Painting By Numbers The Celebrity Apprentice USA


Painting By Numbers

Business-based reality series. The celebrity contestants are challenged with choosing an artist, creating a display and then selling the artwork in a gallery.


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Transcript


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Previously on The Celebrity Apprentice.

0:00:020:00:05

The teams were tasked with creating an ad for Dial to appear in Redbook magazine.

0:00:050:00:09

You're creating a photo that supports both of our core values.

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On Empresario, project manager Tito Ortiz let Stephen Baldwin take charge.

0:00:140:00:19

I think that that's a little edgy, and I'd rather play it safe.

0:00:190:00:22

Meanwhile, on Hydra, Carol Alt took the reigns.

0:00:220:00:25

I think we keep it very sexy.

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And decided on a more risque approach.

0:00:270:00:30

They've got Omarosa, and we've got Carol Alt. Not a fair fight, really, is it?

0:00:300:00:34

-In the boardroom:

-Piers, what do you think of the ad?

-I love Trace, but I don't think...

0:00:340:00:38

-Do you think Omarosa would've been better than Trace?

-In a graveyard scene.

0:00:380:00:42

The battle between Piers and Omarosa was reignited.

0:00:420:00:45

-Omarosa, what do you think of their ad?

-The biting is a bit edgy for me.

0:00:450:00:48

It's nibbling.

0:00:480:00:49

Hydra's choice to use racy photos paid off.

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The executives thought the ad was fantastic.

0:00:520:00:56

The winner is Hydra.

0:00:560:00:57

And Mr Trump put Trace on the spot.

0:00:570:00:59

If you were me, who would you fire?

0:00:590:01:01

I would have to say Tito was responsible because he did let Stephen take charge.

0:01:010:01:05

Leaving Tito to take the fall.

0:01:050:01:08

As much as it pains me, Tito, you're fired.

0:01:080:01:12

Oh! That was a good, powerful win.

0:01:220:01:24

Three blokes go through that door now, I'm going partying.

0:01:240:01:28

Are we getting company?

0:01:280:01:31

Oh, Trace.

0:01:310:01:32

Omarosa!

0:01:340:01:35

And Stephen.

0:01:350:01:36

Ooh! You back in here?

0:01:360:01:38

Tito was fired, which I was surprised about.

0:01:380:01:41

There was a gilt-edge opportunity to nail Omarosa.

0:01:410:01:46

You knifed Tito straight in the back.

0:01:460:01:49

You took out your big lasso and you carved him up, man!

0:01:490:01:53

I didn't knife him.

0:01:530:01:55

'I call 'em like I see 'em.'

0:01:550:01:56

I didn't stab Tito in the back like Piers says.

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Tito quit being project manager and let Stephen do it.

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I'm not going to be vindictive or mean-spirited in any kind of way, unlike other people.

0:02:040:02:10

'I'm not staying long. I don't want to be around him.

0:02:100:02:12

'Piers is a loose cannon'

0:02:120:02:14

and there's a lot of tension. I knew it was my time to step up and kick that British mutt's ass.

0:02:140:02:20

Wow!

0:03:470:03:48

That is amazing.

0:03:510:03:53

Wow!

0:03:560:03:57

'We went up to Donald Trump's apartment'

0:04:000:04:03

to get the next task.

0:04:030:04:04

The view is spectacular, for sure.

0:04:040:04:06

The decor is impeccable, and Donald Trump walked in with his family.

0:04:060:04:10

That was a portrait in itself.

0:04:100:04:13

-Good morning.

-Morning.

0:04:170:04:19

We're standing in my apartment at Trump Tower.

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Some people consider it to be the greatest apartment in the world.

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I would never, ever say that myself, but it's certainly a nice apartment.

0:04:250:04:29

And to my left is Melania, and this is Barron. Barron, say hello to the group.

0:04:290:04:34

-Hi!

-And Barron, hopefully, some day, will be a great entrepreneur.

0:04:340:04:39

Melania, what do you think?

0:04:390:04:41

Well, little Trump, what do you want to do when you grow up?

0:04:410:04:44

-Business.

-Business man!

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-That's right! Like your daddy.

-That is pretty amazing, actually.

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-Daddy's a business man, and what is Daddy building?

-House.

-House.

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He's doing well. Just 18 months old and he's doing really well,

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so hopefully he'll do well like Ivanka has done and like Don has done.

0:05:000:05:04

Now, so far we've raised 630,000 for charity. That's a lot.

0:05:040:05:10

A lot more's going to be raised over the next couple of weeks.

0:05:100:05:13

I love art. I collect art.

0:05:130:05:15

You are going to be working on a really exciting art project at the Moti Hasson Gallery,

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one of the top galleries in New York.

0:05:220:05:25

You'll be working with Moti Hasson.

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He will give each team various artists for you to choose.

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You'll choose your artist, and tonight, you'll sell your art.

0:05:310:05:35

You'll price it. You'll do whatever it takes to sell that art.

0:05:350:05:39

There is a minimum price for the art.

0:05:390:05:41

What you sell above that goes to the winning project manager's charity.

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And the team that makes the most profit will win.

0:05:450:05:48

Now, I'd like you to choose your project managers right now.

0:05:480:05:52

I'll do the project manager. Is that OK?

0:05:520:05:54

-It's you, right?

-Yes.

-Looks like you have your manager. Who's your project manager?

0:05:540:05:59

I'm going to be project manager.

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This was the task that I got fired on last season, so I have something to prove.

0:06:000:06:04

That's true. That's true. Very risky to be project manager. Who's your project manager?

0:06:040:06:08

I'm going to be.

0:06:080:06:09

Piers is project manager?

0:06:090:06:11

Yeah. You don't win by not taking risks.

0:06:110:06:13

'As soon as I knew Omarosa was going to be PM,'

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I decided this was time to go head-to-head,

0:06:160:06:18

'fight to the finish.'

0:06:180:06:20

Now, we're coming down to the final stretch.

0:06:230:06:27

It's going to be very interesting, very exciting.

0:06:270:06:30

Good luck. Sell a lot of art tonight. Make a lot of money.

0:06:300:06:34

The winning team wins. The losing team, somebody will be fired. Have fun.

0:06:340:06:37

-Thank you.

-Go ahead.

-Thanks.

-Good luck.

0:06:370:06:41

We have to really kill that other team over there.

0:06:590:07:04

-OK.

-Now, is there...

0:07:040:07:07

some secrets to the trade, in terms of displaying the art?

0:07:070:07:09

If you're saying we could throw a dart at the wall

0:07:090:07:13

with any of these names and hit a winner, then that's great,

0:07:130:07:16

but there has to be some technique.

0:07:160:07:19

You're trying to place artwork into great collections.

0:07:190:07:22

Follow your heart.

0:07:220:07:25

Whoever appeals to you the most is who you should go with.

0:07:250:07:29

That's my advice to you. That's what I do, and it always works, so...

0:07:290:07:33

-I'm gonna follow my heart. I hope it doesn't lead me into the boardroom with Mr Trump.

-Right.

0:07:330:07:38

'Well, it's not hard for me, if I was just going on my personal taste.'

0:07:380:07:42

There are only a couple of them that I even...get, you know?

0:07:420:07:48

The rest of it's that abstract,

0:07:480:07:50

three-year-old threw up on a canvas kind of stuff.

0:07:500:07:53

I don't like that stuff.

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I would imagine that Piers, in his way of thinking,

0:07:550:08:01

is gonna go for the most expensive person.

0:08:010:08:04

He would be more interested in selling four 25,000 pieces.

0:08:050:08:10

And he has the contacts to do that, yeah?

0:08:100:08:13

-I don't know.

-I know he does.

0:08:130:08:15

Oh, hi, there. How are you? Piers Morgan. Good to see you.

0:08:180:08:21

Moti Hasson.

0:08:210:08:22

'None of us really have any kind of'

0:08:220:08:25

real experience in artwork,

0:08:250:08:27

'so we had a lot of questions.'

0:08:270:08:29

Well, from these artists, you have literally five different artists.

0:08:290:08:32

You have four who are painters, and Shirley Shor,

0:08:320:08:37

who is a new media artist.

0:08:370:08:39

With all these artists' works of art,

0:08:390:08:41

there wouldn't be a space issue, where we couldn't hang them?

0:08:410:08:44

All of the new media stuff, you don't have just six pieces.

0:08:440:08:48

You have editions, so each work of art can be sold a few times.

0:08:480:08:53

Oh, wait a minute.

0:08:540:08:56

So you're saying you might have more than one piece, so if you sell one you can sell more?

0:08:560:09:00

Of the same. Only with her, only with the new media artist.

0:09:000:09:04

-So that's important.

-That is.

0:09:040:09:06

'What we found out with Shirley Shor, which was so interesting,'

0:09:060:09:11

she actually was the number one in terms of volume.

0:09:110:09:14

What I need you to do now is very quickly count up exactly how many pieces we now have.

0:09:140:09:19

20 pieces of Shirley Shor.

0:09:190:09:21

We have three at 12,000, seven at 20,000...

0:09:210:09:25

Yeah.

0:09:250:09:26

..and ten at 2,500.

0:09:260:09:29

That adds up to 20, correct?

0:09:290:09:31

OK. I think we should go for her.

0:09:310:09:33

We definitely want her.

0:09:330:09:34

'As soon as I realised there were 20 pieces, not six,'

0:09:340:09:37

I backed the fact that Omarosa would not be able to work that out,

0:09:370:09:41

and wouldn't think of Shirley Shor as an option.

0:09:410:09:43

-What do you think?

-OK. Let's go for Shirley Shor.

0:09:430:09:46

I want you all to flip through this really quickly

0:09:460:09:49

and write down your first, second, and third choice, OK?

0:09:490:09:53

-So, there's my one, two, three.

-OK.

0:09:530:09:56

Is this jibing with anybody else?

0:09:560:09:58

-Yeah.

-We're all on the same page.

0:09:580:10:01

'Interestingly, we all had, you know, David Kramer as our first choice.

0:10:010:10:06

'He had more pieces at a lower price point.'

0:10:060:10:08

And it was to our advantage to have a low minimum and set it higher.

0:10:080:10:12

Who is the biggest pimps you know?

0:10:120:10:16

I've just called four of the biggest ballers in New York.

0:10:160:10:19

-OK.

-And all they have to do is come through.

-OK.

0:10:190:10:22

-'Hello?'

-I know you're busy, and I'm sorry to bother you with this.

0:10:300:10:34

We're selling art tonight at an art gallery in New York.

0:10:340:10:38

When it came to choosing our artist, we chose David Kramer.

0:10:380:10:41

'Do you know what the price range of the art is?'

0:10:410:10:44

Between two and five thousand.

0:10:440:10:46

'Could you choose an artist with a lower price?'

0:10:460:10:48

The price point on it was going to be very challenging.

0:10:480:10:51

I'm pounding on the phone here,

0:10:510:10:53

trying to get some folks to come down and buy a piece of art from Stevie B tonight.

0:10:530:10:58

'The test was really gonna be more about, relationship-wise,'

0:10:580:11:02

who we could get down to buy the work.

0:11:020:11:04

'I'll see you all later.'

0:11:040:11:05

You're the best. See you.

0:11:050:11:07

We are doing a fundraising event with a lot of the profit going to charity tonight.

0:11:070:11:13

And the kind of range I was thinking is 10,000.

0:11:130:11:17

'When it came to raising money for people to come down there and buy some art,'

0:11:170:11:22

Piers had people on the line already.

0:11:220:11:25

-'It's Sarah.'

-Hi, Sarah, how are you?

-'Fine. I have Gordon here.'

0:11:250:11:28

Gordon Ramsay. Excellent.

0:11:280:11:30

Gordon, how are you?

0:11:310:11:32

Can you try not to swear too much in this brief conversation?

0:11:340:11:37

I know it's almost a disease, but if you could keep it straight.

0:11:370:11:40

'The key to winning a task like this is you've got to have a great contact book.'

0:11:430:11:47

Yeah, I can't say too much about it, other than I want your money.

0:11:470:11:50

'I have no problem ringing up famous friends and asking for money,'

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and they expect me to ring them and badger them for money.

0:11:540:11:57

I've been doing it all my life. I'm very good at it.

0:11:570:11:59

I can't thank you enough. I really appreciate it. Bye. Bye-bye.

0:11:590:12:03

'Now is the time where I don't just want to beat Omarosa,'

0:12:030:12:06

I want to pulverise her so badly that she's not only fired,

0:12:060:12:09

but probably never work on television again.

0:12:090:12:12

This wasn't business. This was personal.

0:12:120:12:14

OK, team, listen up.

0:12:160:12:18

Steve, I want you to pull up, as quickly as you possibly can, everything you can.

0:12:180:12:22

-Print the form.

-OK, so stop calling connections?

0:12:220:12:25

-I'm gonna have you stop so that we can inform ourselves about the artist.

-OK.

0:12:250:12:29

Steve Baldwin knew nothing about art, so I put him on research.

0:12:290:12:33

He had to do the background for the artist.

0:12:330:12:35

You can call and work the Internet at the same time, right?

0:12:350:12:39

-Uh, not really, to be honest with you.

-You can't multi-task?

0:12:390:12:42

Is that what you're telling me?

0:12:420:12:44

Well, I can't read and talk to somebody at the same time. No, I can't do that.

0:12:440:12:48

It's funny, cos I'm doing OK.

0:12:480:12:51

Can you give it a try, maybe?

0:12:510:12:53

I can make the calls, but then if somebody asks me about a piece of artwork tonight,

0:12:530:12:58

which would you rather I know better?

0:12:580:13:01

I'd rather you do both. At this level in the game, you got to multi-task.

0:13:010:13:05

I think that Omarosa likes to spin things a little bit.

0:13:050:13:09

She plays the game a certain way. And she was trying to set me up.

0:13:090:13:13

-How are you?

-Good. Good.

0:13:220:13:23

You have chosen Shirley Shor as yours.

0:13:230:13:26

And we will be using the North Gallery and the West Gallery.

0:13:260:13:31

It's right next door.

0:13:310:13:34

And will they be in here, then?

0:13:340:13:36

They will be in there.

0:13:360:13:37

It depended on the work that was chosen. So, again, you have two galleries. Use them.

0:13:410:13:45

-Bit of a disadvantage by having two rooms?

-Not at all.

0:13:450:13:49

When we seen the space we had to work with, you know,

0:13:490:13:51

I was a little bit concerned because we were in the back room and Empresario's in the first room.

0:13:510:13:56

How do we draw people into this room?

0:13:560:13:58

If you need room...

0:14:050:14:08

Uh, excuse me. This is our room.

0:14:080:14:10

That's your room.

0:14:120:14:13

David Kramer's in the next room.

0:14:130:14:16

This is what I'm thinking. We don't want them to flow into that other room.

0:14:160:14:20

Question.

0:14:200:14:21

We want them to walk in and boom, boom, boom, cos they've got to find their way to their room.

0:14:210:14:27

OK.

0:14:270:14:28

We are hosting an art exhibition this evening,

0:14:350:14:38

and I'm the project manager, so my neck is on the line.

0:14:380:14:41

-PIERS:

-Stephen Baldwin, yet again,

0:14:460:14:48

was spending most of his time in the morning peering around doorways,

0:14:480:14:51

listening in on my conversations, and, frankly, cheating.

0:14:510:14:55

I have no problem with Stephen Baldwin cheating.

0:14:550:14:58

I just wish he'd admit it and stop pretending he's from a different moral base to me.

0:14:580:15:01

They can go round the back, right? They can actually walk out and round the back.

0:15:010:15:06

-If I have to go to the bathroom?

-Yes, mate. Sorry. Team Hydra rule.

0:15:060:15:09

With respect, this is our gallery, right?

0:15:090:15:11

-Not yours, so if you want to go to the bathroom, go.

-Are you kidding me?

-No!

0:15:110:15:15

Every time Stephen holds his hands up

0:15:150:15:17

and says, "I can't get involved in this unethical behaviour,"

0:15:170:15:21

he seems to be the main perpetrator.

0:15:210:15:23

It's called spying, all right?

0:15:230:15:25

And I don't like it, and I respond with severe violence.

0:15:250:15:28

-The next step is, I'm gonna hit you.

-You're gonna hit me? For going to the restroom?

0:15:280:15:32

-For spying on us.

-I have to go to the restroom.

0:15:320:15:35

No, you don't. You can go another way. Go out the back, round the corner. All right?

0:15:350:15:39

'Piers threatened to hit me cos he thought'

0:15:390:15:41

I was intruding in their space and trying to steal their ideas.

0:15:410:15:45

And, man, he's really nuts.

0:15:450:15:48

See ya.

0:15:480:15:50

We have 50 minutes only.

0:15:580:16:00

And we need our stuff up.

0:16:000:16:01

-They've prepped it?

-What's happening?

0:16:010:16:04

This will be up in five minutes, max.

0:16:040:16:07

Let's go. Let's go. Time's counting down. We only have half an hour to hang the art.

0:16:070:16:11

We need to get as much in as possible.

0:16:110:16:14

Time management is important.

0:16:140:16:16

I want you put you at the front, hooking people in to our side. Bring them straight in here.

0:16:160:16:21

-You'll be up the front. Direct them straight in to Shirley Shor.

-Sure.

0:16:210:16:25

And remember, we sell four or five of those, that's it.

0:16:250:16:28

Do we really want to put these up?

0:16:280:16:30

-I don't think so.

-They have the prices on them.

0:16:300:16:33

We don't have time. We've got the price sheets. We should be in control.

0:16:330:16:36

-But I'm...

-Stephen, I have a question.

-Should we stick these on the wall?

0:16:360:16:40

-They just gave these to us.

-Yes, we have to.

0:16:400:16:44

We didn't know anything about art.

0:16:440:16:46

'I think Omarosa claimed to know something about it.'

0:16:460:16:50

I don't know that she actually does.

0:16:500:16:53

-We have the option of putting it up, but it's not a mandatory thing.

-I would prefer that you did it.

0:16:530:16:59

How would people know what the price is?

0:16:590:17:01

We'll tell them.

0:17:010:17:02

This is how things are done in the gallery.

0:17:020:17:05

Well, let's set them. Yeah.

0:17:050:17:07

We've got five minutes.

0:17:070:17:08

There's about the middle.

0:17:090:17:10

-Two and two right here.

-Let's get 'em up, boss.

0:17:100:17:13

You've got the red dots. Leave them so that you can put them on each label, right?

0:17:150:17:19

They gave us a little strip of paper that had, like, you know,

0:17:190:17:22

six or seven little red dots,

0:17:220:17:24

and you'd peel them off and stick them on when you sold one.

0:17:240:17:27

-Here are the red dots for you.

-Thank you very much.

0:17:270:17:30

We appreciate your help. You've been great.

0:17:300:17:32

Almost that time.

0:17:390:17:40

OK.

0:17:420:17:44

It's my neck on the line. This is a team effort, but...

0:17:460:17:50

I don't want to go down for this one.

0:17:500:17:54

-Welcome.

-Hello.

0:17:560:17:58

Hi, there. Welcome. Hi. Welcome.

0:17:580:18:00

-Steven Baldwin, nice to meet you.

-Hi, Stephen.

0:18:000:18:03

-How are you? Trace Adkins.

-Michael.

0:18:030:18:06

-Hello, dear. Nice to meet you.

-Hi. Nice to meet you.

0:18:060:18:08

Come on in. David Kramer and the Empresario crew is this way.

0:18:080:18:12

David Kramer is this way.

0:18:120:18:13

OK, Lennox, we need you on the door, mate.

0:18:130:18:16

They're all coming in.

0:18:160:18:17

Push them into our gallery, yeah?

0:18:170:18:19

Welcome.

0:18:190:18:20

Welcome, ladies and gentlemen.

0:18:200:18:22

When people walked in,

0:18:230:18:25

I looked and I realised that nobody was coming over to our side.

0:18:250:18:28

Welcome.

0:18:280:18:29

Welcome, ladies and gentlemen.

0:18:290:18:31

-Oh, you're good.

-Welcome.

0:18:310:18:33

Omarosa was at the door, funnelling people towards her side.

0:18:330:18:36

I had to get over there quick.

0:18:360:18:37

Would you like additional information about David Kramer?

0:18:470:18:50

This is just a brief bio about him.

0:18:500:18:52

I'm shopping for art, for my new apartment.

0:18:520:18:55

Oh, are you really?

0:18:550:18:57

I have cash with me. I want to buy something.

0:19:000:19:02

I'm about to cry. Which piece are you gonna select?

0:19:020:19:05

-I like that one.

-Oh, that one.

0:19:050:19:08

I do, too.

0:19:090:19:11

28 for this one.

0:19:120:19:15

-Thank you so much!

-No worries.

0:19:150:19:17

Mm, thank you.

0:19:170:19:19

-This is fine. I will always think of you when I look at that one.

-Appreciate that.

-'Congratulations.'

0:19:190:19:24

I heard you got two sales. Well done, my friend.

0:19:240:19:26

You bet.

0:19:260:19:28

We are working as a team, grinding it out to get it done.

0:19:280:19:30

Everything is coming together.

0:19:300:19:32

And I just called him two hours ago, and I said to him,

0:19:320:19:35

if he could call me some time after 5, but it's now nearly 6.15,

0:19:350:19:39

and I wonder whether you might be able to nudge him.

0:19:390:19:42

My donors haven't turned up yet, but they are coming.

0:19:420:19:45

I've got to be honest with you, I began to get a little twitchy.

0:19:450:19:48

Stand there and look at that.

0:19:480:19:50

Tell me that you don't find it really, unusually exciting.

0:19:500:19:53

It is. It's not even diamonds.

0:19:530:19:55

-Which is what I do.

-I know.

-That's excited.

0:19:550:19:57

-So, I know you love this.

-Yeah.

-So what I can do to get you to say yes and to change my life?

0:19:590:20:05

You're the queen of diamonds. Trust me. I'm the king of deals.

0:20:070:20:11

I'm making you a great deal here, and I would love you to make my day.

0:20:110:20:15

Just give me the nod.

0:20:180:20:19

I wouldn't even ask if I really didn't need the help.

0:20:190:20:22

You could just do your bit for charity.

0:20:220:20:24

I've never wanted to beat anyone in my life more than I wanted to beat Omarosa.

0:20:240:20:28

And if she loses very heavily,

0:20:280:20:30

only one thing happens to the losing project manager. You're fired.

0:20:300:20:35

It's really hard not to really want that.

0:20:460:20:49

The challenge for the team tonight is to sell all the pieces.

0:20:490:20:52

I'm the Project Manager. Omarosa's the Project Manager.

0:20:520:20:55

Really?

0:20:570:20:58

That would just change my life. I don't even think you know.

0:20:580:21:02

Come on, Suzy. You know it makes sense.

0:21:020:21:05

So, can I put you down for this one?

0:21:070:21:09

That would be great. Thank you.

0:21:260:21:28

I really appreciate it. Thank you very much. Thank you.

0:21:280:21:31

-How you doing? Thanks for coming. Appreciate it.

-Anything.

0:21:320:21:36

-Thanks for all your support.

-Anything for you.

0:21:360:21:38

I had some people come down that I called, but they haven't bought any artwork yet.

0:21:380:21:42

-Do you like visual art?

-I do.

-Come on. Let me show you something.

0:21:420:21:46

No, he's busy. He's busy right now. Yeah, don't worry.

0:21:460:21:49

Yes, absolutely.

0:21:490:21:50

-Carol Alt.

-My name is Charls.

0:21:500:21:52

-Charls, very nice to meet you.

-I'm in the movie business.

-Are you?

0:21:520:21:56

-Do you have a price chart?

-Yes.

-OK.

-Be careful.

0:21:580:22:02

One of my people that I invited wandered over to the other side,

0:22:020:22:06

and Carol went and tried to get the guy to buy a piece of art.

0:22:060:22:09

You got it.

0:22:090:22:13

And he did.

0:22:130:22:14

I got to be honest. It's a little disheartening to see them have to stoop to that level. It's sad.

0:22:140:22:19

-I stole one of Stephen's. I almost stole one of Omarosa's. She saw me and took him away.

-Great.

0:22:190:22:24

My people on poaching clients is all's fair in love and war.

0:22:240:22:28

If you're stupid enough to let one of your donors turn up

0:22:280:22:31

and then be diverted to our gallery and they buy one of our pictures,

0:22:310:22:35

you're a complete dunderhead.

0:22:350:22:36

-Hi. How are you? Good to see you.

-Same here.

-Good to see you.

0:22:360:22:40

Piers had some heavy duty donors that showed up.

0:22:400:22:44

Two of the Shangri-La's.

0:22:440:22:45

-How are you paying for that?

-I have cash.

-Cash. Great.

0:22:450:22:49

It's nice little fiery number for a fiery Gordon Ramsay.

0:22:510:22:54

Hey, thank you very much. Tell Gordon I really appreciate it.

0:22:540:22:57

I've never seen a man with so many connections.

0:22:570:22:59

I'm just happy he's on our side.

0:22:590:23:01

Yeah, mate, that's perfect.

0:23:070:23:08

-He's been very generous.

-Absolutely.

-I know he couldn't be here.

0:23:080:23:12

He's going to buy the set there of the two.

0:23:120:23:16

I have big donations coming from people that I got. We sold two of those there. We are going great.

0:23:160:23:20

And so, on every level of our strategy, it's working.

0:23:200:23:24

I'm going to congratulate him on the sale.

0:23:240:23:27

This piece sold out immediately, this one sold out immediately,

0:23:270:23:31

and we have one piece of that left.

0:23:310:23:32

We've got two of those, and we've got one of those at the end.

0:23:350:23:40

The others are gone.

0:23:400:23:41

The red dot signified a sale,

0:23:410:23:43

and the reason I like that was I wanted the opposition to be

0:23:430:23:46

wandering around our two galleries, getting more and more terrified.

0:23:460:23:49

-Steve Baldwin. How are you?

-Nice to meet you. I'm Alexandra.

0:23:490:23:54

-Hi, Nice to meet you.

-Where can we get something to eat?

-There's lots of places in Times Square.

0:23:540:23:59

You know what's really good is that funky Asian place on 7th.

0:23:590:24:02

-Oh, it is good.

-Yeah.

-That's a good place.

0:24:020:24:05

Stephen was not focused and detached himself from the process.

0:24:070:24:12

How'd you do any sales?

0:24:120:24:16

At least I had folks who turned out, who believed in me, who wanted to support me.

0:24:160:24:20

I can't really say the same for Stephen.

0:24:200:24:22

That's it. Last chance.

0:24:240:24:26

All for charity, last chance.

0:24:260:24:28

I'm feeling about as good as a human being could feel.

0:24:280:24:32

It's a personal tragedy for Omarosa.

0:24:320:24:34

I would literally be heading to Brooklyn Bridge now and doing the decent thing.

0:24:340:24:38

Drowning myself.

0:24:380:24:39

-Piers, how'd you like your artist? What did you think?

-Loved it.

0:25:120:25:15

Loved the style. Loved the fun, the creativity.

0:25:150:25:19

Really cool stuff.

0:25:190:25:20

-How do you think you did?

-I think we won.

-You think you won?

0:25:200:25:23

I think we didn't just win. I think we destroyed them.

0:25:230:25:26

Carol, how do you think you did?

0:25:260:25:28

I think we did very well, yes, absolutely.

0:25:280:25:30

-Lennox, you think you did pretty well?

-I think we did well.

0:25:300:25:33

Omarosa, how'd you do?

0:25:330:25:34

This was your weakness on The Apprentice previously, wasn't it?

0:25:340:25:38

-How do you think you did?

-And it's a repeat, because we only sold,

0:25:380:25:41

I believe, four paintings.

0:25:410:25:43

-You only sold...

-At a lower price point, yes.

0:25:430:25:46

-Wow. Only four paintings?

-Only four.

0:25:460:25:48

-Two for myself and two for Trace.

-And what do you attribute that to?

0:25:480:25:52

-The artist or yourselves?

-We'd have to take responsibility. The artist was great.

0:25:520:25:58

You know, you look at Stephen and you look at Trace, they have a lot of contacts. You have contacts.

0:25:580:26:02

Actually, Stephen didn't make a sell, and Trace made a great sell,

0:26:020:26:07

and I made a sell.

0:26:070:26:09

Let me just ask you a question. Ivanka, how did Hydra do?

0:26:090:26:11

-It was 164,000.

-Wow!

-And that's awesome.

-And how many paintings?

0:26:110:26:16

It was 14 out of 20, versus three out of 16.

0:26:160:26:21

-And what was their total number, Don?

-Only 7,000.

0:26:210:26:24

Wow. That's a big difference. Whoa.

0:26:240:26:27

You weren't able to get the volume.

0:26:290:26:31

Well, our strategy was selecting artwork that our contacts could buy.

0:26:310:26:34

I...I don't have a contact that could buy a 50,000 painting.

0:26:340:26:37

So, what happened?

0:26:370:26:39

So they didn't purchase.

0:26:390:26:41

But, Omarosa, you also said that price point was a major factor in this because, in the first task,

0:26:410:26:45

you learned you set the price point too high.

0:26:450:26:47

-Absolutely.

-So you went for a lower price point. But even at that price point,

0:26:470:26:51

-you actually only moved three of the 16 paintings, not four.

-It's disappointing.

0:26:510:26:55

-Trace, did you know that your team lost?

-This was the first time that I came in here knowing

0:26:550:26:59

-that we'd taken a pretty good...

-Never a good feeling.

0:26:590:27:02

-..pretty good scalding.

-Never a good feeling.

0:27:020:27:04

Do you know this is the biggest slaughter in the history of The Apprentice?

0:27:040:27:09

We've never had anything like this. I've never seen a slaughter this bad.

0:27:090:27:13

-This was personal.

-This was personal?

-To me, it was.

0:27:130:27:16

-Not against the team.

-They say, never get mad, get even. I made the mistake of getting mad,

0:27:160:27:21

-and today...

-You did make a mistake. It was the first time you've lost your cool.

0:27:210:27:25

Yeah, I lost my cool and I don't,

0:27:250:27:26

I'm not proud of the way I behaved.

0:27:260:27:28

So this was personal not in terms of the team, but in terms of Omarosa?

0:27:280:27:32

This competition is called Celebrity Apprentice.

0:27:320:27:35

If you are a genuine celebrity, then you do have the power to pick up the phone

0:27:350:27:39

and get money out of people.

0:27:390:27:41

And I have believed from the start that Omarosa is here by default.

0:27:410:27:45

-I'm here because Mr Trump invited me.

-Whatever.

0:27:450:27:48

And if you keep saying that, you're questioning his judgment. And I trust his judgment.

0:27:480:27:52

-No, his judgment is, to quote him directly...

-But you're saying, why am I here?

0:27:520:27:57

-With respect...

-Why don't you ask him?

0:27:570:27:59

-I'm just quoting. I'm going to quote...

-You said it's personal.

0:27:590:28:02

This is the biggest slaughter in the history of The Apprentice.

0:28:020:28:06

I'm going to make a request to you to kill two of them. I want Empresario killed off tonight.

0:28:060:28:10

Today was the biggest beating of the history...

0:28:100:28:13

Omarosa, they have just absolutely decimated your team.

0:28:130:28:16

And you know what?

0:28:160:28:17

-The men have done well, and I've been thinking...

-No, it's really not the men, because you have Carol.

0:28:170:28:23

I sold 37,000 in my own, and closed two of Piers' big ones.

0:28:230:28:27

By yourself, did four times what they were able to accomplish.

0:28:270:28:30

When you say two, I'm just curious, who would the second one be?

0:28:300:28:33

-Obviously, you're saying Omarosa, the second...

-Well, that's a given.

0:28:330:28:36

-She's just been completely exposed.

-So, who else would you suggest I fire?

0:28:360:28:40

Did she say Stephen Baldwin didn't bring in a dollar?

0:28:400:28:43

I mean, this is a fundraising exercise.

0:28:430:28:45

So, I mean, it seems obvious to me.

0:28:450:28:47

Why did you lose so badly, Stephen?

0:28:470:28:49

I had the wrong strategy. Um...

0:28:490:28:51

It was...it was a slaughter.

0:28:510:28:53

Omarosa?

0:28:530:28:54

-Um...it doesn't matter when you win.

-Yeah, but I was just curious.

0:28:540:28:59

-If you had any honour, Omarosa, you would stand up...

-I'm not making excuses.

-..and leave.

0:28:590:29:04

He wants you to quit. Would you like to?

0:29:040:29:06

-I will never quit over him.

-How will you defend yourself?

0:29:060:29:09

One of the things you were relying on is volume sales,

0:29:090:29:11

because of the lower price points, to appeal to the people you were able to call.

0:29:110:29:16

-You didn't process any of those sales.

-I'm only as good as my...

-Three sales?

0:29:160:29:20

I'm only as good as my sales team...

0:29:200:29:22

It was not your fault? Was it your team's fault?

0:29:220:29:24

I will take responsibility. I should have brought in more sales.

0:29:240:29:28

You said you were as good as your sales team which implies it wasn't your fault,

0:29:280:29:31

-it was your team's fault.

-No. We have to take responsibility for this loss.

0:29:310:29:35

I actually object to continuing in using the word "loss" here.

0:29:350:29:39

-This is not a loss. This is...

-You are...

-This is a catastrophe...

0:29:390:29:43

-You're right.

-..of Biblical proportions.

0:29:430:29:46

First of all, you guys go out.

0:29:460:29:47

Great job. Congratulations.

0:29:470:29:49

Again, you led a team to the greatest victory in Apprentice history.

0:29:490:29:53

-Thank you, Mr Trump.

-So, from your standpoint, it's very positive.

0:29:530:29:56

Go out. I'm going to allow you to watch what's going to take place.

0:29:560:30:00

-Thank you so much.

-So you go watch.

0:30:000:30:02

-I would have paid more money than we raised to see it.

-I know you're going to like it.

0:30:020:30:06

Do we know how much we raised for the charity?

0:30:060:30:08

The amount you raised above the minimum sales price

0:30:080:30:11

-is 51,300 for your charity, which is...?

-The Intrepid Fallen Heroes Fund, so I'm thrilled about that.

0:30:110:30:18

You are doing very well for them, not only tonight, but you are doing very well. Congratulations.

0:30:180:30:22

-Go outside. Watch what's going to happen.

-Thank you.

0:30:220:30:25

I'm going to enjoy this. Make it nasty, could you?

0:30:250:30:28

Biggest beating in history. Omarosa, see you later.

0:30:310:30:35

Stephen, what do you think?

0:30:470:30:49

You didn't do so well, Stephen. I was a little surprised.

0:30:500:30:52

What's the story with Stephen?

0:30:520:30:54

You know, over the last ten weeks,

0:30:540:30:58

I understand from the men that he has never brought in money for the task, in terms of selling.

0:30:580:31:04

-Did he not bring in money for this task?

-None.

0:31:040:31:07

Oops, she's turning on him immediately.

0:31:070:31:09

She's knifing them already.

0:31:090:31:11

I mean, you've got to hand it to her, haven't you?

0:31:110:31:13

This is what she's good at - knifing people.

0:31:130:31:16

Stephen?

0:31:170:31:19

I had ten or 12 people there.

0:31:190:31:21

-I had one individual that was going to buy...

-Did they know who you were?

0:31:210:31:24

-Yes, of course.

-You're pretty recognised by people.

0:31:240:31:27

And I had one buyer that actually was scooped up by Carol, so...

0:31:270:31:33

-Fairly scooped up?

-No, not at all.

-Why?

0:31:330:31:36

Well, because the person mentioned that they were there as a result of my relationship with them, so...

0:31:360:31:42

Well, were they friends of yours?

0:31:420:31:44

-People that...they were friends of friends.

-Yet they bought from Carol?

0:31:440:31:48

Because they didn't understand the dynamic of what was happening.

0:31:480:31:51

They understood you wanted to sell them something, and they didn't buy from you.

0:31:510:31:55

Right, they believed that they were still buying it for charity.

0:31:550:31:59

Were you disappointed that your friends bought from other team?

0:31:590:32:02

-Absolutely.

-Are they still your friends?

0:32:020:32:05

Huh! I don't think so, maybe.

0:32:050:32:07

Now, Piers said that I should fire two people.

0:32:070:32:11

Do you think he's right? Trace, you may think so

0:32:110:32:13

-cos you're probably one that won't get fired, in all fairness.

-I'm not, no.

0:32:130:32:17

What do you think about that, Omarosa?

0:32:170:32:19

I don't think that you should fire two people.

0:32:190:32:22

-I think that you've traditionally...

-He had an opinion,

0:32:220:32:25

and the opinion was he had problems with you,

0:32:250:32:27

and he also had some pretty big problems with Stephen,

0:32:270:32:31

although they seem to have worked that problem out, to an extent.

0:32:310:32:34

No, he threatened to "kick your ass" today. Direct quote, is that right?

0:32:340:32:39

-He threatened to hit me today.

-He threatened to hit Stephen, so...

0:32:390:32:43

I did say that, yeah. Nothing personal, just business.

0:32:430:32:46

But he said that today, so things aren't all as they appear,

0:32:460:32:50

but, you know, I think that we did what we were capable of doing.

0:32:500:32:54

But when you get an opponent so fired up like Piers was,

0:32:540:32:58

you've got to have a lot of ammunition to combat that,

0:32:580:33:02

-and I didn't have that ammunition.

-He was fired up.

0:33:020:33:05

-He was fired up.

-And you know why?

0:33:050:33:07

-He was fired up because of you.

-Absolutely.

-He wanted to kick your ass.

0:33:070:33:10

Absolutely.

0:33:100:33:12

Do you think, in some way,

0:33:130:33:15

looking back, in retrospect,

0:33:150:33:17

you really hurt yourself by engaging in the conflict with Piers?

0:33:170:33:21

When a man calls you a tramp, a bitch, and a whore...

0:33:210:33:24

But you said a few mean things, as well.

0:33:240:33:26

I didn't call her a whore. What is she talking about? Never called her a whore.

0:33:260:33:30

-And what did you call him?

-I called him some horrible things that shouldn't be repeated.

0:33:300:33:35

-Yeah.

-Horrible things, Mr Trump.

0:33:350:33:37

-Did you believe them?

-Well, yeah, because I know some things about him.

0:33:370:33:41

But when somebody's armed with a machine gun, you don't come into the fight with a slingshot.

0:33:410:33:46

So, it is what it is.

0:33:460:33:48

-Yeah, but you armed him, technically.

-So what do you know about Piers?

0:33:480:33:52

-I think he's in the closet.

-Huh?

-I think he's in the closet.

0:33:520:33:55

-I really do.

-Unbelievable.

0:33:550:33:57

Piers is wishing he didn't leave the room.

0:33:570:33:59

He asked these guys in every in the first four tasks...

0:33:590:34:02

Yeah, but didn't you call... Excuse me.

0:34:020:34:04

I don't think you know him very well, and you called him a homosexual.

0:34:040:34:08

-Oh, no. Can I...?

-There are gay people around, and that's great...

-Can I tell you why?

0:34:080:34:12

-But you called him a homosexual.

-Can I tell you why?

0:34:120:34:15

-And he says he's not a homosexual.

-Can I tell you why?

0:34:150:34:17

He's asked for them to take their shirts off in every single one.

0:34:170:34:21

He asked for Lennox to be naked and hugged up with a Kodak printer.

0:34:210:34:25

Does Piers want to come back here and defend himself?

0:34:250:34:28

-Because you're making some pretty big statements over there.

-You asked my opinion.

0:34:280:34:32

-I'm just telling you...

-Ask Piers if he wants to defend himself.

0:34:320:34:36

Yeah.

0:34:360:34:37

Tell him I'm on my way.

0:34:380:34:40

I just want to do one thing, Mr Trump.

0:34:560:34:58

-I just want to say, Trace, you're a beautiful cowboy.

-What?!

0:34:580:35:02

Thanks very much, everyone.

0:35:020:35:05

LAUGHTER

0:35:050:35:08

Need I say more?

0:35:080:35:09

-I wasn't sure if he was going to hit someone.

-Oh, look, the hat comes off.

0:35:140:35:17

I thought was going to hit someone in the head.

0:35:170:35:20

-Trace, nice head of hair.

-I actually thought I was going to get hit.

0:35:200:35:23

-I'm glad he gave him a kiss instead.

-Oh...

0:35:230:35:26

Oh, my God!

0:35:260:35:28

-Oh, that was too much.

-You are too funny.

-Too much!

0:35:280:35:30

Well, you may as well fight fire with fire.

0:35:300:35:34

LAUGHTER

0:35:340:35:36

-That was rough!

-Trace looks a bit confused.

0:35:370:35:42

Well, that was a pretty good defence. Actually, I fully understand what he's done.

0:35:420:35:46

I didn't understand that at all.

0:35:460:35:49

If you think about it, you're going to understand it, Trace.

0:35:490:35:51

I think Trace is a little upset about that. You didn't like that, did you?

0:35:540:35:57

That's the first time I've seen Trace shaken up a little bit.

0:35:570:36:01

-He's a man's man.

-Everyone knows he's kidding.

0:36:010:36:03

-He was kidding. All right?

-Never kiss a cowboy.

0:36:030:36:07

LAUGHTER

0:36:070:36:10

Anything further to say, Stephen?

0:36:100:36:13

You have a Project Manager that started the day by saying,

0:36:130:36:18

-"I lost at this event."

-She did say that.

0:36:180:36:20

you did start off by saying, "Oh, by the way, this was the event I lost two seasons ago."

0:36:200:36:26

-I had full disclosure.

-OK.

-It wasn't that I was thinking negative.

0:36:260:36:29

-I wanted to turn it around.

-When you lose, it sounds doubly bad.

0:36:290:36:33

-I wanted to turn it around...

-Stephen, go ahead.

0:36:330:36:36

So, again, continuing with the truth,

0:36:360:36:38

she said that she had lost at this very event in the past.

0:36:380:36:41

So, I don't lie. I'm always telling the truth.

0:36:410:36:44

I never stab anybody in the back. It's not what I believe in my faith.

0:36:440:36:48

I won't do it. I refuse to do it.

0:36:480:36:50

If people start making accusations about who did or didn't do what, it starts with the Project Manager.

0:36:500:36:55

Trace, could you see me firing Stephen over Omarosa?

0:36:550:37:00

Well...

0:37:000:37:03

-Or could you see me firing both?

-This is one of those tasks that is just simply a numbers game.

0:37:030:37:09

I mean, because the people that I approached who were loyal patrons,

0:37:090:37:13

or at least I was led to believe that they were patrons of this gallery,

0:37:130:37:18

they didn't have any intention of buying anything.

0:37:180:37:21

They came in there to have a few glasses of wine, stumble around a little bit and look at the stuff

0:37:210:37:26

and make an appearance, and that was about it, and then they'd leave.

0:37:260:37:30

And some of them didn't even bring money with them.

0:37:300:37:33

-But didn't you sell two paintings?

-Yes.

0:37:330:37:35

-Were these fans of yours?

-Well, yes, the lady did know who I was,

0:37:350:37:39

and she's decorating her apartment here in the city,

0:37:390:37:41

and I called her, and she bought a couple of things.

0:37:410:37:45

And that's all I sold. I was disappointed in my performance today.

0:37:450:37:49

I thought I would be able to bring some more art lovers in.

0:37:490:37:53

But I don't know many of those people, but...

0:37:530:37:56

Don, do you have any opinions?

0:37:560:37:58

It is pretty cut-and-dry in terms of, you know, it's a loss.

0:37:580:38:01

I am disappointed in Stephen. I really thought the New York thing.

0:38:010:38:04

If I was participating in this task, I could call 30 people

0:38:040:38:07

that I could get maybe not to spend a whole you know, 165,000,

0:38:070:38:11

but I could get them to drop five, ten grand each, you know, for a total of something.

0:38:110:38:15

So to only sell 7,000 worth of art is pretty bad.

0:38:150:38:18

So, that's what's disappointing about Stephen.

0:38:180:38:20

Omarosa, you've been a three-time loser as Project Manager.

0:38:200:38:24

So, you know, I don't know what else there is to really say.

0:38:240:38:27

Ivanka?

0:38:270:38:29

I think this is interesting because, Omarosa, you walked in here,

0:38:290:38:32

and from the get-go, you looked so defeated.

0:38:320:38:35

-I wasn't defeated.

-You put up a bit of a fight, and hurled names around half-heartedly,

0:38:350:38:39

but I've never seen you like this.

0:38:390:38:41

Not once have you looked at my father and said, "This is why I shouldn't be fired."

0:38:410:38:45

I told him why. I stepped up as the leader from the beginning.

0:38:450:38:49

But how can you say you've stepped up as a leader

0:38:490:38:51

if you've lost three times, with this loss being your last?

0:38:510:38:55

I was taught something very young.

0:38:550:38:57

I may not be the wealthiest woman in the room, I may not be the smartest or the prettiest,

0:38:570:39:01

but no-one will outwork me. And this whole process, I have committed myself to it.

0:39:010:39:05

No, I outworked you, as well, love.

0:39:050:39:08

And you're not the smartest. You're definitely not the prettiest.

0:39:080:39:11

-What was the other thing?

-You know, what Ivanka said is a little true.

0:39:110:39:14

It's the first time you've walked into a room where you felt and looked defeated.

0:39:140:39:18

-Omarosa, you're the Project Manager.

-Yes.

0:39:180:39:22

You not only lost, you got creamed.

0:39:220:39:24

You know, I've always been a big Omarosa fan, but Omarosa, you're fired.

0:39:240:39:28

-This was not close.

-Thank you for bringing me back.

-Thank you very much.

0:39:280:39:32

Thank you, Mr Trump.

0:39:340:39:35

Thank you.

0:39:440:39:46

-Well, that was pretty easy, to be honest.

-Yeah.

0:39:580:40:01

That one was obvious.

0:40:010:40:03

The charity that I'm playing for is the Tomorrow's Aeronautic Museum's Positive Vibrations Program.

0:40:340:40:41

And it's for a bunch of really great kids.

0:40:410:40:44

I'd like to leave a few words to all the amazing celebrities

0:40:440:40:47

that I had a chance to meet and Piers.

0:40:470:40:50

No man is your friend, no man is your foe, but every man is your teacher.

0:40:500:40:56

Peace!

0:40:570:40:59

Subtitles by Red Bee Media Ltd

0:40:590:41:01

E-mail [email protected]

0:41:010:41:03

The celebrity contestants are challenged with choosing an artist, creating a display and then selling the artwork in a gallery. But tempers flare when one contestant is caught spying, and another team struggles with its sales. The day's events lead Amorosa to make a serious allegation about Piers.


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