Browse content similar to Store Front Task. Check below for episodes and series from the same categories and more!
Line | From | To | |
---|---|---|---|
Our country's been through a lot. | 0:00:01 | 0:00:03 | |
But no matter how bad things get, we get out of bed, | 0:00:03 | 0:00:07 | |
we roll up our sleeves, and we do everything possible | 0:00:07 | 0:00:10 | |
to make sure that things are running perfectly. | 0:00:10 | 0:00:13 | |
This season on Celebrity Apprentice, | 0:00:13 | 0:00:15 | |
14 celebrities have come to New York | 0:00:15 | 0:00:17 | |
and put their careers on hold, their lives on hold, | 0:00:17 | 0:00:20 | |
to fight for their favourite charities. | 0:00:20 | 0:00:23 | |
ALL: RockSolid! | 0:00:23 | 0:00:24 | |
For the men's team, | 0:00:24 | 0:00:25 | |
four-time Olympic gold medal sprinter, Michael Johnson. | 0:00:25 | 0:00:29 | |
Poison frontman, Bret Michaels. | 0:00:29 | 0:00:31 | |
If you're going to freak out, have a rock star freak out. | 0:00:31 | 0:00:34 | |
Stand-up comedian, Sinbad. | 0:00:34 | 0:00:36 | |
Professional wrestler and actor, Goldberg. | 0:00:36 | 0:00:40 | |
Four-time World Series-winning baseball star, Darryl Strawberry. | 0:00:40 | 0:00:44 | |
Celebrity chef, Curtis Stone. | 0:00:44 | 0:00:47 | |
And, the former governor of Illinois, Rod Blagojevich. | 0:00:47 | 0:00:51 | |
-I'll do anything. Legal and ethical and honest. -Of course! | 0:00:51 | 0:00:55 | |
For the women, music manager | 0:00:56 | 0:00:58 | |
and judge of America's Got Talent, Sharon Osbourne. | 0:00:58 | 0:01:02 | |
Make your man feel like a rock star. | 0:01:02 | 0:01:05 | |
Actress and best-selling author, Holly Robinson Peete. | 0:01:05 | 0:01:09 | |
Two-time Olympic gold medal swimmer, Summer Sanders. | 0:01:09 | 0:01:13 | |
Victoria's Secret angel, Selita Ebanks. | 0:01:13 | 0:01:17 | |
Writer and stand-up comedian, Carol Leifer. | 0:01:17 | 0:01:20 | |
Former WWE diva and singer, Maria Kanellis. | 0:01:20 | 0:01:25 | |
And, Grammy award-winning singer, Cyndi Lauper. | 0:01:25 | 0:01:28 | |
I schlepped! Every rug that we used, I carried one. | 0:01:28 | 0:01:32 | |
From the streets of Manhattan to the boardroom of Trump Tower, | 0:01:34 | 0:01:37 | |
they'll attempt to mortgage their fame, | 0:01:37 | 0:01:40 | |
sell their stardom, and trade on their celebrity... | 0:01:40 | 0:01:44 | |
We're prematurely ejaculating. We need more foreplay. | 0:01:44 | 0:01:47 | |
..in the toughest tasks ever. | 0:01:49 | 0:01:50 | |
-This is a reality check. Go -BLEEP -yourself. | 0:01:50 | 0:01:53 | |
Last week, the celebrities went right to work, | 0:01:53 | 0:01:56 | |
opening a diner and their Rolodexes. | 0:01:56 | 0:01:59 | |
I'm running a diner tomorrow for charity. | 0:01:59 | 0:02:01 | |
Bring cash and bring credit cards. | 0:02:01 | 0:02:03 | |
Bret Michaels proved to be a solid leader for the men... | 0:02:03 | 0:02:07 | |
Curtis, you are the master here. | 0:02:07 | 0:02:09 | |
Bret immediately started to delegate. | 0:02:09 | 0:02:12 | |
..while Cyndi Lauper revealed her true colours to the women. | 0:02:12 | 0:02:15 | |
Cyndi Lauper, she's so out there. | 0:02:15 | 0:02:18 | |
But totally barking mad. | 0:02:18 | 0:02:20 | |
When the diners opened, the men of RockSolid | 0:02:20 | 0:02:23 | |
got off to a rocky start... | 0:02:23 | 0:02:25 | |
Right now you can get a seat. Do NOT pass this by! | 0:02:25 | 0:02:28 | |
..and the women of Tenacity could barely supply their demanding fans. | 0:02:28 | 0:02:33 | |
-Another table for two. -Oh, my God! | 0:02:33 | 0:02:35 | |
As the task progressed, the deep pockets showed up for both teams. | 0:02:35 | 0:02:40 | |
-Make it 1,000 even? -Make it 1,000 even. | 0:02:40 | 0:02:43 | |
1,500 bucks. | 0:02:43 | 0:02:44 | |
-We got a 25,000 sale here. -But when the money was counted... | 0:02:44 | 0:02:47 | |
The men's team raised 57,905 for the first win. | 0:02:47 | 0:02:51 | |
ALL: Yes! | 0:02:51 | 0:02:53 | |
..Bret won for a charity close to his heart... | 0:02:53 | 0:02:56 | |
American Diabetes Association. | 0:02:56 | 0:02:58 | |
-And you have diabetes? -Yes. So...this is awesome. | 0:02:58 | 0:03:01 | |
..leaving the women to face Mr Trump. | 0:03:01 | 0:03:04 | |
Cyndi refused to point the finger. | 0:03:04 | 0:03:06 | |
-Who do you want to bring back? -I can't. | 0:03:06 | 0:03:08 | |
And no-one else could give Mr Trump a name. | 0:03:08 | 0:03:11 | |
-I wish you people could answer the -BLEEP -damn -BLEEP -question! | 0:03:11 | 0:03:14 | |
But when Maria Kanellis threw Carol Leifer under the bus... | 0:03:14 | 0:03:17 | |
I'll answer. Carol. | 0:03:17 | 0:03:20 | |
..the others hopped right on board. | 0:03:20 | 0:03:22 | |
I think it has to be Carol. | 0:03:22 | 0:03:23 | |
-Carol. -CYNDI GASPS | 0:03:23 | 0:03:25 | |
I have no choice. Carol, you're fired. | 0:03:25 | 0:03:28 | |
Either Holly or Sharon. | 0:03:37 | 0:03:38 | |
Wait, no. It's not going to be Sharon. | 0:03:38 | 0:03:41 | |
-Carol. -Why Carol? | 0:03:41 | 0:03:42 | |
Here we go. | 0:03:44 | 0:03:45 | |
All right, guys. Let me shake your hands. | 0:03:45 | 0:03:48 | |
Ugh! Oh! DARRYL LAUGHS | 0:03:48 | 0:03:51 | |
They didn't want to fire me. They took Carol. | 0:03:51 | 0:03:53 | |
'The first boardroom was very tough.' | 0:03:53 | 0:03:56 | |
I felt bad for Carol. You always do. | 0:03:56 | 0:03:58 | |
Nobody wants to be the first | 0:03:58 | 0:04:00 | |
to leave any of these situations. | 0:04:00 | 0:04:02 | |
'But it was the right choice.' | 0:04:02 | 0:04:04 | |
You threw Carol under the bus! | 0:04:04 | 0:04:07 | |
-She said Carol first! -Who did? | 0:04:07 | 0:04:09 | |
-BLEEP -damn! Maria said Carol. | 0:04:09 | 0:04:12 | |
I did! | 0:04:12 | 0:04:14 | |
We knew Cyndi Lauper was strong. | 0:04:14 | 0:04:15 | |
But we also knew Cyndi has one of those hearts. | 0:04:15 | 0:04:17 | |
She can't fire anybody. | 0:04:17 | 0:04:19 | |
So we figured, let the team crumble from within. | 0:04:19 | 0:04:21 | |
And so, crumble it! | 0:04:21 | 0:04:22 | |
'They have to win, or they fold one more time.' | 0:04:22 | 0:04:25 | |
She said Carol first, | 0:04:25 | 0:04:26 | |
-and everybody's saying I threw Carol under the bus! -Oy! | 0:04:26 | 0:04:30 | |
I didn't want to fire anybody. I knew how hard everybody worked. | 0:04:30 | 0:04:32 | |
'And I felt so horrible.' | 0:04:32 | 0:04:34 | |
I didn't fire her. I wouldn't fire anybody. | 0:04:34 | 0:04:36 | |
I know, baby. We said you have such a good heart. | 0:04:36 | 0:04:38 | |
But, in the end, it was money talks, | 0:04:38 | 0:04:40 | |
-you know, -BLEEP -walks. Can I say that word? | 0:04:40 | 0:04:43 | |
# Money, money, money, money | 0:04:48 | 0:04:50 | |
# Money | 0:04:51 | 0:04:52 | |
# Money, money, money, money | 0:04:52 | 0:04:56 | |
# Money. # | 0:04:56 | 0:04:57 | |
-Hello. I'm Bret. -Hi, Taylor. | 0:05:04 | 0:05:06 | |
Nice to meet you, Taylor. | 0:05:06 | 0:05:08 | |
-How are you doing? I'm Bret. -I'm David. | 0:05:08 | 0:05:11 | |
-I take it we're all fellow diabetics? -BOTH: Yes. | 0:05:11 | 0:05:13 | |
'As the winning project manager,' | 0:05:13 | 0:05:15 | |
I get to present this cheque to the American Diabetes Association. | 0:05:15 | 0:05:19 | |
'When I was six years old, I got diagnosed with juvenile diabetes, | 0:05:19 | 0:05:22 | |
'and it was pretty devastating.' | 0:05:22 | 0:05:23 | |
When did you get diagnosed? | 0:05:23 | 0:05:25 | |
-I was diagnosed when I was 15. -Were you really? | 0:05:25 | 0:05:27 | |
-How old were you when you got it? -Uh...two. | 0:05:27 | 0:05:30 | |
Obviously that's extremely young. I have two daughters. | 0:05:30 | 0:05:33 | |
I have a nine and a four-year-old, and so far, neither one has it. | 0:05:33 | 0:05:36 | |
But what you want to do is be able to go out | 0:05:36 | 0:05:38 | |
and do the things you want to do, regardless of what that is. | 0:05:38 | 0:05:41 | |
Whether you want to play music, whether you want to study, | 0:05:41 | 0:05:44 | |
people like us can live a full, active life. | 0:05:44 | 0:05:46 | |
I live a crazy lifestyle! | 0:05:46 | 0:05:49 | |
'When I got diagnosed at a young age with diabetes,' | 0:05:49 | 0:05:51 | |
it was like a death sentence. | 0:05:51 | 0:05:52 | |
'You thought you had very few years to live' | 0:05:52 | 0:05:54 | |
and I'm here to show kids you can live a full life. You can rock. | 0:05:54 | 0:05:58 | |
I mean, there's times I feel great, and then all of a sudden, boom! | 0:05:58 | 0:06:02 | |
I don't know if you've ever been playing sports | 0:06:02 | 0:06:04 | |
-and it drops out from under you? -Yeah. -Got you. | 0:06:04 | 0:06:07 | |
Well, I have an idea, you guys. | 0:06:07 | 0:06:08 | |
You want to go into Donald Trump's boardroom? | 0:06:08 | 0:06:11 | |
They don't let many people in there. | 0:06:11 | 0:06:13 | |
Come on, let's do it before he gets rid of me! | 0:06:13 | 0:06:15 | |
This is THE boardroom. | 0:06:17 | 0:06:19 | |
This is where Donald Trump lays it down. | 0:06:19 | 0:06:21 | |
How does that feel, David? You could handle this, couldn't you? | 0:06:21 | 0:06:24 | |
Everyone but Bret, you're fired! | 0:06:24 | 0:06:27 | |
-HE LAUGHS -Yes! Awesome! | 0:06:27 | 0:06:30 | |
'I look at it this way, the diabetes charity chose me,' | 0:06:30 | 0:06:33 | |
and it's the card I was dealt. And I'm fine with that. | 0:06:33 | 0:06:36 | |
'We're going to find a cure for diabetes, and make this happen.' | 0:06:36 | 0:06:39 | |
I got something to show you, guys. | 0:06:39 | 0:06:41 | |
From my team, RockSolid, | 0:06:41 | 0:06:42 | |
you tell me if you've ever seen a cheque for this amount. | 0:06:42 | 0:06:44 | |
Boom! 100,000 beans. | 0:06:44 | 0:06:48 | |
-Oh, my God! -If not, the three of us | 0:06:48 | 0:06:50 | |
are throwing the biggest party ever. All right? | 0:06:50 | 0:06:53 | |
Minus the sugar, all right? | 0:06:53 | 0:06:55 | |
'This money will send them to a camp | 0:06:55 | 0:06:57 | |
'where they get to meet other kids who are diabetic, | 0:06:57 | 0:07:00 | |
'and let them know' | 0:07:00 | 0:07:01 | |
there's help out there. | 0:07:01 | 0:07:02 | |
There's others like this, and they can make it through. | 0:07:02 | 0:07:05 | |
Love you guys, man. | 0:07:05 | 0:07:07 | |
Awesome. | 0:07:07 | 0:07:09 | |
Good morning. | 0:07:41 | 0:07:42 | |
ALL: Morning. | 0:07:42 | 0:07:43 | |
So Cyndi, how do you feel about losing Carol? | 0:07:43 | 0:07:46 | |
-Do you think it's your fault? -Um... | 0:07:46 | 0:07:49 | |
In other words, were you a lousy project manager? | 0:07:49 | 0:07:51 | |
No, I don't think so. | 0:07:55 | 0:07:57 | |
It's hard to be the first team manager. | 0:07:57 | 0:08:00 | |
-Do you still feel strong about your team? -Yes, I do. | 0:08:00 | 0:08:02 | |
I think you're going to have to get more competitive. | 0:08:02 | 0:08:05 | |
These guys are very competitive. | 0:08:05 | 0:08:07 | |
I think they're going to be tough to beat. | 0:08:07 | 0:08:09 | |
And usually I can tell at the beginning. | 0:08:09 | 0:08:12 | |
-OK. -How do you guys feel about your team? | 0:08:12 | 0:08:14 | |
-Feel awesome. -RockSolid. | 0:08:14 | 0:08:16 | |
Pretty awesome, huh? | 0:08:16 | 0:08:17 | |
-I feel good about your team too. -Oh, yeah. | 0:08:17 | 0:08:20 | |
OK. To take a great photograph, | 0:08:20 | 0:08:22 | |
you need a great company. | 0:08:22 | 0:08:25 | |
That great company, and it's a great American company, is Kodak. | 0:08:25 | 0:08:30 | |
They're the leader in imaging, and I love that company, | 0:08:30 | 0:08:34 | |
and I'm very loyal to that company. | 0:08:34 | 0:08:36 | |
On my left is Jeff Hayzlett. | 0:08:36 | 0:08:39 | |
He's the chief marketing officer of Kodak. | 0:08:39 | 0:08:43 | |
He's with Leslie Dance, who's vice-president of brand marketing. | 0:08:43 | 0:08:48 | |
Jeff, what's their task? | 0:08:48 | 0:08:49 | |
Your task is to re-launch Kodak Moments | 0:08:49 | 0:08:52 | |
by creating your own Kodak storefront experience. | 0:08:52 | 0:08:54 | |
So that you can create, for the people of New York, Kodak Moments. | 0:08:54 | 0:08:58 | |
Your job is to create, | 0:08:58 | 0:09:00 | |
capture and share the most original Kodak Moment for your guest, | 0:09:00 | 0:09:05 | |
and Jeff and I are going to be judging you | 0:09:05 | 0:09:07 | |
on the following criteria: | 0:09:07 | 0:09:08 | |
originality of the photo studio you create, | 0:09:08 | 0:09:11 | |
Kodak Moments brand messaging, | 0:09:11 | 0:09:13 | |
and the overall storefront experience for the public. | 0:09:13 | 0:09:17 | |
OK. Pick a project manager. Women, men. | 0:09:17 | 0:09:20 | |
For this, I think, because it's creative...and this... | 0:09:24 | 0:09:27 | |
Cyndi, who's going to be your project manager? | 0:09:27 | 0:09:30 | |
-Can I talk to my team for a minute? -Yes, take your time. | 0:09:30 | 0:09:32 | |
Governor, whose going to be your project manager? | 0:09:32 | 0:09:35 | |
I think Sinbad would be good. | 0:09:35 | 0:09:37 | |
-You feel all right about that? -I feel great about it. | 0:09:37 | 0:09:40 | |
Who picked you, the Governor or the team? | 0:09:40 | 0:09:42 | |
-The Governor just picked me. -OK. The team is OK? | 0:09:42 | 0:09:45 | |
-OK. -'I'm the project manager.' | 0:09:45 | 0:09:47 | |
I'm the man. Me! | 0:09:47 | 0:09:50 | |
Love it, dude. It's cool. | 0:09:51 | 0:09:52 | |
'It was time to get my feet wet. You don't want to wait too long.' | 0:09:52 | 0:09:55 | |
Everybody wants to hide in the shadows. I come out the shadows. | 0:09:55 | 0:09:58 | |
'I understand pictures.' | 0:09:58 | 0:10:00 | |
I take photos. | 0:10:00 | 0:10:01 | |
She spearheaded the whole Osbourne-fest. | 0:10:01 | 0:10:04 | |
I think...I don't think I'd be good on this. | 0:10:04 | 0:10:08 | |
-Really? -Nope. | 0:10:08 | 0:10:09 | |
I didn't feel well when the task was given out. | 0:10:09 | 0:10:12 | |
I knew I was going to come down with something. | 0:10:12 | 0:10:15 | |
And I'm like, "No, you don't want me on this." | 0:10:15 | 0:10:17 | |
-All right, I'll take it. -You should see the photos she did. | 0:10:21 | 0:10:24 | |
-I'm taking it. -All right. | 0:10:24 | 0:10:25 | |
Maria! | 0:10:25 | 0:10:27 | |
'I wanted to be project manager' | 0:10:27 | 0:10:28 | |
because I thought this would be a great opportunity to showcase | 0:10:28 | 0:10:32 | |
my creative abilities. | 0:10:32 | 0:10:33 | |
It's funny, I'm always in front of the camera. | 0:10:33 | 0:10:36 | |
But I really enjoy being behind the scenes and organising. | 0:10:36 | 0:10:39 | |
DONALD: Don and Ivanka will be my eyes and ears. | 0:10:39 | 0:10:43 | |
Do a great job, use this, impress these people, | 0:10:43 | 0:10:47 | |
and somebody will win a lot of money for their charity. | 0:10:47 | 0:10:50 | |
Thank you. | 0:10:50 | 0:10:51 | |
Vision versus execution. | 0:10:57 | 0:10:59 | |
People come to me all the time with ideas. | 0:10:59 | 0:11:02 | |
Some of them are great ideas. | 0:11:02 | 0:11:03 | |
But why do they come to Trump? | 0:11:03 | 0:11:05 | |
Because they know I can execute. | 0:11:05 | 0:11:07 | |
No execution means no dollars in your pocket. | 0:11:07 | 0:11:11 | |
The Kodak storefront is a very, very interesting concept. | 0:11:11 | 0:11:15 | |
Let's see who has the goods to take their vision, execute it, | 0:11:15 | 0:11:19 | |
and score a victory. | 0:11:19 | 0:11:21 | |
All right, guys. Let's have a little pow-wow about everything. | 0:11:29 | 0:11:32 | |
Our task today is to create a storefront experience for Kodak, | 0:11:32 | 0:11:35 | |
and to re-launch the Kodak Moments campaign. | 0:11:35 | 0:11:38 | |
Not only are we creating the actual, like, slogan, | 0:11:38 | 0:11:42 | |
and the actual campaign of the whole thing, | 0:11:42 | 0:11:45 | |
but we're also creating an experience. | 0:11:45 | 0:11:47 | |
'I feel my team might have' | 0:11:47 | 0:11:49 | |
a little apprehension about me being project manager. | 0:11:49 | 0:11:52 | |
'I've not had as much experience in life as some of the others, | 0:11:52 | 0:11:55 | |
'but I'm a fighter. Nothing stands in my way.' | 0:11:55 | 0:11:58 | |
Let's say we did a corner of a wrestling ring. | 0:11:58 | 0:12:01 | |
And why not have, "What makes you a champion?" | 0:12:01 | 0:12:04 | |
And as we're taking pictures throughout the day, | 0:12:04 | 0:12:06 | |
we can make this huge board, | 0:12:06 | 0:12:07 | |
and take a picture for them, and give it to them, | 0:12:07 | 0:12:10 | |
and then put them up on the board. | 0:12:10 | 0:12:12 | |
With Maria, I think because of her youth, | 0:12:12 | 0:12:16 | |
she's trying to prove herself. | 0:12:16 | 0:12:18 | |
And right now she has to justify her existence at all points. | 0:12:18 | 0:12:23 | |
If you just have a person standing there with the belt, | 0:12:23 | 0:12:26 | |
it's powerful, but where does it say Kodak? | 0:12:26 | 0:12:28 | |
They want to see their name and logo on the step and repeat | 0:12:28 | 0:12:31 | |
and celebrities in front of it. | 0:12:31 | 0:12:32 | |
That's going to draw people... | 0:12:32 | 0:12:34 | |
-SHE GASPS -The red carpet! That's brilliant! | 0:12:34 | 0:12:37 | |
That's brilliant! Let's get those velvet ropes too! | 0:12:37 | 0:12:39 | |
-And with the security guard. -You're a genius! | 0:12:39 | 0:12:43 | |
No, no. I didn't know what you were talking about. | 0:12:43 | 0:12:45 | |
The history of Kodak has always been, what is the moment? | 0:12:49 | 0:12:52 | |
Kodak Moments. Special moments. | 0:12:52 | 0:12:53 | |
I guess what we're trying to do... | 0:12:53 | 0:12:55 | |
and I think, even first of all, when they walk into our photo place, | 0:12:55 | 0:13:00 | |
they should see some stuff happening. | 0:13:00 | 0:13:02 | |
So, even...say "Hey, man..." | 0:13:02 | 0:13:03 | |
These people walking in off the street, some could be set up. | 0:13:03 | 0:13:06 | |
Some people walking off the streets...guy liked it... | 0:13:06 | 0:13:08 | |
I like to capture my moment. | 0:13:08 | 0:13:10 | |
'I think that Sinbad, the way he communicates,' | 0:13:10 | 0:13:12 | |
it's all clear in his mind, but nobody else is really getting it. | 0:13:12 | 0:13:16 | |
This is how it's going to work. | 0:13:16 | 0:13:18 | |
We should shoot something out in front. | 0:13:18 | 0:13:20 | |
Then we don't have to go a bunch of places. | 0:13:20 | 0:13:22 | |
"Hi, we're the crew," like, "This is my friend, Darryl." | 0:13:22 | 0:13:24 | |
Darryl might be eating ice cream. I'm just throwing this out there. | 0:13:24 | 0:13:26 | |
'These are concepts and ideas' | 0:13:26 | 0:13:28 | |
that really requires a lot of creative discussion. | 0:13:28 | 0:13:31 | |
Creative thoughts. A certain vision. And... | 0:13:31 | 0:13:33 | |
Yes. Thanks! | 0:13:35 | 0:13:37 | |
Thank you. Yeah, same here. | 0:13:37 | 0:13:40 | |
Thank you. Thank you. | 0:13:40 | 0:13:42 | |
Did you guys get that? | 0:13:42 | 0:13:44 | |
I would spend more time right now trying to get a schedule | 0:13:44 | 0:13:47 | |
and a actual plan of action together, | 0:13:47 | 0:13:49 | |
cos time is going to be gone before we know it. | 0:13:49 | 0:13:53 | |
'Sinbad is all over the place.' | 0:13:53 | 0:13:54 | |
He's going to need a good vice-president here. | 0:13:54 | 0:13:57 | |
Someone to be by his side, | 0:13:57 | 0:13:58 | |
like I had Curtis in the diner task. | 0:13:58 | 0:14:00 | |
Do you think we should utilize each one of us in our own expertise? | 0:14:00 | 0:14:04 | |
-Yeah. -How about a photo of Goldberg picking you up in a ring? | 0:14:04 | 0:14:07 | |
Ooh, that's cool. | 0:14:07 | 0:14:09 | |
How about Curtis dressed up in his chef garb? | 0:14:09 | 0:14:12 | |
'I go to these electronic shows where they have Kodak' | 0:14:12 | 0:14:14 | |
and their competitors somewhere else, | 0:14:14 | 0:14:16 | |
and everybody has a booth or experience. | 0:14:16 | 0:14:17 | |
I said, "Let's make it like that." | 0:14:17 | 0:14:19 | |
OK, here we go. RockSolid team? | 0:14:19 | 0:14:21 | |
This is RockSolid team. How you doing now? | 0:14:21 | 0:14:25 | |
So people don't just take pictures, right? They capture moments. | 0:14:25 | 0:14:28 | |
And see, at Kodak, we empower people with really easy to use ways | 0:14:28 | 0:14:31 | |
to make those moments happen, and that's our products. | 0:14:31 | 0:14:34 | |
We're going to give you some great products. | 0:14:34 | 0:14:36 | |
You're going to have our digital cameras, | 0:14:36 | 0:14:38 | |
that you can be able to show. | 0:14:38 | 0:14:39 | |
'We got a idea of what Kodak wanted for their line.' | 0:14:39 | 0:14:41 | |
Their whole thing is about sharing. | 0:14:41 | 0:14:43 | |
How quickly something can happen, and how do you share it? | 0:14:43 | 0:14:46 | |
Can't we run a speaker? You know, you can plug into a TV? | 0:14:48 | 0:14:51 | |
-Hi, there! -Hey, guys! | 0:14:51 | 0:14:53 | |
OK, let's get over here. | 0:14:53 | 0:14:54 | |
-CYNDI: -I have to just go pee. I can't take it. | 0:14:54 | 0:14:58 | |
I'd like to have Leslie cover a little bit about the campaign. | 0:14:58 | 0:15:01 | |
Excuse me, excuse me, Leslie. We have to wait for Cyndi. | 0:15:01 | 0:15:04 | |
Cos, otherwise, we're going to go over this again several times. | 0:15:04 | 0:15:07 | |
OK, well, we can just chat until she gets back, then. | 0:15:07 | 0:15:10 | |
-I'm SO sorry. -No problem. -She's in the bathroom. | 0:15:10 | 0:15:13 | |
'We all realised we have to have Cyndi here,' | 0:15:13 | 0:15:15 | |
because we know she's going to ask us 20 questions, | 0:15:15 | 0:15:18 | |
'and we wanted her to hear it.' | 0:15:18 | 0:15:20 | |
Your shoes are fierce, by the way. | 0:15:20 | 0:15:22 | |
Oh, thank you. See, there's my red. | 0:15:22 | 0:15:24 | |
Her whole thing is fierce. And your head. Uh, yeah. Uh-huh. | 0:15:24 | 0:15:27 | |
So let us talk to you a little bit, | 0:15:27 | 0:15:29 | |
and you guys can catch Cyndi up, cos we're short on time. | 0:15:29 | 0:15:31 | |
-Oh! Here she is. -Here she comes. | 0:15:31 | 0:15:33 | |
Teach me how to run this camera and what it could do. | 0:15:33 | 0:15:36 | |
'Cyndi doesn't always know' | 0:15:36 | 0:15:39 | |
when to ask the right questions, | 0:15:39 | 0:15:42 | |
or who to ask the right questions to. | 0:15:42 | 0:15:44 | |
How do you erase on this, on this thing? | 0:15:44 | 0:15:47 | |
-How do you erase? -It's easy to do. | 0:15:47 | 0:15:49 | |
'Now's not the time to ask,' | 0:15:49 | 0:15:51 | |
"How do you turn this thing on?" | 0:15:51 | 0:15:53 | |
We will actually have technicians with you | 0:15:53 | 0:15:55 | |
that will show you everything, | 0:15:55 | 0:15:56 | |
and take moments to show you how to do these things. | 0:15:56 | 0:15:59 | |
All right, all right. | 0:15:59 | 0:16:00 | |
Most pictures are now being taken with digital devices, | 0:16:00 | 0:16:03 | |
and they're put in what we call a digital shoebox. | 0:16:03 | 0:16:05 | |
And they're not good if they're not shared. | 0:16:05 | 0:16:07 | |
For instance, I have a picture on my desk of a little girl. | 0:16:07 | 0:16:10 | |
But when I tell you the story | 0:16:10 | 0:16:11 | |
about how I met her at an AIDS clinic in Africa | 0:16:11 | 0:16:13 | |
and she had never even seen a camera before, | 0:16:13 | 0:16:15 | |
that picture becomes that much more powerful and meaningful. | 0:16:15 | 0:16:18 | |
So, the real Kodak Moment happens when you share. | 0:16:18 | 0:16:21 | |
'We heard a lot of catch words.' | 0:16:21 | 0:16:23 | |
The word, "share" came up a lot of times. | 0:16:23 | 0:16:25 | |
And I don't mean Cher, the singer. | 0:16:25 | 0:16:27 | |
We're not only going to come watch and see what you're going to do, | 0:16:27 | 0:16:30 | |
we're going to send some secret shoppers as well. | 0:16:30 | 0:16:32 | |
And they're going to come back and report on their experience as well. | 0:16:32 | 0:16:36 | |
So, part of it is us understanding the product | 0:16:36 | 0:16:38 | |
-and being able to explain it to them? -Yes. | 0:16:38 | 0:16:40 | |
-ALL: Thank you. -Thank you. Good luck. | 0:16:40 | 0:16:42 | |
-Thanks, you guys. -Appreciate it very much. | 0:16:42 | 0:16:45 | |
It's about our tagline, | 0:16:45 | 0:16:46 | |
and we can always explain the other stuff we do. | 0:16:46 | 0:16:49 | |
It's about moments. | 0:16:49 | 0:16:50 | |
Ah! "Share Kodak Moments: Celebrate the Champion in You." | 0:16:50 | 0:16:55 | |
-I like that! -Yeah! | 0:16:55 | 0:16:57 | |
'So Cyndi's all over the place,' | 0:16:57 | 0:17:00 | |
but every once in a while, Cyndi says something | 0:17:00 | 0:17:02 | |
and you're like, "That's it!" | 0:17:02 | 0:17:04 | |
-That was kind of brilliant, Lauper. -It's really actually freaking great. | 0:17:04 | 0:17:08 | |
All right, guys, this is our new store. | 0:17:16 | 0:17:18 | |
'Our task is to re-brand' | 0:17:18 | 0:17:20 | |
the Kodak Moments campaign. | 0:17:20 | 0:17:22 | |
This can be the ring, right here. | 0:17:22 | 0:17:23 | |
'We're going to have a storefront where we're going to give' | 0:17:23 | 0:17:26 | |
passers by the experience of sharing their moments. | 0:17:26 | 0:17:30 | |
-Maybe the celebrities are here, greeting people. -Photographers... | 0:17:30 | 0:17:33 | |
Photographers, whoever. | 0:17:33 | 0:17:35 | |
'Maria reminds me of the mouse from Alice in Wonderland.' | 0:17:35 | 0:17:39 | |
She's running there and running here, | 0:17:39 | 0:17:42 | |
and, "I'll do that! I'll do that!" | 0:17:42 | 0:17:44 | |
Can I say something to you guys now? | 0:17:44 | 0:17:46 | |
-HOLLY: -Please let her finish. She's got a vision. | 0:17:46 | 0:17:50 | |
'I had to say to Cyndi,' | 0:17:50 | 0:17:51 | |
let Maria follow through on her vision. | 0:17:51 | 0:17:53 | |
We allow her creativity to flourish, and THEN ask questions. | 0:17:53 | 0:17:58 | |
The storefront's going to be | 0:17:58 | 0:18:00 | |
the wrestling ring where they take the pictures. | 0:18:00 | 0:18:02 | |
-We definitely need balloons. -OK. | 0:18:02 | 0:18:04 | |
Do we have a backdrop for behind the actual ring? | 0:18:04 | 0:18:06 | |
But if it's in the window, don't you want the corner here | 0:18:06 | 0:18:10 | |
and the backdrop wide enough so that it fills the window? | 0:18:10 | 0:18:13 | |
This is really for if people want to take pictures inside that ring. | 0:18:13 | 0:18:17 | |
But this is your storefront, baby. | 0:18:17 | 0:18:19 | |
'There were a couple of moments | 0:18:19 | 0:18:21 | |
'where I felt like we were on a pretty good path,' | 0:18:21 | 0:18:23 | |
and then Cyndi would be Cyndi. | 0:18:23 | 0:18:25 | |
This is not for that purpose. | 0:18:25 | 0:18:26 | |
-The purpose for this is to take pictures... -Oh, honey! | 0:18:26 | 0:18:29 | |
We have a giant tent. | 0:18:29 | 0:18:30 | |
-So why are you putting it in the window? -What, the ring? | 0:18:30 | 0:18:33 | |
We're not, we're ordering two, Cyndi. | 0:18:33 | 0:18:35 | |
You're not understanding what I'm saying. | 0:18:35 | 0:18:37 | |
That's why I keep asking. | 0:18:37 | 0:18:38 | |
'She wants to learn it, her way, but it can wear on you.' | 0:18:38 | 0:18:41 | |
It takes time away from the task. | 0:18:41 | 0:18:42 | |
-You have my phone number? -Yeah, I have your phone number. | 0:18:42 | 0:18:45 | |
-I need someone to go with me. -Someone to go with you... | 0:18:45 | 0:18:47 | |
-Why don't you take Cyndi? Take her with you. -Yeah, OK. | 0:18:47 | 0:18:50 | |
'The best thing to do right now' | 0:18:50 | 0:18:52 | |
is just have Cyndi go on an adventure, | 0:18:52 | 0:18:55 | |
'so everybody else could get to work. | 0:18:55 | 0:18:57 | |
'She can ask Summer lots of questions.' | 0:18:57 | 0:18:59 | |
Bye, guys. Call us if you need anything else from props. | 0:18:59 | 0:19:02 | |
I'm going to just tie my shoelaces. | 0:19:02 | 0:19:04 | |
Michael, do you know exactly what Sinbad would like me to do? | 0:19:08 | 0:19:12 | |
No. He has not told me what he wants. | 0:19:12 | 0:19:15 | |
I'm just asking so I don't start to do the wrong thing | 0:19:15 | 0:19:17 | |
and he gets funky about it. | 0:19:17 | 0:19:19 | |
'I started to feel' | 0:19:19 | 0:19:20 | |
that we were massively dishevelled as a group. | 0:19:20 | 0:19:23 | |
Guys, this is awesome, man. Look at this. | 0:19:29 | 0:19:31 | |
'It's a nice store front.' | 0:19:31 | 0:19:33 | |
It looks like an art gallery. | 0:19:33 | 0:19:35 | |
'See, how do you make this thing look nice' | 0:19:35 | 0:19:37 | |
and then do something unique with us? So that's the challenge. | 0:19:37 | 0:19:40 | |
We could get some big windowsills, but I don't want to block all the windows off, | 0:19:40 | 0:19:43 | |
cos it would be great to look in here and see what's going on. | 0:19:43 | 0:19:46 | |
What would you like me to do? How do I...? | 0:19:46 | 0:19:48 | |
Is our graphics guy here? Who's got that measuring tape? | 0:19:48 | 0:19:52 | |
Do you want a storefront at all? Do you want me to do anything? | 0:19:52 | 0:19:55 | |
They're going to say you can use it however you want... | 0:19:55 | 0:19:57 | |
They could take a picture of you dressed up how you want... | 0:19:57 | 0:20:00 | |
We've still got 2,000 left... | 0:20:00 | 0:20:01 | |
-Sinbad, I'm sorry I keep asking this question. -No, no, no. | 0:20:01 | 0:20:04 | |
I'm not going to block one bit of the window. | 0:20:04 | 0:20:06 | |
And also, we have some kind of runner, | 0:20:06 | 0:20:08 | |
some kind of carpet down in here, man. | 0:20:08 | 0:20:10 | |
Sinbad's ignored me about eight times, | 0:20:10 | 0:20:12 | |
and it's starting to piss me off a bit. | 0:20:12 | 0:20:14 | |
Like, OK, I'll stand in the corner. | 0:20:14 | 0:20:15 | |
I'm being very calm, and I'm not a calm person. | 0:20:15 | 0:20:17 | |
Now, we've got pictures to take, and we've got props to pick up. | 0:20:17 | 0:20:20 | |
-Tell us what to do. -Well, I'm just getting this information. | 0:20:20 | 0:20:23 | |
I'm trying to figure it out. | 0:20:23 | 0:20:24 | |
'There wasn't anything that we were asked to do. | 0:20:24 | 0:20:26 | |
'Someone like me, who I believe' | 0:20:26 | 0:20:28 | |
is in what Teddy Roosevelt called, "the fellowship of the do-ers," | 0:20:28 | 0:20:31 | |
likes to do something. So, you know, | 0:20:31 | 0:20:33 | |
I touched base on some important things that needed attending to. | 0:20:33 | 0:20:37 | |
What did the lawyer say? | 0:20:37 | 0:20:38 | |
It's just, this guy was a close friend of mine. | 0:20:40 | 0:20:43 | |
-This -BLEEP -lying piece of -BLEEP! | 0:20:43 | 0:20:45 | |
Huh? Go ahead. | 0:20:45 | 0:20:48 | |
He betrays me in the job, | 0:20:48 | 0:20:50 | |
he betrays me in the job, | 0:20:50 | 0:20:51 | |
and then he goes and does this? | 0:20:51 | 0:20:53 | |
But the lies are so outlandish | 0:20:53 | 0:20:55 | |
-that they're -BLEEP -almost laughable, aren't they? | 0:20:55 | 0:20:58 | |
But there's no tape that corroborates that, right? | 0:20:58 | 0:21:01 | |
Good, OK. | 0:21:01 | 0:21:02 | |
OK. | 0:21:02 | 0:21:03 | |
'I don't see me as a celebrity.' | 0:21:05 | 0:21:07 | |
I see me as someone who is | 0:21:07 | 0:21:08 | |
the governor of a big state, | 0:21:08 | 0:21:10 | |
who's been falsely accused of things he didn't do. | 0:21:10 | 0:21:13 | |
I'll be vindicated when the truth comes out, but in the meantime, | 0:21:13 | 0:21:16 | |
there's no denying the fact that there's a cloud | 0:21:16 | 0:21:19 | |
that sort of travels along with me. | 0:21:19 | 0:21:20 | |
How do you do, sir? Pleasure meeting you. | 0:21:20 | 0:21:22 | |
No, none of that's true. It's all baloney. | 0:21:25 | 0:21:27 | |
No, no. Hi. Hello. | 0:21:27 | 0:21:31 | |
How are you? Nice to meet you. | 0:21:31 | 0:21:33 | |
That guy's angry. | 0:21:33 | 0:21:34 | |
-I was named after you! -And your name is? | 0:21:34 | 0:21:36 | |
Dana. But in Albanian, you say it, "Dona," | 0:21:36 | 0:21:39 | |
so my mom always called me "Donny," cos she loved the name. | 0:21:39 | 0:21:43 | |
She was hoping for a boy. It wasn't a boy, it was a girl. | 0:21:43 | 0:21:46 | |
But she nicknamed me Donny. | 0:21:46 | 0:21:47 | |
How is that named after me? | 0:21:47 | 0:21:49 | |
SHE GIGGLES | 0:21:52 | 0:21:54 | |
It's true. It is true. | 0:21:54 | 0:21:55 | |
My name's not Donny. | 0:21:56 | 0:21:58 | |
Who did you think I was? | 0:21:58 | 0:22:00 | |
Who did you think I was? | 0:22:00 | 0:22:01 | |
Donny Osmond! Oh, no, it's Rob Blagojevich. | 0:22:04 | 0:22:06 | |
I used to be the governor of Illinois. Hi. | 0:22:06 | 0:22:09 | |
-Try that puppy now. -Well...hi, Don! | 0:22:11 | 0:22:16 | |
-Is that lunch, or is that a snack? -This is a Maria power booster! | 0:22:16 | 0:22:20 | |
Uh-huh, we're doing great, we're doing good! | 0:22:20 | 0:22:23 | |
We have been running around like wild people getting everything together. | 0:22:23 | 0:22:26 | |
People have gone to get props. | 0:22:26 | 0:22:28 | |
I've been on the phone calling Make-A-Wish Foundation. | 0:22:28 | 0:22:31 | |
-Is that who you're playing for? -That's who we're going to win for. | 0:22:31 | 0:22:34 | |
And they're sending some Make-A-Wish kids here. | 0:22:34 | 0:22:36 | |
Our whole concept is finding the champion within everyone. | 0:22:36 | 0:22:40 | |
So we're going to have the red carpet out here, | 0:22:40 | 0:22:43 | |
and as they come on in, | 0:22:43 | 0:22:45 | |
they're going to be able to put on a championship belt, | 0:22:45 | 0:22:48 | |
stand in a World Wrestling Entertainment ring, | 0:22:48 | 0:22:51 | |
-and feel that moment of being a champion. -That's great. | 0:22:51 | 0:22:54 | |
'I walked in to something different than the other day in the diner.' | 0:22:54 | 0:22:57 | |
A lot more level of organisation, a lot less chaos. | 0:22:57 | 0:22:59 | |
-You have it under control, huh? Very nice. -Uh-huh. | 0:22:59 | 0:23:02 | |
'I think the overall concept's good. | 0:23:02 | 0:23:04 | |
'I think it's unique to bring the charity you're working for,' | 0:23:04 | 0:23:07 | |
to be able to incorporate them into the task. | 0:23:07 | 0:23:10 | |
OK. We'll see. | 0:23:10 | 0:23:12 | |
Hi! Good to see you. | 0:23:18 | 0:23:20 | |
-What's happing now? -Hey, project manager. -How you doing? | 0:23:20 | 0:23:24 | |
Good. What's the concept? | 0:23:24 | 0:23:25 | |
What we're going to do, it'll be Darryl Strawberry, | 0:23:25 | 0:23:28 | |
it'll be Michael Johnson, | 0:23:28 | 0:23:29 | |
it'll be Goldberg, Curtis and Bret, actually in front a wall... | 0:23:29 | 0:23:32 | |
like, you take pictures with Michael in the racing position. | 0:23:32 | 0:23:35 | |
-Like, in the race footing. -So that's the Kodak Moment? -Yeah. | 0:23:35 | 0:23:38 | |
'I think their concept is not earth-shattering.' | 0:23:38 | 0:23:40 | |
But for the task, it doesn't need to be. | 0:23:40 | 0:23:42 | |
They're leveraging celebrity, and I think that's probably prudent. | 0:23:42 | 0:23:45 | |
The question is if the Kodak executives will want something | 0:23:45 | 0:23:49 | |
that is less reliant just on their personalities. | 0:23:49 | 0:23:52 | |
How about you, Bret? Are you..? | 0:23:52 | 0:23:54 | |
-Bret's just worried he's not doing enough for you. -Oh! There you go. | 0:23:54 | 0:23:58 | |
Well, what are you putting in? | 0:23:58 | 0:24:00 | |
Uh...everything. Anything. I'm the grunt. | 0:24:00 | 0:24:02 | |
'Bret spent a lot of time talking about him being "grunt boy," | 0:24:02 | 0:24:05 | |
'which, I'm not fully sure that' | 0:24:05 | 0:24:07 | |
that's using Bret to the best of his abilities. | 0:24:07 | 0:24:10 | |
-BRET: -Michael, I need to know what I'm doing. | 0:24:10 | 0:24:12 | |
I don't know what to tell you to do, Bret, | 0:24:12 | 0:24:15 | |
because I'm not the project manager. | 0:24:15 | 0:24:17 | |
Bret came to me twice asking me, "What am I supposed to do?" | 0:24:17 | 0:24:20 | |
Why he didn't go to Sinbad, I don't know. | 0:24:20 | 0:24:22 | |
Maybe Bret was getting frustrated going to Sinbad, | 0:24:22 | 0:24:24 | |
and Sinbad not giving him any direction. | 0:24:24 | 0:24:27 | |
-I'm going to get the graphics. -Cool, OK. | 0:24:27 | 0:24:29 | |
Every time I ask, I don't get an answer. | 0:24:29 | 0:24:31 | |
What I'm asking is, what do you want me to do? | 0:24:31 | 0:24:33 | |
Bret, let me explain how I'm working. | 0:24:33 | 0:24:35 | |
-Go. -We all got jobs, but we all jump in. | 0:24:35 | 0:24:37 | |
Like, what saved us as at the diner was everybody jumps in. | 0:24:37 | 0:24:40 | |
Let me ask you guys a question. | 0:24:40 | 0:24:42 | |
When I said Curtis could do stuff yesterday, you took direction. | 0:24:42 | 0:24:45 | |
When I ask Michael, you guys act like an ass to me, | 0:24:45 | 0:24:48 | |
-I'm saying...what I'm getting at... -You know what... | 0:24:48 | 0:24:50 | |
I'm not trying to be an ass to you. It's just, I don't know! | 0:24:50 | 0:24:53 | |
No-one's treating you like that. | 0:24:53 | 0:24:55 | |
We all just jumped in different things. | 0:24:55 | 0:24:57 | |
So what happens is everybody's filling spots in. | 0:24:57 | 0:24:59 | |
You need to be filling them. Just filling it in. | 0:24:59 | 0:25:02 | |
I wear my heart on my sleeve. | 0:25:02 | 0:25:03 | |
I don't want to argue with Sinbad. or with anybody. I just want to win. | 0:25:03 | 0:25:07 | |
Bret's downstairs and he feels like the bad guy. | 0:25:11 | 0:25:14 | |
He's not, but he's got to quit doing that. | 0:25:14 | 0:25:17 | |
I just wanted to relay that. I told him that I would tell you. | 0:25:17 | 0:25:20 | |
-He's not...nobody did anything wrong. -He just feels left out. | 0:25:20 | 0:25:24 | |
I think Bret worries people think | 0:25:24 | 0:25:26 | |
because he's a rocker, he doesn't work hard. | 0:25:26 | 0:25:28 | |
I told him to quit worrying about what people think. He DOES work hard. | 0:25:28 | 0:25:31 | |
It's like a woman who looks good but thinks she's ugly. | 0:25:31 | 0:25:33 | |
You keep going, "No, you look good." | 0:25:33 | 0:25:35 | |
"No, I don't." It's like, "Girl, please!" | 0:25:35 | 0:25:37 | |
-BRET: -You guys aren't filming, right? | 0:25:41 | 0:25:43 | |
-It's five. -Five of them? | 0:25:45 | 0:25:46 | |
Get tripods right down the street. | 0:25:46 | 0:25:49 | |
-You want to come with us? -I think I found a place where we can rent. | 0:25:49 | 0:25:52 | |
Get me out of here in a van, | 0:25:52 | 0:25:53 | |
-because you're making me out to be the -BLEEP -on the show. | 0:25:53 | 0:25:56 | |
So give me an assignment. Just give me something to do. | 0:25:56 | 0:25:58 | |
-Cos I'm about to -BLEEP. -No, nobody's mad. Dude! | 0:25:58 | 0:26:02 | |
-I'm being made out... -Who? | 0:26:02 | 0:26:03 | |
Just trust me on this. | 0:26:03 | 0:26:04 | |
Every time I do anything, | 0:26:04 | 0:26:06 | |
they're filming me walk along the walls, | 0:26:06 | 0:26:08 | |
-so I'm the -BLEEP -lazy, stupid, -BLEEP -bad guy on the show. | 0:26:08 | 0:26:12 | |
I know. I did three seasons of Rock of Love. I know what they do. | 0:26:12 | 0:26:15 | |
'You a grown man. How can I make you look bad?' | 0:26:15 | 0:26:17 | |
You're in Poison, man. You got women outside knocking on the window. | 0:26:17 | 0:26:20 | |
Man, what kind of security issues...how can you look bad? | 0:26:20 | 0:26:23 | |
Well, why don't you go with Bill there? | 0:26:23 | 0:26:25 | |
-What I'm saying is you're getting me hyped up, so I -BLEEP -explode. | 0:26:25 | 0:26:28 | |
Come on. | 0:26:28 | 0:26:30 | |
Let's go. I'm following you. Are we walking or vanning it? | 0:26:30 | 0:26:32 | |
Bret just went completely... | 0:26:32 | 0:26:34 | |
I mean, he just turned around | 0:26:34 | 0:26:35 | |
and became a whole other person for a minute there. | 0:26:35 | 0:26:38 | |
How you guys doing today? Good. | 0:26:39 | 0:26:41 | |
Just better give Bret something to do. | 0:26:41 | 0:26:43 | |
He lost it. I think he went back to the Rock of Love and says, | 0:26:43 | 0:26:45 | |
"I'm having the Rock of Love." | 0:26:45 | 0:26:47 | |
No, he said something... | 0:26:47 | 0:26:48 | |
He said, "They did this to me on the Rock of Love," | 0:26:48 | 0:26:50 | |
and I said, "Well, I wasn't there on that one." | 0:26:50 | 0:26:52 | |
THEY LAUGH | 0:26:52 | 0:26:54 | |
-'What's going on?' -I need to get some pricing | 0:27:00 | 0:27:02 | |
on some things that we're going to need printed. | 0:27:02 | 0:27:05 | |
'Everybody's waiting on Sinbad to give them some direction.' | 0:27:05 | 0:27:08 | |
What I'm doing is just trying to figure out where there are holes, | 0:27:08 | 0:27:11 | |
'and where I can be of assistance.' | 0:27:11 | 0:27:13 | |
1,425. All right. | 0:27:13 | 0:27:15 | |
'Sinbad has some funk with me, and I don't know what happened.' | 0:27:18 | 0:27:21 | |
I'm willing to put that aside. | 0:27:21 | 0:27:23 | |
I just want to forge on and win this for him. | 0:27:23 | 0:27:26 | |
One of the things that we might get slammed on is, | 0:27:26 | 0:27:28 | |
y'all didn't go out and take any pictures. | 0:27:28 | 0:27:30 | |
We should take a few celebrities in the field. | 0:27:30 | 0:27:33 | |
Pictures of Darryl Strawberry at the park. | 0:27:33 | 0:27:35 | |
Let's do this. We'll take pictures | 0:27:35 | 0:27:37 | |
We'll all get cameras and take pictures. | 0:27:37 | 0:27:39 | |
'The idea to go out into the street' | 0:27:39 | 0:27:42 | |
was to show the people who came into the store, | 0:27:42 | 0:27:44 | |
this is how we actually went out | 0:27:44 | 0:27:47 | |
and captured our Kodak Moment. | 0:27:47 | 0:27:51 | |
I got it. Ready, Sinbad? | 0:27:51 | 0:27:53 | |
Go! Oh, dude, that is awesome! | 0:27:53 | 0:27:55 | |
The finest New York hot dog. | 0:27:55 | 0:27:57 | |
HE GRIMACES | 0:27:57 | 0:27:59 | |
This way, this way, this way! | 0:27:59 | 0:28:01 | |
'It's the first time I've ever been lifted up by my cojones... | 0:28:01 | 0:28:05 | |
That's the most painful thing I've ever done! | 0:28:05 | 0:28:07 | |
'..and it hurt severely.' | 0:28:07 | 0:28:09 | |
I've got to tell you, I had to take a knee. | 0:28:09 | 0:28:11 | |
-Do you think you can handle him? -Yeah, I think I can. | 0:28:13 | 0:28:15 | |
Cos the last man that said that got this. | 0:28:15 | 0:28:17 | |
Hey, Bret! | 0:28:19 | 0:28:21 | |
One thing's for sure, we've been having fun today. | 0:28:23 | 0:28:26 | |
'I don't know if running around on the streets | 0:28:26 | 0:28:28 | |
'is the best use of our time,' | 0:28:28 | 0:28:29 | |
but I had a blast, man. | 0:28:29 | 0:28:31 | |
I was finally getting to do something and I cut loose. | 0:28:31 | 0:28:34 | |
Yo, yo, get that picture, man! Get that! Get that! | 0:28:34 | 0:28:37 | |
HE LAUGHS That one there. | 0:28:39 | 0:28:41 | |
Oh, that's crazy, man! | 0:28:41 | 0:28:44 | |
'We had some fun, all taking to the streets and taking photographs.' | 0:28:44 | 0:28:47 | |
But there's still a bit of grey area | 0:28:47 | 0:28:49 | |
as to how tomorrow's going to come together. | 0:28:49 | 0:28:52 | |
OK, that one. | 0:28:52 | 0:28:53 | |
See, I think that on the wall is going to be nice. | 0:28:53 | 0:28:56 | |
All right, I'll take this. | 0:28:59 | 0:29:01 | |
All right, here we go. | 0:29:02 | 0:29:03 | |
'If I have to do physical labour,' | 0:29:03 | 0:29:05 | |
I do physical labour. | 0:29:05 | 0:29:07 | |
All right, we've got to wait for the light. Yeah, rat side! | 0:29:07 | 0:29:11 | |
When I shoot a video and I have two cents and two hours | 0:29:11 | 0:29:14 | |
and I've got to do four videos... | 0:29:14 | 0:29:15 | |
'we have three jobs, all of us, anyway.' | 0:29:15 | 0:29:18 | |
Oh, yeah, now talk! Go ahead, move! | 0:29:18 | 0:29:21 | |
Come on, already! In my lifetime! | 0:29:21 | 0:29:24 | |
Look, I'm ageing. | 0:29:24 | 0:29:25 | |
'I'm not above doing whatever it takes.' | 0:29:25 | 0:29:28 | |
You rat sidewinders! | 0:29:28 | 0:29:31 | |
So let's take the picture. | 0:29:31 | 0:29:33 | |
What about here? This wall's a little better. | 0:29:33 | 0:29:36 | |
'For our campaign for Kodak,' | 0:29:36 | 0:29:37 | |
we're actually going to give them that celebrity moment | 0:29:37 | 0:29:41 | |
of being a champion inside the WWE ring. | 0:29:41 | 0:29:43 | |
-Is my hair OK? -It's beautiful. | 0:29:43 | 0:29:46 | |
Because we're all champions in some form. | 0:29:46 | 0:29:48 | |
-So you need to get...somebody needs to get... -Hello?! | 0:29:48 | 0:29:51 | |
I've got to get there before four o'clock, | 0:29:51 | 0:29:53 | |
or we're not getting that damn thing! | 0:29:53 | 0:29:56 | |
Oh, my gosh. She is adorable. | 0:29:56 | 0:29:58 | |
Yeah, but she's... | 0:29:58 | 0:29:59 | |
-But I don't... -SHE LAUGHS | 0:29:59 | 0:30:02 | |
-Is it a little hard right now? -Oh, my God! | 0:30:02 | 0:30:06 | |
Cyndi's focus is a challenge, | 0:30:06 | 0:30:08 | |
'and sometimes, it's tiring.' | 0:30:08 | 0:30:10 | |
This is how I go to Washington sometimes, | 0:30:12 | 0:30:15 | |
so when I go right, and then Philly, I take the train. | 0:30:15 | 0:30:18 | |
I took the train to see Rob Lyman. | 0:30:18 | 0:30:20 | |
In 2000, when I wrote Shine, that whole album. | 0:30:22 | 0:30:26 | |
Cyndi Lauper is a very special lady, you know, | 0:30:26 | 0:30:29 | |
and you have to have patience with Cyndi. | 0:30:29 | 0:30:31 | |
So it was hard for me. | 0:30:31 | 0:30:34 | |
Imagine being Italian. You can't have wheat or cheese. | 0:30:34 | 0:30:37 | |
-What the hell is that? -No, you did say that. | 0:30:37 | 0:30:40 | |
'When you're on a task and you're trying to get things done, | 0:30:40 | 0:30:42 | |
'and here's Cyndi giving you these random stories, it's hard. | 0:30:42 | 0:30:47 | |
There's our spot! | 0:30:47 | 0:30:48 | |
There's our spot. Maybe I should go. | 0:30:48 | 0:30:51 | |
Bye. | 0:30:51 | 0:30:52 | |
I was just like, "I've got to get out of this car." | 0:30:52 | 0:30:54 | |
I'd rather the chance of getting hit by a bus | 0:30:54 | 0:30:56 | |
than sitting in that car for another five minutes. | 0:30:56 | 0:30:59 | |
I was like, "No way." | 0:30:59 | 0:31:00 | |
One, two... | 0:31:03 | 0:31:04 | |
No, no, no. Don't say it. Don't say it. Don't say it. | 0:31:04 | 0:31:07 | |
I just had to get out the car. | 0:31:07 | 0:31:09 | |
She's just made up something just so she can get away from Cyndi. | 0:31:09 | 0:31:11 | |
I know it, I know it, I know it. | 0:31:11 | 0:31:13 | |
Oh, dear. | 0:31:13 | 0:31:14 | |
-Oh, my God. You're drenched. -I know. | 0:31:18 | 0:31:20 | |
-Honey. -I know. | 0:31:20 | 0:31:22 | |
Mummy! | 0:31:22 | 0:31:23 | |
SHE COUGHS | 0:31:23 | 0:31:25 | |
I knew I was coming down with something. | 0:31:25 | 0:31:27 | |
I was not feeling good at all. | 0:31:27 | 0:31:29 | |
I thought if I could just get moving I would feel better, | 0:31:29 | 0:31:34 | |
but I just kept feeling worse and worse. | 0:31:34 | 0:31:36 | |
The doctor said I've got to go home. | 0:31:36 | 0:31:38 | |
-OK. -All right? -OK. | 0:31:38 | 0:31:40 | |
-I feel I've let you all down. I'm so sorry. -No. | 0:31:40 | 0:31:43 | |
-I'll be on the phone. -Get well. -Thank you. -And then, you know... | 0:31:43 | 0:31:46 | |
-I'll be in in the morning. -OK. | 0:31:46 | 0:31:48 | |
-OK. -Thank you. | 0:31:48 | 0:31:49 | |
We're down two people, and RockSolid, they've still got a full boat. | 0:31:49 | 0:31:52 | |
I'm really hoping and praying that everybody pulls their weight | 0:31:52 | 0:31:55 | |
plus somebody else's, cos we need the help. | 0:31:55 | 0:31:58 | |
We definitely need the help. | 0:31:58 | 0:31:59 | |
SHE COUGHS | 0:31:59 | 0:32:00 | |
This is unbelievable. | 0:32:08 | 0:32:10 | |
The task that we were given | 0:32:10 | 0:32:13 | |
is to create a Kodak experience | 0:32:13 | 0:32:14 | |
in a storefront, promoting the new Kodak technology, | 0:32:14 | 0:32:18 | |
but nobody was confident in the plan, or lack thereof. | 0:32:18 | 0:32:22 | |
Well, we can go and pick up the tablecloths, but to be honest, | 0:32:22 | 0:32:25 | |
I think the tablecloths are the least of our problems right now. | 0:32:25 | 0:32:28 | |
I agree. | 0:32:28 | 0:32:29 | |
What would you say the number one problem is right now? | 0:32:29 | 0:32:32 | |
Well, I just... | 0:32:32 | 0:32:33 | |
I'm failing to see how we're going to make this work, you know? | 0:32:34 | 0:32:40 | |
'On the way back from the prop house, | 0:32:40 | 0:32:42 | |
'we said, "Hey, how do we salvage this thing?"' | 0:32:42 | 0:32:44 | |
Because we need some more direction, we need a little bit more guidance, | 0:32:44 | 0:32:48 | |
and I could tell people were starting to feel, "I'm just ready to give up." | 0:32:48 | 0:32:51 | |
Do we try to get Sinbad a little bit on track or...? | 0:32:51 | 0:32:55 | |
So why don't we go back, assess it... | 0:32:55 | 0:32:56 | |
Assess it, and see what's been happening. Yeah. | 0:32:56 | 0:32:59 | |
Here they come. | 0:33:01 | 0:33:02 | |
Just a heads up, just a FYI. | 0:33:04 | 0:33:06 | |
One of the things they're going to judge us on, | 0:33:06 | 0:33:09 | |
what kind of organisation did they have up in there? | 0:33:09 | 0:33:11 | |
You might want to make sure that this experience is not something | 0:33:11 | 0:33:14 | |
-that you're going to fly by the seat of our pants with. -Oh, no, no. | 0:33:14 | 0:33:17 | |
-OK. All right. -No, no. | 0:33:17 | 0:33:18 | |
Well, we haven't seen the... Just saying. | 0:33:18 | 0:33:20 | |
OK, let me ask you this, then. | 0:33:20 | 0:33:22 | |
What are you looking for that you don't think you're seeing? | 0:33:22 | 0:33:24 | |
I could probably address that. | 0:33:24 | 0:33:25 | |
Just an outline of, "This is how it's going to all run down." | 0:33:25 | 0:33:28 | |
I guess I don't understand, cos we know where everybody's standing, | 0:33:28 | 0:33:31 | |
we know how we're doing that, right? | 0:33:31 | 0:33:33 | |
No. | 0:33:33 | 0:33:34 | |
We don't? | 0:33:34 | 0:33:35 | |
You don't know that Curtis is going to... | 0:33:35 | 0:33:38 | |
-I didn't know that. -Curtis is going to be doing his cooking over here, | 0:33:38 | 0:33:41 | |
you're going to have Darryl doing his thing, | 0:33:41 | 0:33:43 | |
you'll sit on this wall here with your track thing, | 0:33:43 | 0:33:45 | |
we're going to have Bret over here. | 0:33:45 | 0:33:47 | |
'I think tomorrow's going to go one way or the other for us.' | 0:33:48 | 0:33:51 | |
It's going to miraculously just fall into place and I'll think to myself, | 0:33:51 | 0:33:55 | |
"How did that just happen?" | 0:33:55 | 0:33:56 | |
Or it could go horribly wrong. | 0:33:56 | 0:33:59 | |
So let's hope it's the first. | 0:33:59 | 0:34:00 | |
-Hi, there. -Hi. I'm with Make-A-Wish. | 0:34:03 | 0:34:05 | |
It's very nice to see you. | 0:34:05 | 0:34:07 | |
Should we have little stars pinned on to them or not? | 0:34:07 | 0:34:10 | |
Oh, yeah, that would be great. | 0:34:10 | 0:34:12 | |
-And then we could write their first name on. -Yes. | 0:34:12 | 0:34:14 | |
The charity that I'm playing for | 0:34:14 | 0:34:15 | |
is the Make-a-Wish Foundation, | 0:34:15 | 0:34:17 | |
and they're a foundation that grants wishes | 0:34:17 | 0:34:19 | |
to children with life-threatening diseases. | 0:34:19 | 0:34:21 | |
-This is Gabriella. -Hi there, Gabriella. | 0:34:21 | 0:34:24 | |
I wanted to involve Make-a-Wish Foundation as much as I could. | 0:34:24 | 0:34:27 | |
Would you like to try this on? | 0:34:27 | 0:34:29 | |
Yeah, look at her! | 0:34:29 | 0:34:30 | |
'Come on. It's a perfect task to do it in.' | 0:34:30 | 0:34:33 | |
We are showing the champion and everybody, | 0:34:33 | 0:34:36 | |
'so why not bring in the Make-a-Wish kids, | 0:34:36 | 0:34:38 | |
'who are champions beyond all other champions?' | 0:34:38 | 0:34:41 | |
How cute are you? | 0:34:41 | 0:34:43 | |
Are you going to pose? | 0:34:43 | 0:34:44 | |
Ohhh, there we go! | 0:34:44 | 0:34:46 | |
Ohhh, work it! | 0:34:46 | 0:34:48 | |
'When the kids came in, especially little Gabriella,' | 0:34:48 | 0:34:51 | |
she was a little nervous, a little shy, but about 10 minutes in, | 0:34:51 | 0:34:54 | |
when she got a hold of that belt, she loosened up. | 0:34:54 | 0:34:57 | |
I love it. | 0:34:57 | 0:34:58 | |
It just really brought me all the way around | 0:34:58 | 0:35:01 | |
to why we were there in the first place. | 0:35:01 | 0:35:03 | |
Yeah! Ohhh. | 0:35:03 | 0:35:06 | |
Oh, yeah, blow that kiss. | 0:35:06 | 0:35:09 | |
-Oh, that's great. -Is he smiling? Is he smiling? | 0:35:10 | 0:35:13 | |
-He was. How old are you, Alexander? -12. -You're 12? | 0:35:13 | 0:35:16 | |
Yeah. | 0:35:16 | 0:35:17 | |
One little boy came in, Alex, and he was the same age as my son. | 0:35:17 | 0:35:21 | |
What do you want to be when you grow up? | 0:35:21 | 0:35:24 | |
I haven't thought about that yet. | 0:35:24 | 0:35:26 | |
Ummm... | 0:35:33 | 0:35:34 | |
'That was really rough. | 0:35:36 | 0:35:38 | |
'It just put it all in perspective.' | 0:35:38 | 0:35:40 | |
When I see kids struggling, it just hits me right here. | 0:35:40 | 0:35:43 | |
Nice! Oh, it's cute! | 0:35:44 | 0:35:47 | |
Just in putting this together and taking the photographs | 0:35:47 | 0:35:50 | |
with these children, and showing them they're the true champions, | 0:35:50 | 0:35:54 | |
I feel like our task is almost done, already. | 0:35:54 | 0:35:57 | |
That said, I know we got a lot of work tomorrow. | 0:35:57 | 0:35:59 | |
And I'm ready for it. | 0:35:59 | 0:36:00 | |
Thank you for coming through. | 0:36:00 | 0:36:02 | |
Bye-bye. | 0:36:02 | 0:36:03 | |
-You OK? -Yeah. | 0:36:03 | 0:36:04 | |
What we're going to have the Gov doing this helping people over here. | 0:36:15 | 0:36:18 | |
Walking through, walking around with cameras, talking to people. | 0:36:18 | 0:36:21 | |
What I'm going to do is to make sure everything is flowing smooth. | 0:36:21 | 0:36:24 | |
-Getting folks in and out. -Like, what camera are we going to have? | 0:36:24 | 0:36:27 | |
Are we all going to use a different camera? | 0:36:27 | 0:36:29 | |
Are we going to show off their different products? | 0:36:29 | 0:36:31 | |
How do we get them their physical picture? | 0:36:31 | 0:36:33 | |
How does that picture get out of the camera onto the computer? | 0:36:33 | 0:36:35 | |
'I've been lazy today. For some reason, I just haven't been there.' | 0:36:35 | 0:36:40 | |
I think I just woke up on the wrong side of the bed today. | 0:36:40 | 0:36:42 | |
You know, mentally, I just haven't been focused. | 0:36:42 | 0:36:45 | |
-What else we gotta do tonight? -What else can we do tonight? | 0:36:45 | 0:36:47 | |
We think the room's going to look good enough? | 0:36:47 | 0:36:49 | |
Is there a way to improve it? | 0:36:49 | 0:36:51 | |
Can we make ours look better? Warm? Inviting? Nice? | 0:36:51 | 0:36:54 | |
What would you suggest to make it look better? | 0:36:54 | 0:36:56 | |
Balloons are good in politics. That's all I can say. | 0:36:56 | 0:36:58 | |
Whatever idea you come up, make this look good, I will back your play. | 0:36:58 | 0:37:01 | |
All right. So, balloons and plants. Who's responsible to explore this? | 0:37:01 | 0:37:05 | |
-And see if we can make this happen? -You brought it up. | 0:37:05 | 0:37:07 | |
I'm happy to take responsibility and explore it. | 0:37:07 | 0:37:10 | |
-Anybody want to work with me? -Don't explore it. Do it. | 0:37:10 | 0:37:12 | |
-OK. OK. -Anything else? | 0:37:12 | 0:37:14 | |
-All right. -All right. -We good. | 0:37:17 | 0:37:18 | |
-Good night, baby. Good night. Good night. -See you tomorrow. | 0:37:18 | 0:37:21 | |
'It's the end of the day.' | 0:37:21 | 0:37:23 | |
I'm feeling better than I felt this morning, | 0:37:23 | 0:37:25 | |
but I'm certainly in a position right now | 0:37:25 | 0:37:27 | |
where I'm having to rely a little bit on them failing, | 0:37:27 | 0:37:30 | |
on the girls failing. And I don't like that. | 0:37:30 | 0:37:32 | |
Let's go. Let's go. Come on, boys. | 0:37:32 | 0:37:35 | |
Yeah, hold up. | 0:37:49 | 0:37:50 | |
-155. -155, between 22nd and 21st. | 0:37:50 | 0:37:53 | |
-So guys... -We're leaving Bret. -We're leaving Bret. | 0:37:53 | 0:37:55 | |
We're not really leaving Bret, he's just not here. | 0:37:55 | 0:37:57 | |
You can't leave somebody if they're not here. | 0:37:57 | 0:38:00 | |
We're not being rude, it's just that we gotta get over and set stuff up. | 0:38:00 | 0:38:02 | |
Bret was a little late this morning. Like yesterday morning. | 0:38:02 | 0:38:04 | |
Like the morning before that, and the morning before that. | 0:38:04 | 0:38:07 | |
-And the morning before that. -I'm leaving a message for Bret. | 0:38:07 | 0:38:09 | |
Yo, Bret. What's up, man? This Sinbad. | 0:38:09 | 0:38:11 | |
We had to roll out, man. It's a quarter till. | 0:38:11 | 0:38:12 | |
I think it's irritating if people late. | 0:38:12 | 0:38:14 | |
I don't think somebody should have to call you every morning. | 0:38:14 | 0:38:17 | |
Not when you're a grown man. | 0:38:17 | 0:38:18 | |
-We're moving forward. -No, man. The balloon thing is beautiful. | 0:38:21 | 0:38:24 | |
Yeah. I think it gives you something to put your mind on. | 0:38:24 | 0:38:26 | |
Well, Strawberry will get the balloons. | 0:38:26 | 0:38:28 | |
If we put him on the phone. They'll respect him, right? | 0:38:28 | 0:38:30 | |
Balloon people respect anybody. | 0:38:30 | 0:38:31 | |
-OK. I mean, but they'll send them right away. -Now, clown people... | 0:38:31 | 0:38:34 | |
-Yeah. -Them some dangerous folks. -Here, here... | 0:38:34 | 0:38:37 | |
Rod has a thing for balloons. | 0:38:37 | 0:38:39 | |
You must... there's not enough balloons in the world. | 0:38:39 | 0:38:42 | |
I'm glad we're getting those balloons. | 0:38:42 | 0:38:43 | |
I'm going to be honest. I've been places without balloons and walked out. | 0:38:43 | 0:38:46 | |
I've been in nightclubs, I've been in restaurants, | 0:38:46 | 0:38:49 | |
I said, "Where your balloons at?" They said, "We don't have none." | 0:38:49 | 0:38:52 | |
I said, "I'm the hell up out of here." | 0:38:52 | 0:38:53 | |
"What kind of people are y'all? | 0:38:53 | 0:38:55 | |
"What kind of people are you, dealing with people in the public? | 0:38:55 | 0:38:57 | |
Every man deserves a balloon. Every man. | 0:38:57 | 0:39:00 | |
HE LAUGHS | 0:39:00 | 0:39:02 | |
Hi, Sharon. you OK? | 0:39:03 | 0:39:05 | |
'Today I'm a lot, lot better.' | 0:39:05 | 0:39:07 | |
OK, baby. | 0:39:07 | 0:39:08 | |
SHARON COUGHS | 0:39:08 | 0:39:09 | |
'I'll see you there.' | 0:39:09 | 0:39:11 | |
OK, babe. We'll see you then. Bye. | 0:39:11 | 0:39:13 | |
'All right. Bye.' | 0:39:13 | 0:39:14 | |
-She's like... -MIMICS COUGHING | 0:39:14 | 0:39:16 | |
Yeah, I'm feeling a whole lot better, | 0:39:24 | 0:39:27 | |
and I hope that I'll be able to really dig in. | 0:39:27 | 0:39:30 | |
You want to set up this table as like... | 0:39:30 | 0:39:32 | |
It's going to have water and also cupcakes on it. | 0:39:32 | 0:39:35 | |
Coming in this morning, we know we have a lot to do. | 0:39:35 | 0:39:38 | |
We know we have to make sure this place gets dressed, | 0:39:38 | 0:39:40 | |
we get all of our messaging on and decorate that place. | 0:39:40 | 0:39:44 | |
OK, I ought to... | 0:39:44 | 0:39:45 | |
Oh, please, sir, don't let your dog pee on this. All right, thanks. | 0:39:47 | 0:39:51 | |
Oh, my God! | 0:39:51 | 0:39:54 | |
Lookit! Ohhh! | 0:39:54 | 0:39:57 | |
Everyone gets shaky when they're taking the picture, | 0:39:57 | 0:40:00 | |
-but it controls that for you. -Yes. -Good way to say it? | 0:40:00 | 0:40:03 | |
My job this morning is to learn all the products over on the table, | 0:40:03 | 0:40:08 | |
so I felt like I had a pretty decent handle on | 0:40:08 | 0:40:10 | |
what I was going to be talking about. | 0:40:10 | 0:40:12 | |
We need to put Kodak at the bottom of each of these pictures if we can. | 0:40:12 | 0:40:15 | |
The team-mates were so great | 0:40:15 | 0:40:17 | |
at just getting the stuff done that we needed. | 0:40:17 | 0:40:20 | |
Someone would say, "What do you think about this?" | 0:40:20 | 0:40:22 | |
And I would say, "No, yes, maybe, OK." I felt very stern. | 0:40:22 | 0:40:25 | |
'But we're climbing the mountain together and that's awesome.' | 0:40:25 | 0:40:28 | |
Down just a little bit. OK, good. | 0:40:28 | 0:40:29 | |
-Good morning, guys. -Hey, Bret. | 0:40:39 | 0:40:41 | |
Sorry I'm late, everybody. Sinbad, sorry I'm late. | 0:40:41 | 0:40:43 | |
In rocker time, | 0:40:43 | 0:40:44 | |
I was beyond early. Stupid early. | 0:40:44 | 0:40:47 | |
In real life, I was 10 minutes late. | 0:40:47 | 0:40:50 | |
Next time, just kind of let us know? | 0:40:50 | 0:40:51 | |
Then we'll be right on top with you, man. | 0:40:51 | 0:40:53 | |
Just know this - when Rod was late, I ran up and got him. | 0:40:53 | 0:40:56 | |
If I'm late and it's my week... | 0:40:56 | 0:40:58 | |
No, Goldberg called you. | 0:40:58 | 0:41:00 | |
-There's no way. -Ask him. | 0:41:00 | 0:41:02 | |
Oh, you're talking on my cellphone? | 0:41:02 | 0:41:03 | |
Yeah, yeah, yeah. | 0:41:03 | 0:41:04 | |
-That was off cos I was charging it up. -OK. | 0:41:04 | 0:41:07 | |
'Sinbad and I want to win this.' | 0:41:07 | 0:41:09 | |
We both have two different directions of how we would get there. | 0:41:09 | 0:41:12 | |
I just think that there's some kind of funk there that he has with me. | 0:41:12 | 0:41:15 | |
I said I'm sorry for being a few minutes late. | 0:41:15 | 0:41:17 | |
I was just shocked a little bit | 0:41:17 | 0:41:18 | |
that they left a man behind this early in the game. | 0:41:18 | 0:41:21 | |
Nothing matters except we win. That's all that matters. | 0:41:21 | 0:41:23 | |
-The balloons are here. -ROD: Look at that goldenrod. See? | 0:41:23 | 0:41:26 | |
They had yellow, we have goldenrod. | 0:41:26 | 0:41:28 | |
Where are the balloons at? | 0:41:28 | 0:41:29 | |
How about right there? | 0:41:29 | 0:41:31 | |
A little excited about the fact that yellow colour of the balloon was | 0:41:31 | 0:41:33 | |
actually goldenrod and not yellow, because that's the colour of Kodak. | 0:41:33 | 0:41:37 | |
-See that goldenrod? -The goldenrod is it, dude. I'm blown away. | 0:41:37 | 0:41:41 | |
Oh, my gosh! That's great! | 0:41:43 | 0:41:46 | |
Whatever you have, let's start putting them up, | 0:41:46 | 0:41:49 | |
cos we need to get going here. | 0:41:49 | 0:41:50 | |
I think she can go right in that section. | 0:41:50 | 0:41:53 | |
'Maria grabbed this task by the horns.' | 0:41:53 | 0:41:56 | |
I was very impressed with her organisation skills | 0:41:56 | 0:41:58 | |
and her delegation skills. | 0:41:58 | 0:42:00 | |
'But the whole vision was Maria's.' | 0:42:00 | 0:42:02 | |
We have this picture too, and I want this one up. | 0:42:02 | 0:42:05 | |
The reality is that if we lose this task, it's got to be Maria. | 0:42:05 | 0:42:10 | |
'She set the tone for the whole project.' | 0:42:10 | 0:42:13 | |
-30 minutes! -Oh, my God. | 0:42:13 | 0:42:15 | |
Please. I just want to finish. | 0:42:15 | 0:42:17 | |
Sinbad, two sixteen by threes. Where do they go? | 0:42:20 | 0:42:23 | |
Sixteen by threes are up here. | 0:42:23 | 0:42:24 | |
-There was only one sixteen by three. -One sixteen by three. | 0:42:24 | 0:42:27 | |
-There was sixteen by eight. -That goes over here. | 0:42:27 | 0:42:29 | |
-Over here? -As a matter of fact, I got the dimensions right here. | 0:42:29 | 0:42:32 | |
Sinbad made the order with the printing company for the banners. | 0:42:32 | 0:42:35 | |
One of the banners was a large banner | 0:42:35 | 0:42:38 | |
that were meant to look like a crowd of people. | 0:42:38 | 0:42:41 | |
The other one was supposed to be the same size of all of the shots, | 0:42:41 | 0:42:44 | |
the candid shots that we had caught out on the streets the day before. | 0:42:44 | 0:42:48 | |
-What happened to the other one? -We don't know. | 0:42:48 | 0:42:50 | |
The pictures of us. They didn't come? All of us. | 0:42:50 | 0:42:52 | |
The pictures we took in New York were supposed to be on that wall. | 0:42:52 | 0:42:55 | |
They haven't gave us all the pictures we took of New York. | 0:42:55 | 0:42:57 | |
-We don't have that yet. -Cool. Yeah, he didn't bring them, man. | 0:42:57 | 0:43:00 | |
I'm calling him right now though. | 0:43:00 | 0:43:01 | |
OK. | 0:43:01 | 0:43:02 | |
Hey, Steve. Sinbad. | 0:43:02 | 0:43:03 | |
Hey, cool man. We got all the banners and stuff. | 0:43:05 | 0:43:07 | |
The only thing we're missing, | 0:43:07 | 0:43:09 | |
all the pictures that we took in New York City. | 0:43:09 | 0:43:11 | |
We're stuck with a wall that has nothing on it, man. | 0:43:14 | 0:43:18 | |
We gotta have something. | 0:43:18 | 0:43:19 | |
What sizes could you get to us before noon? | 0:43:19 | 0:43:22 | |
-I can't believe it, man. -I can't believe it either. | 0:43:22 | 0:43:24 | |
It's unbelievable, man. We needed that. | 0:43:24 | 0:43:26 | |
Yeah. We needed that. | 0:43:26 | 0:43:28 | |
So, we basically don't have it, right? | 0:43:28 | 0:43:31 | |
That wasn't great. | 0:43:31 | 0:43:32 | |
There was a miscommunication between Sinbad and the printer. | 0:43:32 | 0:43:36 | |
I can see how that could happen. | 0:43:36 | 0:43:39 | |
'Sinbad probably ended the conversation with a joke, | 0:43:39 | 0:43:41 | |
'as opposed to confirmation.' | 0:43:41 | 0:43:43 | |
That's just Sinbad. | 0:43:43 | 0:43:44 | |
Yo, that, that'd be... how fast could you get that done? | 0:43:50 | 0:43:53 | |
Steve at the print shop said, "I don't know if I can get it to you." | 0:43:55 | 0:43:58 | |
That is a key component. | 0:43:58 | 0:43:59 | |
I didn't want nothing to be on that wall. | 0:43:59 | 0:44:00 | |
-Dude, it's jacked up. -Huh? -It's jacked up. | 0:44:00 | 0:44:03 | |
-We don't get any value from complaining about it. -Oh, no, no. | 0:44:03 | 0:44:06 | |
-We just make the best of the situation. -No, I'm just saying | 0:44:06 | 0:44:08 | |
-it's jacked up. -I know. | 0:44:08 | 0:44:09 | |
The way Sinbad organised this was very relaxed. | 0:44:09 | 0:44:13 | |
He's very unstructured, which makes you feel nervous | 0:44:13 | 0:44:15 | |
that things aren't going to come together. | 0:44:15 | 0:44:17 | |
I was like, "Ugh, is this going to go horribly wrong?" | 0:44:17 | 0:44:20 | |
It was just a nice vision. I liked the vision we had. | 0:44:20 | 0:44:22 | |
OK, I thought you want thought you wanted them | 0:44:38 | 0:44:40 | |
kind of...discombooberated. | 0:44:40 | 0:44:42 | |
No. No. | 0:44:42 | 0:44:43 | |
Our task today is to create a storefront Kodak moment | 0:44:43 | 0:44:46 | |
cos of the relaunch of the "Kodak moment" slogan. | 0:44:46 | 0:44:49 | |
And our job was to help that brand come out. | 0:44:49 | 0:44:51 | |
-So, I should... -You should put a little more goldenrod. | 0:44:51 | 0:44:54 | |
It's approaching noon and opening store, | 0:44:54 | 0:44:56 | |
and look, man, we're freaking because the mural that we ordered, | 0:44:56 | 0:44:58 | |
the one that goes on the back wall, the printer didn't send. | 0:44:58 | 0:45:01 | |
Steve over at the print shop said, | 0:45:01 | 0:45:02 | |
"I don't know if I can get this to you." | 0:45:02 | 0:45:04 | |
We got five minutes, guys. Five minutes. | 0:45:04 | 0:45:06 | |
Oh, hey, yo, we got it! | 0:45:08 | 0:45:10 | |
Bam! Here comes the messenger. Walks in, says, "Let's be Sinbad." | 0:45:10 | 0:45:14 | |
I said, "Dude, I'll take that." | 0:45:14 | 0:45:15 | |
-Thank you so much. -Oh, man. -That's us. -It's nice to see you, Sinbad. | 0:45:15 | 0:45:18 | |
Oh, my God. This it. This is it. | 0:45:18 | 0:45:20 | |
-Very nice. -We did it. -Let's open up. -We did it. | 0:45:22 | 0:45:24 | |
-Shapin' up. -We did it, man. | 0:45:24 | 0:45:26 | |
-We did nothing yet, man. -We got it. -It's only just begun. | 0:45:26 | 0:45:28 | |
'Five minutes before we were opening up, we got the mural up.' | 0:45:28 | 0:45:31 | |
Oh, things are looking good. I'm telling you, man. | 0:45:31 | 0:45:33 | |
Things work out. | 0:45:33 | 0:45:35 | |
The girls have nothing on us. | 0:45:35 | 0:45:36 | |
-We never worried about them anyway. -I'll tell you something, man. | 0:45:36 | 0:45:39 | |
You know why I feel good? | 0:45:39 | 0:45:40 | |
Cos my team is solid. You see them balloons? | 0:45:40 | 0:45:42 | |
They're not going to get balloons like rod. We got a rockstar station. | 0:45:42 | 0:45:45 | |
You can do a concert right now. | 0:45:45 | 0:45:46 | |
And then eat some sandwiches right next to it. | 0:45:46 | 0:45:48 | |
'The girls would've had to done something miraculous to beat us. | 0:45:48 | 0:45:51 | |
'I mean, if they beat us, they built a building from scratch' | 0:45:51 | 0:45:54 | |
with spackle and plaster, and they hung something from the roof, | 0:45:54 | 0:45:57 | |
and they wash windows, and they had a woman that could fly. | 0:45:57 | 0:46:00 | |
All right, y'all! Let's go! | 0:46:00 | 0:46:01 | |
We're about to do this! Y'all ready?! | 0:46:01 | 0:46:03 | |
All right, let's open this! | 0:46:03 | 0:46:05 | |
Hello, there. | 0:46:05 | 0:46:07 | |
-Yay! -Do you want to come inside? Have a celebrity moment? | 0:46:07 | 0:46:10 | |
-Yes we do! -Wooo. | 0:46:10 | 0:46:11 | |
All right. Come on in. Come on in. | 0:46:11 | 0:46:14 | |
Cheese. | 0:46:14 | 0:46:15 | |
When you first come into the store, | 0:46:15 | 0:46:17 | |
the first thing you encounter is the lovely Cyndi Lauper. | 0:46:17 | 0:46:21 | |
You were my idol, and you always will be. | 0:46:21 | 0:46:23 | |
'Taking you on the red carpet,' | 0:46:23 | 0:46:25 | |
showing you what it's like to be a celebrity. | 0:46:25 | 0:46:27 | |
-Thank you. -Fabulous. -Nice to see you. | 0:46:27 | 0:46:29 | |
And then, a wrestling ring. | 0:46:29 | 0:46:31 | |
Ah, come on up! | 0:46:31 | 0:46:32 | |
Where you can pick a championship belt, | 0:46:32 | 0:46:34 | |
and take a photo with it. | 0:46:34 | 0:46:36 | |
Today, we are celebrating the champion in you. | 0:46:36 | 0:46:38 | |
Then, you can learn all about how you can share your photos. | 0:46:38 | 0:46:41 | |
These ones here you can actually take out of the picture frames. | 0:46:41 | 0:46:44 | |
-So, like, look like it's a real picture. -Oh, OK. | 0:46:44 | 0:46:46 | |
It's pretty cool, huh? | 0:46:46 | 0:46:47 | |
And then, you're going to go on over to Sharon, | 0:46:47 | 0:46:49 | |
and you're going to get a cupcake. | 0:46:49 | 0:46:51 | |
-Thanks. -All right. OK. Good to meet you. | 0:46:51 | 0:46:54 | |
At the end, you can also get a picture of you | 0:46:54 | 0:46:56 | |
and the superstars that you took photos with. | 0:46:56 | 0:46:59 | |
You're a very lucky person. | 0:46:59 | 0:47:01 | |
One, two, three. | 0:47:01 | 0:47:03 | |
-Lovely. -Awww! | 0:47:03 | 0:47:04 | |
Thank you so much for coming. | 0:47:04 | 0:47:06 | |
I appreciate it. Not a problem. | 0:47:06 | 0:47:08 | |
We had WWE's strongest man and superstar, | 0:47:08 | 0:47:13 | |
Mark Henry. | 0:47:13 | 0:47:14 | |
What's up, everybody? | 0:47:14 | 0:47:15 | |
'And people were so excited to see him.' | 0:47:15 | 0:47:18 | |
-I don't hug men this long, come on. -Yeah, do it. | 0:47:18 | 0:47:21 | |
Mark Henry being there just kinda added that little extra oomph. | 0:47:21 | 0:47:25 | |
Yeah. | 0:47:26 | 0:47:27 | |
Right. | 0:47:29 | 0:47:30 | |
Would you like some water, girls? | 0:47:30 | 0:47:31 | |
I'll take water. | 0:47:31 | 0:47:32 | |
Yeah, I'll take water. | 0:47:32 | 0:47:34 | |
Thank you so much. | 0:47:35 | 0:47:37 | |
Thank you. | 0:47:37 | 0:47:38 | |
-Thank you. -All right. | 0:47:39 | 0:47:41 | |
SHARON COUGHS | 0:47:41 | 0:47:43 | |
If I were Maria, maybe I wouldn't have had Sharon | 0:47:43 | 0:47:46 | |
on the task of actually handling food. | 0:47:46 | 0:47:48 | |
SHARON COUGHS | 0:47:48 | 0:47:51 | |
Not good. | 0:47:51 | 0:47:52 | |
SHARON COUGHS | 0:47:52 | 0:47:54 | |
There you go. | 0:47:54 | 0:47:55 | |
I'm glad nobody came back and complained, | 0:47:55 | 0:47:59 | |
because probably a good third of New York | 0:47:59 | 0:48:01 | |
had the runs that afternoon. | 0:48:01 | 0:48:03 | |
Yeah! | 0:48:10 | 0:48:11 | |
Got Goldberg in the corner, you can go over there and start there. | 0:48:11 | 0:48:14 | |
There's stations all around, so you don't have to stand in one station. | 0:48:14 | 0:48:16 | |
Go where you want. We'll take pictures. | 0:48:16 | 0:48:18 | |
The people who waited in lines to be part of the Kodak moments campaign | 0:48:18 | 0:48:22 | |
had the chance to take photographs with a celebrity chef... | 0:48:22 | 0:48:24 | |
Where's the cream? Go faster. What's the matter with you? | 0:48:24 | 0:48:27 | |
'..a celebrity rock star...' | 0:48:27 | 0:48:28 | |
Get out of the rock business and go into politics, man! | 0:48:28 | 0:48:30 | |
You'll get more of this. | 0:48:30 | 0:48:32 | |
-'..with a celebrity baseball player, with a celebrity track star...' -Go! | 0:48:32 | 0:48:35 | |
'..with a celebrity wrestler...' | 0:48:35 | 0:48:37 | |
Oooh! | 0:48:37 | 0:48:38 | |
They had a chance to get a photograph taken by a guy | 0:48:38 | 0:48:41 | |
who used to be the governor of a big, big state. | 0:48:41 | 0:48:43 | |
Are you guys Democrats? How about taking a picture with me? | 0:48:43 | 0:48:45 | |
Of course! Oooh! | 0:48:45 | 0:48:47 | |
And, a comedian like Sinbad, who's a world-class comedian. | 0:48:47 | 0:48:50 | |
And, uh, you know, one cool dude. | 0:48:50 | 0:48:53 | |
-Rod! Rod! Rod! -Yo. -Rod! | 0:48:53 | 0:48:55 | |
-Here. -Take the pictures, Rod! | 0:48:55 | 0:48:57 | |
There you go. You'll be able to go online and get it later. | 0:48:57 | 0:49:00 | |
We decided if we try to print all these pictures out, | 0:49:00 | 0:49:02 | |
folks would never get out and we would never get them out on time. | 0:49:02 | 0:49:06 | |
We decided not to use the printers because it would take too long. | 0:49:06 | 0:49:08 | |
Then I realised, "Let's talk about the web experience." | 0:49:08 | 0:49:11 | |
So, we actually printed out those cards that told people | 0:49:11 | 0:49:13 | |
where they could go online to get the pictures. | 0:49:13 | 0:49:15 | |
Go here. And you can get the photo off the website. | 0:49:15 | 0:49:19 | |
OK. All right. | 0:49:19 | 0:49:20 | |
Get the next group up in here. Where's the front right here? | 0:49:20 | 0:49:22 | |
We had secret shoppers, and we knew they were coming. | 0:49:22 | 0:49:24 | |
We didn't know who they'd to be. | 0:49:24 | 0:49:26 | |
You want to have a good experience taking pictures. | 0:49:26 | 0:49:28 | |
But, if we treat everybody right, | 0:49:28 | 0:49:29 | |
it shouldn't make a difference who the secret shopper is. | 0:49:29 | 0:49:32 | |
It was very confusing walking into the men's store at first. | 0:49:35 | 0:49:38 | |
There really wasn't a greeter at the door. | 0:49:38 | 0:49:40 | |
You had to fight for yourself as to where you wanted to go. | 0:49:40 | 0:49:42 | |
-How you doing? -How are you? -Good. Michael. | 0:49:42 | 0:49:44 | |
-James, nice to meet you. -Good to meet you, James. | 0:49:44 | 0:49:46 | |
But, they were very nice. They all had their own little stand set up | 0:49:46 | 0:49:49 | |
as to what they were best known for. | 0:49:49 | 0:49:51 | |
-Darryl Strawberry had a baseball bat. -All right, ready? | 0:49:51 | 0:49:54 | |
Bret Michaels had the microphone. | 0:49:54 | 0:49:55 | |
So, they really got you into what they're known for | 0:49:55 | 0:49:58 | |
to make your Kodak experience the best it could be. | 0:49:58 | 0:50:00 | |
The thing that was very confusing about the men's store | 0:50:00 | 0:50:02 | |
was that they really didn't tell you where to go to get your picture, | 0:50:02 | 0:50:05 | |
how to get your picture. They didn't print pictures for you. | 0:50:05 | 0:50:08 | |
So, they kind of left you in the dark as to how you were to get | 0:50:08 | 0:50:10 | |
the picture you took in their store. | 0:50:10 | 0:50:12 | |
Cool. Good to meet you. Thanks for stopping by. | 0:50:12 | 0:50:14 | |
Did you get a card where you can pick up the pictures? | 0:50:14 | 0:50:16 | |
All of the ones... they'll all be there. Here. You got one. | 0:50:16 | 0:50:19 | |
There we go. Thank you. Very nice. | 0:50:20 | 0:50:22 | |
I will select all 11 pictures... | 0:50:22 | 0:50:24 | |
Great. | 0:50:24 | 0:50:25 | |
..and they'll start coming out. | 0:50:25 | 0:50:27 | |
-That's so cool. -Very cool, right? | 0:50:27 | 0:50:29 | |
-Nice. -This is your...ohhh! | 0:50:29 | 0:50:32 | |
Seriously? Seriously? | 0:50:32 | 0:50:35 | |
'We had two giant machines.' | 0:50:35 | 0:50:37 | |
And, when the power went out, both of them went down. | 0:50:37 | 0:50:39 | |
Till those come back up, there's nothing I can do. | 0:50:39 | 0:50:42 | |
'And it took a long time to reboot.' | 0:50:42 | 0:50:44 | |
So, it became a little bit of an issue | 0:50:44 | 0:50:45 | |
as far as cranking out the pictures. | 0:50:45 | 0:50:48 | |
Everybody, we'll just have a little party in here, OK? | 0:50:48 | 0:50:50 | |
-CROWD: Wooo! -We got coffee. We're good to go. All right? | 0:50:50 | 0:50:53 | |
Just hang out one moment. | 0:50:53 | 0:50:54 | |
All right, and we have lights! | 0:50:58 | 0:51:00 | |
We're back in a rotation, people. They're moving. | 0:51:00 | 0:51:02 | |
Don't forget to grab a lovely cupcake on the way out. | 0:51:02 | 0:51:06 | |
And there are autographed pictures of all of us right there and signed. | 0:51:06 | 0:51:09 | |
So don't forget... | 0:51:09 | 0:51:10 | |
Uh-oh. | 0:51:10 | 0:51:11 | |
We're just testing everybody. | 0:51:19 | 0:51:20 | |
Dear God, what did I do to you today? | 0:51:20 | 0:51:23 | |
'The power keeps going out. | 0:51:23 | 0:51:24 | |
'And that means we have to reboot all the computers.' | 0:51:24 | 0:51:27 | |
All these pictures, folks, you can pick up over there. | 0:51:27 | 0:51:29 | |
But you gotta look around first. | 0:51:29 | 0:51:31 | |
The whole idea is learning about Kodak. | 0:51:31 | 0:51:34 | |
Hang out for a bit, OK? | 0:51:34 | 0:51:35 | |
But there's so many people. | 0:51:35 | 0:51:37 | |
And, we're so busy. | 0:51:37 | 0:51:39 | |
There's a lot of pictures up there. | 0:51:42 | 0:51:44 | |
I can't find my picture. | 0:51:44 | 0:51:46 | |
'The scene around the printer was crazy.' | 0:51:46 | 0:51:50 | |
Now, if you, power go out, I swear to you, I might have a little fight. | 0:51:50 | 0:51:54 | |
They just wanted to grab their photo and run. | 0:51:54 | 0:51:57 | |
'So, everybody was just blocked up in there. | 0:51:57 | 0:51:59 | |
'If this keeps happening and the secret shoppers come in, | 0:51:59 | 0:52:02 | |
'we're screwed.' | 0:52:02 | 0:52:03 | |
Unbelievable. | 0:52:03 | 0:52:05 | |
What's going on here today? | 0:52:09 | 0:52:10 | |
Today, we are re-launching Kodak cameras, | 0:52:10 | 0:52:13 | |
and we have the lovely Sharon Osborne | 0:52:13 | 0:52:16 | |
and Cyndi Lauper outside - here she is right here. | 0:52:16 | 0:52:18 | |
Walking into the women's store, I was greeted at the door | 0:52:18 | 0:52:21 | |
and the whole layout of the program was explained to me. | 0:52:21 | 0:52:23 | |
And I got my picture taken with Cyndi Lauper right away, | 0:52:23 | 0:52:26 | |
which was great. | 0:52:26 | 0:52:27 | |
Where do I pick up that picture? | 0:52:27 | 0:52:29 | |
-Right over here at the Kodak centre. -OK. | 0:52:29 | 0:52:31 | |
-Thank you! -You're welcome. | 0:52:31 | 0:52:33 | |
Enjoy yourself. | 0:52:33 | 0:52:34 | |
I waited at the table for a while to get my picture printed out. | 0:52:39 | 0:52:44 | |
It was a bit chaotic at that table. | 0:52:44 | 0:52:46 | |
# Wanna have fun Girls wanna have... # | 0:53:00 | 0:53:04 | |
Our task this week is to create | 0:53:04 | 0:53:06 | |
a storefront for Kodak Moments. And at the moment, | 0:53:06 | 0:53:09 | |
the power keeps going out. | 0:53:09 | 0:53:11 | |
# They just wanna They just wanna... # | 0:53:11 | 0:53:13 | |
Come on. | 0:53:13 | 0:53:14 | |
# They just wanna They just wanna... # | 0:53:14 | 0:53:15 | |
I am thankful for Cyndi, because | 0:53:15 | 0:53:17 | |
the power keeps going out, but she's singing Girls Just Wanna Have Fun, | 0:53:17 | 0:53:20 | |
and I'm singing, "Girls just wanna have power." | 0:53:20 | 0:53:23 | |
Thank you, Cyndi. | 0:53:23 | 0:53:25 | |
# Girls just wanna have fun! # | 0:53:25 | 0:53:27 | |
Wooo! That was cool. That was great! | 0:53:27 | 0:53:31 | |
I'm having a moment! | 0:53:31 | 0:53:33 | |
'Celebrate the champion in you. Share Kodak Moments.' | 0:53:34 | 0:53:37 | |
-Little bit there, that's a good use of the logo. -Oh, that looks good. | 0:53:37 | 0:53:40 | |
Let's go in, and see what they've got. | 0:53:40 | 0:53:42 | |
Guys, excuse me for a second. Excuse me, I'm going to come through. | 0:53:42 | 0:53:45 | |
In Tenacity's storefront, the Kodak Moments were everywhere. | 0:53:45 | 0:53:48 | |
The red and yellow balloons were everywhere, so that was good. | 0:53:48 | 0:53:51 | |
We're celebrating the champion in you. | 0:53:51 | 0:53:52 | |
And if you see this poster right here, there's champions in everyone. | 0:53:52 | 0:53:55 | |
And then, I brought in some Make-A-Wish kids yesterday, | 0:53:55 | 0:53:58 | |
that's my charity. | 0:53:58 | 0:54:00 | |
So talk to me about how you captured the... | 0:54:00 | 0:54:02 | |
Woah, this... what? We're losing power right now? | 0:54:02 | 0:54:05 | |
-We are. -We're losing power? | 0:54:05 | 0:54:06 | |
The executives came in and they were looking around | 0:54:06 | 0:54:08 | |
and were very impressed and then the lights went out. | 0:54:08 | 0:54:11 | |
The lights must've gone out about four times. | 0:54:11 | 0:54:13 | |
We kept blowing out the power cos everything was on. | 0:54:13 | 0:54:16 | |
-So all these people are waiting for Kodak Moments? -Yes. | 0:54:16 | 0:54:18 | |
Who's showing the products? Is that Summer over here? | 0:54:18 | 0:54:21 | |
-Summer. -Shall we go over and see Summer? | 0:54:21 | 0:54:22 | |
It was chaotic. There was a big line for photos. | 0:54:22 | 0:54:25 | |
And so, I don't know that everybody had the best experience. | 0:54:25 | 0:54:28 | |
I've been talking about some of your newer products. | 0:54:28 | 0:54:31 | |
-So OLED picture frame, right? -Yup. | 0:54:31 | 0:54:32 | |
And the fact that you can unplug it. | 0:54:32 | 0:54:34 | |
And you can take it anywhere in your house. | 0:54:34 | 0:54:36 | |
But, Tenacity did a great job in showing the product. | 0:54:36 | 0:54:39 | |
That was very positive. | 0:54:39 | 0:54:41 | |
-Oh, wow, look at that. -Not bad. -Capture the moment, now share it. | 0:54:47 | 0:54:50 | |
-The balloons. Not bad. -Yeah. | 0:54:50 | 0:54:51 | |
-Capture the moment, now share it. Not bad. -They got the point. | 0:54:51 | 0:54:54 | |
Not bad. | 0:54:54 | 0:54:56 | |
-Every second, and we're sharing them. -This is good. | 0:54:56 | 0:54:58 | |
I really liked the RockSolid branding. | 0:54:58 | 0:55:00 | |
They did a super job of presenting Kodak Moments to the average person. | 0:55:00 | 0:55:04 | |
People can come in, with Curtis, with all the celebrities, | 0:55:04 | 0:55:07 | |
get their Kodak Moment and capture it. | 0:55:07 | 0:55:08 | |
And then you're running them through. | 0:55:08 | 0:55:10 | |
So each one of you have your own moment from your own careers? | 0:55:10 | 0:55:13 | |
-Our own moments of our careers. -Yeah. | 0:55:13 | 0:55:15 | |
And give them a card so that they can go... | 0:55:15 | 0:55:17 | |
-Give them a card so they can go to the... -..they can go to the site. | 0:55:17 | 0:55:20 | |
-To the site and everything. And download it. -Oh, cool. | 0:55:20 | 0:55:22 | |
So you're using our Kodak gallery. | 0:55:22 | 0:55:23 | |
I thought RockSolid and the men did a great job | 0:55:23 | 0:55:26 | |
using the celebrity status to bring people in, and to share. | 0:55:26 | 0:55:29 | |
I saw some very special Kodak Moments with some of the fans, | 0:55:29 | 0:55:32 | |
that wanted to be next to Darryl Strawberry, for instance. | 0:55:32 | 0:55:35 | |
-Notice that nobody's over here. -Wow, let me see over here. | 0:55:35 | 0:55:37 | |
-Nobody's over here with our product. -Nice presentation. | 0:55:37 | 0:55:40 | |
But I don't see anybody showing any products. | 0:55:40 | 0:55:42 | |
Yeah, I don't see anybody. | 0:55:42 | 0:55:43 | |
In the end, for a company like Kodak we have to sell product. | 0:55:43 | 0:55:46 | |
And no-one was doing that. | 0:55:46 | 0:55:47 | |
This a wonderful moment. | 0:55:49 | 0:55:50 | |
-He's turning red. I want this. I want this. -Shut up! | 0:55:50 | 0:55:53 | |
I want you to climb up. I want you to climb up. | 0:55:53 | 0:55:55 | |
-Get on that ladder, and jump on his head. -Smile. | 0:55:55 | 0:55:57 | |
God Almighty! | 0:55:57 | 0:55:59 | |
-Wrap around him. Take your legs, and wrap around him. -Shut up! | 0:55:59 | 0:56:01 | |
Perfect. Kodak Moment. | 0:56:01 | 0:56:03 | |
I'm feeling quite confident. | 0:56:03 | 0:56:04 | |
I think that we can win this. | 0:56:04 | 0:56:06 | |
Uno, dos, tres. | 0:56:06 | 0:56:07 | |
-Yay! -That's a Kodak Moment. -That's so cute. | 0:56:07 | 0:56:11 | |
Everybody that came today had a lot of fun. | 0:56:11 | 0:56:13 | |
As a project manager, Sinbad's very loose, quite unstructured. | 0:56:13 | 0:56:17 | |
Very free, very relaxed. | 0:56:17 | 0:56:19 | |
But, look, I think that you've gotta just look at someone's results. | 0:56:19 | 0:56:22 | |
I think we've done pretty well. | 0:56:22 | 0:56:23 | |
I would've done everything different, | 0:56:23 | 0:56:25 | |
but that doesn't mean it's better. | 0:56:25 | 0:56:27 | |
-Nice! -Cool, man. Cool. | 0:56:27 | 0:56:30 | |
Thank you, ladies. | 0:56:30 | 0:56:31 | |
Hello, Leslie, Jeff. | 0:56:43 | 0:56:44 | |
-Hello, Mr Trump. -Hello. -So how was it? | 0:56:44 | 0:56:47 | |
It was a good experience overall. | 0:56:47 | 0:56:48 | |
I think we were pleased with both teams in terms of what we saw. | 0:56:48 | 0:56:51 | |
What did you like about what the men did? | 0:56:51 | 0:56:53 | |
I liked the way they used their celebrity. | 0:56:53 | 0:56:55 | |
If you talked to the people that were in the store, they loved it. | 0:56:55 | 0:56:58 | |
They loved the experience. | 0:56:58 | 0:56:59 | |
Darryl Strawberry was a great big draw. | 0:56:59 | 0:57:02 | |
Everybody wanted to get their picture taken with him. | 0:57:02 | 0:57:04 | |
And they had a line waiting out the door. | 0:57:04 | 0:57:06 | |
And what did you not like about what the men did? | 0:57:06 | 0:57:09 | |
The product presentation - it was really nonexistent. | 0:57:09 | 0:57:12 | |
They just put the boxes up, they had the products laying out, | 0:57:12 | 0:57:15 | |
and no-one was really selling anything. | 0:57:15 | 0:57:17 | |
What did you like about the women, what they did. | 0:57:17 | 0:57:19 | |
Summer Sanders - I would hire her as a brand investor in a minute. | 0:57:19 | 0:57:23 | |
-Really? Wow. -That woman really got it down. -That's great. | 0:57:23 | 0:57:25 | |
We also hired some secret shoppers to check in. | 0:57:25 | 0:57:27 | |
Because we know they'll tell us one thing, | 0:57:27 | 0:57:29 | |
but we wanted to see what real people had to say. | 0:57:29 | 0:57:31 | |
And it really mirrored what we said about the experience that we saw. | 0:57:31 | 0:57:35 | |
The men came out and did a great job of being able to pass out cards, | 0:57:35 | 0:57:39 | |
and tell people to go to the gallery, pick up the photographs. | 0:57:39 | 0:57:42 | |
Great idea. But if you aren't going to share photos on the spot, | 0:57:42 | 0:57:46 | |
you'd better make sure they get one of these. | 0:57:46 | 0:57:48 | |
And I know for a fact, that two secret shoppers didn't. | 0:57:48 | 0:57:52 | |
OK. So you've seen them both. | 0:57:52 | 0:57:53 | |
You like some things, you don't like other things. | 0:57:53 | 0:57:56 | |
Who's the winner? | 0:57:56 | 0:57:57 | |
Well, from Kodak, the winner is... | 0:57:57 | 0:57:59 | |
-So Maria, how'd you like your team? -I loved it. | 0:58:27 | 0:58:32 | |
-Why? -So much fun. -Why? | 0:58:32 | 0:58:34 | |
Because everybody worked so well together. | 0:58:34 | 0:58:36 | |
I mean, we came up with a vision together. | 0:58:36 | 0:58:40 | |
And, I think we created something amazing in an empty space. | 0:58:40 | 0:58:45 | |
Good. Sharon, what'd you think of your team? | 0:58:45 | 0:58:47 | |
Oh, the team were just absolutely sensational. | 0:58:47 | 0:58:52 | |
Who was the weak player on the team? | 0:58:52 | 0:58:53 | |
Me. Because I was sick and I had to leave yesterday. | 0:58:53 | 0:58:56 | |
-Oh! Are you OK? -I'm better now, thank you very much. -You're tough. | 0:58:56 | 0:59:00 | |
-You were awesome, though. -Cyndi. -Yeah? | 0:59:00 | 0:59:01 | |
What do you think? | 0:59:01 | 0:59:02 | |
What do you think of what she's saying? Was she a weak player? | 0:59:02 | 0:59:05 | |
-I mean, it's hard to blame sickness. -She got sick. | 0:59:05 | 0:59:07 | |
No, she really got sick. | 0:59:07 | 0:59:09 | |
-I thought... -Excuse me, is that temporary in your hair? | 0:59:09 | 0:59:12 | |
SHE LAUGHS Seriously, does that come right out, or not really? | 0:59:12 | 0:59:15 | |
I'm just curious because I think it looks sort of cool. | 0:59:15 | 0:59:17 | |
-For you, I think it's great. -No, no. It comes out. It comes out. | 0:59:17 | 0:59:20 | |
-It comes out? -Tomorrow it'll be something else. -Yes. | 0:59:20 | 0:59:22 | |
-So, it's like, tomorrow it can be gone? -Yes. | 0:59:22 | 0:59:24 | |
I'll tell you what, when I saw her walk out this morning, | 0:59:24 | 0:59:26 | |
and she was Cyndi Lauper, I thought, "We're going to win this thing," | 0:59:26 | 0:59:30 | |
just cos she's standing out there. | 0:59:30 | 0:59:32 | |
Well, you know what I found ironic? | 0:59:32 | 0:59:34 | |
When I was outside handing pamphlets to people, | 0:59:34 | 0:59:36 | |
we would talk, and they would take pictures, and they would go. | 0:59:36 | 0:59:39 | |
And then, all of a sudden I remembered Studio 54, | 0:59:39 | 0:59:42 | |
cause we had the ropes and everything, | 0:59:42 | 0:59:44 | |
and we had the red carpet. | 0:59:44 | 0:59:45 | |
And I was like, "OK, I get it." | 0:59:45 | 0:59:48 | |
I went inside, and I started taking pictures with people. | 0:59:48 | 0:59:51 | |
And all of a sudden they were lining up, because they couldn't get in. | 0:59:51 | 0:59:55 | |
And I thought, "Ah ha!" | 0:59:55 | 0:59:57 | |
And then we just, you know, cos I was the hooker. | 0:59:57 | 0:59:59 | |
You know, like the person from, like, Orchard Street, | 0:59:59 | 1:00:02 | |
in the old days used to hook 'em in. | 1:00:02 | 1:00:04 | |
The hooker! | 1:00:04 | 1:00:06 | |
All right, so Sinbad, what did you think of your team? | 1:00:06 | 1:00:10 | |
Uh! Great. | 1:00:10 | 1:00:11 | |
RockSolid. These some bad cats. | 1:00:11 | 1:00:13 | |
Who was your big celebrity, would you say, in the group? | 1:00:13 | 1:00:16 | |
I think it was Strawberry and Goldberg. | 1:00:16 | 1:00:19 | |
-I heard Darryl really drew big. -Oh, he's the man. | 1:00:19 | 1:00:21 | |
-He's... -Yeah. | 1:00:21 | 1:00:22 | |
You wore like a Mets uniform or something? | 1:00:22 | 1:00:24 | |
I heard the people went nuts. | 1:00:24 | 1:00:26 | |
Yeah. A lot of them was asking me, "What about the Yankee part? | 1:00:26 | 1:00:29 | |
"You won three championships with them. Where is the Yankee?" | 1:00:29 | 1:00:31 | |
Who do you feel you were really. You were a Met, you were a Yankee. | 1:00:31 | 1:00:34 | |
-Where is your allegiance? -New York. | 1:00:34 | 1:00:36 | |
OK. Very good. Michael, what'd you think of the team? | 1:00:40 | 1:00:43 | |
You're just coming off a big win. | 1:00:43 | 1:00:45 | |
Do you think you won again? | 1:00:45 | 1:00:47 | |
I think there's a good chance we won again. | 1:00:47 | 1:00:48 | |
I think that our team was a little bit disorganized at the beginning. | 1:00:48 | 1:00:53 | |
There was a little bit of confusion. | 1:00:53 | 1:00:55 | |
But, today, we woke up and felt really good about our team. | 1:00:55 | 1:00:58 | |
Good. Governor, what was your role? | 1:00:58 | 1:01:00 | |
Pretty much do whatever I was assigned to do, | 1:01:00 | 1:01:02 | |
and when there was nothing to do, | 1:01:02 | 1:01:04 | |
to try to seek out things to do that were constructive. | 1:01:04 | 1:01:06 | |
Today, Sinbad and I were the ones taking the photographs. | 1:01:06 | 1:01:09 | |
-How did he do, Sinbad? -Governor did a good job. | 1:01:09 | 1:01:12 | |
I just think he loves balloons. | 1:01:12 | 1:01:14 | |
Yeah, I heard about this. You were like The Balloon Man! | 1:01:14 | 1:01:17 | |
Is it tough running the fifth largest state in the union, | 1:01:17 | 1:01:19 | |
and going to become The Balloon Man. | 1:01:19 | 1:01:21 | |
What do you mean by, "He liked the balloons"? | 1:01:21 | 1:01:23 | |
I think political people like a lot of balloons around. | 1:01:23 | 1:01:25 | |
And, last night he wanted balloons and I said OK. | 1:01:25 | 1:01:28 | |
And, this morning at seven o'clock, he goes, "We gotta have balloons." | 1:01:28 | 1:01:31 | |
I said, "Please, get the balloons." | 1:01:31 | 1:01:33 | |
Governor, how was Sinbad as a leader? | 1:01:33 | 1:01:35 | |
First, he's very creative, | 1:01:35 | 1:01:38 | |
and he has the experience and know-how in digital telephones, | 1:01:38 | 1:01:41 | |
and cell phones, that I picked up on. | 1:01:41 | 1:01:43 | |
And so I thought he was the perfect guy... | 1:01:43 | 1:01:45 | |
Sinbad, there were actually some secret people who were planted | 1:01:45 | 1:01:49 | |
to get a feel for the experience. | 1:01:49 | 1:01:51 | |
And, none of them were successfully able to go online | 1:01:51 | 1:01:54 | |
and find the pictures that they had taken. | 1:01:54 | 1:01:56 | |
-We printed up cards... -We printed up cards. -..with passwords | 1:01:56 | 1:01:59 | |
and we gave you the cards. | 1:01:59 | 1:02:00 | |
You took these cards and it tells you exactly | 1:02:00 | 1:02:02 | |
where to go to pick it up at. | 1:02:02 | 1:02:03 | |
But the secret shopper said that they were not even told | 1:02:03 | 1:02:06 | |
to go to the website. That was a big negative. | 1:02:06 | 1:02:08 | |
I gave the cards out to everyone we took pictures with. | 1:02:08 | 1:02:11 | |
OK, I'd like to see the photos. | 1:02:13 | 1:02:16 | |
Show them to each team. Let's take a look. | 1:02:16 | 1:02:19 | |
Tell me what you think of the other team's photos. | 1:02:19 | 1:02:22 | |
Oh, not even close. | 1:02:28 | 1:02:30 | |
Nah, they're not even close to us. | 1:02:30 | 1:02:32 | |
-It's just a collage of pictures. -Oh, yes. | 1:02:33 | 1:02:35 | |
We had more product than this. | 1:02:35 | 1:02:37 | |
So Maria, what do you think of their photos? | 1:02:37 | 1:02:40 | |
I think they did a great job of showing different celebrity | 1:02:40 | 1:02:43 | |
attributes that they all brought to the table. | 1:02:43 | 1:02:45 | |
But, the one thing that I think is missing is definitely the product. | 1:02:45 | 1:02:48 | |
And, at the end of the day, it's about product. | 1:02:48 | 1:02:51 | |
And that was one of the big comments from the Kodak executives, | 1:02:51 | 1:02:54 | |
too much focus on just the celebrity, not Kodak. | 1:02:54 | 1:02:56 | |
Which Don, in fairness, | 1:02:56 | 1:02:58 | |
one of their complaints about the women's team was that they | 1:02:58 | 1:03:01 | |
lacked a certain personal connection with each of the celebrities. | 1:03:01 | 1:03:04 | |
So there wasn't that connection with you all. | 1:03:04 | 1:03:06 | |
So, Darryl, what do you think of their pictures? | 1:03:08 | 1:03:11 | |
I think their pictures are nice. | 1:03:11 | 1:03:13 | |
How do you like them compared to yours? | 1:03:13 | 1:03:15 | |
-I like ours better. -Curtis, what do you think? | 1:03:15 | 1:03:17 | |
I think we were really creative in the way that we ran around | 1:03:17 | 1:03:20 | |
the streets as a big group, and we created a whole lot of buzz. | 1:03:20 | 1:03:22 | |
And while we did it, we took photos | 1:03:22 | 1:03:24 | |
and we tried to capture an hour's worth of fun. | 1:03:24 | 1:03:27 | |
-It worked really well. -You had fun with it. | 1:03:27 | 1:03:28 | |
And I definitely think you integrated New York into this task. | 1:03:28 | 1:03:32 | |
OK, are we ready? | 1:03:32 | 1:03:34 | |
-Yes. -We're ready. | 1:03:34 | 1:03:36 | |
It's very interesting. | 1:03:39 | 1:03:40 | |
And it's very, very tough. | 1:03:40 | 1:03:44 | |
But, the fact is the Kodak executives loved | 1:03:44 | 1:03:48 | |
the job... | 1:03:48 | 1:03:50 | |
that the women did. | 1:03:50 | 1:03:52 | |
So the women win! Congratulations. | 1:03:52 | 1:03:56 | |
-Congratulations. -Way to go, Maria. | 1:03:56 | 1:03:58 | |
-Maria. -Nice. -Make-A-Wish. -Thank you. | 1:03:58 | 1:04:01 | |
They thought you were organized. | 1:04:01 | 1:04:02 | |
They thought you were brilliant in terms of your imaging. | 1:04:02 | 1:04:06 | |
They thought Summer was genius. | 1:04:06 | 1:04:10 | |
So, congratulations. | 1:04:10 | 1:04:12 | |
And Maria, you get 20,000 for your charity - what's that? | 1:04:12 | 1:04:15 | |
-Make-A-Wish foundation. -That's great. I love that charity. | 1:04:15 | 1:04:19 | |
Congratulations. | 1:04:20 | 1:04:21 | |
Very good. I'm proud of you. | 1:04:21 | 1:04:23 | |
So what you do, go back to the war room. | 1:04:23 | 1:04:26 | |
You can watch, if you like, you can watch what happens. | 1:04:26 | 1:04:28 | |
-Oh, we'll watch. -Somebody will be fired from the men's team, | 1:04:28 | 1:04:31 | |
and you can just sit back and smile. That's a great charity. Go. | 1:04:31 | 1:04:33 | |
Thank you. Thank you. Enjoy it. | 1:04:33 | 1:04:35 | |
-Thank you. -Sharon, feel better. -Yeah, I will. | 1:04:35 | 1:04:37 | |
Congratulations to all of us. Thank you, guys, so much. | 1:04:39 | 1:04:42 | |
Fellas, a little surprising. | 1:04:44 | 1:04:46 | |
-Shocked. -Shocked. | 1:04:46 | 1:04:49 | |
Unfortunately, somebody will be fired. | 1:04:49 | 1:04:51 | |
-Wooo! -Champagne! | 1:05:00 | 1:05:02 | |
-Yeah! -Good job, ladies! Good job, guys! -No, you are the best. | 1:05:02 | 1:05:06 | |
You guys were awesome. | 1:05:06 | 1:05:07 | |
I feel so good. | 1:05:07 | 1:05:09 | |
Team Tenacity won today. | 1:05:09 | 1:05:11 | |
And now, I get to go to the Make-A-Wish Foundation | 1:05:11 | 1:05:14 | |
and give them 20,000. | 1:05:14 | 1:05:17 | |
That's great though, for the charity, it's great. | 1:05:17 | 1:05:20 | |
-Yeah. Come on. -That's five kids. | 1:05:20 | 1:05:22 | |
It comes out to about five granted wishes. | 1:05:22 | 1:05:24 | |
And, to know that five kids will be able to do their dream, | 1:05:24 | 1:05:28 | |
it's so amazing. | 1:05:28 | 1:05:30 | |
We won! We won. | 1:05:30 | 1:05:32 | |
And Make-A-Wish won too. | 1:05:32 | 1:05:34 | |
Please turn on that television! | 1:05:34 | 1:05:35 | |
-Here we go. -It's on, it's on! | 1:05:37 | 1:05:39 | |
-Shhh! Shhh! -So Rod, what happened? | 1:05:39 | 1:05:41 | |
I think there was a little bit of over-winning confidence, | 1:05:41 | 1:05:43 | |
maybe it was a result of the initial success. | 1:05:43 | 1:05:46 | |
And, evidently underestimated the other side. | 1:05:46 | 1:05:48 | |
Was the other side pretty good? | 1:05:48 | 1:05:50 | |
Do you agree that their pictures, their photos, | 1:05:50 | 1:05:52 | |
were better than yours? | 1:05:52 | 1:05:53 | |
Uh, I agree their pictures look very good. | 1:05:53 | 1:05:55 | |
And, they won fair and square. | 1:05:55 | 1:05:57 | |
And I think they need to be commended for that. | 1:05:57 | 1:06:00 | |
Michael, whose fault was it that you lost? | 1:06:00 | 1:06:02 | |
If I understood why we lost, | 1:06:02 | 1:06:04 | |
I'd be able to point the finger at a person, | 1:06:04 | 1:06:06 | |
because I'm all about. | 1:06:06 | 1:06:07 | |
So you don't necessarily agree with their decision? | 1:06:07 | 1:06:09 | |
You don't agree with their decision? | 1:06:09 | 1:06:11 | |
-I don't understand why the other team won. -Get out of here! | 1:06:11 | 1:06:14 | |
-What did he say? -He doesn't understand why the other team won. | 1:06:14 | 1:06:17 | |
Cos we were better, you dumbo! | 1:06:19 | 1:06:21 | |
I think largely because no-one got the message | 1:06:21 | 1:06:23 | |
of what the products of Kodak were, when they were there. | 1:06:23 | 1:06:26 | |
-The celebrity experience was great. -Right. | 1:06:26 | 1:06:28 | |
But ultimately, Kodak is there to sell stuff relating | 1:06:28 | 1:06:31 | |
to taking pictures, or displaying them. | 1:06:31 | 1:06:33 | |
Right. So, then it would be | 1:06:33 | 1:06:34 | |
a situation in that that was more important to them, | 1:06:34 | 1:06:37 | |
because I felt like we got the message about Kodak, | 1:06:37 | 1:06:40 | |
and new Kodak, and new Kodak Moments and sharing them. | 1:06:40 | 1:06:43 | |
-But I can tell you some of the reasons. -Sharing was really big. | 1:06:43 | 1:06:46 | |
They gave me some of the reasons. Very poor execution, | 1:06:46 | 1:06:48 | |
in terms of sending people to the website. | 1:06:48 | 1:06:51 | |
That was a problem. That was a problem that we missed. | 1:06:51 | 1:06:53 | |
Uh, there was no flow to the room, it was confusing. | 1:06:53 | 1:06:57 | |
Didn't display all the products. | 1:06:57 | 1:06:59 | |
And those that they did, were just stacked in a pile. | 1:06:59 | 1:07:03 | |
I mean, they wanted to learn about the product, and they couldn't. | 1:07:03 | 1:07:06 | |
-You know, we... -That was a problem. That was a big problem. | 1:07:06 | 1:07:09 | |
But we could've done a better job. I guess... I did... | 1:07:09 | 1:07:11 | |
I was trying to keep the experience, and the product, | 1:07:11 | 1:07:14 | |
and I think now what I should've done, | 1:07:14 | 1:07:15 | |
I should've spent more time on the product | 1:07:15 | 1:07:18 | |
and less on the experience. | 1:07:18 | 1:07:19 | |
Your Moments were terrific. | 1:07:19 | 1:07:21 | |
-Mm-hmm. -They loved them. | 1:07:21 | 1:07:22 | |
They really felt like you nailed the Kodak Moment. | 1:07:22 | 1:07:25 | |
But, you know, I think, given the fact that you do know | 1:07:25 | 1:07:27 | |
so much about the product, rather than wait for them | 1:07:27 | 1:07:30 | |
to come to you, you probably should've sought them out. | 1:07:30 | 1:07:32 | |
Walked them through the thought process, | 1:07:32 | 1:07:34 | |
and explained to them you had an appreciation for Kodak | 1:07:34 | 1:07:37 | |
and their products. | 1:07:37 | 1:07:38 | |
Sinbad, as project manager, | 1:07:38 | 1:07:41 | |
who would you say did the worst job, for you? | 1:07:41 | 1:07:44 | |
There's no worst job, but, what happened is, | 1:07:46 | 1:07:48 | |
the only one that lost a little bit of focus was Bret. | 1:07:48 | 1:07:50 | |
Bret, why are you rolling your eyes? | 1:07:51 | 1:07:53 | |
Well, I felt, you know, I said to my strong point, to Sinbad, | 1:07:54 | 1:07:58 | |
was that I am great at building at the imaging at this place and... | 1:07:58 | 1:08:02 | |
So what happened? | 1:08:02 | 1:08:03 | |
I talked to Sinbad, I'll be straight honest, | 1:08:03 | 1:08:05 | |
for most of the day he kind of ignored me. | 1:08:05 | 1:08:07 | |
You know, every time I asked for something, I couldn't do it. | 1:08:07 | 1:08:10 | |
I wasn't exactly sure what I was supposed to do and... | 1:08:10 | 1:08:12 | |
I'm going to disagree with you. | 1:08:12 | 1:08:14 | |
You left and went downstairs and sulked. | 1:08:14 | 1:08:16 | |
Now we're going to break it down. | 1:08:16 | 1:08:17 | |
I want to do this. You left at one minute and came up. | 1:08:17 | 1:08:19 | |
You said, "People treat me a certain way," and you started talking | 1:08:19 | 1:08:22 | |
about the rock of love. I said, "Dude, no-one here is judging you." | 1:08:22 | 1:08:24 | |
I think sometimes you think people expect you to be a certain way. | 1:08:24 | 1:08:27 | |
And I and everybody else got love for you. | 1:08:27 | 1:08:29 | |
And I think sometimes, you need to have more love for yourself, | 1:08:29 | 1:08:32 | |
cos man, I think you a bad cat. | 1:08:32 | 1:08:33 | |
But sometimes you think people think we're looking at you some way. | 1:08:33 | 1:08:36 | |
-A bad cat is a good thing? -Good. Good guy. I mean, creative guy. | 1:08:36 | 1:08:39 | |
What do you think about that, Michael? | 1:08:39 | 1:08:41 | |
I mean, you still had a team leader. | 1:08:41 | 1:08:42 | |
You still had a project manager named Sinbad, | 1:08:42 | 1:08:45 | |
who maybe didn't lead as well as he was supposed to lead. | 1:08:45 | 1:08:48 | |
Nobody understands what happened with Bret. | 1:08:48 | 1:08:51 | |
And he's tried to explain it, and we still don't understand it. | 1:08:51 | 1:08:53 | |
Bret came to me and said, | 1:08:53 | 1:08:55 | |
"Hey, Michael, what am I supposed to do?" | 1:08:55 | 1:08:57 | |
Does that mean he wasn't being led, or he was confused? | 1:08:57 | 1:09:00 | |
Probably not being led at that particular point. | 1:09:00 | 1:09:04 | |
But, I wasn't either, but I found something to do. | 1:09:04 | 1:09:08 | |
And Bret came to me twice and said... | 1:09:08 | 1:09:10 | |
So, if you weren't being led, and if he wasn't being led, | 1:09:10 | 1:09:12 | |
would that be, sort of, saying something about Sinbad? | 1:09:12 | 1:09:15 | |
-That's what type of... -What did you think of Sinbad as a leader? | 1:09:15 | 1:09:19 | |
At the very beginning, he was a little bit loose. | 1:09:20 | 1:09:23 | |
People were started getting frustrated because they didn't | 1:09:23 | 1:09:26 | |
feel like the task was being communicated to them. | 1:09:26 | 1:09:28 | |
They had an expectation from the first task, that, | 1:09:28 | 1:09:31 | |
"Hey, this is your assignment, this is your assignment." | 1:09:31 | 1:09:33 | |
Frustration became evident. People handled it differently. | 1:09:33 | 1:09:36 | |
-I handled it by finding something else to do. -Right. | 1:09:36 | 1:09:38 | |
Bret handled it by going wherever Bret went. | 1:09:38 | 1:09:41 | |
Michael, you've had two project managers to date. | 1:09:41 | 1:09:45 | |
One Sinbad, one Bret. | 1:09:45 | 1:09:46 | |
Who would you say was stronger of the two in the two different tasks? | 1:09:46 | 1:09:49 | |
For my style and the type of leadership that I like best, | 1:09:51 | 1:09:54 | |
-Bret. -Mm-hmm. | 1:09:54 | 1:09:56 | |
-Who's a better leader? -Bret. | 1:09:56 | 1:09:57 | |
But not a better follower. | 1:09:57 | 1:09:59 | |
Curtis, if Sinbad didn't take control, | 1:10:02 | 1:10:04 | |
who was really running the show? | 1:10:04 | 1:10:06 | |
I think for the first day, we all kind of picked up | 1:10:06 | 1:10:09 | |
and sort of took control of what we could, | 1:10:09 | 1:10:12 | |
and then, somehow most of what we'd planned came together. | 1:10:12 | 1:10:15 | |
Who was the leader? Who was really the leader of the team? | 1:10:15 | 1:10:18 | |
I think between the Governor and Michael, | 1:10:19 | 1:10:21 | |
and myself, we sort of worked as a little group. | 1:10:21 | 1:10:24 | |
But, Sinbad was the overall leader of all of us. | 1:10:24 | 1:10:26 | |
And, you thought of Sinbad as a leader, what? Good? Great? OK? | 1:10:26 | 1:10:30 | |
Average? What? | 1:10:30 | 1:10:32 | |
I thought he was an average leader. | 1:10:34 | 1:10:36 | |
He could have been a lot stronger. | 1:10:36 | 1:10:38 | |
I don't think that he gave us enough responsibility from the start | 1:10:38 | 1:10:41 | |
or enough clear direction. | 1:10:41 | 1:10:42 | |
-And I think you agree with that, Michael. -Absolutely. | 1:10:42 | 1:10:46 | |
-Governor, how do you feel about that? -If I could... | 1:10:46 | 1:10:49 | |
And you've been a leader for a long time. Go ahead. | 1:10:49 | 1:10:52 | |
If I could get some context. | 1:10:52 | 1:10:53 | |
We all have strengths and weaknesses | 1:10:53 | 1:10:55 | |
and Sinbad brought some real strengths to this. | 1:10:55 | 1:10:57 | |
And among them was his willingness to sacrifice his celebrity | 1:10:57 | 1:11:01 | |
for the good of the team and for the good of our sponsor and ally, Kodak. | 1:11:01 | 1:11:04 | |
-Do you think his eyes are too close together? -Yes. | 1:11:04 | 1:11:07 | |
When he was still warm, somebody went like that. | 1:11:07 | 1:11:11 | |
He looks a bit half-baked. Put him back in the oven. | 1:11:11 | 1:11:15 | |
Put him back! | 1:11:15 | 1:11:16 | |
Sinbad was willing for the good of the whole, | 1:11:16 | 1:11:20 | |
to do the less glamorous tasks today, which is what we both did, | 1:11:20 | 1:11:24 | |
photographing those unique Kodak celebrity moments with | 1:11:26 | 1:11:29 | |
all of our celebrities. And that's a form of leadership. | 1:11:29 | 1:11:32 | |
The delegation could've been stronger. | 1:11:32 | 1:11:34 | |
But you're being so political. | 1:11:34 | 1:11:35 | |
-No, he's... -I mean, I know it's in your blood. | 1:11:35 | 1:11:39 | |
But what do you really think? | 1:11:40 | 1:11:42 | |
I think that he could've been a little bit stronger | 1:11:43 | 1:11:46 | |
in the delegation. | 1:11:46 | 1:11:47 | |
I think he's a person of great creativity | 1:11:47 | 1:11:50 | |
and strong opinions. | 1:11:50 | 1:11:52 | |
I think you agree with the fact that you could've been stronger in delegation. | 1:11:52 | 1:11:55 | |
Goldberg, you're so quiet. What do you think? | 1:11:57 | 1:12:00 | |
I'm still flabbergasted as to how we lost that. | 1:12:00 | 1:12:03 | |
Well, but you lost. | 1:12:03 | 1:12:04 | |
Except for the fact, I think we drew too many people. | 1:12:04 | 1:12:07 | |
I think the stardom that exists on this team, we underestimated... | 1:12:07 | 1:12:13 | |
Oh, shush! | 1:12:13 | 1:12:15 | |
..and maybe that diluted the message that we were supposed to get across. | 1:12:15 | 1:12:18 | |
That's my opinion. | 1:12:18 | 1:12:21 | |
-I don't think he has a big enough... -Little BLEEP! | 1:12:21 | 1:12:23 | |
-All right. You know what? -Uh! -Little wang, little tuplet. | 1:12:23 | 1:12:25 | |
OK, we're good. | 1:12:25 | 1:12:27 | |
Or, maybe you were so focused on that that you didn't think | 1:12:29 | 1:12:31 | |
in terms of the imaging and the photography, | 1:12:31 | 1:12:34 | |
and the things that probably were ultimately more important, | 1:12:34 | 1:12:36 | |
at least to Kodak. | 1:12:36 | 1:12:38 | |
-That's what they're all about. -Maybe. -OK, Sinbad. | 1:12:38 | 1:12:41 | |
I want you to pick two people | 1:12:41 | 1:12:42 | |
to come back into the boardroom with you. | 1:12:42 | 1:12:44 | |
-Somebody's going to be fired. -Mm-hmm. | 1:12:44 | 1:12:48 | |
Now who are you going to pick? | 1:12:48 | 1:12:49 | |
I've gotta go with... | 1:12:52 | 1:12:54 | |
I gotta go with... | 1:12:54 | 1:12:55 | |
with Rod and Bret. | 1:12:55 | 1:12:57 | |
Why Rod? | 1:12:59 | 1:13:01 | |
Only because I can't... I can't say Michael, I can't say Curtis, | 1:13:01 | 1:13:04 | |
I can't say Goldberg, I can't say Darryl. | 1:13:04 | 1:13:06 | |
I can't. | 1:13:06 | 1:13:08 | |
They just, they just kicked too hard. | 1:13:08 | 1:13:10 | |
And, I think Bret is the more obvious choice, right? | 1:13:10 | 1:13:12 | |
You kind of put yourself in the spot just by disappearing. | 1:13:12 | 1:13:16 | |
OK, Curtis, Michael, | 1:13:17 | 1:13:21 | |
Goldberg, Darryl, go back to the suite. | 1:13:21 | 1:13:26 | |
You three, go ahead out. | 1:13:26 | 1:13:28 | |
You're going to be coming right back in. | 1:13:28 | 1:13:29 | |
-Cool. -Somebody will be fired. Thank you. | 1:13:29 | 1:13:31 | |
Women, turn off your television. | 1:13:41 | 1:13:44 | |
You've seen enough. | 1:13:44 | 1:13:45 | |
All right. Let's get ready to rumble. Who's going? | 1:13:45 | 1:13:48 | |
Who do you say, Cyn? | 1:13:48 | 1:13:49 | |
-Quick. -Sinbad. -He's the project... | 1:13:49 | 1:13:51 | |
-Sinbad. -Yeah, me too. | 1:13:51 | 1:13:52 | |
-Sinbad. -They might get rid of Bret. | 1:13:52 | 1:13:55 | |
-Yeah. -That'd be crazy. | 1:13:55 | 1:13:56 | |
Someone here's going to win, and someone here's going to lose. | 1:13:56 | 1:13:59 | |
I'm project manager, so I'm probably rolling. | 1:13:59 | 1:14:01 | |
Cos we all know that when you take the job of the project manager, | 1:14:01 | 1:14:04 | |
that's who probably rolls. | 1:14:04 | 1:14:05 | |
I'm not sure that that's going to be the case this evening. | 1:14:05 | 1:14:07 | |
So, Don, what do you think? | 1:14:19 | 1:14:22 | |
I don't know if Sinbad actually listened to the executives, | 1:14:22 | 1:14:25 | |
and that could be his downfall. | 1:14:25 | 1:14:26 | |
-Ivanka? -I think Sinbad was disorganized. | 1:14:26 | 1:14:29 | |
Bret, though, walked away from the team and that's something to | 1:14:29 | 1:14:32 | |
be weighed, especially this early on in the game. | 1:14:32 | 1:14:34 | |
You can't get frustrated. | 1:14:34 | 1:14:36 | |
Amanda, let them come in. | 1:14:36 | 1:14:38 | |
-Yes, Mr Trump. Gentlemen, you can head back in now. -Thank you. | 1:14:38 | 1:14:41 | |
Sit down, fellas. | 1:14:52 | 1:14:54 | |
So, Bret, how do you feel about being brought back in. | 1:14:56 | 1:14:59 | |
-Are you surprised? -Not at all. -Why? | 1:14:59 | 1:15:02 | |
I'm saying this as much as I love Sinbad as a person, | 1:15:02 | 1:15:05 | |
we had a disconnect yesterday. | 1:15:05 | 1:15:07 | |
I'm not blaming that on him or me. | 1:15:07 | 1:15:09 | |
And I just felt I'd be brought back in. | 1:15:09 | 1:15:12 | |
-Should I fire you or Sinbad? -Obviously, I would say Sinbad. | 1:15:12 | 1:15:16 | |
-Why? -Um, because I don't want to go home. | 1:15:16 | 1:15:19 | |
I'm here for my charity. I'm here to win it. | 1:15:21 | 1:15:23 | |
I think Sinbad, today, did an amazing job as a project manager. | 1:15:23 | 1:15:26 | |
But, I think that the first day was just very discombooberated. | 1:15:26 | 1:15:31 | |
-Governor, what do you think? -Well, I think I should stay. | 1:15:35 | 1:15:39 | |
I think I offer a lot to the team. | 1:15:39 | 1:15:41 | |
I think my experience as a leader in a big state, | 1:15:41 | 1:15:45 | |
I feel that when there is a leader or a manager, | 1:15:45 | 1:15:48 | |
before you act on your own, you need the permission of the manager. | 1:15:48 | 1:15:51 | |
And while I would hound him from time to time on different things, | 1:15:51 | 1:15:54 | |
when he would finally give me permission to do it, I would do it. | 1:15:54 | 1:15:57 | |
But I never felt I should freelance. | 1:15:57 | 1:15:59 | |
When I was the governor, and I'd delegate things, I expected people to do things. | 1:15:59 | 1:16:02 | |
But I wouldn't want people freelancing | 1:16:02 | 1:16:04 | |
on an important issue without my signoff. | 1:16:04 | 1:16:06 | |
But does it mean that you did nothing | 1:16:06 | 1:16:08 | |
until you were told to do something? | 1:16:08 | 1:16:09 | |
-No. -Is that what you're saying. -No, absolutely not. | 1:16:09 | 1:16:12 | |
It simply means, when I had certain ideas, | 1:16:12 | 1:16:14 | |
I wanted to pass them past my manager first, | 1:16:14 | 1:16:16 | |
to get approval and then run with it, and do it. | 1:16:16 | 1:16:19 | |
Sinbad, why did you bring him in? | 1:16:19 | 1:16:21 | |
I don't see him being here. | 1:16:21 | 1:16:22 | |
Um, when I look at the only reason I'm saying that right now | 1:16:25 | 1:16:28 | |
is cos the other guys. | 1:16:28 | 1:16:30 | |
I mean, they, not just this task, with all these tasks, | 1:16:30 | 1:16:32 | |
Those guys are, I tell you, they're beasts. | 1:16:32 | 1:16:34 | |
They deserve to be where they're at. | 1:16:34 | 1:16:36 | |
Now, Rod, when my father asked you, | 1:16:37 | 1:16:38 | |
"Who should be the project manager?" why didn't you step up? | 1:16:38 | 1:16:41 | |
You were the governor of a state, perhaps the highest | 1:16:41 | 1:16:43 | |
leadership position of anyone on all of the teams. | 1:16:43 | 1:16:46 | |
And yet you said, "You know what? Give to Sinbad," | 1:16:46 | 1:16:48 | |
rather than taking that ball and running with it yourself. | 1:16:48 | 1:16:50 | |
Right. That's a good question. | 1:16:50 | 1:16:52 | |
Well, you're the general manager, | 1:16:52 | 1:16:53 | |
and you have the chance to be able to manage a team based on | 1:16:53 | 1:16:56 | |
the specific assignment that required a creative edge. | 1:16:56 | 1:16:58 | |
And again, because of Sinbad's know-how in the digital | 1:16:58 | 1:17:01 | |
telephone/camera background and he's had some experience there, | 1:17:01 | 1:17:05 | |
-I just felt he was more confident... -And yet he blew the internet. | 1:17:05 | 1:17:09 | |
-Well... -We didn't, we just... | 1:17:09 | 1:17:11 | |
Somebody did, Sinbad. | 1:17:11 | 1:17:12 | |
That was the biggest problem that Kodak had. | 1:17:12 | 1:17:14 | |
We're so confused about it. | 1:17:14 | 1:17:15 | |
Everybody that walked out, knew exactly where to go. | 1:17:15 | 1:17:18 | |
I made sure. I made sure. | 1:17:18 | 1:17:20 | |
-I had those... -But they didn't. | 1:17:20 | 1:17:21 | |
They weren't told to go to the website. Why? | 1:17:21 | 1:17:23 | |
Whose mistake was it that they weren't told to go to the website? | 1:17:23 | 1:17:26 | |
I told them to go to the website. I didn't make the mistake there. | 1:17:26 | 1:17:29 | |
I didn't just tell them, I printed out, and gave cards. | 1:17:29 | 1:17:31 | |
I gave cards to people even before they came in. | 1:17:31 | 1:17:33 | |
The secret shoppers never got those cards. | 1:17:33 | 1:17:35 | |
-They probably didn't take their cards. -Well they never got them! | 1:17:35 | 1:17:38 | |
Someone had to hand them out. That's part of the disorganization | 1:17:38 | 1:17:40 | |
-the executives talked about. -They didn't take pictures. | 1:17:40 | 1:17:43 | |
-Everybody who took the picture... -It wasn't an issue of | 1:17:43 | 1:17:45 | |
sending people to the website. The executives actually loved it. | 1:17:45 | 1:17:47 | |
They thought it was a great idea, it drove traffic to their site. | 1:17:47 | 1:17:50 | |
Their biggest problem was the execution. | 1:17:50 | 1:17:52 | |
Governor, if you were me, who would you fire? | 1:17:54 | 1:17:58 | |
-Mmm. -Come on. | 1:17:58 | 1:17:59 | |
Absent, compelling facts where one of the players | 1:18:02 | 1:18:07 | |
failed egregiously to manage the ball. | 1:18:07 | 1:18:11 | |
Sinbad. | 1:18:11 | 1:18:13 | |
Because we didn't win and those are the rules. | 1:18:15 | 1:18:18 | |
And it kills me to say that. | 1:18:18 | 1:18:20 | |
Bret, why did you walk away from your team? | 1:18:20 | 1:18:23 | |
Um, here's why I walked away. I've learned one thing about myself. | 1:18:23 | 1:18:28 | |
I do not want to argue. | 1:18:28 | 1:18:30 | |
If I argue, and felt that I wasn't being given direction with Sinbad. | 1:18:30 | 1:18:35 | |
Sinbad was inundated. And he was trying to do an amazing job. | 1:18:35 | 1:18:39 | |
If I let my temper get in the way, and I argue with him, | 1:18:39 | 1:18:42 | |
it... We're down for an hour. | 1:18:42 | 1:18:44 | |
All of a sudden, people start to divide. | 1:18:44 | 1:18:47 | |
We start to, there's us in this corner, this over here. | 1:18:47 | 1:18:49 | |
-I didn't want any... -So, it was a self-imposed timeout of sorts? | 1:18:49 | 1:18:52 | |
It was a self-imposed timeout. | 1:18:52 | 1:18:54 | |
-I walked away. -Why, though? I don't understand. | 1:18:54 | 1:18:56 | |
Why did you walk away, as opposed to getting in there really, | 1:18:56 | 1:18:59 | |
and fighting for what you thought, for what you believed? | 1:18:59 | 1:19:01 | |
I had, at that moment, I felt I had nothing to do. | 1:19:01 | 1:19:04 | |
I asked Rod, I asked Sinbad. | 1:19:04 | 1:19:05 | |
Sinbad, when I would ask him a couple of questions, | 1:19:05 | 1:19:07 | |
he would turn and start speaking to Darryl or something. | 1:19:07 | 1:19:10 | |
I did not know what to do. | 1:19:10 | 1:19:12 | |
And, again, I just didn't know what to do. | 1:19:12 | 1:19:14 | |
Bret, if you were me, who would you fire? | 1:19:14 | 1:19:16 | |
I would say... | 1:19:19 | 1:19:21 | |
I would say that it would be Sinbad. | 1:19:26 | 1:19:28 | |
I felt disoriented. I didn't know what to do. | 1:19:30 | 1:19:34 | |
And I did grunt work. And anyone will say that. | 1:19:34 | 1:19:36 | |
-Sinbad, why shouldn't I fire you? You're the project manager. -Mm-hmm. | 1:19:36 | 1:19:40 | |
And actually, most people thought, on your own team, | 1:19:40 | 1:19:43 | |
that probably you should be the one that got fired. | 1:19:43 | 1:19:46 | |
OK, of course, I'm team leader I take that. | 1:19:46 | 1:19:48 | |
-Project manager. -Project manager. I understand that. | 1:19:48 | 1:19:50 | |
-Absolutely. -But I'm like this, first of all, | 1:19:50 | 1:19:52 | |
I think I'm a great leader, I'm a great follower. | 1:19:52 | 1:19:54 | |
I'm a great asset to this team. If I'm following you, I get it done. | 1:19:54 | 1:19:57 | |
-If I'm leading, I'll get it done. -Is Bret manageable, Sinbad? | 1:19:57 | 1:20:02 | |
Yes. | 1:20:02 | 1:20:03 | |
-You think he is? -Yes. -OK. | 1:20:03 | 1:20:05 | |
I tell you, everybody on this team is manageable. | 1:20:05 | 1:20:08 | |
If he's manageable, why couldn't you manage him? | 1:20:08 | 1:20:10 | |
-Well, if you walk, this is my... -I almost would've preferred | 1:20:10 | 1:20:13 | |
if you said, "He's totally a whack job. He's not manageable. | 1:20:13 | 1:20:17 | |
And you couldn't have managed him, Mr Trump. Nobody can. | 1:20:17 | 1:20:19 | |
-Well... -But you really think he's manageable? -Yes. | 1:20:19 | 1:20:22 | |
-I sort of think he's manageable. -Yes, he is. | 1:20:22 | 1:20:24 | |
He's not easy, but manageable. | 1:20:24 | 1:20:26 | |
Look, the fact is you lost the task. | 1:20:28 | 1:20:30 | |
You couldn't handle Bret, even though | 1:20:30 | 1:20:32 | |
you just admitted he was manageable. | 1:20:32 | 1:20:34 | |
And, you're the project manager. | 1:20:34 | 1:20:36 | |
Sinbad, you're fired. | 1:20:36 | 1:20:38 | |
OK. Cool, man. | 1:20:41 | 1:20:44 | |
Thank you. Cool. | 1:20:44 | 1:20:46 | |
He did not lead properly. | 1:21:22 | 1:21:24 | |
And he couldn't explain why anyone else should go. | 1:21:24 | 1:21:27 | |
Good guy, but it just didn't work out. | 1:21:27 | 1:21:29 | |
I agree 100%. | 1:21:29 | 1:21:31 | |
My experience was, it was short, but it was cool. | 1:22:03 | 1:22:06 | |
It was fun working with the guys. These cats are top notch. | 1:22:06 | 1:22:08 | |
Good people, man. | 1:22:08 | 1:22:10 | |
In the boardroom, I should have jacked up Blagojevich a bit, | 1:22:10 | 1:22:12 | |
and Bret a little bit more. | 1:22:12 | 1:22:14 | |
My advice to the contestants, throw somebody under the bus. | 1:22:14 | 1:22:16 | |
Don't be nice. Throw them under the bus. | 1:22:16 | 1:22:18 | |
Throw them under the bus. | 1:22:18 | 1:22:20 | |
And then say, "I'm sorry," and hug them out in the hallway. | 1:22:20 | 1:22:22 | |
And say, "Oh, my God, I can't believe I said that to you. | 1:22:22 | 1:22:25 | |
And I'm sorry." Something like that. | 1:22:25 | 1:22:27 | |
Subtitles by Red Bee Media Ltd | 1:22:27 | 1:22:30 |