Browse content similar to 2014. Check below for episodes and series from the same categories and more!
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Tonight, live from London's Theatre Royal, Dewery lane, we welcome you | :00:09. | :00:14. | |
to the Arqiva British Academy Television Awards. | :00:15. | :00:23. | |
-- Dury Lane. This is where the magic happens. The | :00:24. | :00:28. | |
most exciting night of the year in British television. How does it feel | :00:29. | :00:33. | |
to be at the BAFTA snoos very exciting You get to put your tux on. | :00:34. | :00:38. | |
Hang out with people off the TV. It is a great night. I love the BAFTAs. | :00:39. | :00:43. | |
I love British television, cinema it all. I love being here with these | :00:44. | :00:48. | |
amazing people. The biggest stars of the small screen are gathering on | :00:49. | :00:51. | |
the most fashionable walkway in town. I just love seeing everybody | :00:52. | :01:01. | |
in their best clothes. It's going to be a night to remember, as we | :01:02. | :01:06. | |
celebrate 2014's greatest it much V moments. I'm so over-excited. I will | :01:07. | :01:14. | |
give the answer, it is Breaking Bad. Fantastic. I have loved this year, | :01:15. | :01:20. | |
Gogglebox. I'm excited it is up for an award. But who will walk away | :01:21. | :01:30. | |
with a coveted BAFTA? Is it wonkey, my dickie bow? Let's go to the | :01:31. | :01:40. | |
BAFTAs. Ladies and gentlemen, welcome to the British Academy | :01:41. | :01:42. | |
television awards. Here is your host for this evening - but who is it | :01:43. | :01:49. | |
going to be? Sir Brousse Forsyth? It's not you. | :01:50. | :01:54. | |
# Mary Berry - it's not you. | :01:55. | :01:59. | |
# Graham Norton - it might be you. | :02:00. | :02:07. | |
Dynamo - well, you already know, it's not you. Does he? Ant and Dec - | :02:08. | :02:14. | |
it might be you. So, it's between Graham and Ant and | :02:15. | :02:18. | |
Dec. The result is in - the host is... Graham. | :02:19. | :02:43. | |
Hello, good evening and welcome to Arqiva British Academy Television | :02:44. | :02:48. | |
Awards. Coming to you tonight from London aess famous Theatre Royal -- | :02:49. | :02:55. | |
London's famous Theatre Royal, Drury Lane. Did that opening mean I have | :02:56. | :02:59. | |
lost? I don't feel like a loser, I feel like a winner. I get to host | :03:00. | :03:04. | |
TV's most glamorous night of the year. Look what is in front of me. | :03:05. | :03:08. | |
It is a sea of talented nominees. Good luck everyone. I wish everyone | :03:09. | :03:13. | |
could win. But, hey, if you get beaten, at least it wasn't in a lift | :03:14. | :03:15. | |
by your wife's centre. She wanted chips. | :03:16. | :03:32. | |
Anyway, and upstairs my starlets, starlets, starlets, upstairs, real | :03:33. | :03:37. | |
people. Lots of them. They are right there. I know! I know, look at them. | :03:38. | :03:47. | |
People with oyster cards who live in rented accommodation. | :03:48. | :03:52. | |
They are looking at you now. If you turn around you can look at them | :03:53. | :03:56. | |
looking at you. It is like Gogglebox live. | :03:57. | :04:02. | |
This year, what a great year. So many wonderful TV moments. One of my | :04:03. | :04:06. | |
personal favourites was, of course in Educating Yorkshire. Everyone | :04:07. | :04:11. | |
loved it. I know. Where Mr Burton helped Musharaf to | :04:12. | :04:15. | |
overcome his stammer. I think Musharaf is here tonight. Are you? | :04:16. | :04:20. | |
There he is. Hello, Sir. Lovely to you you here. | :04:21. | :04:23. | |
Are you going to the party afterwards? Yeah - why not. Hey, | :04:24. | :04:32. | |
they are only A-levels. Like anyone else here has one? ! | :04:33. | :04:37. | |
Actually, Musharaf, a bit of advice for you. At the party, just telling | :04:38. | :04:42. | |
you, you will see actresses. You will see young actresses in | :04:43. | :04:47. | |
revealing gowns. And you will think, Musharaf, that those young actresses | :04:48. | :04:52. | |
will make you happy. They won't make you happy. | :04:53. | :05:00. | |
They will make you sad. And possibly itchy! | :05:01. | :05:06. | |
I a parentally in the next series of Educating Yorkshire, Mr Burton | :05:07. | :05:13. | |
continues to help people with speech difficulties. He is starting with | :05:14. | :05:18. | |
the cast of Jamaica inn. Stop it. I do not blame the cast. I | :05:19. | :05:25. | |
blame the TV engineers. They are so stupid and incompe... (sound dips) | :05:26. | :05:34. | |
I'm back. So many changes in TV. Gary and | :05:35. | :05:39. | |
Nicole have left X Factor. I more one will be sad that Gary Barlow | :05:40. | :05:43. | |
won't be going back to the show. But, that's the thing about Gary, | :05:44. | :05:50. | |
just not very good with returns! Cute, I thought that was good. So | :05:51. | :05:55. | |
even Gary is watching this going - actually that's funny. In fact loads | :05:56. | :06:00. | |
of people have moved on. Kylie left The Voice. Sir Brousse has left | :06:01. | :06:05. | |
Strictly and all the viewers have left Good Morning Britain. -- Bruce. | :06:06. | :06:17. | |
If you cared, you'd watch it. BBC Three has been axed? What no. I | :06:18. | :06:23. | |
stand corrected. It has not been axed. It is going to live on the | :06:24. | :06:28. | |
internet which I'm sure is the media equivalent of parents telling the | :06:29. | :06:30. | |
kids that the dog has gone to live on a big farm. | :06:31. | :06:40. | |
They are over there, yes, they are great. Talking of standing in the | :06:41. | :06:47. | |
wilderness. Bear Grylls show has been accused of fakery. I don't | :06:48. | :06:51. | |
understand why, apparently branches of nan does occur naturally in the | :06:52. | :06:56. | |
wild. I'm so distracted by all the famous faces here. It is such a | :06:57. | :07:00. | |
starry crowd. And, you know, not all out on bail. We took some pictures | :07:01. | :07:05. | |
out on the red carpet. I'm not sure why. I think it is nice it see it is | :07:06. | :07:09. | |
sunny outside. It helps the audience at home remember it is a night-time | :07:10. | :07:12. | |
event. There on the screens, possibly for | :07:13. | :07:15. | |
the last time altogether is the cast of Strictly. Aw. | :07:16. | :07:20. | |
Altogether. Give them a round of applause. | :07:21. | :07:29. | |
Just to check... Just to check, Sir Brousse. The BBC haven't tried to -- | :07:30. | :07:35. | |
Sir bruce, the BBC haven't tried to cut costs by telling you this is | :07:36. | :07:40. | |
your retirement party, have they? Star of Breaking Bad Aaron Paul is | :07:41. | :07:46. | |
here. CHEERS | :07:47. | :07:49. | |
I know. There he is. Putting the Met into | :07:50. | :07:56. | |
method acting. -- the meth. We are honoured. All the Dragons are out | :07:57. | :08:00. | |
this evening. Look at that. Dragons smiling. | :08:01. | :08:05. | |
Apparently this is the moment we were told Hilary Du Vey had gone | :08:06. | :08:11. | |
bankrupt. Very sad. Simon Cowell couldn't make | :08:12. | :08:15. | |
it this evening. I know, it is a shame. After his recent West End | :08:16. | :08:20. | |
musical, it would be mice for him to see what a -- it would be nice for | :08:21. | :08:24. | |
him to see what a full theatre looks like. Just see. Listen, we are | :08:25. | :08:28. | |
getting to the moment where I'm going to declare winners. I don't | :08:29. | :08:31. | |
know. The quality of the nominated shows is so high, I don't know how | :08:32. | :08:36. | |
the judges decided. I imagine in some categories it was a question of | :08:37. | :08:40. | |
eeny meeny miney mo, catch a tiger by its toe. | :08:41. | :08:50. | |
Is that, that hard? It's not hard. So, as I like to say before having | :08:51. | :08:55. | |
sex - the sooner we start, the sooner we finish. | :08:56. | :09:03. | |
So, let's get on with the awards. We begin with a brief reminder of what | :09:04. | :09:06. | |
we are celebrating tonight. I've missed this. | :09:07. | :09:14. | |
Oh, lovely. I missed your little face. | :09:15. | :09:33. | |
I am so cross with you. It kept be because of your beard. It's | :09:34. | :09:38. | |
gorgeous. You were a very trivial man. Are you always this stuck up? | :09:39. | :09:44. | |
This is going to be like, the best party ever. Force I love this job so | :09:45. | :09:49. | |
much. The first sight of Prince George, | :09:50. | :09:54. | |
just a day old. I would like to find love. | :09:55. | :09:59. | |
I'll always love you, Elizabeth. I love you. | :10:00. | :10:13. | |
# I'm saying goodbye # Say something I'm giving up on you | :10:14. | :10:18. | |
# I want to thank you today for | :10:19. | :10:21. | |
letting me speak in front of all of you. | :10:22. | :10:27. | |
I'm emotional now. I don't know what is going to happen for the rest of | :10:28. | :10:33. | |
the night. I have something to tell you. I have no idea what that was | :10:34. | :10:37. | |
about. I think we got away with it. The show must go on. Shall we start | :10:38. | :10:42. | |
dishing out some medals? The waiting is over. | :10:43. | :10:46. | |
There are winners and there are losers. | :10:47. | :10:53. | |
Fantastic. OK. On to the first award of the | :10:54. | :11:08. | |
evening, which is for the much sought-after, Entertainment | :11:09. | :11:11. | |
Programme. Given in honour of Lew Grade. To present it a much | :11:12. | :11:15. | |
sought-after actress. Please welcome the fantastic, double BAFTA winning, | :11:16. | :11:18. | |
Olivia Coleman, everybody. Hello. | :11:19. | :11:34. | |
Thank you. It's great to be here. I'm delighted and honoured to have | :11:35. | :11:37. | |
been asked to present the very first award of the evening. Mainly because | :11:38. | :11:42. | |
it means I can be home and in bed by 9.30pm. | :11:43. | :11:45. | |
I'm joking. I'm going out on the lash. | :11:46. | :11:54. | |
Right. Four great shows have been nominated. Their remit was to | :11:55. | :11:58. | |
entertain. They didn't disappoint. Let's look at them. | :11:59. | :12:13. | |
EVERYONE GET YOUR PHONES OUT. I WILL NEED YOU ALL TO FOCUS: | :12:14. | :12:46. | |
Pauline's first crucial task is to distract the guard. Have you ever | :12:47. | :12:55. | |
worked for the security team... Giving Rachael cover to flip the | :12:56. | :13:00. | |
optical illusion into place. Are you sure? Have you not got a brother, or | :13:01. | :13:10. | |
a cousin? Beautifully done. It's time forp I'm A Celebrity. Ant | :13:11. | :13:14. | |
and Dec's Saturday night takeaway. Linger, linger, linger. Leave it by | :13:15. | :13:22. | |
the door. He's talking on a banana. The BAFTA is awarded to... Ant and | :13:23. | :13:37. | |
Dec's Saturday night takeaway. Wow. Thank you very much indeed. | :13:38. | :14:18. | |
First award of the night. I'm nerve us why. This is brilliant. Really | :14:19. | :14:22. | |
great. We brought the show back after a four-year break. So even to | :14:23. | :14:27. | |
be nominated for a BAFTA was fantastic, but to win it, listen, | :14:28. | :14:31. | |
thank you very much. Well done, you lot. We have such a brilliant and | :14:32. | :14:35. | |
hard-working crew and production team that work on this show. We do | :14:36. | :14:40. | |
it because we all absolutely love T I'm so chuffed that we have done it, | :14:41. | :14:44. | |
because everybody put everything into it. We work so hard on it. This | :14:45. | :14:48. | |
is a nice big cherry on what is already a fantastic cake - we all | :14:49. | :14:53. | |
love that terrible analogy. They will get better during the evening. | :14:54. | :14:56. | |
Thank you on behalf of everybody who has worked so hard on the show. | :14:57. | :14:59. | |
Thank you so much. We will be back with it next year. Thank you. Have a | :15:00. | :15:07. | |
great year everybody. Have a great night. | :15:08. | :15:14. | |
APPLAUSE Next up is the baf fa for features. | :15:15. | :15:30. | |
-- Bafta for features. Next up is Naomi Campbell and Luke Evans, | :15:31. | :15:32. | |
everyone. Thank you. Thank you ladies and | :15:33. | :15:47. | |
gentlemen. It is a great honour... OK, I start again. Thank you ladies | :15:48. | :15:51. | |
and gentlemen, it is a great hon tore be here to pre-- honour to be | :15:52. | :16:00. | |
here to prevent this award. They are unique and captivating in their own | :16:01. | :16:02. | |
way. Let's look at the nominees. # You're going to improvise... | :16:03. | :16:23. | |
My name is Jeff The Chef # Better than all the rest | :16:24. | :16:29. | |
# I like to sing a song. # Likes to sing a song. | :16:30. | :16:35. | |
I cannot believe you have not pressed a button yet! I don't know | :16:36. | :16:43. | |
what to do! It's that one. Press it! Press it! There you go! Amazing! | :16:44. | :16:51. | |
Where is the theme music? I am impressed now - now that it is | :16:52. | :16:56. | |
horizontal, it is suddenly a roof. What a brilliant thing. | :16:57. | :17:04. | |
He thought he had a sister. He couldn't find a trace of anyone. Did | :17:05. | :17:13. | |
he try and look? For so long to try and find family. | :17:14. | :17:21. | |
Does he want to see me? He's so thrilled. He really wants to see | :17:22. | :17:23. | |
you. What do we need to do? Oh, man, this | :17:24. | :17:35. | |
is terrifying! It's not good, is it? I can't watch this! OK! | :17:36. | :17:46. | |
Slowly! To the plate? Yeah. I love you all! All for one, one for all! | :17:47. | :17:53. | |
APPLAUSE . And the BAFTA goes to Long Lost | :17:54. | :18:02. | |
Family. He trying to chat up Naomi Campbell! | :18:03. | :18:40. | |
I think I can say on behalf of everyone, when we're done, we're | :18:41. | :18:44. | |
lucky enough to be on television. When we're done, we will look back | :18:45. | :18:47. | |
and we will never have worked on a pranl like this in our live -- | :18:48. | :18:52. | |
programme like this in our lives. Thank you so much to BAFTA. Thank | :18:53. | :18:59. | |
you to ITV as well to Peter Finchman and to David. A huge thanks to these | :19:00. | :19:07. | |
amazing people who do the searches. And to this team of the most | :19:08. | :19:15. | |
compassionate people who do the most fantastic job. To Sally, to Leanne | :19:16. | :19:22. | |
to Kate and to Duncan as well. And just a quick word, I know Davina | :19:23. | :19:30. | |
wants to emphasise this, but to the inspiring and inspirational people | :19:31. | :19:34. | |
who have tried to let us do justice to their stories and who have | :19:35. | :19:39. | |
inspired others as well. I was going to say thank you for trusting us | :19:40. | :19:43. | |
with your stories. We would not even be a show without you. We really, | :19:44. | :19:48. | |
really appreciate it. Thank you for letting us into your lives and thank | :19:49. | :19:53. | |
you very much to BAFTA. APPLAUSE | :19:54. | :20:06. | |
Of It is like they are a long-lost family. They were sitting together - | :20:07. | :20:15. | |
I don't note what that was about! Soap and continuing drama now, in | :20:16. | :20:19. | |
keeping this I should tell you the nominees and make you wait a week, | :20:20. | :20:24. | |
but I won't. A presenter from The Voice - the other game of Thrones | :20:25. | :20:30. | |
and a TV star and member of the Saturdays - the new Richards and | :20:31. | :20:43. | |
Judy ys. -- Judies. | :20:44. | :20:47. | |
Thank you ladies and gentlemen. It is great to be here to present the | :20:48. | :20:52. | |
award. As a married couple, we love nothing better than a night in, in | :20:53. | :20:56. | |
front of the TV catching one the nation's favourite families. When I | :20:57. | :21:00. | |
am in charge of the remote. Which is never! | :21:01. | :21:08. | |
Please be quiet! Check her pupils. | :21:09. | :21:17. | |
Why is that? She's gone. I need your help. | :21:18. | :21:30. | |
Anything - just tell me! I want him gone. | :21:31. | :21:32. | |
I want him dead. Liar! What was the job? I don't | :21:33. | :21:46. | |
know. He was going to operate on my sister. | :21:47. | :21:53. | |
If we hadn't stopped him he would have circumcised my sister tonight. | :21:54. | :21:59. | |
I treasure every second I have with you. My body, the shell. And this | :22:00. | :22:09. | |
giant, defiant scheme. It's not brave. Selfish! | :22:10. | :22:16. | |
And the BAFTA goes to... Coronation Street production team. | :22:17. | :22:28. | |
Congratulations. My mum and dad are going to be so | :22:29. | :22:57. | |
proud of this. I have dreamt of this moment for years. It is so much | :22:58. | :23:01. | |
better in reality. I could be up here forever because there are | :23:02. | :23:04. | |
hundreds and hundreds of people I need to thank - the crew, the cast, | :23:05. | :23:09. | |
the directors, the writers, editorial. That is kind of the point | :23:10. | :23:14. | |
of Coronation Street - it is never about any individual it is about a | :23:15. | :23:18. | |
team who love the show on top of the game, striving to make the best | :23:19. | :23:23. | |
British drama ever. I would like to thank our audience. Some have been | :23:24. | :23:26. | |
there for 50 years and more. I would like everyone in this room, without | :23:27. | :23:30. | |
our audience, we are not very special at all. So, thank you, and | :23:31. | :23:35. | |
thank you BAFTA. APPLAUSE | :23:36. | :23:50. | |
Exit is marked clearly! Anyone wins - it is that way! We have reefed the | :23:51. | :23:59. | |
award for specialist factual series. Here to present it is a man who has | :24:00. | :24:05. | |
spent too imin the most dangerous place in earth and he left Albert | :24:06. | :24:11. | |
Square and started to make documentaries. Please welcome Ross | :24:12. | :24:16. | |
Kemp, everyone. APPLAUSE | :24:17. | :24:21. | |
Thank you, ladies and gentlemen. The shows nominated in this category | :24:22. | :24:27. | |
today are big in their depth and attention to detail. They are work s | :24:28. | :24:32. | |
works of excellence which have informed and captivated. Let's take | :24:33. | :24:34. | |
a look at them. The Story of the Jews... | :24:35. | :24:48. | |
Since the collapse of the Soviet Union... In this town, 30,000 | :24:49. | :24:54. | |
pilgrims visit the grave of one of the most car charismatic every year. | :24:55. | :25:03. | |
13 days after breaking the tarmac in the car park, we were stood right on | :25:04. | :25:13. | |
the stop, staring at a skeleton with a hunch-backed spine. We were shell | :25:14. | :25:20. | |
shocked. The hun hunch back king was supposed to be a Tudor myth. | :25:21. | :25:24. | |
As he got to the end of his speech, he kept saying, tell them about the | :25:25. | :25:33. | |
dream. I watched his demeanour change. I turned to the person next | :25:34. | :25:39. | |
to me and I said, "These people don't know it." | :25:40. | :25:45. | |
There was a lot of fruit on the island. I'll try him with a bit. | :25:46. | :25:55. | |
Come on! What do you make of that? | :25:56. | :26:00. | |
That's a very powerful beak! The winner is David Attenborough's | :26:01. | :26:08. | |
Natural History Museum Alive. Goodness me - I knew I would be so | :26:09. | :26:42. | |
nervous I had to have some notes here. This is the first David | :26:43. | :26:45. | |
Attenborough programme that actually doesn't have animals in - they are | :26:46. | :26:49. | |
added later, so David had to act for the first time. | :26:50. | :26:53. | |
In a very long career, it was complicated because of technology | :26:54. | :26:57. | |
when I started it and I didn't tell Skye this, wasn't all there. | :26:58. | :27:02. | |
I have to say that it is a pretty extraordinary night. David | :27:03. | :27:06. | |
Attenborough has now won in black and white, colour, HD, 3D and now | :27:07. | :27:16. | |
the first winner of a BAFTA award, I believe, in 4K. | :27:17. | :27:27. | |
APPLAUSE Most of us haven't even got 4K yet. | :27:28. | :27:33. | |
When he won his first BAFTA, it was over 50 years ago and I was in my | :27:34. | :27:38. | |
pram, so I didn't watch that night, sadly. | :27:39. | :27:42. | |
Last week, David Attenborough was asked, who was the greatest | :27:43. | :27:45. | |
individual in television that he admired? He said, Huw Wheldon. 30 | :27:46. | :27:56. | |
years ago, when I joined the BBC, I had dinner with him. | :27:57. | :28:00. | |
And I asked him, who was the greatest broadcast broadcaster. He | :28:01. | :28:06. | |
said, David Attenborough. APPLAUSE | :28:07. | :28:14. | |
He said to me at that time, if you ever get to work with David | :28:15. | :28:20. | |
Attenborough, you'd be bloody lucky. I can tell you, I have made nine | :28:21. | :28:25. | |
productions with David and he is incredibly special. Congratulations, | :28:26. | :28:34. | |
David. APPLAUSE | :28:35. | :28:47. | |
Supporting actor time now and here to present it is the star of Line of | :28:48. | :28:53. | |
Duty. Put your hands together now. Hello. Good evening, ladies and | :28:54. | :29:11. | |
gentlemen. On-screen, as in life, support is essential. We all have a | :29:12. | :29:14. | |
tough enough time supporting ourselves, let alone someone else. | :29:15. | :29:18. | |
But the four actors dominated have all done an amazing job bringing | :29:19. | :29:23. | |
these very complex and different characters to life. Let's take a | :29:24. | :29:24. | |
look at them. Anyone we might care for or bring | :29:25. | :29:42. | |
close to us, anyone! They suffer! We lose them. | :29:43. | :29:47. | |
Do you think these facts are not related? That is not how it | :29:48. | :29:53. | |
functions. There's no God stood in judgment. Who talks of God. I take | :29:54. | :29:59. | |
of life, life Mr Reid is offended by you and me. | :30:00. | :30:07. | |
Anglo-Saxon England. That is what it says on your television. | :30:08. | :30:18. | |
Is that what you think you are? It isn't what I remember! | :30:19. | :30:25. | |
It is not what I see now. On All Soul's Day 15 people were | :30:26. | :30:30. | |
executed. Would never harm any. We are the | :30:31. | :30:45. | |
same, mark. No parents should outlive their child. | :30:46. | :30:49. | |
Your boy, he - he was a good boy. There is normally one hole in the | :30:50. | :31:07. | |
wire and all the men go into it. Don't follow me. You have to, | :31:08. | :31:13. | |
mother, you can't run barbed wire. They'll direct all their fire into | :31:14. | :31:15. | |
the funnel and everybody dies. And the BAFTA goes to... The lovely | :31:16. | :31:25. | |
David Bradley. Wow. Thank you BAFTA. Thank you ITV | :31:26. | :32:11. | |
for commissioning the programme. To Kudos for producing it. A wonderful | :32:12. | :32:16. | |
cast and crew for such a memorable time. Especially James and Iros for | :32:17. | :32:22. | |
their brilliant and sensitive direction and for choice for | :32:23. | :32:26. | |
creating a piece of work that seems to have captured the imagination of | :32:27. | :32:36. | |
so many people. I would like to thank Rosanna, George, Jack and | :32:37. | :32:40. | |
Fran, all my family and friends for their love and support. Ruth, Jess | :32:41. | :32:49. | |
and Zoe from United agents. Incidentally, last Christmas Ruth | :32:50. | :32:57. | |
Young sent me, very kindly, a full-size replica of one of these in | :32:58. | :33:04. | |
chocolate. Well, now, finally, I can take it down from the mantelpiece | :33:05. | :33:11. | |
and eat it. This is a great honour. Thank you very much. | :33:12. | :33:24. | |
Very good. Well done. # Fantastic. Coming up, we have Best | :33:25. | :33:35. | |
male and Female in a Comedy as well as the BAFTA special award but now | :33:36. | :33:39. | |
time for comedy and entertainment programme. I happen to know there | :33:40. | :33:43. | |
are some fantastic shows nominated this year in this category. I mean | :33:44. | :33:48. | |
really top notch! There are others that are good, if that's your cup of | :33:49. | :33:53. | |
tea. They are fine, perfectly good. Here to present it from the know | :33:54. | :34:01. | |
nominal US -- from the phenomenal US TV smash, it's Aaron Paul. Wow. | :34:02. | :34:10. | |
Well, good evening. It is great to be here tonight. I'm a genuine fine | :34:11. | :34:15. | |
of British comedy, of course and as such I'm delighted to present the | :34:16. | :34:22. | |
award for Comedy and Comedy Entertainment Programme. Let's look | :34:23. | :34:24. | |
at the nominees: Here he is. We don't get to see him | :34:25. | :34:38. | |
much since he became Prime Minister. I thought I would get him a | :34:39. | :34:42. | |
Bullingdon Club calendar. Maybe he will put me in the cabinet. I wanted | :34:43. | :34:46. | |
to give you this album. Would you give me a sign? George and Borris | :34:47. | :34:51. | |
signed it. Surely you could too. Come on, Dave, we had a bloody good | :34:52. | :34:53. | |
time. It's not that you get familiar with | :34:54. | :35:02. | |
pants and it is a second nature. He is not at ease. This is genuinely | :35:03. | :35:05. | |
one of the lowest moments of my life, by the way. If I had a penny | :35:06. | :35:11. | |
for every time someone said that on this show. Oh, my God. | :35:12. | :35:17. | |
I suppose all you can do now is pray that it is edited sympathetically. | :35:18. | :35:25. | |
I used to play cricket because now I have quit because I was bored and | :35:26. | :35:29. | |
cricket is... I then took up boxing, this didn't go well, I got knocked | :35:30. | :35:33. | |
out by a fat man and said that I fell. My life seemed empty, then you | :35:34. | :35:39. | |
came along, now it's griming with happiness and song. When I meet my | :35:40. | :35:44. | |
heroes from the band One Direction, I imagine it will give me a massive | :35:45. | :35:46. | |
sense of joy and well-being. And the BAFTA goes to... A League of | :35:47. | :36:48. | |
Their Own. Qulr Thank you so much. No-one is more shocked than we are | :36:49. | :36:51. | |
to think that this would be a BAFTA-winning programme. It is | :36:52. | :36:58. | |
something so silly that we all enjoy and on a list with Graham's show and | :36:59. | :37:02. | |
all the other brilliant shows was enough for us. We have an incredible | :37:03. | :37:07. | |
team who work on the show. Murray and Danielle and the brilliant David | :37:08. | :37:11. | |
Taylor and Jim and everyone at home who, in their homes, who work on the | :37:12. | :37:17. | |
show. They really are the core of the show. The heart of the show. I | :37:18. | :37:21. | |
know Jamie Redknapp was desperate to say something, right Jamie. Not | :37:22. | :37:27. | |
really. I'm joking. Of course he does. I would like to thank you for | :37:28. | :37:33. | |
being a real host. It is a real pleasure to work for you. Thank you | :37:34. | :37:37. | |
very much to BAFTA and everybody. Thank you very much, everybody. | :37:38. | :37:53. | |
That was the show I was talking about. Good. | :37:54. | :38:01. | |
I don't need a patronising cheer. Aaron Paul is never coming on the | :38:02. | :38:07. | |
show again! Moving on to the Supporting Actress | :38:08. | :38:12. | |
Award. Here to present it is a man who has had quite a year. He has | :38:13. | :38:19. | |
been Sherlock Holmes sidekick, and found himself in Fargo. Please | :38:20. | :38:23. | |
welcome, Martin Freeman. Thank you very much At that Thanks a | :38:24. | :38:37. | |
lot. I suppose you would call it lime green, I suppose. Just in case | :38:38. | :38:43. | |
you were wondering. Now, the role of Supporting Actress | :38:44. | :38:48. | |
is vital. It says here, in fact there is often a very thin line | :38:49. | :38:51. | |
between being the support and being the lead. I suppose I'm supposed to | :38:52. | :38:56. | |
fine that charming. There is also a very thin line between the actresses | :38:57. | :39:03. | |
nominated tonight who are, frankly, all outstanding, so let's take a | :39:04. | :39:04. | |
look at them: One of those men - oh, God - when I | :39:05. | :39:23. | |
was with him, nothing else mattered. Nothing. They could have dropped a | :39:24. | :39:34. | |
bomb on halle fax and I wouldn't -- on Halifax and I wouldn't have | :39:35. | :39:39. | |
noticed. He hasn't done anything wrong but there are people looking | :39:40. | :39:44. | |
for him. What peel? Immigration. He is not allowed to be here. Not just | :39:45. | :39:49. | |
now. He ran away from this holding place and we fell in love. No-one | :39:50. | :39:52. | |
can know about this. Not just for now. Is that OK, Rachael? | :39:53. | :40:04. | |
You zrnt to choose him either. -- you didn't. He chose me. You must | :40:05. | :40:12. | |
know that. Are you having a nice time? No. I'm | :40:13. | :40:25. | |
sorry I rang and put my foot in it. It's fine. It is forgotten, you | :40:26. | :40:30. | |
didn't know. I love you. I love you. Bye. Bye, bye. | :40:31. | :40:40. | |
Very nice. The BAFTA goes to... Sarah Lancashire for Last Tango in | :40:41. | :40:47. | |
Halifax. Oh, wow, thank you. Oh, God I really | :40:48. | :41:25. | |
wish I'd prepared a speech. Um, I've gone completely blank. Nicola | :41:26. | :41:32. | |
Walker, I love you. This is a huge honour thank you BAFTA. Thank you. | :41:33. | :41:39. | |
And such a privilege to be nominated alongside Claire Rushbrook and | :41:40. | :41:45. | |
Nicola Walker and Shirley Henderson. It is all down to a lot of very, | :41:46. | :41:50. | |
very talented people. Nicky Schindler, Karen Lewis, and Errol | :41:51. | :41:57. | |
Flynn and the most magnificent company of actors. | :41:58. | :42:03. | |
Eric Reed. Nicola Jacobi. If you ever get a chance to kiss her, do, | :42:04. | :42:10. | |
you won't be disappointed. My agent Nick and my family. My extraordinary | :42:11. | :42:15. | |
family. My mum, my husband Pete and all my kids. I'm really sorry if I | :42:16. | :42:20. | |
have missed anybody else out. And thank you. | :42:21. | :42:31. | |
Sarah Lancaster. Next is the award for Reality and | :42:32. | :42:41. | |
Constructed Faggual. It is a big of a mouthful. My next two -- -- | :42:42. | :42:47. | |
constructed Factual. It is a bit of a mouthful but my | :42:48. | :42:59. | |
next two guests are used to that. They are fluffy and their bottoms | :43:00. | :43:04. | |
are in no waying soy. It's Mel and Sue. I'll put that out there. I have | :43:05. | :43:09. | |
no idea what Faggual and Reconstructed Reality is. Anyone | :43:10. | :43:14. | |
know? Is it the news? We don't know anything right now. Our blood type | :43:15. | :43:23. | |
is currently Prsecco. -- Prosecco Clinging on. Here are | :43:24. | :43:28. | |
the nominations. Good girl. Michael builds up to the next big | :43:29. | :43:42. | |
step. So, got to think of this question before I say it. I was | :43:43. | :43:47. | |
wondering if you would like to go on another date with me. Yes. I will | :43:48. | :43:52. | |
give you a chance to speak. Yes, I will. | :43:53. | :43:58. | |
You know what, we have a bond. That bond is there, which is great but | :43:59. | :44:06. | |
will it translate on stage in a picture? How are we going to look, | :44:07. | :44:12. | |
the three of us? I've been juicing, so I'm not the fat one. | :44:13. | :44:18. | |
I think it is clever. That's why I'm going to make you an offer. I'm | :44:19. | :44:30. | |
going to offer you all of the money for half of a business that we've | :44:31. | :44:33. | |
yet to create together. What was that song? I'm the walrus. | :44:34. | :44:48. | |
What was it all about? They wrote it when they were high. Drugs. If you | :44:49. | :44:52. | |
were in a dance club and you think you are a walrus and you are an | :44:53. | :44:58. | |
eggman, I think the chances are, you are off your tits on something. | :44:59. | :45:07. | |
This is brilliant. Thank you very much. There's only - well there are | :45:08. | :45:48. | |
lots I want to thank, but it is mainly 12 households out there who | :45:49. | :45:52. | |
have done an amazing job of entertaining us every week. And also | :45:53. | :45:56. | |
proving that television still has the power to make us laugh and cry | :45:57. | :46:02. | |
on occasions. So I would like to thank Leon and June. Chris and stef, | :46:03. | :46:10. | |
Stef and Dawn. The Tappers, the Michaels, the Sadiqis. Bill and | :46:11. | :46:20. | |
Joseph... Lynn, Kate, oh, sorry! Yes, the Moffets and the Reverend | :46:21. | :46:26. | |
Kay and her husband. I would like to take this opportunity to thank my | :46:27. | :46:30. | |
team... They are all watching, clearly! I would like to thank my | :46:31. | :46:36. | |
team and Channel 4, David Glover. I would like to thank Craig and | :46:37. | :46:42. | |
Caroline for being inspirational and so inspirational in more ways than | :46:43. | :46:48. | |
one. Cheers! APPLAUSE | :46:49. | :46:56. | |
Well done! All right, it is time for the situation comedy award. Here to | :46:57. | :47:04. | |
present it from Peep Show and my favourite of all the Mitchells, | :47:05. | :47:14. | |
David Mitchell and with him his boss. | :47:15. | :47:20. | |
APPLAUSE Hi, David! It is great to see you | :47:21. | :47:26. | |
again. Hi. It is lovely to get a chance to chat to you on the way we | :47:27. | :47:32. | |
were doing on Peep Show, looking down the lens of a camera. Yes, this | :47:33. | :47:37. | |
all feels natural. We were right to refuse to acknowledge each other | :47:38. | :47:42. | |
back stage. We were. I am relaxed enough to announce the nominees for | :47:43. | :47:47. | |
Best Situation Comedy. Let's do it. Come on! I know you're in there! Got | :47:48. | :47:59. | |
ya! Where's that gone now? Everybody up! | :48:00. | :48:01. | |
Come on. Oh, no, it's over there! Would you like me to put my | :48:02. | :48:19. | |
underpants on? Can you hear me? Yes. One note from the director. He wants | :48:20. | :48:22. | |
you to pronounce it underpantis. A bit more. A bit less! | :48:23. | :48:33. | |
OK then! You look really lovely. Thanks, | :48:34. | :48:55. | |
Becks. It's really big of you. Help yourself to whisky. | :48:56. | :49:00. | |
We told you that was the internet. Yes. We never told you that it | :49:01. | :49:07. | |
wasn't the internet! No! Well, the thing is, that 's no t | :49:08. | :49:15. | |
the internet! What 's Jen doing with the internet? | :49:16. | :49:18. | |
We're not doing that. Oh! APPLAUSE | :49:19. | :49:35. | |
And the BAFTA goes to Him Her: The Wedding. | :49:36. | :49:41. | |
Hello. Hello, hello. You have to be funny when it is a comedy award, so | :49:42. | :50:22. | |
I won't be. Thank you to Chris, Big Talk, Kent and Allen. I have to | :50:23. | :50:30. | |
thank now the brilliant writer, who is without this script we would not | :50:31. | :50:34. | |
be here. Thank you very much indeed. Well done. Everybody here is | :50:35. | :50:39. | |
brilliant! Thanks! APPLAUSE | :50:40. | :50:50. | |
We have come now to the BAFTA Special Award. Here to tell us more | :50:51. | :50:58. | |
about the worthy winner is a man who has made us laugh and cry in equal | :50:59. | :51:03. | |
measures. Please welcome the brilliant Mr Paul O'Grady. | :51:04. | :51:08. | |
APPLAUSE Evening, ladies and gentlemen. Well, | :51:09. | :51:21. | |
this is a special award, which I thought sounds like something you | :51:22. | :51:24. | |
got at school for good handing.le it's not. It is a -- it's not. It's | :51:25. | :51:29. | |
a pries tig gous award. It is going to a lady for her unique | :51:30. | :51:33. | |
contribution to entertainment over the past 50 years. In 1964, she | :51:34. | :51:39. | |
released a single called Anyone Who Had a Heart. Do you remember it? Do | :51:40. | :51:47. | |
I need Doris Stokes to talk to you! It went to number one and became the | :51:48. | :51:52. | |
biggest hit of the 60s by a female singer. She's done it all. She was | :51:53. | :51:56. | |
the Queen of Saturday night for decades with her own show on BBC. | :51:57. | :52:01. | |
Then, let's not forget blind date and Surprise Surprise. Let's not | :52:02. | :52:05. | |
forget bumping and grinding in front of the Queen, wearing nothing but a | :52:06. | :52:10. | |
string of fairy lights. Ladies and gentlemen, let's look at this lady's | :52:11. | :52:13. | |
work! Hello, number three. What's your | :52:14. | :52:22. | |
name, and where ow dodo you come from? I wanted to be a singer all my | :52:23. | :52:28. | |
life. Do you know who I am? No. You were the youngest female entertainer | :52:29. | :52:33. | |
ever to have your own television service. For 50 years Your Cilla has | :52:34. | :52:40. | |
entertained the nation. # Step inside... Discovered singing | :52:41. | :52:46. | |
by the Beatle's manager. She went to the top of the charts. It was not | :52:47. | :52:52. | |
long before she had her own prime BBC show. | :52:53. | :52:57. | |
Oh, you're marvellous. # Something tells me something's | :52:58. | :53:03. | |
going to happen tonight. In 1984 Cilla dished out the first | :53:04. | :53:07. | |
of her many surprises on the British public. Surprise Surprise. It is | :53:08. | :53:12. | |
Cilla here. Surprise Surprise. Oh, no! | :53:13. | :53:18. | |
Television Cilla Black? Surprise, surprise! | :53:19. | :53:23. | |
Here she is - the sister you haven't seen for 40 years. As well as | :53:24. | :53:28. | |
Surprise Surprise, Cilla hosted Blind Date and dominated three deck | :53:29. | :53:41. | |
-- decades of prime time TV. We've introduced a lot of girls and had a | :53:42. | :53:46. | |
lot of dates. Hello. What bird would you like to | :53:47. | :53:52. | |
be and why? Do you like to dominate men? Get up | :53:53. | :53:56. | |
number two. Get on your knees! I tell you what, | :53:57. | :54:03. | |
darling, let's forget the show! I'm dieing to wear my hat again! It's | :54:04. | :54:11. | |
our Graham. From the moment of truth to Never Mind The Buzcocks, she has | :54:12. | :54:20. | |
never been far from our screens. Don't you love being in control? Do | :54:21. | :54:30. | |
you do tongues? What, here? Lorra, lorra love! Doesn't the time fly | :54:31. | :54:36. | |
when you're enjoying yourself. You're Cilla Black! I know. It is | :54:37. | :54:39. | |
tarrah then, everyone! Personally, I think it is just as | :54:40. | :54:56. | |
well that the Academy are giving her this award, as she said she wanted | :54:57. | :55:01. | |
to kick the bucket at 74. So, we haven't got much time... Quite | :55:02. | :55:05. | |
frankly! Apparently there's a bidding war going on outside amongst | :55:06. | :55:11. | |
undertakers. The road is blocked. You've never seen anything like it! | :55:12. | :55:16. | |
Anyway, ladies and gentlemen, she's been sat there for hours without a | :55:17. | :55:24. | |
drink and she's probably seized up! LAUGHTER | :55:25. | :55:27. | |
She'll never make them stairs - I'm telling you! Never! It will take her | :55:28. | :55:33. | |
half and hour to get up there. Have we got two big lads and a bit of | :55:34. | :55:38. | |
rope. Here she is boys, here she is world - let's hear it for the one | :55:39. | :55:45. | |
and only Cilla Black! APPLAUSE | :55:46. | :56:09. | |
Isn't that wonderful? CHEERING AND APPLAUSE | :56:10. | :56:31. | |
Thank you! Thank you very much indeed! | :56:32. | :56:42. | |
APPLAUSE I can't do this! Can't do this! | :56:43. | :56:54. | |
OK! OK! Well, they told me to keep it short... And do you know what, | :56:55. | :57:00. | |
nobody has said that for a million years! But I would like to say thank | :57:01. | :57:09. | |
you to BAFTA for this special a award. You know, I've led a charmed | :57:10. | :57:16. | |
life. I really have. I have worked with incredible people. People like | :57:17. | :57:24. | |
the late and great Michael Hurl. I started in television in black and | :57:25. | :57:30. | |
white, as you have just seen. I remember him telling me - we were | :57:31. | :57:38. | |
going to do a special show for Her Majesty the Queen and, well, I was | :57:39. | :57:48. | |
knocked out and then he choose the most inappropriate of numbers for | :57:49. | :57:53. | |
me, because I was eight months pregnant and I was really out here. | :57:54. | :58:03. | |
And he choose, Oh Pleasure Man, you've Done It Again. That's not | :58:04. | :58:05. | |
nice! No! | :58:06. | :58:14. | |
Vy say a very big -- I have to say a very big thank you to Paul over | :58:15. | :58:19. | |
there and to Graham Norton for looking after me. I think he's done | :58:20. | :58:26. | |
a splendid job this evening. Me! APPLAUSE | :58:27. | :58:31. | |
I would also like to say, thank you to the viewers. Lastly, thank you to | :58:32. | :58:39. | |
the viewers for making me... CHEERING AND APPLAUSE. | :58:40. | :58:43. | |
For making me feel so welcome and have loved my shows all over the | :58:44. | :58:47. | |
years. Thank you very much. This is for you! | :58:48. | :58:50. | |
CHEERING AND APPLAUSE Now, obviously tonight is about | :58:51. | :59:13. | |
celebrating brilliance and creativity in television. However, | :59:14. | :59:17. | |
not just the people here, but those friends and colleagues who have | :59:18. | :59:19. | |
sadly left us over the past year. Looking for the blue and the gold! | :59:20. | :59:31. | |
The blue sky and the gold of the dawn and the light in somebody's | :59:32. | :59:33. | |
eyes. It's... Pennies from heaven! You already knew about Hunt and | :59:34. | :59:58. | |
Liddy and talked about both. That is obstruction of justice... Period. | :59:59. | :00:01. | |
That's your conclusion! It is. Sometimes surprise is the best form | :00:02. | :00:12. | |
of attack. I've had the same broom for the last | :00:13. | :00:33. | |
20 years. This old broom has had 17 new heads and 14 new handles in its | :00:34. | :00:36. | |
time! Getting to the President up there | :00:37. | :00:56. | |
can be quitedy. Mainly because everyone who surrounds him is | :00:57. | :01:01. | |
terrified of him. There is no doubt this quiet-spoken man, does generate | :01:02. | :01:04. | |
some considerable fear. On the road to Mandalay, where the | :01:05. | :01:23. | |
fly flying fishes play. Sally Gunnell now, one to go. She | :01:24. | :01:31. | |
goes for it and she gets it right. Gunnell going for gold. She gets the | :01:32. | :01:34. | |
gold. In my judgment, the new tendency for | :01:35. | :01:48. | |
politicians to rely more on their own common sense, is not before its | :01:49. | :01:50. | |
time. Some day soon you are going to have | :01:51. | :02:04. | |
families of your own. If you're lucky, you'll remember the little | :02:05. | :02:06. | |
moments like this. Can I put this into some sort of | :02:07. | :02:23. | |
perspective. When I caught Gerald in '68. He was completely wild. Wild, I | :02:24. | :02:27. | |
was absolutely livid. And we salute all of them. | :02:28. | :02:53. | |
We move on now to Drama Series. Here to present the award is a man who | :02:54. | :03:00. | |
played an FBI profiler with the ability to empathise with psycho | :03:01. | :03:04. | |
paths. A skill also useful in television. From Hannibal, it's Hugh | :03:05. | :03:10. | |
Dancy. Good evening. From the writing, all | :03:11. | :03:15. | |
the way through to the finished product, the cathedral series | :03:16. | :03:22. | |
nominated are all exemplary -- the drama series. They are diverse, | :03:23. | :03:25. | |
covering different issues and time periods, if you have watched them | :03:26. | :03:28. | |
already. Watch them again. Let's take a look at them. | :03:29. | :03:37. | |
It was you in a told them about Big Molly. She has to do her duty. She | :03:38. | :03:45. | |
can't go. While you have still got a farm. Leave him alone. You. Leave | :03:46. | :03:52. | |
him alone. Oh, God, no, no, no. | :03:53. | :04:11. | |
Oh, God. I know him, he lives here. Oh, he is my boy's best friend. Oh, | :04:12. | :04:18. | |
God, does Beth know. Calm down, DS Miller. Shut it off, be | :04:19. | :04:21. | |
professional. We are working a caseful now. | :04:22. | :04:37. | |
Did I set you up? Did I offer you up to those animals? Just say no. | :04:38. | :04:48. | |
We are not done. You are grounded. Not just for today or tomorrow but | :04:49. | :04:56. | |
forever. Stop. You can't do that. I can do that because this is my house | :04:57. | :05:00. | |
and you're living under... It might be your house and I might live under | :05:01. | :05:05. | |
your roof but you're not grounding me. End of. | :05:06. | :05:15. | |
APPLAUSE And the BAFTA goes to... | :05:16. | :05:18. | |
Broadchurch. Oh my God. | :05:19. | :05:58. | |
This is a huge team effort. We are all coming up. I'm Chris, I'm the | :05:59. | :06:02. | |
writing and executive producer. There are a lot of people to thank | :06:03. | :06:06. | |
on this. Thank you behalf ta. It is a big honour to be alongside those | :06:07. | :06:12. | |
nominees. Thank you to Laura, Mackie and Sally Haynes. Peter Finchham. | :06:13. | :06:20. | |
James, our brilliant directors, Richard Stokes, our brilliant | :06:21. | :06:25. | |
producer, Sam Hoyle, a brilliant script executive who helps me plot | :06:26. | :06:30. | |
it out and stops me weeping. Everybody at Kudos and Jane | :06:31. | :06:37. | |
Featherstone who is the most extraordinary executive producer and | :06:38. | :06:41. | |
all the crew including the heads of departments, Kat, Matt, our editors. | :06:42. | :06:49. | |
And Jo Williams and Ray in costume and the greatest cast I could ever | :06:50. | :06:55. | |
hope for, as a writer. And some of whom are here today and obviously | :06:56. | :06:59. | |
the fabulous David Tennant who can't be here as well. And thank you the | :07:00. | :07:06. | |
towns Clevedon, West Bray and Brigg port. Thank you very much. This | :07:07. | :07:10. | |
means a lot to all of us. # thank you. -- thank you. | :07:11. | :07:23. | |
Still to come we have Leading Act tress and Actor awards and the | :07:24. | :07:34. | |
coveted BAFTA fellowship. But now Female Performance in a Comedy | :07:35. | :07:36. | |
programme. Women have been responsible for some of the fine | :07:37. | :07:42. | |
finest performances this year. There is even a rumour one might go on | :07:43. | :07:46. | |
Mock the Week. Seriously. Here to present the award is all-round funny | :07:47. | :07:55. | |
guy. James Corden. Hi. There's four brilliant actresses nominated in | :07:56. | :07:58. | |
this category. Let's take a look at some of their finest work. | :07:59. | :08:16. | |
Oh, sorry, sorry. I don't know what to develop do you want ?5? I don't | :08:17. | :08:27. | |
know. Do you want money? Oh, sorry, sorry. What happened? | :08:28. | :08:37. | |
What time will we knock off? The guests leave after midnight. I check | :08:38. | :08:45. | |
you haven't stolen anything and you can be on your way. We were hoping | :08:46. | :08:49. | |
to go to the Forum for the gongs. If you want to leave at any time you | :08:50. | :08:53. | |
can. But don't bother coming back to work on Monday. OK. | :08:54. | :09:01. | |
Take the ring. Take the ring, Paul. Oh. Don't worry, I always carry a | :09:02. | :09:13. | |
spare. What did I say about jokes? Get on with it. | :09:14. | :09:34. | |
Oh, I'm sorry. Thank you. I feel much better. | :09:35. | :09:47. | |
The BAFTA goes to... Katherine Parkinson. | :09:48. | :10:23. | |
Oh, gosh. Gosh that's heavy. Thanks. Sorry that took so long but there | :10:24. | :10:32. | |
are two of us. Thank you. I'm delighted to win this. Thank you | :10:33. | :10:36. | |
behalf ta. Thank you Richard Bowden and Lindy King and my colleagues, | :10:37. | :10:46. | |
Chris O'Dowd, Richard Ayoade and Matt for allowing me to have the | :10:47. | :10:50. | |
biggest dressing room and I have to thank Graham who has the most... | :10:51. | :10:57. | |
APPLAUSE The most original comic brain. I | :10:58. | :11:02. | |
feel incredibly fortunate to have benefited from his talent for so | :11:03. | :11:05. | |
many years. Thank you Graham. And also to my mum and dad and my | :11:06. | :11:10. | |
wonderful husband Harry, thank you. Thank you so much. | :11:11. | :11:19. | |
Snr on how to the much-anticipated BAFTA for International. We in | :11:20. | :11:26. | |
Britain like our boxsets to be like our builders. Foreign and | :11:27. | :11:30. | |
competitively priced. To present the award is Mr Sell fridge himself, | :11:31. | :11:34. | |
please welcome Jeremy Piven. All right. How are you guys doing? | :11:35. | :11:50. | |
Fantastic. Well done, Sir. Now, I am honoured to present the | :11:51. | :11:56. | |
award for International Television Show or as Ricky Gervais calls House | :11:57. | :12:02. | |
payments. Well he is a man who makes a great deal of money and we | :12:03. | :12:07. | |
celebrate him. The more you giggle, I'll give you guys 20% off at | :12:08. | :12:12. | |
Selfridges. What do you say? For a show to be a big success in its own | :12:13. | :12:16. | |
country is one thing but to transfer to another country and be equally | :12:17. | :12:22. | |
loved by another country takes it to a new level. The shows nominated | :12:23. | :12:28. | |
this evening have done just that and truly deserve to be called global | :12:29. | :12:29. | |
hits. Let's look at them. President-elect. Garrett Walker do I | :12:30. | :12:41. | |
like him? No, do I believe in him? Besides the point. # | :12:42. | :12:48. | |
Say the word. Do you want this? Nothing happens until I hear you say | :12:49. | :13:19. | |
it. I want this. And the BAFTA goes to... I think | :13:20. | :14:06. | |
this will make a lot of people very happy. Breaking Bad. | :14:07. | :14:27. | |
Oh, um... Wow. I have no idea what to say. Um, thank you so much. I | :14:28. | :14:50. | |
mean this is just such an incredible honour. I want to just congratulate | :14:51. | :14:56. | |
the fellow nominees in this category. You guys are all brilliant | :14:57. | :15:01. | |
and I feel so blessed to be in your company. I mean, my God, let's | :15:02. | :15:09. | |
just... Well done. The fact I'm standing on this stage is so crazy | :15:10. | :15:16. | |
to me. Breaking Bad was such an incredible journey in my life and I | :15:17. | :15:21. | |
just want to thank Vince Gilligan who created it. Man, you're | :15:22. | :15:26. | |
brilliant and the rest of our brilliant writers, thank you. Our | :15:27. | :15:30. | |
cast. The family. I love you. Thank you all. Thank you. | :15:31. | :15:43. | |
Well as Beyonce once said, all the single dramas, all the single | :15:44. | :15:55. | |
dramas. Here we have Joe Dempsey and from the cim son field, Oona Chaplin | :15:56. | :16:01. | |
-- Crimson Field, Oona Chaplin. Hello! Wow! So, television has been | :16:02. | :16:13. | |
getting better and better every year. This year we have been blessed | :16:14. | :16:19. | |
with a lot of good single dramas. They have provided us with suspense | :16:20. | :16:24. | |
and incredible story telling. Let's look at the nominees. | :16:25. | :16:34. | |
Have you seen this poppycock, Sir? Yes it may be why the men like it. | :16:35. | :16:44. | |
And they like the ladies. Neither are conducive to winning the war. | :16:45. | :16:49. | |
Really have you seen them? Of course not! | :16:50. | :16:52. | |
Why do you hate her so much? Where do you want me to start. What is it | :16:53. | :17:01. | |
that makes you want to kill us. I want a peaceful Islamic Revolution. | :17:02. | :17:04. | |
Will you allow that? Did I ever hit you? No. No, of | :17:05. | :17:12. | |
course you didn't, but you might have done if I had done this or | :17:13. | :17:20. | |
this! Maybe you would have. You wouldn't... | :17:21. | :17:24. | |
Trust me, you're perfect for it. No-one will be able to resist you. . | :17:25. | :17:43. | |
That's the doctor... Doctor who? And the award goes to... Complicit. | :17:44. | :18:10. | |
The first thing I would like to say is, yes, yes, thank you. Thank you | :18:11. | :18:33. | |
to BAFTA. Torture is a terrible crime. It is an appalling thing. It | :18:34. | :18:41. | |
is even worse when a great democracy like Britain becomes Complicit in | :18:42. | :18:46. | |
acts of torture when people are kidnapped and rendered into the | :18:47. | :18:51. | |
hands of a kind of nightmare dictator like Gaddafi. It is hard to | :18:52. | :18:55. | |
make films like this. It is very hard to make documentaries. It is | :18:56. | :19:00. | |
even harder to make dramas. I am incredibly grateful to everyone on | :19:01. | :19:07. | |
the team, to our director, to our splendid writer, to Monica, who is | :19:08. | :19:12. | |
here with us tonight and to obviously David and to Arshal, in | :19:13. | :19:19. | |
making such a difficult film and bringing these issues and really | :19:20. | :19:25. | |
would like to thank the very brave people that won a small, but not the | :19:26. | :19:31. | |
biggest, but the boldest broadcaster in the world - Channel 4, for | :19:32. | :19:35. | |
commissioning such a splendid film. Please give your hands up for | :19:36. | :19:37. | |
Channel 4. The Channel 4 hamper is that way. | :19:38. | :19:59. | |
Next, to the BAFTA for Male Performance in a Comedy Programme. | :20:00. | :20:07. | |
Two lady who have been up and down so many stairs. It is Laura | :20:08. | :20:16. | |
Carmichael and give give give. -- and Elizabeth McGovern. | :20:17. | :20:27. | |
There's nothing like making a man laugh. Sorry, that's your line, | :20:28. | :20:34. | |
Laura! You go! | :20:35. | :20:37. | |
Let's take a look at the nominations. | :20:38. | :20:47. | |
Some magazines and a DVD. I need you to find them and get rid of them. I | :20:48. | :20:57. | |
cannot bear my mum to look at them. Don't look at them yourself - they | :20:58. | :21:01. | |
are disgusting. Get up! Get in the front. You're driving the rest of | :21:02. | :21:04. | |
the way! It's nothing illegal. It was just | :21:05. | :21:11. | |
bums and stuff. Small or medium! You know what, I've | :21:12. | :21:30. | |
changed my mind. I think I'll have a medium. You don't want a small one? | :21:31. | :21:36. | |
Small is good, it is just as good. Yes, that is what I will - I'll have | :21:37. | :21:42. | |
a small mocha my little man, my good man! | :21:43. | :21:56. | |
Sam? Have it! I have it! I have it! What | :21:57. | :22:06. | |
do you have? The slogan! I'm here on purpose. Yes! I'm | :22:07. | :22:29. | |
interested in women's slacks. I see. I've got a hot ear. | :22:30. | :22:35. | |
I'd like to buy a pair of women's slacks. | :22:36. | :22:37. | |
For me... Not for a woman! And the BAFTA goes to Richard | :22:38. | :22:43. | |
Ayoade. Right, well, I - there's a lot of | :22:44. | :23:23. | |
people. I did not think I would ever have to say I would like to thank | :23:24. | :23:29. | |
the Academy outside of my fan letters to Fame Academy. That's... I | :23:30. | :23:37. | |
would like to thank them for co-defying this error. I am stupid, | :23:38. | :23:42. | |
but not so stupid to think this is to do with me. I was a kind of | :23:43. | :23:47. | |
membrane through which Graham was able to push his amazing brilliance | :23:48. | :23:53. | |
through, with minimal resistance of my own lack of ability to express | :23:54. | :23:57. | |
emotion on my face. So, I hope this serves as an | :23:58. | :24:06. | |
inspiration to other nasal men with no facial expression or emotional | :24:07. | :24:13. | |
range. I would like to thank the cast, Chris and Catherine and Matt, | :24:14. | :24:22. | |
who can act and they were terrific. Chiggy and Clare, Graham, I have | :24:23. | :24:26. | |
dealt with. If I haven't thanked you, it is | :24:27. | :24:38. | |
because they cut it. And crucially, I would like to thank | :24:39. | :24:46. | |
my wife for more than everything. So, I'll leave with less dignity | :24:47. | :24:53. | |
than I came up with! APPLAUSE | :24:54. | :25:04. | |
Romantic! Moving on to Factual Series. Here are two presenters from | :25:05. | :25:16. | |
the One Show. It is Alex Jones and Matt Baker. | :25:17. | :25:19. | |
APPLAUSE Thank you. It is fantastic to be | :25:20. | :25:27. | |
here to present this award. Tonight's nominees cover the NHS, | :25:28. | :25:32. | |
bus drivers, mental health r health and the wonderful mushy pea and his | :25:33. | :25:37. | |
friends over there. Playing the bagpipes and a faint fainting man | :25:38. | :25:47. | |
and it is a one show running order! -- Own Show running order. | :25:48. | :25:53. | |
The nst NHS, it is marvellous. We saw it start. There's not anywhere | :25:54. | :26:01. | |
in the world where you could get this treatment. Think about it, in | :26:02. | :26:04. | |
Manchester, we have every hospital you can think of. | :26:05. | :26:08. | |
You get the funny people. You get the people that like to talk to you. | :26:09. | :26:14. | |
You get the people who want to tell you jokes. That's not fair! People | :26:15. | :26:18. | |
going out for a quiet drink with their friends. They are excited. | :26:19. | :26:21. | |
Some even flirt with you. There's clearly some part of me | :26:22. | :26:35. | |
that's not happening in your life. You know, I think there's more going | :26:36. | :26:41. | |
on in my mind than I'm letting myself know. It feels like there's a | :26:42. | :26:46. | |
murderer in my head that's trying to kill me. | :26:47. | :26:50. | |
Year 11 are about to take their final GCSEs. How do you feel about | :26:51. | :26:57. | |
tomorrow? I am scared of feeling. What is a fact? Something that is | :26:58. | :27:04. | |
true. Why would you use facts in an article. Because you can use it And | :27:05. | :27:09. | |
persuade. If we are writing to persuade, what do we use? Opinions, | :27:10. | :27:15. | |
rhetorical questions, stories and... Is this a classroom or a corridor? | :27:16. | :27:18. | |
It is a corridor, Sir - correct! And the BAFTA is awarded to it is | :27:19. | :27:26. | |
Bedlam. I would just like to say thank you | :27:27. | :28:09. | |
to the Academy, on behalf of all the team here who made Bedlam. | :28:10. | :28:17. | |
Another big thank you to the South London and maudsly, who took a leap | :28:18. | :28:23. | |
of faith for allows us in for the best part of two years and make a | :28:24. | :28:26. | |
programme in collaboration with them, not just going in there, but | :28:27. | :28:32. | |
actually making a series with them. But the biggest thank thanks and I | :28:33. | :28:39. | |
speak for everyone in the team, is to the people who live on a daily | :28:40. | :28:45. | |
basis with mental illness, who were brave enough to allow us to tell | :28:46. | :28:51. | |
their stories. It is tes meant to their brave -- testament to their | :28:52. | :28:57. | |
bravery that we were able to make this series. Thank you to them. | :28:58. | :29:01. | |
Thank you! APPLAUSE | :29:02. | :29:10. | |
OK, now it is time for the radio tiem Radio Times Audience Award. As | :29:11. | :29:16. | |
voted for by the great British public. | :29:17. | :29:23. | |
Fingers crossed! Remember the Olympics lost this. | :29:24. | :29:31. | |
Here to present it from, a show which has taken the world by storm | :29:32. | :29:34. | |
and fire and ice, please welcome, from last year's winners, Game of | :29:35. | :29:42. | |
Thrones. Hello. | :29:43. | :29:57. | |
Whether you perform to one person, to thousands or to millions, you | :29:58. | :30:01. | |
want that audience to love what you do. That's what makes this award so | :30:02. | :30:05. | |
special. It tells you just that, loud and clear. | :30:06. | :30:10. | |
The Game of Thrones cast and crew were thrilled to win this last year. | :30:11. | :30:14. | |
Who have the public voted for this time? Let's look at the nominations. | :30:15. | :30:28. | |
Anyone lose a Fez? Who, how can you be here? More to the point? Why are | :30:29. | :30:35. | |
you here? Good afternoon. I'm looking for the Doctor. Well, you've | :30:36. | :30:40. | |
certainly come to the right place. What happened? I used Howard's | :30:41. | :30:52. | |
custard by error. We were both in the same fridge. I forgot my bowl It | :30:53. | :31:00. | |
is either the most incredible error or the best baking espionage I have | :31:01. | :31:04. | |
ever seen. I'm sorry. If we had a freezer the condensed | :31:05. | :31:13. | |
liquid would cool more quickly because this is an exothemic | :31:14. | :31:20. | |
reaction, giving off heat. Put me into a coma, why don't you? | :31:21. | :31:26. | |
Musharaf has had a severe stammer since childhood. I watched the | :31:27. | :31:32. | |
King's Speech. I makes a list of some music and when he has listened | :31:33. | :31:37. | |
to the music, gets him to do it again. This is my stutter. I have | :31:38. | :31:43. | |
had this problem since the age of five. Broadchurch. | :31:44. | :31:46. | |
Get off the beach. You can't be here. You can't be here. Get off the | :31:47. | :31:52. | |
beach. Get away from here. The winner of the X Factor is... | :31:53. | :32:07. | |
Jonathan, shut up. Nicola, shut up. They are going to drag it out for 20 | :32:08. | :32:09. | |
minutes. Sam! The award goes to... Doctor Who: The | :32:10. | :32:16. | |
Day of the Doctor. Wow. God, we're shocked. Honoured. | :32:17. | :33:19. | |
It is a particularly special award because it's voted for by the | :33:20. | :33:23. | |
viewers at home and obviously that means a huge amount. I just have to | :33:24. | :33:29. | |
say we are really surprised if. If we'd known, I think someone famous | :33:30. | :33:33. | |
would be standing here! Anyway, loads of people to thank, obviously. | :33:34. | :33:40. | |
Amazing producer, Marcus, director Nick. Our brilliant, brilliant cast. | :33:41. | :33:49. | |
Matt Smith, David Tennant. Jenna Coleman, Billy Piper, John Hurt and | :33:50. | :34:00. | |
one person really missing tonight is Steven Moffat. His ideas his | :34:01. | :34:04. | |
imagination supports the show and guides the show. You know we are | :34:05. | :34:08. | |
hugely grateful to him. But also I do think it's worth saying that this | :34:09. | :34:14. | |
show really is for anybody - this award really is for anybody who has | :34:15. | :34:19. | |
had a hand in Doctor Who over the last 50 years. We celebrated the | :34:20. | :34:23. | |
anniversary last year. This is really special. Thank you very much. | :34:24. | :34:35. | |
Steven Moffat! CHEERS Who knew? | :34:36. | :34:47. | |
The BAFTA for Best entertainment Perforance is next. Here is present | :34:48. | :34:51. | |
the award is a sporting hero who wowed us for Sport Relief. The main | :34:52. | :34:56. | |
relief when she was allow allowed to stop. She has brought along her very | :34:57. | :35:01. | |
special personal trainer. Please welcome, Davina McColl. | :35:02. | :35:07. | |
Hi, Graham. Hi everyone. I can't believe me and my new personal | :35:08. | :35:15. | |
trainer. We set off fromp John o' Groats last night. I got here first. | :35:16. | :35:21. | |
It is amazing. Where is he? Come on out. Come on out. Give it up for the | :35:22. | :35:28. | |
double Olympic gold medal winner, Mo Farah, everyone. | :35:29. | :35:35. | |
APPLAUSE Thank you everyone. Do it. Do it. | :35:36. | :35:44. | |
OK. Let's take a look at the nominees. | :35:45. | :35:54. | |
We have shows like Strictly and X Factor, described as emotional | :35:55. | :36:01. | |
rollercoasters. I always thought an emotional roller coaster was when | :36:02. | :36:06. | |
found you couldn't fit in one of the seats? You know! I'll hold your bag. | :36:07. | :36:17. | |
I honestly don't think health and safety goes far enough. I mean, I am | :36:18. | :36:24. | |
a paranoid, neurotic mess. A wreck of a man. I have a constant health | :36:25. | :36:28. | |
and safety officer screening in my head. I can't look at that without | :36:29. | :36:33. | |
imagining you might smash it and grind it into my eye. | :36:34. | :36:37. | |
You and a plastic bag. You were wearing a plastic bag. Were you... I | :36:38. | :36:44. | |
hit some guy. Were you swinging a bat or something Swinging a bat? | :36:45. | :36:51. | |
Anyway, this isn't great? Why don't I stick to the questions on the | :36:52. | :36:53. | |
card. And the BAFTA goes to... Ant and | :36:54. | :37:17. | |
Dec. Thank you very much. Thank you. This | :37:18. | :37:57. | |
is amazing. I'm glad we came now. Two in one night. This is brilliant. | :37:58. | :38:02. | |
I will keep it short. I know you are dying for drinks. We are. You saw | :38:03. | :38:07. | |
the team earlier who produce and make Saturday Night Takeaway. It is | :38:08. | :38:11. | |
them we have to thank. Their hard work makes us look fantastic. It is | :38:12. | :38:14. | |
down to them. So thank you very much Thank you very much to them. Thank | :38:15. | :38:17. | |
you to our management James Grant and to ITV for your continued | :38:18. | :38:21. | |
support. Thank you to BAFTA for the award and thanks to you, well done | :38:22. | :38:27. | |
you. Well done you Not bad. We did all right. Have an amazing evening, | :38:28. | :38:33. | |
everybody. Thank you so much. I'll have this one. | :38:34. | :38:40. | |
A w! Congratulation tops Ant and Dec. I remember at last year's | :38:41. | :38:46. | |
ceremony talking to Olivia Coleman and told me how happy she was when | :38:47. | :38:51. | |
she won two awards. I feel the opposite of that. | :38:52. | :38:55. | |
No? The exciting Leading Actress Award now. Good luck to everyone | :38:56. | :39:03. | |
nominated. I'm sure they are all feeling tense and after last year, a | :39:04. | :39:08. | |
bit annoyed, you are up against Olivia Coleman. That will teach you. | :39:09. | :39:12. | |
Here to present an award is an actor you will recognise from classic | :39:13. | :39:19. | |
films such as injures aic Park and the Hunt for Red October. And most | :39:20. | :39:25. | |
recently. Peaky Blinders. Please welcome Mr Sam Neil. | :39:26. | :39:31. | |
Yes, the Peaky Blinders. I was asked several times on the red carpet if I | :39:32. | :39:41. | |
was upset we had been snubbed? Snubbed by BAFTA. That was the word. | :39:42. | :39:48. | |
I said - not at all wear fine. I was lying. I'm actually crying inside. | :39:49. | :39:59. | |
Underneath this bluff exterior. Anyway, on to the more deserving. | :40:00. | :40:11. | |
There is a curious discrimination that goes on at BAFTA Awards in that | :40:12. | :40:19. | |
the men are segregated from the women and there is a very good | :40:20. | :40:23. | |
reason for that. If we are all lumped together no man would ever | :40:24. | :40:32. | |
win again. I'm one of those men. So, I'm really happy, it is a great | :40:33. | :40:38. | |
pleasure for me to be awarding one of four incredible women, none of | :40:39. | :40:44. | |
whom a man would ever beat. Let's have a look at their work: | :40:45. | :40:53. | |
What are you saying? You leave me no choice but to be indelicate. Furtive | :40:54. | :41:01. | |
and secret meetings with a man... How dare you. I saved my husband | :41:02. | :41:06. | |
from the poison that was killing him. Not you, not God. You deny | :41:07. | :41:12. | |
God's work in the world? I am tired of God. | :41:13. | :41:23. | |
No, not Joe, not Joe, please. It's wrong. I'm not. | :41:24. | :41:50. | |
Let me go. Let me go. SCREAMS Help, help. | :41:51. | :42:09. | |
This is much worse. Do not treat those around us or those who look | :42:10. | :42:18. | |
after us like dirt. That is inexcusable, and you know it. | :42:19. | :42:23. | |
Please, do the right thing now, now. Or I am going to spend the entire | :42:24. | :42:28. | |
final act of this play in full conversation with whoever in the | :42:29. | :42:31. | |
front row wants to join in with me the most. | :42:32. | :42:38. | |
APPLAUSE The BAFTA goes to... Olivia Coleman. | :42:39. | :43:18. | |
Lord. Thank you very much. Sorry. To be nominated alongside those amaze | :43:19. | :43:35. | |
amazing women. Helena I think you are amazing. I'm sorry, not cool. | :43:36. | :43:48. | |
Um, well, I'm so pleased everybody likes Broadchurch. We love it. Thank | :43:49. | :43:58. | |
you for writing it and thank you to everybody in it and David Tennant, | :43:59. | :44:03. | |
standing opposite you, it is just a joy and a treat and watching Andy | :44:04. | :44:11. | |
and Jody and also, can I thank myp friend Merc because she'll laugh. | :44:12. | :44:18. | |
She is a teacher, not an actor. And my mum and dad again and because | :44:19. | :44:24. | |
they are babysitting, again and my husband who is just the best thing | :44:25. | :44:27. | |
in the world. Thank you very much. APPLAUSE | :44:28. | :44:38. | |
Congratulations to Olivia Coleman. All that crying, it is starting to | :44:39. | :44:51. | |
look like showing off, isn't it? ! Look what I can do. | :44:52. | :44:57. | |
Our penultimate award tonight - yes, you heard me - penultimate. Second | :44:58. | :45:06. | |
to last! It is for Leading Actor. Here to | :45:07. | :45:15. | |
present it is last year's Leading Actress winner, the extraordinary, | :45:16. | :45:19. | |
uber talented, Sheridan Smith everyone. | :45:20. | :45:29. | |
Hello. I can't walk and I've got purple hair. Thank you, | :45:30. | :45:36. | |
congratulations owe livia. I'm honoured to be here today to present | :45:37. | :45:40. | |
this award. I know how much the actors nominated will have put in to | :45:41. | :45:44. | |
give the performances they Z playing the lead is an all-consuming | :45:45. | :45:48. | |
experience, it takes over your life and you become that person N this | :45:49. | :45:53. | |
case, with these nominees, we should be glad they made the effort because | :45:54. | :45:57. | |
the results are astonishing. Let's take a look: | :45:58. | :46:04. | |
I wrote thousands of letters. Why didn't you reply to me? I didn't get | :46:05. | :46:14. | |
any letters. I thought you had forgotten about me. | :46:15. | :46:20. | |
Command Commander. They use it as a joke. They think it's funny. They | :46:21. | :46:28. | |
don't know, do they? Afghanistan, you said. | :46:29. | :46:34. | |
I have never criticised her as an actress. She is peerless as an | :46:35. | :46:40. | |
actress. You call that acting out there? | :46:41. | :46:47. | |
Go home! Why are you angry with me? I am not angry with you. I am angry | :46:48. | :46:54. | |
with Sally. This is a bit of a nightmare for me! | :46:55. | :47:55. | |
I'll try not to mumable! I'll try and speak -- mumble. I will try and | :47:56. | :48:04. | |
speak clearly. I would like to thank Darren. Tony, for looking after me | :48:05. | :48:08. | |
and being my friend and writing things, which are beautiful. | :48:09. | :48:16. | |
And I would like to thank Sean Durkin, for taking me through it | :48:17. | :48:20. | |
because it was a little bit difficult at times. Who else do I | :48:21. | :48:28. | |
want to thank? I want to thank Shahim for always being very | :48:29. | :48:34. | |
nurturing, kind and supportive and putting me in front of directors who | :48:35. | :48:39. | |
didn't really want me there. So, that is a help. | :48:40. | :48:46. | |
My agent - connor, who is really nervous at the moment. | :48:47. | :48:53. | |
He said, "If you win, which you won't, don't... | :48:54. | :49:37. | |
to say, you are really lovely and it was a really lovely experience. Who | :49:38. | :49:45. | |
else? Peter Carlton. Got you there! Who else? One more. My dad. Yeah, | :49:46. | :49:57. | |
who brought me up. He's my favourite man in the world. | :49:58. | :50:03. | |
Who else? My friends, Bob, at the pub. | :50:04. | :50:11. | |
Emma, who is my friend as well - did make-up. | :50:12. | :50:20. | |
Is that it? Yeah! Oh, yeah, really important, really | :50:21. | :50:27. | |
important, a woman called Lesley Hally, who was my drama teacher at | :50:28. | :50:34. | |
school when I was that high. She went to my dad's house and said, I | :50:35. | :50:41. | |
think your boy could be an actor and that was a big deal to my dad, he | :50:42. | :50:47. | |
worked in a shipyard. He didn't want me to be an actor that kind of | :50:48. | :50:51. | |
thing. So she put me on that road, so thank you, Lesley. | :50:52. | :50:55. | |
APPLAUSE I think we have say that award has | :50:56. | :51:21. | |
been fully accepted. And now to our final award of the | :51:22. | :51:27. | |
night - the prestigious Academy Fellowship. Here to tell us more | :51:28. | :51:31. | |
about this much-loved and deserving recipient, it is the wonderful Celia | :51:32. | :51:35. | |
Imrie. . Good evening, ladies and | :51:36. | :51:49. | |
gentlemen. I'm very excited and proud to say that tonight's | :51:50. | :51:55. | |
recipient of the BAFTA Fellowship is my friend. Was my char lady and will | :51:56. | :52:02. | |
go on giving me a delicious agony every time she bends herself in half | :52:03. | :52:07. | |
and tries to take my order for soup and that is just for starters! I | :52:08. | :52:15. | |
first saw her in a pub in Shepherd's Bush, a little theatre upstairs, | :52:16. | :52:21. | |
when she made me cry with laughter, in sketches performed by and written | :52:22. | :52:26. | |
by the brilliant Victoria Wood. Since then we have worked together | :52:27. | :52:33. | |
in a little shop, been to sazsy land and back and taken our clothes off | :52:34. | :52:37. | |
in Yorkshire. I think she's a bit of a magician, | :52:38. | :52:41. | |
because she will always totally surprise you with what she does | :52:42. | :52:48. | |
next. She's always encouraging and is a daily delight and I'm very | :52:49. | :52:54. | |
happy to be one of the lucky few who has had the joy of being around her. | :52:55. | :53:00. | |
Let's take a look at her spectacular career. | :53:01. | :53:05. | |
When you deal with me, Clare, think icon. | :53:06. | :53:14. | |
Hello. How is it treating you? I think sometimes being a widow is | :53:15. | :53:24. | |
God's way... Excuse me. It is important I am served. Excuse me | :53:25. | :53:29. | |
there is a queue. These people have not been served yet. I am making a | :53:30. | :53:34. | |
television programme. I think that ranks higher than the feeding of | :53:35. | :53:39. | |
pensioners. Can you move away, your breath smells. What is the soup of | :53:40. | :53:44. | |
the day, please? I'll just go and find out. | :53:45. | :53:50. | |
People who know me tell me I'm a very serious person. Only it's | :53:51. | :53:55. | |
funny, I never get to do serious parts. | :53:56. | :54:03. | |
The prize is peace for generations to come. I am 28 years old. I | :54:04. | :54:12. | |
married you when I was 17. I was a mother at 18. That is my right! And | :54:13. | :54:21. | |
that is at the route of all -- root of all I believe in. If you put | :54:22. | :54:28. | |
another toe out of line, we'll bring you straight home. | :54:29. | :54:34. | |
Oh, and Jimmy, dear, congratulations. | :54:35. | :54:39. | |
I'm in terrible trouble. You've always been in terrible trouble. | :54:40. | :54:42. | |
You've always driven me around the bend. What thing? Why? A thing to | :54:43. | :54:52. | |
thank God for. You will not be coming here next week? I will be and | :54:53. | :54:57. | |
you'll be getting a haircut. I will not. You want to walk around looking | :54:58. | :55:10. | |
like that. Like what? A Jerry yacht yachtic -- an old hippy. The sun | :55:11. | :55:16. | |
will come out tomorrow. That's chance. | :55:17. | :55:22. | |
Here's to Venus for lust! And here's to Mars for courage. | :55:23. | :55:30. | |
Never love in moderation! Do you have a car? Yes. Drive a big | :55:31. | :55:40. | |
car, do you? Yeah. Thought so! Two soups! | :55:41. | :55:54. | |
The BAFTA Fellowship goes to the one and only Julie Walters. | :55:55. | :56:04. | |
Stop it! I love it! No! Now, come along - sit down, | :56:05. | :56:37. | |
everybody - as you were. Honestly, it's been a long night. Almost as | :56:38. | :56:44. | |
long as my career! Thank you! What an honour. Thank you. | :56:45. | :56:48. | |
Well, I know I have said this lots of times, but when I told my mother | :56:49. | :56:54. | |
that I wanted to be an actress, back in 1969 - it's all right, I'm not | :56:55. | :56:59. | |
going to go through every year of my career. And in 18973... No -- 1973. | :57:00. | :57:08. | |
No, when I told her this, she said, she'll be in the gutter before she's | :57:09. | :57:12. | |
20 and she was right. And what a gutter! And I shared that gutter | :57:13. | :57:20. | |
with some of the most amazing and talented people, without whom I just | :57:21. | :57:24. | |
simply would not have a career. I mean, I can't list them all, because | :57:25. | :57:28. | |
it would take all night and I would be in sheer terror of missing | :57:29. | :57:32. | |
somebody out. Through them, I have learnt so much. | :57:33. | :57:36. | |
And very little of it had anything to do with acting. | :57:37. | :57:41. | |
Now, I have got to tell you this - two or three years ago, someone, | :57:42. | :57:47. | |
saying they were from the Daily Telegraph, rang my agent's office | :57:48. | :57:52. | |
and asked whether it was true that I was retiring. To which my agent | :57:53. | :57:59. | |
replied, "No." Two or three days later, a piece duly appeared in a | :58:00. | :58:03. | |
paper saying I was thinking of retiring. Anyway, two weeks after | :58:04. | :58:07. | |
that, there was a knock on my back door at home. And I wasn't in at the | :58:08. | :58:14. | |
time. My cleaner, Jackie was. She answered the door. He said, standing | :58:15. | :58:18. | |
there was a young lad, who looked about 14. Anyway, he proceeded to | :58:19. | :58:24. | |
tell her he was from the Daily Mail. L.. He looked straight at her and | :58:25. | :58:30. | |
said, we have heard you're retiring. Is it true? | :58:31. | :58:41. | |
To which my agent... Sorry, my clean cleaner: Feudian slip! | :58:42. | :58:50. | |
I've spoilt the punch line. To which my cleaner replied, "Well, it's a | :58:51. | :58:55. | |
bit hard on the knees, but I'm not thinking of going any time yet." Do | :58:56. | :58:59. | |
you know what, had I answered the door on that day, my answer would | :59:00. | :59:03. | |
have been pretty much the same, reelingly. So I say to you know - | :59:04. | :59:09. | |
really. So, I say to you now, it is a bit hard on the knees, but I'm not | :59:10. | :59:17. | |
thinking of going any time yet. And, for your information, my | :59:18. | :59:20. | |
cleaner is a good ten years younger than me and very, very attractive. | :59:21. | :59:26. | |
Anyway, thank you BAFTA. Oh, honestly, you've been so generous to | :59:27. | :59:30. | |
me over the years. I just want to say a big thank you generally to the | :59:31. | :59:37. | |
business for giving me a fantastic 40-year ride. And I never do this... | :59:38. | :59:43. | |
Well, I do at home, but I am going to say thank you to my husband, | :59:44. | :59:48. | |
Grant, for being there for me and for allowing me my dreams. | :59:49. | :59:50. | |
Thank you. Fantastic. | :59:51. | :00:14. | |
Well, last weekend the show wasn't over until the bearded lady sang, | :00:15. | :00:18. | |
but tonight, that's it. That's all from us here at the Arqiva British | :00:19. | :00:22. | |
Television Awards. Congratulations to all the winners and nominees and | :00:23. | :00:31. | |
to you watching at home. The wine is white, the night is good. Good | :00:32. | :00:33. | |
night. The award goes to the Ashes. | :00:34. | :00:55. | |
The umpire has decided he has a clear hotspot and a clear audio. He | :00:56. | :01:00. | |
is out. England have won the match. This is extraordinary. I remember | :01:01. | :01:06. | |
some 30 years or so ago receiving something much smaller than this, | :01:07. | :01:13. | |
called the Ashes. Current Affairs: The BAFTA goes to Syria: Across the | :01:14. | :01:19. | |
Lines. In this valley, neighbour is fighting neighbour. | :01:20. | :01:25. | |
This is really, really amazing. I really did not expect to be standing | :01:26. | :01:35. | |
here. Thanks very much indeed. Anyone any Series. The BAFTA goes | :01:36. | :01:41. | |
to... In the Flesh. Your parents. They are looking forward to seeing | :01:42. | :01:45. | |
you again. Why wouldn't they? Because I'm a zombie. And I kill | :01:46. | :01:49. | |
people. I want to say thank you to you are a | :01:50. | :01:56. | |
amazing writer Dominic Mitchell. Unbelievably, this is his first-ever | :01:57. | :02:04. | |
development for television. Sing Documentary. The BAFTA is | :02:05. | :02:14. | |
awarded to... Scoot Murder Trial. What makes it a different kind of | :02:15. | :02:18. | |
trial? There is a charge of murder but at the same time there is no | :02:19. | :02:21. | |
body. I will thank the people on the stage. My producer, marina Parker. | :02:22. | :02:27. | |
Fantastic editor and Cate barquer who worked on this for years and | :02:28. | :02:31. | |
years to get access to the legal system up in Scotland. | :02:32. | :02:36. | |
# News scam coverage... The BAFTA goes | :02:37. | :02:48. | |
to... ITV News at Ten: Woolwich Attacks. There are strong | :02:49. | :02:52. | |
indications it is a terrorist Ince dented. Tonight we have strong | :02:53. | :02:57. | |
pictures and we look at what it means for the forces here. We are | :02:58. | :03:05. | |
aware this is for the a particularly brutal murder on the streets of | :03:06. | :03:09. | |
London a year ago next week. First and fore foremost our thoughts are | :03:10. | :03:14. | |
with the family of Drummer Lee Rigby. You can watch these awards in | :03:15. | :03:21. | |
full on the BBC News Channel, after the news. | :03:22. | :03:35. | |
Rio de Janeiro, host to this year's World Cup. | :03:36. | :04:37. | |
But this paradise is also a city divided by class | :04:38. | :04:42. | |
Film-maker Julien Temple captures this city of extremes. | :04:43. | :04:47. |