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Now on BBC News it's time for a special programme featuring | :00:00. | :00:14. | |
the highlights of the 2017 Bafta TV awards ceremony | :00:15. | :00:25. | |
CHEERING AND APPLAUSE. Good evening and welcome to the British | :00:26. | :00:40. | |
television awards. Now, it is current affairs and single | :00:41. | :00:44. | |
documentaries. Nobody tell my Latvian grandmother she will try to | :00:45. | :00:49. | |
set it up with another single documentary! Stacey Dooley. Tonight | :00:50. | :00:54. | |
's wonderful nominees are... What the Reagan administration were | :00:55. | :01:08. | |
doing was a blurring of fact and fiction but it was part of a broader | :01:09. | :01:15. | |
programme. The president advisers had given us a name, they called it | :01:16. | :01:23. | |
perception management. The police just standing there. I mean, why | :01:24. | :01:30. | |
would you just stand there. So I went up to one of the police and I | :01:31. | :01:34. | |
said, what is going on? He looked straight at me. How many? How many? | :01:35. | :01:46. | |
And he started sobbing. In the last year, around one in 12 have reported | :01:47. | :01:52. | |
domestic abuse. But an average level and drop 50 incidents before calling | :01:53. | :02:02. | |
for help. They will only call emergency when there is a threat to | :02:03. | :02:09. | |
life. I hate the fact that he thinks that because he has an illness he | :02:10. | :02:16. | |
was less worthy to be able to live. I felt very strongly that he is not | :02:17. | :02:24. | |
a burden. And the impact that goes to... Hillsboro! I know I did not | :02:25. | :02:39. | |
expect to win either. This was a film embargoed in the UK for two | :02:40. | :02:45. | |
years while the inquest went on and it was broadcast exactly year ago on | :02:46. | :02:53. | |
BBC Two while the Baftas was on BBC One. Thank you to obviously Bafta | :02:54. | :02:59. | |
and to Charlotte Moore on BBC who commissioned this five or so years | :03:00. | :03:10. | |
ago. To the company courageous in commissioning a complex documentary | :03:11. | :03:13. | |
but allowing us the freedom to go and make the film we wanted to make. | :03:14. | :03:18. | |
I got practically all our production team here. My production manager is | :03:19. | :03:26. | |
feeding her newborn baby. This is really about the horror and | :03:27. | :03:38. | |
injustice of the incident. Feels great and, he has worked so | :03:39. | :03:49. | |
tirelessly. -- the direct stop diligently. CHEERING AND APPLAUSE. | :03:50. | :04:04. | |
It was several months before he was involved in the shooting incident. | :04:05. | :04:15. | |
It did not surprise me. I think you could have put 100 other officers in | :04:16. | :04:22. | |
the same situation and you would not have had the same outcome. It is | :04:23. | :04:28. | |
highly unusual for an officer to shoot and kill to an armed people. I | :04:29. | :04:36. | |
have not heard of that before. Since we informed G4S of our evidence, | :04:37. | :04:42. | |
they have suspended seven custody officers. Gareth, who unnecessarily | :04:43. | :04:50. | |
restrained really. Duty operation manager crease, who choked him. And | :04:51. | :04:58. | |
team leaders Matthew and Anthony who were bullying him. -- Chris. | :04:59. | :05:31. | |
The bill is passed! It was one of those moments that reminds you of | :05:32. | :05:49. | |
why you got in the fight in the first place. Teenage prison abuse | :05:50. | :05:57. | |
expose, Panorama. APPLAUSE | :05:58. | :06:09. | |
Thank you. Standing next to me, indisputably the bravest producer in | :06:10. | :06:18. | |
TV and Robert who spent months undercover in a juvenile prison, | :06:19. | :06:22. | |
exposing the abuse of children some as young as 14. What he did was | :06:23. | :06:31. | |
extraordinary. Thank you. Forgive me, I do work in current affairs so | :06:32. | :06:37. | |
let me just say this, there are 1000 children in England and Wales right | :06:38. | :06:44. | |
now. Those are a thousand children, some had extraordinary potential, | :06:45. | :06:51. | |
too often, they are off the list, they are forgotten. I want to thank | :06:52. | :06:56. | |
Bafta and Bafta members remember in children who committed crimes. We | :06:57. | :07:01. | |
thank you and we except this award on their behalf tonight. Next up, | :07:02. | :07:10. | |
single drama and having had quite a lot of those myself, it is something | :07:11. | :07:16. | |
I can really relate to. Jessica Raine. The unflinching subject | :07:17. | :07:26. | |
matter of each of those nominated in this category is a true testament to | :07:27. | :07:31. | |
the skill, professionalism and above all courage of everyone involved in | :07:32. | :07:34. | |
making them. I felt, in a way, like I had a duty | :07:35. | :07:48. | |
to succeed not just for me but for my friends as well. The children in | :07:49. | :07:54. | |
that class never got the chance to be what they hoped. Or to even try. | :07:55. | :08:13. | |
So... I think that's why. A bigger dreamer and we promise to encourage | :08:14. | :08:20. | |
others to dream big and to walk towards seeing their dreams come | :08:21. | :08:24. | |
true and to inspire others at the forefront will be for Damilola. I | :08:25. | :08:35. | |
will travel far and wide to choose my destiny. I know it is my destiny | :08:36. | :08:42. | |
to defend the world which I hope to achieve in my lifetime. You had a | :08:43. | :08:55. | |
choice. Another boy. I don't mind getting married but what if it was | :08:56. | :09:05. | |
someone else... You have been promised already, that is all that | :09:06. | :09:11. | |
matters. Do you know what people say? We would not be able to give | :09:12. | :09:23. | |
you away! Sorry I am boring you. Defending someone is different to | :09:24. | :09:28. | |
trying to save them. Can I be excused. Come on. It's fine, we have | :09:29. | :09:39. | |
banned each other a very long time. Yet I do not know you at all. | :09:40. | :09:57. | |
Damilola, Our Loved Boy. This is amazing, especially when you think | :09:58. | :10:01. | |
about how strong all those films were. This film was built on the | :10:02. | :10:05. | |
commitment and care of lots of people. At the BBC, in the | :10:06. | :10:17. | |
production, the director, the writer, an amazing cast. A couple of | :10:18. | :10:23. | |
people for whom this was much more than just a film, it was their | :10:24. | :10:29. | |
lives. Would you set forward? CHEERING AND APPLAUSE. This award is | :10:30. | :10:48. | |
for the Taylor family, and of course for Damilola himself. | :10:49. | :10:52. | |
APPLAUSE . And now the International board or | :10:53. | :11:07. | |
as I call it immigrant telly coming over here, the lighting our | :11:08. | :11:10. | |
audiences! Someone has managed to which all | :11:11. | :11:25. | |
this amazing television down to four fabulous nominations. Let's have a | :11:26. | :11:33. | |
look. What we are going to do when I am down here is run some tests. Are | :11:34. | :11:42. | |
you all right? It is a crime scene. Just like the house and the cabin | :11:43. | :11:46. | |
and it is our job to collect everything from a crime scene. Who | :11:47. | :11:51. | |
are we going to find? You in the house. You on her. The knife on | :11:52. | :11:56. | |
news... Are you not a killer. I want to know, I need to know in | :11:57. | :12:28. | |
advance, or what you guys are doing. You hear me? So I can weigh in on | :12:29. | :12:36. | |
it. I will arrange a briefing for you. I am undone. When I want to | :12:37. | :12:45. | |
hear from you I will... Get out of here, Bob. | :12:46. | :12:54. | |
We talked about this. Get dressed. You need to get upstairs before | :12:55. | :13:08. | |
Zadie comes home. He can never know about this, understand? You are very | :13:09. | :13:13. | |
pretty dancer. The people versus OJ Simpson: an | :13:14. | :13:18. | |
American crime story. Wait a minute. I am a boy from the | :13:19. | :13:48. | |
hood who flew over and now I in London on the stage excepting gold. | :13:49. | :13:55. | |
It has been a rollercoaster year for me but I do vessel here representing | :13:56. | :13:59. | |
the filmmaking team. To thank the Bafta organisation. I want to kiss | :14:00. | :14:04. | |
every person in this room. The one true vision that stand out is why we | :14:05. | :14:12. | |
are here representing this because of one man, Brian Murphy. His vision | :14:13. | :14:21. | |
is what brought ours here and I can't say enough about his attention | :14:22. | :14:25. | |
to detail and his finding of the truth. It was the tragedy what | :14:26. | :14:31. | |
happened that day to those two people and I hope we shown a little | :14:32. | :14:35. | |
light on what happened and again we thank you. Thank you very much. | :14:36. | :14:45. | |
And now it is time for best factual series and news coverage where you | :14:46. | :14:49. | |
are. Good evening to you all. To make a | :14:50. | :15:06. | |
successful factual series takes unimaginable levels of ability, | :15:07. | :15:13. | |
stamina, and sacrifice. A total commitment and dedication to the | :15:14. | :15:16. | |
project over weeks, months, and even years will ensure that the story is | :15:17. | :15:22. | |
told and keeps the audience enthralled for and week out. The | :15:23. | :15:32. | |
nominations are: 24 Hours in Hebig at police Custody. | :15:33. | :15:40. | |
-- The nominations are: 24 Hours in Police | :15:41. | :15:43. | |
We have a case here, it is murder. Exodus: Our Journey to Europe. This | :15:44. | :16:09. | |
is the story about people who travelled for Europe. I survived | :16:10. | :16:16. | |
Schillings, Isis, Bashar al-Assad, the sea. I survived everything. -- | :16:17. | :16:34. | |
shelling. The Prosecutors. We are talking over half ?1 million in | :16:35. | :16:38. | |
cash. The difficulty here is that even though we have 20 sets of CCTV, | :16:39. | :16:44. | |
there is no way to identify anybody on that CCTV footage. What we will | :16:45. | :16:49. | |
say is that it was not me. -- what they will say is that was not me. To | :16:50. | :17:02. | |
be honest, I see myself as a real boy, but they do want to be a real, | :17:03. | :17:10. | |
real boy. I often go to London, where they go down with my | :17:11. | :17:16. | |
situation. Although I just want it now. And the BAFTA goes to Exodus: | :17:17. | :17:30. | |
Our Journey to Europe. That is great. I would just like to quickly | :17:31. | :17:39. | |
thank BAFTA and he became we had making Exodus: Our Journey to | :17:40. | :17:43. | |
Europe. And BBC for being so supportive during the process of | :17:44. | :17:47. | |
this film. But I would like to mainly thank the courage of the | :17:48. | :17:52. | |
contributors to share their stories. I do want to break the rules of | :17:53. | :18:02. | |
little and bring Hassan over here. Ladies and gentlemen, Exodus: Our | :18:03. | :18:06. | |
Journey to Europe was me yesterday. But it is somebody else's today and | :18:07. | :18:14. | |
tomorrow. Since making the documentary, over 10,000 people have | :18:15. | :18:19. | |
died seeking refuge in Europe. These are not just numbers, fax, and | :18:20. | :18:21. | |
statistics. These are husbands, wives, fathers, and children. This | :18:22. | :18:29. | |
goes to them. It goes to the uncle stories. Thank you very much. -- V | :18:30. | :18:49. | |
untold. -- the untold. For a quarter of the century, the Hillsborough | :18:50. | :18:53. | |
football disaster on the 15th of April 1989 has officially been an | :18:54. | :19:04. | |
accident. The only ones who are blamed were the fans. Not any more. | :19:05. | :19:16. | |
Sky News tonight: Aleppo, death of a city. These fighters from the FSA | :19:17. | :19:27. | |
are fighting alongside about a dozen other factions. But only about 8000 | :19:28. | :19:34. | |
fighters in total, trying to defend 300,000 trapped. Victoria | :19:35. | :19:40. | |
Derbyshire, footballers abuse. If it did come out, you want people to | :19:41. | :19:50. | |
believe you. If you come out with the accusations, so to speak, would | :19:51. | :19:54. | |
anyone believe you, and would you get the support? Channel 4 news: | :19:55. | :20:08. | |
Brexit - Day one. As dawn broke, it was a different story. And the BAFTA | :20:09. | :20:20. | |
goes to Victoria Darvish: Footballers' Abuse. -- Derbyshire. | :20:21. | :20:35. | |
Hi. I am Victoria. This is the Weezer. She is our editor. And this | :20:36. | :20:42. | |
is Jo from the team. It is so much. This was an interview with four men. | :20:43. | :20:53. | |
-- This is Louisa. They trusted asked enough to talk about their | :20:54. | :20:57. | |
experiences boys, as nine olds and tenure is, going football training. | :20:58. | :21:22. | |
You cannot underestimate the courage that it took them to do that | :21:23. | :21:25. | |
I would like to thank BAFTA and our amazing editor and team, but most of | :21:26. | :21:35. | |
all, I would lie to thank Andy Woodward, Chris Unsworth, Steve | :21:36. | :21:39. | |
Walters, and Jason Dunford. Thank you very much. We moved to the award | :21:40. | :21:56. | |
for Live Event. I live for life. Give me a seven second delay and I | :21:57. | :22:01. | |
promise that I will use it. Please welcome be marvellous Tom Daley. I | :22:02. | :22:11. | |
can tell you for absolutely as Danie of us from must have been nominated | :22:12. | :22:22. | |
to night. That's Pegula. The Queen's 90th Birthday Celebration. Stand Up | :22:23. | :22:48. | |
To Cancer. One in every two of us is going to be diagnosed with cancer | :22:49. | :22:53. | |
here in the UK in our lifetime. That is half of Star City and Hutch. That | :22:54. | :22:58. | |
is quite a few dalmatians. The odds are not good enough. The Centenary | :22:59. | :23:08. | |
of the rattle of the Somme. -- Starsky and Hutch. Dirty white and | :23:09. | :23:17. | |
shall with a hopeless rain, do you ever stop and ask is it all going to | :23:18. | :23:23. | |
happen again. -- Battle of the Somme. Shakespeare Starsky and | :23:24. | :23:34. | |
-- Shakespeare Live. Who are you? A desire, Hamlet, the Dame. And the | :23:35. | :23:57. | |
BAFTA goes to the Queen's 90th Birthday. Thank you very much. This | :23:58. | :24:09. | |
is nice to accept this award! That is very nice indeed! Thank you so | :24:10. | :24:14. | |
much to... All of these guys worked on it. Don't know their names. | :24:15. | :24:24. | |
LAUGHTER. Thank you so much to ITV. Thank you to the huge production | :24:25. | :24:28. | |
team who put this whole thing together. These three, basically. It | :24:29. | :24:37. | |
was an amazing ceremony, an amazing evening. A lovely out. It was all | :24:38. | :24:47. | |
banks to Her Majesty! I suppose. Thank you your Majesty. In fact, we | :24:48. | :24:53. | |
should listen to her. We will take to her. This one is for Europe, | :24:54. | :25:04. | |
ma'am. You can have the BAFTA. I think we have said enough. Enjoy the | :25:05. | :25:11. | |
night. That's go. Thank you for coming and thank you to everyone in | :25:12. | :25:15. | |
this room and thereon at home watching. If you enjoyed this, I am | :25:16. | :25:19. | |
so made up. If you didn't, good night. | :25:20. | :25:38. |