Browse content similar to Mr Outside the Box. Check below for episodes and series from the same categories and more!
Line | From | To | |
---|---|---|---|
'This season on the Celebrity Apprentice:' | 0:00:03 | 0:00:05 | |
I've issued a challenge to 14 of the world's most successful celebrities | 0:00:05 | 0:00:10 | |
to prove that they have what it takes to make it big in my world. | 0:00:10 | 0:00:16 | |
1,2,3... Hydra! | 0:00:16 | 0:00:18 | |
'14 celebrities, 14 egos | 0:00:18 | 0:00:20 | |
'and more drama than even they can handle.' | 0:00:20 | 0:00:23 | |
You're embarrassing yourself. | 0:00:23 | 0:00:25 | |
'Gone are their agents. Gone are their assistants.' | 0:00:25 | 0:00:28 | |
If you want me to bring money, get me a phone. | 0:00:28 | 0:00:31 | |
'This time the battle is to raise money for their favourite charities. | 0:00:31 | 0:00:36 | |
'Last week, the task was to create an ad | 0:00:36 | 0:00:39 | |
'for the pedigree pet adoption drive.' | 0:00:39 | 0:00:42 | |
That's beautiful. Perfect. | 0:00:42 | 0:00:45 | |
'TV producer and project manager Nely Galan took the lead for Empresario.' | 0:00:45 | 0:00:48 | |
That's more important than the music. Music we could do at 6 o'clock. | 0:00:48 | 0:00:52 | |
'But Olympic gold medallist Nadia Comaneci was slowing things down. | 0:00:52 | 0:00:56 | |
-'On Hydra...' -30 seconds is like nothing. | 0:00:56 | 0:00:59 | |
'..project manager Gene Simmons was so confident in his ideas... | 0:00:59 | 0:01:02 | |
The war room is the battlefield. | 0:01:02 | 0:01:05 | |
-'..he chose to skip a meeting with the client.' -Rob was not happy. | 0:01:05 | 0:01:08 | |
I stand by our product. | 0:01:08 | 0:01:10 | |
'And in the end, Hydra's commercial proved Gene right.' | 0:01:11 | 0:01:14 | |
Pedigree felt Hydra did the better ad. | 0:01:14 | 0:01:17 | |
'..handing the women their second devastating defeat. | 0:01:17 | 0:01:20 | |
-I have to take full responsibility. -'But not everyone agreed.' | 0:01:20 | 0:01:23 | |
-Jennie, who would you fire? -Maybe Nadia. | 0:01:23 | 0:01:25 | |
'And Mr Trump began to question Nadia's competitive edge.' | 0:01:25 | 0:01:29 | |
Nadia, you don't seem to be competitive in this environment. | 0:01:29 | 0:01:32 | |
I love you, but, Nadia, you're fired. | 0:01:32 | 0:01:35 | |
-Nely's going. -No, Nadia's going. | 0:01:44 | 0:01:46 | |
Nadia's lovely, but she's been carved up by you lot, | 0:01:46 | 0:01:49 | |
-and Jennie plunged the knife in. -Oh, don't say that. | 0:01:49 | 0:01:52 | |
Sorry. That's business. | 0:01:52 | 0:01:54 | |
When you were directly asked who you wanted to fry, | 0:01:54 | 0:01:57 | |
you, Jennie, you, the golden girl of American sport | 0:01:57 | 0:02:02 | |
turned to one of the greatest athletes in the history of the world, | 0:02:02 | 0:02:07 | |
and you said, "I fry Nadia." | 0:02:07 | 0:02:10 | |
'Competing on a soccer field is different than competing in the boardroom.' | 0:02:10 | 0:02:14 | |
'Nadia was my hero when I was a little girl.' | 0:02:14 | 0:02:18 | |
I would definitely be sad if Nadia's sent home. | 0:02:18 | 0:02:20 | |
SHE SOBS | 0:02:24 | 0:02:27 | |
I feel terrible. I feel terrible. I feel terrible. | 0:02:27 | 0:02:32 | |
There was no choice here. | 0:02:32 | 0:02:34 | |
-There was no choice. -It was like a scene out of Goodfellas. | 0:02:34 | 0:02:37 | |
"I find it incredibly difficult." "Name somebody, Jennie." "Nadia." | 0:02:37 | 0:02:41 | |
Absolutely not! | 0:02:41 | 0:02:44 | |
Sniff 'em in. Come on. | 0:02:44 | 0:02:46 | |
My tough little New Yorker, sniff 'em in. | 0:02:46 | 0:02:49 | |
Oh, gosh. You're amazing. | 0:03:00 | 0:03:04 | |
-Is it sad? -You guys were in there so long. -Let's go to our war room. | 0:03:04 | 0:03:10 | |
The boardroom was brutal, brutal, brutal, traumatic. | 0:03:10 | 0:03:15 | |
There's no other way to describe it. | 0:03:16 | 0:03:18 | |
It's over. I'm glad you're here. | 0:03:18 | 0:03:19 | |
I like Nadia, but I like you better. | 0:03:19 | 0:03:22 | |
Yeah, but you know what I feel like? I feel like we have two down. | 0:03:22 | 0:03:26 | |
We are, like, beaten down. | 0:03:26 | 0:03:28 | |
All we need is one win, and that little house of cards will come tumbling down. | 0:03:28 | 0:03:34 | |
That little house of cards comes tumbling down, | 0:03:34 | 0:03:36 | |
if they lose, I'm telling you. | 0:03:36 | 0:03:38 | |
Because then it'll be a domino effect. | 0:03:38 | 0:03:40 | |
It's going to go. We can win. We can win. | 0:03:40 | 0:03:44 | |
We can win...tomorrow. We can. | 0:03:44 | 0:03:48 | |
# Money, money, money, money | 0:03:53 | 0:03:55 | |
# Money | 0:03:57 | 0:03:58 | |
# Money, money, money, money | 0:03:58 | 0:04:02 | |
# Money | 0:04:02 | 0:04:03 | |
# Some people got to have it | 0:04:03 | 0:04:06 | |
# Yeah, yeah | 0:04:06 | 0:04:07 | |
# Some people really need it | 0:04:07 | 0:04:11 | |
# Yeah, listen to me, y'all | 0:04:11 | 0:04:14 | |
# Do things, do things, do things, bad things, with it | 0:04:14 | 0:04:17 | |
# Dollar bills, y'all | 0:04:20 | 0:04:21 | |
# Come on, for that lean | 0:04:21 | 0:04:25 | |
# Oh, mean | 0:04:25 | 0:04:26 | |
# Mean green | 0:04:26 | 0:04:28 | |
# Oh, mighty dollar | 0:04:28 | 0:04:31 | |
# I know that money | 0:04:31 | 0:04:34 | |
# Give me a nickel, brother, can you spare a dime? | 0:04:34 | 0:04:39 | |
# Money can drive some people out of their mind | 0:04:39 | 0:04:45 | |
# Money Money, money, money, money | 0:04:48 | 0:04:52 | |
# Money. # | 0:04:52 | 0:04:54 | |
-Good morning. -Morning. | 0:05:30 | 0:05:32 | |
Vinny, how many bodies do you think are in this river? | 0:05:32 | 0:05:36 | |
Mr Trump, come on, I ratted on one show. I'm not ratting on this one. | 0:05:36 | 0:05:40 | |
He probably knows, too. | 0:05:40 | 0:05:42 | |
This is the great Jim Cramer from Mad Money on CNBC, | 0:05:42 | 0:05:46 | |
a really terrific show. | 0:05:46 | 0:05:49 | |
And Ivanka, we know. They'll be my eyes and ears on this task. | 0:05:49 | 0:05:53 | |
-So, what did you think about the boardroom last night? Nely? -I cried. | 0:05:53 | 0:05:57 | |
-It was very sad. -Do you think you should have been fired? | 0:05:57 | 0:06:00 | |
You should never think you should be fired. | 0:06:00 | 0:06:03 | |
Pretty damn close, right? | 0:06:03 | 0:06:05 | |
Gene, as project manager, you won 20,000 for your favourite charity. | 0:06:05 | 0:06:10 | |
-What is the charity? -Paediatric AIDS. | 0:06:10 | 0:06:14 | |
Come here, Gene. Very good. | 0:06:14 | 0:06:17 | |
'We won 20,000' | 0:06:17 | 0:06:18 | |
for the Elizabeth Glaser Paediatric AIDS Foundation. | 0:06:18 | 0:06:22 | |
1,2,3... Hydra! Young children are dying every day. | 0:06:22 | 0:06:27 | |
This is actually going to do good for some kids that really need it. | 0:06:27 | 0:06:30 | |
Now here's an option for you, Gene. | 0:06:30 | 0:06:33 | |
It's your option, but if you're the man I think you are, you'll do it. | 0:06:33 | 0:06:37 | |
-Uh-oh. -As you know, Empresario has lost two people, Gene, already. | 0:06:37 | 0:06:43 | |
So far, Jim, it hasn't even been a contest, OK? | 0:06:43 | 0:06:46 | |
I'd like to recommend that you go to Empresario as the project manager. | 0:06:46 | 0:06:51 | |
They really need some leadership, because, so far, I haven't seen it. | 0:06:51 | 0:06:55 | |
Can you do it? Do you want to do it? | 0:06:55 | 0:06:58 | |
This is your chance, Gene. You're going to be with women. | 0:07:00 | 0:07:04 | |
-Yes. -Good. Very good. -WOMEN CHEER | 0:07:04 | 0:07:09 | |
It's a role I was born for. Every guy wants to be. Today I am. | 0:07:09 | 0:07:13 | |
I am the king of all women. | 0:07:13 | 0:07:15 | |
I must tell you, that's become a very, very interesting team. | 0:07:15 | 0:07:18 | |
-And I must tell you, you're the devil. -OK, let's get to the task. | 0:07:18 | 0:07:22 | |
With me are two fantastic executives from a wonderful company, Kodak. | 0:07:22 | 0:07:28 | |
Now, Kodak has reinvented itself. | 0:07:28 | 0:07:31 | |
It's gone digital, it's doing a terrific job, | 0:07:31 | 0:07:34 | |
-and I think even Jim would say, good company. -Yeah. | 0:07:34 | 0:07:37 | |
-Two thumbs up. -OK. Two thumbs up. | 0:07:37 | 0:07:39 | |
-Jeff, what's the task? -Create a Kodak mobile printing experience. | 0:07:39 | 0:07:43 | |
We'll give you an Airstream bus, Kodak cameras, | 0:07:43 | 0:07:46 | |
and our new Kodak inkjet printer. | 0:07:46 | 0:07:48 | |
We want you to create an experience we might be able to take worldwide. | 0:07:48 | 0:07:51 | |
The winning team will be based on originality, brand messaging, and profit. | 0:07:51 | 0:07:56 | |
Tomorrow you'll demonstrate your Kodak mobile printing experience | 0:07:56 | 0:08:00 | |
by putting it into action on the sidewalks of New York. | 0:08:00 | 0:08:04 | |
The winning team's project manager will get a nice, big, fat contribution to his charity. | 0:08:04 | 0:08:10 | |
The losing team will meet me in the boardroom. Somebody will be fired. | 0:08:10 | 0:08:14 | |
OK? Go. Good luck. | 0:08:14 | 0:08:16 | |
Let's do this. Glad you're with us, Gene. | 0:08:18 | 0:08:20 | |
OK, I want to say one thing. It's a benevolent dictatorship. | 0:08:26 | 0:08:30 | |
-I've been told I'm the team leader. Do we all understand that? -Yes. | 0:08:30 | 0:08:33 | |
'Gene referred to himself as a benevolent dictator.' | 0:08:33 | 0:08:37 | |
The rest of my team didn't react. | 0:08:37 | 0:08:38 | |
I'm the only one with my mouth wide open, | 0:08:38 | 0:08:41 | |
'saying, "What the hell does he think he's doing?"' | 0:08:41 | 0:08:44 | |
Let's just all agree on a mindset and a way of doing battle. | 0:08:44 | 0:08:47 | |
Can I call the executives and go see them? | 0:08:47 | 0:08:49 | |
-Today? -From 10:00 to 12:30. -Let's do it. I suggest all of us don't go down there. | 0:08:49 | 0:08:54 | |
The entire army should not meet with an executive. | 0:08:54 | 0:08:56 | |
Two people do better talking than six. | 0:08:56 | 0:08:59 | |
Gene Simmons doesn't need to sit with other corporate executives | 0:08:59 | 0:09:03 | |
'and hear the party line. | 0:09:03 | 0:09:05 | |
'Kodak is looking outside the box, so | 0:09:05 | 0:09:08 | |
'I shouldn't listen to what's within the box. | 0:09:08 | 0:09:11 | |
I am Mr Outside The Box. Write this down in big letters. | 0:09:11 | 0:09:15 | |
It's a Kodak world. We all just live in it. | 0:09:17 | 0:09:21 | |
-Oh! -It's almost there. | 0:09:21 | 0:09:23 | |
It's a Kodak world we live in... The idea being, | 0:09:23 | 0:09:26 | |
you've just branded planet Earth and called it planet Kodak. | 0:09:26 | 0:09:30 | |
That's brilliant. | 0:09:30 | 0:09:32 | |
'This task was actually over within 10 minutes. | 0:09:32 | 0:09:35 | |
'Checkmate in one move.' | 0:09:35 | 0:09:36 | |
It's a Kodak world. Welcome. | 0:09:36 | 0:09:39 | |
It's a Kodak world, baby. | 0:09:39 | 0:09:41 | |
Tito, as the project manager, | 0:09:44 | 0:09:46 | |
should say hello and then introduce everyone, and then we go from there. | 0:09:46 | 0:09:51 | |
'I was chosen to be project manager.' | 0:09:51 | 0:09:54 | |
I worked really hard for the last two projects, | 0:09:54 | 0:09:57 | |
and a lot of my team-mates saw that. | 0:09:57 | 0:09:59 | |
'So, we went to meet the Kodak executives | 0:09:59 | 0:10:01 | |
'We made sure we understood what they were trying to push.' | 0:10:01 | 0:10:04 | |
We're going to talk to you today more about the ink side of the business | 0:10:04 | 0:10:08 | |
and our new all-in-one printer. | 0:10:08 | 0:10:10 | |
We're bringing affordable ink to the marketplace. | 0:10:10 | 0:10:14 | |
Our competitors, and us, for the same amount of ink. | 0:10:14 | 0:10:17 | |
Wow. | 0:10:17 | 0:10:19 | |
When people think about ink, they get it. | 0:10:19 | 0:10:21 | |
Really what you're selling is not so much the printer | 0:10:21 | 0:10:25 | |
as the astonishing new ink product you have in the deal. | 0:10:25 | 0:10:28 | |
You're very astute about that, we call it an ink revolution. | 0:10:28 | 0:10:31 | |
We look at it like a fight that we're in. | 0:10:31 | 0:10:34 | |
You're in a fight, and this is the knockout punch. | 0:10:34 | 0:10:37 | |
You got it. | 0:10:37 | 0:10:38 | |
Affordable premium ink. | 0:10:38 | 0:10:40 | |
Hi, Nely Galan. | 0:10:41 | 0:10:42 | |
-Hi, Jeff Hayzlett, good to see you. -Hey, Jeff. How are you doing? | 0:10:42 | 0:10:45 | |
'When Gene sent two of us to go to the executives,' | 0:10:45 | 0:10:48 | |
that's not my style, | 0:10:48 | 0:10:49 | |
but I think Gene is more concerned with having | 0:10:49 | 0:10:52 | |
the time to create a great piece of work. | 0:10:52 | 0:10:54 | |
You can do this many documents on our competitor | 0:10:54 | 0:10:56 | |
and this many with Kodak, so it really is a no - brainer. | 0:10:56 | 0:11:00 | |
So, 14.99 for one inkjet cartridge. | 0:11:00 | 0:11:02 | |
I didn't know you guys made a printer, | 0:11:02 | 0:11:04 | |
I think of you doing photos, you're right. | 0:11:04 | 0:11:06 | |
I'll tell you a little bit more about why our ink is special. | 0:11:06 | 0:11:09 | |
We have all the ink you need loaded in the printer | 0:11:09 | 0:11:11 | |
in two separate cartridges. | 0:11:11 | 0:11:13 | |
Is our big goal in this airstream to sell, that we will do the work for you, | 0:11:13 | 0:11:17 | |
or that you should buy the printer and do it at home? | 0:11:17 | 0:11:20 | |
Nely went in there, and she did speak a lot. | 0:11:20 | 0:11:22 | |
-I'm sorry, do you want to ask some questions? -Go ahead, I'll fill it in. | 0:11:22 | 0:11:26 | |
-The kiosks that you have... -'And I couldn't stop her. | 0:11:26 | 0:11:30 | |
'I felt somewhere towards the end we had lost the executives.' | 0:11:30 | 0:11:34 | |
This is the most important thing they said. | 0:11:34 | 0:11:37 | |
We're selling printers. | 0:11:37 | 0:11:38 | |
They're selling that machine. | 0:11:38 | 0:11:40 | |
The number one word they kept saying is, "it's the experience." | 0:11:40 | 0:11:44 | |
The buzzwords are, "affordable," | 0:11:44 | 0:11:45 | |
"bringing printing back at home again." | 0:11:45 | 0:11:49 | |
The buzzwords are... | 0:11:49 | 0:11:50 | |
They're wrong. | 0:11:50 | 0:11:51 | |
'To be quite frank, the executives themselves' | 0:11:53 | 0:11:57 | |
may not understand what Kodak needs. | 0:11:57 | 0:12:00 | |
I am arrogant, | 0:12:00 | 0:12:02 | |
and I certainly have the expertise to know what Kodak does need. | 0:12:02 | 0:12:07 | |
It does everything for everyone, | 0:12:07 | 0:12:09 | |
because it's a Kodak world, and we just live in it. | 0:12:09 | 0:12:13 | |
I am pretty damn good. | 0:12:13 | 0:12:15 | |
-BLEEP -damn it, if I was sitting on the sidelines, I would say, | 0:12:15 | 0:12:18 | |
"Gene Simmons, you're a powerful and attractive man." | 0:12:18 | 0:12:21 | |
It's a Kodak world, isn't it? | 0:12:21 | 0:12:24 | |
Hey, Ivanka, come on in. | 0:12:32 | 0:12:33 | |
'The task this week was to create a Kodak experience | 0:12:33 | 0:12:36 | |
that promoted their printers. | 0:12:36 | 0:12:38 | |
Right now I want to break down the project. | 0:12:38 | 0:12:41 | |
'After the meeting with the executives,' | 0:12:41 | 0:12:44 | |
we brainstormed to make our product better than anybody else. | 0:12:44 | 0:12:47 | |
What's the one word? | 0:12:47 | 0:12:49 | |
Kodak! | 0:12:49 | 0:12:50 | |
Kodak. | 0:12:50 | 0:12:52 | |
Stephen, by the time he's had 36 pints of Red Bull, | 0:12:52 | 0:12:56 | |
is running around the room, basically in some form of | 0:12:56 | 0:13:00 | |
demented sort of rhino with a spear in his back. | 0:13:00 | 0:13:03 | |
ABC, 123, VIP, MVP, MPE. | 0:13:03 | 0:13:08 | |
I know it sounds like madness or something right now... | 0:13:08 | 0:13:11 | |
I don't like MPE. | 0:13:11 | 0:13:12 | |
OK. | 0:13:12 | 0:13:13 | |
I think it's meaningless. | 0:13:13 | 0:13:15 | |
You know what we've got to do? | 0:13:15 | 0:13:16 | |
We've got to knock them out, man. | 0:13:16 | 0:13:19 | |
We want the knockout punch, and with this ink deal, we've got it, | 0:13:19 | 0:13:23 | |
because we're half the price of everybody else. | 0:13:23 | 0:13:26 | |
It's about the ink. | 0:13:26 | 0:13:28 | |
You are the biggest knockout merchants in the world. | 0:13:28 | 0:13:31 | |
Their ink deal will knock out the opposition. | 0:13:31 | 0:13:34 | |
Who better than Tito and Lennox? | 0:13:34 | 0:13:36 | |
So, the girls are in trouble. | 0:13:36 | 0:13:37 | |
The boys' team here is crushing the life out of the girls. | 0:13:37 | 0:13:42 | |
Oh! Kodak presents the ink revolution that'll knock you out. | 0:13:42 | 0:13:47 | |
Great. | 0:13:47 | 0:13:48 | |
Make this one inch from there. | 0:13:53 | 0:13:55 | |
OK. | 0:13:55 | 0:13:56 | |
OK? Like this. | 0:13:56 | 0:13:58 | |
Stop. Hold on, hold on, hold on. | 0:14:01 | 0:14:03 | |
OK, half an inch this way. | 0:14:04 | 0:14:06 | |
Gene is not a get-your-hands-dirty kind of guy. | 0:14:06 | 0:14:10 | |
-What sign are you, Gene? -Dollar sign. | 0:14:10 | 0:14:12 | |
He's got this big idea. | 0:14:12 | 0:14:15 | |
Hold on, hold on, hold on. What is this? | 0:14:15 | 0:14:17 | |
But he had the girls there doing all the legwork, which is fine, | 0:14:17 | 0:14:21 | |
I mean, somebody has to do it. | 0:14:21 | 0:14:22 | |
You're tickling me! | 0:14:22 | 0:14:24 | |
How am I gonna do it if you...? | 0:14:24 | 0:14:26 | |
I'm ticklish! | 0:14:26 | 0:14:28 | |
He was like the chairman, and I was like his CEO. | 0:14:28 | 0:14:31 | |
Clear, agreed on leadership - everything. | 0:14:31 | 0:14:34 | |
It's like when a commando team goes out, one guy's the team captain. | 0:14:34 | 0:14:37 | |
If he says, "jump in the fire," you jump in the fire. | 0:14:37 | 0:14:40 | |
Gene Simmons let us do all the work, and he'll take all the credit. | 0:14:40 | 0:14:45 | |
But I don't care as long as we get a win. | 0:14:45 | 0:14:49 | |
I can smell it, when we kill them. | 0:14:49 | 0:14:51 | |
I smell it. | 0:14:51 | 0:14:53 | |
We'll kill them. | 0:14:53 | 0:14:55 | |
Here, hold this, will you? | 0:14:58 | 0:15:00 | |
That would sit right there. | 0:15:00 | 0:15:02 | |
I'm with Lennox and Vinny, and we're at the warehouse | 0:15:02 | 0:15:05 | |
trying to get a handle on the interior of the trailer. | 0:15:05 | 0:15:08 | |
How many we want of those? 1, 2, 3, right? | 0:15:08 | 0:15:11 | |
-Yeah. -Three photos. | 0:15:11 | 0:15:12 | |
And then what else, Lennox? | 0:15:12 | 0:15:14 | |
'We made sure the trailer was coming along the way we wanted it to...' | 0:15:14 | 0:15:17 | |
That's it. | 0:15:17 | 0:15:19 | |
And then we came back to the war room to see how things were going | 0:15:19 | 0:15:22 | |
with the guys who'd stayed behind | 0:15:22 | 0:15:25 | |
and worked with the graphic design artist to come up with the signage | 0:15:25 | 0:15:29 | |
we were gonna put on the outside of the trailer. | 0:15:29 | 0:15:31 | |
We got a lot of questions, and I need stuff done quick. What's up? | 0:15:31 | 0:15:34 | |
That's the second one. That's four banners under the banner headline. | 0:15:34 | 0:15:38 | |
All right, guys, listen up. | 0:15:38 | 0:15:40 | |
I need you guys to pose for my picture ASAP. | 0:15:40 | 0:15:44 | |
One of the final layers of the promotional concept was | 0:15:44 | 0:15:49 | |
to take this image of Lennox and Tito having been knocked out by | 0:15:49 | 0:15:52 | |
the Kodak ink, this and that, kind of a cute concept. | 0:15:52 | 0:15:55 | |
Hey, shirts off, guys. | 0:15:55 | 0:15:56 | |
Come closer. | 0:15:56 | 0:15:58 | |
Shirts off. | 0:15:58 | 0:15:59 | |
I don't like the direction this is going in. | 0:15:59 | 0:16:02 | |
When did any boxer in history get knocked out wearing a big shirt? | 0:16:02 | 0:16:05 | |
-If you continue and we don't make the deadline... -Take the picture. -I'll blame you. -Take it. | 0:16:05 | 0:16:10 | |
Just so you know. | 0:16:10 | 0:16:11 | |
Stephen Baldwin was tap-dancing on top of the table, | 0:16:11 | 0:16:14 | |
taking pictures of two naked boxers. | 0:16:14 | 0:16:17 | |
Such a knockout, it knocked out two of the toughest guys in the world. | 0:16:17 | 0:16:22 | |
It looked like something for a sex magazine, but I didn't say nothing. | 0:16:22 | 0:16:26 | |
Great stuff, guys. | 0:16:26 | 0:16:27 | |
Great show. | 0:16:27 | 0:16:28 | |
Whoa! | 0:16:28 | 0:16:29 | |
Oh, no! | 0:16:31 | 0:16:33 | |
Oh, no! | 0:16:33 | 0:16:35 | |
Quick, clean it. | 0:16:37 | 0:16:39 | |
We need paper towels ASAP. Paper towels ASAP. | 0:16:39 | 0:16:42 | |
We had a number of laptops. | 0:16:42 | 0:16:45 | |
The one that it hits has every single piece of artwork that | 0:16:45 | 0:16:49 | |
we had spent eight hours creating. | 0:16:49 | 0:16:51 | |
This is reality. | 0:16:51 | 0:16:52 | |
Well, reality, mate, is that we've lost that. | 0:16:52 | 0:16:55 | |
'Stephen Baldwin managed to pluck total disaster | 0:16:55 | 0:16:58 | |
'from the jaws of obvious victory.' | 0:16:58 | 0:17:01 | |
Oh, my god! | 0:17:01 | 0:17:03 | |
We have had a ruinous piece of bad luck. | 0:17:16 | 0:17:19 | |
Catastrophe is how I would describe today. | 0:17:19 | 0:17:22 | |
All you've done is fall off a table, wreck the entire project. | 0:17:22 | 0:17:27 | |
Is that what you're gonna tell Mr Trump? | 0:17:27 | 0:17:29 | |
'tephen Baldwin managed to crash down onto the table,' | 0:17:29 | 0:17:33 | |
flicking coffee cup onto the laptop, which, of course, was the one we | 0:17:33 | 0:17:36 | |
stored all the artwork on, rendering the laptop a gurgling gobbledygook. | 0:17:36 | 0:17:41 | |
It seems to have thrown the whole team off. | 0:17:41 | 0:17:43 | |
It may come back again, le's see. | 0:17:43 | 0:17:45 | |
I doubt it. We're getting not even a power-up. | 0:17:45 | 0:17:48 | |
Just calm down. | 0:17:48 | 0:17:50 | |
There's no reason to be running and freaking out. | 0:17:50 | 0:17:54 | |
'hen that stuff happens,' | 0:17:54 | 0:17:57 | |
it just raises the tension level for everybody, and it makes everything | 0:17:57 | 0:18:01 | |
a little more chaotic, when what we really need to do is just | 0:18:01 | 0:18:05 | |
sit back, have a smoke, and think about things for a minute or two. | 0:18:05 | 0:18:09 | |
We've got to be realistic. | 0:18:09 | 0:18:10 | |
Without any artwork, | 0:18:10 | 0:18:12 | |
we're reduced to cheap, nasty stuff that looks unprofessional. So we've got to think of a Plan B. | 0:18:12 | 0:18:16 | |
Come on, Vin. | 0:18:16 | 0:18:19 | |
'So, we are left here at nearly midnight, | 0:18:19 | 0:18:21 | |
'going to an outside printers to get the stuff printed...' | 0:18:21 | 0:18:25 | |
-When do you pick it up? -I got to talk to this kid right now, | 0:18:25 | 0:18:28 | |
he's gonna do it overnight. | 0:18:28 | 0:18:29 | |
'The clock is ticking. I think we've got a very tough day ahead of us tomorrow.' | 0:18:29 | 0:18:34 | |
It's a Kodak world. | 0:18:45 | 0:18:47 | |
Make sure you all know that it's Kodak Easyshare. That's the key. | 0:18:47 | 0:18:52 | |
-We shouldn't say the Kodak All-in-one? -Easyshare is very important. | 0:18:52 | 0:18:55 | |
Interesting. | 0:18:55 | 0:18:57 | |
'Our task was to create a Kodak mobile printing experience.' | 0:18:57 | 0:19:01 | |
Gene Simmons had no clue about this product. | 0:19:01 | 0:19:05 | |
In fact, he didn't even know the name of the product. | 0:19:05 | 0:19:08 | |
That's very good. | 0:19:08 | 0:19:09 | |
It's hard to sell something you don't know. | 0:19:09 | 0:19:13 | |
'It's looking just great. | 0:19:14 | 0:19:16 | |
'We just need great looking girls on the outside. | 0:19:16 | 0:19:19 | |
'My role today has been the king of the women. | 0:19:19 | 0:19:21 | |
'The ladies will be doing the product demos because it's more seductive that way.' | 0:19:21 | 0:19:25 | |
-Would you like to come take a look? -'God has given them beauty...' | 0:19:25 | 0:19:29 | |
it would be an insult to God's creation to hide the beauty | 0:19:29 | 0:19:32 | |
that God wants everybody to see. | 0:19:32 | 0:19:35 | |
Think of it as doing God's work. | 0:19:35 | 0:19:37 | |
Take a picture with our cut-outs here, | 0:19:37 | 0:19:39 | |
and we'll show you how easy it is to print out inside. | 0:19:39 | 0:19:41 | |
How's the setup? | 0:19:41 | 0:19:43 | |
Well, what do you think? | 0:19:43 | 0:19:45 | |
It's a Kodak world, welcome. | 0:19:45 | 0:19:47 | |
Let's go around this truck once... | 0:19:47 | 0:19:50 | |
When Jim Cramer came, he was shocked at the professionalism that he saw. | 0:19:50 | 0:19:54 | |
By the way, it works, "Welcome - it's a Kodak world," | 0:19:54 | 0:19:58 | |
or, "It's a Kodak world - welcome," which goes around and around. | 0:19:58 | 0:20:02 | |
and we want to continue to get that message, | 0:20:02 | 0:20:04 | |
which is positioning Kodak in a proactive way, instead of, | 0:20:04 | 0:20:07 | |
"We've been around forever - we assume you know us." | 0:20:07 | 0:20:10 | |
I don't recall Jim Cramer having advice or commentary at all. | 0:20:10 | 0:20:13 | |
It was very much, "Kudos. Good job, very professional, very impressive." | 0:20:13 | 0:20:18 | |
'He's right, of course. | 0:20:18 | 0:20:20 | |
-You're a powerful and attractive man. -Thank you. | 0:20:20 | 0:20:23 | |
Look at that, bro. | 0:20:27 | 0:20:29 | |
Perfect. Perfect! | 0:20:29 | 0:20:31 | |
The messaging was great, but the presentation was very sloppy. | 0:20:31 | 0:20:34 | |
-PIERS: -This is amateur hour. -This is too late to say that. | 0:20:34 | 0:20:37 | |
It's not too late. I'm saying it right now - amateur hour. | 0:20:37 | 0:20:40 | |
We had a big mishap. All of our artwork was lost, | 0:20:40 | 0:20:43 | |
due to coffee spilled on the computer. | 0:20:43 | 0:20:45 | |
What happened to the one that was here about the dreams, the moment? | 0:20:45 | 0:20:48 | |
50% of the files were corrupted, so it didn't make it. | 0:20:49 | 0:20:52 | |
That was the one we were missing. It's fine. All things considered... | 0:20:52 | 0:20:56 | |
'I hope the executives can look past the mess that we had' | 0:20:56 | 0:20:59 | |
for our presentation and look for the idea that we had to run with, | 0:20:59 | 0:21:03 | |
'and that was ink.' | 0:21:03 | 0:21:05 | |
-How you been? -Mr Cramer. -Good to see you. -How are you, sir? | 0:21:05 | 0:21:08 | |
-How's business? -Well, you know what? I got a stock tip for you, man. | 0:21:08 | 0:21:11 | |
-Do you really? -Yes, sir. | 0:21:11 | 0:21:12 | |
After I'm done exposing the world to what the Kodak Easyshare will do, | 0:21:12 | 0:21:17 | |
-the stock is through the roof. -All right, show me around. | 0:21:17 | 0:21:20 | |
It's the ink that goes in this new printer. | 0:21:20 | 0:21:24 | |
It's half the price of the other guy. Half the price. | 0:21:24 | 0:21:26 | |
'I think Hydra's giving me a mixed message. The ink concept' | 0:21:26 | 0:21:29 | |
is so right. Kodak is going to love that. | 0:21:29 | 0:21:32 | |
This just looks like another Airstream on this side. | 0:21:32 | 0:21:35 | |
I mean, it could be campers. | 0:21:35 | 0:21:38 | |
But why is my first reaction that they got a dumpster going? | 0:21:38 | 0:21:41 | |
I don't want to buy from a dumpster. | 0:21:41 | 0:21:44 | |
I'm surprised that there isn't a big pile of soda cans | 0:21:44 | 0:21:48 | |
and strewn paper in front of it cos it looks like, | 0:21:48 | 0:21:50 | |
"Hey, this is where I can throw my garbage! | 0:21:50 | 0:21:53 | |
So, they've got the letters on there, as well. Kodak World. | 0:21:57 | 0:22:01 | |
-That's different. -Hi, guys. How you doing? I'm Gene Simmons. | 0:22:01 | 0:22:04 | |
-Good to see you. Jeff. -Gene, nice to see you. Susan. | 0:22:04 | 0:22:07 | |
When the Kodak executives came down, again, a big, pleasant surprise. | 0:22:07 | 0:22:11 | |
-Would you follow me? -Absolutely. | 0:22:11 | 0:22:13 | |
You're on the outside, and you are suspicious of this, | 0:22:13 | 0:22:16 | |
-so let's walk around it and see what people see. -OK. | 0:22:16 | 0:22:18 | |
"It's a Kodak world. Welcome." The "welcome" felt all-inclusive. | 0:22:18 | 0:22:23 | |
So did "world". "Welcome, world, Kodak." It's a Kodak world. | 0:22:23 | 0:22:29 | |
Gene Simmons has that special something about him | 0:22:29 | 0:22:32 | |
that makes people want to buy things from him and do things for him. | 0:22:32 | 0:22:35 | |
Can I just make you go around once? | 0:22:35 | 0:22:37 | |
Come inside here, just because I say so. | 0:22:37 | 0:22:40 | |
So maybe we'll tap into the magic that is Gene Simmons | 0:22:40 | 0:22:43 | |
and pull a victory out. | 0:22:43 | 0:22:45 | |
-Oh, look at that! -HE CHUCKLES | 0:22:45 | 0:22:48 | |
There's another Kodak moment right there. | 0:22:48 | 0:22:51 | |
Kodak - the ultimate knockout experience. | 0:22:56 | 0:23:00 | |
You'll save 50% using this printer, because they have this new kind of ink. | 0:23:00 | 0:23:04 | |
It was shaky in the beginning, | 0:23:04 | 0:23:06 | |
but now it's going very well. The biggest thing is not selling the packages, | 0:23:06 | 0:23:10 | |
but having people know Kodak has some of the best ink in the world. | 0:23:10 | 0:23:13 | |
Kodak is revolutionizing the ink industry. | 0:23:13 | 0:23:17 | |
-Yeah, I'll take one. -Thank you. Appreciate it. We have a sale! | 0:23:17 | 0:23:20 | |
I think we really jazzed the neighbourhood. We made some noise. | 0:23:20 | 0:23:23 | |
I think we covered all the bases. | 0:23:23 | 0:23:25 | |
Big Al came rolling in, and it was really cool. It was nice to see him. | 0:23:30 | 0:23:34 | |
My brother's a celebrity. | 0:23:34 | 0:23:35 | |
I think people in the area saw him there, | 0:23:35 | 0:23:37 | |
and that, kind of, lent to our cause and the promotion of the product. | 0:23:37 | 0:23:41 | |
You know anybody that takes digital photos with a camera? | 0:23:41 | 0:23:44 | |
Some do and some do not. | 0:23:44 | 0:23:45 | |
OK, how would you like to save those people 50% on their printing? | 0:23:45 | 0:23:50 | |
That sounds exciting to me. | 0:23:50 | 0:23:51 | |
Well, there's no-one more full of crap than Stephen, | 0:23:51 | 0:23:54 | |
-'so he sounds like a good salesman.' -You know the cartridges? | 0:23:54 | 0:23:57 | |
-Yeah... I don't, but I can imagine, yeah. -They're very expensive. | 0:23:57 | 0:24:01 | |
-I'm blown away. -Seriously? -I need to sit down. | 0:24:01 | 0:24:04 | |
I would have bought a couple of these things either way, | 0:24:04 | 0:24:07 | |
but he did make it easy. He really did put a little something on it. | 0:24:07 | 0:24:10 | |
I'll pay 1,000 each. | 0:24:10 | 0:24:12 | |
You're a fantastic man. Thank you. | 0:24:12 | 0:24:14 | |
'We took Alec Baldwin's money at the end as a charity donation, really. | 0:24:14 | 0:24:18 | |
'Good to have Alec Baldwin there showing everyone what a real Baldwin is.' | 0:24:18 | 0:24:22 | |
Because, obviously, choice - Alec Baldwin, | 0:24:22 | 0:24:24 | |
'massive TV star. Stephen Baldwin...' | 0:24:24 | 0:24:27 | |
Come in, come in, come in. | 0:24:30 | 0:24:32 | |
So, think ink, ink, ink. | 0:24:32 | 0:24:35 | |
Ink! | 0:24:35 | 0:24:37 | |
You are slam-dunked by one word - ink. | 0:24:37 | 0:24:39 | |
What are we sending these people out with? | 0:24:39 | 0:24:41 | |
The message that you're about ink at an amazing knockout price. | 0:24:41 | 0:24:45 | |
'I was giving them one of the hardest sells of all time,' | 0:24:45 | 0:24:48 | |
and there was a fair smattering of English bull-BLEEP going on. | 0:24:48 | 0:24:52 | |
But even I began to believe my own bull-BLEEP. So it must be working. | 0:24:52 | 0:24:56 | |
You take that image - as a company, you have a knockout deal. | 0:24:56 | 0:25:00 | |
The message was clear, | 0:25:00 | 0:25:02 | |
but the timing setback with the coffee Chernobyl meltdown... | 0:25:02 | 0:25:06 | |
It was a little sloppy, but we had to do the best we could. | 0:25:06 | 0:25:10 | |
It's gone well. We pulled it out of the bag. Kodak - it's a knockout. | 0:25:10 | 0:25:14 | |
So, you really had pros and cons for both teams, | 0:25:20 | 0:25:23 | |
but you loved the work of one team. | 0:25:23 | 0:25:25 | |
-If you look at the kind of things that they set out... -Let me see that. | 0:25:25 | 0:25:29 | |
You know, the guys were sloppy in terms of their presentation. | 0:25:29 | 0:25:33 | |
-Look at the other team. -Let me see that. -The imagery is great. | 0:25:33 | 0:25:37 | |
I saw the slogan and said, "That's a winner." | 0:25:37 | 0:25:39 | |
-Kodak is a fantastic company. Thank you both very much. -Pleasure. Two great brands. | 0:25:39 | 0:25:44 | |
-Gene, how did you feel leading the women? -Exhilarated. | 0:26:06 | 0:26:12 | |
-We connected immediately. -Is that true, Omarosa? -Not immediately. It was interesting. | 0:26:12 | 0:26:19 | |
He came in and introduced himself as "the benevolent dictator". | 0:26:19 | 0:26:23 | |
THEY LAUGH | 0:26:23 | 0:26:26 | |
-You're all cracking up over here, so I'm assuming you know what they're talking about. -Nothing new to us. | 0:26:26 | 0:26:32 | |
Gene, I heard something that disturbed me a lot - | 0:26:32 | 0:26:36 | |
that you didn't show up for a meeting with the two executives. What happened? | 0:26:36 | 0:26:41 | |
My strengths, I believe, are in the overview and the big picture, | 0:26:41 | 0:26:45 | |
and I didn't want to divert my mind with | 0:26:45 | 0:26:48 | |
a corporate executive who has a point of view that's pretty well defined. | 0:26:48 | 0:26:53 | |
We created a positioning of the Kodak iconic brand, which is, "It's a Kodak world. Welcome." | 0:26:53 | 0:26:59 | |
If I was the CEO of Kodak, I would say, "I give up. You're the cream of the crop." | 0:26:59 | 0:27:07 | |
-Tito? -Yes, sir? | 0:27:07 | 0:27:10 | |
I heard your presentation was very, very sloppy. | 0:27:10 | 0:27:13 | |
We were in the midst of shooting, and we spilled the coffee all over the computer. | 0:27:13 | 0:27:17 | |
The time constraints that we were under to pulling something out to what we did, | 0:27:17 | 0:27:21 | |
-I think we did a very good job of really getting the point across. -OK. | 0:27:21 | 0:27:24 | |
I have a very smart friend on my right. Jim, what did you observe from all of this? | 0:27:24 | 0:27:28 | |
A lot of what happened today was about trying to reposition | 0:27:28 | 0:27:32 | |
a great American brand. Less about a kind of a warm-fireplace Kodak, | 0:27:32 | 0:27:38 | |
and more of a current-technology, world-beating ink Kodak. | 0:27:38 | 0:27:44 | |
And there, I felt that, when I was in your van, | 0:27:44 | 0:27:47 | |
it was clearly a better presentation than these guys. | 0:27:47 | 0:27:50 | |
But when it came to the message | 0:27:50 | 0:27:52 | |
of what Kodak is trying to do now - revolutionise itself - | 0:27:52 | 0:27:57 | |
it was about value ink, and I saw that everywhere in their presentation. | 0:27:57 | 0:28:01 | |
It was a sloppy presentation, but, in the end, | 0:28:01 | 0:28:05 | |
the product spoke for itself. | 0:28:05 | 0:28:07 | |
The fact is, the Kodak executives loved what you did. | 0:28:07 | 0:28:11 | |
Hydra, you win. | 0:28:11 | 0:28:13 | |
They thought you were terrific. You also happened to raise the most money. | 0:28:13 | 0:28:18 | |
So, Tito, you'll be getting 20,000 for your favourite charity. Fantastic. | 0:28:18 | 0:28:22 | |
'My charity's St Jude's Children's Hospital - for cancer research.' | 0:28:22 | 0:28:25 | |
Being a celebrity is only paper-deep, but being a real person is | 0:28:25 | 0:28:29 | |
skin-deep and blood-deep, and that's what it really comes down to - | 0:28:29 | 0:28:33 | |
trying to help out children and make sure they have a future. | 0:28:33 | 0:28:36 | |
So, I congratulate all of you. Go back to the War Room. | 0:28:36 | 0:28:39 | |
You can watch what's going to happen, and it'll be very interesting. | 0:28:39 | 0:28:43 | |
-Thank you, sir. -Thank you very much. -Thank you. -Thank you, Mr Trump. | 0:28:43 | 0:28:48 | |
Thank you, brother. | 0:28:48 | 0:28:49 | |
-They missed the whole idea. The whole idea. -3-0. | 0:28:57 | 0:29:01 | |
Not only is it a third win, but I think we crushed them again. | 0:29:06 | 0:29:10 | |
We were scrambling, and we pulled it off. | 0:29:10 | 0:29:12 | |
'Coming off a third win, we feel really good.' | 0:29:12 | 0:29:15 | |
We're just continuing to be a great team. | 0:29:15 | 0:29:17 | |
OK, come on. Let's listen. | 0:29:17 | 0:29:20 | |
Gene, what happened? | 0:29:20 | 0:29:21 | |
We couldn't have done a single thing better. | 0:29:21 | 0:29:24 | |
If Kodak were to come in, I would say it in front of you and everybody else, | 0:29:24 | 0:29:28 | |
"You're a terrific company, I respect your brand, and in this instance, you're wrong." | 0:29:28 | 0:29:35 | |
OK. Omarosa, what happened? | 0:29:35 | 0:29:38 | |
You know, we did not completely get a big vision from our leader, | 0:29:38 | 0:29:43 | |
and the reason is because he never met with the executives. | 0:29:43 | 0:29:46 | |
He really was never clear on what we were supposed to deliver. | 0:29:46 | 0:29:50 | |
-Do you think it was Gene's fault? -I think it was a combination of Gene's fault and...lack of a clear plan. | 0:29:50 | 0:29:57 | |
I think the single biggest criticism that I heard from the executives was they felt nobody was listening. | 0:29:57 | 0:30:03 | |
When they were saying, "It's about the ink", that shouldn't be number five. | 0:30:03 | 0:30:07 | |
There was nobody TO listen - there were only two people there | 0:30:07 | 0:30:10 | |
and the rest of them... You didn't get the benefit of six really good minds. | 0:30:10 | 0:30:14 | |
You didn't have enough people TO listen. | 0:30:14 | 0:30:17 | |
If you see the positioning we had visually - that presentation, | 0:30:17 | 0:30:22 | |
I thought, was, well, in a very real way, seductive. I believe Kodak can be wrong. | 0:30:22 | 0:30:27 | |
You're really saying the client is wrong? | 0:30:27 | 0:30:29 | |
I believe that, and I would say it to their face. | 0:30:29 | 0:30:33 | |
I've done it before, and I'll continue to do it. | 0:30:33 | 0:30:35 | |
You've got to have the conviction of your belief to be effective. | 0:30:35 | 0:30:40 | |
Part of the reason you're so successful is that you have | 0:30:40 | 0:30:43 | |
a stick-to-it-ness - you came up with an idea, it worked, you promoted yourself well. | 0:30:43 | 0:30:48 | |
Respectfully, that's not it. It's not about me. It's about positioning an idea. | 0:30:48 | 0:30:52 | |
But you were asked to do something, you failed, and you're standing behind a concept that didn't work, | 0:30:52 | 0:30:57 | |
and I think that's wrong. | 0:30:57 | 0:30:59 | |
I disagree. I believe we succeeded and the client didn't recognise it. | 0:30:59 | 0:31:02 | |
But you'll never get credit for that, not here. | 0:31:02 | 0:31:05 | |
Talk your way out of this, big boy! Mate, he's saying Kodak's wrong. | 0:31:05 | 0:31:08 | |
Kodak's the biggest success story in America right now! | 0:31:08 | 0:31:12 | |
They've transformed the business, and he's saying, "It's all wrong." | 0:31:12 | 0:31:15 | |
-Gene's out. -Gene's out. -Gene Simmons is getting fired. | 0:31:15 | 0:31:18 | |
-Well let me ask you this. Nely, you were at the meeting with the executives? -I was. | 0:31:18 | 0:31:23 | |
They did not like the fact that you wouldn't listen. | 0:31:23 | 0:31:26 | |
They did not like the fact that you spoke so much | 0:31:26 | 0:31:29 | |
and wouldn't listen. They told me that. | 0:31:29 | 0:31:31 | |
Carol, remember we sat there and listened for a long time, | 0:31:31 | 0:31:34 | |
and then at the end we asked questions? | 0:31:34 | 0:31:35 | |
Carol, could I have a response, please? Cos you don't seem to believe that, exactly. | 0:31:35 | 0:31:41 | |
We talked quite a bit. | 0:31:42 | 0:31:43 | |
-You talked quite a bit. -Well, we... -Who talked? Nely or you? | 0:31:43 | 0:31:47 | |
We went in there as a team. | 0:31:47 | 0:31:49 | |
If one of us talked more, and we didn't stop each other... | 0:31:49 | 0:31:52 | |
They took offence at the fact that you talked too much. | 0:31:52 | 0:31:56 | |
They specifically mentioned Nely. You were there, too... | 0:31:56 | 0:31:58 | |
Asking questions is talking too much? | 0:31:58 | 0:32:00 | |
-Well, I don't know. I'm not saying it. I wasn't there. -They gave an entire... | 0:32:00 | 0:32:04 | |
However you get there, it's the end product that counts. | 0:32:04 | 0:32:08 | |
I stand by what you saw on that street. "It's a Kodak world. Welcome." | 0:32:08 | 0:32:13 | |
I believe they're wrong. | 0:32:13 | 0:32:14 | |
Gene, you've been saying that, and you've said it more than once. | 0:32:14 | 0:32:17 | |
The fact is, at some point there's a winner and there's a loser, and tonight, you're a loser. | 0:32:17 | 0:32:23 | |
The other team was chosen by very talented executives, top people at Kodak. | 0:32:23 | 0:32:27 | |
It's a great company. They're doing very well. | 0:32:27 | 0:32:29 | |
We got it spot on, and Kodak is allowed to do whatever they want with their brand. | 0:32:29 | 0:32:33 | |
Spot on? He doesn't even know the name of the product. Ask him the name of the printer. | 0:32:33 | 0:32:36 | |
-I'm in the field... -What is the name of the printer? | 0:32:36 | 0:32:40 | |
-The 550. Look, it's the all-in-one... -It's the 5300. -5300. I don't care. | 0:32:40 | 0:32:45 | |
-You were close! -I sell emotion. | 0:32:45 | 0:32:47 | |
-Carol. -Sir? -If you were me, who would you fire? | 0:32:49 | 0:32:52 | |
-I hate when you do this! -I know, but I have no choice because I like your opinion. | 0:32:55 | 0:32:59 | |
I enjoy looking at you. You're very beautiful. Who would you fire? | 0:32:59 | 0:33:03 | |
Well, it would be a toss-up between me or Nely. | 0:33:08 | 0:33:12 | |
-Wow! -You couldn't be more wrong on both counts. | 0:33:12 | 0:33:14 | |
-We were in the meeting... -That's very brave. -We were in the meeting. | 0:33:14 | 0:33:17 | |
-I love that. -Take the sword. -I love that. -She's wrong. | 0:33:17 | 0:33:20 | |
You shouldn't be saying that - she took you out of the equation. | 0:33:20 | 0:33:23 | |
I would hire both of them for my marketing company. | 0:33:23 | 0:33:25 | |
Congratulations. You may get the chance. Jennie? | 0:33:25 | 0:33:27 | |
-Yes? -Who would you fire? | 0:33:27 | 0:33:29 | |
-Come on. -She can't handle it. She's folding. | 0:33:33 | 0:33:35 | |
-She's such a nice person. -I know. -Fire the bullet, Jennie! Fire the bullet. -Hang on, here it comes. | 0:33:35 | 0:33:40 | |
-Gene. -Whoa! | 0:33:41 | 0:33:44 | |
Omarosa? | 0:33:44 | 0:33:45 | |
It would have to be Gene. | 0:33:46 | 0:33:49 | |
-All right, Marilu. -Yes? -If you were me, who would you fire? | 0:33:50 | 0:33:53 | |
Because the rocket was set in the wrong direction from the beginning, | 0:33:53 | 0:33:56 | |
due to the fact that we weren't allowed to go to that meeting, it would have to be Gene. | 0:33:56 | 0:34:01 | |
Nely, if you were me, who would you fire? | 0:34:03 | 0:34:05 | |
-I would fire Jennie. -You'd fire Jennie?! Where the hell did Jennie come from? What the hell?! | 0:34:07 | 0:34:12 | |
Where did Jennie come? Now, what did Jennie do? | 0:34:12 | 0:34:16 | |
-Jennie is... -You hit us from... That was really a blindside. | 0:34:16 | 0:34:19 | |
Kind of a fall guy situation developing, right? Fall guy. | 0:34:19 | 0:34:23 | |
Jennie is a wonderful person, and she will do whatever... | 0:34:23 | 0:34:25 | |
-That's before the kill, right? -No, it's not the kill. No, no, no. | 0:34:25 | 0:34:29 | |
I said that about Nadia the other night. "You're fantastic, you're a champion. | 0:34:29 | 0:34:33 | |
"By the way, you're fired." Go ahead. | 0:34:33 | 0:34:34 | |
Jennie takes direction very well and does whatever you tell her, | 0:34:34 | 0:34:39 | |
but I go back to leadership, and sometimes leadership fails. | 0:34:39 | 0:34:43 | |
But she wasn't the task leader. | 0:34:43 | 0:34:44 | |
When have I ever been expected or given a leadership role? | 0:34:44 | 0:34:49 | |
Nely, for the last two weeks, in all fairness, | 0:34:49 | 0:34:51 | |
you were the one that was best positioned to win, in my opinion, the last two events, | 0:34:51 | 0:34:56 | |
based on all of the great things you've done in your career, | 0:34:56 | 0:35:00 | |
and you lost both weeks. | 0:35:00 | 0:35:01 | |
Gene, two people. Who are they going to be? | 0:35:03 | 0:35:08 | |
-Can I bring back one? -You can bring back one. | 0:35:11 | 0:35:14 | |
-Omarosa. -No kidding. | 0:35:14 | 0:35:17 | |
Oh, Gene, I don't get it. I mean, you may not like her, and I agree with that. | 0:35:18 | 0:35:22 | |
-I don't know very many people that like her. -I -like her. | 0:35:22 | 0:35:25 | |
-That's not what it's about. -But it is what it's about. | 0:35:25 | 0:35:28 | |
She's not the reason that you lost, and I think you're doing yourself | 0:35:28 | 0:35:32 | |
a tremendous... I'm almost trying to help you. | 0:35:32 | 0:35:36 | |
I mean, I could see... And Nely, in all due respect, I could see | 0:35:36 | 0:35:39 | |
if you brought back Nely, cos the executives didn't like her. | 0:35:39 | 0:35:41 | |
He wants to fire Nely, doesn't he? He's nailing Nely. | 0:35:41 | 0:35:44 | |
She goes to advertising meetings all the time. | 0:35:44 | 0:35:46 | |
-This time, she dropped the ball. -Gene might be staying! | 0:35:46 | 0:35:51 | |
My judgments are not based on whether or not a client agrees or not. | 0:35:51 | 0:35:53 | |
-You hire the people who you trust. -OK, give me a second name, Gene. | 0:35:53 | 0:35:59 | |
And I'm doing this for you, | 0:35:59 | 0:36:01 | |
cos you're doing yourself a tremendous disservice. Who else? | 0:36:01 | 0:36:04 | |
Miss Finch. | 0:36:08 | 0:36:10 | |
No kidding! | 0:36:10 | 0:36:12 | |
Jeez! | 0:36:12 | 0:36:13 | |
OK, everyone leave, and the three of you will come right back. Thank you. | 0:36:17 | 0:36:21 | |
Staggering. | 0:36:30 | 0:36:32 | |
He's just committed suicide! | 0:36:34 | 0:36:37 | |
-Donald Trump was gagging to fire Nely. -Gene's in trouble! | 0:36:37 | 0:36:41 | |
Ivanka, what do you think? | 0:36:42 | 0:36:45 | |
I don't understand Gene's decision, | 0:36:45 | 0:36:47 | |
and it could be his downfall for bringing these people in. | 0:36:47 | 0:36:50 | |
-We'll soon find out. Jim? -The idea that he brought these other two people is... | 0:36:50 | 0:36:54 | |
Frankly, it's insolence to you, Mr Trump. | 0:36:54 | 0:36:56 | |
Just pisses me off being the cop-out for everybody, being the scapegoat. | 0:36:58 | 0:37:03 | |
-It pisses me off. -Oh, you're hardly the victim. | 0:37:03 | 0:37:06 | |
'Annette, let 'em come in.' | 0:37:06 | 0:37:08 | |
Give me your arm. | 0:37:18 | 0:37:19 | |
Look at you two. Wow! | 0:37:21 | 0:37:23 | |
-That's amazing. -Don't get excited. -No, that's an amazing scene. | 0:37:23 | 0:37:27 | |
Omarosa, do you think it was appropriate he brought you back? | 0:37:29 | 0:37:32 | |
I think it's totally inappropriate. | 0:37:32 | 0:37:35 | |
Do you think it was appropriate he brought Jennie back? | 0:37:35 | 0:37:38 | |
-In some ways, yes. -Why? Tell me why. -Because he didn't utilise her. | 0:37:38 | 0:37:41 | |
Jennie, I'm sure, has great skills, but she has to step up so people | 0:37:41 | 0:37:45 | |
know what she has to offer. | 0:37:45 | 0:37:47 | |
This guy is not going to notice. He doesn't notice any women around him | 0:37:47 | 0:37:51 | |
that are not doing things to pleasure him, so if she's not doing that, then, you know, | 0:37:51 | 0:37:57 | |
-he wouldn't recognise her skills. -How do YOU feel? Were you surprised you got brought back? | 0:37:57 | 0:38:01 | |
Yes and no. | 0:38:01 | 0:38:04 | |
I think yes, because I haven't stepped up as a leader, | 0:38:04 | 0:38:07 | |
-but it's been... -But you weren't supposed to be a leader. -Correct. | 0:38:07 | 0:38:10 | |
HE'S supposed to be the leader. You're not the project manager. | 0:38:10 | 0:38:14 | |
Gene, what am I going to do? | 0:38:14 | 0:38:16 | |
You brought back two people that I practically told you you shouldn't bring back. | 0:38:16 | 0:38:20 | |
What the hell do I do? You're so independent, and you're so tough. | 0:38:20 | 0:38:25 | |
-You're so tough. -I don't think so. | 0:38:25 | 0:38:28 | |
I think I'm a softy. | 0:38:29 | 0:38:30 | |
I know the real Gene, and you are a softy in some ways. But in others, you're the toughest guy there is. | 0:38:30 | 0:38:35 | |
-That's true. -The problem is, I'm giving you a road map. I don't normally do that. | 0:38:35 | 0:38:39 | |
Nely's a leader. I believe in her. | 0:38:39 | 0:38:41 | |
Doesn't matter. She gave the executives a headache. | 0:38:41 | 0:38:44 | |
I think, in a lot of ways, you're saying you don't think you're being listened to. | 0:38:44 | 0:38:49 | |
-You all but asked for Nely. -I know Gene. He'll do the opposite. | 0:38:49 | 0:38:52 | |
because he's the most independent thinker there is. He's like this great genius marketer. | 0:38:52 | 0:38:57 | |
He's my friend, but he wants to show me how independent... | 0:38:57 | 0:39:00 | |
-So if I say, "Do this," he's going to do the opposite. -I disagree. | 0:39:00 | 0:39:03 | |
You know I'm a fan of yours. I know. You disagree with everything. | 0:39:03 | 0:39:06 | |
-I can tell you why. -You always disagree. You think I'm a pretty smart guy, right? | 0:39:06 | 0:39:11 | |
-Actually, about as smart as they come. -OK. | 0:39:11 | 0:39:13 | |
Why did you bring back two people that I can't fire? | 0:39:13 | 0:39:18 | |
I can't fire them. Omarosa did nothing wrong, | 0:39:18 | 0:39:22 | |
and I think you probably agree with that. | 0:39:22 | 0:39:25 | |
Jennie really did nothing wrong. She didn't deserve to be here. | 0:39:25 | 0:39:30 | |
I have no choice. You know that. | 0:39:30 | 0:39:33 | |
Gene...you're fired. | 0:39:33 | 0:39:35 | |
-I respect your decision. -I don't know why you did this. I had no choice. | 0:39:37 | 0:39:41 | |
Thank you. So long. | 0:39:41 | 0:39:44 | |
Thank you. | 0:39:46 | 0:39:47 | |
Ladies. | 0:39:48 | 0:39:50 | |
May I? Thank you. | 0:39:56 | 0:39:58 | |
We insist. | 0:39:58 | 0:40:00 | |
-All the best. -Thank you. | 0:40:03 | 0:40:05 | |
Down, Jeeves. | 0:40:09 | 0:40:11 | |
He's a tough guy. | 0:40:15 | 0:40:17 | |
-Yeah. -And he's a good guy in many respects, but he's a tough guy. | 0:40:17 | 0:40:21 | |
Wow! I just can't believe what I just saw. | 0:40:21 | 0:40:23 | |
We had no choice. | 0:40:23 | 0:40:26 | |
God, he wants to fire Nely. | 0:40:44 | 0:40:46 | |
I trusted my gut more than the two executives I met. | 0:40:56 | 0:41:00 | |
I'm more qualified to make those decisions | 0:41:00 | 0:41:03 | |
simply because I'm in the people business. | 0:41:03 | 0:41:06 | |
I stand by my conviction and my decisions - | 0:41:06 | 0:41:10 | |
every one of them. | 0:41:10 | 0:41:11 | |
In their present form, the women don't have a popcorn-fart chance | 0:41:11 | 0:41:16 | |
of even shining the guys' shoes. | 0:41:16 | 0:41:18 | |
Subtitles by Red Bee Media Ltd | 0:41:31 | 0:41:34 | |
E-mail [email protected] | 0:41:34 | 0:41:37 |