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acceptance speeches. Your host, at the Theatre Royal Drury Lane, is | :00:00. | 3:59:59 | |
Graham Norton. OK, next we have the award for sport | :00:00. | :00:17. | |
and life event. Two presented, she was responsible for my favourite bit | :00:18. | :00:22. | |
of the Winter Olympics after the men's pursuit. Jenny Jones and Jake | :00:23. | :00:26. | |
Humphrey. Good evening. What a pleasure to be | :00:27. | :00:47. | |
here. Amazing. As an athlete I know that to win an award takes a lot of | :00:48. | :00:52. | |
dedication and talent and stamina and desire. As a presenter, I know | :00:53. | :00:56. | |
production teams and live events need a similar set of skills. Other | :00:57. | :01:01. | |
job is about placing the audience in the heart of the action. The | :01:02. | :01:13. | |
nominations are. Glastonbury. Resplendent in a scarlet suit. | :01:14. | :01:30. | |
The Empire has decided he has a clear spot. England have won the | :01:31. | :01:50. | |
match. Inevitably perhaps ending in controversial circumstances given | :01:51. | :01:51. | |
everything that has happened here. Watch out Bollywood, I am coming to | :01:52. | :01:57. | |
get you. Wimbledon, men's final. The waiting is over. Andy Murray is | :01:58. | :02:23. | |
the Wimbledon champion. That was some moment. Andy Murray | :02:24. | :02:47. | |
winning Wimbledon! The award goes to, I am so pleased it is the live | :02:48. | :02:52. | |
sport because it brings the nation together, it goes to the production | :02:53. | :02:54. | |
team and the Ashes 2013. Ladies and gentlemen, thank you very | :02:55. | :03:37. | |
much. This is extraordinary. I remember some 50 years or so ago | :03:38. | :03:42. | |
receiving something smaller than this called the Ashes was a nobody | :03:43. | :03:46. | |
noticed. You hold it over the balcony and nobody can see it. This | :03:47. | :03:51. | |
is ironical that we are back again celebrating the Ashes and | :03:52. | :03:56. | |
celebrating sport and triumph. As someone who has been involved in | :03:57. | :03:59. | |
sports such a long time, I am delighted for all these people | :04:00. | :04:03. | |
around me. Production staff, producers, directors. That is a team | :04:04. | :04:08. | |
of about 100 people come with us to every game. They are all enthusiasts | :04:09. | :04:12. | |
and they make us look good. Thank you very much indeed put up a | :04:13. | :04:16. | |
fabulous pleasure. Thank you. There they go, after the showers I | :04:17. | :04:35. | |
imagine. We are now on to the award for current affairs. It is | :04:36. | :04:43. | |
Christian, the Channel four news guru. | :04:44. | :04:49. | |
Thank you very much. It is great to be here to present the current | :04:50. | :04:55. | |
affairs award. The show is nominated for this full note and chisel survey | :04:56. | :04:58. | |
are compelling, brave and brilliantly made works. Let us take | :04:59. | :05:02. | |
a look. Police in Telford allowed cameras to | :05:03. | :05:17. | |
follow one of the biggest child sex trafficking investigations the UK | :05:18. | :05:23. | |
has ever seen. This and President had access shows on the inside the | :05:24. | :05:29. | |
challenges of bringing Britain 's sex gangs to justice. | :05:30. | :05:36. | |
In this valley, neighbour is fighting neighbour. | :05:37. | :05:50. | |
I another 66,000 women, I have endured female genital deletion. | :05:51. | :06:07. | |
Mine was done in Somali before I moved here. Every year, British | :06:08. | :06:12. | |
girls are taken away to be cut. It is also done here in the UK. | :06:13. | :06:18. | |
The border has become ever more tightly controlled since Kim Jong`un | :06:19. | :06:26. | |
took over as supreme leader. The third ruler after his father and | :06:27. | :06:34. | |
grandfather. The Internet `` he inherited the world 's most isolated | :06:35. | :06:38. | |
country. The state has almost total control of information coming in and | :06:39. | :06:40. | |
out. The award goes to Syria across the | :06:41. | :06:46. | |
lines. I was told that couldn't affairs was | :06:47. | :07:35. | |
a nonspeaking part. I have only prepared a speech to consult my | :07:36. | :07:41. | |
editor that we did not win. It is a really good speech. This is amazing. | :07:42. | :07:44. | |
I'd really did not affect to be standing here. Thank you very much | :07:45. | :07:51. | |
indeed. Thank you to my amazing team, a genius editor and all the | :07:52. | :07:57. | |
production staff. That is a man in Syria, my fixer, who was with me | :07:58. | :08:02. | |
through thick and thin in a hostile environment. He is someone out | :08:03. | :08:06. | |
there. Thank you. I have mixed feelings about this. About 27 people | :08:07. | :08:11. | |
were killed in the place where I was filming this documentary. Do not let | :08:12. | :08:18. | |
that put you off your debt levels it is important that we make this | :08:19. | :08:24. | |
stuff. This goes in an enormous way to championing document is that can | :08:25. | :08:27. | |
generally tell us about what is going on in the world. This is a | :08:28. | :08:31. | |
huge honour. I am gobsmacked. Thank you very much indeed. | :08:32. | :08:44. | |
So, it is the miniseries award. S for the miniseries. You know what it | :08:45. | :08:57. | |
is, I am not sure. It means all sorts of things in different | :08:58. | :09:02. | |
countries. In Scandinavia, it is something that is 58 episodes long. | :09:03. | :09:08. | |
They have come up West, it is Danny Dyer. | :09:09. | :09:20. | |
Hello. It is an honour. It is an honour to be here this evening to | :09:21. | :09:33. | |
present this award. You say an honour. The disrespect to anyone in | :09:34. | :09:41. | |
this room that the only reason I am doing this is that I get a late call | :09:42. | :09:47. | |
for work this morning. You said you would not embarrass me. You do know | :09:48. | :09:53. | |
I am not your real father. We will have to wait until we get the | :09:54. | :09:59. | |
results back. The number `` the nominations. | :10:00. | :10:12. | |
Command and, Commander. What are you waiting for? | :10:13. | :10:20. | |
What do you want? All`expenses`paid? A weekend at the Costa Del Sol | :10:21. | :10:33. | |
Cresta Mac dinner out? Will you are feeling sorry for yourselves, that | :10:34. | :10:36. | |
lot are spending the money they make. They did better than you. | :10:37. | :10:51. | |
Your parents are looking for to see you again. Why wouldn't they? | :10:52. | :10:59. | |
Because I am a zombie and I killed people. To professional women killed | :11:00. | :11:08. | |
in their own homes by strangulation. They could be sisters. | :11:09. | :11:26. | |
The irony is, tomorrow I have got a seven o'clock call. The BAFTA goes | :11:27. | :11:41. | |
to In The Flesh. Thank you very much. I want to say | :11:42. | :12:14. | |
thank you to our amazing writer, Dominic Mitchell. This is his first | :12:15. | :12:19. | |
development for television. We are so proud to be here today. I hope it | :12:20. | :12:24. | |
is a fantastic message to all writers. This incredible journey can | :12:25. | :12:29. | |
happen. I want to thank our amazing director, Johnny Campbell, and our | :12:30. | :12:36. | |
producer. They have assembled an amazing team. Maddy Estates C. I | :12:37. | :12:56. | |
would like to thank Simon for discovering this script. We are very | :12:57. | :13:04. | |
pleased to be here. Thank you so much. | :13:05. | :13:21. | |
They seem nice. Like I had anything to do with it. Thank you, thank you. | :13:22. | :13:35. | |
Next, the award for single documentary. Here to give the | :13:36. | :13:42. | |
award, Dan Snow. Good evening. As someone who has | :13:43. | :14:01. | |
been involved in making documentaries, I know how | :14:02. | :14:03. | |
backbreaking they can beat is to produce. Sometimes, you wonder | :14:04. | :14:10. | |
whether all the hours, blood, sweat and tears is really worth it. Then | :14:11. | :14:15. | |
you see documentaries such as the nominated for this evening. You know | :14:16. | :14:23. | |
for certain that fits. `` that it is. | :14:24. | :14:41. | |
For the people 's lives were touched on the day Kennedy died, their story | :14:42. | :14:45. | |
has never ended. What makes it a different kind of | :14:46. | :15:02. | |
trial, there is a charge of murder, but at the same time, there is | :15:03. | :15:07. | |
nobody. You think, how does the prosecution tackle something like | :15:08. | :15:14. | |
that? We first filmed her when she was seven. She was one of a group of | :15:15. | :15:18. | |
children from all over South Africa. It was 1992 and they had | :15:19. | :15:24. | |
very little in common. Black, white, rich and poor. Some lived in | :15:25. | :15:29. | |
townships, some in suburbs. Officially segregated by apartheid. | :15:30. | :15:36. | |
You learn to live with it, but you can't let it be you. That is what I | :15:37. | :15:41. | |
have really meant. My identity isn't I got raped. It is not. I am J, but | :15:42. | :15:47. | |
I am forever altered. The BAFTA is awarded to The Murder | :15:48. | :15:59. | |
Trial. Thank you very much for this. I want | :16:00. | :16:38. | |
to thank the people on stage with me. My producer, everybody who | :16:39. | :16:48. | |
worked on this for years and years. To the system in Scotland that | :16:49. | :16:54. | |
recognised one of the core principles of justice is | :16:55. | :16:58. | |
transparency and openness, and recognising the documentary was a | :16:59. | :17:01. | |
great way to explore that. Thank you very much. Thank you. Now time for | :17:02. | :17:16. | |
the BAFTA for news coverage. Here to present it is a woman's who is so | :17:17. | :17:22. | |
dedicated to breakfast television, this is technically the middle of | :17:23. | :17:25. | |
the night. Please give a warm welcome to Susanna Reid. How does | :17:26. | :17:41. | |
that stand? Yes, I will be up at 3:30am, a time when most of you will | :17:42. | :17:46. | |
soon be celebrating commiserating. I am a journalist to my very core, so | :17:47. | :17:50. | |
it is a privilege for me to present this next award. It is increasingly | :17:51. | :17:56. | |
difficult to stand out in a world which is increasing in news. Letters | :17:57. | :18:01. | |
look at the nominations. There are strong indications it is a | :18:02. | :18:17. | |
terrorist incident. We have exclusive pictures from the scene. | :18:18. | :18:25. | |
We have seen terrorism on the streets of Britain before and we | :18:26. | :18:33. | |
have stood firm against it. Nicola and Fiona were police | :18:34. | :18:37. | |
officers but they were also doctors. Their families remember the loved | :18:38. | :18:43. | |
ones they lost. Nicola had a wicked sense of humour. She always saw the | :18:44. | :18:48. | |
funny side of life. She was a lovely, bubbly person. You joiners | :18:49. | :19:02. | |
as history is unfolding here. Soldiers secure parts of the | :19:03. | :19:08. | |
capital, including state television, as people wait to be told who runs | :19:09. | :19:18. | |
this country. Next to a group of people fighting | :19:19. | :19:24. | |
their own personal battle, facing the rest of their lives without | :19:25. | :19:28. | |
their best friend. I don't think anybody had a bad word against him. | :19:29. | :19:34. | |
He was one`of`a`kind. Very much a practical joker. He just made you | :19:35. | :19:45. | |
laugh. We will never forget. Terrific reporting whoever has one. | :19:46. | :19:54. | |
But the BAFTA goes to ITV ITV News At Ten: Woolwich Attacks. | :19:55. | :20:36. | |
We are conscious this award is for our coverage of a particularly | :20:37. | :20:43. | |
brutal murder on the streets of London a year ago next week. So | :20:44. | :20:48. | |
first and foremost, our thoughts really have to be with the family of | :20:49. | :21:02. | |
Drummer Lee Rigby. Of course, programmes only get made like this | :21:03. | :21:09. | |
with a lot of people. I would like to thank Lucy Manning, Jonathan | :21:10. | :21:17. | |
Monroe, David Stanley. Paul Davison. I would also like to dedicate this | :21:18. | :21:25. | |
award to the programme editor, Bernard Kohl, a brilliant and bold | :21:26. | :21:30. | |
man who was suddenly taken from as last week. We mourn his loss and we | :21:31. | :21:36. | |
will miss him in the newsroom, and we salute him. Five share. `` thank | :21:37. | :21:40. | |
you. | :21:41. | :21:45. |