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We started with 14 celebrities and we're down to two - Trace and Piers. | 0:00:07 | 0:00:14 | |
Ivanka, what do you think? | 0:00:14 | 0:00:15 | |
I think you have a very tough job ahead of you. | 0:00:15 | 0:00:18 | |
You have two extremely competent and effective guys | 0:00:18 | 0:00:21 | |
who are totally different on a personality level. | 0:00:21 | 0:00:24 | |
Trace is a great guy with great people skills. | 0:00:24 | 0:00:27 | |
Piers is aggressive, but effective and great at raising money. | 0:00:27 | 0:00:31 | |
Both good, both tough. What do you think, Don? | 0:00:31 | 0:00:34 | |
It's definitely a difficult decision. | 0:00:34 | 0:00:36 | |
I like them both, they've played the game well. | 0:00:36 | 0:00:38 | |
I've learned from you, you don't get anything you don't ask for. | 0:00:38 | 0:00:41 | |
Piers wasn't afraid to ask for money. | 0:00:41 | 0:00:43 | |
Trace was the silent, stoic type | 0:00:43 | 0:00:45 | |
but when he opened his mouth, he spoke with meaning, | 0:00:45 | 0:00:48 | |
wining tasks you wouldn't have thought he would have any place winning. | 0:00:48 | 0:00:52 | |
Very good, good suggestions but I want to just ask - | 0:00:52 | 0:00:55 | |
what do you think? | 0:00:55 | 0:00:57 | |
What does everyone in the audience think? | 0:00:57 | 0:00:59 | |
APPLAUSE | 0:00:59 | 0:01:03 | |
Live from New York City, | 0:01:03 | 0:01:05 | |
this is the season finale of the Celebrity Apprentice. | 0:01:05 | 0:01:09 | |
Now, here's the biggest celebrity of them all, Donald Trump. | 0:01:15 | 0:01:20 | |
Thank you. Thank you. | 0:01:25 | 0:01:28 | |
It's a big night for a big charity, | 0:01:28 | 0:01:30 | |
lots of money has been raised, it's been raised all over the place. | 0:01:30 | 0:01:33 | |
We've got over a million dollars and that's a lot. | 0:01:33 | 0:01:36 | |
CHEERING AND APPLAUSE | 0:01:36 | 0:01:40 | |
If there's one thing I like, it's a good fight | 0:01:41 | 0:01:45 | |
and these two are fighters. | 0:01:45 | 0:01:46 | |
They came out of the jungle, they are really tough cookies. | 0:01:46 | 0:01:50 | |
Different kind of people, very different from each other. | 0:01:50 | 0:01:53 | |
But they are tough. Take a look. | 0:01:53 | 0:01:56 | |
12 weeks ago, 14 of the world's most successful celebrities | 0:01:59 | 0:02:03 | |
descended on New York City, determined to make a difference. | 0:02:03 | 0:02:07 | |
A former heavyweight champion of the world, | 0:02:07 | 0:02:10 | |
a rock star, a tabloid journalist... | 0:02:10 | 0:02:12 | |
There's no way anyone could win with your crazy brain. | 0:02:12 | 0:02:15 | |
-..a country star... -Come on, boy! | 0:02:15 | 0:02:17 | |
..actors and Olympic athletes. | 0:02:17 | 0:02:20 | |
Each brought with them their own business background. | 0:02:20 | 0:02:23 | |
All prepared to fight for a charity near and dear to their heart. | 0:02:23 | 0:02:27 | |
I present this cheque to you. | 0:02:27 | 0:02:29 | |
Oh my God! | 0:02:29 | 0:02:31 | |
Determined, they had to think outside the box... | 0:02:31 | 0:02:34 | |
I am Mr Outside the Box. | 0:02:34 | 0:02:36 | |
I don't buy that visual. | 0:02:36 | 0:02:38 | |
You don't buy that visual?! | 0:02:38 | 0:02:40 | |
..dig deep into their contacts... | 0:02:40 | 0:02:42 | |
-Bob Saget! -Hey, how are you? | 0:02:42 | 0:02:45 | |
I'll pay 1,000 each. | 0:02:45 | 0:02:47 | |
Richard Branson just called me, he's giving us 10,000. | 0:02:47 | 0:02:49 | |
..and push themselves harder than ever before. | 0:02:49 | 0:02:52 | |
You want me in this, with these two dudes? | 0:02:52 | 0:02:54 | |
-Get the -BLEEP -out of here, man! | 0:02:54 | 0:02:56 | |
From the original 14, 12 have come and gone. | 0:02:57 | 0:03:01 | |
Tiffany, you're fired! | 0:03:01 | 0:03:02 | |
Nadia, you're fired! You're fired! You're fired! | 0:03:02 | 0:03:05 | |
You're fired! | 0:03:05 | 0:03:06 | |
Now, only two remain - | 0:03:07 | 0:03:09 | |
formwork tabloid editor and notorious judge of America's Got Talent, | 0:03:09 | 0:03:13 | |
Piers Morgan... | 0:03:13 | 0:03:14 | |
Every competitive part of me is desperate to be declared Celebrity Apprentice. | 0:03:14 | 0:03:19 | |
Good to see y'all. | 0:03:19 | 0:03:22 | |
..and country superstar, Trace Adkins. | 0:03:22 | 0:03:24 | |
There's a little six year-old girl in my house | 0:03:24 | 0:03:28 | |
with severe food allergies, and that's why I'm here. | 0:03:28 | 0:03:29 | |
-Get out! -Although they've earned their places as the final two, | 0:03:29 | 0:03:32 | |
their styles couldn't have been more different. | 0:03:32 | 0:03:35 | |
4?! You're not getting a hot dog for 4! | 0:03:35 | 0:03:37 | |
-Piers had an aggressive approach to raising money... -5,000! | 0:03:37 | 0:03:41 | |
..and winning tasks... | 0:03:41 | 0:03:43 | |
The biggest beating in the history of the Apprentice. | 0:03:43 | 0:03:46 | |
..while Trace took the steady path to success... | 0:03:46 | 0:03:48 | |
The world's greatest romance deserves the world's best mattress. | 0:03:48 | 0:03:51 | |
..leaving Mr Trump to preside over the biggest international battle in Apprentice history. | 0:03:51 | 0:03:57 | |
I love what I'm looking at. | 0:03:57 | 0:03:59 | |
It's good versus evil, it's the UK against the United States. | 0:03:59 | 0:04:04 | |
-I've been waiting on this. -Game on, big boy! -I'm going to kick your ass. | 0:04:04 | 0:04:09 | |
-Last week, Piers and Trace were given their final task. -Here we go! | 0:04:12 | 0:04:17 | |
You're going to hold a really grand charity event. | 0:04:17 | 0:04:21 | |
Come on out here, please. | 0:04:21 | 0:04:23 | |
We have invited four really wonderful celebrities to come back. | 0:04:23 | 0:04:26 | |
Piers and Trace chose teams. | 0:04:26 | 0:04:29 | |
Trace, you get the first pick. | 0:04:29 | 0:04:30 | |
-Lennox Lewis. -I'm going to choose Stephen Baldwin. | 0:04:30 | 0:04:34 | |
Trace then chose Marilu Henner, | 0:04:34 | 0:04:36 | |
automatically putting Carol Alt on Piers' team. | 0:04:36 | 0:04:40 | |
You will be judged on three things. | 0:04:40 | 0:04:41 | |
Tickets sold to the event, money raised during the auction | 0:04:41 | 0:04:45 | |
and how well you run your part of the event. | 0:04:45 | 0:04:48 | |
Then it was down to business. | 0:04:48 | 0:04:51 | |
-If you're happy I'll take the auction and the catering, you guys take the show. -Right. | 0:04:51 | 0:04:55 | |
I'm taking the Super Bowl thing. | 0:04:55 | 0:04:57 | |
OK, I'll take Ivanka Trump. | 0:04:57 | 0:04:59 | |
We were given auction items we had to negotiate with the others. | 0:04:59 | 0:05:02 | |
-You want Ivanka Trump? -Yeah. -OK. | 0:05:02 | 0:05:04 | |
May the best man win and I will. | 0:05:04 | 0:05:06 | |
In the War Room, Piers revealed his plan of attack... | 0:05:06 | 0:05:10 | |
I'm going to focus, primarily, | 0:05:10 | 0:05:11 | |
on getting great auction prizes and money. | 0:05:11 | 0:05:13 | |
..and made a gesture to his charity director he hoped would pay off. | 0:05:13 | 0:05:17 | |
Why don't we give 20 tickets to wounded veterans? | 0:05:17 | 0:05:21 | |
I think it'd be really powerful to have your guys as our invited guests. | 0:05:21 | 0:05:24 | |
'I'm aware by doing this' | 0:05:24 | 0:05:26 | |
I'm giving up tickets I could have sold. | 0:05:26 | 0:05:28 | |
Meanwhile, Trace had a strategy of his own. | 0:05:28 | 0:05:32 | |
I'm reaching out to everybody that I have their phone number. | 0:05:32 | 0:05:35 | |
We beat him and with celebrities, | 0:05:35 | 0:05:37 | |
we win. | 0:05:37 | 0:05:39 | |
Piers went right to work getting auction items... | 0:05:39 | 0:05:42 | |
I had to get creative prizes with uniqueness to them. | 0:05:42 | 0:05:45 | |
-I need your help. -I can do tea. | 0:05:45 | 0:05:47 | |
Tea with the Duchess, that's a slam dunk. | 0:05:47 | 0:05:51 | |
..while Trace had encountered a problem with the Backstreet Boys' list of demands... | 0:05:51 | 0:05:55 | |
Some of the stuff on this rider is redundant. | 0:05:55 | 0:05:58 | |
-We'll leave it that way then. -All right. | 0:05:58 | 0:06:00 | |
Wheatgrass, can you get that? | 0:06:00 | 0:06:02 | |
-Excuse me? -Wheat grass? -Wheat grass? -Yeah. | 0:06:02 | 0:06:06 | |
..and Piers realised Stephen was falling short of his expectations. | 0:06:06 | 0:06:10 | |
Hello. Hello. | 0:06:10 | 0:06:14 | |
The thing about Stephen is, in terms of fund-raising | 0:06:14 | 0:06:17 | |
and celebrity getting, he just unfortunately is useless. | 0:06:17 | 0:06:20 | |
If Trace turns up with a car load of country-music superstars, | 0:06:20 | 0:06:23 | |
'we might a have a bit of a problem.' | 0:06:23 | 0:06:26 | |
Tonight, it's the final showdown. | 0:06:26 | 0:06:28 | |
May the best man win and may our charities raise a lot of money. | 0:06:28 | 0:06:33 | |
Two remain. | 0:06:33 | 0:06:35 | |
But only one will claim the ultimate title, | 0:06:35 | 0:06:38 | |
of the Celebrity Apprentice. | 0:06:38 | 0:06:40 | |
# Money, money, money, money | 0:06:47 | 0:06:50 | |
# Money | 0:06:51 | 0:06:52 | |
# Money, money, money, money | 0:06:52 | 0:06:54 | |
# Money. # | 0:06:55 | 0:06:57 | |
CHEERING AND APPLAUSE | 0:06:59 | 0:07:02 | |
As you've just seen, it's been a phenomenal season | 0:07:06 | 0:07:10 | |
and tonight will be really, really special. | 0:07:10 | 0:07:14 | |
We have a room full, just absolutely packed with 14 wonderful killers. | 0:07:14 | 0:07:20 | |
They're waiting backstage. | 0:07:20 | 0:07:21 | |
Everybody wants to hear, including me, what they have to say. | 0:07:25 | 0:07:29 | |
It's going to be very interesting. | 0:07:29 | 0:07:31 | |
At the end of the night I'm going to choose the Celebrity Apprentice. | 0:07:31 | 0:07:36 | |
-Lots of money to a particular charity, so enjoy it. -CHEERING AND APPLAUSE | 0:07:36 | 0:07:41 | |
This season I gave the game a new twist by letting celebrities | 0:07:43 | 0:07:47 | |
call on their very famous friends to help win tasks. | 0:07:47 | 0:07:51 | |
Check it out. | 0:07:51 | 0:07:53 | |
-'Hello.' -Sharon Osbourne, it's Piers Morgan here. | 0:08:06 | 0:08:09 | |
'Oh, hell! How are you doing, Piers?' | 0:08:09 | 0:08:13 | |
Well, I'm doing very well, but I need your help... | 0:08:13 | 0:08:16 | |
'The challenge was to run a charity auction | 0:08:16 | 0:08:18 | |
'where all the money I could raise from my items and Trace from his, | 0:08:18 | 0:08:23 | |
'would go to our respected charities. | 0:08:23 | 0:08:24 | |
'So, I was determined to offer stuff' | 0:08:24 | 0:08:26 | |
that you cannot buy in any store in the world. | 0:08:26 | 0:08:31 | |
So it was time for my famous rich Brits to pile in. | 0:08:31 | 0:08:35 | |
Andrew, it's Piers Morgan here, how are you? | 0:08:35 | 0:08:36 | |
'Good heavens.' | 0:08:36 | 0:08:38 | |
Where are you, Piers? | 0:08:38 | 0:08:39 | |
'I'm actually New York,' | 0:08:39 | 0:08:41 | |
I'm doing a very big charity fund-raising event tonight | 0:08:41 | 0:08:44 | |
and I'm after great, exotic, exciting auction prizes | 0:08:44 | 0:08:47 | |
'that I can use to raise a lot of money with.' | 0:08:47 | 0:08:51 | |
'The funny thing is I'm sitting' | 0:08:51 | 0:08:53 | |
in Abbey Road at the moment, the great recording studios. | 0:08:53 | 0:08:56 | |
I'm working on the Phantom sequel, we're trying out some tracks. | 0:08:56 | 0:09:00 | |
I can offer a couple of tickets for the opening night. | 0:09:00 | 0:09:03 | |
Wow! They will be the hottest musical tickets in the world. | 0:09:03 | 0:09:07 | |
-Thank you so much, I can't thank you enough, thanks very much. -'Bye.' -Take care, bye. | 0:09:07 | 0:09:12 | |
That's great! Let's go, Stephen. | 0:09:13 | 0:09:15 | |
'I was delighted, I was getting stuff in that was unique. | 0:09:19 | 0:09:23 | |
'I was calling absolutely anyone I could think of' | 0:09:23 | 0:09:27 | |
that could either be a prize or bid for a prize. | 0:09:27 | 0:09:30 | |
Howard, hi, it's Piers Morgan here. | 0:09:30 | 0:09:33 | |
I don't think you know me, but I'm calling you | 0:09:33 | 0:09:35 | |
to wonder whether I could persuade you to join our charity fundraiser this evening. | 0:09:35 | 0:09:40 | |
The charity is the Intrepid Fallen Heroes Fund, I don't know if you're aware of that. | 0:09:40 | 0:09:44 | |
'In terms of money raising,' | 0:09:44 | 0:09:46 | |
I don't accept the charge that I just have this fabled Rolodex, | 0:09:46 | 0:09:51 | |
I put a lot of work | 0:09:51 | 0:09:53 | |
'into getting the money.' | 0:09:53 | 0:09:54 | |
Thank you, I cannot thank you enough. | 0:09:54 | 0:09:57 | |
See you later on. Thanks. Bye-bye. | 0:09:57 | 0:10:00 | |
No question. At the fundraising aspect of things, you've got talent. | 0:10:00 | 0:10:04 | |
PIERS CHUCKLES | 0:10:04 | 0:10:05 | |
-You know what I mean? -That actually hurt you to say that. -No! | 0:10:05 | 0:10:09 | |
I know I have occasionally got to you a bit. | 0:10:09 | 0:10:12 | |
-I've never meant to be personally rude to you. -Yeah, and then? | 0:10:12 | 0:10:17 | |
-I'm sorry if I've offended you. -Ah! | 0:10:17 | 0:10:19 | |
-Hallelujah! -Because despite... -Hallelujah! -Despite... -Hallelujah! | 0:10:19 | 0:10:26 | |
Despite all your obvious flaws, you're not a bad guy. | 0:10:26 | 0:10:29 | |
-I've missed working with you. -Right back at ya, Piers! | 0:10:32 | 0:10:36 | |
-Hey, man. -Hey. Zito. -How's it going, Zito? -Really good. | 0:10:46 | 0:10:50 | |
-How are you doing? -All right, dude. -Very good. | 0:10:50 | 0:10:53 | |
'My part of the task was to take care of the entertainment, which was the Backstreet Boys,' | 0:10:53 | 0:10:59 | |
to make sure their needs were met and everything was good for them. | 0:10:59 | 0:11:02 | |
-So, this is what we've got. -Perfect. We'll put the boys in here. | 0:11:04 | 0:11:07 | |
-This is not bad, right? -It's great. -They'll be OK with this? -Totally. | 0:11:07 | 0:11:10 | |
-You worked with these guys? -Yeah. -Will they give me a rough time if it's not completely perfect? | 0:11:10 | 0:11:16 | |
Phew! Well... | 0:11:16 | 0:11:18 | |
'My greatest nightmare was that I would end up with a band' | 0:11:18 | 0:11:21 | |
that would not go on stage because something on that rider had not been in the dressing room. | 0:11:21 | 0:11:26 | |
PHONE RINGS | 0:11:26 | 0:11:28 | |
Hey, how you doing? Are you guys OK? Everything cool? | 0:11:28 | 0:11:32 | |
You, er... | 0:11:32 | 0:11:34 | |
Black nail polish? | 0:11:34 | 0:11:36 | |
I'm still trying to find the wheatgrass juice. | 0:11:41 | 0:11:45 | |
'And in the meantime, I get a call from the Backstreet Boys.' | 0:11:45 | 0:11:49 | |
One of them forgot to bring his fingernail polish. | 0:11:49 | 0:11:54 | |
Running down to the pharmacy down the street. I'll be right back. | 0:11:57 | 0:12:01 | |
-All right. -I'm not telling you why. It's embarrassing. | 0:12:01 | 0:12:04 | |
HE CHUCKLES | 0:12:04 | 0:12:06 | |
'So the most heterosexual cowboy on the planet | 0:12:10 | 0:12:13 | |
'and the three-time heavyweight champion of the world | 0:12:13 | 0:12:17 | |
'go to buy fingernail polish, not for a woman,' | 0:12:17 | 0:12:21 | |
not for our wives... | 0:12:21 | 0:12:23 | |
..for a man. | 0:12:25 | 0:12:26 | |
-We mustn't sell the tickets, know what I mean? -Yep. | 0:12:37 | 0:12:40 | |
With 20 tickets going to the charity, could you get 20 people like that? | 0:12:40 | 0:12:45 | |
-I'll start banging out calls. -Keep hitting the phones. | 0:12:45 | 0:12:48 | |
We need stars, that's all we need. | 0:12:48 | 0:12:50 | |
I was very aware there were a number of different criteria we had to fulfil | 0:12:50 | 0:12:54 | |
and one of them was getting rid of 50 tickets. | 0:12:54 | 0:12:57 | |
Stephen was making sure we got to 50. | 0:12:57 | 0:13:00 | |
Huckleberry! | 0:13:00 | 0:13:02 | |
I'm rocking and rolling here, player-player. | 0:13:02 | 0:13:06 | |
What are you doing tonight? OK, then. You can't make it. | 0:13:06 | 0:13:09 | |
PHONE RINGS | 0:13:11 | 0:13:12 | |
Tonight is a private fundraiser and concert by the Backstreet Boys. | 0:13:12 | 0:13:19 | |
You still with me? | 0:13:19 | 0:13:21 | |
PHONE RINGS | 0:13:21 | 0:13:23 | |
What are you guys doing tonight? | 0:13:23 | 0:13:25 | |
Just tell me, it's important. | 0:13:25 | 0:13:27 | |
Oh, so you're shooting straight through? | 0:13:27 | 0:13:29 | |
PHONE RINGS | 0:13:29 | 0:13:32 | |
Stephen had an absolute clinker, as we call it in England, | 0:13:36 | 0:13:40 | |
in getting rid of tickets. | 0:13:40 | 0:13:42 | |
-All right, bro. God bless. -'Bye.' -Peace. | 0:13:42 | 0:13:45 | |
How many have we actually got coming from you? | 0:13:46 | 0:13:50 | |
-Five. -We've got five people coming. | 0:13:50 | 0:13:53 | |
It's not great, is it? | 0:13:55 | 0:13:57 | |
'With three hours to go, I was getting a bit nervous about the tickets.' | 0:13:58 | 0:14:02 | |
We weren't selling enough. We didn't have enough celebrities. | 0:14:02 | 0:14:05 | |
It was all getting a bit tense, to be honest. I was panicking. | 0:14:05 | 0:14:09 | |
I've got to have some numbers here, | 0:14:10 | 0:14:12 | |
otherwise it's not going to be the shoe-in I thought it was. | 0:14:12 | 0:14:16 | |
OK, man. I look forward to seeing you then. Thank you, thank you. Bye. | 0:14:33 | 0:14:38 | |
My country-music stars are on the ground. | 0:14:39 | 0:14:42 | |
We're on our way, Trace. We got your back, bro. | 0:14:43 | 0:14:46 | |
Remaining cool under pressure is vital in business and in life. | 0:14:50 | 0:14:55 | |
I want to see how these two guys react under pressure. | 0:14:55 | 0:15:00 | |
You're never going to make it if you can't take the pressure. | 0:15:00 | 0:15:04 | |
Let's check it out. | 0:15:04 | 0:15:06 | |
If people come in and there's a bar here... | 0:15:18 | 0:15:21 | |
-Oh, you want to put it right here? -Yeah. | 0:15:21 | 0:15:23 | |
-Like this. -What is this stuff? Where's this stuff go? | 0:15:27 | 0:15:30 | |
-It'll take two hours. -To deliver the food? | 0:15:33 | 0:15:36 | |
-The speakers? -No, the flowers. -That's great. | 0:15:36 | 0:15:39 | |
I cannot deal with it. We either have it or we don't. I can't deal with that. | 0:15:41 | 0:15:44 | |
I just need you to make a decision. | 0:15:44 | 0:15:47 | |
-You got to turn in your list of guests. -I know that. | 0:15:47 | 0:15:50 | |
It was mayhem. General chaos. I was exasperated, I was worried. | 0:15:50 | 0:15:57 | |
-You going to talk to me or what? -Don't take that tone with me, dude. | 0:15:57 | 0:16:02 | |
'The pressure of this day was time' | 0:16:02 | 0:16:05 | |
and the lack of it. | 0:16:05 | 0:16:07 | |
-Go. -Daddy! Daddy! | 0:16:11 | 0:16:15 | |
THEY ALL LAUGH | 0:16:15 | 0:16:17 | |
Did we surprise you? | 0:16:17 | 0:16:20 | |
Are you surprised? I think he's surprised. | 0:16:22 | 0:16:25 | |
For once he's speechless. | 0:16:25 | 0:16:28 | |
SHE LAUGHS HAPPILY | 0:16:28 | 0:16:31 | |
'There were my little girls, you know, and my wife.' | 0:16:36 | 0:16:39 | |
'Just shut the whole world down for a minute. | 0:16:41 | 0:16:44 | |
'Everything else was meaningless.' | 0:16:44 | 0:16:46 | |
Reminded me why I'm doing this, for that-six year-old. | 0:16:50 | 0:16:54 | |
She's the only reason that I'm trying to win this thing. | 0:16:54 | 0:16:57 | |
-Hey, girls. Your daddy needed that hug. -Yeah! | 0:16:57 | 0:17:01 | |
He's been waiting a long time for that one. | 0:17:01 | 0:17:03 | |
-We've been under a lot of stress. -Oh, I know. I know. | 0:17:03 | 0:17:07 | |
'Just to see them made me feel better. You know, it felt good.' | 0:17:07 | 0:17:10 | |
I needed it. I needed it. | 0:17:10 | 0:17:14 | |
-Will you tell Daddy? -See you in a little while. | 0:17:15 | 0:17:18 | |
-Bye. -I love you. -See you later. | 0:17:18 | 0:17:21 | |
-Bye, Daddy. -Bye. | 0:17:21 | 0:17:23 | |
-So food is starting to cook. -Good. | 0:17:40 | 0:17:42 | |
So we'll probably move our staff meeting up earlier, then. | 0:17:42 | 0:17:46 | |
-OK. Thank you. -You're welcome. | 0:17:46 | 0:17:48 | |
'My business was logistics and catering. | 0:17:48 | 0:17:52 | |
'The food came out really nicely, so I thought bring it out, make sure they eat.' | 0:17:52 | 0:17:56 | |
But everything Piers did had a strategy or thought-out plan to it. | 0:17:56 | 0:18:00 | |
Excuse me. I don't know how you normally do these. | 0:18:00 | 0:18:04 | |
-I'm Piers, by the way. -Hi, Piers. -Hi. | 0:18:04 | 0:18:06 | |
Hello, everyone. The general strategy tonight is to get them as loaded as fast as possible. | 0:18:06 | 0:18:11 | |
We want a bunch of drunken, wealthy celebrities | 0:18:11 | 0:18:14 | |
spending ludicrous sums of money. | 0:18:14 | 0:18:16 | |
In terms of the food, less is more. | 0:18:16 | 0:18:18 | |
If they eat too much, it will just line the stomach. | 0:18:18 | 0:18:21 | |
-Am I making myself clear? ALL: -Yes. | 0:18:21 | 0:18:23 | |
'My simple strategy is get them drunk' | 0:18:23 | 0:18:26 | |
as fast as possible because a drunk, rich person or celebrity | 0:18:26 | 0:18:29 | |
tends to put their arm up for stuff they don't really want | 0:18:29 | 0:18:32 | |
for money that they never thought they'd part with. | 0:18:32 | 0:18:35 | |
Loaded celebrities equals lot of money. | 0:18:35 | 0:18:38 | |
-ALL: -Loaded celebrities means lots of money. | 0:18:38 | 0:18:41 | |
Thank you very much. | 0:18:41 | 0:18:42 | |
Be careful. We don't want you to trip, fall and embarrass your ass. | 0:18:51 | 0:18:54 | |
You too, since you like to trip all the time. | 0:18:55 | 0:18:58 | |
-Fellas, fellas, what's up? -Hey, man. -What's up, what's up? | 0:18:58 | 0:19:03 | |
-Hey, man. -You guys good? All right. | 0:19:03 | 0:19:06 | |
Check. | 0:19:11 | 0:19:13 | |
I have something else. I need a knee brace for Howie. | 0:19:15 | 0:19:19 | |
Who should I send out? Is there somebody in here? | 0:19:19 | 0:19:22 | |
-A knew brace? -Like, a protective knee brace. He hurt his knee. | 0:19:22 | 0:19:28 | |
'One of the BSB,' | 0:19:28 | 0:19:30 | |
if you know 'em like I do, they're BSB, | 0:19:30 | 0:19:33 | |
'one of them has twisted his little knee, so now I've got to go get medical supplies.' | 0:19:33 | 0:19:40 | |
Would you possibly know anywhere I might be able to get some wheatgrass juice? | 0:19:40 | 0:19:47 | |
'And I'm still trying to find wheatgrass juice.' | 0:19:47 | 0:19:52 | |
OK, OK. | 0:19:52 | 0:19:53 | |
Have you ever heard of Fresh Samantha wheatgrass juice? | 0:19:54 | 0:19:58 | |
-Do they make it themselves? -No, I don't think so. | 0:19:58 | 0:20:02 | |
'Looking at the rider for the Backstreet Boys | 0:20:02 | 0:20:05 | |
'gave me new appreciation' | 0:20:05 | 0:20:08 | |
for myself. | 0:20:08 | 0:20:10 | |
I've done shows with a broken leg, with kidney stones. | 0:20:10 | 0:20:15 | |
I did a show where my stomach was hurting so bad one night I couldn't hardly move. | 0:20:15 | 0:20:21 | |
I walked out on that stage and did my show, left the stage, | 0:20:21 | 0:20:25 | |
went to the emergency room and had 18 inches of my colon cut out that night. | 0:20:25 | 0:20:31 | |
This kid can't do a show because he doesn't have his wheatgrass juice | 0:20:31 | 0:20:35 | |
and one of 'em twisted his knee. | 0:20:35 | 0:20:37 | |
God! Don't get me started on the BSB. | 0:20:37 | 0:20:42 | |
Piers and Trace are being judged on these criteria - ticket sales, | 0:20:42 | 0:20:48 | |
auction sales and overall let's just see how they do. | 0:20:48 | 0:20:52 | |
So may the best man win. And may our charities raise a lot of money. | 0:20:56 | 0:21:01 | |
-Congratulations... -And you. -..for being here tonight. | 0:21:01 | 0:21:04 | |
If I'm going to lose to anyone, it may as well be a guy like you. | 0:21:04 | 0:21:07 | |
-I'll be damned. -However, I'm going to bust your ass. -All right, you try it. | 0:21:07 | 0:21:11 | |
PIERS LAUGHS | 0:21:11 | 0:21:13 | |
'We'd worked on our relative responsibilities for the event.' | 0:21:13 | 0:21:16 | |
We were responsible for the auction and the catering. | 0:21:16 | 0:21:19 | |
They were responsible for the decor and the band. | 0:21:19 | 0:21:21 | |
But collectively we had to throw a party. | 0:21:21 | 0:21:23 | |
Hi, ladies. Piers Morgan. How are you? Good to see you. Hello. | 0:21:32 | 0:21:37 | |
I'm actually one of the people trying to win this. | 0:21:37 | 0:21:39 | |
-Mr Sams! -Good to see ya. | 0:21:39 | 0:21:42 | |
'I was so happy to see some of my homies show up. | 0:21:42 | 0:21:45 | |
'Dean Sams from Lonestar. My old buddy from Montgomery Gentry, | 0:21:45 | 0:21:48 | |
'Eddie Montgomery showed up.' | 0:21:48 | 0:21:50 | |
-All right, brother. -You making anybody mad? -Not yet! | 0:21:50 | 0:21:54 | |
THEY LAUGH | 0:21:54 | 0:21:56 | |
I had to have another hat in this room. | 0:21:56 | 0:21:58 | |
I have a hat! I didn't bring it tonight. | 0:21:58 | 0:22:00 | |
-How many number one records have you had, Ronnie? -I've had 40, so far. | 0:22:00 | 0:22:05 | |
So far? That's what I like to hear. | 0:22:05 | 0:22:08 | |
'Ronnie Milsap, legendary Ronnie Milsap. | 0:22:08 | 0:22:11 | |
'You know how many people in the world can say they have had 40 number one records?' | 0:22:11 | 0:22:15 | |
Very, very few. | 0:22:17 | 0:22:18 | |
Since we're Opry brothers, here is a cheque for 5,000 | 0:22:18 | 0:22:23 | |
-from the Grand Ole Opry I want to present to you. -From the Grand Ole Opry? | 0:22:23 | 0:22:26 | |
10,000 to help with the cause. | 0:22:26 | 0:22:29 | |
Thank you for delivering that, brother. | 0:22:29 | 0:22:32 | |
This is actually a cash donation for 5,000. | 0:22:32 | 0:22:35 | |
Thank you, sir. | 0:22:35 | 0:22:37 | |
'People came from all over the place to bring money and show support.' | 0:22:37 | 0:22:41 | |
You know, it makes my heart swell up. | 0:22:41 | 0:22:45 | |
Hello, there. I'm Piers. | 0:22:49 | 0:22:51 | |
You're here to help me tonight and I'm here to help you. | 0:22:51 | 0:22:55 | |
I wanted you here, because I chose the Intrepid Fallen Heroes charity. | 0:22:55 | 0:22:58 | |
So I'd like you to be somewhere. I don't know, somewhere on a table, ha! | 0:22:58 | 0:23:04 | |
'I wanted to get some of the servicemen down there | 0:23:04 | 0:23:07 | |
'who are supported by the Intrepid Fallen Heroes fund. | 0:23:07 | 0:23:10 | |
'I thought that would focus people,' | 0:23:10 | 0:23:12 | |
and might encourage them to bid higher. | 0:23:12 | 0:23:14 | |
-How are you? How are you? How are you? -Good to see you. | 0:23:24 | 0:23:27 | |
-Nice to see you. Terrific. -Beautiful people. -It's great, huh? | 0:23:27 | 0:23:31 | |
Good evening, ladies and gentlemen, my name is Lydia Fenet. | 0:23:33 | 0:23:36 | |
I'm here from Christie's to conduct this fabulous auction. | 0:23:36 | 0:23:40 | |
We'll start this evening with Lot Number 1, it's the Opus. | 0:23:40 | 0:23:45 | |
Basically a tribute to the first 40 Super Bowls, | 0:23:45 | 0:23:48 | |
signed by every living MVP from the first 40 Super Bowls. | 0:23:48 | 0:23:52 | |
Who'll start my bidding this evening? | 0:23:52 | 0:23:54 | |
We'll start with 15,000. | 0:23:54 | 0:23:58 | |
15,000. Do I have 16,000 in the room? | 0:23:58 | 0:24:00 | |
16,000, the man at the bar. 17? | 0:24:00 | 0:24:05 | |
17,000 is bid. 18,000 at the back of the room. Any advance? | 0:24:05 | 0:24:10 | |
Sold to the gentleman by the bar. May I have your panel, sir? | 0:24:10 | 0:24:13 | |
All right, Lot Number 2. | 0:24:16 | 0:24:19 | |
It's a once in a lifetime chance for you and a guest | 0:24:19 | 0:24:21 | |
to enjoy an extraordinary private royal tea | 0:24:21 | 0:24:23 | |
with Sarah, Duchess of York. | 0:24:23 | 0:24:26 | |
I'll start the bidding for this rare opportunity at just 5,000. | 0:24:26 | 0:24:31 | |
Do I have 5,000? 5,000's bid on my left. Do I have 7,000 in the room? | 0:24:31 | 0:24:35 | |
7,000 is bid. Let's change it up to 15. Who'll give me 15,000? | 0:24:35 | 0:24:39 | |
-How about 100? -All right, if that's the game were playing, | 0:24:39 | 0:24:43 | |
I'll take a bid for 100,000 in the front row. | 0:24:43 | 0:24:46 | |
100,000, sir. Thank you very much. | 0:24:46 | 0:24:50 | |
Fantastic. | 0:24:50 | 0:24:51 | |
Thank you very much. Much appreciated. | 0:24:53 | 0:24:55 | |
'How lovely to see the boss of Cantor Fitzgerald, | 0:24:55 | 0:24:58 | |
'a major financial company. They became world-renowned, | 0:24:58 | 0:25:01 | |
'really, for the wrong reasons when on 9/11 all four floors | 0:25:01 | 0:25:06 | |
'of their offices went down.' | 0:25:06 | 0:25:08 | |
And I think nearly 700 people, maybe more, | 0:25:08 | 0:25:11 | |
died from Cantor Fitzgerald, all his staff including his brother. | 0:25:11 | 0:25:14 | |
'And his determination to fight back, to keep his company going, | 0:25:14 | 0:25:18 | |
'to re-employ staff, was incredibly inspiring.' | 0:25:18 | 0:25:23 | |
All right, ladies and gentlemen, moving on to Lot Number 3 | 0:25:23 | 0:25:26 | |
a dinner with Trace Adkins. We'll start the bidding at 5,000. | 0:25:26 | 0:25:31 | |
Do I have 5,000 in the room? 5,000 at the back of the room. | 0:25:31 | 0:25:35 | |
5,000. 6,000 is bid by Ivanka. She loves Trace Adkins. | 0:25:35 | 0:25:41 | |
All right, we're at 6,000 with Ivanka at the back of the room. | 0:25:41 | 0:25:45 | |
Any advance? Going once, going twice. | 0:25:45 | 0:25:50 | |
Sold for 6,000 to Ivanka at the back of the room. | 0:25:50 | 0:25:55 | |
You know who bought dinner with me? Ivanka Trump! | 0:25:55 | 0:25:58 | |
-Did she really? -I'm sorry, honey, I may not come home. | 0:25:58 | 0:26:01 | |
What?! | 0:26:03 | 0:26:05 | |
Lot Number 4, a night with the Osbournes, with Sharon and Ozzy, | 0:26:05 | 0:26:09 | |
plus, if somebody gives over 50,000, | 0:26:09 | 0:26:14 | |
Ozzy will fly his entire band to play anywhere in the country. | 0:26:14 | 0:26:19 | |
-So let's start the bidding... -That's very good. -..at 50,000. | 0:26:19 | 0:26:23 | |
Do I have 50,000 in the room? All right. | 0:26:23 | 0:26:27 | |
It looks like he's going to be bidding at 50,000 on my right. | 0:26:27 | 0:26:30 | |
50,000. Do I have 60,000? | 0:26:30 | 0:26:34 | |
-I'll bid 100,000. -100,000 to the amazing man in the front row | 0:26:34 | 0:26:39 | |
who seems to be the biggest supporter of everything in the world. | 0:26:39 | 0:26:42 | |
Congratulations. | 0:26:42 | 0:26:44 | |
-Piers is doing pretty well. -He is. | 0:26:46 | 0:26:49 | |
'I knew that at some point in the auction, some heavy hitters | 0:26:49 | 0:26:52 | |
'were going to show up for Piers with some big money. | 0:26:52 | 0:26:55 | |
'I knew that. I don't know those kind of people, | 0:26:55 | 0:26:57 | |
'I don't know people with that kind of money, so you know,' | 0:26:57 | 0:27:02 | |
hey, I'm raising some money, too, | 0:27:02 | 0:27:04 | |
for my charity and that's what this is all about. | 0:27:04 | 0:27:06 | |
All right, ladies and gentlemen, Lot Number 5, original Taxi memorabilia. | 0:27:10 | 0:27:15 | |
Lot Number 7. Lot Number 9. Lot Number 11. | 0:27:15 | 0:27:18 | |
The original signed Phantom Of The Opera mask. A day with the Backstreet Boys. | 0:27:18 | 0:27:22 | |
5,000 in the front row. 10,000. | 0:27:22 | 0:27:25 | |
25,000 is bid. 50,000 on my right. | 0:27:25 | 0:27:28 | |
80,000 from the gentleman in the back. Sold. Sold. | 0:27:28 | 0:27:32 | |
Sold to you, panel 128, for 5,000. | 0:27:32 | 0:27:35 | |
OK, ladies and gentlemen, there's one last lot this evening. | 0:27:35 | 0:27:39 | |
Shopping with Ivanka Trump. She officially cannot come on stage, | 0:27:39 | 0:27:42 | |
-she is -way -too attractive. We have a 10,000 a minimum on this. | 0:27:42 | 0:27:47 | |
Not only will you get to meet Ivanka at her Madison Avenue boutique, | 0:27:47 | 0:27:52 | |
she will take you on a 10,000 shopping spree | 0:27:52 | 0:27:56 | |
and she only uses the best diamonds in the world. | 0:27:56 | 0:27:58 | |
We'll start with you, sir. You raise quickly. 20,000? | 0:27:58 | 0:28:01 | |
20,000 is bid. I'll take a bid of 30 next. | 0:28:01 | 0:28:05 | |
Do I have 30,000 in the room? 20,000. | 0:28:05 | 0:28:08 | |
This man has the biggest smile on his face I've ever seen in my life. | 0:28:08 | 0:28:13 | |
-20,000. -I think we have a bidder coming in from London, actually. | 0:28:13 | 0:28:18 | |
-You may recognise the voice. -'Hello, Piers?' -Is that Simon Cowell? | 0:28:18 | 0:28:23 | |
It's Simon Cowell. How are you, Piers? | 0:28:23 | 0:28:25 | |
-Can we give Simon Cowell a big boo, everybody? -Boo! | 0:28:25 | 0:28:29 | |
Is anyone there? | 0:28:29 | 0:28:31 | |
You'll be pleased to know I'm going down very badly in America. | 0:28:31 | 0:28:35 | |
-'Excellent.' -Now, Simon, you are British, I am British. | 0:28:35 | 0:28:41 | |
I'm up against a 6ft 7" cowboy and about every other person here, | 0:28:41 | 0:28:44 | |
so I'm up against it here. I need you to deliver a win for Britain, Simon. | 0:28:44 | 0:28:48 | |
'OK, can I just make it clear that I'm not doing this for you,' | 0:28:48 | 0:28:51 | |
-I'm doing it for the charity? -OK, you're doing it for the charity. | 0:28:51 | 0:28:55 | |
-Well, we've had a bid of £20,000 from, I have to say, an -American -member of the audience. | 0:28:55 | 0:28:59 | |
And I think you should give him a run for his money. | 0:28:59 | 0:29:02 | |
-What if we went to 50? -You've got Simon Cowell bidding against you. | 0:29:02 | 0:29:07 | |
-I think he's saying, Simon, 60,000. -OK, well what if we went to 75? | 0:29:07 | 0:29:14 | |
75, he's looking a little bit twitchy to me. | 0:29:14 | 0:29:17 | |
But hang on, his hand is up. He's gone to 85,000, Simon. | 0:29:17 | 0:29:22 | |
-100,000, Piers. -100,000, everybody, from Simon Cowell. | 0:29:22 | 0:29:28 | |
-How much? -100G. -What the... | 0:29:28 | 0:29:33 | |
Who would believe that? | 0:29:33 | 0:29:35 | |
I don't feel like I really got equal billing during the auction | 0:29:35 | 0:29:38 | |
because Piers did his whole phone thing with Simon. | 0:29:38 | 0:29:42 | |
'I just found it a little distasteful, myself.' | 0:29:42 | 0:29:46 | |
A round of applause for Simon Cowell, everyone. | 0:29:46 | 0:29:49 | |
Thanks, Simon, I appreciate it. 'In terms of fund-raising, | 0:29:49 | 0:29:53 | |
'I'm not just better than everyone else, I'm ten times better. | 0:29:53 | 0:29:57 | |
'That's not a boast, it's a fact. If people want to take me on,' | 0:29:57 | 0:30:00 | |
let's get it on, but make sure you can deliver, because if not, I will crush you. | 0:30:00 | 0:30:04 | |
Good job. | 0:30:04 | 0:30:06 | |
I think I did OK. Goodnight. 'When we started this thing, I said, | 0:30:10 | 0:30:14 | |
look, Piers is going to beat us on the money. | 0:30:14 | 0:30:17 | |
'So if I was going to win this thing, | 0:30:17 | 0:30:18 | |
'I had to beat him on ticket sales and my half of the event.' | 0:30:18 | 0:30:22 | |
-I've tried to take care of them today. -All right. | 0:30:22 | 0:30:24 | |
-Did you get his wheatgrass that he requested? -I didn't get it, | 0:30:24 | 0:30:27 | |
but I got the nail polish and the knee brace. | 0:30:27 | 0:30:30 | |
I didn't get the wheatgrass juice. I simply didn't have time to do that. | 0:30:30 | 0:30:35 | |
I've got to go introduce the band. 'But I think the Backstreet Boys | 0:30:35 | 0:30:39 | |
'were happy, so everything else was handled.' | 0:30:39 | 0:30:41 | |
These guys asked me if I would introduce them. | 0:30:41 | 0:30:44 | |
I'm honoured to do it. They've got a hot new album out called Unbreakable. | 0:30:44 | 0:30:49 | |
And they're happy to be here tonight to help with these two good causes. | 0:30:49 | 0:30:54 | |
So, without further ado, | 0:30:54 | 0:30:58 | |
it's my pleasure to introduce to you the Backstreet Boys. | 0:30:58 | 0:31:01 | |
APPLAUSE AND CHEERING | 0:31:01 | 0:31:03 | |
# I can't imagine it any other way | 0:31:06 | 0:31:09 | |
# A world without you is only wasted space | 0:31:09 | 0:31:14 | |
# You're gone and I'll always wonder | 0:31:14 | 0:31:17 | |
# Why it can't be any other way. # | 0:31:17 | 0:31:23 | |
'Once the band started and did their thing,' | 0:31:23 | 0:31:26 | |
I was like the weight of the world had been lifted off my shoulders. | 0:31:26 | 0:31:30 | |
Everything was perfect. | 0:31:30 | 0:31:32 | |
They sounded good. They sounded really good. | 0:31:36 | 0:31:39 | |
'They didn't need any wheatgrass juice at all.' | 0:31:39 | 0:31:42 | |
# Baby, I don't want to waste another day... # | 0:31:42 | 0:31:46 | |
'And they did a good job.' | 0:31:46 | 0:31:47 | |
# And it's killing me, cos all I ever wanted... # | 0:31:47 | 0:31:51 | |
I'm very proud of my performance, the team's performance, | 0:31:54 | 0:31:57 | |
and Trace and his team. You know, we're all tired, we're stressed out, | 0:31:57 | 0:32:01 | |
we've all reached the end, really, with this process. | 0:32:01 | 0:32:05 | |
I'll have nothing but fond memories of them, I think I've made some friends for life. | 0:32:05 | 0:32:11 | |
# It's killing me, cos | 0:32:11 | 0:32:13 | |
# All I ever wanted comes right down to you | 0:32:13 | 0:32:17 | |
-# To you -# To you | 0:32:17 | 0:32:18 | |
# I wish that I could find the words to say... # | 0:32:18 | 0:32:21 | |
Towards the end of the night, all six of us just stood there for a moment. | 0:32:21 | 0:32:24 | |
I thought, "Man, this is a cool moment right here." | 0:32:24 | 0:32:27 | |
You know, we have been through a lot together, you know? | 0:32:27 | 0:32:31 | |
It was about all of us working together | 0:32:31 | 0:32:33 | |
to make this thing happen. | 0:32:33 | 0:32:35 | |
# That made you so... # | 0:32:35 | 0:32:38 | |
That picture spoke 1,000 words. | 0:32:38 | 0:32:41 | |
APPLAUSE | 0:32:41 | 0:32:44 | |
Thank you, guys. God bless you all for coming out tonight. | 0:32:44 | 0:32:47 | |
I'm pleased to announce that Howard Lutnick | 0:32:49 | 0:32:52 | |
and the other partners of Cantor Fitzgerald | 0:32:52 | 0:32:54 | |
will be matching your text donation tonight | 0:32:54 | 0:32:57 | |
in an amount worth up to 250,000. That's terrific. | 0:32:57 | 0:33:01 | |
APPLAUSE | 0:33:01 | 0:33:05 | |
That will be split between both Piers' and Trace's charities. | 0:33:05 | 0:33:11 | |
Now, say hello to two special friends of mine and the show, | 0:33:11 | 0:33:17 | |
Erin Burnett and Jim Cramer, two terrific people. | 0:33:17 | 0:33:20 | |
APPLAUSE | 0:33:20 | 0:33:24 | |
And she's beautiful, and, to me, he's handsome. Right? | 0:33:28 | 0:33:32 | |
The Board Room has always been my favourite part of the show, | 0:33:32 | 0:33:37 | |
and a lot of other people agree with me, | 0:33:37 | 0:33:39 | |
because that's where the action is. Take a look. | 0:33:39 | 0:33:42 | |
-Lennox, you've been my friend for a long time. -Yes. | 0:34:29 | 0:34:32 | |
I want an honest answer. You know both players very well, | 0:34:32 | 0:34:37 | |
Piers and Trace. Who's better? | 0:34:37 | 0:34:38 | |
Well, their styles are different. | 0:34:38 | 0:34:42 | |
Trace's style is more laid-back and it allows you to do your work. | 0:34:42 | 0:34:47 | |
Piers' style is in your face and it gets you going, and, you know... | 0:34:47 | 0:34:51 | |
What style do you like better? | 0:34:51 | 0:34:52 | |
I like Trace's style. He makes you want to work for him. | 0:34:54 | 0:34:59 | |
He switched, Piers, didn't he? He did a little flop. | 0:34:59 | 0:35:02 | |
-I think we know why he likes the laid-back approach from a project manager. -Why? | 0:35:02 | 0:35:07 | |
-It suits him, doesn't it? -He is a little laid-back, except when it counts. | 0:35:07 | 0:35:11 | |
-You fired him because he was laid-back. -Well, he's laid-back | 0:35:11 | 0:35:14 | |
but when it counted, he was never laid-back, and that's over years, | 0:35:14 | 0:35:18 | |
-I'm not talking over the last 14 weeks. -I agree. The truth is, | 0:35:18 | 0:35:21 | |
I think I've made a friend for life with him. | 0:35:21 | 0:35:24 | |
-Absolutely. -He's a great guy. | 0:35:24 | 0:35:25 | |
He's a great guy with a great heart and we had a lot of fun. | 0:35:25 | 0:35:28 | |
He's one of the few people who understood my sense of humour, | 0:35:28 | 0:35:31 | |
-which helped. -It's true. | 0:35:31 | 0:35:33 | |
Let me ask you this, why did you pick Stephen to be on your team? | 0:35:33 | 0:35:37 | |
-I was a little surprised. -I worked very well with him. | 0:35:37 | 0:35:40 | |
We may have had flare-ups but as a team, we won almost every challenge we did together. | 0:35:40 | 0:35:44 | |
You had flare-ups to the point where Stephen had asked specifically | 0:35:44 | 0:35:49 | |
not to work with you. So it was risky, | 0:35:49 | 0:35:52 | |
-because Stephen could have ultimately worked against you. -Sure. | 0:35:52 | 0:35:55 | |
-I was totally surprised. -OK, I thought the event was fantastic. | 0:35:55 | 0:36:01 | |
Tell me about the Backstreet Boys. I heard they were very difficult. | 0:36:01 | 0:36:05 | |
-Tell me, Trace. -I met them and they all seemed nice young men | 0:36:05 | 0:36:10 | |
and we sat down and had a cup of coffee, and I wanted to assure them | 0:36:10 | 0:36:13 | |
I've been doing this for a long time. | 0:36:13 | 0:36:16 | |
I know how to do this stuff and I'll make this stuff happen. | 0:36:16 | 0:36:20 | |
-Why were they so difficult? I heard they were impossible. -Well, their rider, | 0:36:20 | 0:36:24 | |
the stuff they wanted in the dressing room. | 0:36:24 | 0:36:26 | |
-At first... -What did they want? | 0:36:26 | 0:36:28 | |
It was just all kind of strange stuff. | 0:36:28 | 0:36:32 | |
Particular kinds of water, certain kinds of peanut butter | 0:36:32 | 0:36:35 | |
-in the sandwiches and how they had to be made. -Carol, is that right? | 0:36:35 | 0:36:38 | |
-Were you dealing with them? -I didn't see the rider. Trace came to me | 0:36:38 | 0:36:42 | |
at one point and said, "Where do I get wheatgrass juice?!" | 0:36:42 | 0:36:45 | |
-How about the black nail polish? -That was a classic for me. | 0:36:45 | 0:36:49 | |
-Who bought the nail polish? -I did. Lennox carried it back to him, | 0:36:49 | 0:36:53 | |
though, and I thought, "Here, Lennox, you carry this nail polish. | 0:36:53 | 0:36:56 | |
"I want the heavyweight champion of the world | 0:36:56 | 0:36:59 | |
"to hand this kid nail polish." | 0:36:59 | 0:37:01 | |
The nightmare scenario for me was that I was going to end up | 0:37:01 | 0:37:05 | |
at 8:30 in the evening with a band that was not going to go on stage. | 0:37:05 | 0:37:09 | |
That was the nightmare scenario, and I was starting to get signs | 0:37:09 | 0:37:12 | |
and signals from these guys that that may happen. | 0:37:12 | 0:37:15 | |
Actually, by the time they got out on stage, they were really sweet | 0:37:15 | 0:37:19 | |
and we had a very good time because, you know, I think in the beginning | 0:37:19 | 0:37:22 | |
-they were a little wound-up. -They sounded good, the performance was energetic. It was great. | 0:37:22 | 0:37:27 | |
As a fellow musician, were you a little bit offended? | 0:37:27 | 0:37:29 | |
Like in some way, I think if Piers had been in charge of them | 0:37:29 | 0:37:33 | |
it'd be more acceptable to ask him. You're not a musician... | 0:37:33 | 0:37:36 | |
Someone in their own field, I would be embarrassed if I were them. | 0:37:36 | 0:37:39 | |
Did you know about this, Piers? | 0:37:39 | 0:37:41 | |
If I had had a request for nail polish and wheatgrass... | 0:37:41 | 0:37:44 | |
-What would you have done with the band? -I'd have given them hell. | 0:37:44 | 0:37:48 | |
-I'd say, "Stick your nail polish." -Then they wouldn't show up. -Yes, they would. | 0:37:48 | 0:37:52 | |
-I don't know. -They wouldn't have shown up? -You know, he may be right. | 0:37:52 | 0:37:55 | |
-Of course they would have showed up. For 20 million viewers? -Sometimes you kiss ass and it doesn't work. | 0:37:55 | 0:38:01 | |
Sometimes you can be tough and you get more. You may be right. | 0:38:01 | 0:38:04 | |
Could I have pulled the veteran chops on them | 0:38:04 | 0:38:08 | |
and started smacking them around? Yeah, I could have beat up | 0:38:08 | 0:38:11 | |
the whole band by myself. But my ultimate responsibility | 0:38:11 | 0:38:14 | |
was to put a happy band on stage that night. | 0:38:14 | 0:38:18 | |
I just don't go in for blowing smoke up people's backsides. | 0:38:18 | 0:38:22 | |
Carol, who did a better job, Trace or Piers? Which team was better? | 0:38:22 | 0:38:27 | |
Ultimately, part of the task was raising money | 0:38:27 | 0:38:30 | |
-and Piers did that very, very well. -It's true. | 0:38:30 | 0:38:34 | |
Overall, raised from the auction items, Piers raised 376,000, | 0:38:34 | 0:38:39 | |
compared to Trace's 64,000. | 0:38:39 | 0:38:42 | |
I don't know what they raised for ticket sales. | 0:38:42 | 0:38:46 | |
I can tell you what they raised. | 0:38:46 | 0:38:48 | |
Trace did a far better job with ticket sales. | 0:38:48 | 0:38:52 | |
38,000 versus 12,000. | 0:38:52 | 0:38:56 | |
So Piers won on auction items and Trace won on ticket sales. | 0:38:56 | 0:39:00 | |
-So if you look at it as those are the two components you are working from. -Can I throw... | 0:39:00 | 0:39:04 | |
Let me throw something in here. | 0:39:04 | 0:39:05 | |
Let Carol. | 0:39:05 | 0:39:07 | |
Piers made a decision to bring people from the Intrepid Foundation, the soldiers... | 0:39:07 | 0:39:13 | |
That was lovely, and people really responded well to that. | 0:39:13 | 0:39:16 | |
-We decided to allocate 20, nearly half our allocation. -Whose idea was that? -Mine. | 0:39:16 | 0:39:20 | |
We gave away half our tickets quite deliberately knowing we were then foregoing sales, | 0:39:20 | 0:39:24 | |
and I wanted those people from the charity in the room, and I think everyone found it moving, | 0:39:24 | 0:39:29 | |
but I did that in the knowledge that on the auction I was raising a huge amount of money. | 0:39:29 | 0:39:34 | |
And getting my man Simon, you know, I love Simon Cowell, he's a great guy. | 0:39:34 | 0:39:37 | |
-You didn't know we were friends... -I knew you were, he talks very highly of you. | 0:39:37 | 0:39:41 | |
-He's a fantastic guy. -He bid 100,000. | 0:39:41 | 0:39:44 | |
He knew it was a great charity, and for Simon it's not a lot of money, and he did it, | 0:39:44 | 0:39:48 | |
but it was a very generous contribution. | 0:39:48 | 0:39:50 | |
And worth it. | 0:39:50 | 0:39:52 | |
The comparison between ticket sales does make me laugh, | 0:39:52 | 0:39:55 | |
because if you look at the overall figure, I raised nearly 400,000. | 0:39:55 | 0:39:59 | |
No-one's questioning that, | 0:39:59 | 0:40:01 | |
you were also given multiple criteria on which you were going to be evaluated. | 0:40:01 | 0:40:05 | |
But he did raise a lot more money in terms of the charity, so that's pretty big. | 0:40:05 | 0:40:09 | |
I didn't just beat the other side, I pulverised them on donations. | 0:40:09 | 0:40:12 | |
I know that's only one part of the challenge, | 0:40:12 | 0:40:15 | |
but it was a deliberate strategy about what we're raising here. | 0:40:15 | 0:40:18 | |
I understand that, and I'd like to say something, though. | 0:40:18 | 0:40:22 | |
It hurt my people as much, if not more, to spend five, six or seven grand | 0:40:22 | 0:40:26 | |
than some guy who's a billionaire coming in pledging 100,000, | 0:40:26 | 0:40:30 | |
for him to make that seem like it's less relevant. | 0:40:30 | 0:40:33 | |
-I don't follow that argument. -I know you wouldn't. | 0:40:33 | 0:40:36 | |
I wasn't criticising your donors in any shape or form. | 0:40:36 | 0:40:40 | |
I resent that very highly. | 0:40:40 | 0:40:41 | |
That's all I'm saying, I was beginning to resent the way you were referring to the people I had. | 0:40:41 | 0:40:47 | |
-I haven't referred to them at all. -You did. OK, whatever. | 0:40:47 | 0:40:49 | |
-When did I refer to them? -All right. -I'd like you to take it back. | 0:40:49 | 0:40:53 | |
-Take what back? -The inference that I was somehow belittling your donors. | 0:40:53 | 0:40:56 | |
At no stage have I said anything of the sort. I know I'm the evil guy in all this. | 0:40:56 | 0:41:00 | |
-I'm sure you thought it. -I do have some decent streaks in me. -That's his personality, | 0:41:00 | 0:41:05 | |
Whether he said it or not, absolutely he thought about it, because it's the way he is. | 0:41:05 | 0:41:10 | |
-I don't think he did. -That's not fair either. -Yes, it is. -It's not. | 0:41:10 | 0:41:14 | |
So who is responsible for the food? | 0:41:14 | 0:41:17 | |
-Carol did all the work on that. -Where was it? I didn't see any. | 0:41:17 | 0:41:22 | |
It was quite a deliberate strategy because I did not want anyone eating. | 0:41:22 | 0:41:27 | |
-I wanted them drinking, getting light-headed... -Did you want to get people drunk, high, or what? | 0:41:27 | 0:41:32 | |
A bit tipsy. I wanted rich celebrities to get a little bit tipsy, | 0:41:32 | 0:41:36 | |
feeling a little bit high and merry and then stick their hands up | 0:41:36 | 0:41:40 | |
-and spend money. -Smart people won't allow that to happen. | 0:41:40 | 0:41:44 | |
-I'm talking about the atmosphere you try to create. -That's why I don't drink, but it's true. | 0:41:44 | 0:41:50 | |
So, Stephen, what do you think about that? | 0:41:50 | 0:41:53 | |
I don't agree with his methodology. If I were running an auction | 0:41:53 | 0:41:56 | |
I wouldn't want to get someone tipsy so we could get their money, it's just the kind of guy I am. | 0:41:56 | 0:42:02 | |
-That's now, for the last five years because you're born again, right? -Right. Correct. | 0:42:02 | 0:42:06 | |
-You drank for America before that, with respect. -What? | 0:42:06 | 0:42:09 | |
He drank for America before that period, so he would have been absolutely in there. | 0:42:09 | 0:42:15 | |
He's done an amazing job coming back from... | 0:42:15 | 0:42:17 | |
I don't disrespect that, but it's this constant moral high ground he takes. | 0:42:17 | 0:42:21 | |
He does this stuff in the boardroom, he doesn't do any of this stuff when we're together in a room working, | 0:42:21 | 0:42:26 | |
so he's playing a role to the heartland of America to say "Look at me, | 0:42:26 | 0:42:30 | |
"I'm St Stephen." I ain't buying it. | 0:42:30 | 0:42:32 | |
This is exactly what upset Stephen the last time. | 0:42:32 | 0:42:35 | |
-Tough! They're giving it to me, why should I take it? -He's done something | 0:42:35 | 0:42:39 | |
-very special with his life, don't you think? -He's not the only Christian in the room. | 0:42:39 | 0:42:43 | |
I'm a Roman Catholic, I believe in God as well. | 0:42:43 | 0:42:46 | |
-I don't stand there taking the high moral ground. -Why are you sweating again? You sweat a lot. | 0:42:46 | 0:42:51 | |
Look at you, nobody else's sweating. | 0:42:51 | 0:42:54 | |
-Because I'm British and we tend to get hot under the collar about these things. -You sweat a lot. | 0:42:54 | 0:43:01 | |
What can I do about it? | 0:43:01 | 0:43:03 | |
I think there are two ways of going into this. | 0:43:04 | 0:43:06 | |
You raised a lot of money and nobody could argue with you. | 0:43:06 | 0:43:10 | |
The only arguments against you seem to be the way you've handled other people. | 0:43:10 | 0:43:15 | |
So from a business strategy would it not have been smarter | 0:43:15 | 0:43:18 | |
to come in here, but maybe not have just said that to Stephen, held that back? | 0:43:18 | 0:43:23 | |
No, cos he was on one of his little speeches. | 0:43:23 | 0:43:25 | |
-You lost it with Omarosa. This could be used against you. -Excuse me, isn't it a pretty hard statement? | 0:43:25 | 0:43:30 | |
-I haven't finished... -I had the same problem in my life, you know that. The same problem. | 0:43:30 | 0:43:34 | |
I'd like to clarify, this would be helpful... | 0:43:34 | 0:43:37 | |
-Go ahead. -Everyone here wants St Trace to win, because America likes a nice guy | 0:43:37 | 0:43:41 | |
and I've been portrayed as the devil, I don't mind that at all. | 0:43:41 | 0:43:45 | |
But just to clarify... | 0:43:45 | 0:43:47 | |
-Portrayed against good versus bad. -Evil. The clash of civilisations. | 0:43:47 | 0:43:51 | |
The good, the bad, the ugly. Who's the ugly? | 0:43:51 | 0:43:55 | |
OK, go ahead. I don't know. | 0:43:55 | 0:43:57 | |
The women don't think so. All that matters is the women don't think so, right, Lennox? | 0:43:57 | 0:44:03 | |
It would be helpful to all of us, Mr Trump, if you would just clarify | 0:44:03 | 0:44:06 | |
absolutely what the purpose of this game was. | 0:44:06 | 0:44:10 | |
Was it to be the nicest guy in the boardroom, | 0:44:10 | 0:44:14 | |
or was it to be the most efficient, effective businessman/charity fundraiser? | 0:44:14 | 0:44:18 | |
I think I know the right answer, | 0:44:18 | 0:44:20 | |
-unless the rules have changed. -Trace, I want you to give me that answer. | 0:44:20 | 0:44:25 | |
All right. | 0:44:25 | 0:44:27 | |
When I came here I thought my job was to represent | 0:44:27 | 0:44:30 | |
the 12 million-plus people in this country who were afflicted with severe food allergies | 0:44:30 | 0:44:36 | |
and to represent the Food Allergy and Anaphylaxis Network in a way that would bring them no dishonour. | 0:44:36 | 0:44:43 | |
-And you've done a very nice job. -That was all I intended to do. | 0:44:43 | 0:44:46 | |
He's done a brilliant job. | 0:44:46 | 0:44:48 | |
And along the way, if we could raise a lot of money for them, that was my intent as well. | 0:44:48 | 0:44:53 | |
But at no time was I going to do anything | 0:44:53 | 0:44:57 | |
that would bring any kind of dishonour to myself or them. | 0:44:57 | 0:45:02 | |
Did Piers bring dishonour to himself? | 0:45:02 | 0:45:05 | |
He's conducted himself, in my opinion... | 0:45:05 | 0:45:08 | |
-In a ruthless manner? -It's all it is, my opinion, I think there were times | 0:45:08 | 0:45:14 | |
when he conducted himself in a questionable manner, | 0:45:14 | 0:45:17 | |
and he has lashed out at people where I didn't think they quite deserved it. | 0:45:17 | 0:45:21 | |
Stephen nearly said something and Piers reached out | 0:45:21 | 0:45:25 | |
and cut him deep. | 0:45:25 | 0:45:28 | |
I'm actually raising money for seriously wounded soldiers who get wounded in battle. | 0:45:28 | 0:45:32 | |
I think if Stephen Baldwin has a bit of an issue with the way I talk to him, | 0:45:32 | 0:45:36 | |
it's a price I'm prepared to pay to raise that money. We're playing a business game. | 0:45:36 | 0:45:40 | |
If we were playing a popularity game I would have come in and gone, | 0:45:40 | 0:45:44 | |
-"Mr Trump, how are you feeling this morning?" -You would have been gone a long time ago. -Exactly. | 0:45:44 | 0:45:50 | |
You know what, | 0:45:50 | 0:45:51 | |
after you gave us our task, the first thing we did, | 0:45:51 | 0:45:56 | |
we got together to determine who was going to have what responsibility. | 0:45:56 | 0:45:59 | |
I think Piers began to speak first, and he said "This is what we are going to do, | 0:45:59 | 0:46:03 | |
"We are going to work together and try to make this the very best event it can possibly be," | 0:46:03 | 0:46:09 | |
and I said, "I wholeheartedly agree with that sentiment, that's what we should do." | 0:46:09 | 0:46:13 | |
And so in that spirit he took what he thought he would be able to do the best, | 0:46:13 | 0:46:18 | |
and I did what I thought I would be able to do the best, | 0:46:18 | 0:46:21 | |
and throughout the whole thing we did, we worked together, | 0:46:21 | 0:46:25 | |
just to try to make it as good an event as it could possibly be. I commend him for that. | 0:46:25 | 0:46:30 | |
This is very tough. | 0:46:30 | 0:46:32 | |
This is the toughest thing I've had to do in a long time. | 0:46:32 | 0:46:35 | |
APPLAUSE | 0:46:38 | 0:46:39 | |
They couldn't have been more different | 0:46:44 | 0:46:46 | |
and they couldn't have been better matched to face off for the title of Celebrity Apprentice. | 0:46:46 | 0:46:51 | |
He's a hell of a singer and one of the nicest guys | 0:46:51 | 0:46:54 | |
to ever be in my boardroom. Please welcome Trace Adkins. | 0:46:54 | 0:46:58 | |
APPLAUSE | 0:46:58 | 0:47:00 | |
He played the game with ruthless intelligence, he's a vicious guy, | 0:47:23 | 0:47:27 | |
I guess, or at least that's what they say, Trace. | 0:47:27 | 0:47:30 | |
Come on out here, Piers Morgan. Come on. | 0:47:30 | 0:47:32 | |
APPLAUSE AND SOME BOOING | 0:47:32 | 0:47:35 | |
Let's get down to it. Trace, you don't like him much. Why? | 0:47:50 | 0:47:54 | |
-No, I don't like him. -Why? | 0:47:54 | 0:47:57 | |
I don't base that on anything, just what I've observed him doing the last few months. | 0:47:57 | 0:48:02 | |
-But he's a very capable guy. -Oh, yeah, he's capable, absolutely. | 0:48:02 | 0:48:06 | |
-Do you think he's more capable than you? -No. | 0:48:06 | 0:48:10 | |
I remember when you introduced us to Mr Cramer and Mr Burnett, | 0:48:10 | 0:48:16 | |
and you introduced them with great accolades of... | 0:48:16 | 0:48:19 | |
-And you had a hard time keeping up with Jim Cramer, you said. -I did. | 0:48:19 | 0:48:23 | |
You said these people have brilliant financial minds, money is their thing. | 0:48:23 | 0:48:27 | |
It was interesting to me that Piers was saying this was all about money, | 0:48:27 | 0:48:31 | |
and they both said he ought to be fired. | 0:48:31 | 0:48:34 | |
-Piers, what do you think of this guy? -Great guy. | 0:48:34 | 0:48:37 | |
-Is he? -Great guy. -Do you believe that? | 0:48:37 | 0:48:39 | |
I think he's a handsome, charming, funny, great guy. | 0:48:39 | 0:48:43 | |
-He doesn't like you. -All-American... -He doesn't like you. | 0:48:43 | 0:48:47 | |
I'm an evil, obnoxious, disgusting Brit! | 0:48:47 | 0:48:50 | |
The fact is we have a lot of great celebrities looking to come out, | 0:48:50 | 0:48:55 | |
and they're going to have a couple of things to say about both of you. | 0:48:55 | 0:48:58 | |
-You don't mind, right? -Not at all. Bring it on. -Let's bring them out. | 0:48:58 | 0:49:01 | |
Please welcome Tiffany Fallon... | 0:49:01 | 0:49:04 | |
APPLAUSE | 0:49:04 | 0:49:05 | |
..Nadia Comaneci... | 0:49:05 | 0:49:07 | |
..Jennie Finch... | 0:49:10 | 0:49:11 | |
..Vinny Pastore... | 0:49:13 | 0:49:14 | |
..Nely Galan... | 0:49:16 | 0:49:18 | |
..Marilu Henner... | 0:49:19 | 0:49:21 | |
..Tito Ortiz... | 0:49:24 | 0:49:26 | |
..Carol Alt... | 0:49:27 | 0:49:28 | |
..Stephen Baldwin... | 0:49:40 | 0:49:41 | |
..the great Lennox Lewis. | 0:49:50 | 0:49:52 | |
We have two celebrities missing. | 0:50:01 | 0:50:03 | |
Gene Simmons is shooting a movie in Japan, we'll be with him a little bit later. | 0:50:03 | 0:50:08 | |
As far as the other one, there's certain young woman missing, Piers, who doesn't like you very much. | 0:50:08 | 0:50:15 | |
Let's take a look. | 0:50:15 | 0:50:17 | |
-You're an absurd celebrity wannabe. -You're in the wrong country. | 0:50:19 | 0:50:23 | |
And now you work at the White House. As what? | 0:50:23 | 0:50:25 | |
-A cleaner? -Welcome. | 0:50:25 | 0:50:28 | |
I don't like that kind of behaviour. | 0:50:28 | 0:50:31 | |
-Shut the -BLEEP -up. Don't talk to me. I'm going to teach you about leadership, -BLEEP. | 0:50:31 | 0:50:35 | |
Read my lips, you're a disgusting little tramp and you're off the show. | 0:50:35 | 0:50:40 | |
Omarosa is one of the most venomous poisons I have encountered. | 0:50:40 | 0:50:44 | |
-Stand away from me. -Back the -BLEEP -up. I am going nowhere. -Oh, dear. | 0:50:44 | 0:50:48 | |
-I'm moving away from her. -Manage the team. | 0:50:48 | 0:50:50 | |
I ain't going nowhere, son. | 0:50:50 | 0:50:52 | |
'She was so offensive, and I don't want to share any space with her at all.' | 0:50:52 | 0:50:56 | |
I don't ever want to talk to Omarosa again in my entire life. | 0:50:56 | 0:51:01 | |
Omarosa, come on out. | 0:51:02 | 0:51:05 | |
APPLAUSE AND SOME BOOING | 0:51:05 | 0:51:09 | |
-You look lovely. -Thank you. | 0:51:20 | 0:51:22 | |
He doesn't think so, but I think so. Why do you dislike this man so much? | 0:51:22 | 0:51:26 | |
Because he doesn't floss. I'm very big into dental health, and his dental hygiene is... | 0:51:26 | 0:51:31 | |
That's not good. That's probably the worst answer you've given. | 0:51:31 | 0:51:35 | |
I'm hoping we can take some of the 250,000 and donate maybe 200 to get his teeth cleaned. | 0:51:35 | 0:51:42 | |
-What do you think of her, Piers? -Sorry, what did you say your name was? | 0:51:42 | 0:51:46 | |
CHEERING AND APPLAUSE | 0:51:46 | 0:51:47 | |
It's funny, Piers, I was thinking the same thing about you. | 0:51:47 | 0:51:51 | |
Omarosa, you blew it with the dental floss. It's one of those things. | 0:51:51 | 0:51:54 | |
Lennox, they've used you to a certain extent because | 0:51:54 | 0:51:58 | |
you're really a well-known guy, a great guy and a friend of mine for a long time. | 0:51:58 | 0:52:02 | |
What do you think of Piers? What do you think of Trace? | 0:52:02 | 0:52:06 | |
I think Piers is highly aggressive. | 0:52:06 | 0:52:11 | |
Means well. He's highly-strung sometimes. | 0:52:11 | 0:52:15 | |
He needs to use a bit of tact. | 0:52:17 | 0:52:19 | |
-Who's more competent? -I think they're both competent. | 0:52:19 | 0:52:23 | |
Being on both teams, they are very confident. | 0:52:23 | 0:52:30 | |
-Carol, let me ask you the same question. -Yes. | 0:52:30 | 0:52:33 | |
-You know these two guys, you worked with them. -I do. | 0:52:33 | 0:52:35 | |
Piers used you, you did very well, then he didn't choose you in the end. | 0:52:35 | 0:52:39 | |
-Were you insulted? -Absolutely not. | 0:52:39 | 0:52:41 | |
I know what it's like to be in business. | 0:52:41 | 0:52:44 | |
This is a tough world and a tough economy, | 0:52:44 | 0:52:46 | |
and if you have to get ahead by using your edge, I think Piers used it very well. | 0:52:46 | 0:52:51 | |
And what about Trace? | 0:52:51 | 0:52:52 | |
-APPLAUSE -Thank you. | 0:52:52 | 0:52:55 | |
Truthfully, Mr Trump, you know I thought I should have been in the final, I mean, come on, | 0:52:56 | 0:53:02 | |
-for a man who's used so many beautiful women... -Your answer's not very good today. | 0:53:02 | 0:53:06 | |
-I'm telling you... -You're choking under live television, Carol! | 0:53:06 | 0:53:10 | |
I'm not, because you know I should have been in, | 0:53:10 | 0:53:13 | |
so it's hard for me to talk about Trace cos I never worked with him. | 0:53:13 | 0:53:16 | |
You know the truth, you've done a great job. Stephen, Stephen Baldwin. | 0:53:16 | 0:53:20 | |
Yes, Mr Trump? | 0:53:20 | 0:53:22 | |
APPLAUSE | 0:53:22 | 0:53:23 | |
Stephen told me he wasn't doing so well until the Celebrity Apprentice, | 0:53:26 | 0:53:30 | |
and now he's like a big star when he walks down the street. | 0:53:30 | 0:53:37 | |
But did you sabotage your friend over here, Piers? | 0:53:37 | 0:53:39 | |
Were you really that bad, or did you want him to lose? | 0:53:39 | 0:53:43 | |
I think Piers mentioned earlier that he's made some friends for life. | 0:53:43 | 0:53:48 | |
I'm not necessarily sure I'm one of them. | 0:53:48 | 0:53:50 | |
What do you think of him? | 0:53:50 | 0:53:53 | |
-Tough guy. Good at business, good at raising money. -What about Trace? | 0:53:53 | 0:53:57 | |
There's no question in my mind he's ten times better than Piers any day. | 0:53:57 | 0:54:03 | |
CHEERING AND APPLAUSE | 0:54:03 | 0:54:06 | |
Vinnie, you're another tough guy, but you resigned. You wish you didn't resign, thinking about it? | 0:54:08 | 0:54:14 | |
Yes, I do wish I didn't resign, | 0:54:14 | 0:54:18 | |
-but Lennox pushed me over the edge. -Why? | 0:54:18 | 0:54:21 | |
Because I took him out the night before, | 0:54:21 | 0:54:24 | |
and the next day he turns on me. | 0:54:24 | 0:54:26 | |
-I'm not taking him out any more. -That wasn't true. That wasn't true. | 0:54:26 | 0:54:31 | |
I took you to meet Chazz Palminteri, and the next day you went on this guy's side. | 0:54:31 | 0:54:36 | |
He can't take you to meet Chazz Palminteri! | 0:54:36 | 0:54:39 | |
LAUGHTER | 0:54:39 | 0:54:42 | |
-You asked me who the best guy was, who would I want on my team? -Who's the best? | 0:54:45 | 0:54:49 | |
At that time it was Piers. | 0:54:49 | 0:54:51 | |
What about now? | 0:54:51 | 0:54:53 | |
You're honest, Lennox, and I respect you for it because he was pretty rough with you sometimes, right? | 0:54:55 | 0:55:00 | |
-Yes. -Marilu, you've been a fan of The Apprentice since it began. -Yes. | 0:55:00 | 0:55:04 | |
-Supposedly you've seen every single show. -Except maybe the QVC one. -What's been your experience? | 0:55:04 | 0:55:09 | |
It was incredible, even better than I expected it to be. | 0:55:09 | 0:55:11 | |
It was so much fun, no sleep, | 0:55:11 | 0:55:13 | |
however, but that was fine, that suited my energy anyway. | 0:55:13 | 0:55:16 | |
I keep telling all my friends they have to do the next one. | 0:55:16 | 0:55:20 | |
Jennie, are you going to win a gold medal for us, please? | 0:55:20 | 0:55:23 | |
The greatest softball pitcher ever. | 0:55:23 | 0:55:26 | |
APPLAUSE | 0:55:26 | 0:55:28 | |
-Are you going to win a gold medal? -We'll do our best. -Are you? -Yes. | 0:55:28 | 0:55:31 | |
Do you know how many gold medals the one next to you, Nadia Comaneci, one of the greats.... | 0:55:31 | 0:55:36 | |
CHEERING AND APPLAUSE | 0:55:36 | 0:55:38 | |
Have we all had fun? Has this been something? | 0:55:42 | 0:55:45 | |
Raise your hands, you like Piers, raise your hands. | 0:55:45 | 0:55:48 | |
I like both of them. | 0:55:48 | 0:55:51 | |
If you like Trace, raise your hand. | 0:55:51 | 0:55:54 | |
CHEERING | 0:55:54 | 0:55:56 | |
Lennox raised his hand both times. Lennox raised his hand both times. | 0:55:56 | 0:55:59 | |
You know what, we have one more celebrity to hear from. | 0:55:59 | 0:56:04 | |
He has the ego, he has the smarts, even has the big hair, you know, like me, sort of. | 0:56:04 | 0:56:09 | |
So why did Gene Simmons leave so early? What happened? Take a look. | 0:56:09 | 0:56:14 | |
I can smell it. We'll kill 'em. | 0:56:17 | 0:56:21 | |
-What sign are you, Gene? -Dollar sign, baby, dollar sign! | 0:56:21 | 0:56:24 | |
If I was sitting on the sidelines I'd say, "Gene Simmons, you're a powerful and attractive man." | 0:56:24 | 0:56:29 | |
Gene Simmons convinced everyone he had the answers, including himself. | 0:56:29 | 0:56:35 | |
It's a Kodak world and we just live in it. | 0:56:35 | 0:56:37 | |
But the client had other ideas. | 0:56:37 | 0:56:41 | |
This is the most important thing. The buzzwords are bringing printing back at home again. | 0:56:41 | 0:56:45 | |
They are wrong. | 0:56:45 | 0:56:48 | |
Despite the team's loss, Gene was convinced it was Kodak who had missed the mark. | 0:56:48 | 0:56:53 | |
If Kodak were to come in, I would say to them in front of you and everybody else, | 0:56:53 | 0:56:57 | |
"You're a terrific company, I respect your brand, and in this instance, you're wrong." | 0:56:57 | 0:57:03 | |
APPLAUSE | 0:57:03 | 0:57:04 | |
Gene is a stubborn guy, he just wouldn't give up, so I wonder, has he changed his mind? | 0:57:10 | 0:57:15 | |
Well, here, live from Tokyo, Japan, Gene, you can hear me? | 0:57:15 | 0:57:21 | |
You bet. | 0:57:21 | 0:57:22 | |
CHEERING AND APPLAUSE | 0:57:22 | 0:57:25 | |
You know, we are in Japan shooting a movie, | 0:57:25 | 0:57:27 | |
and I just want to say to all my Japanese friends around the world... | 0:57:27 | 0:57:31 | |
HE SPEAKS JAPANESE | 0:57:31 | 0:57:34 | |
OK, very nice. | 0:57:34 | 0:57:36 | |
Gene, would you finally admit that you were wrong with respect to Kodak, | 0:57:36 | 0:57:41 | |
because frankly I heard they doubled their sales with their idea. What do you think, Gene? | 0:57:41 | 0:57:47 | |
You're saying ink at half the price doubled their sales, very short-sighted. | 0:57:47 | 0:57:51 | |
I love Kodak, my family uses Kodak products, it is a quality product, | 0:57:51 | 0:57:55 | |
a big mistake, very short-sighted on their part to think of | 0:57:55 | 0:57:59 | |
the short haul, everything is becoming digital, | 0:57:59 | 0:58:01 | |
it's a Kodak world. | 0:58:01 | 0:58:03 | |
I stand by it then, I stand by every word now. | 0:58:03 | 0:58:06 | |
That's the correct branding. It's a Kodak world. | 0:58:06 | 0:58:08 | |
I'm not surprised to hear you stand by it but we have the Kodak | 0:58:08 | 0:58:11 | |
executives here, Jeff Hayzlett, what do you think? | 0:58:11 | 0:58:13 | |
I love Gene, I love your passion, | 0:58:13 | 0:58:15 | |
everything you stand for in terms of this, you're talking the right | 0:58:15 | 0:58:19 | |
things about a Kodak world. We believe it's a Kodak world. | 0:58:19 | 0:58:21 | |
In fact, we've got a website called the Kodak world, | 0:58:21 | 0:58:23 | |
we've had it for a long time. | 0:58:23 | 0:58:25 | |
We even have some of the stars that are here tonight on that website but | 0:58:25 | 0:58:28 | |
you missed the task, that's the key thing. The customer is always right. | 0:58:28 | 0:58:31 | |
In this case pricey ink stinks, | 0:58:31 | 0:58:33 | |
everybody loves the Kodak all-in-one printer, we can't | 0:58:33 | 0:58:36 | |
keep them on the shelves, this year will triple and Donald, as you said, | 0:58:36 | 0:58:39 | |
we doubled our sales through this. | 0:58:39 | 0:58:42 | |
So Jeff, you think you're right, Gene was wrong? | 0:58:42 | 0:58:44 | |
In this case we were right, the stars were right, | 0:58:44 | 0:58:47 | |
the winning team led it, they did it. | 0:58:47 | 0:58:48 | |
Gene, one last question, Trace or Piers, who do I pick? | 0:58:48 | 0:58:53 | |
There is a two-sided story to this. | 0:58:53 | 0:58:55 | |
One is television show we're all on, the Celebrity Apprentice, | 0:58:55 | 0:59:00 | |
and there was a task given and certainly Piers outperformed in pure cash. | 0:59:00 | 0:59:04 | |
Trace Adkins, however, has a quality that is sorely missing in America and that is called a tug of the | 0:59:04 | 0:59:09 | |
heart, his voice, his persona, that quiet moment when the flag of these | 0:59:09 | 0:59:14 | |
United States of America goes up there should be a moment of silence | 0:59:14 | 0:59:19 | |
for the flag that gave your life possibility and Trace Adkins | 0:59:19 | 0:59:23 | |
has that quality, that "ah, shucks" kind of demeanour. | 0:59:23 | 0:59:26 | |
All he needs to do is surround himself by other... | 0:59:26 | 0:59:29 | |
...So Gene, who do you like? Tell me! | 0:59:29 | 0:59:31 | |
Who do you like? | 0:59:31 | 0:59:33 | |
I like you too, Gene, but you should have gone with Kodak. | 0:59:33 | 0:59:38 | |
They'll come back to me, you'll see. | 0:59:38 | 0:59:40 | |
The answer is Trace Adkins. | 0:59:42 | 0:59:44 | |
CHEERING | 0:59:44 | 0:59:48 | |
Thank you Gene. | 0:59:49 | 0:59:51 | |
Thank you Jeff. Thank you very much. | 0:59:51 | 0:59:54 | |
This season was really about charity and boy have these guys done a job, | 0:59:54 | 0:59:58 | |
they really have done something. | 0:59:58 | 0:59:59 | |
So let's check this out. | 0:59:59 | 1:00:02 | |
Trace, congratulations. | 1:00:02 | 1:00:04 | |
The name of my charity is Food Allergy and Anaphylaxis Network, | 1:00:07 | 1:00:11 | |
FAN for short. | 1:00:11 | 1:00:12 | |
We're thankful for this food and this family. Amen. | 1:00:12 | 1:00:16 | |
The charity actually helps fund research to try and figure out | 1:00:16 | 1:00:20 | |
what it is that's causing this. | 1:00:20 | 1:00:22 | |
This charity means so much to my family because my six-year-old | 1:00:22 | 1:00:26 | |
daughter Brianna has severe food allergies. | 1:00:26 | 1:00:29 | |
She had a reaction before we came here. | 1:00:29 | 1:00:32 | |
You had a reaction? | 1:00:32 | 1:00:33 | |
So many people have the misconception that | 1:00:33 | 1:00:36 | |
oh, it's an allergy, what happens is | 1:00:36 | 1:00:39 | |
they swell to the point that their air passage will just be closed off. | 1:00:39 | 1:00:44 | |
That's where the anaphylactic shock comes in | 1:00:44 | 1:00:46 | |
and that's how it will kill them. | 1:00:46 | 1:00:48 | |
-It will take a minute. -When we discovered that | 1:00:50 | 1:00:53 | |
she had food allergies she was just a baby, six to eight months old. | 1:00:53 | 1:00:56 | |
It's heartbreaking when Brianna has these episodes. | 1:00:56 | 1:01:01 | |
There is no greater pain for a parent than to see their child in pain. | 1:01:01 | 1:01:07 | |
We have to be vigilant. | 1:01:07 | 1:01:09 | |
This is in case she wants pizza because of the other kids are having pizza. | 1:01:09 | 1:01:13 | |
When I make her lunch I make sure it's safe. | 1:01:13 | 1:01:16 | |
Food is everywhere. There is not a minute that goes by | 1:01:16 | 1:01:19 | |
that you're not wondering is she safe? | 1:01:19 | 1:01:22 | |
Some of the dangers of sending Brianna to school, just somebody else touching her | 1:01:31 | 1:01:35 | |
that has peanut butter on her hand, or milk and she has a reaction. | 1:01:35 | 1:01:39 | |
We have seven minutes before she could be dead. | 1:01:39 | 1:01:42 | |
-That's very frightening. -Next. | 1:01:42 | 1:01:45 | |
Spaghetti OK? | 1:01:45 | 1:01:47 | |
When we decided to send Brianna to school we had to educate everyone she came in contact with. | 1:01:47 | 1:01:53 | |
We got to eat something good. | 1:01:53 | 1:01:57 | |
FAN helps were back with cartoon type drawings and stuff | 1:01:57 | 1:01:59 | |
to let them know what would happen to Brianna. | 1:01:59 | 1:02:02 | |
It makes you change everything you do. | 1:02:02 | 1:02:04 | |
-We talked about some things made out of what? Say it out loud. -Wood. | 1:02:04 | 1:02:08 | |
There are over 12 million Americans that are affected by severe food allergies | 1:02:08 | 1:02:14 | |
and over three million of those | 1:02:14 | 1:02:16 | |
are school aged children and those numbers are growing every year. | 1:02:16 | 1:02:20 | |
It really demands that we do something about it. | 1:02:20 | 1:02:23 | |
As a parent all my kids keep me grounded but Brianna, she's | 1:02:23 | 1:02:28 | |
a special kid, she's a sweetheart kid, too, and everybody loves her. | 1:02:28 | 1:02:31 | |
A lot of people look out for her... | 1:02:31 | 1:02:33 | |
..and I'm very grateful and thankful for that. | 1:02:34 | 1:02:37 | |
He's soft-spoken but when he sings he gets everyone's attention. | 1:02:46 | 1:02:50 | |
He is singing his new number-one single, just went to number one, | 1:02:50 | 1:02:55 | |
hopefully he'll give me 25 per cent. | 1:02:55 | 1:02:57 | |
You're Gonna Miss This, Trace Adkins... | 1:02:57 | 1:02:59 | |
# She was staring out the window of that SUV | 1:03:08 | 1:03:14 | |
# Complaining, saying I can't wait to turn 18 | 1:03:14 | 1:03:18 | |
# She said I'll make my own money | 1:03:20 | 1:03:24 | |
# And I'll make my own rules | 1:03:24 | 1:03:26 | |
# Mamma put the car in park out there in front of the school | 1:03:26 | 1:03:31 | |
# Then she kissed her head | 1:03:33 | 1:03:35 | |
# And said I was just like you | 1:03:35 | 1:03:39 | |
# You're gonna miss this | 1:03:39 | 1:03:41 | |
# You're gonna want this back | 1:03:41 | 1:03:45 | |
# You're gonna wish these days | 1:03:45 | 1:03:48 | |
# Hadn't gone by so fast | 1:03:48 | 1:03:51 | |
# These are some good times | 1:03:51 | 1:03:54 | |
# So take a good look around | 1:03:54 | 1:03:57 | |
# You may not know it now | 1:03:57 | 1:04:02 | |
# But you're gonna miss this | 1:04:02 | 1:04:05 | |
# Before she knows it she's a brand new bride | 1:04:08 | 1:04:13 | |
# In a one-bedroom apartment and her daddy stops by | 1:04:13 | 1:04:19 | |
# He tells her it's a nice place | 1:04:19 | 1:04:23 | |
# She says it'll do for now | 1:04:23 | 1:04:25 | |
# Starts talking about babies and buying a house | 1:04:25 | 1:04:31 | |
# Daddy shakes his head | 1:04:31 | 1:04:34 | |
# And says Baby, just slow down | 1:04:34 | 1:04:38 | |
# You're gonna miss this | 1:04:38 | 1:04:42 | |
# Five years later there's a plumber workin' on the water heater | 1:04:44 | 1:04:50 | |
# Dog's barkin', phone's ringing One kid's crying one kid's screamin' | 1:04:50 | 1:04:57 | |
# She keeps apologising' | 1:04:57 | 1:04:59 | |
# He says they don't bother me | 1:04:59 | 1:05:02 | |
# I got two babies of my own | 1:05:02 | 1:05:05 | |
# One's 36, one's 23 | 1:05:05 | 1:05:10 | |
# And it's hard to believe but you're gonna miss this | 1:05:10 | 1:05:13 | |
# You're gonna want this back | 1:05:15 | 1:05:18 | |
# You're gonna wish these days Hadn't gone by so fast | 1:05:18 | 1:05:24 | |
# These are some good times | 1:05:24 | 1:05:27 | |
# So take a good look around | 1:05:27 | 1:05:30 | |
# You may not know it now | 1:05:30 | 1:05:36 | |
# But you're gonna miss this. # | 1:05:36 | 1:05:40 | |
APPLAUSE | 1:05:46 | 1:05:48 | |
Piers was criticised heavily and even hated by many for his style of | 1:05:48 | 1:05:52 | |
play, they think he's a vicious guy, he probably is. | 1:05:52 | 1:05:55 | |
But he also did a really good job for his charity. Take a look. | 1:05:55 | 1:05:59 | |
The Intrepid Fallen Heroes Fund does amazing things | 1:06:03 | 1:06:07 | |
raising money for severely wounded American servicemen and women. | 1:06:07 | 1:06:11 | |
They built this incredible centre in San Antonio. | 1:06:11 | 1:06:14 | |
The Centre for the Intrepid. | 1:06:14 | 1:06:16 | |
This kind of place reminds everybody of the incredible sacrifice these soldiers made. | 1:06:16 | 1:06:23 | |
This is our military performance laboratory. | 1:06:23 | 1:06:26 | |
I spent a few hours walking around the centre with the director. | 1:06:26 | 1:06:29 | |
This is where occupational therapy takes place. | 1:06:29 | 1:06:33 | |
You can tell | 1:06:33 | 1:06:35 | |
from some of the rooms the scale of work that goes on here. | 1:06:35 | 1:06:37 | |
Prosthetists work directly with the patients. | 1:06:37 | 1:06:40 | |
They make prosthetics that enable people to run again. | 1:06:40 | 1:06:43 | |
To run. So this really is like a sort of... | 1:06:43 | 1:06:47 | |
This is an art. | 1:06:47 | 1:06:48 | |
-It's a plaster cast. -This is an art. | 1:06:48 | 1:06:50 | |
I spent most of today meeting some of the more severely wounded patients here who have lost limbs. | 1:06:50 | 1:06:57 | |
It was incredibly moving. | 1:06:57 | 1:06:58 | |
When I got hit there was a big puff of smoke. | 1:06:58 | 1:07:01 | |
You think you can walk it off but not that night, not that day. | 1:07:01 | 1:07:06 | |
Shane and his friend could have been just two guys down the local bar, | 1:07:06 | 1:07:11 | |
then you realise Shane has no legs. | 1:07:11 | 1:07:13 | |
He's a hell of a guy. Just by looking at him now | 1:07:13 | 1:07:16 | |
and the way he goes through his rehabilitation, it makes me strive even more and I appreciate it. | 1:07:16 | 1:07:21 | |
-I really do. I love you. -I love you, too. | 1:07:21 | 1:07:26 | |
The most powerful moment for me of the day was meeting | 1:07:31 | 1:07:34 | |
Matthew who is 21 years old who had not only suffered a double amputation | 1:07:34 | 1:07:39 | |
of his legs but also lost his sight. | 1:07:39 | 1:07:42 | |
-I'd go back if I could. -Why? | 1:07:42 | 1:07:45 | |
Unfinished business. | 1:07:45 | 1:07:47 | |
But I like it here. Great people that like to work with you, | 1:07:47 | 1:07:52 | |
a very fine atmosphere. | 1:07:52 | 1:07:53 | |
They had more spirit now I suspect than | 1:07:53 | 1:07:56 | |
before they suffered their injuries. | 1:07:56 | 1:07:58 | |
A lot of that is down to what happens here at the centre. | 1:07:58 | 1:08:02 | |
I'd like to give you this coin as a symbol of our appreciation. | 1:08:02 | 1:08:07 | |
This is the technique. | 1:08:07 | 1:08:09 | |
I'm very honoured. | 1:08:09 | 1:08:11 | |
Thank you very much. This means a lot to me. | 1:08:11 | 1:08:12 | |
No one should forget these soldiers. | 1:08:12 | 1:08:15 | |
I don't think there is any greater sacrifice | 1:08:15 | 1:08:18 | |
that anyone can make than to fight for their country's freedom. | 1:08:18 | 1:08:22 | |
I really believe this is the very least we should be doing. | 1:08:22 | 1:08:25 | |
CHEERING AND APPLAUSE | 1:08:25 | 1:08:29 | |
Introduce us to your friends. | 1:08:37 | 1:08:39 | |
Mr Trump, | 1:08:39 | 1:08:41 | |
I'd like to introduce you to marine lance-corporal Matthew Bradford. | 1:08:41 | 1:08:45 | |
Army corporal Shane Parsons. | 1:08:45 | 1:08:48 | |
Jet Marcus. | 1:08:48 | 1:08:49 | |
Sergeant Amy Hernandez. | 1:08:53 | 1:08:56 | |
Staff Sergeant Joseph. | 1:08:56 | 1:08:59 | |
Now let me ask you, what do you think of the job Piers did? | 1:09:09 | 1:09:14 | |
Something that needed to be done. | 1:09:15 | 1:09:17 | |
-Great guy? -I don't know him that well but I think it's something that really needed to be done. | 1:09:17 | 1:09:21 | |
-Raised a lot of money. -A lot of money. | 1:09:21 | 1:09:23 | |
I think he done a great job. We stand behind him 100 per cent. | 1:09:23 | 1:09:27 | |
You guys have really done the great job, that's something. | 1:09:27 | 1:09:31 | |
I tell you what, I have courage financially | 1:09:31 | 1:09:32 | |
but I don't have your kind of courage, that I can say, and neither does he, I can tell you that. | 1:09:32 | 1:09:37 | |
So good luck. And let's hear it for these great people. | 1:09:37 | 1:09:40 | |
These are great, great people. | 1:09:40 | 1:09:42 | |
CHEERING AND APPLAUSE | 1:09:42 | 1:09:45 | |
This season we raised over a million dollars for charity | 1:10:03 | 1:10:07 | |
and I'm going to throw in another 250,000 for the winner's charity. | 1:10:07 | 1:10:13 | |
I'm really proud of you two and everybody in the room. | 1:10:18 | 1:10:21 | |
You've done an amazing job, there are no losers here, | 1:10:21 | 1:10:24 | |
believe me, there are only winners. | 1:10:24 | 1:10:26 | |
Let's get down to it. Trace, why should I pick you? | 1:10:28 | 1:10:32 | |
Well, Mr Trump, nobody supports our military more than I do and I'm so thrilled that Piers has won all that | 1:10:32 | 1:10:37 | |
money for the Intrepid Fallen Heroes Fund, I support him wholeheartedly, we all do. | 1:10:37 | 1:10:43 | |
That's why last year the USO gave me their | 1:10:43 | 1:10:46 | |
merit award which is the highest honour they can give a civilian, so that's great. | 1:10:46 | 1:10:52 | |
In contrast to that, we know how serious the issues are that they face and we all feel for them, | 1:10:52 | 1:10:56 | |
contrast that with the charity I'm here representing, | 1:10:56 | 1:11:00 | |
the Food Allergy and Anaphylaxis Network, | 1:11:00 | 1:11:03 | |
-not enough people understand the seriousness and severity... -I think they are both great. | 1:11:03 | 1:11:07 | |
They are both wonderful but I'm here tonight representing 3 million fathers | 1:11:07 | 1:11:12 | |
that live in fear every day when they send their children to school | 1:11:12 | 1:11:15 | |
because they're afraid of they're going to be exposed to something and go into anaphylactic shock. | 1:11:15 | 1:11:19 | |
I'm here representing those 3 million fathers, | 1:11:19 | 1:11:22 | |
we want that money because we know what FAN will do with it, | 1:11:22 | 1:11:25 | |
they will help save our children's lives. | 1:11:25 | 1:11:27 | |
And nobody wants anything more than we want that. | 1:11:27 | 1:11:31 | |
I think that's terrific. | 1:11:31 | 1:11:34 | |
Piers, make your case. | 1:11:36 | 1:11:38 | |
I don't want to rain on the parade here and I've heard all | 1:11:38 | 1:11:41 | |
the eulogies to Trace and I agree, he is a good guy. | 1:11:41 | 1:11:43 | |
If this was a good guy competition to find America's most likeable man, | 1:11:43 | 1:11:47 | |
he would win immediately. | 1:11:47 | 1:11:49 | |
But it is a business competition with a premium on raising money for charity. | 1:11:49 | 1:11:54 | |
Do you think you're more capable than Trace? | 1:11:54 | 1:11:57 | |
As you know, Mr Trump, business in the end comes down to the bottom line, to numbers. | 1:11:57 | 1:12:01 | |
I won nine out of the 11 challenges you set me, more than anybody else. | 1:12:01 | 1:12:04 | |
I raised over half a million dollars, more than every other contestant put together. | 1:12:04 | 1:12:08 | |
I had, in your words, the biggest slaughter in the history | 1:12:08 | 1:12:11 | |
of the Apprentice, in one episode. | 1:12:11 | 1:12:13 | |
-It's true. -I also brought in the biggest and | 1:12:13 | 1:12:16 | |
the most celebrities. | 1:12:16 | 1:12:18 | |
So on every single business and charity fundraising checklist | 1:12:18 | 1:12:22 | |
I killed everyone. | 1:12:22 | 1:12:23 | |
That's all I have to say. | 1:12:23 | 1:12:25 | |
-As to the respective merits of the charities... -But you were not loved. | 1:12:29 | 1:12:32 | |
-Mr Trump, you're not loved. -Is that important to you? -No, it's not. You're not loved. | 1:12:32 | 1:12:37 | |
Ivanka, let me ask you, what do you think? Any words? | 1:12:37 | 1:12:40 | |
First of all, I have total respect for both of you and I think you both did a tremendous job. | 1:12:40 | 1:12:44 | |
What I keep coming back to, Piers, is this would have been a very short | 1:12:44 | 1:12:48 | |
board room had you had a better a bedside manner. | 1:12:48 | 1:12:50 | |
You don't know about my bedside manner. | 1:12:50 | 1:12:53 | |
Touche! | 1:12:53 | 1:12:57 | |
But you lack... | 1:12:57 | 1:12:58 | |
right here, that's a great example of the tact that you lack. | 1:12:58 | 1:13:02 | |
It was funny. | 1:13:03 | 1:13:05 | |
-The problem is... -Hang on a second, that was a gag. | 1:13:05 | 1:13:08 | |
-Do you think I produced dummies? -I don't. | 1:13:08 | 1:13:11 | |
-I think you're just distracted from what we're here for. -Let me explain | 1:13:11 | 1:13:14 | |
to you where I came from on this - I've heard all this stuff, Trace is great, he is St Trace, right. | 1:13:14 | 1:13:19 | |
I was like I was to win a game because if I won the game | 1:13:19 | 1:13:23 | |
I raise money for that charity for those guys. | 1:13:23 | 1:13:26 | |
They cannot in America right now... | 1:13:26 | 1:13:28 | |
Do you think you would have raised less money though, had you been more polite? | 1:13:28 | 1:13:32 | |
There cannot be a more important charity to work for. | 1:13:32 | 1:13:35 | |
When these guys go to battle, they fight to the finish. | 1:13:35 | 1:13:38 | |
-When I played this business game... -Do you think you charity is more important than Trace's charity? | 1:13:38 | 1:13:42 | |
No, I would never say that. | 1:13:42 | 1:13:43 | |
I just happen to think that right now I gave everything, every challenge and my motivation for it to raise | 1:13:43 | 1:13:50 | |
large sums of money was to support these guys | 1:13:50 | 1:13:53 | |
and give them a second chance. | 1:13:53 | 1:13:55 | |
I'm absolutely standing by every single thing I did. I believe I have integrity. | 1:13:55 | 1:14:00 | |
I don't like my integrity being called into question. | 1:14:00 | 1:14:02 | |
Do you have a final statement? | 1:14:02 | 1:14:06 | |
A decisive guy but I don't envy your opposition tonight because Trace is | 1:14:06 | 1:14:09 | |
the most likeable guy perhaps I've met throughout all the Apprentices. | 1:14:09 | 1:14:12 | |
At the same time, you cannot discount Piers' effectiveness. | 1:14:12 | 1:14:16 | |
The one question I really have comes down to the use of the role of decks. | 1:14:16 | 1:14:20 | |
You have an incredibly deep role of decks and you definitely have skills beyond that | 1:14:20 | 1:14:24 | |
but could Trace ever match just the sheer numbers you were able to raise because of the lack of roller decks? | 1:14:24 | 1:14:29 | |
Hang on. We have one minute left, you can't hang on. | 1:14:29 | 1:14:33 | |
-Can I respond to that? -You can't. | 1:14:33 | 1:14:36 | |
-OK. -Piers, you're a vicious guy, | 1:14:36 | 1:14:38 | |
I've seen it, we can try and dispute it, you can try and dispute it. | 1:14:38 | 1:14:43 | |
You're tough, smart, probably brilliant, I'm not sure. | 1:14:43 | 1:14:47 | |
You're certainly not diplomatic but you did an amazing job and you | 1:14:47 | 1:14:51 | |
beat the hell out of everybody and you won by far more than anybody. | 1:14:51 | 1:14:55 | |
Trace, you ended up with a number one single, you ended up great, | 1:14:55 | 1:14:59 | |
you have an amazing family, | 1:14:59 | 1:15:01 | |
beautiful children, you really are a special guy, a special human being, a beautiful guy. | 1:15:01 | 1:15:08 | |
I'll always love you. | 1:15:08 | 1:15:10 | |
But for tonight, Piers, you're the Celebrity Apprentice. | 1:15:10 | 1:15:13 | |
APPLAUSE AND CHEERING | 1:15:13 | 1:15:17 | |
It's been a really great season. | 1:15:39 | 1:15:40 | |
We'll see you next year, we're going to be around for a long time! | 1:15:40 | 1:15:45 | |
Subtitles by Red Bee Media Ltd | 1:16:30 | 1:16:33 | |
Email [email protected] | 1:16:33 | 1:16:36 |