Job Interview The Celebrity Apprentice USA


Job Interview

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It's coming down to the wire, as only two weeks remain

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in the fight to become the Celebrity Apprentice.

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I had colon cancer

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'and then decided that I needed to give something back.'

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Ohh!

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So far, the game has brought some together...

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How did Summer do?

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I cannot tell you how inspired I was by these people.

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You really love these people, don't you?

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..and torn others apart.

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You don't like Curtis very much.

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Not a lot.

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Why?

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He's just too smug for me.

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I do agree with Sharon.

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I look at him and I'm like, "I want to punch you!"

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And at times, the pressure has been too much to take.

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Sharon's been sick, and she missed my entire task.

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It takes a lot of wear and tear on you, and I was totally exhausted.

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Darryl, do you want to be fired?

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Yes.

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All right. Darryl, you're fired.

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So far, eight celebrities have been fired.

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You're fired! You're fired! You're fired.

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And only six remain.

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Last week, the remaining celebrities were tasked with refurbishing

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a corporate apartment.

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You're going to paint it, you're going to furnish it,

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you're going to make it look beautiful.

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And Mr Trump mixed up the teams again,

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sending Curtis Stone into enemy territory.

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-Oh, no!

-Curtis, get over there.

-Oh, please!

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Bret, you're going to the other team.

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'Pretty boy Curtis...'

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I thought he was smug from the beginning.

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On Tenacity, reluctant project manager Holly Robinson Peete

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went for an exotic theme...

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This is looking really good in here, you guys.

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..And tasked Cyndi to add her Lauper touch to the celebrity-themed room.

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You say you want red, then pick a red.

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I thought Cyndi would be perfect for this.

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On Rock Solid,

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project manager Sharon Osbourne went with a contemporary look.

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This is a good bed. It's got storage underneath.

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'I wanted modern because...'

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it's non-offensive.

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At the presentation, the judges were wowed by Cyndi's celebrity room...

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-Nice with the patent leather.

-Yes.

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..and loved Sharon's modern approach.

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We wanted to keep it clean lines.

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But in the end,

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it was Sharon's overall makeover that put her on top.

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They thought Rock Solid was fantastic.

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Oh! Dear God!

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In the hot seat, Holly turned on Cyndi.

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Should I fire Cyndi or should I fire you, Holly?

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I think you've got to fire Cyndi.

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But when Mr Trump gave Cyndi an out...

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You came up with the best room of everybody.

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No! She said, "Paint the room red."

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Wait, you're saying that SHE said to paint it red?

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She said she wanted a red room.

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..Cyndi made a tactical error.

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Why did you bring up the fact that it was Holly's idea?

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Because it was true!

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OK. Cyndi, you're fired.

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All right. Who do you say?

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He's going to fire Holly.

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He can't let her go.

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She's a ferocious competitor.

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-I think Cyndi.

-Do you?

-Yeah.

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I think he fired Cyndi.

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Someone's about to come through.

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-Yes!

-Yay!

-Yes!

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SHE LAUGHS

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'I hated that Cyndi had to go...'

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but I felt she was sort of a loose cannon for a while now.

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-Who did I fight to paint that room red?

-You said, "Red."

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She did not want to paint it red.

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She's like, "She has to have a red room!"

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And so they said, "Hold on, wait a second.

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-"I thought the red room was all your idea!"

-Oh no!

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'So I felt bad that I had to be so...'

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brutally honest in the boardroom about Cyndi.

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'But in the end, I was sad to see Cyndi go,'

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but I felt it was the right decision.

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-I just got 40 grand!

-Yes, you did!

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I know!

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Oww-oww!

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My favourite bra ever!

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'Sharon was letting loose. We might have started off a little rocky,

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'but I've really grown to connect with Sharon.'

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And she's so passionate about her charity.

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So I wanted to see her in the finals.

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-Whatever pills you're on, Sharon, I want some!

-Oh, my God!

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PHONE RINGS

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'Me and Sharon were celebrating.'

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We were partying. We're like, "Woo! We made it!"

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'The next thing you know, it got silent.'

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Hello?

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Hi, yes.

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We need you all to head back into the boardroom now.

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OK. We will all come back directional.

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Oh, that's not good for me. So folks...

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Cheers, Holly! Cheers!

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'Donald Trump threw me for a loop.'

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It was strange, man. I didn't know what he was going to do.

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Somebody's going.

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Oh, jeez, Curtis! You're always in the bath! Don't do a deuce, Curtis!

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-You nutter!

-What do you think?

-I think somebody's going.

-Yeah.

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No deucing us!

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I absolutely think somebody's going.

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-Nooo!

-Yup.

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Ugh! Stress.

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All right. We're all going back in.

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# Money, money, money, money

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# Money

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# Money, money, money, money

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# Money

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# Some people got to have it

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# Some people really need it

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# Listen to me, y'all

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# Do things, do things, do things

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# Bad things with it

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# Dollar bills, y'all

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# For that lean, old, mean

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# Mean green

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# Almighty dollar, money

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# I know that money

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# Give me a nickel

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# Brother, can you spare a dime?

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# Money can drive some people Out of their minds

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# No good, no good

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# Money

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# Money, money, money, money

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# Money. #

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Congratulations. You're the final five.

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That really is a great achievement.

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You've handled pressure, you've raised a lot of money for

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your charities.

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So, really, you are to be congratulated. Great job.

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That being said, I'm going to fire somebody right now.

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And the remaining four will be interviewed by Joan Rivers,

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my Celebrity Apprentice, and Bill Rancic, who was my number one

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Apprentice from the first show.

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Then, I'm going to fire two more people.

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So, we're going to end up then, after tonight,

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with two people who will

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go head-to-head in the final task to become the Celebrity Apprentice.

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All right. We want to start talking right now.

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Holly, why shouldn't I fire you?

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Because I'm focused, I'm dedicated, I'm committed to this.

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I've been in every task, and I've put in a lot of sweat equity

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for all of the other project managers I've worked for.

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Bret, why should I not fire you?

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You shouldn't fire me because I work hard, I'm bringing everything I got.

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I'm extremely passionate. I am diabetic, I live with it.

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And my charity chose me.

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Curtis, you're the most low-key of the group.

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Why shouldn't you be fired?

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Cos I'm a natural leader, Mr Trump.

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I travelled when I was 21-years-old and started working

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in a restaurant for a guy that... I loved his work.

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-A few years later, I was running his empire.

-Why are you smirking, Maria?

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-Because I think we all...

-You're just like, "Give me a break!"

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I think we all started very young, fighting for our dream.

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So that's the only reason why I smirked when he said, "21."

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I started modelling when I was 15.

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Maria, should you be fired?

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No, not at all. I'm not afraid of getting my hands dirty.

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I'm not afraid of putting the work in, lifting stuff,

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calling out and reaching out to my contacts.

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And there are some people that I still expect a little dough from.

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So I would like to, you know, put a little pressure on them as well.

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So I just want to keep fighting.

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-Who's our weakest player, Holly?

-Weakest?

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At the table, right now. Who's our weakest player?

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Umm...

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I'd only say Maria because Maria, I think, is the player

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-that comes from the least purest place sometimes.

-What does that mean?

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-I mean that sometimes...

-That's a hell of a statement!

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-I know! I went a long way to get...

-What does that mean?

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Wow! OK.

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-I'm just saying that sometimes...

-Maria, that's a biggie!

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No, no. I'm just saying that sometimes, I've seen in the boardroom

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Maria stick up for herself

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at the expense of someone else, just to do it.

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Just to say it, without any provocation or anything.

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So I think that's a weakness.

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Does that make her weak or does she have a survival instinct

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-that maybe other people lack?

-In my eyes, it's a weakness.

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In my eyes, there are other ways you can do it with integrity.

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Maria, respond to that, please.

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I never say anything that isn't supported.

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There is support between everything I say.

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What do you think of Holly?

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Um...

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I think she's had a rough... a rough life as a mother.

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And I completely understand where she comes from in a lot of ways,

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because of the fact she does have an autistic child.

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I think that's a nice statement and probably a true statement.

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-It's a very true statement.

-It's tough.

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-Definitely.

-The autism thing is a tough thing.

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It's devastating. There's an 80% divorce rate,

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and there's a reason for that.

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-It's rough.

-It definitely thickened my skin.

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-I've known so many people, it's just been brutal.

-Yeah.

-Yeah.

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-So you can understand it?

-Of course.

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My Sharon,

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you've all gotten to know each other very well.

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Yeah.

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Who do you think is not the strongest player at this table?

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-In what category?

-In every category.

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-In what category?

-Overall category. Life.

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-Everything you've done so far.

-Substance.

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If you took a blend of all of it, who's the weakest player?

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You know who that person is. You just have to.

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-Honestly, Ivanka...

-I can't believe it.

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I honestly can't put anybody on the line.

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Sharon, in your world, in your business as a music

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manager and a talent manager, you'd be able to do this in

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a second and give an answer. I mean, to me, it's almost

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as though there's a lot of weakness coming from you that you

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can't say one of these people is worse than the other.

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-I mean, that's a major problem.

-Oh!

-BLEEP

-it, then! Maria.

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-But is that just arbitrary because I just said that, or is it...

-No!

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I mean, what's the logic behind it?

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That's it! That's it! Because she's young. She's so enthusiastic.

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She's so driven.

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-And she's, like... bl-bl-bl-bl!

-What do you think of Holly?

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Holly's a toughie because...

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She's tough.

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She's tough because she's good.

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She's good at everything she does.

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And Holly has a heart this big.

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And there is nothing like a mother fighting for your child.

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You're a lioness. She's a lioness. I've had cancer and survived.

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I saw people die beside me.

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But that, to me, still cannot compete with Holly looking at

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her child every day.

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-You cannot compete with that passion.

-Can you compete with that?

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-Nobody can.

-Will you be able to beat Holly?

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I don't know whether I want to.

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Sharon, you said you didn't want to beat Holly.

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What does that mean, "You didn't want to beat her"?

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No, I said, "I don't know that I do," because being a mother,

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I don't know what I'd do if I had a child that wasn't well.

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I don't know what I would do. It's devastating.

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It's just... It's taken over Holly's life.

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And I don't know whether I would want to take that away from her.

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I don't know whether I have the right to take that away from her.

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But everyone's charity has great merit.

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-It does!

-And they each mean something to you differently and personally.

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And as I say, you know...

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And it's amazing what Holly has done to date, but it doesn't mean

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that you shouldn't be fighting for your charity as well.

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And I am. I am. I'm fighting for people.

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As I said, I saw people die.

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And, um, you know, we've all spent a long, long time together here.

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And here you are.

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We all know each other. And here we are.

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-And do I have the right...

-It's a long time.

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-It's a long journey. It's not easy.

-It's been a long journey.

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People have no idea how tough this is.

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-No, they don't.

-It's a long ride.

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And you should all be very proud of yourselves.

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So, Curtis, who's the weakest player at the table right now?

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Maria is.

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You think Maria? Well, there goes THAT relationship!

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You're just jumping on the bandwagon. That's OK.

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-I'm not jumping on the bandwagon.

-You think Maria is?

-Absolutely.

-Why?

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She made some unfounded comments about me last week in the boardroom.

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And you haven't forgotten it?

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-But so did Sharon!

-Of course I haven't forgotten it.

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You don't just forget.

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You don't say, "Oh, gee! Now we're friends. We won a task."

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And it was founded. The reason why I said that you were so arrogant is

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because you came in our dressing room and you took a crap

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and left the stench in the room!

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So that is the whole purpose of why I was upset!

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-That's not exactly true.

-It wasn't your room!

-That's pretty gross!

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-It wasn't your place to go!

-Why is that arrogant, though?

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It was complete... "Oh, like, this is my room, so I can do this

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"wherever I want to!"

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So, I mean, that was the whole thing!

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I mean, it was completely founded.

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-That is so random!

-We don't need to go there.

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That is so random.

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We don't need to go there.

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That's a little bit random, don't you think, as Holly would say?

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Isn't that a little bit random, that statement? That's pretty tough.

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I think it's a good depiction of your character.

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It's a little bit below the belt, which, I think...

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That is a little below the belt, Maria.

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That's how you play the game.

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That's a tough one.

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That's a tough one.

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Maria, do you sort of regret having said that?

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He said it was unfounded. It was unfounded. There was a reason.

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Did I say it in the last boardroom? No.

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I just said that I thought it was a little arrogant to come into

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our room and do that. But I...

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-That's a little gross, right?

-I don't regret anything.

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Isn't it sort of gross, though, bringing that up?

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That's, like, disgusting.

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This is my boardroom. It's not a locker room.

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Maria, you're fired.

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Thank you for the opportunity.

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Very nice to meet you.

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'This experience that I've had on Celebrity Apprentice...'

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was amazing up until ten minutes of it.

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Ten minutes, that's it.

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'It wasn't even like, "Oh, well, you screwed up a task."'

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It was like, "Oh, I didn't like your comment." Just...

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It's laughable.

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OK.

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Your interviews with Joan and Bill will be very important to me.

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I'll listen carefully to what they say.

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Then I'll make up my mind.

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Two more of you will be fired.

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The four of you wait outside. Thank you very much.

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-Thank you.

-Thank you very much.

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It's a great group.

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-It is a great group.

-Yeah, a really solid group.

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Glad to see the emotion finally come out of all of them.

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Thank you, Curtis.

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-Wooo!

-Wow!

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'At this point, this is all in our hands.'

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So I felt really good about the opportunity to try to sell

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myself to Bill and to Joan.

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Yeah, congratulations, everybody.

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Wow!

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I was like, "What if these interviews go real bad for me?"

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My demise could be a bad interview.

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'And I was feeling pretty beat up.

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He makes a decision, we go back in, and bam!

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Curtis, they're ready for you.

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Oh.

0:16:390:16:40

I guess, in this game, your neck's always on the line.

0:16:410:16:44

'But I'm going to keep focused and play it exactly how I always have.

0:16:440:16:47

'Be very honest and be a straight-shooter.

0:16:470:16:49

'And tell Joan and Bill anything they want to know about.'

0:16:490:16:52

-Go get them, Curtis!

-Thanks, guys.

0:16:520:16:54

-Hello, Joan. Hello, Bill.

-Good to see you.

0:17:050:17:08

So, Joan, what do you think of this guy?

0:17:100:17:12

You know, before we did Celebrity, we did regular Apprentice.

0:17:120:17:15

-Very smart.

-And it became the number one show on television.

0:17:150:17:17

It was a monster! Good man?

0:17:170:17:19

-Very smart.

-Yeah.

0:17:190:17:20

So what do you think of our ensemble?

0:17:200:17:23

Great group.

0:17:240:17:25

Tell me about Curtis.

0:17:250:17:27

-Curtis, I think...

-Women like him, Joan.

0:17:270:17:29

-Women like him but...

-Good-looking guy.

0:17:290:17:31

Yeah, but he's riding on it.

0:17:310:17:33

You've known lots of guys like that over the years?

0:17:330:17:35

Oh, I've known a lot of guys that walk past me like that.

0:17:350:17:37

I think the one thing that you'll be able to identify with Curtis is

0:17:370:17:40

the guy knows how to build a brand.

0:17:400:17:42

And you know better than anyone how important that is.

0:17:420:17:45

I guess my question is, why are you here?

0:17:450:17:48

Bill, I work with Feeding America, and have done for quite a while.

0:17:480:17:50

I'm super passionate about the charity.

0:17:500:17:52

They have food banks, and shelters where they cook for the homeless...

0:17:520:17:56

That's a canned answer. Why should you be here?

0:17:560:17:58

I should be here cos I'm a natural leader. I've done it all my life.

0:17:580:18:00

When you run busy kitchens, you're dealing with chefs from

0:18:000:18:03

all walks of life.

0:18:030:18:04

You know, front-of-house staff and different nationalities.

0:18:040:18:07

You've really got to know how to harness people's energy.

0:18:070:18:10

You've only stepped up as project manager once.

0:18:100:18:12

-And, to me, I've got to say that raises a red flag.

-Sure.

0:18:120:18:16

You know, it's a little weak.

0:18:160:18:18

Yup, I understand that. Look, everything I've done, we've won.

0:18:180:18:21

-And then this last one...

-Well, you've only done one.

0:18:210:18:23

-Yeah, that's right.

-You know, that's going to come up.

0:18:230:18:25

Of course, my goal of being here is to raise money for Feeding America.

0:18:250:18:29

It doesn't hurt to sell some pots and pans and, you know, cookware.

0:18:290:18:33

Of course.

0:18:330:18:34

One of the major reasons that everyone comes onto this show

0:18:340:18:37

is to carry on building their profile, so that they can

0:18:370:18:39

increase their business potential.

0:18:390:18:41

Why should you win?

0:18:410:18:43

I should win because I'm so passionate about Feeding America.

0:18:430:18:46

But never mind the charity. Why should YOU win?

0:18:460:18:49

Because I'm the best leader.

0:18:490:18:51

Why did you defer to Bret so much?

0:18:510:18:55

Um, look, Bret's a real... He takes a long time to make a decision.

0:18:550:18:58

And he sidetracks himself. He gets sidetracked over the sidetrack.

0:18:580:19:01

So what I'd do with Bret was I'd give him a creative challenge,

0:19:010:19:04

and I'd set him off in that road because that way I got real,

0:19:040:19:07

tangible stuff from Bret.

0:19:070:19:09

And because a lot of these challenges are about

0:19:090:19:11

creativity, he really shone because I think I harnessed his

0:19:110:19:14

energy really well.

0:19:140:19:15

Who did you dislike the most?

0:19:150:19:17

Maria. Maria.

0:19:170:19:19

She'll not be on your Christmas card list?

0:19:190:19:21

She won't be on my Christmas card list!

0:19:210:19:22

What would you serve Maria for dinner?

0:19:220:19:24

Well, first, I'd make Maria use my bathroom because

0:19:240:19:27

I'd like to show her that I have a clean, nice-smelling

0:19:270:19:29

toilet at home!

0:19:290:19:30

-SHE LAUGHS

-OK.

0:19:300:19:32

He's very secure in what he does.

0:19:320:19:35

And I'm sure what he does is brilliant. He's also very limited.

0:19:350:19:38

-Yeah, he's a one-trick pony.

-You think?

0:19:380:19:41

I'm sure he's a very nice guy.

0:19:410:19:42

But I don't think he's got what it takes.

0:19:420:19:45

What about Sharon, Joan?

0:19:450:19:47

I just think Sharon wants this more,

0:19:470:19:49

probably, than anything she's ever wanted in her life.

0:19:490:19:52

I think she's out of gas.

0:19:520:19:54

I don't think she can go the distance to bring this thing home

0:19:540:19:56

and to deliver a finale.

0:19:560:19:59

-How are you doing?

-Oh, really good.

-Yeah?

0:20:000:20:02

I hear you've been sick for a good chunk of it.

0:20:020:20:05

-That's been the saga of this whole thing.

-That's tough.

0:20:050:20:09

The finale, as you know, is brutal.

0:20:090:20:12

Are you up to the task, and is it fair to the others?

0:20:120:20:15

-Of course I can handle it.

-But you've been sick.

0:20:160:20:18

Yeah, but I died and came back to life.

0:20:180:20:20

So if I can handle two years fighting cancer, I can handle this.

0:20:200:20:26

So, that's why you think you should be here now?

0:20:260:20:29

You know, I haven't been able to pull my weight,

0:20:300:20:34

but somehow...

0:20:340:20:36

I don't know if I stayed under the radar or just...

0:20:360:20:40

-I'm here.

-You're here.

0:20:400:20:41

-So I can't complain.

-But you clearly haven't raised the most money.

0:20:410:20:46

I deserve to be here as much as anyone else.

0:20:460:20:50

Are you a fighter, though, in the competition sense?

0:20:500:20:53

I know you're a fighter...

0:20:530:20:54

In my entire life, nobody has given me anything.

0:20:540:20:56

I've had to fight for everything.

0:20:560:20:58

And I love it because I owe nobody a damn thing.

0:20:580:21:02

You said something in the boardroom that I think is very interesting.

0:21:040:21:08

You said, "I wouldn't want to win over Holly."

0:21:080:21:11

-What if it's you and Holly?

-I wouldn't feel, um...

0:21:110:21:16

-It's just that...

-Yeah.

0:21:200:21:22

..when she's doing it for her child...

0:21:220:21:25

-..it just...

-No, I get...

0:21:260:21:28

Sweetheart, I get it.

0:21:290:21:31

I never thought that I would be here anyway

0:21:310:21:34

because I thought that I was the big shot that could start a charity

0:21:340:21:37

and it'd be like Elton's, that everybody would want to be throwing

0:21:370:21:41

-money at me, but nobody gives a

-BLEEP

-about anybody's colon

0:21:410:21:45

cos it's up your arse and nobody cares, it's not sexy.

0:21:450:21:48

I made a deal,

0:21:490:21:52

-that I would give back and I haven't done very

-BLEEP

-well so far

0:21:520:21:57

and if I can bring attention about this cancer,

0:21:570:22:01

then I've...

0:22:010:22:03

..I've made my part of the deal, you know?

0:22:050:22:09

Right, right.

0:22:090:22:10

I couldn't even think of a colour for a ribbon, Joan.

0:22:100:22:13

-Unfortunately, you could.

-Anyway...

0:22:140:22:17

Sharon Osbourne didn't take care of her husband's career,

0:22:170:22:21

and her kids' career, and decide she wanted a career

0:22:210:22:24

and got one at her age, by being wishy-washy.

0:22:240:22:28

-That tells you something.

-She's a very tough lady.

-I agree.

0:22:280:22:31

She's tough and sweet.

0:22:310:22:33

-It's been very tough for her.

-It's tough for her.

0:22:330:22:36

How do you think this cast compares to your cast last year?

0:22:380:22:41

-Not as volatile.

-Without a doubt.

0:22:410:22:44

They've all been very capable, very smart. Really good players.

0:22:440:22:48

What do you think of Bret?

0:22:480:22:50

I don't know, he's got that fire in his belly, he's got the passion.

0:22:500:22:54

And he was up front.

0:22:540:22:55

He owned up and said, "I made mistakes."

0:22:550:22:57

I like that in someone. I think that says a lot about who they are

0:22:570:23:00

as a person and their character.

0:23:000:23:01

You're in the final four, which I think is a great accomplishment.

0:23:010:23:04

Some of your team-mates may have accused you of being a little

0:23:040:23:07

scattered, not being able to focus.

0:23:070:23:09

Are you going to be able to kind of focus in

0:23:090:23:12

-and hone in on what you need to do?

-Absolutely.

0:23:120:23:15

There's one side of me that is completely,

0:23:150:23:17

100% this creative person.

0:23:170:23:20

There's another side of me that is absolutely driven to succeed, right?

0:23:200:23:23

I've been a human pin-cushion with over 250,000 injections

0:23:230:23:27

in my body since I was six years old. That can boil the blood sometimes.

0:23:270:23:31

And I am here for one reason,

0:23:310:23:33

so that somebody else won't have to go through what I go through.

0:23:330:23:36

One of the things Mr Trump's looking for is a leader who's agile,

0:23:360:23:41

and someone who can change up the game plan along the way.

0:23:410:23:45

How have you been agile in this competition?

0:23:450:23:48

I roll with every punch you give me.

0:23:480:23:50

I have lived a life of ups and downs and sideways

0:23:500:23:52

and you've got to roll with the punches and also field the ball.

0:23:520:23:57

The fact that that ball comes at you 18 zillion different ways

0:23:570:24:00

and I've been able to field them all and manage a career for 22 years

0:24:000:24:04

in which I've signed every cheque, I can get it done.

0:24:040:24:07

-So, you don't just show up?

-No.

0:24:070:24:08

I've found that the harder I worked, the luckier I got.

0:24:080:24:11

How did you apply what you learnt from the longevity

0:24:110:24:16

in your career into what you just did here?

0:24:160:24:18

My whole entire life has been about two things - about focusing

0:24:180:24:22

and finishing on getting done, taking care of my business

0:24:220:24:25

so I can take care of my passion.

0:24:250:24:27

What were the weaknesses you found out about yourself?

0:24:270:24:29

One of my weaknesses is I live on musician and/or rock-star time.

0:24:290:24:34

-Time was like something you just didn't get?

-Yes.

0:24:340:24:36

I've been my own boss since I've been 18, 19 years old,

0:24:360:24:40

for better or worse. But strong. I could occasionally be a little late.

0:24:400:24:44

And it's not because I want to be, I know I need to do this

0:24:440:24:47

but I was running on the first week on one hour's sleep.

0:24:470:24:49

-That's how I started this.

-Everyone says how nice you are.

0:24:490:24:52

How nice you are.

0:24:520:24:54

Do you think you can? Don't you have to be a fighter?

0:24:540:24:56

-Don't you have to be tough?

-I am extremely tough.

0:24:560:24:59

-How? You haven't shown it yet.

-Here's how.

0:24:590:25:02

Don't ever mistake my kindness for weakness.

0:25:020:25:04

I've found in my life, I have gotten way more bees with honey

0:25:040:25:07

than vinegar and I genuinely like people, I'm not a malicious person.

0:25:070:25:11

I want to win because I won,

0:25:110:25:13

not because I threw somebody under the bus.

0:25:130:25:15

Bret, I think, very creative.

0:25:150:25:18

He's an artist, there's no question about it.

0:25:180:25:21

And I know he wants it and he feels it.

0:25:210:25:23

But I didn't see the fire in him.

0:25:230:25:26

I don't know. He's passionate, he was very honest.

0:25:260:25:29

He's personally affected by the disease and now his child is,

0:25:290:25:33

and he's going to do whatever he needs to do

0:25:330:25:36

-to deliver for you in the finale.

-Tell me about Holly.

0:25:360:25:39

Holly is living this because she's not going to walk out of here

0:25:390:25:45

and it's over.

0:25:450:25:47

She's going home to autism and I think that's making her

0:25:470:25:51

so strong and so focused.

0:25:510:25:53

Bill, what do you think of Holly?

0:25:530:25:55

She's got two losses under her belt as a project manager.

0:25:550:25:58

I think that's a big problem.

0:25:580:26:00

Although she raised a lot of money in one task, she lost two others.

0:26:000:26:03

And, at the end of the day, it's about delivering results.

0:26:030:26:06

-It's a tough battle, isn't it?

-Oh, my! Who knew?

-Yeah, well.

0:26:060:26:09

Who knew the endurance was going to be such a factor?

0:26:090:26:12

-I know what you're going through, believe me.

-Thanks.

0:26:120:26:14

I hear you've raised a lot of money.

0:26:140:26:16

I did, I set a record and I'm so proud of that.

0:26:160:26:19

I raised 350,000 for the HollyRod Foundation, for autism.

0:26:190:26:23

No-one can take away the amount of money you raised,

0:26:230:26:25

-but do you deserve to go to the next level?

-Absolutely. Absolutely.

0:26:250:26:29

Not just cos I raised a boat-load of money, because I'm here.

0:26:290:26:32

Let's be clear, it wasn't so much about fundraising,

0:26:320:26:35

it was about staying up all night and doing it.

0:26:350:26:37

It was my dedication in doing it. And also it's my passion.

0:26:370:26:41

But the reality is, I'm multi-dimensional

0:26:410:26:44

and I'm not worried at all if I go forward here

0:26:440:26:46

and the task has something to do and it's not fundraising.

0:26:460:26:49

I have to bring this up. I know you've got two losses and one win.

0:26:490:26:54

How do you explain that?

0:26:540:26:55

You've got the most losses out of anyone who's still standing.

0:26:550:26:58

I also have the most at-bats at project manager,

0:26:580:27:01

-which should say something.

-Yes, but you've got to deliver a win.

0:27:010:27:04

Absolutely. But in the end, I'm still here for a reason.

0:27:040:27:07

Coming out of this,

0:27:070:27:09

what are you going to look back on and be most proud of?

0:27:090:27:14

What have you found out about yourself?

0:27:140:27:16

I learned that I'm a lot more resilient than I thought I was.

0:27:160:27:18

I knew there was a moment where I was going to break down

0:27:180:27:21

and say, "I've got to go home, I want to be with my kids."

0:27:210:27:23

But every time I had that moment, I picked myself back up,

0:27:230:27:25

got ready for another task delivery and just got on with it.

0:27:250:27:29

Do you think you could walk on the street and bump into Maria?

0:27:290:27:32

Maria, yes. Cyndi, not so sure.

0:27:320:27:35

She's a little mad,

0:27:350:27:36

and Carol Leifer, I think she's got my picture on a dartboard somewhere.

0:27:360:27:39

But in the end, this is not personal, it's business.

0:27:390:27:42

And I'm glad to be here on that behalf.

0:27:420:27:44

Holly is a mother, and I want this for my child,

0:27:440:27:49

and you guys, look out.

0:27:490:27:51

Don't cross a mother and her cub.

0:27:510:27:53

Holly's an ass kicker.

0:27:530:27:54

She's very good.

0:27:540:27:55

I'd like to see her go against Sharon.

0:27:550:27:59

That's two strong, connected women...

0:27:590:28:00

That's very interesting.

0:28:000:28:02

..that CARE about their charities.

0:28:020:28:04

Sharon sat and cried.

0:28:040:28:07

But I think Bret is connected even more so because

0:28:070:28:10

not only does it affect him, but now his child.

0:28:100:28:13

I think Bret's terrific.

0:28:130:28:15

Of course he cares, my Lord!

0:28:150:28:17

But I'd like to see Bret just say, "Look out!"

0:28:170:28:21

Joan, Bill, thank you very much. I love you both.

0:28:210:28:24

-We've had a lot of fun.

-Love you so much.

0:28:240:28:26

Amanda, let them in.

0:28:400:28:42

Yes, sir.

0:28:420:28:43

Mr Trump is ready for you in the boardroom.

0:28:430:28:46

-Oh!

-Thank you, Amanda.

-Here we go.

0:28:460:28:48

This has been an awesome journey already, so...

0:28:510:28:53

It has.

0:28:530:28:55

Sit down, please.

0:29:010:29:04

First of all, amazing job. We're down to now four.

0:29:090:29:13

Four lonely, beautiful people.

0:29:130:29:16

And you really should be very proud of yourselves.

0:29:160:29:18

Your families should be proud.

0:29:180:29:19

And your charities should be proud, most of all, because you

0:29:190:29:22

really have done a great job.

0:29:220:29:24

So, there's no loser.

0:29:240:29:26

Two people are going to be fired right now, but there's

0:29:260:29:29

no loser here, and I want you to understand that.

0:29:290:29:32

-Sharon, you met with Joan Rivers and Bill Rancic.

-Yes.

0:29:320:29:35

How were your interviews? What did you think?

0:29:350:29:38

I thought they went really well. They did.

0:29:380:29:41

Who did you feel better about, Joan or Bill?

0:29:410:29:44

Probably Joan, because Bill's hard to read.

0:29:440:29:47

He has a great poker face.

0:29:470:29:50

Joan liked you very much. She really felt very strongly about you.

0:29:500:29:54

But tell me, why should I choose you?

0:29:540:29:57

I can only say that I need it really badly.

0:30:000:30:03

I need it really, really badly.

0:30:030:30:05

-Need it where?

-For my charity.

-In your heart, in your head?

0:30:050:30:09

For my charity. I made a commitment

0:30:090:30:13

and I have to see it through.

0:30:130:30:15

So, Bret, how did the interviews go for you?

0:30:170:30:21

I thought they went great,

0:30:210:30:22

and I thought that Joan and Bill both had completely different

0:30:220:30:26

questions, took a completely different approach.

0:30:260:30:29

Joan, I felt very personable with,

0:30:290:30:32

and with Bill, he was very direct but I got a good feeling.

0:30:320:30:34

It forced me to give direct answers

0:30:340:30:36

and I felt good about that.

0:30:360:30:38

Why should I keep you, Bret?

0:30:380:30:39

-I think that I bring a lot to the table.

-Like what?

0:30:390:30:42

I think I'm creative. I think that I'm very focused.

0:30:420:30:45

I can get it done. I'm a hard worker.

0:30:450:30:47

And I've lived with this disease my entire life.

0:30:470:30:49

And I'm here fighting for a cause so other children,

0:30:490:30:52

hopefully we'll find a cure

0:30:520:30:53

and they'll not have to go through what I went through.

0:30:530:30:56

Holly, what'd you think of the interviews?

0:30:560:30:59

Oh, they were both good. Bill was tough.

0:30:590:31:01

I thought Bill was very tough.

0:31:010:31:03

I was more comfortable with Joan.

0:31:030:31:05

But, in the end, both of them I thought did a great job.

0:31:050:31:07

Holly, why should I keep you?

0:31:070:31:09

-Passion.

-But they all have passion, Holly.

0:31:090:31:12

Everybody at this table has passion.

0:31:120:31:13

Differing degrees, and I think I have passion.

0:31:130:31:16

I have the other stuff, too.

0:31:160:31:18

But passion and drive, ambition and consistency.

0:31:180:31:21

How important is this to you, Holly?

0:31:210:31:23

Very important. Very important.

0:31:230:31:25

Curtis, how'd you feel about the interviews?

0:31:260:31:30

I thought they went well.

0:31:300:31:31

Who did you like, from your standpoint,

0:31:310:31:33

in terms of the interview?

0:31:330:31:34

-I probably enjoyed the interview with Bill more, I think.

-Why?

0:31:340:31:38

He asked more questions about business, where Joan

0:31:380:31:41

was a little bit more personal. Personal questions.

0:31:410:31:44

So, Curtis, what about yourself?

0:31:440:31:46

-I think I'm the best leader in the group.

-Why do you say that?

0:31:460:31:49

I mean, you had two people that couldn't stand you before.

0:31:490:31:52

-Why do you say you're the best leader?

-But he won us over. He did.

0:31:520:31:55

Yeah, you put me in a really awkward position, Mr Trump.

0:31:550:31:57

You made me go to a team where both people came and said that

0:31:570:32:00

they didn't like me, and I had to literally start from the ground up.

0:32:000:32:03

Joan Rivers said, "He's a really handsome guy.

0:32:030:32:07

"He's a wonderful guy, sort of a somebody that's limited,

0:32:070:32:11

"and he lacks a certain passion."

0:32:110:32:13

I was a little surprised at that.

0:32:130:32:15

Yeah, so am I. I'm extremely passionate, Mr Trump.

0:32:150:32:17

Bill sort of stated that you were a one-trick pony.

0:32:170:32:20

-You know what a one-trick pony is, right?

-Mm-hm.

0:32:200:32:22

And I was a little bit surprised at that.

0:32:220:32:23

But they came out pretty strongly...

0:32:230:32:25

-Hey, look, they're very opinionated people to start off with.

-Right.

0:32:250:32:28

But they did come out pretty strongly, Curtis.

0:32:280:32:31

How do you respond to that?

0:32:330:32:34

I think that I've proven that I'm not a one-trick pony. I can lead.

0:32:340:32:37

I was a project manager on a task where I knew very little about

0:32:370:32:40

what we were doing, when we were filming the 30-second commercial.

0:32:400:32:43

I played great support to both Bret, Holly

0:32:430:32:46

and Sharon in three different tasks.

0:32:460:32:47

I mean, the problem I have is that Joan Rivers and Bill Rancic won.

0:32:470:32:51

They did a fantastic job. They were great winners.

0:32:510:32:56

And they've done very well since.

0:32:560:32:57

So, I have to listen to them. Do you agree with that?

0:32:590:33:02

Curtis, you're fired.

0:33:040:33:05

-I have no choice.

-Fair enough.

0:33:110:33:13

They really were very, very strong in that way.

0:33:130:33:15

-And get the hell out of here.

-Mr Trump,

0:33:150:33:18

thank you very much for the opportunity.

0:33:180:33:19

-Thank you very much.

-I appreciate it.

-Thank you very much, Curtis.

0:33:190:33:23

-Great job.

-Curtis, congratulations.

-Thanks. Good luck.

-Love you, Curtis.

0:33:230:33:26

-Love you, Curtis.

-Love you, too, guys.

0:33:260:33:28

'I've never been fired before in my life.

0:33:350:33:37

'I was really disappointed,'

0:33:370:33:39

because I wanted to raise

0:33:390:33:41

a whole lot more money for Feeding America.

0:33:410:33:42

'But that being said, I think that I've played a pretty good game,

0:33:420:33:45

'and I've represented myself quite well.'

0:33:450:33:47

What's up, buddy?

0:33:470:33:48

'And if you're going to be fired,'

0:33:480:33:50

you might as well get fired by Donald Trump, right?

0:33:500:33:52

-Nice guy.

-Very nice.

-Very nice guy.

-He's a gentleman. He is.

-Yeah.

0:33:560:34:00

OK, one more of you will be fired.

0:34:000:34:04

Holly, who would you choose if you were me?

0:34:040:34:07

Would you fire Sharon?

0:34:070:34:08

-Between these two?

-Or Bret?

-Probably Bret.

-Why?

0:34:080:34:11

Only because I just feel like Sharon's passion has

0:34:110:34:14

really come out in the last couple of tasks.

0:34:140:34:16

Yeah, but she's gone a long way before it came out.

0:34:160:34:18

But she worked it. She made up for it, and I feel like she's

0:34:180:34:22

a real strong player, and I feel like she's just a passionate person.

0:34:220:34:25

Look at her. I mean, she really feels this.

0:34:250:34:28

-No, she has felt it. There's no question about it.

-Yeah.

0:34:300:34:33

Bret, who would you fire if you were me?

0:34:330:34:35

We're down to three people. Two are going to leave here.

0:34:350:34:38

We're going to have a hell of a final.

0:34:380:34:40

You know, who would you fire if you were me, Bret?

0:34:400:34:43

You know, I would fire Holly.

0:34:470:34:48

Why would you fire Holly?

0:34:500:34:51

My reasons are very simple.

0:34:510:34:53

One, I think she is a strong player...

0:34:530:34:56

Excuse me. Sharon, why are you crying? Don't cry, Sharon.

0:34:560:35:00

You don't have to...

0:35:000:35:01

I mean, you're doing so well, there's no reason to cry.

0:35:010:35:04

You should be proud of yourself, Sharon. Why are you crying?

0:35:040:35:07

I don't want to be a loser.

0:35:070:35:10

It's a tough ordeal.

0:35:120:35:15

People don't realise what you've been through.

0:35:150:35:17

Nobody has an idea unless you've done this.

0:35:170:35:19

You don't understand this passion at all.

0:35:190:35:22

Sharon, who would you fire between Holly and Bret, if you were me?

0:35:250:35:29

I can't.

0:35:330:35:35

You have to, Sharon. I mean, you have to. That's part of it.

0:35:350:35:38

-I know. But it's...

-You have to.

0:35:380:35:40

It's just that the three of us are so emotionally involved,

0:35:400:35:44

because it directly affects us.

0:35:440:35:46

I think of everybody here, the three of you

0:35:460:35:48

-are the most emotionally involved.

-Mm-hm.

0:35:480:35:50

-It's personal.

-Yes.

-Which makes it tougher for me.

0:35:500:35:53

It's not business, it's personal.

0:35:530:35:55

Yes.

0:35:550:35:56

And, um, it's so tough.

0:35:560:36:00

I mean, I see Bret giving himself injections

0:36:000:36:04

so many times a day.

0:36:040:36:06

I see what Holly goes through.

0:36:060:36:08

I know my guilt about what I go through.

0:36:080:36:12

You know, who needs it more? Who should be the one?

0:36:120:36:16

I could never make that decision.

0:36:160:36:18

Sharon, do you think you can compete with, let's say, Holly,

0:36:200:36:23

if you ended up in the finals?

0:36:230:36:25

She's been so solid, such a great leader, and raised, I believe,

0:36:250:36:29

more money than anybody.

0:36:290:36:31

And Bret's been a winner in every sense of the word.

0:36:310:36:34

He's won always as project manager.

0:36:340:36:37

Do you think you have the energy to compete with, let's say,

0:36:370:36:41

Holly, or, let's say, Bret?

0:36:410:36:43

I said this to Bill, he asked me the very same question,

0:36:440:36:47

and I said to him, "I died and came back."

0:36:470:36:51

-And, um...

-Yeah.

-I'm strong enough.

0:36:520:36:55

Yeah, I'm strong. I'm a fighter.

0:36:570:36:59

You're more than strong. I mean, you're amazing.

0:36:590:37:01

-I'm a fighter.

-I know you're a fighter.

0:37:010:37:04

-It's going to be tough to compete with these two, though.

-I know that.

0:37:040:37:07

-Because we're all fighters.

-Absolutely.

0:37:070:37:09

And we all want it really, really badly.

0:37:090:37:12

And we want our charities to have the exposure that

0:37:120:37:16

this show can give.

0:37:160:37:18

But Bill felt strongly that you, in this current time,

0:37:180:37:22

cannot compete with these two.

0:37:220:37:24

You think that he's wrong about that?

0:37:240:37:26

It's his opinion, and I said to him, "You don't know me.

0:37:260:37:31

"But I know me, and I've gone through much worse than this

0:37:310:37:34

"in my life, and I come back."

0:37:340:37:37

Well, I think you're fantastic, Holly.

0:37:410:37:44

I really think you're fantastic.

0:37:440:37:46

Bret, I think you're fantastic.

0:37:460:37:48

And, you know, Sharon, I love you.

0:37:480:37:50

You're really a special woman.

0:37:500:37:53

But, Sharon, you're fired.

0:37:560:37:59

Thank you very much.

0:38:030:38:04

You've done an amazing job. I appreciate it.

0:38:040:38:06

Thank you, Mr Trump. I have had such an amazing experience here,

0:38:060:38:12

and I thank you so much for letting me be a part.

0:38:120:38:14

-It's been a great experience for me. Thank you, Sharon.

-Thank you.

0:38:140:38:18

Love you, Mama.

0:38:190:38:22

All this crying. I don't cry.

0:38:240:38:27

Not easy. Good woman.

0:38:270:38:30

Love you, Sharon.

0:38:300:38:32

-Love you, too. Thank you.

-Thank you, Sharon. Thank you.

0:38:320:38:34

-Your children are a delight.

-Thank you very much.

0:38:340:38:37

Great job. Amazing.

0:38:370:38:39

All right, here we go.

0:38:430:38:45

You win some, you lose some.

0:38:480:38:51

'I was horribly emotional,'

0:38:510:38:53

and Mr Trump went - whack! - "See ya!"

0:38:530:38:57

Sharon, it's that elevator.

0:38:570:38:58

Oh, do I have to? Damn elevator.

0:38:580:39:01

'I'm just like, "Will you stop'

0:39:010:39:04

-"

-BLEEP

-crying, you silly old bat?" It's like, "Enough!"

0:39:040:39:08

You've got me!

0:39:080:39:11

Holly, Bret, congratulations.

0:39:190:39:21

-Thank you.

-You're the final two.

-Thank you.

0:39:210:39:23

You beat out a lot of very, very capable people.

0:39:230:39:26

The final is going to be absolutely a monster.

0:39:260:39:29

It's going to be amazing, and one of you will become

0:39:290:39:32

the Celebrity Apprentice.

0:39:320:39:33

-Yes!

-Go back to your suite at Trump Tower,

0:39:330:39:35

enjoy yourselves tonight, because tomorrow, nice and early,

0:39:350:39:38

I'm going to give you a task.

0:39:380:39:40

It'll be fantastic. Have a good time. Congratulations. Your family,

0:39:400:39:43

your charity, everybody's very proud of you.

0:39:430:39:46

-Thank you, Mr Trump.

-I'm very proud of you.

-Thanks.

0:39:460:39:49

You've been through a lot. Go ahead.

0:39:490:39:50

Mr Trump, thank you.

0:39:500:39:51

Great job.

0:39:510:39:53

Woo!

0:39:530:39:55

Sorry I have to kill you tomorrow, but right now, let's party!

0:39:570:40:00

Woo! Hell, yeah. Come on, I'm pouring.

0:40:050:40:09

-Hell, yeah.

-I'm going to get you drunk and hung over,

0:40:090:40:11

so you can't win nothing!

0:40:110:40:13

Am I bringing it on? The running man? Is that how I roll?

0:40:130:40:16

Uh-huh.

0:40:160:40:18

I can't do it. I won't do it. I just did it.

0:40:180:40:20

'I am so pumped up right now, it's unbelievable.'

0:40:230:40:26

I came in here as the complete underdog.

0:40:260:40:28

No-one thought I was even going to get out of bed.

0:40:280:40:30

You know what everyone's mistake was, honestly?

0:40:300:40:32

-Underestimating you.

-They so underestimated me.

0:40:320:40:34

They're like, "This guy ain't going to wake up."

0:40:340:40:36

What I kept getting was, I'm too serious.

0:40:360:40:38

'I will not underestimate Bret Michaels at all.'

0:40:380:40:41

If I win, it's 250,000 for the HollyRod Foundation

0:40:410:40:44

'and the title of being Celebrity Apprentice.

0:40:440:40:47

'I came here to win this.'

0:40:470:40:48

I want to beat Bret Michaels.

0:40:480:40:50

I want to beat that unskinny bop.

0:40:500:40:52

-Congratulations.

-Congratulations. Cheers. And I want to say this.

0:40:520:40:56

All is fair in love, war, and raising money for our charities.

0:40:560:40:59

-Yeah.

-Love you.

-That's what it's all about.

-Love you. Cheers.

-Cheers.

0:40:590:41:02

Good morning and congratulations.

0:41:300:41:32

You've done a fantastic job.

0:41:320:41:34

Holly, how do you feel?

0:41:340:41:35

Invigorated. Just happy and honoured to be here.

0:41:350:41:38

-Bret?

-I'm ready to rock.

0:41:380:41:40

Are you surprised, Bret?

0:41:400:41:41

Not in myself. I think a lot of people are surprised.

0:41:410:41:44

-They counted me out from the beginning...

-People are surprised.

0:41:440:41:47

Yes, I believed in myself.

0:41:470:41:48

-But you really have been amazing.

-Thank you.

-Both of you.

0:41:480:41:51

So now we're down to our final task,

0:41:510:41:54

and it's going to be a really big one.

0:41:540:41:57

In fact, it's a combination of everything you've done so far

0:41:570:42:01

in this competition.

0:42:010:42:03

You'll be working with a really great company - Snapple.

0:42:030:42:07

-Yes!

-Wonderful people, wonderful product.

0:42:070:42:10

I drink it all the time.

0:42:100:42:12

-I love it. You like Snapple, Holly?

-Love it.

0:42:120:42:14

-You better say that, Holly.

-I do! Grape is my favourite flavour.

0:42:140:42:18

OK. Very good.

0:42:180:42:19

With me is the chief executive officer of Snapple, Larry Young.

0:42:190:42:24

-Larry?

-Thank you. You will create a new flavour of Snapple tea.

0:42:240:42:27

You will extend our advertising campaign

0:42:270:42:30

with a new television commercial and print advertisement.

0:42:300:42:34

And you will launch your product at an event filled with

0:42:340:42:38

Snapple employees, distributors, and, most importantly,

0:42:380:42:42

our passionate Snapple tea fans.

0:42:420:42:45

Joining me today to help us with the task is Andrew Springate,

0:42:450:42:48

our senior vice president of brand marketing.

0:42:480:42:51

So, you'll be judged on the following - originality,

0:42:510:42:54

creativity, incorporating your charity's mission and message,

0:42:540:42:58

and, most important, maintaining the essence and the spirit

0:42:580:43:01

of the Snapple brand across all you do.

0:43:010:43:03

'Once I heard that we were able to incorporate our charity,

0:43:030:43:06

'that got me really excited,'

0:43:060:43:08

because HollyRod Foundation is my fifth child.

0:43:080:43:11

And Snapple's going to raise the stakes even further.

0:43:110:43:14

Your new Snapple tea product will be sold across the country.

0:43:140:43:17

Good luck.

0:43:170:43:19

The winner will receive 250,000

0:43:190:43:24

for Holly or Bret's charity.

0:43:240:43:26

And all across the country, people will be able to buy

0:43:260:43:30

the Snapple products you create.

0:43:300:43:32

And in doing so, they'll be supporting your charities.

0:43:320:43:35

-Ooh.

-How do you feel about that?

-That's incredible. That's awesome.

0:43:350:43:38

All right. That's going to be a lot of money and, Holly,

0:43:380:43:41

you've already been pouring the money in.

0:43:410:43:43

How much have you won so far for your charity?

0:43:430:43:45

-350,000.

-And Bret?

0:43:450:43:47

-140,000.

-All right. Well, very good. Congratulations.

0:43:470:43:51

You're going to have help, but I'll send them to you in a little while.

0:43:510:43:55

Go do your thing. Good luck.

0:43:550:43:57

-Thank you very much.

-Thank you.

0:43:570:43:59

You ready? Let's rock.

0:43:590:44:00

'I'm going to go over to the Snapple mixology laboratory'

0:44:120:44:15

and I'm going to make sure

0:44:150:44:17

that when I get to meet my other team-mates,

0:44:170:44:19

'I had it all laid out.

0:44:190:44:21

'I had a plan. I was going to get this done.'

0:44:210:44:23

Good morning, good morning, everybody. Oh, there's nobody here.

0:44:230:44:27

There's no birthday party in here for me.

0:44:270:44:30

'I start laying out the computers, the pencils, the pens, the phones,'

0:44:330:44:37

and I'm saying to myself, "Bret, I've learned a lot

0:44:370:44:39

"on Celebrity Apprentice on how to organise."

0:44:390:44:42

-Hello.

-We're back!

0:44:470:44:48

Oh, geez! Oh, man, what's happening?

0:44:480:44:52

-What's up?

-I can't believe you beat me in my task.

0:44:520:44:56

-Are you my team?

-We're your team.

-Come on, then. Get in here.

0:44:560:44:59

'Mr Trump sent in the helpers, and here comes Darryl Strawberry'

0:44:590:45:02

and Summer Sanders. And I'm like, "Yes!"

0:45:020:45:04

-What's the task?

-It's Snapple tea.

-Right.

0:45:040:45:06

-We got to come up with a flavour that we love.

-OK.

0:45:060:45:09

We've got to shoot a commercial.

0:45:090:45:10

I'm going to give you this right now so you have it.

0:45:100:45:12

Look, I'm organised. Summer, which would you rather have?

0:45:120:45:15

-Perfect.

-There you go.

0:45:150:45:17

-And there's the other one.

-Look at you!

0:45:170:45:19

-look at me all prepped.

-Stapled or unstapled?

0:45:190:45:21

'Our task today is really,'

0:45:210:45:24

when you think about it,

0:45:240:45:25

a culmination of all of the tasks to date.

0:45:250:45:27

'I think this is a really, really hard task to walk into

0:45:270:45:30

'after being gone for so long.'

0:45:300:45:32

You let us know if you want us to throw ideas out.

0:45:320:45:34

-You know I do.

-It's got to be something that you feel good about.

0:45:340:45:37

-Done.

-'To be able to come back'

0:45:370:45:39

'after going home and getting some rest,'

0:45:390:45:41

I wanted to come back and redeem myself.

0:45:410:45:43

Finding a flavour that we love, that's all that matters,

0:45:430:45:46

and then we can taste test it at the mall today.

0:45:460:45:48

Today, of course, I got a cold sore on my lip,

0:45:480:45:50

so now I got to go to the mall and do a taste test thing.

0:45:500:45:53

So, you may have to be the front person. "Here, try this."

0:45:530:45:55

-They're like,

-"BLEEP

-you! I'm not drinking that!

0:45:550:45:58

"Anything you didn't touch?" It's just from stress.

0:45:580:46:01

It's not from kissing all those groupies, huh?

0:46:010:46:03

-No, no. Nothing at all.

-Whatever!

0:46:030:46:05

It's just stress.

0:46:050:46:06

'So I'm all alone in my Snapple war room,'

0:46:160:46:19

trying to figure out who's going to come and help me on this task.

0:46:190:46:23

'I'm really hoping to get Summer Sanders, that's my homey,

0:46:230:46:26

'and I just feel like we're really connected.'

0:46:260:46:28

We're your new team. I'm sorry that I'm not Summer!

0:46:300:46:34

I'm sorry.

0:46:340:46:35

'In comes Curtis and Maria...'

0:46:350:46:38

But at this point, I'm just happy to have help.

0:46:380:46:40

We have to create and launch a new Snapple tea.

0:46:400:46:43

OK.

0:46:430:46:44

-We have to create a commercial, a print ad campaign...

-Mm-hm.

0:46:440:46:48

And then we have to present it in front of bunch of

0:46:480:46:51

Snapple executives, like a big presentation.

0:46:510:46:53

-OK.

-We have three days to do this.

-'I thought to myself,'

0:46:530:46:56

Thank God we have three days.

0:46:560:46:58

'But at the same time, three days is'

0:46:580:47:01

a short amount of time compared to how much we have to do.

0:47:010:47:04

"Made from the best stuff on Earth."

0:47:040:47:06

So why not incorporate an Earth logo?

0:47:060:47:08

I don't want to get too far ahead of ourselves, but tomorrow's

0:47:080:47:10

basically the creative stuff.

0:47:100:47:12

Well, here's my initial thought...

0:47:120:47:14

Maria, tomorrow's the creative stuff. Today is about the tea.

0:47:140:47:17

'Curtis and I,'

0:47:180:47:20

were trying. But then again we don't want to step on Holly's toes,

0:47:200:47:23

because this is her baby.

0:47:230:47:24

'If you can't win, you might as well be a person that's there'

0:47:240:47:28

supporting someone that can win.

0:47:280:47:30

So what are your thoughts for the commercial?

0:47:300:47:32

Do you think you want to go the humour route,

0:47:320:47:36

like they usually do?

0:47:360:47:38

Today is really about the flavours.

0:47:480:47:49

-Tomorrow is basically the creative stuff.

-Mm-hm.

0:47:490:47:52

So we can focus just on creating our drink

0:47:520:47:54

-and then, today, we're going to take it over to a mall...

-Mm-hm.

0:47:540:47:56

..and we're going to do a taste test with people.

0:47:560:47:59

The goal of the first day is just to create the new Snapple tea.

0:47:590:48:02

If you drink Snapple and you're having fun,

0:48:020:48:04

and it's made from the best stuff on Earth,

0:48:040:48:06

and all that kind of stuff

0:48:060:48:08

so, why not have it "Snapple, bringing you out of your shell"?

0:48:080:48:11

I think "shell" might not be the actual...

0:48:110:48:13

But the concept is very, very powerful.

0:48:130:48:15

'I thought to myself, I'm going to help Holly with whatever'

0:48:150:48:18

she needs, and it's not worth me fighting for things,

0:48:180:48:21

'because it's not my task this time, and she's the project manager.'

0:48:210:48:24

And I've already been fired,

0:48:240:48:26

so I'm going to let her make the decisions,

0:48:260:48:28

and I'm not going to argue with her.

0:48:280:48:30

-Hi.

-Hi, I'm Holly.

-Megha Gandhi.

0:48:320:48:35

-I'm going to be your Snapple development scientist today.

-Good.

0:48:350:48:38

-Fabulous.

-We need you.

-Great.

-This is Curtis.

0:48:380:48:41

'Our R&D specialist came in. She's lovely.

0:48:410:48:43

'And now it's just a matter of picking that flavour'

0:48:430:48:46

that is going to be marketable.

0:48:460:48:48

'But Bret and I have to have totally different flavours.

0:48:480:48:51

'So we had to split them down the middle, and we had to negotiate

0:48:510:48:54

'for which flavours I could have and which flavours Bret could have.'

0:48:540:48:57

Feel free to start tasting. I have some cups for you.

0:48:570:48:59

-All right, cheers.

-Salut.

0:48:590:49:02

'Diet tropical mixed with the coconut kicker.'

0:49:020:49:05

Ooh, that's good.

0:49:070:49:09

'For me, being diabetic,'

0:49:090:49:10

it was very, very important for me

0:49:100:49:12

that I was handling the Diet Snapple. I didn't even want to

0:49:120:49:15

'try to make a sugar drink.'

0:49:150:49:16

-Coconut added to anything reminds me of the summer.

-I hate coconut.

0:49:160:49:19

Coconut's too much for me.

0:49:190:49:20

OK, this is lychee coconut.

0:49:200:49:22

Mm, that's not bad.

0:49:220:49:24

I think vanilla's good.

0:49:240:49:26

-Reminds me of a snow cone.

-Yeah, that's a good adder.

0:49:260:49:28

-I want to taste this fig.

-What's your favourite spice?

-Ooh, no!

0:49:280:49:32

Nutmeg we should use. You know why?

0:49:320:49:34

Because, you know, nutty rocker.

0:49:340:49:36

If this is a drink that's coming out in summer, you can start

0:49:360:49:38

eliminating winter fruits, like apple and pear.

0:49:380:49:41

Yeah, that's done. They're boring.

0:49:410:49:43

'I definitely have an advantage with Curtis on the whole palate thing.'

0:49:430:49:46

He's going to use his kitchen skills for good.

0:49:460:49:49

Passing on the plum.

0:49:490:49:51

-Ooh, that's good.

-What?

0:49:510:49:53

I'll make you one.

0:49:530:49:54

Will you write down these ingredients -

0:49:560:49:59

diet passion, thank you.

0:49:590:50:00

Mix that with cinnamon.

0:50:000:50:02

So that's a huge breakthrough for diabetes right now,

0:50:020:50:05

is that cinnamon lowers and maintains your low blood sugars.

0:50:050:50:08

'I wanted to get cinnamon in there,'

0:50:080:50:10

and then I wanted the passion fruit,

0:50:100:50:11

because I already had this rock'n'roll passion theme

0:50:110:50:14

'spinning in my brain.'

0:50:140:50:15

-It tastes good, doesn't it?

-With sexy cinnamon, diet passion.

0:50:150:50:18

Open up your inner rocker, the passion in you.

0:50:180:50:21

-Taste it.

-Thanks. strawberry something.

0:50:210:50:24

-Passion fruit.

-Mm. I like it.

0:50:240:50:26

I think it smells so fragrant.

0:50:260:50:28

Passion berry. Berry passionate.

0:50:280:50:31

-It tastes very good, actually.

-Yeah.

0:50:310:50:33

'I need the passion fruit. we love the idea of'

0:50:330:50:37

taking our passion fruit

0:50:370:50:39

and making it into a "compassion berry" -

0:50:390:50:40

mixing it with strawberry,

0:50:400:50:42

'because part of what the HollyRod Foundation does is provide

0:50:420:50:45

'compassionate care for people.'

0:50:450:50:47

These are the ones we need - coconut, tropical, passion fruit.

0:50:470:50:49

Strawberry, too.

0:50:490:50:51

-We've got to do something with those four.

-Yeah.

0:50:510:50:54

Summer and Darryl, I got to do my negotiating.

0:50:540:50:57

-You need to fight for cinnamon and passion fruit.

-OK.

0:50:570:51:00

So you have to figure out, like...

0:51:000:51:02

I don't think you want to play your hand.

0:51:020:51:05

Is there two girls, two guys? There's two guys for the ad.

0:51:050:51:08

No, no. This is just... We have to negotiate for the flavours.

0:51:080:51:11

Oh, that's the right... Oh, man.

0:51:110:51:13

I'm already on the wrong day. OK.

0:51:130:51:15

'Before Bret went into the negotiation,

0:51:150:51:17

'I talked to him about this.'

0:51:170:51:19

I said, "What is your number one flavour?"

0:51:190:51:21

The two we really wanted were passion fruit and cinnamon.

0:51:210:51:23

'That was my big concern.'

0:51:230:51:25

So, let's say that she's like, "No, I want these two."

0:51:250:51:28

Which one would you give up?

0:51:280:51:29

-So, passion is your number one, right?

-Have to have the passion.

0:51:290:51:32

-OK, so that's what you know to fight for.

-That's the fighter.

-OK.

0:51:320:51:35

So, first priority is to try to get that passion fruit, right?

0:51:350:51:38

-Yeah.

-We'll all be thinking positive.

0:51:380:51:41

You want to negotiate?

0:51:410:51:43

-I'll negotiate.

-You will?

0:51:430:51:45

-I'll wipe the floor with Bret.

-OK.

0:51:450:51:48

'Initially, I was going to negotiate with Bret'

0:51:490:51:51

to get the flavours that we wanted.

0:51:510:51:53

But then it just hit me like a tonne of bricks -

0:51:530:51:55

'Curtis has worked with Bret a lot.

0:51:550:51:57

'He knows Bret a lot better than me, and he was like,'

0:51:570:51:59

"Piece a cake."

0:51:590:52:01

-Just confuse him.

-Yeah. That won't be hard.

0:52:010:52:04

-Oh, I love you, Bret.

-Oh, I love Bret.

0:52:050:52:08

He does all that, "Go with it now.

0:52:080:52:09

-"Feel me out here."

-This could take a long time, this negotiation.

0:52:090:52:13

I'm just saying.

0:52:130:52:14

Good luck, Curtis!

0:52:140:52:16

I might be back by Tuesday.

0:52:160:52:18

Bring me back the passion fruit!

0:52:180:52:20

Summer and Darryl, I've got to do my negotiating.

0:52:290:52:32

-You need to fight for cinnamon and passion fruit.

-OK.

0:52:320:52:35

Let's say she's like, "You know what, Bret?

0:52:350:52:37

"I want passion fruit and I want cinnamon.

0:52:370:52:39

"So you can pick one of those, and I'll take the other one."

0:52:390:52:42

I think I'd have to have the passion.

0:52:420:52:44

-So that's what you know to fight for.

-That's the fighter.

-Right.

0:52:440:52:48

When I got Summer, that's Holly's BFF,

0:52:480:52:50

I thought, "This is going to be bad. She's a spy."

0:52:500:52:52

I figured she'd just lay under the table

0:52:520:52:54

'and sleep. But Summer has been absolutely awesome for me.

0:52:540:52:58

'She is smart and strong.'

0:52:580:53:00

Bye, guys. See you later.

0:53:000:53:02

-See you in a bit.

-See you in a bit.

0:53:020:53:03

Let negotiations begin.

0:53:030:53:06

-All right, Michaels.

-Ugh, no!

0:53:070:53:10

What's going on?

0:53:100:53:13

-How are you, buddy?

-I'm doing good, man. How you doing?

0:53:130:53:15

-Are you the negotiator?

-They sent me up.

-Oh, good.

0:53:150:53:18

I thought Holly was coming in to negotiate with me,

0:53:180:53:21

and she sent up Curtis.

0:53:210:53:22

'He is the celebrity chef. You know, it's going to be tough.'

0:53:220:53:27

The first one I would love is passion fruit

0:53:270:53:29

with a little kicker of cinnamon,

0:53:290:53:31

and vanilla and black pepper, possibly.

0:53:310:53:33

-Um...

-How are you there?

0:53:330:53:37

-I've got a bit of a problem.

-Oh, you bastard!

0:53:370:53:41

What's your second choice?

0:53:410:53:43

-We've got pear, plum, nutmeg.

-OK.

0:53:430:53:46

And then I've got, the other one was the tropical fruit,

0:53:460:53:49

the coconut with the vanilla kicker.

0:53:490:53:50

'He had a couple of strange combinations in there,'

0:53:500:53:54

like vanilla and tropical fruits

0:53:540:53:56

and a couple of things that I was like, "Really? OK."

0:53:560:53:59

If we could get the passion fruit and strawberry,

0:53:590:54:03

then I'd totally be prepared to give you the vanilla.

0:54:030:54:05

-How about if YOU take vanilla...

-Yeah.

0:54:050:54:09

-I'll take the passion fruit.

-Um...

0:54:090:54:11

'Curtis walks in, the first thing he says,'

0:54:110:54:13

"I want passion fruit."

0:54:130:54:14

I'm like, "Oh, no, you don't. that's what I'm getting."

0:54:140:54:16

If you took my passion fruit, you took my A game.

0:54:160:54:19

You kicked me right in the nards. You understand what I'm saying?

0:54:190:54:22

-Yep.

-So that's why I feel that unless I get the other things,

0:54:220:54:25

-I don't even have a game.

-Um...

0:54:250:54:27

Give me your A game. Let's see what you've got.

0:54:270:54:31

All the ones that you said, we're looking for the same stuff.

0:54:310:54:34

'I had to pull a couple of swift ones on Bret.'

0:54:340:54:36

I had to tell him that everything that was on his list

0:54:360:54:39

was exactly what I wanted. that wasn't quite the truth.

0:54:390:54:41

-I could let you walk with all...

-All this?

0:54:410:54:44

Pear. Plum. Was that your second choice?

0:54:440:54:46

And I gave up the cinnamon.

0:54:460:54:48

The passion's the killer.

0:54:480:54:50

So, you're not happy with what you've got now?

0:54:500:54:52

My key with Bret was to get in and out fast.

0:54:520:54:55

'To avoid him getting to the bottom of the problem,

0:54:550:54:57

'you've got to move quick. I was like, "Come on, mate.'

0:54:570:54:59

"You've got what you want. I've got what I want.

0:54:590:55:01

"Let's call it a day. No need to keep thinking."

0:55:010:55:03

If you take the passion fruit and leave me with this...

0:55:030:55:06

-You've got nothing.

-..then I can't even make a drink, you've fleeced me.

0:55:060:55:10

-I want to do the right thing by you.

-I've got you.

-We're old mates.

0:55:100:55:12

Hold on a second here.

0:55:120:55:15

I've got Goldberg waiting in the hallway in case.

0:55:150:55:17

Oh, no! Is he out there?

0:55:170:55:18

'He wasn't going to budge, and I was thinking,'

0:55:180:55:21

if he ain't going to budge, I'll be here two hours.

0:55:210:55:24

I need to make a drink that's great.

0:55:240:55:25

You know what I'm going to do?

0:55:280:55:29

It's taking my A-game away, but you know what?

0:55:290:55:32

I need to get on with my game.

0:55:320:55:34

So I'm going to give you this. I'm going to give you this.

0:55:340:55:37

-So, you're good?

-Take that passion fruit. Let's get this thing done.

0:55:370:55:40

You've got it, man. Good luck, mate.

0:55:400:55:41

'I think Bret gave it up a bit easy.'

0:55:410:55:43

If I was Bret, and I wanted passion fruit, I would

0:55:430:55:46

have fought for it a bit harder.

0:55:460:55:47

But who knows? Maybe he didn't. Maybe he bluffed me.

0:55:470:55:49

All right, now I got to rethink this.

0:55:490:55:52

-Sucker!

-I heard you say, "Sucker!"

-Ha-ha!

0:55:550:55:59

I never wanted passion fruit to begin with, so he can have it.

0:56:000:56:04

All right. I'm lying, I did.

0:56:060:56:08

Ooh!

0:56:100:56:11

What we got? What we got? What we got?

0:56:110:56:13

Uh-oh. That was not a good face.

0:56:130:56:15

I feel bad for what I just did.

0:56:150:56:16

-Uh-oh. What'd you do?

-It was like taking candy from a baby.

0:56:160:56:19

Oh, God! What do we got? Show me something.

0:56:190:56:22

-His first choice was passion fruit. And there it is.

-Oh, yes!

0:56:220:56:25

Sorry, Bret! Yes!

0:56:250:56:28

What?! That's two!

0:56:280:56:29

Oh, my God, you got... How did you do that!?

0:56:290:56:34

-How did you do that?

-Good job!

0:56:340:56:37

Curtis came back down. He had all the juices we needed,

0:56:370:56:39

'all the juices we wanted. He got everything on my list.'

0:56:390:56:43

I sent the right man up there.

0:56:430:56:45

Hi! How was negotiating?

0:56:460:56:49

It was OK. Here's...Here's what didn't go good for me.

0:56:490:56:53

What didn't go good is they were firm on the passion fruit.

0:56:530:56:55

-Uh-oh.

-All right, firm... It's OK.

0:56:550:56:57

I was going to be up here, we weren't budging.

0:56:570:56:59

So we would have been here for hours.

0:56:590:57:01

'I can't wait to see the video of the actual'

0:57:010:57:04

"negotiation" of Bret going,

0:57:040:57:06

"I want passion fruit," and Curtis going, "No!"

0:57:060:57:09

Bret saying, "OK".

0:57:090:57:11

They stole our passion.

0:57:110:57:13

They didn't steal our passion. Just stole our passion fruit.

0:57:130:57:15

Maybe have to go back and rethink this.

0:57:150:57:18

'I don't know how the negotiation went. I know we've ended up'

0:57:180:57:21

very vulnerable.

0:57:210:57:22

So now we just put together what we want to be our two drinks.

0:57:260:57:30

-OK.

-This was unbelievably great together.

0:57:300:57:32

-OK.

-Then we can decide whether we want the vanilla or cinnamon.

0:57:320:57:35

-So, this is where I would go.

-OK.

-OK.

0:57:350:57:37

-And then our second drink should be just this.

-OK.

0:57:370:57:40

'We developed two drinks:'

0:57:430:57:44

one was Pear Plum Nutty, which also

0:57:440:57:46

'worked with the diabetes.'

0:57:460:57:48

"Pear Plum Nutty with a sinfully delicious kicker."

0:57:480:57:50

-I think it's great, you guys.

-That's it.

0:57:500:57:54

I love this taste, man. It's good.

0:57:540:57:56

'And the other drink was simply called Trop-a-rocka.'

0:57:560:57:59

-I like that drink.

-Wow.

-It's good.

0:57:590:58:02

I sent Darryl off to the mall to do a taste test,'

0:58:020:58:05

cos you got to find out what the people love,

0:58:050:58:07

what the consumer wants, right?

0:58:070:58:09

I'm out, guys.

0:58:090:58:10

How bummed are we going to be if they come back and say,

0:58:100:58:13

"No-one likes the Pear Plum Nutmeg"?

0:58:130:58:17

It doesn't matter. It will just be my executive choice.

0:58:170:58:21

So, which one do you want to do first?

0:58:210:58:23

Let's try our compassion and strawberry.

0:58:230:58:25

Passion fruit, strawberry?

0:58:250:58:27

Technical, eh?

0:58:290:58:30

Ladies and gentlemen, Compassion Berry.

0:58:300:58:32

Ooh, it smells delicious.

0:58:320:58:34

It does, doesn't it?

0:58:340:58:36

There's something about passion fruits that just get you going.

0:58:360:58:39

We like the idea of morphing the names of passion fruit

0:58:390:58:44

and strawberry into Compassion Berry.

0:58:440:58:46

'But, was the actual tea going to taste good?

0:58:460:58:49

'And then when we blended it with our R&D specialist, we loved it.'

0:58:490:58:52

I'm loving that one, you guys. I say we pick that one.

0:58:520:58:54

Do you think it needs a spice?

0:58:540:58:56

-What kind of spice do you think it needs?

-I don't know.

0:58:560:58:59

-I'm just... I'm just curious.

-Did we get sweet basil?

0:58:590:59:03

-Yeah.

-Try the sweet basil in there.

0:59:030:59:04

'You've got pepper and nutmeg,

0:59:040:59:06

'and things that you'd never imagine'

0:59:060:59:07

would be in a Snapple drink.

0:59:070:59:10

Yet, one little hit of these

0:59:100:59:12

'changes the whole flavour.'

0:59:120:59:13

-See what that brings to it.

-Thank you.

0:59:130:59:16

-That's very good.

-I like it.

-Mm-hm.

0:59:180:59:22

Why don't we do the passion, strawberry, basil and see if

0:59:220:59:25

-people have a reaction to the basil or not?

-Sure.

0:59:250:59:28

'We did decide we were going to take two flavours out:'

0:59:280:59:30

one with sweet basil, and one without.

0:59:300:59:33

'What we're really concerned about is how does the sweet basil

0:59:330:59:36

'affect our passion fruit, strawberry tea?'

0:59:360:59:39

# Roll, roll, roll your Snapple gently out the door... #

0:59:390:59:44

'I really wish'

0:59:440:59:45

we could have came up with two completely different teas,

0:59:450:59:48

'so the public would have been able to tell us

0:59:480:59:50

'which one they liked.'

0:59:500:59:51

That's not bad, actually. 'But Holly does this.'

0:59:510:59:53

Holly gets something in her mind, and then that's it.

0:59:530:59:56

You're not going to change her mind.

0:59:560:59:58

All right, here we go!

0:59:580:59:59

-Beautiful!

-'It could be a huge mistake if nobody likes this drink.'

0:59:591:00:03

All right. So, what are we doing here?

1:00:051:00:07

Let's take one last look at that sucker.

1:00:071:00:09

"The best ingredients make the best drinks with zero calories.

1:00:091:00:11

"So pop that top, and make that sucker pucker.

1:00:111:00:15

"I guarantee it's going to rock your world."

1:00:151:00:17

"Incorporation of your charity's mission and message."

1:00:171:00:20

So, we haven't done that in there yet.

1:00:201:00:22

And it has to be in the label? Within the label?

1:00:221:00:25

-I don't know.

-We have a little room still, right?

1:00:251:00:29

-It's just oversaturated with words.

-What's going on?

-Doing good.

1:00:291:00:34

-How are you doing? I'm sorry.

-Good to see you.

1:00:341:00:36

-I was so engrossed.

-Oh, listen, that's cool.

1:00:361:00:38

-Show me what you got.

-Look at those colours.

1:00:381:00:40

Got the red, you throw a little guitar, a little hint

1:00:401:00:42

of stuff, the fruits.

1:00:421:00:43

-So, what's the flavour?

-Pear Plum Nutty.

-How's the taste?

1:00:431:00:47

-Taste is unbelievable.

-Really?

1:00:471:00:49

Cos it just doesn't seem like a combo I'd ever want to drink, but...

1:00:491:00:52

-Hello there.

-How are you?

-How's everything going?

1:01:011:01:04

It's going good so far.

1:01:041:01:06

-I got my...

-Oh, going barefoot and everything!

1:01:061:01:08

I got my shoes off.

1:01:081:01:10

We're doing a hybrid of passion fruit and strawberry.

1:01:101:01:13

We're calling it "Compassion Berry tea".

1:01:131:01:15

-So, this is where we are now.

-Good integration of the autism.

1:01:151:01:18

-Yeah. Yeah, you know?

-In there with the puzzle pieces.

1:01:181:01:21

'I love that he got that our label incorporated'

1:01:211:01:23

the puzzle pieces, and the puzzle pieces are the symbol of autism.

1:01:231:01:27

We wanted to be able to do this Compassion Berry, and we

1:01:271:01:30

couldn't do the Compassion Berry piece without the passion fruit,

1:01:301:01:33

or the strawberry.

1:01:331:01:34

Is passion fruit, though, Middle America?

1:01:341:01:36

Um... It's not, but the strawberry sort of brings it down and makes it

1:01:361:01:39

a little bit more recognisable.

1:01:391:01:41

-Yeah.

-It's a different-looking fruit.

1:01:411:01:43

'It's interesting. Because they put so much stock in the fact

1:01:431:01:46

'that this is the compassion fruit,'

1:01:461:01:48

really linking the tea to the flavour and to the name.

1:01:481:01:50

I think Holly could have troubles if people don't like the taste.

1:01:501:01:54

If the taste test goes awry,

1:01:541:01:55

'it's going to be an issue for her.'

1:01:551:01:58

No small task, huh?

1:01:581:02:00

Guess what? We found better stuff.

1:02:031:02:07

-Hey, Darryl. What's happening?

-All right. How you doing?

-Good.

-Good.

1:02:071:02:11

Are you ready for some Snapple?

1:02:111:02:13

'I went with Maria over to the mall,'

1:02:131:02:15

and we took some of our new concoction over

1:02:151:02:16

'to give people to try.'

1:02:161:02:19

-This is strawberry, passion fruit and basil.

-Basil?

1:02:191:02:23

That's really good.

1:02:231:02:25

-Oh, it's so yummy and refreshing.

-The best thing I've ever tried.

1:02:251:02:29

-Awesome.

-The best thing you ever tried? Good man.

1:02:291:02:31

Step right up, step right up. We're coming up with a new Snapple line.

1:02:311:02:34

Trying to figure out which tastes better.

1:02:341:02:36

Taste was very important in this task,

1:02:361:02:38

'for Bret to be able to know what drink he needs to make.'

1:02:381:02:41

-No? Which one you like?

-I like the vanilla one.

1:02:411:02:45

That's tropical vanilla. Tell me what you think.

1:02:451:02:48

-It tastes like dessert.

-Is it good?

1:02:481:02:50

How could you go wrong with vanilla and cinnamon?

1:02:501:02:52

-Mm.

-Like that?

-Mm-hm.

-Yes.

1:02:521:02:56

This is pear, plum, nutmeg, and, um...cinnamon. No?

1:02:561:02:59

No good.

1:02:591:03:01

No good, no good. You got to drink a little bit more.

1:03:011:03:03

Get a little bit more taste to it.

1:03:031:03:05

-I don't want to.

-Why...?

-It tastes like my grandpa.

-Yeah, yeah.

1:03:051:03:08

'This drink, pear, plum, nutmeg, and'

1:03:081:03:11

a little cinnamon...and most people didn't like that.

1:03:111:03:13

Most of them picked the Trop-a-rocka.

1:03:131:03:15

-That's a home run for you, right?

-Right.

-Delicious.

1:03:151:03:19

-Yeah, I like it better.

-Hang on.

1:03:191:03:21

'I wanted to get a little taste of what,'

1:03:261:03:28

uh...Bret had to offer.

1:03:281:03:30

-Try this.

-What is it? Pear? Plum?

1:03:301:03:33

-It's not good.

-Gross.

1:03:351:03:36

This tastes horrible. It tastes like Christmas bottled up.

1:03:361:03:40

'I think it's like Bret's taste.

1:03:401:03:41

'He's not too picky when it comes to...'

1:03:411:03:43

women,

1:03:431:03:45

so, you know, he just tests them all and tastes them all.

1:03:451:03:48

Well, this is like the whole brood of Rock Of Love all in one drink.

1:03:481:03:53

And let me just say, all together, not delicious.

1:03:531:03:56

Absolutely disgusting.

1:03:561:03:59

It was gross.

1:03:591:04:00

Would you like to try some of the good stuff?

1:04:001:04:02

Hey, Darryl, what you finding out?

1:04:091:04:11

They liked the tropical, vanilla and cinnamon. They love it.

1:04:111:04:16

'We were really shocked to learn that the taste-testers

1:04:161:04:18

'loved the Trop-a-rocka.'

1:04:181:04:19

The whole creative was around the Pear Plum Nutty.

1:04:191:04:22

That may change us up a little bit, but I have to make

1:04:221:04:24

an executive decision on which way to go.

1:04:241:04:26

All right. I'm on my way back now.

1:04:261:04:28

I'll see you in a few minutes. Thank you.

1:04:281:04:30

Now we're just going to have to obviously change this up.

1:04:301:04:33

And then we'll call it Trop-a-rocka underneath.

1:04:331:04:36

'I always feel that the people know what the people want.'

1:04:361:04:38

And, uh...we found out they wanted Trop-a-rocka.

1:04:381:04:41

'Of course, I made the artwork for all the other stuff.

1:04:411:04:44

'So, we flipped it all around.'

1:04:441:04:46

"Bret's blend tea: Trop-a-rocka - it'll rock your world."

1:04:461:04:50

Now it comes together.

1:04:501:04:53

-Good night.

-Isn't that amazing how that works?

1:04:531:04:56

-Do we have to shoot the TVC tomorrow?

-Uh-huh.

1:04:561:04:59

I'm trying to get a little jump on tomorrow.

1:04:591:05:01

Tomorrow's going to be kind of a rough day.

1:05:011:05:03

'To shoot a 30-second commercial, and to create a three-page'

1:05:031:05:06

advertisement, I think is a very, very, very, tall task.

1:05:061:05:10

We need to talk to our prop house.

1:05:101:05:13

'We have to make sure we get all the props that we need.'

1:05:131:05:15

I want to get them lined up tonight.

1:05:151:05:18

So, I asked Curtis to call the prop house.

1:05:181:05:21

Amanda, it's Curtis Stone calling from, uh, what are we?

1:05:231:05:28

I'm so sorry to call you after hours.

1:05:281:05:30

Are you working tomorrow at the prop shop?

1:05:301:05:33

Wonderful.

1:05:331:05:35

'I'm looking at the time, I'm like, I think this prop house is closed.'

1:05:351:05:38

He calls this...and a young lady answers and says, "Hey, you!"

1:05:381:05:41

"Hey, you!"? Not, "Prop house! May I help you?"

1:05:411:05:45

He called the girl's cellphone. After hours.

1:05:451:05:49

He had the full-on bat line for this girl.

1:05:491:05:52

So, yeah, I think I'll come in tomorrow.

1:05:541:05:56

We're in our final challenge, so this is the big finale.

1:06:091:06:12

We won the last one, yeah, thanks to your great propping.

1:06:161:06:19

'The girl seemed overwhelmed that Curtis was calling,

1:06:191:06:21

'just giving her a little bit of his time.'

1:06:211:06:24

And, she goes, "Oh, my God, I didn't know you won!

1:06:241:06:26

"You didn't tell me you won, silly."

1:06:261:06:28

And it's so funny, I notice Curtis did not mention that he didn't win.

1:06:281:06:32

-Bye.

-'OK. That's how he's rolling.'

1:06:321:06:35

Everyone, Summer, Darryl, come here and take a look at this,

1:06:351:06:40

because we need to send this pretty soon.

1:06:401:06:42

OK. "My new tea is taste- bud-tested and rocker-approved.

1:06:421:06:45

"I chose those ingredients not only because they taste great,

1:06:451:06:48

"but as a lifelong type-one diabetic, pears, mango, peaches,

1:06:481:06:51

"and cinnamon have helped me to maintain good blood-sugar levels.

1:06:511:06:55

"I drink it cos I love it. It'll rock your world."

1:06:551:06:57

-Perfect.

-That's real.

-Oh, man.

-Swish! Woo! Aha! We did it.

1:06:571:07:04

Tomorrow's going to be a crazy day.

1:07:041:07:06

Without a doubt, tomorrow's going to be insane.

1:07:061:07:08

You going to put your head around your concept?

1:07:081:07:10

-Do you have it, like...

-I am.

1:07:101:07:12

'Going into tomorrow, I am a little'

1:07:121:07:14

bit confident, a little bit nervous.

1:07:141:07:16

'We have to shoot a commercial.

1:07:161:07:18

'We have to get our three-page ad together.

1:07:181:07:20

'And we also have to get a PowerPoint.'

1:07:201:07:22

If he's going to win, he's going to win cos of tomorrow.

1:07:221:07:24

If he's going to lose it,

1:07:241:07:26

'he's going to lose it because of tomorrow.'

1:07:261:07:28

Boom. Thank you.

1:07:281:07:29

Ooh! That's nice.

1:07:381:07:39

I'm going to be honest, you got good jeans on.

1:07:391:07:41

-Those are good butt jeans right there.

-Thank you.

1:07:411:07:44

Let's start right now at the funniness of this funniness.

1:07:441:07:46

'Today, we've got to shoot the print ad.

1:07:461:07:48

'We've got to shoot the commercial.'

1:07:481:07:50

There is no doubt that I'm feeling a lot of pressure.

1:07:501:07:52

And I'm trying to keep my cool.

1:07:521:07:54

-Like, how do you do a diabetes ad that's funny?

-You don't!

1:07:541:07:57

-But I'm going...

-It doesn't have to be in-your-face.

1:07:571:08:01

Bret was just torn, you know,

1:08:011:08:02

how to get his diabetes message across,

1:08:021:08:05

'and be funny at the same time.'

1:08:051:08:06

I say we shoot two ads.

1:08:061:08:08

I say we shoot the one that's sincere, and then we shoot

1:08:081:08:11

that one that's funny.

1:08:111:08:13

And I said, "You know what we gave you?

1:08:131:08:15

"We were so good with our time management, that I made two ads."

1:08:151:08:18

Can you imagine in the middle of a Snapple ad, I'm talking about cancer?

1:08:181:08:22

You will get so many people mad, it would be silly.

1:08:221:08:24

-Right.

-I say we do two completely different ads.

1:08:241:08:27

'To shoot one commercial in the timeframe'

1:08:271:08:29

we had was extraordinary.

1:08:291:08:31

'So to shoot two was insane.

1:08:311:08:33

'I knew today was going to be absolutely overwhelming.

1:08:331:08:36

'There was entirely too much to do.'

1:08:361:08:38

Oh, we need the ad!

1:08:381:08:40

-Somebody's got to work on that three-page ad from 12-8.

-BLEEP!

1:08:401:08:43

Who shoots a 30-second commercial

1:08:431:08:45

-and a three-page ad in the same day?

-I know.

1:08:451:08:47

Hello?

1:08:471:08:49

Oh! This is where all the magic happens.

1:08:521:08:54

'This is the morning of our big photo shoot, our video for our

1:08:541:08:57

'commercial, and Curtis and Maria went to the prop house to get

1:08:571:09:00

'all the things that I need.

1:09:001:09:02

'Last night, I really struggled creatively.'

1:09:021:09:04

My creative juices were just all dried up.

1:09:041:09:08

'But, this morning, things are sort of coming to me.'

1:09:081:09:11

I did stay up late last night,

1:09:111:09:12

and I started to write out a script that I liked.

1:09:121:09:15

I knew I would have to tweak it, but I was hoping that it would

1:09:151:09:18

morph into what was going to become our 30-second commercial.

1:09:181:09:21

So, I need to cast this commercial.

1:09:211:09:23

If you could e-mail me photos, that'd be terrific.

1:09:231:09:26

-OK, so, we're going to get the giant globe, lab table...

-Potion vials.

1:09:281:09:33

Potion vials, of course. And lab coats. OK.

1:09:331:09:35

'Well, first thing in the morning, both myself and Maria'

1:09:351:09:38

ran around to the prop shop

1:09:381:09:39

'to pick up various bits and pieces.'

1:09:391:09:41

-Amanda!

-Hello! How are you?

1:09:411:09:44

Thank you so much for taking my call yesterday. How you doing?

1:09:441:09:47

-Hi, good.

-Good to see you.

-Good to know that you made it this far.

-Yes.

1:09:471:09:51

It's so funny seeing the women swoon.

1:09:511:09:54

'They just get so excited to see their very pretty,'

1:09:541:09:58

Aussie chef coming up. And, they get so, like,

1:09:581:10:01

'mesmerised by him.'

1:10:011:10:02

So, let me tell you what we're doing.

1:10:021:10:05

Look at that! Hello, Trop-a-rocka.

1:10:051:10:08

Oh, whoa! That is cool-looking!

1:10:081:10:11

Look at this delicious new Snapple we've created.

1:10:111:10:13

'Our label looked awesome. There's no denying

1:10:131:10:16

what our message is and how we're going to make this unique.

1:10:161:10:19

-Hey, guys!

-Stop it!

1:10:191:10:21

-Look what I got.

-Oh, man!

1:10:211:10:23

-I got the real one.

-You got the man.

1:10:231:10:25

-Arthur, this is Bret.

-Nice to meet you. I'm Bret, man.

1:10:251:10:28

So, we were given one Snapple character to work with.

1:10:281:10:31

Arthur, when he walked into our room, I literally took

1:10:311:10:34

one look at him and was laughing so hard.

1:10:341:10:37

'Cos you've seen the Snapple commercials,

1:10:371:10:39

'and you know how funny he is. And then when you see him'

1:10:391:10:42

walking into your studio, it was hilarious.

1:10:421:10:44

We'll hold the drink like this. You're holding it with me.

1:10:441:10:47

We're like this, just looking forward, and everyone's

1:10:471:10:49

telling us what to be, right?

1:10:491:10:52

For the funny commercial,

1:10:521:10:53

the concept is simply for me and Arthur to be

1:10:531:10:55

'two bad actors hired to do a Snapple commercial.'

1:10:551:10:58

We just look, back.

1:10:581:10:59

There's the ad rep, the director, the agent,

1:10:591:11:02

'and the model are standing there staring at us at the other end'

1:11:021:11:06

while shooting this commercial.

1:11:061:11:08

-But we need a businesswoman.

-Hot-looking businesswoman.

-OK.

1:11:081:11:11

Double-D blonde.

1:11:111:11:13

Or brunette, doesn't matter to me either way.

1:11:131:11:15

Who else, Bret, do we want to come audition?

1:11:151:11:18

Darryl, you have to be in the ad.

1:11:181:11:20

Darryl's got to be the director. Darryl's got to come out in a beret.

1:11:201:11:24

But one of those berets that's too small.

1:11:241:11:25

-Will you do it, Darryl?

-Yeah, I will.

1:11:251:11:27

'I was shocked myself, you know,'

1:11:271:11:29

but Bret wanted me to participate

1:11:291:11:30

in the commercial. And be a part of it.

1:11:301:11:32

So, I mean, like I said, you do whatever it takes, you know?

1:11:321:11:35

'Anytime you volunteer to participate,

1:11:351:11:36

'you give your best effort.'

1:11:361:11:38

Why don't you have Darryl call the talent company?

1:11:381:11:41

Let's get on the talent, and let's look at them.

1:11:411:11:43

Maybe ask where you can go online to check the actors.

1:11:431:11:46

-Yeah, OK.

-'It is a full-time job'

1:11:461:11:47

to make sure that he knows

1:11:471:11:48

this is what we have to do and this is the task at hand.

1:11:481:11:51

'I mean, his creative energy is all over the place.

1:11:511:11:53

'So part of it's getting him to focus.'

1:11:531:11:55

Here's our schedule.

1:11:551:11:56

Oh, I love you. Look at you.

1:11:561:11:58

Oh, cool!

1:12:021:12:04

Oh, this looks great! Yay!

1:12:041:12:06

-That looks very cool. Very good.

-OK, good. Well, that's step one.

1:12:061:12:10

Jim is one of the Snapple characters.

1:12:101:12:12

Um...I don't do nudity.

1:12:121:12:14

-Just want to let you know that.

-Oh, OK. All right.

-No nudity.

1:12:141:12:17

All right, I'll be back. I've got to come up with a different idea.

1:12:171:12:20

He's a hilarious guy, and I was really happy to be able

1:12:201:12:23

to have Jim as one of my actors. He sells lines

1:12:231:12:25

'like I have never seen.'

1:12:251:12:27

-We're going to have three actors in a "laboratory".

-Mm-hm.

1:12:271:12:30

Putting together the Snapple flavour.

1:12:301:12:33

The concept is the tea makes people feel for others.

1:12:331:12:35

'The reason why this task is big is because not only do you'

1:12:351:12:38

have to actually pick actors, but you have to audition them.

1:12:381:12:41

-Hi.

-Hi!

-Are you Holly?

-I am.

1:12:411:12:44

-How'd I guess? Kenan.

-Nice to meet you.

1:12:441:12:45

'So, I called the agency. I got a bunch of actors in.'

1:12:451:12:49

So, I'd love to hear a couple of you guys just read them down.

1:12:491:12:52

-How's your stuff?

-Oh, the best stuff on Earth.

1:12:521:12:55

-Hey, how's your stuff?

-My stuff is better. It just got better.

1:12:551:12:57

-Hey, how's your stuff?

-My stuff is better. It just got better!

1:12:571:13:02

One more time, and switch the parts around.

1:13:021:13:04

Maybe, Bill, you could read the end. Like, the tag line.

1:13:081:13:10

-That would be good.

-How's your stuff?

-Best stuff on Earth.

1:13:101:13:13

-Hey, how's YOUR stuff?

-Oh! My stuff is better!

1:13:131:13:16

Mmm, this IS the best stuff on Earth.

1:13:161:13:18

'I hate casting,'

1:13:181:13:19

and hiring and firing.

1:13:191:13:21

'As an actress, I don't like judging'

1:13:211:13:24

other actors. It makes me very uncomfortable.

1:13:241:13:27

Can you fire them for me?

1:13:271:13:29

Who do you want to fire? You tell me.

1:13:301:13:32

I know which ones I want. It's Lauren, Natalie and Mike.

1:13:321:13:36

-OK. Where are they all?

-I feel so bad.

1:13:361:13:39

'I made Curtis do the firing,'

1:13:391:13:41

because Curtis is cute and he has that cute little Australian accent.

1:13:411:13:45

'And, somehow saying, "you're fired," in an Aussie accent doesn't'

1:13:451:13:48

come off as harsh.

1:13:481:13:50

-Tell them thanks for coming, and I love them.

-I will.

1:13:501:13:52

-But those are my three.

-Hi, guys.

-Hi!

-How are you?

1:13:521:13:56

-I see she made you be the bad guy.

-She has.

1:13:561:13:58

She's made me be the bad guy. 'You know what? I just got fired,'

1:13:581:14:01

so I had a little bit in me.

1:14:011:14:02

I was ready to fire someone else. I didn't mind it.

1:14:021:14:04

Well, so, the three people that we are going to go with are Lauren,

1:14:041:14:07

Natalie and Mike.

1:14:071:14:09

-I thought I was in this.

-I think you're in it.

1:14:091:14:11

-You guys throwing me out, or...?

-I think you're in it regardless.

1:14:111:14:14

-Nice to meet you.

-Night. Lovely to meet you.

1:14:141:14:16

Thank you for coming down.

1:14:161:14:17

'I've got to work on this.'

1:14:171:14:19

My casting skills are great.

1:14:191:14:20

My firing skills...well, let's just say I'm no Mr Trump.

1:14:201:14:25

Curtis, you're a female wrestler? Is that right?

1:14:251:14:28

-I'm not the female wrestler.

-He's the chef!

1:14:281:14:30

If he can line these guys up, then he can get them going while

1:14:361:14:39

you're shooting the first commercial.

1:14:391:14:40

'Summer and Darryl are in charge'

1:14:401:14:42

of hiring all of the actors and models.

1:14:421:14:44

But what about the other girl, as well?

1:14:441:14:46

The girl with the real crazy hair?

1:14:461:14:48

My whole thing is if they're funny.

1:14:481:14:50

She doesn't need to be funny.

1:14:501:14:52

-She needs to be like...

-She's got to be funny.

1:14:521:14:54

She's sending two funny girls.

1:14:541:14:55

-Is she sending her?

-No.

-Send her.

1:14:551:14:58

'No matter what,'

1:14:581:15:00

Bret needed the hot chicks.

1:15:001:15:02

-Hello!

-Hi.

1:15:021:15:04

-I'm Bret.

-Tracy.

-Nice to meet you, Tracy.

1:15:041:15:06

This is going to be awesome. We're having a lot of fun.

1:15:061:15:08

OK. Just have you hang out in make-up and wardrobe.

1:15:081:15:11

-Yeah, I'll be there.

-I'll walk you back.

1:15:111:15:12

This isn't one of those uptight... Although I'm nuts.

1:15:121:15:15

Yeah, look at that.

1:15:151:15:17

-I'm Bret. Nice to meet you, Natasha.

-Nice to meet you.

1:15:171:15:19

This is Darryl. That's Summer.

1:15:191:15:21

I'll be directing, with my crew, this gaggle-fest

1:15:211:15:24

that we're shooting today.

1:15:241:15:25

So, come on back. I'll let you relax and...how you doing today? All good?

1:15:251:15:28

-I'm doing well.

-Good. You look awesome. I'm doing great.

1:15:281:15:31

'This was about ordering cute girls'

1:15:311:15:32

to be in his commercial, because he's a rocker.

1:15:321:15:35

-Hi, how are you doing?

-I'm good. How are you?

1:15:351:15:37

-Good. I'm Bret.

-Lauren. Nice to meet you.

-Hi, Lauren.

1:15:371:15:40

-Nice to meet you. You want to bring your stuff?

-Sure.

1:15:401:15:42

'When the girls walk in,'

1:15:421:15:44

they are a major distraction for him.

1:15:441:15:46

'And you have to try to keep him on course.'

1:15:461:15:49

As soon as he... I just need Bret to come over here and look at this.

1:15:491:15:52

'I have to have this PowerPoint approved.'

1:15:521:15:55

I can't pull Bret away.

1:15:551:15:56

'I have lots of questions creating this ad, making sure'

1:15:561:15:59

it's exactly the way he wants it. A lot of it is about his charity.

1:15:591:16:02

-Go ahead.

-Look how professional I am.

-That's hot.

-Done.

1:16:021:16:05

My first issue of Playboy ruined me, cos it was the business issue,

1:16:051:16:08

and it's the hottest. It ruined me.

1:16:081:16:11

I'll have to look this way while addressing you cos it's really hot.

1:16:111:16:16

I'm just saying. All right.

1:16:161:16:17

'I was sort of unpacking the props that we brought.'

1:16:251:16:28

I probably had the vision of how that set should look.

1:16:281:16:30

'I pretty much took on the responsibility of building the set.

1:16:301:16:33

'Making sure it looked colourful'

1:16:331:16:35

and fun, and loads of Snapple everywhere.

1:16:351:16:37

-These are real passion fruits?

-Yeah.

1:16:371:16:39

I had every chef in the country scouring for passion fruits.

1:16:391:16:42

'I don't know where he found'

1:16:421:16:43

all that passion fruit. Apparently, it's out of season.

1:16:431:16:46

'Curtis doesn't wait for you to tell him to do something, he does it.'

1:16:461:16:49

I really felt relieved that I had Curtis there.

1:16:491:16:52

OK, let's try one. See what happens.

1:16:521:16:55

-Quiet, please.

-OK, ready?

1:16:551:16:57

We're rolling.

1:16:571:16:58

'I would imagine that Snapple would put months,

1:16:581:17:00

'maybe even a year, into something like this.'

1:17:001:17:02

And we only had a couple days.

1:17:021:17:04

-And cut.

-One more?

-Yeah, one more.

1:17:041:17:06

One more like this, and then we're going to move on.

1:17:061:17:08

The time pressures are so intense right now.

1:17:081:17:11

He shouldn't be looking right at camera.

1:17:111:17:13

Uh, we should do both.

1:17:131:17:14

Usually, there's a distant look.

1:17:141:17:18

Holly's trying to have her head in two places at once.

1:17:181:17:20

'If I let her concentrate on the 30-second spot,

1:17:201:17:22

'I could take a bit of'

1:17:221:17:23

the pressure off her and do the still shoots.

1:17:231:17:25

Do you think maybe a little bit, him where his body's

1:17:251:17:28

pointing in a different direction, or...?

1:17:281:17:30

Maybe just a little bit awkward.

1:17:301:17:31

Like a little bit... I like that.

1:17:311:17:33

-Yeah. Go back.

-I love that.

1:17:331:17:35

I love that.

1:17:351:17:36

Holly's direction was to go quite a long way down that autism road.

1:17:361:17:39

'So the double-page spread is going to be a map of the world,

1:17:391:17:42

'then we're going to have puzzle pieces on it.

1:17:421:17:44

'And then we're going to have the kid standing on

1:17:441:17:47

'one of the puzzle pieces that's missing.'

1:17:471:17:48

And the idea of that is to try and demonstrate, somehow,

1:17:481:17:52

that Snapple has come together with the HollyRod Foundation,

1:17:521:17:55

'and helping to slowly put the pieces of this puzzle together.'

1:17:551:17:59

-Yeah, maybe you're looking at the Snapple bottle.

-Powerful shot, hey?

1:17:591:18:03

It's like got it all in there, right? Everything you need.

1:18:031:18:05

Very quiet, please. And, action!

1:18:051:18:08

'I learned from the last commercial I shot for Right Guard, I would'

1:18:081:18:12

rather overshoot and have too much to choose from, than undershoot.

1:18:121:18:15

-Action!

-How's your stuff?

-My stuff? The best stuff on Earth.

1:18:151:18:18

-Oh, yeah! And I got new stuff!

-So, how's your stuff?

1:18:181:18:21

-My stuff is new! It just got better!

-What's your stuff?

1:18:211:18:24

What's your new, better stuff?

1:18:241:18:26

The best stuff on Earth and it did just get better!

1:18:261:18:28

And cut. Very good.

1:18:281:18:30

'Autism is not funny,'

1:18:301:18:32

but the Snapple ads are very funny.

1:18:321:18:34

And very memorable.

1:18:341:18:35

'I thought it was best to go in a funny direction, and basically'

1:18:351:18:38

just tag the commercial with the fact that Snapple was

1:18:381:18:42

'supporting this autism cause.'

1:18:421:18:44

-How's your stuff?

-My stuff? The best stuff on Earth!

1:18:441:18:46

This is the best stuff on Earth, and it DID just get better!

1:18:461:18:49

-Great. Cut.

-Oh, my gosh. She is... You are fun-ny!

1:18:491:18:54

-OK, Summer?

-Yes, yes, yes?

1:18:561:18:58

Can you help me just write this script so me and Arthur can

1:18:581:19:01

-shoot our first thing immediately?

-You got it!

1:19:011:19:03

'So I decided I need to shoot'

1:19:031:19:04

two different commercials -

1:19:041:19:06

one that leans a little more serious,

1:19:061:19:08

and one that leans a lot more fun,

1:19:081:19:09

but still gets the message across.

1:19:091:19:11

"Hi, I'm Bret Michaels. And I'm Arthur."

1:19:111:19:13

And we say, "Normally, we have lot of fun doing these commercials,

1:19:131:19:17

"but we decided to take a much more serious approach." Right.

1:19:171:19:20

'For the serious commercial, the concept is simply for me and Arthur'

1:19:201:19:23

just to stand there, hold the bottle like this, dolly in,

1:19:231:19:27

a big push in on us, and voiceover all the way in, saying,

1:19:271:19:30

'"Snapple's a great drink, this is about diabetes."'

1:19:301:19:33

You set dolly track on a 30-second push...

1:19:331:19:36

And you push 30 seconds, so when that dolly track stops moving,

1:19:361:19:39

-I better be done talking, that's the end of my commercial.

-Right.

1:19:391:19:42

Dolly tracks are basically like railroad tracks that I can

1:19:421:19:45

set the cameras up on with skateboard wheels, and just

1:19:451:19:48

kind of push it in slow, and it doesn't bobble.

1:19:481:19:51

-I'm Bret.

-Joe.

1:19:511:19:52

Nice to meet you, man. Nice to meet you.

1:19:521:19:54

What we want to do is set up a dolly track coming this way.

1:19:541:19:58

They don't have a dolly here?

1:19:581:20:00

If you want a dolly, you need to figure out

1:20:001:20:03

-where to get it and pick it up.

-You got it. I'll do it now.

1:20:031:20:06

I'm trying to keep my cool right now.

1:20:061:20:07

It's ridiculous they would not have a dolly track.

1:20:071:20:10

'When I got here and didn't have proper equipment, I thought is,

1:20:101:20:13

"This is bad.

1:20:131:20:14

"I need to fix this problem right away.

1:20:141:20:16

'"And, I'm hoping I have enough time to do it."'

1:20:161:20:18

All right, here we go. It would be one doorway dolly.

1:20:181:20:21

No worries.

1:20:251:20:29

I appreciate your time.

1:20:301:20:32

-That just wasted my

-BLEEP

-time. All right. So, here we go.

1:20:331:20:38

I want this dolly track.

1:20:381:20:39

And for me, dolly track is so important, because without it

1:20:391:20:42

'I do not have my shot.'

1:20:421:20:44

How long will it take to get it here?

1:20:441:20:46

-They're going to send you it.

-Let me take it.

1:20:471:20:51

OK, here's my deal.

1:20:511:20:53

I don't...I don't need it. We're good. Thanks.

1:20:531:20:56

I don't have the time. So thank you.

1:20:561:20:59

-This is a

-BLEEP.

-It'll be another two-hour nightmare.

1:20:591:21:02

I've been through it before.

1:21:021:21:03

-'Bret was about to lose his

-BLEEP

-absolutely.'

1:21:031:21:05

And I can understand that, cos when you get this visual in your

1:21:051:21:08

head, and this is what I'm doing, and then, like, the main part of

1:21:081:21:11

that visual cannot happen for you, it's actually kind of panic mode.

1:21:111:21:15

It's the best stuff on Earth, and it did just get better!

1:21:171:21:20

Cut. Great.

1:21:221:21:24

Thank you, actors! You all were terrific. It was excellent!

1:21:241:21:27

'We just finished up with all the actors.

1:21:271:21:30

'We're wrapping our actors,

1:21:301:21:31

'we're wrapping our model for our print campaign.'

1:21:311:21:33

That was the easy stuff, and now the hard work starts

1:21:331:21:36

in editing.

1:21:361:21:37

'Little bit of a time crunch. Still feeling very positive.'

1:21:371:21:40

I'm shooting, again, this commercial today.

1:21:401:21:43

I just need to get this stuff here yesterday, if you know what I mean.

1:21:431:21:46

-Their insurance won't cover it. They got to get their

-BLEEP

-agent.

1:21:511:21:54

-This is a

-BLEEP.

1:21:541:21:56

They're, "My company won't release it."

1:21:561:21:58

"We'll hold it in the hallway till we get all the paperwork."

1:21:581:22:01

It's a nightmare. It's a nightmare. OK.

1:22:011:22:04

They're giving me a technical glitch right now that I can't fix.

1:22:041:22:07

Look, we haven't shot anything yet. Where's the dolly track?

1:22:091:22:12

If I don't get this dolly, we have screwed this up so badly,

1:22:121:22:15

I'm telling you, we are going to lose.

1:22:151:22:17

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