Browse content similar to 2016. Check below for episodes and series from the same categories and more!
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British Academy Television Awards, coming to you from | :00:09. | :00:22. | |
# Well, I had me a boy, turned him into a man. | :00:23. | :00:38. | |
# I showed him all the things that he didn't understand. | :00:39. | :00:40. | |
# Now, there's one in California who's been cursing my name. | :00:41. | :00:45. | |
# 'Cause I found me a better lover in the UK. | :00:46. | :00:47. | |
# One, two, three, they gonna run back to me. | :00:48. | :00:57. | |
# 'Cause I'm the best baby that they never gotta keep. | :00:58. | :01:00. | |
# One, two, three, they gonna run back to me. | :01:01. | :01:03. | |
# They always wanna come, but they never wanna leave. | :01:04. | :01:07. | |
# Ex's and the oh, oh, oh's they haunt me. | :01:08. | :01:11. | |
# Like gho-o-osts they want me to make 'em all. | :01:12. | :01:17. | |
Welcome to the Baftas. Welcome to the Baftas. Enjoyed. | :01:18. | :01:45. | |
# So the hearts keep breaking, and the heads just roll. | :01:46. | :01:50. | |
# You know that's how the story goes. | :01:51. | :01:55. | |
# One, two, three, they gonna run back to me. | :01:56. | :01:58. | |
# 'Cause I'm the best baby that they never gotta keep. | :01:59. | :02:01. | |
# One, two, three, they gonna run back to me. | :02:02. | :02:05. | |
# They always wanna come, but they never wanna leave. | :02:06. | :02:08. | |
# Ex's and the oh, oh, oh's they haunt me. | :02:09. | :02:13. | |
# Like gho-o-osts they want me to make 'em all. | :02:14. | :02:18. | |
# My ex's and the oh, oh, oh's they haunt me. | :02:19. | :02:27. | |
# Like gho-o-osts they want me to make 'em all. | :02:28. | :02:32. | |
So excited for tonight. Cannot wait to get in there. Fingers crossed for | :02:33. | :02:54. | |
Britain's Got Talent. I am so excited. I feel a win coming on. | :02:55. | :02:58. | |
# One, two, three, they gonna run back to me. | :02:59. | :03:00. | |
# Climbing over mountains and a-sailing over seas. | :03:01. | :03:02. | |
# One, two, three, they gonna run back to me. | :03:03. | :03:05. | |
# They always wanna come, but they never wanna leave. | :03:06. | :03:07. | |
# My ex's and the oh, oh, oh's they haunt me. | :03:08. | :03:10. | |
# Like gho-o-osts they want me to make 'em all. | :03:11. | :03:13. | |
# Ex's and the oh, oh, oh's they haunt me. | :03:14. | :03:21. | |
# Like gho-o-osts they want me to make 'em all. | :03:22. | :03:26. | |
CHEERING Thank you! Let's start the Bafta | :03:27. | :03:56. | |
awards 2016! Ladies and gentlemen, please welcome your host this | :03:57. | :03:59. | |
evening, the I business Graham Norton! | :04:00. | :03:59. | |
CHEERING Thank you, thank you. Too | :04:00. | :04:13. | |
kind. Good evening, everybody! British Academy Television Awards, | :04:14. | :04:28. | |
coming to you from Thanks for joining us for one of the | :04:29. | :04:34. | |
most star-studded TV events I'd like to tell you my name, | :04:35. | :04:40. | |
but thanks to my super injunction, you'll just have | :04:41. | :04:46. | |
to check on Twitter. LAUGHTER | :04:47. | :04:53. | |
Well done to all our glamorous people for surviving the red carpet. | :04:54. | :04:57. | |
Well done to all our glamorous It was hot! This theatre smells like | :04:58. | :05:02. | |
the inside of a minicab! You know the form, we are here up once again | :05:03. | :05:08. | |
on the Southbank celebrating. A few Then they get a cab or eight said | :05:09. | :05:23. | |
eco-bike. That is what they are called, isn't it? | :05:24. | :05:34. | |
Now after recent awards ceremonies I want to assure you that no one is | :05:35. | :05:37. | |
going to be judged on the way they're dressed here tonight. | :05:38. | :05:40. | |
Because that is the job of tomorrow's Mail Online. | :05:41. | :05:42. | |
We learnt a lot from our amazing dramas this year. | :05:43. | :05:45. | |
And never, EVER, cheat on Suranne Jones. | :05:46. | :05:49. | |
Yes, one of the biggest hits of the year was Doctor Foster. | :05:50. | :05:54. | |
it was fantastic! CHEERING | :05:55. | :05:57. | |
Wow, no wonder Doctor Foster was so angry. | :05:58. | :05:59. | |
Her husband was cheating on her and the government | :06:00. | :06:02. | |
is trying to make her work weekends. | :06:03. | :06:08. | |
We must mention The Night Manager, wasn't it good? | :06:09. | :06:17. | |
There is Tom all squeaky clean in the front row. | :06:18. | :06:21. | |
Thanks to his fantastic performance in The Night Manager, | :06:22. | :06:24. | |
poor Donald Trump was relegated to only the second | :06:25. | :06:26. | |
I haven't seen that many people desperate | :06:27. | :06:34. | |
to flee Austria to escape death since | :06:35. | :06:36. | |
They are just jokes, I am reading them aloud. | :06:37. | :06:50. | |
Sadly many of the contestants on The Jump | :06:51. | :06:52. | |
had accidents and were taken to hospital. | :06:53. | :06:53. | |
Poor Sid Owen is looking at two years off work, | :06:54. | :06:56. | |
I really enjoyed the BBC's brilliant Car Share. | :06:57. | :07:08. | |
My favourite bit was when Matt le Blanc | :07:09. | :07:12. | |
It was probably the biggest U-turn of the year. | :07:13. | :07:15. | |
Unless you count Simon Cowell going, "Erm... | :07:16. | :07:17. | |
does anyone still have Dermot's number?" | :07:18. | :07:21. | |
Well done! CHEERING | :07:22. | :07:30. | |
I'm not saying the writing was on the wall for | :07:31. | :07:32. | |
Caroline Flack but you could get better odds of Anne Boleyn returning | :07:33. | :07:35. | |
Nostalgia is back and the BBC is reviving sitcoms | :07:36. | :07:46. | |
like Are You Being Served and Porridge. | :07:47. | :07:49. | |
Which is weird because the BBC don't usually like having | :07:50. | :07:51. | |
things that happened in the '70s dragged up again. | :07:52. | :08:10. | |
Let's get started because the sooner we begin the sooner we can have a | :08:11. | :08:17. | |
couple of drinks or as they say in the theatre world, some technical | :08:18. | :08:22. | |
difficulties. We are here to celebrate excellence, keep up. Here | :08:23. | :08:26. | |
is a little reminder of just how good British television really is. | :08:27. | :08:33. | |
I have loved you since I was a little girl. And I want you to be my | :08:34. | :08:37. | |
husband. # sun in the sky, you know how I | :08:38. | :08:58. | |
feel, it's a new dawn, it's a new day, it's a new life for me... Come | :08:59. | :09:08. | |
on then, do your worst. These are live pictures from inside the | :09:09. | :09:09. | |
capsule. Pitch is right, I am a wolf tonight. | :09:10. | :09:58. | |
I would like to exit at this point. That is wholly unexpected. BBC Three | :09:59. | :10:03. | |
is not closing, it is moving to the Internet. | :10:04. | :10:19. | |
Aren't we brilliant?! We are great! It is impressive, isn't it? | :10:20. | :10:53. | |
If this were The Apprentice, it's time to find out who's going up | :10:54. | :10:58. | |
The Shard to learn to salsa dance and who's going | :10:59. | :11:00. | |
And to say we're starting on a high is an understatement. | :11:01. | :11:06. | |
To present it, are two stars that can sing, dance and act. | :11:07. | :11:09. | |
Please welcome, from the upcoming animated film Trolls, | :11:10. | :11:13. | |
the fantastic Anna Kendrick | :11:14. | :11:15. | |
and the incredible Justin Timberlake. | :11:16. | :11:21. | |
Who is reading Justin? You can do it. It is not that exciting any | :11:22. | :11:54. | |
more, to be honest! Mum! Thank you. It's such a great honour to be | :11:55. | :12:03. | |
here at the Baftas to present the first award of the night | :12:04. | :12:07. | |
for Drama Series. British drama has always set the bar | :12:08. | :12:18. | |
for everyone else to follow, so naturally, they asked to Americans | :12:19. | :12:25. | |
to present it. That is right, two Americans, never seen any of these | :12:26. | :12:34. | |
shows! Let's take a look at these wonderful nominees. | :12:35. | :12:44. | |
The gentlemen are to be tried together. You are to be judged by | :12:45. | :12:52. | |
your peers. You have no witnesses. When you wear at liberty, madam, | :12:53. | :12:58. | |
your ladies were intimidated by you, forced to lie for you. Now they are | :12:59. | :13:01. | |
emboldened. I am sure they are. If the Panthers are back then I need | :13:02. | :13:14. | |
my diamond specialist to be capable of tracking them. Take it as a | :13:15. | :13:22. | |
compliment. The fact is, you are simply too good. | :13:23. | :13:27. | |
I am sad because I want to be like you, mouse, small and ferry and | :13:28. | :13:41. | |
warm, then we could flyaway together. Then he said... I will | :13:42. | :13:50. | |
take over now. No, I want her to do it. Reading is money's job. But she | :13:51. | :13:55. | |
does not rush. Now, if you feel like you can't go | :13:56. | :14:14. | |
on, because all of your hope is gone! And your world around is | :14:15. | :14:16. | |
crumbling down... Thank you on behalf of all of us who | :14:17. | :15:07. | |
worked on Wolf Hall. In a week when John Whittingdale described the loss | :15:08. | :15:12. | |
of the BBC as a tempting prospect, I would like to say some words in | :15:13. | :15:15. | |
defence of that organisation full. I think most people would agree that | :15:16. | :15:23. | |
the BBC's main job is to speak I think most people would agree that | :15:24. | :15:31. | |
to power. To report to the British public without fear or favour, no | :15:32. | :15:34. | |
matter how unpalatable that might be to | :15:35. | :15:34. | |
matter how unpalatable that might be Government. It is your BBC. | :15:35. | :15:48. | |
CHEERS AND APPLAUSE In many ways, our broadcasting, the | :15:49. | :15:52. | |
BBC and Channel 4, which they are also attempting to eadvice rate, is | :15:53. | :15:55. | |
the envy of the world and we should stand up and fight for it, not let | :15:56. | :16:03. | |
it go by default. -- evicerate. And if we don't, blink and | :16:04. | :16:06. | |
it go by default. -- evicerate. be gone. There will be no more Wolf | :16:07. | :16:10. | |
Halls, no more award-winning Disspachs documentaries on Channel | :16:11. | :16:14. | |
Halls, no more award-winning 4, a broadcasting landscape where | :16:15. | :16:16. | |
the only determinant as it whether something gets made is whether it is | :16:17. | :16:18. | |
likely to line the pock ets of something gets made is whether it is | :16:19. | :16:27. | |
shareholders. No, no! It's time for us to stand up and say no to | :16:28. | :16:31. | |
shareholders. No, no! It's time for dangerous nonsense. Thank you very | :16:32. | :16:32. | |
much. CHEERING AND | :16:33. | :16:32. | |
APPLAUSE Oh, what a great start to the show? | :16:33. | :16:58. | |
A standing ovation. Hay, that's go. On to the Entertainment | :16:59. | :17:26. | |
Programme Award now. And here to present it, | :17:27. | :17:28. | |
is a man so tall it costs ?25 From Cuckoo and Man Down it's | :17:29. | :17:31. | |
the hilarious, Greg Davies. Good evening. I'm so sorry about | :17:32. | :17:56. | |
Justin, ladies and gentlemen. He has not aged well. But, thankfully, I'm | :17:57. | :18:05. | |
here to bring back the sexy to the Baftas. | :18:06. | :18:08. | |
APPLAUSE Ladies and gentlemen, when I was a | :18:09. | :18:22. | |
young man, I heard what I thought was a wild animal in my parent's | :18:23. | :18:27. | |
garden. On investigation, I discovered it was actually my mother | :18:28. | :18:32. | |
guzzling from the outside tap at the back of our house, having zentedly | :18:33. | :18:36. | |
drank petrol. -- accidentally drank petrol. | :18:37. | :18:40. | |
It was one of the most entertaining things I have ever seen. I think you | :18:41. | :18:46. | |
know the point I'm making. Entertainment can take many forms. | :18:47. | :18:50. | |
APPLAUSE Jenny is on stage now singing. I | :18:51. | :19:13. | |
think the other Adeles have finally twigged. | :19:14. | :19:23. | |
A I'm getting a bit teary. This is so lovely. | :19:24. | :19:31. | |
# You ain't seen nothing yet...# | :19:32. | :19:35. | |
Oh my God! Watch her head. Oh my God. | :19:36. | :19:55. | |
We need an actor to carry on the rest of the interview. Get me an | :19:56. | :20:09. | |
actor to carry on the interview. How big? At least Star Wars level. | :20:10. | :20:16. | |
Sorry, mate, mate, you haven't been on Star Wars, have you? Yes, I was. | :20:17. | :20:22. | |
Oh my goodness. We are genuinely shocked. We were talking earlier, we | :20:23. | :21:28. | |
both probably thought Adele At The BBC had won because it was | :21:29. | :21:31. | |
brilliant. In fact my daughter said - no offence mum, but you have no | :21:32. | :21:36. | |
chance. This is the most incredible honour. We have never won a Bafta | :21:37. | :21:43. | |
before. This is our first Bafta. APPLAUSE It honestly means the world | :21:44. | :21:49. | |
to all of us. So thank you so much to everybody at Bafta. I'm | :21:50. | :21:58. | |
regretting the three Tequilas. Thank you to our wonderful producers. | :21:59. | :22:01. | |
Louise Rainbow is an extraordinary woman. Thank you to the judges and | :22:02. | :22:06. | |
our amazing dancers. I won't speak any more. We cannot believe it. We | :22:07. | :22:11. | |
are going out for five days after this. Come on. We are going to | :22:12. | :22:16. | |
celebrate. We have an amazing production team | :22:17. | :22:20. | |
and fantastic celebrities who have entrusted us with their reputation | :22:21. | :22:23. | |
over the years. Thank you to them. I would like to thapg our bosses, Joe | :22:24. | :22:27. | |
Wallace and Katie Taylor who are brilliant and there for us. I would | :22:28. | :22:31. | |
like to say this show doesn't belong to us, it belongs to our viewers and | :22:32. | :22:36. | |
they are the most loyal, dedicated, demanding and passionate viewers any | :22:37. | :22:40. | |
show could wish for. I would like to dedicate this Bafta to them. Thank | :22:41. | :22:42. | |
you Bafta. Next up is Female in a Comedy, | :22:43. | :22:49. | |
and to present it is Looks, talent, and if he wants | :22:50. | :23:02. | |
them, the phone numbers Please welcome, the | :23:03. | :23:06. | |
incredible Idris Elba. Good evening. I have lost my voice, | :23:07. | :23:29. | |
bear with me, OK. I'm not drunk, I promise. | :23:30. | :23:31. | |
I am so pleased to have been asked to present the | :23:32. | :23:34. | |
I have so much respect for all four of the hugely talented | :23:35. | :23:38. | |
Honestly, I just can't imagine what it must | :23:39. | :23:43. | |
feel like to have a job where | :23:44. | :23:46. | |
Mind you, I thought I was pretty funny in The Jungle Book. Here are | :23:47. | :23:58. | |
the nominees: I got jumped today. My mum doesn't | :23:59. | :24:11. | |
want to see me any more. I couldn't hang on to a mum friend. It is not | :24:12. | :24:19. | |
like she is all that, she said I should hang out with them. Every one | :24:20. | :24:22. | |
is probably more interesting in me. Rob? What? What I just said. | :24:23. | :24:26. | |
Peter Kaye's Car Share. How did your date go? He wasn't Japanese. | :24:27. | :24:37. | |
Furious, I have learned the language as well. Where were he from? | :24:38. | :24:44. | |
Rochdale. His name wasn't Simon. What made you think he was? He | :24:45. | :24:48. | |
shortened it to Si. Why the oriental. His user name was | :24:49. | :24:58. | |
Jap's Eye. Miranda Heart - Miranda. Just twist your stick. Just twist | :24:59. | :25:13. | |
your stick. Twist your stick. Oh. Will you twist your stick. Michaela | :25:14. | :25:24. | |
coal, Chewing Gum. -- Michaela Coel. We are Christian. We are going to | :25:25. | :25:29. | |
get married anyway. You might as well show me now that you want me. | :25:30. | :25:34. | |
God won't care. Just a little thing. I'm going to give you one little | :25:35. | :25:38. | |
kiss. One little kiss. I'm coming towards you, just one kiss. Please. | :25:39. | :25:40. | |
Ow, man. Thank you, thank you very much. | :25:41. | :26:27. | |
would like to pay my respects to Victoria Wood with this in my hand. | :26:28. | :26:33. | |
APPLAUSE I would also like to thank people | :26:34. | :26:41. | |
who told me I was funny and helped enhance that and if there is anyone | :26:42. | :26:46. | |
out there who looks like me or feels out of place trying to get into | :26:47. | :26:49. | |
performing and all this stuff, I would say - you are beautiful, | :26:50. | :26:54. | |
embrace it, you are intejet, embrace it. You are powerful, embrace it. | :26:55. | :26:57. | |
Thank you. APPLAUSE | :26:58. | :27:04. | |
Aw, congratulations and Idris is -- you are intelligent, | :27:05. | :27:12. | |
Aw, congratulations and Idris is looking for volunteers to help him | :27:13. | :27:16. | |
find his voice. Now our next category | :27:17. | :27:22. | |
is the International award From Sweden and France. But hay, if | :27:23. | :27:43. | |
they'll sweep up at the Baftas. And here to present | :27:44. | :27:50. | |
it is a fantastic actor from the brilliant Penny Dreadful, | :27:51. | :27:52. | |
please welcome Josh Hartnett. The advent of on demand | :27:53. | :27:54. | |
services has not only given us previously | :27:55. | :27:56. | |
unimaginable access to wonderful new shows | :27:57. | :27:58. | |
from around the world but it also allows us | :27:59. | :27:59. | |
to watch them in one I watched great British Bake Off | :28:00. | :28:07. | |
Creme De La Creme. I'm not kidding. Let's take a look at this year's | :28:08. | :28:16. | |
four nominated shows: OK, Jonny will take you through the | :28:17. | :28:24. | |
research. Of Castro? No, of you. The skeletons in my closet? Yes. That's | :28:25. | :28:30. | |
a lot of skeletons. Have you ever seen the Matrix. Yes. Remember when | :28:31. | :28:37. | |
they show Keanu a red pill and a blue one and if he takes the red he | :28:38. | :28:41. | |
will go down the rabbit hole? Yes This is the red pill. | :28:42. | :28:46. | |
Pablo was making a killing in the smuggling business, cigarettes, | :28:47. | :29:16. | |
alcohol, marijuana, you name it. He at the time Pablo owned half the | :29:17. | :29:24. | |
police in the area but he was Columbia's version of the FBI. They | :29:25. | :29:25. | |
didn't play by the same rules. Is she cordial? No, she is the | :29:26. | :29:39. | |
filing cabinet with a hairdo. She hated me when I was male, and you | :29:40. | :29:44. | |
know, when she was little she used to accuse me of wearing her clothes. | :29:45. | :29:46. | |
Did you? Of course I did. You should hold it. No, you hold it. | :29:47. | :30:34. | |
What an incredible honour, thank you, Bafta. Thank you. This is Joe | :30:35. | :30:45. | |
Lewis, our director of comedy and myself Asian. Bash back my | :30:46. | :30:54. | |
salvation. I just want to thank all of you, Joe Soloway who created this | :30:55. | :31:01. | |
wonderful, wonderful project, and the wonderfully eloquent and | :31:02. | :31:08. | |
dedicated cast. Amazon who said play on, play on, play on. And again to | :31:09. | :31:17. | |
this cast who were so dedicated. Everywhere you look, is genius. This | :31:18. | :31:26. | |
is the series which says, it is OK to change, you will still be loved, | :31:27. | :31:31. | |
go for your authentic self, be who you are, to hell with the | :31:32. | :31:36. | |
consequences, live, love, be free. Thank you so much. | :31:37. | :31:37. | |
CHEERING On to one of my favourite | :31:38. | :31:49. | |
things now - Here to present the award | :31:50. | :31:51. | |
for Male Performance in a Comedy, is one of our | :31:52. | :31:54. | |
finest comedy actresses. I'm so pleased that | :31:55. | :31:56. | |
Bafta has asked me to present this particular award | :31:57. | :32:15. | |
this evening because this category really | :32:16. | :32:20. | |
does represent two of my Let's take a look the four huge | :32:21. | :32:27. | |
talents nominated: I am going to pause this. Don't be | :32:28. | :33:03. | |
daft, you will never make it there and back in time. Watch this. | :33:04. | :33:18. | |
Yes, will, come in. No, come in, come in. That is great, thanks. We | :33:19. | :33:34. | |
missed each other earlier. My path isn't working. Oh, right. I came | :33:35. | :33:48. | |
down to get it. That's nice. Thanks anyway, will. | :33:49. | :33:52. | |
What would your chosen specialised subject be? You have to choose | :33:53. | :34:04. | |
three. I am thinking British birds not including seagulls. Can you do | :34:05. | :34:12. | |
that? I don't know. I can't do the life and career of Linda Lusardi. | :34:13. | :34:16. | |
That is a bit creepy. # when you are all alone and the | :34:17. | :34:32. | |
pretty birds have flown, I'm still free... No, no, no. RAP MUSIC.. | :34:33. | :34:49. | |
You all right, love? LAUGHTER | :34:50. | :35:40. | |
Well... Thanks. | :35:41. | :36:39. | |
LAUGHTER APPLAUSE | :36:40. | :36:51. | |
Which surprisingly, isn't going to Ken Livingstone. | :36:52. | :36:57. | |
But here to tell us who it is going to, all the way from | :36:58. | :37:00. | |
Game of Thrones and The Secret, it's the | :37:01. | :37:02. | |
wonderful Rose Leslie and the brilliant James Nesbitt. | :37:03. | :37:18. | |
We are here to present the Bafta for best single drama. These four | :37:19. | :37:37. | |
drummers are -- dramas are brilliant but with new and exciting drama on | :37:38. | :37:43. | |
sky, with prime-time drama on Channel five, it is clear that | :37:44. | :37:47. | |
excellence and diversity is alive and well, across all our channels, | :37:48. | :37:53. | |
commercial and click service. I am echoing Peter Kosminsky here a | :37:54. | :37:56. | |
little bit, but I hope representing people in front of the camera, I | :37:57. | :38:01. | |
think it is true that all of these films, the writers, directors, cast | :38:02. | :38:06. | |
and crew and everyone in this hall, are built to do what they can do | :38:07. | :38:09. | |
because of the BBC. CHEERING | :38:10. | :38:19. | |
Do not strip it away? Did you watch the Hollow Crown last night? Please | :38:20. | :38:27. | |
protect it. And the nominees are... You mustn't tell anyone about this | :38:28. | :38:44. | |
letter, not even Marcus. Of course not. I will be terribly angry with | :38:45. | :38:54. | |
you if you do. I went to be. You see, Leo, you will get us all into | :38:55. | :38:56. | |
the most frightful trouble. Lovely as it was to be inundated | :38:57. | :39:10. | |
with well-wishers, it was the first taste of being like a museum image, | :39:11. | :39:17. | |
roll up, roll up and see the one breasted woman. | :39:18. | :39:18. | |
What did you do with that photo? Nothing yet. Why did you take them, | :39:19. | :39:40. | |
Casey? My parents are judgmental and | :39:41. | :39:55. | |
difficult. Her mother is overemotional, a bit weak and drinks | :39:56. | :40:03. | |
too much. Is that good parenting? Who tested them? | :40:04. | :40:07. | |
Thank you so much. I want to thank Ruth Bailey, the star of the show | :40:08. | :41:00. | |
and Adam Long. Our director and producer and Jack is on the stage | :41:01. | :41:06. | |
for second time, has done brilliant writing and particularly for BBC | :41:07. | :41:12. | |
Three, Damian Kavanagh and Syed Bennett and the BBC for all their | :41:13. | :41:22. | |
support, thank you very much. I am a writer because I cannot speak, but | :41:23. | :41:27. | |
just to say, we are having a wonderful debate about diversity at | :41:28. | :41:30. | |
the moment and trying to distort out the problems in our industry. The | :41:31. | :41:34. | |
sector which seems to get missed out quite a lot of the time is | :41:35. | :41:38. | |
disability and the cuts to access to work are making it very difficult | :41:39. | :41:43. | |
for theatre companies, film companies and TV companies to employ | :41:44. | :41:47. | |
disabled Howland and that is wrong and that has got to change. -- | :41:48. | :41:50. | |
disabled talent. Thank you. Past winners include people like | :41:51. | :42:16. | |
French and Saunders, Richard Curtis but this year it is | :42:17. | :42:22. | |
it's going it is to a writing duo who have written some | :42:23. | :42:25. | |
Let's take a look at what makes them such deserving | :42:26. | :42:29. | |
recipients of Bafta's highest accolade. | :42:30. | :42:32. | |
in 1948, teenagers Ray Golden and Alan Simpson met at a sanatorium | :42:33. | :42:40. | |
where they were being treated for the often fatal tuberculosis. -- Ray | :42:41. | :42:54. | |
Galton. After a stint in radio the duo had the good fortune to meet | :42:55. | :42:59. | |
Tony Hancock and planned to write a 30 minute scripted comedy, what we | :43:00. | :43:07. | |
now call a sitcom, resulted in Hancock's Hearth Hour. Oh, shoddy. I | :43:08. | :43:14. | |
wondered where those holes came from? I have been treating them | :43:15. | :43:21. | |
forward worm. It was to become Britain's first long-running sitcom | :43:22. | :43:25. | |
with seven series, paving the way for sitcoms of the future. I did | :43:26. | :43:31. | |
mind giving a reasonable amount, but a pint, that is very nearly an | :43:32. | :43:42. | |
armful! In 1961, Galton and Simpson began writing for the BBC's comedy | :43:43. | :43:48. | |
Playhouse. One of the shows on offer featured the rag and bone men | :43:49. | :43:52. | |
Steptoe and son. This universal Father and son story went on to | :43:53. | :43:58. | |
become a huge long-running hit, watched by 28 million at its peak. | :43:59. | :44:05. | |
Festering fly alone still! What do you want for your tea? Today is | :44:06. | :44:13. | |
Wednesday, I want BBC Two on. I don't. I have the law of contract on | :44:14. | :44:19. | |
my side. I have the knobs on my side. Galton and Simpson wrote for | :44:20. | :44:26. | |
film and TV. In recent years I have been lucky enough to work with them | :44:27. | :44:31. | |
myself, that is why I have got a tie on. | :44:32. | :44:36. | |
Friends all over the world, none in this country! | :44:37. | :44:43. | |
Since the 60s, writers of all shapes and sizes have been inspired by | :44:44. | :44:47. | |
these giants of comedy. Without Ray and Alan, the sitcom might look very | :44:48. | :44:52. | |
different. Galton and Simpson, we thank you. We | :44:53. | :44:57. | |
are very sorry that we cannot be with you tonight and we must | :44:58. | :45:00. | |
apologise that we have had this speech written for us. We cannot | :45:01. | :45:07. | |
afford our prices. Ray and I met in 1948 in a sanatorium, and to this | :45:08. | :45:12. | |
day we complement each other. He helps me up the stairs and I tell | :45:13. | :45:18. | |
him what day it is. We are so glad you have chosen this year for the | :45:19. | :45:22. | |
award because if you waited much longer you might have missed us. | :45:23. | :45:27. | |
There are so many people to thank for this award but unfortunately, | :45:28. | :45:34. | |
most of them are dead. Apart from Tessa who has been here for 50 | :45:35. | :45:41. | |
years. We must remember to pay her. 50 years, oh, God. We must thank the | :45:42. | :45:47. | |
person without whom none of this is possible, Ray Galton. | :45:48. | :45:55. | |
It's been a pleasure knowing you all these years. Cheers. Cheers. Thank | :45:56. | :46:04. | |
you very much again. Have a wonderful evening. Cheers. | :46:05. | :46:05. | |
APPLAUSE Huge congratulations to Galton and | :46:06. | :46:15. | |
Simpson. The next award is the | :46:16. | :46:19. | |
Radio Times Audience Award While we see the nominations, we | :46:20. | :46:21. | |
have a very special treat for you. Please welcome to the stage, | :46:22. | :46:25. | |
the amazing - Birdy! # But it's hard to sleep | :46:26. | :46:33. | |
# When your head's not in it # Cause you disappeared | :46:34. | :46:37. | |
# And that's all that's missing # And he's shaped like you, | :46:38. | :46:43. | |
# And I thought I knew him # And it's dark inside, | :46:44. | :46:54. | |
# But the light was in it # This can't be love | :46:55. | :46:59. | |
# If it hurts so much # I will survive | :47:00. | :47:05. | |
# And be the one who's stronger # I will move on | :47:06. | :47:16. | |
# And you should know I mean it # How we danced so close, | :47:17. | :47:25. | |
# I would stand on your feet # Our fading scars, | :47:26. | :47:41. | |
just shooting stars I love my job but do you ever fancy | :47:42. | :48:06. | |
chucking it in and going backpacking. I'm an analogue man in | :48:07. | :48:14. | |
a digital world. Redundant. This was one of the biggest miscarriages of | :48:15. | :48:21. | |
justice I ever saw. Poverty doesn't offend me, nor does aspiration. But | :48:22. | :48:30. | |
you are mistaken if you think greed and expectation are the traits of a | :48:31. | :48:34. | |
gentlemen. You are having an affair, aren't you? It doesn't crumble at | :48:35. | :48:38. | |
all. It holds together. You have worked it too much. Is it | :48:39. | :48:43. | |
overworked. It is overworked. On your march, get, set. | :48:44. | :48:49. | |
# I will survive # And be the one who's stronger | :48:50. | :48:50. | |
# I will move on # And you should know I mean it | :48:51. | :49:02. | |
# Our human hearts # Forget how strong they are | :49:03. | :49:14. | |
# And they get lost along the way, hey | :49:15. | :49:17. | |
# It's not giving up # It's letting go | :49:18. | :49:24. | |
# I will survive # And be the one who's stronger | :49:25. | :49:31. | |
# I will move on # And you should know I mean it | :49:32. | :49:48. | |
# I will survive # And be the one who's stronger | :49:49. | :49:53. | |
# I will move on # And you should know I mean it | :49:54. | :50:05. | |
the award from last year's winning show, Sherlock, | :50:06. | :50:43. | |
Lovely to be here, it is a great honour. | :50:44. | :51:00. | |
Being lucky enough to have been part of | :51:01. | :51:02. | |
Sherlock's success in winning The Radio Times | :51:03. | :51:04. | |
Award last year, I know just how much winning | :51:05. | :51:06. | |
the public vote is going to mean to one of the | :51:07. | :51:09. | |
Five years ago, Sherlock lost to The Only Way Is Essex. I'm all for the | :51:10. | :51:25. | |
public vote. But, it can be unpredictable. Just ask Pontius | :51:26. | :51:27. | |
Pilate. And what an eclectic variety of | :51:28. | :51:34. | |
wonderful shows they are. Doctor Foster, The Great British | :51:35. | :51:36. | |
Bake Off, Humans, Making A Murderer, | :51:37. | :51:38. | |
Peter Kay's Car Share and CHEERS | :51:39. | :51:52. | |
Ye, all right. And the winner is... Oh, it's poll dark. -- Poldark. | :51:53. | :52:04. | |
Well, it is incredible. Thank you so much. On behalf of the cast and our | :52:05. | :52:19. | |
crew, thank you so much to the fans, first and foremost. You are | :52:20. | :52:21. | |
incredibly supportive and loyal and we wouldn't be anywhere without you, | :52:22. | :52:26. | |
so thank you. BBC and Radio Times thank you so much for all your | :52:27. | :52:32. | |
support and Debbie and Damien and Karen, thank you so much, cheers. | :52:33. | :52:40. | |
I would also like to say the book, the series is based on books by | :52:41. | :52:47. | |
Winston Graham which are brilliant but they have been brought to life, | :52:48. | :52:53. | |
so wonderfully by Debbie Horsfield. We wouldn't be here if it wasn't for | :52:54. | :52:58. | |
her of the Thank you very much to Radio Times and to the audience, of | :52:59. | :53:03. | |
course, it is the best prize to win. APPLAUSE Anyone else? Very good. | :53:04. | :53:15. | |
Congratulations to Poldark. Oh, a man bun at the Baftas. How | :53:16. | :53:18. | |
very modern. This is so exciting. The nominees | :53:19. | :53:48. | |
all this year all have such a wealth of talent and experience with so | :53:49. | :53:53. | |
many unbelievable credits to their names you could be unforgiven for | :53:54. | :53:57. | |
thinking this was a lifetime achievement category, honestly. Take | :53:58. | :53:58. | |
a look. The dresser. You disappointment me. | :53:59. | :54:15. | |
You say self-pity is the worst character. Who have you been working | :54:16. | :54:18. | |
for, the Ministry of Information? Struggle and survival you said. | :54:19. | :54:22. | |
That's all that matter. We are all struggling for survival. Why can't | :54:23. | :54:23. | |
you? Cucumber. I love you. Don't say | :54:24. | :54:36. | |
that. But it is true. It is just a random association. It is a phrase. | :54:37. | :54:40. | |
It goes with your face and this house, that's all and I love you | :54:41. | :54:44. | |
too, if you really want to know. Of course I do. So what? So we should | :54:45. | :54:50. | |
do something. What for? I loved Tony Gibbons once. So what. | :54:51. | :54:56. | |
Unforgotten. I would never have hurt. Jimmy. I loved him. I never | :54:57. | :55:07. | |
would have hurt him. Oh, sorry. I'm so sorry. | :55:08. | :55:17. | |
Anton Lesser. Wolf Hall. All our differences will be forgot but for | :55:18. | :55:27. | |
now, we cannot wish them away. All I have, all I own is the ground I | :55:28. | :55:32. | |
stand upon. That ground is Thomas Moore, if you want it, you must take | :55:33. | :55:40. | |
it. I will not yield it. APPLAUSE | :55:41. | :55:46. | |
I'm rather surprised. I was taken aback a few weeks ago to be | :55:47. | :56:30. | |
introduced on the ITV Good Morning show as "veteran actor." It didn't | :56:31. | :56:37. | |
seem right. I mean it's not so long since that I was Most Promising | :56:38. | :56:41. | |
Newcomer. I thought about it and indeed I was | :56:42. | :56:50. | |
Promising Newcomer, in... 1962. Anyway, better an actor I be and I'm | :56:51. | :56:57. | |
very grateful to ITV and Main Street Productions for the wonderful set of | :56:58. | :57:02. | |
people they found to be in Unforgotten. I'm grateful to Chris | :57:03. | :57:07. | |
Lang for his screenplay and television directors never get any | :57:08. | :57:13. | |
credit. They never get any mention, unlike film directors but Andy | :57:14. | :57:18. | |
Wilson, top man, thank you. APPLAUSE | :57:19. | :57:37. | |
time for the bafflingly entitled, reality and constructed. To present | :57:38. | :57:44. | |
it, from Call the Midwife, it's Helen George and with her a man | :57:45. | :57:49. | |
who's been called many things but tonight I'm going to be with | :57:50. | :57:53. | |
Strictly Judge. It's Craig Revel Horwood. | :57:54. | :57:55. | |
APPLAUSE Once again the Reality | :57:56. | :58:04. | |
and Constructed Factual category has provided us | :58:05. | :58:05. | |
with some of the most watched and most talked | :58:06. | :58:07. | |
about television of the And the shows nominated | :58:08. | :58:09. | |
tonight really do highlight the sheer | :58:10. | :58:12. | |
breadth, originality and creativity of the people | :58:13. | :58:14. | |
who continue to make The Secret Life of 4, | :58:15. | :58:17. | |
5 and 6 Year Olds. Lying depends on a lot of cognitive | :58:18. | :58:39. | |
skills. We often think about it in negative terms but it also requires | :58:40. | :58:43. | |
creativity. You have to generate a good story. Birds and mini beasts. A | :58:44. | :58:54. | |
bird and mini beast. So, a giant bird came and smudged the cake? Yes. | :58:55. | :59:00. | |
I do think she is girlfriend material. Ids no idea there would be | :59:01. | :59:10. | |
somebody, such a good match. Oh, no. What are you oh, noing about. You | :59:11. | :59:15. | |
got awkward. I didn't, it is because I thought about kissing you and then | :59:16. | :59:20. | |
I got awkward. If I move in now, it is going to be embarrassing if you | :59:21. | :59:22. | |
move away. I won't. Two minutes left now Fearne. Stay | :59:23. | :59:33. | |
where you are. Stay where you are. Don't move. It is around my neck. It | :59:34. | :59:40. | |
is going to strangle me, I know T You are absolutely fine. You are | :59:41. | :59:45. | |
absolutely fine. Don't worry. It is around my neck. Yes, everyone can | :59:46. | :59:52. | |
see you. I'm doing a Britney Spears. Gogglebox. Todayrd cardigan bay is | :59:53. | :00:00. | |
home to a huge array of wildlife, there are seals, dolphins, sharks | :00:01. | :00:04. | |
and dolphins. Why is he talking like that, he always shouts - we are | :00:05. | :00:08. | |
going to sea some dolphins and whales, it is going to be epic. I | :00:09. | :00:14. | |
have come here to free dive, a dangerous and sometimes deadly | :00:15. | :00:17. | |
sport. What is free diving? I think it is where he goes down without | :00:18. | :00:21. | |
oxygen. I think it is where you don't have to pay. | :00:22. | :00:34. | |
Oh, my goodness. Thank you, we are really surprised. We are in series | :00:35. | :01:14. | |
five of 24 episodes. We have not won anything at all yet. We probably | :01:15. | :01:20. | |
feel a little bit like Leo did at the Oscars. | :01:21. | :01:23. | |
feel a little bit like Leo did at you thank yous. Especially, thank | :01:24. | :01:27. | |
you, Channel 4, particularly Jay Hunt who has always believed in this | :01:28. | :01:31. | |
series and has allowed us to take it to where we have taken it right now. | :01:32. | :01:37. | |
Our amazing and creative and joyful commissioning team. Thank you. Thank | :01:38. | :01:49. | |
you to our amazing boss Tim Carter at 2020. My incredible team who is | :01:50. | :01:53. | |
just huge and they care deeply about finding matches and people finding | :01:54. | :01:58. | |
love which is brilliant. And thank you to Fred and the restaurant team | :01:59. | :02:00. | |
who we are door. CHEERING | :02:01. | :02:06. | |
-- who we are door. Time for the Supporting | :02:07. | :02:11. | |
Actress award. And here to present it is a man | :02:12. | :02:12. | |
who because of his name, people often ask me | :02:13. | :02:15. | |
if he's any relation. Please welcome, from | :02:16. | :02:17. | |
Happy Valley and Grantchester, I'm sure you will agree, | :02:18. | :02:21. | |
the following four And their respective performances | :02:22. | :02:46. | |
more than demonstrate their The one thing I could say through | :02:47. | :03:09. | |
all the losses come all the missed sports days, or the late nights | :03:10. | :03:12. | |
where my kids needed me and I was sweating to close a case, the one | :03:13. | :03:16. | |
thing I could say is it was worth it but now it is not because he is | :03:17. | :03:20. | |
guilty! He is guilty. What are you doing? You said... No, | :03:21. | :03:35. | |
it was delivered to me. What have you got to do with it? I am his | :03:36. | :03:42. | |
friend. You see that couple over there, you are the puppy. | :03:43. | :03:48. | |
I hate you motorcyclists because you are not safe! And I hate the doctors | :03:49. | :04:00. | |
and nurses at the hospital, especially the Irish one with the | :04:01. | :04:11. | |
knee in breath! And I hate ma'am who is old and I hate dad, I hate him! | :04:12. | :04:15. | |
Stop sitting there and saying you know me, because you don't. If I | :04:16. | :04:26. | |
want to take something to get rid of all the BLEEP I have on my back, | :04:27. | :04:30. | |
then be a mate and let me do it, because that is what I do for you! | :04:31. | :04:40. | |
Oh, gosh! OK! This is England is based on its improvisational skills. | :04:41. | :05:24. | |
You are about to watch my first hand, wish me luck! I have got to | :05:25. | :05:31. | |
thank the main man, Shane Meadows. I would not be standing here if it was | :05:32. | :05:35. | |
not for you picking me up all those ten years ago. He has given me the | :05:36. | :05:42. | |
worst... The best work experience that I could ask for! And the | :05:43. | :05:47. | |
support that you get on set with the cast and crew, I love them all to | :05:48. | :05:51. | |
bits, they are like family to me. I would like to thank Mark Herbert, | :05:52. | :05:58. | |
Becky Rogers and Nicky salt for supporting the onset. Bafta, this is | :05:59. | :06:03. | |
amazing. Thank you very much. This has blown me away. The television | :06:04. | :06:07. | |
workshop, Ian Smith, this is half of yours. I have also got to thank my | :06:08. | :06:13. | |
mum and dad who sat here somewhere. My two brothers, my sister Charlotte | :06:14. | :06:18. | |
and my best friend Claire, they have stuck by me through so much. Thank | :06:19. | :06:21. | |
you, this means the world! CHEERING | :06:22. | :06:33. | |
Comedy and Comedy Entertainment Programme now. | :06:34. | :06:35. | |
And here to present this award are two | :06:36. | :06:45. | |
Comedians who are becoming national treasures. | :06:46. | :06:49. | |
Please welcome, Romesh Ranganathan and Katherine Ryan. | :06:50. | :07:02. | |
We are honoured to be asked to do this award and also grateful to | :07:03. | :07:08. | |
diversity targets! LAUGHTER | :07:09. | :07:16. | |
I do know, because tonight has been a beautiful display of diversity and | :07:17. | :07:20. | |
I feel it is getting hard out there for the white man! What about the | :07:21. | :07:27. | |
white man? Couldn't care less, mate! But I have got something to cheer | :07:28. | :07:32. | |
you up. Have a look at the nominees for best comedy and entertainment | :07:33. | :07:43. | |
programme. MPs are used to getting a rough ride on TV which they also | :07:44. | :07:47. | |
will on this show, because I have to be horrible to all of them. If I | :07:48. | :07:54. | |
called David Cameron boot, I to call Nigel Farage a boot, and Leanne Wood | :07:55. | :08:02. | |
a boot, and Nicola Sturgeon because I am balanced. | :08:03. | :08:08. | |
I once took my trunks off in the communal changing area after missing | :08:09. | :08:19. | |
the sign with my foggy goggles. Where was the swimming pool? It was | :08:20. | :08:31. | |
at a leisure centre. Where was the leisure centre? Next of suing pool. | :08:32. | :08:36. | |
Did anyone see your genitalia? Fire Ayr four people. Which other | :08:37. | :08:43. | |
harmful foodstuff has the government been urged to... Sugar. A tax on | :08:44. | :08:50. | |
sugar would come down on at the city probably. Why does David Cameron not | :08:51. | :08:58. | |
want anything to do with it? Does the people who make sugar support | :08:59. | :09:02. | |
the Conservative Party? Poor Alan, but I did not know it | :09:03. | :09:22. | |
until I was told... What was that? Was it a lamp? I told you not to | :09:23. | :09:32. | |
keep it! And the Bafta goes to... Thank you very much indeed. I would | :09:33. | :10:27. | |
like to say first of all, thank you, I have a wonderful team, Leicester. | :10:28. | :10:34. | |
Thank you very much. I thought I wouldn't do any political stuff this | :10:35. | :10:37. | |
evening, it has already been done, but probably at home it was cut for | :10:38. | :10:43. | |
you. You may have missed it. I would like to say thank you very much to | :10:44. | :10:49. | |
our produces, Mark Barrett, Danny Carter, Joe bunting and the great | :10:50. | :10:56. | |
Richard Wilson who have made the programme consistently what it is. I | :10:57. | :11:01. | |
would also like to thank my code team captain Paul Merton, but there | :11:02. | :11:08. | |
isn't time. And I would also like to thank, | :11:09. | :11:10. | |
isn't time. And I would also like to evening, I would like to thank the | :11:11. | :11:12. | |
BBC who have allowed evening, I would like to thank the | :11:13. | :11:17. | |
For You for a very long time to be rude about governments of all | :11:18. | :11:19. | |
For You for a very long time to be persuasions and none, and their | :11:20. | :11:20. | |
oppositions and indeed rude persuasions and none, and their | :11:21. | :11:27. | |
the BBC itself, which is a provision you are given with public service | :11:28. | :11:30. | |
broadcasting and not on state television. So thank you very much | :11:31. | :11:32. | |
indeed! CHEERING | :11:33. | :11:46. | |
Every year we pause to remember those we've lost. | :11:47. | :11:49. | |
Unfortunately in the last 12 months we've | :11:50. | :11:56. | |
said goodbye to an unprecedented amount of people who | :11:57. | :11:58. | |
So please let's take a moment to pay tribute to some of them now. | :11:59. | :12:04. | |
Let's do it, let's do it, do it to our hearts go boom! This folly is | :12:05. | :12:14. | |
jolly, bent near the backwards on my hostess trolley, let's do it | :12:15. | :12:16. | |
tonight! Identity these questions before I | :12:17. | :12:30. | |
take them out and it is just as well. In a shower you cannot play | :12:31. | :12:37. | |
with your blank. As ever, the people we would like to thank is the people | :12:38. | :12:44. | |
at home. You are the reason that children in the UK continue to hope. | :12:45. | :12:52. | |
My place of worship is the Rovers return. | :12:53. | :13:13. | |
There are too many people getting too well bloody informed, if you ask | :13:14. | :13:17. | |
me. Bloody BBC. A shade too much grenadine. Your | :13:18. | :13:37. | |
recipe, I suppose? Naturally, where I linger I leave my mark. | :13:38. | :13:48. | |
You only take out of life what you put into it, plus a little extra if | :13:49. | :13:56. | |
you find a few mugs. I wish everyone had your sense of humanity, Arthur. | :13:57. | :14:04. | |
Good evening and welcome to Match Of The Day for the start of the 1973-4 | :14:05. | :14:18. | |
season. If the ball is empty, you cannot have the cup and the ball, if | :14:19. | :14:22. | |
on the other hand, the ball and the cup together... You are not | :14:23. | :14:24. | |
following this, are you?! Surprise surprise, it is silly here! | :14:25. | :14:42. | |
You are joking! -- it is Cilla Black here. | :14:43. | :14:50. | |
Tonight, we are going to meet among other people a smoking dog called | :14:51. | :15:02. | |
Butch and a smoking butcher. Have you got any of those minutes with a | :15:03. | :15:09. | |
hole in? Oh the mints with a whole and, very good, sir. How big is the | :15:10. | :15:15. | |
whole? I don't want it to be too big. Have you got something to | :15:16. | :15:21. | |
measure it with? Not on me, no. It is good night from me. And it is | :15:22. | :15:24. | |
good night from him. Good night. Our next award is in honour of | :15:25. | :15:34. | |
Huw Weldon. And it's the award for | :15:35. | :15:46. | |
Specialist Factual - or as I like to And here to present | :15:47. | :15:53. | |
it is the broadcasting I am sure you'll agree | :15:54. | :15:56. | |
that the four nominated works in the Specialist Factual | :15:57. | :16:15. | |
Category this year sum up perfectly just how inventive | :16:16. | :16:17. | |
and incredibly varied They range from the arts, | :16:18. | :16:19. | |
architecture and slavery, They are all rich in their subject | :16:20. | :16:24. | |
matter, tone and direction. The little ones may cope with one | :16:25. | :16:33. | |
threat, but what about two? These records transform our image of | :16:34. | :17:14. | |
the slave owner. They reveal that thousands of them lived all over | :17:15. | :17:19. | |
Britain and they show how the profits from slave ownership ran | :17:20. | :17:27. | |
deep into British society. There were the powerful din asties that | :17:28. | :17:33. | |
amassed fortunes by exploiting slave labour in distant lands. | :17:34. | :17:37. | |
Here there were two doors. He asked Rudolf to decide if he wanted to | :17:38. | :17:51. | |
take the plane with the Russian agents of the KGB or wanted to stay | :17:52. | :17:54. | |
in Paris, France. He had to choose. I'm building a house in Essex where | :17:55. | :18:13. | |
I'm from. But it is no ordinary house, it is an ornate, teracotta | :18:14. | :18:18. | |
temple and it is by far the biggest artwork I'll ever get to make. | :18:19. | :18:23. | |
Wow. Thank you so much to Bafta and thank you, as everyone said tonight | :18:24. | :19:26. | |
to the BBC where I have spent most of my career, in a company and | :19:27. | :19:30. | |
institution that means a lot to me. Thank you to our partners at | :19:31. | :19:34. | |
University College London whose research was at the heart of the | :19:35. | :19:38. | |
series and they trusted with their research which is a difficult thing | :19:39. | :19:41. | |
for historians to do. I would like to thank my colleagues around me who | :19:42. | :19:48. | |
made this all happen and the commissioners at the BBC. Would like | :19:49. | :19:54. | |
to say thank you to BBC in house History and Business Production. A | :19:55. | :19:55. | |
fantastic team. Thank you. To present it, it's the wonderful | :19:56. | :20:03. | |
Fearne Cotton and everyone's favourite comeback | :20:04. | :20:17. | |
king, Dermot O'Leary. I am so excited to be | :20:18. | :20:33. | |
here tonight presenting this I love my soaps. Well I'm all about | :20:34. | :20:43. | |
continuing drama. Together we have this. Here are the nominees: | :20:44. | :20:49. | |
What was it Lucy said to you that was so bad you had to kill her? I'm | :20:50. | :21:00. | |
not going through every detail. Jane, I don't believe you. It was | :21:01. | :21:04. | |
me, Ian. There was someone else here, wasn't there? You are grasping | :21:05. | :21:14. | |
at straws. He called his mum, didn't he? | :21:15. | :21:17. | |
Reputation, career. . I'm your friend, I hope. I trust you with my | :21:18. | :21:28. | |
life. I was arrested. I sat in a prison cell. I was charged as a | :21:29. | :21:32. | |
criminal. Why? Because people, some people believed I was capable... It | :21:33. | :21:35. | |
was a terrible mistake but you were acquitted. I was acquitted. So what. | :21:36. | :21:41. | |
This stuff sticks. It never goes away. Coronation Street. We can | :21:42. | :21:52. | |
either conjure up thousands of pounds or they have to listen what | :21:53. | :21:56. | |
happens to you if they don't. I'm in the going to be set up in a sting by | :21:57. | :22:01. | |
some cheap slag. I'm taking this family for every penny they've got | :22:02. | :22:05. | |
and then I'm out of here, gone. Do you hear me? I said to you hear me? | :22:06. | :22:11. | |
I can't hear you. Yes. Good. Emmerdale. | :22:12. | :22:46. | |
I don't think you are meant to be laughing at that, Graham. East | :22:47. | :22:56. | |
Enders. I left Easteneders on Friday. I | :22:57. | :23:28. | |
haven't stopped crying. I'm trying not to now. I want to thank | :23:29. | :23:33. | |
Charlotte Moore, Ben Stevenson, Polly Hill and the BBC. Sharon | :23:34. | :23:40. | |
Batten, Alex Lamb, Nicole Fitzpatrick and Sue Mather and | :23:41. | :23:43. | |
everyone at Elstree. The most amazing team who work so hard every | :23:44. | :23:49. | |
day of the week to produce this amazing amazing show. From the | :23:50. | :23:54. | |
make-up girls to Ange on the help desk, everyone works with such love, | :23:55. | :23:56. | |
this is for them, thank you. We must hurry along. If this was | :23:57. | :24:18. | |
Grand cap Will Designs we would be worry we won't get the roof on for | :24:19. | :24:25. | |
winter. Here to present the Features award, the wonderful Katherine | :24:26. | :24:26. | |
Jenkins. -- Grand Designs. I'm so happy to be | :24:27. | :24:38. | |
presenting the award for Features this year in | :24:39. | :24:41. | |
particular because the shows nominated basically consist | :24:42. | :24:43. | |
of my two favourite Thank you. What a thrill. Thank you | :24:44. | :26:18. | |
Bafta. I'm not normally in charge up here but tonight Paul, Mel and Sue | :26:19. | :26:24. | |
have landed me in it. I love them dearly and miss them because we are | :26:25. | :26:30. | |
a real team. It all started with a little bit of baking in a tent. Now | :26:31. | :26:38. | |
we are doing series 7. The programme is all about wonderful amateur | :26:39. | :26:44. | |
bakers creating magical bakes. We have a fantastic crew. Just look at | :26:45. | :26:52. | |
this lot behind me. Editors, cameramen, home economists, and not | :26:53. | :27:00. | |
forgetting make-up. So, thank you Anna Beattie, who created the Bake | :27:01. | :27:05. | |
Off and the BBC for commissioning the show, which we are enormously | :27:06. | :27:09. | |
proud of. APPLAUSE | :27:10. | :27:16. | |
I didn't prepare anything and she totally landed me in it now. You | :27:17. | :27:24. | |
know what, it is an absolute honour to be part of a show that is | :27:25. | :27:28. | |
incredible. It is one of the most amazing things I have ever done and | :27:29. | :27:33. | |
it is the best show ever and I'm totally biassed, obviously. But long | :27:34. | :27:35. | |
may it continue. APPLAUSE Well done, Bake Off. Very | :27:36. | :27:41. | |
good. Next we have the award | :27:42. | :27:53. | |
for Scripted Comedy. And here to present it, | :27:54. | :27:55. | |
is a brilliant comedy actor If you haven't seen it, | :27:56. | :27:58. | |
it's like Ant McPartlin - funny and Hi. Really packing in this diversity | :27:59. | :28:27. | |
thing, huh? Here is another one of us! | :28:28. | :28:35. | |
I'm not trying to be sexy. OK I'm going to read another joke that was | :28:36. | :28:41. | |
written for me. The wonderful thing | :28:42. | :28:43. | |
about great scripted comedy from an acting | :28:44. | :28:46. | |
point of view is that you get to perform lines | :28:47. | :28:48. | |
written by some of the funniest, most talented | :28:49. | :28:51. | |
comedy writers in the Unfortunately, I couldn't | :28:52. | :28:52. | |
afford any of them So anyway, let's take | :28:53. | :28:57. | |
a look at some other incredibly funny people | :28:58. | :29:07. | |
doing what they do Don't look straight ahead. I am. | :29:08. | :29:31. | |
Waiting for the bus. Don't let him in. I'll throw up in your car. You | :29:32. | :29:38. | |
know I can't stand fish. You said you like Sushi. That isn't fish? | :29:39. | :29:41. | |
What is it then? Wrestling. Candice has learning difficulties. | :29:42. | :29:52. | |
It balances it out. I can be best friends with her, I ain't jealous or | :29:53. | :29:54. | |
anything. Cooking is all about confidence. I'm | :29:55. | :30:11. | |
going to be Nigella. That's not even Ainslie, mate. How about some lovely | :30:12. | :30:19. | |
filling lettuce? I'm improvising. Who's pasta is it anyway. People | :30:20. | :30:27. | |
Just Do Nothing. Welcome. BIB. Gold chain. A little taste of how the | :30:28. | :30:32. | |
other half live. What are the main things you need sorted when you have | :30:33. | :30:39. | |
your own club night, yeah, yeah, is the room you need to chill out, get | :30:40. | :30:44. | |
away from all the hectic fans snoochl green roo. It can be any | :30:45. | :30:46. | |
colour. The Bafta goes to... I would just like to say thank you | :30:47. | :31:40. | |
to Peter and two Sian and to Paul. And to Shane now and who has | :31:41. | :31:48. | |
supported us throughout. And to Martin Reilly who put the amazing | :31:49. | :31:49. | |
rig together, and to... I cannot believe you let | :31:50. | :32:12. | |
me do this. Distanced two people in a car talking. He would have thought | :32:13. | :32:16. | |
it in this day and age? We just like making people laugh. At that point, | :32:17. | :32:23. | |
you could laugh. I do want to force you but it is just nice to do | :32:24. | :32:29. | |
comedy. It is a lovely opportunity in this world, today, for people, to | :32:30. | :32:34. | |
make them laugh. That is a simple thing. Time up, it says up there. | :32:35. | :32:44. | |
Time up, BLEEP to you. Lowest common to nominate, thank you very much, | :32:45. | :32:51. | |
everybody, I cannot believe I have been here, it has been an amazing | :32:52. | :32:55. | |
three years, thank you very much. To my family, I love you, thank you, | :32:56. | :32:59. | |
everybody. APPLAUSE | :33:00. | :33:06. | |
It's time for the Entertainment Performance Award now. | :33:07. | :33:08. | |
And here to present it is a woman who possesses one of the | :33:09. | :33:11. | |
most remarkable talents in television. | :33:12. | :33:13. | |
Being able to work with Simon Cowell. | :33:14. | :33:16. | |
Please welcome the fabulous Alesha Dixon. | :33:17. | :33:30. | |
You are very cheeky, Graham. We all know that Simon is a pussycat. | :33:31. | :33:36. | |
Anyway, it is an honour to resent this award. Here are the nominees. | :33:37. | :33:52. | |
He is a very nice guy. He's sort of looks like Papa Smurf. He went into | :33:53. | :34:03. | |
one area where he thought there would be crocodiles. The first thing | :34:04. | :34:06. | |
he did was fall over. That is the guy. I helped him up. If he was | :34:07. | :34:12. | |
being chased by a crocodile, see you later. Leigh Francis. Have you ever | :34:13. | :34:21. | |
done this game before? Of course not. When you hear the klaxon, you | :34:22. | :34:29. | |
commence helicopter in your head. How long is the allotted time? It is | :34:30. | :34:40. | |
allotted. Have you ever been in helicopter? You are not that posh, | :34:41. | :34:45. | |
are you? You said on this programme that the | :34:46. | :34:53. | |
war was the only one fought between two democracies... Have we declared | :34:54. | :34:58. | |
war since this show started? That have been more. Auto pointed this | :34:59. | :35:06. | |
out so we are actively taking points from you today. You had a slightly | :35:07. | :35:11. | |
bad start to the year but now it is terrible. | :35:12. | :35:18. | |
If we had all your names it is like the ultimate Scrabble score. It is | :35:19. | :35:28. | |
good. Clark, who cares? Sensible shoes, who cares? | :35:29. | :35:37. | |
And the Bafta goes to leave Francis, Celebrity Juice! -- Leigh Francis. | :35:38. | :36:09. | |
I did quite know what to say. Thank you to my wife for putting up with | :36:10. | :36:16. | |
me being so silly, thank you to television for giving me a job, | :36:17. | :36:17. | |
thank you to ITV for also also given me a job. We are good | :36:18. | :36:34. | |
Incredible, soaps, aren't they? I don't know what to say. I went | :36:35. | :36:38. | |
Incredible, soaps, aren't they? I reveal my real voice because I am | :36:39. | :36:40. | |
actually from France. Thank you very much. | :36:41. | :36:58. | |
That is right, yes, yes, yes. Keep it up. He is good! | :36:59. | :37:12. | |
That had kept me going. I may collapse now. At least I might win | :37:13. | :37:18. | |
an award near the end, but now I haven't. Back in the room, back in | :37:19. | :37:22. | |
the room. Time for Leading Actress now, | :37:23. | :37:27. | |
and here to present it is one of the men | :37:28. | :37:29. | |
who is rumoured to be up for the next James Bond, | :37:30. | :37:32. | |
although now Bill Turnbull Please welcome The Night Manager | :37:33. | :37:34. | |
himself, Tom Hiddleston. Thank you. Hello, ladies and | :37:35. | :38:04. | |
gentlemen. Very happy to be here tonight. Graham, you have won an | :38:05. | :38:11. | |
award in my heart. Bless him. And very happy to manage the night at | :38:12. | :38:15. | |
any time, particularly on the BBC. Thank you. | :38:16. | :38:20. | |
Each of the four roles undertaken by the nominees | :38:21. | :38:22. | |
in this category deal with some of the most harrowing | :38:23. | :38:24. | |
Believe me, performing each one would have | :38:25. | :38:29. | |
taken enormous reserves of ability and fortitude. | :38:30. | :38:36. | |
So, if anyone here deserves one of these and a very large glass | :38:37. | :38:42. | |
it's one of the supremely talented actresses | :38:43. | :38:47. | |
It has taken my independence and our optimism and our hopes and our | :38:48. | :39:04. | |
tentative plans for the future and anything that it hasn't already | :39:05. | :39:06. | |
taken, it one day will. There is so much I want to say to | :39:07. | :39:17. | |
you but now I am here doing it, I don't know where to start. I am | :39:18. | :39:23. | |
Anna, by the way. I am your mum and I love you very much. | :39:24. | :39:26. | |
Are you still there? What does she look like? She is blonde. I cannot | :39:27. | :39:45. | |
see. Take a picture. You can take a picture. Just tell me, you don't | :39:46. | :39:56. | |
believe the stories against me, do you? I know in your heart, you | :39:57. | :39:59. | |
don't? And the Bafta goes to... Suranne | :40:00. | :40:07. | |
Jones! This is such a big moment for May. I | :40:08. | :40:44. | |
have got terrible baby brain. I had a baby a couple of months ago. I | :40:45. | :40:50. | |
cannot remember my own name, no matter anyone else's, so forgive me | :40:51. | :40:55. | |
if I forget someone. You don't get one of these without a brilliant | :40:56. | :41:00. | |
team behind you. Thank you to my husband, Lawrence, Christina | :41:01. | :41:04. | |
Shapland my wonderful agent, and my friends and family for your | :41:05. | :41:08. | |
continued support and backing. To Tom, is on, to JP, to Bruce and to | :41:09. | :41:19. | |
Joel, the directors and DPS macro, who devised a way that I could play | :41:20. | :41:24. | |
Gemma in real-time and also play her in close-up thought, which gave my | :41:25. | :41:29. | |
performance and added dynamic which I would not be able to achieve on my | :41:30. | :41:36. | |
own, and to Mike Bartlett, you are a master of the script, and a jolly | :41:37. | :41:40. | |
nice man to boot. Thank you for this character, and thank you for the BBC | :41:41. | :41:44. | |
for commissioning a relationship drama. I remembered everyone, that | :41:45. | :41:49. | |
is brilliant. Thank you, Bafta, have a great night! | :41:50. | :42:01. | |
So, as they would say on Call the Midwife, "we're | :42:02. | :42:04. | |
Our penultimate award is for Leading Actor | :42:05. | :42:08. | |
and to present it is one of our | :42:09. | :42:09. | |
Please welcome, the incredible Helen McCrory. | :42:10. | :42:28. | |
If proof were ever needed of the sheer quality of | :42:29. | :42:33. | |
British drama this year, then you only need look at | :42:34. | :42:38. | |
the names of the nominated actors in this category. | :42:39. | :42:40. | |
Not only are they some of the finest actors in this country | :42:41. | :42:48. | |
Let's see some of their wonderful work. | :42:49. | :42:52. | |
Is there something you want to tell me? No. | :42:53. | :43:06. | |
I'll never forgive myself for what I have done. Never. And I know you'll | :43:07. | :43:23. | |
never forget. But I promise you, I will spend the rest of my life | :43:24. | :43:29. | |
trying to earn your forgiveness. Mark Rylance. Do you remember I used | :43:30. | :43:40. | |
to compare the king to attend lion. You can pet him but all the time you | :43:41. | :43:44. | |
are thinking to yourself, those claws. | :43:45. | :43:47. | |
Steven Rose could be on his way to his next victim and we won't know | :43:48. | :44:02. | |
who that is. The answer is no. We can discuss it back at the factory. | :44:03. | :44:05. | |
APPLAUSE . | :44:06. | :44:13. | |
The 2016 Bafta for best actor is Mark Rylance. | :44:14. | :44:26. | |
I know to be called the best is really a big compliment but to be | :44:27. | :44:58. | |
separated from the wonderful fellow nominees, it can only be a | :44:59. | :45:02. | |
downgrade, I'm afraid and to be separated from all the other | :45:03. | :45:06. | |
incredible acting tonight, it's a curious double feeling. I've come - | :45:07. | :45:13. | |
I feel kind of speechless because I've come thinking I'll make up | :45:14. | :45:17. | |
something to say during the evening and I have been so distracted by all | :45:18. | :45:21. | |
the wonderful television on the screen, here, I haven't been able to | :45:22. | :45:26. | |
think of something proper to say. You have seen the lion of a director | :45:27. | :45:32. | |
that we had on Wolf Hall. He also is the only director I have ever worked | :45:33. | :45:37. | |
with, who visits every cast member in the make-up tent at 6.00am, every | :45:38. | :45:41. | |
cast member. He knows every cast member's name. If you think a | :45:42. | :45:44. | |
different thought in a take. He comes over and says -- I like that | :45:45. | :45:49. | |
thought. You think - I cannot remember thinking that thought but | :45:50. | :45:54. | |
he notices that. He is a phenomenal director and I was blessed with | :45:55. | :45:59. | |
phenomenal people all around me but I'm struck tonight about the quality | :46:00. | :46:02. | |
of the story telling in this country. I agree with Peter that | :46:03. | :46:14. | |
times are hard but I think whoah to any government or anybody who tries | :46:15. | :46:18. | |
to get between the the British people and the love of a good story, | :46:19. | :46:26. | |
good song, fact, fiction, good sports commentating, newscasters who | :46:27. | :46:30. | |
can hold themselves together as they tell stories of Paris. And people | :46:31. | :46:36. | |
who can cook well. The incredible variety of popular culture in this | :46:37. | :46:41. | |
country. It has really blown my mind tonight. I think whoah to any | :46:42. | :46:47. | |
government or any corporation that tries to get between that. | :46:48. | :46:51. | |
We are a nation of story tellers and we are admired around the world for | :46:52. | :47:08. | |
it and long may that live and long may it be a privilege of the people | :47:09. | :47:12. | |
here, without having to watch commercials. Thanks very much. | :47:13. | :47:21. | |
Congratulations to Mark rileance there. | :47:22. | :47:31. | |
-- Rylance. Our final award of the tonight. Yes, you heard me. | :47:32. | :47:37. | |
Our final award of the night is the Special Award | :47:38. | :47:39. | |
Let's just say, if awards were our children, this | :47:40. | :47:42. | |
And here to present it, from the fantastic drama | :47:43. | :47:46. | |
Undercover, please welcome Adrian Lester. | :47:47. | :47:57. | |
Ladies and gentlemen, the recipient of this year's Special Award has | :47:58. | :48:05. | |
been a regular on our TV screens for the past 40 years and is one of the | :48:06. | :48:10. | |
hardest-working people I know. He got his big break on New Faces as a | :48:11. | :48:15. | |
young comedian and impersonator. I got to see him in action on the | :48:16. | :48:23. | |
kids' TV show, Tiz Waz. He wrote and foamed with Tracey you willman and | :48:24. | :48:29. | |
David Copperfield on Three of a Kind followed by the ground making Lenny | :48:30. | :48:33. | |
Henry show, followed by Chef and hosted the awards. He likes to | :48:34. | :48:38. | |
challenge, made the move into theatre and started by playing the | :48:39. | :48:44. | |
iconic character of all time, the title role in Othello. He set up | :48:45. | :48:48. | |
Comic Relief in response to the famine in Ethiopia. His tenacity and | :48:49. | :48:53. | |
dogged determination has helped this charity raise over ?1 billion. | :48:54. | :48:58. | |
APPLAUSE There wouldn't be a Red Nose Day | :48:59. | :49:09. | |
without him. He has an MA and is now studying for a PhD, so not only is | :49:10. | :49:14. | |
he a Sir, he will soon be a doctor, a deeply compassionate bloke. | :49:15. | :49:18. | |
Endlessly campaigning for equality and fairness, he is now trying to | :49:19. | :49:22. | |
get a diversity clause written into our BBC's charter. If he is | :49:23. | :49:26. | |
successful, it'll mean we can all stop talking about it and just get | :49:27. | :49:30. | |
on with the task of making great work. He is from the West Midlands, | :49:31. | :49:33. | |
he reads graphic novels and sometimes he sleeps in a big purple | :49:34. | :49:40. | |
hotel. Let's take a look at his phenomenal work. | :49:41. | :49:51. | |
In Oxford Street today a suicidal Japanese fighter pilot crashed his | :49:52. | :50:29. | |
plane - pardon... It must have been terrible having that thing on your | :50:30. | :50:35. | |
face. Ye, it was like - are you OK? #123450 hold him down. | :50:36. | :50:44. | |
Good Morrow. Here we are rummaging around. I'm here with one of the | :50:45. | :50:52. | |
most ferocious of creatures. Do you have any idea of how many skilled | :50:53. | :50:56. | |
man hours over a three-day period have gone into producing this dish | :50:57. | :50:59. | |
and without tasting it, youville called for salt. Oh my God, you are | :51:00. | :51:08. | |
a maniac. Can I have my breakfast? I have been calling room service for | :51:09. | :51:13. | |
ages. Look, it is boring, school is boring. It is meant to be boring, | :51:14. | :51:17. | |
that's why it is called school. If it wasn't, it would be called | :51:18. | :51:22. | |
Chessington World of Adventures. Now it is... Now it is time. For what? | :51:23. | :51:28. | |
The rest of the show. Now a word from our sponsor. | :51:29. | :51:40. | |
We have worked out that injure generosity has feated over 14 | :51:41. | :51:45. | |
million lives in the world's poorest communities. I want to say it is the | :51:46. | :51:49. | |
proudest thing in my life and I thank you for every single penny you | :51:50. | :51:54. | |
have given and I hope I can go on with this stuff for a long time to | :51:55. | :51:59. | |
come. All right, well to the Delbert Wilkins show. I'm your host among | :52:00. | :52:06. | |
hosts, Delbert Wilkins. Very nice to be here. Yeah, man. | :52:07. | :52:14. | |
BEATBOXING Fresh. Sno Ziggy, I wish would you | :52:15. | :52:24. | |
stop messing around. Thank you very much. OK. Now we have come to the | :52:25. | :52:29. | |
end of our programmes and it is time for our closing thought. Have we | :52:30. | :52:34. | |
finished yet? I have a lot to do in the garden. | :52:35. | :52:39. | |
APPLAUSE Ladies and gentlemen, the Bafta Special Award goes to a man | :52:40. | :52:47. | |
I'm proud to call a friend. Please make some noise for Sir Lenny Henry. | :52:48. | :52:54. | |
APPLAUSE APPLAUSE | :52:55. | :53:39. | |
Continues Ladies and gentlemen, members of the | :53:40. | :53:43. | |
academy, thank you very much. Bums hitting seats now. | :53:44. | :53:47. | |
I am truly honoured and humbled to be here tonight. | :53:48. | :53:49. | |
I never dreamt that my work would be recognised in this way. | :53:50. | :53:52. | |
So far my career has spanned over four decades and I have had | :53:53. | :53:55. | |
the opportunity to work in everything from comedy | :53:56. | :53:57. | |
to documentaries and children's programmes to drama, | :53:58. | :53:58. | |
Throughout my career I have received support, | :53:59. | :54:07. | |
advice and inspiration from some brilliant people all of whom must | :54:08. | :54:10. | |
really share this award with me, as without them I | :54:11. | :54:12. | |
Because I have been around for so long, I have so many to thank. And | :54:13. | :54:22. | |
the speech would be longer than a BBC renewal. So I'll name just a | :54:23. | :54:24. | |
few. God bless you mum, who'd have | :54:25. | :54:27. | |
thought the whole "flash in the pan" My manager PBJ - who has been | :54:28. | :54:28. | |
so constant and true - "ahh, my boy, throughout my career, | :54:29. | :54:38. | |
Dudley posse, Lockshen gang, My wonderful family - | :54:39. | :54:50. | |
my daughter, my siblings, my lovely partner Lisa and Marcus | :54:51. | :54:57. | |
Ryder and Pat Younge who had my back during the parliamentary | :54:58. | :55:00. | |
sub-committee meeting, said wise Also a special mention | :55:01. | :55:02. | |
to my co-producer at Douglas Road - All the people who've campaigned | :55:03. | :55:08. | |
to increase diversity From the 50 industry stars | :55:09. | :55:15. | |
who signed the open letter calling for ring-fenced money | :55:16. | :55:19. | |
including Idris Elba, Amma Assante, Adrian Lester, | :55:20. | :55:20. | |
Meera Syal, Emma Thompson, Richard Curtis, Russell T Davies | :55:21. | :55:22. | |
and Richard Eyre, to the grassroots campaigners from the TV collective, | :55:23. | :55:26. | |
Act for Change and the Campaign Massive respect to all of these | :55:27. | :55:28. | |
people. Since I was 14, television | :55:29. | :55:33. | |
has been my life. Some Mothers To Have Them. Not the 9 | :55:34. | :55:43. | |
owe clock news. The Great British Bake Off. The Real McCoy. Goodness | :55:44. | :55:46. | |
Gracious Me. Who Do You Do. I believe British television | :55:47. | :55:52. | |
is the best in the world. If it feels like I'm banging | :55:53. | :55:55. | |
on about diversity it is because I believe | :55:56. | :55:57. | |
in increasing it so that we truly reflect our fantastic nation - | :55:58. | :56:00. | |
ensuring that all those who hope to work in TV, | :56:01. | :56:02. | |
irrespective of their race, gender, sexuality, | :56:03. | :56:11. | |
class or disability - If we do this, we will make our | :56:12. | :56:12. | |
great industry even greater! I know that everyone in the room | :56:13. | :56:18. | |
tonight shares the same ambition so please let's keep working | :56:19. | :56:21. | |
together to make this a reality! And please, let's put | :56:22. | :56:23. | |
it in the charter! Let's create a coalition of the | :56:24. | :56:31. | |
willing. Thank you so much for this. It means so much. #12k3w4r good | :56:32. | :56:44. | |
night. -- good night. Lenny Henry, everybody. | :56:45. | :56:49. | |
Well, that's your lot. What an evening. Thank you to all our | :56:50. | :56:54. | |
winners and our nearly winners and to you for watching at home. Good | :56:55. | :56:58. | |
night, everybody. Goodbye. Awards presented earlier. Single | :56:59. | :57:13. | |
Documentary: The Bafta goes to... My Son The Jihadi. I said to him, I | :57:14. | :57:20. | |
can't wait to meet Allah. He said I would never, because I'm going to | :57:21. | :57:25. | |
burn in hell. I would like to thank Channel 4 who were wonderful making | :57:26. | :57:29. | |
this fi. Especially our commissioning editors. | :57:30. | :57:34. | |
-- making this film. Current Affairs. Outbreak: The Truth About | :57:35. | :57:45. | |
Ebola. They are too scared to come close The guys in suits, wrestle him | :57:46. | :57:49. | |
to the ground. I will dedicate this award to the very courageous people | :57:50. | :57:54. | |
who fought the outbreaks. The doctors, to the nurses, the | :57:55. | :57:58. | |
volunteers, the survivors... APPLAUSE | :57:59. | :58:00. | |
And the families of the victims. Thank you very much Bafta. | :58:01. | :58:11. | |
Mini Series... This Is England '90. What is going on? I want you to | :58:12. | :58:18. | |
marry me. I want to you marry me. Marry me. This was probably the | :58:19. | :58:23. | |
marry me. I want to you marry me. of This Is England. You | :58:24. | :58:25. | |
marry me. I want to you marry me. dream of how you are going to finish | :58:26. | :58:28. | |
something and this was probably the best, you know the dream that you | :58:29. | :58:30. | |
had - to come to the best, you know the dream that you | :58:31. | :58:35. | |
last chance of ever winning anything for something that you love. Factual | :58:36. | :58:45. | |
Series. The Murder Detectives. What have we got evidencely against him | :58:46. | :58:48. | |
at the moment? We have some people in the community coming forward and | :58:49. | :58:52. | |
saying it is Lucci and he disappears, he goes to America. Not | :58:53. | :58:58. | |
a lot of hard evidence, in my view. I would like to pay tribute to his | :58:59. | :59:05. | |
father, Carlos, and fiancee Shannon and his mother. | :59:06. | :59:16. | |
Mraus News Coverage. Channel 4 News. | :59:17. | :59:23. | |
Paris, Massacre. Blood and roses and the debris of panic. They had gone | :59:24. | :59:28. | |
to a rock concert and ended up running for their lives. No time to | :59:29. | :59:34. | |
think, just to flee as a terrorist sprayed the crowd with gunfire. This | :59:35. | :59:39. | |
BAFTA, we want really for Sayeria. Sarah is one of our most brilliant | :59:40. | :59:44. | |
producers. She cannot be here tonight. She knows why. We know why | :59:45. | :59:51. | |
-- for Sarah. We want to send her all the love in the world. Live | :59:52. | :59:58. | |
Convenient. Bafta goes to... Big Blue Live. I have been watching it | :59:59. | :00:04. | |
for six years... I'm so sorry, I don't believe what I have just | :00:05. | :00:07. | |
heard. Incredible. I have heard word that we have on our helicopter, | :00:08. | :00:10. | |
heard. Incredible. I have heard word blue whale Very special for us and | :00:11. | :00:15. | |
heard. Incredible. I have heard word very fitting today, Sir David | :00:16. | :00:17. | |
Attenborough's 90th birthday. Sport. The Bafta is awarded to... | :00:18. | :00:23. | |
The Ashes. We knew he was special. Sport. The Bafta is awarded to... | :00:24. | :00:32. | |
Just keep an eye on Stokes at fifth slip, diving to his right. Oh, it's | :00:33. | :00:37. | |
lined him. I would like to dedicate this award to the various | :00:38. | :00:40. | |
departments at Sky this award to the various | :00:41. | :00:44. | |
support us. They are the Unsung Heroes. Thank you very much. Have a | :00:45. | :00:46. | |
great night. What business do you have | :00:47. | :01:55. | |
with the Russians, Tommy? | :01:56. | :01:58. |