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-Previously, on the Celebrity Apprentice. -Good morning. -Morning. | 0:00:02 | 0:00:04 | |
With only five celebrities left, Mr Trump forced them to rely on their wits. | 0:00:04 | 0:00:09 | |
You're going to go out and make some Quiznos sandwiches. | 0:00:09 | 0:00:13 | |
You're going to sell the sandwich for 2. | 0:00:13 | 0:00:16 | |
You cannot use your Rolodex. | 0:00:16 | 0:00:17 | |
-The battle to make it to the final four began. -Get going. | 0:00:17 | 0:00:21 | |
Trace immediately took control for Impresario. | 0:00:21 | 0:00:24 | |
What kind of sandwich do you want to make? | 0:00:24 | 0:00:26 | |
Well, I think we ought to call it the Cowboy Club. | 0:00:26 | 0:00:29 | |
And on the street, his celebrity power became apparent. | 0:00:29 | 0:00:32 | |
You know who this guy is? Trace Adkins. | 0:00:32 | 0:00:34 | |
Oh my God! | 0:00:34 | 0:00:35 | |
When you got a guy like Trace Adkins, who's been surprising everybody, | 0:00:35 | 0:00:39 | |
you know, you put a little Stevie B cherry on top and it's yummy, dude. | 0:00:39 | 0:00:43 | |
-On Hydra. -It's a Champ sandwich. -Ooh, that's a big one. | 0:00:43 | 0:00:45 | |
Although Lennox was the project manager, Piers tried to call the shots. | 0:00:45 | 0:00:50 | |
-The Champ sandwich, right? -Are you programme manager here? | 0:00:50 | 0:00:52 | |
No, I'm suggesting to him. Do you want me to give good ideas or not, Carol? | 0:00:52 | 0:00:56 | |
And once again, Lennox served as Hydra's marketing tool. | 0:00:56 | 0:00:59 | |
All you have do is have a product, put my face on it and make me smile. | 0:00:59 | 0:01:04 | |
In the boardroom. | 0:01:04 | 0:01:06 | |
Hydra sold 313 sandwiches. | 0:01:06 | 0:01:08 | |
Hydra won by sheer volume sales. | 0:01:08 | 0:01:10 | |
Impresario, again you lose. | 0:01:10 | 0:01:13 | |
And Ivanka put Trace on the spot. | 0:01:13 | 0:01:16 | |
Trace, who do you think's stronger and able to raise the most money for their charity in the tasks to come? | 0:01:16 | 0:01:22 | |
Me. | 0:01:22 | 0:01:23 | |
Trace called out Steven. | 0:01:23 | 0:01:25 | |
I've been working with Steven for a good while now. I haven't seen him bring in my money. | 0:01:25 | 0:01:30 | |
Forcing Mr Trump to look at Steven's overall performance. | 0:01:30 | 0:01:33 | |
Steven, you didn't really raise money over the last number of weeks. | 0:01:33 | 0:01:38 | |
Moving forward, I just feel that Trace has more to offer. | 0:01:38 | 0:01:41 | |
Steven, you're fired. | 0:01:41 | 0:01:44 | |
And Steven was shown the door. Then, the final four were given some shocking news. | 0:01:44 | 0:01:48 | |
We're going to continue this elimination process right now. | 0:01:48 | 0:01:54 | |
Before the night is over, two of you will be fired. | 0:01:54 | 0:01:57 | |
Ten celebrities have gone. | 0:02:01 | 0:02:03 | |
And now, only four remain. | 0:02:06 | 0:02:08 | |
Multi-platinum country star, Trace Adkins. | 0:02:08 | 0:02:11 | |
The original supermodel, Carol Alt. | 0:02:11 | 0:02:14 | |
Heavyweight boxing champion Lennox Lewis. | 0:02:16 | 0:02:19 | |
And America's Got Talent judge, Piers Morgan. | 0:02:19 | 0:02:22 | |
They're battling it out for their favourite charities. | 0:02:22 | 0:02:25 | |
I'm going to try and win this thing and get you a load more money. | 0:02:25 | 0:02:28 | |
But only one will win the ultimate title of the Celebrity Apprentice. | 0:02:28 | 0:02:34 | |
You are now going to be interviewed | 0:02:36 | 0:02:39 | |
by two of the great business reporters anywhere. | 0:02:39 | 0:02:43 | |
CNBC's Erin Burnett and Mad Money's Jim Cramer. | 0:02:43 | 0:02:47 | |
You're not going to find better business minds anywhere. | 0:02:47 | 0:02:51 | |
They're going to speak to each one of you, and you're going to try and convince them | 0:02:51 | 0:02:55 | |
why you should be the Celebrity Apprentice. | 0:02:55 | 0:02:57 | |
They're going to see me later, they're going to tell me their favourite, | 0:02:57 | 0:03:00 | |
and they're going tell me their least favourite, | 0:03:00 | 0:03:03 | |
and then I'll decide who are the two contestants that get to compete | 0:03:03 | 0:03:08 | |
for the title of the Celebrity Apprentice. | 0:03:08 | 0:03:12 | |
So, wait outside, go have a good interview, | 0:03:14 | 0:03:16 | |
because tonight, two more people will be fired. | 0:03:16 | 0:03:20 | |
OK, go ahead. | 0:03:22 | 0:03:24 | |
We were surprised. | 0:03:26 | 0:03:29 | |
Within next hour or two, two more people were going to get fired. | 0:03:29 | 0:03:33 | |
We were going to do personal one-on-one interviews | 0:03:33 | 0:03:36 | |
with Jim Cramer and Erin Burnett. | 0:03:36 | 0:03:39 | |
This is going to really count a lot towards who makes the final two. | 0:03:39 | 0:03:44 | |
He's got to fire two more people. | 0:03:44 | 0:03:47 | |
How do you feel about being the chosen few, Trace? | 0:03:50 | 0:03:54 | |
I'm surprised. | 0:03:54 | 0:03:56 | |
'I could see on their faces, they were getting a bit nervous, and I was pretty confident, | 0:03:56 | 0:04:01 | |
'because the one thing I'm good at is talking.' | 0:04:01 | 0:04:04 | |
So my chances have probably gone from here to here. | 0:04:04 | 0:04:08 | |
Let's get it on. | 0:04:12 | 0:04:13 | |
-They're ready for you, you can go on in. -Thank you, Annette. | 0:05:36 | 0:05:40 | |
OK. | 0:05:40 | 0:05:41 | |
-How are you? -Fine, thank you. Good to see you tonight. | 0:05:47 | 0:05:50 | |
And you. | 0:05:50 | 0:05:52 | |
-I want to talk to you a little bit about your charity. -It's called the Intrepid Fallen Heroes Fund. | 0:05:52 | 0:05:56 | |
It looks after and supports the servicemen. | 0:05:56 | 0:05:58 | |
My personal involvement is that my brother is an army officer in Britain, | 0:05:58 | 0:06:02 | |
and has fought side by side with the US marines, | 0:06:02 | 0:06:05 | |
so I have very personal involvement of the American military in relation to my family. | 0:06:05 | 0:06:10 | |
Your charity, is it because of your daughter? Food allergies, is...? | 0:06:10 | 0:06:13 | |
Yes, severe food allergies. She can go into anaphylactic shock. | 0:06:13 | 0:06:17 | |
We've been to the emergency room, you know, that frantic dash, | 0:06:17 | 0:06:20 | |
five or six times a day. | 0:06:20 | 0:06:23 | |
It's a heartbreaking thing. | 0:06:23 | 0:06:25 | |
I've actually been to DC and lobbied on Capitol Hill to make them more aware of things they can do, | 0:06:25 | 0:06:30 | |
and ways they can safeguard these children. | 0:06:30 | 0:06:33 | |
We are basically gathering money, and looking for deserving charities. | 0:06:33 | 0:06:38 | |
It might be paediatric AIDS this year, it might be sudden infant death next year. | 0:06:38 | 0:06:42 | |
Our charity doubled in just one year. | 0:06:42 | 0:06:46 | |
I want to see if we can triple it or quadruple it in the next year. | 0:06:46 | 0:06:50 | |
How will you use this great opportunity? for the Ali Foundation, for the world? | 0:06:50 | 0:06:54 | |
Er, what does this... | 0:06:54 | 0:06:58 | |
Um... um. | 0:06:58 | 0:07:01 | |
People have to feel that, you know, they want, you know... | 0:07:01 | 0:07:04 | |
They want to give you money for your charity. | 0:07:04 | 0:07:07 | |
What was your best moment in this competition? | 0:07:07 | 0:07:09 | |
I was able to harness the energy of all the people in my team | 0:07:09 | 0:07:12 | |
and the creativity flowed. | 0:07:12 | 0:07:14 | |
It was almost easy. | 0:07:14 | 0:07:16 | |
Playing myself to create excitement, | 0:07:16 | 0:07:19 | |
and for people to acknowledge that the other champ is here. | 0:07:19 | 0:07:24 | |
I will conclude my time on this show with my integrity intact. | 0:07:24 | 0:07:28 | |
Do you think being a bit mean might hurt your ability, in terms of getting other people to care, | 0:07:28 | 0:07:33 | |
and want to donate money? | 0:07:33 | 0:07:35 | |
When I'm mean I tend to be mean because of my commitment to the charity I am backing here. | 0:07:35 | 0:07:41 | |
I've raised probably three times as much as any other | 0:07:41 | 0:07:43 | |
contestant in this show, and I want to win this. | 0:07:43 | 0:07:46 | |
I need some reasons to axe some other people. | 0:07:46 | 0:07:48 | |
Trace and Lennox are slow when it comes to getting on the challenges. | 0:07:48 | 0:07:53 | |
I've just seen some people take advantage of other people and just, | 0:07:53 | 0:07:57 | |
just rip them apart. | 0:07:57 | 0:07:59 | |
-Will you please give me a name. -Now that would be Piers. Mr Morgan. | 0:07:59 | 0:08:04 | |
Trace has got to go. | 0:08:04 | 0:08:05 | |
I think I can raise a lot more money than he can. | 0:08:05 | 0:08:07 | |
I can out-raise Lennox. I'm being honest here. | 0:08:07 | 0:08:09 | |
-What have you learned from Mr Trump? -How do I know that you really believe in it? | 0:08:09 | 0:08:13 | |
Give me also a sense of what you did wrong when you won. | 0:08:13 | 0:08:16 | |
-Were you involved in charity...? -How much have you raised so far? | 0:08:16 | 0:08:19 | |
-Do you host fund-raisers? -You exhausted your Rolodex. | 0:08:19 | 0:08:22 | |
So what specifically will you do? | 0:08:22 | 0:08:25 | |
At any given time didn't you just want to say "I don't have to put up with this"? | 0:08:25 | 0:08:28 | |
Where did you screw up on the worst in this competition? | 0:08:28 | 0:08:31 | |
I pretty well haven't made a mistake. | 0:08:31 | 0:08:33 | |
Wow, that's amazing. | 0:08:33 | 0:08:35 | |
You're probably the first person I've ever met in my career that's never made a mistake. | 0:08:35 | 0:08:41 | |
Let's see how you did. | 0:08:49 | 0:08:51 | |
Hi, Erin. Hi, Jim. What do you think? | 0:08:57 | 0:09:00 | |
I thought you had a passionate crew there, Donald. | 0:09:00 | 0:09:02 | |
And I was very impressed by how much each of them individually cared. | 0:09:02 | 0:09:05 | |
Who did you like the least? | 0:09:05 | 0:09:08 | |
Piers. | 0:09:08 | 0:09:09 | |
Because of the edge? | 0:09:09 | 0:09:10 | |
He cared certainly, his family being involved in the war in Iraq. | 0:09:10 | 0:09:14 | |
I mean, that was very inspiring to me. | 0:09:14 | 0:09:16 | |
But there was an edge, there was something that just didn't warm me up. | 0:09:16 | 0:09:19 | |
But the guy raises a lot of money. | 0:09:19 | 0:09:21 | |
If you want to make the most money, he's your man. He will raise the most money. | 0:09:21 | 0:09:26 | |
Do things like team work, leadership matter? | 0:09:26 | 0:09:29 | |
Well, it always matters, I think. | 0:09:29 | 0:09:31 | |
Well then, Piers must be stopped. | 0:09:31 | 0:09:34 | |
-Jim, who do you like the best? -You can't go wrong with Carol. | 0:09:34 | 0:09:37 | |
-Is that because she's beautiful? -OK, she's a knock out. I'll stipulate knock out. | 0:09:37 | 0:09:41 | |
She's stunning. Carol was like a business person. | 0:09:41 | 0:09:43 | |
She sat there and said "Here's my goals." | 0:09:43 | 0:09:45 | |
She could literally lay it all out. | 0:09:45 | 0:09:47 | |
I detected in her a quiet hunger, I mean... | 0:09:47 | 0:09:49 | |
But didn't you see that also with Lennox Lewis? | 0:09:49 | 0:09:52 | |
No, I wanted to. I wanted to come in here and tell you | 0:09:52 | 0:09:56 | |
I want to go with Lennox, but I felt he was too laid back for me. | 0:09:56 | 0:09:59 | |
-Did you think somebody was like outstanding? -Trace is my favourite right now. | 0:09:59 | 0:10:03 | |
You know, if this guy went out and was raising money for something, | 0:10:03 | 0:10:06 | |
and he said, "Erin, I want you to give money to this." I'd do it. | 0:10:06 | 0:10:09 | |
Jim, if you had to pick two, who would they be? | 0:10:09 | 0:10:12 | |
I'm going with Trace and I'm going with Carol. | 0:10:12 | 0:10:16 | |
I think that they have the leadership, the bearing, | 0:10:16 | 0:10:17 | |
and the integrity that you're looking for in a real leader. | 0:10:17 | 0:10:20 | |
Erin, if you had to pick two, who would be they be? | 0:10:20 | 0:10:23 | |
You can go on in. | 0:10:31 | 0:10:33 | |
Good luck guys. | 0:10:33 | 0:10:34 | |
Well, two people are going to go, but you've really all done an outstanding job, | 0:10:54 | 0:10:59 | |
and you can be proud of yourselves. It's been an amazing process. | 0:10:59 | 0:11:02 | |
So congratulations all four. | 0:11:02 | 0:11:05 | |
Lennox, what did you think of the interview with Erin Burnett and Jim Cramer? | 0:11:05 | 0:11:09 | |
I thought it was good. You know, I'm used to those type of questions | 0:11:09 | 0:11:15 | |
and it's nothing that I was concerned about. | 0:11:15 | 0:11:19 | |
What did you think, Trace, of the interview process? | 0:11:19 | 0:11:22 | |
I liked speaking with Miss Burnett. | 0:11:22 | 0:11:24 | |
She seemed to be a very knowledgeable, smart lady. | 0:11:24 | 0:11:28 | |
And then Jim, he, you know, I mean he's such a different person than I am. I thought I was... | 0:11:28 | 0:11:34 | |
Do they have guys like Jim Kramer in the country? | 0:11:34 | 0:11:37 | |
Not many that I know. | 0:11:37 | 0:11:38 | |
Not too many. | 0:11:38 | 0:11:40 | |
Because you're sitting there, and he's asking you a question and it sounds like... Rah-rah-rah! | 0:11:40 | 0:11:44 | |
You know, he's just rapid fire, machine gun type stuff, | 0:11:44 | 0:11:48 | |
and I'm trying to stay with him, | 0:11:48 | 0:11:50 | |
but I felt like I was playing ping-pong with a world champ. | 0:11:50 | 0:11:54 | |
Well, Erin thought you were terrific, I have to say. Do women generally think you're terrific? | 0:11:54 | 0:11:59 | |
Yes, sir. | 0:11:59 | 0:12:00 | |
Fast answer! | 0:12:00 | 0:12:03 | |
Piers, what did you think of the interview process? | 0:12:04 | 0:12:08 | |
In terms of the overall interviewing, I felt I put a very strong position up. | 0:12:08 | 0:12:13 | |
-But, you know, Jim and Erin thought you were very harsh, Piers. -In what way? | 0:12:13 | 0:12:17 | |
They thought you were very tough, in your face, and I'm not saying that's right or wrong. | 0:12:17 | 0:12:21 | |
I'm surprised by that. I mean, I'm just direct. | 0:12:21 | 0:12:23 | |
Maybe the word ruthless is the word that they used. | 0:12:23 | 0:12:26 | |
You've been called ruthless all your career. It just means tough in business. | 0:12:26 | 0:12:30 | |
I didn't break any rules. I don't consider myself as some to be unethical or immoral. | 0:12:30 | 0:12:34 | |
That's nothing to do with it. To me, we're playing a tough game, | 0:12:34 | 0:12:37 | |
where the beneficiary is the charities. | 0:12:37 | 0:12:39 | |
You seem to walk a line though, that people aren't comfortable with. | 0:12:39 | 0:12:42 | |
And I don't think you've ever crossed boundaries, and been unethical during this process, | 0:12:42 | 0:12:47 | |
but there's something about the way you deal with situations, that causes people to criticise you. | 0:12:47 | 0:12:53 | |
I've tried to play this game extremely hard, | 0:12:53 | 0:12:55 | |
because I believe that is the ethos you would encourage us to play. | 0:12:55 | 0:13:00 | |
In the end, I believe the statistical evidence behind me is pretty overpowering. | 0:13:00 | 0:13:04 | |
If I were to lose because of my lack of British tact, | 0:13:04 | 0:13:08 | |
in a game which is led by a man who is renowned around the world for | 0:13:08 | 0:13:12 | |
being a ruthless tough businessman, then I plead happily guilty to that. | 0:13:12 | 0:13:16 | |
-So, Carol? -Sir? -Why should you be chosen to be in the final two? | 0:13:22 | 0:13:26 | |
I'm organised, I'm detailed, I'm versatile, I can move on the fly. And I think I got the gumption. | 0:13:26 | 0:13:31 | |
You know your competitors very well. You've been their team-mates and opponents. | 0:13:31 | 0:13:37 | |
If you were me, who would you fire? | 0:13:37 | 0:13:39 | |
Let's put it this way. I'd keep me and Piers. | 0:13:41 | 0:13:43 | |
Why wouldn't you choose Lennox, who's been a star? | 0:13:43 | 0:13:46 | |
I just think Piers always thinks ahead. He thinks like I do. | 0:13:46 | 0:13:50 | |
He looks for problems ahead of time and the road ahead, and I like that. | 0:13:50 | 0:13:55 | |
Lennox couldn't win without me as often as he does anywhere near as much. | 0:13:55 | 0:13:58 | |
I think he'd agree. I could probably win... | 0:13:58 | 0:14:01 | |
-Do you agree with that, Lennox? -Yes, I do. | 0:14:01 | 0:14:03 | |
I wouldn't have answered it that way. I would've said, absolutely. Who the hell do you think you are? | 0:14:03 | 0:14:09 | |
-I'd never admit that. -He's a good asset to the team. | 0:14:09 | 0:14:13 | |
-I'm the main asset. -One of the greatest assets. | 0:14:13 | 0:14:16 | |
-I've raised more money than everyone put together. -He is. -Do you think he could win without you? | 0:14:16 | 0:14:21 | |
No. He's used me many times and I feel I'm a great asset to him. | 0:14:21 | 0:14:24 | |
If you're asking me to be totally, brutally frank about the way the 11 challengers went, | 0:14:24 | 0:14:28 | |
I think if Lennox was being honest, he would say I was the driving force for most of those challenges. | 0:14:28 | 0:14:34 | |
Is that true, Lennox? | 0:14:34 | 0:14:35 | |
I would say because I was there, he was the driving force, | 0:14:35 | 0:14:39 | |
because when he looked around and realised who was around that could help him, it was me. | 0:14:39 | 0:14:45 | |
Lennox, you've come across as a really smart guy | 0:14:45 | 0:14:49 | |
but you just said you would not have won so much if it weren't for Piers. | 0:14:49 | 0:14:55 | |
-I, in one way, like that statement, in another way, you understand, I don't. -Yes, right. | 0:14:55 | 0:14:59 | |
And the other element that has to play into my mind, | 0:14:59 | 0:15:02 | |
I have great respect for Jim Cramer and Aaron Burnett, and they thought you were too laid-back | 0:15:02 | 0:15:07 | |
and they thought you should be fired, and I have to say, Lennox, | 0:15:07 | 0:15:10 | |
you're fantastic, but you're fired. | 0:15:10 | 0:15:13 | |
I accept that. | 0:15:13 | 0:15:14 | |
-And you've done an amazing job. -Thank you. -Go ahead. | 0:15:14 | 0:15:17 | |
Thank you, Lennox. Fantastic guy. | 0:15:17 | 0:15:22 | |
Thanks, Lennox. | 0:15:22 | 0:15:25 | |
What's up, man? | 0:15:31 | 0:15:33 | |
The best part of this experience was, | 0:15:37 | 0:15:40 | |
I earned 40 grand for the Muhammad Ali Centre. | 0:15:40 | 0:15:43 | |
The reason why I joined the Celebrity Apprentice | 0:15:43 | 0:15:46 | |
was to make money for my charity and I'm so happy that I was able to do so. | 0:15:46 | 0:15:50 | |
So one more of you is about to be fired. | 0:15:53 | 0:15:56 | |
Trace, move over. | 0:15:57 | 0:15:59 | |
You know, it is very tough for me to fire Piers when he's won so much. We have to say that. | 0:16:03 | 0:16:09 | |
He's probably the least nice person, but at the same time... | 0:16:09 | 0:16:12 | |
Well hang on a sec, with respect, Mr Trump, I take exception to that. | 0:16:12 | 0:16:16 | |
-I don't think you should. -People don't know much about me personally... | 0:16:16 | 0:16:19 | |
-You shouldn't cos I've watched you over a lot of weeks. -But people don't know the real me. | 0:16:19 | 0:16:24 | |
When I'm sticking up for you, you shouldn't be cutting me off, to be honest. | 0:16:24 | 0:16:28 | |
-I'm saying good things, I'm getting ready to exonerate you. -OK. -And instead of just taking it... | 0:16:28 | 0:16:33 | |
-Take yes for an answer. -I'll take my bollocking like a man. | 0:16:33 | 0:16:36 | |
I am going to ask you a question. | 0:16:38 | 0:16:40 | |
You've known Carol, you've known Trace. | 0:16:40 | 0:16:45 | |
Who would you fire if you were me, if you can give me a straight answer? | 0:16:45 | 0:16:48 | |
Oh, I can. Straight answer, | 0:16:48 | 0:16:50 | |
I would beat Trace with more ease than I would be Carol. | 0:16:50 | 0:16:55 | |
She would be a tougher competitor and I mean no disrespect to Trace, | 0:16:55 | 0:16:59 | |
who is a great guy. | 0:16:59 | 0:17:01 | |
Trace, why would I choose you to be in the finals rather than the other two? | 0:17:01 | 0:17:05 | |
Well, I'll give you 100%. I'll give you everything I've got. | 0:17:05 | 0:17:09 | |
I'll bring celebrities and do it in a spirit that | 0:17:09 | 0:17:12 | |
there is no more noble cause, I'll fight for my kid | 0:17:12 | 0:17:15 | |
and I hope I've played this game straight up, with integrity. | 0:17:15 | 0:17:19 | |
And that's the way I wanted to play it and that's the way I've played it. | 0:17:19 | 0:17:23 | |
Do you like Piers? | 0:17:23 | 0:17:25 | |
We have been sociable and cordial with one another. | 0:17:25 | 0:17:30 | |
I don't know that we've developed any kind of tight bond. | 0:17:30 | 0:17:33 | |
-Would you invite Piers to Nashville to the Grand Old Opry? -No, sir. | 0:17:33 | 0:17:36 | |
Why not? | 0:17:36 | 0:17:38 | |
Just I've witnessed the way he's played the game, and it's just... | 0:17:38 | 0:17:42 | |
-He's played tough. -It's been a little more than tough at times. | 0:17:42 | 0:17:46 | |
It's been ruthless and merciless, to a point. | 0:17:46 | 0:17:50 | |
Somebody asked me if he'd stab you in the back and I said, | 0:17:50 | 0:17:53 | |
well, "He'd stab you in the forehead," you know. You'll see him coming. | 0:17:53 | 0:17:57 | |
-Piers, how do you respond to that? -I got no problem with that. I don't dispute any of that. | 0:17:57 | 0:18:03 | |
I don't believe in going behind people's backs or pretending I feel one thing and saying another. | 0:18:03 | 0:18:08 | |
In Trace's case, we're very different characters | 0:18:08 | 0:18:12 | |
and we haven't always seen eye to eye, but he's a man of great respect and integrity. | 0:18:12 | 0:18:16 | |
Carol, how do I get over the fact that I want to see these two guys fight? | 0:18:18 | 0:18:23 | |
I have to tell you this. This even makes the decision harder for me, | 0:18:25 | 0:18:30 | |
if it could be any harder, | 0:18:30 | 0:18:32 | |
is that Aaron and Jim Cramer thought that Piers should be fired | 0:18:32 | 0:18:37 | |
but he was the most effective guy. | 0:18:37 | 0:18:39 | |
They also thought you two were fantastic. | 0:18:39 | 0:18:43 | |
You were both their choices. | 0:18:43 | 0:18:44 | |
But I love the friction between these two guys. | 0:18:44 | 0:18:48 | |
Because I say they don't like each other. | 0:18:48 | 0:18:53 | |
Carol, I want to see these two guys go at it. | 0:18:53 | 0:18:56 | |
-Carol, you're fired. -Oh, Sir! -You're amazing. You did amazing. | 0:18:56 | 0:19:00 | |
You're fired. I want to see these guys go at it. | 0:19:00 | 0:19:02 | |
I'm going to see if you get country stars, see if you get stars. | 0:19:02 | 0:19:05 | |
Carol, you are amazing. Get the hell out of here. | 0:19:05 | 0:19:08 | |
And as long as that's the reason I'm going, I'm OK with that. | 0:19:08 | 0:19:12 | |
-You've done really, really well. -Thank you very much. Thank you. | 0:19:12 | 0:19:17 | |
Just to step forward and do this in the first place is really a big act of faith. | 0:19:29 | 0:19:35 | |
I accomplished everything I set out to do, | 0:19:35 | 0:19:38 | |
so it made every task along the way a personal triumph. | 0:19:38 | 0:19:41 | |
Firing Carol was not easy. But I love what I'm looking at. | 0:19:41 | 0:19:46 | |
To me, it's good versus evil... | 0:19:46 | 0:19:49 | |
Ha-ha! | 0:19:49 | 0:19:51 | |
It's the UK against the United States. | 0:19:51 | 0:19:53 | |
Now, tomorrow, we meet. I'll give you a task. You'll fight like hell. | 0:19:53 | 0:19:59 | |
Somebody will be fired, somebody will be chosen the Celebrity Apprentice. | 0:19:59 | 0:20:03 | |
So good luck, see you later. | 0:20:03 | 0:20:06 | |
Thanks, Sheriff. | 0:20:06 | 0:20:08 | |
-You're going down, cowboy. -All right. You take your best shot. | 0:20:08 | 0:20:12 | |
It's all over. Nashville's going to be crying by the end of this. | 0:20:18 | 0:20:21 | |
Yeah, someone will hang your British ass off a cypress tree. | 0:20:21 | 0:20:25 | |
Here we go. | 0:20:48 | 0:20:51 | |
-Good morning, Piers. Good morning, Trace. -Morning. -Morning. | 0:20:55 | 0:20:59 | |
What do you think, Piers, about good versus evil, | 0:20:59 | 0:21:02 | |
and also USA against Britain? | 0:21:02 | 0:21:04 | |
I think I'm not as evil as you think, and he's definitely not as good. | 0:21:04 | 0:21:08 | |
'Donald Trump was deliberately pitching' | 0:21:08 | 0:21:11 | |
the six foot seven inch all-American hero cowboy | 0:21:11 | 0:21:15 | |
against the disgusting, obnoxious, evil Brit, | 0:21:15 | 0:21:18 | |
and of course all this was music to my competitive ears. | 0:21:18 | 0:21:22 | |
OK, what you're going to be doing is very exciting. | 0:21:22 | 0:21:25 | |
You're going to be holding a really grand charity event. | 0:21:25 | 0:21:30 | |
I think you need some help, | 0:21:30 | 0:21:32 | |
so we've invited four really wonderful celebrities to come back. | 0:21:32 | 0:21:37 | |
Come on out here, please. | 0:21:37 | 0:21:38 | |
Look at this. | 0:21:40 | 0:21:41 | |
We brought back Carol Alt, | 0:21:41 | 0:21:44 | |
Stephen Baldwin, | 0:21:44 | 0:21:46 | |
Marilu Henner, | 0:21:46 | 0:21:48 | |
and Lennox Lewis. | 0:21:48 | 0:21:51 | |
Look, you're each going to choose two celebrities. | 0:21:51 | 0:21:55 | |
We'll decide who has first pick with a coin toss. | 0:21:55 | 0:21:59 | |
Piers, you have tails, Trace, you have heads. Good luck. | 0:21:59 | 0:22:02 | |
It's heads. | 0:22:05 | 0:22:07 | |
Trace, you get the first pick. Who is it? | 0:22:07 | 0:22:10 | |
Lennox Lewis. | 0:22:13 | 0:22:15 | |
When I won the toss, I knew where I was going. | 0:22:15 | 0:22:18 | |
I was going to take Piers' security blanket away from him, | 0:22:18 | 0:22:21 | |
and that security blanket is Lennox Lewis. | 0:22:21 | 0:22:24 | |
-How can a Brit fight for an American? You don't want a Brit. -It's OK. Piers, go ahead. | 0:22:24 | 0:22:28 | |
Right, this is tough. | 0:22:28 | 0:22:30 | |
No, Lord God, please, God. Lord, please, Lord Jesus. | 0:22:33 | 0:22:37 | |
I'm going to choose Stephen Baldwin. | 0:22:37 | 0:22:39 | |
Oh, God! | 0:22:41 | 0:22:43 | |
'All right, Lord.' | 0:22:43 | 0:22:45 | |
What would Jesus do? | 0:22:45 | 0:22:46 | |
It's interesting that you chose Stephen. | 0:22:46 | 0:22:49 | |
The odd thing is that even though we clashed all the time, we work very well together. | 0:22:49 | 0:22:53 | |
Well, I was very surprised by the pick. Who are you choosing, Trace? | 0:22:53 | 0:22:56 | |
My girl, Marilu Henner. | 0:22:56 | 0:22:59 | |
Piers, your final pick is Carol. | 0:22:59 | 0:23:02 | |
OK, for your final task, you're going to create a charity event | 0:23:02 | 0:23:07 | |
right in this hall, and it's got to be spectacular. | 0:23:07 | 0:23:11 | |
You both have to work together to pull this off, | 0:23:11 | 0:23:14 | |
but will be responsible for different aspects of the event. | 0:23:14 | 0:23:17 | |
Ivanka, what will one finalist have to do? | 0:23:17 | 0:23:20 | |
Well, one of you will handle catering | 0:23:20 | 0:23:22 | |
-as well as produce a live charity auction event. -And, Don, for the other finalist? | 0:23:22 | 0:23:26 | |
The other finalist will be taking care of the decor as well as working with the entertainment, | 0:23:26 | 0:23:31 | |
multi-platinum recording artists the Backstreet Boys. | 0:23:31 | 0:23:34 | |
You'll be judged on three things, tickets sold to the event, | 0:23:34 | 0:23:38 | |
money raised during the auction, | 0:23:38 | 0:23:40 | |
and how well you run your part of the event. | 0:23:40 | 0:23:43 | |
We want this event to be really big, | 0:23:43 | 0:23:46 | |
so we'll provide you with some amazing auction items to get you started. | 0:23:46 | 0:23:50 | |
You'll have to negotiate with each other to select which items you want, | 0:23:50 | 0:23:55 | |
plus you can add some of your own items, | 0:23:55 | 0:23:57 | |
and, win or lose, the proceeds will go to your charity. | 0:23:57 | 0:24:02 | |
So find great things to auction and sell as many tickets as you can. | 0:24:02 | 0:24:06 | |
Everything I see and everything you do | 0:24:06 | 0:24:10 | |
will help me decide who will become the Celebrity Apprentice. | 0:24:10 | 0:24:14 | |
-Thank you. -Thank you. | 0:24:14 | 0:24:16 | |
Hey. | 0:24:26 | 0:24:27 | |
'The very first thing that we had to do was negotiate' | 0:24:27 | 0:24:31 | |
what each person was going to be responsible for. | 0:24:31 | 0:24:33 | |
I assume that you would feel more comfortable running the show? | 0:24:33 | 0:24:37 | |
You know why? Cos I think at this point it's for the good of the event. | 0:24:37 | 0:24:41 | |
You are a music guy, you do shows, I do charity auctions. | 0:24:41 | 0:24:46 | |
So, if you're happy, I'll take the auction and the catering, | 0:24:46 | 0:24:50 | |
-you guys take the show. -Right. | 0:24:50 | 0:24:52 | |
We want to keep a list. If you've got one, I'll write the stuff down. | 0:24:54 | 0:24:58 | |
It'll be I pick, you pick. | 0:24:58 | 0:25:00 | |
'We were given some auction items that we had to negotiate with the other team' | 0:25:00 | 0:25:05 | |
and I looked through them closely, | 0:25:05 | 0:25:07 | |
worked out which ones I thought were the most viable for us. | 0:25:07 | 0:25:10 | |
You get to pick first. | 0:25:10 | 0:25:11 | |
-OK, I'll take Ivanka Trump. -OK. | 0:25:11 | 0:25:13 | |
-I'm taking the Super Bowl thing. -OK. | 0:25:13 | 0:25:16 | |
What did he take? | 0:25:16 | 0:25:18 | |
The Super Bowl thing. | 0:25:18 | 0:25:19 | |
'My simple strategy was I was more interested in things' | 0:25:19 | 0:25:23 | |
that I thought could be appealing to a wider cross-section of people | 0:25:23 | 0:25:26 | |
like the shopping trip with Ivanka Trump. | 0:25:26 | 0:25:29 | |
I was delighted that I was getting stuff in that was really unique. | 0:25:29 | 0:25:33 | |
May the best man win - and I will. | 0:25:33 | 0:25:35 | |
Sure you really want to do that? | 0:25:35 | 0:25:37 | |
Now I've got rid of you, I've never been more certain of anything in my life. | 0:25:37 | 0:25:41 | |
-You prat! -Make sure you keep him awake, yeah? | 0:25:41 | 0:25:44 | |
'Piers is a Chihuahua, man.' | 0:25:44 | 0:25:46 | |
A Chihuahua is one of the tiniest dogs on the planet. | 0:25:46 | 0:25:50 | |
I used to just nudge him occasionally. | 0:25:50 | 0:25:52 | |
'They bark loud, they make a lot of noise and they're a pain in the ass' | 0:25:52 | 0:25:55 | |
but they're no real threat. | 0:25:55 | 0:25:57 | |
That's Piers Morgan. | 0:25:57 | 0:25:59 | |
We're going to win by selling our auction stuff to the highest bidder | 0:26:05 | 0:26:09 | |
and selling the tickets for more than them. | 0:26:09 | 0:26:12 | |
That's the game. | 0:26:12 | 0:26:13 | |
I have a feeling that faces are going to matter. | 0:26:13 | 0:26:17 | |
-Trace will have every country music relationship that he has... -Sure. | 0:26:17 | 0:26:22 | |
'I warned Piers throughout this whole experience,' | 0:26:22 | 0:26:25 | |
it's not just about the money. | 0:26:25 | 0:26:28 | |
And he's looked me dead in my face and said, | 0:26:28 | 0:26:31 | |
"Donald Trump is only interested in the success we do as far as making money." | 0:26:31 | 0:26:35 | |
And I told Piers, "I'm willing to bet you, it would be my guess, | 0:26:35 | 0:26:40 | |
"that you're very wrong about that". | 0:26:40 | 0:26:42 | |
We're going to concentrate on celebrities | 0:26:47 | 0:26:50 | |
and we're going to concentrate on the band and the decor. | 0:26:50 | 0:26:54 | |
I'm not going to raise the kind of money that Piers will raise. | 0:26:54 | 0:26:57 | |
'Piers will beat me with the money.' | 0:26:57 | 0:26:59 | |
I've already conceded that. That'll happen. | 0:26:59 | 0:27:02 | |
So we're going to concentrate on the other two areas | 0:27:02 | 0:27:05 | |
and if we can take two out of three, we win. That's all there is to it. | 0:27:05 | 0:27:09 | |
I'm reaching out today to everybody that I have their phone number, | 0:27:09 | 0:27:13 | |
that is in the same business that I'm in. | 0:27:13 | 0:27:16 | |
You want country people to come down to New York? | 0:27:16 | 0:27:19 | |
I'm chartering two jets, my friend. | 0:27:19 | 0:27:21 | |
We'll fly them up here. | 0:27:24 | 0:27:25 | |
-Are you serious? -Yes, I'm serious. | 0:27:25 | 0:27:27 | |
I want to win. I'm going to beat this bastard. I'm going to beat him bad. | 0:27:27 | 0:27:31 | |
So if we beat him with celebrities...we win. | 0:27:31 | 0:27:36 | |
We need to get as much celebrities in the place as possible to win. | 0:27:42 | 0:27:47 | |
'The key to winning this task' | 0:27:47 | 0:27:50 | |
was making sure we had some good celebrities. | 0:27:50 | 0:27:52 | |
I'd love for you to give me some numbers of some celebrities I could invite. | 0:27:52 | 0:27:56 | |
'At this time, it's difficult to get celebrities cos we're giving them one day's notice.' | 0:27:56 | 0:28:01 | |
Anyone you can think of or people you could have who could come to the event. | 0:28:01 | 0:28:06 | |
Lennox is going after some celebrities, | 0:28:06 | 0:28:08 | |
Marilu Henner's going after a few and I've got to get some. | 0:28:08 | 0:28:11 | |
I need cowboy hats. | 0:28:11 | 0:28:13 | |
So I started calling people. | 0:28:13 | 0:28:15 | |
I know every country music artist and I was able to get a few. | 0:28:15 | 0:28:20 | |
I've got Montgomery Gentry, | 0:28:20 | 0:28:23 | |
I've got Ronnie Milsap, Dean Sams from Lone Star. | 0:28:23 | 0:28:27 | |
I was also trying to get some auction items | 0:28:27 | 0:28:30 | |
to raise money through an auction to benefit our two charities. | 0:28:30 | 0:28:35 | |
I've got two Taylor guitars | 0:28:35 | 0:28:39 | |
and I was going to have any of my celebrities that show up sign the guitar, we auction it off. | 0:28:39 | 0:28:44 | |
It was unbelievable. | 0:28:44 | 0:28:46 | |
So you're going to the prop rental place so that's all good. | 0:28:46 | 0:28:52 | |
Marilu and Lennox headed down to go look at stuff from the props house. | 0:28:52 | 0:28:57 | |
I was dealing with the band, | 0:28:57 | 0:28:59 | |
making sure that all that was taken care of. | 0:28:59 | 0:29:01 | |
Me and Marilu went to the props house today to pick out some stuff | 0:29:11 | 0:29:15 | |
so that when people come for the event tomorrow, | 0:29:15 | 0:29:19 | |
the place is looking good and sexy. | 0:29:19 | 0:29:21 | |
Hey! Hi! Are you Peter? | 0:29:21 | 0:29:24 | |
-That's me. -Hi! Marilu Henner. | 0:29:24 | 0:29:26 | |
How you doing? Lennox Lewis. | 0:29:26 | 0:29:28 | |
Hi, Lennox. Pleasure. | 0:29:28 | 0:29:29 | |
I love planning parties. | 0:29:29 | 0:29:31 | |
I always think in terms of flow, energy centres etc, etc. | 0:29:31 | 0:29:34 | |
-Do we make them all high? -Yeah, we want them high. | 0:29:34 | 0:29:37 | |
I agree. | 0:29:37 | 0:29:38 | |
I think we should have the mixture of high and low, a few chairs and then some chairs around. | 0:29:38 | 0:29:43 | |
I want to see the linens. | 0:29:43 | 0:29:46 | |
-I want to see white for my sake. -Whatever you like. | 0:29:46 | 0:29:48 | |
So that's how it'll look. | 0:29:48 | 0:29:49 | |
Good. That looks good. Done. | 0:29:49 | 0:29:53 | |
Remember, we're on a time thing so we got to get through it fast. | 0:29:53 | 0:29:56 | |
-I know, I know. -OK. | 0:29:56 | 0:29:57 | |
-So once we come up with something, boom, decided, done. -That's great. | 0:29:57 | 0:30:02 | |
Marilu kind of reminds me of, you know, my mother. | 0:30:02 | 0:30:05 | |
She's a little bit fussy, she wants to get everything right | 0:30:05 | 0:30:09 | |
and I had to go and say, "This is what we're doing, done, move on". | 0:30:09 | 0:30:14 | |
I'm worried about having a bunch of ugly gold and silver chairs. | 0:30:14 | 0:30:18 | |
I say keep it just like that. Done. | 0:30:18 | 0:30:21 | |
I'm worried about it looking tacky. I feel safer with this. | 0:30:21 | 0:30:24 | |
-That's not tacky. -All black. | 0:30:24 | 0:30:26 | |
I think that looks great. | 0:30:26 | 0:30:27 | |
-Done! -OK. Done. | 0:30:27 | 0:30:30 | |
-Let's go. -All right. This was fun. | 0:30:30 | 0:30:33 | |
-Thanks. -Thank you so much, Peter. | 0:30:33 | 0:30:35 | |
-I'll check in with you tomorrow. You guys did a great job. -Great. | 0:30:35 | 0:30:38 | |
-Thank you. -Wonderful. | 0:30:38 | 0:30:40 | |
-Done! -OK. | 0:30:44 | 0:30:46 | |
-Mark? -Hi. How are you? | 0:30:55 | 0:30:58 | |
Carol Alt. Nice to see you. | 0:30:58 | 0:31:00 | |
-Likewise. -Stephen Baldwin. -Nice to meet you. | 0:31:00 | 0:31:02 | |
-You've already set up some stuff. -We prepared some hors d'oeuvres. | 0:31:02 | 0:31:06 | |
Carol and I went and met the organisation that was providing the food and drink. | 0:31:06 | 0:31:10 | |
We did a little taste testing of the hors d'oeuvres. | 0:31:10 | 0:31:14 | |
Yummy. | 0:31:15 | 0:31:17 | |
-This is the actual hors d'oeuvres that will be served. -OK. | 0:31:17 | 0:31:20 | |
May I? | 0:31:20 | 0:31:21 | |
Yes, please. Indulge. | 0:31:21 | 0:31:23 | |
We have smoked salmon. | 0:31:23 | 0:31:25 | |
Then miso glazed seared tuna. | 0:31:25 | 0:31:27 | |
-Ooh la la. -And then we have squash with a braised short-rib ragu. | 0:31:27 | 0:31:31 | |
Oh my Lord. | 0:31:31 | 0:31:33 | |
-Can I just pig out? -Absolutely. | 0:31:33 | 0:31:36 | |
Feel free. | 0:31:36 | 0:31:37 | |
HE CRUNCHES LOUDLY | 0:31:37 | 0:31:39 | |
Is that loud? | 0:31:39 | 0:31:41 | |
That's loud. | 0:31:41 | 0:31:42 | |
'Stephen is extremely charming, he's very cute.' | 0:31:44 | 0:31:47 | |
-I think I could eat about 27 of those. -It's catering! | 0:31:47 | 0:31:51 | |
He's a piece of work. | 0:31:51 | 0:31:52 | |
HE CRUNCHES | 0:31:55 | 0:31:57 | |
'I've got to win the auction. | 0:32:05 | 0:32:07 | |
'The auction's a major part of this challenge.' | 0:32:07 | 0:32:09 | |
I knew I had to get creative prizes | 0:32:09 | 0:32:11 | |
with great uniqueness to them. | 0:32:11 | 0:32:14 | |
Just on a whim, I thought, I wonder if my old friend is in New York. | 0:32:14 | 0:32:18 | |
-What can I do for you? -Your Majesty! | 0:32:20 | 0:32:22 | |
Keep it quiet. | 0:32:22 | 0:32:25 | |
-How are you? -Nice to see you. Do I not get a kiss? | 0:32:25 | 0:32:28 | |
Of course you get a kiss. | 0:32:28 | 0:32:29 | |
My favourite Royal. Always has been. | 0:32:29 | 0:32:31 | |
LAUGHTER | 0:32:34 | 0:32:35 | |
'I went to see Sarah Ferguson, the Duchess of York.' | 0:32:35 | 0:32:38 | |
She was on great, sparkling form. | 0:32:38 | 0:32:40 | |
I need your help with something. | 0:32:40 | 0:32:42 | |
-I'm running a big charity event tomorrow night. -Right. | 0:32:42 | 0:32:45 | |
The great thing about Fergie is that not only is she great fun | 0:32:45 | 0:32:48 | |
and incredibly enthusiastic, she loves working for charity. | 0:32:48 | 0:32:52 | |
I can do tea and then we can also give a Wedgewood tea set. | 0:32:52 | 0:32:57 | |
You're the draw. | 0:32:57 | 0:32:59 | |
No! I'll go along and chat away. | 0:32:59 | 0:33:01 | |
Fergie offered herself up as a prize. | 0:33:01 | 0:33:04 | |
Tea with the duchess. A royal tea, which is great. | 0:33:04 | 0:33:06 | |
We're going to win it. We're going to win it! | 0:33:06 | 0:33:09 | |
-Everything we do, we have to win. -Of course. | 0:33:09 | 0:33:11 | |
'I thought, that is a slam dunk.' | 0:33:11 | 0:33:14 | |
-I really appreciate it. -Not at all. | 0:33:14 | 0:33:15 | |
That one moment may be enough to win the auction. | 0:33:15 | 0:33:19 | |
You owe me! | 0:33:19 | 0:33:21 | |
What else do we need to do? | 0:33:29 | 0:33:30 | |
Should we go through the Backstreet Boys checklist or anything? | 0:33:30 | 0:33:34 | |
Aren't the Backstreet Boys like Backstreet Old Guys now? | 0:33:34 | 0:33:40 | |
Are they still using "boys"? | 0:33:40 | 0:33:43 | |
LAUGHTER | 0:33:43 | 0:33:45 | |
Backstreet Grey Hairs? | 0:33:45 | 0:33:48 | |
I was a little nervous about the Backstreet Boys' list | 0:33:48 | 0:33:51 | |
of what they wanted in their dressing room. | 0:33:51 | 0:33:54 | |
We also need 12 bottles of assorted local beers. | 0:33:54 | 0:33:57 | |
Two bottles of red wine. Cabernet and Merlot. | 0:33:57 | 0:33:59 | |
One hot tea set up with honey and fresh lemon. | 0:33:59 | 0:34:02 | |
Hold up. I need to talk to their road manager first. | 0:34:02 | 0:34:05 | |
A lot of times he'll tell you they don't need all that stuff. | 0:34:05 | 0:34:08 | |
OK. It was on my list. | 0:34:08 | 0:34:10 | |
I'll talk to their tour manager when he hits the ground. He'll call me. | 0:34:10 | 0:34:15 | |
I'll go over it with him because I've done this a lot. | 0:34:15 | 0:34:18 | |
I'm going to discuss with their tour manager | 0:34:18 | 0:34:21 | |
the stuff they have on their list, on their rider, | 0:34:21 | 0:34:24 | |
stuff they want in the green room, | 0:34:24 | 0:34:26 | |
and what, if it's too much trouble to find, | 0:34:26 | 0:34:29 | |
can be lived without. | 0:34:29 | 0:34:32 | |
And as an act it's at that point that you have to decide, | 0:34:32 | 0:34:35 | |
is this a deal breaker for me? | 0:34:35 | 0:34:37 | |
If I don't have green M&Ms in the room, am I not going to go on stage? | 0:34:37 | 0:34:41 | |
Hello. | 0:34:41 | 0:34:43 | |
Hello, is this Fitzjoy? | 0:34:43 | 0:34:45 | |
This is Trace Adkins. Hello? | 0:34:47 | 0:34:48 | |
My name is Trace Adkins. | 0:34:52 | 0:34:53 | |
I am your liaison. | 0:34:53 | 0:34:55 | |
My name is Trace Adkins. A-D-K-I-N-S. | 0:34:57 | 0:35:01 | |
'Trace was getting frustrated. It's a big event for him, | 0:35:03 | 0:35:06 | |
'he doesn't need to be running around looking after all the things' | 0:35:06 | 0:35:09 | |
that maybe a boy band wants. | 0:35:09 | 0:35:11 | |
In the morning at 10am. | 0:35:14 | 0:35:15 | |
So a lot of these questions here about them, | 0:35:18 | 0:35:21 | |
I'll have answered in the morning when I meet with him at 10. | 0:35:21 | 0:35:25 | |
I'm not really comforted by the way the dude sounded on the phone. | 0:35:25 | 0:35:28 | |
Oh, God. | 0:35:30 | 0:35:33 | |
-I'm Piers. -Nice to meet you. | 0:35:42 | 0:35:45 | |
Good to see you. | 0:35:45 | 0:35:46 | |
Lisa came down from the Intrepid Fallen Heroes Fund. | 0:35:46 | 0:35:49 | |
We had a great meeting. | 0:35:49 | 0:35:50 | |
-I've had another idea. -OK! | 0:35:50 | 0:35:52 | |
I think it'd be really powerful to have your guys there as our invited guests. | 0:35:58 | 0:36:03 | |
I'm aware by doing this, I'm giving up tickets I could've sold | 0:36:03 | 0:36:08 | |
'but I think Mr Trump will find that's in the spirit of the game.' | 0:36:08 | 0:36:11 | |
A mixture of old and young. Probably two-thirds young. | 0:36:11 | 0:36:15 | |
'I thought that would add a really nice touch to the event.' | 0:36:15 | 0:36:18 | |
They'd see the uniform, they'd think about our heroic soldiers | 0:36:18 | 0:36:22 | |
and it might encourage them to bid higher sums of money. | 0:36:22 | 0:36:25 | |
-Nice to meet you. -Thank you so much. | 0:36:25 | 0:36:27 | |
If I win, you get more money. | 0:36:27 | 0:36:29 | |
Exactly. That's what we like, right? | 0:36:29 | 0:36:31 | |
Exactly. Just for the record, you don't care how mean I am, do you? | 0:36:31 | 0:36:35 | |
No. The meaner, the better! | 0:36:35 | 0:36:37 | |
LAUGHTER You go get 'em, Piers! | 0:36:37 | 0:36:40 | |
Hey. | 0:36:47 | 0:36:48 | |
Hi. Trace? | 0:36:49 | 0:36:51 | |
How's it going? Trace Atkins. | 0:36:51 | 0:36:54 | |
-Nick Carter. -Nice to meet you, Nick. | 0:36:54 | 0:36:56 | |
'I had to go have a meeting with the Backstreet Boys to let 'em know' | 0:36:56 | 0:37:01 | |
I'm going to be the guy today taking care of you, | 0:37:01 | 0:37:04 | |
whatever your needs may be. | 0:37:04 | 0:37:06 | |
If you want to fulfil this rider, whatever. | 0:37:06 | 0:37:09 | |
I've got to tell you straight upfront though, | 0:37:09 | 0:37:12 | |
on your rider, it talks about two different dressing rooms. | 0:37:12 | 0:37:16 | |
This is not a big venue. We've got one room backstage. | 0:37:16 | 0:37:19 | |
So since we only have the one room, | 0:37:22 | 0:37:25 | |
some of the stuff on this rider is redundant, you know what I'm saying? | 0:37:25 | 0:37:30 | |
You've got stock for two rooms. | 0:37:30 | 0:37:31 | |
If you want two of everything, you got it, but... | 0:37:34 | 0:37:37 | |
If we're going to have our band in there with us... | 0:37:37 | 0:37:40 | |
We'll leave it that way then. | 0:37:40 | 0:37:43 | |
I knew then I was dealing with a group of kids that were going to bust my balls all day. | 0:37:43 | 0:37:48 | |
Can I ask you - wheatgrass. Is there any way you can get that? | 0:37:48 | 0:37:52 | |
Excuse me? | 0:37:52 | 0:37:53 | |
-Wheatgrass? -Wheatgrass? | 0:37:53 | 0:37:55 | |
-Yeah. -Like, to eat? | 0:37:55 | 0:37:58 | |
You squeeze it and you get the juice out of it and you drink it. | 0:37:58 | 0:38:02 | |
It's, like, really good for your body. | 0:38:02 | 0:38:04 | |
It looks like turf. | 0:38:04 | 0:38:05 | |
'What?!' | 0:38:05 | 0:38:07 | |
Are you punkin' me, man? | 0:38:07 | 0:38:09 | |
'Is this a joke? Really?' | 0:38:09 | 0:38:11 | |
-I've never heard of it, man. -I don't know... | 0:38:11 | 0:38:15 | |
It gives you energy before you go on. | 0:38:15 | 0:38:18 | |
I'm happy for you, brother. | 0:38:18 | 0:38:20 | |
I'm glad you've found something that works for you. | 0:38:20 | 0:38:23 | |
If you could leave the waters out. | 0:38:23 | 0:38:24 | |
So they're room temperature. | 0:38:24 | 0:38:26 | |
-Yeah. -You know! | 0:38:26 | 0:38:28 | |
And some tea would be great. | 0:38:28 | 0:38:29 | |
'Talking to the Backstreet Boys is time out of my life that I'll never get back.' | 0:38:29 | 0:38:35 | |
Talking abut wheatgrass juice. | 0:38:35 | 0:38:38 | |
I'd already established you have about as much fundraising ability | 0:38:43 | 0:38:46 | |
inside you as an armadillo, so I'm relying on you for faces. | 0:38:46 | 0:38:53 | |
I'm pulling out all the guns here. | 0:38:53 | 0:38:55 | |
'While I gave the charity 20 tickets, | 0:38:55 | 0:38:57 | |
'Stephen had to deliver on the celebrity count.' | 0:38:57 | 0:39:00 | |
Stephen had promised me a lot of celebrities. | 0:39:00 | 0:39:03 | |
You tell Gandolfini that it's me, too. | 0:39:03 | 0:39:06 | |
Where's Lindsay? | 0:39:07 | 0:39:09 | |
'She's in LA.' | 0:39:09 | 0:39:11 | |
Ben Stiller's not available. | 0:39:11 | 0:39:13 | |
The thing about Stephen is he's full of life, | 0:39:13 | 0:39:16 | |
he's a great character. | 0:39:16 | 0:39:17 | |
But his biggest flaw is in terms of celebrity getting, | 0:39:19 | 0:39:22 | |
he unfortunately is fairly useless. | 0:39:22 | 0:39:24 | |
It sounds like it's a little too complicated. Bye. | 0:39:24 | 0:39:28 | |
I believe in delegation. | 0:39:30 | 0:39:31 | |
You have to believe these people can deliver on what they say they can do. | 0:39:31 | 0:39:35 | |
Hello. Y'ello? | 0:39:35 | 0:39:37 | |
Yodele-hee-hoo! | 0:39:39 | 0:39:41 | |
Oh boy! | 0:39:42 | 0:39:43 | |
Look, the bottom line is, are there any celebs you think you could get down realistically? | 0:39:43 | 0:39:50 | |
I looked. | 0:39:50 | 0:39:51 | |
'It was a bit depressing.' | 0:39:52 | 0:39:53 | |
I thought if Trace turns up with a cartload of country music superstars | 0:39:53 | 0:39:57 | |
and Lennox brings in all the big fight boys, we might have a problem. | 0:39:57 | 0:40:01 | |
-Where's Stephen? -I don't know. | 0:40:02 | 0:40:06 | |
This is what he does unfortunately. | 0:40:06 | 0:40:09 | |
Yes, I was responsible for getting as many celebrities there | 0:40:10 | 0:40:15 | |
but realistically at such short notice, nobody was available. | 0:40:15 | 0:40:19 | |
So if Piers Morgan gets fired because no celebrities showed up - | 0:40:19 | 0:40:22 | |
sorry. | 0:40:22 | 0:40:24 | |
Next week - the final showdown continues | 0:40:28 | 0:40:31 | |
and Trace is tested by the band. | 0:40:31 | 0:40:33 | |
Black nail polish? | 0:40:33 | 0:40:35 | |
One of 'em forgot to bring his fingernail polish. | 0:40:35 | 0:40:38 | |
While Piers lays down his plan of attack. | 0:40:38 | 0:40:41 | |
The general strategy is to get them as loaded as fast as possible. | 0:40:41 | 0:40:45 | |
Loaded celebrities means lots of money. Thank you very much. | 0:40:45 | 0:40:49 | |
And with everything hanging in the balance, | 0:40:49 | 0:40:51 | |
Trace gets an emotional visit. | 0:40:51 | 0:40:54 | |
It reminded me why I'm doing this, for that six-year-old. | 0:40:54 | 0:40:58 | |
While Piers gets a phone call that surprises everyone. | 0:40:58 | 0:41:02 | |
You may recognise the voice. | 0:41:02 | 0:41:04 | |
APPLAUSE | 0:41:04 | 0:41:05 | |
Tune in next week to find out who will become | 0:41:05 | 0:41:09 | |
the Celebrity Apprentice. | 0:41:09 | 0:41:11 | |
Subtitles by Red Bee Media Ltd | 0:41:19 | 0:41:21 | |
E-mail [email protected] | 0:41:21 | 0:41:24 |