42 | |
It's not a hugely easy sale for any item so you've got to sell hard. | 0:23:42 | 0:23:48 | |
They're actually lampshades from the 1970s. | 0:23:48 | 0:23:50 | |
-I'll have a look around and get back to you. -OK. | 0:23:50 | 0:23:53 | |
You have to be quite pushy and really try to convince them. | 0:23:53 | 0:23:55 | |
-What about a chair? -No! | 0:23:55 | 0:23:58 | |
'In the boardroom, despite running her own company...' | 0:24:01 | 0:24:04 | |
Jane, you're the businesswoman here and you sold 10 quid's worth of stuff. | 0:24:04 | 0:24:09 | |
'..poor sales on the task left Jane lost for words.' | 0:24:09 | 0:24:14 | |
-I... You know... -Right. | 0:24:15 | 0:24:17 | |
I really want this and I fought extremely hard. | 0:24:17 | 0:24:21 | |
The credentials look good on paper | 0:24:21 | 0:24:24 | |
but she never demonstrated in the four weeks to me that she was there | 0:24:24 | 0:24:28 | |
that she could actually apply any of it. | 0:24:28 | 0:24:30 | |
I'm quite a serious person. I'm not a market trader. | 0:24:30 | 0:24:33 | |
I haven't done that before. I am more comfortable in the business-to-business environment. | 0:24:33 | 0:24:39 | |
I thought, "No, sorry, you had your chance." | 0:24:39 | 0:24:41 | |
She wasn't going to hack it with me. | 0:24:41 | 0:24:44 | |
-Jane, you're fired. -OK. Thank you anyway. | 0:24:44 | 0:24:49 | |
'Next to disappoint the boss was drinks entrepreneur Duane Bryan.' | 0:25:02 | 0:25:07 | |
I am a winner. I'm a fighter. I don't give up easy. | 0:25:07 | 0:25:10 | |
I have what it takes to go the distance in business. To be the best, you have to beat the best. | 0:25:10 | 0:25:13 | |
I came up with this task | 0:25:13 | 0:25:16 | |
to come up with some innovative fitness regime and present it to fitness clubs. | 0:25:16 | 0:25:22 | |
And where's the money? I'll tell you where the money is. | 0:25:22 | 0:25:25 | |
You are going to go and try and license your new fitness trend | 0:25:25 | 0:25:30 | |
to some of the country's leading health club chains. | 0:25:30 | 0:25:34 | |
'For project manager Ricky, the task played to his strengths.' | 0:25:36 | 0:25:40 | |
Is there a unique move to Thai kickboxing? Cos we don't want it to look like boxercise. | 0:25:40 | 0:25:45 | |
Outside of work, I am a professional wrestler. They call me The Fitness. | 0:25:45 | 0:25:49 | |
I've been heavyweight champion of the wrestling world. I'll be champion of the business world. | 0:25:49 | 0:25:53 | |
Jab. Jab. | 0:25:53 | 0:25:54 | |
You'll always witness the fitness with Ricky Martin. | 0:25:57 | 0:26:00 | |
'But Ricky left the video directing to Duane.' | 0:26:00 | 0:26:04 | |
HE LAUGHS | 0:26:04 | 0:26:06 | |
Three, four. But you're just wanting to show... | 0:26:06 | 0:26:10 | |
Show it as it would be delivered in the class. | 0:26:10 | 0:26:12 | |
-Which would be me facing them. -Yeah. OK. Thank you. Yeah. | 0:26:12 | 0:26:15 | |
'Instead of creating a hit, the team created friction.' | 0:26:15 | 0:26:19 | |
I disagree, but that doesn't mean... | 0:26:21 | 0:26:23 | |
As I say, one person leads it, I'm happy to go with it. | 0:26:23 | 0:26:25 | |
I feel like everything's being questioned and it's making it increasingly difficult. | 0:26:25 | 0:26:29 | |
I don't feel like we're working together, if I'm honest. | 0:26:29 | 0:26:32 | |
That was so stressful for me, guys. It was really, really difficult. | 0:26:32 | 0:26:35 | |
There was a disagreement at every single stage. | 0:26:35 | 0:26:37 | |
It's the same thing happening again. We have an opinion and you just don't like it! | 0:26:37 | 0:26:41 | |
-No, no, no, stop that. -It is! | 0:26:41 | 0:26:43 | |
Duane, listen, people have got an opinion and you have to listen. | 0:26:43 | 0:26:46 | |
'When Ricky stepped up to sell his routine, | 0:26:46 | 0:26:50 | |
'Duane's video lacked punch.' | 0:26:50 | 0:26:53 | |
Beat battle. Fight to the music. | 0:26:53 | 0:26:55 | |
You say this product is unique. | 0:26:55 | 0:26:58 | |
Have you had a look at what else is out there? | 0:26:58 | 0:27:01 | |
We did look at a number of classes, things like boxercise. | 0:27:01 | 0:27:04 | |
It's different to boxercise with the dance element. | 0:27:04 | 0:27:07 | |
Looking at the quick demo, it looks very similar. | 0:27:07 | 0:27:09 | |
What you needed to do here was to innovate something that had not been seen before | 0:27:09 | 0:27:14 | |
and Duane kind of messed it up. | 0:27:14 | 0:27:17 | |
He made it into some samey type of thing. | 0:27:17 | 0:27:20 | |
He didn't actually put across the novelty, the newness of it. | 0:27:20 | 0:27:25 | |
'In the boardroom, director Duane got his chance to view the competition. | 0:27:25 | 0:27:30 | |
Welcome to The Groove Train. The dance floor entrance. | 0:27:30 | 0:27:34 | |
Working the shoulders, back and hamstrings. | 0:27:34 | 0:27:37 | |
The other team came up with a retro 80s idea | 0:27:37 | 0:27:41 | |
and there was nothing really else on the market like it. | 0:27:41 | 0:27:45 | |
The hula hoop. Working the core abdominal area. | 0:27:45 | 0:27:48 | |
The funky squat. Let's work those hamstrings! | 0:27:50 | 0:27:55 | |
The Groove Train. Working that core abdominal area. | 0:27:55 | 0:28:00 | |
-Can I ask you a question? -Yes. -When you compare your video | 0:28:01 | 0:28:04 | |
to Phoenix's video, don't you think your video looks a bit dull? | 0:28:04 | 0:28:07 | |
I also think the other one looks very cheesy and it wouldn't attract me. | 0:28:07 | 0:28:10 | |
I'd be much more inclined, personally, to go to the one that we presented. | 0:28:10 | 0:28:14 | |
I think you're missing the point. It might have been a bit cheesy | 0:28:14 | 0:28:17 | |
-and that's why they bought it. -Yeah. | 0:28:17 | 0:28:20 | |
The fact is that on this particular task, the video was it. | 0:28:20 | 0:28:23 | |
'Then Duane missed his chance to pass the buck.' | 0:28:23 | 0:28:26 | |
Lord Sugar, this is risky, but Laura shouldn't be here. | 0:28:26 | 0:28:29 | |
And because he took everything on his own shoulders, | 0:28:29 | 0:28:32 | |
as nice a fella as he is, | 0:28:32 | 0:28:34 | |
there was no-one else that was culpable for the failure of the task. | 0:28:34 | 0:28:39 | |
Duane, I personally believe that the video | 0:28:39 | 0:28:42 | |
was the main cause of the failure of this task. | 0:28:42 | 0:28:44 | |
Therefore, Duane, you're fired. | 0:28:44 | 0:28:49 | |
Thank you, Lord Sugar. Thank you, Karen. Thank you, Nick. | 0:28:49 | 0:28:53 | |
Take care. | 0:28:53 | 0:28:55 | |
'Week six began with a surprise.' | 0:29:01 | 0:29:03 | |
-Guys! -'When the boss popped round.' -Hello. | 0:29:03 | 0:29:07 | |
Hi! | 0:29:08 | 0:29:10 | |
So your next task is all about setting up a mobile restaurant. | 0:29:10 | 0:29:15 | |
Now, this is quality food. | 0:29:15 | 0:29:18 | |
I don't want any junk served up here. | 0:29:18 | 0:29:21 | |
'Taking charge of the losing team, fruit and veg man Adam.' | 0:29:21 | 0:29:26 | |
It's street selling. I'm perfect. | 0:29:26 | 0:29:29 | |
My favourite street food is probably something quick and easy. | 0:29:29 | 0:29:32 | |
Probably a burger. | 0:29:32 | 0:29:34 | |
I don't think we should go too over the top with this, keep it simple. | 0:29:34 | 0:29:38 | |
'Plans in place, it was off to sell in Scotland.' | 0:29:38 | 0:29:42 | |
I keep coming back to pasta really, guys. | 0:29:42 | 0:29:45 | |
'On board, Adam talked the team through his choices.' | 0:29:45 | 0:29:49 | |
I mean, it's cheap, you can slop it out on trays like school dinners. | 0:29:49 | 0:29:52 | |
All this talk about food's made me hungry. I hope the trolley dolly will be round soon. | 0:29:53 | 0:29:58 | |
'But before they could sell, it was mass-produce meatballs.' | 0:30:01 | 0:30:06 | |
We've got this stuff down to 47p a portion using local ingredients. | 0:30:06 | 0:30:09 | |
-How come you got it down so cheap? -Best in the business. Let's go. Let's crack on. | 0:30:09 | 0:30:14 | |
Adam, he's a greengrocer, he's a market trader, | 0:30:15 | 0:30:19 | |
and I think the problem that he had on this task was, he didn't adapt. | 0:30:19 | 0:30:24 | |
He didn't realise that we need to deal with a quality product here | 0:30:24 | 0:30:28 | |
and he went for the cheap angle. | 0:30:28 | 0:30:32 | |
-Each one of them, for me, that's £2. £2 coins. -£2 coins on there, mate. | 0:30:32 | 0:30:35 | |
'In charge of finding a spot for Adam's mobile kitchen, | 0:30:37 | 0:30:40 | |
'Katie championed a football pitch.' | 0:30:40 | 0:30:42 | |
If we don't get football tomorrow, we've lost. You'd be a fool not to go for football. | 0:30:42 | 0:30:47 | |
I just think you can sell anything when you've got that many people walking past. | 0:30:47 | 0:30:51 | |
-'But on match day...' -Come and get your meatballs now, guys! | 0:30:52 | 0:30:55 | |
-'..their pricey pasta...' -£5.99. -'..proved a flop with the fans.' | 0:30:55 | 0:31:00 | |
Meatballs and pasta now. Come and try some here. | 0:31:00 | 0:31:03 | |
Pre-match meatballs now, boys. | 0:31:03 | 0:31:06 | |
Get yourself something to eat before the match. | 0:31:06 | 0:31:08 | |
-'Calling in, Katie pushed for bigger profits.' -Hello? | 0:31:09 | 0:31:13 | |
Just a quick one, mate. Katie believes you should be going at a much higher price. £7.99. | 0:31:13 | 0:31:18 | |
I'll stop you there. There's cafes round here doing full brekkies for £2.99. | 0:31:18 | 0:31:23 | |
On the bus, everybody! | 0:31:23 | 0:31:26 | |
'With sales stalling, Katie's next tactic was to target tourists.' | 0:31:26 | 0:31:32 | |
Right, hello, everybody. My name's Katie. | 0:31:32 | 0:31:35 | |
Before I get started, I've got to ask, what food do you think I might be bringing to you? | 0:31:35 | 0:31:39 | |
-Pizza. -No, actually, you need to think outside the pizza box on this one. | 0:31:39 | 0:31:44 | |
It's actually meatballs. | 0:31:44 | 0:31:46 | |
-Can I tempt you with any meatballs? -No? OK. | 0:31:46 | 0:31:50 | |
It was quite obvious that Adam and Katie were culpable for the failure of the task. | 0:31:50 | 0:31:55 | |
Right, I see this as two problems here. One is you can't sell, | 0:31:55 | 0:32:00 | |
and two, you've just done this cheap, cheap, cheap thing | 0:32:00 | 0:32:04 | |
thinking that you were going to make a load of money. | 0:32:04 | 0:32:07 | |
I've had some pictures shown to me of these meatballs, | 0:32:07 | 0:32:10 | |
and I've got to tell you, I've seen things like that at the zoo in the elephant pen on the floor. | 0:32:10 | 0:32:16 | |
Even though on the face of it, as the project manager, | 0:32:16 | 0:32:19 | |
people might think Adam's responsible, | 0:32:19 | 0:32:22 | |
Katie came up with some ridiculous ideas. | 0:32:22 | 0:32:26 | |
Katie, you chose the football ground. | 0:32:26 | 0:32:30 | |
-I go to football games. It's £6 a burger. -£6 a burger? Where do you go, Chelsea? | 0:32:30 | 0:32:35 | |
You're not getting it, are you? Katie, you're fired. | 0:32:36 | 0:32:41 | |
'I forgave Adam...' | 0:32:44 | 0:32:46 | |
-You've got away with it on the borderline here, OK? -I understand. | 0:32:46 | 0:32:50 | |
..because he's a hard-working good salesman. | 0:32:50 | 0:32:55 | |
and he wants to learn by his mistakes. | 0:32:55 | 0:32:57 | |
I felt that he should remain in the process. | 0:32:57 | 0:33:00 | |
-Off to the house, see you on the next task. -Thank you, Lord Sugar. | 0:33:00 | 0:33:04 | |
'After Edinburgh, Essex and a wholesale warehouse.' | 0:33:07 | 0:33:13 | |
Now this is one of my favourite tasks. | 0:33:13 | 0:33:16 | |
I gave them £150 each, loads of stuff to choose from. | 0:33:16 | 0:33:20 | |
Vibrating novelty toys. | 0:33:20 | 0:33:22 | |
And I gave them a van. That's it. | 0:33:22 | 0:33:24 | |
It replicates how I started my business. | 0:33:24 | 0:33:27 | |
This is the tan. Shall we give it a little go? It's certainly instant. | 0:33:27 | 0:33:30 | |
-Essex do love tans. -Being in beauty, I'll be great at selling this. | 0:33:30 | 0:33:34 | |
'With just one day to trade...' | 0:33:34 | 0:33:37 | |
We've got some domestic items to sell to you. Excuse the feedback. | 0:33:37 | 0:33:41 | |
'..the teams set about sweet-talking the locals.' | 0:33:41 | 0:33:44 | |
-Have you got a bad back, Stephen? -Unbelievable, Ricky. | 0:33:44 | 0:33:47 | |
-So your back is hurting? -Killing me. -I've got a cure for that. | 0:33:47 | 0:33:50 | |
Shout out a number. Not your phone numbers, girls. A price. | 0:33:50 | 0:33:54 | |
Some hair clippers or some beard trimmers? No? | 0:33:54 | 0:33:57 | |
I've got the extractable, extendable, blue supermop. | 0:33:57 | 0:34:01 | |
-You must have a friend that has a beard. -No. | 0:34:01 | 0:34:04 | |
During the course of the business day, it's important to keep an eye on your stocks | 0:34:04 | 0:34:09 | |
and see what is selling. | 0:34:09 | 0:34:12 | |
It's very natural. Selling these at £10 each or two for £16. | 0:34:12 | 0:34:16 | |
-There you go, madam. Thanks very much. -Cheers. | 0:34:16 | 0:34:18 | |
And that's what I call "smell what sells". You keep your eyes on what's going. | 0:34:18 | 0:34:23 | |
-What are your thoughts on tan? -As much money as we can straight into tan. | 0:34:23 | 0:34:26 | |
They want that tan as soon as they can. | 0:34:26 | 0:34:28 | |
'A runaway hit for Jade's team, toy insects.' | 0:34:28 | 0:34:33 | |
£3 each or three for £8. | 0:34:33 | 0:34:35 | |
Jade bought these little bugs and they're getting a massive margin for them. | 0:34:35 | 0:34:39 | |
-How much are they? -They are £3 or they're three for £8. Great. OK. | 0:34:39 | 0:34:44 | |
What I'm smelling right now is bugs. They're going like hot cakes. | 0:34:44 | 0:34:48 | |
We're buying them at 60p each | 0:34:48 | 0:34:50 | |
and selling them for between £2 and £3. | 0:34:50 | 0:34:53 | |
To me, I would've said, | 0:34:53 | 0:34:57 | |
"Wow, this margin is brilliant, and people are buying so many of them, | 0:34:57 | 0:35:01 | |
"I'm going to throw all my effort into these. | 0:35:01 | 0:35:03 | |
"Go back to the warehouse and buy as many bugs as you can get." She didn't do that. | 0:35:03 | 0:35:08 | |
Just to let you know what we've got, we've got 21 MP3 players... | 0:35:08 | 0:35:10 | |
'Project manager Jade bought a bit of everything.' | 0:35:10 | 0:35:13 | |
Ten of the fake tan. Ten of the hot water bottles. And 15 chargers. | 0:35:13 | 0:35:18 | |
I think it's good to have a few different things, | 0:35:18 | 0:35:20 | |
cos if they don't like insects, you can sell them the other things. | 0:35:20 | 0:35:23 | |
'But teammate Azhar was after just one thing.' | 0:35:23 | 0:35:26 | |
So just run through me the strategy again. | 0:35:26 | 0:35:29 | |
From a strategy perspective... That's a risky strategy. | 0:35:29 | 0:35:31 | |
I just wanted to find out the strategy... What's our strategy? | 0:35:31 | 0:35:34 | |
How many times does he want the strategy? | 0:35:34 | 0:35:36 | |
Without strategy, you're running blind into the dark. | 0:35:36 | 0:35:39 | |
He's so annoying. Anyway... | 0:35:39 | 0:35:41 | |
I think, from a strategic perspective, my views were slightly overheard. | 0:35:41 | 0:35:45 | |
'Even in the boardroom, he failed to make his point.' | 0:35:45 | 0:35:48 | |
Azhar just kept butting in on the phone to speak about strategy | 0:35:48 | 0:35:52 | |
but no solutions. | 0:35:52 | 0:35:54 | |
-I gave you the solution. -You've got a big long sentence you say... | 0:35:54 | 0:35:57 | |
-I said to you... -"Let's see how it goes," that was your answer to every question. | 0:35:57 | 0:36:02 | |
On all of the tasks, strategy is very important. | 0:36:02 | 0:36:05 | |
But if he can't communicate properly with his team | 0:36:05 | 0:36:08 | |
then he's not going to be able to communicate with me. | 0:36:08 | 0:36:11 | |
At the end of the day, it's about being able to communicate with people, | 0:36:11 | 0:36:14 | |
being able to present yourself in a good way, being able to get on with people around you, | 0:36:14 | 0:36:18 | |
which is really important in any business aspect | 0:36:18 | 0:36:22 | |
and I think that's traits I have which I don't think that you do. | 0:36:22 | 0:36:26 | |
'Jade, I think she spoke up quite well for herself.' | 0:36:26 | 0:36:31 | |
-I tried coming up with so many solutions, I got to the end of my tether. -What were your solutions? | 0:36:31 | 0:36:35 | |
-I was just saying, "What is our strategy?" -They came after everything. | 0:36:35 | 0:36:38 | |
'Azhar, nice enough fella, but who wants to go into business | 0:36:38 | 0:36:42 | |
'with someone that no-one wants to listen to? Certainly not me.' | 0:36:42 | 0:36:46 | |
-Azhar, you're fired. -Thank you very much, Lord Sugar. | 0:36:46 | 0:36:50 | |
'Next, from the art of selling on the streets to selling street art.' | 0:37:02 | 0:37:07 | |
That guy up there, his teeth are coming out. | 0:37:10 | 0:37:12 | |
What they had to do here was to come completely out of their comfort zone. | 0:37:12 | 0:37:16 | |
I think we are looking quite corporate. I don't mind. It's professional. | 0:37:16 | 0:37:21 | |
-I think we should take off our ties. -Run that past Gabi, yeah. | 0:37:21 | 0:37:24 | |
-Pure? -I am the artist known as Pure Evil, yeah. -Evil? -How you doing? | 0:37:24 | 0:37:29 | |
'First the teams had to compete for the best works to sell.' | 0:37:29 | 0:37:32 | |
I love this. I really love this. | 0:37:32 | 0:37:34 | |
Now, this is a very, very difficult science | 0:37:34 | 0:37:38 | |
because this is not a kind of bang your hands on the table, hard-nosed, commercial transaction. | 0:37:38 | 0:37:45 | |
'Leading the losing team, urban art enthusiast Tom.' | 0:37:45 | 0:37:49 | |
Myself, I'm a big fan of obviously Space Invader from France. I think it's absolutely excellent. | 0:37:50 | 0:37:54 | |
So when you went to California, who did you take your inspiration from? | 0:37:54 | 0:37:58 | |
Cos obviously you have people like Shepard Fairey over on the west coast with his Andre the Giant | 0:37:58 | 0:38:02 | |
and Obey, that's become huge, absolutely mammoth. | 0:38:02 | 0:38:05 | |
Here's a classic example of trying to be a bit too clever. | 0:38:05 | 0:38:10 | |
Tom may have had a little limited knowledge of art | 0:38:10 | 0:38:13 | |
but he tried to put across to this fella that he was an expert. | 0:38:13 | 0:38:17 | |
-Hello, is that Pure Evil? -"Yes, it is." | 0:38:17 | 0:38:20 | |
'But Tom's top choice had been put off by his boasting.' | 0:38:20 | 0:38:25 | |
I'm just giving you a call just to see what your thoughts are on exhibiting with us. | 0:38:25 | 0:38:29 | |
"Well, I think I'm going to go with Stirling." | 0:38:29 | 0:38:32 | |
I'm not happy at all. At the end of the day, having expertise, knowledge, rapport with people | 0:38:36 | 0:38:40 | |
obviously counts for nothing, which doesn't make any sense to me. | 0:38:40 | 0:38:43 | |
I actually think he's mental for going with them. | 0:38:43 | 0:38:47 | |
This is my latest piece I'm very proud of. Horror! | 0:38:47 | 0:38:51 | |
'Plan B for Tom's team - go big.' | 0:38:51 | 0:38:53 | |
Cor, look at that! | 0:38:53 | 0:38:56 | |
-'When Tom lost Pure Evil and he went for giant-size pieces of art...' -Yeah. | 0:38:56 | 0:39:02 | |
'..they were also quite expensive, so there was a risk there.' | 0:39:02 | 0:39:06 | |
It creates quite a striking impact | 0:39:06 | 0:39:08 | |
-and you've got a nice space behind your office desk. -Yeah. | 0:39:08 | 0:39:12 | |
Not a bad idea to take the risk on high-value, | 0:39:12 | 0:39:17 | |
but a bad idea to mix it with giant-size, | 0:39:17 | 0:39:21 | |
cos you're really narrowing down the opportunities of who you're going to sell it to. | 0:39:21 | 0:39:26 | |
-Which one do you want, sweetheart? -The bottom one. | 0:39:26 | 0:39:28 | |
'While seasoned salesman Adam racked up returns...' | 0:39:28 | 0:39:33 | |
-Do you want one of those? -Yes, please. -'..the art of selling turned out to be a struggle for Laura.' | 0:39:33 | 0:39:38 | |
If you need anything or think you want to go ahead with a purchase, | 0:39:38 | 0:39:41 | |
-I'll be in the area, just grab me again, OK? -Thank you very much. | 0:39:41 | 0:39:44 | |
I'll let you have a wee think about it. | 0:39:44 | 0:39:46 | |
-'In complete contrast to Adam, there's Laura.' -How are you doing? | 0:39:46 | 0:39:50 | |
She's got her own wedding dress business, | 0:39:50 | 0:39:53 | |
one where you have to understand what the customer's requirement is, | 0:39:53 | 0:39:57 | |
one where you have to mould yourself to get in the deal. | 0:39:57 | 0:40:01 | |
-How are you getting on here? Enjoying it? -Er, yes. Thank you. -Good. Good. | 0:40:01 | 0:40:05 | |
-Well, she didn't sell much on this task at all. -Erm... | 0:40:05 | 0:40:09 | |
It's very different sales. We have a chat, test the water, | 0:40:09 | 0:40:13 | |
let them have a look around. Before you know it, Adam's on them. | 0:40:13 | 0:40:18 | |
You're going to get me shot, you lot. I've agreed it. | 0:40:18 | 0:40:21 | |
-65? -Yeah. -Good man! -Deal. Thank you. Cheers. | 0:40:21 | 0:40:26 | |
'In the boardroom, Tom's high-risk strategy | 0:40:26 | 0:40:29 | |
'got him into deep trouble.' | 0:40:29 | 0:40:31 | |
If we sell one of his items for £8,000 or £10,000, that's the aim of our evening, | 0:40:31 | 0:40:34 | |
to sell one of those pieces, and if we do, we'll more than likely win. | 0:40:34 | 0:40:38 | |
-You took a gamble. I think you said you rolled the dice on it. -I did. | 0:40:38 | 0:40:41 | |
'But Laura's low sales looked bad.' | 0:40:41 | 0:40:45 | |
You only sold £750 worth. | 0:40:45 | 0:40:48 | |
I can't really pinpoint what went wrong. All I can say is... | 0:40:48 | 0:40:51 | |
-Maybe you're just not a good salesperson. -I would honestly like to say that is the wrong judgement. | 0:40:51 | 0:40:56 | |
The fact she claims to be a great salesperson | 0:40:56 | 0:40:59 | |
led me to believe that she did nothing good on this task at all. | 0:40:59 | 0:41:03 | |
It would be an absolute travesty if I was to go home today. | 0:41:03 | 0:41:06 | |
You are a great talker. | 0:41:06 | 0:41:09 | |
I tell you what, if there was a prize for taking... | 0:41:09 | 0:41:12 | |
-And I don't know whether it's talking too late. -Well, I hope not. | 0:41:12 | 0:41:16 | |
You know, you run out of excuses in the end | 0:41:16 | 0:41:19 | |
when you can't do what you claim you're best at doing. | 0:41:19 | 0:41:22 | |
I'm not totally convince that you should remain in the process | 0:41:22 | 0:41:26 | |
so, Laura, you're fired. | 0:41:26 | 0:41:30 | |
Take care. | 0:41:33 | 0:41:34 | |
Tom stayed because I like the fact that he likes to have a gamble | 0:41:38 | 0:41:42 | |
and go for it sometimes. | 0:41:42 | 0:41:45 | |
I think he learnt on this occasion, when you're having a gamble, | 0:41:45 | 0:41:49 | |
make sure that you're not making the bet too hard for yourself. | 0:41:49 | 0:41:53 | |
'The following week, keen to redeem himself, | 0:41:53 | 0:41:56 | |
'Tom became project manager.' | 0:41:56 | 0:42:00 | |
'On this particular task, what I wanted them to do | 0:42:00 | 0:42:03 | |
'was to generate interest on behalf of the English sparkling wine producers.' | 0:42:03 | 0:42:10 | |
Little mouthful, swish it round. | 0:42:11 | 0:42:13 | |
'Tom's team took in the spirit of the product.' | 0:42:13 | 0:42:16 | |
HE LAUGHS | 0:42:18 | 0:42:21 | |
We've really got to grips with the English wine sparkling... Sorry. | 0:42:21 | 0:42:25 | |
We've really got to grips with English wine sparking... | 0:42:25 | 0:42:28 | |
HE LAUGHS | 0:42:28 | 0:42:31 | |
What else can we say when we're discussing English sparkling wine? | 0:42:31 | 0:42:34 | |
'Ricky took in the message.' | 0:42:34 | 0:42:37 | |
-Really the emphasis is on quality, quality, quality. -Yep. -That is the key. | 0:42:37 | 0:42:42 | |
'And the rest of his team took liberties with the language.' | 0:42:42 | 0:42:46 | |
-Grandeur is the bottle name. -One of Stephen's few contributions | 0:42:47 | 0:42:51 | |
was the word grandeur | 0:42:51 | 0:42:54 | |
as a generic name of English sparkling wines. | 0:42:54 | 0:42:57 | |
It's a French word. | 0:42:58 | 0:43:00 | |
'On the video shoot...' | 0:43:00 | 0:43:02 | |
-"Grand-drerr," is that how you pronounce it? -Grandeur. | 0:43:02 | 0:43:06 | |
'..Ricky's quality message got lost in translation.' | 0:43:06 | 0:43:09 | |
You're going to be like, "What is this? | 0:43:09 | 0:43:12 | |
"This is not my English sparkling wine I ordered!" Like in disgust. | 0:43:12 | 0:43:15 | |
Ricky put Jenna in charge of directing the video. | 0:43:15 | 0:43:20 | |
And action. | 0:43:20 | 0:43:21 | |
'What she produced was total rubbish.' | 0:43:21 | 0:43:26 | |
Urgh! What is this? | 0:43:26 | 0:43:28 | |
Darling, this isn't the English sparkling wine that I ordered! | 0:43:28 | 0:43:32 | |
It was diabolical. Absolutely diabolical. | 0:43:32 | 0:43:36 | |
-Darling! Darling! Get him! -OK! Waiter! | 0:43:36 | 0:43:41 | |
Do exactly the same thing, but clink the glasses to each other. | 0:43:42 | 0:43:45 | |
Stephen, he's quite an intelligent person, | 0:43:45 | 0:43:49 | |
and he was standing there watching this ridiculous video being made. | 0:43:49 | 0:43:53 | |
-Less fizz and more sparkle! -ALL: Cheers! | 0:43:53 | 0:43:57 | |
-Great. That's good, that. -I'm happy with that. | 0:43:58 | 0:44:00 | |
'To judge the campaign, | 0:44:00 | 0:44:03 | |
'Lord Sugar called in experts from the world of wine.' | 0:44:03 | 0:44:06 | |
Good morning, ladies and gentlemen. My name's Ricky Martin | 0:44:06 | 0:44:09 | |
and our vision is to ultimately make people aware that English sparkling wine is a quality product. | 0:44:09 | 0:44:15 | |
We want that message to be crystal clear to people. | 0:44:15 | 0:44:18 | |
To be fair to Ricky, he was doing great until he pressed the button and played the video. | 0:44:19 | 0:44:24 | |
What I'd like to do is just take you onto our homepage | 0:44:24 | 0:44:26 | |
and there'll be a 30-second video. | 0:44:26 | 0:44:29 | |
So I'll let you have a look at that and then I'll start talking again. | 0:44:29 | 0:44:32 | |
-Urgh! That's horrible! -No, no. | 0:44:32 | 0:44:36 | |
This isn't the English sparkling wine I ordered! Darling! | 0:44:36 | 0:44:40 | |
She obviously needs English sparkling wine , oozing luxury with every pour. | 0:44:40 | 0:44:45 | |
'They couldn't believe it. They could not believe it at all.' | 0:44:46 | 0:44:50 | |
Do you think you could go and find a champagne website | 0:44:50 | 0:44:54 | |
which would portray itself in that way? | 0:44:54 | 0:44:57 | |
'The movie was a flop. | 0:44:57 | 0:44:59 | |
'Its director and her assistant were forced to face the boss.' | 0:44:59 | 0:45:03 | |
This video was going to be either love it or hate it. | 0:45:03 | 0:45:06 | |
I took risk in business. I'm a risk-taker. I took it and I made a mistake. | 0:45:06 | 0:45:10 | |
I know you're out there to try and impress me | 0:45:10 | 0:45:12 | |
and I also know I might remind you of Sid James, | 0:45:12 | 0:45:15 | |
but I didn't tell you to make a Carry On Boozing movie. | 0:45:15 | 0:45:18 | |
I was expecting Kenneth Williams to pop in and say, | 0:45:18 | 0:45:22 | |
"Ooh, maitre d'! Where's my Grandeur gone? Someone's nicked my Grandeur!" | 0:45:22 | 0:45:27 | |
I mean, it is a total... I don't know what you were thinking! | 0:45:27 | 0:45:29 | |
'Under fire, Stephen ducked and dived.' | 0:45:29 | 0:45:33 | |
Lord Sugar, I'm guessing, in terms of the process here, | 0:45:33 | 0:45:35 | |
we have people who actually have an input and make decisions, | 0:45:35 | 0:45:39 | |
OK, you've maybe had a bad day at the office, you've made a mistake, | 0:45:39 | 0:45:42 | |
and then you have people who don't make any decisions at all and have no input. | 0:45:42 | 0:45:45 | |
'Stephen showed me a side of him which I was starting to dislike. | 0:45:45 | 0:45:49 | |
'He came across as a little bit slippery.' | 0:45:49 | 0:45:52 | |
He was quite good at pointing out that it wasn't his fault, it was someone else's. | 0:45:52 | 0:45:56 | |
-In terms of that... -Who made no decisions, then? | 0:45:56 | 0:45:59 | |
Well, for me, very simply, in terms of the task, I think Gabrielle, | 0:45:59 | 0:46:02 | |
I mean, she's sitting here now quite quiet, but Gabrielle for me is, | 0:46:02 | 0:46:06 | |
in our team, from a contribution point of view, it's lacking. | 0:46:06 | 0:46:09 | |
I started to wonder whether he's an honourable fellow | 0:46:09 | 0:46:13 | |
in the sense of the way he tries to deflect the responsibility away from himself. | 0:46:13 | 0:46:19 | |
'But Jenna just got the tone completely and utterly wrong.' | 0:46:19 | 0:46:23 | |
You didn't realise that this was a high-quality product | 0:46:23 | 0:46:28 | |
and you should not have been making a humorous video in the beginning. | 0:46:28 | 0:46:33 | |
Jenna, I'm sending you home. You're fired. | 0:46:33 | 0:46:35 | |
Thank you, Lord Sugar. | 0:46:35 | 0:46:38 | |
'And just as I was about to also let Stephen go, | 0:46:43 | 0:46:47 | |
'he kind of leapt across the table...' | 0:46:47 | 0:46:49 | |
All I can say to you, if I was project manager again, | 0:46:49 | 0:46:52 | |
-I would definitely deliver another victory and... -Definitely? -I would definitely deliver another victory. | 0:46:52 | 0:46:57 | |
You've thrown the gauntlet down. You are the project manager next | 0:46:57 | 0:47:00 | |
and I expect you to win. | 0:47:00 | 0:47:02 | |
'The next morning, an early start.' | 0:47:04 | 0:47:08 | |
I'm so positive today. I'm so motivated. I can't wait to get out. | 0:47:08 | 0:47:12 | |
'It was Stephen's last chance.' | 0:47:12 | 0:47:16 | |
I was on the edge of a cliff, one foot over the edge, | 0:47:18 | 0:47:21 | |
pulled back in, so I'm going to give 110 percent. | 0:47:21 | 0:47:25 | |
'The task - find and negotiate cut-price offers | 0:47:26 | 0:47:30 | |
'for a daily deals website.' | 0:47:30 | 0:47:33 | |
It's very simple, this task. It's about negotiation and persuasion, fundamentally. | 0:47:33 | 0:47:37 | |
We're going to win this. How much we're going to win it by is all I'm thinking about. | 0:47:37 | 0:47:41 | |
'Ricky had a rough start.' | 0:47:41 | 0:47:44 | |
-So you wouldn't be able to do any discount whatsoever? -Not even ten percent. | 0:47:44 | 0:47:47 | |
OK. Just wanting to clarify that crystal clear... | 0:47:49 | 0:47:51 | |
The product we use is a power whitening system. | 0:47:51 | 0:47:54 | |
'While Stephen went for a multi-deal strategy.' | 0:47:54 | 0:47:58 | |
So you've got your deluxe option with the homecare kit, | 0:47:58 | 0:48:00 | |
then we could perhaps have a deal without the homecare kit, so you've got two options. | 0:48:00 | 0:48:04 | |
-Is that something that sounds quite good? -Absolutely. | 0:48:04 | 0:48:07 | |
'It's not a bad idea on the face of it.' | 0:48:07 | 0:48:10 | |
One particular company might have offered three or four different packages. | 0:48:10 | 0:48:14 | |
Not a bad idea at all. | 0:48:14 | 0:48:16 | |
What the bad idea was was that the stuff that they found had all been done, all been seen. | 0:48:16 | 0:48:22 | |
Oh, Jesus, that's horrible! | 0:48:22 | 0:48:25 | |
-That feels... -It's tickly. -Oh, my God. -SHE LAUGHS | 0:48:25 | 0:48:28 | |
-Gabrielle really pushed for the fish pedicure. -That is very popular at the moment. | 0:48:28 | 0:48:33 | |
But the CEO of the website was really clear that they only want luxury experiences. | 0:48:33 | 0:48:39 | |
-Thank you very much, Ben. -It didn't surprise me one moment | 0:48:39 | 0:48:42 | |
that the website turned round and said, "No, thanks, we've seen all that before." | 0:48:42 | 0:48:46 | |
Stephen and Gabrielle, they went off the rails. | 0:48:46 | 0:48:49 | |
I'm feeling a bit of pressure, I've got to be honest. | 0:48:49 | 0:48:53 | |
Bloody hell. | 0:48:53 | 0:48:55 | |
'In the boardroom, a crushing defeat.' | 0:48:55 | 0:48:58 | |
The winning team came in with £14,000 worth of business | 0:48:58 | 0:49:04 | |
compared to Stephen's £7,000, | 0:49:04 | 0:49:07 | |
so it wasn't just a little loss, it was a big, big loss. | 0:49:07 | 0:49:12 | |
The dentist and the fish thing - did you not understand | 0:49:12 | 0:49:15 | |
the need for something special on this website? | 0:49:15 | 0:49:19 | |
I've never been to a fish spa in my life. | 0:49:19 | 0:49:21 | |
'Again, under pressure, Stephen tried to shift the blame.' | 0:49:21 | 0:49:25 | |
Gabrielle very much gave the advice that it would be a good seller. | 0:49:25 | 0:49:28 | |
-He was so indecisive, chopping and changing. -Just focus on yourself... | 0:49:28 | 0:49:32 | |
-No, no, can you let me finish, please? -Of course, but think about you. | 0:49:32 | 0:49:37 | |
-Yes, can you let me finish? -Stop being so condescending, let her speak. | 0:49:37 | 0:49:40 | |
-In every task, I do try and adapt myself to the person I'm dealing with. -Yeah, OK. | 0:49:40 | 0:49:45 | |
'Gabrielle is a very bubbly person.' | 0:49:45 | 0:49:48 | |
I just get the feeling that she had reached... | 0:49:48 | 0:49:52 | |
..hit the wall in the process, as far as I was concerned. | 0:49:52 | 0:49:57 | |
Gabrielle, as nice a person as you are, | 0:49:57 | 0:49:59 | |
it is with regret that you are fired. | 0:49:59 | 0:50:03 | |
Well, I'd like to thank you very much for the opportunity, | 0:50:04 | 0:50:06 | |
and well done, boys, and thank you very much. | 0:50:06 | 0:50:10 | |
'For a moment, Stephen looked safe.' | 0:50:13 | 0:50:16 | |
You asked me for the chance to be the project manager, I gave you the chance. | 0:50:18 | 0:50:22 | |
You told me you were going to win, you didn't win. | 0:50:22 | 0:50:25 | |
You lost. You're also fired. | 0:50:25 | 0:50:29 | |
'That left five to fight for a place in the final.' | 0:50:37 | 0:50:41 | |
This was the penultimate task | 0:50:43 | 0:50:45 | |
and so this was a bit of a sink-or-swim situation. | 0:50:45 | 0:50:49 | |
The pressure was on and they had to get it right. | 0:50:49 | 0:50:53 | |
Your task is to create an affordable luxury product range. | 0:50:53 | 0:50:58 | |
-Adam, you're going to be project manager of Phoenix. -Fantastic. Thank you. -OK? | 0:50:58 | 0:51:05 | |
-Good luck. Off you go. -Thank you, Lord Sugar. | 0:51:05 | 0:51:08 | |
Good task. Exciting. A lot to it. | 0:51:08 | 0:51:11 | |
Name, identity, logo, packaging. Any ideas? | 0:51:11 | 0:51:16 | |
I have a lot of admiration for Adam in the way that he's grown throughout the course of the process. | 0:51:16 | 0:51:23 | |
So I put him in charge because he's a good salesman, | 0:51:23 | 0:51:27 | |
but was he an all-round good business manager? | 0:51:27 | 0:51:31 | |
I want to go down the road, I think, of chocolates, white chocolates | 0:51:31 | 0:51:36 | |
with a nice fold-up box with a ribbon on. | 0:51:36 | 0:51:38 | |
'Sold on selling sweets, Jade headed up production.' | 0:51:38 | 0:51:42 | |
It's like heaven! | 0:51:42 | 0:51:45 | |
I always wanted to have a sweet shop. I think every little girl who was slightly podgy did. Mm! | 0:51:45 | 0:51:51 | |
'And Adam brainstormed brand names.' | 0:51:51 | 0:51:55 | |
-Obviously, it's chocolate. So Chocolike? -Yep. | 0:51:55 | 0:51:59 | |
Quite clever. Chocoloco. | 0:51:59 | 0:52:01 | |
Erm, Lovely Chocolate. ChocStop. | 0:52:01 | 0:52:03 | |
It's important for us to remember we are creating a luxury brand. | 0:52:03 | 0:52:06 | |
The things I've written down - CoCoCo. CoCoCho. ChoChoCho. | 0:52:06 | 0:52:12 | |
-It sounds like a train. -It is a bit, but it's like a chocolate train. | 0:52:12 | 0:52:15 | |
-At the moment... -We could call it Chocolate Bar. | 0:52:15 | 0:52:19 | |
As in chocolate bar and chocolate bar, do you know what I mean? | 0:52:19 | 0:52:22 | |
The bar, the fact that we could have the counter in the style of a bar, | 0:52:22 | 0:52:26 | |
you could personalise the chocolate, again, like a bar, and order it at the bar, a chocolate bar. | 0:52:26 | 0:52:32 | |
'Next job for the two boys, the chance to get a taste of their chosen market.' | 0:52:35 | 0:52:41 | |
-That's beautiful. -What kind of chocolates do you do? What flavours? | 0:52:41 | 0:52:45 | |
We do a ginger, a lavender, a mint. | 0:52:45 | 0:52:49 | |
Adam and Nick had a wonderful opportunity to meet a businessman | 0:52:49 | 0:52:52 | |
who's created a fantastic bespoke shop | 0:52:52 | 0:52:54 | |
to help them put together their business model. | 0:52:54 | 0:52:57 | |
What have they spent their time doing here? Tasting chocolate. | 0:52:57 | 0:53:00 | |
'Called Sweet Thing, their shop was a hit.' | 0:53:00 | 0:53:04 | |
Welcome to Sweet Thing, giving you a full chocolate flavour, | 0:53:04 | 0:53:09 | |
hopefully the most chocolaty chocolates you've ever tried. | 0:53:09 | 0:53:12 | |
'When I first saw their shop, I thought to myself, "Ooh, wow, this looks interesting." | 0:53:12 | 0:53:18 | |
Colourful, lots of products. | 0:53:18 | 0:53:20 | |
Superficially, it looked quite good. | 0:53:20 | 0:53:23 | |
'But on the business front, it was a bit "suck it and see". | 0:53:23 | 0:53:26 | |
What have you decided on your recommended retail price? | 0:53:26 | 0:53:30 | |
-£2.99, it's tripling your money. What do you think, Nick? -£4.99. | 0:53:30 | 0:53:34 | |
-Would you pay £4.99 for them? -Maybe you're right, maybe £2.99 is nearer. | 0:53:34 | 0:53:37 | |
So what is the pricing strategy as it stands now? | 0:53:37 | 0:53:42 | |
That is selling for, at the moment, | 0:53:42 | 0:53:45 | |
-you're thinking £2.99 or £4.99? -Exactly. | 0:53:45 | 0:53:49 | |
'On the other team...' | 0:53:51 | 0:53:54 | |
It's going to be too fruity for a masculine product. | 0:53:54 | 0:53:57 | |
'..a men's grooming range from Ricky and Tom.' | 0:53:57 | 0:54:00 | |
So you've got the shaving cream, the after balm and the moisturiser at the end. | 0:54:00 | 0:54:05 | |
Just to let you know, we do have a grooming experience for you this afternoon if you'd like to try it. | 0:54:05 | 0:54:09 | |
-And it will be me who'll be giving you the experience, so you're in safe hands. -Excellent. | 0:54:09 | 0:54:14 | |
Relax. I'm really glad you popped along. | 0:54:14 | 0:54:18 | |
These two fellas, Ricky and Tom, were quite dabber chaps | 0:54:19 | 0:54:23 | |
and I got the feeling they were quite into it themselves. | 0:54:23 | 0:54:27 | |
-Is that too hard or is that nice and soft? -No, that's fine. | 0:54:27 | 0:54:30 | |
'After two days perfecting brands, | 0:54:34 | 0:54:37 | |
'teams had to present them to retail experts...' | 0:54:37 | 0:54:40 | |
-Good morning, ladies and gentlemen. -'..and to Lord Sugar.' | 0:54:40 | 0:54:44 | |
Modern Gentleman is a concept which is going to target traditional grooming visions and values | 0:54:44 | 0:54:50 | |
and bring that to the modern man. | 0:54:50 | 0:54:52 | |
'Ricky and Tom really had thought up their plan.' | 0:54:52 | 0:54:55 | |
The UK's market is 862 million right now and growing. | 0:54:55 | 0:54:59 | |
So it actually worked, it actually had legs. | 0:54:59 | 0:55:02 | |
What we'd like to do is take this outside the UK, and starting within Europe | 0:55:02 | 0:55:06 | |
gives us the advantage, because the export links are extremely good. Please feel free to ask questions. | 0:55:06 | 0:55:10 | |
'Next to face the experts, Adam.' | 0:55:12 | 0:55:15 | |
Good morning, ladies and gentlemen. Thank you for giving us the time | 0:55:15 | 0:55:19 | |
to introduce our brand, Sweet Thing. | 0:55:19 | 0:55:23 | |
Regretfully, Adam didn't put up a very good pitch. | 0:55:23 | 0:55:27 | |
What we tried to achieve is affordable luxury. | 0:55:27 | 0:55:31 | |
-HE CLEARS THROAT -Ideal for Christmas, | 0:55:31 | 0:55:35 | |
birthdays, Easter and Valentine's Day, | 0:55:35 | 0:55:40 | |
-which we think will be our busy periods. -HE CLEARS THROAT | 0:55:40 | 0:55:44 | |
Our target market, hopefully, it will appeal to absolutely everyone, | 0:55:44 | 0:55:49 | |
whether that's coming back from the office or just for a girly night in | 0:55:49 | 0:55:53 | |
or whatever you fancy, to be honest. | 0:55:53 | 0:55:56 | |
When you looked into his eyes, you saw a man who I think himself realised | 0:55:58 | 0:56:04 | |
that he'd kind of reached the end of a great journey. | 0:56:04 | 0:56:09 | |
Adam, I've got to tell you that you have impressed me | 0:56:10 | 0:56:13 | |
in the manner in which you have thrown yourself into everything head-first. | 0:56:13 | 0:56:17 | |
However, there are other areas I have to consider, | 0:56:17 | 0:56:23 | |
the shrewdness, the awareness, | 0:56:23 | 0:56:26 | |
the getting the plot, | 0:56:26 | 0:56:28 | |
and that's maybe where you're a little bit lacking. | 0:56:28 | 0:56:31 | |
He himself might have realised in the end that it was time for him to go. | 0:56:31 | 0:56:36 | |
I think, all in all, | 0:56:36 | 0:56:39 | |
on this very, very difficult decision I've got to make, | 0:56:39 | 0:56:43 | |
erm... | 0:56:43 | 0:56:45 | |
..I'm going to have to say that, Adam... | 0:56:45 | 0:56:49 | |
-..you're fired. -Thank you, Lord Sugar. | 0:56:51 | 0:56:54 | |
-I wish you all the best for the future, Adam, and I hope you do well. -Thank you. | 0:56:54 | 0:56:58 | |
-And keep in touch. -If you ever need a salesman, you know where I am. -OK. | 0:56:58 | 0:57:02 | |
Thanks very much. Well done. Well done, lad. | 0:57:02 | 0:57:05 | |
Right, I'm down to my final four now. | 0:57:16 | 0:57:19 | |
I've seen these people throughout the past 11 weeks | 0:57:19 | 0:57:23 | |
and they've all got different qualities. | 0:57:23 | 0:57:25 | |
Ricky is a great salesperson, a great presenter. | 0:57:25 | 0:57:30 | |
Tom - smart, seems to have ideas. | 0:57:30 | 0:57:34 | |
He's shown some great work in the past. Another good contender. | 0:57:34 | 0:57:38 | |
Nick - a technical man. | 0:57:38 | 0:57:40 | |
Big on the web where he deployed his expertise throughout the course of the process. | 0:57:40 | 0:57:45 | |
And then there's Jade. She can sell, she's creative. | 0:57:45 | 0:57:49 | |
Very quick, very fast-thinking. | 0:57:49 | 0:57:52 | |
So I've got four very, very good candidates to go forward to the final | 0:57:52 | 0:57:56 | |
where I will be delving much deeper into their business plan ideas | 0:57:56 | 0:58:02 | |
and to see which of the four is going to be my business partner. | 0:58:02 | 0:58:06 | |
Subtitles by Red Bee Media Ltd | 0:58:08 | 0:58:12 | |
. | 0:58:12 | 0:58:12 |