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It's down to the final two on Celebrity Apprentice. | 0:00:04 | 0:00:07 | |
Holly Robinson Peete, who earned her spot in the finale | 0:00:07 | 0:00:11 | |
with unbelievable, record-setting fundraising. | 0:00:11 | 0:00:16 | |
And Bret Michaels. His creativity and imagination are just amazing. | 0:00:16 | 0:00:21 | |
And as you know, life-threatening illness, | 0:00:21 | 0:00:24 | |
he's here with us tonight. He's got a lot of guts. | 0:00:24 | 0:00:27 | |
They've worked harder and smarter than ever before. | 0:00:29 | 0:00:33 | |
And after an unbelievable season, | 0:00:33 | 0:00:35 | |
the moment of truth has finally arrived. | 0:00:35 | 0:00:38 | |
Who's it going to be - | 0:00:38 | 0:00:40 | |
Holly or Bret? | 0:00:40 | 0:00:41 | |
You may have your favourite, but the decision is mine. | 0:00:41 | 0:00:45 | |
And I'll make it tonight... | 0:00:45 | 0:00:47 | |
live! | 0:00:47 | 0:00:48 | |
APPLAUSE AND CHEERING | 0:00:48 | 0:00:50 | |
Live from New York City, | 0:01:02 | 0:01:04 | |
this is the season finale of The Celebrity Apprentice. | 0:01:04 | 0:01:08 | |
Now, here he is, America's number one boss, | 0:01:08 | 0:01:12 | |
Mr Donald Trump. | 0:01:12 | 0:01:14 | |
CHEERING | 0:01:15 | 0:01:18 | |
Thank you and welcome to what is sure to be an incredible evening. | 0:01:37 | 0:01:41 | |
And I'm happy to announce that Bret Michaels is here, | 0:01:41 | 0:01:45 | |
live, with us tonight! | 0:01:45 | 0:01:47 | |
APPLAUSE AND CHEERING | 0:01:47 | 0:01:50 | |
He'll be right at this boardroom table. | 0:01:52 | 0:01:56 | |
We're going to have a little fun. | 0:01:56 | 0:01:57 | |
And unfortunately for Bret, | 0:01:57 | 0:01:59 | |
Holly Robinson Peete is also here... | 0:01:59 | 0:02:02 | |
APPLAUSE AND CHEERING | 0:02:02 | 0:02:04 | |
..and they're both ready to do everything they can | 0:02:08 | 0:02:12 | |
to become the Celebrity Apprentice. | 0:02:12 | 0:02:15 | |
These two people are champions. They're great champions. | 0:02:17 | 0:02:20 | |
Let's just take a look. | 0:02:20 | 0:02:21 | |
Eleven weeks ago, 14 celebrities came to New York City | 0:02:28 | 0:02:33 | |
to battle it out for a cause close to their hearts. | 0:02:33 | 0:02:36 | |
There's 49 million Americans that are still affected by hunger. | 0:02:36 | 0:02:40 | |
I had colon cancer, and then decided | 0:02:40 | 0:02:42 | |
that I needed to give something back. | 0:02:42 | 0:02:44 | |
Musicians, models, actors, and athletes. | 0:02:44 | 0:02:48 | |
Each arrived with their own unique skills... | 0:02:48 | 0:02:51 | |
# Eighty-eight eighty-eight, cos we are never late... # | 0:02:51 | 0:02:54 | |
Yeah! | 0:02:54 | 0:02:55 | |
Action. | 0:02:55 | 0:02:57 | |
..each determined to win it all... | 0:02:57 | 0:02:59 | |
Nothing matters except we win. | 0:02:59 | 0:03:00 | |
Oh, my gosh! | 0:03:00 | 0:03:01 | |
Rocksolid! | 0:03:01 | 0:03:02 | |
25,000. | 0:03:02 | 0:03:04 | |
-You're doing awesome! -Oh...my...God! | 0:03:04 | 0:03:06 | |
-Where's the -BLEEP -money!? I need your money! | 0:03:06 | 0:03:09 | |
From the original 14... | 0:03:09 | 0:03:10 | |
You're fired. You're fired! You're fired! Go! | 0:03:10 | 0:03:12 | |
'Now that I'm not there, let's see how it goes without me.' | 0:03:12 | 0:03:15 | |
..two remain - rock star Bret Michaels... | 0:03:17 | 0:03:21 | |
I passionately want to win, | 0:03:21 | 0:03:22 | |
and I gotta do whatever it takes to make that happen. | 0:03:22 | 0:03:25 | |
..and actress Holly Robinson Peete... | 0:03:25 | 0:03:27 | |
I want to win the whole baby. I want to win this whole thing. | 0:03:27 | 0:03:31 | |
..both proven performers... | 0:03:31 | 0:03:33 | |
Bring me everything you got. | 0:03:33 | 0:03:34 | |
Thank you, Ron Burkle! Fifty grand, y'all. | 0:03:34 | 0:03:37 | |
..both drawn to the game for very personal reasons. | 0:03:37 | 0:03:40 | |
I am a lifelong diabetic. | 0:03:40 | 0:03:42 | |
This is the fight that I'm in to get a cure for diabetes. | 0:03:42 | 0:03:45 | |
347! | 0:03:45 | 0:03:47 | |
We raise money for autism. | 0:03:47 | 0:03:49 | |
My son has autism, and I am playing for him. | 0:03:49 | 0:03:51 | |
From the start, Bret was underestimated... | 0:03:54 | 0:03:57 | |
Rock Of Love, right? | 0:03:57 | 0:03:58 | |
Well, we'll see how he does in the business world. | 0:03:58 | 0:04:01 | |
Let's pick him! | 0:04:01 | 0:04:02 | |
You guys, he's on, like, one hour sleep. | 0:04:02 | 0:04:04 | |
..but he quickly proved everyone wrong. | 0:04:04 | 0:04:07 | |
If you could jump on that phone and just start to go crazy... | 0:04:07 | 0:04:10 | |
Once I go in, I'm in. | 0:04:10 | 0:04:11 | |
We're going to make it happen. | 0:04:11 | 0:04:12 | |
The men's team, RockSolid, | 0:04:12 | 0:04:14 | |
raised 57,905 dollars for the first win. | 0:04:14 | 0:04:19 | |
His team relied on his passion and creative touch... | 0:04:19 | 0:04:23 | |
Everything becomes the interior of a castle. | 0:04:23 | 0:04:25 | |
-That's what I'm talking about. -That's good. | 0:04:25 | 0:04:27 | |
Bret, you're in charge. Manage the design stuff while I'm here. | 0:04:27 | 0:04:31 | |
I've got a really strong vision. The girls won't stand a chance. | 0:04:31 | 0:04:34 | |
..and when his cause hit close to home... | 0:04:34 | 0:04:36 | |
My daughter... they're testing her for diabetes. | 0:04:36 | 0:04:39 | |
I'm freaking out. I mean, she just said, | 0:04:39 | 0:04:41 | |
"Dad, do I have to take shots...?" | 0:04:41 | 0:04:42 | |
..it pushed Bret even harder. | 0:04:44 | 0:04:46 | |
Our three names and "It will rock your world." | 0:04:46 | 0:04:49 | |
I came here to win. I want to see this disease gone. | 0:04:49 | 0:04:52 | |
Holly Robinson Peete travelled a different path to the finals. | 0:04:55 | 0:04:58 | |
I need you to come by and just order a burger, | 0:04:58 | 0:05:00 | |
and leave a tip for charity. | 0:05:00 | 0:05:02 | |
Being a mom with a kid with autism, | 0:05:02 | 0:05:03 | |
I fundraise morning, noon, and night. | 0:05:03 | 0:05:05 | |
I call it "creative begging." | 0:05:05 | 0:05:07 | |
From the beginning, Holly was a strong player. | 0:05:07 | 0:05:10 | |
Maybe there's one... one item on the menu | 0:05:10 | 0:05:12 | |
that we make a very specific higher price point. | 0:05:12 | 0:05:15 | |
..though her no-nonsense business sense made her a target. | 0:05:15 | 0:05:19 | |
-Can I say something? -You're not even coming back in... | 0:05:19 | 0:05:21 | |
-OK. -..so you should just be sitting back. -Oh, thanks, Mom(!) | 0:05:21 | 0:05:24 | |
That woman's a control freak. | 0:05:24 | 0:05:26 | |
Like, OK, Holly Peete Robinson, whatever. | 0:05:26 | 0:05:29 | |
But her personal cause kept her fighting. | 0:05:29 | 0:05:32 | |
-Hi, Mom. -Hi, Rodney! | 0:05:32 | 0:05:34 | |
It breaks my heart to know that there are families out there, | 0:05:34 | 0:05:39 | |
who have children, and they can't afford to treat them. | 0:05:39 | 0:05:41 | |
Along the way, Holly made Apprentice history. | 0:05:43 | 0:05:46 | |
I'm the project manager, and this is my opportunity. | 0:05:46 | 0:05:49 | |
347,893 dollars, Holly! | 0:05:49 | 0:05:52 | |
Woo! | 0:05:52 | 0:05:53 | |
That's the largest amount ever raised for one task. | 0:05:53 | 0:05:58 | |
Last week, Holly and Bret were given their biggest task of the season. | 0:05:58 | 0:06:02 | |
You'll be working with a really great company - Snapple. | 0:06:02 | 0:06:05 | |
Yes! | 0:06:05 | 0:06:07 | |
It's a combination of everything | 0:06:07 | 0:06:08 | |
you've done so far in this competition. | 0:06:08 | 0:06:11 | |
You will create a new flavour, | 0:06:11 | 0:06:12 | |
with a new television commercial and print advertisement. | 0:06:12 | 0:06:15 | |
The winner will receive 250,000 dollars for Holly or Bret's charity. | 0:06:15 | 0:06:21 | |
When help arrived... | 0:06:21 | 0:06:22 | |
All right. | 0:06:22 | 0:06:24 | |
-Hello! -Oh, jeez! Oh, man! | 0:06:24 | 0:06:25 | |
..Darryl Strawberry made a comeback... | 0:06:25 | 0:06:27 | |
I wanted to come back and redeem myself. | 0:06:27 | 0:06:29 | |
..and Holly was disappointed Summer Sanders wasn't on her team. | 0:06:29 | 0:06:33 | |
I'm sorry that I'm not Summer! | 0:06:33 | 0:06:34 | |
I was really hoping to get Summer Sanders. | 0:06:34 | 0:06:37 | |
But, at this point, I'm just happy to have help. | 0:06:37 | 0:06:39 | |
Holly created a tea close to her heart... | 0:06:39 | 0:06:42 | |
Ladies and gentlemen, Compassionberry. Mmmm. | 0:06:42 | 0:06:44 | |
It gets you going. | 0:06:44 | 0:06:45 | |
Part of what the HollyRod Foundation does is provide compassionate care. | 0:06:45 | 0:06:48 | |
..and Bret stayed true to his cause. | 0:06:48 | 0:06:51 | |
Diet tropical. Oooh, that's good. | 0:06:51 | 0:06:53 | |
Being diabetic, it was important for me | 0:06:53 | 0:06:55 | |
that I was handling the diet Snapple. | 0:06:55 | 0:06:57 | |
When producing her commercial and print ad... | 0:06:57 | 0:06:59 | |
Action. | 0:06:59 | 0:07:01 | |
...Holly hit her stride... | 0:07:01 | 0:07:02 | |
this is the best stuff on earth, and it did just get better. | 0:07:02 | 0:07:04 | |
Autism is not funny, but the Snapple ads are very funny. | 0:07:04 | 0:07:07 | |
..and Bret took a risk. | 0:07:07 | 0:07:09 | |
I say we shoot two ads. | 0:07:09 | 0:07:11 | |
To shoot two was insane. | 0:07:11 | 0:07:13 | |
With the clock ticking down... | 0:07:13 | 0:07:15 | |
Quiet! | 0:07:15 | 0:07:16 | |
The time pressures are so intense right now. | 0:07:16 | 0:07:19 | |
..Bret hit a major roadblock. | 0:07:19 | 0:07:20 | |
-You want a dolly, you need to... figure out... -OK. | 0:07:20 | 0:07:23 | |
-..where to get it. And pick it up. -All right. | 0:07:23 | 0:07:25 | |
I want this dolly track. | 0:07:25 | 0:07:27 | |
Cos without it, we are going to lose. | 0:07:27 | 0:07:29 | |
I just need to get this stuff here...yesterday, | 0:07:29 | 0:07:31 | |
if you know what I mean. | 0:07:31 | 0:07:32 | |
-It's a nightmare. It... it's going to be a -BLEEP -nightmare. | 0:07:32 | 0:07:35 | |
Tonight, it's the final showdown - | 0:07:35 | 0:07:38 | |
Holly versus Bret. | 0:07:38 | 0:07:40 | |
This is it, man. This is game right now. Game is on. | 0:07:40 | 0:07:42 | |
Come on. I'm going to get you drunk and hung over | 0:07:42 | 0:07:44 | |
so you can't win nothing! | 0:07:44 | 0:07:45 | |
I want to beat Bret Michaels. | 0:07:45 | 0:07:47 | |
I want to beat that Unskinny Bop. | 0:07:47 | 0:07:49 | |
Both driven to win it all for their charities. | 0:07:50 | 0:07:53 | |
Who will become... The Celebrity Apprentice? | 0:07:53 | 0:07:57 | |
# Money, money, money, money | 0:08:04 | 0:08:06 | |
# Money | 0:08:08 | 0:08:09 | |
# Money, money, money, money | 0:08:09 | 0:08:11 | |
# Money | 0:08:12 | 0:08:13 | |
# Some people got to have it | 0:08:13 | 0:08:17 | |
# Some people really need it | 0:08:18 | 0:08:22 | |
# Some of y'all | 0:08:23 | 0:08:24 | |
# Do things, do things, do things, bad things with it | 0:08:24 | 0:08:28 | |
# Dollar bills, y'all | 0:08:30 | 0:08:32 | |
# Come on | 0:08:32 | 0:08:33 | |
# That mean, mean | 0:08:33 | 0:08:37 | |
# Mean green | 0:08:37 | 0:08:39 | |
# Almighty dollar | 0:08:39 | 0:08:41 | |
# Talkin' about cash | 0:08:41 | 0:08:42 | |
# Money | 0:08:43 | 0:08:44 | |
# Give me a nickel, brother | 0:08:45 | 0:08:47 | |
# Can you spare a dime? | 0:08:47 | 0:08:50 | |
# Money can drive some people out of their mind | 0:08:50 | 0:08:56 | |
# No good, no good | 0:08:57 | 0:08:59 | |
# Money | 0:08:59 | 0:09:00 | |
# Money, money, money, money | 0:09:00 | 0:09:02 | |
# Money. # | 0:09:04 | 0:09:05 | |
They're pushing you over the edge. Don't worry... | 0:09:19 | 0:09:21 | |
It's all right. I'm trying to keep my cool. | 0:09:21 | 0:09:23 | |
It's ridiculous they would not have a dolly track here. | 0:09:23 | 0:09:25 | |
'When I got in there and didn't have the proper equipment,' | 0:09:25 | 0:09:28 | |
the first thing I thought is, | 0:09:28 | 0:09:29 | |
"This is bad. And I need to fix this problem right away." | 0:09:29 | 0:09:32 | |
And I'm hoping that I have enough time to do it. | 0:09:32 | 0:09:34 | |
I just need to get this stuff here... yesterday, if you know what I mean. | 0:09:34 | 0:09:37 | |
-OK. -'All right. Bye.' | 0:09:39 | 0:09:40 | |
I'm telling you right now - | 0:09:40 | 0:09:42 | |
I've been through this murder mystery before. | 0:09:42 | 0:09:44 | |
I was really getting frustrated. | 0:09:44 | 0:09:45 | |
the fact I did not have this dolly track, this railroad track, | 0:09:45 | 0:09:48 | |
to put the camera on, with these skateboard wheels... | 0:09:48 | 0:09:50 | |
that I could get the shot I wanted. | 0:09:50 | 0:09:52 | |
I needed. I tried everything I could do. | 0:09:52 | 0:09:55 | |
And finally, I'm just, like, "Look, everything stops. Right now." | 0:09:55 | 0:09:57 | |
Let me ask you a question. This is me improvising. | 0:09:57 | 0:10:00 | |
That cart right there... hold on one second. | 0:10:00 | 0:10:02 | |
-I'm sorry to do this to you. -Oh, no problem. | 0:10:02 | 0:10:04 | |
This is bad, but, boom. I'm talking about secure this sucker, right. | 0:10:04 | 0:10:08 | |
And set him on there, and just push him in with the cart. | 0:10:08 | 0:10:11 | |
I'm a problem solver. A rock'n'roll MacGyver. | 0:10:11 | 0:10:13 | |
If I could run the camera on a set of wheels, | 0:10:13 | 0:10:16 | |
I thought, "This'll work." | 0:10:16 | 0:10:17 | |
We could do something like that. That could work. | 0:10:17 | 0:10:19 | |
Set it up...pretty quick. | 0:10:19 | 0:10:21 | |
Finally, I just laid down the law, and I said, "This gets done now." | 0:10:21 | 0:10:24 | |
-And go ahead and dolly. -'And it got done.' | 0:10:24 | 0:10:26 | |
Yeah. Good, good. | 0:10:26 | 0:10:28 | |
Great, so... | 0:10:28 | 0:10:29 | |
You're the... you're the... | 0:10:29 | 0:10:30 | |
-Upset, but not angry. -Right. | 0:10:30 | 0:10:32 | |
In the room is complete and utter insanity. | 0:10:32 | 0:10:36 | |
Cos nothing is more fun than 46 things in one day. | 0:10:36 | 0:10:39 | |
It is, in a weird way, what I live for. | 0:10:39 | 0:10:42 | |
"This traumatic epidemic needs a cure now." | 0:10:42 | 0:10:46 | |
I want to see this disease gone. | 0:10:46 | 0:10:48 | |
You know, "This many adults are affected, this many children, | 0:10:48 | 0:10:50 | |
"and this is how many new cases a day." | 0:10:50 | 0:10:52 | |
'Now that my daughter is borderline diabetic, | 0:10:52 | 0:10:54 | |
'it just makes me fight even harder.' | 0:10:54 | 0:10:57 | |
I am going to get this project done. | 0:10:57 | 0:10:59 | |
That one like this, I love. | 0:10:59 | 0:11:01 | |
Most important thing I need to get done is everything. | 0:11:01 | 0:11:03 | |
That is a three page ad. | 0:11:03 | 0:11:05 | |
Make it look good, get in my cause. | 0:11:05 | 0:11:07 | |
And just do one where... the Snapple lid is this way. | 0:11:07 | 0:11:10 | |
I want to see the cap, I want to see the bottle. | 0:11:10 | 0:11:12 | |
Make the bottles wet. Make them look sweaty. | 0:11:12 | 0:11:14 | |
Make them look cold and refreshing. | 0:11:14 | 0:11:16 | |
Can you pull her hair back all the way? | 0:11:16 | 0:11:18 | |
I'm going bing, bang, boom, bang, bing. | 0:11:18 | 0:11:20 | |
-Oh! -And make it to the side. | 0:11:20 | 0:11:23 | |
Oh, Darryl. | 0:11:23 | 0:11:24 | |
Not my everyday...look. | 0:11:25 | 0:11:28 | |
But, hey, we're going to make it fun. | 0:11:28 | 0:11:31 | |
You ready? You're right in the centre. | 0:11:31 | 0:11:33 | |
And, action. | 0:11:33 | 0:11:35 | |
Baby, please. Bret's snapplicious. | 0:11:35 | 0:11:37 | |
I thought I was snapplicious. | 0:11:37 | 0:11:40 | |
You got me... asking for a pear! | 0:11:40 | 0:11:42 | |
Bret is tremendously creative. | 0:11:42 | 0:11:43 | |
You know, his mind thinks of a lot of different things. | 0:11:43 | 0:11:46 | |
And I think most people don't give him a lot of credit for that. | 0:11:46 | 0:11:49 | |
I thought Bret really pulled his ideas and his creation together. | 0:11:49 | 0:11:53 | |
OK, listen. We gotta shut down the photoshoot now for a minute. | 0:11:53 | 0:11:56 | |
'That's what a project manager's supposed to do.' | 0:11:56 | 0:11:58 | |
With this task, that's what you needed. | 0:11:58 | 0:12:00 | |
-Action! -Where's my pear? | 0:12:00 | 0:12:02 | |
Cut. That... I mean, we got it. | 0:12:02 | 0:12:04 | |
I gotta... I mean, that was perfect. | 0:12:04 | 0:12:07 | |
That was awesome. | 0:12:07 | 0:12:09 | |
Got that stuff. Oh, no. | 0:12:11 | 0:12:12 | |
You come after the insanity. | 0:12:12 | 0:12:14 | |
-Hi! -Hi! | 0:12:14 | 0:12:16 | |
So, how's it going? Are you going to bring Bret to a victory? | 0:12:16 | 0:12:19 | |
-Yes. -Well, we think so. | 0:12:19 | 0:12:20 | |
We've got... we've got our PowerPoint. | 0:12:20 | 0:12:22 | |
Our ad is over here. Bret's cruising around. | 0:12:22 | 0:12:25 | |
He was directing all of our commercials. | 0:12:25 | 0:12:27 | |
He did two of them, cos he has one | 0:12:27 | 0:12:29 | |
that's on the serious side of diabetes | 0:12:29 | 0:12:31 | |
and one that's on the funny side. | 0:12:31 | 0:12:33 | |
I mean, this should take months to do. I mean, it is... | 0:12:33 | 0:12:35 | |
Are you OK with time, though? | 0:12:35 | 0:12:37 | |
Because you did twice as much as you needed to. | 0:12:37 | 0:12:39 | |
Yeah, I'm going to go to the edit bay right now and work till I drop. | 0:12:39 | 0:12:42 | |
'I don't know why he made the decision to do two commercials' | 0:12:42 | 0:12:45 | |
as opposed to focusing on one great concept and executing well. | 0:12:45 | 0:12:49 | |
so, we'll have to see what happens in the editing room | 0:12:49 | 0:12:52 | |
to determine whether or not that was time well spent. | 0:12:52 | 0:12:55 | |
So, maybe you can go over to the editing bay. | 0:13:02 | 0:13:05 | |
We've got to start piecing this together, | 0:13:05 | 0:13:07 | |
and they're really not going to start until one of us is there. | 0:13:07 | 0:13:09 | |
-I'ma find the best cuts of everything. -OK. | 0:13:09 | 0:13:12 | |
Holly wanted someone to go on over to the edit bay. | 0:13:12 | 0:13:15 | |
'She had to work on her PowerPoint. | 0:13:15 | 0:13:18 | |
'And Curtis was working on the ad campaign.' | 0:13:18 | 0:13:21 | |
Cos we got all these imminent deadlines, | 0:13:21 | 0:13:23 | |
it's probably best if you get over there. | 0:13:23 | 0:13:25 | |
My whole job right now is to just be supportive. | 0:13:25 | 0:13:29 | |
See you, babe. | 0:13:29 | 0:13:30 | |
All right. I'm going to try and skedaddle. | 0:13:30 | 0:13:32 | |
Hello there! How are you? | 0:13:36 | 0:13:38 | |
I'm coming to visit. | 0:13:38 | 0:13:40 | |
Holly, do you want to show me what you've done? | 0:13:40 | 0:13:42 | |
Sure. This is, um... our... | 0:13:42 | 0:13:44 | |
-This is your presentation. -Yes, this is our... | 0:13:44 | 0:13:47 | |
-I'm working on the PowerPoint now. -Mm-hm. -And basically, | 0:13:47 | 0:13:49 | |
we're going to start off just talking about | 0:13:49 | 0:13:51 | |
the combination of the partnership between HollyRod and Snapple. | 0:13:51 | 0:13:55 | |
For the actual commercial, we have a little bit more fun. | 0:13:55 | 0:13:58 | |
What's the whole theme? | 0:13:58 | 0:13:59 | |
Basically, mixing up, um... their... new teas, | 0:13:59 | 0:14:03 | |
and, they sort of go back and forth, and in comes our Snapple boss, | 0:14:03 | 0:14:07 | |
who has done many commercials for Snapple. | 0:14:07 | 0:14:09 | |
Holly's team had opted to do one commercial instead of two, | 0:14:09 | 0:14:13 | |
which probably explains why they seemed quite a bit more calm | 0:14:13 | 0:14:16 | |
than Bret's team. But I'm just not seeing anything too extraordinary. | 0:14:16 | 0:14:19 | |
She might be playing it a bit too safe. | 0:14:19 | 0:14:22 | |
I'll have to see tomorrow when I will view their commercials. | 0:14:22 | 0:14:25 | |
We're trying to indicate that... that autism is a global epidemic. | 0:14:25 | 0:14:28 | |
-We gotta -BLEEP -go. -I know, but I've gotta get all this... | 0:14:40 | 0:14:43 | |
-I can't stay here, cos I'm doomed. -Yeah. -I'm doomed. -You know what? | 0:14:43 | 0:14:46 | |
I could stay here with him, and you could go over to edit. | 0:14:46 | 0:14:48 | |
-So hopefully they'll just... -You two just stay here. Don't move. | 0:14:48 | 0:14:51 | |
-OK. -I can call you if I need you, | 0:14:51 | 0:14:52 | |
-and when you're done, just fly over and see me. -OK. | 0:14:52 | 0:14:55 | |
'I'm wrapping up the photoshoot, | 0:14:55 | 0:14:56 | |
'but I need to get to the edit facility | 0:14:56 | 0:14:58 | |
'to finish my commercial.' | 0:14:58 | 0:14:59 | |
And I know that I've got this amount of time to do this, right. | 0:14:59 | 0:15:02 | |
It is a ticking time bomb. | 0:15:02 | 0:15:03 | |
-Darryl, help me carry this out. -All right. | 0:15:03 | 0:15:05 | |
'I left Darryl and Summer behind | 0:15:05 | 0:15:08 | |
'to finish the PowerPoint and three page layout.' | 0:15:08 | 0:15:10 | |
I'll see you in a few. Uh! | 0:15:10 | 0:15:12 | |
I got in the vans, and I was like, "I know I'm forgetting something. | 0:15:12 | 0:15:15 | |
"What could it be? Ah, it's not important." | 0:15:15 | 0:15:17 | |
BLEEP | 0:15:36 | 0:15:38 | |
-I think I forgot my -BLEEP -v.o. that I wrote for the entire day. | 0:15:38 | 0:15:42 | |
This could go horribly bad for me. | 0:15:42 | 0:15:44 | |
It only took me 20 minutes to realise in the van | 0:15:44 | 0:15:47 | |
that I had forgotten my script that I needed | 0:15:47 | 0:15:49 | |
'to actually complete the commercials.' | 0:15:49 | 0:15:51 | |
Let me find my phone. | 0:15:51 | 0:15:52 | |
-Cos if I did, I'm so -BLEEP. | 0:15:52 | 0:15:55 | |
Like, if someone picked that up and moved it, | 0:15:55 | 0:15:57 | |
and I don't have it in my thing, I am scr-e-ewed. | 0:15:57 | 0:15:59 | |
APPLAUSE | 0:16:01 | 0:16:04 | |
To become the Celebrity Apprentice, you have to be smart, | 0:16:08 | 0:16:11 | |
you have to be driven, and you have to have great hair. | 0:16:11 | 0:16:15 | |
All attributes that Holly and Bret, and, of course, I share. | 0:16:15 | 0:16:19 | |
LAUGHTER | 0:16:19 | 0:16:21 | |
But if they really want to win, they can't let anything | 0:16:21 | 0:16:24 | |
stand between them and victory in the final task. | 0:16:24 | 0:16:28 | |
Autism is the fastest growing | 0:16:43 | 0:16:45 | |
serious developmental disability in the US. | 0:16:45 | 0:16:47 | |
Can pull a family apart, or help it bring it together. | 0:16:47 | 0:16:50 | |
I still have to complete my PowerPoint and get it approved. | 0:16:50 | 0:16:54 | |
It's, uh... it's a pretty... | 0:16:54 | 0:16:56 | |
there's a lot of work, and I just feel really happy to have, | 0:16:56 | 0:17:00 | |
um... my team-mates here to help me out. | 0:17:00 | 0:17:04 | |
Holly, one of my best mates is here from Australia. | 0:17:08 | 0:17:10 | |
-He's asking his girl to marry him tonight. -Oh, that's right! | 0:17:10 | 0:17:13 | |
-Yeah, he's asked us to go to the dinner. -Tonight? | 0:17:13 | 0:17:15 | |
'Clock is ticking down. Curtis is helping me,' | 0:17:15 | 0:17:18 | |
but I can sense that Curtis is a little bit anxious to leave. | 0:17:18 | 0:17:21 | |
Yeah, that's fine. | 0:17:21 | 0:17:22 | |
'We only have three people on this task. | 0:17:22 | 0:17:25 | |
'And I sent Maria to the editing bay. | 0:17:25 | 0:17:27 | |
'So, in my heart of hearts, I would've rather Curtis not gone. | 0:17:27 | 0:17:31 | |
'I'd like to have seen him follow through and hang in there with me.' | 0:17:31 | 0:17:33 | |
Okey-doke. There's a whole lot left to do tonight. | 0:17:35 | 0:17:38 | |
I won't say it's impossible, because I have faith in myself, | 0:17:38 | 0:17:40 | |
but this is...this is superhuman. | 0:17:40 | 0:17:43 | |
I'm very...stressed about just getting all this done. | 0:17:43 | 0:17:46 | |
Good luck, girl. | 0:17:46 | 0:17:47 | |
'In the end, it's really just me alone.' | 0:17:49 | 0:17:51 | |
PHONE RINGS | 0:18:01 | 0:18:03 | |
'Hey, it's Summer.' | 0:18:03 | 0:18:04 | |
-'Hey, Summer?' -Yeah? | 0:18:04 | 0:18:05 | |
Look around the studio for my Snapple script. | 0:18:05 | 0:18:09 | |
'If I don't get it, I can't edit the piece.' | 0:18:09 | 0:18:12 | |
-You got it. OK. -'Come over tonight when you're done.' | 0:18:12 | 0:18:14 | |
All right. Thanks. | 0:18:14 | 0:18:16 | |
I had a complete script written out for the two different commercials. | 0:18:16 | 0:18:19 | |
But I left that all behind at the studio, so, | 0:18:19 | 0:18:21 | |
when I get into the edit bay, I was like, | 0:18:21 | 0:18:23 | |
"Ooh, man. I'm in trouble." | 0:18:23 | 0:18:25 | |
-BLEEP -dang it. | 0:18:25 | 0:18:26 | |
We have lost his script. | 0:18:29 | 0:18:31 | |
He lost it? | 0:18:31 | 0:18:32 | |
Yes. And I don't know where his piece of paper went. | 0:18:32 | 0:18:35 | |
He said, "Remember that script I wrote? It's around there | 0:18:35 | 0:18:38 | |
"and it's on a white piece of paper." | 0:18:38 | 0:18:40 | |
And I'm looking around, and I had no clue what I was looking at. | 0:18:40 | 0:18:44 | |
His writing is beyond any doctor that I have ever seen. | 0:18:44 | 0:18:47 | |
Please say they're in there. | 0:18:47 | 0:18:49 | |
Bret forgets what he does with everything. | 0:18:51 | 0:18:54 | |
Oh, my gosh. | 0:18:54 | 0:18:55 | |
We shot two different commercials. | 0:19:01 | 0:19:04 | |
-Um... for this, you mean? -Mm-hm. | 0:19:04 | 0:19:05 | |
No. They have my script over there. | 0:19:05 | 0:19:07 | |
Everything got discombooberated in the course of the day. | 0:19:07 | 0:19:10 | |
All right. Here's what I'm thinking, cos I have no script. | 0:19:10 | 0:19:13 | |
Let's make the commercial in that "funny to us," | 0:19:13 | 0:19:15 | |
-with or without my... talking. -Mm-hm. | 0:19:15 | 0:19:18 | |
And then we'll find out how we say this | 0:19:18 | 0:19:19 | |
-to bring in the brand and marketing. -The attitude. -We'll figure it out. | 0:19:19 | 0:19:23 | |
Where are my peaches? | 0:19:24 | 0:19:26 | |
'All I could think in my mind was that, | 0:19:26 | 0:19:28 | |
'script or no script, I am going to get this project done. | 0:19:28 | 0:19:32 | |
'Because I had shot everything I needed.' | 0:19:32 | 0:19:34 | |
Now I just had to find a way to make it work. | 0:19:34 | 0:19:36 | |
So mark that one too. That was good. | 0:19:36 | 0:19:38 | |
'I took a really big chance editing without a script.' | 0:19:38 | 0:19:41 | |
But that's my life story - "Live without a script". | 0:19:41 | 0:19:44 | |
Snapple may just fire me from where I'm at right now... from this chair. | 0:19:44 | 0:19:47 | |
I may not even make it to the Trump Tower. | 0:19:47 | 0:19:49 | |
Where's Brety-Bret? | 0:19:55 | 0:19:57 | |
-Uh-oh. Don't come in yet! -Hi! | 0:19:57 | 0:19:59 | |
We got to get creative. We'll do it together. | 0:19:59 | 0:20:01 | |
You have to take this in stride, cos this is a WIP - | 0:20:01 | 0:20:04 | |
-work in progress. -How many you going to have? | 0:20:04 | 0:20:06 | |
-Two, or you going to...? -Just one. With all the stuff we have, | 0:20:06 | 0:20:09 | |
we're going to have the funniest commercial ever, though. It will be great. | 0:20:09 | 0:20:12 | |
'There was no way without this script, I could possibly | 0:20:12 | 0:20:14 | |
'put together and edit two commercials. | 0:20:14 | 0:20:16 | |
'So I decided I'm just going to wing it | 0:20:16 | 0:20:18 | |
'and make it the funniest commercial I can possibly make.' | 0:20:18 | 0:20:21 | |
Here we go, everyone. | 0:20:21 | 0:20:23 | |
'Trop-A-Rocka is Snapplicious. Work with me, people. | 0:20:23 | 0:20:27 | |
'Baby, please, Bret's Snapplicious.' | 0:20:27 | 0:20:28 | |
Work in progress. | 0:20:28 | 0:20:30 | |
'Summer had the same look in her face that she does every time' | 0:20:30 | 0:20:33 | |
I say something creative. She's like, "He's a complete idiot." | 0:20:33 | 0:20:37 | |
'Where are my peaches?' | 0:20:37 | 0:20:39 | |
'So, in the end, Bret decided to go with the funny commercial.' | 0:20:39 | 0:20:41 | |
But, I don't get it at all. | 0:20:41 | 0:20:44 | |
-Watch. -'Made from the best stuff on Earth! | 0:20:44 | 0:20:47 | |
'Snapple supports the American Diabetes Association. Together we can find a cure.' | 0:20:47 | 0:20:50 | |
Lose, "Together we can find a cure." | 0:20:50 | 0:20:52 | |
-Do you have two seconds while he's editing this? -I do. | 0:20:52 | 0:20:55 | |
OK. What we are doing tomorrow is a launch event. | 0:20:55 | 0:20:59 | |
-OK. -From three to five. -Oh, good. | 0:20:59 | 0:21:01 | |
Looking through the next day's schedule, | 0:21:01 | 0:21:04 | |
'I noticed there was a launch event.' | 0:21:04 | 0:21:05 | |
It's not just a 15-minute presentation. | 0:21:05 | 0:21:08 | |
-We're launching. We have a launch event. -Mm-hm. | 0:21:08 | 0:21:10 | |
I think literally people are coming. | 0:21:10 | 0:21:12 | |
Forget about tomorrow. I'd stop worrying about it. | 0:21:12 | 0:21:14 | |
'He's, you know, so into the commercial. | 0:21:14 | 0:21:17 | |
'He plays this, like, "Yeah. Oh, we have an event launch." ' | 0:21:17 | 0:21:19 | |
And he went straight back to the commercial. | 0:21:19 | 0:21:21 | |
I don't think he was concerned about it for a second. | 0:21:21 | 0:21:24 | |
APPLAUSE | 0:21:24 | 0:21:26 | |
You loved them. You hated them. | 0:21:30 | 0:21:33 | |
And in the end, I fired them. | 0:21:33 | 0:21:36 | |
Please welcome a few celebrities you haven't seen in a while. | 0:21:36 | 0:21:40 | |
Carol Leifer. | 0:21:40 | 0:21:41 | |
APPLAUSE | 0:21:41 | 0:21:43 | |
Sinbad. | 0:21:43 | 0:21:45 | |
APPLAUSE | 0:21:45 | 0:21:47 | |
Governor Rod Blagojevich. | 0:21:47 | 0:21:48 | |
APPLAUSE | 0:21:48 | 0:21:51 | |
Michael Johnson. | 0:21:51 | 0:21:52 | |
APPLAUSE | 0:21:52 | 0:21:54 | |
Selita Ebanks. | 0:21:54 | 0:21:55 | |
APPLAUSE | 0:21:55 | 0:21:56 | |
And Cyndi Lauper. | 0:21:56 | 0:21:57 | |
APPLAUSE AND CHEERING | 0:21:57 | 0:21:59 | |
So Rod, I've said to many people many times, | 0:22:06 | 0:22:08 | |
it took a lot of courage for you to be on the show. | 0:22:08 | 0:22:10 | |
Did you do the right thing? Do you think it's helped? | 0:22:10 | 0:22:13 | |
Do you think it's hurt? How has it worked out for you? | 0:22:13 | 0:22:16 | |
Well, I want to thank you for giving me a chance to | 0:22:16 | 0:22:18 | |
be on the show and try to raise money for the charity I care about. | 0:22:18 | 0:22:21 | |
But, any time that you've been falsely accused of things | 0:22:21 | 0:22:24 | |
you didn't do and you've been lied about by powerful forces | 0:22:24 | 0:22:27 | |
and you're given a mountain top, which is what your programme | 0:22:27 | 0:22:29 | |
gave me a chance to do, I think it's very helpful. | 0:22:29 | 0:22:32 | |
And, again, I just want to assert, I'm looking forward to | 0:22:32 | 0:22:34 | |
the chance to establish my innocence and vindicate myself. | 0:22:34 | 0:22:36 | |
And those people who feel that powerful forces are raining down | 0:22:36 | 0:22:39 | |
on them, you can stand up against them and fight back. | 0:22:39 | 0:22:42 | |
And as long as you have the simple truth on your side, | 0:22:42 | 0:22:44 | |
you're going to prevail. | 0:22:44 | 0:22:46 | |
Well, you had a lot of courage. | 0:22:46 | 0:22:47 | |
Let me just ask, a show of hands, who thinks Rod is guilty? | 0:22:47 | 0:22:50 | |
LAUGHTER | 0:22:50 | 0:22:52 | |
Keep your hand down. | 0:22:54 | 0:22:56 | |
I'm being serious. Do... Michael? You do! | 0:22:59 | 0:23:04 | |
Michael. | 0:23:04 | 0:23:05 | |
LAUGHTER | 0:23:05 | 0:23:07 | |
All right. | 0:23:07 | 0:23:08 | |
Cyndi, you worked really hard. It was really stressed. | 0:23:10 | 0:23:13 | |
Heavily stressed. Would you do it again? | 0:23:13 | 0:23:16 | |
I'm grateful that you let me come on your show | 0:23:18 | 0:23:22 | |
and raise awareness that there is a group of Americans | 0:23:22 | 0:23:27 | |
that do not have civil rights - the gay community. | 0:23:27 | 0:23:30 | |
And, I raised 45,000 for them. | 0:23:30 | 0:23:34 | |
And... | 0:23:34 | 0:23:35 | |
APPLAUSE | 0:23:35 | 0:23:36 | |
I raised 45,000 for the True Colors Fund. | 0:23:39 | 0:23:43 | |
And, 20 of that came from | 0:23:43 | 0:23:46 | |
Emily West and Luke Bryan's single sales for the first month. | 0:23:46 | 0:23:49 | |
So, I got to... I'm very grateful. Thank you. | 0:23:49 | 0:23:52 | |
Well, you did a great job. What are you performing tonight? | 0:23:52 | 0:23:55 | |
A song from the Memphis Blues album that's coming out soon. | 0:23:55 | 0:23:59 | |
In June. 22nd. My birthday. | 0:23:59 | 0:24:03 | |
I'm Just Your Fool. | 0:24:04 | 0:24:06 | |
All right, good. Well, we look forward to it. | 0:24:06 | 0:24:08 | |
It's going to be great. Michael, you left the show. | 0:24:08 | 0:24:11 | |
You had a family difficulty. | 0:24:11 | 0:24:13 | |
Could you have made it if you stayed? Do you think so? | 0:24:13 | 0:24:16 | |
At the time I thought so. | 0:24:18 | 0:24:19 | |
After watching Bret and Holly, I mean, they were, they're hungry. | 0:24:19 | 0:24:23 | |
I mean, and it's... It was tough. But, I thought I did well. | 0:24:23 | 0:24:27 | |
I think I could have hung in there with them. | 0:24:27 | 0:24:29 | |
It obviously got much more difficult as it went on. | 0:24:29 | 0:24:33 | |
And people started to wear down. | 0:24:33 | 0:24:35 | |
But Bret, I mean, Bret's a warrior. | 0:24:35 | 0:24:38 | |
And, we knew that from day one, when he first came in, Sinbad. | 0:24:38 | 0:24:42 | |
-And so is Holly? -And Holly. | 0:24:42 | 0:24:44 | |
I mean, we didn't get as much chance to see her. | 0:24:44 | 0:24:47 | |
But we saw Bret in action, and, I mean, and he was, even though | 0:24:47 | 0:24:50 | |
he was late getting up every morning, he was, | 0:24:50 | 0:24:53 | |
-when he showed up, he was really tough. -I think you all did great. | 0:24:53 | 0:24:56 | |
But unfortunately, you didn't do good enough, cos you're | 0:24:56 | 0:24:59 | |
not sitting out here tonight, you're sitting over there. | 0:24:59 | 0:25:01 | |
And that's really OK. Holly and Bret, they're still in it. | 0:25:01 | 0:25:05 | |
That's cold-blooded. | 0:25:05 | 0:25:07 | |
That's cold blood. | 0:25:07 | 0:25:10 | |
We go over to the arena where we're going to do our presentation. | 0:25:11 | 0:25:14 | |
It's the big day. | 0:25:14 | 0:25:17 | |
Is this our stage? | 0:25:17 | 0:25:18 | |
It's all pretty crazy. I can't believe I've come this far. | 0:25:18 | 0:25:21 | |
It's kind of surreal, but I'm excited. I want to get it done. | 0:25:21 | 0:25:24 | |
I want to make it happen. | 0:25:24 | 0:25:25 | |
This is theirs. | 0:25:25 | 0:25:27 | |
-That's Diet Snapple. -What? Oh, look! | 0:25:27 | 0:25:29 | |
I had an opportunity to see Bret's label. | 0:25:29 | 0:25:31 | |
Guitar, guitar. | 0:25:31 | 0:25:35 | |
Bret's blend. Trop-A-Rocka. | 0:25:35 | 0:25:39 | |
Bret's blend tea. | 0:25:39 | 0:25:41 | |
I do think that it was risky for it to be a Bret Michaels branded tea. | 0:25:41 | 0:25:47 | |
You have to be really careful when you start incorporating | 0:25:47 | 0:25:50 | |
too much of your own persona and your own celebrity into the branding. | 0:25:50 | 0:25:53 | |
You can't read it. | 0:25:53 | 0:25:55 | |
Why is it like that? | 0:25:55 | 0:25:58 | |
-Why did they do that? -Is it the print? -You can't even read that. | 0:25:58 | 0:26:01 | |
Oh, this is a nice room. | 0:26:10 | 0:26:11 | |
I think if it's me, I should serve from behind the bar. | 0:26:11 | 0:26:15 | |
This should be your stage right here, standing on the bar. | 0:26:15 | 0:26:18 | |
'We walked into the presentation space, and I find out that | 0:26:18 | 0:26:22 | |
'we're in this humongous arena, much differently than what I thought.' | 0:26:22 | 0:26:25 | |
So now I'm a little more nervous again. | 0:26:25 | 0:26:27 | |
But I'm like, "I can do this. I can do this." | 0:26:27 | 0:26:29 | |
First and foremost, I just want to start out by thanking you | 0:26:29 | 0:26:32 | |
so much for taking time to enjoy our presentation. | 0:26:32 | 0:26:34 | |
But stay centre. | 0:26:34 | 0:26:36 | |
Don't keep moving. | 0:26:36 | 0:26:37 | |
Don't move. Hit your spot. If you have to move, if you come in here, | 0:26:37 | 0:26:40 | |
you get to go here or you just go there. | 0:26:40 | 0:26:42 | |
Don't guide yourself back and be moving. | 0:26:42 | 0:26:45 | |
-Hi, guys! -What? -Hi, Daddy! | 0:26:45 | 0:26:48 | |
Oh, my God. What are you doing here? | 0:26:49 | 0:26:53 | |
Wow. | 0:26:53 | 0:26:54 | |
What are you doing here? I love you. This is awesome! | 0:26:54 | 0:26:58 | |
Let me look at you. You smell good and everything. | 0:27:01 | 0:27:06 | |
Today, was the best day ever, man. Raine came in, my daughter. | 0:27:09 | 0:27:13 | |
And I had no idea. I was up there talking with Darryl. Talking about | 0:27:13 | 0:27:16 | |
the presentation. Next thing you know, my daughter comes running in. | 0:27:16 | 0:27:19 | |
And it was an awesome day. | 0:27:19 | 0:27:21 | |
How are you doing, boo? | 0:27:21 | 0:27:22 | |
Good. Very good. | 0:27:22 | 0:27:24 | |
-I'm a little caught up. I'm a little emotional. -Oh! | 0:27:24 | 0:27:27 | |
-Shhh! No, no, no. -You good? How you feeling? -Good. | 0:27:27 | 0:27:30 | |
You look awesome. | 0:27:30 | 0:27:32 | |
I've been jonesing to see her. It's been a long time. | 0:27:32 | 0:27:34 | |
With everything we've gone through in the show, the emotional | 0:27:34 | 0:27:37 | |
roller-coaster ride, everything that's happening, it was so great. | 0:27:37 | 0:27:40 | |
The look on his face, it was like he was in a dream. | 0:27:45 | 0:27:48 | |
'You know, he couldn't believe that she was actually there.' | 0:27:48 | 0:27:51 | |
It's just that touch, you know? | 0:27:51 | 0:27:54 | |
-Raine, I'm Summer. -Hi. -It's nice to meet you. | 0:27:54 | 0:27:56 | |
-This is Summer. -Hi, I'm Darryl. | 0:27:56 | 0:27:57 | |
Darryl Strawberry. Whacks them out of the park. | 0:27:57 | 0:28:00 | |
It was just awesome, especially everything that's going on | 0:28:00 | 0:28:02 | |
with her right now. She's borderline diabetic. | 0:28:02 | 0:28:05 | |
So, it absolutely makes me want to win this even more for Bret. | 0:28:05 | 0:28:09 | |
Well, thank you, bartender. And here's your allowance. | 0:28:10 | 0:28:14 | |
-Bret, she's so cute. -Yeah. -Thank you. Did you guys know? | 0:28:14 | 0:28:17 | |
-No. -We had no idea. -Are you kidding me? | 0:28:17 | 0:28:19 | |
I wouldn't have been crying like this if I knew. | 0:28:19 | 0:28:22 | |
Raine, she is borderline diabetic. And for me, very scary, | 0:28:22 | 0:28:25 | |
'because I can't picture her taking all the shots and doing the stuff | 0:28:25 | 0:28:28 | |
'I do. I hope it doesn't have to happen.' | 0:28:28 | 0:28:30 | |
Daddy. | 0:28:30 | 0:28:31 | |
This is what I've had to do. That's how I develop my... Yeah. | 0:28:31 | 0:28:35 | |
This is the whole reason that I'm here. This is the battle. | 0:28:35 | 0:28:39 | |
This is the fight that I'm in, is to get a cure for diabetes. | 0:28:39 | 0:28:43 | |
Like, I wish I didn't have to work now but I want to work. | 0:28:43 | 0:28:45 | |
'I'm going to fight even harder now.' | 0:28:45 | 0:28:47 | |
It's going to be a fierce competition cos I really want to win. | 0:28:47 | 0:28:51 | |
Baby girl, I love you. | 0:28:51 | 0:28:52 | |
Thank you for coming here. That was awesome. | 0:28:52 | 0:28:55 | |
I might have fired them but these celebrities were nice enough | 0:28:57 | 0:29:00 | |
to return and help Holly and Bret in their final task. | 0:29:00 | 0:29:04 | |
Let's welcome, Summer Sanders. | 0:29:04 | 0:29:07 | |
APPLAUSE | 0:29:07 | 0:29:09 | |
Darryl Strawberry. | 0:29:10 | 0:29:11 | |
APPLAUSE | 0:29:11 | 0:29:13 | |
Maria Kanellis. | 0:29:13 | 0:29:14 | |
APPLAUSE | 0:29:14 | 0:29:15 | |
And Curtis Stone, our favourite chef. | 0:29:15 | 0:29:17 | |
APPLAUSE | 0:29:17 | 0:29:18 | |
Summer, you didn't win, but are you happy with what's being | 0:29:23 | 0:29:27 | |
really said about your charity, and how it reacted to your charity? | 0:29:27 | 0:29:30 | |
You raised a lot of money. | 0:29:30 | 0:29:31 | |
It has been a thrill for my charity Right To Play. | 0:29:31 | 0:29:34 | |
it was just a dream to be on, so thank you so much. | 0:29:34 | 0:29:37 | |
But also, beyond the show, | 0:29:37 | 0:29:39 | |
both LifeLock and Norton 360 have donated 25,000 additional dollars | 0:29:39 | 0:29:44 | |
that will help kids around the world. | 0:29:44 | 0:29:46 | |
-You were great. -So, I'm grateful. | 0:29:46 | 0:29:47 | |
You were great. | 0:29:47 | 0:29:48 | |
Lots of gold medals, I will never swim against you. | 0:29:48 | 0:29:51 | |
Now look, Maria, you know I have to do this. Roll the tape, please. | 0:29:51 | 0:29:55 | |
Sorry, Maria. | 0:29:55 | 0:29:56 | |
The reason why I said that you were so arrogant is because you came in | 0:29:56 | 0:30:00 | |
our dressing room and you took a crap and left the stench in the room. | 0:30:00 | 0:30:05 | |
So, that is the whole purpose of why I was upset. | 0:30:05 | 0:30:08 | |
I mean, it was completely founded. | 0:30:08 | 0:30:11 | |
-That is so random. -We don't need to go there. | 0:30:11 | 0:30:13 | |
That is so random. | 0:30:13 | 0:30:14 | |
I think it's a good depiction of your character, though. | 0:30:14 | 0:30:17 | |
It's a little bit below the belt. | 0:30:17 | 0:30:18 | |
That is a little below the belt, Maria. | 0:30:18 | 0:30:20 | |
-That's how you play the game. -That's, like, disgusting. | 0:30:20 | 0:30:24 | |
Maria, you know, he's a handsome guy. | 0:30:31 | 0:30:33 | |
What the hell were you thinking? | 0:30:33 | 0:30:36 | |
Well, first I was thinking, "Pee-ew!" | 0:30:36 | 0:30:38 | |
But after that I was really disappointed in myself. | 0:30:38 | 0:30:41 | |
I want to say thank you so much for the opportunity. | 0:30:41 | 0:30:43 | |
It was tremendous. | 0:30:43 | 0:30:44 | |
To make money for Make-A-Wish Foundation was incredible. | 0:30:44 | 0:30:47 | |
And, for one moment, I had a lapse of judgment. | 0:30:47 | 0:30:50 | |
And, I really wish I wouldn't have said it | 0:30:50 | 0:30:52 | |
It's all right. It's really cool | 0:30:52 | 0:30:54 | |
that you say that. I appreciate it. It's very nice. | 0:30:54 | 0:30:56 | |
-But, thank you. -Thank you very much. | 0:30:56 | 0:30:58 | |
Curtis, do you believe what a star you've become? | 0:30:58 | 0:31:00 | |
From a chef, to a big, monster chef and star? Congratulations. | 0:31:00 | 0:31:03 | |
-Do you want 10%? -What do you think? -Do you need 10%? | 0:31:03 | 0:31:06 | |
-I want 25%. -It's been amazing. | 0:31:06 | 0:31:09 | |
You know, I came on the show to represent Feeding America, | 0:31:09 | 0:31:12 | |
and we have an incredible amount of donations that's come through. | 0:31:12 | 0:31:15 | |
Incredible to think that a country like America has still got | 0:31:15 | 0:31:18 | |
so many people that are affected by hunger. | 0:31:18 | 0:31:20 | |
So, it's been an amazing platform for me to talk about it. | 0:31:20 | 0:31:23 | |
So, thank you very much. | 0:31:23 | 0:31:24 | |
Well, thank you very much, Curtis. | 0:31:24 | 0:31:26 | |
APPLAUSE | 0:31:26 | 0:31:28 | |
Darryl, the Mets could use you. | 0:31:31 | 0:31:33 | |
What did you think? Did you have fun? | 0:31:33 | 0:31:36 | |
Did you have fun on Celebrity Apprentice? | 0:31:36 | 0:31:38 | |
I did. I really did have fun on Celebrity Apprentice. | 0:31:38 | 0:31:40 | |
I could tell you what Celebrity Apprentice has done for me. | 0:31:40 | 0:31:43 | |
After coming off your show, you know, I just decided, well, you know, | 0:31:43 | 0:31:46 | |
I could be a entrepreneur now. | 0:31:46 | 0:31:47 | |
I have a restaurant opening up in June in Queens. | 0:31:47 | 0:31:50 | |
APPLAUSE | 0:31:50 | 0:31:51 | |
So, that's what... | 0:31:51 | 0:31:52 | |
I just want to let you know that's what this show has done for me. | 0:31:55 | 0:31:58 | |
I mean, it has opened up a lot of opportunities for me. | 0:31:58 | 0:32:01 | |
I want to thank you from the bottom of my heart. | 0:32:01 | 0:32:03 | |
Well, thank you, Darryl. Special guy. | 0:32:03 | 0:32:05 | |
I watched you hit many a home run. Really special guy. | 0:32:05 | 0:32:07 | |
OK, let's get back to the task. | 0:32:07 | 0:32:09 | |
'Everything is at stake. I've made a lot of money already, | 0:32:26 | 0:32:30 | |
'but there's a lot more money to be made.' | 0:32:30 | 0:32:32 | |
I just got to keep pushing. I just got to keep pushing. | 0:32:32 | 0:32:35 | |
I just want to take this time to thank all of you for allowing me, | 0:32:38 | 0:32:41 | |
and my team, RockSolid, to put this whole presentation together. | 0:32:41 | 0:32:45 | |
'I started out the Celebrity Apprentice | 0:32:45 | 0:32:47 | |
'as a complete sleeper.' | 0:32:47 | 0:32:49 | |
People had their doubts that I would ever make it to the end. | 0:32:49 | 0:32:52 | |
'But, here I am. I am beyond determined to win this thing.' | 0:32:52 | 0:32:55 | |
Hi, how are you? How are you? | 0:33:12 | 0:33:13 | |
Hi, everybody. | 0:33:14 | 0:33:15 | |
How are you? | 0:33:17 | 0:33:18 | |
Hello. | 0:33:19 | 0:33:21 | |
How are you? | 0:33:21 | 0:33:23 | |
Nice to see you. | 0:33:23 | 0:33:25 | |
-Bye, Straw. -Good luck. Good luck, baby. | 0:33:28 | 0:33:31 | |
Right before it's time to go up, my heart was kind of pounding. | 0:33:37 | 0:33:42 | |
'But I do know how to impress executives. I think I've done that. | 0:33:42 | 0:33:45 | |
'I sit on several boards | 0:33:45 | 0:33:47 | |
'and I kind of know how to do the core messaging.' | 0:33:47 | 0:33:49 | |
I couldn't have completed | 0:33:49 | 0:33:50 | |
this humongous task without your support. | 0:33:50 | 0:33:54 | |
'The last thing that I want during this presentation | 0:33:54 | 0:33:57 | |
'is my nerves to get the best of me.' | 0:33:57 | 0:33:58 | |
Hello, hello. Good afternoon, good afternoon! | 0:33:58 | 0:34:02 | |
Welcome to the launch of the new | 0:34:02 | 0:34:04 | |
all-natural Snapple Compassionberry Tea. | 0:34:04 | 0:34:07 | |
I am overjoyed to be here to have this tremendous opportunity | 0:34:07 | 0:34:11 | |
to unveil this new tea. | 0:34:11 | 0:34:12 | |
When we created our label, | 0:34:12 | 0:34:15 | |
we incorporated a world and global theme | 0:34:15 | 0:34:17 | |
since autism is a global epidemic. | 0:34:17 | 0:34:19 | |
And we also used the puzzle pieces, | 0:34:19 | 0:34:21 | |
which are the universal symbol of autism. | 0:34:21 | 0:34:24 | |
Autism is the fastest growing serious developmental | 0:34:24 | 0:34:26 | |
disability in the United States. | 0:34:26 | 0:34:28 | |
What's happening is, in communities, families are not able to | 0:34:28 | 0:34:31 | |
access treatment, and that's what the HollyRod Foundation does. | 0:34:31 | 0:34:34 | |
The opportunity for the HollyRod Foundation to be | 0:34:34 | 0:34:36 | |
co-branded on a Snapple bottle - that is huge. | 0:34:36 | 0:34:40 | |
'The visibility that we could get for autism by becoming | 0:34:40 | 0:34:43 | |
'a corporate partner with Snapple,' | 0:34:43 | 0:34:46 | |
it is a philanthropic home run! | 0:34:46 | 0:34:48 | |
Autism treatment is needed and it's very unaffordable | 0:34:48 | 0:34:52 | |
and families need emotional support. | 0:34:52 | 0:34:55 | |
So, my son was non-verbal and very socially disconnected. | 0:34:55 | 0:34:59 | |
With compassionate care and treatment, | 0:34:59 | 0:35:01 | |
he was able to come out of some of that. | 0:35:01 | 0:35:04 | |
So, that would lead us to our 30-second commercial. | 0:35:04 | 0:35:08 | |
How's your stuff? | 0:35:08 | 0:35:09 | |
My stuff? The best stuff on Earth. Oh, and I got new stuff. | 0:35:09 | 0:35:13 | |
-Good stuff? -Here comes the boss. -So, how's your stuff? | 0:35:13 | 0:35:16 | |
My stuff is new. It just got better. | 0:35:16 | 0:35:18 | |
What's your stuff? What's your new, better stuff? | 0:35:18 | 0:35:20 | |
New Compassionberry Tea, an all-natural, great-tasting, | 0:35:20 | 0:35:23 | |
Snappley blend of passion fruit and strawberry. | 0:35:23 | 0:35:25 | |
This is the best stuff on Earth and it did just get better! | 0:35:25 | 0:35:28 | |
Hmmm. | 0:35:28 | 0:35:30 | |
'New all-natural Snapple Compassionberry Tea - | 0:35:30 | 0:35:33 | |
'experience compassion naturally. | 0:35:33 | 0:35:34 | |
'Snapple is proud to support the HollyRod Foundation | 0:35:34 | 0:35:37 | |
'and families affected by autism.' | 0:35:37 | 0:35:38 | |
-So that's our spot. -APPLAUSE | 0:35:38 | 0:35:40 | |
Oh, thanks! I love applause. | 0:35:40 | 0:35:42 | |
Standing up there on that stage, | 0:35:43 | 0:35:46 | |
'there was a moment where I had this sort of out-of-body experience | 0:35:46 | 0:35:49 | |
'where I said, "Oh. my gosh.' | 0:35:49 | 0:35:51 | |
"I'm standing up here advocating for so many millions of people." | 0:35:51 | 0:35:56 | |
And it just felt very empowering. | 0:35:56 | 0:35:58 | |
I want to thank you, from Snapple, and everybody for coming. | 0:35:58 | 0:36:01 | |
And I want to thank you, Mr Trump. | 0:36:01 | 0:36:02 | |
This is the most amazing opportunity. | 0:36:02 | 0:36:04 | |
So, thank you for listening and watching | 0:36:04 | 0:36:06 | |
and have a great afternoon. | 0:36:06 | 0:36:08 | |
APPLAUSE | 0:36:08 | 0:36:09 | |
You're John Paul. Right? | 0:36:09 | 0:36:12 | |
John Paul is a Make-A-Wish kid and he has acute lymphomic leukaemia. | 0:36:12 | 0:36:16 | |
-How long have you been part of Make-A-Wish? -For about two years. | 0:36:16 | 0:36:20 | |
-What is your wish? -To go to New York and meet Donald Trump | 0:36:20 | 0:36:23 | |
because he's kind of inspired me. | 0:36:23 | 0:36:26 | |
I want to tell you that you are going to New York and you're | 0:36:26 | 0:36:30 | |
going to the finale of Celebrity Apprentice. | 0:36:30 | 0:36:33 | |
And you're going to be able to meet Donald Trump. | 0:36:33 | 0:36:35 | |
I have never seen him speechless. | 0:36:39 | 0:36:42 | |
APPLAUSE | 0:36:42 | 0:36:43 | |
JP, everybody says you look just like me. | 0:36:45 | 0:36:48 | |
I happen to think you're better looking than me, you know that? | 0:36:48 | 0:36:51 | |
-Mm-hm. -Now, you want to be a really productive guy, right? -Yes. | 0:36:51 | 0:36:54 | |
-What's my favourite phrase? -You're fired! | 0:36:54 | 0:36:57 | |
-You like that phrase, right? -Yes. -Give me five. | 0:36:57 | 0:37:00 | |
So, let's take a look right now at Bret and what he does to Snapple. | 0:37:00 | 0:37:04 | |
-OK. -Sound good? -Yeah. | 0:37:04 | 0:37:06 | |
-All right, you listen. -Yes. -You're going to do awesome. | 0:37:13 | 0:37:16 | |
We're going to do awesome. | 0:37:16 | 0:37:18 | |
-You're there. -Let's go out, man. I'm ready to party. | 0:37:18 | 0:37:20 | |
-All right. -I'm ready to go. -Here we go. -OK. -Let's go. Let's do it. | 0:37:20 | 0:37:23 | |
As a rock singer and a performer, | 0:37:23 | 0:37:25 | |
you obviously roll off the energy in the room. | 0:37:25 | 0:37:27 | |
'When you're doing a concert, you come out, and there's this | 0:37:27 | 0:37:30 | |
'big elevator moves and pyro and explosions and it's your world. | 0:37:30 | 0:37:33 | |
'It's easy to rock the room. | 0:37:33 | 0:37:34 | |
'When you're given a microphone and asked to talk about' | 0:37:34 | 0:37:37 | |
a brand and why you love it, a whole different animal for me. | 0:37:37 | 0:37:40 | |
'My heart was pounding. | 0:37:44 | 0:37:45 | |
'I couldn't fake like it wasn't pounding in there.' | 0:37:45 | 0:37:48 | |
Hello, everybody, how you doing today? | 0:37:48 | 0:37:51 | |
First of all, I want to take the time, first and foremost, | 0:37:51 | 0:37:53 | |
to thank Mr Trump and Don Jr and Ivanka | 0:37:53 | 0:37:55 | |
for taking me on this awesome journey. | 0:37:55 | 0:37:58 | |
And, I learned a lot. Things I should do. | 0:37:58 | 0:38:01 | |
Waking up is one of them. | 0:38:01 | 0:38:02 | |
So, if you don't mind looking at the presentation, | 0:38:06 | 0:38:09 | |
so my hand will stop shaking with the paper in it. | 0:38:09 | 0:38:12 | |
'I was actually really nervous for Bret. | 0:38:12 | 0:38:14 | |
'We immediately went into the slides' | 0:38:14 | 0:38:16 | |
and he started out a little bit stiff when it came to the slides. | 0:38:16 | 0:38:19 | |
There it is - Trop-A-Rocka. | 0:38:19 | 0:38:21 | |
It's a perfect combination of tropical fruits with a hint | 0:38:21 | 0:38:24 | |
of vanilla and a kick of cinnamon and a little vodka | 0:38:24 | 0:38:27 | |
by the looks of the bar over there. | 0:38:27 | 0:38:30 | |
At the beginning of the presentation, I'll be honest, I was pretty nervous. | 0:38:30 | 0:38:33 | |
'My hand was kind of shaking. | 0:38:33 | 0:38:34 | |
'I was looking at the paper at them looking at me looking at the paper.' | 0:38:34 | 0:38:37 | |
Isn't it weird I can sing in front of 10,000 but can't speak? | 0:38:37 | 0:38:40 | |
All right, here we go. If you look up here, my... | 0:38:40 | 0:38:43 | |
'To see my daughter Raine there, she was just looking up at me | 0:38:43 | 0:38:45 | |
'and getting all excited.' | 0:38:45 | 0:38:47 | |
And I remembered the whole reason I'm here and that's to make | 0:38:47 | 0:38:49 | |
a lot of awareness and raise a lot of money for diabetes. | 0:38:49 | 0:38:52 | |
One of the things that could | 0:38:52 | 0:38:53 | |
really matter, especially having my beautiful daughter Raine here today, | 0:38:53 | 0:38:57 | |
to add a charity, a human touch to Snapple. | 0:38:57 | 0:39:00 | |
I think that could be amazing. | 0:39:00 | 0:39:01 | |
And I'm like, "You know what? I'll just speak from the heart." | 0:39:01 | 0:39:04 | |
I think we just need to make awareness. | 0:39:04 | 0:39:06 | |
And I think having a diet drink like Trop-A-Rocka, | 0:39:06 | 0:39:08 | |
I think really gets that point across. | 0:39:08 | 0:39:10 | |
So, what I wanted to do, is simply add celebrity Snappitude. | 0:39:10 | 0:39:15 | |
Right, I'm learning all the words. I got them down. | 0:39:15 | 0:39:19 | |
My Snapple-osophy is simple - | 0:39:19 | 0:39:21 | |
awesome taste, the best ingredients, and zero calories. | 0:39:21 | 0:39:25 | |
It's the best stuff on Earth. | 0:39:25 | 0:39:26 | |
I drink it because I love it. It'll rock your world. | 0:39:26 | 0:39:29 | |
APPLAUSE Thank you very much. Thank you. | 0:39:29 | 0:39:32 | |
Enjoy the show. Crank it up, up there. | 0:39:38 | 0:39:41 | |
-Trop-A-Rocka is Snapplicious. -Hi, my name's Bret. | 0:39:41 | 0:39:44 | |
Baby, please. Bret's Snapplicious! | 0:39:44 | 0:39:46 | |
And so is my refreshing brand-new tea Trop-A-Rocka. | 0:39:46 | 0:39:49 | |
-Where are my peaches? -I like peaches. | 0:39:49 | 0:39:51 | |
Peaches, pears and cinnamon | 0:39:51 | 0:39:52 | |
help me maintain a healthy diabetic lifestyle. | 0:39:52 | 0:39:55 | |
Trop-A-Rocka is green and black tea with zero calories. | 0:39:55 | 0:39:57 | |
I can be zero calories. | 0:39:57 | 0:39:59 | |
Taste bud-tested and rocker-approved. | 0:39:59 | 0:40:01 | |
Work with me, people! | 0:40:01 | 0:40:02 | |
Snapple! Made from the best stuff on Earth! It'll rock your world! | 0:40:02 | 0:40:09 | |
'Snapple supports the American Diabetes Association.' | 0:40:09 | 0:40:11 | |
APPLAUSE | 0:40:11 | 0:40:13 | |
Thank you very much. | 0:40:13 | 0:40:16 | |
Enjoy some delicious Trop-A-Rocka. | 0:40:16 | 0:40:18 | |
Thank you. | 0:40:19 | 0:40:21 | |
I have to say, Bret really surprised me. | 0:40:22 | 0:40:25 | |
'He pretty much nailed it. Even with his little stumbles.' | 0:40:25 | 0:40:28 | |
And, it blew me away. | 0:40:28 | 0:40:32 | |
I want to congratulate both teams. They really were amazing. | 0:40:32 | 0:40:35 | |
APPLAUSE | 0:40:35 | 0:40:36 | |
I feel like the presentation went well. | 0:40:39 | 0:40:41 | |
I feel like the room was super warm. | 0:40:41 | 0:40:43 | |
Until Mr Trump took, like, a poll in the room. | 0:40:46 | 0:40:48 | |
Just out of curiosity, who liked Holly better? | 0:40:48 | 0:40:52 | |
SOME APPLAUSE | 0:40:52 | 0:40:53 | |
I heard crickets. | 0:40:55 | 0:40:56 | |
Who liked Bret better? | 0:40:56 | 0:40:58 | |
APPLAUSE AND CHEERING | 0:40:58 | 0:40:59 | |
I think Bret probably brought it on presentation. | 0:41:01 | 0:41:04 | |
'Then I got really nervous.' | 0:41:04 | 0:41:06 | |
Somebody's going to be a winner but you're already both winners. | 0:41:06 | 0:41:09 | |
You've done a great job. All right, thank you very much. | 0:41:09 | 0:41:12 | |
SHE SIGHS | 0:41:12 | 0:41:14 | |
I mean, all I can do is just take a deep sigh. | 0:41:14 | 0:41:17 | |
'I haven't done anything this hard in a long time. | 0:41:17 | 0:41:21 | |
'This has been extremely difficult. I've had moments of fun. | 0:41:21 | 0:41:25 | |
'I've had moments of pure frustration.' | 0:41:25 | 0:41:28 | |
I've had moments of anger. | 0:41:29 | 0:41:31 | |
'Moments of exhilaration, giddiness, and total compassion.' | 0:41:31 | 0:41:37 | |
So, I feel really happy and just so proud of myself | 0:41:39 | 0:41:42 | |
that I've made it to this point. | 0:41:42 | 0:41:44 | |
And they really did a good job. | 0:41:44 | 0:41:45 | |
I'll tell you what, they love your product. | 0:41:45 | 0:41:48 | |
I have taken an absolutely amazing journey on Celebrity Apprentice. | 0:41:48 | 0:41:52 | |
'I learned a lot about myself, and a lot about how to get things done. | 0:41:52 | 0:41:55 | |
'You do what you got to do, especially when you're raising' | 0:41:55 | 0:41:58 | |
a lot of money for a lot of great kids out there | 0:41:58 | 0:42:00 | |
with juvenile diabetes. | 0:42:00 | 0:42:02 | |
'I've been living with type one diabetes | 0:42:02 | 0:42:04 | |
'since I've been six years old. I'm not only fighting for myself, | 0:42:04 | 0:42:08 | |
'I'm fighting for my daughter Raine, who is now borderline diabetic. | 0:42:08 | 0:42:12 | |
'It is a devastating disease. | 0:42:12 | 0:42:14 | |
'And I don't just want to win this,' | 0:42:14 | 0:42:16 | |
I need to win this. | 0:42:16 | 0:42:17 | |
Now, we go back and do our test. Way to go. Good job. Good job. | 0:42:17 | 0:42:22 | |
Larry, Andrew, what do you think? | 0:42:41 | 0:42:43 | |
Bret is very Snapple. He has that Snapple attitude. | 0:42:43 | 0:42:47 | |
And, whenever I look at Holly, | 0:42:47 | 0:42:49 | |
I would put Holly on my board and in my boardroom. | 0:42:49 | 0:42:52 | |
Which drink did you like better? | 0:42:52 | 0:42:54 | |
It's really hard to compare a regular and a diet. | 0:42:54 | 0:42:57 | |
They have such different tastes. I thought they were both fantastic. | 0:42:57 | 0:43:00 | |
But it always seems to me | 0:43:00 | 0:43:02 | |
that a diet doesn't have quite the same taste. | 0:43:02 | 0:43:04 | |
Did Bret make a mistake in choosing diet? | 0:43:04 | 0:43:07 | |
I would actually argue that, | 0:43:07 | 0:43:09 | |
in diet, you get a faster-growing segment. | 0:43:09 | 0:43:12 | |
There's a big market for it. | 0:43:12 | 0:43:13 | |
Andrew, the team names. | 0:43:13 | 0:43:14 | |
I think Holly did a great job of linking Compassionberry Tea | 0:43:14 | 0:43:18 | |
to the idea of compassion in her charity. | 0:43:18 | 0:43:19 | |
And then, I think Bret did a great job on Trop-A-Rocka. | 0:43:19 | 0:43:22 | |
-It has a little intrigue. -Which is better? | 0:43:22 | 0:43:24 | |
I'd probably lean, on personality, toward Bret's. | 0:43:24 | 0:43:27 | |
Oh, really? I maybe would lean on Holly's on that. | 0:43:27 | 0:43:29 | |
What do you think, Larry? | 0:43:29 | 0:43:31 | |
Yeah, Trop-A-Rocka is very, very Snappley. | 0:43:31 | 0:43:33 | |
But, you know, as we were tying the charities into it, | 0:43:33 | 0:43:37 | |
I really could, you know, relate to Holly's. | 0:43:37 | 0:43:39 | |
Which label, Larry, did you like better? | 0:43:39 | 0:43:42 | |
I really liked Holly's label. | 0:43:42 | 0:43:44 | |
In our business, we have to understand how that product | 0:43:44 | 0:43:47 | |
looks on the shelf or in a cooler. | 0:43:47 | 0:43:49 | |
Bret's was a little darker | 0:43:49 | 0:43:51 | |
and sometimes that can get lost on the shelf. | 0:43:51 | 0:43:53 | |
Andrew, which commercial did you like better? | 0:43:53 | 0:43:56 | |
They were both good. Bret had more Snappitude. | 0:43:56 | 0:43:59 | |
I think Holly's was a little more familiar | 0:43:59 | 0:44:01 | |
and didn't really break out as much. | 0:44:01 | 0:44:03 | |
What about the brochure? Let me see them for a second. | 0:44:03 | 0:44:06 | |
OK. That's Holly, that's Bret. Which did you like better? | 0:44:09 | 0:44:13 | |
She romanced the product a lot better. | 0:44:13 | 0:44:15 | |
And I thought he, again, brought in the personality in the inner infold | 0:44:15 | 0:44:18 | |
and really made it fun. | 0:44:18 | 0:44:19 | |
It's very close to a draw. | 0:44:19 | 0:44:21 | |
So, overall, it's a pretty tough job I have. Is that right? | 0:44:21 | 0:44:25 | |
Absolutely a tough job. | 0:44:25 | 0:44:27 | |
Bret, did Summer and Darryl do a great job? | 0:44:54 | 0:44:58 | |
Summer and Darryl did a beyond amazing... | 0:44:58 | 0:45:00 | |
Who was better? | 0:45:00 | 0:45:01 | |
-I can't answer that one. -Good. Don't answer it. | 0:45:03 | 0:45:05 | |
You know what, they've already been fired. Enough already. | 0:45:05 | 0:45:07 | |
Thank you. I was like, "I can't. They were great." | 0:45:07 | 0:45:10 | |
They're fantastic people, right? They really are. | 0:45:10 | 0:45:13 | |
So, Darryl, I'm very proud of you for coming back. | 0:45:13 | 0:45:16 | |
You came back, you showed strength, and I really think it's great. | 0:45:16 | 0:45:19 | |
You feel good to be back? | 0:45:19 | 0:45:20 | |
Yes, I feel great to be back. I kind of missed everybody. | 0:45:20 | 0:45:23 | |
When I left, you know, I was just totally exhausted. | 0:45:23 | 0:45:26 | |
Physically, my body wasn't there any more. | 0:45:26 | 0:45:28 | |
You know, I've had cancer and I have one kidney | 0:45:28 | 0:45:31 | |
and that had a lot to do with the wear down on my body. | 0:45:31 | 0:45:34 | |
-Wow! Well, you look great. -Thank you. | 0:45:34 | 0:45:36 | |
-And I'm very proud of you. -Thank you for having me here. -Good going. | 0:45:36 | 0:45:39 | |
-Now, you didn't win money for your charity, did you? -No. | 0:45:39 | 0:45:42 | |
What is your charity? | 0:45:42 | 0:45:43 | |
It's the Darryl Strawberry Foundation. | 0:45:43 | 0:45:45 | |
-For children with autism. -For autism? -Yes. | 0:45:45 | 0:45:48 | |
-Oh, very good. So you two have something in common. -Oh, yeah. -Yes. | 0:45:48 | 0:45:52 | |
Darryl, I'm going to give you 25,000 for your charity. OK? | 0:45:52 | 0:45:56 | |
-Thank you. -That's awesome. -So, you just use it well. | 0:45:56 | 0:46:00 | |
-Thank you, Mr Trump. -You deserve it, Darryl. | 0:46:00 | 0:46:02 | |
-Super D! -Darryl deserves it. | 0:46:02 | 0:46:05 | |
Hey, as a long-time fan of Darryl, I mean, you know, | 0:46:05 | 0:46:07 | |
-it's nice to have him with us. -And he came back! | 0:46:07 | 0:46:10 | |
He did come back, and he came back strong. | 0:46:10 | 0:46:13 | |
-OK. So, Bret, you chose a diet concept. Right? -Yes. | 0:46:13 | 0:46:17 | |
And you did that because of diabetes. | 0:46:17 | 0:46:20 | |
But I've never thought diet tasted, frankly, like regular, | 0:46:20 | 0:46:23 | |
-whether it's soda, ice tea, anything. -Right. | 0:46:23 | 0:46:25 | |
Do you think that puts you at a disadvantage in terms of taste? | 0:46:25 | 0:46:28 | |
No. First of all, I thought we would create a great taste. | 0:46:28 | 0:46:31 | |
I had to do what I felt right in my heart. | 0:46:31 | 0:46:33 | |
And what was important to me more than anything is I felt that | 0:46:33 | 0:46:36 | |
the diet market with all the people, 1.6 million people, coming down with | 0:46:36 | 0:46:41 | |
diabetes a year, that I can make a difference. | 0:46:41 | 0:46:43 | |
And I think that it's an exploding brand. | 0:46:43 | 0:46:45 | |
I think that diet, eventually, when it tastes amazing, | 0:46:45 | 0:46:48 | |
people are going to want a lot less calories. | 0:46:48 | 0:46:50 | |
And I think the hope would be that the executives could judge | 0:46:50 | 0:46:53 | |
the drinks on relative merits, understanding, you know, | 0:46:53 | 0:46:56 | |
that a diet drink is at a slight disadvantage. | 0:46:56 | 0:46:59 | |
It's a bit Catch 22, really, for you, Bret, cos you couldn't do | 0:46:59 | 0:47:02 | |
a sugar drink. No way he could. But you also... | 0:47:02 | 0:47:04 | |
A diet drink's going to put you at disadvantage right off the bat. | 0:47:04 | 0:47:07 | |
At the same time, I think you did a good job of masking the diet taste | 0:47:07 | 0:47:10 | |
in your drink, which was actually pretty important. | 0:47:10 | 0:47:12 | |
Thank you. | 0:47:12 | 0:47:14 | |
All right. So, Holly, how did you do? | 0:47:14 | 0:47:17 | |
I thought I did very well. It was a humongous task. | 0:47:17 | 0:47:21 | |
A lot to do in a little bit of time. | 0:47:21 | 0:47:23 | |
I was excited about Curtis and Maria coming to help me. | 0:47:23 | 0:47:27 | |
-Were they good? -They were very good. | 0:47:27 | 0:47:29 | |
Why didn't you use Maria in the commercial? I think she's beautiful. | 0:47:29 | 0:47:32 | |
Because, I was so impressed with my actors. I was impressed with | 0:47:32 | 0:47:35 | |
Snapple Jim, and really impressed with the actors that we cast. | 0:47:35 | 0:47:38 | |
You missed some of that natural celebrity appeal. | 0:47:38 | 0:47:40 | |
Whether it's Maria, yourself, Curtis in there. | 0:47:40 | 0:47:42 | |
It seems like a natural thing you could have taken advantage of | 0:47:42 | 0:47:45 | |
for better outreach with the commercial. | 0:47:45 | 0:47:47 | |
Why didn't you use them in there? | 0:47:47 | 0:47:49 | |
I have to say that I was more focused on integrating the | 0:47:49 | 0:47:52 | |
elements of the charity and less focused on the celebrity aspect. | 0:47:52 | 0:47:56 | |
-I had the feeling that Bret did... -How much did the drink itself play? | 0:47:56 | 0:48:00 | |
In other words, mixing, getting the ingredients, putting it in, | 0:48:00 | 0:48:03 | |
colour, all the stuff? How much did that enter into the equation? | 0:48:03 | 0:48:07 | |
Did you focus on that or did you focus more on the commercial? | 0:48:07 | 0:48:11 | |
Oh, well, we had one day to really focus on the drink. | 0:48:11 | 0:48:14 | |
And I was fortunate to have this wonderful gentleman with a terrific | 0:48:14 | 0:48:17 | |
palate to help me understand fruits and flavours and seasonality. | 0:48:17 | 0:48:21 | |
That's a huge advantage when you have a short time period | 0:48:21 | 0:48:23 | |
and you're given a list of ingredients. | 0:48:23 | 0:48:25 | |
You know, I think Curtis knew automatically what would work | 0:48:25 | 0:48:28 | |
well and what to go for, what not to go for, | 0:48:28 | 0:48:30 | |
-because they had to negotiate amongst themselves. -Yes. | 0:48:30 | 0:48:33 | |
Do you think that gave your team | 0:48:33 | 0:48:35 | |
an advantage? Your ability, your aptitude for food? | 0:48:35 | 0:48:38 | |
I hope so, Mr Trump. Yeah, I think I think it would have. | 0:48:38 | 0:48:41 | |
I think it did. Don't you think so? | 0:48:41 | 0:48:43 | |
Yes, absolutely. | 0:48:43 | 0:48:44 | |
So, Bret, let's discuss the name you came up with. | 0:48:47 | 0:48:50 | |
-Right. -The name of the tea. | 0:48:50 | 0:48:52 | |
Very easy for me. | 0:48:52 | 0:48:53 | |
We knew it was a summer rollout, and Trop-A-Rocka, | 0:48:53 | 0:48:57 | |
I mean, I think, "It's summer," I think of tropical. | 0:48:57 | 0:48:59 | |
Pretty cool. So the "Rocka" is because you're a rock star? | 0:48:59 | 0:49:01 | |
Correct. We knew that was our campaign. And what we want to do... | 0:49:01 | 0:49:04 | |
-And you love the name? -I love the name. | 0:49:04 | 0:49:06 | |
-What do you think of their name, Holly? -Trop-A-Rocka? -Yeah. | 0:49:06 | 0:49:10 | |
-I thought ours was better. -But it was... I knew there would be | 0:49:10 | 0:49:14 | |
-rock somewhere. -How did you come up with your name? | 0:49:14 | 0:49:16 | |
Well, HollyRod Foundation provides compassionate care. | 0:49:16 | 0:49:19 | |
And we love the concept of, really, creating a hybrid fruit, which | 0:49:19 | 0:49:23 | |
is passion fruit and strawberry, and it being Compassionberry. | 0:49:23 | 0:49:26 | |
-We loved that. -I love Compassionberry. It's a great name. | 0:49:26 | 0:49:29 | |
-Don't you think so? -It's a very good name. | 0:49:29 | 0:49:31 | |
They're both good. But, Compassionberry is really good. | 0:49:31 | 0:49:33 | |
-And I knew that's not... I'm just... -And very unique. | 0:49:33 | 0:49:36 | |
I'm good at reading people and I thought that's where you would go. | 0:49:36 | 0:49:39 | |
-That was strong, wasn't it, Bret? -Yes. | 0:49:39 | 0:49:42 | |
I thought you would definitely go with a rock and roll theme as well. | 0:49:42 | 0:49:45 | |
Yeah. But it's strong. | 0:49:45 | 0:49:46 | |
LAUGHTER | 0:49:48 | 0:49:50 | |
Well, Bret integrated himself into the campaign | 0:49:50 | 0:49:53 | |
and he became a celebrity spokesperson for Snapple. | 0:49:53 | 0:49:57 | |
-Right. -Which was very effective and it's an area | 0:49:57 | 0:50:00 | |
where you both really diverge. | 0:50:00 | 0:50:01 | |
Holly, you definitely had the HollyRod logo but you didn't | 0:50:01 | 0:50:04 | |
talk about the celebrity attached to yourself and team. | 0:50:04 | 0:50:07 | |
Whereas Bret really made that a focus. And actually, Bret, I love | 0:50:07 | 0:50:10 | |
the description you had on the side. | 0:50:10 | 0:50:12 | |
-Thank you. -It sounded like Snapple and it also sounded like you. | 0:50:12 | 0:50:15 | |
And it played into the Trop-A-Rocka title. | 0:50:15 | 0:50:18 | |
OK. The label. | 0:50:19 | 0:50:21 | |
-Bret. -Yes. | 0:50:21 | 0:50:22 | |
The executives thought your label was too dark. They loved Holly. | 0:50:22 | 0:50:26 | |
-They really loved it. -Right. | 0:50:26 | 0:50:28 | |
I'm not sure I totally agree. | 0:50:28 | 0:50:29 | |
I think the passion fruit maybe is good, but it doesn't look that good. | 0:50:29 | 0:50:32 | |
But they loved it. That's all that matters. | 0:50:32 | 0:50:34 | |
-Right. -What do you think about that? Do you think yours was too dark? | 0:50:34 | 0:50:37 | |
I thought it was very bold. Yes, it's darker than what they normally do | 0:50:37 | 0:50:41 | |
but I was trying to invent something slightly new and different. | 0:50:41 | 0:50:43 | |
What did you think of Bret's label, Holly? | 0:50:43 | 0:50:45 | |
I actually liked Bret's label. I loved the rock and roll graphics. | 0:50:45 | 0:50:48 | |
It's nice to say that. It would be nice to say, | 0:50:48 | 0:50:50 | |
-"I thought it was terrible." -It wasn't as good as mine. | 0:50:50 | 0:50:53 | |
-Why not say, "Terrible?" -It wasn't as good as mine. | 0:50:53 | 0:50:55 | |
Wouldn't you be better off to say, "Terrible?" | 0:50:55 | 0:50:57 | |
No, it wasn't terrible. | 0:50:57 | 0:50:58 | |
Well, you know what I like? I'll tell you what I like. | 0:50:58 | 0:51:02 | |
I think that, Holly, I like that better than that. | 0:51:02 | 0:51:06 | |
So, Holly, you win on the cover. But on the interior... | 0:51:06 | 0:51:10 | |
Right. | 0:51:10 | 0:51:11 | |
..you've got this. And you've got this. | 0:51:11 | 0:51:16 | |
-Right. -I like this much better than I like this. -OK. | 0:51:16 | 0:51:20 | |
-So, let's call it a draw. -OK. | 0:51:20 | 0:51:22 | |
-So, Curtis, how did you like it? -I enjoyed the task. It was great. | 0:51:24 | 0:51:27 | |
Holly was an amazing leader. She never ceases to amaze us. | 0:51:27 | 0:51:31 | |
We're very proud to be supporting her. | 0:51:31 | 0:51:33 | |
-What did you think of Holly? -Oh, she was wonderful. | 0:51:33 | 0:51:37 | |
She was great in this task and listened to our ideas. | 0:51:37 | 0:51:39 | |
It was amazing because she just let me talk at some points to say... | 0:51:39 | 0:51:43 | |
to, like, find that creative idea that we could attach to. | 0:51:43 | 0:51:46 | |
So, she was great at delegating. | 0:51:46 | 0:51:48 | |
The executives noted this about her curiosity | 0:51:48 | 0:51:50 | |
and interest in learning about the product. | 0:51:50 | 0:51:52 | |
And the Snapple executives said you could be on the board of Snapple. | 0:51:52 | 0:51:55 | |
They were so impressed with your presentation... | 0:51:55 | 0:51:58 | |
-Where can I sign up? -..how you conducted yourself. | 0:51:58 | 0:52:00 | |
It's actually very interesting because with Bret, | 0:52:00 | 0:52:02 | |
they thought you are Snapple. | 0:52:02 | 0:52:04 | |
You represent exactly their demographic. You're Snapplicious, | 0:52:04 | 0:52:07 | |
-I think they referred to it as. -Thank you. | 0:52:07 | 0:52:09 | |
-So they thought you did a great job. -Awesome. That's great. | 0:52:09 | 0:52:13 | |
Summer, DID you think Bret was good as a project manager? | 0:52:13 | 0:52:17 | |
Bret is great as a creative force. He's awesome. | 0:52:17 | 0:52:20 | |
If you were me, give me the strengths of Bret and you've gotten | 0:52:20 | 0:52:23 | |
to know everybody. You know everybody at the table. | 0:52:23 | 0:52:26 | |
-Especially Holly. -Yeah. -And you respect Holly. | 0:52:26 | 0:52:29 | |
-I respect Holly big time. -You won't say horrible things about her. | 0:52:29 | 0:52:32 | |
-I'm not going to... -Summer may respect Holly a little too much. | 0:52:32 | 0:52:35 | |
I mean, they're best friends. You may have a bit of a... | 0:52:35 | 0:52:37 | |
-Are you good friends? -We're Celebrity Apprentice BFFs. | 0:52:37 | 0:52:40 | |
Were you friends before, or did you just meet? | 0:52:40 | 0:52:42 | |
No, but we are now. | 0:52:42 | 0:52:44 | |
Summer, do you want Holly to win? | 0:52:44 | 0:52:46 | |
I can't answer that question. I want either of them. | 0:52:49 | 0:52:51 | |
That's not very good. | 0:52:51 | 0:52:52 | |
I want Holly to win, absolutely. But do I want her to win over Bret? | 0:52:52 | 0:52:55 | |
Yeah. | 0:52:55 | 0:52:56 | |
-I think you have... -Who do you want to win? | 0:52:59 | 0:53:01 | |
You're on Bret's team but Holly is a friend. | 0:53:03 | 0:53:05 | |
-You're in an interesting position. -I am. | 0:53:05 | 0:53:07 | |
-Who would you like to see win? -I worked really hard for Bret. | 0:53:07 | 0:53:10 | |
-Who would you like me to choose? -In this situation, I would choose Bret. | 0:53:10 | 0:53:13 | |
Is that the only reason? You're not being loyal to your friend. | 0:53:13 | 0:53:17 | |
My goodness! Look at you. | 0:53:17 | 0:53:20 | |
In all fairness, Summer, | 0:53:20 | 0:53:21 | |
you didn't say one thing about Bret being a good project manager. | 0:53:21 | 0:53:25 | |
Was he good? You said he was wonderful, creative, all that stuff. | 0:53:25 | 0:53:29 | |
Was he a good project manager? | 0:53:29 | 0:53:31 | |
I don't know if the finals comes down to a good project manager. | 0:53:31 | 0:53:33 | |
-I think it does. -Really? -Yeah. It's certainly an element. | 0:53:33 | 0:53:37 | |
When I think of project manager, I think of managing. | 0:53:37 | 0:53:39 | |
And I think we co-managed. | 0:53:39 | 0:53:41 | |
Summer, was he a good project manager? You don't say it. | 0:53:41 | 0:53:45 | |
He was decent. I won't say he was a bad project manager cos he wasn't. | 0:53:45 | 0:53:48 | |
-That's not much of a statement. Do we agree? -I will agree | 0:53:48 | 0:53:51 | |
and I will add to this. I know her heart is with Holly. | 0:53:51 | 0:53:54 | |
I know her mind and her task, | 0:53:54 | 0:53:57 | |
she is such a hard worker, is with this project. | 0:53:57 | 0:54:00 | |
That's what I would say. | 0:54:00 | 0:54:03 | |
Darryl, what do you think of her very tepid endorsement of Bret? | 0:54:03 | 0:54:07 | |
Well, I understand Summer, because of their relationship, | 0:54:07 | 0:54:10 | |
her relationship with Holly, it's real. It's not a pretender, | 0:54:10 | 0:54:16 | |
like, maybe come on here and grill her, and say, you know, | 0:54:16 | 0:54:18 | |
"Holly's not great." You know, Holly's great. | 0:54:18 | 0:54:22 | |
Do you think Bret was a great project manager? | 0:54:22 | 0:54:24 | |
Bret was a great project manager. | 0:54:24 | 0:54:26 | |
That's what I was expecting to hear, Summer, from you. | 0:54:26 | 0:54:29 | |
-Right. -Well, see, I got a chance to be with Bret. | 0:54:29 | 0:54:31 | |
Was Bret a good project... "Oh! He was a great project manager." | 0:54:31 | 0:54:34 | |
-Instead, you say, "I don't know." -No, I didn't. | 0:54:34 | 0:54:36 | |
-I said he was a good project manager. -Can I say...? | 0:54:36 | 0:54:39 | |
But, it took us a long time to drag that out of you. | 0:54:39 | 0:54:41 | |
-No, I don't... -We dragged it out of you. | 0:54:41 | 0:54:44 | |
I like the way Darryl said it. | 0:54:44 | 0:54:46 | |
Look, if I'm Bret, I like Darryl. I'm not so sure that I like Summer. | 0:54:46 | 0:54:49 | |
But can I say this? | 0:54:49 | 0:54:51 | |
You know, and the reason why I say this with Bret is | 0:54:51 | 0:54:53 | |
because I got a chance to be on his team from the beginning. | 0:54:53 | 0:54:57 | |
And I got a chance to understand | 0:54:57 | 0:54:59 | |
what his strengths are in certain situations. | 0:54:59 | 0:55:01 | |
Summer, this was the first time Summer got a chance to see it. | 0:55:01 | 0:55:04 | |
You've done a good job. Thank you, Darryl. | 0:55:04 | 0:55:06 | |
And I know I've been giving you a hard time, | 0:55:06 | 0:55:08 | |
-but you've done a great job, Summer. -She did. -Thank you, Mr Trump. | 0:55:08 | 0:55:11 | |
You could very easily be sitting right here, one of these two seats. | 0:55:11 | 0:55:15 | |
Now, Darryl, Summer, Curtis, Maria, you've been outstanding. All four. | 0:55:15 | 0:55:20 | |
You've really been outstanding. And we will see you soon. | 0:55:20 | 0:55:25 | |
I have great, I've really developed great respect for all of you. | 0:55:25 | 0:55:28 | |
You have been just absolutely amazing. | 0:55:28 | 0:55:31 | |
So, with that you can leave. | 0:55:31 | 0:55:32 | |
I will be firing somebody. | 0:55:32 | 0:55:34 | |
-Thank you. -Thank you very much. -Thanks, you guys. -Thanks, guys. | 0:55:34 | 0:55:37 | |
-Summer, you want to come this way? -Oh, OK. -You got it. | 0:55:37 | 0:55:40 | |
I wouldn't hold her chair. Not her chair. | 0:55:40 | 0:55:43 | |
She did a good job for me. | 0:55:43 | 0:55:45 | |
-Summer, you were great...for Holly. -Thanks, guys. | 0:55:45 | 0:55:47 | |
Thank you, Curtis. I'll see ya. | 0:55:47 | 0:55:51 | |
This is very tough. | 0:56:00 | 0:56:01 | |
APPLAUSE | 0:56:11 | 0:56:14 | |
So, everyone is still asking, "Is Bret going to be here tonight?" | 0:56:16 | 0:56:21 | |
The answer is, "yes." | 0:56:21 | 0:56:23 | |
Now, deciding... I agree with that. He's been through a lot. | 0:56:23 | 0:56:26 | |
APPLAUSE AND CHEERING | 0:56:26 | 0:56:29 | |
Deciding whether he or Holly will become the Celebrity Apprentice, | 0:56:33 | 0:56:37 | |
that's a tough call. | 0:56:37 | 0:56:38 | |
And it always helps to get advice from people you trust. | 0:56:38 | 0:56:43 | |
Please welcome my very first Apprentice, Bill Rancic, | 0:56:43 | 0:56:47 | |
and the reigning Celebrity Apprentice, Joan Rivers. | 0:56:47 | 0:56:50 | |
Come on in. | 0:56:50 | 0:56:51 | |
APPLAUSE AND CHEERING | 0:56:51 | 0:56:53 | |
-So, my beautiful Joan. -Oh, my darling Donald. | 0:57:07 | 0:57:09 | |
It's great that you're here. You won Celebrity Apprentice. | 0:57:09 | 0:57:12 | |
How big a thing was that in your life? And you've had a great life. | 0:57:12 | 0:57:16 | |
Oh! First of all, I got "How'd You Get So Rich?" out of it, the show. | 0:57:16 | 0:57:19 | |
Second year. I have another show coming out with Melissa. | 0:57:19 | 0:57:22 | |
I mean, everything, from you. From you. | 0:57:22 | 0:57:24 | |
You know, your fees went way, way up. | 0:57:24 | 0:57:26 | |
Your comedy fees I got, because I know I have to pay. | 0:57:26 | 0:57:28 | |
You have to pay. Wholesale, though. | 0:57:28 | 0:57:30 | |
-That's OK. Wholesale, I hope so. -You can always see me wholesale. | 0:57:30 | 0:57:33 | |
Joan, who do you like? | 0:57:33 | 0:57:35 | |
This is so tough. And I'm not being cute. | 0:57:35 | 0:57:38 | |
I have watched every episode. Um...where do we start? | 0:57:38 | 0:57:42 | |
Holly, uh...the motivation of a mother | 0:57:42 | 0:57:44 | |
fighting for something her child has. | 0:57:44 | 0:57:48 | |
That's primal. And she is brilliant. | 0:57:48 | 0:57:51 | |
And she has nothing else to do except that. | 0:57:51 | 0:57:54 | |
I mean, that's her whole life. Melissa knows that. | 0:57:54 | 0:57:56 | |
That's her focus. | 0:57:56 | 0:57:58 | |
So, of course. And what she raised in money, I mean...brilliant. | 0:57:58 | 0:58:02 | |
But, Bret, uh... you talk about no sick days. | 0:58:02 | 0:58:09 | |
I mean, the determination to come back...from death. | 0:58:09 | 0:58:14 | |
From death's door. | 0:58:14 | 0:58:16 | |
To say, "I'm going to be here. And this is where I have to be. | 0:58:16 | 0:58:19 | |
"And I'm going to show up." I find this extraordinary. | 0:58:19 | 0:58:23 | |
-Both amazing, but I will say... -Both amazing. | 0:58:23 | 0:58:25 | |
Hey, Bret, 50% of the people don't make it to the hospital. | 0:58:25 | 0:58:28 | |
-You're telling me. -OK, so it's pretty tough stuff. | 0:58:28 | 0:58:30 | |
-Yeah. -So, are you on...which side? | 0:58:30 | 0:58:33 | |
I... Business-wise, it should be Holly. | 0:58:33 | 0:58:37 | |
Uh...but screw that. | 0:58:37 | 0:58:39 | |
It's Bret. Emotionally, it's just... it's Bret. | 0:58:39 | 0:58:42 | |
So, Bill, you always have strong opinions. | 0:58:47 | 0:58:49 | |
That's why you won, frankly. Who do you like? | 0:58:49 | 0:58:51 | |
You know, I liked them both. That's why I picked them last week. | 0:58:51 | 0:58:54 | |
I picked Holly, and I picked Bret. They're both strong candidates. | 0:58:54 | 0:58:57 | |
But you can't ignore what Holly has done. | 0:58:57 | 0:59:00 | |
I mean, she raised more money than any Apprentice | 0:59:00 | 0:59:03 | |
in the history of the show. | 0:59:03 | 0:59:04 | |
350,000 for her charity. Right? | 0:59:04 | 0:59:07 | |
APPLAUSE AND CHEERING | 0:59:07 | 0:59:09 | |
And I think, I think, | 0:59:09 | 0:59:12 | |
sometimes the popular decision isn't necessarily the right decision. | 0:59:12 | 0:59:15 | |
In fact, you didn't choose Bret, Joan. | 0:59:15 | 0:59:17 | |
You wanted Sharon and Holly. | 0:59:17 | 0:59:20 | |
Again, emotionally, because we all cried. | 0:59:20 | 0:59:22 | |
Right. | 0:59:22 | 0:59:23 | |
Of course. | 0:59:23 | 0:59:24 | |
If this was a normal show, I would say, "Yes, it's Holly. | 0:59:24 | 0:59:29 | |
"Holly's better, Holly won more money." But it's not. | 0:59:29 | 0:59:32 | |
It's now about someone who has said, "I am going to come on. | 0:59:32 | 0:59:36 | |
"And I'm going to do it. And I'm going to be there." | 0:59:36 | 0:59:39 | |
-All right. You're both divided. I'm going to take that very, very seriously. -He's wrong. | 0:59:39 | 0:59:42 | |
-No, no, no, no, no, no, no, no. -You're wrong! -Holly fights every day for her son! | 0:59:42 | 0:59:46 | |
You can't underestimate the power of that. | 0:59:46 | 0:59:49 | |
And Bret fights... Yes, and Bret has a daughter who is borderline. | 0:59:49 | 0:59:52 | |
And Bret has it himself. So, they both are fighting. | 0:59:52 | 0:59:55 | |
They're actually both fighting. That is true. | 0:59:55 | 0:59:57 | |
-They're great. They're both winners. -Yes. | 0:59:57 | 0:59:59 | |
Let me just ask my friends over here. Rod, just out of curiosity, | 0:59:59 | 1:00:03 | |
you could have thrown Bret under the bus, he wouldn't be here tonight. | 1:00:03 | 1:00:06 | |
I mean, you really had something over Bret. And you saved him. | 1:00:06 | 1:00:09 | |
Truly, you saved him in terms of the Celebrity Apprentice. | 1:00:09 | 1:00:13 | |
Who do you like? | 1:00:13 | 1:00:15 | |
Well, it's the conflict of the head versus the heart. | 1:00:15 | 1:00:17 | |
And when I... As the dad of two daughters myself, | 1:00:17 | 1:00:20 | |
and I saw Bret's little girl jump into his arms, | 1:00:20 | 1:00:23 | |
I can't possibly advocate his firing. | 1:00:23 | 1:00:26 | |
Now, I know that Holly did a great job. | 1:00:26 | 1:00:28 | |
And based on Bill's business assessment, | 1:00:28 | 1:00:30 | |
that's probably a pretty rational position. | 1:00:30 | 1:00:33 | |
But sometimes in life, sometimes you gotta go with your heart. | 1:00:33 | 1:00:36 | |
So, I would say don't fire Bret. | 1:00:36 | 1:00:38 | |
That's very interesting. | 1:00:38 | 1:00:40 | |
APPLAUSE AND CHEERING | 1:00:40 | 1:00:42 | |
She was a straight shooter playing from the heart, | 1:00:46 | 1:00:49 | |
and setting an Apprentice fundraising record. | 1:00:49 | 1:00:52 | |
Please welcome Holly Robinson Peete. | 1:00:52 | 1:00:55 | |
APPLAUSE AND CHEERING | 1:00:55 | 1:00:57 | |
Mwah! You look beautiful! | 1:01:04 | 1:01:07 | |
Mwah! | 1:01:07 | 1:01:08 | |
He was underestimated from the start. Sit down, Holly. | 1:01:25 | 1:01:28 | |
-Sit down! -I'm standing for Bret! | 1:01:28 | 1:01:30 | |
-That's a good idea. -Yeah, come on! | 1:01:30 | 1:01:32 | |
-You know what, don't sit down, Holly! -Thank you. | 1:01:32 | 1:01:34 | |
He was underestimated from the start, but proved everybody wrong. | 1:01:34 | 1:01:38 | |
And after a life-threatening illness, | 1:01:38 | 1:01:40 | |
he beat the odds to be with us tonight. | 1:01:40 | 1:01:42 | |
Bret, come on out. | 1:01:42 | 1:01:44 | |
APPLAUSE AND CHEERING | 1:01:44 | 1:01:45 | |
Thank you. D-man, don't make me cry. | 1:02:01 | 1:02:03 | |
Don't make me... | 1:02:03 | 1:02:05 | |
I love you, man. | 1:02:05 | 1:02:07 | |
I love you, man. Summer, my BFF. | 1:02:07 | 1:02:09 | |
Hey, look, woohoo! Rod, so good to see you, man. | 1:02:11 | 1:02:16 | |
My pleasure. | 1:02:16 | 1:02:19 | |
Oops! I shouldn't have said that! Sinbad, thank you, bro. | 1:02:20 | 1:02:24 | |
Why do you gotta look so hot up here? | 1:02:30 | 1:02:33 | |
-Why do you gotta... Michael, I love you, man. -Love you, buddy. | 1:02:33 | 1:02:37 | |
All right, buddy. Here we go! Let's have some fun! | 1:02:37 | 1:02:41 | |
Woohoo! Thank you. | 1:02:43 | 1:02:45 | |
That is... Thank you, Holly. You ready? | 1:02:45 | 1:02:48 | |
I'm ready. | 1:02:48 | 1:02:50 | |
All right. Mr Trump, Ivanka. All right. | 1:02:50 | 1:02:54 | |
Holly, that's so beautiful. You're crying. | 1:02:54 | 1:02:57 | |
Well, I mean, who in America isn't? | 1:02:57 | 1:02:59 | |
But I've never cried about my opponent. | 1:02:59 | 1:03:00 | |
-I mean, what are we doing here, Holly? -Come on, Mr Trump. | 1:03:00 | 1:03:03 | |
My five year-old son woke up this morning and said, "Mom, I love you, | 1:03:03 | 1:03:06 | |
"but I'm kind of pulling for Bret." | 1:03:06 | 1:03:08 | |
LAUGHTER | 1:03:08 | 1:03:09 | |
How do you beat that? | 1:03:09 | 1:03:11 | |
Well, you know what, you have been amazing. | 1:03:11 | 1:03:14 | |
-And it's going to be very close. And I still haven't... -Oh, gosh. | 1:03:14 | 1:03:17 | |
-I really still have not made a decision. -I know. | 1:03:17 | 1:03:19 | |
-But I will say this. -I love the guy. -He's been through a lot. | 1:03:19 | 1:03:22 | |
-Let's talk to him. -Thank you. | 1:03:22 | 1:03:23 | |
-So, you almost didn't make it. -Yeah. -I spoke with your doctors. | 1:03:23 | 1:03:26 | |
They were really, like... They must have done a hell of a job, right? | 1:03:26 | 1:03:29 | |
They did a great job. | 1:03:29 | 1:03:30 | |
I was really fortunate, because, um...we reacted quickly | 1:03:30 | 1:03:33 | |
when the haemorrhage happened. | 1:03:33 | 1:03:35 | |
Um...got to the hospital, and the doctors, uh...Dr Zabransky | 1:03:35 | 1:03:37 | |
and everyone there... I was out of it three days. | 1:03:37 | 1:03:40 | |
And, they, great medical team and good people. | 1:03:40 | 1:03:43 | |
I cannot thank you and your family for the well wishes. It was great. | 1:03:43 | 1:03:46 | |
-But Bret, they didn't want you to be here tonight. -No. | 1:03:46 | 1:03:49 | |
-At all! -Right. -Believe me. -Right. | 1:03:49 | 1:03:51 | |
Not at all. Are you risking your life being here? | 1:03:51 | 1:03:54 | |
This is a lot of pressure. | 1:03:54 | 1:03:55 | |
Lately it seems like me just standing up is risking my life. | 1:03:55 | 1:03:58 | |
So, I'm just... I've become like the rat boy, | 1:03:58 | 1:04:00 | |
the medical experiment, over here. | 1:04:00 | 1:04:02 | |
It's one of those things where everything that happens just is... | 1:04:02 | 1:04:05 | |
you know, it's been crazy. | 1:04:05 | 1:04:06 | |
Honestly, for about a month and a half, I've... | 1:04:06 | 1:04:09 | |
I felt I was healthy. I loved being on the show. | 1:04:09 | 1:04:11 | |
And it's been a rough go, but I'm glad I'm here. | 1:04:11 | 1:04:13 | |
And yes, it's been a risk. But I wanted to be here. | 1:04:13 | 1:04:16 | |
All respect to Holly, I said this - | 1:04:16 | 1:04:18 | |
"I didn't travel this far in this much pain to lose. | 1:04:18 | 1:04:21 | |
-"I came to win." And I'm glad to be on the show. -Holly... | 1:04:21 | 1:04:23 | |
-With all due respect. -..what was your reaction? | 1:04:23 | 1:04:26 | |
APPLAUSE AND CHEERING OK. Good. | 1:04:26 | 1:04:29 | |
You know, she's beautiful. Isn't she beautiful, Bret? | 1:04:32 | 1:04:35 | |
That's a baby-making dress, is what's going on right there. | 1:04:35 | 1:04:38 | |
Rodney, you're a lucky man. I understand all the kids now. | 1:04:38 | 1:04:41 | |
-I get it. -Holly, what was your reaction | 1:04:41 | 1:04:43 | |
when you heard about the gravity of Bret's illness? | 1:04:43 | 1:04:46 | |
Well, a lot of people know, or don't know, | 1:04:46 | 1:04:49 | |
that Bret and I became very close during Celebrity Apprentice. | 1:04:49 | 1:04:52 | |
We really did. This is not going to be sort of like last year. | 1:04:52 | 1:04:56 | |
There's no animosity. So, in many ways, we talked after every show. | 1:04:56 | 1:05:01 | |
-We... -Right. | 1:05:01 | 1:05:02 | |
We laughed about things. And we really connected. | 1:05:02 | 1:05:05 | |
So, when I heard... I had spoken to him after the appendectomy, | 1:05:05 | 1:05:08 | |
and then, you know, saw this breaking news | 1:05:08 | 1:05:10 | |
about the brain haemorrhage. | 1:05:10 | 1:05:12 | |
And I was devastated, like we all were. | 1:05:12 | 1:05:15 | |
I mean, we were all calling each other, and like, "What's going on?" | 1:05:15 | 1:05:18 | |
Um...but I'm just overjoyed that he's here. | 1:05:18 | 1:05:21 | |
And, you know, we all love you, Bret. | 1:05:21 | 1:05:23 | |
Thank you very much. Holly, you're awesome. | 1:05:23 | 1:05:25 | |
-I'm just happy to be here with you. -APPLAUSE AND CHEERING | 1:05:25 | 1:05:29 | |
You know, we're dealing with a very amorphous situation. | 1:05:30 | 1:05:33 | |
And you were a frontrunner all season long. | 1:05:33 | 1:05:35 | |
And those tears are beautiful | 1:05:35 | 1:05:37 | |
because that really is from a little love. | 1:05:37 | 1:05:39 | |
This isn't like last year with Joan and with Annie Duke! | 1:05:39 | 1:05:42 | |
-Yeah. -Not yet. -It's a little bit different. | 1:05:42 | 1:05:44 | |
-Not yet! -Yeah. | 1:05:44 | 1:05:45 | |
But do you feel that maybe you've lost your frontrunner status | 1:05:45 | 1:05:48 | |
for a reason that is beyond your control, but maybe it's not fair? | 1:05:48 | 1:05:51 | |
Look, I walked into a store today in New York, | 1:05:51 | 1:05:54 | |
and I saw my logo that I created with my husband, | 1:05:54 | 1:05:58 | |
HollyRod Foundation, on the cover of a Snapple bottle, Mr Trump. | 1:05:58 | 1:06:01 | |
I feel like I've won. | 1:06:01 | 1:06:02 | |
So, yes, in a way I did lose my momentum because, you know, | 1:06:02 | 1:06:06 | |
the whole world... The guy was on the cover of People magazine. | 1:06:06 | 1:06:08 | |
"Lucky to be alive" on The Oprah Show. | 1:06:08 | 1:06:11 | |
I mean, it's... You know, it's Michaelsmania. It's Bretmania. | 1:06:11 | 1:06:14 | |
So you can't really... | 1:06:14 | 1:06:16 | |
That said, I do feel like I did a good job. I was the... | 1:06:16 | 1:06:19 | |
-You didn't do a good job, you did a great job. -I was... -Bret, let me ask you this. | 1:06:19 | 1:06:22 | |
-Sure, sure. -Do you think you win because of a sympathy vote? | 1:06:22 | 1:06:26 | |
And do you think should I should be put in that position? | 1:06:26 | 1:06:28 | |
Uh, here's what I was going to say, until earlier. | 1:06:28 | 1:06:31 | |
Once I saw her dress, and I saw she's playing the hotness card... | 1:06:31 | 1:06:34 | |
-Hey! -I'll take a vote any way I can get it. | 1:06:34 | 1:06:36 | |
-If it's sympathy right now, I'm taking it. -LAUGHTER | 1:06:36 | 1:06:39 | |
-We're going to get down to business. -I see what's going on over here. | 1:06:39 | 1:06:43 | |
APPLAUSE AND CHEERING | 1:06:43 | 1:06:44 | |
You both came here for very personal reasons. | 1:06:48 | 1:06:51 | |
-Right. -Your charities. -Absolutely. | 1:06:51 | 1:06:53 | |
Bret, tell me about your charity. | 1:06:53 | 1:06:54 | |
American Diabetes Association, the Bret Michaels Fund, very simple. | 1:06:54 | 1:06:58 | |
I came here fighting, not only to raise awareness, but a lot | 1:06:58 | 1:07:01 | |
of money to send kids to camp, and not have to go through what | 1:07:01 | 1:07:03 | |
I'm going through, and my daughter, Raine, who's a borderline diabetic. | 1:07:03 | 1:07:07 | |
I'm here to fight. I'm here to win. I thank you for the opportunity. | 1:07:07 | 1:07:09 | |
-Is she doing OK? -She's doing great. | 1:07:09 | 1:07:11 | |
You learned about it during the show. | 1:07:11 | 1:07:13 | |
I learned about it while we were on this show. | 1:07:13 | 1:07:15 | |
And for me, what an irony to be here, to be fighting for it, | 1:07:15 | 1:07:18 | |
and at one point you feel that in your heart, as a dad, | 1:07:18 | 1:07:20 | |
"I gotta go home. I've gotta do this with my daughter." | 1:07:20 | 1:07:24 | |
And when we were there, and she was able to come here, | 1:07:24 | 1:07:27 | |
that for me meant the world to me. | 1:07:27 | 1:07:29 | |
-To be here, great opportunity. -That's great. | 1:07:29 | 1:07:31 | |
Holly, your great charity? | 1:07:31 | 1:07:33 | |
Well, about 12 years ago my husband Rodney and I | 1:07:33 | 1:07:35 | |
started a non-profit called The HollyRod Foundation. | 1:07:35 | 1:07:38 | |
We were inspired by my father's battle with Parkinson's disease. | 1:07:38 | 1:07:41 | |
My dad, some people may know as the original Gordon on Sesame Street. | 1:07:41 | 1:07:44 | |
Gotta give a shout-out to him. | 1:07:44 | 1:07:46 | |
Um...but, what we found out, | 1:07:46 | 1:07:48 | |
a couple years in was that my son was diagnosed with autism. | 1:07:48 | 1:07:52 | |
And, much like Parkinson's, autism is very difficult to pay for. | 1:07:52 | 1:07:56 | |
Families struggle across the country to pay for their kids' treatment. | 1:07:56 | 1:08:00 | |
It's really unbelievable. | 1:08:00 | 1:08:01 | |
And, I have to say this, you know, | 1:08:01 | 1:08:04 | |
autism affects 1 in 91 children in this country. | 1:08:04 | 1:08:08 | |
A lot of people said, "Oh, you're fighting for your son." | 1:08:08 | 1:08:12 | |
My son is going to be fine. But there are families... | 1:08:12 | 1:08:15 | |
I'm fighting for families | 1:08:15 | 1:08:16 | |
who don't have the resources that the Peete family has. | 1:08:16 | 1:08:19 | |
And, uh...I'm just thrilled | 1:08:19 | 1:08:20 | |
and honoured to be able to talk about this on television. | 1:08:20 | 1:08:23 | |
-And thank you so much. -That's great, Holly. Thank you. | 1:08:23 | 1:08:25 | |
Bret, you recently brought some young children to your concert. | 1:08:25 | 1:08:28 | |
-Tell us about that. -Yeah. Very simple - we were down in... | 1:08:28 | 1:08:31 | |
Before all this happened with the brain haemorrhage | 1:08:31 | 1:08:33 | |
and the appendectomy, all that stuff, I was out on a solo tour. | 1:08:33 | 1:08:36 | |
Brought them to the arena down in Ardmore. | 1:08:36 | 1:08:37 | |
And, all these kids had such a great chance. | 1:08:37 | 1:08:40 | |
They got to come up on stage. We did a sound check. | 1:08:40 | 1:08:42 | |
I made it fun. I was in my world, in my element. | 1:08:42 | 1:08:45 | |
And, all the families, all the kids, had diabetes. | 1:08:45 | 1:08:47 | |
And helping them to deal with it, | 1:08:47 | 1:08:49 | |
and showing that they can come out of this great. | 1:08:49 | 1:08:51 | |
-That they can live a great, strong, happy life. -That's great. | 1:08:51 | 1:08:54 | |
Well, Holly, you had a very big day, because you won how much that day? | 1:08:54 | 1:08:57 | |
You tell the audience. I know very well. | 1:08:57 | 1:08:58 | |
-How much? -347,000 and change. | 1:08:58 | 1:09:02 | |
That's exactly right. For autism. | 1:09:02 | 1:09:04 | |
APPLAUSE AND CHEERING | 1:09:04 | 1:09:05 | |
-That's for autism. -That's some scratch. That's some... | 1:09:05 | 1:09:09 | |
It's a little something. | 1:09:09 | 1:09:10 | |
And millions of dollars - I'm very proud of this - | 1:09:10 | 1:09:12 | |
millions of dollars has been raised for various charities by the group. | 1:09:12 | 1:09:16 | |
All of them sitting over there have done well, | 1:09:16 | 1:09:18 | |
including our wonderful Cyndi Lauper. | 1:09:18 | 1:09:21 | |
And now, we have a little bit of a special... | 1:09:21 | 1:09:23 | |
-Let's call this one for Bret, Holly. Is that OK? -That's it. | 1:09:23 | 1:09:26 | |
Cos Cyndi is going to sing I'm Just Your Fool. Her new album. | 1:09:26 | 1:09:30 | |
Come on, Cyndi. | 1:09:30 | 1:09:31 | |
APPLAUSE AND CHEERING | 1:09:31 | 1:09:33 | |
Two, three, four. | 1:09:44 | 1:09:46 | |
Come on. | 1:09:58 | 1:10:00 | |
# I'm just your fool Can't help myself | 1:10:08 | 1:10:12 | |
# I love you baby and no-one else | 1:10:12 | 1:10:16 | |
# I ain't crazy You are my baby | 1:10:16 | 1:10:20 | |
# I'm just your fool | 1:10:20 | 1:10:23 | |
# I'm just your fool I must confess | 1:10:23 | 1:10:27 | |
# Just to love you, baby and take your mess | 1:10:27 | 1:10:31 | |
# I ain't lying, no use in jiving | 1:10:31 | 1:10:35 | |
# I'm just your fool... # | 1:10:35 | 1:10:39 | |
Come on. | 1:10:39 | 1:10:40 | |
Charlie Musselwhite. | 1:10:45 | 1:10:47 | |
# Yeah, eh, eh | 1:11:01 | 1:11:03 | |
# Well, you must be trying to drive me crazy | 1:11:03 | 1:11:07 | |
# To treat me the way you do | 1:11:07 | 1:11:10 | |
# I ask you, baby, please have mercy | 1:11:11 | 1:11:15 | |
# Let me be happy too | 1:11:15 | 1:11:16 | |
# If you're gonna leave for someone new | 1:11:16 | 1:11:21 | |
# Calling Rosie O'D and mess with you | 1:11:21 | 1:11:24 | |
# I ain't lying, no use in jiving | 1:11:24 | 1:11:27 | |
# I'm just your fool | 1:11:27 | 1:11:32 | |
# Yeah, I'm just your fool Can't help myself | 1:11:32 | 1:11:36 | |
# I love you baby, and no-one else | 1:11:36 | 1:11:40 | |
# I ain't crazy, you are my baby | 1:11:40 | 1:11:43 | |
# I'm just your fool. # | 1:11:43 | 1:11:50 | |
APPLAUSE AND CHEERING | 1:11:50 | 1:11:52 | |
Welcome back. One of you will soon become the Celebrity Apprentice. | 1:12:05 | 1:12:10 | |
-Very simple. Very nice. -Yes. Pow! | 1:12:10 | 1:12:13 | |
So Holly, why you? | 1:12:13 | 1:12:16 | |
Uh! Well...it's a little bit like a David and Goliath situation. | 1:12:17 | 1:12:21 | |
But, I'm just going to say this - I took this on. | 1:12:21 | 1:12:23 | |
I was really nervous about leaving my four kids, my husband. | 1:12:23 | 1:12:27 | |
But I sat down and I said, "What can I do if I get on this show? | 1:12:27 | 1:12:32 | |
"I can talk about families affected by autism." | 1:12:32 | 1:12:34 | |
Autism is something that affects | 1:12:34 | 1:12:37 | |
more people than juvenile diabetes, cancer, and AIDS combined. | 1:12:37 | 1:12:41 | |
I had this opportunity to come here and do this, and I'm glad I did. | 1:12:41 | 1:12:44 | |
That said, I'm really not as mean as I seemed on the show, America. | 1:12:44 | 1:12:49 | |
-I don't think you're mean at all. -I'm really not! | 1:12:49 | 1:12:51 | |
Um...but it was hard. And we all had to focus. | 1:12:51 | 1:12:54 | |
We all had personal things | 1:12:54 | 1:12:55 | |
and reasons why we wanted to leave at times. | 1:12:55 | 1:12:58 | |
I didn't even tell you this, Mr Trump, but after the third task, | 1:12:58 | 1:13:01 | |
my mother was diagnosed with breast cancer. | 1:13:01 | 1:13:03 | |
And I packed my bags, and was ready to leave, | 1:13:03 | 1:13:05 | |
and come talk to you and tell you I had to go. | 1:13:05 | 1:13:07 | |
But I called Mom, and she said, | 1:13:07 | 1:13:09 | |
"Did you win any money for HollyRod yet?" And I said no, | 1:13:09 | 1:13:11 | |
and she said, "You're staying here." | 1:13:11 | 1:13:13 | |
So it was just this determination that I had | 1:13:13 | 1:13:15 | |
that I wasn't really sure I had before I came. | 1:13:15 | 1:13:17 | |
In the end, I was there. | 1:13:17 | 1:13:18 | |
A lot of people had to take off and do things. | 1:13:18 | 1:13:21 | |
And some things were really huge, and great, and they had to do. | 1:13:21 | 1:13:23 | |
But every single task I did, I was there every single time, | 1:13:23 | 1:13:27 | |
and I never left. | 1:13:27 | 1:13:28 | |
I'm compassionate. I'm dedicated. | 1:13:28 | 1:13:31 | |
And, uh... I came to play. | 1:13:31 | 1:13:33 | |
And very, very capable. Bret, why you? | 1:13:33 | 1:13:35 | |
Very simple. I came here to win. I brought everything I had. | 1:13:35 | 1:13:39 | |
I brought everything, packed it into the hotel room. | 1:13:39 | 1:13:41 | |
I was ready to stay. As a project manager, | 1:13:41 | 1:13:43 | |
I was the first one, and taking on the first task. | 1:13:43 | 1:13:46 | |
I was blessed with a great team, and I went in there to win. | 1:13:46 | 1:13:50 | |
Every single thing I did, I won both projects | 1:13:50 | 1:13:52 | |
that I was assigned as project manager. | 1:13:52 | 1:13:55 | |
And everything you asked me to do, anyone on this team, | 1:13:55 | 1:13:58 | |
and I got to meet a lot of great people, | 1:13:58 | 1:14:00 | |
and I will put my heart and soul into everything. | 1:14:00 | 1:14:03 | |
I feel I'm extremely loyal. | 1:14:03 | 1:14:05 | |
At the end, I did want to win, | 1:14:05 | 1:14:06 | |
but I didn't feel I had to cut anybody's throat to do it. | 1:14:06 | 1:14:09 | |
And I think if I just showed my hard work ethic, | 1:14:09 | 1:14:11 | |
and where I come from and what I'm about, that I would win. | 1:14:11 | 1:14:13 | |
And when I left... I came in here late the first day we started, | 1:14:13 | 1:14:17 | |
and I know why I was late, | 1:14:17 | 1:14:18 | |
because I played a show in Leon, Mexico the night before. | 1:14:18 | 1:14:21 | |
Came in on an hour's sleep. | 1:14:21 | 1:14:23 | |
Luckily, my rocker time helped me out, | 1:14:23 | 1:14:25 | |
because I can run on a fume, you know? | 1:14:25 | 1:14:27 | |
And as it went on, I was a little late, I will admit. | 1:14:27 | 1:14:31 | |
But, the reason I was late is | 1:14:31 | 1:14:32 | |
because I put everything in all the time, and then had to fly out. | 1:14:32 | 1:14:35 | |
-You always do. -Always. Always give everything I got. 100%. | 1:14:35 | 1:14:39 | |
And, put my neck on the line, and sometimes that drags me | 1:14:39 | 1:14:41 | |
back into the boardroom. And I knew it. | 1:14:41 | 1:14:44 | |
But I knew that, I thought you would see that I worked really hard. | 1:14:44 | 1:14:47 | |
-I thought all of you would see that. -We all saw it. Holly saw it. | 1:14:47 | 1:14:50 | |
-Yup. -And you saw how good Holly was. -Holly's incredible. | 1:14:50 | 1:14:52 | |
Everyone here was incredible. | 1:14:52 | 1:14:54 | |
But I came here to win, make awareness for diabetes. | 1:14:54 | 1:14:56 | |
I wasn't planning on leaving until I won. | 1:14:56 | 1:14:59 | |
-Don, what do you think? -First of all, | 1:14:59 | 1:15:00 | |
it's amazing to see how vested you guys both are in your charities. | 1:15:00 | 1:15:03 | |
It's so important you've done that and made it a part of your lives. | 1:15:03 | 1:15:06 | |
And it's been so great. Holly, I think from day one, | 1:15:06 | 1:15:08 | |
I knew you would likely be one of the two finalists in here. | 1:15:08 | 1:15:11 | |
I knew you were going to be a winner. Just a star. | 1:15:11 | 1:15:14 | |
-Bret, not so much! -No! -Not so much, man. | 1:15:14 | 1:15:15 | |
The first couple tasks I thought, "Uh-oh. This is going to be quick." | 1:15:15 | 1:15:19 | |
And over the course of the show, you really turned around. | 1:15:19 | 1:15:22 | |
-And you made me a believer. -Thank you. | 1:15:22 | 1:15:23 | |
And, just to see way you worked, not only, you know, then, but also now. | 1:15:23 | 1:15:28 | |
And with what you've overcome in the past few weeks, | 1:15:28 | 1:15:30 | |
it's really amazing to see you here. | 1:15:30 | 1:15:32 | |
-Thank you. -It's just going to be a really tough decision cos | 1:15:32 | 1:15:35 | |
-you guys are both amazing. -Thank you. -Thanks, Don. -Ivanka? | 1:15:35 | 1:15:38 | |
I think Don's 100% right. This is a very tough decision. | 1:15:38 | 1:15:40 | |
Holly, I have to say, as a woman, as a businesswoman, as a mother, | 1:15:40 | 1:15:44 | |
you're a killer. But you've got a great heart. | 1:15:44 | 1:15:46 | |
And you've just done a fabulous job from inception, | 1:15:46 | 1:15:50 | |
and you are a phenomenal fundraiser. | 1:15:50 | 1:15:52 | |
Bret, I think that you just are a force of nature. | 1:15:52 | 1:15:55 | |
I think you're so creative. | 1:15:55 | 1:15:56 | |
And I really don't think this boils down to head versus heart | 1:15:56 | 1:15:59 | |
because you have reason to be here on merit. | 1:15:59 | 1:16:01 | |
You've just done an exceptional job as a project manager. | 1:16:01 | 1:16:04 | |
And it's been a pleasure. | 1:16:04 | 1:16:06 | |
-Awesome. Thank you very much. -Thank you so much. -Yup. | 1:16:06 | 1:16:08 | |
So that leaves one final piece of business. | 1:16:08 | 1:16:11 | |
I have to name the Celebrity Apprentice. | 1:16:11 | 1:16:14 | |
And I love doing it, but it's not going to be easy. | 1:16:14 | 1:16:17 | |
Holly, Bret, you both deserve to win. | 1:16:17 | 1:16:20 | |
Both of your charities deserve to win. | 1:16:20 | 1:16:22 | |
So I've spoken to a really great company, | 1:16:22 | 1:16:25 | |
and I happen to love the drink, Snapple. | 1:16:25 | 1:16:27 | |
And they've agreed to match the grand prize | 1:16:27 | 1:16:30 | |
of a quarter of a million dollars, 250,000. | 1:16:30 | 1:16:34 | |
That means that both of your charities | 1:16:34 | 1:16:37 | |
will receive a quarter of a million dollars. | 1:16:37 | 1:16:40 | |
-CHEERING AND APPLAUSE -Wooo! | 1:16:40 | 1:16:44 | |
That is... Snapple rocks! | 1:16:47 | 1:16:52 | |
That is...bringing it up! Come on! | 1:16:54 | 1:16:57 | |
That is insane! Wooo! | 1:16:57 | 1:17:00 | |
-All right. -Wooo! | 1:17:00 | 1:17:03 | |
Look. Enough of that. Enough. | 1:17:03 | 1:17:05 | |
All right. | 1:17:05 | 1:17:07 | |
Oh, my God. | 1:17:07 | 1:17:09 | |
Sadly, I still have to choose the Celebrity Apprentice. | 1:17:09 | 1:17:13 | |
-And don't cry, Holly. -I'm sorry! I'm just...you know. | 1:17:13 | 1:17:16 | |
-She's throwing the tear card now! -Hey, I gotta work what I can, baby. | 1:17:16 | 1:17:19 | |
-Bret... -Uh-oh. -..you've been popular. Everyone's loved you. | 1:17:19 | 1:17:22 | |
-Oh! -Thank you. -You've been imaginative. | 1:17:22 | 1:17:24 | |
You've done an amazing job in every single way. | 1:17:24 | 1:17:26 | |
A little flaky, but that's OK. | 1:17:26 | 1:17:28 | |
-You've really proven... -Standard. | 1:17:28 | 1:17:30 | |
...and maybe this is unfair, but you've also proven, | 1:17:30 | 1:17:33 | |
and I think Holly would agree, you've been proven to be very brave. | 1:17:33 | 1:17:37 | |
-Yes. -Thank you. -And I appreciate that, | 1:17:37 | 1:17:39 | |
-and everybody here appreciates that. -Thank you. | 1:17:39 | 1:17:41 | |
Holly, you won more money than anybody has ever won | 1:17:41 | 1:17:45 | |
on The Apprentice or The Celebrity Apprentice. | 1:17:45 | 1:17:48 | |
You won a lot of money for your charity. | 1:17:48 | 1:17:50 | |
-And I'm very, very proud of you. -Thank you. -You've been amazing. | 1:17:50 | 1:17:53 | |
You lost a couple of times as project managers, | 1:17:53 | 1:17:55 | |
-but we can forget that. -Thank you. | 1:17:55 | 1:17:57 | |
-Holly, I have to tell you, we all love you. -Thank you. | 1:17:57 | 1:18:00 | |
And Bret, I have to tell you... | 1:18:00 | 1:18:03 | |
..you're hired. | 1:18:05 | 1:18:07 | |
-APPLAUSE AND CHEERING -Wooo! Yes! | 1:18:07 | 1:18:12 | |
You OK there, Holly? | 1:18:14 | 1:18:16 | |
Woo-hoo! | 1:18:25 | 1:18:26 | |
-We'll be back in the fall with regular Apprentice. -Thank you. | 1:18:28 | 1:18:30 | |
Back in the spring with Celebrity Apprentice. | 1:18:30 | 1:18:33 | |
-We love you all! -I'm crying! -Yeah! Way to go, brother. | 1:18:33 | 1:18:36 | |
Subtitles by Red Bee Media Ltd | 1:19:36 | 1:19:40 |