Browse content similar to The Final Challenge. Check below for episodes and series from the same categories and more!
Line | From | To | |
---|---|---|---|
Tonight, right here at the American Museum of Natural History, | 0:00:12 | 0:00:16 | |
I'll be making the biggest decision I've made all season - | 0:00:16 | 0:00:20 | |
who will become the next Celebrity Apprentice? | 0:00:20 | 0:00:24 | |
Will it be legendary comedienne Joan Rivers? | 0:00:24 | 0:00:27 | |
Or do I pick the vicious professional poker player, | 0:00:34 | 0:00:37 | |
Annie Duke? | 0:00:37 | 0:00:39 | |
We've been working on this for a long time | 0:00:45 | 0:00:48 | |
and I still haven't made a decision. | 0:00:48 | 0:00:51 | |
They are both tough, they're both smart | 0:00:51 | 0:00:54 | |
and they both hate each other. | 0:00:54 | 0:00:56 | |
Let's get down to business. | 0:00:56 | 0:00:58 | |
CHEERING | 0:00:59 | 0:01:03 | |
APPLAUSE | 0:01:03 | 0:01:05 | |
Live, from New York City, | 0:01:10 | 0:01:11 | |
this is the season finale of the Celebrity Apprentice. | 0:01:11 | 0:01:16 | |
Now, please welcome New York's number one attraction, | 0:01:16 | 0:01:19 | |
Mr Donald Trump. | 0:01:19 | 0:01:20 | |
CHEERING AND APPLAUSE | 0:01:20 | 0:01:23 | |
Jim. | 0:01:41 | 0:01:43 | |
First of all, happy Mother's Day. | 0:02:12 | 0:02:16 | |
And boy, do we have two mothers for you! | 0:02:17 | 0:02:20 | |
LAUGHTER | 0:02:20 | 0:02:21 | |
They are tough, they are smart, they are vicious. | 0:02:21 | 0:02:26 | |
So vicious, actually, that NBC just extended us for a ninth time. | 0:02:26 | 0:02:32 | |
Not bad. Not bad. | 0:02:32 | 0:02:34 | |
CHEERING | 0:02:34 | 0:02:37 | |
Everyone knows I love a good fight, | 0:02:39 | 0:02:42 | |
but even I'm amazed at what these people have done to each other. | 0:02:42 | 0:02:47 | |
Joan and Annie, it's going to be an amazing evening - take a look. | 0:02:47 | 0:02:52 | |
10 weeks ago, 16 celebrities arrived in New York City to do battle, | 0:02:55 | 0:03:00 | |
determined to win money for their favourite charity. | 0:03:00 | 0:03:04 | |
I want to cure cancer in my lifetime. | 0:03:04 | 0:03:06 | |
'To win - what a gift to give to them at the end.' | 0:03:06 | 0:03:10 | |
Athletes, artists, models and moguls - all masters in their field, | 0:03:10 | 0:03:15 | |
all facing one of the toughest challenges of their lives. | 0:03:15 | 0:03:18 | |
This is not a joke, he can get fired. | 0:03:18 | 0:03:20 | |
-You want to -BLEEP -play! | 0:03:20 | 0:03:22 | |
-I want to WIN, so get your head wrapped around the -BLEEP -task. | 0:03:22 | 0:03:25 | |
It's killing me. I'd take the bullet in a second. | 0:03:25 | 0:03:28 | |
You're fired. | 0:03:30 | 0:03:31 | |
14 have fallen by the wayside. | 0:03:31 | 0:03:34 | |
Only two remain - poker champion Annie Duke... | 0:03:34 | 0:03:38 | |
Bring me 15,000, I'll kiss you full on the mouth. | 0:03:38 | 0:03:41 | |
I play a game for a living. | 0:03:41 | 0:03:43 | |
'Nobody's more competitive, because it's what I do.' | 0:03:43 | 0:03:45 | |
..and entertainment icon, Joan Rivers. | 0:03:45 | 0:03:49 | |
Just tell me what the hell we're doing. | 0:03:49 | 0:03:52 | |
I will do everything I can to win. | 0:03:52 | 0:03:56 | |
Two equally determined women... | 0:03:56 | 0:03:58 | |
I'm really not interested in sneering and superiority, | 0:03:58 | 0:04:02 | |
because I'll match you in superiority. | 0:04:02 | 0:04:05 | |
..with two drastically different styles of management. | 0:04:05 | 0:04:08 | |
Listen, guys, I need everybody lining cupcake tins. | 0:04:08 | 0:04:11 | |
Everybody stop decorating. We need to get these back on the racks. | 0:04:11 | 0:04:14 | |
Annie led an effective, but aggressive charge to the end. | 0:04:14 | 0:04:18 | |
I consider trying to make everybody feel good a complete waste of time. | 0:04:18 | 0:04:22 | |
-But I suggest you turn the -BLEEP -volume down, cos I'm going to be yelling. | 0:04:22 | 0:04:26 | |
Great, great, great - congratulations! | 0:04:26 | 0:04:29 | |
..while Joan survived week after week with an emotional determination to win it all for her charity. | 0:04:29 | 0:04:34 | |
You get so much more with everyone being nice. | 0:04:34 | 0:04:38 | |
'I run a major company. | 0:04:38 | 0:04:39 | |
'I have learnt over the years,' | 0:04:39 | 0:04:41 | |
everyone has a right to an opinion, | 0:04:41 | 0:04:43 | |
a right to say. | 0:04:43 | 0:04:45 | |
We are such a good team together. | 0:04:45 | 0:04:46 | |
And on the backs of these two titans, the women dominated. | 0:04:46 | 0:04:50 | |
You won 126,000. | 0:04:50 | 0:04:54 | |
You won easily. | 0:04:54 | 0:04:55 | |
You know, the women are really kicking ass, every week now. | 0:04:57 | 0:05:00 | |
-Team Athena. -Team Athena! | 0:05:00 | 0:05:02 | |
Athena's winning streak forced Mr Trump to switch up the teams | 0:05:02 | 0:05:05 | |
and the battle between Annie and Joan began. | 0:05:05 | 0:05:08 | |
-I'm going to crush you, Joan. -Annie plays us all like poker. | 0:05:08 | 0:05:12 | |
She bluffs, she lies... | 0:05:12 | 0:05:16 | |
This girl is such a conniver. | 0:05:16 | 0:05:18 | |
GLASS SMASHES | 0:05:18 | 0:05:20 | |
That's how I feel. | 0:05:20 | 0:05:21 | |
When you tell me privately, then you don't say a thing... | 0:05:21 | 0:05:25 | |
-I said it. -Oh, Annie, you didn't. -'Joan causes a lot of conflict.' | 0:05:25 | 0:05:28 | |
-She thinks everybody else is a -BLEEP, -she might look to herself. | 0:05:28 | 0:05:31 | |
Annie, what's your take on this? | 0:05:31 | 0:05:33 | |
I think business is business and the personal attacks interest me. | 0:05:33 | 0:05:37 | |
You are a despicable human being. Your ego is so beyond where you are. | 0:05:37 | 0:05:41 | |
-Joan, she does seem nice. -So was Hitler. | 0:05:41 | 0:05:44 | |
Stuck on Annie's team, | 0:05:44 | 0:05:46 | |
Joan's daughter Melissa was caught in the crossfire. | 0:05:46 | 0:05:49 | |
I couldn't let it turn into a bloodbath for my own parent. | 0:05:49 | 0:05:53 | |
-She started it! -I know, and I tried to end it. | 0:05:53 | 0:05:56 | |
To out-of-the-blue come out with the things that Joan is at, | 0:05:56 | 0:05:59 | |
I'm nasty, and I'm Hitler - | 0:05:59 | 0:06:01 | |
she was demonstrating the qualities that she was accusing me of. | 0:06:01 | 0:06:05 | |
She's a 76-year-old woman, I do not control her. | 0:06:05 | 0:06:07 | |
When Melissa came under attack... | 0:06:07 | 0:06:10 | |
Melissa, you're fired. | 0:06:10 | 0:06:12 | |
-They both turned on me like two little -BLEEP -pit vipers. -No kidding. -Pit vipers. | 0:06:12 | 0:06:16 | |
-BLEEP! -Whore! Pit vipers. | 0:06:16 | 0:06:19 | |
-..the rivalry took on a whole new life. -You're a poker player. | 0:06:19 | 0:06:23 | |
A POKER player! That's beyond white trash. | 0:06:23 | 0:06:27 | |
Poker players are trash, darling. | 0:06:27 | 0:06:30 | |
And with Joan and Annie, Mr Trump saw a final matchup | 0:06:31 | 0:06:36 | |
he just couldn't ignore. | 0:06:36 | 0:06:37 | |
One of you will become the Celebrity Apprentice. | 0:06:37 | 0:06:41 | |
Tonight, it's Joan Rivers versus Annie Duke | 0:06:41 | 0:06:45 | |
in the final showdown of the season. | 0:06:45 | 0:06:47 | |
-What began as a battle... -There's going to be a murder. | 0:06:47 | 0:06:50 | |
-The hatred is actually palpable. -..turned into a street fight. | 0:06:50 | 0:06:54 | |
I think she's kind of a crazy bitch. | 0:06:54 | 0:06:56 | |
This makes me and Omarosa look like a tea party. | 0:06:56 | 0:06:59 | |
Two powerful women go head-to-head. | 0:06:59 | 0:07:02 | |
I despise Annie. I will always despise Annie. | 0:07:02 | 0:07:06 | |
Can you fix this? | 0:07:06 | 0:07:07 | |
-That woman is completely -BLEEP -dead to me. 100%. | 0:07:07 | 0:07:09 | |
We now have to humiliate this woman. | 0:07:09 | 0:07:12 | |
-Two bitter rivals are put to the test. -I have nothing, nothing. | 0:07:12 | 0:07:17 | |
I will kill to win, because to me, it's good versus evil. | 0:07:17 | 0:07:20 | |
Please, I'm begging you. | 0:07:20 | 0:07:23 | |
It was a war BEFORE this happened. | 0:07:23 | 0:07:25 | |
This woman needs to die. | 0:07:25 | 0:07:27 | |
I am going to crush her like nothing you've ever seen. | 0:07:27 | 0:07:30 | |
But when the night is through, | 0:07:31 | 0:07:33 | |
and the dust settles, only one will become the Celebrity Apprentice. | 0:07:33 | 0:07:38 | |
# Money, money, money, money | 0:07:43 | 0:07:46 | |
# Money | 0:07:47 | 0:07:48 | |
# Money, money, money, money | 0:07:48 | 0:07:50 | |
# Money! # | 0:07:51 | 0:07:53 | |
Get some rest. Tomorrow is going to be very tough. | 0:08:00 | 0:08:03 | |
One of you will become the Celebrity Apprentice. | 0:08:03 | 0:08:06 | |
Joan, I know that you don't like me, but... | 0:08:24 | 0:08:26 | |
I don't want to talk about it. | 0:08:26 | 0:08:29 | |
Don't, please - we going to play together. I think you're very smart. | 0:08:29 | 0:08:34 | |
I think it's going to be a fabulous competition. | 0:08:34 | 0:08:37 | |
But I really don't think we have to be best friends. | 0:08:37 | 0:08:40 | |
-I don't want to be. I want to say one thing... -I really don't want to hear it. | 0:08:40 | 0:08:44 | |
Nor will I allow America to hear it. | 0:08:44 | 0:08:46 | |
I've worked too long in this business. | 0:08:46 | 0:08:49 | |
I've given you a tremendous amount of respect | 0:08:49 | 0:08:51 | |
and you've insulted my friends and me | 0:08:51 | 0:08:53 | |
-and I'm asking for the respect to say one sentence... -I only give respect to... | 0:08:53 | 0:08:57 | |
Have you met my friends? | 0:08:57 | 0:08:59 | |
You called them worse than white trash. Have you met my friends? | 0:08:59 | 0:09:03 | |
-I didn't mean your friends. -You said poker players. Everybody in Vegas. | 0:09:03 | 0:09:06 | |
-You insulted everybody that I know. -You know something? | 0:09:06 | 0:09:11 | |
My husband used to say, "You only yell at your peers." | 0:09:11 | 0:09:15 | |
I don't want to yell at you, but let's not be childish about this. | 0:09:15 | 0:09:19 | |
Let's not worry who your friends are... | 0:09:19 | 0:09:22 | |
You shouldn't have insulted my friends then, Joan. | 0:09:22 | 0:09:25 | |
You insulted my friends... | 0:09:25 | 0:09:27 | |
-I'm not going there. -I've never personally attacked you, never. | 0:09:27 | 0:09:32 | |
-Not going there. -Not once, Joan. -Not going there. Not going there. | 0:09:32 | 0:09:36 | |
As I said, I only deal with my equals - I'm not going there. | 0:09:36 | 0:09:40 | |
Well, since I guess I'm ABOVE that, that would make sense. | 0:09:40 | 0:09:44 | |
(Such a BITCH.) | 0:09:50 | 0:09:52 | |
Good morning. Welcome to 2 Times Square. | 0:10:16 | 0:10:20 | |
Great honour to have you both here, you've done an amazing job. | 0:10:20 | 0:10:24 | |
How do you feel about Annie being your opponent, Joan? | 0:10:24 | 0:10:26 | |
I think she's a very smart woman. | 0:10:30 | 0:10:32 | |
OK. We'll see what happens. It'll be very interesting. | 0:10:33 | 0:10:36 | |
Now, this is a very big task | 0:10:36 | 0:10:39 | |
and therefore I'm going to give you some extra help. Come on in. | 0:10:39 | 0:10:43 | |
THEY LAUGH | 0:10:45 | 0:10:48 | |
Oh, hi! | 0:10:48 | 0:10:50 | |
-There's only five. -Look who we have. | 0:11:00 | 0:11:04 | |
Hello, Dennis. Great. | 0:11:04 | 0:11:06 | |
-How you feeling, Dennis? Good? -I'm feeling good, brother. | 0:11:09 | 0:11:13 | |
-That's good. -Hello, sweetie. -Looking good. -Looking better. | 0:11:13 | 0:11:17 | |
So who would like the first pick? | 0:11:18 | 0:11:21 | |
You both want the first pick. | 0:11:21 | 0:11:23 | |
-Joan, do you have someone in particular that you want? -Um, yes. | 0:11:23 | 0:11:27 | |
-How important is the first pick to you, Annie? -There is somebody that I really want on my team. | 0:11:27 | 0:11:32 | |
-Joan, you too, so you really can't settle it. -No. | 0:11:32 | 0:11:35 | |
-OK, let's flip a coin. -BOTH: OK. | 0:11:35 | 0:11:37 | |
-Annie, heads or tails? -Heads. | 0:11:37 | 0:11:39 | |
-It is heads. -Brande. | 0:11:44 | 0:11:46 | |
Brande, go on over. | 0:11:46 | 0:11:49 | |
Joan, your first choice. | 0:11:52 | 0:11:53 | |
-Herschel. -Wow! | 0:11:56 | 0:11:58 | |
I picked Herschel first, because he's smart, | 0:11:58 | 0:12:01 | |
he has connections and he's a worker - | 0:12:01 | 0:12:04 | |
I adore him. | 0:12:04 | 0:12:06 | |
-Melissa, are you insulted? -Not at all. | 0:12:06 | 0:12:08 | |
My mother and I had a strategy going into the team picking. | 0:12:08 | 0:12:13 | |
I knew Annie would not pick me, | 0:12:13 | 0:12:15 | |
so I'm like, don't waste your first pick on me. | 0:12:15 | 0:12:18 | |
-I should be your last pick. -OK. Annie? -Dennis. | 0:12:18 | 0:12:23 | |
Dennis! Whoah! Dennis - look at Dennis - he's shocked. | 0:12:25 | 0:12:29 | |
-I think Dennis has got it in him to do an amazing job. -He does. | 0:12:29 | 0:12:33 | |
-I've said that for a long time. -I came back here to redeem myself. | 0:12:33 | 0:12:37 | |
And go out and try and raise money for charity. | 0:12:37 | 0:12:39 | |
That's my goal right now. | 0:12:39 | 0:12:42 | |
-Joan, next? -I want my cowboy. | 0:12:42 | 0:12:44 | |
I went for Clint - you know what you get with Clint. | 0:12:46 | 0:12:50 | |
He's got a real stick-to-it-ness. | 0:12:50 | 0:12:52 | |
I thought he'll push through | 0:12:52 | 0:12:55 | |
and bring in money from all his money people. | 0:12:55 | 0:12:58 | |
Annie? | 0:12:58 | 0:13:01 | |
Tom, come on over here. | 0:13:02 | 0:13:04 | |
Melissa, you go to Mom's team. | 0:13:05 | 0:13:08 | |
Little strategy there, Mom, little strategy in action. | 0:13:08 | 0:13:12 | |
I knew I was getting you. | 0:13:12 | 0:13:14 | |
This will be very interesting. | 0:13:17 | 0:13:19 | |
You're going to be doing a VIP party | 0:13:19 | 0:13:23 | |
and you're going to be doing silent auctions of things. | 0:13:23 | 0:13:26 | |
You're going to get people to donate things. | 0:13:26 | 0:13:29 | |
Bring your celebrity friends - as many as you can - | 0:13:29 | 0:13:32 | |
have them give you auction items. | 0:13:32 | 0:13:33 | |
Auction those items off and raise a lot of money. | 0:13:33 | 0:13:37 | |
You're also going to be working with two great companies - | 0:13:37 | 0:13:40 | |
Kodak and Cirque du Soleil. | 0:13:40 | 0:13:42 | |
With me on my right is a great executive from Kodak, | 0:13:42 | 0:13:45 | |
named Jeff Hayzlett. Jeff. | 0:13:45 | 0:13:48 | |
Hey, thank you very much, Donald. | 0:13:48 | 0:13:50 | |
We want you to create a limited edition Celebrity Apprentice Kodak picture frame. | 0:13:50 | 0:13:55 | |
You'll integrate this into the party. | 0:13:55 | 0:13:57 | |
Kodak is all about moments, memories - it's about families, | 0:13:57 | 0:14:01 | |
so we want you to go to the head of the household to make sure | 0:14:01 | 0:14:04 | |
that she and her family are welcome and treated like VIPs from Kodak. | 0:14:04 | 0:14:07 | |
OK. | 0:14:07 | 0:14:09 | |
You're also going to be selling tickets to Cirque du Soleil's | 0:14:09 | 0:14:13 | |
great new show, Wintuk. | 0:14:13 | 0:14:15 | |
It's a hot show - everybody wants to go. | 0:14:15 | 0:14:18 | |
You'll be selling those tickets at face value to the man on the street. | 0:14:18 | 0:14:23 | |
Now, money won't be the sole criteria for winning. | 0:14:23 | 0:14:27 | |
If you raise more money, Annie, cos you seem to have an advantage | 0:14:27 | 0:14:30 | |
with raising money, it will help. | 0:14:30 | 0:14:32 | |
But it's not the sole criteria at all. Ivanka, what's the criteria? | 0:14:32 | 0:14:36 | |
You will be judged on the amount of money raised, | 0:14:36 | 0:14:39 | |
the Kodak product integration, | 0:14:39 | 0:14:42 | |
the charity integration, | 0:14:42 | 0:14:45 | |
the celebrities in attendance and then overall guest experience. | 0:14:45 | 0:14:49 | |
Give these people a night that they'll never forget. | 0:14:49 | 0:14:52 | |
It's one giant party, split into two sections, | 0:14:52 | 0:14:55 | |
so we can see - visually - who does the better job. | 0:14:55 | 0:14:58 | |
And to make your party the best it can be, you'll be using | 0:14:58 | 0:15:02 | |
the same event planning company. | 0:15:02 | 0:15:04 | |
Now, there are two Kodak double-decker buses | 0:15:04 | 0:15:07 | |
waiting for you outside - that's where you'll sell your tickets. Good luck, have fun. | 0:15:07 | 0:15:11 | |
CHEERING AND APPLAUSE | 0:15:14 | 0:15:17 | |
They were funny, they were controversial, | 0:15:19 | 0:15:22 | |
and some believe they were fired way too soon. | 0:15:22 | 0:15:27 | |
Please welcome our first group of celebrities. | 0:15:27 | 0:15:30 | |
Andrew Dice Clay... | 0:15:30 | 0:15:32 | |
Scott Hamilton... | 0:15:35 | 0:15:36 | |
Claudia Jordan... | 0:15:38 | 0:15:40 | |
Brian McKnight... | 0:15:41 | 0:15:42 | |
And Jesse James. | 0:15:44 | 0:15:45 | |
CHEERING AND APPLAUSE | 0:15:45 | 0:15:48 | |
It's great to have you here tonight. | 0:16:02 | 0:16:04 | |
Dice, you were fired first - how did you feel about that? | 0:16:04 | 0:16:07 | |
I've had the greatest year of my life, Donnie. | 0:16:07 | 0:16:10 | |
-How have you done since the firing? -I've been on tour... -Dice! | 0:16:10 | 0:16:13 | |
-How have you done since the firing? -You're not letting me talk, you got to let me say something! | 0:16:13 | 0:16:18 | |
-I'm just seeing the people! Got to get used to an audience. -Dice, go. -Go ahead. | 0:16:18 | 0:16:22 | |
-Go! How have you done? Quick! -Unbelievable! -OK - Scott! | 0:16:22 | 0:16:26 | |
That wasn't too good. Scott, you know... | 0:16:26 | 0:16:31 | |
You're a great champion, Scott, and I hated to fire you. How have you done? | 0:16:31 | 0:16:36 | |
Perfect. It's been great and I got to say, I love you for finishing the Wollman Rink - | 0:16:36 | 0:16:40 | |
no-one can do it but you. | 0:16:40 | 0:16:42 | |
I love what you do with figure skating in Harlem. You're a phenomenal supporter. Phenomenal. | 0:16:42 | 0:16:46 | |
Thank you. | 0:16:46 | 0:16:48 | |
CHEERING AND APPLAUSE | 0:16:48 | 0:16:50 | |
But firing me early was the greatest gift | 0:16:51 | 0:16:54 | |
you possibly could have given me. | 0:16:54 | 0:16:55 | |
LAUGHTER | 0:16:55 | 0:16:56 | |
-To stick around and see what it became? Not my world. -Jesse? | 0:16:56 | 0:17:02 | |
You became very popular on the show and I congratulate you. | 0:17:02 | 0:17:06 | |
CHEERING AND APPLAUSE | 0:17:06 | 0:17:09 | |
What do you have to say? | 0:17:09 | 0:17:11 | |
Uh... | 0:17:11 | 0:17:13 | |
Is this live? LAUGHTER | 0:17:13 | 0:17:16 | |
He is so low-key, but he's a stud, there's no question about it. | 0:17:16 | 0:17:19 | |
-Go ahead. -You like me that way, really? -Jesse, this is serious now. | 0:17:19 | 0:17:25 | |
I think it was great, I learned a lot on how much crap I can take | 0:17:25 | 0:17:29 | |
off of people and I learned a lot from the whole experience. | 0:17:29 | 0:17:33 | |
-I think it was great. -What do you think of Dennis? | 0:17:33 | 0:17:36 | |
-He's awesome. -That's good. | 0:17:36 | 0:17:38 | |
Brian, you have a good time? | 0:17:38 | 0:17:40 | |
I had a good time, I did. | 0:17:40 | 0:17:42 | |
-How about Claudia? -Good. | 0:17:42 | 0:17:45 | |
This beats Deal, No Deal, doesn't it? | 0:17:45 | 0:17:47 | |
This was an amazing experience and I learned a lot about myself. | 0:17:47 | 0:17:50 | |
It was fun to let the world see little bit more than a model | 0:17:50 | 0:17:53 | |
that opens a briefcase. | 0:17:53 | 0:17:54 | |
It was an amazing experience, thank you for allowing me... | 0:17:54 | 0:17:57 | |
You were all terrific. Thank you very much. | 0:17:57 | 0:18:00 | |
Let's see who wins right now, the final task. | 0:18:00 | 0:18:04 | |
APPLAUSE | 0:18:04 | 0:18:06 | |
Overall I'm happy with the team. | 0:18:13 | 0:18:15 | |
I would have loved to have had Tom or Dennis. Instead of Clint. | 0:18:15 | 0:18:21 | |
-But I think it's a strong team, I'm not going to lie. -It's Joan. | 0:18:21 | 0:18:25 | |
I need your help, we've got to beat Annie. | 0:18:25 | 0:18:27 | |
This is not about any more charity, this is about just us winning | 0:18:27 | 0:18:32 | |
and we deserve to win. | 0:18:32 | 0:18:34 | |
I'm very competitive and I want to win | 0:18:34 | 0:18:36 | |
and I'm going to do good at it. | 0:18:36 | 0:18:38 | |
To me, it's good versus evil. | 0:18:38 | 0:18:41 | |
So, I personally think that you were unfairly fired, | 0:18:47 | 0:18:51 | |
so I want you to redeem yourself. I know you have greatness in you, Dennis. | 0:18:51 | 0:18:55 | |
I thought we had a good team, a strong team. | 0:18:55 | 0:18:57 | |
I like Annie, I think she's really smart. | 0:18:57 | 0:18:59 | |
I can direct you about where to go. | 0:18:59 | 0:19:01 | |
She and Brande, they've worked together | 0:19:01 | 0:19:03 | |
and me and Dennis have worked together before and we're tight. Me and D-Rod. | 0:19:03 | 0:19:07 | |
It's about team spirit. We want Annie to win. This is it. | 0:19:07 | 0:19:11 | |
We want the tickets done as quickly as possible cos there's so much other stuff to do. | 0:19:11 | 0:19:15 | |
Maybe you guys could get the tickets offloaded? | 0:19:15 | 0:19:19 | |
'I was relieved to get Dennis and Tom working really hard for me,' | 0:19:19 | 0:19:23 | |
so I gave them two tasks. | 0:19:23 | 0:19:25 | |
I was like, go out and sell these tickets | 0:19:25 | 0:19:28 | |
and I want you guys to do the Celebrity Apprentice special edition frame. | 0:19:28 | 0:19:32 | |
What about money? | 0:19:32 | 0:19:33 | |
I want to raise half a million dollars. That's my goal. | 0:19:33 | 0:19:38 | |
I want to crush this woman. This woman insulted Brande, | 0:19:38 | 0:19:41 | |
she started screaming at Brande that she was a dumb, blonde bitch. | 0:19:41 | 0:19:44 | |
She can say whatever she wants about me, | 0:19:44 | 0:19:47 | |
but you start insulting my friends and I get pissed off. | 0:19:47 | 0:19:50 | |
'I want to beat Joan Rivers - with an exclamation point!' | 0:19:50 | 0:19:53 | |
Unless she raises over 700,000 tomorrow night, | 0:19:53 | 0:19:56 | |
I know I'm going to win. | 0:19:56 | 0:19:58 | |
So do you have money you can bring in, Dennis? | 0:19:58 | 0:20:01 | |
It's for such a good charity. | 0:20:04 | 0:20:06 | |
There was a moment where I just looked at Dennis like, how much money can he raise? | 0:20:06 | 0:20:10 | |
Are you going to raise zero? Can you do it for me? | 0:20:10 | 0:20:14 | |
'I'm hoping that Dennis comes through, | 0:20:17 | 0:20:19 | |
'cos this is a real do-or-die task for me.' | 0:20:19 | 0:20:22 | |
-Let's go into the war room, guys. -All righty. | 0:20:22 | 0:20:26 | |
-DENNIS: -Hey, guys. | 0:20:35 | 0:20:37 | |
Hey guys. Shh. Hey, guys - you know what? | 0:20:37 | 0:20:41 | |
You know, Annie - you actually picked the right guy. | 0:20:41 | 0:20:43 | |
From the Detroit Pistons and the Los Angeles Lakers, | 0:20:44 | 0:20:48 | |
here's 20,000 cash right now. | 0:20:48 | 0:20:50 | |
CHEERING AND APPLAUSE | 0:20:50 | 0:20:52 | |
-20,000, cash. -That's amazing. | 0:20:54 | 0:20:56 | |
'The very first money we got in was from Dennis Rodman.' | 0:20:56 | 0:20:58 | |
20,000 - we were at zero two seconds ago! | 0:20:58 | 0:21:01 | |
'I was really happy I made that choice, or that 20,000 would've been in the other war room.' | 0:21:01 | 0:21:05 | |
That's awesome. | 0:21:05 | 0:21:07 | |
-Hey. -All right! | 0:21:14 | 0:21:16 | |
-Is this the winning team? -We hope so! | 0:21:16 | 0:21:19 | |
How're you doing, good to see you. Hey, Clint - how you doing? | 0:21:19 | 0:21:22 | |
Jeff Hayzlett from Kodak. | 0:21:22 | 0:21:23 | |
When it was time for our meeting with Jeff from Kodak, I couldn't wait to sit down | 0:21:23 | 0:21:27 | |
and find out what that company's philosophy was about. | 0:21:27 | 0:21:31 | |
Celebrations and events - a big part of what you do with pictures, right? | 0:21:31 | 0:21:34 | |
You have a unique ability - you're celebrities. | 0:21:34 | 0:21:37 | |
Joan, you're at the red carpet events all the time. | 0:21:37 | 0:21:40 | |
Normal people don't get to do those things, | 0:21:40 | 0:21:42 | |
so you need to make sure that these folks get to do the same thing - | 0:21:42 | 0:21:46 | |
walk that red carpet, be treated like a star, be a part of it. | 0:21:46 | 0:21:49 | |
We felt pretty good after we met Jeff. | 0:21:49 | 0:21:51 | |
He stressed that it's a chance | 0:21:51 | 0:21:53 | |
for these people to have a Kodak moment. Real people. | 0:21:53 | 0:21:57 | |
And get to be treated like a VIP. | 0:21:57 | 0:21:59 | |
You're holding our brand in your hands, so be careful with it. | 0:21:59 | 0:22:03 | |
We'll ask ourselves what Gene Simmons would do and do the opposite! | 0:22:03 | 0:22:08 | |
This is about setting your pictures free. | 0:22:12 | 0:22:15 | |
You can customise and personalise the content. | 0:22:15 | 0:22:17 | |
Dennis, if you've got one girlfriend coming one weekend, | 0:22:17 | 0:22:21 | |
you can have all HER pictures show. | 0:22:21 | 0:22:24 | |
The next week, another girlfriend, you put different pictures on, | 0:22:24 | 0:22:28 | |
so you personalise it. | 0:22:28 | 0:22:30 | |
Does this do video? | 0:22:30 | 0:22:32 | |
-You can put a video clip on there. -It's a TV, basically? | 0:22:32 | 0:22:35 | |
It's very much like that. | 0:22:35 | 0:22:37 | |
Certainly a Kodak display screen to be able to show videos. Absolutely. | 0:22:37 | 0:22:41 | |
You can load videos and stuff? | 0:22:41 | 0:22:43 | |
-It's a 10-inch screen... -I want one. -A lot of people want one. -Do we get a free one? | 0:22:43 | 0:22:49 | |
Let... Guys... | 0:22:49 | 0:22:51 | |
Guys, if you could just let him finish his speech, please. | 0:22:51 | 0:22:55 | |
We have limited time with Jeff. | 0:22:55 | 0:22:57 | |
Jeff was trying to get the brand message out to us | 0:22:57 | 0:23:00 | |
and Tom kept interrupting him. | 0:23:00 | 0:23:02 | |
Are we going to make the boxes? Like, special boxes? | 0:23:02 | 0:23:06 | |
If you want to grab a marker and a crayon, do whatever you like. | 0:23:06 | 0:23:10 | |
Graphic design... | 0:23:10 | 0:23:11 | |
Throw a Trump on there, "Celebrity Apprentice". | 0:23:11 | 0:23:14 | |
Tom. | 0:23:14 | 0:23:16 | |
-Excuse me, I'm so sorry about that. -It's all right. | 0:23:19 | 0:23:22 | |
Annie's very direct. I don't think that style of being that acerbic | 0:23:22 | 0:23:27 | |
with people would actually work in the real world necessarily. | 0:23:27 | 0:23:30 | |
I think everybody would quit. | 0:23:30 | 0:23:33 | |
There are five sections - the auction sections, | 0:23:37 | 0:23:41 | |
the straight money section - the celebrities... | 0:23:41 | 0:23:45 | |
'This task is too much for four people.' | 0:23:45 | 0:23:48 | |
I'm glad I'm not project manager. | 0:23:48 | 0:23:51 | |
I'm going to have to have my head examined for being on the team. | 0:23:51 | 0:23:55 | |
And then the pictures, which is the most important. | 0:23:55 | 0:23:59 | |
I will be happy to head up pictures. | 0:23:59 | 0:24:01 | |
What would you like for me to be doing right now? | 0:24:01 | 0:24:04 | |
I would like you to call and see how much money you can raise. | 0:24:04 | 0:24:08 | |
-OK, raising money. -Clint, tell me what you would like to do. | 0:24:08 | 0:24:11 | |
You have no money to raise? | 0:24:11 | 0:24:13 | |
-I'm just asking. -I wore them out on the last round. -So you have nobody... | 0:24:13 | 0:24:17 | |
You have nobody else to call, to say come down and help? | 0:24:17 | 0:24:21 | |
I'm just asking, because... | 0:24:21 | 0:24:23 | |
I went through my whole Rolodex | 0:24:23 | 0:24:27 | |
and there's just nobody I know in New York. | 0:24:27 | 0:24:30 | |
'As soon as we arrived at our war room at FIT, | 0:24:30 | 0:24:33 | |
'Clint made the announcement' | 0:24:33 | 0:24:34 | |
that he don't know any celebrity friends in New York. | 0:24:34 | 0:24:38 | |
And he can't get into money, he's sort of tapped out. | 0:24:38 | 0:24:41 | |
You're like, "OK, so why are you here?" | 0:24:41 | 0:24:44 | |
Clint, do you want to be in charge of getting all the things together | 0:24:44 | 0:24:48 | |
for the silent auction? What do you want to do? | 0:24:48 | 0:24:50 | |
Um... | 0:24:50 | 0:24:51 | |
Well... | 0:24:52 | 0:24:54 | |
I can do that. | 0:24:55 | 0:24:56 | |
Clint has just gone back to being Clint! | 0:24:56 | 0:25:00 | |
He doesn't want to DO anything. | 0:25:00 | 0:25:02 | |
It felt like a three-man team. | 0:25:02 | 0:25:04 | |
No question about it. | 0:25:04 | 0:25:06 | |
Hey, I'm Cramer. | 0:25:07 | 0:25:08 | |
I had the chance to spend time with both Annie and Joan - | 0:25:08 | 0:25:12 | |
in Mad Money style, let me give you some Buy! Sell! Hold! on these two formidable ladies. | 0:25:12 | 0:25:16 | |
Annie - a brilliant strategist. Brilliant game-player. | 0:25:16 | 0:25:19 | |
Nothing's personal, everything is business. | 0:25:19 | 0:25:21 | |
If I'm willing to take some risk with my money, I'd give it to Annie. | 0:25:21 | 0:25:25 | |
Problem is, in today's market, | 0:25:25 | 0:25:27 | |
people are looking for some form of HUMAN understanding. | 0:25:27 | 0:25:30 | |
Someone they can TRUST. You may not get that in Annie. | 0:25:30 | 0:25:34 | |
Joan - she has more stamina than most women half her age. | 0:25:34 | 0:25:38 | |
She is a loyal player who inspires loyalty. | 0:25:38 | 0:25:40 | |
Any conflict she had with her team always evolved out of her passion | 0:25:40 | 0:25:43 | |
for winning the task. | 0:25:43 | 0:25:45 | |
If I want invest in the long haul, if I can wait to see dividends, | 0:25:45 | 0:25:49 | |
I'd put my money on Joan. | 0:25:49 | 0:25:50 | |
Where Annie is all business, Joan is all heart. | 0:25:50 | 0:25:53 | |
She takes everything personally - almost to a fault. | 0:25:53 | 0:25:57 | |
That could be her downfall. | 0:25:57 | 0:25:58 | |
Mr Trump, you have one tough decision on your hands. | 0:25:58 | 0:26:03 | |
CHEERING AND APPLAUSE | 0:26:03 | 0:26:06 | |
Good advice, Jim. I'll take it under consideration. | 0:26:10 | 0:26:15 | |
But there's still a lot of task left, | 0:26:15 | 0:26:17 | |
so let's get back to it right now. | 0:26:17 | 0:26:19 | |
Can you do two? I'm going to bug you for two now. | 0:26:28 | 0:26:31 | |
I just got 2,000 from my friend Maury. | 0:26:31 | 0:26:35 | |
Brande - where are you on money? | 0:26:35 | 0:26:38 | |
-I have one, two, three, four, five people already there, coming for sure with the money. -Great. | 0:26:38 | 0:26:43 | |
LINE RINGS | 0:26:43 | 0:26:45 | |
-'Hello?' -Hey, Perry - it's Annie. -'Hi!' | 0:26:45 | 0:26:49 | |
So I'm playing against Joan Rivers and I want to humiliate her - | 0:26:49 | 0:26:52 | |
that's my goal. | 0:26:52 | 0:26:54 | |
'The fact that Joan Rivers called all poker players' | 0:26:54 | 0:26:56 | |
"worse than white trash" helps me. | 0:26:56 | 0:26:59 | |
'Wow.' | 0:26:59 | 0:27:00 | |
I call up my poker player friends and say, | 0:27:00 | 0:27:02 | |
"I'm against Joan Rivers and guess what Joan Rivers said?" | 0:27:02 | 0:27:05 | |
20 is totally cool, do you think you can be flexible on that number? | 0:27:05 | 0:27:09 | |
Oh, you're great. | 0:27:11 | 0:27:12 | |
Annie wants to win a lot. | 0:27:12 | 0:27:14 | |
Let's concentrate on money right now. | 0:27:14 | 0:27:16 | |
'She had everybody on the phone.' | 0:27:16 | 0:27:19 | |
I completely was trying as hard as I could. | 0:27:19 | 0:27:21 | |
Don't want to get in trouble, | 0:27:21 | 0:27:23 | |
cos Annie Duke, she'll come down with an iron fist. | 0:27:23 | 0:27:27 | |
Are you listening? I am doing Celebrity Apprentice. | 0:27:27 | 0:27:31 | |
It is between me | 0:27:31 | 0:27:32 | |
-and a girl who is the biggest piece of -BLEEP -in the world. | 0:27:32 | 0:27:35 | |
We've got Knicks tickets, Jets tickets - all that. | 0:27:35 | 0:27:38 | |
'It's a tall order on short notice | 0:27:38 | 0:27:40 | |
'and my expectations are low to medium.' | 0:27:40 | 0:27:44 | |
Hello? | 0:27:49 | 0:27:52 | |
We were getting wonderful things for our silent auction, | 0:27:52 | 0:27:55 | |
but the pressure to produce was incredible. Incredible. | 0:27:55 | 0:27:59 | |
I've got 22 hours to pull this together or we are just messed up. | 0:27:59 | 0:28:04 | |
-What is Clint doing? -I don't know what he's doing out there. | 0:28:04 | 0:28:07 | |
He's on the phone. But he's not the most excited. | 0:28:07 | 0:28:11 | |
I'm still on Gilligan's Island. | 0:28:11 | 0:28:14 | |
Have you played any golf? | 0:28:14 | 0:28:16 | |
Have you played any golf? | 0:28:18 | 0:28:19 | |
'My mom was getting very frustrated at Clint very early. | 0:28:22 | 0:28:26 | |
'Clint basically wanted' | 0:28:26 | 0:28:27 | |
to sit this one out | 0:28:27 | 0:28:28 | |
and that started to become a problem very early on. | 0:28:28 | 0:28:31 | |
All right, skipper. | 0:28:33 | 0:28:34 | |
How are we going to patch this boat up and get off the island? | 0:28:34 | 0:28:38 | |
-This sucks. -You picked him! | 0:28:42 | 0:28:44 | |
It's like deadweight. | 0:28:44 | 0:28:47 | |
Glad you're there with your kids. | 0:28:47 | 0:28:49 | |
You too. All right, I'll try. | 0:28:49 | 0:28:52 | |
-Hi, how are you? -I'm Annie. | 0:28:54 | 0:28:57 | |
Nicole, nice to meet you. | 0:28:57 | 0:28:59 | |
'Joan and I were both provided event planners, from the same firm.' | 0:28:59 | 0:29:03 | |
We literally have to create a whole room from start to finish. | 0:29:03 | 0:29:07 | |
So this is their focal point. | 0:29:07 | 0:29:08 | |
-You want this to be the centre of everything. -That would be amazing. | 0:29:08 | 0:29:14 | |
Everything is in here. This is it. | 0:29:14 | 0:29:16 | |
-We've got to make this magic in here. -Yes. | 0:29:16 | 0:29:19 | |
'We met with the event planner and I showed him the room which was...' | 0:29:19 | 0:29:23 | |
a disaster. | 0:29:23 | 0:29:25 | |
I said, what can we do to make it new and exciting and bright? | 0:29:25 | 0:29:29 | |
My philosophy for events is, you have three seconds | 0:29:29 | 0:29:32 | |
to capture their attention and they've got to go... | 0:29:32 | 0:29:35 | |
Whoah! Wow! That's you - that's who you are. | 0:29:35 | 0:29:37 | |
That's the event - that's what I do. | 0:29:37 | 0:29:39 | |
They're right over there, those bastards. | 0:29:39 | 0:29:41 | |
So your... The losers are on that side? | 0:29:41 | 0:29:44 | |
That's what I like to think. | 0:29:44 | 0:29:46 | |
I think, what about doing one of those ice slides? | 0:29:46 | 0:29:51 | |
-An ice sculpture? That would be pretty. -I was thinking... | 0:29:51 | 0:29:54 | |
She's tripping, man. I'm like, wow-wee. | 0:30:00 | 0:30:03 | |
-Want to go out and make some suggestions? -No. | 0:30:05 | 0:30:08 | |
It's funny to watch her not listen to them. | 0:30:08 | 0:30:11 | |
-Let's go out here. -You go ahead. | 0:30:14 | 0:30:16 | |
'Annie chooses to do a lot of stuff herself | 0:30:17 | 0:30:20 | |
'cos she thinks no-one can do a better job than her.' | 0:30:20 | 0:30:23 | |
I think there's a way to manage a group of people, | 0:30:23 | 0:30:25 | |
especially creative people - | 0:30:25 | 0:30:27 | |
there's a way of doing it positively, | 0:30:27 | 0:30:29 | |
and that will encourage people to be more productive | 0:30:29 | 0:30:32 | |
and will be better overall for the team. | 0:30:32 | 0:30:34 | |
Coming down from the ceiling, hanging from invisible wire... | 0:30:34 | 0:30:39 | |
How are we going to find the invisible wire? | 0:30:39 | 0:30:41 | |
-They take care of it. -How do you find it, though? -The graphics company. | 0:30:41 | 0:30:46 | |
How do they find it? It's invisible. | 0:30:46 | 0:30:48 | |
-(Where did I put that stuff? Where did I put that invisible wire?) -'The man talks.' | 0:30:51 | 0:30:55 | |
He was like the wisecrack comedian, I was more like the sidekick. | 0:30:55 | 0:30:59 | |
He was just funny, because we were there as... | 0:30:59 | 0:31:03 | |
Well, they can't do anything to us. We've BEEN fired. | 0:31:03 | 0:31:06 | |
ANNIE'S MOBILE PHONE RINGS | 0:31:10 | 0:31:12 | |
Hello? | 0:31:12 | 0:31:14 | |
Yes, Annie - we're standing right behind you, | 0:31:14 | 0:31:16 | |
so we need some information - can we help? | 0:31:16 | 0:31:20 | |
Paul, can I call you back in, like, two seconds? | 0:31:21 | 0:31:24 | |
BLEEP, BLEEP! | 0:31:24 | 0:31:26 | |
-This is not a pretty room. -No. -Let's be honest. | 0:31:27 | 0:31:30 | |
It's basically like a gymnasium. | 0:31:30 | 0:31:31 | |
We've got to make it look like what the two of you would be comfortable doing. | 0:31:31 | 0:31:36 | |
Do you want your personalities to also play in this? | 0:31:36 | 0:31:38 | |
-I want it all about Kodak. -OK. -And Cirque du Soleil. -And Cirque du Soleil. | 0:31:38 | 0:31:44 | |
So... | 0:31:44 | 0:31:45 | |
It's fantasy. | 0:31:45 | 0:31:47 | |
I'm hearing kids and I'm hearing circus, but I want to make sure... | 0:31:47 | 0:31:50 | |
-But we're not seeing kids here. I don't know... -I know. | 0:31:50 | 0:31:54 | |
My mom's done a million parties for a bunch of different people | 0:31:54 | 0:31:58 | |
and she loves the planning process, | 0:31:58 | 0:32:00 | |
but she's used to working with her people. | 0:32:00 | 0:32:02 | |
After this many years, they understand her shorthand, | 0:32:02 | 0:32:06 | |
her tastes, her likes and dislikes. | 0:32:06 | 0:32:09 | |
-It'll be a winter fantasy. -Yellow, white and red. -That's not winter. | 0:32:09 | 0:32:13 | |
How do you make yellow, white and red winter? | 0:32:13 | 0:32:16 | |
That's MY job, right? | 0:32:16 | 0:32:18 | |
'Our party planner unfortunately REALLY didn't get it. | 0:32:18 | 0:32:23 | |
'It's Cirque du Soleil and Kodak' | 0:32:23 | 0:32:25 | |
and Kodak's colours are yellow | 0:32:25 | 0:32:28 | |
and red, | 0:32:28 | 0:32:29 | |
you can't get better than that! | 0:32:29 | 0:32:31 | |
-You have an idea? -I do. The room needs a major transformation. -Yeah. | 0:32:31 | 0:32:36 | |
Throughout history, great businesses have succeeded because of teamwork. | 0:32:36 | 0:32:42 | |
It was true then and it's true now. | 0:32:42 | 0:32:44 | |
The fact is, a team is only as strong as its weakest link. | 0:32:44 | 0:32:49 | |
So we've got to go somehow sell 80 tickets. | 0:32:53 | 0:32:56 | |
Shouldn't take too long, right? | 0:32:56 | 0:32:58 | |
'Annie asked Dennis and I to go out in the streets of Manhattan | 0:32:58 | 0:33:02 | |
'and sell 80 tickets for Cirque du Soleil.' | 0:33:02 | 0:33:04 | |
-Dennis, you want a ride on the roof? -No. | 0:33:04 | 0:33:07 | |
Dennis and I are going to shout out from the rooftop here. | 0:33:07 | 0:33:10 | |
Hello, people of New York City! | 0:33:10 | 0:33:13 | |
Yelling things like, "Excuse me! Young man! | 0:33:13 | 0:33:15 | |
"hop in the bus, we've got some candy for you!" | 0:33:15 | 0:33:18 | |
Things like that. | 0:33:18 | 0:33:19 | |
Ladies and gentlemen, we're selling tickets right now | 0:33:19 | 0:33:23 | |
to Cirque du Soleil, so come on over here. | 0:33:23 | 0:33:26 | |
-It's tomorrow night - what's your name, sir? -My name's Andrea. | 0:33:26 | 0:33:29 | |
-Andrea - you know Dennis Rodman? -No English. -No English. | 0:33:29 | 0:33:32 | |
In Italy, it's pronounced...Dennis Rodman. | 0:33:32 | 0:33:36 | |
All you have to do is step up here, get on the bus... | 0:33:36 | 0:33:39 | |
It's kind of a creepy proposition, to go out on the streets of New York | 0:33:39 | 0:33:44 | |
and ask people - young women - "Excuse me, miss - you want to get on this bus?" | 0:33:44 | 0:33:50 | |
There's stuff on the internet like that, but it's completely different. | 0:33:50 | 0:33:54 | |
They're not selling tickets to Cirque du Soleil, I tell you. | 0:33:54 | 0:33:57 | |
-Would you like to go? -We're going to be back home tomorrow night. | 0:33:57 | 0:34:00 | |
-We're leaving town. -We're leaving town tomorrow. -We've got to sell 80 of these. | 0:34:00 | 0:34:05 | |
-You can, with him... -We sold three already. | 0:34:05 | 0:34:09 | |
-We'll be here till midnight. Thanks a lot(!) -Should we go get a drink? | 0:34:09 | 0:34:13 | |
He didn't mean that! | 0:34:15 | 0:34:16 | |
-Is this our bus here? -This is our bus. Hi! | 0:34:23 | 0:34:28 | |
We want to head over towards Times Square. | 0:34:28 | 0:34:31 | |
Herschel and I decided we needed to get out on the street, | 0:34:31 | 0:34:34 | |
so we jumped onto our bus and headed to Times Square, | 0:34:34 | 0:34:37 | |
to an area that's really famous | 0:34:37 | 0:34:39 | |
for people looking to buy discount Broadway tickets. | 0:34:39 | 0:34:43 | |
Want to stop here? This looks like a good, busy area. What you think? | 0:34:43 | 0:34:46 | |
-It's up to you, my dear. -Let's go a little further. | 0:34:46 | 0:34:51 | |
-Hello, Ryan, how are you doing? -Hi, Herschel. | 0:34:51 | 0:34:54 | |
We have 80 tickets to Cirque du Soleil here in New York for tomorrow night. | 0:34:54 | 0:34:58 | |
I've had a friend, he's always wanted to help charity, | 0:34:58 | 0:35:02 | |
so I felt one thing we could do is ask him to buy all the tickets. | 0:35:02 | 0:35:05 | |
'Yep - a 6,000 cheque and then a separate 1,530 cheque. | 0:35:05 | 0:35:10 | |
-'OK!' -Bye-bye. -Thank you, Herschel. | 0:35:10 | 0:35:13 | |
'Herschel is so flipping smart.' | 0:35:13 | 0:35:17 | |
He said, why waste our time | 0:35:17 | 0:35:20 | |
trying to sell the tickets | 0:35:20 | 0:35:21 | |
one by one off the bus and people will want to negotiate? | 0:35:21 | 0:35:25 | |
I've got someone who will just buy them all, | 0:35:25 | 0:35:28 | |
then we can just hand them out for free. | 0:35:28 | 0:35:30 | |
Free tickets to Cirque du Soleil for tomorrow night - | 0:35:30 | 0:35:33 | |
there is a VIP reception included. | 0:35:33 | 0:35:36 | |
Giving the tickets away was completely in line with | 0:35:36 | 0:35:39 | |
the whole Kodak feeling - | 0:35:39 | 0:35:42 | |
to give them a real Kodak moment and get to be treated like a VIP. | 0:35:42 | 0:35:45 | |
-How many of you are there? -Three. -Three? One, two, three. | 0:35:45 | 0:35:51 | |
'That was really cool.' | 0:35:51 | 0:35:52 | |
It also saved us a ton of time. | 0:35:52 | 0:35:54 | |
-Thank you. -Thank you. | 0:35:54 | 0:35:57 | |
OK. We're out of here. | 0:35:57 | 0:35:58 | |
Come here! We're selling theatre tickets here. | 0:35:58 | 0:36:02 | |
Come here! Excuse me, have I got a deal for you! | 0:36:02 | 0:36:05 | |
You know Dennis Rodman? You look like you want a ticket to Cirque du Soleil. | 0:36:05 | 0:36:09 | |
You look like you're IN Cirque du Soleil. | 0:36:09 | 0:36:11 | |
We've been given a job to help Annie and we want her to win, | 0:36:11 | 0:36:14 | |
but it is nice to be out here, not getting yelled at. | 0:36:14 | 0:36:18 | |
Fun way to enjoy a day. | 0:36:18 | 0:36:20 | |
-That would've been some funny -BLEEP. | 0:36:20 | 0:36:22 | |
Seriously, if I get hit by one of those things, | 0:36:22 | 0:36:25 | |
that is awesome. Comedy gold. | 0:36:25 | 0:36:28 | |
Oops! | 0:36:28 | 0:36:30 | |
Bang! Oh, my God. | 0:36:31 | 0:36:34 | |
What's going on? | 0:36:37 | 0:36:39 | |
-Oh, hello, my sweetheart. -How are you? -Very good. | 0:36:39 | 0:36:42 | |
-Woody Johnson came through. -Oh, good. -Oh, hello, two! -Hi! | 0:36:42 | 0:36:46 | |
-It's unusual, you get the pair of us. -Good to see you. | 0:36:46 | 0:36:50 | |
-So who are the people you've got? -Kaycee Losseman came through. | 0:36:50 | 0:36:54 | |
-How is Herschel doing on the fundraising side? -Nothing has come in solidly, but I trust him. | 0:36:54 | 0:36:59 | |
How about the other criteria? Because fundraising is only one fifth. | 0:36:59 | 0:37:03 | |
Celebrities have been lovely, | 0:37:03 | 0:37:05 | |
Kathy Griffin is going to do a silent auction for us. | 0:37:05 | 0:37:08 | |
Kyle McLachlan is coming through, Matthew Modine. | 0:37:08 | 0:37:12 | |
The silent auction is amazing. | 0:37:12 | 0:37:14 | |
The thing I'm worried about and which happens in auction scenarios | 0:37:14 | 0:37:18 | |
-is you need the warm bodies in the room to be able to sell these auction items. -Right. | 0:37:18 | 0:37:22 | |
Regardless of how "wow" they are, | 0:37:22 | 0:37:25 | |
who is going to buy these auction items? | 0:37:25 | 0:37:27 | |
'Ivanka and Don came in' | 0:37:27 | 0:37:30 | |
and they reminded me who's coming. | 0:37:30 | 0:37:32 | |
Are people coming to this auction? | 0:37:32 | 0:37:35 | |
You can have the most beautiful things, they don't show up... | 0:37:35 | 0:37:38 | |
You're dead in the water. | 0:37:38 | 0:37:39 | |
Two bells went off in this old head and I knew we'd got to get | 0:37:39 | 0:37:43 | |
a lot of people in and a lot of celebrities in. | 0:37:43 | 0:37:47 | |
An advantage we have is that we have secured some tickets | 0:37:47 | 0:37:51 | |
to Cirque du Soleil. | 0:37:51 | 0:37:53 | |
Yeah. Well, there you go. | 0:37:56 | 0:37:59 | |
So, we got one, two, three, four, five, six, seven... Eight 5x4s. | 0:37:59 | 0:38:02 | |
Are we within our budget on that? | 0:38:02 | 0:38:04 | |
All right, bye-bye. Hi, guys. | 0:38:04 | 0:38:07 | |
It's a lot to do, but let me describe what we're going to do... | 0:38:07 | 0:38:10 | |
Basically, we'll be branding Wintuk, Refugees International | 0:38:10 | 0:38:14 | |
and Kodak all at the same time. | 0:38:14 | 0:38:17 | |
We'll drape the ceiling in this blue, night-time winter. | 0:38:17 | 0:38:21 | |
-Then, at eye level, there's going to be clouds. -Nice. | 0:38:21 | 0:38:25 | |
I met with Don and Ivanka and that was great, | 0:38:25 | 0:38:27 | |
cos I walked them through what was happening with the space. | 0:38:27 | 0:38:31 | |
I think Ivanka was like, wow. You're, like, a designer! | 0:38:31 | 0:38:34 | |
I was like, "I really want it to be classy," | 0:38:34 | 0:38:37 | |
and hopefully that'll impress their father. | 0:38:37 | 0:38:40 | |
Right over it, we've got a 4 by 7 foam board. | 0:38:40 | 0:38:43 | |
It'll be suspended by invisible wire, it'll be hanging over here. | 0:38:43 | 0:38:47 | |
-This is a big task before tomorrow. -This is it. This is the finale. -Yes. | 0:38:47 | 0:38:53 | |
-Good luck. -Thank you very much. -Have fun. -Thank you. -Brande, bye! | 0:38:53 | 0:38:57 | |
PHONE RINGS | 0:38:58 | 0:39:01 | |
OK, David, hit it. | 0:39:01 | 0:39:02 | |
'So, where we are right now, is... | 0:39:02 | 0:39:05 | |
'The room can be draped in a white material, pleated, | 0:39:05 | 0:39:08 | |
'which will give a complete transformation.' | 0:39:08 | 0:39:11 | |
Why white? Can't we do colours, can we do the stripes? | 0:39:11 | 0:39:16 | |
That looks...eurgh. | 0:39:16 | 0:39:17 | |
-Are these things yellow enough out there? -Awful. | 0:39:17 | 0:39:22 | |
They're really awful. | 0:39:22 | 0:39:23 | |
Lounge furniture? | 0:39:28 | 0:39:32 | |
'Our event planner' | 0:39:32 | 0:39:33 | |
is very unimaginative. | 0:39:33 | 0:39:36 | |
When he said, "I'll get you some lounge chairs", I thought, "It's a party!" | 0:39:36 | 0:39:39 | |
That sure doesn't send me up the wall. | 0:39:39 | 0:39:42 | |
Bye-bye. | 0:39:45 | 0:39:47 | |
I thought, "we are in major do-do here." | 0:39:49 | 0:39:52 | |
Both Annie and Joan's charities have received amazing exposure | 0:39:53 | 0:39:58 | |
due to the Celebrity Apprentice. | 0:39:58 | 0:39:59 | |
Now NBC has helped even more by filming 10-second spots | 0:39:59 | 0:40:02 | |
for their famous The More You Know series. | 0:40:02 | 0:40:05 | |
This is a 10-second message, so we've got to hook 'em in really fast. | 0:40:08 | 0:40:12 | |
Hunger is an invisible problem. God's Love We Deliver is there to help. | 0:40:12 | 0:40:17 | |
-It's great, but it's four seconds too long. -Won't be after this! | 0:40:17 | 0:40:20 | |
We'll clean it up, OK? | 0:40:20 | 0:40:21 | |
To do The More You Know is just amazing for the charity, | 0:40:21 | 0:40:24 | |
-because people who have not heard of it will. -Everybody ready? Camera? | 0:40:24 | 0:40:28 | |
Hunger is a horrible thing - many people with AIDS, cancer and | 0:40:28 | 0:40:31 | |
Alzheimer's don't have the ability to feed themselves. Guess what? | 0:40:31 | 0:40:35 | |
God's Love We Deliver will do it for them. | 0:40:35 | 0:40:38 | |
-Perfect. -OK. Now let me tell you the truth! | 0:40:38 | 0:40:42 | |
What's really amazing, | 0:40:42 | 0:40:44 | |
particularly for a charity that's as small as Refugees International, | 0:40:44 | 0:40:48 | |
it's an amazing voice for them and an amazing platform and I'm honoured | 0:40:48 | 0:40:51 | |
to be able to do whatever I can to get that message out. | 0:40:51 | 0:40:54 | |
-Action! -42 million people worldwide | 0:40:54 | 0:40:56 | |
have been forced to flee their homes to... Ffff! | 0:40:56 | 0:40:59 | |
LAUGHTER | 0:40:59 | 0:41:01 | |
To be able to get the word out on this issue is so amazing and so cool. | 0:41:01 | 0:41:06 | |
-Action. -42 million people worldwide | 0:41:06 | 0:41:09 | |
have been forced to flee their homes due to conflict and oppression. | 0:41:09 | 0:41:13 | |
Speak out - save lives. Support Refugees International. | 0:41:13 | 0:41:17 | |
I think that's it - perfect. | 0:41:17 | 0:41:18 | |
CHEERING AND APPLAUSE | 0:41:18 | 0:41:21 | |
Between them, Joan and Annie have raised a tremendous amount | 0:41:21 | 0:41:25 | |
of money for charity, but there's another quarter of a million dollars | 0:41:25 | 0:41:29 | |
on the line, and this task could determine who will take it all. | 0:41:29 | 0:41:33 | |
Want to try the new EasyShare? | 0:41:41 | 0:41:43 | |
We're getting people to take pictures of their Kodak moment of the day. | 0:41:43 | 0:41:47 | |
'One of Herschel's people came and bought all the tickets, | 0:41:47 | 0:41:51 | |
'so all we had to do was start taking pictures' | 0:41:51 | 0:41:53 | |
that we could use in the digital picture frame. | 0:41:53 | 0:41:56 | |
We're doing a thing about EasyShare. | 0:41:56 | 0:41:58 | |
-What would be your Kodak moment of the day? -Being here. | 0:41:58 | 0:42:03 | |
-Where are we? -Times Square. | 0:42:03 | 0:42:05 | |
Times Square. | 0:42:05 | 0:42:06 | |
'We knew that we wanted to incorporate the tie-in with EasyShare.' | 0:42:06 | 0:42:10 | |
I started to think, what about something with sharing? | 0:42:10 | 0:42:14 | |
What do people share? | 0:42:14 | 0:42:15 | |
OK, great - thank you. | 0:42:15 | 0:42:17 | |
I just started looking around Times Square | 0:42:17 | 0:42:20 | |
for interesting moments of people sharing different things. | 0:42:20 | 0:42:24 | |
Give her a kiss! | 0:42:24 | 0:42:26 | |
One, two, three! | 0:42:28 | 0:42:30 | |
Can you guys give me, like, a happy, married moment?! | 0:42:30 | 0:42:36 | |
'We got really lucky out in Times Square.' | 0:42:36 | 0:42:38 | |
Ready? One, two... | 0:42:38 | 0:42:41 | |
We happened to stumble upon a couple that had just gotten married. | 0:42:41 | 0:42:45 | |
THAT'S something that you can share! | 0:42:45 | 0:42:48 | |
We had a LOT of Kodak moments! | 0:42:48 | 0:42:50 | |
Thank you! | 0:42:50 | 0:42:51 | |
Here she is - I'll let her finish up with you. OK. This is Nicole. | 0:42:55 | 0:43:00 | |
Hi, how are you? | 0:43:01 | 0:43:02 | |
We've got tables set up for the ice sculptures, stands for the sculptures to go on. | 0:43:02 | 0:43:06 | |
Nicole is the event planner. She's been amazing. | 0:43:06 | 0:43:10 | |
Oh, you are the bomb. Thank you. | 0:43:13 | 0:43:15 | |
Oh, my God - that's incredible. | 0:43:15 | 0:43:18 | |
I'm feeling pretty good, cos I think our design was great. | 0:43:18 | 0:43:21 | |
Now me and Brande are just trying to get all the auction items. | 0:43:21 | 0:43:24 | |
Brande, where are you on auction? | 0:43:24 | 0:43:27 | |
-Just the experiences? -Just the celebrity experiences. | 0:43:27 | 0:43:30 | |
If you want me to work on getting all my celebrities - Lennox Lewis, Wycliff Jean, A-Rod | 0:43:30 | 0:43:34 | |
and all these people to do experiences, then I can work on THAT right now. | 0:43:34 | 0:43:38 | |
So, as you get them, that would be great. | 0:43:38 | 0:43:42 | |
We called in every single favour, from every single celebrity we know. | 0:43:42 | 0:43:46 | |
Pulling out all stops. | 0:43:46 | 0:43:47 | |
Do you want to tell me | 0:43:47 | 0:43:49 | |
what auction items you're going to send over tonight? | 0:43:49 | 0:43:53 | |
'I am sending a framed Joe Frazier photo.' | 0:43:53 | 0:43:56 | |
Awesome. | 0:43:56 | 0:43:59 | |
Brande, we have a Bernard Hopkins experience. | 0:43:59 | 0:44:01 | |
We're working on the Backstreet Boys, the Philadelphia Phillies thing, | 0:44:01 | 0:44:06 | |
a Regis thing, a Rachael Ray thing and a movie studio experience. | 0:44:06 | 0:44:10 | |
I wasn't worried about the other team when it came to auction items. | 0:44:10 | 0:44:14 | |
The kind of stuff we were able to come up with, | 0:44:14 | 0:44:18 | |
there's no way they'll come up with that kind of stuff. | 0:44:18 | 0:44:21 | |
Jeremy, you rock the house. | 0:44:21 | 0:44:23 | |
Oh, my God, that is incredible! | 0:44:23 | 0:44:26 | |
PHONE RINGS | 0:44:28 | 0:44:30 | |
-Hi. -'Hi.' | 0:44:30 | 0:44:32 | |
'So, I got back in touch with the draping company | 0:44:32 | 0:44:35 | |
'and we can do the drapes in red if you'd like?' | 0:44:35 | 0:44:40 | |
-What does David think? -'David likes the red as well.' | 0:44:40 | 0:44:44 | |
OK - he doesn't think it's going to get too... Too red? | 0:44:44 | 0:44:48 | |
'Well...' | 0:44:48 | 0:44:50 | |
The party planner's assistant called and said there were only two colour fabrics you can get today. | 0:44:50 | 0:44:55 | |
'I said, "I want to see sketches, I want to talk to you".' | 0:44:55 | 0:44:59 | |
It's just a mess. It's a mess. Do we have a sign "Kodak" anywhere? | 0:44:59 | 0:45:03 | |
-Any of that? Give me David's number. -'Let me have David call you.' | 0:45:03 | 0:45:08 | |
All right, cos I have another friend who works in design | 0:45:08 | 0:45:12 | |
and I'd like David to work...talk with him, cos to give an OK | 0:45:12 | 0:45:17 | |
and spend half our money on that | 0:45:17 | 0:45:19 | |
and we can look like we're sitting in hell makes no sense. | 0:45:19 | 0:45:23 | |
It doesn't sound very exciting or creative. | 0:45:23 | 0:45:26 | |
-'I will have David give you a call.' -Thank you. | 0:45:26 | 0:45:30 | |
I have no handle on anything, because... | 0:45:31 | 0:45:34 | |
I don't have a party planner that I can deal with. | 0:45:34 | 0:45:37 | |
That was a big, big worry for me. | 0:45:37 | 0:45:41 | |
I need you desperately - desperately! - | 0:45:41 | 0:45:45 | |
to come in and help me decorate a room. | 0:45:45 | 0:45:47 | |
I called all my friends in New York and said, "What can we do?" | 0:45:47 | 0:45:52 | |
-This guy doing it for us is really -BLEEP. -Can you come in tonight? | 0:45:52 | 0:45:57 | |
He doesn't know what he's doing, | 0:45:57 | 0:45:59 | |
he's spending half his money on draping a room. I have seen nothing. | 0:45:59 | 0:46:03 | |
Joan and Annie are facing a mammoth task, | 0:46:05 | 0:46:08 | |
and nothing can prepare them for what they're about to go through. | 0:46:08 | 0:46:12 | |
It's really vicious. | 0:46:12 | 0:46:14 | |
What are you doing, writing up the descriptions? | 0:46:21 | 0:46:24 | |
I was just doing some e-mail. | 0:46:24 | 0:46:25 | |
PHONE RINGS | 0:46:25 | 0:46:27 | |
Hold on. Hi, David, darling. | 0:46:27 | 0:46:30 | |
DAVID: 'Hi. | 0:46:30 | 0:46:31 | |
What is the vision of the room? | 0:46:31 | 0:46:32 | |
It just seems like we are covering it up with... Ugh! | 0:46:32 | 0:46:36 | |
DAVID: 'You have the drapery in the room. | 0:46:36 | 0:46:39 | |
'The other thing I can get for you is a really large ball | 0:46:39 | 0:46:44 | |
-'so we can light them.' -Who cares? It looks... Bleh! | 0:46:44 | 0:46:47 | |
I come out of a window display and it was a drama | 0:46:47 | 0:46:50 | |
and this seems like white walls and... Bleh! | 0:46:50 | 0:46:55 | |
I really don't think he knew how to handle that job. | 0:46:55 | 0:46:58 | |
I think that job was so beyond what he is used to doing. | 0:46:58 | 0:47:03 | |
He truly knew he couldn't come up with what they wanted. | 0:47:03 | 0:47:07 | |
I want them to walk into a house of some kind. I want drama. | 0:47:07 | 0:47:13 | |
I know we have less than 12 hours, but we can do something wonderful. | 0:47:17 | 0:47:21 | |
I don't know what, but we can do something wonderful. | 0:47:21 | 0:47:24 | |
I want my friend to be involved because he's very creative person | 0:47:24 | 0:47:29 | |
and we'll be able to get some more ideas, | 0:47:29 | 0:47:32 | |
cos I don't know what we're doing here, | 0:47:32 | 0:47:33 | |
I'm not seeing anything, and that leaves me | 0:47:33 | 0:47:36 | |
out in the cold to make decisions. | 0:47:36 | 0:47:38 | |
I don't know. It seems very ordinary. Very ordinary. | 0:47:40 | 0:47:46 | |
I knew he was phoning it in. | 0:47:53 | 0:47:59 | |
TELEPHONE RINGS | 0:47:59 | 0:48:00 | |
Go ahead. | 0:48:00 | 0:48:02 | |
What are you talking about? It's not fair. I'm sorry. | 0:48:02 | 0:48:05 | |
It's absolutely not fair. This is insane. | 0:48:05 | 0:48:08 | |
Fine. | 0:48:09 | 0:48:10 | |
Bye-bye. | 0:48:10 | 0:48:12 | |
Well, our event planner quit. | 0:48:12 | 0:48:16 | |
What? | 0:48:16 | 0:48:17 | |
-He just quit. -Really? | 0:48:17 | 0:48:20 | |
You got it. Son of a bitch. | 0:48:20 | 0:48:22 | |
Did you call him any names? | 0:48:22 | 0:48:24 | |
No, I didn't. | 0:48:24 | 0:48:25 | |
-This is nuts. -Right. -What about Annie? | 0:48:25 | 0:48:28 | |
I don't care. | 0:48:28 | 0:48:30 | |
-VOICE ON PHONE: -'You have reached the voicemail...' | 0:48:32 | 0:48:35 | |
-What do you do when your contact doesn't answer the -BLEEP -phone? | 0:48:35 | 0:48:38 | |
It's Annie Duke. If you could give me a call back. | 0:48:38 | 0:48:40 | |
'We couldn't get the event planner to answer, | 0:48:40 | 0:48:43 | |
'so we went to the design firm | 0:48:43 | 0:48:45 | |
'to sign for the ice sculptures.' | 0:48:45 | 0:48:46 | |
This is it. 470, right? | 0:48:46 | 0:48:48 | |
VOICE ON PHONE: 'You've reached the voicemail...' | 0:48:50 | 0:48:53 | |
-I can't believe she's not answering. This is bull -BLEEP. | 0:48:53 | 0:48:56 | |
'We go over to the design firm and we call them and they wouldn't answer.' | 0:48:56 | 0:48:59 | |
"What's going on?" We go to the 11th floor to go meet with them. | 0:48:59 | 0:49:04 | |
Hi. We need Nicole, please. | 0:49:04 | 0:49:06 | |
-We need Nicole. -I'm sorry. | 0:49:09 | 0:49:11 | |
-You need to leave right now. -What happened? | 0:49:11 | 0:49:15 | |
I'm not engaging in conversation. Please go. | 0:49:15 | 0:49:18 | |
'As soon as we get there, the girl who greets us says,' | 0:49:18 | 0:49:21 | |
"Get out. Get these cameras out of here." Starts freaking out. | 0:49:21 | 0:49:25 | |
-Please go. -OK, listen. | 0:49:25 | 0:49:27 | |
Seriously. Can I talk to you privately, please? | 0:49:27 | 0:49:31 | |
I had to have the cameras leave the room in order to be able to find out what happened. | 0:49:31 | 0:49:36 | |
At this point, we had no idea what happened, | 0:49:39 | 0:49:42 | |
and now it's the 11th hour, so I'm hoping that we're going to be OK, | 0:49:42 | 0:49:46 | |
but you never know. | 0:49:46 | 0:49:48 | |
-OK. -Fine now? -No. All I know is this. | 0:49:50 | 0:49:52 | |
The other team didn't like them and this event company... | 0:49:52 | 0:49:55 | |
they have now quit. | 0:49:55 | 0:49:58 | |
-So because they pissed off them, now they won't work with us? -Correct. | 0:49:58 | 0:50:03 | |
-This is really -BLEEP -up. | 0:50:03 | 0:50:06 | |
Apparently, the designer who was assigned | 0:50:06 | 0:50:09 | |
to Joan, David, the owner of the firm, Joan offended him | 0:50:09 | 0:50:14 | |
so much that he doesn't want anything to do with Celebrity Apprentice. | 0:50:14 | 0:50:18 | |
That's not fair... | 0:50:18 | 0:50:19 | |
'When I walked out, I thought I might as well just quit.' | 0:50:21 | 0:50:24 | |
'I have nothing. I've got a raw space.' | 0:50:24 | 0:50:26 | |
It looks like a gymnasium. | 0:50:26 | 0:50:28 | |
TELEPHONE RINGS | 0:50:28 | 0:50:30 | |
Hello? | 0:50:30 | 0:50:31 | |
-ON PHONE: -'We are now closed.' | 0:50:31 | 0:50:33 | |
Oh, my God. This is a disaster. | 0:50:33 | 0:50:35 | |
'It's now after 5pm on a Friday night and all of the vendors are closed. | 0:50:37 | 0:50:40 | |
'There's no way to get anything,' | 0:50:40 | 0:50:43 | |
and I am just going to lose because there is nobody open. | 0:50:43 | 0:50:49 | |
Hey, Mark. It is Annie Duke. | 0:50:49 | 0:50:50 | |
I am putting out a desperate plea for you. | 0:50:50 | 0:50:52 | |
I am calling people who I know who might be able to help me | 0:50:52 | 0:50:56 | |
-get this space in order for tomorrow because I am -BLEEP. | 0:50:56 | 0:51:00 | |
Say hello to my good friend George Ross. | 0:51:00 | 0:51:04 | |
George, what do you think so far? | 0:51:04 | 0:51:06 | |
Hey, George! | 0:51:06 | 0:51:08 | |
CHEERING AND APPLAUSE | 0:51:08 | 0:51:09 | |
After eight seasons we never had anything like this. | 0:51:11 | 0:51:15 | |
I get the feeling that Annie and Joan really don't like each other. | 0:51:15 | 0:51:18 | |
LAUGHTER | 0:51:18 | 0:51:20 | |
What I've seen is that Annie goes after Joan, | 0:51:20 | 0:51:23 | |
and Joan goes one better. | 0:51:23 | 0:51:25 | |
She goes after all of Vegas and every gambler. | 0:51:25 | 0:51:27 | |
I don't know what's next, but I'm glad it's your decision and not mine. | 0:51:27 | 0:51:31 | |
APPLAUSE AND CHEERING | 0:51:33 | 0:51:34 | |
Well, both Joan and Annie have a lot to do in a very short time. | 0:51:38 | 0:51:43 | |
Let's see if they can put it all together for the big event. | 0:51:43 | 0:51:46 | |
Hey, Tony. | 0:51:52 | 0:51:53 | |
I am in a crisis and I am really hoping that you can help me. | 0:51:53 | 0:51:56 | |
Joan Rivers pissed the event planners off so much | 0:51:56 | 0:51:59 | |
that the event planners quit at 5pm on a Friday night, | 0:51:59 | 0:52:02 | |
and I have an event to put on at 4.30 in the afternoon tomorrow. | 0:52:02 | 0:52:05 | |
So I am desperately calling people | 0:52:05 | 0:52:07 | |
who I know who might be able to help me | 0:52:07 | 0:52:10 | |
-get this space in order for tomorrow, cos I am -BLEEP. | 0:52:10 | 0:52:13 | |
'Now I'm freaking out' | 0:52:13 | 0:52:14 | |
because I have a raw space and I have so much to do. | 0:52:14 | 0:52:17 | |
I need tables, flowers, drapery, I need votives. I need... | 0:52:17 | 0:52:22 | |
You have no idea. Snow... | 0:52:22 | 0:52:24 | |
I cannot believe that because Joan Rivers | 0:52:24 | 0:52:28 | |
doesn't have any idea about how to treat another human being | 0:52:28 | 0:52:31 | |
that I became such collateral damage in the process. | 0:52:31 | 0:52:34 | |
Could you come by and I can show you the space and you can see | 0:52:34 | 0:52:37 | |
if there's any help you can give me? | 0:52:37 | 0:52:39 | |
'It was a war before this happened.' | 0:52:39 | 0:52:42 | |
Now, I am going to crush her like nothing you've ever seen. | 0:52:42 | 0:52:47 | |
Joan Rivers pissed the event planners off so much | 0:52:49 | 0:52:52 | |
on her side of the room that they quit on me after 5 o'clock | 0:52:52 | 0:52:55 | |
and I have a raw space and an auction to put on at 4.30 tomorrow. | 0:52:55 | 0:52:58 | |
Joan made the event planner quit. | 0:52:58 | 0:53:00 | |
Joan has been despicable to me. | 0:53:00 | 0:53:02 | |
Joan Rivers pissed the event planner off on the other side. | 0:53:02 | 0:53:05 | |
Joan pissed them off. | 0:53:05 | 0:53:06 | |
Because Joan Rivers is a despicable human being. | 0:53:06 | 0:53:09 | |
I need vendors that can do drapery, linens, votive candles... | 0:53:09 | 0:53:13 | |
We need cocktail tables, we need a central table for the auction. | 0:53:13 | 0:53:17 | |
Please, I'm begging you. | 0:53:17 | 0:53:19 | |
What's best is if you just come and I walk you through. | 0:53:19 | 0:53:21 | |
I just found someone who not only does events, | 0:53:21 | 0:53:24 | |
but she owns her own rentals and has a production company. | 0:53:24 | 0:53:27 | |
The designer will be here within the hour. | 0:53:27 | 0:53:29 | |
Mark Birnbaum, who owns Tenjune, is also coming to our rescue. | 0:53:29 | 0:53:32 | |
The only thing I have going for me is I literally know everybody on Earth. | 0:53:32 | 0:53:36 | |
-You understand how much this woman has to go down tomorrow. -Yes. | 0:53:36 | 0:53:40 | |
-You do realise that, right? -Yes. | 0:53:40 | 0:53:43 | |
We now have to humiliate this woman. | 0:53:43 | 0:53:45 | |
This woman needs to die. | 0:53:45 | 0:53:47 | |
Our party co-ordinator quit. Who works for God's Love in display? | 0:53:52 | 0:53:56 | |
We have an events team. | 0:53:56 | 0:53:58 | |
-Can we get them here right now? -We'll do it. | 0:53:58 | 0:54:00 | |
We're going to lose unless somebody helps me do this. | 0:54:00 | 0:54:03 | |
When the event planner quit, it was a terrible blow because everything's closed. | 0:54:03 | 0:54:10 | |
I want a crew from God's Love We Deliver to do this for me. | 0:54:10 | 0:54:13 | |
It's 250,000 for them. | 0:54:13 | 0:54:15 | |
They're wonderful and terrific and artistic and gay. | 0:54:15 | 0:54:18 | |
So I turned to my charity and said, "Get down here | 0:54:20 | 0:54:24 | |
"and we we'll figure it out together." | 0:54:24 | 0:54:26 | |
But God's Love We Deliver is a small charity. | 0:54:26 | 0:54:29 | |
We don't have the big, heavy donors. | 0:54:29 | 0:54:33 | |
'We didn't have professionals so I knew we were in trouble.' | 0:54:33 | 0:54:36 | |
ON PHONE: 'Hello, my darling, it's Anita.' | 0:54:36 | 0:54:38 | |
Anita, for God's sake, get down here. | 0:54:38 | 0:54:41 | |
You're sleeping in my house tonight. And you'll help me. | 0:54:41 | 0:54:43 | |
Tell me what it is you need. | 0:54:43 | 0:54:45 | |
I have nothing. How about that? Nothing. I'm desperate. | 0:54:45 | 0:54:49 | |
One thing, and I don't know how you're worried about it or not, | 0:54:56 | 0:54:59 | |
but so far, we only have three celebrities coming. | 0:54:59 | 0:55:03 | |
'I was a little worried about the celebrities coming. | 0:55:03 | 0:55:07 | |
'All of our celebrity friends are in LA.' | 0:55:07 | 0:55:09 | |
People just can't drop things and pay for a plane ticket | 0:55:09 | 0:55:12 | |
and fly out to New York for two hours. | 0:55:12 | 0:55:15 | |
-TOM: -Hello, hello. | 0:55:15 | 0:55:17 | |
How are you guys? | 0:55:17 | 0:55:19 | |
Do you have any celebrities that can come tomorrow besides Joe? | 0:55:19 | 0:55:22 | |
-I'm not sure yet. I'm waiting for a call-back, but I'm hoping. -OK. | 0:55:22 | 0:55:25 | |
-We're a little low on that. -Uh... We didn't actually sell 60 tickets. | 0:55:25 | 0:55:29 | |
We're going to have to break it to her, I guess. Should we just go? Let's just go and talk about it. | 0:55:29 | 0:55:34 | |
'Dennis and Tom came back from selling tickets to the new Cirque du Soleil performance of Wintuk.' | 0:55:34 | 0:55:40 | |
But in the past, | 0:55:40 | 0:55:42 | |
when they went out together, there was a bit more play than work. | 0:55:42 | 0:55:47 | |
Did you get everything sold? | 0:55:47 | 0:55:49 | |
-Dennis? -How many do we have sold? | 0:55:51 | 0:55:54 | |
-We got a work out. What do you think? -Yeah. | 0:55:54 | 0:55:58 | |
Tell me the bad news. How many did you sell? | 0:55:58 | 0:56:00 | |
-Can't keep it together. -Can't keep it together. | 0:56:06 | 0:56:09 | |
-We sold all the tickets. -We sold all of them. | 0:56:09 | 0:56:11 | |
-We sold all the tickets. -Come here. | 0:56:11 | 0:56:13 | |
Guys... You guys. Come here. | 0:56:13 | 0:56:15 | |
-I don't like to lie. You do it. -Oh, my God, come here. Oh, my God. | 0:56:15 | 0:56:20 | |
Thank God they were kidding. We were like, "Oh, my God!" | 0:56:20 | 0:56:24 | |
Lord! | 0:56:24 | 0:56:25 | |
-Mrs Rosenberg. > -Aah! | 0:56:31 | 0:56:34 | |
-Good to see you. -Come, help us. -You need me to help you? | 0:56:34 | 0:56:37 | |
You're a saint, Ed. He is a saint. | 0:56:37 | 0:56:41 | |
A volunteer from God's Love We deliver, | 0:56:41 | 0:56:43 | |
plus some of the board came down. | 0:56:43 | 0:56:45 | |
The president came down, the CEO came down. | 0:56:45 | 0:56:47 | |
It was great to see who came. | 0:56:47 | 0:56:49 | |
-What about boas around the edge of the table? -Fabulous. | 0:56:51 | 0:56:54 | |
-So I thought the balloons would lead them to the arch. -Great. | 0:56:54 | 0:56:57 | |
Why don't we give every woman that walks in a Kodak boa? | 0:56:57 | 0:57:00 | |
'I am the Jewish Martha Stewart.' | 0:57:02 | 0:57:04 | |
There is no question about this. I am Joan Rosen-Stewart. | 0:57:04 | 0:57:09 | |
This we should push more forward cos this is where they'll congregate. | 0:57:09 | 0:57:13 | |
'I knew we had to make it family friendly, happy and bright. | 0:57:13 | 0:57:17 | |
'It couldn't just be another silent auction. | 0:57:17 | 0:57:21 | |
'The coming together of the volunteers to help me... | 0:57:21 | 0:57:25 | |
'That was such a grassroot, exciting moment, and I thought,' | 0:57:25 | 0:57:29 | |
"We're back in the ball game." | 0:57:29 | 0:57:30 | |
Much better. Much better. | 0:57:30 | 0:57:33 | |
Thank God you arrived. | 0:57:33 | 0:57:34 | |
Can we all sit down very quietly | 0:57:37 | 0:57:38 | |
and figure out where we are on a lot of things? | 0:57:38 | 0:57:41 | |
Now, celebrities. Everybody has backed out. | 0:57:41 | 0:57:45 | |
Another bad thing, these celebrities were not coming through. | 0:57:45 | 0:57:48 | |
I was so upset because I knew it was important. Anyone get to anybody? | 0:57:48 | 0:57:53 | |
-Joe Katz is trying to get me Usher. -What do they want? | 0:57:53 | 0:57:56 | |
I'll open for Usher. We need a big star. | 0:57:56 | 0:58:00 | |
-What if I get somebody that looks just like him? -Impersonators. | 0:58:02 | 0:58:06 | |
-Why are you, excuse me, so -BLEEP -smart? | 0:58:06 | 0:58:09 | |
If I had a hat now, it would be so off. | 0:58:09 | 0:58:12 | |
I've been around celebrities and, to be honest with you, | 0:58:12 | 0:58:16 | |
some celebrities are boring. | 0:58:16 | 0:58:18 | |
They don't want to speak to you, they don't want to talk to you. | 0:58:18 | 0:58:21 | |
What's funny is, most of the time, | 0:58:21 | 0:58:23 | |
those people that impersonate them are so fun to be around. | 0:58:23 | 0:58:26 | |
Book the following celebrities if you can. | 0:58:26 | 0:58:29 | |
I want Bette, Cher, Barbra... | 0:58:29 | 0:58:32 | |
-No. Streisand. -I know, I'm joking! | 0:58:33 | 0:58:37 | |
Bingo. | 0:58:37 | 0:58:39 | |
Load it with impersonators, and what fun will it be to take a picture with a celebrity? | 0:58:39 | 0:58:43 | |
See if the can get a Donald Trump. | 0:58:43 | 0:58:46 | |
Hello. | 0:58:48 | 0:58:49 | |
-Oh, my God. A sight for sore eyes. Let me tell you what happened. -OK. | 0:58:49 | 0:58:53 | |
Joan Rivers insulted them | 0:58:53 | 0:58:56 | |
so badly about their design work that they quit on the whole show. | 0:58:56 | 0:58:59 | |
So, here's the deal. I can crush her in money. | 0:58:59 | 0:59:02 | |
If I can get this together, she can't win. | 0:59:02 | 0:59:05 | |
The first thing I did was call Sarah. She's an amazing designer. | 0:59:05 | 0:59:09 | |
She does events and she has her own warehouse. | 0:59:09 | 0:59:12 | |
Nice to meet you too, Tony. | 0:59:12 | 0:59:14 | |
'Then I called my friend Tony, like, "Tony, get down here." ' | 0:59:14 | 0:59:18 | |
This is Ishi, he's also a designer. I'm hoping we can fix this. | 0:59:18 | 0:59:21 | |
'Then I call my friend Ishi, and he's a designer, | 0:59:21 | 0:59:25 | |
'and he drove from Connecticut to get here within an hour.' | 0:59:25 | 0:59:28 | |
Sarah actually has a stocked warehouse, so I think between | 0:59:28 | 0:59:32 | |
the two of us and your construction crew, we can get it done. | 0:59:32 | 0:59:35 | |
And now I've got people coming in and rescuing me and catching me | 0:59:35 | 0:59:39 | |
when I've just completely fallen. | 0:59:39 | 0:59:42 | |
By the way, I have to tell you guys that the one thing | 0:59:42 | 0:59:46 | |
I've learned from this experience is how amazing people are | 0:59:46 | 0:59:50 | |
when you put out a cry for help, and the number of people | 0:59:50 | 0:59:54 | |
that have just dropped their lives to comfort me is so amazing. | 0:59:54 | 0:59:57 | |
(Thank you.) | 0:59:57 | 0:59:59 | |
-Come on, it's going to be fun. -Oh, yeah! | 1:00:01 | 1:00:03 | |
Here's the bottom line about Annie. | 1:00:07 | 1:00:08 | |
If there's a way to win, she'll find it. | 1:00:08 | 1:00:10 | |
If she can beat the world's greatest poker player, there's no way she's losing to Joan Rivers. | 1:00:10 | 1:00:15 | |
The thing I love about Annie Duke is that she tells it like it is. | 1:00:15 | 1:00:19 | |
The thing I love about Annie is that she's as fierce a competitor as there is. | 1:00:19 | 1:00:24 | |
The thing I love about Annie Duke is, | 1:00:24 | 1:00:26 | |
she's going to be the Celebrity Apprentice, baby. | 1:00:26 | 1:00:28 | |
CHEERING AND APPLAUSE | 1:00:28 | 1:00:30 | |
Now there's a group that really loves Annie. | 1:00:33 | 1:00:37 | |
Joan Rivers, not so much. Let's get back to the task. | 1:00:37 | 1:00:42 | |
Let me explain something. I have incredible respect for someone | 1:00:51 | 1:00:54 | |
-who's lasted in the business as long as Joan has. -Not just lasted, dominated. | 1:00:54 | 1:00:58 | |
Yeah. No question. | 1:00:58 | 1:01:01 | |
-Unbelievable. -She's an amazing lady but she's not a nice lady. | 1:01:01 | 1:01:05 | |
-I think she's joking around. -You haven't been here since week three. | 1:01:05 | 1:01:09 | |
You don't know what she has done. Yeah... | 1:01:09 | 1:01:12 | |
I've been maligned, and my character has been assassinated every week. | 1:01:12 | 1:01:18 | |
She started attacking me in the most personal, uncalled for way. | 1:01:18 | 1:01:23 | |
Really? What did she say? | 1:01:23 | 1:01:25 | |
She said that I was worse than Hitler and that I... | 1:01:25 | 1:01:28 | |
That's not personal. It's just a joke. | 1:01:28 | 1:01:30 | |
No, she said that I was despicable human being. | 1:01:30 | 1:01:33 | |
It went on and on, and it was every week in the boardroom. | 1:01:33 | 1:01:38 | |
Joan Rivers is a legend of comedy, though. | 1:01:38 | 1:01:41 | |
-That's a badge of honour, to get dissed by Joan Rivers. -No. | 1:01:41 | 1:01:44 | |
Yesterday, you should've heard those designers talking about her. | 1:01:44 | 1:01:48 | |
-I can't imagine... -Really got under your skin. | 1:01:48 | 1:01:51 | |
-You know what? Why... -All you do is talk about her. -Do you know why? | 1:01:51 | 1:01:54 | |
All you do is talk about her. Got under your skin. | 1:01:54 | 1:01:57 | |
PHONE RINGS | 1:02:01 | 1:02:02 | |
Chip, it's Joan Rivers. | 1:02:02 | 1:02:04 | |
I'm sorry about your mother. Are you OK? | 1:02:04 | 1:02:08 | |
I had one friend who knows every female impersonator in New York, | 1:02:13 | 1:02:17 | |
but his mother had just died | 1:02:17 | 1:02:19 | |
and I thought, "Can I? Should I?" | 1:02:19 | 1:02:23 | |
Chip? | 1:02:23 | 1:02:25 | |
I'm terribly sorry about your mother, but I need a favour. | 1:02:25 | 1:02:29 | |
I need female impersonators dressed as celebrities. | 1:02:29 | 1:02:34 | |
Do you have a name in your head somewhere, during your bereavement? | 1:02:34 | 1:02:40 | |
CHIP LAUGHS | 1:02:43 | 1:02:44 | |
I'm so sorry... | 1:02:53 | 1:02:55 | |
-What time is your service over? -CHIP LAUGHS | 1:03:03 | 1:03:06 | |
-Thank you, my angel. Bye-bye. -Good luck. -Thank you. Bye-bye. | 1:03:12 | 1:03:16 | |
-MELISSA: -Thank God he got hysterical. -I knew he would laugh. | 1:03:16 | 1:03:19 | |
-I'm delivering the dress. -I know. I knew when I saw you it was going to be something wonderful. | 1:03:30 | 1:03:34 | |
We have some amazing charity auction items. | 1:03:34 | 1:03:37 | |
-They started pouring in during the day. -This is gorgeous. | 1:03:37 | 1:03:41 | |
'We had a custom dress my Amsale, | 1:03:41 | 1:03:44 | |
'game worn Favre jersey, jewellery, | 1:03:44 | 1:03:47 | |
'coats, clothing, a necklace worn by Hillary Clinton.' | 1:03:47 | 1:03:52 | |
'The items were unbelievable,' | 1:03:52 | 1:03:54 | |
and there was stuff there I wanted to buy. | 1:03:54 | 1:03:56 | |
Let me see what the background's going to look like right there. | 1:03:56 | 1:04:02 | |
My role today is recording video for each auction item. | 1:04:02 | 1:04:05 | |
Go. | 1:04:05 | 1:04:07 | |
The sports fan package includes on-field access prior to the game. | 1:04:07 | 1:04:11 | |
'Herschel shot me with the camera, I described each auction item, | 1:04:11 | 1:04:15 | |
'and we'll put those on the digital frames to be viewed.' | 1:04:15 | 1:04:19 | |
-This is a great package. -OK. Things that you share. | 1:04:19 | 1:04:23 | |
-Laughs. -Life. -It's so good. | 1:04:23 | 1:04:27 | |
'My mom and I have worked together for a lot of years, | 1:04:27 | 1:04:30 | |
'so you know how each other works. | 1:04:30 | 1:04:33 | |
'You know what the other one's thinking.' | 1:04:33 | 1:04:35 | |
So I made the decision to do a photo montage of things people share. | 1:04:35 | 1:04:42 | |
So suddenly we had the tie-in with EasyShare. | 1:04:42 | 1:04:44 | |
Can I take a picture of you two sharing music? Do Elvis, Herschel. | 1:04:44 | 1:04:49 | |
So we've definitely integrated the actual product | 1:04:50 | 1:04:53 | |
and the brand into the entire theme of the party. | 1:04:53 | 1:04:57 | |
Melissa, this is brilliant. | 1:04:57 | 1:04:58 | |
We've got these videos from Refugees International. | 1:04:58 | 1:05:03 | |
-Wouldn't this be great to have playing in a loop? -Oh, yeah. | 1:05:03 | 1:05:06 | |
We need to cut some of the pictures. | 1:05:06 | 1:05:08 | |
We had these amazing videos from Darfur. | 1:05:08 | 1:05:11 | |
What I decided was, let's use the frames | 1:05:11 | 1:05:13 | |
to integrate the frames in the charity. | 1:05:13 | 1:05:16 | |
Tom, I've got the timecodes for what needs to be cut out of the videos. | 1:05:16 | 1:05:20 | |
7.10-7.22, 7.52-8.34 and then end it at 9.54. OK? | 1:05:20 | 1:05:26 | |
Annie had a few DVDs that she wanted to load in to the frames, | 1:05:26 | 1:05:29 | |
so I shot the video off of the computer screen | 1:05:29 | 1:05:32 | |
and then was able to edit and load it like that into the frame. | 1:05:32 | 1:05:35 | |
That's basically what I've been doing for 20 years, | 1:05:35 | 1:05:39 | |
shoot videos with video cameras and then edit them. That's what I do. | 1:05:39 | 1:05:43 | |
You're shooting the whole thing. The point was to cut out this stuff. | 1:05:43 | 1:05:47 | |
No, I cut out the stuff you said for me to. | 1:05:47 | 1:05:49 | |
No, I said that you had to cut all this out too. | 1:05:49 | 1:05:52 | |
-No, you said from five... -No, I gave you three... Listen. | 1:05:52 | 1:05:55 | |
Tom, I handed you a list. | 1:05:55 | 1:05:56 | |
Any way I need to steal this from you right now. | 1:05:58 | 1:06:01 | |
That's why I handed you the list of timecodes. | 1:06:01 | 1:06:04 | |
I hate it when people don't listen. | 1:06:04 | 1:06:07 | |
'Tom Green is a sensitive dude, | 1:06:07 | 1:06:08 | |
'because if you say anything to him | 1:06:08 | 1:06:11 | |
'that's direct, like, "You didn't do this right", | 1:06:11 | 1:06:13 | |
'he gets his nose out of joint.' | 1:06:13 | 1:06:16 | |
But what am I going to do? He was my last pick. | 1:06:16 | 1:06:18 | |
Just don't really want to get into it with her, cos I don't care. | 1:06:18 | 1:06:23 | |
It's like a poker player yelling at me. | 1:06:25 | 1:06:28 | |
-It's not going to be what I want and I'm the -BLEEP -project leader | 1:06:28 | 1:06:31 | |
-and no wonder he got fired in the third -BLEEP -week. | 1:06:31 | 1:06:34 | |
I was basically done, and she comes over and was like, | 1:06:34 | 1:06:36 | |
"You're not shooting the right part", | 1:06:36 | 1:06:38 | |
-and I'm like, "Oh, God, shut the -BLEEP." | 1:06:38 | 1:06:42 | |
The video is 0-5.27. That's five minutes and 27 seconds. | 1:06:42 | 1:06:46 | |
-So you just took out all this? -Yeah, all that. | 1:06:46 | 1:06:48 | |
-But there were starving kids. -There's starving kids there too. Trust me. | 1:06:48 | 1:06:52 | |
-It's five minutes of starving kids. -Let me see it. -It's fine. | 1:06:52 | 1:06:55 | |
Just watch the video. It's perfect. It's what I do. | 1:06:55 | 1:06:57 | |
I know that. She was just so specific with me. | 1:06:57 | 1:06:59 | |
I'm not going to tell you how to play poker. So just, you know. | 1:06:59 | 1:07:03 | |
I'm not talking about how to do videos, Tom. | 1:07:03 | 1:07:05 | |
Just put the video in, it's perfect. It's done. | 1:07:05 | 1:07:08 | |
'Because she was not able to trust that I did it right, | 1:07:08 | 1:07:11 | |
'she had to come in and not only micromanage, but also condescend' | 1:07:11 | 1:07:15 | |
and critique you, as if you had screwed up, when I hadn't. | 1:07:15 | 1:07:18 | |
So, that's annoying. | 1:07:18 | 1:07:20 | |
It's... It's fine, Tom, thank you. | 1:07:20 | 1:07:23 | |
HE LAUGHS | 1:07:25 | 1:07:26 | |
This is very frightening. I think these are too many. | 1:07:33 | 1:07:36 | |
It looks like we're pushing you too much. | 1:07:36 | 1:07:39 | |
Somebody decided it was OK for me to do them all, so I did. | 1:07:39 | 1:07:43 | |
I thought it was a great idea but this looks like a line-up. | 1:07:43 | 1:07:47 | |
There was picture frame after picture frame after picture frame of Clint. | 1:07:47 | 1:07:52 | |
Suddenly, it became the Clint Black Show. | 1:07:52 | 1:07:56 | |
Take every third of him away. You cannot have it. It is not about him. | 1:07:56 | 1:08:00 | |
'Clint has an amazing ego. If he went to a bar, he would pick up himself.' | 1:08:00 | 1:08:05 | |
-It is just ridiculous. -BLEEP -ridiculous. | 1:08:05 | 1:08:08 | |
This is not about Clint. | 1:08:08 | 1:08:10 | |
This is about God's Love We Deliver for Kodak. | 1:08:10 | 1:08:13 | |
I should have God's Love people describing the products. Stupid. | 1:08:13 | 1:08:18 | |
Hey. How are you? | 1:08:19 | 1:08:21 | |
Just to up the star quotient, | 1:08:21 | 1:08:23 | |
we have hired a number of celebrity impersonators. | 1:08:23 | 1:08:27 | |
You are to say, "Come take a picture," and then, | 1:08:27 | 1:08:29 | |
"Buy a frame for charity." | 1:08:29 | 1:08:32 | |
-'We ended up with two Liza's...' -This is Chris... | 1:08:32 | 1:08:35 | |
-'..a Carol Channing...' -You're a star! Yes, you are! | 1:08:35 | 1:08:40 | |
'..Cher...' | 1:08:40 | 1:08:41 | |
It's God's Love We Deliver, babe. | 1:08:41 | 1:08:43 | |
'..and of course we had the Joan Rivers impersonator.' | 1:08:43 | 1:08:46 | |
No-one can put on a better event than my mother. | 1:08:46 | 1:08:49 | |
I need you to get a camera and start doing behind-the-scenes. | 1:08:49 | 1:08:53 | |
-What's that? -Behind-the-scenes photos. | 1:08:53 | 1:08:55 | |
You can load them onto our Celebrity Apprentice frame, right? | 1:08:55 | 1:08:59 | |
And then it will just be behind-the-scenes at the final event. | 1:08:59 | 1:09:02 | |
The Celebrity Apprentice frame had not been paid much attention to, | 1:09:02 | 1:09:06 | |
so I gave that to Tom and said, "You own that piece of it, | 1:09:06 | 1:09:09 | |
"let me and Brande take care of the rest." | 1:09:09 | 1:09:12 | |
Sexy. | 1:09:17 | 1:09:19 | |
That's a weird one. | 1:09:19 | 1:09:20 | |
Awesome. | 1:09:21 | 1:09:23 | |
I think we are in such good shape. | 1:09:29 | 1:09:32 | |
When we lost our party planner, | 1:09:32 | 1:09:34 | |
it became an insane challenge with a deadline, | 1:09:34 | 1:09:38 | |
but the room, I thought, had come together wonderfully. | 1:09:38 | 1:09:43 | |
I think this is such a good idea. | 1:09:43 | 1:09:46 | |
'Going through the picture frame was terrific.' | 1:09:46 | 1:09:50 | |
Of course you walk through the frame. That's your merchandising. | 1:09:50 | 1:09:54 | |
I want to thank everybody, everybody, everybody, | 1:09:57 | 1:10:00 | |
you have killed yourselves. | 1:10:00 | 1:10:03 | |
I cannot tell you how grateful I am, even though nobody is listening. | 1:10:03 | 1:10:07 | |
APPLAUSE | 1:10:08 | 1:10:11 | |
Hooray! | 1:10:11 | 1:10:13 | |
Thank you. | 1:10:13 | 1:10:15 | |
'It was incredible.' | 1:10:15 | 1:10:17 | |
The whole thing was such a coming together of God's Love. | 1:10:17 | 1:10:21 | |
And let me tell you, God's Love We Delivered. | 1:10:21 | 1:10:25 | |
-I got it. -ALL: Thank you. | 1:10:25 | 1:10:27 | |
Dad, I so can't talk right now, I love you, bye. I got to go. | 1:10:34 | 1:10:38 | |
Goodbye. | 1:10:38 | 1:10:40 | |
Can we dust off the chairs? | 1:10:42 | 1:10:44 | |
-All you guys have to do is look pretty. -That's awesome. | 1:10:44 | 1:10:48 | |
It's heavy, come on. | 1:10:48 | 1:10:49 | |
'I have been to a lot of silent auctions | 1:10:49 | 1:10:51 | |
'and they were really high end and really classy.' | 1:10:51 | 1:10:55 | |
So that was really what I was trying to accomplish. | 1:10:55 | 1:10:58 | |
Are these all the stools, or are they just the stool samples(?) | 1:10:58 | 1:11:01 | |
-MAN: -Let's go, 12 minutes. | 1:11:01 | 1:11:04 | |
I need my charity pamphlets right now. I need a Darfur frame. | 1:11:07 | 1:11:10 | |
I need pens for the auction! | 1:11:10 | 1:11:12 | |
I need my Pamela Anderson picture! | 1:11:12 | 1:11:14 | |
I need this off of here. | 1:11:14 | 1:11:15 | |
I need power... I need help! | 1:11:15 | 1:11:17 | |
-All right, guys, I think we're ready. -It looks awesome, man. | 1:11:19 | 1:11:23 | |
It's as good as it was going to get in this amount of time. | 1:11:23 | 1:11:26 | |
Anybody who isn't part of the party needs to be out of the room. | 1:11:26 | 1:11:29 | |
We're opening doors, everybody. | 1:11:29 | 1:11:32 | |
-It's showtime. -Whoo! | 1:11:35 | 1:11:37 | |
I have to tell you, one of the things I love about Joan Rivers | 1:11:38 | 1:11:42 | |
is that she is absolutely a businesswoman. | 1:11:42 | 1:11:45 | |
How could you not love her? | 1:11:45 | 1:11:47 | |
I like anyone who wears as much make-up as me. | 1:11:47 | 1:11:49 | |
LAUGHTER | 1:11:49 | 1:11:51 | |
-She better beat that poker player. -Poker? I hardly even know her(!) | 1:11:51 | 1:11:55 | |
LAUGHTER | 1:11:55 | 1:11:57 | |
I think she is the complete Celebrity Apprentice. I mean, she has it all. | 1:11:57 | 1:12:03 | |
And I love her. | 1:12:03 | 1:12:05 | |
-Are we ready to go? -It's showtime. -For Joan! -For Joan! | 1:12:06 | 1:12:10 | |
Hey, Joan, this is for you. | 1:12:11 | 1:12:14 | |
From all of us queens to the queen of fundraising. | 1:12:14 | 1:12:16 | |
-Godspeed. Go get 'em. -Let's go, girls. | 1:12:16 | 1:12:19 | |
Let 'em have it, Joan. | 1:12:19 | 1:12:22 | |
I have no response to that. Let's get on with the Kodak task. | 1:12:25 | 1:12:30 | |
I love your suits, they are fabulous. | 1:12:47 | 1:12:49 | |
On this final task, | 1:12:49 | 1:12:50 | |
we had to do your silent auction to bring in money for our charity, | 1:12:50 | 1:12:53 | |
and get a lot of celebrities. | 1:12:53 | 1:12:56 | |
-How are you? -Good. How are you? -Great, come in. You look great. | 1:12:56 | 1:13:00 | |
So, we had a Joan Rivers lookalike on the red carpet. | 1:13:00 | 1:13:03 | |
Here we go. OK. | 1:13:03 | 1:13:06 | |
-You don't want us to even talk to her, right? -That's not Joan Rivers. | 1:13:07 | 1:13:11 | |
-I assumed it was. -That's a drag queen looking nicer than her. | 1:13:11 | 1:13:14 | |
OK. Come on, you two. | 1:13:15 | 1:13:17 | |
Mr and Mrs Rodman would like to take a picture with you. | 1:13:19 | 1:13:23 | |
'Dennis's outfit was absolutely gorgeous, darling.' | 1:13:26 | 1:13:31 | |
It really made a fun photo opportunity. | 1:13:31 | 1:13:34 | |
'All of our guests loved taking pictures with Dennis.' | 1:13:34 | 1:13:38 | |
Dennis, you look flamboyantly great, man. | 1:13:38 | 1:13:40 | |
Have you found anything you like? Howard is donating 100,000. | 1:13:42 | 1:13:46 | |
He has to find things he likes. | 1:13:46 | 1:13:47 | |
My whole thing was that I wanted something really classy. | 1:13:50 | 1:13:55 | |
This is supposed to be a high-end, VIP event. So I'm really happy. | 1:13:55 | 1:13:58 | |
I think there is a very sophisticated look to the room | 1:13:58 | 1:14:01 | |
and that's what I wanted. | 1:14:01 | 1:14:03 | |
-How are you doing? -This is Howard. He is absolutely one of the best | 1:14:03 | 1:14:06 | |
-poker players in the world. -Amazing performance the other day... | 1:14:06 | 1:14:10 | |
'All the celebrities we lined up showed up. | 1:14:10 | 1:14:12 | |
'We had Barnard Hopkins, the longest reigning middleweight champion.' | 1:14:12 | 1:14:16 | |
Thank you for coming... | 1:14:16 | 1:14:17 | |
'Joe Frazier, | 1:14:17 | 1:14:18 | |
'Oksana Baiul, the skating champion, | 1:14:18 | 1:14:21 | |
'and a lot of the famous poker players, like Phil Hellmuth, | 1:14:21 | 1:14:24 | |
'who's really the most famous poker player in the world.' | 1:14:24 | 1:14:27 | |
Come here, baby. | 1:14:27 | 1:14:29 | |
-I've got something really special for you. -You do? | 1:14:29 | 1:14:32 | |
-Check this out. -I like that. | 1:14:32 | 1:14:35 | |
Here we go. Vegas night out with world-famous poker player Annie Duke. | 1:14:35 | 1:14:39 | |
This was Annie's big day and she was on, | 1:14:40 | 1:14:43 | |
running around and making sure everyone was having a good time. | 1:14:43 | 1:14:47 | |
-Should I outbid your brother? -I think you should. -OK. | 1:14:47 | 1:14:51 | |
Doing what she does best, getting those bids up higher, | 1:14:51 | 1:14:53 | |
making sure she gets her donors to give more money. | 1:14:53 | 1:14:57 | |
She really shined. | 1:14:57 | 1:14:59 | |
-You guys live in LA? -No. -This is LA, baby. | 1:14:59 | 1:15:02 | |
-No, it's not, it's New York. -SDK! -SDK, New York... | 1:15:02 | 1:15:05 | |
I think the party we threw could've been a lot better, | 1:15:09 | 1:15:12 | |
a lot more extravagant. | 1:15:12 | 1:15:13 | |
You can bring entertainment for cheap money, | 1:15:13 | 1:15:17 | |
but she wanted everything her way. | 1:15:17 | 1:15:20 | |
If I buy Bill's, does that mean he comes to my charity event? | 1:15:20 | 1:15:23 | |
-Yes, yes, he has to do. -He does? | 1:15:23 | 1:15:25 | |
It's one of those parties that people that spend money | 1:15:25 | 1:15:28 | |
for charity rub elbows and network. | 1:15:28 | 1:15:31 | |
That's what it was. No more than that. Just networking. | 1:15:31 | 1:15:34 | |
MANIC LAUGHTER | 1:15:38 | 1:15:40 | |
Cirque du Soleil sent three of the characters from the show to come | 1:15:45 | 1:15:48 | |
and interact with everybody. which I thought was really cool. | 1:15:48 | 1:15:52 | |
Hello, hello and welcome, nice to see you, hello. | 1:16:13 | 1:16:16 | |
Annie has people who have cash stuck in their shoes. | 1:16:16 | 1:16:19 | |
'I don't have those people. | 1:16:19 | 1:16:21 | |
'So, if we were going to win, we had to win on all the other criteria. | 1:16:21 | 1:16:26 | |
'So I knew we had to do fun things. Everybody got a boa. | 1:16:26 | 1:16:29 | |
'Everybody got to take a picture with a celebrity.' | 1:16:29 | 1:16:33 | |
-The Rivers party, for God's Love We Deliver. -Happy to be here. | 1:16:35 | 1:16:38 | |
-A real celebrity! -I'm on the A-list for one night! | 1:16:38 | 1:16:44 | |
-Thank you so much for coming. -I've brought... -Oh, my God! | 1:16:44 | 1:16:47 | |
'It was just great and they all worked together. | 1:16:49 | 1:16:53 | |
'The real celebrities took pictures with the fake celebrities. | 1:16:53 | 1:16:57 | |
'It's a silent auction I would love to go to.' | 1:16:57 | 1:16:59 | |
-Why do I think that this involves me donating money in some way? -It does. | 1:16:59 | 1:17:02 | |
OK, good. | 1:17:02 | 1:17:04 | |
'The energy was great.' | 1:17:04 | 1:17:06 | |
It was not necessarily chic and fancy and New York-sophisticated. | 1:17:06 | 1:17:12 | |
It was very much fun. There are people who brought their kids. | 1:17:12 | 1:17:15 | |
I took a picture with Cathy Irving on my Kodak digital frame | 1:17:19 | 1:17:23 | |
and it was just the best time of my life, I loved it. | 1:17:23 | 1:17:27 | |
-What shall be bid on? -I don't know. I like everything. Everything's amazing. | 1:17:28 | 1:17:33 | |
We invited families, so I had to make our silent auction items | 1:17:33 | 1:17:37 | |
at prices that families could afford. | 1:17:37 | 1:17:40 | |
'We had a Miley Cyrus T-shirt, sports paraphernalia. | 1:17:40 | 1:17:45 | |
'It was about giving what they could afford to charity.' | 1:17:45 | 1:17:49 | |
Thank you so much. | 1:17:49 | 1:17:51 | |
-Moneywise, we are doing -BLEEP, -but, fun-wise, it's a great party. | 1:17:51 | 1:17:55 | |
-How are you? And welcome. You look fabulous. -Thank you, so do you. | 1:18:06 | 1:18:09 | |
-Thank you so much. -There's my guy. Look at that. | 1:18:09 | 1:18:15 | |
-Welcome, welcome to our star-studded event. -Proud of you, Joan. | 1:18:17 | 1:18:23 | |
-Oh, my God! Oh, God! What a surprise! -You should win this competition. -What a surprise! | 1:18:23 | 1:18:28 | |
-..The cast from Chicago. -Hi! | 1:18:28 | 1:18:32 | |
Hi, folks. That's great. Hello, everybody. Liza. | 1:18:32 | 1:18:37 | |
-Are you happy with Joan? -Joan did well, all in all. | 1:18:37 | 1:18:42 | |
-It turned out well. -Do you think she will win? -Every time. Every time. | 1:18:42 | 1:18:45 | |
Hello, how are you? How are you? | 1:18:46 | 1:18:49 | |
-This is Mr Joe Frazier. -Hey, baby. | 1:18:49 | 1:18:52 | |
-Hey! You look great. How you been, man? -You look great. | 1:18:52 | 1:18:56 | |
-I watched your last fight. That was an easy one. -I made it easy. | 1:18:56 | 1:19:01 | |
-Do you think you did well in this? -I think I did. | 1:19:02 | 1:19:04 | |
-Did Dennis do a good job? -He did exactly what I wanted him to do. | 1:19:04 | 1:19:08 | |
-Good. Good, Annie. -Everybody, there's about ten more minutes left, | 1:19:08 | 1:19:12 | |
so please get your bids down. Ten more minutes. | 1:19:12 | 1:19:16 | |
25,000 for a round of golf with Natalie, | 1:19:16 | 1:19:19 | |
that should get it done, right? | 1:19:19 | 1:19:21 | |
-There should be a bid on everything. -That's what I told her. | 1:19:21 | 1:19:24 | |
If there's something without a bid, you put a bid on it. | 1:19:24 | 1:19:27 | |
Oh, wow. | 1:19:27 | 1:19:30 | |
-Joan, how are you? -We are having many Kodak moments. | 1:19:30 | 1:19:33 | |
-Good to see you. -Hi. -Good to see you. Nice job. Very nice job. | 1:19:33 | 1:19:38 | |
Thank you. We kept the Kodak branding on everything. | 1:19:38 | 1:19:40 | |
-And this is the one that we made for you. -OK. -A special one. | 1:19:40 | 1:19:44 | |
Easy to share, like that. So you just shot different things, | 1:19:44 | 1:19:48 | |
-friends, did you just grab people? -Yes. | 1:19:48 | 1:19:50 | |
'One of the big tasks was to present me' | 1:19:50 | 1:19:52 | |
with the Celebrity Apprentice limited-edition frame. | 1:19:52 | 1:19:55 | |
'Joan's team, all the details were nice. | 1:19:55 | 1:19:58 | |
'Lots of use of branding, so that was exciting.' | 1:19:58 | 1:20:01 | |
-Annie? -Hi, how are you? -Good to see you. How are you? | 1:20:01 | 1:20:06 | |
-How's it going? -Good. -Going well? -Yes. -You look like you've got quite an event here. -We do. | 1:20:06 | 1:20:12 | |
So, what we did was behind the scenes, | 1:20:12 | 1:20:14 | |
so people could get a glimpse into what it's like to put on a finale. | 1:20:14 | 1:20:17 | |
-Is this your charity? -This is Refugees International, | 1:20:17 | 1:20:20 | |
that's my charity, an advocacy group for refugees around the world. | 1:20:20 | 1:20:24 | |
When I walked into Annie's party I saw some great things. | 1:20:24 | 1:20:27 | |
I really love the use of the frames in telling about the charity. | 1:20:27 | 1:20:30 | |
It was wonderful. | 1:20:30 | 1:20:32 | |
Everybody, we've got about five more minutes left | 1:20:32 | 1:20:35 | |
so please place your final bids! | 1:20:35 | 1:20:37 | |
-I got to go bid. -OK, quick. | 1:20:39 | 1:20:41 | |
It's great to see all the bids. | 1:20:43 | 1:20:46 | |
I love Joan Rivers and I had two uncles that passed away from AIDS... | 1:20:52 | 1:20:55 | |
So she gave me... | 1:20:55 | 1:20:57 | |
So I gave her 50,000 to help... | 1:20:57 | 1:21:00 | |
..to help with that. | 1:21:02 | 1:21:03 | |
But she gave it to me in two cheques. | 1:21:03 | 1:21:08 | |
One for each uncle. | 1:21:08 | 1:21:11 | |
Yeah. | 1:21:11 | 1:21:12 | |
At the end of the party, I looked around and I thought | 1:21:12 | 1:21:16 | |
this has been one of the happiest moments of my life | 1:21:16 | 1:21:21 | |
because it just... | 1:21:21 | 1:21:23 | |
..it just was incredible. | 1:21:25 | 1:21:28 | |
And whether I win or lose, I won. | 1:21:28 | 1:21:31 | |
Because it put my whole charity into a whole different league for us, | 1:21:31 | 1:21:35 | |
so we won. | 1:21:35 | 1:21:38 | |
After the silent auction, we all got into the Kodak double-decker bus | 1:21:45 | 1:21:49 | |
and headed to Wintuk, | 1:21:49 | 1:21:51 | |
and that was part the whole party experience for people who'd bought the 80 tickets. | 1:21:51 | 1:21:55 | |
-Team Annie! -Team Annie! -Go, Annie, go, Annie, go Annie! | 1:21:55 | 1:21:59 | |
ALL: Go, Annie, go, Annie! | 1:21:59 | 1:22:01 | |
'I really am very happy with my experience.' | 1:22:01 | 1:22:04 | |
To know how much people were willing to come to the mat for me when I needed them | 1:22:04 | 1:22:08 | |
is an amazing feeling to walk out with. | 1:22:08 | 1:22:11 | |
We went to the show and it was kind a surreal moment. | 1:22:24 | 1:22:27 | |
We did everything we came out to accomplish on the show | 1:22:27 | 1:22:30 | |
and then walking out into that beautiful winter wonderland | 1:22:30 | 1:22:34 | |
of Wintuk, and it was just a very nice way to end the competition. | 1:22:34 | 1:22:39 | |
Ladies and gentlemen, Herschel Walker! | 1:22:39 | 1:22:41 | |
'We were all sitting there, everybody was, like,' | 1:22:41 | 1:22:44 | |
"OK, this is done now, done the final challenge," | 1:22:44 | 1:22:47 | |
'and I think it was a good moment for everybody | 1:22:47 | 1:22:49 | |
just to hang out, enjoy a great show and let off a little steam. | 1:22:49 | 1:22:52 | |
As sat there, watching this glorious show in front of us, | 1:23:06 | 1:23:11 | |
I kept thinking | 1:23:11 | 1:23:13 | |
the whole thing was such a coming together, | 1:23:13 | 1:23:16 | |
everybody had fun doing, | 1:23:16 | 1:23:18 | |
it was such an amazing event for me. | 1:23:18 | 1:23:21 |