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This programme/film contains scenes of Repetitive Flashing Images | :00:00. | :00:20. | |
Ladies and gentlemen, welcome to the Virgin TV British Academy Television | :00:21. | :00:28. | |
Awards 2017 from the Royal Festival Hall! | :00:29. | :00:33. | |
Welcome to the Baftas! That the weird thing, seeing lots of famous | :00:34. | :00:43. | |
people in 3-D animated, so slightly than Madame Tussaud's. | :00:44. | :00:48. | |
It's great, it's lovely all these people have shown up. I think it | :00:49. | :00:52. | |
might even be about to rain. I step out and then it all comes | :00:53. | :01:06. | |
down. Honestly, me, Joanna Lumley, Holly Willoughby ran for cover over | :01:07. | :01:11. | |
here. If this blew away, all the talent would be gone. | :01:12. | :01:17. | |
I'm feeling freezing cold and wet. Other than that I'm feeling great. | :01:18. | :01:31. | |
Ladies and gentlemen, welcome to the Baftas. Let's have it large. Two | :01:32. | :02:18. | |
pairs. Aces and jacks. Full house, kings and trees. Oh dear, do you | :02:19. | :02:25. | |
want me to take off my jacket or my trousers? You know the rules, one | :02:26. | :02:32. | |
item of clothing. Your deal. OK. Enter! I, Sue. All OK for tonight? | :02:33. | :02:40. | |
Have you come to help Sue with her script? I'm not a script writer but | :02:41. | :02:46. | |
I did once white Ed Balls in eight weeks and it went viral. Excuse | :02:47. | :02:47. | |
me... Service white Ed Balls Tweet. OK, sure... OK, I'm sorry. | :02:48. | :03:00. | |
Something's come up, I'm going to have to... Go. See you later. I knew | :03:01. | :03:07. | |
it! I thought it was Gary Lineker. Ladies and gentlemen please welcome | :03:08. | :03:21. | |
your host for this evening, the fabulous Sue Perkins! | :03:22. | :03:29. | |
Hello everyone! Hello you beauties, hello! APPLAUSE | :03:30. | :03:40. | |
CHEERING Hello everyone, and due at home. | :03:41. | :03:50. | |
Good evening and welcome to the virgin British TV Academy Awards. My | :03:51. | :03:54. | |
name is Sue Perkins but you might know me best as... And Sue. I know | :03:55. | :03:59. | |
what you're thinking, not another woman hosting an awards show! When | :04:00. | :04:10. | |
will it end? APPLAUSE To be honest I find it a little like | :04:11. | :04:15. | |
Haley 's Comet, just a little less frequent. Whatever happens tonight I | :04:16. | :04:21. | |
promise to deliver you a strong and stable Baftas. LAUGHTER | :04:22. | :04:29. | |
And what a lovely set, all those awards, Olivia Colman is looking on | :04:30. | :04:32. | |
thinking, that reminds me of my downstairs loo. I'm going to be | :04:33. | :04:38. | |
serious for one second. Each of those faces represent a celebrity | :04:39. | :04:45. | |
who didn't make it back from this series of Dubai. Lovely to be here | :04:46. | :04:49. | |
of course. At the Royal Festival Hall. As the Queen calls it, one's | :04:50. | :04:55. | |
iPod. It is usually a place of culture and refinement but that will | :04:56. | :05:01. | |
change now Mary Berry is in. All right, Bez? There she is, to | :05:02. | :05:09. | |
Thierry. Give her a couple of White drums, shall be pressed up against | :05:10. | :05:14. | |
one of the casualty hunks. Nothing less than a senior registrar mind | :05:15. | :05:17. | |
you, because she's got class, that lady. What a pleasure to be in the | :05:18. | :05:23. | |
same room as some of the most hard-working people in the country. | :05:24. | :05:27. | |
Obviously not us. We are just as the animals congratulating ourselves for | :05:28. | :05:30. | |
figuring out how the food hatch works. I'm talking about the public | :05:31. | :05:37. | |
up there. Hello, everyone! The woman in the front row has just realised | :05:38. | :05:43. | |
this isn't an opera. That was last night, love. Absolutely livid. Who | :05:44. | :05:49. | |
else is in the crowd tonight? Thandie Newton is in the crowd. The | :05:50. | :05:56. | |
wonderful Thandie Newton. Of course we learned so much from the | :05:57. | :06:00. | |
brilliant Line Of Duty. Trust no one. The police have the right to be | :06:01. | :06:04. | |
questioned by an officer one rank superior. And never ever tell your | :06:05. | :06:07. | |
wife that her wrist stinks. Don't do it. Night manager was an | :06:08. | :06:16. | |
incredible show, wasn't it? Incredible. Not nominated, but it | :06:17. | :06:24. | |
was an incredible show. I loved it. I learned recently with democracy | :06:25. | :06:27. | |
you don't always get what you so passionately want. I'm not allowed | :06:28. | :06:33. | |
to say any more than that. But I'm going to anyway... How the hell did | :06:34. | :06:37. | |
Italy not win Eurovision last night?! They had a gorilla dancing | :06:38. | :06:42. | |
to a house beat for goodness' sake. I tell you who is nominated for | :06:43. | :06:46. | |
Night Manager, the wonderful Tom Hollander. APPLAUSE | :06:47. | :06:56. | |
Who would have thought that Hugh Laurie could do such a convincing | :06:57. | :07:02. | |
British accent? Drama is going from strength to strength. How amazing | :07:03. | :07:05. | |
work Vicky McClure and Morgan Christie in the replacement? A show | :07:06. | :07:12. | |
about how stressful it can be when someone takes over your job. | :07:13. | :07:17. | |
I mean... I really couldn't relate to it. Genuinely hand on heart, the | :07:18. | :07:30. | |
best of luck to the new Bake Off team. They need it, they are about | :07:31. | :07:34. | |
to find out what Mel and I left for them in the groundsheet. Great to | :07:35. | :07:42. | |
see Anton du Beke here. -- great to see Ant and Dec. Doing what they do | :07:43. | :07:46. | |
best, ruining the entertainment category for all the other nominees. | :07:47. | :07:51. | |
Big shout out for strictly, who just had a monumental year. It would have | :07:52. | :07:57. | |
thought watching Ed Balls ride a woman's phase around the stage to | :07:58. | :08:01. | |
Gangnam Style would be the most normal thing to happen in politics | :08:02. | :08:07. | |
all year. Of course rather sadly Len Goodman has left the show to spend | :08:08. | :08:11. | |
more time with his family, especially his wife, who's he says | :08:12. | :08:18. | |
is a... Seven! Top gear was back. My favourite episode was the one where | :08:19. | :08:19. | |
Joey gets everyone fired. Apparently you can get a knock down | :08:20. | :08:30. | |
version of it on Amazon, amazing what you can order online when | :08:31. | :08:37. | |
you're drunk. Play "Grand tour". And tell my personal information to | :08:38. | :08:39. | |
unspecified third parties and don't worry about paying tax. But you | :08:40. | :08:47. | |
still use me, don't you come Sue? Yet, but walk into a shop is so hard | :08:48. | :08:54. | |
now. Sue, can I confirm your 4:30pm hot stone massage with Professor | :08:55. | :08:58. | |
Mary Beard? Stop! Rather than be telling you what a fantastic year | :08:59. | :09:02. | |
this has been for telly why don't I just show you? To be or not to be, | :09:03. | :09:06. | |
that is the question. Shakespeare made up words, | :09:07. | :09:10. | |
didn't he? My stuff is actually | :09:11. | :09:11. | |
really funny. # Ain't got an honest feeling | :09:12. | :09:13. | |
in my bones... # But what I felt, | :09:14. | :09:20. | |
it can't be helped no more... # Bless my soul, | :09:21. | :09:31. | |
that's the way it is... # What's hot as hell, | :09:32. | :09:49. | |
the same won't leave you cold This is what we are | :09:50. | :10:14. | |
fighting for. # But walkin' a fine line might | :10:15. | :10:16. | |
not lead to home... # Bless my soul, | :10:17. | :10:23. | |
that's the way it is... The British people have made a | :10:24. | :10:50. | |
very clear decision I think I'm going to treat | :10:51. | :10:52. | |
myself to a ruff. APPLAUSE | :10:53. | :11:28. | |
An embarrassment of skill and excellence there. Right, let's crack | :11:29. | :11:32. | |
on before someone tells the format to Channel 4. LAUGHTER | :11:33. | :11:36. | |
First of all tonight, the award for best drama series. Now I love a good | :11:37. | :11:41. | |
drama. My favourite one of this year was when ITV moved the news. To | :11:42. | :11:47. | |
present it Bake Off of Britain's loveliest lovelies, the brilliant | :11:48. | :11:48. | |
Bean and Anna Friel! Toomer good evening, it's a great | :11:49. | :12:05. | |
honour to be here to present the first award of the night for drama | :12:06. | :12:11. | |
series. What a privilege to be here on such a momentous occasion. Sean | :12:12. | :12:15. | |
we should probably get on with the nominations in case you get called | :12:16. | :12:21. | |
off, darling. -- killed off. Very funny. I didn't write it. Neither | :12:22. | :12:29. | |
did I. We just have to say it. The nominations... | :12:30. | :12:31. | |
You take your time, I'll just, just stand here, OK? | :12:32. | :13:05. | |
I'll just listen or I'll talk, whichever you prefer, | :13:06. | :13:11. | |
Your grace, I request permission to join Prince | :13:12. | :13:28. | |
If one quarter of them come back tomorrow I'll thank God. | :13:29. | :13:39. | |
That's why I'm asking to be with them. | :13:40. | :13:43. | |
With a face like that you should be on the front of a ship. | :13:44. | :13:56. | |
A bottle of the finest rum from Jamaica. | :13:57. | :14:05. | |
First place I ever caught gonorrhoea. | :14:06. | :14:19. | |
All right. And the Bafta goes to... Happy Valley! APPLAUSE | :14:20. | :14:50. | |
Thank you everyone. Thank you to an incredible cast, some of which are | :14:51. | :15:15. | |
here tonight and thank you to Sally Wayne White -- Wainwright for | :15:16. | :15:22. | |
excellent scripts, excellent direction, and leading us all. Thank | :15:23. | :15:23. | |
you. CHEERING AND APPLAUSE | :15:24. | :15:36. | |
Next we come to the award for Best entertainment performance and to | :15:37. | :15:51. | |
presented Samantha from six The City, the fantastic Kim Cattrall! | :15:52. | :15:55. | |
CHEERING AND APPLAUSE Hello. Are you done? You couldn't | :15:56. | :16:14. | |
have hoped to find a more eclectic group of performers than in this | :16:15. | :16:19. | |
category. But what they do have in common is limitless talent, | :16:20. | :16:23. | |
boundless charisma and a desperate wish for me to get the hell on with | :16:24. | :16:27. | |
it and announce the winner. Let's take a look... | :16:28. | :16:33. | |
Graham Norton, The Graham Norton Show. | :16:34. | :16:35. | |
Stella McCartney has designed the speedos. | :16:36. | :16:36. | |
Sadly, she ran out of material, money and interest. | :16:37. | :16:39. | |
Now, they sent us a pair of the speedos and | :16:40. | :16:47. | |
Those are the ones I was wearing yesterday. | :16:48. | :16:53. | |
Michael McIntyre, Michael McIntyre's Big Show. | :16:54. | :17:00. | |
And you are wearing a comedy wig, is that correct? | :17:01. | :17:15. | |
Claudia Winkleman, Strictly Come Dancing. | :17:16. | :17:30. | |
Very well done, you must have been so happy with those | :17:31. | :17:35. | |
I've got such an incredible teacher who gets the | :17:36. | :17:40. | |
He's quite a hard task master though, isn't he? | :17:41. | :17:43. | |
The perfect strumpet impersonation, what | :17:44. | :17:50. | |
we did this afternoon, we put his mouth... | :17:51. | :17:52. | |
Especially won't be when you read the rest of | :17:53. | :18:04. | |
I am looking forward to you finishing this sentence. | :18:05. | :18:07. | |
We put Donald Trump's words into the mouth | :18:08. | :18:11. | |
And the Bafta is awarded to Michael McIntyre! | :18:12. | :18:33. | |
CHEERING AND APPLAUSE Hi! Everybody says they don't expect | :18:34. | :19:06. | |
it, but I'm here and I'm dressed up in everything but I didn't, I | :19:07. | :19:10. | |
genuinely didn't! This is so fun. In fact, we've never met. Wow. You give | :19:11. | :19:17. | |
me Baftas, we should meet more often, this is wonderful. I need to | :19:18. | :19:26. | |
thank Dan and Hugey Bear and the BBC's Charlotte, and everyone up | :19:27. | :19:29. | |
there, because you are having fun. And of course, Danny, you are | :19:30. | :19:37. | |
amazing. And most of all my beautiful and wonderful wife and my | :19:38. | :19:40. | |
kids at home, were told I wouldn't win. Daddy won! Thank you so much, | :19:41. | :19:45. | |
thank you everyone. CHEERING AND APPLAUSE | :19:46. | :19:55. | |
Next, an award given in honour of Hue, special factual. Please welcome | :19:56. | :20:09. | |
the doctor and his new sidekick, Pearl Mackie and Charlie Heaton. | :20:10. | :20:19. | |
Hello. The term National Treasure gets thrown around far too easily | :20:20. | :20:29. | |
these days. In my opinion there are only a handful of people that truly | :20:30. | :20:34. | |
deserve that tag. It's impossible to imagine three more iconic figures | :20:35. | :20:38. | |
than those deserving of that label than those featured in this | :20:39. | :20:39. | |
category. I lost my dad when he was put | :20:40. | :20:46. | |
to butchering by his stepmother And my father was such | :20:47. | :20:59. | |
a gentle soul, but he never had | :21:00. | :21:04. | |
a good word for his stepmother. And she was always | :21:05. | :21:06. | |
known in the family "Get off that stool | :21:07. | :21:08. | |
or I'll kick you off." In the oceans and on land, | :21:09. | :21:13. | |
living creatures of many kinds have harnessed the power of light | :21:14. | :21:18. | |
in extraordinary ways. To mate, to lie, even to hide | :21:19. | :21:20. | |
under a cloak of light. Well, when I was a kid, yeah, | :21:21. | :21:35. | |
had a few slaps at school, I never thought, "Oh, you know what, | :21:36. | :21:41. | |
I must get better at this." But there must be | :21:42. | :21:45. | |
a reason why a lot of men and women in the north-east | :21:46. | :21:50. | |
need to be tough. They don't need to be, | :21:51. | :21:57. | |
The problem is there's deep water between them. | :21:58. | :22:10. | |
So what should any red-blooded sloth do? | :22:11. | :22:11. | |
And the Bafta goes to... Planet Earth II! | :22:12. | :22:39. | |
Thank you everyone. CHEERING To win this award, hello out there. | :22:40. | :23:35. | |
To win this award, an incredibly large and dedicated team. It is | :23:36. | :23:38. | |
great to win this series because this honour all their hard work. | :23:39. | :23:42. | |
Making this series not only took a lot of teamwork, it also took a lot | :23:43. | :23:46. | |
of hard work and also a little bit of luck. That luck, sorry! That | :23:47. | :23:58. | |
like, Liz was the person who brought the extraordinary snake sequence | :23:59. | :24:02. | |
back. Justin the amazing sequence of the bears and the leopards in | :24:03. | :24:12. | |
Mumbai. But we knew, we knew this sequence, this series was going to | :24:13. | :24:15. | |
work when we had the luck to get David Attenborough two miles above | :24:16. | :24:22. | |
the surface of the planet without killing him, which would not be good | :24:23. | :24:26. | |
for the CV. It was the only day for two months where the sun shone and | :24:27. | :24:29. | |
the wind didn't blow, so it was only date we could do it. I think the | :24:30. | :24:33. | |
gods were smiling on us. A lot of thanks to BBC One, Worldwide an | :24:34. | :24:40. | |
amazing team around the world. Thank you. Thank you. | :24:41. | :24:46. | |
CHEERING AND APPLAUSE And now, female in a comedy. It | :24:47. | :24:59. | |
always sounds to scientific. This year the movie of Ab Fab hit the | :25:00. | :25:05. | |
screens showing is possible for women over the age of 25 to find | :25:06. | :25:10. | |
decent roles that are as long as they write themselves! The same goes | :25:11. | :25:14. | |
for you Mrs Brown, power to you, sister! To present the awards we | :25:15. | :25:19. | |
didn't even need to show him the money, it's the gorgeous Cuba | :25:20. | :25:20. | |
Gooding Jr! Hello again. I have to tell you, I | :25:21. | :25:40. | |
argued with Peter, I said, they are only going to see from here up, | :25:41. | :25:47. | |
nobody would see them. I've put my glasses on because I'm blind. I | :25:48. | :25:56. | |
can't do a transvestite joke now, I'm BAFTA winner, keep going! The | :25:57. | :26:03. | |
nominees for female performance in a comedy programme are... | :26:04. | :26:09. | |
The only thing harder than having to tell your super | :26:10. | :26:14. | |
high-powered, perfect, anorexic, rich super-sister that | :26:15. | :26:16. | |
you've run out of money is having to ask to bail you out. | :26:17. | :26:22. | |
Can't do it, I can't do it, I can't do it. | :26:23. | :26:36. | |
When you teach a kid Shakespeare, do their | :26:37. | :26:41. | |
I think you're talking about iambic pentameter. | :26:42. | :26:51. | |
I mean, I don't need to tell you, but your father is | :26:52. | :27:06. | |
I'm so lucky, I will be touched until the day I | :27:07. | :27:15. | |
I think it's just sandwiches, crisps, | :27:16. | :27:35. | |
I'll have a ham sandwich and half a sausage roll. | :27:36. | :27:44. | |
You can help yourself, Maureen, it's a buffet. | :27:45. | :27:46. | |
I don't know, Reg, it's just a normal buffet. | :27:47. | :27:52. | |
And the Bafta goes to... Moonlight! LAUGHTER | :27:53. | :28:16. | |
CHEERING AND APPLAUSE I'm sorry, I'm sorry. | :28:17. | :28:22. | |
You're like, that's the last time a negroe will, and present the award! | :28:23. | :28:29. | |
Phoebe Waller-Bridge! CHEERING AND APPLAUSE | :28:30. | :28:56. | |
Thank you. Tried to get as many kisses from you as I could then! Oh | :28:57. | :29:12. | |
my God! Thank you all so much for this, this is so incredible. I | :29:13. | :29:16. | |
promised myself I wouldn't say anything rude but I have been wet | :29:17. | :29:23. | |
dreaming about getting a Bafta my whole life. So many amazing people | :29:24. | :29:27. | |
to thank for this. Obviously it came from a woman show that wouldn't have | :29:28. | :29:32. | |
happened with my -- without my theatre company. And Vicky Jones, my | :29:33. | :29:39. | |
best friend, and two Brothers pictures he said, for god sake, make | :29:40. | :29:43. | |
what you want to make and not many people say that. And the BBC said | :29:44. | :29:47. | |
that and Amazon said that. Thank you all for being so incredible. For Tim | :29:48. | :29:55. | |
to kicking yourself. Thank you so much, incredible, incredible man. | :29:56. | :29:59. | |
And Lydia for being the whole time my husband, who has been so | :30:00. | :30:02. | |
supportive. And most of all, I want to say thank you to my mother, who | :30:03. | :30:08. | |
said to me, darling you can be what ever you want to be as long as your | :30:09. | :30:14. | |
outrageous! APPLAUSE Thank you for that, thank you, | :30:15. | :30:15. | |
mummy. Next up we have the award for a | :30:16. | :30:33. | |
miniseries. I like my miniseries like my relationships... Dramatic, | :30:34. | :30:38. | |
intense and with Gillian Anderson in them. Ed Westwick and, from Poldark, | :30:39. | :30:51. | |
the amazing Eleanor Tomlinson. APPLAUSE | :30:52. | :31:00. | |
In my opinion, each one of the miniseries nominated tonight is so | :31:01. | :31:08. | |
exceptional they would all be worthy winners. Agreed, in fact they are | :31:09. | :31:12. | |
all good enough to get a full series, let's take a look at the | :31:13. | :31:13. | |
nominations. I'll have the baby | :31:14. | :31:16. | |
and tell Trevor it's his. Because I will claim | :31:17. | :32:09. | |
any child that is mine. So I'll ask him for a | :32:10. | :32:14. | |
divorce, then, tonight. Divorce would mean my banishment | :32:15. | :32:16. | |
from the Baptist community. It's not going to be cheap, | :32:17. | :32:18. | |
this, you know that? Well, we spend whatever it takes | :32:19. | :32:33. | |
to get you off, don't we? I know I've not treated | :32:34. | :32:36. | |
you well at times, And the Bafta goes to... National | :32:37. | :32:45. | |
Treasure! Thank you very, very much. We | :32:46. | :33:51. | |
realised trying to tell this story how much responsibility we had to | :33:52. | :34:00. | |
try and get it right, and do justice to the people whose stories are | :34:01. | :34:07. | |
involved in our story. Everyone on this stage and everyone at Channel 4 | :34:08. | :34:17. | |
worked extremely hard to do that. So thank you to Mark, George, John, | :34:18. | :34:23. | |
Toby, George, thank you to peers and Beth at Channel 4. Thank you to our | :34:24. | :34:29. | |
amazing cast to I can't believe I got to work with. Robbie Coltrane, | :34:30. | :34:36. | |
Andrew Rice broke, Julie Walters. But mainly we want to say... It | :34:37. | :34:45. | |
interesting tonight there seem to have been a lot of people on stage | :34:46. | :34:49. | |
talking about untold stories. And this is for the people whose stories | :34:50. | :34:58. | |
haven't been told. For those who were brave enough to come forward. | :34:59. | :35:03. | |
And those whose scars were too deep to do so. So thank you very much. | :35:04. | :35:06. | |
APPLAUSE Now it's time for a special award, | :35:07. | :35:23. | |
even more special than the ones we've just had. To present it, a man | :35:24. | :35:28. | |
who is no stranger to a weird weekend, though neither am I, I | :35:29. | :35:35. | |
enjoyed one in Rhyl with Angela Lansbury. Please welcome the | :35:36. | :35:36. | |
wonderful Louis Theroux. It's my huge honour to be asked to | :35:37. | :35:54. | |
present the Bafta special award this evening. As editor and founder of | :35:55. | :35:59. | |
the BBC story Phil Strand, Nick Fraser can only be described as a | :36:00. | :36:04. | |
titan of documentary making. Over more than two decades Nick has | :36:05. | :36:09. | |
overseen more than 340 films. That how won an incredible four Oscars, | :36:10. | :36:13. | |
five Baftas and three International Emmy awards. Storyville is known | :36:14. | :36:19. | |
around the world as a haven for intelligent, bold, above all, | :36:20. | :36:22. | |
creative film-making, giving support to the best and brightest in the | :36:23. | :36:26. | |
documentary world. Since Storyville Nick's vision of finding funding for | :36:27. | :36:33. | |
amazing films has continued with the creation of a company where he still | :36:34. | :36:36. | |
takes risks and speaks his mind. Let's have a look at some of his | :36:37. | :36:38. | |
wonderful work. In 1995, journalist Nick Fraser | :36:39. | :36:39. | |
joined the BBC to pursue his passion We've probably all seen performing | :36:40. | :36:51. | |
chimpanzees on television or in circuses, but this is no ordinary | :36:52. | :36:52. | |
chimp. The Storyville series became a key | :36:53. | :37:10. | |
outlet for showcasing the best in international documentaries. With | :37:11. | :37:17. | |
Nick supporting many aspiring film-makers, both as producer and by | :37:18. | :37:21. | |
securing funds to get project of the ground and onto our screens. | :37:22. | :37:25. | |
Under Nick's editorship, Storyville grew at a | :37:26. | :37:27. | |
rapid pace, from broadcasting 6-8 documentaries a year to 40 at its | :37:28. | :37:30. | |
Now, I'm going to see if I can take this rope off. | :37:31. | :37:36. | |
It may take me a while, but I'll see how fast I can | :37:37. | :37:39. | |
There have now been more than 600 films, and with | :37:40. | :37:45. | |
Nick's support, some have gone on to win awards, | :37:46. | :37:47. | |
including both a BAFTA and an Oscar for the brilliant Man | :37:48. | :37:49. | |
This is probably, I don't know, probably the end of my life, | :37:50. | :37:53. | |
And on the other hand something that I could not | :37:54. | :37:57. | |
Never afraid to tackle difficult subjects, Nick has worked tirelessly | :37:58. | :38:07. | |
to bring fascinating, eye opening, often | :38:08. | :38:08. | |
controversial subjects to a | :38:09. | :38:09. | |
Giving a voice to those who might otherwise be left | :38:10. | :38:13. | |
APPLAUSE . | :38:14. | :38:37. | |
It's hard to imagine a more inspirational, more worthy winner of | :38:38. | :38:43. | |
the Bafta special award. I have to tell you, Nick recently had a | :38:44. | :38:47. | |
stroke, but he is recovering well, and I'm delighted to say he is here | :38:48. | :38:51. | |
tonight. You'll be accompanied on stage by his daughter, Isabel. | :38:52. | :38:55. | |
Ladies and gentlemen, please welcome Nick Fraser and Isabel. | :38:56. | :39:09. | |
I want to start off by saying documentaries really matter. They | :39:10. | :39:29. | |
do. He would miss them if they were gone. I spent my career cheerleading | :39:30. | :39:34. | |
for documentaries, raising money for them, struggling to get them on the | :39:35. | :39:37. | |
air, nurturing talented producers and directors. The irony is that to | :39:38. | :39:41. | |
begin with I never really liked documentaries. But I became | :39:42. | :39:46. | |
interested in them out of a hunch, that they were about to become | :39:47. | :39:49. | |
important and that I should try and stick some sort of claiming a field. | :39:50. | :39:54. | |
When I started Storyville at the BBC about 20 years ago, docs were and | :39:55. | :39:59. | |
afterthought, underfunded, neglected, derided for being too | :40:00. | :40:05. | |
arty, too left. I wanted to make them into something people love. | :40:06. | :40:09. | |
During that time we've shown more than 600 films and I've watched | :40:10. | :40:13. | |
thousands of them. I've experienced this all with the BBC through good | :40:14. | :40:18. | |
and bad. Since then, they've come into their own as an artform, | :40:19. | :40:21. | |
becoming one of the means by which we connect to the contemporary | :40:22. | :40:27. | |
world. Making sense of it. Don't get me wrong, docs are still | :40:28. | :40:31. | |
underfunded, but there is a growing hunger for them, particularly among | :40:32. | :40:35. | |
young people. Across the world, people are getting inspired, picking | :40:36. | :40:37. | |
up a camera and shooting the world around them. Like the best | :40:38. | :40:43. | |
journalism, like films for that matter, they represent the vision of | :40:44. | :40:47. | |
the world of their directors, producers and reporters. All we need | :40:48. | :40:51. | |
to do is find the talent and find a way of bringing that out of other | :40:52. | :40:56. | |
people. My life has been spoiled by docs, I cannot deal with most | :40:57. | :41:00. | |
fictional representations any more. Because reality seems to | :41:01. | :41:05. | |
interesting. Docs are now the equivalent of rock and roll as | :41:06. | :41:08. | |
celebrities queue up to the executive producers on films. | :41:09. | :41:10. | |
They've realised film can speak truth to the powerful. And people | :41:11. | :41:17. | |
will listen. These films should be championed by broadcasters, putting | :41:18. | :41:21. | |
them on front and centre. The audience numbers prove people really | :41:22. | :41:25. | |
do watch them. We should be more proud of these films. As I always | :41:26. | :41:30. | |
say, the best stories are always true. I want to say thank you to the | :41:31. | :41:36. | |
Academy, for this award. To Louis for the introduction. To the BBC and | :41:37. | :41:41. | |
to my family. And thank you to all the film-makers I've worked with | :41:42. | :41:44. | |
over the years. We've made some amazing films. Let's continue to | :41:45. | :41:45. | |
make many more. APPLAUSE | :41:46. | :41:48. | |
CHEERING The next award is for Best male in | :41:49. | :42:22. | |
comedy. The award that asks that tedious age-old question, are men | :42:23. | :42:26. | |
funny? LAUGHTER APPLAUSE | :42:27. | :42:33. | |
Here to present it double Bafta award winner and breakthrough Brit, | :42:34. | :42:35. | |
the wonderful Michaela Coel! I am delighted to be presenting the | :42:36. | :42:53. | |
mail in comedy award. I'm no expert but I've heard it takes balls to win | :42:54. | :42:58. | |
this one. Let's take a look at the brilliant nominees... | :42:59. | :43:02. | |
Those poems are about a platonic hierarchical relationship. | :43:03. | :43:04. | |
Why does everybody presume that just because | :43:05. | :43:07. | |
I write 126 love poems to an attractive boy I must be some | :43:08. | :43:13. | |
Do the candidates agree that the monarchy provides | :43:14. | :43:27. | |
valuable checks and balances in our democracy? | :43:28. | :43:29. | |
Do forgive me, only I have a cocker spaniel called Rex, who looks | :43:30. | :43:34. | |
Well, we're getting on great now and I think the | :43:35. | :43:42. | |
Alan Partridge speak ball system has demonstrated itself as an innovative | :43:43. | :43:45. | |
LAUGHTER And shows if you give these lads a | :43:46. | :43:50. | |
People ask, what does the G stand for? | :43:51. | :44:05. | |
Smouldering, I mean what woman can resist that? | :44:06. | :44:20. | |
APPLAUSE And the Bafta goes to... Steve | :44:21. | :44:29. | |
Coogan. And, sadly, Steve cannot be here | :44:30. | :44:43. | |
tonight. I will ensure I keep this award and you'll get it for my | :44:44. | :44:45. | |
promise. We come now to the award for the | :44:46. | :44:59. | |
Virgin TV Must See Moments. Who'd have thought Danny Dyer and an | :45:00. | :45:09. | |
Iguana would be in the same category? Although they are related, | :45:10. | :45:15. | |
if you go back far enough. Back a bit further... Bit further. Here to | :45:16. | :45:20. | |
announce the winner, Mr and Mrs ShowBiz no less, Alan Carr and Holly | :45:21. | :45:22. | |
Willoughby. Hello, good evening to you all. The | :45:23. | :45:38. | |
Virgin TV must the moment category is the only award of the night voted | :45:39. | :45:42. | |
for by the public. The nominations of those rare, thrilling and often | :45:43. | :45:46. | |
shocking TV moments the viewers never forget. They should have just | :45:47. | :45:49. | |
waited until tomorrow when no doubt you will be sozzled on This Morning | :45:50. | :46:02. | |
again! I think it cheapens the art. Let's have a look at the nominees, | :46:03. | :46:04. | |
shall we... You wouldn't have entered | :46:05. | :46:08. | |
my flat, would you, A direct descendant | :46:09. | :46:40. | |
from Edward the third? So Danny Dyer's right at the bottom | :46:41. | :47:47. | |
of that scroll and Edward III's at the top | :47:48. | :47:51. | |
of the scroll. # I know you dig the way | :47:52. | :47:52. | |
I sw-sw-switch my style # Now people gather | :47:53. | :48:37. | |
'round Now people jump around # Go, get ur freak | :48:38. | :48:49. | |
# Go, get ur, get ur, get ur, get ur, get ur freak on | :48:50. | :48:54. | |
CHEERING AND APPLAUSE And the winner is... | :48:55. | :49:13. | |
Planet Earth II: Snakes vs Iguana Chase! | :49:14. | :49:17. | |
Blimey, I love those Iguanas! I came to the Baftas nearly 30 years ago | :49:18. | :50:13. | |
for Chance Of Life and haven't been since. I must come again in 30 | :50:14. | :50:17. | |
years. We were surprised that this would win because most people | :50:18. | :50:22. | |
watched this, half of the people watched this sequence from behind | :50:23. | :50:25. | |
their sofa and the other half thought it was the most | :50:26. | :50:27. | |
extraordinary thing they had ever seen. I guess those were the people | :50:28. | :50:35. | |
who were shouting at the TV screen run Iguana, run. | :50:36. | :50:42. | |
We'd like to also mention this series owes a lot to some of the | :50:43. | :50:47. | |
other series that have preceded us. The original Planet Earth II and | :50:48. | :50:55. | |
Life, Frozen Planet, Africa, all have contributed to this series. | :50:56. | :50:59. | |
Also I would like to mention lives, where ever she is, who is snake | :51:00. | :51:02. | |
lady! CHEERING AND APPLAUSE | :51:03. | :51:12. | |
It was her that had the wit when she saw that happening that this was the | :51:13. | :51:17. | |
most incredible moment, extraordinary thing she had ever | :51:18. | :51:19. | |
seen. I'm pleased to say we don't have any | :51:20. | :51:25. | |
snakes with us here today. But there is someone who wants to also say | :51:26. | :51:28. | |
thank you very much for voting for us. | :51:29. | :51:45. | |
CHEERING AND APPLAUSE Thank you very much. | :51:46. | :52:00. | |
Onwards now to reality and constructed factual. On one hand | :52:01. | :52:05. | |
this genre takes us to new and exciting places. On the other hand, | :52:06. | :52:10. | |
it created Donald Trump, and now he's playing you're fired with the | :52:11. | :52:14. | |
American Constitution, so frankly the apocalypse is on you guys. Here | :52:15. | :52:24. | |
to present it Ashley by and Scarlett Moffat. -- Aisling Bea. I worry | :52:25. | :52:30. | |
about it, don't worry about it, no one important is here. Aisling, | :52:31. | :52:40. | |
hello. Every year tens of actors die on stage whilst reading the autocue | :52:41. | :52:47. | |
Paul's, it's not as easy as... It looks. Scarlet. Scarlet, it shows | :52:48. | :52:59. | |
how difficult reading lines can be, pause. Pause for dramatic effect. | :53:00. | :53:02. | |
Those in this category don't have to do. Together, here are | :53:03. | :53:07. | |
denominations. That's perfect, high five. | :53:08. | :53:11. | |
My girlfriends have said to me, "Gail, you're a nightmare." | :53:12. | :53:13. | |
He's got brown shoes on, he wasn't good enough. | :53:14. | :53:15. | |
His zip's broken, that means he's poor. | :53:16. | :53:17. | |
They say to me, "You just ditch them, just like that." | :53:18. | :53:20. | |
Not everyone has been converted to the benefits of yoga. | :53:21. | :53:40. | |
I really like a fan, I just love that blowy feeling. | :53:41. | :53:46. | |
And when you fart, it sort of blows it away really quickly, | :53:47. | :53:49. | |
If you are a slightly windy person, like I am... | :53:50. | :54:00. | |
I don't really think about whether I'm a good Muslim or not. | :54:01. | :54:03. | |
There have been moments where I've struggled with my faith | :54:04. | :54:09. | |
According to how a good Muslim is defined, I would very much fall | :54:10. | :54:16. | |
If you think there should be a greater emphasis on your inside... | :54:17. | :54:25. | |
It is kind and considerate of all people. | :54:26. | :54:31. | |
..I think I'm doing a pretty decent job. | :54:32. | :54:33. | |
When we only get married and we have a baby. | :54:34. | :54:48. | |
Yeah, that's the only time we're going to kiss. | :54:49. | :54:50. | |
My mum told me, "You can't kiss when you're a child." | :54:51. | :55:04. | |
CHEERING AND APPLAUSE Great life advice, in fairness. | :55:05. | :55:15. | |
The Bafta is awarded to... Muslims Like Us! | :55:16. | :55:19. | |
Hello everyone. I am the series producer. When we started working on | :55:20. | :56:00. | |
Muslims Like Us, the whole objective was to allow audiences to see and | :56:01. | :56:04. | |
hear the conversations that go on in the Muslim community every day. And | :56:05. | :56:08. | |
the only reason we were able to do that is because we had a truly | :56:09. | :56:11. | |
diverse team. From the brave commissioning at the BBC... APPLAUSE | :56:12. | :56:20. | |
To people like the casting producer. We had a team and from the top to | :56:21. | :56:24. | |
the bottom, there were people with knowledge of and who were rooted in | :56:25. | :56:29. | |
the Muslim community. And in an industry that sometimes doesn't | :56:30. | :56:32. | |
quite deliver when it comes to diversity, I think that's a really | :56:33. | :56:37. | |
great thing. Thank you to everyone, to a everyone at the BBC. Would you | :56:38. | :56:43. | |
like to say a few words? I was one of the contributors on | :56:44. | :56:49. | |
Muslims Like Us. There are 1.6 billion Muslims around the world and | :56:50. | :56:53. | |
we knew it was impossible for the ten of us to represent every single | :56:54. | :56:58. | |
one of them. But Muslims Like Us, the message behind it is not | :56:59. | :57:02. | |
confined to one community. Regardless of your race or your | :57:03. | :57:07. | |
religion, we need to write our own narrative and we need to stand up | :57:08. | :57:10. | |
for what we believe in. So thank you, BBC, for being brave enough in | :57:11. | :57:16. | |
the current climate to provide us with that platform. Bafta for | :57:17. | :57:24. | |
supporting our show, and our wonderful family, who despite their | :57:25. | :57:26. | |
stereotypes, have always encouraged me to be a strong woman who has a | :57:27. | :57:31. | |
voice and uses it to make a change. Thank you. | :57:32. | :57:32. | |
CHEERING AND APPLAUSE Just a quick one from me. I was | :57:33. | :57:48. | |
proud to be a part of the programmes that in this day and age still | :57:49. | :57:52. | |
needed to remind people Muslims are not a monolithic set of people. So | :57:53. | :57:56. | |
thank you very much. CHEERING AND APPLAUSE | :57:57. | :57:57. | |
Thank you. Comedy and entertainment now, an | :57:58. | :58:11. | |
area I've often thought about going into myself. Please welcome the | :58:12. | :58:14. | |
catastrophically charming Rob Delaney. | :58:15. | :58:16. | |
CHEERING AND APPLAUSE Hello everybody. I know this look | :58:17. | :58:33. | |
silly. It's for a part in a Snapchat but I'm going to send my wife's | :58:34. | :58:38. | |
personal trainer after the show. LAUGHTER | :58:39. | :58:43. | |
The comedy and comedy entertainment award. Hey, Bafta, why not call it | :58:44. | :58:50. | |
the comedy entertainment award? Save money on the engraving. Shakespeare | :58:51. | :59:01. | |
said brevity is best. Here are the nominees... | :59:02. | :59:03. | |
This will be a victory for real people, a victory | :59:04. | :59:15. | |
for ordinary people, a victory for decent people! | :59:16. | :59:19. | |
Hi, yeah, sorry, I think there's something wrong with | :59:20. | :59:21. | |
It's showing images and sounds from a universe I don't | :59:22. | :59:25. | |
I mean, you've got a mic in your hands, I | :59:26. | :59:31. | |
feel I should ask you on behalf of all the team, | :59:32. | :59:34. | |
Amazing, it's been a bit of a whirlwind. | :59:35. | :59:37. | |
But great morning for the whole team, so it was fantastic. | :59:38. | :59:41. | |
I love that you've gone, we are knackered, we've done it, | :59:42. | :59:43. | |
we've finished competing, we've won our | :59:44. | :59:44. | |
You know what, let's just go watch The Last | :59:45. | :59:48. | |
I know Josh has got Jonnie Peacock as his crush in this Games. | :59:49. | :59:54. | |
'Tis a consummation devoutly to be wished. | :59:55. | :00:22. | |
Aye, there's the rub, for in that sleep of death, | :00:23. | :00:31. | |
what dreams may come when we have shuffled off this mortal coil must | :00:32. | :00:34. | |
and the Bafta goes to Charlie Brooker's 2016 white! -- Wipe. | :00:35. | :01:31. | |
Blimey, OK, I didn't expect that, this is mildly terrifying. 2016 was | :01:32. | :01:41. | |
a pretty horrible year, I thought, so to receive an award for | :01:42. | :01:46. | |
summarising it is a bit like being commended for doing a really | :01:47. | :01:52. | |
accurate painting of a haemorrhoid. Anyway, I'd like to thank my wife, | :01:53. | :01:56. | |
who puts up with this. This is the team, who make the show. It's a huge | :01:57. | :02:05. | |
team effort, so everybody chips in. And I'd like to thank Shane and Alex | :02:06. | :02:11. | |
at the BBC, everybody here, literally everybody works much | :02:12. | :02:14. | |
harder than I do. And hopefully by the time we get to 2017 Wipe we'll | :02:15. | :02:20. | |
have a less awful year to summarise... This is really awful, | :02:21. | :02:27. | |
you all staring at me, stop judging me, monsters! Thank you very much. | :02:28. | :02:43. | |
Every single year at Bafta we pause and take time to remember friends | :02:44. | :02:49. | |
and colleagues we've sadly lost over the last 12 months. So please let's | :02:50. | :02:53. | |
take a moment to pay tribute to some of them now. | :02:54. | :02:56. | |
Now you can stop gawping, get up and get some clothes on, and | :02:57. | :03:33. | |
See if you can get some breakfast out of | :03:34. | :03:37. | |
her, cos you're not getting none out of me. | :03:38. | :03:47. | |
What is honour compared to a woman's love? | :03:48. | :04:02. | |
Adam, if anyone accepts the invitation on your | :04:03. | :04:04. | |
T-shirt, make it her place, will you? | :04:05. | :04:15. | |
I'm an enforcement agent in section two here. | :04:16. | :04:19. | |
Well, while the weather is waiting to make up its mind, there's plenty | :04:20. | :04:59. | |
of room for summery weather, both today and tomorrow. | :05:00. | :05:13. | |
I meet those in my profession every day. | :05:14. | :05:44. | |
We're going to see those lovely dancers in London. | :05:45. | :05:46. | |
It's going to be in a bowl, not a cup. | :05:47. | :06:05. | |
Have you ever thought of going on a double | :06:06. | :06:08. | |
date, say, for example, with those two girls out | :06:09. | :06:10. | |
APPLAUSE CHEERING | :06:11. | :06:34. | |
APPLAUSE Thank you for that beautiful tribute | :06:35. | :06:45. | |
and a wonderful performance with George Michael's mothers pride. Now | :06:46. | :06:54. | |
it is time for Supporting Actor. Usually Supporting Actor is a job | :06:55. | :06:58. | |
performed by prescription drugs, non-prescription drugs or a very, | :06:59. | :07:05. | |
very tired partner. To present this award, from Doctor Foster, the | :07:06. | :07:06. | |
excellent Suranne Jones! As has been highlighted through the | :07:07. | :07:22. | |
evening, the sheer quality of British drama scene over the past 12 | :07:23. | :07:27. | |
months has been nothing short of exceptional. And this is truly | :07:28. | :07:31. | |
exemplified by the dazzling performances of the four supporting | :07:32. | :07:34. | |
actors nominated in this category. And here they are... | :07:35. | :07:39. | |
And indeed, it is the perfect occasion for it, the stage is set | :07:40. | :07:53. | |
LAUGHTER all ready for a grand valediction. | :07:54. | :08:01. | |
The lead actor has forgotten his lines. | :08:02. | :08:12. | |
You need me to make the hard choices for you. | :08:13. | :08:14. | |
The fact is, if we'd not stuck together, AC-12 would be | :08:15. | :08:24. | |
charging the lot of us, not just me. | :08:25. | :08:26. | |
Worth bearing in mind when you've got that nice little | :08:27. | :08:29. | |
One doesn't want to look ill, either. | :08:30. | :08:39. | |
HE STUTTERS ..King is no good for anyone. | :08:40. | :08:47. | |
I tell you what it is, my naughty little greaseball. | :08:48. | :09:08. | |
So why did you or ugly friend of yours just tell me that this | :09:09. | :09:15. | |
beautiful lady couldn't have a lobster sodding salad? | :09:16. | :09:17. | |
HE MOCKS HIS SPEECH Only the lobster salad for pre-orders. | :09:18. | :09:22. | |
MOCKS AGAIN Take your hand off my lobster. | :09:23. | :09:38. | |
And the Bafta goes to... The brilliant Tom Hollander. APPLAUSE | :09:39. | :10:04. | |
Erm... Thank you, thank you very much. This was a really fun job. It | :10:05. | :10:17. | |
was a great part. And it was a lovely team of people and to be | :10:18. | :10:27. | |
given this at the end of it is a very, very lovely feeling. So... | :10:28. | :10:34. | |
Thanks all the people who voted for me, and thank you Jina Jay | :10:35. | :10:39. | |
forecasting me. And the Cornwall family, some of whom are up there, | :10:40. | :10:45. | |
who are very lovely people. And David Farr for writing it. And the | :10:46. | :10:52. | |
team of The Night Manager. The great Susannah beer and Hugh Laurie and | :10:53. | :10:56. | |
Tom Huddlestone and Olivia, you are there somewhere. Anyway it was a | :10:57. | :11:02. | |
very happy time. So thanks all of you, all of them, have a lovely | :11:03. | :11:04. | |
evening. APPLAUSE You're not my real dad! The next | :11:05. | :11:26. | |
award is for soap and continuing drama. Here to present it is the | :11:27. | :11:35. | |
boys of Kurrupt FM, the cast of People Just Do Nothing. | :11:36. | :11:41. | |
Baftas! Make some noise, how you are feeling out there? Djakadam, yeah, I | :11:42. | :11:50. | |
don't really watch soaps, yeah, because my left's a bloody soap | :11:51. | :11:54. | |
drama, loads of chicks trying to honey trap me. It's his brother Ross | :11:55. | :12:03. | |
Kemp, that's why he does the community service stuff with the | :12:04. | :12:08. | |
gangs. I like when Phil went mental and started eating dog food and all | :12:09. | :12:17. | |
that. Everyone's been there. So the nominees are... | :12:18. | :12:51. | |
And the Bafta award nomination award goes... Winner... Winner is... | :12:52. | :12:56. | |
Emmerdale! Hi, I'm sorry it's what Chile not | :12:57. | :13:36. | |
one of the attractive famous people doing this but my wife told me if I | :13:37. | :13:40. | |
didn't do it she'd slap me about a bit. She is more my boss than anyone | :13:41. | :13:44. | |
else. I want to say thank you so much to Bafta, thank you to ITV and | :13:45. | :13:50. | |
particularly Jane Hudson and John Whiston for their support for the | :13:51. | :13:53. | |
show. Thank you to the viewers and fans, your passion is a constant | :13:54. | :13:57. | |
source of inspiration for all of us standing here. I'm accepting this | :13:58. | :14:02. | |
not only on behalf of the people standing on a stage or indeed the | :14:03. | :14:05. | |
amazing cast, crew, writers, editorial team and backroom staff | :14:06. | :14:08. | |
that have worked on a show for the past 12 months, for everybody who | :14:09. | :14:13. | |
has worked on a show for the last 15 or so years we last won one of | :14:14. | :14:20. | |
these. Thanks so much, it means the world to us. | :14:21. | :14:36. | |
Now it's time for some sport. A sentence I never said before. I | :14:37. | :14:44. | |
quite liked it. To present the award, part man part people carrier, | :14:45. | :14:46. | |
David Haye! From Rogerstone banister's historic | :14:47. | :15:05. | |
four-minute mile, Andy Murray's winner Wimbledon and Mo Farah's | :15:06. | :15:09. | |
record-breaking double double last summer, this country has a long and | :15:10. | :15:14. | |
illustrious history of landmark sporting achievements. This iconic | :15:15. | :15:18. | |
moments wouldn't be as burned into the nation's consciousness without | :15:19. | :15:23. | |
emotive and compelling television coverage that captures them. Let's | :15:24. | :15:25. | |
take a look at this year's sporting moments. | :15:26. | :15:30. | |
It is a sensational night of live sporting action here on Channel 4. | :15:31. | :15:34. | |
Ellie Robinson is coming to the final stages and she gets it! | :15:35. | :15:39. | |
And Anthony Watson - they're cheering already. | :15:40. | :15:55. | |
That's what England have been threatening to do. | :15:56. | :16:07. | |
Here comes Usain Bolt and Bolt is going to take it. | :16:08. | :16:23. | |
Back at home, you've got so much support. | :16:24. | :16:28. | |
I know London means a lot to you, Britain means a lot to you, | :16:29. | :16:31. | |
have you got a message for your fans back there? | :16:32. | :16:34. | |
I told you guys I was going to do it, | :16:35. | :16:37. | |
All of those moments absolutely magical but there can be only one... | :16:38. | :16:50. | |
And this one is... The Open ladies and gentlemen! | :16:51. | :16:53. | |
CHEERING AND APPLAUSE Wow, thank you so much. This is an | :16:54. | :17:42. | |
incredible thing. After, thank you so much for recognising what we try | :17:43. | :17:48. | |
to do here, which is to make golf entertaining, exciting, engaging, | :17:49. | :17:54. | |
accessible, Farnham. -- fun. Thank you... These are the talented guys | :17:55. | :18:02. | |
behind me, but this is an incredible collaborative effort between | :18:03. | :18:07. | |
organisations, Sky, European tour productions, and of course the Royal | :18:08. | :18:14. | |
and ancient golf club, the R and A. Special thanks to them for their | :18:15. | :18:18. | |
vision, their Ambition and backing sky and European tour productions. | :18:19. | :18:25. | |
Most of all, this award goes to the hundreds, literally hundreds of | :18:26. | :18:28. | |
people behind this. The hard-working production crew on site and the | :18:29. | :18:35. | |
hard-working people behind the scenes at sky map who made this | :18:36. | :18:39. | |
happen. This is for you, thank very much. | :18:40. | :18:42. | |
So nearly there, just two award and my favourite, the swimwear round. | :18:43. | :18:59. | |
Now the awards for Supporting Actress. To present it, everyone's | :19:00. | :19:01. | |
favourite sad dad, Andrew Buchan! Hello. Last week my young nephew | :19:02. | :19:21. | |
came up to me and asked me the question, what is acting? I said, | :19:22. | :19:26. | |
what do you think it is? He said, well, isn't it just people telling | :19:27. | :19:33. | |
stories? I said, yeah, it kind of is, really. Following on from that, | :19:34. | :19:38. | |
here are four incredible actresses, all telling their stories | :19:39. | :19:41. | |
outstandingly well. Wunmi Mosaku, Damilola, | :19:42. | :19:48. | |
Our Loved Boy. Father God, we ask | :19:49. | :19:50. | |
for your strength today. I need for you to stop | :19:51. | :19:59. | |
pestering me, Catherine. Look, you see, this is what it does | :20:00. | :20:17. | |
to you, it makes you selfish, and small-minded, and unpleasant, | :20:18. | :20:22. | |
and that isn't you. People don't need to say things, | :20:23. | :20:24. | |
you can still tell what Just one day, just for one day | :20:25. | :20:31. | |
will you stop going on Nicola Walker, | :20:32. | :20:36. | |
Last Tango in Halifax. I don't think anybody knew | :20:37. | :20:41. | |
what I was going through with him. And a little kid to | :20:42. | :20:47. | |
look after as well. Done it to him, he'd have | :20:48. | :20:52. | |
done it to me one day. Peter is the only one | :20:53. | :20:58. | |
who knows how to... Don't tell me you understand that, | :20:59. | :21:12. | |
you don't know for a minute what it And the Bafta goes to... Wunmi | :21:13. | :21:17. | |
Mosaku! Thank you, Bafta. I wanted to thank | :21:18. | :22:39. | |
my mother, my sister 's, my agent, the BBC, the late Bill Gaskell, all | :22:40. | :22:44. | |
at others who have nurtured me in my career to this point. OK... I did | :22:45. | :22:53. | |
actually write something. Sue and Colin, thank you so much for | :22:54. | :22:58. | |
trusting me and leading us so gently and for the beautiful script. It was | :22:59. | :23:11. | |
an honour to be part of this. It was just incredible. And our team, they | :23:12. | :23:15. | |
worked so hard, especially make up. They were there for an hour and a | :23:16. | :23:21. | |
half every day, ageing us gracefully, hopefully. I just wanted | :23:22. | :23:28. | |
to thank the Dalys for your courage and honesty and for sharing your | :23:29. | :23:37. | |
story and your journey. This is so bittersweet, and I'd like to | :23:38. | :23:45. | |
dedicate this to the memory of Damilola and his mother, Gloria. | :23:46. | :23:47. | |
Thank you so much. Thank you. The next award is the best features. | :23:48. | :24:10. | |
I'd say my best features are my wisdom, sincerity, soaring intellect | :24:11. | :24:14. | |
and above all, my modesty. To present the award, the hilarious | :24:15. | :24:15. | |
Adam Hills! Hello everyone. A tent full of cakes | :24:16. | :24:32. | |
from a weekend in St Petersburg, links to aristocracy and a doctor | :24:33. | :24:36. | |
who doesn't use drugs. All of these were on Michael Jackson's wish list. | :24:37. | :24:39. | |
LAUGHTER They are also the subject... Of each | :24:40. | :24:45. | |
of the brilliant features nominated in this category. Let's take a look | :24:46. | :24:47. | |
at the nominations. It's not looking very baked, | :24:48. | :24:51. | |
but I'm not actually sure what the top of it's meant to look | :24:52. | :24:54. | |
like once it's Well, I put the drawbridge | :24:55. | :24:56. | |
down for you. In the course of a lifetime, | :24:57. | :25:27. | |
a healthy person could I mean this is just | :25:28. | :25:35. | |
a staggering amount of drugs. It's important to say that | :25:36. | :25:40. | |
some of these drugs do They save lives, they | :25:41. | :25:43. | |
make you feel better. And the Bafta goes to... Who Do You | :25:44. | :25:46. | |
Think You Are?! Wow, thank you, thank you so much, | :25:47. | :27:08. | |
Bafta. This is the fourth time Who Do You Think You Are? Has been | :27:09. | :27:11. | |
nominated for a Bafta fostered and it's the first time we've won. | :27:12. | :27:17. | |
APPLAUSE Thank you, thank you. So, yes, our | :27:18. | :27:23. | |
13th series has been lucky for us. I'd just like to say thank you to | :27:24. | :27:28. | |
our brilliant and talented team, especially our researchers and | :27:29. | :27:34. | |
genealogists. They do such a great job and it is their patient | :27:35. | :27:38. | |
detective work that uncovers will be stories on everyone's family trees. | :27:39. | :27:42. | |
I would also like to thank Alex Graham, who started the series in | :27:43. | :27:46. | |
the first place, Leanne and everyone at our company is wall-to-wall. The | :27:47. | :27:51. | |
BBC for all their support, especially Jenny, and I would like | :27:52. | :27:55. | |
to thank all be celebrities, like Danny, who have come on this journey | :27:56. | :28:00. | |
with us and let us route around their family trees. Thank you, thank | :28:01. | :28:02. | |
you very much. CHEERING AND APPLAUSE Danny Dyer, just off to eat a swan, | :28:03. | :28:25. | |
as is his birthright. LAUGHTER The next award is for Scripted | :28:26. | :28:30. | |
Comedy. Some of my favourite comedies started out as a script. A | :28:31. | :28:36. | |
little peep behind the showbiz curtain. To present the award | :28:37. | :28:42. | |
tonight please welcome the extremely talented pair, Jim Sturgis and | :28:43. | :28:43. | |
Charlotte Riley. Given the speedy Scripted Comedy | :28:44. | :28:59. | |
award, you might think Bafta would have helped us out and given us | :29:00. | :29:06. | |
something funny to say. Yes, but they haven't, so... It's probably | :29:07. | :29:10. | |
best we just clap on and have a look at the work of some of the finest | :29:11. | :29:15. | |
exponents of the art. Oh, my God, definitely not, | :29:16. | :29:17. | |
that does nothing for you. Oh God, why are you wearing your | :29:18. | :29:41. | |
coat? Costa yes. Nothing here looked nice so I thought I'd wear what I | :29:42. | :29:53. | |
was wearing anyway. Are you joking? This is why it takes you so long to | :29:54. | :29:56. | |
finish your book, you get bogged down in the details. | :29:57. | :29:58. | |
The slug people not treating you very well, Maurice? | :29:59. | :30:01. | |
They're more like goblins, actually, aren't they? | :30:02. | :30:02. | |
The barricade in your head is an illusion created by you. | :30:03. | :30:05. | |
You need the right tyres, the right fuel. Camping. | :30:06. | :30:12. | |
Would you like me to have a go, darling? | :30:13. | :30:14. | |
I think I'm probably the person most likely to find anything | :30:15. | :30:17. | |
It's just that I can give it a really good whack. | :30:18. | :30:22. | |
Well, if you'd brought the right number of striking tools, then | :30:23. | :30:25. | |
you could have done your own banging on a piece of rock, couldn't you? | :30:26. | :30:38. | |
I present to you our new daughter, fresh out of the joiner. Still warm | :30:39. | :30:42. | |
as well. They had to sedate her | :30:43. | :30:44. | |
because she kept going mental And the Bafta goes to... People Just | :30:45. | :30:51. | |
Do Nothing! In a macro well, this is madness. | :30:52. | :31:49. | |
Shout out everyone... Big up rough cut for helping us do this. This | :31:50. | :31:53. | |
literally came from nothing on you Tube, just a group of mates mucking | :31:54. | :31:59. | |
around with each other. I can't swear... It's fine, it's fine. | :32:00. | :32:05. | |
Coming as well. I want to shout everyone out, thank you very much. I | :32:06. | :32:12. | |
don't know what else to say. Over to ash. He loves it. Sorry for the | :32:13. | :32:17. | |
delay, I had to go in through the KFC kitchens. I've waited ten years | :32:18. | :32:24. | |
to get this award, a use to be appear with Ricky Gervais and the | :32:25. | :32:27. | |
office and they never let me talk. You know when people said they never | :32:28. | :32:30. | |
expected to win it. We did expect to win it. When we saw the nominations | :32:31. | :32:36. | |
we thought there is no way Fleabag's going to win, it's definitely us. | :32:37. | :32:39. | |
Thank you Bafta, the people behind me, this is the proudest show of my | :32:40. | :32:43. | |
entire career, I love these guys. If any of you want any drugs, we'll be | :32:44. | :32:45. | |
selling by the bar. Keep it Kurupt! Next up, entertainment programme. | :32:46. | :33:07. | |
This is given in order of Lou Graves. To present the award is the | :33:08. | :33:12. | |
Queen of a dynasty so 80s she ruled it with iron shoulder pads. Please | :33:13. | :33:16. | |
welcome the first Lady of show business, Dame Joan Collins! | :33:17. | :33:26. | |
APPLAUSE CHEERING | :33:27. | :33:41. | |
Thank you. Well, it's absolutely wonderful to be here at the Baftas | :33:42. | :33:48. | |
for their 70th anniversary. And I'm really glad I was asked to present | :33:49. | :33:52. | |
this particular award because like most people I like nothing more than | :33:53. | :33:55. | |
sitting on my sofa on a Saturday night and watching these wonderful | :33:56. | :34:01. | |
shows. So let's take a look at the work of the truly remarkable | :34:02. | :34:04. | |
performers doing what they do best... | :34:05. | :34:08. | |
So Olly , what you been up to, what's happening? | :34:09. | :34:11. | |
I've just been a bit of this, bit of that. | :34:12. | :34:14. | |
I like that old one, when you start with the letter, dear... | :34:15. | :34:22. | |
# Please excuse my writing # Yeah, I love that one. | :34:23. | :34:27. | |
Why didn't you type it or send a text? | :34:28. | :34:33. | |
I'm sorry, can you tell me your name again, sir. | :34:34. | :34:39. | |
I'm not late for a show, my show's called The Late Late Show. | :34:40. | :34:52. | |
If you walk 300 yards round there, my face is on the building. | :34:53. | :34:58. | |
And the Bafta goes to... Ant Dec's Saturday Night Takeaway! | :34:59. | :36:20. | |
Thank you very much. Wow, thank you, I know we said this a lot, we didn't | :36:21. | :36:39. | |
expect this tonight. We've had real success with the show, we love the | :36:40. | :36:43. | |
show, we see the other shows in the category, they are brilliant. We did | :36:44. | :36:47. | |
have a 50% chance of winning tonight with Britain's got talent as well. | :36:48. | :36:51. | |
Thank you to Bafta, to all the viewers who watch the show. These | :36:52. | :36:57. | |
wonderful guys who work with us. I know all of their names. Don't quiz | :36:58. | :37:02. | |
me. They are the most talented and hard-working production team. It | :37:03. | :37:05. | |
overtakes all of our lives for the amount of time we are on air. We | :37:06. | :37:09. | |
already, we've already started on next year's series, started our | :37:10. | :37:13. | |
first meeting is on next year already. But this tonight is really | :37:14. | :37:17. | |
unexpected. What a huge, lovely cherry on top of a cake. Well done, | :37:18. | :37:23. | |
thank you very much. So lovely, have a lovely night everybody, thank you | :37:24. | :37:24. | |
so much. We have made it all the way to | :37:25. | :37:41. | |
Leading Actor. To present it an actor who said she would give her | :37:42. | :37:45. | |
right arm to appear on Line Of Duty, and they took her at her word. | :37:46. | :37:49. | |
Welcome the extraordinary Thandie Newton! | :37:50. | :38:01. | |
Thank you, incredibly gorgeous Sue Perkins. This ceremony tonight makes | :38:02. | :38:08. | |
me so proud to be British. I'm sure you all agree. APPLAUSE | :38:09. | :38:17. | |
So what does it mean to be a great leading man? Someone who leads us | :38:18. | :38:21. | |
into stories, lives and experiences that more often than not change | :38:22. | :38:26. | |
hearts and minds forever. Let's take a look at where these extraordinary | :38:27. | :38:29. | |
actors have been taking us most recently. | :38:30. | :38:33. | |
If Damilola wasn't my son what would you have done to me just now? | :38:34. | :38:37. | |
I am unprepared to respond to these allegations. | :38:38. | :39:02. | |
But I will say that I am fully cooperating with police and | :39:03. | :39:05. | |
Of course, obviously, I would like some privacy at this | :39:06. | :39:13. | |
How could you have done this to our family? | :39:14. | :39:24. | |
I wasn't trying to come I didn't mean to, I was only... | :39:25. | :39:40. | |
No, protector of this damned strumpet. | :39:41. | :40:05. | |
And the Bafta is awarded to Adeel Akhtar for Murdered By My Father! | :40:06. | :40:46. | |
APPLAUSE It's very strange to accept an award | :40:47. | :40:59. | |
when you know you're in front of a long line of people who are... Who | :41:00. | :41:05. | |
helped make this happen. Bruce, the director who guided me through it | :41:06. | :41:13. | |
all. I'm going to go in a minute. Kieran, who I acted opposite. And | :41:14. | :41:18. | |
because of her bold choices, it allowed me to do what I did. -- | :41:19. | :41:26. | |
Kiran. Toby the producer. They are all sitting in row K, just getting a | :41:27. | :41:30. | |
visual on them. I I would like to thank my agents. And | :41:31. | :41:43. | |
Jess who works in the office. I had to play a character who isolated | :41:44. | :41:51. | |
himself from the best part of himself because he was scared and | :41:52. | :41:58. | |
that isolation compounded itself and ultimately became destructive and | :41:59. | :42:02. | |
destructive to himself. He lost his compassion and his kindness. I'd | :42:03. | :42:08. | |
like to dedicate this award to my wife and my nine month baby, who | :42:09. | :42:11. | |
remind me to be kind and compassionate you. | :42:12. | :42:31. | |
Leading Actress now, this award represents what so many actresses | :42:32. | :42:37. | |
aspire to. Being paid just under the same amount as their Leading Actor. | :42:38. | :42:48. | |
To present this award, the magnificent Jimmy Nesbitt! | :42:49. | :42:59. | |
Thank you. Great pleasure to be here. Good man, Adeel Funny what you | :43:00. | :43:07. | |
say, Sue, I'm delighted to present the award for Best actress tonight | :43:08. | :43:10. | |
particularly because I'm wearing the badge for ERA full stop the campaign | :43:11. | :43:16. | |
for the equal representation of actresses. For everyone three roles | :43:17. | :43:23. | |
there are three male roles. It's an inequality absorbed by everyone on | :43:24. | :43:28. | |
their screens every day. As the father of two children Bake Off | :43:29. | :43:34. | |
girls, this should change. -- two children, two girls. APPLAUSE | :43:35. | :43:46. | |
Him, in this category, personally I think it's impossible to separate | :43:47. | :43:50. | |
the scintillating performances given by the four leading actresses | :43:51. | :43:54. | |
nominated tonight. If up to me I'd give them all Bafta. If it was up to | :43:55. | :44:00. | |
me give myself the Bafta. But Bafta wouldn't budge. Let's have a look at | :44:01. | :44:01. | |
the nominations. I thought I'd got through to him, | :44:02. | :44:05. | |
I thought he was stepping down. Then he just went limp and this odd | :44:06. | :44:14. | |
look came over his face. I don't know, I don't | :44:15. | :44:17. | |
know, I don't know. You're thinking I should | :44:18. | :44:41. | |
have told someone. In here, we can keep an eye on you, | :44:42. | :45:04. | |
make sure you've got And, yes, there are those who would | :45:05. | :45:22. | |
have preferred me to marry him. Indeed, marriage with him | :45:23. | :45:36. | |
might have been easier. Might have even worked | :45:37. | :45:39. | |
better than ours. But to everyone's regret | :45:40. | :45:44. | |
and frustration, the only person As I said, how do you choose that? | :45:45. | :46:07. | |
The Bafta goes to the magnificent Sarah Lancashire! | :46:08. | :46:12. | |
I can't breathe! We love you! | :46:13. | :46:53. | |
CHEERING AND APPLAUSE OK... Gosh, thank you, Bafta. Thank | :46:54. | :47:11. | |
you to the BBC, Charlotte Moore, to everyone at Red. To the most | :47:12. | :47:22. | |
extraordinary company of actors, and it's a privilege to work alongside | :47:23. | :47:26. | |
each and every one of you. Truly. The brilliant Siobhan Finneran. | :47:27. | :47:37. | |
Shirley Henderson, Jamie Norton, George, Nick. You're all just, your | :47:38. | :47:46. | |
fantastic. Gosh, I even want to thank Nicola Walker and she's not | :47:47. | :47:56. | |
even in it! LAUGHTER And of course, the phenomenally | :47:57. | :48:02. | |
scarily talented Sally Wainwright. APPLAUSE | :48:03. | :48:09. | |
Sally, you are the most brilliant producer, an extraordinary director. | :48:10. | :48:18. | |
An extraordinary writer. I thank God you can't act. LAUGHTER | :48:19. | :48:28. | |
And... And just before I go, can I just say, Claire Foy, you have given | :48:29. | :48:36. | |
me the best ten hours under a duvet that I've ever had. Thank you. | :48:37. | :48:42. | |
APPLAUSE Thank you, Bafta, thank you. | :48:43. | :48:44. | |
CHEERING AND APPLAUSE That's something to put on the CV. | :48:45. | :49:01. | |
Finally we come to the most prestigious award of the evening, | :49:02. | :49:05. | |
and that is the Bafta Fellowship. This has been collected by the great | :49:06. | :49:09. | |
and good of British television and tonight is no exception. Tonight, to | :49:10. | :49:13. | |
present it, a woman whose middle name is comedy, which is an amazing | :49:14. | :49:19. | |
coincidence. Please welcome the legend that is Jennifer Saunders! | :49:20. | :49:22. | |
CHEERING AND APPLAUSE Well, what an extraordinary woman | :49:23. | :49:40. | |
this woman is. And what an extraordinarily varied career she | :49:41. | :49:43. | |
has had. She has, in my opinion, rather selfishly conquered so many | :49:44. | :49:49. | |
aspects and areas of the TV business that there's little left for the | :49:50. | :49:52. | |
rest of us. But I suppose I'm more than anyone should be thankful. | :49:53. | :49:56. | |
Thankful that she never done what she was told. She didn't listen when | :49:57. | :50:01. | |
they told her she'd never be an actress because she started as a | :50:02. | :50:05. | |
model and she should stay in her place. Thankful she didn't listen | :50:06. | :50:09. | |
when told she could only play pretty girlfriend because she was pretty | :50:10. | :50:13. | |
and a girl. And especially thankful she paid no heed to the idea she | :50:14. | :50:18. | |
couldn't do comedy because she was beautiful and velvety voice it and | :50:19. | :50:23. | |
every schoolboy 's pin-up. But, you see, she's never been well-behaved. | :50:24. | :50:28. | |
She is the conform's non-conform. They put her on a desert island in | :50:29. | :50:35. | |
Goal Friday and she refused to bow to hunger and heart-shaped and set | :50:36. | :50:39. | |
about transforming her bra into a pair of Jimmy Choo 's, which led her | :50:40. | :50:44. | |
in turn to become the queen of the travelogue, the Nile, Greece, Japan, | :50:45. | :50:53. | |
the world is now her lobster. Another example of Joanna making | :50:54. | :50:58. | |
something of nothing was back in 1990. I handed her some scrappy | :50:59. | :51:02. | |
lines, an uninformed idea and she alone created Patsy Stone. APPLAUSE | :51:03. | :51:15. | |
A creation that has at least kept me laughing for the last 27 years. | :51:16. | :51:19. | |
Because on top of everything else, she is a comic genius and a | :51:20. | :51:24. | |
brilliant, brilliant clown and a person who never forgets how hard | :51:25. | :51:28. | |
it's been to get where she is. On set, at the beginning of the day, | :51:29. | :51:33. | |
she is already reeling annoyingly said good morning to the crew and | :51:34. | :51:37. | |
had meaningful words with every single supporting artist whilst you | :51:38. | :51:40. | |
are still moaning about the coffee. But I think the best way to sum her | :51:41. | :51:46. | |
up is in her own words... You only have one go at life, which is | :51:47. | :51:49. | |
thrilling. Only you can make yourself what you want to be, don't | :51:50. | :51:53. | |
blame anyone else. You are entitled to fresh air, and that's it. Do the | :51:54. | :51:59. | |
rest yourself. And boy, has she done that. Let's now take a look at some | :52:00. | :52:04. | |
of her best career clippings of her work. | :52:05. | :52:06. | |
Patsy Stone, 39, international symbol and style Guru. | :52:07. | :52:16. | |
Don't move, you man you, cover your body with me. | :52:17. | :52:36. | |
You could snuff out my mind as easy as | :52:37. | :52:38. | |
Oh darling, he's nice, he doesn't seem | :52:39. | :52:50. | |
I'm a rich bitch, I always have been, it's my | :52:51. | :52:59. | |
It's all right, it just tickles a little bit on my top lip. | :53:00. | :53:05. | |
Either you think of me as a 3000 year old | :53:06. | :53:10. | |
sarcophagus or you in fact think that I'm your mother and | :53:11. | :53:13. | |
either way, really, it's just not good. | :53:14. | :53:20. | |
This is a volcanic country, so this springs are hot. | :53:21. | :53:25. | |
That is where my love affair with Greece | :53:26. | :53:30. | |
Stick around if you want to, but this is bedtime for me. | :53:31. | :53:41. | |
Sweeties, darling, can you just leave me | :53:42. | :53:42. | |
A man who can look you in the vagina, but never in the | :53:43. | :54:03. | |
Quite frankly, I was doing it for the viewers. | :54:04. | :54:08. | |
APPLAUSE The Bafta Fellowship this year is | :54:09. | :54:24. | |
awarded to Joanna Lumley! Jennifer, stay with me. Jennifer, | :54:25. | :54:52. | |
Jennifer, stay with me. I can't. Jennifer, Jennifer. I have to go to | :54:53. | :54:59. | |
Sue Jennifer, Jennifer, just stay with me. The thing is I'd sorted out | :55:00. | :55:05. | |
a fantastic speech which started off... Stay with me... Which started | :55:06. | :55:11. | |
off saying how unbelievably honoured I am to get this Fellowship from the | :55:12. | :55:18. | |
Academy. It honestly isn't even something you even dream of. You | :55:19. | :55:22. | |
don't even dream of it, Jimmy, you can't think of it. But then the | :55:23. | :55:27. | |
letter comes. Even looking at that, I realised everything I am... I'm | :55:28. | :55:32. | |
like a piece of cellophane, laid over the industry. I have done | :55:33. | :55:38. | |
nothing. We as actors, we are dragged about in golden carriages, | :55:39. | :55:43. | |
which are laid on tracks over swamps at midnight by men in their | :55:44. | :55:48. | |
underpants. We are lit and furnished with words and costumed and made up. | :55:49. | :55:53. | |
We have stunt performers to make us look better. We have people who | :55:54. | :55:58. | |
drive us, who dressed us. We have people who feed us, caterers are so | :55:59. | :56:03. | |
important. We have always. We arrived and sometimes people say, | :56:04. | :56:08. | |
you are so funny in that. And you say, yes, thanks. LAUGHTER | :56:09. | :56:13. | |
It is all somebody else, and I'm here to say that this is for me, | :56:14. | :56:17. | |
Paradise, because I'm here where I wanted to be. What I meant to say by | :56:18. | :56:22. | |
that is I am in the company that I wish to keep ever since I was young. | :56:23. | :56:27. | |
I wish to be with people who have left race and religion and age and | :56:28. | :56:33. | |
gender and shoe size and things outside the door when they came. | :56:34. | :56:41. | |
People who are in our profession don't have those discriminations. I | :56:42. | :56:45. | |
wanted to be with those people. I wanted to hang out with the boys in | :56:46. | :56:49. | |
the band. I wanted to be part of the sisterhood. I wanted to be in this | :56:50. | :56:57. | |
great circus, in this Fellowship. And now I'm standing here with my | :56:58. | :57:03. | |
gorgeous family, my beloved friends, and I couldn't be happier. So what I | :57:04. | :57:07. | |
really want to say is, Jennifer, you write it, I just do it. I just want | :57:08. | :57:14. | |
to say, actually to you all, you know... So, yah. Thanks a lot! | :57:15. | :57:25. | |
CHEERING AND APPLAUSE Pure class, pure class. | :57:26. | :57:36. | |
And with that brilliant human that is all we have time for this | :57:37. | :57:47. | |
evening. Thanks for coming, thanks to everyone in this room and | :57:48. | :57:50. | |
everyone at home watching. If you have enjoyed it, I am so made up, | :57:51. | :58:00. | |
and if you didn't, I'm Mel, good night. Other awards, presented | :58:01. | :58:05. | |
earlier. The Bafta goes to Hillsborough. | :58:06. | :58:11. | |
I said, what's going on, why are you doing something? I just sort of | :58:12. | :58:15. | |
looked straight ahead of me. I said how many, how many? He started | :58:16. | :58:20. | |
sobbing. This is a story about the horror and injustice of | :58:21. | :58:22. | |
Hillsborough. I would like to pay tribute to all of those who'd shared | :58:23. | :58:26. | |
their testimony, the fans, the families, the survivors, the | :58:27. | :58:34. | |
policeman. Teenage Prison Abuse Exposed. Since being filmed, they | :58:35. | :58:41. | |
have suspended seven custody officers. There are 1000 children in | :58:42. | :58:47. | |
jails in England and Wales right now. Those 1000 children, some of | :58:48. | :58:54. | |
whom are Rob met and some had extraordinary potential. Too often | :58:55. | :59:02. | |
they are off the list, forgotten. And the Bafta goes to... Our Loved | :59:03. | :59:15. | |
Boy. Damilola Was a big dreamer and encouraged others to dream big. | :59:16. | :59:20. | |
There are a couple of people up here with us for whom this was much, much | :59:21. | :59:24. | |
more than just a film. It was their lives. Richard Taylor and 20, would | :59:25. | :59:33. | |
you step forward. I want to dedicate this to the memory of Damilola and | :59:34. | :59:44. | |
Gloria, my late wife. Their people versus OJ Simpson. | :59:45. | :59:48. | |
APPLAUSE I want to know... I need to know in | :59:49. | :59:55. | |
advance what you guys are doing. The one true vision that stands out | :59:56. | :59:59. | |
and shows the true excellence is why we are all here representing this, | :00:00. | :00:05. | |
because of one man, his name is Brian Murphy. | :00:06. | :00:12. | |
Exodus, Our Journey To Europe! This is the story of the migrant | :00:13. | :00:18. | |
crisis. They are not just numbers, facts and statistics, they are | :00:19. | :00:20. | |
husbands and wives, husbands are mothers, and children. This goes to | :00:21. | :00:27. | |
them. Victoria Derbyshire, footballers | :00:28. | :00:32. | |
abuse. If you come out with the sort of | :00:33. | :00:35. | |
accusations, so to speak, would anyone believe you? I would like to | :00:36. | :00:40. | |
thank our amazing editor and team, but most of all I would like to | :00:41. | :00:44. | |
thank Andy Woodward, Chris Unsworth, Steve Walters and Jason Dunford. | :00:45. | :00:52. | |
Thank you very much. The Queen's 90th birthday celebration! | :00:53. | :01:03. | |
# Happy birthday to you #. Thanks to Her Majesty stockbroker | :01:04. | :01:07. | |
Majesty the Queen, I suppose. Thank you, your Majesty. We should | :01:08. | :01:12. | |
probably send that to her. We will take it to her. | :01:13. | :01:16. |