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Last season on Celebrity Apprentice, we stormed New York and raised millions for charity. | 0:00:05 | 0:00:11 | |
But there's plenty more dollars out there and I want it to go to the people that need it the most | 0:00:13 | 0:00:19 | |
and that's why I'm doing it again. | 0:00:19 | 0:00:21 | |
The stage has been set and now 16 new celebrities are fighting to meet the challenge... | 0:00:24 | 0:00:29 | |
Come on, people! We need all the money we can get! | 0:00:29 | 0:00:32 | |
-..any way they can. -Bring me 15,000 and I'll kiss you full on the mouth. | 0:00:32 | 0:00:37 | |
-Managers... -What a disaster! | 0:00:37 | 0:00:39 | |
-..gone! -Disgusting! | 0:00:39 | 0:00:42 | |
-Assistants, gone! -No bagels, no nothing. | 0:00:42 | 0:00:45 | |
-They're on their own... -I can't tie the tie. -..in the toughest challenge of their careers. -I can't do this! | 0:00:45 | 0:00:52 | |
-Last season was a battle. -I talk down to you? -You're out of talent! | 0:00:52 | 0:00:55 | |
-You think you're... -BLEEP -This time... -You are a piece of... -BLEEP -..and a stupid blonde! | 0:00:55 | 0:01:01 | |
-..it's war! -Shut up! -Then stop lying! | 0:01:01 | 0:01:04 | |
This makes me and Omarosa look like a tea party. | 0:01:04 | 0:01:07 | |
-Go, team! -They come to New York City armed with new connections... | 0:01:10 | 0:01:15 | |
-We have a cheque here from Tim McGraw for 5,000. -Tim McGraw! | 0:01:15 | 0:01:19 | |
..new passion and a new determination to win. | 0:01:20 | 0:01:25 | |
-I want to win. Get your head around the... -BLEEP -..task! | 0:01:25 | 0:01:28 | |
It's killing me. I would take the bullet in a second. | 0:01:28 | 0:01:31 | |
And all but one of them will...be...fired! | 0:01:31 | 0:01:36 | |
-You're fired! Go! -The Celebrity Apprentice starts now. | 0:01:40 | 0:01:45 | |
Previously, the women got down to business and forged their identity. | 0:01:45 | 0:01:51 | |
-Does anyone want to be project manager? -I'll be the first. | 0:01:51 | 0:01:54 | |
And the ladies were ready for battle... | 0:01:54 | 0:01:57 | |
-It doesn't matter what our name is. Let's get going. -How about Athena? Athena's the goddess of war. | 0:01:57 | 0:02:02 | |
Team Athena. | 0:02:02 | 0:02:04 | |
..while the men got off to a slower start. | 0:02:04 | 0:02:07 | |
-I think we should be Team FUBAR. -Oh, man! FUBAR! | 0:02:07 | 0:02:11 | |
And Scott Hamilton tried to focus the group. | 0:02:11 | 0:02:14 | |
-So name first? Do you have ideas? -The Kings Of The Universe. | 0:02:14 | 0:02:18 | |
-Just take the letters - KOTU. -I like KOTU. -But Heisman Trophy winner Herschel Walker took control. | 0:02:18 | 0:02:25 | |
What we need to do first is elect a project manager. | 0:02:25 | 0:02:28 | |
-Herschel? -Yeah, it seems like. | 0:02:28 | 0:02:30 | |
For their first task, the teams had to create, bake and sell cupcakes. | 0:02:30 | 0:02:35 | |
On KOTU, entrepreneur Jesse James was the quiet achiever. | 0:02:35 | 0:02:38 | |
We make the vehicle as attention-grabbing as possible. | 0:02:38 | 0:02:43 | |
I didn't think Jesse would bring anything to the table. It's fun to see somebody come to life. | 0:02:43 | 0:02:49 | |
We'll finish in the morning. We've got to get these out of the oven. | 0:02:49 | 0:02:53 | |
Poker champion Annie Duke was quick to alienate the rest of her team. | 0:02:53 | 0:02:57 | |
Mussolini made the trains run on time, but no Italian smiled. It was an Italian train station in there! | 0:02:57 | 0:03:03 | |
On KOTU, Andrew Dice Clay looked for an easy way out and Tom Green sensed trouble. | 0:03:03 | 0:03:10 | |
Herschel, I'm going over to Sirius Radio now. | 0:03:10 | 0:03:14 | |
He wants to do Sirius Radio. He's not doing anything anyway. | 0:03:14 | 0:03:18 | |
Clint and Herschel go, "Why don't you not make cupcakes?" I know they're trying to throw Dice under the bus. | 0:03:18 | 0:03:24 | |
-Both teams hit the streets to sell. -From Donny Deutsch, a cheque for 10,000! | 0:03:24 | 0:03:31 | |
-Big money showed up. -He paid 5,000 for this cupcake. | 0:03:31 | 0:03:34 | |
On Athena, playmate Brande Roderick immediately surprised her team. | 0:03:34 | 0:03:38 | |
5,000 for your charity. | 0:03:38 | 0:03:41 | |
I think Brande... She's a very smart woman lost in a gorgeous body. | 0:03:41 | 0:03:46 | |
-Project manager Herschel Walker stood by while Dennis Rodman checked out. -I can pick you up. | 0:03:46 | 0:03:52 | |
-When the totals were added... -The women sold 61,257-worth of cupcakes. | 0:03:52 | 0:03:59 | |
So, ladies, I congratulate you. | 0:03:59 | 0:04:02 | |
-Joan Rivers reaped the reward. -You won 126,000. | 0:04:02 | 0:04:07 | |
Joan, what's your charity? | 0:04:07 | 0:04:09 | |
-God's Love We Deliver. -Have fun. Thank you. Congratulations. | 0:04:09 | 0:04:13 | |
With the men's team losing, Andrew went after Herschel. | 0:04:13 | 0:04:17 | |
-Who would you fire if you were me? -I would fire Herschel | 0:04:17 | 0:04:21 | |
because it's the boss's job to delegate and tell everybody what he needs them to do. | 0:04:21 | 0:04:26 | |
-Herschel fought back. -You're wrong. I was on the corner with Tom Green. | 0:04:26 | 0:04:30 | |
The truth is, you didn't want to work. You wanted to do your thing. | 0:04:30 | 0:04:34 | |
But ultimately, Dice folded. | 0:04:34 | 0:04:37 | |
I didn't like making the cupcakes, so if anything, I'm willing to leave. | 0:04:37 | 0:04:43 | |
Herschel, he really fought to stay. | 0:04:43 | 0:04:46 | |
You wanted to quit. Andrew, you're fired. | 0:04:46 | 0:04:49 | |
Hey! | 0:04:56 | 0:04:58 | |
Oh! | 0:05:00 | 0:05:02 | |
You guys were yelling so loud. Oh, my gosh! | 0:05:03 | 0:05:06 | |
-What's in the boardroom stays in the boardroom? -Yeah. | 0:05:06 | 0:05:10 | |
-Will you tell us what happened? -I think when he said he wanted to quit, it was over. | 0:05:10 | 0:05:15 | |
It was like, "He is weak now." You can't be weak or he'll get rid of you. | 0:05:15 | 0:05:20 | |
I don't like to lose. I don't want to go back in that boardroom. | 0:05:20 | 0:05:24 | |
When I lose, I don't sleep. I'm ready to go to another task. We've got to get it up. | 0:05:24 | 0:05:29 | |
Tomorrow's a new day, bro. | 0:05:29 | 0:05:32 | |
I feel that while Herschel may not have made the best project manager, | 0:05:32 | 0:05:37 | |
for this team to move forward and win, | 0:05:37 | 0:05:40 | |
they will have to subordinate themselves to their project manager. | 0:05:40 | 0:05:44 | |
They'll have to respect his authority and not pull anything that will get in the way of the task. | 0:05:44 | 0:05:50 | |
Congratulations. 'It's difficult.' | 0:05:50 | 0:05:53 | |
I kind of predicted this as a possibility. | 0:05:53 | 0:05:55 | |
If they want to throw my good friend Dice under the bus, they want to throw me under the bus. | 0:05:55 | 0:06:01 | |
It's interesting. You can't really trust anyone. | 0:06:01 | 0:06:04 | |
CRACK OF THUNDER | 0:06:08 | 0:06:10 | |
# Money, money, money, money | 0:06:15 | 0:06:18 | |
# Money | 0:06:19 | 0:06:20 | |
# Money, money, money, money | 0:06:20 | 0:06:22 | |
# Money | 0:06:23 | 0:06:24 | |
# Some people got to have it | 0:06:24 | 0:06:28 | |
# Hey, hey | 0:06:28 | 0:06:30 | |
# Some people really need it | 0:06:30 | 0:06:33 | |
# Hey, listen to me, y'all Do things, do things, do things | 0:06:33 | 0:06:37 | |
# Bad things with it | 0:06:37 | 0:06:39 | |
# Dollar bills, y'all | 0:06:41 | 0:06:43 | |
# Come on That mean, oh, mean | 0:06:43 | 0:06:48 | |
# Mean green | 0:06:48 | 0:06:51 | |
# Almighty dollar | 0:06:51 | 0:06:54 | |
# I know that money... | 0:06:54 | 0:06:56 | |
# Give me a nickel, brother | 0:06:56 | 0:06:59 | |
# Can you spare a dime? | 0:06:59 | 0:07:01 | |
# Money can drive some people out of their mi-i-inds | 0:07:02 | 0:07:08 | |
# No good, no good | 0:07:09 | 0:07:11 | |
# Money | 0:07:11 | 0:07:12 | |
# Money, money, money, money | 0:07:12 | 0:07:15 | |
# Money! # | 0:07:15 | 0:07:16 | |
-Hello, hello, hello. -How are you today? -Good to see you. -You too. | 0:07:31 | 0:07:36 | |
I've been working with God's Love for 16 years now | 0:07:36 | 0:07:40 | |
and we really are a do-it-yourself charity. | 0:07:40 | 0:07:43 | |
-Here we have two bags. One's for Julia and one's for her two kids. -OK. | 0:07:43 | 0:07:48 | |
'One of the most exciting things about winning as project manager is you get the money for your charity. | 0:07:48 | 0:07:54 | |
'What we do at God's Love We Deliver | 0:07:54 | 0:07:57 | |
'is if you feel you can't leave your house, we send you your meals every single day.' | 0:07:57 | 0:08:02 | |
We started out with two bicycles and four delivery men | 0:08:02 | 0:08:06 | |
and we now do over 2,000 meals a day to our clients. | 0:08:06 | 0:08:10 | |
We are really a small charity and we do big things. | 0:08:10 | 0:08:15 | |
I want to thank you from the bottom of my heart, what you do for us. | 0:08:15 | 0:08:19 | |
The nice thing is you're surviving. | 0:08:19 | 0:08:22 | |
-I'm surviving. -Women are surviving breast cancer. | 0:08:22 | 0:08:25 | |
I'm a fighter. I'm living for myself and my kids. | 0:08:25 | 0:08:29 | |
All of our clients are sick | 0:08:29 | 0:08:31 | |
with HIV/AIDS, cancer, Alzheimer's or Parkinson's disease, | 0:08:31 | 0:08:35 | |
any life-altering illness. | 0:08:35 | 0:08:37 | |
I'm thrilled that we're here and I'm thrilled... | 0:08:37 | 0:08:40 | |
I have a surprise for you, Karen, my darling angel. | 0:08:40 | 0:08:44 | |
As you know, I've been working on Celebrity Apprentice. | 0:08:44 | 0:08:48 | |
And I have been project manager for one of the tasks and we won, | 0:08:48 | 0:08:54 | |
so I'm so excited because here is a cheque for God's Love We Deliver | 0:08:54 | 0:08:58 | |
for 125,716 dollars | 0:08:58 | 0:09:03 | |
and 39 cents. | 0:09:03 | 0:09:06 | |
-That's fabulous! -Is that great? -Thank you! | 0:09:06 | 0:09:10 | |
Part of this will go to help you when you recover from this next surgery, | 0:09:10 | 0:09:14 | |
help you, help Camille, | 0:09:14 | 0:09:17 | |
help Joshua, so that you don't have to worry about food. | 0:09:17 | 0:09:21 | |
-You just have to worry about getting well. -Thank you. -Good. -Good hug. | 0:09:21 | 0:09:25 | |
-Good morning. -ALL: Good morning. | 0:09:57 | 0:10:00 | |
On my left is Erin Burnett and, as you know, Don. | 0:10:00 | 0:10:04 | |
Erin and I have a great distinction. We did a show together called The Billionaire Inside, | 0:10:04 | 0:10:09 | |
-the number one rated show in the history of CNBC. Do you hear that, Joan? -I hear it. | 0:10:09 | 0:10:15 | |
-Do you hear it? Do you understand? -I hear it, Donald. -OK. | 0:10:15 | 0:10:18 | |
Today you're going to be working with a company - Zappos.com. Everybody's heard of Zappos, right? | 0:10:18 | 0:10:24 | |
And it's an e-commerce company. | 0:10:24 | 0:10:28 | |
Zappos in 1999 just started and today they're going to do over 1 billion-worth of sales. | 0:10:28 | 0:10:34 | |
And alongside of me is Tony, the CEO. Tony, tell me about the company. | 0:10:34 | 0:10:39 | |
At Zappos.com, we sell shoes, handbags and apparel. | 0:10:39 | 0:10:44 | |
We really want our brand to be about the very best customer service and experience, | 0:10:44 | 0:10:49 | |
so we've teamed with Image Comics | 0:10:49 | 0:10:52 | |
to provide you with artists and editors | 0:10:52 | 0:10:56 | |
to create a comic character | 0:10:56 | 0:10:59 | |
to communicate our focus on customer service and company culture as well. | 0:10:59 | 0:11:05 | |
Very simple. You'll create a costume and four-page comic for a character that promotes Zappos.com, | 0:11:05 | 0:11:11 | |
something they may end up using as a character on their website. | 0:11:11 | 0:11:16 | |
You'll have to pitch your ideas to a focus group to get feedback. Tony will pick the winner. | 0:11:16 | 0:11:21 | |
What I want you to do right now is pick your project manager. | 0:11:21 | 0:11:26 | |
Women, pick your project manager. Men, pick your project manager. | 0:11:26 | 0:11:30 | |
-She owns a clothing company, so it's perfect. -OK, great. Done. | 0:11:30 | 0:11:34 | |
Joan, who is your project manager? | 0:11:34 | 0:11:36 | |
-Our project manager today, we're very happy to say, is Khloe. -Khloe. Good. | 0:11:36 | 0:11:41 | |
'Zappos is an online store known for selling shoes, clothes and stuff like that.' | 0:11:41 | 0:11:46 | |
I own a clothing store, so maybe that's why I became project manager, | 0:11:46 | 0:11:50 | |
but I'm a little confused cos I'm not really familiar with online. | 0:11:50 | 0:11:54 | |
I vote for Scott. He's organised. | 0:11:54 | 0:11:57 | |
I'm very organised. | 0:11:57 | 0:11:59 | |
-Come on, men. How are you doing? -I think we should go with Scott. -We're good. | 0:11:59 | 0:12:04 | |
-Who have you chosen? -We've chosen Scott Hamilton. -I love Scott Hamilton. -Thank you, sir. | 0:12:04 | 0:12:10 | |
I think they saw me as the voice of reason last week | 0:12:10 | 0:12:14 | |
and the one that was really organised. | 0:12:14 | 0:12:17 | |
I'm not going to survive here by shying away from leadership. I can't do that. | 0:12:17 | 0:12:22 | |
So it's Khloe and Scott. | 0:12:22 | 0:12:24 | |
All right, the project manager of the winning team will get 20,000 for his or her charity. | 0:12:24 | 0:12:30 | |
The losing team will come to the boardroom. Somebody will be fired. | 0:12:30 | 0:12:34 | |
It won't be pleasant, but that's the way life is. OK? Good luck. Thank you. | 0:12:34 | 0:12:39 | |
-Hi. Melissa Rivers. -Hi. Tionne Watkins. | 0:12:52 | 0:12:55 | |
-Nice to meet you. -'The first order of business was to sit down with Tony,' | 0:12:55 | 0:13:00 | |
the CEO of Zappos.com. | 0:13:00 | 0:13:03 | |
Every marketing project has to do exactly what the client wants. What are they looking for? | 0:13:03 | 0:13:08 | |
Most people that know Zappos know us for the shoes, | 0:13:08 | 0:13:12 | |
but the Zappos brand is really just about the very best customer service. | 0:13:12 | 0:13:17 | |
When you call our Customer Loyalty Team, people aren't scripted, they're not trying to up-sell. | 0:13:17 | 0:13:23 | |
We just care about above-and-beyond customer service. | 0:13:23 | 0:13:26 | |
When we met with the executive, I was concerned about getting information. | 0:13:26 | 0:13:31 | |
I'm a poker player. I know how to do an end run around people. | 0:13:31 | 0:13:35 | |
You would like this comic book character to appeal equally to men and women? | 0:13:35 | 0:13:39 | |
That's for you guys to decide. What we care about is conveying our brand and our culture. | 0:13:39 | 0:13:45 | |
Do you like blondes or brunettes? | 0:13:45 | 0:13:48 | |
-What do you date? -Um...yes. | 0:13:48 | 0:13:51 | |
What colour of hair did the girl in your longest long-term relationship have? | 0:13:51 | 0:13:56 | |
-Or your wife? -Too bad if he doesn't like her any more! -In your longest relationship. | 0:13:56 | 0:14:01 | |
-I'm trying to get a feel here. -Which Angel did you like? | 0:14:01 | 0:14:05 | |
I will just say, you guys, don't think about what's appealing to me. | 0:14:05 | 0:14:09 | |
Think about what's appealing to our customers. | 0:14:09 | 0:14:12 | |
Thank you very much for your time. Hopefully, we can put something great together for you. | 0:14:12 | 0:14:18 | |
My name is Scott Hamilton. | 0:14:19 | 0:14:21 | |
-I'm the project manager. -Clint Black. | 0:14:21 | 0:14:24 | |
He can go to any comic book company | 0:14:24 | 0:14:26 | |
to come up with this character. He's coming to us neophytes to do this. We have to be professional. | 0:14:26 | 0:14:33 | |
Why a comic book character? | 0:14:33 | 0:14:35 | |
One of our core values is about having fun | 0:14:35 | 0:14:39 | |
and not being like other businesses where you have to wear a suit and a tie. | 0:14:39 | 0:14:45 | |
It's got to be funny. | 0:14:45 | 0:14:47 | |
Let me put it this way. Humour is not unacceptable. | 0:14:47 | 0:14:52 | |
I see you. Humour is something that is acceptable in a commercial, | 0:14:52 | 0:14:56 | |
then like...or, you know, | 0:14:56 | 0:14:58 | |
to..to try to get a laugh. | 0:14:58 | 0:15:01 | |
It could be an attempt at humour and it might not be funny. That wouldn't be good. | 0:15:03 | 0:15:08 | |
There are some types of characters that are very corporate. | 0:15:08 | 0:15:12 | |
Anybody else have any questions? Brian, you have a question? Dennis, got anything? | 0:15:12 | 0:15:17 | |
-I think we've taken up enough of your time. -Thank you. | 0:15:17 | 0:15:22 | |
Cool. | 0:15:22 | 0:15:23 | |
After we left the executive meeting, we went to the war room | 0:15:30 | 0:15:35 | |
to really start working. | 0:15:35 | 0:15:38 | |
Our task was to create a comic book character that best represented the qualities of Zappos.com. | 0:15:39 | 0:15:45 | |
What time is it? | 0:15:45 | 0:15:47 | |
Khloe was chosen as project manager because she owns retail stores, | 0:15:47 | 0:15:52 | |
so I think the team felt like she had a lot of retail experience, | 0:15:52 | 0:15:56 | |
but I don't think that this task is about retail. | 0:15:56 | 0:16:00 | |
What is this comic book being used for? | 0:16:00 | 0:16:02 | |
SEVERAL VOICES TALK AT ONCE | 0:16:02 | 0:16:06 | |
-Yeah, what about... -A gay man. | 0:16:06 | 0:16:09 | |
With superpowers... ALL TALK OVER EACH OTHER | 0:16:09 | 0:16:13 | |
We live in LA and New York. You can't have a gay man. It excludes the whole Midwest... | 0:16:13 | 0:16:18 | |
I don't want so many people talking over each other. | 0:16:18 | 0:16:21 | |
People love a hero. | 0:16:21 | 0:16:24 | |
-Can I throw one thing out? -Yeah. | 0:16:25 | 0:16:28 | |
'As strong a personality as Khloe is, I don't think she is comfortable with telling people what to do. | 0:16:28 | 0:16:34 | |
'Our team definitely has alpha females...' | 0:16:34 | 0:16:37 | |
..why they have their superpower, its origin. | 0:16:37 | 0:16:41 | |
I think our team would work so much faster | 0:16:41 | 0:16:44 | |
if a couple of these girls did not talk as much. | 0:16:44 | 0:16:48 | |
I mean, it's ridiculous. | 0:16:48 | 0:16:50 | |
I think we should get a midget and the midget says, | 0:16:50 | 0:16:54 | |
"We're long on service and short on frustration." | 0:16:54 | 0:16:59 | |
-Yeah, I thought... -Thank you, Joan. | 0:17:00 | 0:17:03 | |
TALKING OVER EACH OTHER RESUMES | 0:17:03 | 0:17:05 | |
If I could have one superpower, | 0:17:07 | 0:17:09 | |
I would shut up my team. | 0:17:09 | 0:17:12 | |
To be really successful, you have to separate yourself from 99% of the world. | 0:17:17 | 0:17:22 | |
You have to get out there and kick ass. You have to be able to handle pressure. | 0:17:22 | 0:17:27 | |
Now, we've got two very different people - | 0:17:27 | 0:17:30 | |
Scott Hamilton and Khloe. | 0:17:30 | 0:17:33 | |
Scott is a great, great champion. | 0:17:33 | 0:17:35 | |
Organisationally, we've got some issues to talk about. | 0:17:35 | 0:17:39 | |
He's won gold medals. He's handled pressure brilliantly. | 0:17:39 | 0:17:43 | |
Khloe, on the other hand, she's a young woman. She hasn't been really exposed to pressure. | 0:17:43 | 0:17:48 | |
We'll have to see what happens. | 0:17:48 | 0:17:51 | |
If you can't handle the pressure, people will walk all over you. | 0:17:51 | 0:17:55 | |
It is now 10.30 and we can't do anything. We cannot think of anything... | 0:17:57 | 0:18:04 | |
SEVERAL VOICES TALK AT ONCE | 0:18:04 | 0:18:06 | |
This week's task was to create a comic book character | 0:18:06 | 0:18:10 | |
to represent Zappos.com. | 0:18:10 | 0:18:13 | |
I'm going to blow a gasket in a minute. | 0:18:13 | 0:18:16 | |
We're just talking and none of us know what we're doing. We're going round in circles. | 0:18:19 | 0:18:25 | |
-We keep repeating the exact same thing. -I understand. | 0:18:25 | 0:18:28 | |
What we should do is divide into groups. We should have a design group and a script group. | 0:18:28 | 0:18:34 | |
I'd love to do the script with you. | 0:18:34 | 0:18:36 | |
'I'll do what I need to do to win. That will piss off my team-mates. Your job is to win the task,' | 0:18:36 | 0:18:42 | |
not worry about people's feelings. | 0:18:42 | 0:18:45 | |
Claudia and I would really love to be the people who go write the script if that's possible. | 0:18:45 | 0:18:50 | |
-Yeah. -Is that cool? -Definitely. | 0:18:50 | 0:18:53 | |
I let people go ahead and take their leader status. | 0:18:53 | 0:18:57 | |
If they want to run that position, fine. We've run businesses. It's why we're here. | 0:18:57 | 0:19:02 | |
But my mom has won a couple of Emmys for things like writing. | 0:19:02 | 0:19:05 | |
'Annie's taken over and decided she was going to write the presentation. | 0:19:08 | 0:19:13 | |
'I thought that was really stupid,' | 0:19:13 | 0:19:15 | |
considering I've had four plays that I've written on Broadway, | 0:19:15 | 0:19:19 | |
two series and a motion picture. | 0:19:19 | 0:19:22 | |
You're an idiot. | 0:19:22 | 0:19:24 | |
Let's do this orderly | 0:19:26 | 0:19:28 | |
and without too much excitement or emotion. | 0:19:28 | 0:19:32 | |
No chaos. | 0:19:32 | 0:19:34 | |
We're all coming from completely different places and I think we have to utilise that. | 0:19:34 | 0:19:40 | |
In figure-skating, the biggest thing is diversity of styles. | 0:19:40 | 0:19:43 | |
My experience as an ice show producer would be to draw on their talents, utilise our best assets | 0:19:43 | 0:19:50 | |
and win the task. | 0:19:50 | 0:19:52 | |
We should use one of us as the superhero. | 0:19:52 | 0:19:55 | |
You'd be a good superhero, Clint. You've got the hat. You'd be good. | 0:19:55 | 0:19:59 | |
-We don't want a comic book character with a cowboy hat. -Or Rodman or you? | 0:19:59 | 0:20:04 | |
I don't want to go down that route. | 0:20:04 | 0:20:06 | |
If we twist this thing around and make it cool, we can get a transvestite, a guy... | 0:20:06 | 0:20:11 | |
You can go get any transvestite. Guess what? | 0:20:11 | 0:20:14 | |
He can transform into this woman. He can fight in women's shoes. Boom! | 0:20:14 | 0:20:19 | |
I felt that Zappos.com, ultimately, was a family brand | 0:20:19 | 0:20:24 | |
and Dennis is so off the beaten path. | 0:20:24 | 0:20:27 | |
The whole commercial now is about gay guys and gay people now. | 0:20:27 | 0:20:31 | |
I didn't feel it was appropriate to the task or to the image of Zappos.com. | 0:20:31 | 0:20:37 | |
We're just... We're going over here. | 0:20:37 | 0:20:39 | |
Claudia, do you want to start a whiteboard and write stuff down? | 0:20:41 | 0:20:45 | |
We have "real" and "personal". Third over here is "speed". Do you agree with that? | 0:20:45 | 0:20:50 | |
-"Wow" is the theme. -Right. | 0:20:50 | 0:20:53 | |
Personally, cos our goal here is to come up with a character and a costume and a story line... | 0:20:53 | 0:20:59 | |
Personally, that's what I feel we need to turn back and focus on. | 0:20:59 | 0:21:03 | |
-Except this is going to... -Our goal is to do the character and the costume and the story line. | 0:21:03 | 0:21:08 | |
If we have time for any of that, obviously, all this stuff is great extra fluff. | 0:21:08 | 0:21:13 | |
As for Khloe as project manager, as the day has progressed, | 0:21:13 | 0:21:17 | |
she has gotten more comfortable and she took control of the situation. | 0:21:17 | 0:21:21 | |
At first, I thought she was a little timid, but now she's taken the bull by the horn. She's doing a good job. | 0:21:21 | 0:21:28 | |
I look at women saying, "I admire her," or, "She's beautiful." | 0:21:28 | 0:21:32 | |
A man looks at a woman cos she's gorgeous, so I think she should be a girl. | 0:21:32 | 0:21:37 | |
It's challenging to control eight very dominant women. | 0:21:37 | 0:21:40 | |
'I'm not here to baby-sit or control anyone, but to oversee and make sure everybody is not getting off track.' | 0:21:40 | 0:21:46 | |
-We are not going to go and ramble on. -No. | 0:21:46 | 0:21:50 | |
I'm with the artists. | 0:21:52 | 0:21:55 | |
-Our designers are here. -Great. Welcome to the zoo. | 0:21:55 | 0:21:58 | |
An editor and artist from Image Comics met with us, | 0:21:58 | 0:22:01 | |
but nothing had been established about the character and how it works with the product. | 0:22:01 | 0:22:07 | |
Time was crucial as we had a focus group coming. | 0:22:07 | 0:22:09 | |
A superhero could be someone cool with a certain amount... | 0:22:09 | 0:22:13 | |
But that's not the superhero. The customer's not the hero. | 0:22:13 | 0:22:17 | |
The guy falling off the building was never caught by other people. | 0:22:17 | 0:22:21 | |
'I don't like talking over people and I don't like to yell to get my point across.' | 0:22:21 | 0:22:26 | |
When you do that, people don't listen. | 0:22:26 | 0:22:29 | |
-Our favourite comic book character... -If we go into a focus group... Let me finish. | 0:22:29 | 0:22:35 | |
-Whereas if you... -'Every time someone talks,' | 0:22:35 | 0:22:38 | |
Clint just tells them to shut up. | 0:22:38 | 0:22:40 | |
-Let me finish my thought. -'And if someone talks over him,' | 0:22:40 | 0:22:44 | |
he starts yelling at you like you're an inconsiderate ass for talking over him when that's all he does. | 0:22:44 | 0:22:50 | |
Why don't we look through a bunch of products and they draw some of it? | 0:22:50 | 0:22:54 | |
-That's not a cartoon character. -It's a point of reference. | 0:22:54 | 0:22:58 | |
-We're looking for action figures. Transform herself into the computer. -What I'm telling you is... | 0:22:58 | 0:23:04 | |
The artists were sitting there with their pens on pieces of paper, | 0:23:04 | 0:23:09 | |
'waiting for Dennis Rodman to stop yelling at Clint Black...' | 0:23:09 | 0:23:12 | |
-He don't give a rat's ass! -'..for Scott to stop floundering around.' | 0:23:12 | 0:23:17 | |
-Bring it down. -'But Scott let the team argue and scream at each other.' | 0:23:17 | 0:23:21 | |
-It was outrageous. -You may feel like I've just insulted you. | 0:23:21 | 0:23:25 | |
-It's not insulting. It's not insulting. -What does any of this have to do with what we're trying to do? | 0:23:25 | 0:23:31 | |
-Nine years ago, he wasn't worth a... -BLEEP | 0:23:31 | 0:23:35 | |
Let's sit down. Let's figure out who it is, what she is. | 0:23:40 | 0:23:45 | |
Exactly. | 0:23:45 | 0:23:46 | |
Our task this week was | 0:23:46 | 0:23:49 | |
to create a comic book character for Zappos.com. | 0:23:49 | 0:23:52 | |
I have a vision, so maybe we show a housewife frustrated with customer service. | 0:23:52 | 0:23:58 | |
And our hero emerges and she maybe has lightning bolts | 0:23:58 | 0:24:02 | |
-because of zapping the customer service into the world. -OK. | 0:24:02 | 0:24:07 | |
Mizz Z. Let's call her Mizz Z, just to give her a name. | 0:24:07 | 0:24:10 | |
Mizz Z. "Don't you worry. Follow me." | 0:24:10 | 0:24:14 | |
'Joan came up with the name Mizz Z' | 0:24:14 | 0:24:17 | |
which was really cool because "Mizz" is M-I-Z-Z and then Z, | 0:24:17 | 0:24:21 | |
just like Zappos. | 0:24:21 | 0:24:23 | |
-"It's not just a dream at Zappos. It's reality." -Love it. -Perfect. | 0:24:23 | 0:24:27 | |
That's my little story, my little idea. | 0:24:27 | 0:24:30 | |
I got the idea. I just spit it out. They all loved it. | 0:24:30 | 0:24:34 | |
They all clapped. Almost everybody clapped. | 0:24:34 | 0:24:37 | |
Joan loved it. We were going to go with my idea and that was it. | 0:24:37 | 0:24:41 | |
What's going on? How's it going? | 0:24:41 | 0:24:44 | |
-Good. We finally got it. -Very nice. Very nice. What's the concept? | 0:24:44 | 0:24:49 | |
-I just... -Average Jane, cute, not beautiful, is turned into Mizz Z | 0:24:49 | 0:24:55 | |
and her job is to spread good customer service and the word out to all. | 0:24:55 | 0:25:00 | |
The slogan is, "It's not just a dream. It's Zappos." | 0:25:00 | 0:25:04 | |
Who came up with the slogan, the concept? | 0:25:04 | 0:25:06 | |
-Me. -She came up with the slogan. -And the concept. | 0:25:06 | 0:25:10 | |
'Donald Junior comes in. He said, "Whose idea was it?"' | 0:25:10 | 0:25:15 | |
Melissa said "mine" without any hesitation. | 0:25:15 | 0:25:18 | |
Hell, no! | 0:25:18 | 0:25:20 | |
It doesn't have bells and whistles. | 0:25:20 | 0:25:22 | |
'I didn't think it was appropriate to fight in front of him about whose idea it was, so I took the loss.' | 0:25:22 | 0:25:29 | |
As part of the task, we would be presenting in front of a focus group, | 0:25:32 | 0:25:37 | |
so we had to present our character and something about her origin and her superpower. | 0:25:37 | 0:25:42 | |
-I'm Khloe. -Hey, I'm Dan. Nice to meet you. -I'm Khloe. -Brian. | 0:25:42 | 0:25:47 | |
The purpose of a focus group is to tell you what they like and don't like about the character. | 0:25:47 | 0:25:52 | |
I'm Melissa. How are you guys all doing today? Melissa with an M. | 0:25:52 | 0:25:57 | |
-Let's just get started. -Any constructive criticism would be greatly appreciated. | 0:25:57 | 0:26:02 | |
I had Claudia pitch her idea to the focus group to get a reaction. | 0:26:02 | 0:26:07 | |
OK, so our character is called Mizz Z. | 0:26:07 | 0:26:10 | |
She's attractive, she's young, she's girl next door, but just a little bit cuter. | 0:26:10 | 0:26:15 | |
'The focus group were a bunch of typical comic book readers, like I'd imagine a comic book reader to be.' | 0:26:15 | 0:26:21 | |
The Z's kind of look like lightning bolts because this company is all about being fast. | 0:26:21 | 0:26:27 | |
These guys are not used to being around pretty women, just pretty women superheroes. | 0:26:27 | 0:26:32 | |
-It's all about customer service. -Her transformation would reflect that of the user of being electrified. | 0:26:32 | 0:26:39 | |
Do you think the shorts are too "hoochie mama"? | 0:26:39 | 0:26:42 | |
It's really odd. I never thought I'd be discussing comic books | 0:26:42 | 0:26:46 | |
with a Playboy Playmate | 0:26:46 | 0:26:48 | |
or talking to a Playboy Playmate, period. | 0:26:48 | 0:26:53 | |
You should have one definable Z, so we can pick her out from a distance. | 0:26:53 | 0:26:57 | |
- Just a bigger belt buckle? - Bigger belt buckle? | 0:26:57 | 0:27:00 | |
Yeah, like a bigger belt buckle. | 0:27:00 | 0:27:02 | |
Thank you so much for all your help and advice. | 0:27:02 | 0:27:05 | |
-Bye, guys. Thank you. -Bye, guys. -Thank you so much. | 0:27:05 | 0:27:10 | |
-We at least have our idea. -Yeah. -You feel better now. -Were those a group of virgins or what? | 0:27:10 | 0:27:16 | |
What do you guys think of the idea of a Zorro type character? | 0:27:21 | 0:27:26 | |
-No, no, no. -'Our focus group came in' | 0:27:26 | 0:27:28 | |
to listen to our ideas and give feedback. | 0:27:28 | 0:27:31 | |
Unfortunately, Scott didn't seem to have any control over the room. I felt like I needed to jump in. | 0:27:31 | 0:27:37 | |
Dennis's idea... | 0:27:37 | 0:27:39 | |
Woman comes home from work. | 0:27:39 | 0:27:42 | |
-She tucks the kids into bed. -I didn't say all that. -Something like that. | 0:27:42 | 0:27:46 | |
-OK, but something. -She's tired as... -BLEEP -She's tired as... -BLEEP | 0:27:46 | 0:27:51 | |
Tom Green, he just kind of went on a little bit of a tangent, | 0:27:51 | 0:27:55 | |
which was great, it was cool, but they didn't seem to have everything ready for us. | 0:27:55 | 0:28:00 | |
Did you guys know that Tom Green and Dennis Rodman would be pitching you comic books here? | 0:28:00 | 0:28:06 | |
Listen, his name is Senor Zappos. LAUGHTER | 0:28:06 | 0:28:10 | |
They were a focus group and we weren't focused. | 0:28:10 | 0:28:13 | |
There were so many people with so many agendas that it turned into a performance. | 0:28:13 | 0:28:19 | |
Maybe a motorcycle. He could be on a motorcycle. | 0:28:19 | 0:28:22 | |
I think the one most guilty of that was Tom. Tom was, you know, he was performing. | 0:28:22 | 0:28:27 | |
-Those are two ideas. -We're out of time. | 0:28:27 | 0:28:30 | |
-OK. -Thank you...very much. | 0:28:30 | 0:28:33 | |
We are so... | 0:28:33 | 0:28:35 | |
-HE LAUGHS -We are in so much trouble. | 0:28:38 | 0:28:41 | |
Well, that was entertaining. Um...yeah. | 0:28:42 | 0:28:45 | |
-We've got to pick a character and start working on it. -We need to get a design done, so I can make it. | 0:28:56 | 0:29:02 | |
'I had to make a costume in Brooklyn, but we were running out of time.' | 0:29:02 | 0:29:07 | |
I knew we ran the risk of not getting a design over there. | 0:29:07 | 0:29:10 | |
Everyone needs to pitch their idea. Everyone else, shut up. | 0:29:10 | 0:29:14 | |
-I'll pitch mine first. -Just shut up. -You just told me to pitch my idea. | 0:29:14 | 0:29:19 | |
-I said, "Shut up!" -OK. -You don't get it. This is not a joke. He can get fired. This is not a joke. | 0:29:19 | 0:29:25 | |
-Pitch your idea now. You're up. -OK, I will pitch my idea now. | 0:29:25 | 0:29:29 | |
-Senor Zappos... -We've heard this. -I've pitched it five times. | 0:29:29 | 0:29:34 | |
-Sit down. I heard it. I got it down. -Who else got one? -Clint? | 0:29:34 | 0:29:38 | |
She's smart enough to handle any job you give her. | 0:29:38 | 0:29:42 | |
-What does that look like? -She's every woman at her best. | 0:29:42 | 0:29:46 | |
If we're doing one character, it should be something that's achievable-looking. | 0:29:46 | 0:29:51 | |
Just so I can get out of here and get a costume made and you guys can cage-fight. | 0:29:51 | 0:29:56 | |
'I was looking at my watch and realising that we had to go. Scott's the project manager.' | 0:29:56 | 0:30:02 | |
You have to make a decision. That's what a leader does. | 0:30:02 | 0:30:05 | |
-It's a cluster... -BLEEP -..today. Without a doubt. | 0:30:05 | 0:30:08 | |
Scott, you've heard a lot of ideas. You're just going to have to decide. | 0:30:08 | 0:30:13 | |
This is a big job and he needs to decide this. | 0:30:13 | 0:30:16 | |
-What do you think we should do, Scott? -You have to tell us how you want to proceed. | 0:30:16 | 0:30:21 | |
I agree. | 0:30:21 | 0:30:23 | |
Let him draw. | 0:30:28 | 0:30:30 | |
I like that one. | 0:30:30 | 0:30:32 | |
This week's task was to create a comic book character | 0:30:32 | 0:30:35 | |
and present it to the CEO of Zappos. | 0:30:35 | 0:30:38 | |
We need to fit the costume on her. | 0:30:43 | 0:30:45 | |
'We have a model. It was going to be the comic for the presentation tomorrow.' | 0:30:45 | 0:30:50 | |
-How would you like to do it? -I could. -You're adorable. | 0:30:50 | 0:30:53 | |
-Yeah, if worse comes to worse, let's just have one of us do it. -She'd be adorable. | 0:30:53 | 0:30:59 | |
Joan asked me if I wanted to model the outfit. | 0:30:59 | 0:31:03 | |
She's probably better than any model we get. | 0:31:03 | 0:31:06 | |
Getting ready for this presentation is more nerve-wracking than golf. | 0:31:06 | 0:31:10 | |
Any time you have to perform well for a team and not only yourself, | 0:31:10 | 0:31:14 | |
you get that extra bit of jitters in your stomach. | 0:31:14 | 0:31:17 | |
RINGING TONE | 0:31:17 | 0:31:19 | |
-'Good morning, Geppetto Studios?' -Good morning, Geppetto Studios. | 0:31:19 | 0:31:23 | |
-We're looking for Scott. -That's me. | 0:31:23 | 0:31:26 | |
-So you are our costume designer? -'Yes.' | 0:31:26 | 0:31:30 | |
- Scott, we'll call you back. - Let me ask you... | 0:31:30 | 0:31:33 | |
-'When you're all screaming, I can't hear you.' -Scott, ssh, ssh, calm down. Touch velvet. | 0:31:33 | 0:31:38 | |
It calms you down. Are you straight or gay? | 0:31:38 | 0:31:41 | |
-'I'm gay.' -Oh, thank God! -'I love you, Joan.' | 0:31:41 | 0:31:44 | |
In that case, you and I are going to have the best time in the world. | 0:31:44 | 0:31:49 | |
-'OK.' -I can't wait to meet you. | 0:31:49 | 0:31:51 | |
I am going off with Tionne and Natalie to work on the costume. | 0:31:51 | 0:31:56 | |
-Bye, Joan! -Thank you, thank you, thank you. | 0:31:56 | 0:31:59 | |
I think Annie hurt the team tremendously | 0:31:59 | 0:32:02 | |
in not using me as a writer. | 0:32:02 | 0:32:04 | |
The frustration of not doing what I should be doing is very difficult. | 0:32:04 | 0:32:08 | |
Is it a him or a her? | 0:32:10 | 0:32:12 | |
I think it's got to be a her. | 0:32:12 | 0:32:15 | |
-I think the character is the customer. -Yeah. | 0:32:15 | 0:32:18 | |
This has to be about the customer. The person visiting the website gets power from the website. | 0:32:18 | 0:32:24 | |
So she's sort of a normal-looking character who all of a sudden, boom, flies in | 0:32:24 | 0:32:29 | |
and all these things are coming to her. We can develop that. | 0:32:29 | 0:32:33 | |
After another three hours of arguing, | 0:32:33 | 0:32:35 | |
here's an idea. There's a woman. She comes home from work. She's tired. | 0:32:35 | 0:32:40 | |
She doesn't have time to go shopping. She walks into her office. | 0:32:40 | 0:32:44 | |
She sits down at the computer and she gets sucked into the computer - handbags, shoes. | 0:32:44 | 0:32:49 | |
She comes out. She's got a smile on her face. The end. | 0:32:49 | 0:32:53 | |
-So let's start. -Do you see the kind of gloves that end here or here? | 0:32:53 | 0:32:58 | |
I think she should have gauntlets and I think the fold-down boots with tights. | 0:32:58 | 0:33:03 | |
- What colours? Metallic? - Yeah. | 0:33:03 | 0:33:06 | |
All right. See you guys. | 0:33:06 | 0:33:08 | |
'With the timelines we had, we needed to get our design team out to get the costume going. | 0:33:08 | 0:33:13 | |
'Clint, Herschel, me and Tom' | 0:33:13 | 0:33:15 | |
stayed behind to work the storyboard and really massage the character. | 0:33:15 | 0:33:20 | |
Hi there. How are you guys doing? | 0:33:20 | 0:33:22 | |
We just had a nice, long, creative brainstorming session. | 0:33:22 | 0:33:27 | |
You spent a lot more time debating who your character would be. | 0:33:27 | 0:33:30 | |
We went over a lot of character. | 0:33:30 | 0:33:33 | |
A working woman with a family. She's coming home from work. She has something she has to do. | 0:33:33 | 0:33:38 | |
She hasn't time to get ready for it. | 0:33:38 | 0:33:41 | |
So she, uh... | 0:33:43 | 0:33:45 | |
-She, um... -Tom, we need to keep going on that. -No more talking to me now. | 0:33:46 | 0:33:51 | |
I don't want to interrupt you from that. | 0:33:51 | 0:33:53 | |
'The men seem disorganised. They spent most of their day' | 0:33:53 | 0:33:57 | |
figuring out what the character would be and there's a race to the finish. | 0:33:57 | 0:34:01 | |
But they have a very clear storyline. They'd put some time into thinking about that. That's important. | 0:34:01 | 0:34:08 | |
-Do we have a character name? -Not yet. | 0:34:08 | 0:34:11 | |
Do we like the idea of it starting with the letter Z? Zelda? "Zanadu"? | 0:34:11 | 0:34:15 | |
Zappa? | 0:34:15 | 0:34:17 | |
"Unique baby names. | 0:34:17 | 0:34:19 | |
-"Z. Zada..." -Does this help you? | 0:34:19 | 0:34:22 | |
-Panel three... -"Zephira." -..finding everything she needs. | 0:34:22 | 0:34:25 | |
"Zayd." I'll yell out names. If you hear anything that appeals to you, write it down. | 0:34:25 | 0:34:30 | |
I kind of gave up on Tom. I couldn't listen to him any more. | 0:34:30 | 0:34:34 | |
I was so fed up with the constant interruption after interruption | 0:34:34 | 0:34:38 | |
after interruption that I couldn't hear him any more. | 0:34:38 | 0:34:41 | |
-"Zeyn." -Sorry, guys. We should have had this to you an hour or two ago. -"Zula." | 0:34:41 | 0:34:47 | |
'I think that I have been working pretty hard, actually.' | 0:34:47 | 0:34:51 | |
I definitely feel that there's a lack of respect | 0:34:51 | 0:34:54 | |
for my ideas and what I'm talking about in there. | 0:34:54 | 0:34:57 | |
All day, I've been trying to just really help Scott out, but it's been tricky. | 0:34:57 | 0:35:03 | |
All right, how about E, just E, three E's? | 0:35:03 | 0:35:06 | |
-"EEE"? -Like the drug ecstasy? | 0:35:06 | 0:35:09 | |
"Everywhere, everything, every time." | 0:35:09 | 0:35:12 | |
I chose the name "EEE" because we had to make a decision. | 0:35:12 | 0:35:15 | |
We came back to what this character does and it's about her power. | 0:35:15 | 0:35:20 | |
She can be everywhere, everything, every time. | 0:35:20 | 0:35:24 | |
We felt that it really represented Zappos.com - E-E-E. | 0:35:24 | 0:35:28 | |
-"Everywhere, everything, any time." -"Everywhere." -"Everywhere, everything, everywhere." | 0:35:28 | 0:35:33 | |
"Everything, everywhere, every time." | 0:35:33 | 0:35:36 | |
Scott freaked out and thought we couldn't come up with another name. | 0:35:36 | 0:35:41 | |
"Let's just call it EEE." | 0:35:41 | 0:35:43 | |
-Why not just this? Put that across her chest. -How about this? How about...? | 0:35:46 | 0:35:52 | |
Three E's? OK. | 0:35:53 | 0:35:56 | |
I think it's weird, but if you want to call her Triple E and put that on her chest... | 0:35:56 | 0:36:01 | |
Actually, wait. We should just... | 0:36:01 | 0:36:04 | |
"Che-e-ese." | 0:36:05 | 0:36:08 | |
"Che-e-ese." All right. | 0:36:09 | 0:36:11 | |
Are we locked in now with the name "EEE"? | 0:36:11 | 0:36:14 | |
-EEE. -EEE! | 0:36:14 | 0:36:16 | |
You are EEE! | 0:36:16 | 0:36:19 | |
The character's name is EEE. | 0:36:19 | 0:36:22 | |
"Everything, everywhere, every time." | 0:36:22 | 0:36:25 | |
And I wasn't crazy about it. | 0:36:25 | 0:36:28 | |
But we have to be loyal to our project manager. | 0:36:28 | 0:36:32 | |
I give that idea a 1.5. | 0:36:32 | 0:36:34 | |
And the Russian judge? A 4. | 0:36:34 | 0:36:37 | |
Hello? | 0:36:43 | 0:36:45 | |
Scott? | 0:36:47 | 0:36:49 | |
-Scott? -Yes. -Good to meet you. | 0:36:51 | 0:36:54 | |
We met with Scott. We had faxed him our concept. | 0:36:54 | 0:36:57 | |
He had everything ready for us. He had the boots and the skirt. | 0:36:57 | 0:37:01 | |
Oh, oh! This is so dominatrix! | 0:37:01 | 0:37:03 | |
This is great! | 0:37:03 | 0:37:06 | |
'We had to have a real costumed character, a real person.' | 0:37:06 | 0:37:10 | |
We wanted a cute "girl next door" type look and she was perfect. | 0:37:10 | 0:37:14 | |
-Nice! -Is it nice? -Oh, lovely! | 0:37:14 | 0:37:17 | |
'It was very nerve-wracking walking around in that outfit because it was so extreme.' | 0:37:17 | 0:37:22 | |
Very outside the box for me! | 0:37:22 | 0:37:25 | |
- Thank you. I appreciate it. - It was so great. | 0:37:25 | 0:37:28 | |
'It was Scott's decision | 0:37:33 | 0:37:35 | |
'to send Jesse, Dennis and myself here to the costume designer.' | 0:37:35 | 0:37:39 | |
And we don't really have measurements or anything other than a sketch, | 0:37:39 | 0:37:43 | |
but the girls are great. Hopefully, it's just going to come together. | 0:37:43 | 0:37:48 | |
-Are we going with this material here? -Yeah, a two-way stretch fabric. | 0:37:48 | 0:37:53 | |
But in a cool colour, that won't...? | 0:37:53 | 0:37:56 | |
The silver looks pretty good. If we went silver with black boots | 0:37:56 | 0:37:59 | |
and then the website purple highlights? | 0:37:59 | 0:38:04 | |
I'm happy to make some superhero costume. That's what I'm good at. | 0:38:04 | 0:38:08 | |
It's like me building a bike. I can come in and do this amazing bodywork and sheet metal. | 0:38:08 | 0:38:14 | |
It's going to be West Coast Choppers and Costumes! | 0:38:14 | 0:38:18 | |
-MOBILE PHONE RINGS -And then the logo... | 0:38:18 | 0:38:22 | |
-Hello? -I changed her name to EEE. E-E-E. | 0:38:22 | 0:38:26 | |
'That was an absolute on-the-fly decision.' | 0:38:26 | 0:38:31 | |
-Her name is EEE. -EEE? -OK. | 0:38:31 | 0:38:34 | |
When we were on the phone, we weren't sure whether he said Eve or EEE. | 0:38:34 | 0:38:39 | |
-What did he say her name is? Z or E? -EEE. | 0:38:39 | 0:38:42 | |
- I think E-E-E. - What? | 0:38:42 | 0:38:44 | |
-I heard EEE. -Eee-ee! | 0:38:45 | 0:38:48 | |
We've got to write the presentation, so everybody knows what's going on. | 0:38:57 | 0:39:02 | |
'We're really tired, but right now, we're pulling a late night' | 0:39:02 | 0:39:06 | |
and we're trying to get this stuff done | 0:39:06 | 0:39:09 | |
and we'll barely make it by our time crunch. | 0:39:09 | 0:39:12 | |
"It's not just a dream. It's Zappos." "It's not just a dream" a tiny bit bigger and "It's Zappos" in one... | 0:39:12 | 0:39:19 | |
Claudia today started out, she had so much energy, then the next thing you know, she's as sick as a dog. | 0:39:19 | 0:39:26 | |
I have a huge lump on my neck. | 0:39:26 | 0:39:28 | |
Poor little thing. She had all this energy, then she has a big knot in her neck, can't swallow. | 0:39:28 | 0:39:34 | |
It just happened so instantly. I hope she's going to be OK because we need her tomorrow for the presentation. | 0:39:34 | 0:39:41 | |
The plan for the presentation is that Claudia is going to present the story | 0:39:41 | 0:39:46 | |
of our superhero. | 0:39:46 | 0:39:50 | |
OK, let me get that. | 0:39:50 | 0:39:52 | |
-Can I go home? -- Thank you. - Yes, go. | 0:39:54 | 0:39:57 | |
You did a great job today. Everybody gets sick. | 0:39:57 | 0:40:00 | |
I got to tell you... | 0:40:00 | 0:40:02 | |
I would have not in a million years asked | 0:40:02 | 0:40:06 | |
if I could go home for the night. | 0:40:06 | 0:40:08 | |
All of us are in the situation where we're all tired, none of us have had sleep. | 0:40:08 | 0:40:13 | |
I'll be in that room and whatever you need done... Whatever you want to say about how direct I am, I work. | 0:40:13 | 0:40:19 | |
-I hope you feel better. -I will. -You're a star, girl. | 0:40:19 | 0:40:23 | |
I'm trying to write this. I'm a skater, not a writer! | 0:40:30 | 0:40:34 | |
Tomorrow is the biggest presentation of my life and I have nothing. | 0:40:34 | 0:40:38 | |
-So would you like me to write the dialogue? -No, we've heard you talk and stuff. | 0:40:38 | 0:40:43 | |
Just tell me where to go. | 0:40:43 | 0:40:46 | |
-Man on the left says, "Wow!" -I've sold four feature film scripts. | 0:40:46 | 0:40:50 | |
I could throw some water in the fake plant if you'd like. | 0:40:50 | 0:40:54 | |
-Do you need any more ice, Scott? -Uh, no, we're good with ice. | 0:40:55 | 0:40:59 | |
'I have to keep myself entertained because they're not letting me do anything!' | 0:40:59 | 0:41:05 | |
I'm trying to stay positive, throw out ideas. | 0:41:05 | 0:41:08 | |
-So this would be panel two. -Why don't we call the character Zappos? | 0:41:08 | 0:41:13 | |
Why name her EEE? I think it's distracting. It doesn't make any sense. | 0:41:13 | 0:41:19 | |
Why is her name EEE? | 0:41:19 | 0:41:21 | |
'My goal here was to try to be calm and organised.' | 0:41:25 | 0:41:29 | |
But it kept getting derailed. The derailer was Tom. | 0:41:29 | 0:41:33 | |
-What am I gonna be doing? -Sit...and relax! | 0:41:33 | 0:41:37 | |
Every warrior has an Achilles heel. My Achilles heel was Tom. | 0:41:37 | 0:41:42 | |
I am just suffering, suffering, through this process. | 0:41:42 | 0:41:47 | |
Let's keep rockin', man! | 0:41:47 | 0:41:50 | |
-He's got a problem. -He's playing the game, not working on the task. | 0:41:50 | 0:41:55 | |
If you're trying to do a task, you can't play around. He may be ADD, I don't know. | 0:41:55 | 0:42:01 | |
'I'm a creative guy, but they're not listening!' | 0:42:01 | 0:42:04 | |
What am I supposed to do here? I've been waving my arms up and down, waving my arms. | 0:42:04 | 0:42:11 | |
Maybe I should just start waving. Maybe they can't see me. | 0:42:11 | 0:42:15 | |
They're so focused on the task, they don't know I'm there. Hey, guys! I'm over here, guys! | 0:42:15 | 0:42:21 | |
Look at me! I got an idea! Maybe we shouldn't call the character EEE! | 0:42:21 | 0:42:28 | |
It's a bra size! | 0:42:28 | 0:42:30 | |
-Oh, boy. What a day! -'We went back to our war room. We had so much to do' | 0:42:40 | 0:42:45 | |
and so little time. We had a presentation...any minute. | 0:42:45 | 0:42:49 | |
We wanted your superhero to have a name to remind your customer why they shop at Zappos. | 0:42:49 | 0:42:55 | |
-We came up with EEE. -We need to tell them, with conviction, what they're doing. | 0:42:55 | 0:43:01 | |
-Not think. -I already got that. -Not "we think". No, it is. | 0:43:01 | 0:43:06 | |
We've got to believe in what's going on. We need somebody animated. | 0:43:06 | 0:43:11 | |
-Not yadda, yadda, yadda. -I think Clint can pull that off. | 0:43:11 | 0:43:15 | |
If you kill the task by arguing about this stuff, we're gonna die. | 0:43:15 | 0:43:20 | |
Thanks. 'Clint thinks he's Donald Trump.' | 0:43:20 | 0:43:24 | |
Because he's sold...10,000 albums or whatever. You don't know what you're talking about. You sing. | 0:43:24 | 0:43:31 | |
If we try to work through the details, we're going to end up bouncing this thing off... | 0:43:31 | 0:43:37 | |
-You're talking about the past tense. -Come on... | 0:43:37 | 0:43:41 | |
'Clint is being a BLEEP.' | 0:43:41 | 0:43:44 | |
Maybe it's ego and narcissism that a dude like Clint Black, who's some superstar, | 0:43:44 | 0:43:51 | |
can't take advice from anybody else cos he's "Clint Black". | 0:43:51 | 0:43:57 | |
We're sitting here with a full committee. | 0:43:57 | 0:44:01 | |
Oh, man. | 0:44:12 | 0:44:14 | |
Whoo! | 0:44:14 | 0:44:15 | |
We tried to suss out the details | 0:44:20 | 0:44:22 | |
of who would actually talk, what would be said. | 0:44:22 | 0:44:26 | |
I think we can get this done, the four of us. "Here comes EEE." And we all go...Zappos! | 0:44:26 | 0:44:33 | |
We have to have somebody energetic, who can be gifted and crafty. | 0:44:33 | 0:44:38 | |
Maybe Tom does the narration. | 0:44:38 | 0:44:40 | |
OK, I heard a little bit of what's going on. It could be really fun. | 0:44:40 | 0:44:45 | |
-Who's quirkier than this guy? -This is a very good presentation. You know what he did. | 0:44:45 | 0:44:50 | |
I know. Tom, are you locked in to this concept enough to do the performance? | 0:44:50 | 0:44:56 | |
It's funny how, at the last minute, you guys are asking me to do this. | 0:44:56 | 0:45:01 | |
- If you want me to, I can try. - No, because he wasn't there. | 0:45:01 | 0:45:06 | |
'Tom was not a part of it.' | 0:45:06 | 0:45:09 | |
Now Tom is going to do it. I have a big question mark about it. | 0:45:09 | 0:45:13 | |
I'd love if they'd let me touch up the script a bit, but they won't. They didn't let me yesterday either. | 0:45:13 | 0:45:20 | |
- They asked you to. - They didn't let me. | 0:45:20 | 0:45:23 | |
I can't believe you're a liar. You lie. You are a liar. | 0:45:23 | 0:45:28 | |
- And you don't jump up over here. - Don't call me that. | 0:45:28 | 0:45:32 | |
You're a liar. A bold-faced liar. | 0:45:32 | 0:45:35 | |
I am absolutely not. | 0:45:35 | 0:45:37 | |
-All right. -There's a couple of things I don't like being called. Liar is one of them. | 0:45:39 | 0:45:44 | |
-D'you want this? -Thank you. -Take the edge off. | 0:45:44 | 0:45:48 | |
-When this is all done, though, let's go out and get a beer. -I have no problem with that. | 0:45:48 | 0:45:54 | |
'We had time to practise before we gave the presentation | 0:46:10 | 0:46:15 | |
'in the actual room.' | 0:46:15 | 0:46:18 | |
We immediately started getting organised. | 0:46:18 | 0:46:21 | |
-They should be up high to see them. -We have two extra girls. Why not hold them on the side? | 0:46:21 | 0:46:27 | |
-I do not want to look like it's a boxing ring. Round Two! -Can I make a suggestion? | 0:46:27 | 0:46:33 | |
You introduce Claudia, Claudia introduce her. | 0:46:33 | 0:46:37 | |
Natalie should walk in first then I'll walk in behind, then Claudia, whatever. | 0:46:37 | 0:46:43 | |
She introduces me. I'd like to introduce you... | 0:46:43 | 0:46:48 | |
I think we were all a little nervous, all just a little, "Where do we stand?" | 0:46:48 | 0:46:54 | |
It's just nerve-racking under a time clock. You try to rush. | 0:46:54 | 0:46:59 | |
'As Project Manager, I needed it to run properly.' | 0:46:59 | 0:47:02 | |
But we want the focus to be on Mizz Z. | 0:47:02 | 0:47:06 | |
'I think our rehearsals went well,' | 0:47:06 | 0:47:09 | |
but we're dealing with some very smart men. | 0:47:09 | 0:47:13 | |
'They know what they're doing. I'm definitely not underestimating them.' Good job, everyone. | 0:47:13 | 0:47:19 | |
EEE! | 0:47:19 | 0:47:21 | |
OK, read the rest of it. | 0:47:21 | 0:47:23 | |
-From EEE? -Mm-hm. | 0:47:23 | 0:47:25 | |
-EEE! -All right, start from the top and go through it. This is important. -Straight through? | 0:47:25 | 0:47:31 | |
-From the top. -To the end? -Yeah. Deliver your first line. | 0:47:31 | 0:47:36 | |
Megan is every woman. | 0:47:36 | 0:47:40 | |
-How is the way I'm reading it? -It's all right. We'll coach you. | 0:47:40 | 0:47:45 | |
OK. | 0:47:45 | 0:47:46 | |
I'm getting NO co-operation from Tom! None! | 0:47:46 | 0:47:50 | |
Zappos! | 0:47:50 | 0:47:52 | |
'His mind and how it works,' | 0:47:52 | 0:47:56 | |
it's just meant to undermine, distract and throw people off. | 0:47:56 | 0:48:01 | |
-Clint, how do you think about the way I'm reading it? -You're asking me? -Yeah. -Take your top line. | 0:48:01 | 0:48:09 | |
-Megan is every woman. -Every woman at her best. | 0:48:09 | 0:48:14 | |
- Every woman at her best. - Hold on, guys. He's talking about Megan and they don't see her yet. | 0:48:14 | 0:48:20 | |
Tell them who she is. This is Megan. Megan is every woman. I tell you, you have to do this. | 0:48:20 | 0:48:27 | |
'It's hard to keep my mouth shut. I'm used to being the boss.' | 0:48:27 | 0:48:31 | |
When I saw the disarray, I'd to put my foot down. | 0:48:31 | 0:48:35 | |
- This is Megan. - Megan is every woman. | 0:48:35 | 0:48:39 | |
Some of the things that are my expertise - staging and what's theatrical - | 0:48:39 | 0:48:45 | |
things have to be a certain way. | 0:48:45 | 0:48:48 | |
-Put her right under her comic bubble. -We're standing in front. | 0:48:48 | 0:48:53 | |
We can't stand in front of the frame. Why go to the trouble to make them? | 0:48:53 | 0:48:59 | |
-It doesn't matter. -You got any other idea? | 0:48:59 | 0:49:03 | |
-You have to. -Is there any other possibility? -You're gonna have to stand in front of it. | 0:49:03 | 0:49:10 | |
-Hey, Brian, the way to have a great idea is to have a lot of ideas... -No, there's only YOUR idea. | 0:49:10 | 0:49:16 | |
-I was on Broadway for three months. -Can I have the floor? -You got it. | 0:49:16 | 0:49:21 | |
Thank you. Just cueing EEE. | 0:49:21 | 0:49:25 | |
I was not happy with Clint | 0:49:26 | 0:49:29 | |
'because he was adamant about what he wanted.' | 0:49:29 | 0:49:33 | |
-Are y'all watching me? -'He was doing it in a way that was abrasive and it made it very difficult.' | 0:49:33 | 0:49:40 | |
-I thought we'd fall on our faces. -Brian doesn't like it. | 0:49:40 | 0:49:43 | |
-It's your thing. -We're presenting the... -Do it how you want. | 0:49:43 | 0:49:49 | |
I love to win. There's no feeling like it. Over the years, I've seen a lot of people. They want to win, | 0:49:54 | 0:50:01 | |
but they just can't get there. They work hard, they study hard, but just can't close the deal. | 0:50:01 | 0:50:08 | |
Take our teams. Our Zappos executive has to be blown away. He has to know he can't live without them, | 0:50:08 | 0:50:17 | |
but if they don't make Zappos happy, one of them will be fired. | 0:50:17 | 0:50:22 | |
'Going into the presentation,' | 0:50:23 | 0:50:26 | |
we were all a little nervous. | 0:50:26 | 0:50:28 | |
'Claudia was sick and nervous she'd fumble her words. I was nervous.' | 0:50:28 | 0:50:33 | |
Everything's on the line for me. If we lose the task, I'm worried I'll be fired as Project Manager. | 0:50:33 | 0:50:40 | |
-Hello. Good morning. -Hi. | 0:50:56 | 0:50:59 | |
We're Team Athena and we are very excited to give you guys our presentation. | 0:50:59 | 0:51:05 | |
I'm about to introduce Claudia. | 0:51:05 | 0:51:09 | |
-Hello. -Hello. -There's an epidemic going on. | 0:51:11 | 0:51:15 | |
The customer is being left out of customer service, | 0:51:15 | 0:51:19 | |
but fear no more. I'd like to introduce you to Mizz Z. | 0:51:19 | 0:51:25 | |
As you can see, Mizz Z is a comic book character. | 0:51:29 | 0:51:34 | |
She was created as a champion of customer service. | 0:51:34 | 0:51:37 | |
Let me tell you about her origin. She started as a regular woman like you and... You're not a woman. | 0:51:37 | 0:51:43 | |
As you see in our first picture right here, she's a regular woman. | 0:51:43 | 0:51:47 | |
Her world is dreary. She's frustrated. | 0:51:47 | 0:51:51 | |
"Why is dealing with Customer Service so aggravating?" But she is pulled into her computer | 0:51:51 | 0:51:57 | |
and transported to the fabulous world of zappos.com. | 0:51:57 | 0:52:02 | |
Powered by service, our mild-mannered heroine has been transported, transformed, | 0:52:02 | 0:52:08 | |
into Mizz Z. | 0:52:08 | 0:52:11 | |
And also we can...well... | 0:52:11 | 0:52:13 | |
We didn't want to be pinned down to any demographic, so we have | 0:52:13 | 0:52:18 | |
the Customer Service employees that she inspires. She awakens. "Was this a dream?" | 0:52:18 | 0:52:24 | |
And she realises it's not just a dream. It's zappos.com. | 0:52:24 | 0:52:29 | |
I'm clearly sick and I crammed for this. I absolutely did. | 0:52:30 | 0:52:35 | |
If I had to grade myself, I'd probably give myself a C. | 0:52:35 | 0:52:40 | |
Hopefully Donald doesn't notice, but he will. It's why he's Donald Trump. | 0:52:40 | 0:52:44 | |
Why did you choose Natalie? | 0:52:44 | 0:52:47 | |
Look at these legs! Who would say no to Zappos? | 0:52:47 | 0:52:51 | |
Natalie, could you ever wear this, perhaps during the US Open? | 0:52:51 | 0:52:56 | |
I wouldn't wear this in the hallway. | 0:52:56 | 0:52:58 | |
'Oh, my God. I was a little bit worried by that comment Natalie made.' | 0:52:58 | 0:53:05 | |
-Thank you. Thank you very much. -Thank you. | 0:53:05 | 0:53:09 | |
Megan is every woman. | 0:53:13 | 0:53:16 | |
Every woman at her best. | 0:53:16 | 0:53:19 | |
But every woman, even at her best, gets behind. | 0:53:19 | 0:53:25 | |
Gets tired. Needs help. "I have the biggest presentation of my life tomorrow | 0:53:25 | 0:53:31 | |
"and I have nothing to wear and no time to shop." | 0:53:31 | 0:53:36 | |
Zappos! | 0:53:37 | 0:53:39 | |
Zappos.com transforms Megan into our hero - EEE! | 0:53:40 | 0:53:46 | |
EEE! | 0:53:46 | 0:53:48 | |
At zappos.com, EEE is Everything, Everywhere, Everytime. | 0:53:48 | 0:53:55 | |
The ultimate shopper. | 0:53:55 | 0:53:57 | |
The man on the left notices Megan. "Wow!" | 0:53:57 | 0:54:02 | |
She says, "EEE can always get it done at zappos.com." | 0:54:02 | 0:54:07 | |
-Thank you. -Thank you very much. | 0:54:08 | 0:54:11 | |
What do you think of the men's team? | 0:54:14 | 0:54:16 | |
I like the focus on the customer. I thought that they did a good job | 0:54:16 | 0:54:21 | |
communicating that Zappos is about customer service. I didn't like the focus on the letter E. | 0:54:21 | 0:54:28 | |
We have an opportunity as Zappos to really own the letter Z, so it was a little confusing. | 0:54:28 | 0:54:33 | |
-But overall they did a very good job? -I thought it was a very fun presentation. | 0:54:33 | 0:54:39 | |
And what about the women? | 0:54:39 | 0:54:41 | |
They focused on the letter Z. And they really captured our core values and company culture. | 0:54:41 | 0:54:49 | |
What I didn't like was that they stumbled a bit. | 0:54:49 | 0:54:52 | |
The other thing I noticed was she sometimes said Zappo instead of Zappos. | 0:54:52 | 0:54:59 | |
-But both teams did a very good job? -Overall, they did. | 0:54:59 | 0:55:03 | |
-I was very surprised at how much they came up with. -Who should win? -I think the winner is... | 0:55:03 | 0:55:09 | |
Khloe, I'm a little surprised. | 0:55:41 | 0:55:43 | |
-I heard you did a very good job. -Why, thank you. Why so surprised? -I didn't know anything about you | 0:55:43 | 0:55:50 | |
other than I heard you were a leader in your family and very smart. | 0:55:50 | 0:55:55 | |
-I heard you did a very good job. -Thank you. | 0:55:55 | 0:55:57 | |
Scott, how did you like being Project Manager after last week? | 0:55:57 | 0:56:03 | |
In skating, the toughest job in the world is the one after you fall. | 0:56:03 | 0:56:07 | |
Your confidence is shaken. This is a game, but it's business. | 0:56:07 | 0:56:12 | |
I took that very seriously. When they made me Project Manager I was not going to shy away from it. | 0:56:12 | 0:56:19 | |
I hear you really went to battle with Tom for some reason. What happened with you guys? | 0:56:19 | 0:56:26 | |
What happened? I think Scott stepped up and asked to be Project Manager and everybody supported him. | 0:56:26 | 0:56:33 | |
-Did you agree with what he was doing? -I did not. He had a hard time keeping the group under control. | 0:56:33 | 0:56:39 | |
-So I think we got very behind schedule. -And you blame Scott? | 0:56:39 | 0:56:43 | |
-I do. -Scott, how do you respond? -I want to say first that when we decided who'd be Project Manager, | 0:56:43 | 0:56:49 | |
they looked at me and said, "We would like you." I never asked. | 0:56:49 | 0:56:53 | |
And who did that? | 0:56:53 | 0:56:55 | |
I'm trying to think. Guys? Who brought my name up first? | 0:56:55 | 0:57:00 | |
OK, who cares? Scott, who was the most difficult person to handle? | 0:57:03 | 0:57:07 | |
Tom. | 0:57:07 | 0:57:09 | |
-Every time I put him on task, he'd get distracted. -He is that difficult? -He was that divisive | 0:57:09 | 0:57:16 | |
-and he derailed us. -I really tried today to not get angry, | 0:57:16 | 0:57:20 | |
even though they were not allowing me to get my ideas presented. | 0:57:20 | 0:57:25 | |
-We allowed him. -No, let him finish. | 0:57:25 | 0:57:29 | |
-I'm sorry. That was disrespectful and I apologise. -It's fine. You proved my point. | 0:57:29 | 0:57:34 | |
-That's what you were doing all day. -Brian, what do you think? You're not convinced the team is so hot? | 0:57:34 | 0:57:42 | |
-I think we're a great team. -Individually. -We have seven chiefs. | 0:57:42 | 0:57:46 | |
-Too many chiefs. -Too many chiefs. -You said that really well. It's what I noticed. | 0:57:46 | 0:57:51 | |
-I got the feeling everybody wanted to be in charge and nobody respected your authority. -Whose fault is it? | 0:57:51 | 0:57:58 | |
The team seems to be a little bit dysfunctional. | 0:57:58 | 0:58:02 | |
-It's hard to say who's at fault, but the Project Manager has to knock everybody in line. -Absolutely. | 0:58:02 | 0:58:08 | |
-OK, Khloe, what do you think of your team? -We'd a lot of great ideas and we worked really hard. | 0:58:08 | 0:58:16 | |
-Your team is good? -Yeah. | 0:58:16 | 0:58:18 | |
-Joan, what did you think of Khloe as a team leader? -She grew into it. | 0:58:18 | 0:58:22 | |
She'd have grown into it faster if it wasn't chaotic at the beginning. | 0:58:22 | 0:58:27 | |
-Nobody gave her the respect. -Why? -We have a lot of chiefs also. | 0:58:27 | 0:58:31 | |
Right. You do have a lot of chiefs. | 0:58:31 | 0:58:34 | |
I can tell you I was asked not to participate in writing the script. | 0:58:34 | 0:58:38 | |
-By who? -Mainly, I guess, Annie. | 0:58:38 | 0:58:42 | |
I thought to myself, I have had three Broadway plays ON Broadway. | 0:58:42 | 0:58:47 | |
-And I have an Emmy. -And somebody says, "Don't give me ideas." | 0:58:47 | 0:58:51 | |
"We'll show it to you later for your approval, but it will be done." | 0:58:51 | 0:58:56 | |
-She didn't really treat you with much respect. -None. | 0:58:56 | 0:58:59 | |
-First of all, that's not true. -You are smarter than everybody, better and talk louder than I do. | 0:58:59 | 0:59:06 | |
Obviously, I'm very direct and I'm dealing with people who do get offended. | 0:59:06 | 0:59:12 | |
-You'll be toned down by the end. -I might be direct... -By the end, she'll be a great diplomat. | 0:59:12 | 0:59:19 | |
She'll be your best friend. And you'll take her to Las Vegas and win a fortune. | 0:59:19 | 0:59:24 | |
-Melissa, who had the idea for the character? -It was me. | 0:59:24 | 0:59:29 | |
It was a very skeleton idea and everybody added, but I guess it sprung from my head. | 0:59:29 | 0:59:35 | |
-A lot of the skeleton was from Claudia and everyone added on. -Yeah, that's... | 0:59:35 | 0:59:41 | |
But I realise we're a team. I'm not saying it's me, me, me. | 0:59:41 | 0:59:45 | |
If we win because of something I started, fine. | 0:59:45 | 0:59:49 | |
-Natalie, how did you feel about being in that outfit? -It was... -Did you think it insulted Tony, | 0:59:51 | 0:59:58 | |
from Zappos, that you wanted to get that thing off? | 0:59:58 | 1:00:02 | |
-I looked forward to getting out of it. It was a little much. -But do you say it in front of them | 1:00:02 | 1:00:09 | |
-right after the presentation? Did that sway how he looked at the presentation? -It could have. | 1:00:09 | 1:00:16 | |
Why weren't you in the outfit, Brande? You've worn outfits like that before. A lot less. | 1:00:18 | 1:00:24 | |
-Yes. -Why weren't you in that outfit? -Our character... -How many times on the cover of Playboy? -Just once. | 1:00:24 | 1:00:31 | |
-But you were the most popular... -Maybe you looked at it a lot of times! | 1:00:31 | 1:00:37 | |
Wait. I can't have my son hear this. Years ago, I tried to pick up Brande and I failed. | 1:00:37 | 1:00:43 | |
-I don't know if you remember. Before I was Trump. -I don't remember that! | 1:00:43 | 1:00:47 | |
-You should have been more obvious. -I was being nice. -He's so shy. | 1:00:47 | 1:00:52 | |
OK, I want Erin and Don to show you each other's comics, OK? | 1:00:52 | 1:00:58 | |
-Erin, why don't we start with you? -I'll hand it to you, Scott. | 1:00:58 | 1:01:03 | |
Don, show the ladies. | 1:01:05 | 1:01:08 | |
Start with the men's team. What do you think of their character? | 1:01:13 | 1:01:18 | |
-Familiar! -Dennis, what do you think? -There's a similarity. -A similarity. -In some ways. | 1:01:18 | 1:01:25 | |
-But a couple of big differences. -Oh. -In my opinion. | 1:01:25 | 1:01:30 | |
-Ladies, what do you think of the men's character? -Way better than I would have thought. -From these guys. | 1:01:30 | 1:01:37 | |
I was impressed, I really was. | 1:01:37 | 1:01:40 | |
-Natalie, what do you think? -I like it. Scenes 2 and 3 are like ours. | 1:01:40 | 1:01:45 | |
But the Es when you were dealing with Zs makes no sense at all. | 1:01:45 | 1:01:50 | |
-Scott, how do you respond? -Part of their core value statement is about being off the wall. | 1:01:50 | 1:01:56 | |
So EEE, it's quirky and it's Everything, Everywhere, Everytime. | 1:01:56 | 1:02:01 | |
-It was ultimately my decision. -But E is not Z. -No, E is not Z. | 1:02:01 | 1:02:06 | |
-At the same time, I have to say Tony from Zappos loved some of the things you did. -Right. | 1:02:06 | 1:02:13 | |
That probably wasn't one of them, but he loved it. | 1:02:13 | 1:02:17 | |
-Clint, do you think you won or lost? -I think we won. -Tom? -I don't think we won. I want to win. | 1:02:17 | 1:02:23 | |
-Why don't you think you won? -To be honest, we had 15 minutes and I said, "Scott, listen, | 1:02:23 | 1:02:30 | |
"we should maybe really consider this name, EEE. It really doesn't make a lot of sense." | 1:02:30 | 1:02:36 | |
You didn't like the E when you have a Z character. | 1:02:36 | 1:02:40 | |
-Do you think you won, Claudia? -Yes. -Why do you say that? -I think... | 1:02:40 | 1:02:44 | |
Because of them? Because they're so bad? Or because you'd a good idea? | 1:02:44 | 1:02:49 | |
It doesn't matter what they did. We did a really good job. | 1:02:49 | 1:02:54 | |
-Your presentation was good, but you did stumble, which surprised me. -I was sent home cos I was sick. | 1:02:54 | 1:03:01 | |
I know you have to still work, but I just had too many drugs in my system and I was nervous. | 1:03:01 | 1:03:08 | |
-Is that right? -Oh, yeah! | 1:03:08 | 1:03:11 | |
- We needed to get her home. - She didn't want to go home. | 1:03:11 | 1:03:15 | |
-So would you like to know who won? -ALL: Yes! | 1:03:15 | 1:03:19 | |
First of all, the Zappos executive, Tony, thought both teams were excellent, | 1:03:20 | 1:03:26 | |
but they loved... | 1:03:26 | 1:03:28 | |
the women. | 1:03:30 | 1:03:33 | |
What they liked in particular was the character, they loved the Z, you were very organised. | 1:03:33 | 1:03:39 | |
You did a great job. I congratulate you. And Khloe wins 20,000 for her charity, which is? | 1:03:39 | 1:03:46 | |
-The Brent Shapiro Organisation. -Very good. Congratulations. Good job. | 1:03:46 | 1:03:52 | |
OK, go back to the War Room. You can watch what's going to happen. | 1:03:52 | 1:03:56 | |
-Get out of here. Go. -All right! -Thank you! -Good job. | 1:03:56 | 1:04:01 | |
Men, stay here. Somebody's getting fired. | 1:04:04 | 1:04:08 | |
- ALL: Women power! - Did I not say we would win? | 1:04:18 | 1:04:23 | |
I am so thrilled to win and win for my charity. | 1:04:23 | 1:04:26 | |
Team Athena. Good job. | 1:04:26 | 1:04:29 | |
The Brent Shapiro Organisation raises money to bring awareness | 1:04:29 | 1:04:34 | |
and help find a cure for addiction. It really means a lot to me so this is such a blessing. | 1:04:34 | 1:04:40 | |
-Woman power! -We did such a good job. Let's keep it up. | 1:04:40 | 1:04:45 | |
Let's win three in a row. Eight in a row. How about that? | 1:04:45 | 1:04:49 | |
-Here we go. -'Scott, what happened?' | 1:04:50 | 1:04:54 | |
When we first got there, I knew that to get these guys to stay on task, | 1:04:54 | 1:04:59 | |
-I needed to focus them. -You had a hard time controlling them. -Not at first. I knew they were concerned | 1:04:59 | 1:05:06 | |
after we lost our first task. I wanted to bring them together. | 1:05:06 | 1:05:10 | |
-I really feel I accomplished that. -Except for... -Except for Tom. -I think there might have been | 1:05:10 | 1:05:17 | |
a misconception about what I was doing. I was just trying to give options. | 1:05:17 | 1:05:23 | |
-Scott, go ahead. -Tom's difficult. I tried to find a place for him. | 1:05:23 | 1:05:28 | |
-Then he'd get a little distracted. It was about selling himself. -That is not true. | 1:05:28 | 1:05:33 | |
-I tried to take control as Project Manager. -And that didn't work. | 1:05:33 | 1:05:38 | |
No, it was working fine, but I sensed some people were playing a game and some wanted to work. | 1:05:38 | 1:05:45 | |
-Did anybody fight EEE? -I did. Several times. | 1:05:45 | 1:05:50 | |
-Is that true? Is that so? Dennis? You fought it. -I didn't fight. I just didn't like it. | 1:05:50 | 1:05:57 | |
Well, I will say this. Pretty much throughout our task, as Project Manager, | 1:05:57 | 1:06:03 | |
it was a situation where Tom just fought me every step of the way. | 1:06:03 | 1:06:07 | |
I'd like to interject and say I was not fighting. | 1:06:07 | 1:06:11 | |
I really just wanted to win. I knew the EEE thing made no sense. | 1:06:11 | 1:06:16 | |
I went through all the Z names, Scott just chose E. | 1:06:16 | 1:06:20 | |
-Those two really did not get along. -It's going to be Tom or Scott. | 1:06:20 | 1:06:25 | |
Anyone who lets the team have an E, it's like Donald having an M on his logo. | 1:06:25 | 1:06:31 | |
Let me ask you this. Herschel, who would you fire if you were me? | 1:06:33 | 1:06:38 | |
-Tom. -You'd fire Tom. -I was in the War Room when Tom was acting up. I saw a lot of it. | 1:06:40 | 1:06:46 | |
-Is that true, Tom? -I think Herschel misunderstood what happened. | 1:06:46 | 1:06:51 | |
No, I don't misunderstand anything. | 1:06:51 | 1:06:54 | |
One thing about Herschel, this guy's a fighter. He went at it last week. | 1:06:54 | 1:07:00 | |
You led a pretty crappy team, but he fought incredibly. | 1:07:00 | 1:07:06 | |
-Tom, would you fight Herschel? -No, I would not. | 1:07:06 | 1:07:11 | |
-Brian, if you were me, who would you fire? -Whoever came up with that name. | 1:07:11 | 1:07:17 | |
-And who was that? You know. -We were gone to do the costume. | 1:07:17 | 1:07:21 | |
If you notice on the costume, there's a Z. | 1:07:21 | 1:07:26 | |
-Dennis, who would you fire? -You know me. I'm gonna say it straight up. I'd fire Scott. | 1:07:26 | 1:07:33 | |
-Because he was the leader. -No, because he was too soft in being a Project Manager. | 1:07:33 | 1:07:40 | |
-How do you compare Scott with Phil Jackson? -I love Phil Jackson. -I love Phil Jackson. And Scott. | 1:07:40 | 1:07:48 | |
The difference is, we're not on the ice. | 1:07:48 | 1:07:53 | |
We're here trying to build a product. | 1:07:53 | 1:07:57 | |
Jesse? If you were me, who would you fire? | 1:07:57 | 1:08:02 | |
Clint. | 1:08:02 | 1:08:05 | |
Fire Clint? What the BLEEP did Clint do? | 1:08:05 | 1:08:09 | |
I would actually... I understand why Jesse says that. | 1:08:09 | 1:08:15 | |
Ultimately, Clint was a major wrench in the gears. He wanted to argue and yell at everybody. | 1:08:15 | 1:08:20 | |
-OK, could Jesse speak for himself? -Absolutely. -Why Clint? | 1:08:20 | 1:08:25 | |
-I'm surprised to hear you say that. -At some point in the last 30 hours, Clint's made up his mind | 1:08:25 | 1:08:31 | |
-that he just wants to argue. It's detrimental to working... -But he and Scott get on very well. | 1:08:31 | 1:08:38 | |
Despite him and Scott being friends, I think this is a team. | 1:08:38 | 1:08:43 | |
-We won't win a task unless we work together. -You think Clint is a difficult guy. | 1:08:43 | 1:08:48 | |
I had to get up and walk away because he was shouting over me when I'm trying to help. | 1:08:48 | 1:08:54 | |
-'I was trying to help him.' -This one's a snake. A snake. -Who? -Clint. | 1:08:54 | 1:09:01 | |
I thought there was something mean about him. Clint - something about him. I don't know what it is. | 1:09:01 | 1:09:08 | |
-I didn't think... -'Clint, who would you fire?' | 1:09:08 | 1:09:11 | |
-I would fire Tom. -Tom over Scott. | 1:09:13 | 1:09:17 | |
I feel like he was undermining Scott on purpose. | 1:09:17 | 1:09:21 | |
-No, I was not. -Did you feel that, Scott? -Absolutely. | 1:09:21 | 1:09:26 | |
OK, Scott, | 1:09:26 | 1:09:29 | |
-you've got to pick two people. -Do I have to pick two? -You don't have to. You could pick one. | 1:09:29 | 1:09:36 | |
-I think you're better off picking two. I don't know who the other one would be. -I watched last year. | 1:09:36 | 1:09:43 | |
-You recommended to Gene that he pick other people. -He didn't do it. He wouldn't listen to me. | 1:09:43 | 1:09:49 | |
When I tell you this, in all sincerity, I mean it, | 1:09:49 | 1:09:54 | |
-there's only one person that deserves to sit next to me. -OK. -And that's Tom. | 1:09:54 | 1:09:59 | |
-But I want to bring back Herschel. -Herschel? | 1:09:59 | 1:10:02 | |
-And he doesn't deserve it. -You want him as a helper. -As an advocate. | 1:10:02 | 1:10:07 | |
-How do you feel about that? Thrilled? -No, I'm not thrilled. | 1:10:07 | 1:10:12 | |
No, because one wrong sentence and you could be fired. | 1:10:12 | 1:10:16 | |
So you don't love it. | 1:10:16 | 1:10:18 | |
OK, Tom and Scott and Herschel. Everybody leave. You three come back in about five minutes. Thank you. | 1:10:18 | 1:10:25 | |
-Thank you. -Thank you. | 1:10:25 | 1:10:28 | |
-Good going, Dennis. Very good. -Hey, man! -I'm proud of you. -Just doing my job! | 1:10:28 | 1:10:34 | |
I know the real Dennis. | 1:10:34 | 1:10:36 | |
'OK, women, turn off your TV right now, please.' | 1:10:38 | 1:10:42 | |
-Tom's very smart, but he's very... -Weird. -They don't like him. | 1:10:42 | 1:10:47 | |
-I kind of like people like that. - I do, too. I like him. He's very cerebral. | 1:10:47 | 1:10:54 | |
It's never fun to lose, is it? | 1:10:55 | 1:10:59 | |
I'm actually looking forward to having a discussion about this | 1:11:04 | 1:11:09 | |
to all tell our side of the story. It's possible we didn't understand where everyone was coming from. | 1:11:09 | 1:11:16 | |
So, Erin, what do you think? | 1:11:31 | 1:11:34 | |
You saw the same thing here that I saw when I stopped by. | 1:11:34 | 1:11:38 | |
There's a faultline between Tom and Scott and it's hard to imagine how you continue with both of them. | 1:11:38 | 1:11:45 | |
-They don't like each other much. -Therapy is required for them to stay in the same room. | 1:11:45 | 1:11:50 | |
-Serious therapy. Don? -Clint also had a hard time getting along | 1:11:50 | 1:11:55 | |
so it was interesting to bring back Herschel, rather than Clint. | 1:11:55 | 1:11:59 | |
Well, we'll see what happens. ..Amanda, send them in, please. | 1:11:59 | 1:12:04 | |
Thanks, Herschel. | 1:12:06 | 1:12:08 | |
Sit down, fellas. | 1:12:14 | 1:12:17 | |
-Scott, what do you have to say? -I've got a lot to say. | 1:12:17 | 1:12:22 | |
-Go ahead. Say it. -My biggest challenge was to get these guys together. | 1:12:22 | 1:12:28 | |
And get a little momentum going. I feel the decisions I made with Jesse and Dennis | 1:12:28 | 1:12:33 | |
and the way I could have those guys work together, I wanted to keep Tom away from those guys | 1:12:33 | 1:12:40 | |
because he was definitely wired. He was just frantic, all over the place, like excited. | 1:12:40 | 1:12:46 | |
I think that maybe at some points in the day, throughout the day, you didn't understand what I was doing. | 1:12:46 | 1:12:53 | |
I don't think anybody could! "How about...? No! Zorro! Maybe he comes in on a motorcycle!" | 1:12:53 | 1:13:00 | |
-Scott... -And then he goes, "How about this?" And everybody went... | 1:13:00 | 1:13:04 | |
Scott, would you rather I argued and yelled like Clint, your friend, that you couldn't control? | 1:13:04 | 1:13:10 | |
I was trying to bring positive enthusiasm, even though every good idea, you shut it down. | 1:13:10 | 1:13:16 | |
-Maybe it wasn't a good idea. -Even after 16 hours of them belittling me and ganging up on me, | 1:13:16 | 1:13:24 | |
-I... -That's not true. -Let's hear it, Herschel. -I didn't see ganging up. | 1:13:24 | 1:13:29 | |
Tom has got so much talent and I don't understand him... | 1:13:29 | 1:13:33 | |
-Tom has got so much talent? -So much talent. But I watched time and time again. | 1:13:33 | 1:13:40 | |
He would sit there and then question everything. And it got to the point, and this is true, | 1:13:40 | 1:13:46 | |
I said, "Shut up! | 1:13:46 | 1:13:49 | |
"Shut...up." He wouldn't shut up. I said, "You got a problem." | 1:13:49 | 1:13:54 | |
-I looked at my watch... -I shut up. -You didn't. -I did. | 1:13:54 | 1:13:58 | |
We had a few minutes and he's performing and I'm like, "We're gonna lose." | 1:13:58 | 1:14:04 | |
-It was frenetic, it was insane and... -Herschel, have anything more to say? -No. -You shouldn't be here. | 1:14:04 | 1:14:12 | |
-I'm trying to figure it out. -I don't wanna be here. -Herschel, get the hell out of here, please. | 1:14:12 | 1:14:18 | |
-Thank you, Mr Trump. -No reason for you to be here. -Sorry, Herschel. | 1:14:18 | 1:14:23 | |
-You knew what he would say. -And that you'd never fire him. -Not tonight. -I knew that. | 1:14:23 | 1:14:29 | |
Almost last week, but not tonight. | 1:14:29 | 1:14:32 | |
Y'all got to start getting along. | 1:14:32 | 1:14:35 | |
-Oh, oh! -Herschel! | 1:14:35 | 1:14:38 | |
-We knew you were coming back. Your face was like, "What?!" -Who else is coming back? | 1:14:38 | 1:14:45 | |
-No one yet. They're still talking. -Who do you think it's going to be? -I think it may be Scott. -Really? | 1:14:45 | 1:14:52 | |
-You're here. Live to play another day. -Yes. | 1:14:52 | 1:14:57 | |
OK, Tom, let me ask you a question. | 1:14:57 | 1:15:01 | |
-Why should I fire Scott? -Well, Scott wasn't able to control the team. | 1:15:01 | 1:15:06 | |
-Can anybody control that team? -I can and the reason is | 1:15:06 | 1:15:11 | |
I understand how to work as a group in a creative medium. | 1:15:11 | 1:15:15 | |
I want to be the next Project Manager. I'm tired of losing. | 1:15:15 | 1:15:19 | |
And I think the mistake you made was that you didn't give every individual a job and let them do it. | 1:15:19 | 1:15:27 | |
-And nothing got done. -It seems that the reason you lost comes down to the name. | 1:15:27 | 1:15:32 | |
There were lots of problems, but when it comes down to what Zappos hated the most, | 1:15:32 | 1:15:40 | |
-it was no Z in the name. EEE was you, right? -Wasn't that you, Scott? | 1:15:40 | 1:15:45 | |
We had to have a jumping off point that brought together the entire concept. | 1:15:45 | 1:15:51 | |
But do you agree that Tom really didn't want to use the EEE? | 1:15:51 | 1:15:57 | |
He wanted so many things all day that even when the train had left the table, | 1:15:57 | 1:16:02 | |
-he would interrupt, interject... -We had argued for six hours. | 1:16:02 | 1:16:08 | |
-You disrupted for six hours! -Do you not want me to talk? | 1:16:08 | 1:16:12 | |
Why did it take six hours? Why? | 1:16:12 | 1:16:15 | |
-Because... -What's to talk about? -..he could not control Clint. Clint Black argued with everybody. | 1:16:15 | 1:16:21 | |
-Why didn't you bring Clint in? -Why didn't I bring Clint in? I didn't want Herschel! | 1:16:21 | 1:16:27 | |
-The only one I wanted was him. -Clint should have been brought in before Herschel. -He should. | 1:16:27 | 1:16:33 | |
-Clint should have been brought in. -Clint did everything I asked. | 1:16:33 | 1:16:37 | |
-You like Clint a lot. -He's my pit bull, but he has a heart of gold. | 1:16:37 | 1:16:42 | |
-I know you're his friend... -I'm friends with everybody here. The only problem I was coming across | 1:16:42 | 1:16:48 | |
-was the constant derailing from Tom. -But Tom didn't like EEE. | 1:16:48 | 1:16:53 | |
-Tom didn't like EEE. -That's a biggie. -He didn't like anything but his ideas. -That's not true. | 1:16:53 | 1:17:01 | |
I liked Jesse's idea. I was so relieved when you picked an idea! | 1:17:01 | 1:17:07 | |
Isn't Jesse amazing? You think "gimme a break", yet he's brilliant. | 1:17:07 | 1:17:12 | |
-An out of the box thinker. -I adore him. -Is Tom in the same league? | 1:17:12 | 1:17:16 | |
Not a chance. Tom is without focus. Tom is a very entertaining, frenetic... | 1:17:16 | 1:17:23 | |
-You didn't understand what was going on in our brainstorming. -That was a hurricane of you. | 1:17:23 | 1:17:29 | |
You just keep talking. | 1:17:29 | 1:17:32 | |
-Scott, why should I fire Tom over you? -I can tell you why. | 1:17:36 | 1:17:41 | |
-Go ahead. -My biggest concern about being the second Project Manager | 1:17:41 | 1:17:46 | |
was because I felt it was early. I really wanted to get my feet wet before I stepped into that role. | 1:17:46 | 1:17:52 | |
-You'd prefer to be later down the road. -Yeah, next task. | 1:17:52 | 1:17:57 | |
But I'm looking at the long run. I wanted to win to give money to cancer like you have no idea. | 1:17:57 | 1:18:04 | |
I knew my job was tough because I had to bring this team together again because they were fractured. | 1:18:04 | 1:18:11 | |
-We are both... -Please, don't interrupt me. | 1:18:11 | 1:18:14 | |
Scott, he was trying to be nice. He was interrupting to be nice. | 1:18:14 | 1:18:18 | |
-But that's the point. -I think he was a little surprised at you. That was tough. | 1:18:18 | 1:18:24 | |
If you stand on a T box and someone coughed in your backswing, it would be really hard to get a rhythm. | 1:18:24 | 1:18:31 | |
Tom's here, I feel, to perform and play the game to promote himself. | 1:18:31 | 1:18:36 | |
-I'm here to win money for cancer, just like you. -Are you both fighting for the same cause? | 1:18:36 | 1:18:42 | |
-We both had testicular cancer. -Both? -We both have one... Well, I'll speak for myself. | 1:18:42 | 1:18:49 | |
It's self-explanatory. I have one testicle. | 1:18:49 | 1:18:52 | |
-I'm not gonna talk about you. -Together we're a set! | 1:18:52 | 1:18:56 | |
-And I'm fighting for my doctor, Donald Skinner. -That's great. -That's not the point I'm making. | 1:18:56 | 1:19:02 | |
I'm saying I did the best I could under extreme circumstances. This is a long process and I feel | 1:19:02 | 1:19:10 | |
-I am more beneficial to the team than Tom. -I understand. | 1:19:10 | 1:19:13 | |
-I feel I deserve another chance. -Erin? | 1:19:13 | 1:19:17 | |
-It doesn't seem that anyone had a great idea... -I think I had several. -Please don't interrupt. | 1:19:17 | 1:19:25 | |
But, bottom line, the name that came out was EEE and that, obviously, by your account was your name. | 1:19:25 | 1:19:32 | |
That's the one you came out with. The name was the issue. | 1:19:32 | 1:19:35 | |
I agree. We're all about branding. So when I heard they didn't have a Z, I just said, | 1:19:35 | 1:19:42 | |
"Who picked the other name?" That's a big one to miss. | 1:19:42 | 1:19:47 | |
-Anything to say, Scott? -There is a process. A process. | 1:19:47 | 1:19:53 | |
If every bad decision you made got you out the door, where would all of us be right now? | 1:19:53 | 1:19:59 | |
OK, listen. The E was a big mistake. I saw that immediately. | 1:20:03 | 1:20:08 | |
As good as everything was, everything was great, but the E is not Z! | 1:20:08 | 1:20:14 | |
The name is Zappos! So I thought that was a big mistake and you did say | 1:20:14 | 1:20:20 | |
that it was your responsibility. | 1:20:20 | 1:20:23 | |
And in this case I have to say, sadly, Scott, you're fired. | 1:20:23 | 1:20:28 | |
-Thank you for the opportunity. -Thank you. -Thank you, Mr Trump. | 1:20:31 | 1:20:36 | |
-The only thing I can say for sure, Tom, is you have a lot to live up to next week. -Absolutely. | 1:20:38 | 1:20:45 | |
-Thanks, man. -Tell the guys I'm sorry I let them down. | 1:20:56 | 1:21:00 | |
I will. I don't think you let them down. It was one of those things. | 1:21:00 | 1:21:05 | |
-See you in LA. -Thanks, man. -Bye. | 1:21:05 | 1:21:08 | |
-Thank you. -Take care, Scott. | 1:21:10 | 1:21:13 | |
That was very hard. Doing that was very hard. | 1:21:18 | 1:21:22 | |
But I think we made the only decision. | 1:21:22 | 1:21:27 | |
I am bitterly disappointed, | 1:21:51 | 1:21:55 | |
but I'm also a very happy and positive person. I feel like I could have done much better than I did, | 1:21:55 | 1:22:02 | |
but I have my family, first and foremost, and my mission of curing cancer in my lifetime. | 1:22:02 | 1:22:08 | |
And my career. So onward and upward. | 1:22:08 | 1:22:12 | |
C'est la vie. | 1:22:12 | 1:22:15 | |
Subtitles by Subtext for Red Bee Media Ltd - 2012 | 1:22:23 | 1:22:27 |