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-'Previously...' -Gene saved Nely and killed himself. | 0:00:02 | 0:00:05 | |
'..after three straight losses, team Empresario was desperate for a win.' | 0:00:05 | 0:00:09 | |
I can't remember ever losing three times in a row. | 0:00:09 | 0:00:13 | |
'Once again, the celebrities were out to upstage each other.' | 0:00:13 | 0:00:17 | |
You are going to be selling tickets to Broadway plays. | 0:00:17 | 0:00:20 | |
'With Marilu Henner in charge, the women open their Rolodexes.' | 0:00:20 | 0:00:23 | |
I'm just going to start calling the world here. | 0:00:23 | 0:00:25 | |
'Meanwhile, tensions between Piers and Vinny came to a head.' | 0:00:25 | 0:00:29 | |
Just hand me another copy of the rules. | 0:00:29 | 0:00:32 | |
I thought you wanted to calm down. | 0:00:32 | 0:00:34 | |
That's all I asked you for. | 0:00:34 | 0:00:36 | |
-We're not fighting today, Piers. -I'm not the problem. | 0:00:36 | 0:00:38 | |
I'm not going to be a bouncer in this thing. | 0:00:38 | 0:00:40 | |
-'When the celebrities hit the streets...' -Broadway show tickets! | 0:00:40 | 0:00:43 | |
Two for Curtains. | 0:00:43 | 0:00:45 | |
'..Marilu called on her Broadway family.' | 0:00:45 | 0:00:48 | |
David Hyde Pierce! | 0:00:48 | 0:00:51 | |
'And Vinny ran a family of his own.' | 0:00:51 | 0:00:53 | |
In my world, you have a boss, and you have your soldiers. | 0:00:53 | 0:00:56 | |
Let's get organised. | 0:00:56 | 0:00:58 | |
Not that I'm saying I like the mafia. I'm saying it works. | 0:00:58 | 0:01:01 | |
-Badabing, badaboom. -'But in the boardroom, the men edge the women out yet again.' | 0:01:01 | 0:01:06 | |
Ivanka, how did Hydra do? | 0:01:06 | 0:01:07 | |
-Hydra raised 33,310. -Come on. | 0:01:07 | 0:01:11 | |
'And Vinny reaped the benefit of Hydra's win.' | 0:01:11 | 0:01:15 | |
Well, Vinny, let me just tell you, we're giving 50,000 to your charity. | 0:01:15 | 0:01:18 | |
The money that you'll give me goes to the Lustgarten Foundation in Mitchell Berke's name. | 0:01:18 | 0:01:23 | |
Thank you very much. | 0:01:23 | 0:01:25 | |
'Then it was back to business.' | 0:01:25 | 0:01:27 | |
I'm a little embarrassed for the women. | 0:01:27 | 0:01:29 | |
This is now four weeks. | 0:01:29 | 0:01:31 | |
We're getting used to this. | 0:01:31 | 0:01:33 | |
'Marilu made a case for herself as a leader.' | 0:01:33 | 0:01:36 | |
You know I've been working every task wearing too many hats. | 0:01:36 | 0:01:39 | |
'And while Carol was fending off an attack from Omarosa...' | 0:01:39 | 0:01:42 | |
No-one can make you feel inferior unless you allow them to do so. | 0:01:42 | 0:01:46 | |
This is our group, and she's eating it up from the inside out. | 0:01:46 | 0:01:49 | |
'It was Jennie Finch who was clearly out of her element.' | 0:01:49 | 0:01:52 | |
It's such a harsh, nasty environment, and I'm not used to that. | 0:01:52 | 0:01:55 | |
And you shouldn't get used to it. But Jennie, for my purpose, you're fired. | 0:01:55 | 0:01:59 | |
So, who do you think will get fired, girls? | 0:02:03 | 0:02:06 | |
Marilu or Carol. | 0:02:06 | 0:02:08 | |
-God, I hope it's Carol. -I've been after Carol for three weeks. | 0:02:08 | 0:02:12 | |
I prefer Jennie any day of the week to Carol. | 0:02:12 | 0:02:15 | |
Jennie is a sweetheart and a hard worker. | 0:02:15 | 0:02:17 | |
-She's a better person. -She's a better person. | 0:02:17 | 0:02:21 | |
I'm hoping, just hoping, that Carol is the one who gets fired tonight. | 0:02:21 | 0:02:27 | |
Why do you hope it's Carol? | 0:02:27 | 0:02:29 | |
You know what? It's personal. She's a twit. I don't like twits. | 0:02:29 | 0:02:33 | |
Everybody says business isn't personal, but business is always personal, | 0:02:33 | 0:02:37 | |
and I want to see her go. | 0:02:37 | 0:02:39 | |
She just doesn't fit in, and she does not deserve to be here. | 0:02:39 | 0:02:43 | |
-Hi, ladies. -Hi, guys. | 0:02:43 | 0:02:45 | |
'I can stand up for myself. I'm a frickin' New Yorker.' | 0:02:47 | 0:02:51 | |
'I can't believe it. I'm shocked and disappointed. | 0:02:51 | 0:02:55 | |
'Jennie Finch goes down, and I'm going to really miss her,' | 0:02:55 | 0:02:59 | |
but everybody has to go at one point in this process. | 0:02:59 | 0:03:02 | |
As long as it's not me - oh, well. | 0:03:02 | 0:03:04 | |
# Money, money, money, money | 0:03:10 | 0:03:12 | |
# Money | 0:03:14 | 0:03:16 | |
# Money, money, money, money | 0:03:16 | 0:03:18 | |
# Money | 0:03:18 | 0:03:21 | |
# Some people got to have it | 0:03:21 | 0:03:23 | |
# Hey, hey | 0:03:23 | 0:03:26 | |
# Some people really need it | 0:03:26 | 0:03:29 | |
Hey, listen to me, y'all | 0:03:29 | 0:03:30 | |
# Do thangs, do thangs, do thangs | 0:03:30 | 0:03:33 | |
# Bad thangs with it | 0:03:33 | 0:03:35 | |
# Dollar bills y'all | 0:03:37 | 0:03:39 | |
# Come on that mean, oh mean, | 0:03:39 | 0:03:43 | |
# Mean green | 0:03:43 | 0:03:45 | |
# Almighty dollar | 0:03:46 | 0:03:49 | |
# That money | 0:03:50 | 0:03:52 | |
# Give me a nickel Brother can you spare a dime | 0:03:52 | 0:03:57 | |
# Money can drive some people out of their minds | 0:03:57 | 0:04:02 | |
# No good, no good | 0:04:04 | 0:04:07 | |
# Money, money, money, money | 0:04:07 | 0:04:10 | |
# Money. # | 0:04:11 | 0:04:12 | |
So, you know I'm doing this thing for Donald Trump, The Apprentice. | 0:04:21 | 0:04:25 | |
And what happens is they get a project manager and you lead the team, and if your team wins, | 0:04:25 | 0:04:30 | |
Donald gives you money for charity, so this whole thing's for charity. | 0:04:30 | 0:04:36 | |
'I was able to raise 50,000 for the Lustgarten Foundation for pancreatic cancer. | 0:04:36 | 0:04:40 | |
'Mitchell Berke was a very dear friend of mine.' | 0:04:40 | 0:04:44 | |
He was my daughter's stepfather and passed away recently from pancreatic cancer. | 0:04:44 | 0:04:47 | |
'My ex-wife, Nancy Berke, will be very, very happy when she gets this check.' | 0:04:47 | 0:04:51 | |
How much money do you think would be a nice donation for your charity? | 0:04:51 | 0:04:55 | |
-Every little bit helps. -Well, on behalf of Donald Trump, I have a check for you. | 0:04:55 | 0:04:59 | |
-Do you really? -Yeah. -Awesome. | 0:04:59 | 0:05:01 | |
It's not big. | 0:05:01 | 0:05:03 | |
10 would make me happy. This is for you, Nancy, from me for Mitchell. | 0:05:03 | 0:05:07 | |
Wow. Are you kidding? | 0:05:10 | 0:05:13 | |
50,000? You won 50,000? | 0:05:13 | 0:05:17 | |
I can't even describe how great it is. | 0:05:17 | 0:05:19 | |
Mitchell died two years ago of pancreatic cancer, | 0:05:19 | 0:05:22 | |
'and I wanted to do something - it's such a terrible disease.' | 0:05:22 | 0:05:27 | |
And Vinny just, he just blew me away today. | 0:05:27 | 0:05:30 | |
He really blew me away. | 0:05:30 | 0:05:31 | |
Thank you! | 0:05:31 | 0:05:33 | |
-Good morning. -Morning. -So, Empresario, you have one last chance. | 0:06:04 | 0:06:10 | |
This is it. | 0:06:10 | 0:06:11 | |
After that, I'll have to give you some help from one of these wonderful men. | 0:06:11 | 0:06:16 | |
All right, let me give you some good news. Tito won't be with us this week. | 0:06:16 | 0:06:20 | |
He's at a fight. So, that evens out the teams at five and four, | 0:06:20 | 0:06:23 | |
which is better than six and four, so your competition's a little bit less than you would have thought. | 0:06:23 | 0:06:28 | |
I'd like to suggest that Carol be your project manager this time. Can you handle that, Carol? | 0:06:28 | 0:06:35 | |
-Absolutely. -Is the team OK with that? | 0:06:35 | 0:06:37 | |
-Yes. Great. -Let's see if she can do a little bit better. | 0:06:37 | 0:06:39 | |
Fellas, do you know who your project manager will be? | 0:06:39 | 0:06:43 | |
We'd like to pass the torch on to Piers. | 0:06:43 | 0:06:45 | |
Well, Piers has done very well. I mean, you've done very well. | 0:06:45 | 0:06:48 | |
You've been a star so far, Piers. I'm very proud of you. | 0:06:48 | 0:06:51 | |
With all these big, strong athletes and great actors, you've been a star, | 0:06:51 | 0:06:55 | |
-so congratulations on the job you're doing. So, you'll be the project manager? -I will. -OK. | 0:06:55 | 0:07:00 | |
We're standing in Macy's. | 0:07:00 | 0:07:02 | |
This is the largest department store in the world, and it's a great store. | 0:07:02 | 0:07:06 | |
It's something very special, and a company that's very special, | 0:07:06 | 0:07:11 | |
and I'm sure you've all heard of it, cos it's hot as a pistol, is Crocs. | 0:07:11 | 0:07:15 | |
It's the fastest growing footwear company anywhere in the world. | 0:07:15 | 0:07:20 | |
They are doing unbelievably. | 0:07:20 | 0:07:23 | |
And they're doing an awareness campaign. | 0:07:23 | 0:07:26 | |
With us are the cofounder and the CEO, | 0:07:26 | 0:07:29 | |
Duke Hansen and Ron Snyder from Crocs. | 0:07:29 | 0:07:33 | |
So, Ron, tell us about your campaign and what you're looking for. | 0:07:33 | 0:07:36 | |
Your task today is to create an awareness campaign | 0:07:36 | 0:07:39 | |
for a new programme we're calling Soles United, | 0:07:39 | 0:07:42 | |
whereby we're bringing in old Crocs, recycling them, | 0:07:42 | 0:07:46 | |
and making them into new shoes for people in need around the world. | 0:07:46 | 0:07:50 | |
We would like you to create an in-store receptacle bin to collect used Crocs. | 0:07:50 | 0:07:54 | |
We'll take those shoes, recycle them, make new shoes to donate around the world. | 0:07:54 | 0:07:59 | |
The Crocs executives will judge the campaign and determine the winner. | 0:07:59 | 0:08:04 | |
Don and Ivanka will be my eyes and ears. | 0:08:04 | 0:08:07 | |
Do a really terrific job for a really terrific company. Do well. | 0:08:07 | 0:08:11 | |
-Carol? -Sir. -Good luck. -Thank you. | 0:08:11 | 0:08:14 | |
-Bring them out of oblivion, Carol. -We'll bring ourselves together, Mr Trump. -OK, let's see. Go ahead. | 0:08:14 | 0:08:20 | |
I think we go simple, direct, and from the heart. | 0:08:30 | 0:08:35 | |
This is really a heart campaign. | 0:08:35 | 0:08:38 | |
'Our task is to create a receptacle bin for Crocs for their Soles United campaign.' | 0:08:38 | 0:08:43 | |
People donate their used Crocs, Crocs recycles, and then they donate a pair to people who are in need. | 0:08:43 | 0:08:49 | |
The three keywords are "brand messaging", "creativity" and "overall design". | 0:08:49 | 0:08:54 | |
So, that's our three points. That's it. | 0:08:54 | 0:08:56 | |
From a business standpoint, one of their biggest branding things is the shoe itself. | 0:08:56 | 0:09:01 | |
You don't have a logo that's separated from the product. | 0:09:01 | 0:09:03 | |
They love using their shoe. | 0:09:03 | 0:09:05 | |
What they want to see is a bin that's effective. | 0:09:05 | 0:09:08 | |
'Four losses in a row. The guys like to call it a slaughter' | 0:09:08 | 0:09:13 | |
and it was demoralising my team, so we had a lot to overcome. | 0:09:13 | 0:09:17 | |
The lack of confidence, the fracturing of our team, | 0:09:17 | 0:09:20 | |
we had to overcome all that to unite as a group. | 0:09:20 | 0:09:23 | |
If we don't win this, I have to take a bullet. | 0:09:23 | 0:09:26 | |
Yay! This is a fun project! | 0:09:36 | 0:09:40 | |
-What a beautiful room. -Wait, wait, wait. | 0:09:40 | 0:09:44 | |
What are you all doing here? | 0:09:44 | 0:09:46 | |
Thanks, girls. Like that idea! | 0:09:46 | 0:09:48 | |
You can't be here. That is appalling! Jeepers. | 0:09:48 | 0:09:51 | |
-We're right next door. We got to be quiet. -OK. | 0:09:51 | 0:09:54 | |
They're right next door, so we have to keep our voices down. | 0:09:54 | 0:09:58 | |
The most important thing is brand messaging and creativity, right? | 0:09:59 | 0:10:04 | |
We know the campaign is Soles United, OK? | 0:10:04 | 0:10:08 | |
Piers, these are comfortable, man. Wow! | 0:10:08 | 0:10:12 | |
They're comfortable, and they send a message about you. | 0:10:12 | 0:10:15 | |
You've got "sole". We focus on Lennox again. He's a global icon, | 0:10:15 | 0:10:18 | |
and, by the way, boxing has always been, from Muhammad Ali on. | 0:10:18 | 0:10:21 | |
OK, I want to tell y'all something. | 0:10:21 | 0:10:24 | |
Wear them. Share them. | 0:10:24 | 0:10:27 | |
I like that. | 0:10:27 | 0:10:29 | |
Very good. | 0:10:29 | 0:10:31 | |
Trace Adkins, | 0:10:31 | 0:10:33 | |
sitting in the corner, quietly, came up with the knockout slogan. | 0:10:33 | 0:10:36 | |
-Amen, brother! -I get it. | 0:10:36 | 0:10:39 | |
'If I was at Crocs and I heard,' | 0:10:39 | 0:10:41 | |
"Wear them. Share them," I would scream, "Hallelujah!" | 0:10:41 | 0:10:45 | |
So, the rest of the challenge is no longer as important. | 0:10:45 | 0:10:50 | |
-Wear them. Share them. It works, right? -I just heard them talking out there. | 0:10:50 | 0:10:54 | |
Shh... | 0:10:54 | 0:10:56 | |
OK, guys, we have to bear in mind they could be standing outside our room. It's deliberate. | 0:10:56 | 0:11:01 | |
-Wear them. Share them? They're going to flip out. -Shh! | 0:11:01 | 0:11:05 | |
It's frickin' genius! | 0:11:05 | 0:11:06 | |
-Standing there? -Don't worry about it. They got nothing. | 0:11:06 | 0:11:10 | |
'The girls' team couldn't stop themselves. They were standing outside,' | 0:11:10 | 0:11:14 | |
listening in on what we were doing, so they were spying. | 0:11:14 | 0:11:17 | |
Vinny, I have an idea for you. I want you to stand outside. Listen to them. | 0:11:17 | 0:11:21 | |
-I can't do that. -You can, mate. It's called spying. | 0:11:21 | 0:11:25 | |
HE LAUGHS | 0:11:25 | 0:11:26 | |
-You want me to go rat? -Stand outside till I instruct you to come back in, please. | 0:11:26 | 0:11:30 | |
I got to look like I'm doing something out there. | 0:11:30 | 0:11:32 | |
-Take your coffee. Read a paper. You are my Luca Brasi. -I got to be doing something. | 0:11:32 | 0:11:38 | |
I've told you're too irritating, and I've ordered you out. | 0:11:38 | 0:11:41 | |
-You an actor? -Yeah. -Say, "Get the -BLEEP -out of here." | 0:11:41 | 0:11:45 | |
-Hey, hey, Vinny! -What? -Get out of here! | 0:11:45 | 0:11:47 | |
-I'm tired of you -BLEEP -and I'm going outside, and I'm reading the -BLEEP -paper! | 0:11:47 | 0:11:52 | |
-What's outside? -Is that for real? | 0:11:52 | 0:11:54 | |
-Get out! -BLEEP! | 0:11:54 | 0:11:55 | |
Get out, all right? And stay out! Get out! | 0:11:55 | 0:12:00 | |
'In business, if you get whacked by an opponent, you should whack them back | 0:12:00 | 0:12:04 | |
'as hard as you can,' | 0:12:04 | 0:12:05 | |
so Vinny and I created an argument | 0:12:05 | 0:12:08 | |
that was entirely fictitious, which ended up | 0:12:08 | 0:12:11 | |
with us screaming at each other and me ordering him | 0:12:11 | 0:12:14 | |
'out of the room, which I've wanted to do all week, so it was quite satisfying.' | 0:12:14 | 0:12:18 | |
That arrogant English bastard just chased me out of the damn boardroom! | 0:12:18 | 0:12:23 | |
And I'm tired of this stuff. | 0:12:23 | 0:12:25 | |
I'm tired of it, Stephen! | 0:12:25 | 0:12:28 | |
We're in a place of business, and we're representing a company. | 0:12:28 | 0:12:31 | |
'When we walked into the war room, the first thing out of Piers's mouth was, | 0:12:31 | 0:12:37 | |
'"Vinny, I want you to go spy on the girls." The project manager gave me an assignment,' | 0:12:37 | 0:12:42 | |
and I followed through. Just like if the captain of the ship told me to do something, you follow through. | 0:12:42 | 0:12:47 | |
-Hi. -What's the matter? -I can't work for Piers. | 0:12:52 | 0:12:54 | |
If you girls need help, I'd love to work with you today. | 0:12:54 | 0:12:57 | |
-Can we meet on it? Can you give us a second? -Yeah, all right, OK. | 0:12:57 | 0:13:01 | |
-What are we going to do about Vinny? -I think we take him, we need the resources, | 0:13:04 | 0:13:09 | |
and if I had to work for Piers, I'd be cutting my freaking throat with this Mr Trump pen. | 0:13:09 | 0:13:14 | |
What's up? | 0:13:14 | 0:13:16 | |
-I asked the girls if they want me to work for them. -Oh, yeah? -And they're voting on it. | 0:13:16 | 0:13:21 | |
So go back in and tell your boss. | 0:13:21 | 0:13:22 | |
-I will. -All right. -You think this is a setup? | 0:13:22 | 0:13:25 | |
No, I... No, I think it's real. | 0:13:25 | 0:13:28 | |
The girls want him to go work with them. | 0:13:28 | 0:13:31 | |
He's a good actor! | 0:13:31 | 0:13:33 | |
Because they think you guys are in a fight, but we all know that it's all a big laugh. | 0:13:33 | 0:13:38 | |
-They're so serious about it. -It's up to us. -Yes, take him. | 0:13:38 | 0:13:41 | |
I think he's a good guy. We need the help. | 0:13:41 | 0:13:43 | |
-As long as he can't go back. -Yeah, that's the only criteria. -Great, take him. | 0:13:43 | 0:13:47 | |
We made a group decision, and then I went and hired him. | 0:13:47 | 0:13:52 | |
-Vinny? -What? | 0:13:52 | 0:13:54 | |
-Work for us. -OK, Carol, thank you. | 0:13:54 | 0:13:56 | |
Mate, if you want to work for them, you work for them. | 0:13:56 | 0:13:58 | |
-It's called disloyalty where I come from. -It's not called disloyalty. -It is, mate. | 0:13:58 | 0:14:03 | |
-Piers, the girls really want me to work for them. -Come here, Vinny. | 0:14:03 | 0:14:07 | |
'I think the part with Vinny, how we acted it out and caused the big fuss,' | 0:14:07 | 0:14:12 | |
was a joke, but, you know, they really ate it up, | 0:14:12 | 0:14:15 | |
and they took him in, and I was kind of shocked. | 0:14:15 | 0:14:17 | |
(Listen to me very carefully. I want you to infiltrate their camp.) | 0:14:17 | 0:14:21 | |
-That's what I'm going to do. -(Then come back and tell us everything.) | 0:14:21 | 0:14:24 | |
-Don't worry about it. -Vinny, get out! | 0:14:24 | 0:14:26 | |
We're finished, mate, we're finished! | 0:14:26 | 0:14:29 | |
Donald Trump said, "You girls have one more chance | 0:14:29 | 0:14:32 | |
"to show the women of America you can do this without the men." | 0:14:32 | 0:14:35 | |
And then the first chance they got, they took one of the men, and I think that was a disaster for them, | 0:14:35 | 0:14:40 | |
because he will see that as a weak and pathetic action by four strong, | 0:14:40 | 0:14:44 | |
opinionated, independent women who should have known better. | 0:14:44 | 0:14:48 | |
It's all a bit embarrassing. | 0:14:48 | 0:14:51 | |
What we have to do is we have to come up with the big idea. | 0:15:04 | 0:15:09 | |
-What happens to the shoe? -They recycle them, and then it goes back to someone else. | 0:15:09 | 0:15:13 | |
Explain that as simply as possible. | 0:15:13 | 0:15:15 | |
Vinny came over and said, "I'm really angry at Piers, | 0:15:15 | 0:15:19 | |
"I can't stand him and I want to see you girls win." | 0:15:19 | 0:15:22 | |
'So everybody goes, "Look, we're understaffed, what's the big deal? Let's get him to help us."' | 0:15:22 | 0:15:27 | |
It's kind of a no-brainer. | 0:15:27 | 0:15:29 | |
-We have to have a buzz statement, we have to have a statement. -If we want to do something just so, so simple, | 0:15:29 | 0:15:35 | |
what it basically comes down to is sharing the love. | 0:15:35 | 0:15:38 | |
-"Soles United, share the love." -That's good. -Direct to the point. | 0:15:38 | 0:15:42 | |
I love this, I love it a lot. | 0:15:42 | 0:15:44 | |
That's the feeling we're trying to evoke in people. | 0:15:44 | 0:15:47 | |
-What is that? What's that? -Share the love. | 0:15:47 | 0:15:50 | |
-Share the love. -Soles United, share the love. | 0:15:50 | 0:15:54 | |
'The truth of the matter is I was sent to be a rat. Piers told me to do the job.' | 0:15:54 | 0:15:59 | |
I'm in with the girls, I'm infiltrated with the girls. | 0:15:59 | 0:16:02 | |
'I was doing my job as an informer. | 0:16:02 | 0:16:05 | |
'That's what my assignment was, and I'm good at it.' | 0:16:05 | 0:16:08 | |
-How about a Miss USA with a Croc on a leash? -On a leash? | 0:16:08 | 0:16:12 | |
-Why put a Croc on a leash? -Miss USA is walking him, she's universal. | 0:16:12 | 0:16:16 | |
-But you haven't used your celebrity status yet. -I know. | 0:16:16 | 0:16:19 | |
-What would your idea be, Vinny? -I think, Carol, it's time for you to step up, as your celebrity status, | 0:16:19 | 0:16:25 | |
put yourself on the box, on the dispenser. | 0:16:25 | 0:16:27 | |
-We'll go a full campaign, and you'll win one tomorrow. -OK. | 0:16:27 | 0:16:33 | |
Use Carol in the campaign. | 0:16:33 | 0:16:35 | |
'When Vinny came on board, I think he kind of fell in love with us.' | 0:16:35 | 0:16:38 | |
He gave us great ideas, he was the one that said, | 0:16:38 | 0:16:41 | |
'"Let's make sure we use Carol, and this is what I think Carol should do."' | 0:16:41 | 0:16:45 | |
-'Really contributed.' -I think we should go very simple. | 0:16:45 | 0:16:48 | |
This is what they use to advertise. I'm using my orange because it's so bright. | 0:16:48 | 0:16:51 | |
We make a big Croc that stands up like this, the opening is already intuitive, it's right here. | 0:16:51 | 0:16:56 | |
The actual receptacle is the Croc, so even if this is set up on a street corner or anywhere, | 0:16:56 | 0:17:01 | |
you get the advertising of the Croc and you get to understand the campaign. That's my pitch. | 0:17:01 | 0:17:06 | |
-I like the idea, for sure. -I love the idea. | 0:17:06 | 0:17:09 | |
'I wanted the shape of our receptacle to be a freestanding Croc. | 0:17:09 | 0:17:14 | |
'Vinny made the suggestion that Carol be the spokesperson for | 0:17:14 | 0:17:17 | |
'the campaign, and Marilu Henner came up with "Share the love."' | 0:17:17 | 0:17:21 | |
Vinny, we got your back, no worries. | 0:17:21 | 0:17:23 | |
You know, we were really working hard, and surprisingly getting along very well. | 0:17:23 | 0:17:28 | |
Carol is a really smart cookie, and I'm surprised to say that, | 0:17:28 | 0:17:32 | |
because I've been calling her a twit forever. | 0:17:32 | 0:17:35 | |
And Carol is a strong project manager. | 0:17:35 | 0:17:38 | |
I have to tell you, I was very pleased with her progress. | 0:17:38 | 0:17:41 | |
Guys, by 1pm, | 0:17:52 | 0:17:55 | |
we have to give the guys who are designing the actual bin our design. | 0:17:55 | 0:18:00 | |
Now, let's just think about this. Wear them. Share them. | 0:18:00 | 0:18:04 | |
What about a picture of me putting in shoes in the bin and... | 0:18:04 | 0:18:08 | |
Wait a second! Guys, you know what? Listen, is it you just standing with the Crocs? | 0:18:08 | 0:18:13 | |
Could I finish with my thought? | 0:18:13 | 0:18:15 | |
Sorry, Lennox. | 0:18:15 | 0:18:17 | |
Me putting shoes in a bin and on the other side of that picture... | 0:18:17 | 0:18:22 | |
-I like this idea. -..poor people getting the shoes. | 0:18:22 | 0:18:25 | |
My idea for this is evolving into this, right? | 0:18:25 | 0:18:28 | |
Is that we have Lennox and you're holding two enormous Crocs. | 0:18:28 | 0:18:32 | |
Oh, I love that! | 0:18:32 | 0:18:34 | |
I love it. | 0:18:34 | 0:18:37 | |
I was aware that the Lennox thing might be getting a little bit tired. | 0:18:37 | 0:18:40 | |
'Having said that, you have treat each challenge as a totally fresh task, | 0:18:40 | 0:18:45 | |
and each company we're dealing with doesn't know we've done it before. | 0:18:45 | 0:18:48 | |
It's Lennox Lewis, the world heavyweight champion of the world | 0:18:48 | 0:18:51 | |
with these massive Crocs because he's got massive feet, and it's "Wear them, share them." | 0:18:51 | 0:18:55 | |
OK. | 0:18:55 | 0:18:57 | |
Lennox is more appropriate to be used on this challenge than any of the others. | 0:18:57 | 0:19:02 | |
Stephen, stop taking pictures for a second, man. We can do that. | 0:19:02 | 0:19:06 | |
If I'm going over to that place at noon, I got to know what to tell this guy. | 0:19:06 | 0:19:10 | |
-You got it. -So what I want to do, what I want to suggest is you maximise the allowable height.. | 0:19:10 | 0:19:15 | |
-Which is six foot. -..six feet, | 0:19:15 | 0:19:16 | |
-and then you put the logo there, you make the little hinge with the mouth, you throw the shoes in. -Yeah. | 0:19:16 | 0:19:22 | |
On the back side is this... | 0:19:22 | 0:19:25 | |
-Right! -'It was a very simple' | 0:19:25 | 0:19:27 | |
construction job, which we thought was the best way to go, | 0:19:27 | 0:19:31 | |
something that would be | 0:19:31 | 0:19:33 | |
not that expensive and be something that would be easy to move. | 0:19:33 | 0:19:36 | |
That's why we came up with the bin that we did. | 0:19:36 | 0:19:39 | |
It's a square, front-flat bin. | 0:19:39 | 0:19:42 | |
OK. We're getting somewhere, guys. | 0:19:42 | 0:19:43 | |
I like this, I like this. | 0:19:43 | 0:19:45 | |
Trace, great, great idea. | 0:19:45 | 0:19:47 | |
What I really like is the big thing of Carol dropping the shoe in the thing! | 0:19:51 | 0:19:56 | |
Oh, that's huge! That is huge. | 0:19:56 | 0:19:58 | |
It's hard to give away something you love. | 0:19:58 | 0:20:01 | |
-That is huge. -Like, as a supermodel, giving away her Croc... | 0:20:01 | 0:20:04 | |
I'm putting my shoe into the bin. | 0:20:04 | 0:20:06 | |
That's brilliant, it's simple. I don't want to give up my shoes. | 0:20:06 | 0:20:09 | |
I don't either. | 0:20:09 | 0:20:10 | |
'I suggested to the girls' | 0:20:10 | 0:20:12 | |
many great ideas, which they started to take, | 0:20:12 | 0:20:15 | |
and I started to realise that Piers should have never asked me, | 0:20:15 | 0:20:18 | |
a man of my intelligence, to stoop myself to be a Sammy Gravano. | 0:20:18 | 0:20:23 | |
The photographer is coming to shoot me here? | 0:20:23 | 0:20:26 | |
Nely's going to be working with the design team. | 0:20:26 | 0:20:28 | |
And then you and I are going to work with the construction. | 0:20:28 | 0:20:33 | |
I was put in charge of construction, because I like that anyway. | 0:20:33 | 0:20:36 | |
'I wanted to get out there as soon as possible, so I said, | 0:20:36 | 0:20:39 | |
'"Vinny, come with me, we'll be the two that will go down to the warehouse."' | 0:20:39 | 0:20:45 | |
Chad, I'll have to call you back, we've got a bad connection our end. | 0:20:47 | 0:20:51 | |
He's dialled off. | 0:20:51 | 0:20:52 | |
PHONE RINGS | 0:20:58 | 0:21:00 | |
-Marilu, are you guys ready to go? -We're ready to go. OK, Vinny, go. | 0:21:00 | 0:21:04 | |
Yeah, Chad, please. | 0:21:06 | 0:21:08 | |
Vinny has the laptop, and I've got everything in it that you need. | 0:21:10 | 0:21:14 | |
-Stephen... Stephen! -OK, hold on one second. | 0:21:28 | 0:21:32 | |
'Vinny Pastore is one of the greatest guys in the world, | 0:21:46 | 0:21:50 | |
'but when he started sending information | 0:21:50 | 0:21:52 | |
'about what they were doing to us, that's cheating in my mind.' | 0:21:52 | 0:21:55 | |
Go pick that up. I'm not picking that up. | 0:21:55 | 0:21:57 | |
I think that God is watching us all, | 0:21:57 | 0:21:59 | |
and as a result of that, I won't compromise who I am. | 0:21:59 | 0:22:03 | |
You got two, go. | 0:22:03 | 0:22:05 | |
That's enough. OK? | 0:22:14 | 0:22:17 | |
Here. | 0:22:24 | 0:22:26 | |
Oh, dude! Vinny wrote this. | 0:22:26 | 0:22:27 | |
I don't like this, I don't like this. | 0:22:27 | 0:22:30 | |
"Share the love" is what they're doing. They're going to use Carol to front their ad, OK? | 0:22:32 | 0:22:37 | |
A large cut-out of Carol Alt. | 0:22:37 | 0:22:39 | |
I don't like this! This is wrong! | 0:22:39 | 0:22:42 | |
This is very wrong! | 0:22:42 | 0:22:46 | |
'The whole exchange with Vinny initially was a practical joke.' | 0:22:46 | 0:22:49 | |
It then snowballed into another situation, | 0:22:49 | 0:22:51 | |
'where he started sending information about what they were doing. | 0:22:51 | 0:22:55 | |
'That's cheating in my mind.' | 0:22:55 | 0:22:56 | |
For me, it wasn't cool. | 0:22:56 | 0:22:59 | |
-OK, this is getting to everybody. -That's enough. I don't want Vinny doing that any more. | 0:22:59 | 0:23:03 | |
It doesn't matter, who cares? | 0:23:03 | 0:23:05 | |
We're smarter than that, we've already kicked their ass, please. We don't need to do that. | 0:23:05 | 0:23:09 | |
Just because suddenly you've worked out that you don't look great. | 0:23:09 | 0:23:13 | |
'Stephen Baldwin was unspeakably hypocritical | 0:23:13 | 0:23:17 | |
'when it came down to the Vinny operation, because after a while he had worked out' | 0:23:17 | 0:23:22 | |
it didn't make him look that great, as a man who runs a ministry, | 0:23:22 | 0:23:26 | |
to be doing a form of "cheating," as he saw it. | 0:23:26 | 0:23:30 | |
You've just thought it doesn't look great for you | 0:23:30 | 0:23:33 | |
that we've got a rat in their lair. My view is they started it. | 0:23:33 | 0:23:36 | |
That's fine, but I don't want him bringing their ideas into our room. | 0:23:36 | 0:23:39 | |
We don't even care about their ideas. | 0:23:39 | 0:23:43 | |
We've got our own ideas, man. | 0:23:43 | 0:23:44 | |
-But I don't like that part of it, I'm just telling you. -All right, you're off the hook. | 0:23:44 | 0:23:50 | |
'Piers really showed some colours, | 0:23:50 | 0:23:52 | |
'particularly in this task, that I... You know, I wasn't comfortable.' | 0:23:52 | 0:23:56 | |
This guy is... He's, uh... | 0:23:56 | 0:23:58 | |
really got his own way of doing things, and I don't agree with them. | 0:23:58 | 0:24:03 | |
"Soles United, wear them, share them and be a champ." | 0:24:03 | 0:24:06 | |
Where's Vinny? Oh, there you are. Come on, Vinny. Let's go. | 0:24:13 | 0:24:17 | |
-Come on, babe. -I got everything. | 0:24:17 | 0:24:19 | |
I was asked to do what I was asked to do, and that was to be a spy. | 0:24:19 | 0:24:24 | |
Are you glad to be with us? | 0:24:24 | 0:24:25 | |
Yeah, it's fun. | 0:24:25 | 0:24:27 | |
'And between the time I was in there' | 0:24:27 | 0:24:29 | |
and the time we left to go to Brooklyn, | 0:24:29 | 0:24:32 | |
'I started to say to myself, "Why am I doing this?" | 0:24:32 | 0:24:36 | |
-'And I started to realise that the girls really need a win and that Piers is nothing but a -BLEEP,' | 0:24:36 | 0:24:41 | |
so I started to have a change of heart. | 0:24:41 | 0:24:44 | |
-Marilu? -Mm-hm. -I am going to tell you something right now. | 0:24:47 | 0:24:51 | |
-OK. -Piers made a decision to make me be a rat, to go and spy on you. | 0:24:51 | 0:24:55 | |
He said to me, quote-unquote, "Go be my Luca Brasi." | 0:24:55 | 0:25:00 | |
-Do you remember The Godfather? -Yeah. -And they sent Luca Brasi | 0:25:00 | 0:25:04 | |
-over to go work with... -Check it out, right. -What did they do to him? -Killed him. | 0:25:04 | 0:25:08 | |
-And he was sleeping with the fishes. -Right. -I'll tell you something. | 0:25:08 | 0:25:12 | |
-OK. -Maybe I sent a couple of signals over there. | 0:25:12 | 0:25:15 | |
But it's over, it's over. | 0:25:16 | 0:25:18 | |
I told Marilu, "I'm a rat." | 0:25:18 | 0:25:21 | |
I said, "But I'm not a rat no more. I'm on your side now." | 0:25:21 | 0:25:25 | |
-So that's what I decided to do, OK? -Yes. | 0:25:25 | 0:25:28 | |
'Well, Vinny is, like, a big blustery guy,' | 0:25:28 | 0:25:32 | |
you never know whether he's telling you the truth, | 0:25:32 | 0:25:34 | |
you never know whether he's lying or not. | 0:25:34 | 0:25:36 | |
He thinks he's still on The Sopranos! | 0:25:36 | 0:25:38 | |
-What? -You can't tell none of the other girls what I told you. | 0:25:38 | 0:25:42 | |
-You can't, because you don't know. -Vinny, the Italian promise, it's like... | 0:25:42 | 0:25:46 | |
Marilu's Italian, she understands that. She knew I flipped. | 0:25:46 | 0:25:49 | |
OK, Trace, Lennox, you guys are going to have to go down now to Brooklyn. | 0:26:00 | 0:26:05 | |
Trace is going to be the guy that makes that design work. | 0:26:05 | 0:26:08 | |
We're rolling, rolling! | 0:26:08 | 0:26:11 | |
'Me and Trace had to go to Brooklyn' | 0:26:11 | 0:26:13 | |
and meet with the designers down there | 0:26:13 | 0:26:16 | |
and come up with exactly what we wanted to achieve. | 0:26:16 | 0:26:19 | |
Let me ask you a question, this image is how big right now, four inches? | 0:26:25 | 0:26:28 | |
At the moment, right now. | 0:26:28 | 0:26:30 | |
-How's it going, guys? -Ivanka, would you like a seat? | 0:26:30 | 0:26:33 | |
-I'd love one, thank you. -Take mine. | 0:26:33 | 0:26:34 | |
-How are you today? -I'm very well, thank you. | 0:26:34 | 0:26:37 | |
-Great. -So where we are, a familiar place... | 0:26:37 | 0:26:39 | |
-Tell her what Trace came up with. -Well, it was great. Trace had been quietly doing what Trace does. | 0:26:39 | 0:26:44 | |
He's sat saying nothing, then came up with a piece of genius - | 0:26:44 | 0:26:47 | |
"It's wear 'em, share 'em." | 0:26:47 | 0:26:50 | |
I think it's a great slogan, so hopefully this all comes together for you guys. | 0:26:50 | 0:26:54 | |
-Well, where's the rest of the team? -Well, it's a bit of a long story. | 0:26:54 | 0:26:57 | |
We were put deliberately next to each other, clearly a rather | 0:26:57 | 0:27:00 | |
Machiavellian plot created by your father to inspire... | 0:27:00 | 0:27:04 | |
-No! -..to inspire a certain added tension to the two teams. | 0:27:04 | 0:27:08 | |
So we discovered the girls listening in to our conversations, right? | 0:27:08 | 0:27:13 | |
So we created a false argument between Vinny and myself, | 0:27:13 | 0:27:16 | |
and Vinny was left outside, apparently ostracised by our team. | 0:27:16 | 0:27:20 | |
The girls heard all this, so they came and grabbed Vinny. | 0:27:20 | 0:27:23 | |
He then became, I think in mafia terms, you'd use the word "rat" | 0:27:23 | 0:27:28 | |
and has been quietly passing us back all... | 0:27:28 | 0:27:30 | |
-I'm shocked that none of the girls had thought that this was what you'd would be doing. -It's very weird. | 0:27:30 | 0:27:36 | |
This is straight out of the Omarosa playbook. | 0:27:36 | 0:27:39 | |
For her not to think that the guys are setting her up is... It's really beyond me. | 0:27:39 | 0:27:44 | |
-I have nothing to do with the sabotage. -He didn't like it. | 0:27:44 | 0:27:47 | |
He feels that we've compromised our integrity. My view is that... | 0:27:47 | 0:27:50 | |
Do you think it's right in business to be sabotage-ey? | 0:27:50 | 0:27:52 | |
I'm sort of into sabotage, but I think sometimes it can hurt you. | 0:27:52 | 0:27:57 | |
Like, I don't mind. | 0:27:57 | 0:27:59 | |
I was a little shocked to learn that Ivanka Trump | 0:27:59 | 0:28:02 | |
was a little bit OK with slight sabotage. | 0:28:02 | 0:28:06 | |
It sometimes works and it sometimes backfires, it really just depends. | 0:28:06 | 0:28:10 | |
-If it all goes pear-shaped for us, I'll take the rap. -He's not good for the women. | 0:28:10 | 0:28:14 | |
If I were them, for obvious reasons, I wouldn't have taken him. | 0:28:14 | 0:28:17 | |
I'm a little disappointed in Empresario. | 0:28:17 | 0:28:20 | |
It seems weak for taking Vinny and I worry for them, | 0:28:20 | 0:28:23 | |
especially because Hydra seems to be doing a very good job under the leadership of Piers. | 0:28:23 | 0:28:28 | |
I think he's been a leader from the get-go. Their slogan is very good, | 0:28:28 | 0:28:32 | |
and I have to credit Trace for that. Wear them, share them. | 0:28:32 | 0:28:36 | |
It's simple, it's to the point, | 0:28:36 | 0:28:38 | |
and I think the executives are going to respond well to it. | 0:28:38 | 0:28:41 | |
The Trumps will admire that, mate. It's a badge of honour. | 0:28:45 | 0:28:47 | |
I understand why you can't be seen to be quite so devious, | 0:28:47 | 0:28:51 | |
but it's not a problem I face on a daily basis. | 0:28:51 | 0:28:54 | |
-This is the way we want it. -Yeah. | 0:29:03 | 0:29:06 | |
-This is going to have a logo across the top. -Right. | 0:29:06 | 0:29:09 | |
This'll be the front of the box. | 0:29:09 | 0:29:11 | |
What we hoped to do was somehow use this logo right here as the deposit, | 0:29:11 | 0:29:16 | |
-the Croc drop, I like to call it. -Right. | 0:29:16 | 0:29:20 | |
-Let me tell you, I like this idea. -It's a start. | 0:29:20 | 0:29:23 | |
This is going to be a standalone shoe, so even if it's this big, | 0:29:30 | 0:29:33 | |
this much in relief... | 0:29:33 | 0:29:35 | |
It doesn't have to go in this way. It can go in this way. | 0:29:35 | 0:29:37 | |
We're in Brooklyn. We've got a great concept. | 0:29:37 | 0:29:40 | |
I'm hoping that the girls win and I'll be able to face the music, | 0:29:40 | 0:29:44 | |
because I've been through tougher "beep" than this before | 0:29:44 | 0:29:47 | |
and I know how to swim. | 0:29:47 | 0:29:49 | |
What are you doing here? You're the ugliest woman I've ever seen. | 0:29:49 | 0:29:52 | |
-What are you doing with the women? -The truth is, and tell your father, | 0:29:52 | 0:29:56 | |
I'm here because I want to see the girls win. | 0:29:56 | 0:29:58 | |
That's the truth. I don't care what anybody else thinks. | 0:29:58 | 0:30:01 | |
I think you also want to see Piers fired, possibly. | 0:30:01 | 0:30:04 | |
Which do you want to see more - the girls win or Piers lose? | 0:30:04 | 0:30:08 | |
Both. | 0:30:08 | 0:30:10 | |
Piers doesn't have the common sense to realize there's a difference | 0:30:10 | 0:30:13 | |
between the characters I play on television | 0:30:13 | 0:30:15 | |
and what I can do in this corporate world. | 0:30:15 | 0:30:17 | |
I'm not Pussy in real life, I'm Vinny Pastore. | 0:30:17 | 0:30:19 | |
Give me your plan. | 0:30:19 | 0:30:21 | |
OK, this is our plan, it's going to work like a mailbox. | 0:30:21 | 0:30:24 | |
Let's say it's standing alone, | 0:30:24 | 0:30:25 | |
-and when you put your shoes in, you push the thing down... -Cha-ching. | 0:30:25 | 0:30:29 | |
..and it accepts the shoes. | 0:30:29 | 0:30:31 | |
So, we have this ad campaign where we're going to have Carol | 0:30:31 | 0:30:34 | |
with one shoe, kind of, on her heart and one dropping into the bin, | 0:30:34 | 0:30:38 | |
and it's "Soles United". | 0:30:38 | 0:30:40 | |
This is not Carol now, this is a cut-out of Carol. | 0:30:40 | 0:30:45 | |
Six foot tall. | 0:30:45 | 0:30:46 | |
"Soles United, share the love." | 0:30:46 | 0:30:48 | |
The concept the women have is really good. | 0:30:48 | 0:30:50 | |
It's definitely catching, it's pretty mechanical. | 0:30:50 | 0:30:53 | |
I hope that they can get this together in time. | 0:30:53 | 0:30:55 | |
Naturally, with someone like Carol Alt as part of their team | 0:30:55 | 0:30:59 | |
and to be their spokesperson, | 0:30:59 | 0:31:00 | |
that's a much more attractive option than the men have, | 0:31:00 | 0:31:03 | |
so they can finally play up on their celebrity because of their looks. | 0:31:03 | 0:31:07 | |
I think that will really play out well for them. | 0:31:07 | 0:31:10 | |
Is this a sabotage move, Vin? | 0:31:10 | 0:31:12 | |
Is this a sabotage move? | 0:31:12 | 0:31:15 | |
Like, as if they weren't losing badly enough, | 0:31:15 | 0:31:18 | |
you have to rub it in a little bit more? | 0:31:18 | 0:31:20 | |
What if I told you the truth? | 0:31:20 | 0:31:22 | |
-Would you promise that you would not tell anybody except your father? -Yes. | 0:31:22 | 0:31:26 | |
No, it's the total reverse. | 0:31:26 | 0:31:27 | |
They think it's a sabotage move. | 0:31:27 | 0:31:29 | |
Double agent? | 0:31:29 | 0:31:30 | |
Yeah, thank you. | 0:31:30 | 0:31:31 | |
I want the girls to win, I want your father to be proud tomorrow. | 0:31:31 | 0:31:35 | |
I think they got a little too cocky this morning, | 0:31:35 | 0:31:37 | |
and they said, "Go and destroy the girls." | 0:31:37 | 0:31:39 | |
I said, "Yeah, sure." | 0:31:39 | 0:31:40 | |
Vinny pulled me aside when I questioned him, | 0:31:40 | 0:31:43 | |
I think he was surprised I figured that out. | 0:31:43 | 0:31:46 | |
He said, "No, no, I'm telling the men that, | 0:31:46 | 0:31:48 | |
"but I'm acting like a double agent here, | 0:31:48 | 0:31:50 | |
"I want to see the women win. I don't like Piers." | 0:31:50 | 0:31:52 | |
He's taking a big chance, but it could pay off | 0:31:52 | 0:31:55 | |
if he gets rid of Piers. | 0:31:55 | 0:31:57 | |
Am I putting my head on the chopping block? | 0:31:57 | 0:31:59 | |
Yeah, and I'm even getting a little nervous talking about it. | 0:31:59 | 0:32:02 | |
But that's up to your father to decide. | 0:32:02 | 0:32:05 | |
-Tomorrow your father's Don Corleone. -Yes, he is. | 0:32:05 | 0:32:08 | |
Irrespective of, you know, Vinny's involvement right now, | 0:32:08 | 0:32:11 | |
I think an extra man on Empresario is going to help them | 0:32:11 | 0:32:14 | |
with the manpower that they need to pull off a win. | 0:32:14 | 0:32:17 | |
Perhaps the lack of manpower on the men's side | 0:32:17 | 0:32:19 | |
will really sway things in their favour. | 0:32:19 | 0:32:22 | |
Be well, guys. | 0:32:22 | 0:32:23 | |
This is what I think, | 0:32:24 | 0:32:26 | |
listen to me... | 0:32:26 | 0:32:27 | |
Listen. | 0:32:27 | 0:32:29 | |
Vinny still over there? | 0:32:29 | 0:32:30 | |
Vinny's still over there. | 0:32:30 | 0:32:32 | |
It's OK. | 0:32:32 | 0:32:34 | |
We just got a spy in the other camp. | 0:32:34 | 0:32:36 | |
It's all good. | 0:32:36 | 0:32:37 | |
You don't agree with it? | 0:32:37 | 0:32:39 | |
No. | 0:32:39 | 0:32:40 | |
You didn't disagree with it. | 0:32:40 | 0:32:42 | |
I did not say anything. | 0:32:42 | 0:32:44 | |
I didn't say anything. | 0:32:44 | 0:32:45 | |
I should have protested, I didn't, I should have. | 0:32:45 | 0:32:48 | |
I didn't really like that whole scheming thing, | 0:32:48 | 0:32:51 | |
the spy in the other camp. | 0:32:51 | 0:32:53 | |
I think it's a little underhanded. | 0:32:53 | 0:32:55 | |
You know, who's to say, you know? | 0:32:55 | 0:32:57 | |
Piers could have a visit from karma. | 0:32:57 | 0:33:00 | |
She could be unhappy with this whole situation. | 0:33:00 | 0:33:04 | |
MOBILE RING TONE | 0:33:18 | 0:33:21 | |
Yo. | 0:33:21 | 0:33:22 | |
TRACE: 'Hey, man.' | 0:33:22 | 0:33:24 | |
What's up? | 0:33:24 | 0:33:25 | |
There's no reason for me and Lennox to even be here. | 0:33:25 | 0:33:28 | |
The dude's built the box, there's nothing else I can do. | 0:33:28 | 0:33:31 | |
-This is not where we need to be. -'OK. | 0:33:31 | 0:33:33 | |
-'Piers! -Yeah? | 0:33:33 | 0:33:34 | |
'The boys got nothing to do.' | 0:33:34 | 0:33:35 | |
Get them to come back. | 0:33:35 | 0:33:37 | |
Come on back to the war room. | 0:33:37 | 0:33:38 | |
-'We will.' -Late. | 0:33:38 | 0:33:40 | |
OK. | 0:33:40 | 0:33:41 | |
Great. | 0:33:41 | 0:33:43 | |
OK. | 0:33:43 | 0:33:44 | |
What other art is there? | 0:33:44 | 0:33:46 | |
We're in a great position. | 0:33:46 | 0:33:47 | |
I think I've done a pretty good job. | 0:33:47 | 0:33:49 | |
I've done the same job for the last two or three challenges, | 0:33:49 | 0:33:52 | |
pretty well run the creative side with Stephen. | 0:33:52 | 0:33:56 | |
We work very well as a team | 0:33:56 | 0:33:58 | |
whilst detesting the very sight of each other for most of the day. | 0:33:58 | 0:34:02 | |
But it's what I call creative tension between two very different personalities. | 0:34:02 | 0:34:06 | |
Through all this creative tension comes some brilliant ideas. | 0:34:06 | 0:34:10 | |
Seriously, you and I have to start a company together. | 0:34:10 | 0:34:13 | |
-We'll make trillions. -I agree, mate. | 0:34:13 | 0:34:15 | |
Crucially, we'd always get stuff done, | 0:34:15 | 0:34:17 | |
which you could not say about most of the others. | 0:34:17 | 0:34:20 | |
You know what I think now, already? | 0:34:20 | 0:34:22 | |
You and I could get any challenge done between us, right? | 0:34:22 | 0:34:25 | |
If you put Lennox and Tito, or any other combination, | 0:34:25 | 0:34:27 | |
they wouldn't be able to. | 0:34:27 | 0:34:29 | |
That's the truth. | 0:34:29 | 0:34:31 | |
I certainly need you in the future for one challenge, Piers, | 0:34:31 | 0:34:34 | |
and that's for you to give your life to Jesus. | 0:34:34 | 0:34:37 | |
-You think that day'll ever come? -Oh, I'm a believer, mate. | 0:34:37 | 0:34:40 | |
-You are? -Yeah, I'm a Roman Catholic from Ireland. | 0:34:40 | 0:34:42 | |
I was educated by a group of nuns, | 0:34:42 | 0:34:44 | |
so don't start preaching to me, preacher boy. | 0:34:44 | 0:34:47 | |
I'm just trying to be nice. | 0:34:47 | 0:34:48 | |
I respect him for his faith. | 0:34:48 | 0:34:50 | |
I respect him for being a born-again Christian. | 0:34:50 | 0:34:53 | |
I could just do with less preaching, | 0:34:53 | 0:34:55 | |
particularly when the behaviour doesn't live up to it. | 0:34:55 | 0:34:58 | |
You're suggesting I need to find something - I've always had it. | 0:34:58 | 0:35:01 | |
You're the one whose life was so sickeningly depraved | 0:35:01 | 0:35:04 | |
you had to somehow claw out of the abyss | 0:35:04 | 0:35:06 | |
-by finding something decent with your life. -All right. | 0:35:06 | 0:35:09 | |
-It's always been part of my life. -Good. | 0:35:09 | 0:35:11 | |
You see, the weird thing about God is how he works in mysterious ways. | 0:35:11 | 0:35:15 | |
We both, presumably, said the same prayer that we win The Apprentice. | 0:35:15 | 0:35:18 | |
And we both believe that prayer's been answered. | 0:35:18 | 0:35:21 | |
Now, one of us is going to be massively mistaken. | 0:35:21 | 0:35:23 | |
Wow! | 0:35:23 | 0:35:25 | |
Wow, that was big, dude. | 0:35:25 | 0:35:28 | |
That was big. | 0:35:28 | 0:35:29 | |
That was big. | 0:35:29 | 0:35:30 | |
Absolutely...dude. | 0:35:30 | 0:35:33 | |
Got it, laughing smile. | 0:35:39 | 0:35:41 | |
There, that's nice. | 0:35:41 | 0:35:42 | |
Let me see. | 0:35:45 | 0:35:47 | |
I think you need a bigger smile, because, body-wise, you're perfect. | 0:35:47 | 0:35:51 | |
What we heard from the client was that they wanted an incentive | 0:35:51 | 0:35:54 | |
around the donating of old Crocs shoes to be recycled | 0:35:54 | 0:35:58 | |
to be given to needy people. | 0:35:58 | 0:36:01 | |
-Big smile. Laughing smile. -Much better. | 0:36:01 | 0:36:03 | |
Look, they're shooting Carol's photo. | 0:36:03 | 0:36:05 | |
Watch, come on. | 0:36:05 | 0:36:08 | |
Smile, that's it... | 0:36:08 | 0:36:09 | |
The centre of our campaign was the receptacle for recycling your shoes. | 0:36:09 | 0:36:13 | |
It was a giant six foot shoe. | 0:36:13 | 0:36:14 | |
Pretend there's a shoe there, there's the opening mouth. | 0:36:14 | 0:36:17 | |
The logo will be right about where your head is. | 0:36:17 | 0:36:20 | |
We created an ad campaign around that, | 0:36:20 | 0:36:22 | |
and the line was, "Share the love". | 0:36:22 | 0:36:25 | |
There, I like that angle. | 0:36:25 | 0:36:27 | |
Nice, keep that, keep that, keep it. | 0:36:27 | 0:36:30 | |
That's good, I like that. | 0:36:30 | 0:36:31 | |
We're not trying to be funny, go ahead and do your thing. | 0:36:31 | 0:36:35 | |
Being a model and doing a photo shoot is so second nature to me, | 0:36:36 | 0:36:39 | |
I don't even think about it. | 0:36:39 | 0:36:42 | |
I don't think about who's there, who's watching. | 0:36:42 | 0:36:44 | |
The guys were trying to unnerve me - you can't unnerve me in my element. | 0:36:44 | 0:36:49 | |
KNOCKING | 0:36:49 | 0:36:51 | |
Move. | 0:36:51 | 0:36:52 | |
Yes, what would you like? | 0:36:52 | 0:36:54 | |
Get the hell... | 0:36:54 | 0:36:55 | |
-Wait, I have a question. -What? | 0:36:55 | 0:36:58 | |
I knocked on the door, what are you talking about? | 0:36:58 | 0:37:00 | |
Calm down. | 0:37:00 | 0:37:02 | |
What are you taking pictures of Carol for? | 0:37:02 | 0:37:04 | |
Is she going to be dropping a green boot? | 0:37:04 | 0:37:07 | |
You know what you should do? | 0:37:09 | 0:37:10 | |
You should share the love. | 0:37:10 | 0:37:12 | |
How do you know about my thing? | 0:37:12 | 0:37:13 | |
Share the love, drop the green boot, yeah? | 0:37:13 | 0:37:17 | |
OK, you think you're so funny? | 0:37:17 | 0:37:18 | |
OK, I'm going to go in here and see what you guys are doing, | 0:37:18 | 0:37:21 | |
Mr Smarty-pants. | 0:37:21 | 0:37:23 | |
Share the love and drop that green boot very cleverly. | 0:37:23 | 0:37:27 | |
It's OK, because I know about your frickin' crocodile box. | 0:37:27 | 0:37:30 | |
Great! | 0:37:30 | 0:37:31 | |
That was adorable! | 0:37:31 | 0:37:33 | |
Remember, remember, share the love. | 0:37:33 | 0:37:35 | |
-The -BEEP -next door know every single thing we're doing. | 0:37:37 | 0:37:40 | |
I think Vinny is a snitch, they know everything. | 0:37:40 | 0:37:43 | |
He says, "You're sharing the love." | 0:37:43 | 0:37:45 | |
Well, we feel Vinny's a corporate spy, | 0:37:45 | 0:37:47 | |
because the guys came over and they knew our entire slogan. | 0:37:47 | 0:37:50 | |
It's disappointing that the guys are playing a game | 0:37:50 | 0:37:53 | |
within the game within a game. | 0:37:53 | 0:37:54 | |
Share the love. | 0:37:59 | 0:38:01 | |
I didn't want Vinny in there the whole time, because I wanted | 0:38:04 | 0:38:07 | |
to enjoy the moment of them discovering that Vinny was a rat. | 0:38:07 | 0:38:11 | |
And then we have to create the recycle thing... | 0:38:11 | 0:38:14 | |
Did you see her face when I said, "Share the love"? | 0:38:14 | 0:38:16 | |
-Look at the pitch. -Mate, I know, but did you see her face? | 0:38:16 | 0:38:19 | |
What do you call me? A shallow little Liberace? | 0:38:19 | 0:38:22 | |
Literally one of the best moments I've had in my life. | 0:38:22 | 0:38:25 | |
Seeing Nely's face... | 0:38:25 | 0:38:27 | |
You're a deeply ill Hannibal Lecter. | 0:38:27 | 0:38:30 | |
I've got to be honest, part of it was just pure humour on my part. | 0:38:33 | 0:38:37 | |
Why would you trust a guy who has come out of The Sopranos... | 0:38:37 | 0:38:42 | |
ever? | 0:38:42 | 0:38:43 | |
They know everything, so somebody's telling them something. | 0:38:43 | 0:38:48 | |
I think corporate espionage is a copout, | 0:38:48 | 0:38:51 | |
and if Piers really sent him to spy on us, | 0:38:51 | 0:38:53 | |
I think that's really evil and dark and he should be punished. | 0:38:53 | 0:38:56 | |
I think if he really did this, he has to be fired, he has to go. | 0:38:56 | 0:39:00 | |
Have you just lynched Vinny? | 0:39:00 | 0:39:01 | |
Vinny...needs to get out of Brooklyn! | 0:39:01 | 0:39:03 | |
You're terrible. | 0:39:06 | 0:39:07 | |
They know everything we're doing. | 0:39:25 | 0:39:27 | |
He says, "Well, you're shooting Carol and share the love." | 0:39:27 | 0:39:31 | |
-PHONE RINGS -Hi. | 0:39:33 | 0:39:37 | |
'Hey, Marilu, hang on a second.' | 0:39:37 | 0:39:39 | |
Can you please get out of our room? | 0:39:39 | 0:39:41 | |
Why are you guys in here? | 0:39:41 | 0:39:43 | |
Close the door. | 0:39:43 | 0:39:44 | |
Get out! | 0:39:44 | 0:39:46 | |
Out, Baldwin, what the hell?! | 0:39:46 | 0:39:48 | |
-I'm going to kick your butt! -That is no way to share some love. | 0:39:48 | 0:39:51 | |
Here's the thing, keep an eye on Vinny, | 0:39:51 | 0:39:54 | |
we think he's giving the guys our information. | 0:39:54 | 0:39:57 | |
They know everything, they came over and said, "Share the love, baby." | 0:39:57 | 0:40:01 | |
Are you telling them "share the love"? | 0:40:01 | 0:40:03 | |
-Play the game, keep going. -I didn't know you were saying all that. | 0:40:03 | 0:40:06 | |
OK, I think we have a double agent here, but he is swearing to me... | 0:40:06 | 0:40:10 | |
You're not supposed to tell her that, because it's going to get out. | 0:40:10 | 0:40:13 | |
You've just got to tell her to trust what we're doing. | 0:40:13 | 0:40:17 | |
Tell her to play the game. | 0:40:17 | 0:40:19 | |
Just play the game, keep our eye on the ball, we have a great campaign. | 0:40:19 | 0:40:23 | |
-Keep an eye on him, OK? -I will. OK. Bye. | 0:40:23 | 0:40:28 | |
Vinny is so confusing and such a blowhard at different times, | 0:40:29 | 0:40:32 | |
saying he's doing this, he's doing that. | 0:40:32 | 0:40:34 | |
But it seems like noise to me. This is not about high school. | 0:40:34 | 0:40:39 | |
It's really about keeping your nose to the grindstone | 0:40:39 | 0:40:41 | |
and getting the job done. | 0:40:41 | 0:40:43 | |
So, how am I sabotaging you? | 0:40:43 | 0:40:45 | |
-I don't want to talk about any of those things. -She just said it. | 0:40:45 | 0:40:48 | |
-I didn't say it. -I don't care. They're ten steps behind us. | 0:40:48 | 0:40:51 | |
-Let's just keep moving forward, OK? That's all. -Good. All right, good. | 0:40:51 | 0:40:56 | |
Mamacita. So, let me tell you the latest, | 0:40:58 | 0:41:01 | |
so you're up to date on everything. Vinny told them everything. They came in here | 0:41:01 | 0:41:05 | |
-and said, "Oh, share the love." But I didn't... -He's a snitch? | 0:41:05 | 0:41:09 | |
-Yeah. -There's nothing worse than a snitch. | 0:41:09 | 0:41:12 | |
You do realise that I have to destroy Vinny? He's betrayed us. | 0:41:12 | 0:41:16 | |
-Yeah, he betrayed us. -He betrayed our trust and our loyalty. -I know. We took him in. | 0:41:16 | 0:41:20 | |
-What an ass -BLEEP. | 0:41:20 | 0:41:21 | |
He's always talking about loyalty and trust. I want to... | 0:41:21 | 0:41:26 | |
I connected with Vinny. You know, he was my buddy. I can't believe it. | 0:41:26 | 0:41:32 | |
Vinny is a rat. | 0:41:32 | 0:41:33 | |
PHONE RINGS | 0:41:33 | 0:41:36 | |
Hi! You want to talk to Vinny? Hang on. | 0:41:36 | 0:41:38 | |
-Hi! -Vinny, I got information that you have betrayed our trust | 0:41:40 | 0:41:44 | |
and our loyalty, and it's unacceptable. | 0:41:44 | 0:41:47 | |
-That's the information you got? -The Hydra Team knows exactly what we're doing. | 0:41:48 | 0:41:52 | |
You told them all of our ideas and I just want to give you a chance | 0:41:52 | 0:41:57 | |
to tell all of the team while we're listening if that's true or not. | 0:41:57 | 0:42:03 | |
Well, why don't you just trust me | 0:42:03 | 0:42:05 | |
and let's just keep continuing to go in the place we're going? | 0:42:05 | 0:42:08 | |
No. Just answer my question. | 0:42:08 | 0:42:10 | |
Did you tell them what we were doing, Vinny? | 0:42:10 | 0:42:13 | |
Did you betray our trust? | 0:42:13 | 0:42:15 | |
-I told Marilu I did that. -What?! -Marilu knew that you did that? | 0:42:19 | 0:42:24 | |
-I told her in the van I did that. -Wait. Let me tell you something. No. | 0:42:24 | 0:42:27 | |
He said that he has to play a certain game with them. | 0:42:27 | 0:42:30 | |
-I did not know that you told them our slogan. -You guys, I trust Marilu. | 0:42:30 | 0:42:33 | |
I trust Marilu. I trust Marilu. You know what, Marilu? | 0:42:33 | 0:42:36 | |
-Put Vinny on the phone. -He's right here. We're both here. | 0:42:36 | 0:42:39 | |
-I told her after. -Vinny? -Yes? -You'll appreciate this. | 0:42:39 | 0:42:44 | |
-We no longer need your services. -All right, thank you. | 0:42:44 | 0:42:48 | |
-I just got fired by the girls. -OK. | 0:42:48 | 0:42:51 | |
-I cannot believe! -What the hell? | 0:42:51 | 0:42:53 | |
"I got to play a game with the guys." You go play with them. | 0:42:53 | 0:42:56 | |
We don't need you any more. And then he's going to try to play Marilu? | 0:42:56 | 0:43:00 | |
Excuse me?! For a guy that was in The Sopranos and knows about loyalty, | 0:43:00 | 0:43:03 | |
he certainly doesn't know anything about it. | 0:43:03 | 0:43:07 | |
There's nothing to me that's worse than disloyalty. I think that that's evil. | 0:43:07 | 0:43:10 | |
If Piers and Vinny really conspired to do corporate espionage on us, | 0:43:10 | 0:43:15 | |
they should both be fired. | 0:43:15 | 0:43:17 | |
I don't want the fact that Vinny was a corporate snitch to affect us at all. | 0:43:17 | 0:43:21 | |
-No, I know. -No, this whole situation is detracting from our focus. | 0:43:21 | 0:43:24 | |
-We got duped. -All right, let's just move forward. Gone, he's gone. | 0:43:24 | 0:43:29 | |
Right now, things are looking very bleak. | 0:43:29 | 0:43:31 | |
Vinny betrayed our trust and, as a result, | 0:43:31 | 0:43:35 | |
we could be headed for another loss, and that terrifies me. | 0:43:35 | 0:43:39 | |
-First Piers said to me... -"Go over and spy." | 0:43:39 | 0:43:42 | |
-You came over to spy. -Here's what he said to me. | 0:43:42 | 0:43:45 | |
He said, "Go spy on the girls. Go be Luca Brasi." | 0:43:45 | 0:43:49 | |
But I am working legitimately for you guys. | 0:43:49 | 0:43:51 | |
In my mind, I am on your side. | 0:43:51 | 0:43:53 | |
I told you what happened. Did I or did I not? | 0:43:53 | 0:43:58 | |
-You didn't tell me that you told them our... -I said I gave them... | 0:43:58 | 0:44:01 | |
You said you were going to give them a little bit of information. | 0:44:01 | 0:44:04 | |
That's what you said. Did you tell them that we have a big shoe? | 0:44:04 | 0:44:07 | |
No. I told them any information I got before we left the boardroom. | 0:44:07 | 0:44:12 | |
They wanted me to be a spy and I got caught, OK? | 0:44:12 | 0:44:16 | |
But when I got caught, I got caught as a double agent. | 0:44:16 | 0:44:21 | |
I got called a rat. That ain't funny, | 0:44:21 | 0:44:23 | |
because watch what happens to the rat. | 0:44:23 | 0:44:25 | |
Now the girls ain't never going to trust me again, | 0:44:25 | 0:44:28 | |
and I don't think the guys want me back. | 0:44:28 | 0:44:30 | |
I'm a man without a country. I got no place to go. | 0:44:30 | 0:44:33 | |
-Now you're mad at me too and you're supposed to be my friend. -I'm disappointed in you, Vinny. | 0:44:33 | 0:44:39 | |
I flipped and you girls are kicking me out of here? | 0:44:39 | 0:44:42 | |
-They're going to kill me, man. -That's your plight. Whatever. | 0:44:42 | 0:44:47 | |
They used me to sabotage the girls and then they ratted me out. | 0:44:50 | 0:44:55 | |
If they think it's funny, funny like how? Am I clown? Do I amuse you? | 0:44:55 | 0:45:02 | |
I really hope that the guys lose tomorrow | 0:45:02 | 0:45:05 | |
and that Piers is up there and Donald says, "Piers... | 0:45:05 | 0:45:10 | |
"you tried to sabotage the girls. You're fired." | 0:45:10 | 0:45:15 | |
I went with the girls to spy on them. | 0:45:27 | 0:45:30 | |
Then I realised I didn't want to do it. | 0:45:30 | 0:45:33 | |
But what's aggravating is | 0:45:33 | 0:45:35 | |
instead of me revealing all this information tomorrow | 0:45:35 | 0:45:38 | |
in the boardroom, Piers tells the girls | 0:45:38 | 0:45:40 | |
I'm spying, so now I want Piers to go home | 0:45:40 | 0:45:45 | |
on a ship back to Britain and the name of the ship is the Titanic. | 0:45:45 | 0:45:49 | |
-Who's that, Vinny? -Yeah, it's Vinny. | 0:45:50 | 0:45:53 | |
Vinny. Come home, brother. Come home. | 0:45:53 | 0:45:58 | |
-We missed you. -You all right? | 0:45:58 | 0:46:00 | |
-They convert you? -Vinny, great job, man. | 0:46:01 | 0:46:04 | |
-Great job? -Great job, mate. -Is that what you have to say? | 0:46:04 | 0:46:07 | |
Absolutely brilliant work. Brilliant. Did they ever say anything to you? | 0:46:07 | 0:46:14 | |
-Listen, let me tell you something. -Tell us. I gotta hear this. | 0:46:14 | 0:46:17 | |
-When the woman found out what was going on... -What woman? Marilu? | 0:46:17 | 0:46:21 | |
-Marilu. Marilu, she put me out on the street. -They called her? | 0:46:21 | 0:46:24 | |
She put me out on the street like a dog. | 0:46:24 | 0:46:27 | |
THEY LAUGH | 0:46:27 | 0:46:30 | |
-Why did you do that? -Because. -You do not send somebody! -Wait a minute. | 0:46:30 | 0:46:33 | |
-In the real world I would not be walking back into this room? -I know. | 0:46:33 | 0:46:36 | |
In the real world, I would be chopped up, and I'd be | 0:46:36 | 0:46:39 | |
in a suitcase, and I'd be in a trunk, and I'd be going to Kuwait. | 0:46:39 | 0:46:44 | |
-Vinny, we're not... -You don't turn in on your informers. Vinny. | 0:46:44 | 0:46:49 | |
I don't know what kind of mob movies you watch in London, | 0:46:49 | 0:46:52 | |
but over here, the rat gets killed. | 0:46:52 | 0:46:54 | |
Vinny, we weren't dealing with the Mafia. We were dealing with a bunch of female celebrities. | 0:46:54 | 0:46:58 | |
-I know you like to think... -Oh, you don't know Marilu, man. -She's not going to kill you, all right? | 0:46:58 | 0:47:04 | |
I knew he wasn't going to get murdered by Marilu Henner, all right? | 0:47:04 | 0:47:07 | |
It wasn't going to happen. | 0:47:07 | 0:47:09 | |
So, all this "you don't rat on a rat" stuff, I mean, please, spare me. | 0:47:09 | 0:47:12 | |
We're actually doing very well, guys. | 0:47:12 | 0:47:15 | |
I think we can have everything wrapped up by six o'clock tonight. | 0:47:15 | 0:47:18 | |
They started it, we finished it. They spied first, we killed them. | 0:47:18 | 0:47:22 | |
End of story, all right? | 0:47:22 | 0:47:24 | |
I subscribe to the Donald Trump view of business. | 0:47:24 | 0:47:27 | |
If your opponent has one good limb left, then do everything | 0:47:27 | 0:47:31 | |
in your power, in a business sense, to remove that last limb. | 0:47:31 | 0:47:36 | |
And that's my business plan. I want to win. | 0:47:36 | 0:47:38 | |
After the challenge, I will be charm personified to the ladies, | 0:47:38 | 0:47:41 | |
as I always am. I will wine and dine them, | 0:47:41 | 0:47:44 | |
and I will be chivalrous to the point of James Bond chivalry. | 0:47:44 | 0:47:48 | |
But rather like Bond, when I'm working, I work to kill. | 0:47:48 | 0:47:52 | |
-Sorry. Goodnight, guys. -What is your problem? | 0:47:52 | 0:47:54 | |
If you want to share the love, we'll be out dining tonight. | 0:47:54 | 0:47:57 | |
-Such -BLEEP. -Hmph! -Oh, dear. | 0:47:57 | 0:48:02 | |
LAUGHTER Oh, my God! | 0:48:19 | 0:48:23 | |
-It looks so great! -Wow! Oh, my gosh! -The super Croc! | 0:48:23 | 0:48:28 | |
-That's like a little mini version. -Yeah. It's just a little mini thing. | 0:48:28 | 0:48:32 | |
-Marilu, fabulous. -This has to totally be clean, so let's just get to work. | 0:48:32 | 0:48:37 | |
They'll pump up the red ones. | 0:48:42 | 0:48:44 | |
I think I'm more concerned about our presentation because this is to die. | 0:48:50 | 0:48:54 | |
They're not going to nitpick whether there's one more shoe or not. | 0:48:54 | 0:48:57 | |
We should think about what we're going to do now. We need time to rehearse. | 0:48:57 | 0:49:01 | |
Oh, yeah, yeah, for sure. This is a complicated presentation. | 0:49:01 | 0:49:04 | |
The way the guys handled themselves on this entire task | 0:49:04 | 0:49:07 | |
was appalling and we overcame huge obstacles yesterday. | 0:49:07 | 0:49:12 | |
But if the client doesn't like it, the client doesn't like it. | 0:49:12 | 0:49:16 | |
Don't bring any points that they could zap us on. Why? | 0:49:16 | 0:49:19 | |
We did such an amazing job. There's no reason to doubt our own work. | 0:49:19 | 0:49:22 | |
They're going to do that for us. | 0:49:22 | 0:49:25 | |
Right, chaps. Here we are. | 0:49:28 | 0:49:31 | |
Oh, great. | 0:49:31 | 0:49:33 | |
Let's have a look. Looks good. Love the wheels. Love the Croc. Perfect. | 0:49:33 | 0:49:38 | |
Plants, you want plants? | 0:49:40 | 0:49:42 | |
I want the plants to be strategically placed, probably here. | 0:49:42 | 0:49:46 | |
It's all about a scene. | 0:49:46 | 0:49:48 | |
-Let me see. Let me see. -Show them the sign. | 0:49:48 | 0:49:51 | |
-Careful, careful, careful. -It's got to be perfect. | 0:49:51 | 0:49:55 | |
It's got to be perfect. Lennox, be careful. Came out well, didn't it? | 0:49:55 | 0:49:58 | |
Gorgeous. | 0:49:58 | 0:49:59 | |
I think that the product that we've come up with and the idea | 0:49:59 | 0:50:03 | |
and everything's great. | 0:50:03 | 0:50:04 | |
I do. I'm really happy about it. I think everything looks good. | 0:50:04 | 0:50:09 | |
They are going to love this. | 0:50:11 | 0:50:13 | |
-It's freakin' gorgeous! -Why don't you try and help? | 0:50:15 | 0:50:19 | |
-Why don't I try to help? -Try and help the team. | 0:50:19 | 0:50:21 | |
I know it's a weird concept for you, but... | 0:50:21 | 0:50:24 | |
-Maybe I don't feel like doing nothing no more... -Tell you what... | 0:50:24 | 0:50:27 | |
..because I think what you did yesterday by sending me over | 0:50:27 | 0:50:30 | |
-to spy on those girls... -Aw! -..was totally uncalled for. | 0:50:30 | 0:50:33 | |
You're winning the hypocrite of the year award. | 0:50:33 | 0:50:34 | |
-You told me to do that. -Yeah, you're the hypocrite. | 0:50:34 | 0:50:37 | |
-I'm the hypocrite of the year? I told Marilu I was a spy! -Fine. | 0:50:37 | 0:50:41 | |
-At least I'm true to myself. -Ask her. I told Marilu I was a spy and she's such a compassionate person, | 0:50:41 | 0:50:46 | |
she said, "Stay here and help us." D Do you really think I was going to spy on those girls for a Brit?! | 0:50:46 | 0:50:50 | |
-You didn't? -No, I didn't. -Oh, OK. -I am not ratting on anybody. -OK. | 0:50:50 | 0:50:55 | |
-And I developed their concept and I hope they win... -Yeah? Good. | 0:50:55 | 0:50:58 | |
-The best thing... -Because I hope we lose and I hope you get fired. | 0:50:58 | 0:51:02 | |
I couldn't believe that Vinny was playing both sides. | 0:51:02 | 0:51:05 | |
I guess his motivation behind that was to make sure that Piers loses, | 0:51:05 | 0:51:09 | |
but he's not letting Piers down, he's letting the whole team down. | 0:51:09 | 0:51:13 | |
-I don't think that's the right thing he did. -Let me tell you, | 0:51:13 | 0:51:15 | |
the best thing you said to me today is that you designed their concept. | 0:51:15 | 0:51:19 | |
-That's right. -You were the creative brains behind their team? | 0:51:19 | 0:51:22 | |
-That's right. -Great. -And I designed the logo and I also told Carol to be the spokesman, | 0:51:22 | 0:51:26 | |
-so if they win, it's because of me! -Great. Great! You know what? | 0:51:26 | 0:51:31 | |
There's no way anyone could win with your creative brain. They couldn't. | 0:51:31 | 0:51:34 | |
-You don't have a creative brain. -I don't have a creative brain? -No! -That's what you think of me? | 0:51:34 | 0:51:39 | |
That's why you used me for coffee and for being a spy. | 0:51:39 | 0:51:42 | |
-Correct. -Because that's what you think of me. | 0:51:42 | 0:51:45 | |
-You are an ass -BLEEP -to send me over there to spy on those girls! | 0:51:45 | 0:51:48 | |
-So, go and play with your box. -Well done. You've lied to everybody. | 0:51:48 | 0:51:52 | |
Hey! You put me in that position. | 0:51:52 | 0:51:53 | |
-What a ridiculous individual. -I'm a ridiculous individual? -Yes. | 0:51:53 | 0:51:58 | |
Oh, Vinny Pastore the only thing he can do is go spy on the girls. | 0:51:58 | 0:52:02 | |
-Excuse me. I've actually had enough. You will not bully me, mate. -Look what you did to me and the girls! | 0:52:02 | 0:52:07 | |
-You did it to me from day one. -I'd like you to leave. -I'm leaving. -I'd like you to leave. | 0:52:07 | 0:52:12 | |
-Thank you. You've made your point. Thank you very much, Vinny, for all your help. -I am leaving. | 0:52:12 | 0:52:17 | |
I wanted that guy off the show from day one. | 0:52:17 | 0:52:19 | |
He's arrogant, he doesn't know how to talk to people, | 0:52:19 | 0:52:21 | |
and he's a controlling freak. | 0:52:21 | 0:52:24 | |
Case closed. | 0:52:24 | 0:52:25 | |
-Now I have no place to go. -Tell someone who cares. | 0:52:25 | 0:52:29 | |
-I'm not talking to you. -OK. | 0:52:29 | 0:52:31 | |
I'm not talking to you, you arrogant British fart. | 0:52:31 | 0:52:35 | |
One word for you - ciao. | 0:52:35 | 0:52:37 | |
Yeah, and if I were you I'd have some chow, as well. Get that belly up a bit more. | 0:52:37 | 0:52:41 | |
I don't know what game he's playing. I don't know what to believe and what not to believe. | 0:52:41 | 0:52:45 | |
All I know is that if he's the creative genius of the girls, | 0:52:45 | 0:52:48 | |
as he claims, then this will be easier than I thought | 0:52:48 | 0:52:51 | |
and I will be astonished if we don't win. | 0:52:51 | 0:52:55 | |
I revealed to Nils, Nils, Piers whatever his name is, um... | 0:53:11 | 0:53:16 | |
because of, you know, he started. | 0:53:16 | 0:53:18 | |
But revealed to him what was going on through my mind | 0:53:18 | 0:53:21 | |
and he told me to get out. | 0:53:21 | 0:53:24 | |
-Vinny. -How are you, Donald? Can I have a word with you alone? -Sure. | 0:53:27 | 0:53:30 | |
When I went out in the hallway, who comes off the elevator but Donald Trump. | 0:53:30 | 0:53:34 | |
And I said, "Donald, I got to talk to you." | 0:53:34 | 0:53:39 | |
-Your boy is a man without a country. -Meaning you? Go ahead. | 0:53:39 | 0:53:44 | |
The girls are there and the guys are there. | 0:53:44 | 0:53:47 | |
I need you to make a decision. | 0:53:47 | 0:53:49 | |
-Do it in the boardroom. -OK, fine. | 0:53:49 | 0:53:51 | |
He gave me some nice advice, "Stick around. I'll talk to you at the board meeting." | 0:53:51 | 0:53:54 | |
-OK. All right. Thank you, Donald. -I love this guy. | 0:53:54 | 0:53:57 | |
-Hello. -Good morning, Duke, Ron. | 0:54:02 | 0:54:07 | |
-So, let us see your presentation. -Thank you. | 0:54:10 | 0:54:13 | |
Would you give up your favourite pair of Crocs? | 0:54:13 | 0:54:16 | |
What if I told you that this shoe was going to a child who was going | 0:54:16 | 0:54:19 | |
to walk a mile for water? | 0:54:19 | 0:54:21 | |
Then would you give up your shoe? Would you give up your Croc? | 0:54:21 | 0:54:26 | |
Our idea today is called share the love, | 0:54:26 | 0:54:29 | |
the love you have for your Croc. | 0:54:29 | 0:54:32 | |
We proudly present to you the Super Croc. | 0:54:32 | 0:54:36 | |
First of all, we wanted you to imagine these all over the country, all over the world. | 0:54:38 | 0:54:42 | |
We have a handout that explains your programme | 0:54:42 | 0:54:46 | |
and what the company's about. | 0:54:46 | 0:54:47 | |
People would have the experience of coming in, | 0:54:47 | 0:54:50 | |
putting their Crocs, and using it as if it's a mailbox. | 0:54:50 | 0:54:54 | |
So they would put it in, they would lift the arm, | 0:54:54 | 0:54:56 | |
their Croc would fall in. | 0:54:56 | 0:54:58 | |
On top of that, we wanted it to be a rewarding experience. | 0:54:58 | 0:55:01 | |
Besides the fact that you feel so good for helping people, | 0:55:01 | 0:55:06 | |
you get your t-shirt, and then your message is spread on the chest | 0:55:06 | 0:55:10 | |
of every person who wears your t-shirt. | 0:55:10 | 0:55:12 | |
We wanted it to be fun, interactive, educational. | 0:55:12 | 0:55:15 | |
-We like giving away goodies. -We want to share the love. | 0:55:15 | 0:55:19 | |
Omarosa, how come you chose Carol as opposed to yourself? | 0:55:19 | 0:55:22 | |
You would like to be doing this. How come you chose Carol? | 0:55:22 | 0:55:25 | |
I think that having a supermodel as a spokesperson is a great advantage. | 0:55:25 | 0:55:30 | |
She's a ten. I say I'm a nine and a half. | 0:55:30 | 0:55:32 | |
THEY LAUGH | 0:55:32 | 0:55:34 | |
That's very nice that you say that. I didn't think you had that in you. | 0:55:34 | 0:55:38 | |
THEY LAUGH | 0:55:38 | 0:55:40 | |
-Ron, Duke, do you have any questions? -I think it's very well done. | 0:55:40 | 0:55:43 | |
I think it hit all the points. I think, so far, you're in the lead. | 0:55:43 | 0:55:47 | |
-That's because we went first! -Oh, we went first? | 0:55:47 | 0:55:51 | |
Let's go look at Hydra's presentation. Come on. Good job. | 0:55:51 | 0:55:54 | |
-Thanks. -Thank you. -Oh, my God, girl, oh, my God! | 0:55:54 | 0:55:57 | |
Awesome. | 0:55:57 | 0:55:59 | |
-Good morning. -Hello, fellas. | 0:56:01 | 0:56:04 | |
-Let's see what you have. -This is going to be a great day. | 0:56:07 | 0:56:10 | |
We thought very carefully about what we could give you that was great. | 0:56:10 | 0:56:15 | |
We've come up with three things. The first thing is a great star. | 0:56:15 | 0:56:19 | |
Lennox Lewis is one of the most recognisable stars in the world. | 0:56:19 | 0:56:23 | |
The second great thing we're going to give you is a great bin. | 0:56:23 | 0:56:27 | |
The third and most important thing we felt we could give you is | 0:56:27 | 0:56:31 | |
a great new slogan. Gentlemen... | 0:56:31 | 0:56:34 | |
Soles United. Wear them. Share them. | 0:56:34 | 0:56:39 | |
It's a good slogan. | 0:56:40 | 0:56:42 | |
"To be a champ, like Lennox, you need sole." | 0:56:42 | 0:56:46 | |
On the side, "wear them and share them". | 0:56:46 | 0:56:48 | |
It's all about these people wearing Crocs. | 0:56:48 | 0:56:52 | |
We believe the vividness of our bins will attract word of mouth. | 0:56:52 | 0:56:56 | |
It was word of mouth that made Crocs what it is. | 0:56:56 | 0:56:58 | |
We think this will get you huge chatter. | 0:56:58 | 0:57:01 | |
We think, though, we're going to leave you with a massive problem. | 0:57:01 | 0:57:04 | |
You're doing seven million pairs of Crocs a month. | 0:57:04 | 0:57:07 | |
We believe if you take this and you use it aggressively, | 0:57:07 | 0:57:11 | |
we believe that you're going to be selling 70 million a month. | 0:57:11 | 0:57:15 | |
The biggest problem you're going to be having is getting enough supply to meet the demand. | 0:57:15 | 0:57:20 | |
-Thank you very much. -Very good. OK. Anything else? | 0:57:20 | 0:57:25 | |
-We look forward to the new supply problem. -Thank you. | 0:57:25 | 0:57:28 | |
Thank you very much. | 0:57:28 | 0:57:30 | |
-One, two, three. -Hydra! | 0:57:31 | 0:57:33 | |
-So, fellas, what do you think? -I thought both of them were quite good. -Very good. | 0:57:37 | 0:57:42 | |
The women were well choreographed. | 0:57:42 | 0:57:43 | |
I thought they did a great job of presenting. | 0:57:43 | 0:57:46 | |
-Very good job of presenting. -Very good job. | 0:57:46 | 0:57:48 | |
And they had some really good elements. | 0:57:48 | 0:57:52 | |
The shoe, you know, it's an icon. | 0:57:52 | 0:57:53 | |
It would bring people to it, wondering what it was. | 0:57:53 | 0:57:56 | |
The shoe would really draw kids into the program as far as giving. | 0:57:56 | 0:58:00 | |
-I think it was a little bit friendlier. -Very dynamic, yeah. Yeah. | 0:58:00 | 0:58:04 | |
However, the men had a very good slogan. | 0:58:04 | 0:58:06 | |
-Yeah. -The men wear them and share them. | 0:58:06 | 0:58:08 | |
Yeah, I think the men's slogan was strong. I like the colourful box. | 0:58:08 | 0:58:13 | |
Having Lennox on it is a huge plus. | 0:58:13 | 0:58:16 | |
What did you think Hydra did wrong? | 0:58:16 | 0:58:18 | |
I don't think they had as complete a campaign. | 0:58:18 | 0:58:21 | |
They didn't have back-up, pamphlets or t-shirts. | 0:58:21 | 0:58:25 | |
-An impresario? -The receptacle might be difficult to make. -And expensive. | 0:58:25 | 0:58:31 | |
-And expensive. -So, what is the end result? | 0:58:31 | 0:58:34 | |
Who do you like better of the two? | 0:58:34 | 0:58:37 | |
-The snitch has entered the room. -What's up, Vinny? | 0:59:08 | 0:59:12 | |
Vinny. You wanted to tell me something before. Let's go. | 0:59:21 | 0:59:26 | |
Erm... Wow. They're sitting down. They're sitting down. | 0:59:26 | 0:59:31 | |
I'm standing back here. It looks like it's my execution today. | 0:59:31 | 0:59:34 | |
It is sort of interesting you don't have a seat. | 0:59:34 | 0:59:38 | |
It's a little bit interesting. Did you all come in together or not? | 0:59:38 | 0:59:40 | |
-Not with Vinny, no. -Why? Was there a problem with Vinny? | 0:59:40 | 0:59:44 | |
-I heard there was a problem. Was there? -Yeah. I asked Vinny to leave the team, | 0:59:44 | 0:59:47 | |
-because his behaviour was not conducive to a professional presentation. -Why? | 0:59:47 | 0:59:52 | |
Because he was behaving in a very erratic manner shouting, | 0:59:52 | 0:59:56 | |
screaming, claiming that he was now working for the girls... | 0:59:56 | 0:59:59 | |
then for us, then for them. I couldn't make head nor tail of it, | 0:59:59 | 1:00:03 | |
so we had a frank exchange of views, and I asked him to leave. | 1:00:03 | 1:00:05 | |
So, Vinny, what happened? Tell me. You've got your side of the story. | 1:00:05 | 1:00:11 | |
OK, um...yesterday, um... Pierce gave me the assignment, | 1:00:11 | 1:00:16 | |
-as the project manager. -Is it Pierce or Piers? -It's Piers. | 1:00:16 | 1:00:20 | |
Piers gave me the assignment, as project manager... | 1:00:20 | 1:00:22 | |
You don't mind being called by the wrong name, | 1:00:22 | 1:00:25 | |
-by Vinny? -I don't really care | 1:00:25 | 1:00:28 | |
what Vinny calls me, to be perfectly honest. | 1:00:28 | 1:00:29 | |
..to inform, to rat on the girls | 1:00:29 | 1:00:32 | |
and to send back messages, which I did... | 1:00:32 | 1:00:35 | |
Well, the English have been doing that for years. | 1:00:35 | 1:00:38 | |
Now I'm in the office with the girls, | 1:00:38 | 1:00:41 | |
and I gave them some very, very good suggestions, which I think they | 1:00:41 | 1:00:44 | |
accepted, and, uh, Marilu and I were assigned to go out to the warehouse. | 1:00:44 | 1:00:50 | |
On the ride down the west side highway, | 1:00:50 | 1:00:52 | |
I told Marilu what was going on. | 1:00:52 | 1:00:54 | |
He told me that Piers wanted him to spy on us | 1:00:54 | 1:00:58 | |
but he's turned on Piers and that... | 1:00:58 | 1:01:01 | |
-So, he became a double agent? -He became a double agent. | 1:01:01 | 1:01:04 | |
I mean, the story was so, like so crazy. | 1:01:04 | 1:01:06 | |
-This is both interesting and complex. -And it's so juvenile. | 1:01:06 | 1:01:10 | |
-I mean, it's really juvenile. -This is a first. | 1:01:10 | 1:01:12 | |
-You guys used me. -OK, with respect... -That's what happened. | 1:01:12 | 1:01:15 | |
-..the bottom line is... -I got used, and you ratted on a rat. | 1:01:15 | 1:01:17 | |
OK, the bottom line is you give a rat enough rope and he hangs himself. | 1:01:17 | 1:01:21 | |
-Thank you. -And everything Vinny has now said means one thing, | 1:01:21 | 1:01:25 | |
-absolutely nobody would trust him again. -Mr Trump? | 1:01:25 | 1:01:28 | |
Stephen, what do you think? | 1:01:28 | 1:01:29 | |
Mr Trump, what started out in the beginning a bit of a humorous joke, | 1:01:29 | 1:01:34 | |
snowballed into an opportunity for us to gain information, | 1:01:34 | 1:01:39 | |
-which... -An opportunity to spy on the women? -Yes. Correct. | 1:01:39 | 1:01:43 | |
Initially, I went along with the joke of throwing Vinny out | 1:01:43 | 1:01:47 | |
to make a scene to distract the girls and have some fun. | 1:01:47 | 1:01:50 | |
Then the girls invited Vinny to join them. | 1:01:50 | 1:01:53 | |
No, I walked in and asked them if they needed me. | 1:01:53 | 1:01:56 | |
When Vinny walked in to see you, | 1:01:56 | 1:01:58 | |
did you find that to be a little bit strange, cos he's on the other team? | 1:01:58 | 1:02:00 | |
-Absolutely. -That's not even spying. That's just walking in. -It was completely out of the blue, | 1:02:00 | 1:02:05 | |
and we had so wholeheartedly embraced this task | 1:02:05 | 1:02:07 | |
about helping people that when we saw his distress, | 1:02:07 | 1:02:11 | |
we talked about it, and we said, "He's in distress. He needs help." | 1:02:11 | 1:02:15 | |
-Was he in distress? -He was. He was completely freaking out. | 1:02:15 | 1:02:18 | |
But that's when it was still an act. I'm a little bit surprised, to be honest. | 1:02:18 | 1:02:22 | |
Well, wait, was the distress an act, or was he actually in distress? | 1:02:22 | 1:02:26 | |
Vinny, were you acting, or were you just upset about something? | 1:02:26 | 1:02:31 | |
It was, it was an act. | 1:02:32 | 1:02:35 | |
I'm just disappointed in your team, because this was your | 1:02:35 | 1:02:38 | |
opportunity to possibly win on your own, and by taking him in, | 1:02:38 | 1:02:42 | |
if you win, if you lose, yes, if you lose, you can blame Vinny. | 1:02:42 | 1:02:46 | |
If you win, it takes a little bit away from you, | 1:02:46 | 1:02:48 | |
that you felt you couldn't do it by yourself. | 1:02:48 | 1:02:50 | |
No, it wasn't. That never even entered into it, that we didn't feel we could do it by ourselves. | 1:02:50 | 1:02:55 | |
I sent out Vinny purely as a little Trojan horse. | 1:02:55 | 1:02:57 | |
Would you bite or wouldn't you? | 1:02:57 | 1:02:59 | |
And the first chance you got to take a man in to help you, you took it. | 1:02:59 | 1:03:02 | |
-But espionage! -That's not true. Come on, Piers! Espionage? -Wait a minute. | 1:03:02 | 1:03:06 | |
Let me finish. Let me finish. The added benefit, to me, was it got Vinny out of my room, | 1:03:06 | 1:03:10 | |
because he offers us nothing as a team member. | 1:03:10 | 1:03:13 | |
-Thank you. -Omarosa, let me hear from you. | 1:03:13 | 1:03:16 | |
You're not a big fan of Piers, and you haven't been from the beginning. | 1:03:16 | 1:03:19 | |
-What do you think? -Espionage, Piers? | 1:03:19 | 1:03:21 | |
You must have been so intimidated that you'd lose as project manager, that you'd stoop so low. | 1:03:21 | 1:03:24 | |
-It wasn't espionage. It was sabotage. -It's the same difference. | 1:03:24 | 1:03:27 | |
Wait. There's a very big difference. Espionage means we're spying to get your information. | 1:03:27 | 1:03:31 | |
-That's what he was doing, Piers. -Because we think it will be useful to us. | 1:03:31 | 1:03:34 | |
I knew your information would be useless, because you've lost every task. | 1:03:34 | 1:03:37 | |
-Let's see! -What I wanted to do was sabotage, disrupt, unsettle. | 1:03:37 | 1:03:40 | |
You were next to us, and we achieved all these things. | 1:03:40 | 1:03:42 | |
You know, he really is English, fellas. | 1:03:42 | 1:03:45 | |
This is what...I tell you why. | 1:03:45 | 1:03:48 | |
Hey, I know a lot about the English. I happen to be part of the clan. | 1:03:48 | 1:03:52 | |
-But you have a lot of English stuff in you, don't you, huh? -Very much so. | 1:03:52 | 1:03:54 | |
Let me remind you, ladies, you were outside our door listening in. | 1:03:54 | 1:03:58 | |
-I saw you. -What?! -Wait a minute. -What are you talking about? | 1:03:58 | 1:04:02 | |
-I saw you listening in to our conversations. -That is not true. -Who? | 1:04:02 | 1:04:05 | |
-Who? -I could only make out shadowy figures. | 1:04:05 | 1:04:08 | |
-That wasn't us. That was other people. -I knew it was you. -That was not us. | 1:04:08 | 1:04:12 | |
-And Vinny confirmed to me that... -No, I'm not backing you up in one aspect of today... | 1:04:12 | 1:04:16 | |
Vinny, I don't want you to back me up. | 1:04:16 | 1:04:18 | |
..because the first thing you said to me. You called me a fat Italian. | 1:04:18 | 1:04:21 | |
-I called you a very... -You also said I said I helped the girls create their thing. -What did you call him? | 1:04:21 | 1:04:24 | |
-I didn't call him a fat Italian. -Yes, you did, and that's a racial remark. | 1:04:24 | 1:04:27 | |
-And the second thing he said to me... -What did you call him? | 1:04:27 | 1:04:29 | |
I called him a VERY fat Italian. | 1:04:29 | 1:04:31 | |
OK. And the second so, be careful. | 1:04:31 | 1:04:33 | |
You know, there's going to be two guys following you in London now. | 1:04:33 | 1:04:35 | |
You know something? With respect, | 1:04:35 | 1:04:37 | |
you are not, sorry, you are not Don Corleone. | 1:04:37 | 1:04:41 | |
-Maybe I am! -You're not. -How do you know?! | 1:04:41 | 1:04:45 | |
-Because I've got every respect... -You don't know who I am. -You're not Don Corleone. | 1:04:45 | 1:04:48 | |
-You have no idea who I am. -I know you're not Don Corleone. | 1:04:48 | 1:04:50 | |
-You have no idea. -Look, I have no wish to prolong this. | 1:04:50 | 1:04:53 | |
You have no idea. So, you want to keep playing this game? | 1:04:53 | 1:04:56 | |
You insulted me a little too much | 1:04:56 | 1:04:58 | |
when you sent me out to be a rat and then turned on me. | 1:04:58 | 1:05:02 | |
I cared for those girls the minute I walked into that room. | 1:05:02 | 1:05:04 | |
Your decision was wrong. | 1:05:04 | 1:05:06 | |
Thank you very much. As I was saying, anyway, we saw the girls spying. | 1:05:06 | 1:05:09 | |
-That's not true. -And I said, "OK, you want to start a nuclear war, | 1:05:09 | 1:05:12 | |
"you got to have the biggest bombs." | 1:05:12 | 1:05:13 | |
-But they're saying they didn't spy. -We didn't, we were too busy. | 1:05:13 | 1:05:16 | |
-I tend to believe that. -He's a liar. | 1:05:16 | 1:05:19 | |
-You give me your word you didn't spy? -I swear, No. | 1:05:19 | 1:05:21 | |
-I don't think they would spy. -We were too busy. | 1:05:21 | 1:05:23 | |
We were focused on our task. | 1:05:23 | 1:05:25 | |
So, somebody was looking through your door, but I don't think... | 1:05:25 | 1:05:28 | |
Vinny confirmed to me that they had gotten information. | 1:05:28 | 1:05:30 | |
No. Maybe it was Vinny. Vinny became a double agent. | 1:05:30 | 1:05:32 | |
-We know Vinny's cheating on everybody. -Vinny doesn't look like this. -Vinny's cheating on everyone. | 1:05:32 | 1:05:35 | |
-We know that. -Well, maybe I came back to the room to say they were spying to screw your head up. | 1:05:35 | 1:05:40 | |
-Great. It doesn't screw my head up. -Well, look what's going on today, buddy. -You know what, buddy? | 1:05:40 | 1:05:44 | |
We've put on a whacking great presentation without you. | 1:05:44 | 1:05:47 | |
-I don't think so. I think the girls beat you out. -Isn't this such a major distraction? | 1:05:47 | 1:05:51 | |
You had asked me if I believe in sabotage, | 1:05:51 | 1:05:54 | |
and I do, if it's well calculated | 1:05:54 | 1:05:56 | |
and if it can be used to further what you're trying to do, perhaps, right? If it's well done. | 1:05:56 | 1:06:01 | |
It seems like you took a huge risk by sending Vinny, | 1:06:01 | 1:06:05 | |
who you don't like, you don't trust, and obviously doesn't trust you, | 1:06:05 | 1:06:09 | |
-in to sabotage the women to see what would happen. -Let me respond to you, It worked perfectly because... | 1:06:09 | 1:06:12 | |
Wouldn't you have preferred somebody more loyal, maybe, so at least you know they don't change teams? | 1:06:12 | 1:06:16 | |
No, because I knew that it would end like this. | 1:06:16 | 1:06:18 | |
-Piers, you don't know if you won. -No, I don't know if I've won. -If you lost, it didn't work perfectly. | 1:06:18 | 1:06:23 | |
No, because Vinny was never going to contribute to our creative process. | 1:06:23 | 1:06:25 | |
He hasn't done from day one. | 1:06:25 | 1:06:27 | |
Second fact as you can tell, there's been a total breakdown | 1:06:27 | 1:06:31 | |
between Vinny and I in our working relationship. | 1:06:31 | 1:06:33 | |
And what about the rest of the team and Vinny? | 1:06:33 | 1:06:34 | |
The rest of the team and I have no problem, as far as I know. | 1:06:34 | 1:06:38 | |
What about the rest of the team and Vinny? | 1:06:38 | 1:06:40 | |
-They like him, but without him, we did a great job, and I have to think about... -We don't know that yet. | 1:06:40 | 1:06:44 | |
No, I don't, but I believe we did a great job, and I have confidence we did a great job, | 1:06:44 | 1:06:47 | |
and I believe going forward that Team Hydra will benefit | 1:06:47 | 1:06:51 | |
from not having this histrionic drama queen threatening to kill me | 1:06:51 | 1:06:54 | |
every five minutes, because I'm one of the creative forces for the team. | 1:06:54 | 1:06:57 | |
Trace, I feel like you are a good moral compass. | 1:06:57 | 1:07:00 | |
What do you think about all this? | 1:07:00 | 1:07:02 | |
You know, I didn't I didn't approve of the whole thing. | 1:07:02 | 1:07:05 | |
I thought it was kind of silly. But I didn't say anything. | 1:07:05 | 1:07:07 | |
I didn't protest. You know, I was kind of like Stephen. | 1:07:07 | 1:07:10 | |
I thought, it's just a little funny little joke for a few minutes and then we'll move on. | 1:07:10 | 1:07:13 | |
So, is this mostly really Piers against Vinny? | 1:07:13 | 1:07:16 | |
This isn't really the whole team against Vinny? | 1:07:16 | 1:07:18 | |
Well, that's what it turned out to be, you know? | 1:07:18 | 1:07:22 | |
-But they go at each other a lot, you know? -I've noticed. -So... -Stephen? | 1:07:22 | 1:07:26 | |
I think, fundamentally, there is a difference here in the methodology. | 1:07:26 | 1:07:31 | |
Our project manager in this task is somebody who has a far more | 1:07:31 | 1:07:36 | |
aggressive attitude about how to get things done than everybody else. | 1:07:36 | 1:07:41 | |
Stephen, you went along with it, | 1:07:41 | 1:07:42 | |
cos you came into our room and you made fun of what we were doing. | 1:07:42 | 1:07:46 | |
-That's where I was getting to. -And you were like, you were baiting us. | 1:07:46 | 1:07:48 | |
You are Christian. I didn't expect that from you. | 1:07:48 | 1:07:50 | |
Nely, who did that and when and where was I? | 1:07:50 | 1:07:52 | |
Let me ask this, because you said he's a Christian. | 1:07:52 | 1:07:54 | |
So, that has to do a Christian doesn't spy? | 1:07:54 | 1:07:56 | |
When I found out that they had been spying on us, | 1:07:56 | 1:07:59 | |
-it really, like I just was very disappointed in Stephen. -Do Christians spy, Stephen? | 1:07:59 | 1:08:03 | |
Well, this Christian doesn't spy, and, as a matter of fact... | 1:08:03 | 1:08:06 | |
-And you're a born again Christian and a very strong believer. -..absolutely I have my own ministry. | 1:08:06 | 1:08:10 | |
-I'm working with kids. -That's terrific. But do Christians spy? She's saying you're a Christian. | 1:08:10 | 1:08:13 | |
I can only speak for myself, sir. I'm not the judge. | 1:08:13 | 1:08:16 | |
OK, let's say you are the judge and you lose this task. | 1:08:16 | 1:08:20 | |
Who would you rather see continue on with you? | 1:08:20 | 1:08:23 | |
If you could only choose between Vinny and Piers, | 1:08:23 | 1:08:25 | |
which would you take to keep going with you? | 1:08:25 | 1:08:27 | |
-Ooh, Don Junior. -That's a very good question. | 1:08:27 | 1:08:32 | |
It's the fairly obvious question! | 1:08:32 | 1:08:33 | |
If there's a rift, one of them probably has to go. Which one is it? | 1:08:33 | 1:08:36 | |
I would, perhaps, feel more comfortable, | 1:08:38 | 1:08:42 | |
if Vinny were to continue. | 1:08:42 | 1:08:43 | |
Trace? | 1:08:43 | 1:08:45 | |
Erm...I'd probably keep Vinny. | 1:08:48 | 1:08:51 | |
-Lennox? -I would have to go for Piers, because it's all about winning, | 1:08:51 | 1:08:57 | |
and he's very strong... With a lot of the stuff he's done. He's good. | 1:08:57 | 1:09:02 | |
Vinny, you were going to say something? | 1:09:02 | 1:09:04 | |
Why did Piers tell the girls that I was an informant | 1:09:04 | 1:09:10 | |
while I was sitting next to Marilu Henner? | 1:09:10 | 1:09:14 | |
I can't understand that logic until today, | 1:09:14 | 1:09:15 | |
when I realised when I came into this room is he had the intentions | 1:09:15 | 1:09:19 | |
when he sent me over, to get me fired, and that's the game. | 1:09:19 | 1:09:23 | |
-And I realise the game, so I would like to say this. -It's a game. And it's a smart game in a certain way. | 1:09:23 | 1:09:27 | |
-We were set up next to each other, and the most obvious trick is to send in a rat. -So you set Vinny up? | 1:09:27 | 1:09:32 | |
-Yes, Mr Trump. -Did your team set him up, or did you set him up? | 1:09:32 | 1:09:35 | |
I mean, I didn't share my ultimate hope, which was that Vinny and I clearly cannot work together. | 1:09:35 | 1:09:39 | |
Mr Trump, I would rather go home back to my family | 1:09:39 | 1:09:43 | |
than have this conflict. | 1:09:43 | 1:09:45 | |
-Mr Trump? -Stephen? | 1:09:45 | 1:09:46 | |
Perhaps the girls could find it in their hearts | 1:09:46 | 1:09:50 | |
to show Vinny some forgiveness. | 1:09:50 | 1:09:51 | |
You mean take Vinny back? | 1:09:51 | 1:09:54 | |
I don't think it's appropriate for them to do that. | 1:09:54 | 1:09:56 | |
I don't think we should be putting them on the spot. | 1:09:56 | 1:09:58 | |
It wasn't their problem. It wasn't their fault. | 1:09:58 | 1:10:01 | |
I don't think we should do that to them. | 1:10:01 | 1:10:03 | |
They were spied on, or they were something. Something happened, | 1:10:03 | 1:10:07 | |
that was very different. | 1:10:07 | 1:10:09 | |
And Vinny, whether you like it or not, he listened to Piers. | 1:10:09 | 1:10:13 | |
-He didn't have to. -But Vinny is no rat. | 1:10:13 | 1:10:15 | |
He was doing what his project manager told him to do. | 1:10:15 | 1:10:18 | |
He ended up being double rat. | 1:10:18 | 1:10:20 | |
-But that's the worst name to get. -I don't know whose side Vinny's on. | 1:10:20 | 1:10:23 | |
In fact, Vinny, you would have preferred the women to win. | 1:10:23 | 1:10:26 | |
-I did want the women to win. -Absolutely amazing. | 1:10:26 | 1:10:30 | |
Well, I don't understand. | 1:10:30 | 1:10:31 | |
If I was in their camp... | 1:10:31 | 1:10:33 | |
You basically would want them to win for the following reason. | 1:10:33 | 1:10:36 | |
1, you like them. 2, you don't like these guys as much, | 1:10:36 | 1:10:40 | |
-in particular... -I love these guys. | 1:10:40 | 1:10:42 | |
-I love these guys. -OK, but you really hate your leader so much | 1:10:42 | 1:10:45 | |
you'd rather have the other team win. | 1:10:45 | 1:10:47 | |
That's not why I want them to win. | 1:10:47 | 1:10:49 | |
-I want the girls to win because they need a win. -No, they don't. | 1:10:49 | 1:10:53 | |
-We want to win fair and square. -I feel they needed a win. -But they don't. | 1:10:53 | 1:10:56 | |
It would be nice if they win, but they're tough, they're strong. | 1:10:56 | 1:11:00 | |
I felt that what Piers did by sending me in, | 1:11:00 | 1:11:03 | |
he was kicking them when they were down. | 1:11:03 | 1:11:06 | |
Let's find out who won, OK? | 1:11:06 | 1:11:07 | |
The executives from Crocs thought the men were fantastic. | 1:11:09 | 1:11:14 | |
They really thought you did a good job. | 1:11:14 | 1:11:18 | |
Now, I can say it's enough with Lennox. | 1:11:18 | 1:11:21 | |
He's a big star, but you can't keep using him. | 1:11:21 | 1:11:24 | |
You'll wear out his celebrity. | 1:11:24 | 1:11:26 | |
People will get tired of you like they're tired of me. | 1:11:26 | 1:11:28 | |
-They'll say, "I can't stand this guy any more." -I agree. | 1:11:28 | 1:11:31 | |
"I've got Trump up to the gills. I've got Lennox to the gills." | 1:11:31 | 1:11:35 | |
You don't want to be in the same company as me. | 1:11:35 | 1:11:37 | |
So I agree with the choice, | 1:11:37 | 1:11:38 | |
but it's probably enough. | 1:11:38 | 1:11:40 | |
Empresario... | 1:11:40 | 1:11:43 | |
They loved what you did. | 1:11:44 | 1:11:46 | |
-THEY CHEER -And they loved your display case. | 1:11:46 | 1:11:50 | |
-Yay! -And it wasn't even a contest. | 1:11:50 | 1:11:53 | |
They picked you as the winner, so congratulations. | 1:11:53 | 1:11:57 | |
And that was a long, hard four weeks. | 1:11:57 | 1:12:01 | |
-Oh, my gosh, oh, my gosh! -I have to say, I felt we won yesterday. | 1:12:01 | 1:12:06 | |
We overcame many obstacles as a group. | 1:12:06 | 1:12:09 | |
It was very important to me that our group enjoyed working together. | 1:12:09 | 1:12:13 | |
I think you did great, and as the winning project manager, | 1:12:13 | 1:12:18 | |
Crocs has agreed to give 10,000 pairs of recycled shoes | 1:12:18 | 1:12:23 | |
to impoverished people in Africa in your name. | 1:12:23 | 1:12:27 | |
-Now, you can't do better than that. -You can't. | 1:12:27 | 1:12:29 | |
In addition, Carol, you're getting 20,000 for your favourite charity. | 1:12:29 | 1:12:34 | |
What is that charity? Oh, look at you, Carol. | 1:12:34 | 1:12:37 | |
I thought you were tougher than that. Isn't that nice? | 1:12:37 | 1:12:40 | |
You did a great job, and they liked your image very much. | 1:12:40 | 1:12:43 | |
Well done. Congratulations. | 1:12:43 | 1:12:44 | |
-What is your...? That's OK. Take your time. -It's my brother's charity. | 1:12:44 | 1:12:48 | |
What is the charity? | 1:12:48 | 1:12:50 | |
It's all right. You take your time. | 1:12:51 | 1:12:53 | |
-The Tony Alt Memorial Fund. -OK, yeah. -It helps children. | 1:12:55 | 1:12:58 | |
-That's great. -We're very proud of you. You did a very good job. | 1:12:58 | 1:13:02 | |
I heard she was a great leader, and, folks, Omarosa said | 1:13:02 | 1:13:05 | |
that she was a 9.5, but Carol was a 10. | 1:13:05 | 1:13:09 | |
That's a big statement for Omarosa. | 1:13:09 | 1:13:11 | |
-I never thought I'd hear that! -I learned a lot from these girls. -We had a great time. | 1:13:11 | 1:13:15 | |
And thanks for the help, guys. | 1:13:15 | 1:13:17 | |
-How ironic is that? -You used a man to help you win. -Vinny, are you OK? | 1:13:17 | 1:13:21 | |
-No, we didn't! -Vinny? -I'm very happy they won. | 1:13:21 | 1:13:24 | |
I know these guys are going to hate me for that. | 1:13:24 | 1:13:26 | |
In fact, come on, did I help you out a little with the campaign? | 1:13:26 | 1:13:31 | |
Did he? | 1:13:31 | 1:13:33 | |
-Vinny... -I think we were on our way. He just saved us time. | 1:13:33 | 1:13:36 | |
-OK, fine. -They did something special. | 1:13:36 | 1:13:38 | |
I tell you what, I think they did something very special. | 1:13:38 | 1:13:41 | |
Creativity is an amazing thing, | 1:13:41 | 1:13:43 | |
and I think what they did was really terrific. | 1:13:43 | 1:13:46 | |
And I don't know if anybody helped them. | 1:13:46 | 1:13:49 | |
I think they had that concept from the beginning. | 1:13:49 | 1:13:51 | |
We knew what we wanted to do. | 1:13:51 | 1:13:54 | |
Mr Trump, I've enjoyed my run. | 1:13:54 | 1:13:56 | |
I collected some pretty good money for my charity. | 1:13:56 | 1:14:00 | |
But I just don't feel that this is a healthy environment for me, | 1:14:00 | 1:14:04 | |
and I'd like to resign from the show. | 1:14:04 | 1:14:05 | |
I fully understand that. I fully understand that. | 1:14:11 | 1:14:14 | |
It's been tough treatment, no question. I've seen you go at it. | 1:14:14 | 1:14:17 | |
I'm not going to have a heart attack over this guy. I think about, | 1:14:17 | 1:14:21 | |
I'm 61 years old. Do I want to see my children grow up? | 1:14:21 | 1:14:24 | |
I don't want to do this in front of the women. Get out of here. | 1:14:24 | 1:14:27 | |
-Congratulations. Great job. -Thank you so much. | 1:14:27 | 1:14:30 | |
-Congratulations. Well done. -Vinny...you don't have to quit. | 1:14:30 | 1:14:36 | |
-Good job. -All right, Vinny, sit down. | 1:14:37 | 1:14:40 | |
Way to go. | 1:14:40 | 1:14:42 | |
Let's go watch with our champagne. And our tequila. | 1:14:42 | 1:14:46 | |
You guys... | 1:14:46 | 1:14:48 | |
I'm so emotional for my brother's charity. | 1:14:48 | 1:14:50 | |
-It's such a new charity. -It's great. | 1:14:50 | 1:14:54 | |
-Who wants some? -Is this what winning is like? | 1:14:55 | 1:14:58 | |
-Ladies, it feels better to win. -So much better winning. | 1:14:58 | 1:15:02 | |
-Here's to your brother's charity. -Thank you very much. | 1:15:02 | 1:15:05 | |
-Well done. -I love Ivanka. I love her. -Shh, let's watch. | 1:15:05 | 1:15:08 | |
She's such a powerhouse. | 1:15:08 | 1:15:11 | |
So, Vinny, I'm only disappointed | 1:15:11 | 1:15:13 | |
that you want to resign or quit or whatever it is, | 1:15:13 | 1:15:17 | |
because I just don't think it's your personality. | 1:15:17 | 1:15:20 | |
I just don't like the environment any more in my life. | 1:15:20 | 1:15:23 | |
Because of Piers? | 1:15:23 | 1:15:25 | |
-But you like Lennox. -No, it's not... -You like the other guys? | 1:15:25 | 1:15:29 | |
I love Lennox. I love these guys. | 1:15:29 | 1:15:30 | |
And I don't have anything against him. | 1:15:30 | 1:15:32 | |
It's just that I don't need anybody to rile me up. | 1:15:32 | 1:15:36 | |
-I'm not the only person. -But that's the part of the game. | 1:15:36 | 1:15:39 | |
OK, it's part of the game. | 1:15:39 | 1:15:41 | |
-It's a war. -Do you wake up in the morning and fight with people? -Yes. | 1:15:41 | 1:15:45 | |
-You do? -My whole life is a fight. My whole life is a fight. | 1:15:45 | 1:15:49 | |
It's no different than him, except I don't use my fists. | 1:15:49 | 1:15:53 | |
I sort of use this. My whole life is a big, fat fight. | 1:15:53 | 1:15:58 | |
And Vinny, you could have fought and you could have beaten Piers, | 1:15:58 | 1:16:01 | |
but you didn't fight for yourself to stay over him. | 1:16:01 | 1:16:04 | |
You resigned before having the opportunity to do that. | 1:16:04 | 1:16:07 | |
And, really, two of the three independent people in the room | 1:16:07 | 1:16:10 | |
said they would rather have you on the team with them. | 1:16:10 | 1:16:13 | |
Well, for the team, Piers is a better leader. | 1:16:13 | 1:16:17 | |
I mean, I have, uh...you know, certain qualifications. | 1:16:17 | 1:16:20 | |
I could never do what this guy does. | 1:16:20 | 1:16:22 | |
-So, why even go... -But maybe you should never admit that, Vinny. | 1:16:22 | 1:16:26 | |
See, maybe like, I can't fight like Lennox Lewis fights, | 1:16:26 | 1:16:29 | |
but...I guess I could admit that. But I wouldn't admit it anyway! | 1:16:29 | 1:16:34 | |
I wouldn't admit it. I'm going to tell Lennox that I could kick his ass. | 1:16:34 | 1:16:38 | |
At least it makes me feel good. You understand that? | 1:16:38 | 1:16:41 | |
But it's also a matter of trust. | 1:16:41 | 1:16:45 | |
-What kind of friends am I working with? -Let me ask you this. | 1:16:45 | 1:16:48 | |
-if I fired Piers, would you stay? -Oh, yeah. | 1:16:48 | 1:16:53 | |
So you're only resigning because Piers is here? | 1:16:53 | 1:16:56 | |
-I'd love to work with these guys. -Well then, why didn't you fight before you resigned? | 1:16:56 | 1:17:01 | |
Because there's no way your father's going to ask me to stay. | 1:17:01 | 1:17:04 | |
Why is that? Two of your team-mates, independents. | 1:17:04 | 1:17:07 | |
Lennox said he would rather have Piers, but Trace and Stephen said | 1:17:07 | 1:17:11 | |
they would rather you stay on there. That seems like a pretty big thing. | 1:17:11 | 1:17:15 | |
-I... -You can't just go and say, | 1:17:15 | 1:17:17 | |
"I resign, I quit," and then take it back. You can't do that. | 1:17:17 | 1:17:21 | |
That's like saying I missed a shot in golf, but I'm going to do it again. | 1:17:21 | 1:17:25 | |
What do you want me to do? | 1:17:25 | 1:17:26 | |
Stephen, I'd like a little help. What would you do if you were me? | 1:17:30 | 1:17:34 | |
Mr Trump, I am not trying to kiss your ass, | 1:17:34 | 1:17:38 | |
but I believe that you are as successful as you are | 1:17:38 | 1:17:41 | |
as a result of your wisdom, knowledge, | 1:17:41 | 1:17:46 | |
integrity, strength, intelligence. | 1:17:46 | 1:17:48 | |
These are powerful words. | 1:17:48 | 1:17:50 | |
But integrity and character, I would rather have less success | 1:17:50 | 1:17:54 | |
and a better name than anything else. | 1:17:54 | 1:17:58 | |
-So, what would you do? -Can I just pick you up on that one minute? | 1:17:58 | 1:18:02 | |
Let him just finish. | 1:18:02 | 1:18:04 | |
-This is very disingenuous. -Wait, let him finish, Piers. Go ahead. | 1:18:04 | 1:18:07 | |
If I were you, I'd let Piers go. SHE LAUGHS | 1:18:10 | 1:18:14 | |
-He's sweating, Piers is sweating. Look at Piers' face. -He's red. | 1:18:14 | 1:18:18 | |
He's sweating, oh, my gosh! | 1:18:18 | 1:18:20 | |
In your career, have you always, regardless, | 1:18:20 | 1:18:25 | |
done anything to win, even if it meant hurting someone? | 1:18:25 | 1:18:29 | |
I have no comment. I can't comment on that. | 1:18:29 | 1:18:34 | |
Could I just take Stephen up on his extremely pious position here, | 1:18:34 | 1:18:37 | |
which is that he wanted nothing to do with the sabotage? | 1:18:37 | 1:18:41 | |
Because there was a moment after he'd expressed his view | 1:18:41 | 1:18:45 | |
very clearly to the camera, he kept turning to the camera. | 1:18:45 | 1:18:49 | |
"I want nothing to do with this." | 1:18:49 | 1:18:51 | |
Later, he said to me, "Piers, the information from Vinny is there. | 1:18:51 | 1:18:54 | |
-"You should look at it." -That's not true. | 1:18:54 | 1:18:57 | |
-This is a guy who is a rank hypocrite... -That's not true, Mr Trump. | 1:18:57 | 1:19:00 | |
..exposed by the camera. | 1:19:00 | 1:19:02 | |
Secondly, the reason he wants me to leave is because if I'm gone, | 1:19:02 | 1:19:05 | |
he stands a much better chance of winning. | 1:19:05 | 1:19:08 | |
One of the things I'm concerned about is a winner fights to the end. | 1:19:08 | 1:19:12 | |
-Yeah, I... You know... -You understand that. | 1:19:12 | 1:19:14 | |
I understand that, and I also understand that Piers | 1:19:14 | 1:19:18 | |
has more determination and more desire to be the Apprentice than me. | 1:19:18 | 1:19:22 | |
Lennox, how do you feel about quitting, | 1:19:22 | 1:19:24 | |
coming from the background you do? | 1:19:24 | 1:19:26 | |
I don't like people that quit. | 1:19:26 | 1:19:28 | |
It's go and go until the end, and... | 1:19:28 | 1:19:30 | |
This guy, I've seen him get the hell knocked out of him, | 1:19:30 | 1:19:34 | |
and they thought he was out. He comes back from death. | 1:19:34 | 1:19:37 | |
-He doesn't know about quitting. -No, well, the thing is about this game, it's all mental. | 1:19:37 | 1:19:42 | |
If you're not mentally strong, | 1:19:42 | 1:19:43 | |
that's when you're going to quit or decide to leave. | 1:19:43 | 1:19:47 | |
Let me ask you something, Lennox. | 1:19:47 | 1:19:50 | |
Boxers, a lot of them have great physical ability. | 1:19:50 | 1:19:53 | |
I've seen guys fight you, they're stronger. | 1:19:53 | 1:19:55 | |
-Right. -And you beat them with this. | 1:19:55 | 1:19:57 | |
You can't beat some of these guys with your body. | 1:19:57 | 1:20:00 | |
But you beat them with the head. | 1:20:00 | 1:20:02 | |
-I totally agree with that. -It's not just physical ability. | 1:20:02 | 1:20:05 | |
-It's also mental ability, even boxing. -Mr Trump? | 1:20:05 | 1:20:08 | |
I would like to say, I am not quitting. I am not walking away. | 1:20:08 | 1:20:13 | |
I am doing what I feel is best for me and for the team. | 1:20:13 | 1:20:17 | |
Let's go back to phase one. Let's just let me resign. | 1:20:17 | 1:20:20 | |
You know what, Vinny? You're a special guy, a special actor. | 1:20:20 | 1:20:24 | |
I accept your resignation. I'm not going to say you're fired, there's no reason. | 1:20:24 | 1:20:28 | |
-I accept your resignation. I think you are terrific. -Thank you, Donald. | 1:20:28 | 1:20:32 | |
Get out of here, everyone. Go. Go. | 1:20:32 | 1:20:34 | |
Hey, Vinny. Vinny. | 1:20:35 | 1:20:38 | |
-Business, not personal. -I know. | 1:20:39 | 1:20:42 | |
That was unbelievable. Wow. | 1:20:47 | 1:20:51 | |
My ultimate downfall was trusting people. | 1:21:15 | 1:21:20 | |
In this crazy, back-stabbing, two-faced business world, | 1:21:20 | 1:21:25 | |
you don't trust anybody. It's dog eat dog. | 1:21:25 | 1:21:28 | |
Subtitles by Red Bee Media Ltd | 1:21:36 | 1:21:38 | |
E-mail [email protected] | 1:21:38 | 1:21:40 |