Browse content similar to 2016: Extra Time. Check below for episodes and series from the same categories and more!
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MUSIC. Thank you. Good evening, everybody. You are very welcome to | :00:10. | :00:26. | |
the BAFTA Awards at the beautiful and atmospheric Royal Festival | :00:27. | :00:35. | |
Hall. Our next awards are a double for a single documentary and current | :00:36. | :00:39. | |
affairs. (LAUGHING). Think of it like a | :00:40. | :00:49. | |
multipac. And here is Reggie and the head of music at the University of | :00:50. | :00:56. | |
Life, Professor Green! A good song. Not such a great choice | :00:57. | :01:11. | |
of words. Good evening. Documentaries are usually | :01:12. | :01:15. | |
thought-provoking, shocking, and harrowing. These four documentaries | :01:16. | :01:21. | |
force you to sit down and take notice. Let's take a look at this | :01:22. | :01:28. | |
exceptional work. My son, the jihadi. I said I can't wait to meet | :01:29. | :01:42. | |
him. He said, I can't wait. There are two sides of him, my son and | :01:43. | :01:47. | |
then there is this other person he has become. Life after suicide. His | :01:48. | :02:00. | |
death was devastating for me. As I have since discovered it wasn't | :02:01. | :02:04. | |
unusual. Four out of every five people who take their lives are | :02:05. | :02:08. | |
male. Suicide is the biggest killer of men under 50 in Britain. But I | :02:09. | :02:13. | |
didn't know any of that 11 years ago. I was just one of the many | :02:14. | :02:22. | |
people left in shock. Bitter Lake. At the end of the Second World War | :02:23. | :02:27. | |
president Roosevelt travelled to the great Bitter Lake in the middle of | :02:28. | :02:36. | |
the sores -- Suez Canal. He sent a warship to pick up the president. | :02:37. | :02:42. | |
The mission was to have powerful and disastrous consequences for the West | :02:43. | :02:45. | |
and in a strange way for Afghanistan is the bite Louis Theroux, | :02:46. | :02:55. | |
transgender kids. -- Afghanistan. For the last few months I have met | :02:56. | :03:00. | |
children who thought they were born in the wrong body. This person is | :03:01. | :03:06. | |
helping boys and girls it ever younger ages to transition. -- at. | :03:07. | :03:18. | |
And it goes to... My Son, the Jihadi. | :03:19. | :03:31. | |
APPLAUSE. Wow! Thank you. This is nerve-racking. I want to thank | :03:32. | :03:36. | |
Channel 4 for making this film. Especially any Flanigan and the | :03:37. | :03:45. | |
Executive Director. -- Amy. They gave us an incredible amount of | :03:46. | :03:50. | |
freedom to tell a story which is really important. I want to thank | :03:51. | :03:53. | |
everyone here on the stage and those who couldn't be here to date who | :03:54. | :03:58. | |
made the film. -- today. And most importantly, Sally and Michael, who | :03:59. | :04:03. | |
were so brave and courageous to allow us to tell this story. | :04:04. | :04:15. | |
APPLAUSE. Now the award for current affairs. They offer a unique window | :04:16. | :04:22. | |
into the world and tell stories that may otherwise be untold. The courage | :04:23. | :04:31. | |
of those lawmakers nominated tonight is incredible. And they are. Jihad, | :04:32. | :04:36. | |
a British story. Many of the men and women I have met have embraced a | :04:37. | :04:42. | |
stronger Islamic identity as a way of expressing anger. I learned not | :04:43. | :04:46. | |
to generalise the views of British Muslims. Everyone is different. Not | :04:47. | :04:51. | |
every Muslim feels really needed. The majority reject extremism. | :04:52. | :04:59. | |
Children of the Gaza war. It is hard to comprehend why parents would put | :05:00. | :05:05. | |
children in situations like this. Hamas says the camps keep children | :05:06. | :05:11. | |
off the streets and teaches values and martial arts for defence, but | :05:12. | :05:14. | |
they also learn about weapons and hatred. Outbreak, the truth about | :05:15. | :05:23. | |
Ebola. They want to kill him but are too scared to come close. I was | :05:24. | :05:31. | |
pushed into the back of a pickup. It was like watching a zombie movie. It | :05:32. | :05:38. | |
was crazy. Pure craziness. Escape from Islamic State, dispatches. They | :05:39. | :05:44. | |
have had family members killed. They were kept as slaves they have been | :05:45. | :05:53. | |
walking for two days with little food or water. -- slaves. | :05:54. | :06:05. | |
APPLAUSE. And it goes to... Outbreak: The Truth About Ebola. | :06:06. | :06:25. | |
APPLAUSE. Wow. This is a massive surprise. Thank you so much. When | :06:26. | :06:29. | |
you make a film about Ebola and go to West Africa for six months and | :06:30. | :06:34. | |
then come home you don't get invited to many parties. | :06:35. | :06:40. | |
(LAUGHING). No one wants to hear your war stories. Thank you very | :06:41. | :06:44. | |
much for inviting us tonight. I want to dedicate this award to the brave | :06:45. | :06:49. | |
people who fought this virus, the nurses, the doctors, the volunteers, | :06:50. | :06:55. | |
the survivors, and the families of the victims. | :06:56. | :06:56. | |
APPLAUSE. Thank you very much! Next up is the award for miniseries. | :06:57. | :07:11. | |
I love it a miniseries. It is the perfect choice, if, like JZ, you | :07:12. | :07:19. | |
aren't very committed. What? (LAUGHING). And here to present it, | :07:20. | :07:37. | |
Olivia and an actor from the Good Wife! What a fantastic religion it | :07:38. | :07:44. | |
is to present the award for miniseries! -- privilege. The one | :07:45. | :07:51. | |
category that proves that size doesn't really matter. And the | :07:52. | :08:02. | |
fantastic nominees are. The Enfield Haunting. KNOCKING NOISES. Hey! This | :08:03. | :08:24. | |
Is England, '90. I want you to marry me. Shut up. Marry me. Oh... Oh my | :08:25. | :08:42. | |
god. London Spy. When you introduced us... Not exactly. Our paths have | :08:43. | :08:53. | |
never crossed. Doctor Foster. They found a long white hair on his | :08:54. | :09:01. | |
staff. A long white hair's -- scarf. Didn't belong to anyone ask's -- | :09:02. | :09:04. | |
hair? . -- else?. APPLAUSE. And it goes to... This is | :09:05. | :09:20. | |
England, '90! APPLAUSE | :09:21. | :09:32. | |
Wow. Oh... Thank you, BAFTA. What they said first of all, Channel 4 | :09:33. | :09:43. | |
are amazing. They have absolutely left us to do what we do. It is | :09:44. | :09:49. | |
important for us. I will hand it to someone else because I am about to | :09:50. | :09:51. | |
cry. APPLAUSE. Umm. This was probably the | :09:52. | :10:04. | |
end of This is England. And, umm, you kind of dream of how you are | :10:05. | :10:07. | |
going to finish it. And this was probably the best, you know, the | :10:08. | :10:16. | |
dream you had was to come to the Baftas, the last chance to win | :10:17. | :10:19. | |
something for something that you love. | :10:20. | :10:21. | |
APPLAUSE. Now, we have the award for news | :10:22. | :10:39. | |
coverage and the award for factual series. And here is Katie Durham and | :10:40. | :10:48. | |
Christian Murphy. APPLAUSE. To create a great factual | :10:49. | :11:02. | |
series takes extraordinary skill and abilities to be at their best they | :11:03. | :11:07. | |
entertain, they challenge, and they shock. -- ability. And what is even | :11:08. | :11:11. | |
more incredible, they manage to do it week after week. Let's look at | :11:12. | :11:17. | |
four of the best exponents of this art from the last year. The | :11:18. | :11:26. | |
Detectives. I first heard his name when it became clear an | :11:27. | :11:30. | |
investigation was taking place. And this was the one who the media had | :11:31. | :11:38. | |
nicknamed Shovel Shelfer. I had never heard of him prior to that. I | :11:39. | :11:43. | |
did research into shoe he was. It was almost like a mini Jimmy Savile. | :11:44. | :11:51. | |
One of the victims said that if Savile did something then the next | :11:52. | :11:55. | |
week he would do the same. The tribe. | :11:56. | :12:27. | |
The Murder Detectives. What have we got? Some people in the community | :12:28. | :12:36. | |
coming forward and saying it is him and then he disappears, he goes to | :12:37. | :12:40. | |
America. Not a lot of hard evidence in my view. I am just looking at | :12:41. | :12:54. | |
him. Again, argue a murderer? Great Alman's Street. -- are you. I told | :12:55. | :13:03. | |
those people having a lung transplant that it is fine. I have | :13:04. | :13:09. | |
had one before. And you will eventually get out of hospital. And | :13:10. | :13:13. | |
it will be the most amazing thing you have ever done in your life. | :13:14. | :13:26. | |
APPLAUSE. And it goes to The Murder Detectives. | :13:27. | :13:27. | |
APPLAUSE. Thank you very much. Well, God, my | :13:28. | :13:51. | |
heart's beating out of my chest. Thank you so much to the Academy. I | :13:52. | :14:01. | |
think when I speak for all of us we say we are humbled by winning this | :14:02. | :14:04. | |
award against some amazing films. I'd like to thank Maven and Somerset | :14:05. | :14:12. | |
police for allowing us to make this film. I would like to thank Channel | :14:13. | :14:18. | |
4, who gave us an amazing amount of freedom, resources, time and gave us | :14:19. | :14:25. | |
the constraint creative control to make the film in the way we wanted | :14:26. | :14:31. | |
to, and particular thanks to Amy Flanagan, who is a joy to work | :14:32. | :14:35. | |
with. This award is for Nicholas Robinson. Thank you very much. | :14:36. | :14:36. | |
APPLAUSE Now, much of the subject matter | :14:37. | :14:53. | |
covered by the news reports nominated tonight is hugely | :14:54. | :14:57. | |
distressing. Despite this, the stories are told with sensitivity, | :14:58. | :15:00. | |
objectivity and professionalism and they deserve to be celebrated and | :15:01. | :15:04. | |
applauded on nights like this. The nominees are... | :15:05. | :15:11. | |
BBC News at six, Paris attacks special. | :15:12. | :15:17. | |
This is how a fun Friday night in the French capital for football | :15:18. | :15:24. | |
fans, concert-goers and people enjoying a quiet meal with friends | :15:25. | :15:27. | |
exploded into a waking nightmare. That FUD was a live round, and note | :15:28. | :15:50. | |
his colleague to the left of screen pointing a rifle directly at us. -- | :15:51. | :15:54. | |
thud. Blood and Roses, and the degree of | :15:55. | :16:04. | |
panic. They have gone to a rock concert and ended up running for | :16:05. | :16:08. | |
their lives. No time to think, just to flee as the terrorists sprayed | :16:09. | :16:15. | |
the crowd with gunfire. Inside the cordon, forensic teams were | :16:16. | :16:18. | |
collecting samples. At least 87 people were murdered here. | :16:19. | :16:24. | |
Hungarian police have taken the line of least resistance and are now | :16:25. | :16:29. | |
letting these people back on the train. What happens now... Well, who | :16:30. | :16:35. | |
knows? And finding out is going to be hard. You have to go. Realising | :16:36. | :16:41. | |
this was not looking at all good... The world needs to see what happens | :16:42. | :16:42. | |
to these people. And the BAFTA goes to... Channel 4 | :16:43. | :16:47. | |
news, Paris massacre. Well, BAFTA, thank you very, very | :16:48. | :17:19. | |
much. This is a wonderful thing, we worked very hard for it against | :17:20. | :17:22. | |
great competition, wonderful other teams were in the field. It was, I | :17:23. | :17:27. | |
would say, the most testing evening I have ever known in news | :17:28. | :17:34. | |
television. It was very, very, very emotional. It ripped the heart out | :17:35. | :17:39. | |
of Paris. It was a devastating experience. And it was a struggle to | :17:40. | :17:45. | |
get it to the screen, but our wonderful team... We all pulled | :17:46. | :17:47. | |
together and that was it. APPLAUSE It's the award for live event now. | :17:48. | :18:06. | |
Everyone loves watching live TV, it's a great opportunity to see true | :18:07. | :18:10. | |
panic in a celebrity's eyes. And here to present it from the Cure | :18:11. | :18:12. | |
city is... Ewan Ream. -- Iwan Rheon. Good evening. Now, in | :18:13. | :18:32. | |
the British TV industry there are few people more talented than those | :18:33. | :18:35. | |
who present and produce live events. They have a wonderful knack | :18:36. | :18:43. | |
of making hours of coverage remain incredibly exciting and | :18:44. | :18:51. | |
entertaining. Oh, unfortunately I don't so here's the nominations. | :18:52. | :18:57. | |
Standby, please, ladies and gentlemen. You're supposed to have | :18:58. | :19:02. | |
informed yourself before you come in. Oh, it's like an exam! I heard | :19:03. | :19:10. | |
they do it in schools. Sirree, who should I vote for? | :19:11. | :19:21. | |
So Tim Krul Poyet is the first to arrive. And there is Tim Peake. | :19:22. | :19:28. | |
Aboard the International Space Station. -- Tim Kopra. Finally! | :19:29. | :19:44. | |
# Rain, a drop of golden sun. Me, a name, I call myself, far a | :19:45. | :19:52. | |
long-awaited... I've been leading daily whale watch | :19:53. | :20:16. | |
tips for six years. I'm so sorry, I have just heard, this is incredible, | :20:17. | :20:21. | |
I've heard word that we have on our helicopter a blue whale. It is to | :20:22. | :20:26. | |
the south of us absolutely clearly at the surface. It's the largest | :20:27. | :20:31. | |
animal ever known to have lived on our planet, larger than any of the | :20:32. | :20:33. | |
dinosaurs. Blue whale. Blue whale. And the | :20:34. | :20:38. | |
BAFTA goes to Big Blue Live. While! It's very special for us and | :20:39. | :21:10. | |
very fitting today, it is so David Attoub's 90th birthday. -- Sir David | :21:11. | :21:18. | |
at a's. Nacho the programming started life and we are still doing | :21:19. | :21:23. | |
it today, and that is great. Thank you to BBC one for being bold enough | :21:24. | :21:28. | |
to commission such high-risk projects like this. We had an | :21:29. | :21:36. | |
incredible team who did deliver the impossible on-air and online. Just a | :21:37. | :21:41. | |
day before we went to we weren't sure because of the conditions that | :21:42. | :21:47. | |
would even see a whale, an hour before we had thick fog and 20 | :21:48. | :21:51. | |
minutes into the final show we found that elusive blue wale. The ocean | :21:52. | :21:57. | |
put on an amazing spectacle for us, and it was thrilling to turn the | :21:58. | :22:00. | |
spotlight on such an important conservation story. It kind of goes | :22:01. | :22:07. | |
to show if you give nature a chance she'll come bouncing back. APPLAUSE | :22:08. | :22:19. | |
It's the sport award next! And when it comes to my sporting knowledge, | :22:20. | :22:26. | |
there's very little... No, that's the end of that sentence. So, to | :22:27. | :22:30. | |
present, please welcome Olympic gold-medallist Pendleton! APPLAUSE | :22:31. | :22:37. | |
-- gold-medallist Victoria Pendleton. | :22:38. | :22:43. | |
I think it's fair to say that British bought broadcasting remains | :22:44. | :22:49. | |
the envy of the world. And it's really easy to understand why when | :22:50. | :22:54. | |
you understand the exceptional quality of the sports productions | :22:55. | :22:57. | |
you're about to see -- sports broadcasting. | :22:58. | :23:01. | |
We knew he was special. Just keep an eye on Stokes at fifth slip. Diving | :23:02. | :23:14. | |
to his right. Oh, it's behind him! Magnificent, magnificent! | :23:15. | :23:25. | |
Coming down the outside, Many Clouds by two lengths. Laden Aspel, | :23:26. | :23:32. | |
back-to-back Grand National is, he wins on Many Clouds, Many Clouds has | :23:33. | :23:39. | |
won the Grand National. COMMENTATOR: Sanchez has scored an | :23:40. | :23:45. | |
absolute beauty! That was unstoppable, and so it | :23:46. | :23:53. | |
seems our pastoral. -- are Arsenal. | :23:54. | :24:05. | |
COMMENTATOR: Lining it up wide, O'Brien carries it himself, | :24:06. | :24:11. | |
stretches and scores, try number two for O'Brien, another one for Ireland | :24:12. | :24:13. | |
and this title maybe there's. And the BAFTA is awarded to the | :24:14. | :24:18. | |
Ashes. Goodness! Thank you, BAFTA. I'd like | :24:19. | :24:42. | |
to start by thanking ECB, Alastair Cook and the England team, it's | :24:43. | :24:46. | |
always rather nice to beat Australia at anything so congratulations to | :24:47. | :24:51. | |
them. I am thankful to work with an amazing production team, our | :24:52. | :24:57. | |
director, our amazing presenter, David bumble Lloyd, the voice of | :24:58. | :25:01. | |
cricket, David Gower, Ian Botham, Michael Holding, Michael Atherton, | :25:02. | :25:04. | |
Nasa Hussain, Ricky Ponting and Shane Warne. I would like to thank | :25:05. | :25:12. | |
CTV, our facilities company... But also... You're here tonight, aren't | :25:13. | :25:18. | |
you? I would like to dedicate these this award to the people at sky, | :25:19. | :25:22. | |
they are the unsung heroes, thank you very much and good night. | :25:23. | :25:23. | |
APPLAUSE Well, that's your lot. What an | :25:24. | :25:33. | |
evening. Thank you to all our winners and our nearly winners. And | :25:34. | :25:38. | |
to you for watching at home. Good night, everybody, goodbye! | :25:39. | :25:42. |