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Tonight on The Celebrity Apprentice... | 0:00:03 | 0:00:05 | |
I've issued a challenge to 14 of the world's most successful celebrities | 0:00:05 | 0:00:10 | |
to prove they have what it takes to make it big in my world. | 0:00:10 | 0:00:17 | |
14 celebrities, 14 egos | 0:00:17 | 0:00:21 | |
and more drama than even they can handle. | 0:00:21 | 0:00:24 | |
-Gone are their agents. -Where's the producer? | 0:00:24 | 0:00:27 | |
-Gone are their assistants. -Help me lock this up. | 0:00:27 | 0:00:29 | |
Step up, ladies and gentlemen. | 0:00:29 | 0:00:31 | |
This time, the battle is to raise money for their favourite charity. | 0:00:31 | 0:00:35 | |
-I present this cheque to you. -Are you kidding? 50,000? -Oh, my gosh. | 0:00:35 | 0:00:41 | |
And last week, after the women's two devastating defeats, | 0:00:41 | 0:00:45 | |
Mr Trump surprised them with a new leader. | 0:00:45 | 0:00:47 | |
Here's an option for you, Gene, you go to Empresario as the project manager. | 0:00:47 | 0:00:52 | |
-Can you do it? -Uh-oh. | 0:00:52 | 0:00:54 | |
This is your chance, Gene, you're going to be with women. | 0:00:54 | 0:00:58 | |
-Yes. -Good. | 0:00:58 | 0:01:00 | |
I must tell you, you're the devil. | 0:01:00 | 0:01:02 | |
Next, the teams were assigned a task for Kodak. | 0:01:02 | 0:01:05 | |
We want you to create an experience we can take worldwide. | 0:01:05 | 0:01:08 | |
Gene decided to skip the client meeting... | 0:01:08 | 0:01:11 | |
The army should not go to meet with an executive. | 0:01:11 | 0:01:14 | |
..sending Nely and Carol in his place. | 0:01:14 | 0:01:16 | |
-14.99 for one inkjet cartridge. -I didn't even know you guys made a printer. | 0:01:16 | 0:01:19 | |
OK, the kiosks... I'm sorry, do you want to ask some questions? | 0:01:19 | 0:01:23 | |
Nely went in there and she did speak a lot. | 0:01:23 | 0:01:28 | |
-Meanwhile... -Whoa! | 0:01:28 | 0:01:30 | |
Team Hydra was having even bigger problems. | 0:01:30 | 0:01:33 | |
All of our art work was lost. | 0:01:33 | 0:01:35 | |
All you've done is wreck the entire project. | 0:01:35 | 0:01:37 | |
-Is that what you're going to tell Mr Trump? -Just calm down. | 0:01:37 | 0:01:40 | |
-But despite a disaster... -Pulled it out of the bag. It's a knockout. | 0:01:40 | 0:01:43 | |
Tito Ortiz led the men to their third straight win. | 0:01:43 | 0:01:47 | |
I congratulate all of you. | 0:01:47 | 0:01:49 | |
And Nely came under heavy fire. | 0:01:49 | 0:01:51 | |
You were at the meeting with the executives. | 0:01:51 | 0:01:54 | |
They did not like you spoke so much and wouldn't listen. | 0:01:54 | 0:01:57 | |
Even with the addition of Gene, Empresario lost for the third time in a row. | 0:01:57 | 0:02:01 | |
My friend, Gene, two people - you'll bring them back to the boardroom. | 0:02:01 | 0:02:05 | |
-Omarosa. -Who else? | 0:02:05 | 0:02:06 | |
-Miss Finch. -No kidding. -Jeez... | 0:02:06 | 0:02:09 | |
Gene took Nely out of the firing line. | 0:02:09 | 0:02:11 | |
-He's just committed suicide! -He's in trouble. | 0:02:11 | 0:02:14 | |
I could see if you brought back Nely, but you brought two people | 0:02:14 | 0:02:17 | |
that I practically told you not to bring back. | 0:02:17 | 0:02:19 | |
What the hell do I do? I have no choice. | 0:02:19 | 0:02:22 | |
Gene, you're fired. | 0:02:22 | 0:02:24 | |
-Nely, if you'd been in the board room now. He wanted to fire you. -I know that. | 0:02:35 | 0:02:39 | |
-You were going! -He might punish Gene for not bringing you back. | 0:02:39 | 0:02:43 | |
No! | 0:02:45 | 0:02:46 | |
-He fired both of them. -What? -He fired both. -No! | 0:02:48 | 0:02:52 | |
He fired both of them? | 0:02:52 | 0:02:54 | |
No. | 0:02:55 | 0:02:56 | |
Gene's gone. Gene's gone, baby. | 0:02:58 | 0:03:01 | |
Gene saved Nely and killed himself. | 0:03:01 | 0:03:03 | |
'Gene got fired and took a bullet for me.' | 0:03:03 | 0:03:05 | |
I had no idea he respected me that much. | 0:03:05 | 0:03:08 | |
Frankly... Maybe Donald Trump doesn't like me, but Gene Simmons certainly does. | 0:03:09 | 0:03:14 | |
-You're kidding me. -My god. | 0:03:14 | 0:03:16 | |
'I was quite relieved Gene went for one reason - I'm in this to win.' | 0:03:16 | 0:03:20 | |
Winning is not everything. It's the only thing. | 0:03:20 | 0:03:23 | |
Otherwise, why be here? | 0:03:23 | 0:03:25 | |
This confused me - why did he pick you? What did you do wrong? | 0:03:25 | 0:03:28 | |
I mean, how can I compete with these business women? But I will. | 0:03:28 | 0:03:31 | |
We have to win. Our backs are against the wall. We're 0-3. | 0:03:31 | 0:03:36 | |
I can't remember ever losing three times in a row. | 0:03:36 | 0:03:38 | |
'We cannot lose another team-mate.' | 0:03:38 | 0:03:41 | |
# Money, money, money, money | 0:03:46 | 0:03:50 | |
# Money | 0:03:50 | 0:03:52 | |
# Money, money, money, money | 0:03:52 | 0:03:55 | |
# Money | 0:03:55 | 0:03:57 | |
# Some people got to have it | 0:03:57 | 0:04:00 | |
# Yeah, yeah! | 0:04:00 | 0:04:01 | |
# Some people really need it, listen to me, yo | 0:04:01 | 0:04:06 | |
# Do things, do things, do things, bad things with it | 0:04:06 | 0:04:10 | |
# Dollar bills, y'all, come on | 0:04:13 | 0:04:15 | |
# Bad things | 0:04:15 | 0:04:18 | |
# Mean green | 0:04:20 | 0:04:22 | |
# All mighty dime | 0:04:22 | 0:04:24 | |
# You know that money | 0:04:24 | 0:04:27 | |
# Give me a nickel | 0:04:29 | 0:04:30 | |
# Brother can you spare a dime? | 0:04:30 | 0:04:33 | |
# Money can drive some people out of their minds | 0:04:33 | 0:04:38 | |
# No good, no good, money! | 0:04:40 | 0:04:43 | |
# Money, money, money, money | 0:04:43 | 0:04:47 | |
# Money. # | 0:04:47 | 0:04:48 | |
Even though I'm working as hard as I can with The Apprentice, | 0:04:55 | 0:04:58 | |
I still get time to get in the gym as much as possible. | 0:04:58 | 0:05:02 | |
The organisation I'm playing for is St Jude's Children's Research Hospital. | 0:05:02 | 0:05:06 | |
There's people coming down from St Jude. | 0:05:06 | 0:05:08 | |
Hopefully the donation I give them puts a smile on their face. | 0:05:08 | 0:05:11 | |
There's a lot of families out there who have kids who are sick | 0:05:13 | 0:05:17 | |
and they need medical attention, medical help. | 0:05:17 | 0:05:19 | |
That's what St Jude's Children's Research Hospital is about. | 0:05:19 | 0:05:22 | |
-This is Elizabeth. -Hi, how are you? -Good. | 0:05:22 | 0:05:26 | |
-I'm Tito. -Hi. -Nice to meet you. -You too. | 0:05:26 | 0:05:29 | |
'Elizabeth suffers from what is known as brittle bone disease. | 0:05:29 | 0:05:34 | |
'Up to the age of one, if you touched her, a bone would break.' | 0:05:34 | 0:05:37 | |
They said she'd only live to maybe see three. Now she's nine years old. | 0:05:37 | 0:05:41 | |
Thanks to St Jude, it's nice to see her walking around. | 0:05:41 | 0:05:44 | |
'It's good to see she had a big smile on her face.' | 0:05:44 | 0:05:47 | |
This is a cheque from Celebrity Apprentice to St Jude. | 0:05:47 | 0:05:52 | |
And this is for you. | 0:05:52 | 0:05:53 | |
-She's got a little picture for you to say thank you. -Awesome. | 0:05:53 | 0:05:57 | |
That is so cute. | 0:05:58 | 0:06:00 | |
Thank you so much. I appreciate it. | 0:06:00 | 0:06:03 | |
Honestly. That is very cute. | 0:06:03 | 0:06:06 | |
Just for that instant when she handed me the drawing she gave me, | 0:06:06 | 0:06:09 | |
it put a big smile on my face, knowing I made her very happy. | 0:06:09 | 0:06:12 | |
That means the world to me. That's why I'm working so hard on Apprentice. | 0:06:12 | 0:06:16 | |
Thank you. | 0:06:16 | 0:06:17 | |
-Good morning. -ALL: Morning. | 0:06:38 | 0:06:40 | |
On my left is a great friend of mine, | 0:06:40 | 0:06:42 | |
the finest promoter I've ever known, Vince McMahon. | 0:06:42 | 0:06:45 | |
We did Wrestlemania together. The loser got his head shaved. | 0:06:45 | 0:06:51 | |
Unfortunately... | 0:06:51 | 0:06:52 | |
..Vince had his head shaved. | 0:06:53 | 0:06:56 | |
I couldn't let that happen. This is a great character. | 0:06:56 | 0:06:59 | |
I can see already he's looking at Tito and looking at Lennox. | 0:06:59 | 0:07:02 | |
He wants to set something up because that's his natural inclination. | 0:07:02 | 0:07:07 | |
On my right is Ivanka. They will be my eyes and ears. | 0:07:07 | 0:07:11 | |
Now, you are going to be selling tickets to eight very successful Broadway plays. | 0:07:11 | 0:07:19 | |
Each team will have their project manager | 0:07:19 | 0:07:21 | |
and one other person negotiate four of the eight plays they get to sell. | 0:07:21 | 0:07:26 | |
The team that makes the most money wins. | 0:07:26 | 0:07:29 | |
Vinnie, weren't you on Broadway? | 0:07:29 | 0:07:31 | |
I'm going to be in Chicago. | 0:07:31 | 0:07:32 | |
What does that mean? You're going to be in Chicago, the play? | 0:07:32 | 0:07:36 | |
I'm going to play Chicago. | 0:07:36 | 0:07:39 | |
I thought you meant you're leaving for Chicago. I thought, "What's going on?" | 0:07:39 | 0:07:42 | |
-Hydra, who is your project manager? -Vinnie, Vinnie. | 0:07:42 | 0:07:46 | |
Are you cool with that? | 0:07:46 | 0:07:48 | |
-I do know about Broadway. -It seems natural, Vinnie. | 0:07:48 | 0:07:51 | |
OK. | 0:07:51 | 0:07:53 | |
Empresario, who is your project manager? | 0:07:53 | 0:07:55 | |
-I am. -Our Broadway star. | 0:07:55 | 0:07:58 | |
-Marilu, you've been on Broadway. -Six times. | 0:07:58 | 0:08:01 | |
A portion of money will go to Broadway's favourite charity, | 0:08:01 | 0:08:06 | |
The Fund For Public Schools. | 0:08:06 | 0:08:08 | |
The rest will go to the charity of the winning project manager. | 0:08:08 | 0:08:13 | |
'We lost three in a row, unheard of on The Apprentice.' | 0:08:13 | 0:08:15 | |
This win is so important to us. It's beyond big for me. | 0:08:15 | 0:08:18 | |
You have only two hours to sell tickets. | 0:08:18 | 0:08:20 | |
We'll see you tonight in the boardroom. Somebody will be fired. | 0:08:20 | 0:08:25 | |
OK. Go. | 0:08:25 | 0:08:27 | |
Since I'm going to be the project manager of this Broadway task, | 0:08:33 | 0:08:37 | |
-I want Omarosa to be the negotiator. I think she'll be strong. -I accept. | 0:08:37 | 0:08:41 | |
Is there any way to find out who makes the most proceeds on Broadway out of these shows? | 0:08:41 | 0:08:47 | |
'This is so up my alley. | 0:08:47 | 0:08:48 | |
'I feel really confident. I know how this works on Broadway.' | 0:08:48 | 0:08:52 | |
I better concentrate on four shows I have connections with | 0:08:52 | 0:08:56 | |
the producers and I could get other star power to help me. | 0:08:56 | 0:08:59 | |
If you were responsible for selling tickets, which of the eight shows would you take? | 0:08:59 | 0:09:04 | |
What better project manager than Marilu? It's her element. | 0:09:04 | 0:09:07 | |
'We're excited and thrilled to have her on our side, leading this task.' | 0:09:07 | 0:09:11 | |
What I would like to do first is have Piers read us the rules. | 0:09:14 | 0:09:18 | |
-Can I ask one question? -Yeah. | 0:09:18 | 0:09:20 | |
-Here's my slow down to go fast... -Speeches are wasting time, right? | 0:09:20 | 0:09:23 | |
If you start speaking over everyone later... | 0:09:23 | 0:09:25 | |
-Coming from you, that's the most... -I would like to hear the rules. | 0:09:25 | 0:09:29 | |
Can I have another copy of the rules, please? | 0:09:29 | 0:09:32 | |
I thought you wanted to calm down. | 0:09:32 | 0:09:35 | |
He wants his own copy. Let him have his own copy. | 0:09:35 | 0:09:37 | |
-We're not fighting. -I'm not the problem. | 0:09:37 | 0:09:39 | |
Every day is like an ego trip. | 0:09:39 | 0:09:42 | |
Everyone's egos explode at the same time. | 0:09:42 | 0:09:45 | |
-That's another one of your problems. -What's that? -Sssh! | 0:09:45 | 0:09:48 | |
-Wait! My lack of patience? -Tito, tell him to stop it. | 0:09:48 | 0:09:52 | |
I won't be a bouncer in this thing. | 0:09:52 | 0:09:54 | |
'I just let them go at it.' | 0:09:54 | 0:09:56 | |
Just let them beat the hell out of each other. | 0:09:56 | 0:09:59 | |
-I'm giving up. -You give up! | 0:09:59 | 0:10:01 | |
-Let's learn from Gene. Let's use our black book. -Absolutely. | 0:10:04 | 0:10:07 | |
'Mr Trump gave us a task.' | 0:10:07 | 0:10:09 | |
We had to raise money by selling Broadway tickets. | 0:10:09 | 0:10:12 | |
'But first we had to go in and negotiate our top four picks.' | 0:10:12 | 0:10:16 | |
These would be our top four choices. | 0:10:16 | 0:10:18 | |
-Chicago. -One. | 0:10:18 | 0:10:21 | |
-Spring Awakening. -Two. | 0:10:21 | 0:10:22 | |
-Hairspray. -Hairspray, yes. | 0:10:22 | 0:10:24 | |
Anybody have a feeling for this? | 0:10:24 | 0:10:27 | |
-Those are our top four. -OK. Let's start negotiating. | 0:10:27 | 0:10:30 | |
At 9:30, the negotiator goes into a room and negotiates the shows. | 0:10:30 | 0:10:35 | |
-I'd like to do it. -You want to do it? | 0:10:35 | 0:10:36 | |
Stephen is better employed being in here | 0:10:36 | 0:10:40 | |
hitting high-roller contacts that he has to get money. | 0:10:40 | 0:10:43 | |
I know and Vinnie knows what shows are the most successful, | 0:10:43 | 0:10:46 | |
that people know about, et cetera, et cetera. | 0:10:46 | 0:10:49 | |
I believe what Piers is saying. | 0:10:49 | 0:10:51 | |
We need to get on the phone and call our rich friends. | 0:10:51 | 0:10:54 | |
Right. OK. I'm taking Lennox Lewis in with me. | 0:10:54 | 0:10:58 | |
Oh, my gosh. | 0:11:03 | 0:11:05 | |
You know what's so great about today's task? | 0:11:05 | 0:11:08 | |
We're doing something we all love because we're all in show business. | 0:11:08 | 0:11:11 | |
You're a negotiator? | 0:11:11 | 0:11:13 | |
-She's my negotiator. -You're the boss today. | 0:11:13 | 0:11:15 | |
-I'm the boss, baby. -Me and you. -I'm the boss, baby. -Vinnie, the kumbaya's over. | 0:11:15 | 0:11:19 | |
Let's get down to business. | 0:11:19 | 0:11:21 | |
-Since we are gentlemen... -Yes. -..I'm going to say pick two plays. | 0:11:21 | 0:11:26 | |
-Pick two plays? -Yeah. | 0:11:26 | 0:11:27 | |
We'll take Spring Awakening and we'll take Hairspray. | 0:11:27 | 0:11:31 | |
I won't give you that. | 0:11:31 | 0:11:33 | |
We picked two shows and then he says, "Oh, no. We didn't mean that." | 0:11:33 | 0:11:37 | |
-I don't want to give you that. -Vinnie, you don't understand. | 0:11:37 | 0:11:40 | |
According to your decision, we picked first. | 0:11:40 | 0:11:42 | |
-I said, "Pick two plays." I didn't say I'd give you them. -It's not negotiable. | 0:11:42 | 0:11:46 | |
Wait a second. I'm happy. I love you. | 0:11:46 | 0:11:48 | |
Negotiation was like playing Monopoly with three-year-olds. It was like Romper Room. | 0:11:48 | 0:11:54 | |
-Pick two. We'll be out of here in five minutes. -Calm down. | 0:11:54 | 0:11:56 | |
Negotiation is not rapid fire. | 0:11:56 | 0:11:58 | |
It's a slow progression. You'll learn something from me. | 0:11:58 | 0:12:01 | |
'There's a lot of little bratty things about Omarosa,' | 0:12:01 | 0:12:04 | |
but if you give her a task, she'll see to it that it's done. | 0:12:04 | 0:12:08 | |
Look how fast I did what I did. | 0:12:08 | 0:12:10 | |
What is the deliberation? | 0:12:10 | 0:12:12 | |
What's taking so long? | 0:12:12 | 0:12:14 | |
Hello! | 0:12:14 | 0:12:16 | |
They're so slow. You know what? | 0:12:16 | 0:12:17 | |
-Know why I fight with my girl? -OK. We'll pick. | 0:12:17 | 0:12:20 | |
-..takes so long to put her make-up on. -It has to end. | 0:12:20 | 0:12:24 | |
OK, thanks, guys. We're happy. | 0:12:24 | 0:12:25 | |
-See you later. -Vincent, I've never seen you move so fast. | 0:12:25 | 0:12:28 | |
This is going to be fun, beating you. | 0:12:28 | 0:12:31 | |
We have Spring Awakening, Hairspray, Curtains and Avenue Q. | 0:12:35 | 0:12:39 | |
-Perfect. -I got that shows I wanted. | 0:12:39 | 0:12:41 | |
I knew that Spring Awakening was by far the hottest show. | 0:12:41 | 0:12:45 | |
I definitely wanted Curtains and Hairspray as well. | 0:12:45 | 0:12:48 | |
I'm going to start calling the world here. | 0:12:48 | 0:12:50 | |
I have a major black book like Gene has a major black book. | 0:12:50 | 0:12:54 | |
And in fact, maybe my black book is even better, | 0:12:54 | 0:12:57 | |
because I live in the world of Latinos. | 0:12:57 | 0:13:00 | |
'In the world of successful women.' | 0:13:00 | 0:13:03 | |
I have no shame about calling anybody. Gene did that for us. | 0:13:03 | 0:13:06 | |
'It made me realise how much sometimes women were almost a little shy to call people and bother them.' | 0:13:06 | 0:13:11 | |
I'm very careful about using my Trump cards, as I always say. | 0:13:11 | 0:13:14 | |
But I'm going to use every Trump card I have on the planet Earth. | 0:13:14 | 0:13:18 | |
I thought Cushman might want to buy some tickets. Thank you. | 0:13:18 | 0:13:22 | |
I got 7,500 from a real estate company, Cushman and Wakefield. | 0:13:22 | 0:13:26 | |
I'm a star. | 0:13:26 | 0:13:28 | |
Stephen, listen to me. Hit those phones. | 0:13:28 | 0:13:31 | |
Sell those tickets at the highest possible amount you can. | 0:13:31 | 0:13:34 | |
-You can't rely on just one aspect of the victory. -OK. Fine. | 0:13:34 | 0:13:38 | |
You have to be able to sell tickets. | 0:13:38 | 0:13:42 | |
'The task was so time-sensitive. We didn't have time to make calls.' | 0:13:42 | 0:13:46 | |
We can make all the plans we want | 0:13:46 | 0:13:48 | |
for rich individuals to come and buy tickets for high dollars, | 0:13:48 | 0:13:51 | |
but for me, you've got to sell tickets. That's the bottom line. | 0:13:51 | 0:13:56 | |
If you are now going to deliberately not hit your high rollers for the money | 0:13:56 | 0:14:00 | |
as some form of proving me wrong, you are a shallow little man. | 0:14:00 | 0:14:04 | |
-Boomerang. -What does that mean? -Remember that word. | 0:14:04 | 0:14:07 | |
-What does it mean? You're putting the blame on me? -One word. That's your new name. | 0:14:07 | 0:14:11 | |
-Happy to take it, mate. -When you're full of it and spew that stuff out, | 0:14:11 | 0:14:14 | |
it'll come back and hit you in the face. | 0:14:14 | 0:14:16 | |
-Boomer. -Happy to take. Happy to take. -Remember that. | 0:14:16 | 0:14:20 | |
'I think he's trying to keep everybody off balance' | 0:14:20 | 0:14:23 | |
to become the Apprentice. That's what I want him to know. | 0:14:23 | 0:14:26 | |
I'm just as smart as he is. I'm not smarter. I'm just as smart. | 0:14:26 | 0:14:30 | |
-I see right through you. -You see right through me? | 0:14:30 | 0:14:33 | |
-I see right through me? -BLEEP you. | 0:14:33 | 0:14:34 | |
Those two guys are like two bitches, man. | 0:14:38 | 0:14:40 | |
That's why I'd like to split this team up. | 0:14:40 | 0:14:43 | |
-Piers! -Is there any way he could call in the next... -We have to leave in five minutes. | 0:14:43 | 0:14:48 | |
The task was to simply sell tickets to Broadway shows | 0:14:48 | 0:14:51 | |
in the Times Square area. | 0:14:51 | 0:14:53 | |
Vinnie, Trace and Lennox just went over to go to the location | 0:14:53 | 0:14:57 | |
and get the ground rolling at the location. | 0:14:57 | 0:15:01 | |
He can call me any time in the next 15 minutes. | 0:15:01 | 0:15:03 | |
'Tito, Stephen and I stayed in and made some good calls' | 0:15:03 | 0:15:07 | |
to big players in New York who'd give us big money. | 0:15:07 | 0:15:09 | |
Richard, how are you? | 0:15:09 | 0:15:11 | |
'I'm extremely good, thank you.' | 0:15:11 | 0:15:13 | |
I was very pleased that I had a British contact in New York, | 0:15:13 | 0:15:17 | |
Richard Branson, head of Virgin. | 0:15:17 | 0:15:19 | |
I have to start selling tickets to four Broadway shows | 0:15:19 | 0:15:23 | |
and every dollar we raise will go to charity. | 0:15:23 | 0:15:26 | |
That's great. | 0:15:37 | 0:15:38 | |
Thank you, Richard. Bye-bye. | 0:15:43 | 0:15:45 | |
Ha, ha, ha! | 0:15:45 | 0:15:47 | |
You and I have to do a Broadway show some day, Piers. | 0:15:47 | 0:15:50 | |
Mate, we'd be good together. It's creative tension. | 0:15:50 | 0:15:53 | |
The thing I like about you, we can say the most disgusting things to each other | 0:15:53 | 0:15:57 | |
and it never seems to really matter. | 0:15:57 | 0:15:59 | |
I actually looked you in the eye and called you a shallow little man earlier! | 0:16:01 | 0:16:05 | |
If you want me to bring money, get me a phone. | 0:16:13 | 0:16:16 | |
I don't know an incredible amount of wealthy people. | 0:16:16 | 0:16:19 | |
But I know a few. | 0:16:19 | 0:16:20 | |
I want to call to see if I can get some people to come down and bring some money. | 0:16:20 | 0:16:25 | |
-Do you have any idea where we're going? -Right here. | 0:16:25 | 0:16:28 | |
I love Trace. He'll complain, be a little grumpy. | 0:16:28 | 0:16:31 | |
He's not used to this element, he's from Tennessee. | 0:16:31 | 0:16:33 | |
I don't know where we're going. | 0:16:33 | 0:16:35 | |
'We walk together in the streets of New York.' | 0:16:35 | 0:16:38 | |
I feel like rats on Rizzo sometimes and I'm with the Midnight Cowboy. | 0:16:38 | 0:16:41 | |
Are you going to go see a play tonight? | 0:16:41 | 0:16:43 | |
Got your tickets already? Goodbye. | 0:16:43 | 0:16:46 | |
We're on the corner of 42nd street and 7th avenue. | 0:16:46 | 0:16:49 | |
Is this our booth? Yeah, this is our booth. | 0:16:49 | 0:16:52 | |
'We have to sell Broadway tickets in a few hours.' | 0:16:52 | 0:16:56 | |
That's in and out, brother. Let's see if we | 0:16:56 | 0:17:00 | |
come through in that short time period. | 0:17:00 | 0:17:02 | |
-We're here. -We're here. -There it is. Let's go. | 0:17:05 | 0:17:09 | |
It's very exciting because I'm back on Broadway, | 0:17:09 | 0:17:11 | |
after being here six times. | 0:17:11 | 0:17:13 | |
I got in touch with all the producers from the shows, | 0:17:13 | 0:17:16 | |
and they brought us merchandising. | 0:17:16 | 0:17:18 | |
We got some volunteers from the different shows. | 0:17:18 | 0:17:20 | |
We set up our booths with posters and hats and things like that. | 0:17:20 | 0:17:25 | |
Broadway show tickets, the hottest shows on Broadway. | 0:17:25 | 0:17:28 | |
-What show are you interested in? -Curtains or Hairspray? | 0:17:28 | 0:17:31 | |
Curtains. | 0:17:31 | 0:17:32 | |
Two for Curtains. Here's two more tickets. | 0:17:32 | 0:17:35 | |
These are very big donors from Cushman-Wakefield, they're in real estate. | 0:17:37 | 0:17:41 | |
How much can you give me? | 0:17:41 | 0:17:43 | |
THEY CHEER | 0:17:47 | 0:17:48 | |
I called Cushman And Wakefield. They really came through for me. | 0:17:48 | 0:17:52 | |
I hope we're going to beat the guys. I can't take another loss. | 0:17:52 | 0:17:55 | |
I feel like Donald Trump thinks I'm a loser. | 0:17:55 | 0:17:58 | |
I refuse to leave the show without proving that I'm a frickin' star! | 0:17:58 | 0:18:03 | |
OK, everyone! David Hyde Pierce! | 0:18:03 | 0:18:07 | |
David Hyde Pierce is the Tony award-winning star of Curtains. | 0:18:07 | 0:18:10 | |
He's an old friend from the Cheers and Taxi days. | 0:18:10 | 0:18:14 | |
I decided to call in a favour and ask him to come down. | 0:18:14 | 0:18:17 | |
50 a ticket and anything else you'd like to donate. | 0:18:17 | 0:18:20 | |
My job was take in the cash and do the tickets. | 0:18:20 | 0:18:24 | |
They were jobs that nobody wanted. | 0:18:24 | 0:18:26 | |
Jenny stepped in because Jenny, just like me, | 0:18:26 | 0:18:30 | |
has been taking the garbage jobs that nobody else wants. | 0:18:30 | 0:18:33 | |
In my world, you have a boss | 0:18:36 | 0:18:39 | |
and you have your soldiers. And I like that format. | 0:18:39 | 0:18:42 | |
Let's get organised. Tito, you got all the money? | 0:18:42 | 0:18:45 | |
Not that like I like the mafia. I'm saying it works. | 0:18:45 | 0:18:48 | |
Badda bing, badda boom. I said, "We'll get the megaphone." | 0:18:48 | 0:18:52 | |
-Boom. -Lennox Lewis, former heavyweight champion of the world. | 0:18:52 | 0:18:55 | |
They're all under this tent. | 0:18:55 | 0:18:57 | |
I said to Piers, "If I can get you an outfit | 0:18:57 | 0:18:59 | |
"and you walk around looking like King Arthur from Spamalot, will you do it?" | 0:18:59 | 0:19:04 | |
Boom. | 0:19:04 | 0:19:05 | |
Ladies and gentlemen, Mr King Arthur! | 0:19:08 | 0:19:11 | |
OK. Ladies, do you like musicals? | 0:19:11 | 0:19:13 | |
Do you like musicals? Lost the power of speech? | 0:19:13 | 0:19:17 | |
Hello there. Do you like musicals? | 0:19:17 | 0:19:19 | |
No, you don't either. Anyone here able to speak at all? | 0:19:19 | 0:19:22 | |
What I loved most, the New Yorkers who went by, | 0:19:22 | 0:19:26 | |
looked me in the eye, looked vaguely repulsed and walked off. | 0:19:26 | 0:19:29 | |
That's New York, bloody rude. | 0:19:29 | 0:19:32 | |
You don't want to give any money to charity? I understand. Heartless bastards. | 0:19:32 | 0:19:36 | |
-Piers! -Yes? -Bob Saget. -Hey, how are you? -I'm with Pier Morgan! | 0:19:36 | 0:19:40 | |
-Nice to see you dressed up in your stuff. -Thank you very much. | 0:19:40 | 0:19:44 | |
-I'm Piers, nice to see you. -Hi, how are you? | 0:19:44 | 0:19:46 | |
Is he closing you? Is he closing you? | 0:19:46 | 0:19:49 | |
It would help me if you bought some tickets now. | 0:19:49 | 0:19:51 | |
Spamalot? Come forward. Thank you. It's a deal. | 0:19:53 | 0:19:56 | |
Ivanka? High five, baby! | 0:19:56 | 0:19:58 | |
I decided to put it out for Ivanka Trump | 0:19:58 | 0:20:00 | |
and give it the full James Bond charm offensive. | 0:20:00 | 0:20:03 | |
I think she found me oddly attractive in that chain mail. | 0:20:03 | 0:20:06 | |
Where they gone? Come back here! | 0:20:06 | 0:20:08 | |
Step right up, ladies and gentlemen. We have celebrities | 0:20:08 | 0:20:12 | |
under this tent, selling tickets to Broadway musicals for charity. | 0:20:12 | 0:20:16 | |
I'm with EMI... | 0:20:16 | 0:20:18 | |
I called a lady that I met a couple weeks ago in Nashville. | 0:20:18 | 0:20:22 | |
She works for EMI. | 0:20:22 | 0:20:24 | |
-So we've actually brought over a cheque for 5,000. -Nice! | 0:20:24 | 0:20:28 | |
She's a sweetheart. She ran on down here and brought us a cheque. | 0:20:28 | 0:20:31 | |
What do you want us to give you for 5,000? | 0:20:31 | 0:20:35 | |
Two tickets for Spamalaot. Oh, that was a loaded question. Yeah. | 0:20:35 | 0:20:38 | |
-Thank you, love. I appreciate it. -Anything we can do. | 0:20:38 | 0:20:41 | |
Come on, free, let's go, whoa-oh. One at a time! | 0:20:41 | 0:20:44 | |
-Where are you guys from? -Austria. | 0:20:44 | 0:20:46 | |
Austria? | 0:20:46 | 0:20:48 | |
Do you understand anything I'm saying to you? Very...? | 0:20:48 | 0:20:52 | |
A little bit? | 0:20:52 | 0:20:53 | |
Do you want to see a Broadway play? | 0:20:53 | 0:20:55 | |
OK. | 0:20:58 | 0:20:59 | |
What we have here is a failure to communicate. | 0:20:59 | 0:21:02 | |
I've approached a lot of people that don't speak English. | 0:21:02 | 0:21:07 | |
OK. Go over there and give those people all the money you have. | 0:21:07 | 0:21:11 | |
Just go dump your purse out over there. OK? | 0:21:11 | 0:21:14 | |
The British are coming. King Camelot. | 0:21:14 | 0:21:17 | |
You're embarrassing yourself. | 0:21:17 | 0:21:19 | |
I know, all right? I know I'm embarrassing myself. | 0:21:19 | 0:21:23 | |
I am pretty famous in England, | 0:21:23 | 0:21:25 | |
so every two seconds a Brit would stop me, going, "Oh, my God. | 0:21:25 | 0:21:28 | |
"It's Piers Morgan! What are you doing here?" | 0:21:28 | 0:21:31 | |
So I was able to play my native card and persuade them to buy tickets. | 0:21:31 | 0:21:36 | |
More English people want to help us! It's all about England today! | 0:21:36 | 0:21:39 | |
50 Broadway tickets! | 0:21:42 | 0:21:44 | |
Hi. | 0:21:44 | 0:21:45 | |
Yes. | 0:21:47 | 0:21:48 | |
Jennie, do you need me to help you? | 0:21:55 | 0:21:58 | |
Jennie has been vulnerable from day one. | 0:21:58 | 0:22:01 | |
Everyone sees her as just a sweet girl. | 0:22:01 | 0:22:04 | |
Not as a leader. | 0:22:04 | 0:22:05 | |
-Do you want to figure it out and come back? OK. -You have enough tickets? -Yes. Thank you. | 0:22:05 | 0:22:10 | |
I think the hardest thing for me in this task was being in the tent - | 0:22:10 | 0:22:14 | |
again not being able to use my assets and show any leadership skills. | 0:22:14 | 0:22:18 | |
I'm stuck in this booth. I'm hidden once again in a task. | 0:22:18 | 0:22:20 | |
Hey, hi! | 0:22:23 | 0:22:24 | |
As soon as I saw Vince McMahon, my first thought was, "He's cute!" | 0:22:24 | 0:22:28 | |
My second was "Oh, my gosh - he's here to see us." He was getting a sense of where we were. | 0:22:28 | 0:22:32 | |
So how are you attracting people in, to sell tickets? | 0:22:32 | 0:22:36 | |
I have not moved from this spot for the last half hour. | 0:22:36 | 0:22:38 | |
Well, I may have done this. And then that. | 0:22:38 | 0:22:42 | |
What if we had you on a nice stand somehow, | 0:22:42 | 0:22:45 | |
two or three feet up in the air? | 0:22:45 | 0:22:47 | |
You could do that. | 0:22:47 | 0:22:48 | |
David should be up on a pedestal, | 0:22:48 | 0:22:50 | |
where everyone would be attracted to him. | 0:22:50 | 0:22:52 | |
I feel like the women are doing more order-taking | 0:22:52 | 0:22:55 | |
and again not necessarily attracting | 0:22:55 | 0:22:57 | |
the audience they need to attract to sell more tickets. | 0:22:57 | 0:23:00 | |
I called all my friends and I've gotten big, big chunks of money | 0:23:02 | 0:23:07 | |
from foundations, from friends. | 0:23:07 | 0:23:09 | |
How much can you give me? | 0:23:09 | 0:23:11 | |
1,000 each. | 0:23:11 | 0:23:12 | |
1,000 each! | 0:23:12 | 0:23:14 | |
I'm getting in big ticket items. | 0:23:14 | 0:23:16 | |
Broadway shows for charity! | 0:23:16 | 0:23:19 | |
We're catching people on their way | 0:23:19 | 0:23:21 | |
and the shows that sold the most Tickets are Spring Awakening and Avenue Q. | 0:23:21 | 0:23:25 | |
Spring Awakening tickets! | 0:23:25 | 0:23:28 | |
I knew that Spring Awakening was, | 0:23:28 | 0:23:30 | |
by far of the eight shows, the hottest show. | 0:23:30 | 0:23:32 | |
That was a great show to be selling. | 0:23:32 | 0:23:34 | |
They're here for my friend, who's in charge of philanthropy. | 0:23:34 | 0:23:37 | |
This Latina girl, who I've grown up with, | 0:23:37 | 0:23:39 | |
handles billions in philanthropic money, | 0:23:39 | 0:23:41 | |
and she just sent two assistants. | 0:23:41 | 0:23:43 | |
Can we get a cashier's cheque? | 0:23:43 | 0:23:46 | |
I sent them off to go get a cashier's cheque. | 0:23:46 | 0:23:49 | |
Please, do whatever it takes, baby. | 0:23:49 | 0:23:51 | |
We've got a problem. I'm in New York. I spoke to Richard | 0:23:53 | 0:23:56 | |
and they've pledged some money, | 0:23:56 | 0:23:58 | |
which two Virgin stewardesses would turn up with... | 0:23:58 | 0:24:00 | |
Richard Branson rang me earlier and promised me 10,000 from Virgin | 0:24:00 | 0:24:05 | |
but with minutes to go, the cheque hasn't shown up. | 0:24:05 | 0:24:08 | |
-So this is the representative from Virgin. -Yes, hello. | 0:24:08 | 0:24:11 | |
-The girls are coming with the cheque. -They've got eight minutes to get here. | 0:24:11 | 0:24:15 | |
How far are you exactly? | 0:24:15 | 0:24:18 | |
They're on 42nd and 3rd. | 0:24:18 | 0:24:19 | |
The transaction must be made before the deadline or it doesn't count. | 0:24:19 | 0:24:23 | |
They're on 42nd and 3rd Avenue?! | 0:24:23 | 0:24:25 | |
No. What did you say? 42nd and 43rd, did you? | 0:24:25 | 0:24:29 | |
42nd and 3rd. | 0:24:29 | 0:24:31 | |
-Where's that? -They're on 42nd and 3rd? -Yeah, yeah. | 0:24:31 | 0:24:34 | |
OK, they got to hurry up. | 0:24:34 | 0:24:35 | |
I know. They're very close. They're really close. | 0:24:35 | 0:24:38 | |
Where are they? | 0:24:47 | 0:24:48 | |
I just sent my friends to go get a cashier's cheque. | 0:24:48 | 0:24:52 | |
Where are they? | 0:24:56 | 0:24:57 | |
They got two minutes. Two minutes. | 0:24:57 | 0:25:00 | |
-Oh, -BLEEP! | 0:25:04 | 0:25:06 | |
-Virgin girls, here. -Over here! | 0:25:11 | 0:25:13 | |
Come this way... | 0:25:13 | 0:25:14 | |
This time, the deal was tough. | 0:25:14 | 0:25:16 | |
The Virgin Atlantic people today almost didn't show up. | 0:25:16 | 0:25:19 | |
They just barely made it. | 0:25:19 | 0:25:21 | |
From Richard Branson. 10,000. | 0:25:21 | 0:25:24 | |
Thank you, ladies. You look lovely. | 0:25:24 | 0:25:27 | |
It was close. | 0:25:27 | 0:25:28 | |
We were minutes away from being 10,000 less than we thought. | 0:25:28 | 0:25:32 | |
That kind of thing makes all the difference. | 0:25:32 | 0:25:34 | |
We could have been selling tickets all day long and not had a 10,000 moment. | 0:25:34 | 0:25:38 | |
That was a close one. Your tickets, ladies. | 0:25:38 | 0:25:41 | |
Get in the cab! Tell the cab to hurry up! Hurry up! | 0:25:44 | 0:25:47 | |
I need money. Just get your butts over here! | 0:25:47 | 0:25:51 | |
Where are my Latinas? | 0:25:51 | 0:25:53 | |
So, Marilu, you think your team finally won, finally? | 0:26:32 | 0:26:36 | |
I think we won today. | 0:26:36 | 0:26:37 | |
-You really feel confident? -Very confident. | 0:26:37 | 0:26:40 | |
What show did you take number one? | 0:26:40 | 0:26:42 | |
I knew I wanted Spring Awakening number one. | 0:26:42 | 0:26:44 | |
-And how did that do? -It did very well. Curtains I knew I wanted as well. | 0:26:44 | 0:26:48 | |
Vinnie, were you happy with your shows? | 0:26:48 | 0:26:50 | |
Yeah, in the end. | 0:26:50 | 0:26:51 | |
You don't seem to be as positive as Marilu about the possibility of victory. | 0:26:51 | 0:26:56 | |
You don't seem to be like, "I'm sure I won." | 0:26:56 | 0:26:59 | |
You're pretty sure you won? | 0:26:59 | 0:27:01 | |
I'm pretty sure we won. | 0:27:01 | 0:27:02 | |
Do you think you could have done better? | 0:27:02 | 0:27:05 | |
Are you reticent in saying | 0:27:05 | 0:27:07 | |
you think you won because you could have done better? | 0:27:07 | 0:27:09 | |
-Or you just don't know? -I think that we probably did the best we could. | 0:27:09 | 0:27:13 | |
These guys were ticket sellers. | 0:27:13 | 0:27:15 | |
We had a barker - his name was Stephen Baldwin, | 0:27:15 | 0:27:19 | |
and Piers dressed up like a knight. | 0:27:19 | 0:27:20 | |
The reason they all enjoyed it so much was they made me look ridiculous, | 0:27:20 | 0:27:24 | |
which was fine. | 0:27:24 | 0:27:26 | |
The bright is the knight. | 0:27:26 | 0:27:27 | |
-I liked being King Arthur, but... -They liked that, Piers. | 0:27:27 | 0:27:30 | |
Tito, what do you think? Who did the best job on your team? | 0:27:30 | 0:27:34 | |
-I would have to give it to Piers, by far. -Oh, really? -Yes. | 0:27:34 | 0:27:38 | |
He made some great phone calls | 0:27:38 | 0:27:40 | |
to get some guys to put in big dollar amounts. | 0:27:40 | 0:27:43 | |
-Who did you call? -Richard Branson. | 0:27:43 | 0:27:45 | |
Oh, good. Nice guy. | 0:27:45 | 0:27:47 | |
Yeah, I had a chat with him and he gave us a lot of money. So that was useful. | 0:27:47 | 0:27:51 | |
-Steven, what did you think? -I think we did great, Mr Trump, across the board. | 0:27:51 | 0:27:55 | |
I think the only way we've lost, financially, | 0:27:55 | 0:27:58 | |
is if the girls raised more money. | 0:27:58 | 0:28:00 | |
We've sold more tickets, unequivocally. | 0:28:00 | 0:28:02 | |
Who was your Broadway celebrity, Marilu? | 0:28:02 | 0:28:05 | |
-We brought in David Hyde Pierce and other Curtains cast members. -Did you use them right? | 0:28:05 | 0:28:09 | |
He was standing there. I introduced him to people in line getting Curtains tickets. | 0:28:09 | 0:28:13 | |
But he was wearing a baseball cap. He was pretty much hiding | 0:28:13 | 0:28:16 | |
and sort of at the back of the booth, and didn't have a megaphone like the other guys. | 0:28:16 | 0:28:21 | |
They were raising hell over there and you guys didn't seem to know how to use your celebrities. | 0:28:21 | 0:28:26 | |
Hm. | 0:28:26 | 0:28:27 | |
So the big question now is the level of confidence in the men | 0:28:27 | 0:28:30 | |
seems to be not as good. So let's find out. | 0:28:30 | 0:28:33 | |
I will say this, fellas - | 0:28:33 | 0:28:36 | |
it's time for them to win. Do we agree? | 0:28:36 | 0:28:39 | |
-It's going to be very, very depressing if you lose again. -Very. | 0:28:39 | 0:28:43 | |
So, Vince, let me ask you the big question. | 0:28:43 | 0:28:45 | |
Empresario, how did they do? | 0:28:45 | 0:28:48 | |
Very impressive. | 0:28:48 | 0:28:49 | |
-31,750. Congratulations. -Wow. -Very impressive. | 0:28:49 | 0:28:53 | |
Ivanka, how did Hydra do? | 0:28:54 | 0:28:56 | |
Hydra raised... | 0:28:59 | 0:29:01 | |
33,300. | 0:29:01 | 0:29:03 | |
-Come on! -Oh, God. -No way. | 0:29:03 | 0:29:07 | |
You know what? The tickets mattered. | 0:29:07 | 0:29:09 | |
-We sold... -We sold a lot of tickets too. | 0:29:09 | 0:29:11 | |
Marilu, are you over-matched? | 0:29:11 | 0:29:13 | |
Well, we've already been over-matched in terms of star power, | 0:29:13 | 0:29:16 | |
size, and in terms of black book. | 0:29:16 | 0:29:18 | |
-You think in terms of star power...? -Oh, definitely. | 0:29:18 | 0:29:21 | |
Star power played no part in this. | 0:29:21 | 0:29:23 | |
You were dressed up like a clown. | 0:29:23 | 0:29:26 | |
I wasn't dressed as a clown. It was King Arthur. | 0:29:26 | 0:29:29 | |
Let's get this absolutely straight. King Arthur was not a clown. | 0:29:29 | 0:29:33 | |
You just criticised my man Piers for dressing up like a knight, | 0:29:33 | 0:29:36 | |
walking Broadway, and called him a clown. | 0:29:36 | 0:29:38 | |
That's not star power. People didn't even know | 0:29:38 | 0:29:41 | |
who he was until they saw him. That's being a barker. | 0:29:41 | 0:29:44 | |
That's going out there and selling tickets. | 0:29:44 | 0:29:47 | |
It's like the old days when my father used to walk up and down with a sandwich board. | 0:29:47 | 0:29:51 | |
That's what he did and that's why he is our most valuable player. | 0:29:51 | 0:29:54 | |
He brought in the high-rollers, | 0:29:54 | 0:29:56 | |
and then he put on the sandwich board. | 0:29:56 | 0:29:58 | |
OK. Empresario. | 0:29:58 | 0:30:00 | |
Why did you lose? | 0:30:00 | 0:30:02 | |
Two people got their two minutes after they closed us down. | 0:30:02 | 0:30:06 | |
So, it was over and all of a sudden you had money coming in and you couldn't count it. | 0:30:06 | 0:30:11 | |
-Who raised it? -Me. -Why didn't you do it earlier? | 0:30:11 | 0:30:15 | |
I did. People got stuck in the rain and traffic. | 0:30:15 | 0:30:18 | |
-Mr Branson's cheque turned up with minutes left. -That's good planning. | 0:30:18 | 0:30:23 | |
That's bad planning. You would have won. | 0:30:23 | 0:30:26 | |
Vinnie, let me just tell you, you're going to be happy. | 0:30:27 | 0:30:29 | |
We're giving 50,000 to your charity and the rest is going | 0:30:29 | 0:30:33 | |
to the Fund For Public Schools, which is another terrific charity. | 0:30:33 | 0:30:37 | |
Donald, my daughter's stepfather died a year ago, a great Jewish guy, | 0:30:37 | 0:30:41 | |
brought up my daughter, died from pancreatic cancer. | 0:30:41 | 0:30:45 | |
He was healthy as Lennox. When he was detected with cancer, | 0:30:45 | 0:30:49 | |
we lost him at three months. | 0:30:49 | 0:30:51 | |
The money that you're going to give me goes to the Lustgarten Foundation Pancreatic Cancer | 0:30:51 | 0:30:57 | |
in Mitchell Burke's name. | 0:30:57 | 0:31:00 | |
-Thank you very much. -That's very nice. That's very nice. | 0:31:00 | 0:31:04 | |
-So, Marilu, too bad. -I know. -Fellas, congratulations. Great job, as usual. | 0:31:04 | 0:31:11 | |
I can put on a tape recorder - "Great job, as usual. You really did well." Get out of here. | 0:31:11 | 0:31:17 | |
So long. Thank you. Good going, Vinnie. | 0:31:17 | 0:31:19 | |
-Ladies and gentlemen, I would like to announce... -POP! | 0:31:22 | 0:31:25 | |
-Stephen, come here, come here. -You did it, bro. -Lennox. | 0:31:28 | 0:31:33 | |
-We did it, guys. -Come here, brother. -We just barely beat them. | 0:31:33 | 0:31:38 | |
One, two, three! HYDRA! | 0:31:38 | 0:31:40 | |
What's going on with you people? I'm a little embarrassed for the women. | 0:31:40 | 0:31:44 | |
This is four weeks. We're getting used to this. | 0:31:44 | 0:31:47 | |
We're going to fire somebody - that's the way it has to be. | 0:31:47 | 0:31:50 | |
We just barely beat 'em! 2,000! | 0:32:01 | 0:32:05 | |
-Unbelievable! -Who's watching our backs? | 0:32:05 | 0:32:09 | |
-Amen. -Come on. | 0:32:09 | 0:32:12 | |
-So, Carol, what happened? -I don't think anything happened. We came within 2,000 of the guys. | 0:32:12 | 0:32:17 | |
-Why do you think you lost? -We pulled out all the stops. | 0:32:17 | 0:32:21 | |
Marilu, you were so close. | 0:32:21 | 0:32:23 | |
I know! I can't believe it. I'm sick to my stomach over this. | 0:32:23 | 0:32:26 | |
I think the biggest problem with this entire team is that people either | 0:32:26 | 0:32:32 | |
tend to take a back seat or they overpower. | 0:32:32 | 0:32:35 | |
It's not like how the guys seem to be, where everybody is 100% all the time | 0:32:35 | 0:32:39 | |
and feel they can all contribute as much as they can. | 0:32:39 | 0:32:43 | |
-And they are unbelievable. -I know. They are powerhouses and all know who does what well. | 0:32:43 | 0:32:49 | |
Omarosa, do you think you're overmatched? | 0:32:49 | 0:32:52 | |
-I would love to hear you say you are. -No, no, no. I would never say that. | 0:32:52 | 0:32:55 | |
A lot of the women have just discovered they are businesswomen. | 0:32:55 | 0:32:59 | |
-Why are the men so much better? -You said something interesting - they are unbelievable. | 0:32:59 | 0:33:03 | |
As a team, they are unbelievable. | 0:33:03 | 0:33:06 | |
The guys will do anything. A knight going up and down... a clown suit, or what you guys said. | 0:33:09 | 0:33:15 | |
-They would do anything to win. -Good job, guys. | 0:33:15 | 0:33:18 | |
How was Carol doing? | 0:33:22 | 0:33:23 | |
She was inside and she was the inside person. | 0:33:23 | 0:33:27 | |
-I was doing the credit cards. -If it were me... I wouldn't have you inside. Outside, OK? -Thank you. | 0:33:27 | 0:33:33 | |
-Do you agree with him? -Yes. -Who put you inside? I became accountant and that meant I had to... | 0:33:33 | 0:33:39 | |
-You don't look like an accountant. -No. | 0:33:39 | 0:33:42 | |
-As long as I did my job well and... -Who put you in that position? | 0:33:42 | 0:33:46 | |
Carol flies below the radar, Mr Trump, and she has been for the last several weeks. | 0:33:46 | 0:33:51 | |
When she says "I was an accountant", she offered. It wasn't like, "Oh, I'll make you this." | 0:33:51 | 0:33:55 | |
No. I was sitting on the couch. Marilu passed the bag, it landed in my lap. | 0:33:55 | 0:33:59 | |
She flies under the radar. | 0:33:59 | 0:34:00 | |
If I looked as beautiful as she, I would be in front. | 0:34:00 | 0:34:03 | |
-Utilise the skills you have to close the deal. -Do you agree, Jennie? You were nodding. | 0:34:03 | 0:34:08 | |
Do you think Carol flies below the radar? | 0:34:08 | 0:34:10 | |
I don't... | 0:34:10 | 0:34:12 | |
Uh... | 0:34:12 | 0:34:14 | |
Um... | 0:34:14 | 0:34:15 | |
I don't know. I know we have so much talent and we overthink things. | 0:34:17 | 0:34:23 | |
I think it's been our fault. | 0:34:23 | 0:34:25 | |
Omarosa, who should I fire? | 0:34:25 | 0:34:26 | |
It would be Carol. She is our weakest link. | 0:34:26 | 0:34:29 | |
-You think so? -She's up and down. There's no consistency. | 0:34:29 | 0:34:33 | |
One week she's great, the next week she's down. | 0:34:33 | 0:34:36 | |
-You have to have consistent performance. -I think Omarosa is very weak. | 0:34:36 | 0:34:40 | |
Within the group, she tries to make people feel insecure and at her level. | 0:34:40 | 0:34:45 | |
-You feel insecure by yourself. -She attacks all the time. | 0:34:45 | 0:34:48 | |
Eleanor Roosevelt said, "No-one can make you feel inferior unless you allow them to do so." | 0:34:48 | 0:34:52 | |
I don't care. This is our group. She's eating it from the inside. | 0:34:52 | 0:34:56 | |
Our group should advance together - | 0:34:56 | 0:34:58 | |
look for each other's weaknesses and support them, so we don't get fired. | 0:34:58 | 0:35:02 | |
-You mean come to your level? -The guys do it so well. -You want me to come to your level? | 0:35:02 | 0:35:06 | |
-There are weaknesses and they exploit their strengths. -Do you like Omarosa? | 0:35:06 | 0:35:10 | |
As a businesswoman, I have no respect for her at all. | 0:35:10 | 0:35:12 | |
The problem with our team is we have really great workers - assistants. | 0:35:12 | 0:35:17 | |
We don't have great leaders. That's why I'm always like, | 0:35:17 | 0:35:22 | |
we have good workers but they are not leaders. | 0:35:22 | 0:35:26 | |
Some leaders are used to being assisted and need those assistants. | 0:35:26 | 0:35:30 | |
Carol and I have consistently been in that assistant role. | 0:35:30 | 0:35:33 | |
That's true. The dynamic has worked that way. | 0:35:33 | 0:35:35 | |
-There is no room. -There is a lot of big voices. | 0:35:35 | 0:35:39 | |
If we step up, there would be boom, boom, boom. | 0:35:39 | 0:35:42 | |
Nely, who should be fired? | 0:35:43 | 0:35:47 | |
Marilu. Marilu shouldn't have been, | 0:35:48 | 0:35:51 | |
in this case, the project manager because she's a celebrity | 0:35:51 | 0:35:55 | |
-and we should have been able to use her celebrity... -She's been on Broadway. | 0:35:55 | 0:35:59 | |
She knows Broadway better than anybody else. | 0:35:59 | 0:36:02 | |
She should have been, probably. OK, Marilu. | 0:36:02 | 0:36:05 | |
-You're going to bring back two people. -I know. | 0:36:05 | 0:36:07 | |
Somebody is going to be fired. Somebody is going to go home. | 0:36:07 | 0:36:11 | |
Somebody is going to be very unhappy. | 0:36:11 | 0:36:13 | |
Who are the two people you're bringing back? | 0:36:13 | 0:36:15 | |
-I'm going to bring back Jennie and Carol. -Jennie and Carol. | 0:36:23 | 0:36:27 | |
ALL: Whoa! | 0:36:27 | 0:36:28 | |
-She knows she needs Nely to win. -Yeah. -Yeah - the next time! | 0:36:30 | 0:36:34 | |
Fascinating to see the dynamic, how it changes. | 0:36:34 | 0:36:37 | |
Nely stabbed her in the back, but she needs her. | 0:36:37 | 0:36:41 | |
She will need a drink after that one. | 0:36:41 | 0:36:42 | |
OK. So, Jennie, Carol, Marilu, you guys go outside. | 0:36:42 | 0:36:48 | |
See you back in a couple of minutes. Somebody will be fired. | 0:36:48 | 0:36:51 | |
-Omarosa is... -Totally not with us. -No, but she smells fear and when she does, it gets worse. | 0:37:04 | 0:37:10 | |
She's a cancer. She's not somebody who works in a group. | 0:37:10 | 0:37:13 | |
We're supposed to support the group and she's eating us from the inside out. | 0:37:13 | 0:37:17 | |
We're allowing it - that's the worst part. | 0:37:17 | 0:37:21 | |
Vince, what do you think? | 0:37:23 | 0:37:25 | |
I think Jennie doesn't have the same competitive spirit and... | 0:37:25 | 0:37:29 | |
That she has on the mound, which is unbelievable. | 0:37:29 | 0:37:33 | |
She doesn't have the enthusiasm, | 0:37:33 | 0:37:36 | |
when everyone is competitive and is fighting for their life. | 0:37:36 | 0:37:40 | |
-She doesn't seem to be fighting very hard at all. -Ivanka? | 0:37:40 | 0:37:45 | |
I think Marilu has to stay if this team has a chance, | 0:37:45 | 0:37:49 | |
of victory at any point in... | 0:37:49 | 0:37:51 | |
-You think she's very good. -Well, I think she's their only shot. | 0:37:51 | 0:37:55 | |
She's smart and she comes up with the big ideas. | 0:37:55 | 0:37:58 | |
Without her, we can write off next week. | 0:37:58 | 0:38:00 | |
-OK. Annette, let them come in. -Yes, Mr Trump. You can go on in now. | 0:38:00 | 0:38:06 | |
-Well, this is sad. -It's very sad because this is an incredible group of women. | 0:38:13 | 0:38:18 | |
The problem is, because the group has so many different levels of people in terms of energy, | 0:38:18 | 0:38:24 | |
in terms of how they like to work and in terms for respect for one another, | 0:38:24 | 0:38:28 | |
it's difficult to find a cohesive way of working. You know I've worked every single task | 0:38:28 | 0:38:33 | |
-probably wearing too many hats - that's the problem. -Why did you bring Carol and Jennie back? | 0:38:33 | 0:38:38 | |
We need people who can work together really well. | 0:38:38 | 0:38:42 | |
-You should have maybe brought Omarosa back. -Well, Omarosa, | 0:38:42 | 0:38:45 | |
Nely and I work very well together. | 0:38:45 | 0:38:47 | |
That trio is very, very strong. As strong as any three guys on the team. | 0:38:47 | 0:38:52 | |
You're basically saying you can afford to lose one of these two. | 0:38:52 | 0:38:56 | |
I'm basically saying I can afford to lose one. | 0:38:56 | 0:38:58 | |
Jennie, I know you well from watching you on TV, | 0:38:58 | 0:39:02 | |
winning Olympics, but you don't seem to have the energy. | 0:39:02 | 0:39:06 | |
When I watch you on TV, destroying other teams, you have unbelievable vibrance and energy. | 0:39:06 | 0:39:12 | |
-In the boardroom, you don't seem to have that same energy. -I... I think it's hard. | 0:39:12 | 0:39:16 | |
I think it's hard when you sit in a room with Omarosa and Nely. | 0:39:16 | 0:39:20 | |
And it's like boom, boom, boom. It wipes you out. | 0:39:20 | 0:39:24 | |
-It's tough for you, right? -Yes. -It is tough for you. | 0:39:24 | 0:39:29 | |
It's a hard to see in such a harsh, nasty environment. | 0:39:29 | 0:39:32 | |
-I'm not used to that. -You shouldn't get used to it. | 0:39:32 | 0:39:36 | |
-I don't want to. -Don't get used to it. Stay the way you are. | 0:39:36 | 0:39:40 | |
I think you are fantastic... | 0:39:40 | 0:39:42 | |
..but, Jennie, for my purpose, you're fired. | 0:39:44 | 0:39:47 | |
It's just not your world. You know what? I like your world better. | 0:39:47 | 0:39:50 | |
This isn't a great world. | 0:39:50 | 0:39:51 | |
This is a terrible world in many ways and I want to see you | 0:39:51 | 0:39:55 | |
-win another Olympic gold and he does, more than I do. He's a big fan of yours. -Thank you. | 0:39:55 | 0:40:00 | |
-So you go. Thank you. Thank you very much. -Thank you. -Thank you. -Thank you, Mr Trump. | 0:40:00 | 0:40:06 | |
-That was the right call. -Yeah. | 0:40:17 | 0:40:19 | |
She actually said she can't compete with these people. | 0:40:19 | 0:40:22 | |
In her own way, she's more competitive than any of them. | 0:40:22 | 0:40:25 | |
-Individually. -It's interesting. But I think we made the right call. | 0:40:25 | 0:40:29 | |
-Absolutely. -Definitely. -Good. | 0:40:29 | 0:40:31 | |
Losing is hard to swallow. It's tough. | 0:40:57 | 0:41:01 | |
It's heart-wrenching, knowing we were so close. | 0:41:01 | 0:41:04 | |
I'm sad that I'm leaving my girls, and I'm sad I'm going home. | 0:41:04 | 0:41:07 | |
I really think I didn't get a chance or opportunity to show my leadership skills. | 0:41:07 | 0:41:13 | |
It's interesting to see the differences between the Apprentice world and the softball field. | 0:41:13 | 0:41:18 | |
I look forward to getting back on the playing field and training, | 0:41:18 | 0:41:22 | |
preparing for the Olympics and being a mom and a wife. | 0:41:22 | 0:41:25 | |
Subtitles by Red Bee Media Ltd | 0:41:29 | 0:41:32 | |
E-mail [email protected] | 0:41:32 | 0:41:35 |