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Previously - the teams were tasked with creating a storefront | 0:00:02 | 0:00:05 | |
to relaunch the Kodak Moments campaign. | 0:00:05 | 0:00:08 | |
We'll give you Kodak products in a photo studio | 0:00:08 | 0:00:11 | |
so that you can create for the people of New York Kodak Moments. | 0:00:11 | 0:00:14 | |
On Tenacity, Maria Kanellis's ability to lead was questioned... | 0:00:14 | 0:00:18 | |
Let's say we do the corner of a wrestling ring. | 0:00:18 | 0:00:22 | |
Because of her youth, she's trying to prove herself. | 0:00:22 | 0:00:26 | |
..and Sinbad's performance for Rocksolid fell flat. | 0:00:26 | 0:00:30 | |
We should have stuff, "Hey, man, welcome to the store." | 0:00:30 | 0:00:32 | |
We can shoot a welcome as you walk in. This could be a welcome kiosk. | 0:00:32 | 0:00:35 | |
This is how it's going to work. This is how we explain it. | 0:00:35 | 0:00:38 | |
It's all clear in his mind - nobody else is really getting it. | 0:00:38 | 0:00:40 | |
Bret Michaels was pushed to the side... | 0:00:40 | 0:00:43 | |
Michael, I need to know what I'm doing. | 0:00:43 | 0:00:45 | |
I don't know what to tell you to do, Bret, because I'm not the project manager. | 0:00:45 | 0:00:49 | |
-Just give me something to do because I'm about to -BLEEP -snap. | 0:00:49 | 0:00:52 | |
Bret was being an ass. | 0:00:52 | 0:00:53 | |
..and on both sides, the game took its toll. | 0:00:53 | 0:00:56 | |
SHARON COUGHS | 0:00:56 | 0:00:58 | |
Sharon succumbed to illness... | 0:00:58 | 0:01:00 | |
I knew I was coming down with something. I was not feeling good. | 0:01:00 | 0:01:03 | |
..while Darryl struggled with the workload. | 0:01:03 | 0:01:06 | |
'I've been lazy today. For some reason, I just... I haven't been there.' | 0:01:06 | 0:01:09 | |
You know, mentally, I just haven't been, you know, focused. | 0:01:09 | 0:01:12 | |
When the storefronts opened... | 0:01:12 | 0:01:14 | |
All right, let's open this! | 0:01:14 | 0:01:16 | |
..the women hit their stride... | 0:01:16 | 0:01:17 | |
Today, we are celebrating the champion in you. | 0:01:17 | 0:01:20 | |
..and the men finally found their footing. | 0:01:20 | 0:01:23 | |
Perfect! Kodak Moment. | 0:01:23 | 0:01:25 | |
But when the winner was announced... | 0:01:25 | 0:01:27 | |
They loved the job that the women did. Congratulations. | 0:01:27 | 0:01:31 | |
-Maria, I'm giving you a cheque for 20,000. -Thank you. | 0:01:31 | 0:01:35 | |
..the men were left to face Mr Trump, and the team singled out Bret. | 0:01:35 | 0:01:39 | |
Frustration became evident. People handled it differently. | 0:01:39 | 0:01:43 | |
Bret handled it by going wherever Bret went. | 0:01:43 | 0:01:46 | |
The only one that lost a little bit of focus was Bret. | 0:01:46 | 0:01:49 | |
But Mr Trump was focused on Sinbad. | 0:01:49 | 0:01:52 | |
-Is Bret manageable, Sinbad? -Yes. | 0:01:52 | 0:01:55 | |
If he's manageable, why couldn't you manage him? | 0:01:55 | 0:01:57 | |
You're the project manager. Sinbad, you're fired. | 0:01:57 | 0:02:00 | |
-Who's going? Who will be fired? -I think it'll be Bret. | 0:02:13 | 0:02:17 | |
Just basically because he's been late a couple of times | 0:02:17 | 0:02:20 | |
and because a couple people have said some things about him | 0:02:20 | 0:02:24 | |
that may be true. | 0:02:24 | 0:02:25 | |
-The things that have been said about Bret are true. -Yeah. | 0:02:25 | 0:02:29 | |
'It's hard for me to say that I hope any one of those guys are fired,' | 0:02:29 | 0:02:32 | |
because I think that they all bring strengths. | 0:02:32 | 0:02:34 | |
I think that, moving forward, | 0:02:34 | 0:02:35 | |
'the one that would be the most dispensable would be Bret.' | 0:02:35 | 0:02:39 | |
-ALL: Oh! -Hey. | 0:02:43 | 0:02:46 | |
That son of a bitch! That Sinbad, that son of a bitch! | 0:02:46 | 0:02:48 | |
No, he's a great guy. | 0:02:48 | 0:02:50 | |
-Thanks, Selita. -It's good to see you. -I've been fired before. | 0:02:50 | 0:02:52 | |
Thank you very much. Thank you. | 0:02:52 | 0:02:54 | |
What happened, Bret? | 0:02:54 | 0:02:55 | |
You know what's getting old to me? I'll say this. | 0:02:55 | 0:02:58 | |
Everyone's thrown me under the bus from the word go, and it's OK. | 0:02:58 | 0:03:01 | |
I was... I read with it and let them roll. | 0:03:01 | 0:03:04 | |
I... I was confused, man. | 0:03:04 | 0:03:06 | |
You be in my shoes. Let everyone come at you, and see how it feels. | 0:03:06 | 0:03:10 | |
'After a while, you've got to start throwing up your dukes | 0:03:10 | 0:03:12 | |
'and say, "Wait a minute." Everyone's coming at me,' | 0:03:12 | 0:03:14 | |
and I did nothing but be respectful to these people. | 0:03:14 | 0:03:17 | |
I asked you the other day, you were the account manager, | 0:03:17 | 0:03:20 | |
and you said, "Ask Sinbad." I'm like, | 0:03:20 | 0:03:21 | |
"Well, I thought you could give me some money, I'll go do the graphics." Why are you always...? | 0:03:21 | 0:03:26 | |
What I'm saying is, suddenly there was this thing. | 0:03:26 | 0:03:29 | |
I said, "My expertise is storefront. I can do this. | 0:03:29 | 0:03:32 | |
"I build stages every day. I'll build our stage." | 0:03:32 | 0:03:34 | |
All I asked for was a job. | 0:03:34 | 0:03:36 | |
You guys cannot look at me and say I didn't work like a grunt. | 0:03:36 | 0:03:39 | |
Bret just, you know, blew up. | 0:03:39 | 0:03:40 | |
Felt like, for some reason, he wasn't being treated well, | 0:03:40 | 0:03:43 | |
'but took it out on his team members. I just decided, you know, | 0:03:43 | 0:03:46 | |
'this is what I didn't want to be a part of. So I left.' | 0:03:46 | 0:03:51 | |
You tell me to be me. I... I blew off my steam. You know? | 0:03:51 | 0:03:54 | |
A few members of this team are definitely shutting me out. | 0:03:54 | 0:03:57 | |
And unless we resolve those differences, | 0:03:57 | 0:03:59 | |
we're never going to win another one of these things. | 0:03:59 | 0:04:02 | |
'We're all going to be going home.' | 0:04:02 | 0:04:04 | |
# Money, money, money | 0:04:08 | 0:04:11 | |
# Money! | 0:04:12 | 0:04:14 | |
# Money, money, money | 0:04:14 | 0:04:16 | |
# Money! | 0:04:17 | 0:04:19 | |
# Some people got to have it | 0:04:19 | 0:04:21 | |
# Yeah, yeah | 0:04:21 | 0:04:23 | |
# Some people really need it | 0:04:23 | 0:04:26 | |
# Hey, listen to me, y'all | 0:04:26 | 0:04:28 | |
# Do things, do things, do things | 0:04:28 | 0:04:30 | |
# Bad things with it | 0:04:30 | 0:04:33 | |
# Dollar bills, y'all | 0:04:35 | 0:04:36 | |
# Come on, that mean | 0:04:36 | 0:04:39 | |
# Mean, mean green | 0:04:39 | 0:04:43 | |
# Almighty dollar | 0:04:43 | 0:04:46 | |
# I know that money | 0:04:46 | 0:04:50 | |
# Give me a nickel Brother, can you spare a dime? | 0:04:50 | 0:04:55 | |
# Money can drive some people out of their mind | 0:04:55 | 0:05:00 | |
# Money! | 0:05:04 | 0:05:05 | |
# Money, money, money | 0:05:05 | 0:05:08 | |
# Money! # | 0:05:08 | 0:05:10 | |
Hello, hello! My name is Maria. | 0:05:21 | 0:05:24 | |
-Hi, Maria. -You're John Paul, right? -Yup. | 0:05:24 | 0:05:26 | |
I won 20,000 for Make-A-Wish, | 0:05:26 | 0:05:29 | |
'and now I get to meet a Make-A-Wish kid' | 0:05:29 | 0:05:31 | |
and give him that 20,000 cheque. | 0:05:31 | 0:05:33 | |
'John Paul has acute lymphoma leukaemia.' | 0:05:33 | 0:05:37 | |
How long have you been part of Make-A-Wish? | 0:05:37 | 0:05:39 | |
-For about two years. -When were you diagnosed? | 0:05:39 | 0:05:42 | |
Three days after I turned five. | 0:05:42 | 0:05:44 | |
-Wow. How do you feel now? -I feel great. | 0:05:44 | 0:05:48 | |
And I hope that won't affect me anymore. | 0:05:48 | 0:05:51 | |
As you know, I am on Celebrity Apprentice. | 0:05:53 | 0:05:56 | |
And I was project manager, and I actually won. | 0:05:56 | 0:06:00 | |
So if you want to take this back for Make-A-Wish for me. | 0:06:00 | 0:06:04 | |
-Wow, 20,000. -Wow! | 0:06:08 | 0:06:11 | |
'Maria gave me a cheque for 20,000 for Make-A-Wish.' | 0:06:11 | 0:06:16 | |
It means so much that there's still people out there | 0:06:16 | 0:06:19 | |
that are fighting for money for us. | 0:06:19 | 0:06:21 | |
What did you wish? | 0:06:21 | 0:06:23 | |
To meet Donald Trump because he's kind of inspired me. | 0:06:23 | 0:06:27 | |
This year, I did my own stand | 0:06:27 | 0:06:29 | |
-and I made, like, about 14. -I could use you on The Apprentice! I could! | 0:06:29 | 0:06:34 | |
It's interesting that he would have chosen Donald Trump. | 0:06:34 | 0:06:38 | |
And he kind of looks like Donald Trump too a little bit! | 0:06:38 | 0:06:40 | |
I think he's got better hair, though. | 0:06:40 | 0:06:42 | |
-And what would it mean to you to have your wish come true? -A lot. | 0:06:42 | 0:06:46 | |
I want to tell you that you ARE going to New York, | 0:06:46 | 0:06:50 | |
and you're going to the finale of Celebrity Apprentice. | 0:06:50 | 0:06:53 | |
-And guess what else? -What? | 0:06:53 | 0:06:55 | |
You're going to be able to meet Donald Trump | 0:06:55 | 0:06:57 | |
and the entire cast that is there. | 0:06:57 | 0:07:00 | |
ALL LAUGH | 0:07:02 | 0:07:05 | |
-I have never seen him speechless. -Oh, thank you so much. | 0:07:05 | 0:07:08 | |
Thank you. And don't spend that on yourself! | 0:07:08 | 0:07:12 | |
-Good morning. -ALL: Morning. | 0:07:32 | 0:07:34 | |
So, Governor, what did you think of the boardroom? | 0:07:34 | 0:07:37 | |
I thought it was an interesting experience. | 0:07:37 | 0:07:40 | |
I'm glad I'm still here to fight another day, and I miss Sinbad. | 0:07:40 | 0:07:44 | |
Did I make the right decision? | 0:07:44 | 0:07:46 | |
I think, um... | 0:07:46 | 0:07:48 | |
Yeah, I think, uh...it... | 0:07:51 | 0:07:53 | |
Considering all the circumstances... um...it... | 0:07:53 | 0:07:57 | |
-Regrettably, I think... -It was the right decision. | 0:07:57 | 0:07:59 | |
ALL LAUGH | 0:07:59 | 0:08:02 | |
OK. We all know there are problems in the world, | 0:08:02 | 0:08:05 | |
and one of those really big problems is identity theft. | 0:08:05 | 0:08:09 | |
It's a huge problem. | 0:08:09 | 0:08:12 | |
On my left, I have two great executives. | 0:08:12 | 0:08:15 | |
Todd Davis is with LifeLock. Janice Chapin is with Norton. | 0:08:15 | 0:08:21 | |
These two companies have come together to offer a new product. | 0:08:21 | 0:08:25 | |
-Janice. -Thanks, Donald. | 0:08:25 | 0:08:27 | |
We at Norton are in the business of protecting consumers online, | 0:08:27 | 0:08:32 | |
so they can be safe on the internet. | 0:08:32 | 0:08:34 | |
LifeLock will be combined for the first time | 0:08:34 | 0:08:37 | |
with the Norton 360 product. | 0:08:37 | 0:08:38 | |
So your task is to create a four-page advertorial | 0:08:38 | 0:08:42 | |
to showcase this bundle. | 0:08:42 | 0:08:44 | |
And that ad may appear in Time Magazine, and Time.com. | 0:08:44 | 0:08:48 | |
We want one celebrity from each team | 0:08:48 | 0:08:51 | |
to be the spokesperson for that ad. | 0:08:51 | 0:08:54 | |
You will be judged on creativity, brand integration, | 0:08:54 | 0:08:58 | |
celebrity spokesperson and overall presentation | 0:08:58 | 0:09:03 | |
-to the LifeLock and Norton executives. -Thank you very much. | 0:09:03 | 0:09:06 | |
On my right is, of course, Donald Trump Jr | 0:09:06 | 0:09:09 | |
and my very good friend Gavin Maloof. | 0:09:09 | 0:09:13 | |
Now, Gavin owns the Palms Casino in Las Vegas and the Sacramento Kings. | 0:09:13 | 0:09:17 | |
He's a great businessman, | 0:09:17 | 0:09:19 | |
and what he sees is going to have a great impact on me, OK? | 0:09:19 | 0:09:22 | |
Pick your project managers right now, please. | 0:09:22 | 0:09:26 | |
ALL CONFER | 0:09:26 | 0:09:29 | |
I think... I'm going to do it. | 0:09:29 | 0:09:30 | |
OK. All right. | 0:09:30 | 0:09:32 | |
I think Michael should be the project manager. | 0:09:32 | 0:09:36 | |
-Only if you feel totally confident doing it. -I'm totally confident. -You ready to rock? | 0:09:36 | 0:09:40 | |
-I think you're going to kick ass, man. -All right. There you go. | 0:09:40 | 0:09:44 | |
Darryl, who is your project manager? | 0:09:44 | 0:09:46 | |
We pick Michael as our project manager. | 0:09:46 | 0:09:48 | |
-Women, who is your project manager? -Summer. | 0:09:48 | 0:09:51 | |
OK. So, Summer and Michael, congratulations. | 0:09:51 | 0:09:55 | |
The project manager of the winning team | 0:09:55 | 0:09:57 | |
will get 20,000 for his or her charity. | 0:09:57 | 0:10:01 | |
The losing team, you know what happens. Somebody will be fired. | 0:10:01 | 0:10:05 | |
OK? So good luck. Go. Have a good time. | 0:10:05 | 0:10:08 | |
-Hello? -Hello? | 0:10:16 | 0:10:18 | |
-Home sweet home! -This is Selita's second home. | 0:10:18 | 0:10:21 | |
I know. Selita's like, "I'm ready. I'm ready." | 0:10:21 | 0:10:24 | |
Right after we got our task from Mr Trump, | 0:10:24 | 0:10:27 | |
we went to our photography studio... | 0:10:27 | 0:10:29 | |
-Hi, you guys. -ALL: Hello. | 0:10:29 | 0:10:32 | |
'..and we waited to speak with our... | 0:10:32 | 0:10:34 | |
'Norton and LifeLock executives about' | 0:10:34 | 0:10:38 | |
what their ideas and vision were for this advertorial. | 0:10:38 | 0:10:41 | |
Norton 360 is actually internet security. | 0:10:41 | 0:10:45 | |
So it protects you while you're on the internet. | 0:10:45 | 0:10:48 | |
LifeLock is more of a service. | 0:10:48 | 0:10:50 | |
So we're a subscription service that actually protects you offline. | 0:10:50 | 0:10:55 | |
This is going to be a one-of-a-kind bundle that has not existed before. | 0:10:55 | 0:11:00 | |
So it's a combination of things, but it's all about protection. | 0:11:00 | 0:11:05 | |
No, that's all right. | 0:11:05 | 0:11:07 | |
-Pardon? -What about Macintosh? | 0:11:07 | 0:11:09 | |
We have a version for the Macintosh as well for internet security. | 0:11:09 | 0:11:13 | |
I have another question. | 0:11:13 | 0:11:15 | |
-My kid is on the internet, and he's a kid. -Yes. | 0:11:15 | 0:11:18 | |
And he thinks he knows, you know, because all kids think, you know... | 0:11:18 | 0:11:22 | |
And he's 11 going on 12. | 0:11:22 | 0:11:26 | |
And I am now starting to get phone calls | 0:11:26 | 0:11:29 | |
from the things that he thinks he's won... | 0:11:29 | 0:11:32 | |
The executive meeting was tough. The first two tasks, | 0:11:32 | 0:11:34 | |
we'd sort of laugh about Cyndi's funny little, "I just have a question for you." | 0:11:34 | 0:11:39 | |
But we didn't have a lot of time today. | 0:11:39 | 0:11:41 | |
'Cyndi makes me laugh.' | 0:11:47 | 0:11:49 | |
She's fabulously insane. I mean, she's just a trip. | 0:11:49 | 0:11:54 | |
What that technically does is what that does? That's a lock. | 0:11:54 | 0:11:59 | |
That's a block. | 0:11:59 | 0:12:01 | |
We're just trying to stop any criminal from getting any of your information. | 0:12:04 | 0:12:07 | |
-It's got to be black and white. -Mmm. -Yellow and red. | 0:12:12 | 0:12:15 | |
Contrast works. You know what I mean? | 0:12:15 | 0:12:18 | |
-Otherwise... Hello. -BOTH: Hello. | 0:12:18 | 0:12:21 | |
-How are you? -Good. | 0:12:21 | 0:12:23 | |
When the executives arrive, the most important thing | 0:12:23 | 0:12:25 | |
is to get information as to what they're looking for. | 0:12:25 | 0:12:27 | |
But at the same time, be able to go back and forth with them | 0:12:27 | 0:12:30 | |
and say, "This is what I would do. Does that work for you?" | 0:12:30 | 0:12:33 | |
I want to ask you a couple of questions. | 0:12:33 | 0:12:35 | |
-You're obviously much more consumer-driven, correct? -Mmm-hmm. | 0:12:35 | 0:12:39 | |
-I mean, it's consumer-driven. -Right. | 0:12:39 | 0:12:42 | |
I just want to make sure as we come up with campaigns, | 0:12:42 | 0:12:45 | |
and we're throwing stuff, ideas, | 0:12:45 | 0:12:47 | |
we're sticking more to your life, your family... | 0:12:47 | 0:12:51 | |
It is your finances, and you are... | 0:12:51 | 0:12:54 | |
your goal is to protect it. | 0:12:54 | 0:12:56 | |
'Bret you need a leash for.' | 0:12:56 | 0:12:57 | |
You need to be able to keep him really close to you, | 0:12:57 | 0:12:59 | |
because he just goes on one, | 0:12:59 | 0:13:02 | |
and he's flying, 4,000 feet and climbing. | 0:13:02 | 0:13:04 | |
And my next question would be, | 0:13:04 | 0:13:06 | |
do you, um...? | 0:13:06 | 0:13:09 | |
When we put the ad up - I know this is a... | 0:13:09 | 0:13:11 | |
this is such a layman question, but I'd like to know - | 0:13:11 | 0:13:13 | |
-does it...? -What made you guys decide to join forces or come together? | 0:13:13 | 0:13:18 | |
I was going to ask you too - with the recent credit implosion, | 0:13:18 | 0:13:21 | |
with the mortgages, everything that's gone horrifically bad... | 0:13:21 | 0:13:25 | |
Oh, you've got to be kidding me. | 0:13:25 | 0:13:27 | |
'We weren't getting a lot of the answers that we wanted from the executives. | 0:13:27 | 0:13:31 | |
'I wanted our team to understand, what is an advertorial?' | 0:13:31 | 0:13:35 | |
When people change their name - I've found this a lot - | 0:13:35 | 0:13:37 | |
if you're an entertainer and you have a different name... | 0:13:37 | 0:13:40 | |
Not that that's a big field for you, I just want to know how they've got to do what they need to do... | 0:13:40 | 0:13:44 | |
I think we want to see your creativity on it. | 0:13:48 | 0:13:50 | |
How would you go communicate this, you know, combination, | 0:13:50 | 0:13:54 | |
-this bundling of these two strong brands? -Have you ever employed - | 0:13:54 | 0:13:57 | |
not employed - brought in any of these scumbags who DO this? | 0:13:57 | 0:14:00 | |
'I felt at the meeting,' | 0:14:00 | 0:14:01 | |
it was the most connected I've ever felt to Michael. | 0:14:01 | 0:14:03 | |
'I sat near him for a purpose. I wanted him to know I'm there for him. | 0:14:03 | 0:14:06 | |
'I will not let him down.' | 0:14:06 | 0:14:08 | |
With Michael, I was trying to tell him, "Let's get on here, brother. | 0:14:08 | 0:14:11 | |
"We're on the same team." | 0:14:11 | 0:14:12 | |
So we just don't want to offend the company that's rolling out... | 0:14:12 | 0:14:15 | |
You don't want to go put Norton behind LifeLock. | 0:14:15 | 0:14:17 | |
'I didn't feel like I could control Bret.' | 0:14:17 | 0:14:19 | |
And I knew that, "OK, I'm going to have my work cut out for me | 0:14:19 | 0:14:23 | |
"with managing Bret." | 0:14:23 | 0:14:24 | |
-We have two things that we're doing. -Mmm-hmm. | 0:14:34 | 0:14:37 | |
We're doing a presentation, and we're doing our full photo essay. | 0:14:37 | 0:14:40 | |
Our task today was to do a four page advertorial | 0:14:40 | 0:14:44 | |
for Norton 360 and LifeLock. | 0:14:44 | 0:14:47 | |
This photo essay has to explain and educate | 0:14:47 | 0:14:51 | |
exactly what all of this is. | 0:14:51 | 0:14:53 | |
-Selita, you're definitely doing the photo essay. -OK. | 0:14:53 | 0:14:55 | |
But what about me? | 0:14:55 | 0:14:57 | |
I art direct my covers. | 0:14:57 | 0:15:00 | |
'Oy, oy, oy. Selita's 27. | 0:15:00 | 0:15:02 | |
How many photo shoots has Selita directed? | 0:15:02 | 0:15:06 | |
Uh-uh. | 0:15:06 | 0:15:08 | |
'Just because she's a model,' | 0:15:08 | 0:15:10 | |
there's no way that qualifies her to direct a shoot more than me. | 0:15:10 | 0:15:15 | |
Is our spokesperson telling the story? | 0:15:15 | 0:15:18 | |
The spokesperson is supposed to be the person | 0:15:18 | 0:15:20 | |
that's explaining it, to understand. | 0:15:20 | 0:15:23 | |
One part of the task was to pick a spokesperson | 0:15:23 | 0:15:26 | |
that would be featured throughout the advertorial. | 0:15:26 | 0:15:28 | |
Cyndi would be great for it. | 0:15:28 | 0:15:30 | |
Um... | 0:15:34 | 0:15:35 | |
I think, Sharon, you might need to be the spokesperson. | 0:15:38 | 0:15:41 | |
Just because Cyndi, I want to relate to every person. | 0:15:41 | 0:15:44 | |
You're so extraordinary and unique. | 0:15:44 | 0:15:46 | |
Extraordinary? About what? | 0:15:46 | 0:15:48 | |
Well, just your look, your look is extraordinary and unique. | 0:15:48 | 0:15:51 | |
For an advertising campaign, her look is maybe a bit more... | 0:15:51 | 0:15:54 | |
-Do you know what I'm saying? -No. | 0:15:54 | 0:15:56 | |
Because you can't... There's no denying it, you're Cyndi Lauper. | 0:15:56 | 0:15:59 | |
'I was very much biting my tongue.' | 0:15:59 | 0:16:01 | |
And I didn't want to overstep my bounds. | 0:16:01 | 0:16:04 | |
I wasn't project manager. It's Summer's decision. | 0:16:04 | 0:16:07 | |
Sharon, are you comfortable being our spokesperson for this? | 0:16:07 | 0:16:09 | |
-Yes. OK. -'The problem was Cyndi, because I just knew' | 0:16:09 | 0:16:12 | |
if Cyndi had been our spokesperson, we would've been there for ever | 0:16:12 | 0:16:16 | |
and we would've not... | 0:16:16 | 0:16:18 | |
We honestly would not have accomplished one photo. | 0:16:18 | 0:16:20 | |
-OK, let's stay focused. -What do you want me to do? | 0:16:20 | 0:16:23 | |
Bret, design and graphics. That'll be you. | 0:16:26 | 0:16:29 | |
Can I ask you today that I could be the right-hand man? | 0:16:29 | 0:16:33 | |
I would be better just as a grunt. Working, working, working | 0:16:33 | 0:16:37 | |
and be on your right shoulder. | 0:16:37 | 0:16:38 | |
Bret, I need you to, like you say, "follow me." | 0:16:38 | 0:16:41 | |
No, no, no. I'm saying, I'm with you. I'm saying, I'm... | 0:16:41 | 0:16:44 | |
You're my grunt guy. | 0:16:44 | 0:16:45 | |
-That's what I'm trying to... -Thank you, I love it. | 0:16:45 | 0:16:47 | |
-..I'm your grunt guy. -I love it. | 0:16:47 | 0:16:49 | |
-You need coffee, I'm going. -But I don't need coffee, | 0:16:49 | 0:16:51 | |
-I need you to do those graphics... -You got it. -..and slogan for me. | 0:16:51 | 0:16:54 | |
-You need to tell me when. Understand that? -Now. | 0:16:54 | 0:16:57 | |
-Now. -But, you... -Now, start on it. -Michael, why don't you sit here? | 0:16:57 | 0:17:00 | |
So, OK... | 0:17:00 | 0:17:01 | |
'This task ultimately comes down to me and how I manage the team.' | 0:17:01 | 0:17:06 | |
We won't be successful if, you know, I blow up. | 0:17:06 | 0:17:10 | |
'So, as project manager, I had to have patience when it came to Bret.' | 0:17:10 | 0:17:13 | |
Graphics, Michael, it's your life, let us protect it. It's simple. | 0:17:13 | 0:17:18 | |
Look at that bitching picture of Bill. | 0:17:18 | 0:17:20 | |
-Again, we've gotta be... -Live your life... | 0:17:20 | 0:17:23 | |
..we've gotta be original. So... | 0:17:23 | 0:17:25 | |
Last thing I want to say - it's this, it's ridiculous, | 0:17:25 | 0:17:27 | |
-it's Bill with that head. Norton... -So... | 0:17:27 | 0:17:30 | |
-..it's your body. -No, er... -Bill, let me add to that. | 0:17:30 | 0:17:33 | |
Here you stand, with your head. You're holding a baby. You know... | 0:17:33 | 0:17:37 | |
-This is really stupid. -..or a mom's holding a child. | 0:17:37 | 0:17:40 | |
-Go with me. -Probably right now, probably the best thing | 0:17:40 | 0:17:43 | |
-is to start thinking of what the slogan's going to be. -I'll work on a slogan. | 0:17:43 | 0:17:47 | |
'Bret's brainstorming process is one that has to be managed carefully, | 0:17:47 | 0:17:50 | |
because he's still a little wild and crazy | 0:17:50 | 0:17:52 | |
and you have to try to keep him corralled. | 0:17:52 | 0:17:54 | |
So now we've got to try to figure out a way to integrate the celebrity. | 0:17:54 | 0:18:00 | |
Oooh! | 0:18:00 | 0:18:01 | |
-So, I think we need to use somebody that's current. -Sure. | 0:18:01 | 0:18:04 | |
You're currently one of the best chefs in the world. | 0:18:04 | 0:18:08 | |
You're a worldwide gold medal winner. | 0:18:08 | 0:18:10 | |
I think the cooking thing is just hot right now. | 0:18:10 | 0:18:13 | |
Everybody's into this cooking thing. | 0:18:13 | 0:18:15 | |
We need a celebrity in this. | 0:18:15 | 0:18:16 | |
You're known as a guy who's been the best in the world. | 0:18:16 | 0:18:19 | |
That's what these people are. | 0:18:19 | 0:18:21 | |
You. | 0:18:22 | 0:18:23 | |
-I'm making that decision now. -Cool. | 0:18:24 | 0:18:27 | |
I think we're making some of the same mistakes | 0:18:27 | 0:18:29 | |
we made in the last project, which is, | 0:18:29 | 0:18:31 | |
we're prematurely ejaculating. We need more foreplay. | 0:18:31 | 0:18:34 | |
Wow. | 0:18:36 | 0:18:37 | |
'Michael made a decision,' | 0:18:37 | 0:18:38 | |
and he chose Curtis as the celebrity spokesman. | 0:18:38 | 0:18:41 | |
'I would've preferred more discussion.' | 0:18:41 | 0:18:43 | |
I think that you've got to deliberate. When I was governor | 0:18:43 | 0:18:46 | |
and I believe I was a great governor, | 0:18:46 | 0:18:48 | |
giving every child healthcare in my state, | 0:18:48 | 0:18:50 | |
pre-school for three and four-year-olds, didn't raise taxes, | 0:18:50 | 0:18:53 | |
senior citizens got free public transportation | 0:18:53 | 0:18:55 | |
'and I had to work around gridlock to get it. | 0:18:55 | 0:18:57 | |
'But that's not what's happening here.' | 0:18:57 | 0:18:59 | |
We need to tell a story with pictures. | 0:19:03 | 0:19:06 | |
We're trying to say that this can happen to a baby, | 0:19:06 | 0:19:08 | |
-and they're vulnerable. -Right. -Protect them. | 0:19:08 | 0:19:11 | |
So, we go chronologically and we show different people. | 0:19:11 | 0:19:13 | |
-So, who are the images we want to start with? -OK... | 0:19:13 | 0:19:16 | |
-A baby we want to start with. -If it's a baby... -Yes. | 0:19:16 | 0:19:18 | |
THEY TALK OVER EACH OTHER | 0:19:18 | 0:19:21 | |
We are trying to convey that anybody's identity can be stolen, | 0:19:21 | 0:19:24 | |
'from zero to 99.' | 0:19:24 | 0:19:27 | |
You're getting these two awesome products | 0:19:27 | 0:19:30 | |
-for 79.99. -79.99. | 0:19:30 | 0:19:33 | |
-Er... -Will someone please explain to me what we decided on a, | 0:19:33 | 0:19:37 | |
like a concept. What is the scene? | 0:19:37 | 0:19:40 | |
-What is the what? -What's the scene? | 0:19:40 | 0:19:42 | |
-Like, what are we saying in these photos? -I... | 0:19:42 | 0:19:45 | |
You know, how to say it properly, but like, you know... | 0:19:45 | 0:19:48 | |
I don't know what. | 0:19:55 | 0:19:56 | |
'I think that Summer needed to take control. | 0:19:56 | 0:19:59 | |
'Because, right now I feel like there's no direction' | 0:19:59 | 0:20:02 | |
for the creative people. | 0:20:02 | 0:20:03 | |
We're all like, "Huh?" | 0:20:03 | 0:20:05 | |
I personally think if we have more pages, | 0:20:05 | 0:20:07 | |
we need four different thoughts. | 0:20:07 | 0:20:09 | |
-Forethought needs to be a complete thought, though. -No, no. | 0:20:09 | 0:20:11 | |
-I don't want to change anybody's opinion... -No, no. | 0:20:11 | 0:20:14 | |
-I just want to... -There's a lot of ideas, but it's got to be clear. | 0:20:14 | 0:20:18 | |
-Yes, of course. -But, no-one is safe. | 0:20:18 | 0:20:21 | |
We are, I think, we're the people that should be in it if we want to. | 0:20:21 | 0:20:24 | |
-What's in the middle, hun? The big fold... -Hold on one second. | 0:20:24 | 0:20:27 | |
I know, and we'll totally get back there. | 0:20:27 | 0:20:30 | |
'There's been a couple of tiffs. | 0:20:30 | 0:20:31 | |
'There's been a couple of times where I felt the tension. | 0:20:31 | 0:20:35 | |
'And no matter how hard you try to hold it in,' | 0:20:35 | 0:20:38 | |
that competitiveness takes over. | 0:20:38 | 0:20:41 | |
It, like, it does break you down. | 0:20:41 | 0:20:44 | |
-Do you see the way, as it goes on? -She said, yes. | 0:20:44 | 0:20:47 | |
I think we're all getting ratty with each other. | 0:20:47 | 0:20:50 | |
-I'm getting more tired. -Everybody's jockeying for position. | 0:20:50 | 0:20:53 | |
You know what? No... | 0:20:53 | 0:20:54 | |
-No, no, no. It's the way it is. -Yes. | 0:20:54 | 0:20:56 | |
-Everybody's jockeying. -And you know why? -Everybody's like... | 0:20:56 | 0:20:59 | |
..this one is such a time, like a real-time crunch. | 0:20:59 | 0:21:02 | |
Although, I think we're super creative people. | 0:21:02 | 0:21:04 | |
It will only get worse. | 0:21:04 | 0:21:06 | |
And we're probably all going to end up really disliking each other. | 0:21:06 | 0:21:09 | |
-No. -Ah! | 0:21:09 | 0:21:11 | |
-I disagree. -I don't know what to do. -Oh, no. | 0:21:11 | 0:21:14 | |
'We all bring our survival instinct' | 0:21:14 | 0:21:17 | |
and, I live very much by listening to my gut. | 0:21:17 | 0:21:21 | |
My gut... is always right. | 0:21:21 | 0:21:23 | |
'When the photographer arrived, | 0:21:38 | 0:21:40 | |
'we weren't ready to start shooting photographs yet.' | 0:21:40 | 0:21:43 | |
We were still trying to put together, "OK, what kind of shots do we want?" | 0:21:43 | 0:21:47 | |
Like, a really obvious thing for me would be to use you, and say, | 0:21:47 | 0:21:50 | |
"Just because my buddies are the fastest men on the planet, | 0:21:50 | 0:21:53 | |
"and the toughest men on the plant, | 0:21:53 | 0:21:55 | |
"doesn't mean that they can outmuscle or outrun cybercrime. | 0:21:55 | 0:22:00 | |
"But I can, because I've got LifeLock and Norton Protection." | 0:22:00 | 0:22:03 | |
-Yes. -And then the four-pager... -Is all about cooking stuff. | 0:22:03 | 0:22:07 | |
..could be about how I go around my everyday. | 0:22:07 | 0:22:09 | |
-Just my everyday life. -Yes, yes. | 0:22:09 | 0:22:11 | |
I think that's smart. | 0:22:11 | 0:22:12 | |
That's a good idea, that's a good idea. | 0:22:12 | 0:22:14 | |
So, our concept for our advertorial is a big photograph of myself, | 0:22:14 | 0:22:19 | |
the brand ambassador, with Goldberg and Michael Johnson. | 0:22:19 | 0:22:22 | |
'It doesn't matter how tough you are, or how quick you are,' | 0:22:22 | 0:22:25 | |
identity theft is something that can happen to anybody. | 0:22:25 | 0:22:27 | |
I'm going to be devil's advocate for a second. | 0:22:27 | 0:22:29 | |
-No, no. -I want Bill with that strong image... -No, no, no. No, no. | 0:22:29 | 0:22:32 | |
'Michael seems to really have this fetish for Curtis and cooking.' | 0:22:32 | 0:22:37 | |
I just didn't think Curtis was the right face for an ad | 0:22:37 | 0:22:41 | |
that is supposed to protect your private and personal identity. | 0:22:41 | 0:22:45 | |
'I think it was the wrong choice.' | 0:22:45 | 0:22:47 | |
OK. What other tasks do we have? | 0:22:51 | 0:22:53 | |
You're... Maria, you need somebody to go with you. | 0:22:53 | 0:22:55 | |
-We need props for this photo shoot. -Yes, I need somebody to go with me. | 0:22:55 | 0:22:58 | |
-I can go with you, I can do this on the fly. -OK, let's go. | 0:22:58 | 0:23:01 | |
As long as I can take this with me. | 0:23:01 | 0:23:03 | |
I would actually prefer if you stayed here. | 0:23:03 | 0:23:05 | |
That way you can be part of the graphics... | 0:23:05 | 0:23:07 | |
-No, I'm very good at graphics. -Yes, yes, yes. | 0:23:07 | 0:23:09 | |
Yeah, because I think that this should be very, like... | 0:23:09 | 0:23:12 | |
-Like Time magazine, that kind of font. -Yeah. -Very, very serious. | 0:23:12 | 0:23:17 | |
-Yeah. -Not... -No, no, no, not frilly and girly or anything. | 0:23:17 | 0:23:20 | |
-Yeah. But also aesthetically pleasing. -OK. | 0:23:20 | 0:23:23 | |
Cyndi draws our attention away from what we're supposed to be doing. | 0:23:23 | 0:23:27 | |
And in today's situation, we can't afford that. | 0:23:27 | 0:23:30 | |
Sharon, I need your vision here. | 0:23:32 | 0:23:33 | |
OK. But what about me? Where do I go? | 0:23:33 | 0:23:35 | |
Um, you can go with Maria. | 0:23:35 | 0:23:37 | |
'It was really hard to work while Cyndi was right there,' | 0:23:37 | 0:23:40 | |
and it's 100% the reason why I sent her out with Maria. | 0:23:40 | 0:23:42 | |
To get Cyndi out of our space so that we could accomplish something. | 0:23:42 | 0:23:46 | |
-OK. Let's go. -No. I just got to hear this, and I will... | 0:23:46 | 0:23:49 | |
-She can explain it to you. -We don't have a lot of time. | 0:23:49 | 0:23:52 | |
-She'll explain it to you. -Whatever, I'll get it, I got it. | 0:23:52 | 0:23:55 | |
'Cyndi didn't deserve to be disrespected. Don't do that. | 0:23:55 | 0:23:58 | |
'Summer loves to be seen as Polly Perfect.' | 0:23:58 | 0:24:01 | |
-"I'm just a nice person." -BLEEP -off, missus! | 0:24:01 | 0:24:05 | |
You're as ambitious as the next one of us, | 0:24:05 | 0:24:07 | |
-so, you know, get off your high horse. You're not -BLEEP -perfect. | 0:24:07 | 0:24:11 | |
-And shut the -BLEEP -up, basically. | 0:24:11 | 0:24:14 | |
Did I really just say that? | 0:24:14 | 0:24:16 | |
I want you to start... If you can start putting together a list. | 0:24:23 | 0:24:27 | |
Go ahead and just jump on their website and give me a list | 0:24:27 | 0:24:29 | |
of like, ten things where they may become a victim. | 0:24:29 | 0:24:33 | |
-OK. -Of cybercrime. | 0:24:33 | 0:24:37 | |
-OK? -OK. | 0:24:37 | 0:24:38 | |
I gave Rod the task of getting on the internet and | 0:24:38 | 0:24:41 | |
writing down and listing all of the key points | 0:24:41 | 0:24:44 | |
about cybercrime and identity theft. | 0:24:44 | 0:24:48 | |
This thing. | 0:24:56 | 0:24:57 | |
The computer that was there I couldn't even turn it on, | 0:24:59 | 0:25:03 | |
much less write anything on it. And so I couldn't access it | 0:25:03 | 0:25:06 | |
and get the information. | 0:25:06 | 0:25:08 | |
I was going to try to get Rod to put this stuff together, | 0:25:08 | 0:25:11 | |
but he can't operate a computer. | 0:25:11 | 0:25:13 | |
Unless you get me in the right area. | 0:25:13 | 0:25:15 | |
We can just get him on a Word document, right? | 0:25:15 | 0:25:17 | |
-Get me on there. -Can you type? | 0:25:17 | 0:25:19 | |
-Yeah. -'It's difficult trying to find a task for him, | 0:25:19 | 0:25:22 | |
'trying to find something for him to do. There's not much he can do.' | 0:25:22 | 0:25:26 | |
And there's got to be something there | 0:25:26 | 0:25:27 | |
because he got to be, you know, governor of Illinois. | 0:25:27 | 0:25:30 | |
You don't just fall up there. | 0:25:30 | 0:25:32 | |
'There's a whole bunch of technology that's passed me by. | 0:25:40 | 0:25:43 | |
'It's one of the things when you're governor and you have nearly | 0:25:43 | 0:25:46 | |
'60,000 people work for you. They pretty much research for you. | 0:25:46 | 0:25:49 | |
'Before that I was a congressman, and I never had to learn it. | 0:25:49 | 0:25:52 | |
'So, I don't think my team quite knows what to make of me yet.' | 0:25:52 | 0:25:55 | |
But I think there's always a learning curve | 0:25:55 | 0:25:57 | |
in every endeavour, in every step in life. | 0:25:57 | 0:26:00 | |
You have your police, you have your fire department. | 0:26:10 | 0:26:13 | |
You have your identity protection. | 0:26:13 | 0:26:15 | |
Like we, um... | 0:26:15 | 0:26:17 | |
Kind of on a different tangent there. Boy, this is hard. | 0:26:19 | 0:26:22 | |
'When Summer volunteered for the project, she didn't realise | 0:26:22 | 0:26:26 | |
'what she was getting herself into. And I don't think' | 0:26:26 | 0:26:29 | |
that she was actually the right person for the job. | 0:26:29 | 0:26:33 | |
-Hi. Are you the photographer? -I'm Alex Newborough. -Hi. How are you? | 0:26:34 | 0:26:38 | |
-Holly. -Hello, Holly. -Hi, I'm Summer. | 0:26:38 | 0:26:40 | |
Do you know the products? We've got identity theft protection. | 0:26:40 | 0:26:43 | |
-It's software. -OK. -And then Norton 360, right? | 0:26:43 | 0:26:47 | |
And we need to educate people through a photo essay. | 0:26:47 | 0:26:52 | |
We're educating, um... | 0:26:52 | 0:26:54 | |
Um... | 0:26:54 | 0:26:55 | |
Er... So we have a picture. The first one is just a picture of myself | 0:26:55 | 0:26:59 | |
with a baby. As soon as... | 0:26:59 | 0:27:00 | |
So that...kind of the, um... Do you understand me? | 0:27:00 | 0:27:04 | |
'Oh, my gosh! The meeting with the photographer,' | 0:27:04 | 0:27:06 | |
first of all he looked at our concept and I just would look at him, | 0:27:06 | 0:27:09 | |
and he looked as if he had the blankest look on his face, | 0:27:09 | 0:27:12 | |
like he had no clue what I was talking about. | 0:27:12 | 0:27:14 | |
And I was like, "I don't really know what I'm talking about." | 0:27:14 | 0:27:17 | |
I need you guys to really tell me what you want. | 0:27:17 | 0:27:19 | |
As much specific information as possible. | 0:27:19 | 0:27:22 | |
It's really good to get your concept together for me, | 0:27:22 | 0:27:26 | |
so that when I start making the photographs, | 0:27:26 | 0:27:28 | |
-I'm following your directions. -OK. -But... | 0:27:28 | 0:27:31 | |
..I can't follow your direction if you haven't given it to me. | 0:27:32 | 0:27:36 | |
OK. So what you're saying is I haven't given it to you yet? | 0:27:36 | 0:27:39 | |
-Can I tell you something? -Mm-hm. | 0:27:47 | 0:27:50 | |
With Selita... She's art directing? | 0:27:50 | 0:27:53 | |
OK. | 0:27:53 | 0:27:54 | |
-We're on props. -OK. | 0:27:55 | 0:27:58 | |
'This task is to create a four-page advertorial.' | 0:27:58 | 0:28:02 | |
Summer decided that Selita would be the art director because | 0:28:02 | 0:28:05 | |
she's done photo shoots. | 0:28:05 | 0:28:07 | |
But Cyndi, who has been in the industry forever, | 0:28:07 | 0:28:10 | |
has done a lot of photo shoots. | 0:28:10 | 0:28:12 | |
So I think that she should be part of the creative team. | 0:28:12 | 0:28:14 | |
And I also think she should be art directing. | 0:28:14 | 0:28:16 | |
-I am a credited art director. -I know you are. | 0:28:16 | 0:28:19 | |
-Hi, Elyse. I'm Cyndi. This is Maria. -Hi. | 0:28:21 | 0:28:24 | |
At the prop house we're getting a park bench, a baby, a blanket. | 0:28:24 | 0:28:28 | |
And we're also getting a desk and a chair. | 0:28:28 | 0:28:30 | |
I don't know, I have to look it up. | 0:28:33 | 0:28:35 | |
SHOP OWNER LAUGHS | 0:28:35 | 0:28:37 | |
OK! We got the... | 0:28:37 | 0:28:40 | |
I'll try, Cyndi. I will. | 0:28:42 | 0:28:46 | |
The woman was so nice. She went for the face. | 0:28:46 | 0:28:49 | |
She went for it. | 0:28:49 | 0:28:51 | |
She's giving me a big deal again. | 0:28:51 | 0:28:53 | |
-OK. -Cos she went for the face. -We love her. | 0:28:53 | 0:28:55 | |
-She went for the face. -I went for the face. | 0:28:55 | 0:28:57 | |
-Oh. -She gave us 100 off on the rug. | 0:28:57 | 0:29:01 | |
So, I think that was great. | 0:29:02 | 0:29:04 | |
See you later, pal. All right. | 0:29:04 | 0:29:06 | |
MARIA GIGGLES | 0:29:08 | 0:29:11 | |
We need to pull together props. | 0:29:19 | 0:29:21 | |
-OK. -You know? -OK. | 0:29:21 | 0:29:23 | |
-Yeah, take Rod with you. -OK. OK. | 0:29:23 | 0:29:25 | |
'Darryl was in charge of getting all of our props.' | 0:29:25 | 0:29:28 | |
I didn't give him a lot of responsibility. | 0:29:28 | 0:29:31 | |
And, because Rod couldn't use the computer, I sent Rod with him. | 0:29:31 | 0:29:36 | |
-These are our ladies? -Hi. Rod, hi. | 0:29:36 | 0:29:38 | |
Oh, God. It took him 30 minutes to type that one paragraph. | 0:29:41 | 0:29:45 | |
It was literally just, "da, da, da, da," like that. | 0:29:45 | 0:29:48 | |
And it was... I was, I was amazed. | 0:29:48 | 0:29:51 | |
'My nine-year-old can type. Rod can't.' | 0:29:51 | 0:29:53 | |
What van? The white one? | 0:29:55 | 0:29:57 | |
'Me and Rod went out shopping.' | 0:29:57 | 0:30:00 | |
We went to purchase things and get things for what we need | 0:30:00 | 0:30:02 | |
for the photo shoot. | 0:30:02 | 0:30:04 | |
You coming in? Are you coming with us? | 0:30:07 | 0:30:09 | |
OK. | 0:30:10 | 0:30:12 | |
-Gov, you all right? -I'm doing good. | 0:30:20 | 0:30:22 | |
-Huh? -Yeah, I'm doing fine. -OK. | 0:30:22 | 0:30:24 | |
'I've pretty much been the laid-back guy on the team. | 0:30:24 | 0:30:27 | |
'We have long hours.' | 0:30:27 | 0:30:28 | |
It takes a lot of wear and tear on you. Mentally and physically. | 0:30:28 | 0:30:31 | |
'An average person that's a working person, | 0:30:31 | 0:30:35 | |
'nine to five, their day starts in the morning' | 0:30:35 | 0:30:38 | |
and their brain's going full-time. | 0:30:38 | 0:30:40 | |
Most athletes and celebrities, | 0:30:40 | 0:30:42 | |
they don't wake up until noon if they have to. | 0:30:42 | 0:30:45 | |
So that's very difficult when you're not accustomed to it. | 0:30:45 | 0:30:48 | |
Because your body doesn't function as well as the normal person's body functions. | 0:30:48 | 0:30:52 | |
It's all right, baby, I got your back. | 0:30:52 | 0:30:55 | |
THEY LAUGH | 0:30:55 | 0:30:57 | |
-Hey! How about Darryl, huh? -Come on. | 0:30:59 | 0:31:02 | |
-MAN: -Good to see you, man. | 0:31:02 | 0:31:03 | |
-I appreciate you, man. -Keep the faith. -Thank you so much. | 0:31:03 | 0:31:06 | |
-Let's go, man. -Appreciate it. Did nothing wrong either. -Gov, stop... | 0:31:06 | 0:31:10 | |
-Come on, come on, man. -Good luck! -Thanks, guys. | 0:31:10 | 0:31:12 | |
-Appreciate it. -Gov, come on. -All the best to you! | 0:31:12 | 0:31:14 | |
'Rod is good at campaigning.' | 0:31:14 | 0:31:16 | |
You can definitely tell he's a politician. | 0:31:16 | 0:31:18 | |
How do you do? How are you? Nice to meet you. All the best to you. | 0:31:18 | 0:31:21 | |
-Hi, sir. -Yeah, how you doing? -Nice meeting you. | 0:31:21 | 0:31:23 | |
'I think it's a great opportunity for him, and great exposure.' | 0:31:23 | 0:31:27 | |
But I really don't need the exposure. | 0:31:27 | 0:31:30 | |
I'm a New York guy. And people know me and I love New York. | 0:31:30 | 0:31:33 | |
-We're on a time schedule. -You're looking good. | 0:31:33 | 0:31:35 | |
-We're on a time schedule, man. -I got you. -All right? -Yup. | 0:31:35 | 0:31:38 | |
So, don't... This is New York. | 0:31:38 | 0:31:40 | |
Everybody you say "Hi" to, you gotta keep moving. | 0:31:40 | 0:31:43 | |
-I got you. -All right. | 0:31:43 | 0:31:45 | |
Hi. | 0:31:45 | 0:31:46 | |
We need a yellow T-shirt. It needs to be, like, standout yellow. | 0:31:56 | 0:32:00 | |
-It's kind of like the Norton boxes over there. Hi. -What's going on? | 0:32:00 | 0:32:03 | |
-How are you? -Oh, dude. -Having some fun? | 0:32:03 | 0:32:05 | |
Mr Trump's eyes and ears on this task was Don Jr. | 0:32:05 | 0:32:08 | |
So he stopped by our set. | 0:32:08 | 0:32:10 | |
I walked up to him, like, "I've no clue what we're doing yet, | 0:32:10 | 0:32:12 | |
"but I think this is it. | 0:32:12 | 0:32:13 | |
"I don't even know how to present it to you." | 0:32:13 | 0:32:15 | |
So tell me a little bit about your concept. | 0:32:15 | 0:32:17 | |
Our campaign is basically that it stretches from a newborn | 0:32:17 | 0:32:20 | |
to the elderly. We've got, um... | 0:32:20 | 0:32:23 | |
Now it's like, we've got, um... | 0:32:23 | 0:32:25 | |
It's personal. Like, there's just... It's a work in progress. | 0:32:25 | 0:32:29 | |
-OK. So you're still honing down what the full message will be? -Yeah. | 0:32:29 | 0:32:32 | |
I think Summer's kind of a little bit jumbled. | 0:32:32 | 0:32:35 | |
I want to make sure that she's not just trying to herd cats, | 0:32:35 | 0:32:37 | |
that they're actually getting somewhere to an end goal. | 0:32:37 | 0:32:40 | |
'The timelines on this task are very tight. | 0:32:40 | 0:32:43 | |
'There's a lot to accomplish in a very short amount of time.' | 0:32:43 | 0:32:46 | |
I don't know how they'll pull it all together in the end. | 0:32:46 | 0:32:48 | |
We'll have a constant streaming video, all the things | 0:32:48 | 0:32:51 | |
that are replaceable. | 0:32:51 | 0:32:52 | |
'Don Jr came in, and he was a little confused about our concept.' | 0:32:52 | 0:32:55 | |
We just weren't clear on it yet ourselves. | 0:32:55 | 0:32:57 | |
It's like, here's the mom and here's the baby. | 0:32:57 | 0:33:02 | |
Uh... | 0:33:02 | 0:33:03 | |
And we have to figure this out, cos my brain is just so slow. | 0:33:03 | 0:33:07 | |
Go on. | 0:33:07 | 0:33:08 | |
There wasn't one person that had a clearly defined vision | 0:33:08 | 0:33:12 | |
of what they were looking for. There was a lot of time wasted. | 0:33:12 | 0:33:15 | |
-Um... -I am so tired already. | 0:33:15 | 0:33:17 | |
Oh, God. | 0:33:17 | 0:33:19 | |
I like the juxtaposition of scaring, you know, and saying, | 0:33:25 | 0:33:30 | |
"It's about to happen, but because she's there, it's not going to happen." | 0:33:30 | 0:33:34 | |
Something like that. Not saying that, but you know what I mean? | 0:33:34 | 0:33:36 | |
As soon as Don Jr walked away, | 0:33:36 | 0:33:38 | |
I really felt like I wasn't sure if I even had the concept down. | 0:33:38 | 0:33:43 | |
'But the clock is ticking down, it's ticking way too fast. | 0:33:43 | 0:33:46 | |
'We have so much more to do.' | 0:33:46 | 0:33:47 | |
It's Summer cradling a baby. | 0:33:47 | 0:33:49 | |
With your son. Sharon's up here. I'm going to put the text up here. | 0:33:49 | 0:33:52 | |
We're close. | 0:33:52 | 0:33:53 | |
So, our concept has shifted just slightly in that | 0:33:53 | 0:33:56 | |
we want to make sure that people know you are LifeLock | 0:33:56 | 0:33:59 | |
and Norton 360. | 0:33:59 | 0:34:01 | |
So we went back to the drawing board again. | 0:34:01 | 0:34:04 | |
And then that's when we decided to establish Sharon as the protector. | 0:34:04 | 0:34:08 | |
But it's as if YOU are the protector. | 0:34:08 | 0:34:10 | |
-So, it's like she's going to prevent X, Y and Z from happening. -Right. | 0:34:10 | 0:34:16 | |
Sharon... | 0:34:16 | 0:34:17 | |
Sharon is the protector. | 0:34:17 | 0:34:19 | |
She's going to be kind of in the background of every scene. | 0:34:19 | 0:34:24 | |
Ah, that's great. | 0:34:24 | 0:34:25 | |
Got to try to keep these things flat, cause it reflects. | 0:34:26 | 0:34:29 | |
Summer asked me to be the celebrity spokesperson. | 0:34:29 | 0:34:33 | |
'I think because I'm pretty good at selling things. | 0:34:33 | 0:34:37 | |
'And because of my age too. | 0:34:37 | 0:34:39 | |
'I mean, you're not going to sell a product like that' | 0:34:39 | 0:34:42 | |
-with a -BLEEP -arse. | 0:34:42 | 0:34:43 | |
Like that one... | 0:34:43 | 0:34:45 | |
Sharon, you look unbelievable. | 0:34:45 | 0:34:47 | |
'Sharon could not have been a better spokesperson. | 0:34:47 | 0:34:49 | |
'I don't think anybody on the men's team' | 0:34:49 | 0:34:51 | |
could compete with the presence of Sharon. | 0:34:51 | 0:34:54 | |
Yeah! | 0:34:54 | 0:34:55 | |
The first two obvious ones | 0:34:57 | 0:34:58 | |
is we need you looking like the fastest man in the world, | 0:34:58 | 0:35:01 | |
and you looking like the strongest man in the world. | 0:35:01 | 0:35:03 | |
I guess you want a centralised shot of me. | 0:35:03 | 0:35:05 | |
My role in the task was to be the brand ambassador. | 0:35:05 | 0:35:08 | |
'I feel really special that I'm at the centre of this whole challenge.' | 0:35:08 | 0:35:11 | |
-Thank you. -You're welcome. | 0:35:18 | 0:35:19 | |
Oh, look. Curtis in an apron. How clever. | 0:35:19 | 0:35:23 | |
-How original(!) -How original(!) THEY LAUGH | 0:35:23 | 0:35:26 | |
Curtis, Lord... | 0:35:27 | 0:35:29 | |
He's going to make sure the world knows that he's a chef. | 0:35:29 | 0:35:32 | |
'And guess what? Curtis is in an apron. So original! | 0:35:32 | 0:35:35 | |
'He should just wear an apron in the boardroom.' | 0:35:35 | 0:35:37 | |
Like, he probably sleeps in a apron with nothing else on! | 0:35:37 | 0:35:41 | |
'He wants to feel the apron on his skin. | 0:35:41 | 0:35:43 | |
'That's like me coming to work every day in a thong and wings on my back.' | 0:35:43 | 0:35:47 | |
Like, dude, are you kidding me? That's ridiculous. | 0:35:47 | 0:35:50 | |
-Perfect. -LifeLock. And Norton 360. | 0:35:51 | 0:35:55 | |
So our campaign in a nutshell | 0:35:56 | 0:35:58 | |
is that I do everything | 0:35:58 | 0:35:59 | |
that every other person does - I shop, I cook, I eat, I go out. | 0:35:59 | 0:36:02 | |
'So everybody can relate to me. But I'm much better protected | 0:36:02 | 0:36:06 | |
'than anyone else because I've got the Norton 360 | 0:36:06 | 0:36:08 | |
'and the LifeLock Protection.' | 0:36:08 | 0:36:10 | |
Good. | 0:36:10 | 0:36:11 | |
Curtis got his shots in first | 0:36:18 | 0:36:20 | |
and I changed into my outfit | 0:36:20 | 0:36:22 | |
and got my part of the photo shoot started. | 0:36:22 | 0:36:24 | |
OK, stand by. And...ready. | 0:36:24 | 0:36:27 | |
Nice shot, Michael! > | 0:36:27 | 0:36:29 | |
You know who that is? Man... | 0:36:30 | 0:36:33 | |
What an honour. | 0:36:33 | 0:36:35 | |
'Michael's awesome.' | 0:36:35 | 0:36:36 | |
I mean, how can you not respect a guy who's won so many gold medals | 0:36:36 | 0:36:39 | |
and won a following? | 0:36:39 | 0:36:40 | |
'He's an extremely successful guy. Both on and off the track. | 0:36:40 | 0:36:45 | |
'And, as our project manager, people respect him.' | 0:36:45 | 0:36:48 | |
People will listen to him. And he's smart enough to be able | 0:36:48 | 0:36:50 | |
to delegate properly, I believe. | 0:36:50 | 0:36:52 | |
Go! | 0:36:52 | 0:36:53 | |
If you do that, start back a little bit. | 0:36:54 | 0:36:57 | |
'I really didn't voice my opinions in a lot of different things.' | 0:36:57 | 0:37:00 | |
You know, because I think my strengths wasn't for this task. | 0:37:00 | 0:37:03 | |
-'What do you need?' -I need two large pizzas. | 0:37:03 | 0:37:05 | |
'Everybody else seemed, you know, so excited about the project. | 0:37:05 | 0:37:08 | |
'Not that I wasn't excited about it, but I'm just more of a laid-back, | 0:37:08 | 0:37:11 | |
'sit back and watch type person.' | 0:37:11 | 0:37:13 | |
And I was totally exhausted. | 0:37:13 | 0:37:16 | |
Beautiful. > | 0:37:16 | 0:37:18 | |
What do you feel most comfortable in? | 0:37:20 | 0:37:22 | |
I'll do whatever you want. This is your gig. | 0:37:22 | 0:37:24 | |
I know, but I'm just saying. | 0:37:24 | 0:37:25 | |
I'll go with the shirt off, man. I don't care. | 0:37:25 | 0:37:28 | |
'Next part of the photo shoot was Bill Goldberg, once known | 0:37:28 | 0:37:31 | |
'as the strongest man in the world, and he can't knock out' | 0:37:31 | 0:37:33 | |
identity theft. So, Bill needed to get a photo of himself as a... | 0:37:33 | 0:37:38 | |
strong, big man. | 0:37:38 | 0:37:41 | |
I have to somehow get the impression that I'm, like, a strong guy. | 0:37:42 | 0:37:47 | |
Watch the facial expressions. It almost looks like a fart. | 0:37:47 | 0:37:50 | |
Is that all you've got, Goldberg? Come on! | 0:37:50 | 0:37:54 | |
ARRRRGGGHHH! | 0:37:54 | 0:37:57 | |
That was good! | 0:37:57 | 0:37:58 | |
Was that mean enough looking for you? | 0:37:58 | 0:38:01 | |
THEY LAUGH | 0:38:01 | 0:38:02 | |
'When he started growling, I got scared. Are you serious?' | 0:38:02 | 0:38:06 | |
Arrrrgggghhh! | 0:38:06 | 0:38:08 | |
Arrgghh! Oh, no! | 0:38:09 | 0:38:12 | |
No! | 0:38:13 | 0:38:15 | |
Oh! | 0:38:15 | 0:38:17 | |
That's awesome. | 0:38:17 | 0:38:18 | |
Look at this. Look at me. Look at this. | 0:38:18 | 0:38:21 | |
-Oh, you look good. You look good. -Come on, man. I got... | 0:38:21 | 0:38:24 | |
-Goldberg goo all over me. Goldberg goo. -That's gold goo! | 0:38:24 | 0:38:29 | |
Gold goo! | 0:38:29 | 0:38:31 | |
It's my favourite shirt, man! | 0:38:31 | 0:38:33 | |
Hey, buddy! | 0:38:42 | 0:38:43 | |
Could you open it? All right. | 0:38:43 | 0:38:45 | |
Cyndi is amazing. She is running around and picking stuff up. | 0:38:45 | 0:38:49 | |
You know something? One time I picked up Dennis Rodman | 0:38:49 | 0:38:52 | |
and I dropped him. Centre of gravity, very bad. | 0:38:52 | 0:38:55 | |
-You did not pick up Dennis Rodman! -I did so. He was very tall. | 0:38:55 | 0:38:58 | |
It's like her daily workout now, to be on Celebrity Apprentice. | 0:38:58 | 0:39:02 | |
She's like, "Yeah! I'm lifting this! | 0:39:02 | 0:39:03 | |
"Yeah! You need me to pick up the park bench? Yeah, I'm doing this! | 0:39:03 | 0:39:06 | |
"Yeah! I'm doing that." | 0:39:06 | 0:39:08 | |
That's a Cyndi Lauper workout 101. | 0:39:08 | 0:39:11 | |
It's starting to feel like that scene when they're dragging | 0:39:11 | 0:39:15 | |
those stones up the pyramid. | 0:39:15 | 0:39:18 | |
-Cos that's what it'll be like when we're dragging that -BLEEP. | 0:39:18 | 0:39:21 | |
Oh, my gosh! | 0:39:21 | 0:39:22 | |
THEY LAUGH | 0:39:22 | 0:39:25 | |
Now I know why Dennis Rodman started drinking. | 0:39:26 | 0:39:29 | |
'Cyndi has a great energy about her.' | 0:39:31 | 0:39:34 | |
I think that her energy is amazing, | 0:39:34 | 0:39:37 | |
and we definitely need it at times within this group. | 0:39:37 | 0:39:39 | |
All right, buddy. Thanks so much. | 0:39:41 | 0:39:42 | |
We're in a crunch. The good news is that I am losing weight. | 0:39:42 | 0:39:47 | |
All right. | 0:39:47 | 0:39:49 | |
-Here we go. -Yay! | 0:39:49 | 0:39:50 | |
There's more stuff downstairs. | 0:39:50 | 0:39:52 | |
Woo hoo hoo! | 0:39:59 | 0:40:00 | |
I'm just worried about the time. You know? | 0:40:00 | 0:40:03 | |
I always worry, because we got to get back, and then set it up. | 0:40:03 | 0:40:07 | |
We gotta talk to the photographer. And we gotta get the photos done. | 0:40:07 | 0:40:11 | |
-Here, honey... -Don't worry, I got it. It's light. | 0:40:11 | 0:40:14 | |
-Michael? -Yeah? | 0:40:15 | 0:40:16 | |
Do we have a disc to start to load all the logos and stuff in? | 0:40:16 | 0:40:19 | |
-I think that might be the logo disc. Check that one and see. -OK. | 0:40:19 | 0:40:23 | |
Whoops, that's my video from last night. I'm just kidding. | 0:40:23 | 0:40:25 | |
Whoops! | 0:40:25 | 0:40:27 | |
Um, yes, that's not it. I was just jogging. | 0:40:28 | 0:40:32 | |
That's all that is. I was wrestling. | 0:40:32 | 0:40:34 | |
'Our graphic designer is very smart and witty and confident. | 0:40:36 | 0:40:39 | |
'And, uh, sexy.' | 0:40:39 | 0:40:40 | |
And funny, and sexy. | 0:40:40 | 0:40:43 | |
-You know about this. Have you done this before? -Just once or twice. | 0:40:43 | 0:40:46 | |
-20 years of designing rock T-shirts. -Ah, OK. | 0:40:46 | 0:40:49 | |
You know what I'm saying? | 0:40:49 | 0:40:51 | |
'I love the ladies, I can't help it. And I'm having fun.' | 0:40:51 | 0:40:53 | |
But I'm not a creepy guy. I'm not a creeper. | 0:40:53 | 0:40:56 | |
'I'm a fun guy and I'm not a hands-on guy.' | 0:40:56 | 0:40:58 | |
I'm just having fun with them, you know? We're having a good time. | 0:40:58 | 0:41:01 | |
-So, I would go... Try the page black first. -OK. | 0:41:01 | 0:41:04 | |
'So I'm working on this design' | 0:41:04 | 0:41:06 | |
and we started designing this really cool campaign. | 0:41:06 | 0:41:08 | |
'And I was even taking pictures on my own personal camera.' | 0:41:08 | 0:41:11 | |
Oh! Much better. | 0:41:11 | 0:41:13 | |
'It's really strong. Takes their campaign and blows it up even bigger | 0:41:13 | 0:41:17 | |
'and stronger.' | 0:41:17 | 0:41:18 | |
And, I feel great about it. I think it's going to be awesome. | 0:41:18 | 0:41:21 | |
-Bret, can I see where you guys are? -Please, please. | 0:41:21 | 0:41:24 | |
'When I saw Bret's layout, it looked like he was off the task | 0:41:26 | 0:41:30 | |
'a little bit.' | 0:41:30 | 0:41:31 | |
And that he was creating a four-page ad, as opposed to | 0:41:31 | 0:41:35 | |
'an advertorial.' | 0:41:35 | 0:41:36 | |
OK, but... You guys... | 0:41:36 | 0:41:39 | |
It can't look like an ad. | 0:41:39 | 0:41:40 | |
Because the specific task is advertorial. | 0:41:40 | 0:41:44 | |
That's the specific task. | 0:41:44 | 0:41:45 | |
'An advertorial isn't meant to look good. | 0:41:45 | 0:41:47 | |
'It's meant to look like an editorial piece in a magazine.' | 0:41:47 | 0:41:50 | |
I'm a very literal person. | 0:41:50 | 0:41:52 | |
So you tell me to put something together, | 0:41:52 | 0:41:55 | |
I'm going to give you exactly that. | 0:41:55 | 0:41:57 | |
Let me show you an example, real quick. | 0:41:57 | 0:41:58 | |
So, I got the sense that Bret didn't understand what we were supposed to be doing. | 0:41:58 | 0:42:02 | |
The next three pages have to look like pages out of a magazine, | 0:42:02 | 0:42:06 | |
like that. White background... | 0:42:06 | 0:42:08 | |
-I was just trying to be, when we did this, much more original. -No. | 0:42:08 | 0:42:12 | |
They're saying what they want. | 0:42:13 | 0:42:15 | |
-We just need a lot of copy. -Right. | 0:42:15 | 0:42:17 | |
Michael walked over, right in the middle of Leigh and I working | 0:42:17 | 0:42:20 | |
and says, "No, no. This is what an advertorial looks like." | 0:42:20 | 0:42:23 | |
And I go, "Yeah, but that is a common, middle of the road, | 0:42:23 | 0:42:27 | |
"dictionary approach to an advertorial. | 0:42:27 | 0:42:30 | |
"They want us to give them something special." | 0:42:30 | 0:42:32 | |
And Michael said, "Nope. This is what I want." | 0:42:32 | 0:42:34 | |
Do you mind if it's on black to make it somewhat original? | 0:42:34 | 0:42:37 | |
-We don't have latitude. OK? -All right. | 0:42:37 | 0:42:40 | |
'Michael was way too intense and way too determined.' | 0:42:40 | 0:42:42 | |
He just wanted an advertorial and he wanted it his way. | 0:42:42 | 0:42:45 | |
And he's the boss. | 0:42:45 | 0:42:46 | |
So how's everything going? | 0:42:57 | 0:42:58 | |
It's going, man. It's going fast and frantic. | 0:42:58 | 0:43:00 | |
This is a tough task, but we're tackling it, man. | 0:43:00 | 0:43:03 | |
Gavin came in after we finished the photo shoot. | 0:43:03 | 0:43:06 | |
What we were trying to do is try to get all of the content in, | 0:43:06 | 0:43:10 | |
and get the layout right. | 0:43:10 | 0:43:12 | |
-You have anything to show me? -Absolutely, come around here. | 0:43:12 | 0:43:14 | |
Check it out. | 0:43:14 | 0:43:16 | |
So, this is the front page of the ad, right here. | 0:43:16 | 0:43:19 | |
And you'll have a picture of celebrity chef Curtis Stone right here. | 0:43:19 | 0:43:23 | |
What Curtis will be doing is, he'll be coming through here with | 0:43:23 | 0:43:26 | |
cooking tips and things like that, but relate it back to, | 0:43:26 | 0:43:29 | |
you know, what we're selling here. | 0:43:29 | 0:43:31 | |
This is basically the information types of identity theft - credit | 0:43:33 | 0:43:36 | |
card fraud, utilities fraud, bank fraud, employment fraud... | 0:43:36 | 0:43:39 | |
'I felt that Rocksolid had a clear vision, a good concept.' | 0:43:39 | 0:43:43 | |
But, I felt that at times it was a little wordy. | 0:43:43 | 0:43:46 | |
'If people sit down, reading a magazine, you have to capture | 0:43:46 | 0:43:50 | |
'someone's attention within two or three seconds.' | 0:43:50 | 0:43:53 | |
Make it quick and simple, concise, fast. | 0:43:53 | 0:43:56 | |
I get a feeling you think those words are mighty small, don't you? | 0:43:56 | 0:44:00 | |
-Well... -Once it's done, it'll be killer. OK? | 0:44:00 | 0:44:05 | |
All right. Great, great. | 0:44:05 | 0:44:07 | |
'Gavin didn't say much. He just looked very confused.' | 0:44:07 | 0:44:10 | |
And it was a lot of time. | 0:44:10 | 0:44:11 | |
It was taking a lot of time out of my schedule and out of my | 0:44:11 | 0:44:14 | |
day, when I've got a deadline, you know? | 0:44:14 | 0:44:16 | |
And I was totally fine with the font size, and I wasn't going to | 0:44:16 | 0:44:20 | |
change my concept based on somebody who just got sent in to say, | 0:44:20 | 0:44:24 | |
you know, "How's it going in here?" | 0:44:24 | 0:44:26 | |
Your direction's great. It's easy. You give us a lot of direction. | 0:44:26 | 0:44:29 | |
-Thank you, bro'. -Make sure you're still confident. -Cool. Great. | 0:44:29 | 0:44:33 | |
It's happy! There you go. Yeah. There you go. | 0:44:39 | 0:44:42 | |
'Our concept was that identity theft happens to everyone. | 0:44:42 | 0:44:47 | |
'But, that Sharon was going to be our | 0:44:47 | 0:44:49 | |
'protector. Sharon was going to be watching over them, as if, uh...' | 0:44:49 | 0:44:54 | |
she WAS LifeLock and Norton 360. | 0:44:54 | 0:44:56 | |
-OK, what's the next shot? -So the next shot is park bench. | 0:44:56 | 0:44:59 | |
It ended up us being on a time crunch. | 0:44:59 | 0:45:01 | |
And it was just like, "OK, we got to get our shots." | 0:45:01 | 0:45:04 | |
-OK, we don't have a lot of time. -Yeah. | 0:45:04 | 0:45:06 | |
We're all waiting for this photo. Everything's waiting for this photo. | 0:45:08 | 0:45:12 | |
-Is this for just us? -It's for our... for our PowerPoint. | 0:45:12 | 0:45:14 | |
Yeah, it's for our PowerPoint. | 0:45:14 | 0:45:16 | |
That ate up way too much time. | 0:45:21 | 0:45:24 | |
We'd already done our photos. You know, we were racing against time. | 0:45:24 | 0:45:28 | |
So, we were trying to make the editorial part of our ad | 0:45:28 | 0:45:32 | |
straight to the point. | 0:45:32 | 0:45:34 | |
-Everybody needs to help Holly with this presentation. -Uhhh! | 0:45:34 | 0:45:38 | |
It's not done. And now I have 20 minutes. | 0:45:38 | 0:45:42 | |
Holly is frantically trying to get all of the information into | 0:45:42 | 0:45:44 | |
our presentation. | 0:45:44 | 0:45:45 | |
Can you give all your facts to Holly? | 0:45:45 | 0:45:48 | |
-I'm trying to do it. -OK. Yeah, sorry. -Oh, my God. | 0:45:48 | 0:45:50 | |
You guys, you got 15 minutes. | 0:45:50 | 0:45:52 | |
OK, check it out. What do you think? | 0:45:52 | 0:45:53 | |
Sharon Osbourne - mother, manager, protector. | 0:45:53 | 0:45:56 | |
-Download it to me. I have to put it on this PowerPoint. -Yup. Yup, yup. | 0:45:56 | 0:45:59 | |
-OK. -Or it's not going to make it. -OK. OK, OK. | 0:45:59 | 0:46:01 | |
'At the very last second, I mean last second, I was switching | 0:46:01 | 0:46:04 | |
'slides, making sure they were in the right sequence, and didn't | 0:46:04 | 0:46:07 | |
'have a whole lot of time to go over it with Summer.' | 0:46:07 | 0:46:09 | |
I have no idea what the presentation looks like at this point. | 0:46:09 | 0:46:12 | |
It was such a last minute rush to fly in logos and images that... | 0:46:12 | 0:46:17 | |
I don't know. I just hope it makes sense. | 0:46:17 | 0:46:19 | |
Oh, my God. | 0:46:19 | 0:46:21 | |
I don't want them smiling. | 0:46:29 | 0:46:31 | |
I prefer none of them smiling. | 0:46:31 | 0:46:33 | |
-You know, we haven't got any time to -BLEEP -around. -Yeah, we don't. -We've got to move. | 0:46:33 | 0:46:36 | |
'As we got really close to the end, that's really a crucial time | 0:46:36 | 0:46:39 | |
'to make sure that everything you want in this document is in there.' | 0:46:39 | 0:46:43 | |
And there's just so much to do, so little time. | 0:46:43 | 0:46:45 | |
Bank fraud's a fraud against the bank, right? | 0:46:53 | 0:46:57 | |
I think we got to just stop the chit-chat. | 0:46:57 | 0:46:59 | |
..otherwise, it should be all in. | 0:46:59 | 0:47:01 | |
-Yeah, because it's getting so confusing for her. -Definitely. | 0:47:01 | 0:47:05 | |
All right. Hold on a second. All right. | 0:47:05 | 0:47:07 | |
'Bret and Rod were back there buzzing around.' | 0:47:07 | 0:47:10 | |
I knew what I needed to be focused on. | 0:47:10 | 0:47:11 | |
And that was working with the graphic designer, | 0:47:11 | 0:47:14 | |
getting this content in there. | 0:47:14 | 0:47:16 | |
Can you put that just right up here? | 0:47:16 | 0:47:18 | |
Michael's taken full responsibility from the very start of the | 0:47:18 | 0:47:21 | |
day for the entire project. | 0:47:21 | 0:47:23 | |
And he's...he's put his hand up. | 0:47:23 | 0:47:24 | |
He's put his neck out there and said, "This is mine. | 0:47:24 | 0:47:27 | |
"I'm going to make it work." | 0:47:27 | 0:47:28 | |
We don't need to have two... | 0:47:28 | 0:47:29 | |
-a big line there and a big line there. -That's right. | 0:47:29 | 0:47:31 | |
'The success that I had as an athlete was based on being focused | 0:47:31 | 0:47:35 | |
'and being organised.' | 0:47:35 | 0:47:36 | |
And I tried to instil that in my employees, and... | 0:47:36 | 0:47:39 | |
and lead them by my example. | 0:47:39 | 0:47:41 | |
It looks very professional. | 0:47:41 | 0:47:42 | |
-Think we're good. -Nice. | 0:47:42 | 0:47:43 | |
-Morning. -Morning. -Morning. | 0:48:07 | 0:48:09 | |
I would like to introduce to you, Curtis Stone - world renowned | 0:48:09 | 0:48:13 | |
chef, and truly, a wonderful guy. | 0:48:13 | 0:48:15 | |
A lot is riding on this presentation, because a lot of the | 0:48:18 | 0:48:21 | |
criteria falls on this, and we have got to get this presentation right. | 0:48:21 | 0:48:25 | |
Now, I'm, um... absolutely thrilled to be standing here in front of you as the | 0:48:25 | 0:48:29 | |
ambassador for LifeLock and Norton. | 0:48:29 | 0:48:31 | |
So why me? Why am I the ambassador? | 0:48:31 | 0:48:33 | |
Let's look around this room for a minute. | 0:48:33 | 0:48:34 | |
I mean, we've got some seriously recognisable celebrities. | 0:48:34 | 0:48:37 | |
Now, the reason that I was chosen is because I've been a victim to | 0:48:37 | 0:48:41 | |
identity theft. | 0:48:41 | 0:48:42 | |
My life is no different to yours, no different to the guy's down the road. | 0:48:42 | 0:48:45 | |
It was great watching the executives, especially Curtis | 0:48:45 | 0:48:48 | |
was the opening act. | 0:48:48 | 0:48:50 | |
He's got that look... | 0:48:50 | 0:48:51 | |
Both the executives were smiling, if not almost laughing, in a | 0:48:51 | 0:48:55 | |
positive way. So that was a good sign. | 0:48:55 | 0:48:58 | |
Thanks. | 0:48:58 | 0:49:00 | |
So, this is our first page, and our celebrity chef here, | 0:49:01 | 0:49:05 | |
Curtis Stone, and, uh... | 0:49:05 | 0:49:07 | |
Goldberg and myself. | 0:49:07 | 0:49:08 | |
We wanted to make sure we had the branding front and centre. | 0:49:08 | 0:49:11 | |
And at the top, Norton and LifeLock. | 0:49:11 | 0:49:13 | |
The copy reads "I'm Curtis Stone, celebrity chef, and I've had | 0:49:13 | 0:49:16 | |
"my identity stolen twice." | 0:49:16 | 0:49:17 | |
We continue with the theme of our celebrity chef actually | 0:49:17 | 0:49:20 | |
giving some tips to people about cybercrime. | 0:49:20 | 0:49:23 | |
And he actually says in the copy that he online-banks, but he | 0:49:23 | 0:49:27 | |
has LifeLock and he has Norton anti-virus protections. | 0:49:27 | 0:49:30 | |
'You could not read that screen. No-one in that room could read it. | 0:49:30 | 0:49:33 | |
'And, there was so much font and so much you were trying to say.' | 0:49:33 | 0:49:37 | |
Rather than...than just be real. | 0:49:37 | 0:49:40 | |
On the final page, we've got, uh... | 0:49:40 | 0:49:43 | |
Curtis here with a family, and a great moment. beautiful picture. | 0:49:43 | 0:49:48 | |
We thank you guys for your... for your time. | 0:49:48 | 0:49:50 | |
We really appreciate you, uh... | 0:49:50 | 0:49:52 | |
taking the time to listen to our presentation. | 0:49:52 | 0:49:54 | |
-I hope you enjoyed it. -Great. Thanks. | 0:49:54 | 0:49:56 | |
Good morning, you guys. | 0:50:09 | 0:50:11 | |
-Good morning. -Good morning. | 0:50:11 | 0:50:14 | |
Good morning, you guys. | 0:50:15 | 0:50:17 | |
I have a simple question for you. What's important to you? | 0:50:17 | 0:50:20 | |
Is it your shoes? Maybe your watch? | 0:50:20 | 0:50:24 | |
Of course, your purse and your wallet. Are they THAT important? | 0:50:24 | 0:50:27 | |
Because they can be replaced. | 0:50:27 | 0:50:29 | |
Now here's the real question. What can't be replaced? | 0:50:29 | 0:50:33 | |
You and your identity. | 0:50:33 | 0:50:35 | |
When we were thinking about this advertorial, we were thinking | 0:50:35 | 0:50:37 | |
about the facts. | 0:50:37 | 0:50:38 | |
And they're serious. | 0:50:38 | 0:50:41 | |
(Put it towards the computer.) | 0:50:46 | 0:50:48 | |
I'm pressing the button. | 0:50:48 | 0:50:50 | |
The presentation... it started off really bad. | 0:50:51 | 0:50:55 | |
The computer wasn't working. | 0:50:55 | 0:50:57 | |
And I'm like, "Ugh. What is going on?" | 0:50:57 | 0:50:59 | |
This happens sometimes, so I have the facts somewhat memorised. | 0:50:59 | 0:51:03 | |
Identity theft happens once every three seconds. | 0:51:03 | 0:51:06 | |
One in five Americans will experience identity theft. | 0:51:06 | 0:51:10 | |
Our PowerPoint was off, but there's something about imperfection | 0:51:10 | 0:51:13 | |
that's actually really cool. | 0:51:13 | 0:51:15 | |
Because, it opens up the door for you to be somewhat spontaneous. | 0:51:15 | 0:51:19 | |
We chose Sharon Osbourne because she's strong. She is with it. | 0:51:19 | 0:51:24 | |
We say, "Mother, manager," and most importantly, "protector". | 0:51:24 | 0:51:29 | |
Our next two pages of our advertorial... | 0:51:29 | 0:51:31 | |
We wanted to touch at the heartstrings. | 0:51:31 | 0:51:34 | |
We wanted the families to know that if you have LifeLock and | 0:51:34 | 0:51:37 | |
Norton 360, you're going to feel safe. | 0:51:37 | 0:51:40 | |
"We're watching. You're protected." Who's watching? Sharon Osbourne. | 0:51:40 | 0:51:44 | |
She's our protector. She's our watchdog. | 0:51:44 | 0:51:47 | |
I knew my message points would be just fine. | 0:51:47 | 0:51:50 | |
And I knew we had a really good spokesperson. | 0:51:50 | 0:51:52 | |
-Here is our protector herself - Sharon Osbourne. -Good morning. | 0:51:52 | 0:51:57 | |
-So why does our "advertarial"... -BLEEP! | 0:51:57 | 0:52:02 | |
SHE COUGHS | 0:52:02 | 0:52:04 | |
Today, I started to get all high-temperature again and sweating. | 0:52:07 | 0:52:13 | |
'And then, you know, I started to cough.' | 0:52:13 | 0:52:16 | |
-She's been sick a bit lately. -Just a tad. -Yeah. OK. | 0:52:16 | 0:52:20 | |
We're being judged on the presentation, and the | 0:52:20 | 0:52:23 | |
presentation was not good. | 0:52:23 | 0:52:26 | |
There was coughing... | 0:52:26 | 0:52:27 | |
SHARON COUGHS | 0:52:27 | 0:52:28 | |
-Excuse me. -'There was... | 0:52:28 | 0:52:31 | |
'the projector not working.' | 0:52:31 | 0:52:34 | |
I really hope we don't lose because of it. | 0:52:34 | 0:52:37 | |
But, it wasn't good. It just wasn't good. | 0:52:37 | 0:52:42 | |
The consumer recognises me as a very strong businesswoman. | 0:52:42 | 0:52:47 | |
A woman that you don't mess with. | 0:52:48 | 0:52:51 | |
-That's why this is your new campaign. Thank you. -Thank you. | 0:52:52 | 0:52:59 | |
-Hello, Todd, Janice. -Hi, there. -So how did our teams do? | 0:53:16 | 0:53:20 | |
Well, both teams put in a really great effort. | 0:53:20 | 0:53:23 | |
But in both cases we'd have to make some changes in order to be | 0:53:23 | 0:53:26 | |
able to use the creative ads. | 0:53:26 | 0:53:28 | |
-What kind of changes? -Well, the teams... | 0:53:28 | 0:53:30 | |
Well, the women's team really went for that emotional connection | 0:53:30 | 0:53:33 | |
in their creative. | 0:53:33 | 0:53:35 | |
Uh, they got the fact they needed to educate. | 0:53:35 | 0:53:37 | |
There wasn't quite enough education in the ad. | 0:53:37 | 0:53:39 | |
The men were quite the opposite. The facts were almost overwhelming. | 0:53:39 | 0:53:43 | |
We'd also need to go check some of those facts, because there | 0:53:43 | 0:53:47 | |
may be a few of those that would be hard to get legal clearance. | 0:53:47 | 0:53:50 | |
Todd, what did you think of the women's team? | 0:53:50 | 0:53:53 | |
They had a few issues with their presentation. | 0:53:53 | 0:53:55 | |
-It could have gone better. -And there was no call to action. | 0:53:55 | 0:53:59 | |
You want customers to know, where do they go to get the products? | 0:53:59 | 0:54:02 | |
What about the men's team? | 0:54:02 | 0:54:04 | |
What'd you think of Curtis as the spokesperson? | 0:54:04 | 0:54:06 | |
I thought Curtis did a very good job of being articulate, why he | 0:54:06 | 0:54:11 | |
was very interested in the products together, and what value that | 0:54:11 | 0:54:14 | |
would bring to an individual. | 0:54:14 | 0:54:16 | |
Who would've been your best celebrity? | 0:54:16 | 0:54:18 | |
You want to go communicate safety, security, protection, | 0:54:18 | 0:54:22 | |
the combination of these two... Goldberg. | 0:54:22 | 0:54:24 | |
I probably would've had Goldberg as the centrepiece. | 0:54:24 | 0:54:27 | |
-So you probably would've had Goldberg in the centre and maybe by himself? -You bet. | 0:54:27 | 0:54:30 | |
OK. Could I take a look at the women's team first, please? | 0:54:30 | 0:54:33 | |
Nice looking. | 0:54:33 | 0:54:35 | |
Really catches the online and offline on the two pages. | 0:54:35 | 0:54:38 | |
-They've hit both sides of the... of the elements. -Very good. | 0:54:38 | 0:54:41 | |
-Very creative. -Very good. OK. Let me see the men. | 0:54:41 | 0:54:44 | |
-And this is the men's. -Very good. | 0:54:44 | 0:54:47 | |
I think this is very good, too. | 0:54:47 | 0:54:49 | |
OK. So let me ask you - who is the winner? | 0:54:49 | 0:54:52 | |
-So Michael, how'd your team do? -Team did great. | 0:55:23 | 0:55:27 | |
-Who was the star? -Oh, the team was the star. | 0:55:27 | 0:55:30 | |
I mean, we got back to that team that we were when we first began. | 0:55:30 | 0:55:33 | |
-Who was your weakest player? -Weakest player we had would be Rod. | 0:55:33 | 0:55:39 | |
Rod? Why Rod? | 0:55:39 | 0:55:42 | |
I don't know. I'm surprised. I did it... Whatever he asked me to do. | 0:55:42 | 0:55:44 | |
Go ahead, Michael. Tell me. | 0:55:44 | 0:55:46 | |
If I have to rank everybody in terms of how they did, Rod would | 0:55:46 | 0:55:50 | |
fall at the bottom in terms of his contribution. | 0:55:50 | 0:55:53 | |
Was Bret hard to handle? | 0:55:53 | 0:55:55 | |
Bret wasn't as hard to handle as I expected. | 0:55:56 | 0:56:00 | |
-But you took care of him? -I took care of Bret. | 0:56:01 | 0:56:05 | |
Absolutely. OK, good. And Darryl is Darryl, right? | 0:56:05 | 0:56:08 | |
Hey, Darryl is Darryl. | 0:56:08 | 0:56:09 | |
And I think, you know, in all honesty, you know, you look | 0:56:09 | 0:56:11 | |
at Darryl, you know, and his demeanour, and you think, you | 0:56:11 | 0:56:14 | |
know, "He's not really contributing that much to the team." | 0:56:14 | 0:56:17 | |
Anything that you ask Darryl to do, you can guarantee that | 0:56:17 | 0:56:20 | |
-it's going to be done. And it's going to be done right. -Good. Let's stay on Rod. | 0:56:20 | 0:56:24 | |
OK? What's going on, Rod? | 0:56:24 | 0:56:26 | |
One of the difficulties when you're not the project manager, is that | 0:56:28 | 0:56:32 | |
you express some of your views, and the boss makes the final decision. | 0:56:32 | 0:56:35 | |
And then you're... | 0:56:35 | 0:56:36 | |
You try to do the best you can, and execute his game plan. | 0:56:36 | 0:56:39 | |
But, one of the responsibilities, I think, to be a good team player | 0:56:39 | 0:56:42 | |
is, when you have some concerns, you should try to address them. | 0:56:42 | 0:56:45 | |
You don't want to hound the guy, cos he's | 0:56:45 | 0:56:46 | |
working real hard to try to make sure we get our task done. | 0:56:46 | 0:56:49 | |
So, it's a bit of a delicate balance. | 0:56:49 | 0:56:51 | |
-Do you think you won? -I'm cautiously optimistic. | 0:56:51 | 0:56:54 | |
I think we all worked together as a team. | 0:56:54 | 0:56:55 | |
What did you think of your end product? | 0:56:55 | 0:56:57 | |
I might have done it a little bit different. | 0:56:57 | 0:56:59 | |
But I still think it turned out a heck of a lot better than... | 0:56:59 | 0:57:02 | |
I thought it might. When it... when it all was said and done. | 0:57:02 | 0:57:05 | |
-Summer. -Mm-hmm. | 0:57:05 | 0:57:08 | |
-How did you like your team? -I love my team. | 0:57:08 | 0:57:10 | |
I couldn't love my team any more than I do. | 0:57:10 | 0:57:12 | |
-Every one of them? -Yeah. | 0:57:12 | 0:57:14 | |
I might have issues with some of the things they do, but I love every one of them. | 0:57:14 | 0:57:17 | |
What were the issues? | 0:57:17 | 0:57:20 | |
Not... I love Cyndi Lauper. | 0:57:22 | 0:57:24 | |
I absolutely love her. I love her stories... | 0:57:24 | 0:57:26 | |
-But - what does that mean? -But we have X amount of time to get our stuff done. | 0:57:26 | 0:57:29 | |
And her stories are so awesome. And I want to hear them... | 0:57:29 | 0:57:32 | |
I was telling you stories while we were trying to work? | 0:57:32 | 0:57:35 | |
No. But you... you'd try to explain things. And... | 0:57:35 | 0:57:37 | |
and in the end, you come back, and your end result is great. | 0:57:37 | 0:57:41 | |
But when we... | 0:57:41 | 0:57:42 | |
In the process of getting there, it kind of gets us off track. | 0:57:42 | 0:57:45 | |
Oh, OK. I'm sorry. | 0:57:45 | 0:57:46 | |
-No, no. -OK. -No, no. Yeah. I love... I love her. | 0:57:46 | 0:57:48 | |
-Are they just too long, and you didn't have time? -No, they... | 0:57:48 | 0:57:51 | |
They'll come at a time when we're on... | 0:57:51 | 0:57:53 | |
we're trying to get on a track. | 0:57:53 | 0:57:54 | |
And we're trying to get | 0:57:54 | 0:57:55 | |
all of our thoughts out, and at least get one thought down on our paper. | 0:57:55 | 0:57:59 | |
And then she'll... | 0:57:59 | 0:58:00 | |
She'll bring something in, which is a great point, but it's not | 0:58:00 | 0:58:03 | |
what we're talking about. So then we kind of lose our track. | 0:58:03 | 0:58:05 | |
-You're throwing me under the truck. -No, no, no, I'm not. | 0:58:05 | 0:58:08 | |
You side-swiper! | 0:58:08 | 0:58:11 | |
-In a way, you are. -Yeah, yeah, you are. | 0:58:11 | 0:58:13 | |
In a certain way, you're saying there was disruption... | 0:58:13 | 0:58:15 | |
I'm being honest. But she... | 0:58:15 | 0:58:16 | |
I didn't say she was a weak player, I just said that | 0:58:16 | 0:58:19 | |
she kind of steers us in the wrong direction. | 0:58:19 | 0:58:21 | |
And that, is a part of managing. No, no, no, no. | 0:58:21 | 0:58:24 | |
OK. All right. I'm not saying anything. | 0:58:24 | 0:58:26 | |
Holly, what do you think of Cyndi, and, is Cyndi a big asset to the team? | 0:58:26 | 0:58:32 | |
Cyndi's a great asset to the team because of her heart. | 0:58:32 | 0:58:35 | |
But when it comes to getting together as a group, | 0:58:35 | 0:58:39 | |
sometimes her wordiness, or the way she explains things, can be | 0:58:39 | 0:58:44 | |
a little difficult for us to digest at times. | 0:58:44 | 0:58:47 | |
-Cyndi, you're not hurt by this, are you? -A little. | 0:58:49 | 0:58:52 | |
Yeah. But I'm also... | 0:58:52 | 0:58:55 | |
I got to also take it in and think, | 0:58:56 | 0:58:58 | |
OK. You know, I try... I have a big personality. | 0:58:58 | 0:59:03 | |
-You do. -Yeah. -Do you consider yourself a tough person? | 0:59:03 | 0:59:05 | |
Oh, like, thick-skinned? | 0:59:05 | 0:59:07 | |
Are you able to take it? Yeah. Thick-skinned. | 0:59:07 | 0:59:10 | |
Not really, but I'm trying. | 0:59:10 | 0:59:11 | |
Do you consider yourself an emotional person? | 0:59:11 | 0:59:15 | |
Very much so? Maybe that's why the music is so good, right? | 0:59:15 | 0:59:19 | |
I'd like to see the two ads. Do you mind? | 0:59:24 | 0:59:26 | |
OK? Gavin, can we see the ads? | 0:59:26 | 0:59:29 | |
Don. I'm going to give them to you, OK? | 0:59:29 | 0:59:32 | |
So you're going to look at theirs. | 0:59:32 | 0:59:33 | |
Gavin, let them look at the women's. | 0:59:33 | 0:59:35 | |
I'd like to know what you think of their advertorial. | 0:59:41 | 0:59:44 | |
I think it's an ad. | 0:59:44 | 0:59:45 | |
But, I don't think it's an advertorial. | 0:59:45 | 0:59:48 | |
And the task was to make an advertorial. | 0:59:48 | 0:59:50 | |
What do you think of what they did? | 0:59:50 | 0:59:52 | |
I mean, you haven't had much time to review it in all fairness. | 0:59:52 | 0:59:55 | |
-Yeah. -Darryl hasn't even looked at it yet. | 0:59:55 | 0:59:57 | |
-I don't think Darryl gives a -BLEEP, -right? | 0:59:57 | 1:00:00 | |
-He thinks he did a better job and that's it. -Of course. | 1:00:00 | 1:00:04 | |
Governor, what do you think? | 1:00:04 | 1:00:05 | |
Uh, I like theirs. | 1:00:05 | 1:00:07 | |
-You like it more? -Well, I mean, I... | 1:00:07 | 1:00:10 | |
I'd read that, I think I'd take something from that. | 1:00:10 | 1:00:13 | |
-What do you think of theirs? -It's like a composition. | 1:00:15 | 1:00:18 | |
It's like a newsletter. | 1:00:18 | 1:00:19 | |
It's like an advertorial. | 1:00:19 | 1:00:21 | |
That's what they asked us to do. An advertorial. | 1:00:21 | 1:00:24 | |
Well, that's a subjective... | 1:00:24 | 1:00:25 | |
I would like to know where the editorial content is in yours. | 1:00:25 | 1:00:28 | |
-May I say something? -Yeah, Cyndi. Go ahead. | 1:00:28 | 1:00:30 | |
I don't know if I'm allowed to say this. | 1:00:30 | 1:00:32 | |
You are. Yes. Despite what Summer did to you before. | 1:00:32 | 1:00:34 | |
I'm going to 100% apologise to Cyndi for saying that. | 1:00:34 | 1:00:36 | |
What...? What are you apologising...? You just spoke the truth. | 1:00:36 | 1:00:38 | |
-That's how you felt. -Are you apologising for the truth? | 1:00:38 | 1:00:41 | |
No, because I hurt her feelings. | 1:00:41 | 1:00:42 | |
And I should've talked to her about it before I came out here. | 1:00:42 | 1:00:45 | |
It's all right. I thought I was sticking up for you. | 1:00:45 | 1:00:48 | |
-I'm very sorry, I was out of line. -No, no... | 1:00:48 | 1:00:50 | |
I won't say anything any more. It's OK. | 1:00:50 | 1:00:53 | |
When I looked at that, I thought, "OK. Yes, that's an advertorial" | 1:00:55 | 1:00:59 | |
except that somewhere in between, it should've been small. | 1:00:59 | 1:01:03 | |
Because, when you look up advertorials on the internet, | 1:01:03 | 1:01:05 | |
they're...they're concise. And the picture really tells you. | 1:01:05 | 1:01:08 | |
And so it's got to be like that. | 1:01:08 | 1:01:11 | |
Nobody's going to stop and read this unless... | 1:01:11 | 1:01:13 | |
I'm starting to understand Summer's point. | 1:01:13 | 1:01:16 | |
OK. Gavin... | 1:01:20 | 1:01:22 | |
Actually, I think Cyndi was on the right page. | 1:01:22 | 1:01:25 | |
Nobody, in this day and age, | 1:01:25 | 1:01:27 | |
nobody has the time to read all this. | 1:01:27 | 1:01:29 | |
Unless you're reading an article, though. | 1:01:29 | 1:01:30 | |
I'll bet you one out of a hundred people reads this article. | 1:01:30 | 1:01:33 | |
-I would disagree. -I... I'll bet you... | 1:01:33 | 1:01:35 | |
I'll bet you not even one out of a hundred. | 1:01:35 | 1:01:37 | |
You're a businessman. | 1:01:37 | 1:01:38 | |
You pay a lot of money for these four pages. | 1:01:38 | 1:01:40 | |
Is that all you want to use them for? That's it? | 1:01:40 | 1:01:42 | |
-Yeah, if you sell the product, who cares? -There's... | 1:01:42 | 1:01:45 | |
There's nothing in here that tells you what... | 1:01:45 | 1:01:47 | |
I think somewhere in between the two is where you ideally want to end up. | 1:01:47 | 1:01:50 | |
Whereas, the men, clearly way too verbose. | 1:01:50 | 1:01:53 | |
I mean, no-one is going to read it, to your point, Cyndi. | 1:01:53 | 1:01:55 | |
-The women, perhaps not enough. -Right. | 1:01:55 | 1:01:58 | |
There is the picture and it does tell a pretty | 1:01:58 | 1:01:59 | |
compelling story, but you may be missing something. | 1:01:59 | 1:02:02 | |
I just have a question - how come there's no phone number? | 1:02:02 | 1:02:06 | |
If I'm going to buy this product, Norton and LifeLock, how do I... | 1:02:06 | 1:02:09 | |
-How do I contact this person? There's no phone number. -I know. | 1:02:09 | 1:02:13 | |
-That's a good point. -That IS a good point. | 1:02:13 | 1:02:15 | |
So why isn't there a phone number? | 1:02:15 | 1:02:17 | |
It didn't even cross our mind to put a phone number on there. | 1:02:17 | 1:02:20 | |
OK. Let's find out who won. | 1:02:23 | 1:02:27 | |
The Norton and LifeLock executives thought both teams really | 1:02:27 | 1:02:32 | |
did a very good job. | 1:02:32 | 1:02:33 | |
They liked the condensed version of yours. | 1:02:33 | 1:02:38 | |
They liked some of your details, they were concerned with others. | 1:02:38 | 1:02:42 | |
It was a lot of action going on, but maybe they didn't have enough action. | 1:02:42 | 1:02:45 | |
They thought both teams, overall, did a very good job. | 1:02:45 | 1:02:49 | |
The fact is, the executives thought the women's team was far superior. | 1:02:50 | 1:02:56 | |
So the women win! They thought you did a really outstanding job. | 1:02:56 | 1:03:01 | |
-Awesome. -Congratulations. -Congratulations. -Thank you. | 1:03:01 | 1:03:04 | |
And, Summer, I'm giving you a cheque for 20,000. | 1:03:04 | 1:03:07 | |
And in addition, a portion of the sales from the Norton-LifeLock | 1:03:07 | 1:03:10 | |
bundle will also be donated to your charity. | 1:03:10 | 1:03:13 | |
-Aww, that's nice. -What is the charity? Summer! | 1:03:13 | 1:03:17 | |
You're crying, Summer! | 1:03:17 | 1:03:18 | |
Look at you. Look at you. | 1:03:18 | 1:03:19 | |
-Aww, it's going to be good for them. -That's very nice. | 1:03:19 | 1:03:22 | |
-So what is your charity, hun? -Sorry. -It's OK. | 1:03:22 | 1:03:25 | |
My charity is Right to Play. | 1:03:26 | 1:03:28 | |
We bring sport and play to developing countries and | 1:03:28 | 1:03:30 | |
children who've been affected by war. | 1:03:30 | 1:03:32 | |
-That's great. -Yeah. -That's great. -Thank you. -That's a great charity. | 1:03:32 | 1:03:35 | |
-Thank you. -So go back to the war room. | 1:03:35 | 1:03:38 | |
Watch. You'll have a good time. Congratulations, Summer. Good job. | 1:03:38 | 1:03:42 | |
-Good job, Summer. -Good job. -Cyndi, very good. Sharon, get better. | 1:03:42 | 1:03:46 | |
-Feel better. -Thank you. -Feel better. -God. I'm so proud of you. | 1:03:46 | 1:03:51 | |
I'm so proud of you. | 1:03:51 | 1:03:52 | |
Men, unfortunately, someone will get fired. | 1:03:52 | 1:03:55 | |
-Yay! -Oooh! -Let's get that champagne open. -Woo! That was rough. | 1:04:10 | 1:04:15 | |
I am so beyond excited that I won 20,000 for Right to Play. | 1:04:15 | 1:04:19 | |
And then on top of that, the fact that LifeLock is going to donate | 1:04:19 | 1:04:22 | |
a portion of their sales straight to my charity, I wanted to walk | 1:04:22 | 1:04:26 | |
back in the war room and just celebrate. | 1:04:26 | 1:04:28 | |
But all I could feel about was how bad I made Cyndi feel. | 1:04:28 | 1:04:32 | |
Oh, hello. | 1:04:32 | 1:04:35 | |
I certainly don't want to hurt her feelings. | 1:04:35 | 1:04:37 | |
Or, you know, throw her under the bus. | 1:04:37 | 1:04:39 | |
It's not what I was trying to do at all. | 1:04:39 | 1:04:41 | |
-If you have a problem with me, tell me. -OK. | 1:04:41 | 1:04:44 | |
-I'm going to be honest with you. -Yes. -I absolutely love your stories. | 1:04:44 | 1:04:47 | |
-They make my day. -No, I don't mean to tell you stories. | 1:04:47 | 1:04:49 | |
No, no, no, no, no. No, no, wait. | 1:04:49 | 1:04:51 | |
I'm just trying to tell you so you understand why it's not right. | 1:04:51 | 1:04:53 | |
Exactly. And I love... I always say this. | 1:04:53 | 1:04:56 | |
Your point at the end is so perfect. | 1:04:56 | 1:04:59 | |
So just say the point, and don't explain. | 1:04:59 | 1:05:01 | |
OK. Will that make you sad if I say that? | 1:05:01 | 1:05:03 | |
-No! -"Cyndi, get to the point. I need the point." | 1:05:03 | 1:05:05 | |
-Absolutely not. -OK. That's all I was saying. | 1:05:05 | 1:05:07 | |
It just makes me sad if you don't tell me at the time. | 1:05:07 | 1:05:10 | |
'I just took it personally because she really threw me under the bus.' | 1:05:10 | 1:05:13 | |
And I bent over backwards trying to help her. | 1:05:13 | 1:05:16 | |
I'm so glad your charity won. | 1:05:16 | 1:05:17 | |
So, Michael, that's a little disappointing. | 1:05:21 | 1:05:23 | |
Oh, it's more than disappointing. I'm very... I don't like to lose. | 1:05:23 | 1:05:27 | |
-And I thought that... -No, I know you don't like to lose. | 1:05:27 | 1:05:29 | |
-I know that. -No, and I thought our team... I mean, we were a great team. | 1:05:29 | 1:05:33 | |
All of these guys did a great job. And, uh... | 1:05:33 | 1:05:36 | |
-Hey, you know? -But whose idea was it to use so many words? | 1:05:36 | 1:05:40 | |
Because, it really, even from my standpoint, | 1:05:40 | 1:05:42 | |
when I looked, I wasn't that surprised to see that they won. | 1:05:42 | 1:05:46 | |
-There were a lot of words. -Yeah. My idea. | 1:05:46 | 1:05:49 | |
-It was your idea. -My idea. | 1:05:49 | 1:05:50 | |
-Absolutely. -Did anyone try to talk you out of that? | 1:05:50 | 1:05:53 | |
-Um... -I -mean, did anyone say, "Let's condense this a little bit. | 1:05:53 | 1:06:00 | |
-"It's a little too verbose"? -I don't... No. No-one said that. | 1:06:00 | 1:06:04 | |
There were, somebody wanted more pictures, you know. | 1:06:04 | 1:06:07 | |
And you guys can speak up and say, "Hey, you know what..." | 1:06:07 | 1:06:10 | |
cos I'm going to take full responsibility. | 1:06:10 | 1:06:12 | |
I love that you admit it, though. And you're just saying that right now. | 1:06:12 | 1:06:15 | |
I go through this so much, where they say, "Well, even if it | 1:06:15 | 1:06:18 | |
"was your idea," they say, "Well, it was the governor's idea." | 1:06:18 | 1:06:21 | |
"It was Curtis's idea." I love that you admit it. | 1:06:21 | 1:06:24 | |
-Yeah, it's great. -Look, I'm the... I'm the project manager. | 1:06:24 | 1:06:26 | |
I stepped up and said, "Hey, this is a tough task." | 1:06:26 | 1:06:29 | |
But, I thought what we got done in the amount of time... | 1:06:29 | 1:06:31 | |
We went on, we looked at the whole situation. | 1:06:31 | 1:06:34 | |
"What is an advertorial?" | 1:06:34 | 1:06:35 | |
And honestly, we had to take a step back. | 1:06:35 | 1:06:38 | |
And then, we were kind of like, "I think we know what is it." | 1:06:38 | 1:06:40 | |
I don't believe anyone's going to read all this. | 1:06:40 | 1:06:42 | |
There's a lot of copy here. | 1:06:42 | 1:06:44 | |
And, the way life is today, people are in a hurry. | 1:06:44 | 1:06:47 | |
You have two or three seconds to make an impression. | 1:06:47 | 1:06:49 | |
-Too much words. I got you. -It was words, and it just... | 1:06:49 | 1:06:52 | |
-It was a little... -He's heard that. -Yeah. -Confusing. Confusing... | 1:06:52 | 1:06:56 | |
-I hear you. -And it didn't move to sell the product. | 1:06:56 | 1:06:59 | |
-I hear you. -Which is what the end game was, for me. | 1:06:59 | 1:07:01 | |
Why did you pick Curtis? | 1:07:01 | 1:07:04 | |
-And I love Curtis. He's young, handsome... -Right. | 1:07:04 | 1:07:08 | |
..all that stuff. But, he's not your biggest celebrity. | 1:07:08 | 1:07:10 | |
And maybe, in this case, he's not your best spokesman. | 1:07:10 | 1:07:13 | |
Because it's limited. The world of food, and the world of cooking, is a little | 1:07:13 | 1:07:16 | |
-bit different... -Everybody cooks. | 1:07:16 | 1:07:18 | |
..compared to the world of baseball, and wrestling and all this other stuff. | 1:07:18 | 1:07:21 | |
I felt like we needed to go with a current star. | 1:07:21 | 1:07:24 | |
Someone who's current. And he's on "Biggest Loser." He's on | 1:07:24 | 1:07:28 | |
TLC doing, you know, going into people's house cooking. | 1:07:28 | 1:07:31 | |
And the cooking thing is hot. Everybody's into it. | 1:07:31 | 1:07:33 | |
And then there was a study that showed that chefs have this | 1:07:33 | 1:07:36 | |
trust factor that other celebrities don't. | 1:07:36 | 1:07:39 | |
But Goldberg looks like security. He just looks like security. | 1:07:39 | 1:07:43 | |
-He looks obvious, though. That's obvious. -I agree. | 1:07:43 | 1:07:46 | |
And they said, Don't be obvious. Be unique. | 1:07:46 | 1:07:49 | |
-Be original. -But a chef does not necessarily look like security. | 1:07:49 | 1:07:54 | |
Curtis, did you want to be the spokesperson for the team? | 1:07:56 | 1:08:00 | |
-I wasn't opposed to it. -Do you think you should have been? | 1:08:00 | 1:08:04 | |
I think it had a lot of credibility. A lot of people trust chefs. | 1:08:04 | 1:08:08 | |
-There have been studies that have shown that. -Are you well recognised? Do they know you very well? | 1:08:08 | 1:08:14 | |
Not as well as some of the guys in this room, definitely not. | 1:08:14 | 1:08:17 | |
In saying that, | 1:08:17 | 1:08:18 | |
you can have some brand ambassadors that don't have any | 1:08:18 | 1:08:21 | |
level of celebrity so, in one way, everybody does come into | 1:08:21 | 1:08:25 | |
contact with food so I don't know that it was a terrible decision. | 1:08:25 | 1:08:29 | |
Bret, you're very quiet. Why? | 1:08:29 | 1:08:31 | |
No-one has asked me any questions and I'm letting everyone speak. | 1:08:31 | 1:08:36 | |
Why do you think you lost? | 1:08:36 | 1:08:37 | |
Personally, I feel that we should have won. | 1:08:39 | 1:08:41 | |
You thought your advertorial was better? | 1:08:41 | 1:08:44 | |
-You don't really believe that? -No, it wasn't, Bret. You do covers. | 1:08:44 | 1:08:49 | |
If he handed a cover like that into the record company, | 1:08:49 | 1:08:51 | |
they'd throw it back at him. | 1:08:51 | 1:08:53 | |
He knows it because he's in our business. | 1:08:53 | 1:08:55 | |
-I don't believe our advertorial was better. -So why should you have won? | 1:08:55 | 1:08:59 | |
I think it was a combination of both. | 1:08:59 | 1:09:02 | |
I think it was that they needed more information. | 1:09:02 | 1:09:05 | |
But you thought that theirs was better? | 1:09:05 | 1:09:08 | |
I think that theirs was a stronger image. | 1:09:08 | 1:09:11 | |
If I was going through... Michael knows I felt this way from the beginning. | 1:09:11 | 1:09:14 | |
That's how honest I was with Michael. I said, "Michael, you're a project manager. | 1:09:14 | 1:09:18 | |
"As a graphic designer, this is my suggestion." | 1:09:18 | 1:09:20 | |
Are you a graphic designer? | 1:09:20 | 1:09:22 | |
No, I'm not a graphic designer. | 1:09:22 | 1:09:24 | |
So what are you referring to when you say...? | 1:09:28 | 1:09:31 | |
-For my career with Poison or solo and whatever I... -OK, fine. | 1:09:31 | 1:09:36 | |
Go ahead. | 1:09:36 | 1:09:37 | |
My point with Michael was simple - we're a team | 1:09:37 | 1:09:40 | |
and he's a project manager and I would not argue with my boss. | 1:09:40 | 1:09:43 | |
Are they respecting your ideas, Bret? | 1:09:43 | 1:09:47 | |
Sometimes, and sometimes no. | 1:09:49 | 1:09:51 | |
Michael, who was your weakest player? | 1:09:53 | 1:09:56 | |
Rod. | 1:09:56 | 1:09:57 | |
Rod, what part did you play? | 1:09:58 | 1:10:00 | |
I played a lot of a part and part of the difficulty with Michael and I... | 1:10:00 | 1:10:04 | |
-They're killing you, Rod. -Let me say this before you start. | 1:10:04 | 1:10:08 | |
Rod contributed. Rod is not the reason why we lost this task. | 1:10:08 | 1:10:12 | |
Now Rod can go on and do the political bit. | 1:10:12 | 1:10:15 | |
-What did you do, Rod? -It's not a political bit. | 1:10:15 | 1:10:17 | |
He's in a really tough position, in all fairness. | 1:10:17 | 1:10:21 | |
I think Rod's a tough guy. I think he's a nice guy. | 1:10:21 | 1:10:26 | |
He's in this horrible position where he's got to be nice. | 1:10:26 | 1:10:30 | |
He can't come out like a ranting, raving lunatic and attack Darryl because some day, | 1:10:31 | 1:10:37 | |
in the not-too-distant future, one of your fans is sitting on a jury. | 1:10:37 | 1:10:41 | |
-That's right. -He's in a tough position. | 1:10:41 | 1:10:43 | |
And Darryl's bigger than him. | 1:10:43 | 1:10:45 | |
I think if I were him, I'd be kissing ass also. | 1:10:45 | 1:10:47 | |
-He has been. -He certainly has been. -We fell for him. | 1:10:47 | 1:10:53 | |
You know what, I really like him. | 1:10:53 | 1:10:56 | |
-I like his courage. -He's in a tough spot. | 1:10:56 | 1:11:00 | |
I think we all understand that so I get what's going on. | 1:11:00 | 1:11:04 | |
At the same time, on The Apprentice, we all have to produce. | 1:11:04 | 1:11:09 | |
Tell me what you did, Rod. | 1:11:09 | 1:11:11 | |
I'm eager to do that. | 1:11:11 | 1:11:13 | |
Let me say again that in this particular case, and maybe in the | 1:11:13 | 1:11:16 | |
other ones, to some extent, Michael and the others, because they're | 1:11:16 | 1:11:21 | |
aware of my situation, they're just not utilising me enough. | 1:11:21 | 1:11:25 | |
But...I've been in this business and something like that... | 1:11:25 | 1:11:30 | |
Which business? | 1:11:30 | 1:11:31 | |
-The business of communications and I've been in those ads. -True. | 1:11:31 | 1:11:37 | |
You became governor. A lot of ads. | 1:11:37 | 1:11:40 | |
When decisions were made earlier on, I was assigned to run errands | 1:11:40 | 1:11:43 | |
and I did it. I do everything and anything they ask. | 1:11:43 | 1:11:46 | |
Whether it's in the kitchen to help Curtis out or there's waiting tables. | 1:11:46 | 1:11:50 | |
I'll do anything, and when the decision makers are coming | 1:11:50 | 1:11:53 | |
up the creative end, they have their sense of what they want to do. | 1:11:53 | 1:11:56 | |
I'll try to improve it and raise some suggestions. | 1:11:56 | 1:11:59 | |
Michael's very focused, very disciplined. He gave good direction. He made decisions, | 1:11:59 | 1:12:02 | |
but I think I should have been more on the creative end of this | 1:12:02 | 1:12:06 | |
than running errands. | 1:12:06 | 1:12:07 | |
If you were me, who would you fire? | 1:12:09 | 1:12:11 | |
Well... | 1:12:13 | 1:12:14 | |
Superstar, I mean, I'm a big fan. | 1:12:18 | 1:12:21 | |
But... Well, I think the manager. | 1:12:21 | 1:12:25 | |
-It kills me to say that. -Bret, who would you fire? | 1:12:27 | 1:12:31 | |
That's a tough decision but I would say that, | 1:12:34 | 1:12:36 | |
just like when I was doing it, just like when Sinbad was doing it, | 1:12:36 | 1:12:40 | |
it eventually falls on the shoulders of our project manager, | 1:12:40 | 1:12:43 | |
but I felt Michael 1,000% on point. | 1:12:43 | 1:12:47 | |
I think Michael's fantastic. | 1:12:47 | 1:12:49 | |
-I do. -He had a plan. | 1:12:49 | 1:12:50 | |
Who would you fire, Darryl, if you were me? | 1:12:52 | 1:12:56 | |
I would have to say Michael done a great job. | 1:12:56 | 1:12:59 | |
Michael, I praised Michael for having us organised. | 1:12:59 | 1:13:03 | |
You know, that was something we missed in the last exercise. | 1:13:03 | 1:13:06 | |
He got us back on track. | 1:13:06 | 1:13:10 | |
When I look at it, these guys here done a super job, all of them. | 1:13:10 | 1:13:15 | |
I think highly of every last one of them. | 1:13:15 | 1:13:18 | |
If you had to let anyone go, it would be me. | 1:13:21 | 1:13:25 | |
Come on, Darryl. | 1:13:25 | 1:13:26 | |
No! | 1:13:30 | 1:13:32 | |
-You're here for your charity. SHARON: -This is this macho -BLEEP. | 1:13:32 | 1:13:34 | |
-Who has a bigger BLEEP. -You don't really mean it. | 1:13:34 | 1:13:37 | |
You're just trying to be a nice guy. You're so full of crap. | 1:13:37 | 1:13:40 | |
You're saying it cos you want to be cool, you want to be a nice guy. | 1:13:40 | 1:13:44 | |
Because... | 1:13:44 | 1:13:45 | |
You didn't do anything wrong. | 1:13:45 | 1:13:48 | |
I ran around and did things that Michael asked me to do. | 1:13:48 | 1:13:53 | |
Their effort as a team in putting this project together, it takes a lot. | 1:13:53 | 1:13:59 | |
It takes a lot when you're project manager and you're working | 1:13:59 | 1:14:04 | |
with a person and they have ideas and it can get confusing. | 1:14:04 | 1:14:08 | |
-Do you think you lost because of Darryl? -No, absolutely not. | 1:14:08 | 1:14:11 | |
We didn't lose because of Darryl. Not only did we not lose | 1:14:11 | 1:14:15 | |
because of Darryl, Darryl was a great member of the team. | 1:14:15 | 1:14:17 | |
-Michael, do you want to be fired? -I don't want to be fired. | 1:14:17 | 1:14:20 | |
I didn't want to lose. I certainly don't want to be fired. | 1:14:20 | 1:14:22 | |
Darryl, do you want to be fired? | 1:14:22 | 1:14:25 | |
Yes. | 1:14:31 | 1:14:33 | |
You really do? | 1:14:33 | 1:14:35 | |
Well, because I think of these guys and sitting back | 1:14:35 | 1:14:38 | |
and watching their effort. | 1:14:38 | 1:14:41 | |
-Are you tired? -Huh? -Do you want to go home? | 1:14:41 | 1:14:44 | |
Yes. | 1:14:46 | 1:14:48 | |
You do. I can see it. | 1:14:48 | 1:14:49 | |
And I can see Michael doesn't want to go home. Michael wants to stay. | 1:14:51 | 1:14:54 | |
I'm really surprised, Darryl. | 1:14:54 | 1:14:58 | |
I'm definitely tired. No question about it. | 1:14:58 | 1:15:00 | |
Think that through, man. | 1:15:00 | 1:15:02 | |
If you make me stay, that's a different story, | 1:15:02 | 1:15:04 | |
-I wouldn't want to go home. -Darryl wants to go home. | 1:15:04 | 1:15:06 | |
He's tired. | 1:15:06 | 1:15:07 | |
You're here for your charity - it's autism. The rest of the guys want to be here. | 1:15:07 | 1:15:10 | |
Let them stay and play for their charity. | 1:15:10 | 1:15:14 | |
Over nine seasons, I've had two people that quit. | 1:15:14 | 1:15:18 | |
Those people have never forgotten it and they regretted it. | 1:15:18 | 1:15:23 | |
They apologise. I said, "You're a quitter." | 1:15:23 | 1:15:25 | |
They never have lived it down. They call me and they write me. | 1:15:25 | 1:15:30 | |
-It doesn't matter. They quit. -I wouldn't quit. That I wouldn't do. | 1:15:30 | 1:15:36 | |
You're asking to be fired and you shouldn't be the one | 1:15:36 | 1:15:39 | |
fired on this task unless you want to be fired cos you have to go home. | 1:15:39 | 1:15:43 | |
Maybe you miss your wife. Maybe you miss the kids. I don't know! | 1:15:43 | 1:15:45 | |
-I... -We all want to... It's time. The governor wants to go. | 1:15:47 | 1:15:50 | |
He has a lot of business to take care of. | 1:15:50 | 1:15:52 | |
I want to stay. | 1:15:52 | 1:15:54 | |
I believe in my charity. I want to raise money for paediatric cancer. | 1:15:54 | 1:15:58 | |
-OK, a good reason not to quit. -Donald, I am a team player. | 1:15:58 | 1:16:02 | |
I've always been a team player. That's why I have been a winner. | 1:16:02 | 1:16:05 | |
You have something more on your mind than being a team guy, Darryl. | 1:16:05 | 1:16:08 | |
I really don't. I really don't. | 1:16:08 | 1:16:11 | |
As a baseball player, I always thought you were | 1:16:11 | 1:16:14 | |
more of an individual player than a team player. | 1:16:14 | 1:16:18 | |
You didn't like certain members of your team and you let them know it etc etc. | 1:16:18 | 1:16:22 | |
That was out of disputes in the clubhouse. | 1:16:22 | 1:16:26 | |
Once you step onto the field together... | 1:16:26 | 1:16:29 | |
Where do you come up with this, out of nowhere that I should fire you? | 1:16:29 | 1:16:34 | |
-Donald... Mr Trump, I'm sorry. -You can call me whatever you want. | 1:16:34 | 1:16:38 | |
I'm being sincere. Come on, Strawberry. | 1:16:38 | 1:16:42 | |
You've got to be fired cos... Come on. | 1:16:42 | 1:16:46 | |
I don't know. I'm hearing something. | 1:16:46 | 1:16:48 | |
Let him quit, but still fire somebody. Somebody's got to be fired. | 1:16:48 | 1:16:53 | |
You shouldn't be saying that cos you're an obvious candidate. | 1:16:53 | 1:16:55 | |
I'll take it if I'm fired but... | 1:16:55 | 1:16:58 | |
-I'm a little bit surprised. -I don't want to stay here cos he quit. | 1:16:58 | 1:17:00 | |
- I'm not quitting. - Then stay. | 1:17:00 | 1:17:03 | |
I'd rather take the hit than Michael take the hit. | 1:17:03 | 1:17:06 | |
I'll put it like that. | 1:17:06 | 1:17:08 | |
Are you taking the hit because you're loyal to your team or | 1:17:08 | 1:17:11 | |
because you want to get the hell out of here? | 1:17:11 | 1:17:13 | |
I'm taking it because I'm loyal to my team and I don't | 1:17:13 | 1:17:15 | |
think Michael should take the hit. | 1:17:15 | 1:17:17 | |
I think Michael did an incredible job for this group. | 1:17:17 | 1:17:19 | |
Hey, you don't have to sell me on Michael | 1:17:19 | 1:17:21 | |
but Michael was your project manager and you lost. | 1:17:21 | 1:17:25 | |
Then all of a sudden you come out with this thing that you want to be fired. | 1:17:25 | 1:17:29 | |
-Well... -I have a feeling it's because you want to go home. | 1:17:29 | 1:17:32 | |
And that's OK. I've had that before. People have to go home. | 1:17:33 | 1:17:37 | |
-Yes. -But I have a feeling that's the real reason. Is it? | 1:17:37 | 1:17:43 | |
-HE LAUGHS -A little bit, right? | 1:17:43 | 1:17:46 | |
-A little bit, yes. -Darryl, you're fired. | 1:17:46 | 1:17:50 | |
Michael, I don't think he really took a bullet for you, | 1:17:53 | 1:17:57 | |
but I respect Darryl. I'm always going to respect Darryl... | 1:17:57 | 1:18:01 | |
-Thank you. -..but I was surprised. | 1:18:01 | 1:18:05 | |
I was very surprised. | 1:18:05 | 1:18:09 | |
-I think the one that's most surprised, you know who it is? -Who? | 1:18:09 | 1:18:11 | |
Michael! | 1:18:11 | 1:18:13 | |
-Not happy. -I know you're not happy. Michael, you don't have to explain. | 1:18:13 | 1:18:18 | |
I know you better than you know yourself. | 1:18:18 | 1:18:21 | |
You've been an unbelievable champion and you were ready to go | 1:18:21 | 1:18:25 | |
but you were ready to go on the merits. | 1:18:25 | 1:18:28 | |
I just wouldn't feel comfortable being here if Darryl just leaves. | 1:18:28 | 1:18:32 | |
Michael, you shouldn't talk him out of leaving because there have been | 1:18:32 | 1:18:35 | |
plenty of Olympic runners who won | 1:18:35 | 1:18:37 | |
because the guy who was beating them at the finish line tripped. | 1:18:37 | 1:18:39 | |
You may have won some races that way too. | 1:18:39 | 1:18:41 | |
It doesn't make the person who won the gold any less of a winner. | 1:18:41 | 1:18:44 | |
I don't want to win the race because a guy quit. | 1:18:44 | 1:18:47 | |
-Do you believe in luck? -Yeah, you got to have a little luck. | 1:18:49 | 1:18:53 | |
-Do you believe in luck? -I do. | 1:18:53 | 1:18:57 | |
Michael, you got lucky. Now, get out of here before I change my mind. | 1:18:58 | 1:19:02 | |
OK, thank you. | 1:19:04 | 1:19:05 | |
Adios, thank you. | 1:19:09 | 1:19:13 | |
The man offered himself up so he's quitting, bye. | 1:19:13 | 1:19:16 | |
He's so nice. | 1:19:16 | 1:19:18 | |
He's very nice, Strawberry, but you quit on your charity. | 1:19:18 | 1:19:21 | |
The most disturbing thing about Darryl leaving is that he's | 1:19:21 | 1:19:25 | |
playing for autism, like I am. | 1:19:25 | 1:19:28 | |
You guys did a great job, man. | 1:19:28 | 1:19:30 | |
I cannot believe that Darryl Strawberry, who knows everybody | 1:19:31 | 1:19:34 | |
in New York, is going to walk away with no money for his charity. | 1:19:34 | 1:19:38 | |
All right. How you doing? | 1:19:38 | 1:19:39 | |
-Gavin, what do you think? -This was an unbelievable twist. | 1:19:47 | 1:19:51 | |
I couldn't believe what I was hearing. He wanted to go home. | 1:19:51 | 1:19:55 | |
-I think he made the right decision. -I think he wanted to get fired. | 1:19:55 | 1:19:58 | |
I think Michael got lucky. What do you think? | 1:19:58 | 1:20:01 | |
I don't think Michael's used to winning that way. | 1:20:01 | 1:20:03 | |
I'm shocked, but, as they say, sometimes it's better to be lucky than good. | 1:20:03 | 1:20:06 | |
And he was lucky. | 1:20:06 | 1:20:07 | |
I think that people will be shocked that I quit | 1:20:39 | 1:20:43 | |
but I did it for a great reason. | 1:20:43 | 1:20:45 | |
When the question came to me, who should he fire, I said, "Fire me." | 1:20:45 | 1:20:49 | |
I was pretty exhausted myself anyway | 1:20:49 | 1:20:51 | |
and I think my team-mates done a great job on the task. | 1:20:51 | 1:20:54 | |
Subtitles by Red Bee Media Ltd | 1:21:12 | 1:21:16 |